1 00:00:04,595 --> 00:00:08,095 - JASMINE: Creating an icon is like someone to be the version of yourself, 2 00:00:08,181 --> 00:00:09,771 like, always imagine it could be. 3 00:00:11,101 --> 00:00:12,191 And for me, 4 00:00:12,978 --> 00:00:14,608 I do that through clothing. 5 00:00:30,287 --> 00:00:32,537 - ANDERSON: Jasmine is something special. 6 00:00:33,206 --> 00:00:34,036 - JASMINE: He's gonna love this jacket. 7 00:00:34,541 --> 00:00:37,041 - ANDERSON: This is for equal thing when I am working with another artist. 8 00:00:38,587 --> 00:00:42,217 - JASMINE: Style and fashion can just take those musical ideas 9 00:00:42,299 --> 00:00:44,679 and just bring them to real life aesthetically. 10 00:00:45,469 --> 00:00:47,009 You need to see it, 11 00:00:47,095 --> 00:00:48,845 not just hear it, it needs to be both. 12 00:00:52,225 --> 00:00:54,725 The creative part is very important and exciting, 13 00:00:54,812 --> 00:00:56,102 but it's so much planning. 14 00:00:56,647 --> 00:00:58,517 Like, it's so crazy. 15 00:00:58,607 --> 00:01:01,147 This week alone, we're thinking about Jimmy Kimmel 16 00:01:01,234 --> 00:01:05,164 and LACMA Film and Art Gala with Gucci sponsoring it, 17 00:01:05,238 --> 00:01:07,068 and the next day, we're doing ComplexCon. 18 00:01:07,157 --> 00:01:08,197 With all those things, 19 00:01:08,283 --> 00:01:11,373 there needs to be a line of consistency 20 00:01:11,453 --> 00:01:14,213 where everything remains recognizably Anderson .Paak. 21 00:01:14,289 --> 00:01:16,629 That's something I am spinning my wheels about. 22 00:01:16,876 --> 00:01:20,246 Who will we be collaborating with, what designer makes sense, 23 00:01:20,337 --> 00:01:21,917 what color palettes make sense, 24 00:01:22,006 --> 00:01:23,376 what is the silhouette, 25 00:01:23,465 --> 00:01:25,425 what is the style of clothing that we're doing, 26 00:01:25,509 --> 00:01:27,469 and, like, putting it all together to make it look 27 00:01:27,553 --> 00:01:28,643 like you just threw it on 28 00:01:28,721 --> 00:01:30,141 and all the magic happened. 29 00:01:31,724 --> 00:01:33,774 - You guys don't like these pants? The way... 30 00:01:33,851 --> 00:01:35,351 - JASMINE: I mean... - It's kinda just I imagined. 31 00:01:35,435 --> 00:01:37,095 - I think it needs a little something. 32 00:01:37,437 --> 00:01:39,857 'Cause it's giving me genie vibes. 33 00:01:39,940 --> 00:01:40,820 Let's see this shirt. 34 00:01:40,900 --> 00:01:43,150 There's one million challenges 35 00:01:43,485 --> 00:01:45,735 But I don't even know if I look at it as challenges, 36 00:01:45,821 --> 00:01:49,411 and more just like little marathon that you keep competing. 37 00:01:49,533 --> 00:01:50,413 Can you zip it? 38 00:01:50,701 --> 00:01:51,581 For real? 39 00:01:51,785 --> 00:01:53,575 How can we make this work? 40 00:01:53,662 --> 00:01:55,412 They don't have the right size. 41 00:01:55,581 --> 00:01:58,001 That's why I am crazy and I like doing it. 42 00:01:58,959 --> 00:02:00,709 - Anderson... your zipper. 43 00:02:00,794 --> 00:02:02,054 That's the beauty of it. 44 00:02:02,128 --> 00:02:03,588 That we just impersonating working for us, 45 00:02:03,672 --> 00:02:06,512 especially stylists that we build this iconic look 46 00:02:06,592 --> 00:02:08,222 and we are having fun with each era. 47 00:02:08,301 --> 00:02:09,391 - Mm-hmm. You know? 48 00:02:09,469 --> 00:02:13,139 We just need to get all these sizes for the custom Gucci look 49 00:02:13,223 --> 00:02:14,433 - for the LACMA look. - WOMAN: OK. 50 00:02:14,767 --> 00:02:16,307 - They're both made from the same-- - Gucci. 51 00:02:16,393 --> 00:02:17,273 - ANDERSON: Aren't those gonna be too much? 52 00:02:17,352 --> 00:02:19,812 - No! I don't think anything is too much. It's you. 53 00:02:20,731 --> 00:02:22,731 I like this for Kimmel 54 00:02:23,233 --> 00:02:24,283 with Mark. 55 00:02:36,914 --> 00:02:40,294 This is a lot better when you know you look good and, uh, 56 00:02:40,375 --> 00:02:42,665 it just transcends over it to the performance. 57 00:02:48,467 --> 00:02:51,637 - JASMINE: When I met Anderson, I'm like, "I should be working with that guy." 58 00:02:52,054 --> 00:02:55,894 Talking about out of the box, that guy is not in any box. 59 00:02:55,975 --> 00:02:57,135 But when I met him, I'm like, 60 00:02:57,225 --> 00:02:59,555 "Why, you are the most bright light in the world 61 00:02:59,645 --> 00:03:01,555 and you're wearing so much black. 62 00:03:01,688 --> 00:03:03,688 That doesn't communicate to me who you are. 63 00:03:03,774 --> 00:03:04,654 You're not goth." 64 00:03:04,733 --> 00:03:07,823 - When I first met her, I think I was really onto my punk, 65 00:03:07,903 --> 00:03:09,363 denim, just jeans. 66 00:03:09,446 --> 00:03:12,276 - So I was, like, "What kind of weird stuff do we do?" 67 00:03:12,365 --> 00:03:13,525 It's not really a costume thing, 68 00:03:13,617 --> 00:03:15,907 It's, like, colors, prints. 69 00:03:16,120 --> 00:03:19,710 - ANDERSON: She just tapped into something like psychedelic, early waver stuff. 70 00:03:20,124 --> 00:03:22,044 It's the evolution of fun and we're still evolving. 71 00:03:24,377 --> 00:03:26,627 - JASMINE: To me, the most exciting time to work with an artist 72 00:03:26,713 --> 00:03:28,013 is when they're growing like this. 73 00:03:31,343 --> 00:03:34,763 So we're gonna take these to the venue, too. 74 00:03:35,263 --> 00:03:39,063 When he comes in, we can ask him if he wants to try on 75 00:03:39,143 --> 00:03:41,193 the performance look again. 76 00:03:41,269 --> 00:03:43,189 Anderson, let's put all his stuff in there, 77 00:03:43,271 --> 00:03:44,521 but Maurice and the background vocalist, 78 00:03:44,606 --> 00:03:46,356 - I will just put on the side. - WOMAN: Gotcha. 79 00:03:46,441 --> 00:03:47,281 - JASMINE: There's lot of preparation 80 00:03:47,359 --> 00:03:49,899 because it's him and it's The Free Nationals, 81 00:03:49,987 --> 00:03:50,857 the trumpet player 82 00:03:50,946 --> 00:03:52,736 and the background vocalist The Honey .Paak. 83 00:03:52,823 --> 00:03:54,833 So that's seven people, plus him to dress. 84 00:03:54,908 --> 00:03:56,158 Let's just put it in here. 85 00:03:56,242 --> 00:03:57,162 This one. 86 00:03:57,243 --> 00:03:58,753 Carpet. 87 00:03:58,954 --> 00:04:00,714 That gets a little intense 88 00:04:00,789 --> 00:04:03,129 because it's just a lot of people and a lot of different energy, 89 00:04:03,249 --> 00:04:05,169 and you wanna make sure everyone feels good. 90 00:04:12,968 --> 00:04:14,888 - Should I get in the suit now? 91 00:04:14,970 --> 00:04:16,560 - JASMINE: An artist like Anderson, 92 00:04:16,638 --> 00:04:18,808 who can just go out on the carpet and wear things 93 00:04:18,891 --> 00:04:20,271 that are just really far out. 94 00:04:20,392 --> 00:04:21,602 And that's what he embodies. 95 00:04:21,685 --> 00:04:24,395 And then you see, like, the house like Gucci, it's just like, 96 00:04:24,479 --> 00:04:25,939 outfits on acid, 97 00:04:26,023 --> 00:04:27,403 it's like psychedelia. 98 00:04:27,482 --> 00:04:30,782 This makes sense because his music is just genre-less. 99 00:04:31,070 --> 00:04:32,780 Gucci is a bit genre-less as well. 100 00:04:32,863 --> 00:04:35,033 And I just think those worlds-- they just really fit. 101 00:04:35,949 --> 00:04:38,619 - She started finding, like, the most sickest stuff 102 00:04:38,702 --> 00:04:40,502 that was matching the festivals, 103 00:04:40,579 --> 00:04:43,329 and, like, going hand-to-hand with the music in it 104 00:04:43,415 --> 00:04:44,665 that wind up with the tour. 105 00:04:44,750 --> 00:04:46,710 It's, like, yeah, let's do psychedelic. 106 00:04:47,002 --> 00:04:49,092 These big wavy colors and stuff. 107 00:04:54,134 --> 00:04:57,144 - JASMINE: It's a moment when Batman puts on his costume. 108 00:04:57,679 --> 00:05:00,019 He puts on the look, that Gucci look. 109 00:05:00,099 --> 00:05:01,269 - Wow. - Just try it. 110 00:05:01,683 --> 00:05:04,143 And he's Anderson. Paak on a million. 111 00:05:04,728 --> 00:05:05,648 He's ready. 112 00:05:05,729 --> 00:05:06,979 I love that moment. 113 00:05:09,942 --> 00:05:12,862 I don't really like to think about what we're doing 114 00:05:12,945 --> 00:05:15,735 until I hear the music before it comes out. 115 00:05:15,822 --> 00:05:18,412 Things are based sonically with an artist like this. 116 00:05:18,491 --> 00:05:20,291 - BILLIE: So I wanna introduce you to somebody 117 00:05:20,368 --> 00:05:21,618 that changed who I am. 118 00:05:21,703 --> 00:05:22,963 I saw his show 119 00:05:23,038 --> 00:05:25,418 and it completely, fully 120 00:05:25,498 --> 00:05:27,838 changed my entire perception of what 121 00:05:27,960 --> 00:05:31,130 an artist looks like and what a performer is. 122 00:05:31,213 --> 00:05:33,383 Ladies and gentlemen, Anderson .Paak. 123 00:05:48,147 --> 00:05:50,357 - ANDERSON: Yeah, I feel like, with her, that's why we work so good. 124 00:05:50,941 --> 00:05:52,151 We are, we're open. 125 00:05:53,902 --> 00:05:56,032 - JASMINE: Growing up, there was no ideas that were like, 126 00:05:56,113 --> 00:05:58,323 formulated too early for me 127 00:05:58,406 --> 00:06:00,696 to figure out what style and fashion was. 128 00:06:01,327 --> 00:06:04,157 My parents were, like, bohemian couple 129 00:06:04,246 --> 00:06:06,996 that met in a commune in the 60s in San Francisco. 130 00:06:07,082 --> 00:06:09,042 So everyone was naked all the time 131 00:06:09,126 --> 00:06:13,086 until like, maybe I was seven. 132 00:06:13,172 --> 00:06:14,842 Like, naked, naked. 133 00:06:14,923 --> 00:06:17,433 And that was my first view on clothing 134 00:06:17,551 --> 00:06:20,391 'cause it was, like, of not important. 135 00:06:20,512 --> 00:06:24,272 It just gave me this out of the box way of thinking of clothing in the body. 136 00:06:28,937 --> 00:06:31,767 What's really great about working with Anderson-- 137 00:06:31,857 --> 00:06:35,937 he can move in worlds like the smooth contemporary R&B world 138 00:06:36,028 --> 00:06:37,608 and the next day, it might be more 139 00:06:37,696 --> 00:06:40,656 hip hop focus, there's lot of cool opportunities 140 00:06:40,741 --> 00:06:41,871 for versatility. 141 00:06:42,326 --> 00:06:44,446 ComplexCon is very new, 142 00:06:44,536 --> 00:06:46,496 so it's very, like, hype these boys 143 00:06:46,580 --> 00:06:48,420 all the streetwear rascals in there. 144 00:06:48,540 --> 00:06:50,830 You see, oh, my, it's such a different vibe that is. 145 00:06:52,294 --> 00:06:54,214 I just want to continue to push forward, 146 00:06:54,296 --> 00:06:56,376 musically and aesthetically. 147 00:06:57,716 --> 00:07:01,256 The music will inform how his style evolves. 148 00:07:18,820 --> 00:07:20,030 - ANDERSON: That's all I wanted-- 149 00:07:20,114 --> 00:07:22,324 was to able to have everyone in the room and have the respect, 150 00:07:22,408 --> 00:07:24,528 and because I make the music like that, 151 00:07:24,618 --> 00:07:27,368 I am able to be free, and maybe would happen to suit... 152 00:07:27,454 --> 00:07:30,044 just, you know, in a tracksuit or whatever, 153 00:07:30,124 --> 00:07:31,794 but it's always gonna have my touch on it. 154 00:07:31,875 --> 00:07:32,875 That's always what I wanted. 155 00:07:32,960 --> 00:07:35,670 I love being able to adapt and still be me. 156 00:07:35,754 --> 00:07:38,594 - JASMINE: I like to think that I play a part in him, 157 00:07:38,673 --> 00:07:41,433 feeling comfortably in all of those different worlds. 158 00:07:42,010 --> 00:07:44,810 - ANDERSON: As I came up in my artistry that's become a part of it 159 00:07:44,888 --> 00:07:47,018 where I feel like, oh, now I feel comfortable in my own skin. 160 00:07:47,099 --> 00:07:48,559 I-- It took a while to get to that. 161 00:07:48,642 --> 00:07:50,442 And, like, that's what Jasmine does.