1 00:00:15,981 --> 00:00:18,531 BRIAN: When someone is watching a dance, their neurons are firing. 2 00:00:19,651 --> 00:00:21,741 Your body is actually starting to wire those emotions 3 00:00:21,820 --> 00:00:23,490 and those feelings inside your own brain. 4 00:00:24,698 --> 00:00:26,698 That's why having dancers is so important. 5 00:00:27,158 --> 00:00:29,328 You start to feel that empathy. 6 00:00:33,999 --> 00:00:36,459 - ARIANA: The twins bring, like, a totally new life to songs 7 00:00:36,543 --> 00:00:38,383 that I didn't know could be there. 8 00:00:50,557 --> 00:00:53,057 Once I met them, I never pictured my life without them. 9 00:00:53,143 --> 00:00:55,273 I was, like, "Oh! This is a forever thing." 10 00:01:04,696 --> 00:01:05,986 - You go first. - Me first? 11 00:01:06,072 --> 00:01:07,952 - Yeah, y-- you were born first. - That's true. 12 00:01:08,033 --> 00:01:08,873 - Born first, talk first. - That's true. 13 00:01:18,293 --> 00:01:22,133 So, we are on the tour for about almost eight months 14 00:01:22,214 --> 00:01:25,474 and, uh, we're from Strongsville, Ohio, a little town outside Cleveland. 15 00:01:25,551 --> 00:01:28,051 You know, like, didn't dance till we were 19, like, in college. 16 00:01:28,428 --> 00:01:30,098 So the fact that we were able to get to this point of 17 00:01:30,180 --> 00:01:32,810 being the, the head choreographers for, like, a world tour... 18 00:01:32,892 --> 00:01:33,732 it's amazing. 19 00:01:36,562 --> 00:01:39,232 When we came with the creative for the Sweetener Tour 20 00:01:39,314 --> 00:01:40,524 for Ariana's song "Breathin", 21 00:01:40,607 --> 00:01:42,777 we decided not to have any dancers on stage. 22 00:01:42,902 --> 00:01:45,652 It's going to be more about just Ariana singing her butt off. 23 00:01:47,197 --> 00:01:50,827 But I think we were been kinda itching to do some kind of dancing to it 24 00:01:50,910 --> 00:01:53,660 and to actually, like, get that song on some bodies. 25 00:01:54,747 --> 00:01:57,037 And so I think, this is the perfect time to do it... 26 00:01:57,123 --> 00:01:58,293 is in Switzerland. 27 00:01:58,500 --> 00:02:01,550 It's just special to be openly creative and see where it gets you. 28 00:02:10,345 --> 00:02:11,675 I've never been to Switzerland before, 29 00:02:11,764 --> 00:02:16,524 so first time performing there, but also first time getting to explore. 30 00:02:18,687 --> 00:02:20,107 - This is so beautiful, it's crazy. 31 00:02:22,399 --> 00:02:23,569 - SCOTT: We can have this moment on tour 32 00:02:23,650 --> 00:02:26,780 that we can go and do something outside of the stage 33 00:02:26,862 --> 00:02:28,702 and experiment and create. 34 00:02:28,781 --> 00:02:31,411 And then that can also make us refueled up 35 00:02:31,491 --> 00:02:33,741 with new intention that we could bring on the stage later on. 36 00:02:33,911 --> 00:02:34,751 - Full circle. 37 00:02:35,662 --> 00:02:37,502 - CORY: A lot of times when they... 38 00:02:37,581 --> 00:02:38,421 teach, 39 00:02:39,541 --> 00:02:42,881 it's as if, they talking to each other but not really talking to each other, 40 00:02:42,962 --> 00:02:46,302 like, one will teach the choreography and the other one will... 41 00:02:46,757 --> 00:02:49,887 go into definition as to why we are moving the way we're moving. 42 00:02:50,260 --> 00:02:52,680 - When dancing, there are certain emotions or... 43 00:02:52,846 --> 00:02:54,596 ideas or experiences you can get 44 00:02:55,099 --> 00:02:57,729 from the song that may not have otherwise existed. 45 00:03:01,897 --> 00:03:03,687 - Is it fine? Shall we leave this on? - Yeah. 46 00:03:03,774 --> 00:03:05,824 - I'm the third. I'm the triplet. 47 00:03:06,610 --> 00:03:09,160 I don't know if they failed to mention that or not, but I am. 48 00:03:09,696 --> 00:03:11,406 - ♪ But I don't chair... ♪ 49 00:03:12,491 --> 00:03:14,241 - ARIANA: ♪ Chair ♪ 50 00:03:14,743 --> 00:03:17,333 I love the life that they bring to my music. 51 00:03:18,080 --> 00:03:21,540 I've never felt more understood. 52 00:03:22,208 --> 00:03:26,918 I've learned so much about what my body's capable of 53 00:03:27,422 --> 00:03:29,262 and, you know, become a lot more comfortable 54 00:03:29,341 --> 00:03:31,801 dancing and moving on stage because of them. 55 00:03:35,305 --> 00:03:37,715 - We first met Ariana in New York City. 56 00:03:37,808 --> 00:03:41,728 We were young dancers, we became, I feel, instant, like, brothers and sisters. 57 00:03:42,354 --> 00:03:45,524 - We're never gonna have to put on a different act 58 00:03:45,607 --> 00:03:47,027 or be somebody different than we actually are. 59 00:03:47,109 --> 00:03:49,359 And I think that's what is the reason she has chosen us 60 00:03:49,444 --> 00:03:51,784 and the reason also we've chosen her. 61 00:03:52,614 --> 00:03:55,034 And I'm funny, so, thank God! 62 00:03:55,117 --> 00:03:57,487 'Cause Brain's the worst, yeah, exactly. You know what I am saying? You feel me? 63 00:03:59,163 --> 00:04:01,173 - CORY: Their bond is amazing. 64 00:04:01,247 --> 00:04:03,957 And then that transcends to everybody else. 65 00:04:15,137 --> 00:04:16,427 - SCOTT: I got through, like, all these years... 66 00:04:16,513 --> 00:04:18,103 The team mentality is super, super important. 67 00:04:18,182 --> 00:04:20,562 I feel like a lot of times, someone gets hired by an artist 68 00:04:20,642 --> 00:04:22,522 and then they, you know, have their job to do. 69 00:04:22,644 --> 00:04:25,524 And then that's it, but this is more than just, "I'm hiring somebody." 70 00:04:27,983 --> 00:04:30,113 We're super lucky we have each other. 71 00:04:30,736 --> 00:04:32,566 - Turn, and then... pssh... 72 00:04:32,696 --> 00:04:34,486 - Not like you're trying to keep him away, but just like... 73 00:04:34,573 --> 00:04:37,373 Growing up, especially in school, I feel like people would say, like, 74 00:04:37,450 --> 00:04:40,250 Scott and I were always a little more effeminate than other dudes, you know? 75 00:04:40,328 --> 00:04:42,498 It's like, this world is very, like, comparative. 76 00:04:42,581 --> 00:04:45,331 Instead of just, like, letting people be however they want, whoever they want. 77 00:04:46,334 --> 00:04:47,384 It's just so hard to find where you fit 78 00:04:47,460 --> 00:04:49,050 and then you realize you don't have to fit anywhere. 79 00:04:51,381 --> 00:04:53,681 - ARIANA: Brian and Scott, both understand 80 00:04:53,759 --> 00:04:57,349 that it's really important to use our platform to make people feel 81 00:04:57,470 --> 00:05:00,060 like, a part of it, and safe and celebrate it 82 00:05:00,140 --> 00:05:03,310 a way that we have always done that with the twins is 83 00:05:03,393 --> 00:05:05,693 their choreography is also very fluid. 84 00:05:09,983 --> 00:05:11,693 - SCOTT: With the Sweetener Tour, when we would cast dancers 85 00:05:11,777 --> 00:05:13,027 and we would call groups to be, 86 00:05:13,112 --> 00:05:14,862 like, let's do all the men, and all the women. 87 00:05:14,947 --> 00:05:19,367 But saying that felt really, um, wrong because that wouldn't do any justice 88 00:05:19,451 --> 00:05:21,161 to the energy of the dance movements. So, we were, like, 89 00:05:21,245 --> 00:05:23,075 oh, let's just change this, let's change the narrative. 90 00:05:23,163 --> 00:05:25,923 - If someone can be like, I don't dance, I'll be there, 91 00:05:26,374 --> 00:05:30,384 but I want to dance more feminine or masculine. 92 00:05:30,838 --> 00:05:32,708 - ARIANA: It's really dope to be able to... 93 00:05:32,798 --> 00:05:34,378 work with choreographers and dancers 94 00:05:34,466 --> 00:05:37,676 that are comfortable performing with both sides of themselves. 95 00:05:44,059 --> 00:05:45,349 - SCOTT: It was sort of an experiment with, like, 96 00:05:45,435 --> 00:05:47,895 the identity of just, like, the energy 97 00:05:47,980 --> 00:05:50,360 rather than just, like, the, the, the general person. 98 00:05:50,524 --> 00:05:54,744 And it became so much more open and the art became more exciting. 99 00:05:59,449 --> 00:06:02,489 - When it comes to the same-sex dancing, it's more so about the human connection 100 00:06:02,577 --> 00:06:04,287 because you are gonna see two people for who they are. 101 00:06:04,746 --> 00:06:07,496 What makes this special is showing people 102 00:06:07,624 --> 00:06:10,214 the connection that they don't even realize they have to it. 103 00:06:11,670 --> 00:06:14,550 - There are moments where our dancers are touching other male dancers 104 00:06:14,631 --> 00:06:17,221 and what an emotional kind of reaction that you have, 105 00:06:17,301 --> 00:06:20,261 whether it's good or bad, it challenges you as a human being. 106 00:06:20,512 --> 00:06:22,012 That, literally, can change anyone's life. 107 00:06:27,061 --> 00:06:27,901 - SCOTT: Go, here we go. 108 00:06:27,978 --> 00:06:30,308 Five, six, seven, eight. 109 00:06:33,359 --> 00:06:34,279 - When we were growing up 110 00:06:34,360 --> 00:06:36,070 I remember, one of, like, the confused kids in my class 111 00:06:36,153 --> 00:06:37,403 would like, ran up to me, was, like... 112 00:06:37,487 --> 00:06:39,657 "You're a..." I'm was like, "I don't know what that means." 113 00:06:40,241 --> 00:06:41,991 I just never got it. Even now, I'm like... 114 00:06:42,076 --> 00:06:44,996 You're taking the entire experience that I've had and putting it down to, like, 115 00:06:45,079 --> 00:06:46,999 masculine, feminine, gay, straight. 116 00:06:47,081 --> 00:06:49,211 People can be different things at different points in their life anyways. 117 00:06:50,042 --> 00:06:52,542 - Even when it came down to sexuality, You know what I'm saying? I feel like... 118 00:06:52,961 --> 00:06:54,761 I don't wanna label myself as anything 119 00:06:54,838 --> 00:06:57,168 because I don't feel like I need to put it in a box. 120 00:06:57,799 --> 00:07:00,589 There's a lot of people who don't fit in those boxes and that's cool. 121 00:07:00,677 --> 00:07:04,387 You know? And I wanna be able to show the world those kind of people. 122 00:07:04,598 --> 00:07:06,058 - MAN: Look at the hate... 123 00:07:06,141 --> 00:07:08,811 - There's been times where there's protesters outside, 124 00:07:08,894 --> 00:07:13,524 where they are protesting obviously who and what Ariana Grande represents, 125 00:07:13,607 --> 00:07:16,607 that goes against their belief in, like, homosexuality is a sin. 126 00:07:17,485 --> 00:07:20,405 When people come into an arena and they are watching your show, 127 00:07:20,488 --> 00:07:23,618 if they go to a certain church that's protesting outside of the arena, 128 00:07:23,700 --> 00:07:26,750 they can come in here, and even if their family doesn't agree, 129 00:07:26,828 --> 00:07:28,288 they can still be in a safe place. 130 00:07:28,372 --> 00:07:30,712 - MAN: You are all hateful, intolerant bigots! 131 00:07:30,791 --> 00:07:32,581 And you all need to repent! 132 00:07:35,670 --> 00:07:37,800 - BRIAN: We just want to operate from a positive situation 133 00:07:37,881 --> 00:07:40,431 of loving people, and that everyone when they can come into the arena, 134 00:07:40,508 --> 00:07:42,178 they can still be in a safe place. 135 00:07:42,970 --> 00:07:45,470 - SCOTT: The stage and the platform Ariana has given Brian and I, 136 00:07:45,555 --> 00:07:47,765 has been to really, like, to express ourselves fully 137 00:07:47,849 --> 00:07:50,019 but also make it about everybody else as well. 138 00:07:51,312 --> 00:07:54,982 - What a beautiful thing to have these fans come in and to feel celebrated. 139 00:07:55,232 --> 00:07:57,612 For the dancers look at them in the eyes and dance together. 140 00:07:59,778 --> 00:08:01,908 - When people who are watching it, they feel like they have a place in the show. 141 00:08:01,989 --> 00:08:04,119 - It's exciting to see somebody living in their truth, 142 00:08:04,199 --> 00:08:06,079 but also being so confident. 143 00:08:06,743 --> 00:08:08,543 - Let's go, Zürich! 144 00:08:09,079 --> 00:08:10,959 - BRIAN: That can be a spring point for them to be, like, 145 00:08:11,039 --> 00:08:13,669 they are on-stage doing the same show all across the world, 146 00:08:13,750 --> 00:08:15,290 I can do this in my own life. 147 00:08:18,255 --> 00:08:20,465 - ♪ Feel my blood runnin' ♪ 148 00:08:20,548 --> 00:08:23,258 ♪ Swear the sky's fallin' ♪ 149 00:08:23,344 --> 00:08:26,144 ♪ How do I know if this shit's fabricated? ♪ 150 00:08:26,638 --> 00:08:27,928 ♪ Time ♪ 151 00:08:28,432 --> 00:08:34,022 ♪ Just keep breathin' and breathin' and breathin' and breathin' ♪ 152 00:08:34,396 --> 00:08:35,646 ♪ And I gotta keep ♪ 153 00:08:36,106 --> 00:08:37,936 ♪ I keep on breathin' ♪ 154 00:08:38,233 --> 00:08:43,863 ♪ Just keep breathin' and breathin' and breathin' and breathin' ♪ 155 00:08:44,239 --> 00:08:45,619 ♪ And I gotta keep ♪ 156 00:08:45,699 --> 00:08:47,279 ♪ I keep on breathin' ♪ 157 00:08:48,535 --> 00:08:49,495 ♪ Yeah ♪ 158 00:08:57,085 --> 00:08:58,915 ♪ Yeah ♪