1
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NARRATOR:
Previously, on Hardy Boys...

2
00:00:02,794 --> 00:00:04,174
‐ Where's your nephew now?

3
00:00:04,171 --> 00:00:06,421
MRS. KHAN:
Three weeks ago, he disappeared.

4
00:00:06,423 --> 00:00:08,513
And I believe you're the man to find him.

5
00:00:08,509 --> 00:00:10,139
[thwacks]
[grunts]

6
00:00:10,135 --> 00:00:11,545
FENTON: Rupert Khan?
‐ Yeah.

7
00:00:11,553 --> 00:00:13,763
‐ You knew my wife.
‐ I was helping her

8
00:00:13,764 --> 00:00:16,234
to destroy the Circle of The Eye.

9
00:00:16,225 --> 00:00:19,305
GLORIA: Ever since I heard
they found that piece on the boat,

10
00:00:19,311 --> 00:00:22,021
I've been thinking about my successor.

11
00:00:22,022 --> 00:00:24,942
The legacy of The Eye
will fall to you, Francis.

12
00:00:24,942 --> 00:00:27,952
‐ "The only place The Eye
can be broken or reforged

13
00:00:27,945 --> 00:00:30,485
"is in the chamber of The Eye
where we discovered it.

14
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I think that it's the only place
it can be destroyed, as well."

15
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[Joe yells, thuds]

16
00:00:34,993 --> 00:00:36,583
[screaming]

17
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FRANK: He does something crazy
every time I don't listen to him.

18
00:00:38,747 --> 00:00:39,957
‐ So, why didn't you listen?

19
00:00:39,957 --> 00:00:42,417
‐ Because he wants to destroy The Eye
and I don't. That's why.

20
00:00:42,417 --> 00:00:44,837
He is right about one thing, though.
We'd probably be safer without it.

21
00:00:44,837 --> 00:00:47,167
CALLIE: Okay, so just tell him
he was right... when we find him.

22
00:00:47,172 --> 00:00:48,842
‐ [laughing] You okay?
[clanking]

23
00:00:48,841 --> 00:00:49,721
JOE:
Yeah.

24
00:00:49,716 --> 00:00:51,926
‐ When you've lost as much as we have,

25
00:00:51,927 --> 00:00:55,507
sometimes you have to take
big risks.

26
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GEORGE:
We have gone too far this time!

27
00:00:59,893 --> 00:01:02,653
We have blood on our hands.

28
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‐ We are not responsible
for those deaths.

29
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VICTOR: You cannot simply walk away
from the Circle, George.

30
00:01:14,616 --> 00:01:17,536
GEORGE: No, I can't wait.
It's not safe here anymore.

31
00:01:17,536 --> 00:01:19,616
They're coming.

32
00:01:19,621 --> 00:01:21,921
I have to get out of Bridgeport tonight.

33
00:01:23,208 --> 00:01:25,038
I'll contact you when I land.

34
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[phone clicks in cradle]

35
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Wait there.

36
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[clanging]

37
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♪ intense music playing ♪

38
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‐ It's them.

39
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It's the Circle, isn't it?

40
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[box clangs shut]

41
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Let me help.

42
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GEORGE:
Gloria...

43
00:01:52,154 --> 00:01:55,914
You are my daughter,
and I will always love you.

44
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But you will never be part
of the Circle of The Eye.

45
00:02:04,958 --> 00:02:06,248
GLORIA:
Just tell me why.

46
00:02:07,961 --> 00:02:09,551
What did I do?

47
00:02:09,546 --> 00:02:11,166
‐ It isn't your fault, darling.

48
00:02:13,717 --> 00:02:14,967
It's mine.

49
00:02:22,893 --> 00:02:24,063
[door thuds closed]

50
00:02:25,479 --> 00:02:27,689
I know one day you'll understand.

51
00:02:28,690 --> 00:02:30,820
And I hope you'll forgive me.

52
00:02:32,569 --> 00:02:33,819
Goodbye, Gloria.

53
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♪

54
00:02:49,545 --> 00:02:51,585
[crickets chirping]

55
00:02:55,133 --> 00:02:56,643
FRANK: Joe, wake up.
‐ Aah!

56
00:02:57,719 --> 00:03:00,139
‐ Get dressed. Attic.
Five minutes. Hurry up.

57
00:03:04,434 --> 00:03:06,404
Don't let this go to your head.

58
00:03:07,604 --> 00:03:10,444
But... you were right.

59
00:03:11,233 --> 00:03:13,073
‐ I like where this is going already.

60
00:03:13,068 --> 00:03:16,528
‐ I've thought about it,
and we need to destroy The Eye.

61
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‐ Nice to have you on board.

62
00:03:18,115 --> 00:03:19,945
What do you think I was
trying to do this whole time?

63
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‐ You wanted to destroy one piece of it.
That's not enough.

64
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We need to destroy the entire thing.

65
00:03:23,954 --> 00:03:25,834
‐ And how do you suppose we do that?

66
00:03:25,831 --> 00:03:29,131
I mean, even if we could get
the other two pieces, which we can't,

67
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the only place that it can be destroyed
is the chamber.

68
00:03:31,628 --> 00:03:33,708
And we have no idea where that is.

69
00:03:33,714 --> 00:03:35,804
This map is useless.

70
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[thwacks]

71
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‐ Maybe not.

72
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I think we missed something.

73
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George built that entire room

74
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to hide everything he knew about The Eye.

75
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He even hid it from his own daughter.

76
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The way to the chamber is in there.
I'm sure of it.

77
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‐ Well, even if it was,
Grandma wouldn't just let you walk in.

78
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FRANK: She would if she thinks
I'm gonna give her what she wants.

79
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JOE: She wants you.
FRANK: She wants control of The Eye.

80
00:03:59,489 --> 00:04:01,029
That's our leverage.

81
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‐ What's this?
STEFAN: Just came in.

82
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My dossier on the man
who attacked the Astghik,

83
00:04:07,331 --> 00:04:10,541
killed the crew,
and stole your piece of The Eye.

84
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Turns out he was a known
associate of Victor Nabokov.

85
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Ex‐military.
Did the dirty work for the family.

86
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‐ Victor died months before the attack.

87
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He couldn't possibly have ordered it.

88
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STEFAN:
That's what concerns me, ma'am.

89
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‐ He must have named a successor.

90
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The Nabokovs, the Khans,
and the Estabrooks.

91
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All the families back in play.

92
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The rivalry of one generation,

93
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passing on to the next.

94
00:04:45,786 --> 00:04:47,696
JOE: You can't just give her the piece.

95
00:04:47,704 --> 00:04:49,674
If you do, she won't have
any reason to tell you anything.

96
00:04:49,665 --> 00:04:51,035
‐ This is the best shot we have!

97
00:04:51,041 --> 00:04:52,421
If you have another idea, let's hear it,

98
00:04:52,417 --> 00:04:54,797
but for right now,
this is the best option.

99
00:04:57,381 --> 00:04:59,051
‐ So, you're going undercover.

100
00:04:59,049 --> 00:05:02,049
‐ Mom wanted to expose the truth,
and bring down the Circle.

101
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No Eye, no Circle.

102
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Let's finish what she started.

103
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♪ theme music playing ♪

104
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[door squeaks open]

105
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‐ Frank?

106
00:05:31,707 --> 00:05:34,327
‐ Yeah, I'm just going to work.
TRUDY: Can you come here, please?

107
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[door closes]

108
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[Frank clears his throat]

109
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‐ What's up?

110
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[clears throat]

111
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‐ I'm gonna ask you something,
and I want you to level with me, okay?

112
00:05:50,893 --> 00:05:52,443
‐ Yeah, yeah. Sure. Of course.

113
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‐ That thing. The... The piece.

114
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It's here, isn't it?

115
00:06:03,363 --> 00:06:04,413
‐ No.

116
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‐ Frank.

117
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Stop.

118
00:06:07,451 --> 00:06:10,201
Look, I know you think
I'm some sort of obstacle

119
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that you have to get by...

120
00:06:11,997 --> 00:06:13,457
‐ I don't think that.

121
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‐ Okay, maybe sometimes just a little bit.

122
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[Trudy sighs]

123
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‐ Look, I get it.

124
00:06:22,549 --> 00:06:25,299
I may not know what
that thing even is, but...

125
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[exhales]

126
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I know a lot of people have been hurt
because of it.

127
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I want it out of the house.

128
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‐ Okay.

129
00:06:39,107 --> 00:06:40,437
I'm working on it.

130
00:06:42,069 --> 00:06:43,779
I gotta go.

131
00:06:43,779 --> 00:06:45,029
I'll talk to you later.

132
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[door opens]

133
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[door closes]

134
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‐ Miss me?

135
00:07:00,671 --> 00:07:02,711
‐ Don't flatter yourself.

136
00:07:02,714 --> 00:07:04,804
I see you've come to your senses.

137
00:07:04,800 --> 00:07:07,010
I'll take the piece now, Mr. Cox.

138
00:07:07,010 --> 00:07:09,350
‐ [grunting]: Hold on. Hold on.

139
00:07:09,346 --> 00:07:10,926
It took me forever to
climb through that window,

140
00:07:10,931 --> 00:07:12,221
so just give me a minute.

141
00:07:12,224 --> 00:07:13,524
[grunts]

142
00:07:13,517 --> 00:07:15,847
Things didn't exactly go as planned.

143
00:07:15,853 --> 00:07:17,903
I don't have it.

144
00:07:17,896 --> 00:07:20,566
GLORIA: Stefan‐‐
‐ I had the Khan piece.

145
00:07:20,566 --> 00:07:22,026
‐ Had?

146
00:07:22,025 --> 00:07:23,355
‐ And I lost it.

147
00:07:24,361 --> 00:07:25,651
‐ To whom?

148
00:07:25,654 --> 00:07:28,414
‐ You make me an offer,
and I will tell you.

149
00:07:28,991 --> 00:07:31,701
‐ You know, you're as bad a negotiator
as you are a thief.

150
00:07:31,702 --> 00:07:33,622
‐ Ouch. I'm not gonna
hold that against you,

151
00:07:33,620 --> 00:07:36,000
because we're such good friends.
‐ Stefan, get in here, please.

152
00:07:35,998 --> 00:07:38,168
‐ She has two pieces now.

153
00:07:38,166 --> 00:07:42,126
GLORIA: Who has?
‐ This 16‐year‐old girl. Okay?

154
00:07:42,963 --> 00:07:46,013
I got a little bit ambitious,
went after her, this happened.

155
00:07:46,967 --> 00:07:49,967
‐ A 16‐year‐old girl did that to you?
‐ No.

156
00:07:49,970 --> 00:07:54,060
No, not her specifically.
She has... people.

157
00:07:55,225 --> 00:07:56,305
‐ People.

158
00:08:00,981 --> 00:08:03,151
This is what we're going to do.

159
00:08:03,150 --> 00:08:05,690
You want to get paid,

160
00:08:05,694 --> 00:08:07,154
you finish the job.

161
00:08:08,155 --> 00:08:11,235
My two grandsons are in possession
of my piece of The Eye.

162
00:08:11,241 --> 00:08:14,331
‐ [chuckles] You want to steal
from your own grandkids?

163
00:08:14,328 --> 00:08:16,408
‐ It's not stealing. It's already mine.

164
00:08:18,248 --> 00:08:19,288
[scoffs]

165
00:08:23,170 --> 00:08:26,300
‐ Yeah, okay. Fine. You got a deal.

166
00:08:28,050 --> 00:08:30,510
Now?
‐ No, tomorrow. Yes, now.

167
00:08:30,511 --> 00:08:31,511
‐ Okay.

168
00:08:35,140 --> 00:08:38,350
♪

169
00:08:39,895 --> 00:08:41,475
[door opens, bell jingles]

170
00:08:41,480 --> 00:08:42,650
‐ Hey.

171
00:08:42,648 --> 00:08:43,938
‐ Oh, hey.
[door shuts]

172
00:08:43,941 --> 00:08:45,651
CALLIE: Called your house.
Your aunt said you were here.

173
00:08:45,651 --> 00:08:46,941
How's Joe doing?

174
00:08:46,944 --> 00:08:49,034
[dishes clattering]
‐ He's fine.

175
00:08:49,029 --> 00:08:51,159
You know Joe. Nothing really phases him.

176
00:08:51,156 --> 00:08:53,076
‐ [chuckles softly]
And you?

177
00:08:53,075 --> 00:08:55,325
‐ Well, other than trying to navigate
the inner politics

178
00:08:55,327 --> 00:08:57,957
of a menacing secret society
run by my grandmother,

179
00:08:57,955 --> 00:08:59,535
I'm doing great.
‐ Right.

180
00:09:01,208 --> 00:09:04,338
Seriously, whatever issues the two of you
have had in the past,

181
00:09:04,336 --> 00:09:05,706
she's still your grandmother,

182
00:09:05,712 --> 00:09:08,552
and I don't think she would ever
do anything to hurt you.

183
00:09:08,549 --> 00:09:09,969
‐ You'd think so, right?

184
00:09:09,967 --> 00:09:12,217
‐ Which is way more than
I can say about Stacy.

185
00:09:14,263 --> 00:09:17,023
Do you actually think
Stacy's gonna help you?

186
00:09:17,015 --> 00:09:18,595
‐ What are you talking about?

187
00:09:19,518 --> 00:09:21,188
‐ I saw her kiss you.

188
00:09:24,982 --> 00:09:27,112
‐ Callie, that was... that was nothing.

189
00:09:27,109 --> 00:09:29,239
‐ But that girl is using you.

190
00:09:29,236 --> 00:09:30,946
You can see that. Right?

191
00:09:31,697 --> 00:09:34,197
Or are you actually
just like every other guy

192
00:09:34,199 --> 00:09:36,369
the second a girl shows him
the slightest bit of attention?

193
00:09:36,368 --> 00:09:37,908
‐ That's actually not what's happening,

194
00:09:37,911 --> 00:09:40,041
but if you want to take it out on me
because Chet broke up with you,

195
00:09:40,038 --> 00:09:41,788
then you, you go right ahead.

196
00:09:43,876 --> 00:09:45,836
[video game beeping]

197
00:09:50,215 --> 00:09:53,425
‐ You know, for such a smart guy,
you can be pretty dumb sometimes.

198
00:09:56,346 --> 00:09:58,716
‐ Callie. Callie, wait.
[bell on front door jingles]

199
00:10:02,519 --> 00:10:04,609
[door closes]
STACY: Ooh. What was that?

200
00:10:05,981 --> 00:10:07,151
[Stacy grunts]

201
00:10:08,108 --> 00:10:09,278
‐ Nothing.

202
00:10:10,194 --> 00:10:11,954
‐ That did not look like nothing.

203
00:10:12,905 --> 00:10:15,155
You know, it's funny.
I'm actually starting to enjoy

204
00:10:15,157 --> 00:10:17,077
all the silly high school drama.

205
00:10:17,075 --> 00:10:19,365
Like, no wonder her boyfriend
dumped her, right?

206
00:10:23,624 --> 00:10:25,424
Come on. Everybody knows.

207
00:10:28,128 --> 00:10:29,508
‐ She saw us kiss.

208
00:10:32,132 --> 00:10:34,342
‐ Well, it's probably better
that she knows about us.

209
00:10:35,969 --> 00:10:37,099
‐ Us?

210
00:10:37,971 --> 00:10:39,101
‐ Yeah. Us.

211
00:10:40,891 --> 00:10:43,771
Now that Joe's safe,
you and I can move ahead with our plan.

212
00:10:46,772 --> 00:10:49,692
‐ And what plan is that, exactly?

213
00:10:53,320 --> 00:10:55,030
‐ Frank, we want the same thing.

214
00:10:56,406 --> 00:10:57,406
‐ We do?

215
00:10:59,826 --> 00:11:00,906
‐ Yes.

216
00:11:02,079 --> 00:11:04,749
To get revenge on the people
who made us orphans.

217
00:11:05,999 --> 00:11:07,379
‐ I'm not an orphan.

218
00:11:10,754 --> 00:11:12,974
‐ Frank, do you even know
where your father is?

219
00:11:15,717 --> 00:11:17,087
‐ Um...

220
00:11:17,094 --> 00:11:18,104
‐ Hey.

221
00:11:19,221 --> 00:11:20,391
It's okay, though.

222
00:11:21,348 --> 00:11:22,558
Because we have each other.

223
00:11:29,064 --> 00:11:30,194
[geese squawking]

224
00:11:31,567 --> 00:11:32,437
[door opens]

225
00:11:37,197 --> 00:11:38,737
[Fenton chuckles]

226
00:11:38,740 --> 00:11:41,200
FENTON:
Not exactly the presidential suite.

227
00:11:41,201 --> 00:11:43,581
RUPERT: It's fine.
It's a good place to lay low.

228
00:11:43,579 --> 00:11:44,829
[Rupert sighs]
FENTON: Good.

229
00:11:45,664 --> 00:11:48,004
'Cause you're gonna have to
stay put till we get some answers.

230
00:11:48,000 --> 00:11:49,130
Don't answer the door.

231
00:11:49,126 --> 00:11:51,206
‐ With what we been through,
don't worry.

232
00:11:51,211 --> 00:11:54,301
‐ You think your aunt's gonna play along?

233
00:11:54,298 --> 00:11:56,008
‐ She's gonna have no choice.

234
00:11:58,886 --> 00:12:01,006
‐ All right. Thank you, Rupert.

235
00:12:02,556 --> 00:12:05,016
‐ Laura was a friend.
She deserves justice.

236
00:12:08,020 --> 00:12:09,440
‐ All right. I'll see you soon.

237
00:12:09,438 --> 00:12:10,728
Listen, okay?
‐ Yeah, yeah.

238
00:12:10,731 --> 00:12:12,691
‐ Call me the second Kanika calls you.

239
00:12:12,691 --> 00:12:13,901
‐ Okay.
‐ You have my number.

240
00:12:13,901 --> 00:12:14,901
‐ Yeah.

241
00:12:18,530 --> 00:12:19,620
[door closes]

242
00:12:24,661 --> 00:12:25,831
[knocking on door]

243
00:12:25,829 --> 00:12:27,209
[Joe exhales, door opens]

244
00:12:30,042 --> 00:12:31,042
‐ Hi.

245
00:12:35,631 --> 00:12:36,631
You okay?

246
00:12:37,549 --> 00:12:38,799
‐ Yeah.

247
00:12:38,800 --> 00:12:41,090
Mm‐hmm.
Perfect, just like five minutes ago.

248
00:12:44,014 --> 00:12:46,354
‐ I'm gonna go take a shower.

249
00:12:46,350 --> 00:12:48,270
You're gonna be fine, right?

250
00:12:48,268 --> 00:12:49,518
‐ I think I'll make it.

251
00:12:51,897 --> 00:12:53,817
‐ Okay. Well, um...

252
00:12:54,816 --> 00:12:56,606
Call if you need me. Okay?

253
00:13:00,989 --> 00:13:01,989
Bye.

254
00:13:01,990 --> 00:13:03,120
[door closes]

255
00:13:03,116 --> 00:13:05,236
‐ Geez. You fall down one mineshaft...

256
00:13:06,745 --> 00:13:07,905
[sighs softly]

257
00:13:08,997 --> 00:13:11,417
[soft noises outside]

258
00:13:13,168 --> 00:13:14,668
[knocking on window]

259
00:13:18,131 --> 00:13:20,091
[distant shower spraying]

260
00:13:22,469 --> 00:13:23,599
You look terrible.

261
00:13:24,179 --> 00:13:25,509
‐ Thanks.

262
00:13:25,514 --> 00:13:26,724
You gonna let me in?

263
00:13:28,058 --> 00:13:29,598
‐ No. Don't think so.

264
00:13:29,601 --> 00:13:33,231
‐ Okay. One, you are way too young
to be this cynical.

265
00:13:33,230 --> 00:13:35,320
Okay? Two,

266
00:13:35,315 --> 00:13:37,645
I've run into a bit of bad luck
with my last job.

267
00:13:37,651 --> 00:13:39,361
It didn't exactly go according to plan.

268
00:13:39,361 --> 00:13:41,201
‐ Maybe you should find
a different job.

269
00:13:41,196 --> 00:13:44,026
‐ It's not the job. It's the people.

270
00:13:44,950 --> 00:13:46,200
Come on, buddy.

271
00:13:46,201 --> 00:13:47,951
♪ playful music playing ♪

272
00:13:49,913 --> 00:13:51,833
‐ If I let you in, you do what I say,

273
00:13:51,832 --> 00:13:53,212
and you leave when I tell you.

274
00:13:53,208 --> 00:13:55,958
‐ Yeah. Your house, your rules. Got it.

275
00:14:00,465 --> 00:14:03,335
♪

276
00:14:03,343 --> 00:14:05,223
Gah. All right.

277
00:14:05,220 --> 00:14:06,640
[grunts]

278
00:14:06,638 --> 00:14:09,388
[pained grunting]

279
00:14:09,391 --> 00:14:10,601
[exhales]

280
00:14:11,518 --> 00:14:13,438
I am fine by the way. Don't need any help.

281
00:14:13,437 --> 00:14:15,607
‐ I've let you into my house twice.
I've helped you enough.

282
00:14:15,606 --> 00:14:16,686
[exhales]

283
00:14:17,774 --> 00:14:20,654
‐ Well, Joey, now that you mention it‐‐

284
00:14:20,652 --> 00:14:22,112
‐ What do you want?

285
00:14:22,905 --> 00:14:23,945
[distant door opens]

286
00:14:24,865 --> 00:14:26,275
‐ Are you expecting company?

287
00:14:27,034 --> 00:14:28,914
‐ No. Wait here.

288
00:14:28,911 --> 00:14:30,081
[door closes]

289
00:14:30,078 --> 00:14:31,748
And don't touch anything.

290
00:14:33,665 --> 00:14:34,665
FENTON:
Hello?

291
00:14:39,880 --> 00:14:41,800
Hey. Remember me?

292
00:14:41,798 --> 00:14:43,878
[Fenton laughing]
‐ Dad!

293
00:14:43,884 --> 00:14:45,054
‐ Oh.

294
00:14:45,052 --> 00:14:46,392
JOE:
I missed you so much.

295
00:14:46,386 --> 00:14:47,506
‐ Missed you more.

296
00:14:47,513 --> 00:14:49,103
‐ I sincerely doubt that.
[kisses]

297
00:14:49,097 --> 00:14:50,927
[both laughing]

298
00:14:50,933 --> 00:14:52,103
No more trips.

299
00:14:52,100 --> 00:14:53,100
‐ No more trips.
‐ Ever again.

300
00:14:53,101 --> 00:14:54,691
‐ Ever again, no more trips?

301
00:14:54,686 --> 00:14:56,056
[laughing]
‐ Yeah.

302
00:14:56,063 --> 00:14:57,483
‐ Where's your brother?

303
00:14:57,481 --> 00:14:59,021
‐ Probably at work.

304
00:14:59,024 --> 00:15:00,154
‐ He's at work, huh?

305
00:15:00,150 --> 00:15:01,900
‐ Yeah, yeah. He got a job at Wilt's.

306
00:15:01,902 --> 00:15:03,532
The dorky hat and everything.

307
00:15:03,529 --> 00:15:06,069
‐ Frank got a job at Wilt's?
‐ Yeah.

308
00:15:06,073 --> 00:15:08,083
He still can't make a coffee
to save his life, though.

309
00:15:08,075 --> 00:15:09,405
[laughs]

310
00:15:09,409 --> 00:15:10,739
‐ You look a little taller, maybe.

311
00:15:10,744 --> 00:15:12,124
‐ Wait. Wait, really?

312
00:15:12,955 --> 00:15:15,245
‐ Well... actually, maybe not.

313
00:15:15,249 --> 00:15:16,999
[laughs]
[thudding upstairs]

314
00:15:17,000 --> 00:15:18,590
What's that?
‐ Oh. Oh, that was nothing.

315
00:15:18,585 --> 00:15:19,955
Probably just Trudy.

316
00:15:19,962 --> 00:15:21,592
Let me take your bags.

317
00:15:30,264 --> 00:15:31,604
FENTON:
[chuckles] Hey.

318
00:15:32,516 --> 00:15:34,426
Hey, buddy. It's okay.

319
00:15:34,434 --> 00:15:35,484
It's okay.

320
00:15:36,520 --> 00:15:38,190
I'm gonna be home for a while, okay?

321
00:15:46,488 --> 00:15:48,158
‐ Listen, I know you said you're okay,

322
00:15:48,156 --> 00:15:49,366
but do you want me
to make you a sandwich?

323
00:15:49,366 --> 00:15:51,196
‐ Sure, yeah. I'll, I'll take a sandwich.

324
00:15:51,618 --> 00:15:53,328
[screams]

325
00:15:53,328 --> 00:15:54,748
[door closes, screaming continues]

326
00:15:54,746 --> 00:15:57,826
♪ tense music playing ♪

327
00:16:00,794 --> 00:16:02,424
[objects clinking]
FENTON: Hey.

328
00:16:02,421 --> 00:16:03,711
Trudy. Hey.
‐ Hey, Fent.

329
00:16:03,714 --> 00:16:04,884
You're back.
‐ Are you okay?

330
00:16:04,882 --> 00:16:06,382
‐ There's a man in Joe's room.

331
00:16:09,219 --> 00:16:10,509
FENTON:
Who are you?

332
00:16:10,512 --> 00:16:11,642
‐ Who are you?

333
00:16:11,638 --> 00:16:12,968
‐ What's he doing here?

334
00:16:12,973 --> 00:16:14,103
‐ You know him?

335
00:16:15,309 --> 00:16:16,189
[door thuds closed]

336
00:16:17,561 --> 00:16:19,651
‐ Well, one of you better
tell me what's going on.

337
00:16:22,900 --> 00:16:24,190
‐ His name's JB.

338
00:16:24,193 --> 00:16:25,533
He's a friend.

339
00:16:25,527 --> 00:16:27,277
He got hurt, so I was helping out.

340
00:16:27,279 --> 00:16:29,159
‐ He's not your friend.
‐ Yes, he is.

341
00:16:29,156 --> 00:16:30,906
‐ He kidnapped you.
‐ He what?

342
00:16:33,660 --> 00:16:36,250
♪

343
00:16:37,956 --> 00:16:39,166
Start talking.

344
00:16:39,166 --> 00:16:41,746
JOE: So, the tall man
killed everybody on the boat,

345
00:16:41,752 --> 00:16:42,752
chased after Ern,

346
00:16:42,753 --> 00:16:45,133
who you might remember
held me at knifepoint at the barbecue.

347
00:16:45,130 --> 00:16:47,170
Then he chased me through the carnival,

348
00:16:47,174 --> 00:16:49,094
into some haunted‐‐
‐ Wait, he came after you?

349
00:16:49,092 --> 00:16:51,602
‐ Yeah, he was going for
the piece of The Eye that Joe found.

350
00:16:51,595 --> 00:16:54,055
JOE: Then Frank took a test
to get into some fancy school

351
00:16:54,056 --> 00:16:55,346
started by Grandma's dad,

352
00:16:55,349 --> 00:16:58,479
that turned out to be a training ground
for a secret society.

353
00:16:58,477 --> 00:17:00,767
Oh, and we decoded this message

354
00:17:00,771 --> 00:17:03,441
that told us where the idol
was gonna be sold.

355
00:17:03,440 --> 00:17:05,110
We figured that if we knew
who the buyer was,

356
00:17:05,108 --> 00:17:07,528
they might be able to tell us
what Mom was working on.

357
00:17:10,489 --> 00:17:11,779
‐ You missed a lot.

358
00:17:13,033 --> 00:17:16,123
‐ So, did you call the police?
Did you tell them everything?

359
00:17:16,119 --> 00:17:20,289
‐ Jesse knows everything, but her hands
are tied because of Chief Collig.

360
00:17:20,290 --> 00:17:22,210
‐ I'm not following.
What's wrong with Ezra?

361
00:17:22,209 --> 00:17:24,549
‐ He's involved.
FENTON: What?

362
00:17:24,545 --> 00:17:25,745
‐ He's corrupt.

363
00:17:25,754 --> 00:17:28,344
‐ Do you realize how serious
an accusation that is, Frank?

364
00:17:28,340 --> 00:17:29,380
Do you have proof?

365
00:17:29,383 --> 00:17:32,593
‐ Dad, this piece of fabric
was found at the drop site,

366
00:17:32,594 --> 00:17:34,934
and it matches a tear in Collig's coat.

367
00:17:36,557 --> 00:17:38,177
‐ Wait, how did you match that?

368
00:17:39,685 --> 00:17:41,515
‐ Well, I‐‐ I...

369
00:17:47,860 --> 00:17:49,360
I broke into his house.

370
00:17:53,365 --> 00:17:55,445
‐ Well, I don't know where to start.

371
00:17:55,450 --> 00:17:58,040
Do you realize how lucky
the two of you are that you weren't hurt?

372
00:17:58,036 --> 00:17:59,826
Or even worse?

373
00:17:59,830 --> 00:18:02,120
And Trudy, where were you in all this?

374
00:18:02,124 --> 00:18:03,584
‐ I‐‐
‐ It's not her fault.

375
00:18:03,584 --> 00:18:04,754
She tried to stop us.

376
00:18:04,751 --> 00:18:06,551
‐ You know what?
We're gonna deal with that later.

377
00:18:07,504 --> 00:18:09,094
Do you have the piece of The Eye?

378
00:18:09,923 --> 00:18:11,303
Well, where is it?

379
00:18:11,300 --> 00:18:12,340
‐ Don't worry. It's safe.

380
00:18:12,342 --> 00:18:14,262
‐ Go get it. Now. Go!

381
00:18:17,556 --> 00:18:19,766
[running footsteps down stairs]

382
00:18:26,106 --> 00:18:28,396
I expected better judgment from you.

383
00:18:30,444 --> 00:18:32,324
‐ Seriously?
FENTON: Yeah.

384
00:18:32,321 --> 00:18:33,281
‐ Me.

385
00:18:34,823 --> 00:18:36,033
JOE:
Frank!

386
00:18:36,867 --> 00:18:38,487
[rustling in drawer]
No, no, no, no, no, no, no!

387
00:18:40,412 --> 00:18:42,832
♪ tense music playing ♪

388
00:18:48,378 --> 00:18:50,088
FRANK: What? What's wrong?
‐ It's gone.

389
00:18:50,589 --> 00:18:52,169
‐ What?
‐ It's gone.

390
00:18:53,967 --> 00:18:55,257
‐ JB.

391
00:18:59,056 --> 00:19:00,676
[phone dialing]

392
00:19:01,391 --> 00:19:02,851
FENTON [over phone]: Hello?
‐ Fenton.

393
00:19:02,851 --> 00:19:04,351
She's on her way.

394
00:19:04,353 --> 00:19:05,943
When can you get back here?

395
00:19:05,938 --> 00:19:07,858
FENTON [over phone]:
I'll leave as soon as I can.

396
00:19:07,856 --> 00:19:10,726
‐ Ah, I'd like you to be here
sooner than that.

397
00:19:10,734 --> 00:19:12,534
Please, you gotta hurry.

398
00:19:12,528 --> 00:19:14,278
‐ Okay. I'm on my way.

399
00:19:14,279 --> 00:19:15,409
[phone clicks in cradle]
‐ You're leaving?

400
00:19:15,405 --> 00:19:16,365
‐ Yeah.
JOE: Again?

401
00:19:16,365 --> 00:19:18,195
FRANK: Where are you going?
‐ I'm gonna go see Rupert.

402
00:19:18,200 --> 00:19:20,660
This is all connected.
I want you to stay put,

403
00:19:20,661 --> 00:19:21,871
and I'll be home soon.

404
00:19:21,870 --> 00:19:23,620
‐ Dad, we have to get the piece.

405
00:19:23,622 --> 00:19:25,872
‐ Dad, Joe's right.
Whatever else is going on right now

406
00:19:25,874 --> 00:19:27,464
won't matter if they get all three pieces.

407
00:19:27,459 --> 00:19:29,209
‐ Guys, this no longer concerns you.

408
00:19:29,211 --> 00:19:31,091
I don't want you going
anywhere near anybody

409
00:19:31,088 --> 00:19:32,758
that has anything to do with The Eye,
or anything else.

410
00:19:32,756 --> 00:19:35,216
‐ Well, it's a little late for that now.
They're already involved.

411
00:19:35,217 --> 00:19:36,967
‐ And that should have never happened.

412
00:19:38,887 --> 00:19:40,427
‐ You weren't here.

413
00:19:42,391 --> 00:19:43,561
‐ Excuse me?

414
00:19:43,559 --> 00:19:46,439
‐ What did you expect? That we were
just gonna sit around and do nothing?

415
00:19:46,436 --> 00:19:48,896
‐ No, you've done enough,
And now it's no longer your problem.

416
00:19:48,897 --> 00:19:50,567
‐ Dad, you just‐‐ you don't‐‐
FENTON: Hey!

417
00:19:53,443 --> 00:19:54,823
Stay out of it.

418
00:20:04,705 --> 00:20:06,155
[footsteps departing]

419
00:20:06,999 --> 00:20:08,709
[door squeaks shut, lock clicks]

420
00:20:14,339 --> 00:20:15,669
‐ Sorry, boys.

421
00:20:18,802 --> 00:20:20,142
You know how he is.

422
00:20:24,850 --> 00:20:26,520
[footsteps departing]

423
00:20:29,980 --> 00:20:31,230
‐ Where are you going?

424
00:20:31,231 --> 00:20:32,271
‐ If we want to destroy The Eye,

425
00:20:32,274 --> 00:20:35,074
we have to get all three pieces
in the chamber before the Circle does.

426
00:20:35,068 --> 00:20:36,858
‐ We don't even know where the chamber is.

427
00:20:36,862 --> 00:20:38,362
We don't even have a piece.

428
00:20:38,363 --> 00:20:40,203
‐ Oh, I think I know someone who does.

429
00:20:42,618 --> 00:20:44,698
‐ If you want to convince Grandma
that you're on her side,

430
00:20:44,703 --> 00:20:46,913
you need to go all in,
or she won't believe you.

431
00:20:47,873 --> 00:20:49,793
‐ You're right.

432
00:20:49,791 --> 00:20:51,041
‐ Wait here.

433
00:21:04,515 --> 00:21:06,015
Take these.

434
00:21:06,016 --> 00:21:07,016
‐ Thanks.

435
00:21:09,019 --> 00:21:10,189
‐ Good luck.

436
00:21:17,486 --> 00:21:18,696
[sighs]

437
00:21:19,154 --> 00:21:20,664
[knocking]

438
00:21:23,116 --> 00:21:24,406
‐ Rupert.

439
00:21:24,409 --> 00:21:26,619
I'm so relieved.

440
00:21:26,620 --> 00:21:29,000
Are you... you all right?

441
00:21:28,997 --> 00:21:31,077
‐ I'm fine.
[Mrs. Khan exhales]

442
00:21:31,083 --> 00:21:33,753
Fenton Hardy found me
before your people could finish the job.

443
00:21:38,048 --> 00:21:39,128
MRS. KHAN: You know.

444
00:21:40,384 --> 00:21:41,844
‐ Yeah, we know.

445
00:21:41,844 --> 00:21:44,394
That you hired me to get me
out of Bridgeport?

446
00:21:44,388 --> 00:21:46,768
That you tore up his apartment.
You beat him up,

447
00:21:46,765 --> 00:21:48,805
so you could find out
what him and Laura knew.

448
00:21:49,601 --> 00:21:50,941
Did you kill my wife?

449
00:21:50,936 --> 00:21:52,306
‐ Of course not.

450
00:21:52,312 --> 00:21:54,022
‐ Did you kill Victor Nabokov?

451
00:21:54,022 --> 00:21:57,732
‐ Victor died before the last part
of The Eye was found.

452
00:21:57,734 --> 00:22:00,784
[scoffs] What reason would I have had
to kill Victor?

453
00:22:00,779 --> 00:22:02,409
‐ Oh, I don't know. Two pieces of The Eye.

454
00:22:02,406 --> 00:22:05,236
‐ Twice as useless without
the Estabrook piece, so no.

455
00:22:05,242 --> 00:22:08,292
I would not have taken that risk.
Put myself in the position I'm in now.

456
00:22:08,287 --> 00:22:09,787
‐ What position?

457
00:22:11,206 --> 00:22:15,126
‐ The Khans are no longer in possession
of their piece of The Eye.

458
00:22:15,127 --> 00:22:16,667
Someone stole it from me.

459
00:22:18,213 --> 00:22:19,513
FENTON:
Who?

460
00:22:19,506 --> 00:22:21,126
MRS. KHAN: I'm not certain,

461
00:22:21,133 --> 00:22:24,393
but I believe there's a new person
acting against the Circle.

462
00:22:26,263 --> 00:22:28,273
Possibly the same person
who killed Victor.

463
00:22:28,265 --> 00:22:29,635
‐ And Laura.

464
00:22:30,475 --> 00:22:33,475
‐ So, all of this planning,
and you lost it.

465
00:22:33,478 --> 00:22:36,858
All the time you spent
trying to cut my father out of the family,

466
00:22:36,857 --> 00:22:39,227
hunting and nearly killing
your own nephew,

467
00:22:39,234 --> 00:22:40,784
and you have nothing.

468
00:22:41,612 --> 00:22:45,492
‐ Rupert, I don't believe anyone could say
that I have nothing.

469
00:22:46,783 --> 00:22:49,833
This belonged to your wife, Mr. Hardy.

470
00:22:49,828 --> 00:22:51,828
It may provide some answers for you.

471
00:22:53,540 --> 00:22:55,250
‐ You stole that from my flat.

472
00:22:55,250 --> 00:22:56,540
MRS. KHAN:
Yes.

473
00:22:57,628 --> 00:23:00,338
‐ What is it?
RUPERT: It's a message to Laura.

474
00:23:00,339 --> 00:23:01,919
From her grandfather.

475
00:23:01,924 --> 00:23:04,434
She sent it to me when she thought
her life was in danger.

476
00:23:04,426 --> 00:23:06,886
I never had a chance to listen to it.

477
00:23:07,721 --> 00:23:10,641
‐ You're not gonna just give me this tape
and walk out of here.

478
00:23:10,641 --> 00:23:12,771
You're gonna help us.

479
00:23:12,768 --> 00:23:14,138
‐ Or what?

480
00:23:16,855 --> 00:23:19,605
Are you going to arrest me, Mr. Hardy?

481
00:23:19,608 --> 00:23:21,358
RUPERT:
He won't have to.

482
00:23:21,360 --> 00:23:23,030
We know all your enemies.

483
00:23:23,028 --> 00:23:25,068
FENTON:
There's blood on your hands.

484
00:23:25,072 --> 00:23:26,872
So I'm gonna make you a deal.

485
00:23:26,865 --> 00:23:28,525
And you're gonna take it.

486
00:23:40,712 --> 00:23:42,302
‐ Thank you, Mr. Cox.

487
00:23:43,465 --> 00:23:45,925
I look forward to never seeing you again.

488
00:23:48,053 --> 00:23:49,973
[Frank scoffs]

489
00:23:49,972 --> 00:23:51,102
‐ I knew it.

490
00:23:52,933 --> 00:23:54,813
You know, Joe's probably
the one person on Earth

491
00:23:54,810 --> 00:23:57,230
who actually liked and trusted you.

492
00:23:57,229 --> 00:23:59,859
He helped you,
and this is what you go and do?

493
00:23:59,857 --> 00:24:01,147
‐ Frank...

494
00:24:03,110 --> 00:24:04,990
I was hired to do a job.

495
00:24:05,362 --> 00:24:06,662
[scoffs]

496
00:24:09,950 --> 00:24:12,240
FRANK: Who hires a thief to steal
from their own grandson?

497
00:24:12,244 --> 00:24:14,204
‐ Francis.
FRANK: And him?

498
00:24:15,163 --> 00:24:16,793
He put a target on Joe's back.

499
00:24:16,790 --> 00:24:19,040
He brought him right here
as a hostage to trade.

500
00:24:19,042 --> 00:24:20,632
‐ I tried to be patient.

501
00:24:20,627 --> 00:24:22,667
And then I grew tired of it.

502
00:24:22,671 --> 00:24:25,421
‐ You said that you cared about us.

503
00:24:25,424 --> 00:24:29,304
‐ Stefan, show Mr. Cox out.
I need a moment with my grandson.

504
00:24:33,974 --> 00:24:35,354
Come with me.

505
00:24:42,816 --> 00:24:46,446
Francis, I'm not happy about the way
this has all transpired.

506
00:24:46,445 --> 00:24:49,405
But I'm asking you,
what would you have had me do?

507
00:24:49,406 --> 00:24:52,366
You could have
given this to me at any time,

508
00:24:52,367 --> 00:24:54,577
but you chose not to.

509
00:24:54,578 --> 00:24:56,868
You even lied to me about having it.

510
00:24:56,872 --> 00:25:00,002
You ignored the dangers you were putting
you and your brother in.

511
00:25:00,000 --> 00:25:01,380
You seem to feel entitled,

512
00:25:01,376 --> 00:25:04,376
as if you had more right
to the thing than I.

513
00:25:05,464 --> 00:25:07,094
And I gave you time.

514
00:25:07,090 --> 00:25:09,430
Time to see the bigger picture.

515
00:25:10,177 --> 00:25:12,467
‐ I was going to give it to you.

516
00:25:12,471 --> 00:25:14,431
But you stole it before I could.

517
00:25:15,557 --> 00:25:18,057
I told Joe that you wanted what we wanted,

518
00:25:18,060 --> 00:25:19,940
and that I was sick of the games.

519
00:25:19,937 --> 00:25:21,267
He begged me to wait.

520
00:25:21,271 --> 00:25:23,901
Told me that we had to agree,
because we were family.

521
00:25:25,275 --> 00:25:27,525
I told him that you were family, too.

522
00:25:30,531 --> 00:25:32,701
‐ Families don't always agree.

523
00:25:38,872 --> 00:25:40,672
‐ I think I understand why you did it.

524
00:25:42,709 --> 00:25:44,129
'Cause you had to.

525
00:25:46,672 --> 00:25:49,052
And The Eye, it's bigger than everything.

526
00:25:58,392 --> 00:25:59,522
‐ [softly]: Yes.

527
00:26:04,273 --> 00:26:05,273
So.

528
00:26:06,859 --> 00:26:09,109
Why did you come here just now?

529
00:26:10,195 --> 00:26:12,105
‐ To tell you that JB stole our piece.

530
00:26:13,490 --> 00:26:14,950
And to return these.

531
00:26:19,496 --> 00:26:20,706
‐ Oh.

532
00:26:21,790 --> 00:26:23,880
The journal. Thank you.

533
00:26:28,547 --> 00:26:31,007
FRANK:
We never did figure out what it was for.

534
00:26:32,092 --> 00:26:33,262
It was on the wall.

535
00:26:33,260 --> 00:26:35,680
‐ Yes, yes. I know. I remember.

536
00:26:35,679 --> 00:26:37,349
Thank you, Francis.

537
00:26:37,347 --> 00:26:39,727
‐ So what do we do now?

538
00:26:39,725 --> 00:26:42,845
‐ Well, we protect the family legacy.

539
00:26:42,853 --> 00:26:45,983
And reclaim our place in the Circle.

540
00:26:47,357 --> 00:26:49,187
[doorbell chimes]

541
00:26:49,193 --> 00:26:50,533
You go ahead.

542
00:26:53,739 --> 00:26:57,079
♪ mysterious music playing ♪

543
00:27:12,966 --> 00:27:15,716
♪

544
00:27:20,224 --> 00:27:21,354
[thuds]

545
00:27:34,780 --> 00:27:36,870
[tape winding]
[footsteps approaching]

546
00:27:36,865 --> 00:27:37,945
‐ What are you doing?

547
00:27:37,950 --> 00:27:39,790
‐ Just give me a minute. Okay, Joe?

548
00:27:39,785 --> 00:27:43,365
GEORGE [on tape]: One can never know
what The Eye has planned.

549
00:27:43,372 --> 00:27:45,462
The Circle thinks they do.

550
00:27:45,457 --> 00:27:48,497
But such power is not meant
to be controlled,

551
00:27:48,502 --> 00:27:52,972
and that, my dear Laura, is why I must go.

552
00:27:52,965 --> 00:27:57,215
I've decided to flee
with my piece of The Eye.

553
00:27:57,219 --> 00:28:00,929
If it remains, it can be made whole
by the other families.

554
00:28:00,931 --> 00:28:03,771
But as long as the pieces
forever remain apart,

555
00:28:03,767 --> 00:28:06,517
The Eye can do no more harm.

556
00:28:06,520 --> 00:28:10,610
No one can ever know
where I am taking the Estabrook piece,

557
00:28:10,607 --> 00:28:12,857
least of all, your mother,

558
00:28:12,860 --> 00:28:16,570
who can only see the possibilities,
but not the consequences.

559
00:28:16,572 --> 00:28:17,822
[thuds closed]
GLORIA: Enough.

560
00:28:17,823 --> 00:28:19,583
[knocking]

561
00:28:19,575 --> 00:28:20,775
Come in.

562
00:28:20,784 --> 00:28:22,294
[doors open]

563
00:28:24,830 --> 00:28:27,710
‐ Our deepest sympathies
on the loss of your father.

564
00:28:28,333 --> 00:28:30,173
[doors close]
‐ Give us the room.

565
00:28:31,253 --> 00:28:33,923
Now, Laura.
‐ I know where the door is.

566
00:28:38,552 --> 00:28:41,762
[doors open]
SERGEI: It's not easy losing a parent, ah?

567
00:28:43,098 --> 00:28:45,388
‐ Somehow,
I don't think you share my loss.

568
00:28:46,185 --> 00:28:49,605
‐ Your father and I had our differences.

569
00:28:49,605 --> 00:28:50,935
He had his ideas.

570
00:28:50,939 --> 00:28:52,979
He wasn't very interested
in listening to ours.

571
00:28:52,983 --> 00:28:54,613
AHMED:
His ideas threatened The Eye.

572
00:28:55,694 --> 00:28:58,244
Reaching out, as you did,

573
00:28:58,238 --> 00:29:00,368
it was the right decision.

574
00:29:00,365 --> 00:29:03,445
SERGEI: We know you were not
his chosen successor.

575
00:29:03,452 --> 00:29:05,792
But if you know the location of his piece,

576
00:29:05,787 --> 00:29:08,167
that could change your situation.

577
00:29:08,165 --> 00:29:11,205
‐ Until all parts of The Eye
have been accounted for,

578
00:29:11,210 --> 00:29:14,090
we cannot discuss
your future in the Circle.

579
00:29:16,298 --> 00:29:18,088
Where is his piece?

580
00:29:22,721 --> 00:29:24,431
‐ I have no idea.

581
00:29:27,518 --> 00:29:28,768
Don't sit.

582
00:29:30,229 --> 00:29:31,519
[Sergei grunts]

583
00:29:35,317 --> 00:29:38,067
My father never respected my opinion.

584
00:29:39,196 --> 00:29:40,986
He treated me like an outsider.

585
00:29:43,534 --> 00:29:45,624
But the Circle is bigger than my father.

586
00:29:47,412 --> 00:29:49,042
It's bigger than all of us.

587
00:29:50,290 --> 00:29:53,500
That's the reason I called you
when he tried to flee with his piece.

588
00:29:56,004 --> 00:29:58,724
We mustn't let our past differences

589
00:29:58,715 --> 00:30:00,545
get in the way of our future.

590
00:30:01,426 --> 00:30:02,756
‐ Agreed.

591
00:30:05,514 --> 00:30:08,314
‐ When I find my piece of The Eye,

592
00:30:08,308 --> 00:30:10,138
I will remember this moment.

593
00:30:11,436 --> 00:30:15,566
And I can promise you,
I won't repeat his mistakes.

594
00:30:17,818 --> 00:30:20,528
‐ You're wiser than
he gave you credit for.

595
00:30:31,206 --> 00:30:34,876
GEORGE [on tape]: Laura, by now
you know I was not a perfect man,

596
00:30:34,877 --> 00:30:39,257
and my sins will no doubt
catch up with me.

597
00:30:39,256 --> 00:30:41,426
You are the only one I trust.

598
00:30:41,425 --> 00:30:45,045
Your music box is the key.
Use it when the time is right,

599
00:30:45,053 --> 00:30:47,723
and you'll learn the truth
about everything.

600
00:30:47,723 --> 00:30:50,563
Whatever you decide to do
with that knowledge,

601
00:30:50,559 --> 00:30:53,769
I know you'll do it
for the right reasons.

602
00:30:53,770 --> 00:30:56,770
I only ask that you never let your mother,

603
00:30:56,773 --> 00:31:00,403
or anyone else, reassemble The Eye.

604
00:31:04,698 --> 00:31:06,068
‐ Where's Frank?

605
00:31:06,074 --> 00:31:08,044
JOE: At Grandma's.
TRUDY: He's where?

606
00:31:09,912 --> 00:31:12,252
♪

607
00:31:14,666 --> 00:31:16,036
[crickets chirping]
[fire crackling]

608
00:31:16,043 --> 00:31:19,463
♪ tense music playing ♪

609
00:31:24,968 --> 00:31:27,508
[combination lock clicking]

610
00:31:34,978 --> 00:31:36,898
[door opens]

611
00:31:47,950 --> 00:31:49,410
[door closes, lock clicks]

612
00:31:50,577 --> 00:31:54,327
‐ Do you have any idea how happy I am

613
00:31:54,331 --> 00:31:55,961
that you're here with me?

614
00:31:56,917 --> 00:31:58,707
Especially now.

615
00:31:58,710 --> 00:31:59,920
‐ Why now?

616
00:32:00,671 --> 00:32:02,301
‐ You're an asset.

617
00:32:02,297 --> 00:32:03,717
[scoffs]

618
00:32:03,715 --> 00:32:06,045
Don't look so surprised, my darling.
[doors open]

619
00:32:06,051 --> 00:32:07,681
STEFAN: The guests have arrived, ma'am.

620
00:32:07,678 --> 00:32:09,138
‐ Thank you, Stefan.

621
00:32:11,014 --> 00:32:13,684
Ah, Kanika. Thank you for coming.

622
00:32:15,185 --> 00:32:19,895
And finally, I meet the infamous
Anastasia Nabokov.

623
00:32:25,320 --> 00:32:27,280
‐ Why are we here, Gloria?

624
00:32:28,866 --> 00:32:31,446
GLORIA:
After a long and circuitous journey,

625
00:32:31,451 --> 00:32:34,581
I'm happy to report that
the Estabrook piece of The Eye

626
00:32:34,580 --> 00:32:36,920
has finally found its way home.

627
00:32:36,915 --> 00:32:38,785
Thanks to Francis,

628
00:32:38,792 --> 00:32:42,802
my grandson, and my successor.

629
00:32:46,216 --> 00:32:48,716
Please. Won't you all come in?

630
00:32:50,554 --> 00:32:52,564
‐ I didn't know Victor had a daughter.

631
00:32:53,015 --> 00:32:54,055
[scoffs]

632
00:32:54,057 --> 00:32:56,437
‐ That's because he hid
his daughter from you.

633
00:33:02,941 --> 00:33:04,441
Hey, Frank.

634
00:33:04,443 --> 00:33:07,283
GLORIA:
So, here we are.

635
00:33:07,279 --> 00:33:10,529
The Circle is complete again.

636
00:33:10,532 --> 00:33:13,292
And The Eye can be used
as it was intended,

637
00:33:13,285 --> 00:33:17,155
in cooperation by all of us,
and all who come after us.

638
00:33:17,164 --> 00:33:19,374
We have been broken for too long.

639
00:33:19,374 --> 00:33:20,634
‐ Because of your father.

640
00:33:20,626 --> 00:33:22,666
‐ No, because of all of our fathers.

641
00:33:22,669 --> 00:33:25,259
Because of their ambition, and greed.

642
00:33:25,255 --> 00:33:27,505
My father only broke The Eye

643
00:33:27,508 --> 00:33:30,468
as a last resort to ensure cooperation.

644
00:33:30,469 --> 00:33:32,469
‐ Or to ensure control.

645
00:33:32,471 --> 00:33:35,681
Your father acted alone.
Do you remember that part, Gloria?

646
00:33:35,682 --> 00:33:37,942
STACY:
Which one of you two killed my father?

647
00:33:39,394 --> 00:33:40,484
Or was it both of you?

648
00:33:40,479 --> 00:33:43,019
Just all this talk about fathers
got me thinking about‐‐

649
00:33:43,023 --> 00:33:46,153
‐ We learnt that Victor's death
was of natural causes.

650
00:33:46,151 --> 00:33:48,451
‐ There's nothing natural
about a neurotoxin.

651
00:33:48,445 --> 00:33:51,565
He lived, by the way,
for a few more painful days.

652
00:33:51,573 --> 00:33:53,703
Just long enough to tell me
what I needed to know.

653
00:33:53,700 --> 00:33:55,160
‐ And what was that?

654
00:33:55,160 --> 00:33:57,040
‐ That you're both vipers.

655
00:33:57,037 --> 00:33:59,577
MRS. KHAN: And what sort of snake
did he say he was?

656
00:34:03,377 --> 00:34:04,667
[laughs]

657
00:34:05,921 --> 00:34:08,471
‐ [inhales sharply]
Why are you even here?

658
00:34:08,465 --> 00:34:12,425
Don't you need to have a piece of The Eye
in order to be a part of the Circle?

659
00:34:12,427 --> 00:34:15,347
MRS. KAHN:
Yes, I see him in you.

660
00:34:15,347 --> 00:34:17,767
You're the one who stole it.

661
00:34:17,766 --> 00:34:19,266
‐ No. She did.

662
00:34:19,268 --> 00:34:22,858
I stole it from the thief she hired
when he tried to steal mine, too.

663
00:34:22,855 --> 00:34:25,265
GLORIA:
No, you stole my piece from my boat

664
00:34:25,274 --> 00:34:26,694
moments after it was found.

665
00:34:26,692 --> 00:34:28,992
‐ Well, after you didn't know where it was
for how long again?

666
00:34:28,986 --> 00:34:32,106
GLORIA:
Our families, for the past 30 years,

667
00:34:32,114 --> 00:34:34,374
have worked against one another.

668
00:34:34,366 --> 00:34:36,366
It's time we came together.

669
00:34:36,368 --> 00:34:38,288
It's time for a truce.

670
00:34:38,287 --> 00:34:42,667
STACY: A truce.
So that we can hug and make up.

671
00:34:42,666 --> 00:34:44,166
‐ My grandmother's right.

672
00:34:45,878 --> 00:34:49,008
Everyone in this room
has lost something to The Eye.

673
00:34:49,006 --> 00:34:51,586
But this isn't about the damage
that's been done.

674
00:34:51,592 --> 00:34:53,552
This is a chance to work together.

675
00:34:55,846 --> 00:34:57,426
We should take it.

676
00:35:03,562 --> 00:35:06,232
‐ [scoffs]
That's really sweet, Frank.

677
00:35:06,231 --> 00:35:07,861
But this party sucks.

678
00:35:08,817 --> 00:35:09,937
GLORIA:
Wait.

679
00:35:10,944 --> 00:35:14,204
I have one piece of The Eye,
and you have two.

680
00:35:14,198 --> 00:35:15,618
We need one another.

681
00:35:19,411 --> 00:35:20,751
‐ What kind of person would I be

682
00:35:20,746 --> 00:35:22,826
if I made a deal with someone
who killed my father?

683
00:35:25,501 --> 00:35:28,631
[footsteps departing]

684
00:35:30,172 --> 00:35:31,842
‐ Stacy, wait.
‐ What?

685
00:35:31,840 --> 00:35:34,260
‐ Just come inside.
We can figure this out.

686
00:35:34,259 --> 00:35:36,509
‐ You and me, or you and Gloria?

687
00:35:36,512 --> 00:35:39,012
[Mrs. Khan laughing]

688
00:35:41,475 --> 00:35:43,555
‐ What is so funny, Kanika?

689
00:35:43,560 --> 00:35:45,350
‐ I'm sorry, but this...

690
00:35:45,354 --> 00:35:47,234
This is just all so absurd.

691
00:35:47,231 --> 00:35:48,441
‐ Why is that?

692
00:35:49,107 --> 00:35:51,277
‐ You know, I...
I, I had wondered for a while

693
00:35:51,276 --> 00:35:54,356
if Victor's death might have been
an inside job, but...

694
00:35:54,363 --> 00:35:56,453
seeing that girl today,

695
00:35:56,448 --> 00:35:58,278
it's clear it wasn't.

696
00:35:59,368 --> 00:36:01,948
‐ They are gonna make the same mistakes
as they always have, Frank.

697
00:36:01,954 --> 00:36:04,374
Her, and the generation before her.

698
00:36:07,292 --> 00:36:08,712
But we'd be different.

699
00:36:09,711 --> 00:36:11,511
We can fix what they've ruined.

700
00:36:13,841 --> 00:36:15,301
[exhales sharply]

701
00:36:15,300 --> 00:36:18,010
‐ You don't want to destroy The Eye.
You want it for yourself.

702
00:36:19,137 --> 00:36:22,307
You're the same as everyone else.
‐ I am nothing like them.

703
00:36:23,642 --> 00:36:25,482
Look, and I know that you aren't, either.

704
00:36:29,064 --> 00:36:31,944
It's not too late to start again
the right way, Frank.

705
00:36:31,942 --> 00:36:33,072
Just you and me.

706
00:36:46,874 --> 00:36:50,294
You know whatever happens now is on you.

707
00:36:52,296 --> 00:36:53,756
Goodbye, Frank.

708
00:36:53,755 --> 00:36:56,125
[footsteps departing]

709
00:37:05,893 --> 00:37:08,603
‐ I don't think there's gonna be a truce.

710
00:37:08,604 --> 00:37:10,944
‐ No. I don't think there will be.

711
00:37:12,357 --> 00:37:14,187
‐ So what now?

712
00:37:14,193 --> 00:37:15,783
‐ I'm not sure.

713
00:37:16,528 --> 00:37:19,068
But you're on the inside now, Francis.

714
00:37:19,072 --> 00:37:20,412
What would you do?

715
00:37:22,367 --> 00:37:25,617
♪

716
00:37:28,040 --> 00:37:29,420
[crickets chirping, owl hoots]

717
00:37:29,416 --> 00:37:30,746
FENTON:
Frank?

718
00:37:31,084 --> 00:37:32,884
Frank?
[footsteps approaching]

719
00:37:35,964 --> 00:37:37,724
Come on. We're going.

720
00:37:37,716 --> 00:37:39,966
‐ No.
‐ Get up. Now.

721
00:37:41,678 --> 00:37:43,258
‐ I'm not going anywhere.

722
00:37:45,182 --> 00:37:46,352
‐ Son.

723
00:37:47,434 --> 00:37:49,194
You're not safe here.

724
00:37:49,186 --> 00:37:50,976
There are things that
you don't understand.

725
00:37:50,979 --> 00:37:53,069
‐ There's things that
you don't understand.

726
00:37:53,941 --> 00:37:55,111
Trust me.

727
00:37:56,735 --> 00:37:58,395
I'm where I'm supposed to be.

728
00:37:59,780 --> 00:38:01,070
You go home.

729
00:38:02,074 --> 00:38:04,334
GLORIA:
He's made his decision, Fenton.

730
00:38:06,995 --> 00:38:08,205
‐ We're not done here.

731
00:38:10,040 --> 00:38:12,420
[footsteps departing]

732
00:38:22,886 --> 00:38:24,296
[door opens, bell jingles]

733
00:38:25,222 --> 00:38:26,522
[door shuts]

734
00:38:27,432 --> 00:38:29,482
♪ pop song playing over speakers ♪

735
00:38:31,019 --> 00:38:32,939
STACY:
Expecting someone else?

736
00:38:32,938 --> 00:38:34,768
‐ What are you doing here?

737
00:38:34,773 --> 00:38:36,693
‐ Have you heard from Frank recently?

738
00:38:37,442 --> 00:38:39,322
‐ Why?

739
00:38:39,319 --> 00:38:40,699
‐ "Hey, Callie.

740
00:38:40,696 --> 00:38:43,526
"I'm so sorry about everything
that's happened.

741
00:38:43,532 --> 00:38:46,032
"Meet me at Wilt's so that we can talk.

742
00:38:46,034 --> 00:38:47,124
Frank."

743
00:38:48,579 --> 00:38:50,369
[laughs]

744
00:38:50,372 --> 00:38:52,712
You know, I was gonna add "XO,"

745
00:38:52,708 --> 00:38:54,418
but then I remembered
you two haven't kissed yet,

746
00:38:54,418 --> 00:38:56,298
so that wouldn't seem very realistic.

747
00:38:56,295 --> 00:38:58,045
‐ Can you just leave me alone?

748
00:38:59,965 --> 00:39:01,125
‐ Sure thing.

749
00:39:03,260 --> 00:39:04,970
You know, it's funny, though.

750
00:39:04,970 --> 00:39:09,100
I can't shake this feeling that
something really bad is about to happen.

751
00:39:09,975 --> 00:39:11,435
It's like in the pit of my stomach.

752
00:39:11,435 --> 00:39:13,435
I can just tell that something's off.

753
00:39:15,105 --> 00:39:16,605
Has that ever happened to you?

754
00:39:19,693 --> 00:39:21,863
I'll see you real soon, Callie.

755
00:39:26,867 --> 00:39:28,987
[bells jingling]

756
00:39:29,536 --> 00:39:30,786
[door closes]

757
00:39:35,876 --> 00:39:37,586
‐ ♪ Sorry ♪

758
00:39:40,047 --> 00:39:41,837
[distant indistinct chatter]

759
00:39:46,970 --> 00:39:48,680
STACY:
We can give you a lift.

760
00:39:50,432 --> 00:39:51,772
‐ I'm good. Thanks.

761
00:39:54,228 --> 00:39:57,478
‐ I'm so sorry to do this.
It demeans us both.

762
00:39:58,649 --> 00:40:00,609
But get in the van, Callie.

763
00:40:02,945 --> 00:40:05,655
♪ ominous music playing ♪

764
00:40:08,534 --> 00:40:11,834
[screaming]

765
00:40:13,914 --> 00:40:15,084
[man grunts, door slams]

766
00:40:16,250 --> 00:40:19,670
♪