FRANK: Previously on Hardy Boys...
BRIAN: You two get The Eye back.
Without Joe knowing.
[sighs]
- This isn't your realm anymore.
- I've seen the end. This isn't right!
- You came for me.
ADRIAN MUNDER: This was always a one-way ticket for me.
We'll be okay.
[deep rumbling]
BIFF: Is it, Frank? - Yeah, it's him.
- You guys need to give up the power, for good this time.
- Who sprung me?
- Someone wants you back on the streets very badly.
CADMUS QUILL: My name is Cadmus Quill.
My employer wants The Core.
We're willing to give you both the thing you want most.
JOE: It was all leading up to this.
- Mom.
DONALD: See, I've got a cousin up in River Heights.
He's never heard of any Drew Darrow,
but he does know a Drew--
- Look, if it's about money, you name your price.
- I want something special.
Something only you can give me.
- Why would she be hiding from us? You think Dad knows?
PHIL: Somebody help!
CALLIE: We need to call an ambulance.
- Someone took my computer.
♪
[phone ringing]
DEEP VOICE [on phone]: Your time's up, Mr. Cox.
- Great. Let's make this quick.
I've got all four scrolls.
Now, I know you only hired me to find two,
but as luck would have it, I've got the whole map now.
And that means the price just went up.
Along with, I think, a little bit of hazard pay on the top,
considering what I've been through.
DEEP VOICE: You should have left the map with the Hardy boys.
- Why?
DEEP VOICE: It would have been less painful that way.
- Hey, hold on.
If those kids are in any danger, I burn the map right now.
DEEP VOICE: Do that and you'll regret it.
- Hm.
You're not the first voice to threaten my life over the phone.
And somehow, I always live to see another day.
[slams receiver]
[indistinct TV news chatter]
REPORTER: Of course, tracking the comet or any rogue debris
that could become a tiny asteroid during the day is impossible
due to obstruction from the sun's rays
and can't be registered by telescopes.
Let's get back to the top ten hits of the day!
[all groaning]
JB: Yeah. Alright. - We'll take this.
- There better not be a smudge.
- This is really embarrassing for you.
JB: Yeah.
How did you even find out where I live?
- I saw the address on some junk mail you left in your car.
You really got to clean that up.
- Look, my buyer knows who you are.
Whoever he is, he's looking to use you two chuckleheads
to go find his treasure for him.
Now, that is a huge red flag.
You don't seem concerned.
Or surprised, at all.
You do realize you're walking into a trap, right?
- Yeah.
But, uh, still got to do it anyway. - Why?
FRANK: This photo was taken a few days ago
right here in Dixon City.
- Is this...?
- Yes. Our mom is alive.
- You can't just hand over these Relics to somebody
without knowing the horrible thing they might do.
- But that's exactly what you're doing, except for money.
- Yeah, you know, Frank, it's really good to have the old you back
way up on your high horse.
But that was before, when it was about finding dumb scrolls
inside little tiny puzzle boxes.
Not schematics that could be, for what?
Some kind of weapon? No.
I'm out.
- Out of what?
- Milk. What do you think, Joe?
I'm out of the race for the Relics.
I'm out of the game in general.
- No, no, no. You're just gonna swoop back in at the last second
and betray us. - Yeah, that would be very JB of me
but, no.
I'm done. I mean it.
- I think you're just mad you can't crack the map without our help.
- No, I am mad that you got me arrested.
- That wasn't me.
- What? Technically, it wasn't me either. - Hm.
Whatever. What's done is done.
And so am I.
Burn that map.
Walk away from all of this
before one of you gets hurt, or worse.
- We need to find out about our mom.
[JB sighs]
- Look...
if she is alive, maybe you need to ask yourself,
why hasn't she bothered to come home?
[door opens, shuts]
♪
♪ tense music ♪
[panting]
- Okay, so I have a working theory.
I noticed these circles on the map here, here, and here.
And, and I feel like the design looks familiar.
[indistinct TV news chatter]
- It matches.
- Now... check...
this... out.
♪ suspenseful music ♪
Mm. I really thought I had something there.
FRANK: Okay, let's think about this for a second.
JOE: I can't think with that TV on!
Maybe we need to rearrange them or something.
PHIL: We could try that. FRANK: What's that gonna do?
JOE: I don't know!
- Maybe that one here? JOE: Yeah, yeah, yeah.
- Whoa! Guys!
- We gotta hide. JOE: Where?
- Quick! In here.
Let's go!
- Whoa. Secret safe house?
♪ tense music ♪
[JB panting]
♪ mysterious theme playing ♪
DRISCOLL: Any news on Adrian Munder? BRIAN: Catatonic. For real this time.
I've arranged for him to be taken to Pine Grove Institute
so he can be closer to his twin brother, Aaron.
- And just to be clear, Aaron is... - Also catatonic.
- Good. Great. Well, at least we don't have to
worry about either of them breaking out any time soon.
- [laughing] Yeah. - No, no, no, no, no. Don't laugh.
Don't mistake my youth and jovial dry wit for weakness.
I'm not happy about this, like, at all.
I want to know how it happened.
- I'll talk to them.
- So we went to see Munder in prison to learn how to download
Joe's consciousness into the Crystal so we could save Frank's consciousness,
which was actually trapped there by George Estabrook,
who faked his own death so he could take over Frank's body
when Munder ran Project Midnight on him.
But then Munder broke out of the psych ward,
which was actually pretty good for us
'cause we probably would have killed Frank and Joe
if we ran the experiment on our own.
But then Munder double-crossed us so he could download
his consciousness into the Crystal too,
because George secretly had Munder's brother,
Aaron's consciousness, trapped in there,
and there were too many consciousness in the Crystal.
It became unstable and Munder
decided to stay back there with his brother... in the Crystal.
The end.
- I can't tell Driscoll any of that. It's insane.
Why didn't you call me the minute Munder showed up?
- We were trying to get The Eye back. - And?
- And we didn't.
- [scoffs] I see. - Saving Frank was the priority.
BRIAN: Mm, okay.
Now I have to go explain all this to Driscoll
in a way that doesn't sound absolutely preposterous.
[indistinct office chatter]
- What are you doing?
- I'm having second thoughts about giving everything over to the government.
- Okay, then we talk about it. Don't just go rogue on me, Chet.
- The Eye? It's powerful.
And I just think it's safer with me.
- But have you ever stopped to consider that this may also make you a target?
DEAN: Miss Darrow. You seem to be recovering well
from your knock on the head.
Mr. Dukay is, too.
However, after discussing the matter with Donald's father,
it has been decided that he will not continue
the summer incubator program.
But quick question--
Did either of you see someone lurking around campus
in a hooded cloak?
- A hooded cloak?
- Donald seems to think he remembers
someone who fit that description.
- No, I, I didn't see anyone like that. - Me neither.
- Well,
once the investigators have finished at the chapel,
perhaps they will conclude that the escaped prisoner
wore the cloak as a disguise.
- But that timeline doesn't add up.
Why would Munder attack you? - Yeah. Why would he steal my laptop?
- These are not questions that we need to concern ourselves with, ladies.
What we need is to put this incident behind us
and move forward as a community.
Rosegrave cannot handle any more bad publicity.
- Okay. Thank you, Dean.
Let's go, Callie.
[sighs]
[door shuts]
- All right. So here's what I'm thinking.
If George drew this map under the influence of The Eye,
then there is a chance someone could have helped him.
- George's chauffeur? - Right.
He helped George fake his own death.
He drove Gloria around when she was hiding the Codexes.
She was supposed to kill him afterwards, but she didn't.
She paid him off and he went on his own way.
- So he has a piece of the Crystal,
and he knows everything about the map and the other Relics.
- We got to find him. - Yeah.
- Biff, you're really good at tracking people down from the past.
- Two for two so far.
- Great. Go to my grandma's house,
go through the old employee files, see what you can find.
Anything that connects him to the Crystal. - We're on it.
- Wait. Who's, who's we? - You and me.
- Copy that.
- Phil, I think you were really on to something
with these Codex Caps.
But there's three designs on the map,
and there's three Codex Caps.
But there's four scrolls and four Codexes.
- Yeah, fourth cap is back at Rosegrave.
Yeah, I put it back on the desk leg after we got McFarlane's note.
- Great. Callie's at Rosegrave now,
and Chet and Belinda are on their way. They can get it with her.
JB: So what does the cap matter?
There's no spot for it on the map.
- Every little detail matters. Everything matters.
Alright? This is how we do things. Just try and keep up, okay?
Now let's focus on the Core.
- Which brings us right back to the map.
- But there's no obvious starting point.
- No, there is.
You just have to look at it in a new way.
[soft laugh] What does that look like to you?
- It's the machine in The Chamber.
- Okay. I think we bring the map and the Codexes down to The Chamber.
- No, no, no, we can't. The Chamber is a crime scene.
- It's swarming with bogeys. You're gonna get caught.
- No, we're not. We have secret tunnels.
- Oh, you have secret tunnels? Forget I said anything.
Yeah, you're still gonna get caught.
- You're just gonna sit around,
do nothing while we get captured?
And murdered?
- Okay, I know you're joking, but that might actually happen, so...
Fine. Fine. But this is it.
I'm doing this. After this-- - You're done.
Yeah. Okay. [sighs]
FRANK: All right, let's go.
♪
What? - It's just good to have you back.
You know, taking charge, solving stuff.
- Yeah, well,
it's good to be back.
[shutter snaps] - Looks like they're boarding up the Sleep Room for good.
If Rosegrave had been exposed years ago,
the Munders would be happy and healthy.
And my brother...
would still be alive.
Look, we're going nuclear.
- Meaning? - Meaning we forget proper channels.
We'll leak all this information to the media.
Let them run wild.
- The Dean is gonna lose her mind. - Good.
I hope the public does, too.
It's not just Rosegrave that needs to be taken down.
The world is filled with Rosegraves.
I know a journalist who works at the River Heights Examiner.
She'll run an exposé, but she'll want lots of information
to back up the story.
- A picture's worth a thousand words.
- If we can get back into the Sleep Room
and get photos, it would be irrefutable.
- We can't hack the lock without your laptop.
- But is the chapel the only way in?
♪
- So,
it was pretty awesome when we got Frank back, huh?
I mean, quite the moment.
Everybody cheering and, and hugging.
- It was a friend hug, Phil. - Totally. Totally.
So I guess, uh, what I'm wondering is if at any point
maybe in the near distant future that, that it could turn into
maybe more, more than just a friend hug?
Anyway, i-it's just an idea. I-I thought I'd put it out there,
you know, you know, to get your thoughts.
- Uh... [Phil sighs]
- There's a lot going on right now, Phil.
It's just not really a good time.
- Totally. Totally.
But, but a wrong time suggests that in theory,
there will be a right time.
- Can we just focus on finding what we're looking for?
- Yeah. Yeah.
Actually, I found the name of the chauffeur here a few minutes ago.
See? Right here.
It's in the overlap between George's final years
and the beginning of Gloria's records. See?
BIFF: William Vogel.
Where are you now?
- Hey, buddy, you can't be down here unprotected.
Didn't anybody tell you about the air?
- What? - Look,
is there anybody else down here with you?
- No. - No? Okay, that's good.
[agent grunts]
[sharp exhale]
[stone crashes]
[grunts]
- All right. Coast is clear!
[grunts]
This place gives me the creeps.
The hairs on the back of my neck are standing up.
- It's a weird energy in here. Never felt it before.
- It's like static electricity.
Like in the Sleep Room.
[electricity crackling]
- Hey, hey, hey, hey!
- [echoing] The future is coming and it's in your hands.
♪
- Hey, hey, hey, let's go!
- [echoing] Joe?
[whirring]
Joe!
JB [muffled]: Frank, let go!
Let go!
[electricity crackling]
JB: Frank, let go!
[electricity crackling] - Let... it... go!
Guys?
[Joe and Frank panting]
- Hey!
[doorbell rings]
- How did you get my switchboard number?
And why did you call me? - Olivia, what are you doing here?
- Go easy. Not looking to get bricked again.
I'm DSA. [Trudy gasps]
- Why did you call me?
- I'm looking for Fenton. - Huh.
Makes two of us. I was with him a few days ago.
Now he's MIA. - What's he looking into?
- What did he say he was looking into?
- He said he had a new lead.
- He sent you back to Bridgeport with the Codexes, didn't he?
TRUDY: Yeah, he did. The boys have them now.
- Did they open them? - I'm gonna say probably.
- If they get ahold of the Energy Core, it could be game over.
- What? What energy core? - I'll explain on the way.
- On the way where? Do you know where the kids are?
- No, but we've got eyes on Bridgeport.
You're gonna help me find them.
Before it's too late.
- Okay. So let me get this straight.
You were telling the truth
about Frank having the Power of The Eye in him?
- Yes! But that was, that was before we had to give it up.
- Sorry, we? I thought that-- - Yeah, I, I needed the power in me
to get him out of the crystal realm.
- My head hurts.
- Oh, your head hurts?
What, did you have a seizure vision, too? [JB scoffs]
- Do you swear you gave up the power?
- Yes, I swear. Do you swear?
- Yeah!
So how did we have that vision?
- "Once you see, you can't unsee."
- Huh? - That's what Young George
said to me in the Crystal when I was trapped.
JB: Sorry. By "Young George," you mean
your mind's manifestation of the younger version
of your great-grandfather?
- Yeah. - Right.
- So? So what? We're just--
We're just going to have the power forever?
- No. Not exactly. He said it would fade.
Eventually.
- Okay, well, eventually people are gonna come looking
for Mr. Unconscious over there, so we need to get it together.
Take the map out, figure it out. What do you think, guys?
[footsteps running]
- And I'm about to be arrested again.
[Callie scoffs] - That's a relief.
- You guys okay? FRANK: Yeah, we are now.
JOE: Well, TBD.
Did you bring the last Codex Cap? - Got it.
- Okay, well, now it's just a question of where it fits in,
because there's only three designs on the map.
[caps rattling]
[all gasp]
[light whirring]
♪ mysterious music ♪
- What?
- How is it doing that?
- The energy from the Ley Lines is activating the map.
- The-the what lines?
- Theoretical supernatural energy that traverses the globe.
- Not so theoretical.
- George used the Ley Line energy to power up the machine
and break up the Eye Relic.
Codexes must be doing the same thing.
- Like lightning and conductor rods.
- So what are we looking at?
- Like all the Relics are working together.
The Crystal fits in the Core.
[crackling]
- It's burning. - No, I feel like i-it's more radiating.
- No, the Codexes are burning the map, there.
[sizzling]
- Oh! - Wait.
- Dang. Burned right through. Those Ley Line powers are no joke.
[pounding map] - It's ruined.
It's ruined. Can we even still read it?
- Could we read it before?
- Wait. This line and the circuitry?
It looks like a coastline.
- Joe. You have a map of Bridgeport in your bag?
- I've got four of 'em.
- You have four maps?
- I have my main one in case one gets lost.
In case one gets stolen. And in case one gets ruined.
Guys, it's a treasure hunt. We should all have maps.
Do you even have a map?
- Up here, baby? - Yeah.
Lot of help that does us. - Yeah. Just lay it out.
- The burn holes are location markers.
This one is where we are, where the Eye Relic was found in The Chamber.
That's the beach where George found the Crystal.
- How much you guys wanna bet that the last Relic's right there.
CALLIE: You think the Core is in the rock quarry?
- One way to find out. Let's rock-n-roll.
- Pack it up. - Okay.
- I've been up and down the employee files.
No other addresses for William Vogel.
No phone number either.
- So basically, William Vogel could be anywhere.
- For all we know, he could be dead. BIFF: Hm.
- Did I hear you say William Vogel?
[laughs] We played ball together.
He was a little younger than me, but Billy and I were pals.
- Really?
William Vogel, who was George Estabrook's personal driver?
- Yeah, that's him. He drove George for years.
Apparently, he wasn't good enough for Gloria.
I don't know the whole story, but Billy was pretty angry
Gloria fired him after George died.
He left Bridgeport after that.
- Do you know where he went? - No. We lost touch.
But, uh, well, that's the way things go.
So hard to stay connected to people, hm?
- [sighs] Great. Official dead end.
- Maybe we've been coming at this wrong.
We've been chasing William.
- What else is there to chase? - The crystal fragment.
Gloria paid for William's silence,
but he still stole the crystal fragment. Why?
- Tons of reasons.
Spite. Revenge. To get back at her.
- That's all the same reason.
- H-He must have known it was special.
M-Maybe he thought he could sell it?
- Hey, uh, Wilt, who was the best jeweler in town back then?
- Bickford's.
The owner passed away but his son still runs the shop.
♪
CALLIE: Hey, so I've been thinking about your mom
and that picture of her in a hooded cloak.
I spent a lot of time wishing my mom would come back.
When I finally realized it wasn't gonna happen,
it was crushing.
I want it to work out differently for you and Joe.
- Me too.
[all panting]
- Okay, so who knows how to find a rock-like Relic
in a giant rock quarry?
- We're gonna have to check every rock.
- Are you out of your mind?
- Down, down, down. Get down, get down!
- This isn't good.
Hey, we gotta go.
- Wait, wait! They followed you from Dixon City?
- Yeah, they must have.
They are chasing after me and not you.
But I can lead them from Bridgeport
all the way to Dixon.
Look, all this mystical mumbo-jumbo,
it is over my head anyway. Okay?
But maybe I can find out who Cadmus Quill is working for.
So stay here. Find the Core.
Good luck. - Hey. Hey!
This is obviously a setup, right?
- You know why I like you, Joe?
You question everything, and you trust your instincts.
I'm the exact same way.
But if your gut is telling you right now
that I'm playing you, it's wrong.
I want the best for you.
You can trust that. Okay?
- Okay.
Don't get all mushy about it. [JB chuckles]
- Where do I meet you? - Ah...
Well, I'm guessing my
phone line and answering machine are compromised, so
you and Frank meet me here tonight. 11 o'clock.
Okay? - Isn't this a bar?
- Yeah, it's a pool hall.
It's busy. There's a lot of faces.
You can get a Shirley Temple.
- What about this face makes you think I can get into a bar?
- I think you can manage.
Good luck, Joe.
See ya tonight.
FRANK: Come on, come on.
JB: Hey! MAN: Who is that?
JB: Idiots!
Yeah, I, I heard you're looking for me, you hired goons!
Come on!
[indistinct chatter in hallway]
- [exhales] Hm.
And where do you end up
little irregular ventilation shaft?
[solid knocking]
[solid knock]
[clock ticking]
♪
- I wonder...
Project... Midnight.
[clanking]
[clock ticking]
[Drew grunts]
[footsteps thudding]
♪
- Gotcha.
BIFF: Thanks again for meeting us, Mr. Bickford.
- Oh, no, it's fine.
- And it's my pleasure.
I love digging into my father's work.
[shutter snaps]
- From the time period you mentioned,
there is an appraisal record for a one William Vogel.
- A, a crystal?
[shutter snaps]
- Precisely.
William brought in a small crystal.
Unfortunately, my father seemed to deem the crystal worthless.
"Material cannot be identified."
"It does not seem to match any substance or mineral on earth."
- Let's see what lies beneath.
NOEL BICKFORD: "Any value is of the sentimental kind."
[light whirring]
[gasps]
- Did William leave an address?
- No, but there is a receipt. Hm.
- He bought something?
- Uh, no, he had something made several years later.
- William came back and had the crystal designed into a necklace?
- But he had just left Bridgeport by then.
Why would he come back here?
NOEL: My father had loyal customers. [shutter snaps]
But more importantly, he was a talented jewelry designer.
A true artist, unmatched skill.
Just take a look at the sketch that he made for Mr. Vogel.
[shutter snaps]
Every detail is unique, right down to the custom clasp.
JOE: JB bought us time and we're wasting it.
FRANK: It's a needle in a haystack, Joe.
BELINDA: More like a needle in a needle stack.
- [sighs] So what do we do?
- We go back when the coast is clear. - And do what?
I am not checking every rock in the quarry.
- This is honestly starting to feel like a wild goose chase.
- Maybe if we go back to The Chamber and put the Codexes on the map again,
we'll get another projection with another burning clue?
- I think we've used up all our magic.
What do you guys think of the star charts and constellations on the map?
They're not related to any other clues.
- Maybe it's not about the map. Maybe it's about the Relics.
The Eye is made of a foreign material.
Nothing ever identified on Earth.
Same with the Crystal.
So theoretically, the last Relic should be the same.
- Okay, so we have another space rock. Where is it?
- What if it's not buried?
What if it's above us? Like a star?
- But a star is not a rock. It's a ball of fire.
- Maybe it's a fallen star. - Like a meteor.
- Guys--
Guys, think about it. Think for a second.
George was waiting in the Crystal for decades. Why?
- He was waiting for me to beam in with The Power of The Eye.
- Yeah, exactly.
But when he got out, he wasn't even a little bit worried
that somebody else could have gotten the Relics
in the meantime.
Why do you think that is?
'Cause the last Relic isn't on Earth.
Yet.
Yeah. Yeah. That's gotta be it, right?
[Callie scoffs] - Frank, that news report at JB's,
didn't it say there was supposed to be some sort of--
[loud rumbling] - Whoa!
[all panting]
FRANK: Meteor. BELINDA: Is that heading where I think it's heading?
- We were in the right place just not the right time.
- We need to get back to the quarry.
♪
[dialing phone]
- [scoffs] Frail elderly lady disguise.
- Oldie but a goodie.
- You're a thief, not a murderer.
- Thinking of changing things up a little bit.
Who do you work for?
- Fine.
This is on you.
[Cadmus grunts]
[line ringing, connects]
DEEP VOICE [on phone]: Is it done?
- [imitating Cadmus] JB Cox is dead.
His apartment is filled with damning evidence.
You might want to come and take a look.
DEEP VOICE: I'm on my way.
- Very good. [line beeping]
[exhales]
♪ dramatic music ♪
♪
FRANK: Wow.
JOE: God, it's so hot.
FRANK: Yeah.
Joe.
[vehicle approaching]
- Guys, let's go. We got company. Come on! CALLIE: Frank, come on!
Guys, let's go!
♪ Live Wire by Motley Crue playing ♪
FRANK: Go, Joe. Go!
♪
- Keep going, keep going! Get off the road!
- Go, go, go!
- Come on, guys!
- Split off!
- ♪ Take my fist, break down walls ♪
♪ I'm on top tonight, no, no ♪
♪ Better turn me loose better set me free ♪
- Joe, pedal! - I am pedaling!
- ♪ Little bit better than I used to be ♪
♪ 'Cause I'm alive, live wire ♪
♪ 'Cause I'm alive, I'm a live wire ♪
♪ 'Cause I'm alive ♪
♪
[truck engine revving]
[Callie shouts]
♪
♪ music ends ♪
[all panting]
- Aunt Trudy? - What's going on?
- It's okay. It's okay.
This is Olivia Kowalski. She's a government agent.
BOTH: What agency? - You've never heard of it.
BOTH: Try me. - DSA. Defense Support Agency.
Combining the Relics creates a power source,
but it's highly unstable.
My agency has a containment facility.
Do you still have the Eye Relic?
- No. - Where is it?
- Vaporized in the Sleep Room.
- What about the Crystal and the Core?
The Map? The Codexes?
What, you've got 'em bouncing around together in a backpack, huh?
You're lucky you haven't been vaporized.
- Yeah. We're not giving 'em to you.
- This isn't up for debate. You have no idea what you're dealing with.
- I get the hesitation. I actually respect it.
Let's find a middle ground.
I have a protective case that can transport the Relics safely.
We'll put them in the case, then put them in the trunk of my car.
Then the two of you and your Aunt Trudy will ride with me to Dixon City together.
- What happens in Dixon City?
OLIVIA: I take you to your father.
By now, I have a feeling he has good news.
- He found Mom?
- Is he with her now?
- After everything you've done to secure the Energy Core?
Reuniting the Hardy family is the least I can do.
♪
[hissing]
[indistinct chatter]
♪
- How'd you know Fenton has good news?
Back at the house, you said you lost track of him.
- He left a message with an address. - When was this?
- I was informed by one of my agents right before we found the kids.
- Glad Fenton's okay. He'll be so happy to see the boys.
- You know, when, uh, your Dad and I were kids
we never wore seatbelts.
Your grandpa used to lecture us all the time.
"Lots of crazy people on the road, Gertie.
Safety first, Gertie."
♪
[seatbelts clicking]
[punch thuds]
[tires screeching]
[Trudy grunts]
♪
[coughing]
- What was that?
[Frank groaning]
- Olivia's lying about Fenton.
Either she doesn't know where he is or she does.
Which is way worse.
[Joe groaning]
- We need to get the Relics.
FRANK: Yeah.
[vehicle approaching]
- Joe, they're coming! - No. No, we need to get the Core and the Relics!
TRUDY: Go, go, go! Run!
Run!
JOE: Maybe JB found something.
- Hasn't JB betrayed you multiple times?
- Well it's not like he could steal the Energy Core.
Even if he wanted to.
- There's a bus stop in Gresham.
We can take a ride to Dixon City.
- I'll hot-wire a car and let the others know about Olivia.
- You can hot-wire a car?
- I'm a Hardy, too, you know. I had a life before I was your aunt.
- Stay safe. Call me when you get there.
♪ tense music ♪
- [sighs] There's no William Vogel in Ducksworth.
- There's a W. Vogel in Dixon City.
[door shuts]
[panting]
- What's wrong?
- Everything.
[dialing number]
♪
[grunts]
[groans]
- [muffled] Oh, thank God you're here!
[door shuts]
- Oh!
♪ ominous music ♪
Oh, no!
[gunshot] - No!
JOE: All right. This has got to be it.
How do we get in?
FRANK: Look confident. Follow my lead.
- Okay. - Evening.
- Keep walking, kid. - Very good. Very good.
- Masterful. You shut up. - Shut up!
- What now?
♪ muffled club music ♪ [door opens]
- Go.
♪ club music continues ♪
[indistinct chatter]
♪ Dying on the Vine by John Cale playing ♪
♪
[patrons chattering]
[inaudible]
[gunshot]
[muffled screaming]
[gunshot]
- ♪ I've been chasing ghosts ♪
♪ And I don't like it ♪
♪ I wish someone would show me where to draw the line ♪
♪ I'd lay down my sword if you would take it ♪
♪ And tell everyone... ♪
- Somebody help!
- ♪ ...I'm doing fine ♪
♪ I was with you ♪
♪ Down in Acapulco ♪
♪ Trading clothing... ♪