1 00:00:06,072 --> 00:00:07,974 [BIRDS CHIRPING] 2 00:00:08,041 --> 00:00:11,311 [RIFLE CLICKS] 3 00:00:15,315 --> 00:00:17,851 PARCO: OK, SHE'S SHOWING YOU HER BROAD SIDE. 4 00:00:17,917 --> 00:00:20,553 HEART'S JUST BEHIND THE NEAREST SHOULDER. 5 00:00:20,653 --> 00:00:22,922 THAT'S THE CLEANEST KILL SHOT POSSIBLE, 6 00:00:23,023 --> 00:00:26,192 BUT YOU'RE AIMING TOO FAR LEFT. 7 00:00:26,259 --> 00:00:28,395 AIM RIGHT. 8 00:00:28,495 --> 00:00:33,400 THAT'S IT. A LITTLE BIT FARTHER. STEADY. 9 00:00:35,702 --> 00:00:38,038 A LITTLE MORE. 10 00:00:43,543 --> 00:00:45,712 THERE. 11 00:00:48,615 --> 00:00:50,717 OK. DEEP BREATH. 12 00:00:53,686 --> 00:00:55,789 BRACE FOR THE RECOIL. 13 00:01:00,226 --> 00:01:02,362 AND... 14 00:01:04,564 --> 00:01:05,799 SQUEEZE. 15 00:01:05,899 --> 00:01:08,701 [SOUND OF GUNSHOT ECHOES] 16 00:01:26,753 --> 00:01:30,323 [MOANING] 17 00:01:49,576 --> 00:01:51,911 CARMEN: DAMN GOOD. 18 00:01:51,978 --> 00:01:53,780 LOOK AT US. 19 00:01:55,081 --> 00:01:59,285 THREE YEARS AGO, WE STARTED WITH 4 BLOCKS, 20 00:01:59,352 --> 00:02:02,021 AND WE'D SHOOT ON SIGHT TO GUARD IT. 21 00:02:02,122 --> 00:02:05,758 NOW WE GOT OPENED UP ROADS, 22 00:02:05,825 --> 00:02:08,361 CREW AFFILIATIONS, 23 00:02:08,461 --> 00:02:10,997 FREE TRADE. 24 00:02:11,097 --> 00:02:14,033 THAT STARTED WITH YOU. 25 00:02:14,134 --> 00:02:15,468 HA HA! OH, MY-- 26 00:02:15,535 --> 00:02:18,037 PARCO: YOU TRYING TO GET ME GOING HERE, HUH? 27 00:02:18,138 --> 00:02:19,372 HUH? 28 00:02:19,472 --> 00:02:21,341 [CARMEN CHUCKLING] PARCO: IT'S WORKING. 29 00:02:21,441 --> 00:02:23,977 ¿TÚ NO TE CANSAS? 30 00:02:24,043 --> 00:02:25,879 CARMEN: HMM? 31 00:02:25,979 --> 00:02:29,282 I'M TRYING TO TELL YOU I'M PROUD OF YOU, FOOL. 32 00:02:34,053 --> 00:02:37,190 PARCO: I'M GONNA MAKE BREAKFAST. 33 00:02:38,525 --> 00:02:40,126 [STATIC ON RADIO] 34 00:02:40,193 --> 00:02:41,794 QUEEN DOPE ON RADIO: TODAY IS THE DAY, FRIENDS. 35 00:02:41,861 --> 00:02:45,732 THE DMZ'S FIRST-EVER DEBATE: PARCO AND WILSON, 36 00:02:45,832 --> 00:02:49,068 THE TWO ICONS, THE TWO EGOS, AND THE TWO MEN 37 00:02:49,169 --> 00:02:51,704 WHO HAVE BEEN BEATING THEIR CHESTS TO CONVINCE US 38 00:02:51,804 --> 00:02:53,339 THEY DESERVE OUR VOTE. 39 00:02:53,406 --> 00:02:54,908 AND THAT'S BIG, FOLKS-- 40 00:02:55,008 --> 00:02:56,743 BIG FOR YOU, BIG FOR ME, 41 00:02:56,843 --> 00:02:59,679 AND BIG FOR ALL THE COZY-ASS WHITE BOYS CHEWING THEIR NAILS 42 00:02:59,746 --> 00:03:01,514 ON THE OUTSIDE. 43 00:03:01,581 --> 00:03:03,349 SO SHOW UP TO CITY HALL TONIGHT. 44 00:03:03,416 --> 00:03:05,518 LISTEN AND MAKE YOUR CHOICE. 45 00:03:05,585 --> 00:03:08,555 AND NOW A LITTLE SOMETHING TO BOUNCE TO. 46 00:03:08,655 --> 00:03:11,057 CARMEN: PANCAKES? HOW? 47 00:03:11,157 --> 00:03:13,092 PARCO: FARM CO-OP GAVE ME A SACK OF FLOUR, 48 00:03:13,193 --> 00:03:14,561 SOME BUTTER AND EGGS, 49 00:03:14,661 --> 00:03:16,396 EARLY CONGRATULATIONS FOR TODAY. 50 00:03:16,496 --> 00:03:19,732 CARMEN: CAREFUL. I MIGHT GET USED TO THIS. 51 00:03:19,832 --> 00:03:22,402 PARCO: BRING THAT COFFEE, GIRL. 52 00:03:22,502 --> 00:03:24,938 [MUSIC PLAYING ON SOUNDTRACK] 53 00:03:44,123 --> 00:03:45,858 PARCO: YOU GOT TO SWEETEN THAT UP JUST A LITTLE BIT. 54 00:03:45,925 --> 00:03:47,260 CARMEN: YEAH, BUT YOU ADDED 55 00:03:47,360 --> 00:03:48,561 A LITTLE BIT TOO MUCH SUGAR TO IT. 56 00:03:48,628 --> 00:03:50,296 PARCO: COME ON, NOW. 57 00:03:50,396 --> 00:03:51,931 DON'T FRONT LIKE YOU AIN'T ENJOYING IT. 58 00:03:52,031 --> 00:03:54,033 I KNOW YOU LOVING IT. 59 00:03:57,370 --> 00:03:59,806 CARMEN: WHAT DO YOU THINK OF THAT? 60 00:04:01,074 --> 00:04:02,709 PARCO: LITTLE NENE? 61 00:04:02,775 --> 00:04:05,545 WELL, THE KID WITH THE BAT NEEDS TO CHOKE UP ON THE GRIP, 62 00:04:05,612 --> 00:04:07,046 AND THAT PITCHER NEEDS TO LOSE HIS SIDEARM. 63 00:04:07,113 --> 00:04:09,482 CARMEN: HA HA. [PARCO CHUCKLES] 64 00:04:09,582 --> 00:04:10,984 CARMEN: YOU KNOW WHAT I MEAN. 65 00:04:11,084 --> 00:04:13,286 PARCO: COME ON, BABY. NOT NOW. 66 00:04:18,424 --> 00:04:21,094 CARMEN: WHY YOU GOT A STUPID GRIN ON YOUR FACE? 67 00:04:23,263 --> 00:04:25,965 PARCO: I'M JUST ENJOYING THE SUN IS ALL. 68 00:04:28,134 --> 00:04:30,169 I'M JUST THINKING ABOUT MY POPS. 69 00:04:31,671 --> 00:04:33,673 CARMEN: ABOUT WHAT? PARCO: NAH, NOTHING. 70 00:04:33,773 --> 00:04:38,344 JUST HOW WHEN HE CAME HERE WITH A POCKET FULL OF COINS, 71 00:04:38,444 --> 00:04:41,347 SET US UP IN A TINY, LITTLE SHITHOLE ON 124th. 72 00:04:41,447 --> 00:04:44,183 HE'D SAY, "IN ALL OF THE WORLD, 73 00:04:44,284 --> 00:04:46,953 THE SUN SHINES A LITTLE BRIGHTER HERE." 74 00:04:48,354 --> 00:04:49,989 CARMEN: THAT'S A NICE THOUGHT. 75 00:04:50,089 --> 00:04:51,691 PARCO: IT'S BULLSHIT. 76 00:04:51,791 --> 00:04:53,526 THAT MAN HAD TO CLIMB JUST A LITTLE BIT HIGHER THAN MOST 77 00:04:53,626 --> 00:04:56,262 TO REALLY SEE IT. 78 00:04:56,329 --> 00:04:58,197 CARMEN: HE'D BE PROUD OF YOU. 79 00:04:58,298 --> 00:05:00,466 PARCO: NAH. 80 00:05:00,533 --> 00:05:02,935 HE'D BE LOADED. 81 00:05:05,772 --> 00:05:08,174 [LOUD KNOCK ON DOOR] 82 00:05:10,610 --> 00:05:13,613 [KNOCKING ON DOOR] 83 00:05:18,351 --> 00:05:21,854 ALMA: PARCO! 84 00:05:21,954 --> 00:05:24,324 PARCO: OH, FUCK. 85 00:05:26,492 --> 00:05:28,161 [KNOCK ON DOOR] 86 00:05:35,401 --> 00:05:38,037 AFTER 8 YEARS AND A CIVIL WAR, WHAT DO YOU WANT, 87 00:05:38,137 --> 00:05:40,139 TO BORROW SOME SUGAR? 88 00:05:42,975 --> 00:05:44,577 HOW DID YOU FIND ME? 89 00:05:44,677 --> 00:05:46,979 ALMA: HOW MANY TIMES DID I HAVE TO LISTEN TO YOU GO ON 90 00:05:47,046 --> 00:05:48,815 ABOUT HOW YOU WERE GONNA OWN THIS BLOCK? 91 00:05:48,881 --> 00:05:51,484 WASN'T HARD. YOU GONNA LET ME IN? 92 00:05:51,551 --> 00:05:53,019 I'M MAKING A SCENE OUT HERE. 93 00:05:53,086 --> 00:05:56,222 PARCO: AIN'T GONNA BE MUCH BETTER IN HERE. 94 00:05:56,322 --> 00:05:58,825 ALMA: WHY? 95 00:05:58,891 --> 00:06:01,027 CARMEN: 'CAUSE I'M NOT GONNA LET YOU IN, BITCH. 96 00:06:01,094 --> 00:06:02,328 WHAT THE FUCK ARE YOU DOING HERE? 97 00:06:02,395 --> 00:06:03,830 ALMA: HI, CARMEN. 98 00:06:03,896 --> 00:06:05,732 CARMEN: WHO THE FUCK DO YOU THINK YOU ARE, 99 00:06:05,832 --> 00:06:07,333 SHOWING UP TO THIS HOME, TO MY HOME? 100 00:06:07,400 --> 00:06:09,268 ALMA: LOOK, I DON'T WANT TO BOTHER YOU. 101 00:06:09,369 --> 00:06:10,937 CARMEN: BITCH, YOU ARE BOTHERING ME, 102 00:06:11,037 --> 00:06:12,739 SO TURN YOUR ASS AROUND AND LEAVE. 103 00:06:12,839 --> 00:06:14,040 ALMA: 8 YEARS AND A CIVIL WAR LATER, 104 00:06:14,107 --> 00:06:15,708 AND THIS ONE'S STILL ALL BARK. 105 00:06:15,775 --> 00:06:17,777 CARMEN: BITCH, I AM RIGHT HERE. SAY IT TO MY FACE. 106 00:06:17,877 --> 00:06:20,613 ALMA: YOU KNOW, YOU ALWAYS WANTED TO BE LIKE ME. 107 00:06:20,713 --> 00:06:22,949 LOOKS LIKE YOU'RE STILL TRYING. 108 00:06:23,049 --> 00:06:26,853 BUT THIS IS IMPRESSIVE. YEAH. I LIKE THE DECOR. 109 00:06:26,919 --> 00:06:29,122 CARMEN: WOW. AFTER THE SHIT YOU PULLED, 110 00:06:29,222 --> 00:06:31,090 YOU WANT TO COME HERE AND INSULT ME, TOO? 111 00:06:31,190 --> 00:06:32,358 [ALMA EXHALES] 112 00:06:32,425 --> 00:06:33,893 CARMEN: THE GROWNUPS ARE TALKING. 113 00:06:33,960 --> 00:06:35,928 LISTEN, I JUST NEED SOME INFORMATION, 114 00:06:36,028 --> 00:06:37,764 AND I'M MORE THAN HAPPY TO LEAVE. 115 00:06:37,864 --> 00:06:39,232 PARCO: WHAT DO YOU WANT TO KNOW? ALMA: I DON'T WANT TO INTERRUPT 116 00:06:39,298 --> 00:06:40,700 YOUR DAILY ROUTINE-- PARCO: OH. 117 00:06:40,767 --> 00:06:42,935 [CARMEN YELLS, INDISTINCT] 118 00:06:43,035 --> 00:06:45,371 PARCO: OH, SHIT. 119 00:06:50,376 --> 00:06:52,278 CARMEN: STOP! 120 00:06:52,378 --> 00:06:54,480 CARMEN: YOU THINK YOU COULD RAT PARCO OUT AND COME BACK HERE? 121 00:06:54,580 --> 00:06:56,282 YOU KNOW, THEY ARRESTED HIM RIGHT BEFORE EVACUATION DAY. 122 00:06:56,382 --> 00:06:58,651 HE COULD'VE STARVED IN HOLDING. COPS ALL RAN-- 123 00:06:58,751 --> 00:07:00,420 ALMA: AND YOU DIDN'T THINK TO SAVE HIM? 124 00:07:00,486 --> 00:07:04,090 CARMEN: NO! THEY ARRESTED ME, TOO, YOU DUMB BITCH. 125 00:07:04,157 --> 00:07:06,993 PARCO: HEY, YO, YO, YO. HEY. HEY, YO, YO. HEY, HEY, HEY. OK. 126 00:07:07,093 --> 00:07:08,895 CARMEN: I'M GONNA KILL THAT RAT. PARCO: OK, I KNOW YOU ARE. 127 00:07:08,961 --> 00:07:11,164 HEY, I GOT THIS. I GOT THIS, ALL RIGHT? 128 00:07:11,264 --> 00:07:13,666 PARCO: WHAT DO YOU WANT, WOMAN? 129 00:07:13,766 --> 00:07:15,835 ALMA: I NEED TO SEE CHRISTIAN. 130 00:07:15,935 --> 00:07:17,770 TELL ME WHERE HE IS, AND I'LL LEAVE. 131 00:07:17,837 --> 00:07:19,806 PARCO: FOR ONE, HE DON'T GO BY THAT NAME NO MORE. 132 00:07:19,906 --> 00:07:21,674 AND HE LIKES HIS PRIVACY. 133 00:07:21,774 --> 00:07:23,943 UNLIKE YOU, I RESPECT THAT. 134 00:07:24,010 --> 00:07:25,278 [DOOR OPENS] 135 00:07:25,344 --> 00:07:27,280 CESAR: OONA ISN'T COMING THROUGH FOR YOU. 136 00:07:29,582 --> 00:07:31,184 ALMA: LONG TIME, CESAR. 137 00:07:31,284 --> 00:07:33,686 PARCO: WHAT DO YOU MEAN, "OONA ISN'T COMING THROUGH"? 138 00:07:33,786 --> 00:07:35,321 CESAR: SAME THING, MAN. COULDN'T GET IN. 139 00:07:35,421 --> 00:07:36,956 THEY WOULDN'T TALK TO ME. 140 00:07:37,023 --> 00:07:38,591 BITCH OUT FRONT ALMOST SHOT ME THIS TIME. 141 00:07:38,658 --> 00:07:40,593 PARCO: NO, WE NEED OONA. 142 00:07:40,660 --> 00:07:42,295 WE GET HER BUY-IN TONIGHT AT THE DEBATE, IT'S GAME OVER. 143 00:07:42,361 --> 00:07:44,030 WHAT, YOU THINK WILSON GOT TO HER? 144 00:07:44,130 --> 00:07:45,998 CESAR: NO. SHE'S AN ISLAND. 145 00:07:47,767 --> 00:07:50,269 CESAR: AND THIS ONE? 146 00:07:50,336 --> 00:07:52,205 PARCO: NAH, SHE WAS JUST LEAVING. 147 00:07:52,305 --> 00:07:55,541 ALMA: TELL ME WHERE HE IS. PARCO: BYE. 148 00:07:55,641 --> 00:07:58,444 ALMA: WHERE IS HE? FUCK YOU. 149 00:07:58,511 --> 00:07:59,879 [BALL BOUNCES] 150 00:08:02,615 --> 00:08:04,717 MAN: 1-6 THAT YOU WON'T MAKE IT. 151 00:08:04,817 --> 00:08:07,186 MAN 2: ALL RIGHT. 152 00:08:07,286 --> 00:08:11,123 [GUNSHOT, MAN SCREAMING] 153 00:08:11,190 --> 00:08:12,792 [GUNSHOT] 154 00:08:20,166 --> 00:08:21,400 [BONE CRACKS] 155 00:08:21,501 --> 00:08:23,135 [MEN GROANING] 156 00:08:31,477 --> 00:08:35,147 SKEL: YOUR NAME? MAN 1: FUCK YOU. 157 00:08:37,016 --> 00:08:38,985 [YELLS] 158 00:08:39,051 --> 00:08:41,854 BODHI KANG. SKEL: SPELL IT. 159 00:08:41,921 --> 00:08:48,160 BODHI: B-O-D-H-I. SKEL: K-A-N-G? 160 00:08:48,227 --> 00:08:50,162 BODHI: YEAH. SKEL: AND YOUR NAME? 161 00:08:50,229 --> 00:08:53,232 RICHARD: RICHARD HO. SKEL: MUCH EASIER. 162 00:08:53,332 --> 00:08:57,503 [GROANING CONTINUES] 163 00:09:07,046 --> 00:09:09,081 [DULL-SOUNDING TAPS] 164 00:09:09,181 --> 00:09:11,350 [RESONANT-SOUNDING TAPS] 165 00:09:25,398 --> 00:09:27,266 [METAL BARS CLANK] 166 00:09:42,381 --> 00:09:49,055 MAN: WE COME INTO THIS WORLD NAKED AND ALONE, RIGHT? 167 00:09:49,121 --> 00:09:52,592 AND WE LEAVE IT NAKED AND ALONE. 168 00:09:52,658 --> 00:09:56,162 YOU GOT TO GET YOU AND YOURS SQUARED UP. 169 00:09:56,262 --> 00:09:58,998 TO HELL WITH ALL Y'ALL. 170 00:09:59,098 --> 00:10:01,834 YOU SEE, IN THE END... 171 00:10:01,934 --> 00:10:06,272 IT'S JUST YOU AND GOD. 172 00:10:06,339 --> 00:10:07,773 THAT'S IT. 173 00:10:07,840 --> 00:10:11,777 IT'S JUST YOU AND GOD. 174 00:10:11,844 --> 00:10:14,180 THAT'S IT. 175 00:10:17,950 --> 00:10:19,585 GRANDFATHER: THE PREACHER AIN'T WRONG. 176 00:10:19,652 --> 00:10:21,854 YOU'RE LOOKING FOR HOME, 177 00:10:21,954 --> 00:10:25,791 BUT HOME TAKES TIME. 178 00:10:25,858 --> 00:10:27,827 MAKING PEACE WITH YOURSELF. 179 00:10:27,927 --> 00:10:29,929 THAT'S THE FIRST STEP TO FINDING YOUR PLACE, 180 00:10:29,996 --> 00:10:34,333 AND THAT TAKES REAL COURAGE, ODI. 181 00:10:34,433 --> 00:10:39,372 NICO: YO! WHY YOU LISTENING TO THAT FUCKING IDIOT, MAN? 182 00:10:39,472 --> 00:10:41,941 DUDE'S NUTS. 183 00:10:44,644 --> 00:10:47,179 [NICO SIGHS] 184 00:10:47,279 --> 00:10:49,148 COME ON. 185 00:10:52,718 --> 00:10:55,855 COME ON. GOT SOMETHING TO SHOW YOU. 186 00:10:55,955 --> 00:11:00,226 MAN: ...IT'S JUST YOU AND GOD. 187 00:11:00,326 --> 00:11:01,661 WILSON: I DON'T GET IT. 188 00:11:01,727 --> 00:11:03,863 WHAT DOES THIS HAVE TO DO WITH MY PROBLEM? 189 00:11:03,963 --> 00:11:06,165 WOMAN: TELL ME ABOUT THE BOOK. 190 00:11:06,232 --> 00:11:08,501 [WILSON EXHALES] 191 00:11:08,567 --> 00:11:11,837 WILSON: A MAN IS SENT TO CUBA TO BE A SPY FOR THE BRITISH. 192 00:11:11,904 --> 00:11:14,840 HE LIES ABOUT EVERYTHING TO EVERYONE 193 00:11:14,907 --> 00:11:16,709 TO GET PROMOTED, TO MAKE MORE MONEY. 194 00:11:16,809 --> 00:11:19,078 EVERYONE BELIEVES HIS LIES ANYWAY. 195 00:11:19,178 --> 00:11:22,515 AND REAL CONSEQUENCES PLAY OUT. WOMAN: AND? 196 00:11:22,581 --> 00:11:25,251 WILSON: AND PEOPLE START DYING, 197 00:11:25,351 --> 00:11:29,588 BUT HE DOUBLES DOWN ON HIS LIES, AND THE WAY OTHERS REACT 198 00:11:29,689 --> 00:11:31,891 MAKE HIS LIES COME TRUE. 199 00:11:31,991 --> 00:11:34,527 WOMAN: WHAT DOES THAT TELL YOU ABOUT TRUTH? 200 00:11:34,593 --> 00:11:37,496 WILSON: THAT IT'S IRRELEVANT. 201 00:11:39,231 --> 00:11:41,267 WOMAN: NOW YOUR GOLD IS DISAPPEARING, 202 00:11:41,367 --> 00:11:43,703 AND ONLY 3 PEOPLE KNOW WHERE IT'S HIDDEN, 203 00:11:43,769 --> 00:11:45,938 AND ONE OF THEM IS A RAT. 204 00:11:46,038 --> 00:11:48,607 HOW TO KNOW WHICH ONE? 205 00:11:48,708 --> 00:11:50,943 WILSON: IT DOESN'T MATTER. 206 00:11:51,043 --> 00:11:53,612 I CAN JUST CHOOSE. 207 00:11:53,713 --> 00:11:55,614 EITHER I'LL BE RIGHT OR I'LL BE WRONG, 208 00:11:55,715 --> 00:11:59,952 IN WHICH CASE EITHER THE TRUTH WILL BE WHATEVER I SAY IT IS, 209 00:12:00,052 --> 00:12:02,254 OR IT'LL EMERGE ON ITS OWN. 210 00:12:02,354 --> 00:12:03,889 IS THAT WHAT YOU'RE TELLING ME? 211 00:12:03,956 --> 00:12:06,926 WOMAN: I LEFT A NEW BOOK ON YOUR DESK, 212 00:12:07,026 --> 00:12:09,195 ANOTHER TALE ABOUT A FANTASTIC LIAR. 213 00:12:09,261 --> 00:12:11,197 WILSON: WHAT WOULD I DO WITHOUT YOU, SUSIE? 214 00:12:11,263 --> 00:12:14,600 SUSIE: AND I TAKE NO CREDIT. I SIMPLY SHARE MY BOOKS WITH YOU. 215 00:12:27,646 --> 00:12:29,381 WILSON: HO. 216 00:12:33,586 --> 00:12:36,288 [KIDS SPEAKING EXCITEDLY] 217 00:13:09,288 --> 00:13:13,259 WILSON: EVEN A KING KNEELS TO THE FUTURE. 218 00:13:13,325 --> 00:13:15,528 GO. [CHILD CHUCKLES] 219 00:13:21,433 --> 00:13:23,202 WILSON: WE LEAVE FOR CITY HALL IN 5 HOURS. 220 00:13:23,302 --> 00:13:25,871 I WANT EVERYONE THERE. WE GO AS-- 221 00:13:31,310 --> 00:13:33,179 YOU STAYED. 222 00:13:33,279 --> 00:13:36,482 ALMA: I DID. 223 00:13:36,549 --> 00:13:39,451 WILSON: COME HERE. 224 00:13:45,524 --> 00:13:47,827 ALMA: THEY ADORE YOU. 225 00:13:47,893 --> 00:13:51,063 WILSON: WELL, I WORK HARD FOR IT. 226 00:13:51,163 --> 00:13:52,698 I'M SO SORRY. 227 00:13:52,798 --> 00:13:54,233 THERE'S JUST SOMETHING QUICK I GOT TO TAKE CARE OF. 228 00:13:54,333 --> 00:13:55,835 WOULD YOU EXCUSE ME FOR A MOMENT? 229 00:13:55,901 --> 00:13:57,570 ALMA: OH, OF COURSE. WILSON: I'LL BE BACK. 230 00:13:57,670 --> 00:14:00,739 WAIT WITH HER IN MY OFFICE. IT WON'T TAKE LONG. 231 00:14:13,552 --> 00:14:16,222 GOOD MORNING, GENTLEMEN. 232 00:14:18,324 --> 00:14:19,992 HOW'S YOUR MOTHER? MAN: SHE'S GOOD. 233 00:14:20,059 --> 00:14:23,362 WILSON: GOOD, GOOD. HEH. 234 00:14:29,535 --> 00:14:32,238 STRIP. 235 00:14:32,338 --> 00:14:34,106 [MEN CHUCKLE WEAKLY] 236 00:14:39,612 --> 00:14:41,881 [WILSON EXHALES] 237 00:14:59,565 --> 00:15:03,702 YOU ARE THE ONLY PEOPLE WHO KNOW WHERE MY GOLD IS HIDDEN. 238 00:15:05,237 --> 00:15:07,940 I ENTRUSTED YOU... 239 00:15:09,408 --> 00:15:12,444 TO SECURE THOSE CACHES. 240 00:15:14,046 --> 00:15:18,817 AND NOW ANOTHER ONE'S GONE MISSING. 241 00:15:22,922 --> 00:15:25,124 ONE OF YOU IS MY RAT. 242 00:15:31,597 --> 00:15:33,265 [SCREAMING] 243 00:15:42,074 --> 00:15:44,009 WILSON: I'LL RETURN TOMORROW WITH BOTH OF YOUR MOTHERS. 244 00:15:44,109 --> 00:15:46,111 IF I DON'T GET A FULL CONFESSION FROM THIS GROUP, 245 00:15:46,178 --> 00:15:47,980 I'LL KILL THEM IN FRONT OF YOU. 246 00:15:56,956 --> 00:15:58,691 [MAN SHUDDERING] 247 00:15:58,791 --> 00:16:01,760 WILSON: I'M SO SORRY. 248 00:16:03,095 --> 00:16:04,863 I KNEW YOU'D COME BACK. 249 00:16:06,932 --> 00:16:08,867 YOU KNOW, YOUR TIMING IS PERFECT. 250 00:16:08,968 --> 00:16:10,703 I'VE GOT THIS DEBATE TODAY. 251 00:16:10,803 --> 00:16:12,671 ALMA: RIGHT. PARCO. 252 00:16:12,771 --> 00:16:14,773 WILSON: WOULD YOU EVER HAVE THOUGHT THAT I'D BE THE ONE 253 00:16:14,840 --> 00:16:19,511 FIGHTING FOR A NEW REPUBLIC HERE WITH TOTAL POLITICAL FREEDOM? 254 00:16:19,611 --> 00:16:21,680 ALMA: ACTUALLY, YEAH. 255 00:16:23,048 --> 00:16:26,051 SO THAT'S WHAT YOU'RE PEDDLING, POLITICAL FREEDOM? 256 00:16:26,151 --> 00:16:29,388 WILSON: PEOPLE DON'T WANT TO BE TOLD WHAT TO DO. 257 00:16:29,488 --> 00:16:32,524 THE ECOSYSTEM OF CREWS HERE, IT'S DEVELOPED 258 00:16:32,624 --> 00:16:34,159 OUT OF TRULY FREE CHOICE. 259 00:16:34,226 --> 00:16:38,630 MY PEOPLE DON'T WANT WHAT THE ARTIST COLLECTIVE WANTS, 260 00:16:38,697 --> 00:16:40,966 AND THOSE FOLKS DON'T WANT THE SAME THING 261 00:16:41,033 --> 00:16:42,634 AS THE KINGS UPTOWN. 262 00:16:42,701 --> 00:16:47,873 WHAT WE ALL WANT IS THE FREEDOM TO SELF-DETERMINE. 263 00:16:53,212 --> 00:16:57,216 AND I JUST WANT TO GUARANTEE IT. 264 00:16:59,418 --> 00:17:03,222 SO WHY DID YOU STAY? 265 00:17:04,390 --> 00:17:07,359 ALMA: I ASKED YOU ABOUT MY SON CHRISTIAN. 266 00:17:07,426 --> 00:17:11,497 I DIDN'T KNOW HOW TO TELL YOU THAT PARCO IS HIS FATHER. 267 00:17:15,401 --> 00:17:17,403 NOW DO YOU KNOW HIM? 268 00:17:26,111 --> 00:17:28,614 WILSON: I KNOW A LOT ABOUT SKEL. 269 00:17:28,714 --> 00:17:31,517 ALMA: CAN YOU TELL ME WHERE HE LIVES? 270 00:17:31,583 --> 00:17:35,754 WILSON: YOU ARE STEPPING INTO STRATOSPHERES OF CONSEQUENCE 271 00:17:35,854 --> 00:17:37,456 THAT CAN REALLY HURT YOU, ALMA. 272 00:17:37,556 --> 00:17:41,226 YOU NEED TO STOP AND ASK YOURSELF IF THIS IS WORTH IT. 273 00:17:41,293 --> 00:17:43,562 SKEL'S THE CROWN PRINCE. 274 00:17:43,629 --> 00:17:47,032 IF I TOUCH HIM, THE DMZ WILL HAVE ITS OWN CIVIL WAR. 275 00:17:47,099 --> 00:17:49,134 ALMA: DO YOU KNOW WHERE HE LIVES? 276 00:17:49,234 --> 00:17:51,937 WILSON: NOT TODAY, HMM? 277 00:17:56,975 --> 00:17:59,111 I'M SORRY. 278 00:18:05,117 --> 00:18:06,718 ALMA: OK. 279 00:18:08,387 --> 00:18:10,622 I'M GONNA TRY OONA, THEN. 280 00:18:12,124 --> 00:18:15,327 WILSON: OONA? ALMA: YEAH. MAYBE SHE KNOWS. 281 00:18:15,427 --> 00:18:16,895 WILSON: WHAT DO YOU KNOW ABOUT OONA? 282 00:18:16,962 --> 00:18:19,832 ALMA: CLEARLY, A LOT MORE THAN YOU THINK. 283 00:18:19,932 --> 00:18:22,935 I KNOW SHE'S HOLDING OUT ON PARCO. 284 00:18:23,001 --> 00:18:26,004 WILSON: YEAH, NO SHIT. SHE'S HOLDING OUT ON ME, TOO. 285 00:18:26,105 --> 00:18:28,674 THAT'S THE ONE THING YOUR BABY DADDY AND I HAVE IN COMMON. 286 00:18:28,774 --> 00:18:30,809 ALMA: WELL, HE'S PLAYING FOR HER HARD, 287 00:18:30,909 --> 00:18:32,511 AND SHE'S GOT HIM SWEATING. 288 00:18:32,611 --> 00:18:35,347 WILSON: BECAUSE HE'S TRYING TO WIN HER WITH DEALS, 289 00:18:35,447 --> 00:18:37,182 LIKE HE DOES TO EVERYBODY. 290 00:18:37,282 --> 00:18:40,419 SEE, HE'S TOO ARROGANT TO SEE YOU DON'T WIN OONA. 291 00:18:40,486 --> 00:18:44,823 SHE'S HOLED UP IN THE CLOISTERS WITH ALL THE SWAY IN THE DMZ. 292 00:18:46,959 --> 00:18:49,094 ALMA: AND THAT SCARES YOU. 293 00:18:50,629 --> 00:18:55,033 WILSON: A WOMAN LIKE OONA REQUIRES NUANCE AND PATIENCE, 294 00:18:55,134 --> 00:18:59,605 TWO IDEAS PARCO KNOWS NOTHING ABOUT. 295 00:19:01,874 --> 00:19:03,542 ALMA: MAYBE. 296 00:19:03,642 --> 00:19:05,878 WILSON: YOU DISAGREE. 297 00:19:07,146 --> 00:19:10,115 ALMA: I THINK YOU ENGAGE A WOMAN LIKE OONA WITH HUMANITY, 298 00:19:10,182 --> 00:19:13,118 BY GOING BEYOND YOURSELF TO HELP OTHERS. 299 00:19:13,185 --> 00:19:15,554 IN TIME... 300 00:19:15,654 --> 00:19:18,524 YOU'LL HELP THE RIGHT PEOPLE... 301 00:19:19,892 --> 00:19:22,027 SHE'LL SEE YOU. 302 00:19:52,824 --> 00:19:55,060 WILSON: GO ALONG THE HUDSON. 303 00:19:55,160 --> 00:19:57,429 THE FSA WON'T FIRE AT YOU FOR BEING NEAR THE WATER 304 00:19:57,529 --> 00:19:59,431 LIKE THE U.S. 305 00:20:05,037 --> 00:20:07,005 ALMA: THANK YOU. 306 00:20:10,209 --> 00:20:12,411 WILSON: AND, ALMA... 307 00:20:13,579 --> 00:20:16,048 GOOD LUCK. 308 00:21:03,061 --> 00:21:04,997 ALMA: CHRISTIAN? 309 00:21:16,341 --> 00:21:18,477 CHRISTIAN? 310 00:21:48,607 --> 00:21:50,509 [BREATHING HEAVILY] 311 00:21:53,211 --> 00:21:56,014 I'M SORRY. 312 00:22:02,854 --> 00:22:05,524 [SOBBING] I'M SO SORRY. 313 00:22:14,399 --> 00:22:18,337 YOU DIDN'T GET ANY MORE TATTOOS. 314 00:22:18,403 --> 00:22:21,807 SKEL: WHY DID YOU COME BACK? 315 00:22:24,176 --> 00:22:26,712 ALMA: FOR YOU. 316 00:22:26,812 --> 00:22:28,480 I CAME BACK FOR YOU. 317 00:22:28,547 --> 00:22:31,216 [GENERATOR POWERS UP] 318 00:23:08,553 --> 00:23:10,188 YOUR WORK IS INCREDIBLE. 319 00:23:10,255 --> 00:23:16,595 SKEL: DON'T SAY A WORD ABOUT MY ART. 320 00:23:16,695 --> 00:23:19,231 YOU DON'T GET TO DO THAT. 321 00:23:20,565 --> 00:23:24,069 WHAT DO YOU WANT? ALMA: CHRISTIAN, I-- 322 00:23:24,136 --> 00:23:26,605 SKEL: STOP SAYING THAT NAME. 323 00:23:30,142 --> 00:23:35,280 ALMA: FOR THE PAST 7 YEARS, 11 MONTHS, 25 DAYS, 324 00:23:35,380 --> 00:23:39,384 I'VE BEEN THINKING ONLY ABOUT THAT NAME... 325 00:23:40,986 --> 00:23:43,255 ABOUT YOU. 326 00:23:43,321 --> 00:23:45,590 I'VE BEEN LOOKING FOR YOU... 327 00:23:45,657 --> 00:23:49,060 DREAMING ABOUT THIS MOMENT. 328 00:23:55,934 --> 00:23:58,170 I LOST YOU... 329 00:23:58,270 --> 00:24:01,173 AND I'M SORRY. 330 00:24:01,273 --> 00:24:03,775 I LOVE YOU. 331 00:24:06,278 --> 00:24:10,182 I LOVE YOU FOREVER, AND I SWEAR, I WILL NEVER LEAVE YOU AGAIN. 332 00:24:10,282 --> 00:24:13,285 SKEL: YOU DIDN'T LOSE ME. 333 00:24:16,655 --> 00:24:18,457 I RAN. 334 00:24:18,523 --> 00:24:22,594 ALMA: OK. FOLLOW ME, OK? FOLLOW ME. 335 00:24:26,598 --> 00:24:28,533 WHAT? 336 00:24:28,633 --> 00:24:31,336 PLEASE. PLEASE. JUST ME AND MY SON. 337 00:24:32,671 --> 00:24:35,507 CHRISTIAN? 338 00:24:35,607 --> 00:24:37,175 CHRISTIAN! 339 00:24:37,275 --> 00:24:41,980 SKEL: YOU SPENT MY WHOLE LIFE LOOKING RIGHT THROUGH ME. 340 00:24:49,321 --> 00:24:51,156 WHATEVER. 341 00:24:51,223 --> 00:24:53,291 THE PAST DOESN'T MATTER. 342 00:24:53,358 --> 00:24:56,828 ALMA: I CAN HEAR YOUR FATHER. 343 00:24:59,464 --> 00:25:04,402 SKEL: YEAH? WELL, HE SEES IT ALL CLEARLY. 344 00:25:04,503 --> 00:25:06,705 HE'S NOT LIVING IN SOME FANTASY. 345 00:25:08,240 --> 00:25:09,908 ALMA: RIGHT. 346 00:25:10,008 --> 00:25:17,582 SKEL: AND HE GAVE ME THE ONE THING YOU ALWAYS TOOK FROM ME: 347 00:25:17,682 --> 00:25:21,386 POWER. 348 00:25:21,486 --> 00:25:22,854 [MOUTHS "POWER"?] 349 00:25:24,523 --> 00:25:26,658 SKEL: AND THAT'S ALL THAT MATTERS NOW. 350 00:25:31,530 --> 00:25:33,431 I'M NOT YOUR SON ANYMORE, 351 00:25:33,532 --> 00:25:39,070 AND I DON'T FEEL ANGER OR HATE FOR YOU RIGHT NOW. 352 00:25:42,374 --> 00:25:44,910 I FEEL NOTHING. 353 00:25:47,045 --> 00:25:51,716 SO GET THE FUCK OUT OF MY HOME. 354 00:25:51,783 --> 00:25:54,419 GO CRY FOR ME SOMEWHERE ELSE, 355 00:25:54,519 --> 00:25:58,290 AND DON'T YOU EVER COME BACK HERE AGAIN. 356 00:25:58,390 --> 00:25:59,891 GO! 357 00:25:59,958 --> 00:26:01,226 ALMA: PLEASE, PLEASE, PLEASE. PLEASE. 358 00:26:01,293 --> 00:26:03,795 [SKEL FIRES PISTOL] AAH! 359 00:26:03,895 --> 00:26:05,764 SKEL: GO! 360 00:26:05,864 --> 00:26:08,800 [ALMA SOBBING] 361 00:26:13,438 --> 00:26:15,640 [ALMA MOANING] 362 00:26:18,643 --> 00:26:20,579 [SCREAMS] 363 00:26:35,927 --> 00:26:41,099 [HIP-HOP MUSIC PLAYING] 364 00:26:41,166 --> 00:26:43,935 CESAR: YO, YOU ALL RIGHT? 365 00:26:44,002 --> 00:26:45,403 PARCO: TONIGHT, MAKE SURE 366 00:26:45,470 --> 00:26:47,339 THAT OUR FRIENDS ARE SPREAD THROUGHOUT. 367 00:26:47,439 --> 00:26:49,674 I DON'T WANT ANY ROOM FOR A SPLIT IN THE CROWD. 368 00:26:49,774 --> 00:26:51,142 SPEAKING OF, HOW'S THAT LOOKING? 369 00:26:51,242 --> 00:26:52,677 CESAR: THE CO-OP AND THE KOLLECTIV, 370 00:26:52,777 --> 00:26:54,179 THEY ACCEPTED OUR GOLD. 371 00:26:54,279 --> 00:26:55,847 CONFIRMED THEY'LL BE READY TO ENDORSE YOU. 372 00:26:55,947 --> 00:26:58,516 NOW, THE OTHER USUAL SUSPECTS DID THE SAME. 373 00:26:58,617 --> 00:27:01,019 UNION SQUARE, MERCER. 374 00:27:01,119 --> 00:27:03,321 I EVEN STOPPED BY TO SEE JORDAN. 375 00:27:03,421 --> 00:27:04,990 TWO-FOUR'S IN LINE. 376 00:27:05,090 --> 00:27:08,660 PARCO: ALL RIGHT. WHAT ABOUT THE ARTISTS? 377 00:27:08,760 --> 00:27:10,095 CESAR: LEANING WILSON. PARCO: OONA? 378 00:27:10,161 --> 00:27:11,596 CESAR: CAN'T HOLD OUR BREATH. 379 00:27:11,663 --> 00:27:13,865 LOOK, WORST CASE, SHE'S ON THE LINE. 380 00:27:19,471 --> 00:27:23,308 YOU READY FOR THIS? PARCO: YEAH, TÚ SABES. 381 00:27:23,375 --> 00:27:26,177 I'M GONNA WHIP THIS CROWD INTO A FINE LATHER. 382 00:27:26,277 --> 00:27:28,346 CESAR: NO, MAN. I MEAN GOVERNOR. 383 00:27:28,446 --> 00:27:31,549 NEITHER ARMY WANTS TO SEE THE DMZ GETTING STRONG. 384 00:27:31,650 --> 00:27:34,185 I KNOW WE GOT OUR PLAN, BUT THERE AIN'T NO GOING BACK. 385 00:27:34,285 --> 00:27:36,955 PARCO: LISTEN, BRO, 10, 15 YEARS FROM NOW, 386 00:27:37,022 --> 00:27:39,190 THIS RIGHT HERE IS WHAT THE KIDS ARE GONNA BE TALKING ABOUT 387 00:27:39,290 --> 00:27:40,892 IN HISTORY CLASS, OK, 388 00:27:40,992 --> 00:27:43,128 IN OUR SCHOOLS, RIGHT HERE IN MANHATTAN. 389 00:27:43,194 --> 00:27:46,898 HELL, YEAH, I'M READY. SHIT. 390 00:27:46,998 --> 00:27:48,800 HOW ABOUT YOU? 391 00:27:48,867 --> 00:27:52,070 CESAR: I'M AT YOUR SIX, BROTHER, ALL DAY. 392 00:27:52,170 --> 00:27:53,972 PARCO: ALL RIGHT. 393 00:27:54,039 --> 00:27:57,475 CESAR: PSSH. YO, LOOK WHO DECIDED TO SHOW UP. 394 00:27:57,542 --> 00:27:59,077 YOU KNOW, WE ALL BEEN MISSING YOU ENOUGH 395 00:27:59,177 --> 00:28:00,645 TO START WONDERING. 396 00:28:00,712 --> 00:28:02,847 SKEL: GIVE ME AND THE OLD MAN SOME AIR. 397 00:28:06,818 --> 00:28:09,587 PARCO: RELAX, BRO. GO GET YOURSELF A PALETA. 398 00:28:09,688 --> 00:28:11,923 COME ON. LET'S TAKE A WALK. 399 00:28:14,559 --> 00:28:17,062 SKEL: SHE CAME, JUST LIKE YOU WARNED. 400 00:28:17,162 --> 00:28:19,431 PARCO: ALREADY? DAMN. 401 00:28:19,531 --> 00:28:21,399 FIGURED IT WOULD'VE TAKEN MORE THAN JUST A FEW HOURS 402 00:28:21,499 --> 00:28:23,068 TO FIND YOU. 403 00:28:23,168 --> 00:28:26,271 SKEL: WELL, I MADE MYSELF CLEAR WHEN I TOLD HER TO LEAVE. 404 00:28:26,371 --> 00:28:29,941 MAYBE I GOT CARRIED AWAY, BUT SHE HEARD ME. 405 00:28:30,041 --> 00:28:32,343 PARCO: HEY, REMEMBER THAT TIME 406 00:28:32,410 --> 00:28:34,045 WE WENT TO THE GRAFFITI HALL OF FAME 407 00:28:34,112 --> 00:28:35,880 ABOUT A WEEK AFTER EVACUATION DAY, 408 00:28:35,947 --> 00:28:39,017 WE HAD THAT PLACE ALL TO OURSELVES? 409 00:28:39,084 --> 00:28:40,752 SKEL: YOU'RE TRYING TO COOL ME OFF. 410 00:28:40,852 --> 00:28:42,854 PARCO: I MEAN, THE WAR WAS GOING ON ALL AROUND US, 411 00:28:42,921 --> 00:28:44,889 BOMBS GOING OFF, GUNFIRE. 412 00:28:44,956 --> 00:28:48,093 BUT YOU, IT WAS LIKE YOU GOT SWEPT AWAY 413 00:28:48,193 --> 00:28:50,128 INTO THIS WHOLE OTHER WORLD. 414 00:28:50,228 --> 00:28:52,897 THE WAY I REMEMBER YOU FEELING, MAN, 415 00:28:52,964 --> 00:28:55,900 THAT'S HOW I'M FEELING TODAY. 416 00:28:57,469 --> 00:28:58,937 SKEL: PROUD OF YOU, POP. 417 00:28:59,037 --> 00:29:01,239 PARCO: AND THAT WOMAN THAT DROPPED IN ON US, 418 00:29:01,306 --> 00:29:02,807 ESA BRUJA MADRE TUYA, 419 00:29:02,907 --> 00:29:03,942 AIN'T GONNA STEP ON NONE OF THAT. 420 00:29:04,042 --> 00:29:05,577 SHE CHANGES NOTHING. 421 00:29:05,643 --> 00:29:08,079 I MEAN, SO WHAT, SHE SNUCK IN HERE. AFTER 8 YEARS? 422 00:29:08,146 --> 00:29:11,983 I GIVE HER TWO DAYS BEFORE THE DMZ EATS HER ALIVE. 423 00:29:12,083 --> 00:29:14,552 YO, LISTEN TO ME, 424 00:29:14,619 --> 00:29:17,322 5 DAYS FROM NOW AFTER THE VOTE IS ALL SAID AND DONE, 425 00:29:17,422 --> 00:29:19,758 WE'RE GONNA BE FIXING UP OUR OFFICES IN CITY HALL, 426 00:29:19,824 --> 00:29:22,060 ANNOUNCING MANHATTAN AS OUR OWN STATE. 427 00:29:22,127 --> 00:29:26,464 AND I WANT YOU TO LEAD SPANISH HARLEM. 428 00:29:29,267 --> 00:29:32,670 SKEL: YEAH, OK. PARCO: "YEAH, OK"? THAT'S IT? 429 00:29:32,771 --> 00:29:34,672 THAT'S ALL YOU GOT FOR ME? 430 00:29:34,773 --> 00:29:36,574 BETTER BRING IT IN HERE, MAN. LISTEN, 431 00:29:36,641 --> 00:29:39,077 NONE OF THIS SHIT WOULD HAVE BEEN POSSIBLE WITHOUT YOU, MAN. 432 00:29:39,144 --> 00:29:40,645 THAT'S THE TRUTH. 433 00:29:40,745 --> 00:29:43,348 HEY, I'M PROUD OF YOU, MAN. 434 00:29:43,448 --> 00:29:45,083 WE'RE SO CLOSE NOW, YOU KNOW? 435 00:29:45,150 --> 00:29:47,152 SKEL: YES, SIR. 436 00:29:54,459 --> 00:29:57,529 NICO: MY BROTHER SAYS THAT CANNIBALS HIDE GOLD IN THERE. 437 00:29:57,629 --> 00:30:00,999 YOU GONNA WUSS OUT ABOUT IT? ODI: NO. 438 00:30:23,154 --> 00:30:24,556 NICO: FUCK IT. LET'S GET OUT OF HERE. 439 00:30:24,656 --> 00:30:27,492 ODI: WAIT. COME HERE. HOLD MY LEGS. 440 00:30:28,960 --> 00:30:30,461 COME ON. 441 00:30:33,464 --> 00:30:34,833 NICO: GO. 442 00:30:40,672 --> 00:30:44,008 ODI: WAIT. JUST A LITTLE MORE. 443 00:30:44,075 --> 00:30:47,412 [LOUD THUD IN DISTANCE] NICO: ODI, WE GOT TO GO. 444 00:30:47,512 --> 00:30:49,848 ODI: OK. [GROANS] 445 00:30:53,651 --> 00:30:57,188 NICO: RUN! COME ON. IN HERE. 446 00:31:04,863 --> 00:31:06,698 HOLY SHIT. 447 00:31:06,764 --> 00:31:08,700 ODI: WAS THAT THEM? NICO: I DON'T KNOW, MAN. 448 00:31:08,766 --> 00:31:11,769 BUT THAT WAS FUCKING AWESOME... 449 00:31:11,870 --> 00:31:15,506 EVEN IF IT WAS FOR THAT DUMB SHIT. 450 00:31:16,708 --> 00:31:20,278 JUST YOU AND ME, GOD, RIGHT? 451 00:31:20,378 --> 00:31:24,082 ODI: I THINK IT'S AMAZING. NICO: YEAH. 452 00:31:25,450 --> 00:31:27,252 [DOOR OPENS NEARBY] 453 00:31:27,352 --> 00:31:30,121 NICO: SHH, SHH, SHH. 454 00:31:31,689 --> 00:31:35,193 [FOOTSTEPS APPROACHING] 455 00:31:35,260 --> 00:31:39,130 NICO: HEY, YO, WHAT THE FUCK, LADY? YOU WANT TO GET US KILLED? 456 00:31:39,230 --> 00:31:41,132 ALMA: ODI. ODI: HI, ZEE. 457 00:31:41,232 --> 00:31:44,469 NICO'S RIGHT. WE ALL GOT TO BOUNCE. 458 00:31:44,569 --> 00:31:47,639 ALMA: WHAT ARE YOU DOING HERE? ODI: WE WERE JUST LEAVING. 459 00:31:47,739 --> 00:31:49,307 ALMA: I'M GOING TO THE CLOISTERS. 460 00:31:49,407 --> 00:31:50,742 NICO: NO, NO, NO, NO, NO. 461 00:31:50,808 --> 00:31:52,410 NICO: GET DOWN. ALMA: WHAT? 462 00:31:52,477 --> 00:31:54,712 ODI: YOU CANNOT GO TO THE CITY OF DIS. 463 00:31:54,779 --> 00:31:57,148 THE WHOLE AREA IS RUN BY CANNIBALS. 464 00:31:58,750 --> 00:32:00,251 THEY'RE FANATICS. 465 00:32:00,318 --> 00:32:02,153 THEY'LL HAVE YOU ON A SPIKE BEFORE YOU'RE EVEN DEAD. 466 00:32:04,255 --> 00:32:06,391 ALMA: IS THERE A WAY AROUND 'EM? 467 00:32:06,457 --> 00:32:08,893 ODI: ALONG THE RIVER OR THROUGH THE PARK. 468 00:32:08,960 --> 00:32:10,662 IF YOU LIKE, I CAN SHOW YOU. 469 00:32:10,762 --> 00:32:14,565 NICO: NO FUCKING WAY I'M GOING. I'LL SEE YOU AT CITY HALL. 470 00:32:14,632 --> 00:32:16,401 ODI: COME ON. 471 00:32:25,677 --> 00:32:28,179 [MUSIC PLAYING, MUFFLED] 472 00:32:34,519 --> 00:32:36,321 [INDISTINCT CHATTER] 473 00:32:58,710 --> 00:33:02,313 MAN: THAT KIND OF DAY, HUH? 474 00:33:02,380 --> 00:33:03,848 PUT IT ON YOUR TAB? 475 00:33:03,948 --> 00:33:05,383 SKEL: I'LL SETTLE UP. 476 00:33:05,483 --> 00:33:07,685 [NEW SONG STARTS, APPLAUSE] 477 00:33:17,829 --> 00:33:22,900 WOMAN: ♪ I WANT TO HOLD THE HAND INSIDE YOU ♪ 478 00:33:26,571 --> 00:33:31,509 ♪ I LOOK TO YOU, AND I SEE NOTHING ♪ 479 00:33:35,680 --> 00:33:40,852 ♪ FADE INTO YOU ♪ 480 00:33:44,055 --> 00:33:49,260 ♪ I THINK IT'S STRANGE YOU NEVER KNEW ♪ 481 00:33:53,731 --> 00:33:56,768 HEY, I DID A FULL SONG. I GET A FULL POUR. 482 00:33:56,868 --> 00:34:01,773 SKEL: I GOT YOU. BARTENDER: ALL RIGHT. 483 00:34:01,873 --> 00:34:03,207 SINGER: MM-HMM. 484 00:34:06,010 --> 00:34:08,079 BARTENDER: JUST FINISH UP, ALL RIGHT? 485 00:34:08,179 --> 00:34:11,015 WE'RE CLOSING EARLY FOR THE DEBATE. 486 00:34:18,523 --> 00:34:21,359 SINGER: SO HE DOES SPEAK. 487 00:34:23,928 --> 00:34:25,930 I'VE SEEN YOU IN HERE 5 TIMES. 488 00:34:26,030 --> 00:34:29,200 NEVER ONCE SAW YOU TALK TO ANYBODY. 489 00:34:29,267 --> 00:34:32,136 SKEL: WHO'S BEEN COUNTING? 490 00:34:34,138 --> 00:34:36,207 SINGER: I NOTICE MY AUDIENCE. 491 00:34:40,778 --> 00:34:44,215 I WANTED TO CHARGE YOU EXTRA FOR THE WAY YOU LOOK AT ME, THOUGH. 492 00:34:45,550 --> 00:34:47,285 SKEL: I'M GOOD FOR IT. 493 00:34:53,891 --> 00:34:56,127 SINGER: WHAT'S YOUR NAME? 494 00:34:59,764 --> 00:35:01,966 SKEL: CHRISTIAN. 495 00:35:03,935 --> 00:35:05,803 TENNY: TENNY. 496 00:35:19,183 --> 00:35:22,019 ODI: THEY ONLY LET GIRLS IN TO SEE OONA. 497 00:35:22,120 --> 00:35:25,089 I'LL WAIT FOR YOU HERE. 498 00:35:27,458 --> 00:35:29,127 ALMA: THANKS. 499 00:35:36,334 --> 00:35:39,203 GUARD: YOU LOST? ALMA: I NEED TO SPEAK WITH OONA. 500 00:35:39,303 --> 00:35:40,538 GUARD: COME ANY FURTHER, JUST KNOW YOU GOT 501 00:35:40,638 --> 00:35:42,340 AT LEAST 3 RIFLES AIMED AT YOU. 502 00:35:42,440 --> 00:35:44,542 ALMA: WHAT'S YOUR NAME? 503 00:35:45,843 --> 00:35:50,381 WHATEVER YOUR NAME IS, I OWE OONA EXACTLY ONE FAVOR. 504 00:35:50,481 --> 00:35:52,016 SHE CALLED, AND I CAME. 505 00:35:52,116 --> 00:35:53,684 GUARD: I'VE NEVER SEEN YOU BEFORE. 506 00:35:53,784 --> 00:35:55,486 ALMA: IT'S ALL GOOD IF YOU WANT TO SEND ME AWAY, 507 00:35:55,553 --> 00:35:57,221 BUT I'M NOT COMING BACK. 508 00:35:57,321 --> 00:35:59,857 YOU CAN TELL OONA SHE CAN FIND A DOCTOR SOMEWHERE ELSE. 509 00:36:05,863 --> 00:36:07,698 GUARD: STAY HERE. 510 00:36:34,892 --> 00:36:37,228 ALMA: HI. 511 00:36:37,328 --> 00:36:41,432 [GROANING] HEY. OW! UH! 512 00:36:45,169 --> 00:36:47,939 OONA: A LIAR WHO COMES UNARMED. 513 00:36:49,674 --> 00:36:52,443 SNAKE IN THE GRASS IF I EVER SAW ONE. 514 00:36:52,543 --> 00:36:54,745 IF YOU'RE HERE ABOUT WATER, YOU'RE OUT OF LUCK. 515 00:36:54,845 --> 00:36:57,048 I DON'T CHANGE THE WATER FLOW IN THIS CITY FOR ANYBODY. 516 00:36:57,114 --> 00:36:58,616 ALMA: I DIDN'T COME HERE FOR WATER. 517 00:36:58,716 --> 00:37:01,619 OONA: THEN WHAT DO YOU WANT, FOOD, SHELTER? 518 00:37:01,719 --> 00:37:03,221 ALMA: I NEED YOUR SUPPORT. 519 00:37:03,287 --> 00:37:05,623 OONA: PARCO SENT YOU UP HERE TO BUY ME OFF? 520 00:37:05,723 --> 00:37:07,925 I DON'T GIVE A FUCK ABOUT HIS GOLD. 521 00:37:08,025 --> 00:37:11,462 ALMA: I'M NOT HERE TO SHILL FOR PARCO. I'M HERE TO DESTROY HIM. 522 00:37:11,562 --> 00:37:13,698 AND I'M NOT FROM THE DMZ. 523 00:37:13,764 --> 00:37:15,766 I'VE ONLY BEEN HERE TWO DAYS. 524 00:37:21,205 --> 00:37:24,942 LOOK, FOR THE PAST 8 YEARS, I'VE BEEN ALL OVER 525 00:37:25,042 --> 00:37:26,611 THE FREE STATES AND THE UNITED STATES, 526 00:37:26,711 --> 00:37:28,312 AND THAT SHOULD MATTER TO YOU 527 00:37:28,412 --> 00:37:30,381 BECAUSE WHILE YOU'VE BUILT YOUR WALLED GARDEN HERE, 528 00:37:30,448 --> 00:37:32,817 I KNOW THAT THE PEOPLE IN CHARGE OUT THERE ARE 529 00:37:32,917 --> 00:37:35,119 JUST BIDING THEIR TIME TO COME BACK HERE 530 00:37:35,219 --> 00:37:36,821 AND TAKE THIS ALL AWAY FROM YOU. 531 00:37:36,921 --> 00:37:41,459 BUT WE CAN CHANGE THAT IF WE ACT NOW. 532 00:37:41,559 --> 00:37:43,761 OONA: WHAT'S YOUR NAME? 533 00:37:45,329 --> 00:37:54,672 ALMA: ZEE. 534 00:37:54,772 --> 00:37:56,807 SKEL: THE LIGHTS WILL COME BACK IN A BIT. 535 00:38:00,845 --> 00:38:03,014 HERE. LET ME GET YOUR COAT. 536 00:38:07,685 --> 00:38:09,687 TENNY: YOU DID ALL THESE? 537 00:38:09,787 --> 00:38:11,656 SKEL: YEAH. 538 00:38:21,999 --> 00:38:23,868 TENNY: WHAT'S THAT ONE? 539 00:38:26,837 --> 00:38:32,209 SKEL: THAT IS THE CITY DURING A STORM. 540 00:38:34,178 --> 00:38:36,280 YOU KNOW, IF THE LIGHTS WERE ON, 541 00:38:36,347 --> 00:38:40,651 YOU COULD SEE THE BLUE GLOW ACROSS THE BOTTOM. 542 00:38:40,718 --> 00:38:44,689 THAT'S THE STEAM COMING UP OFF THE PAVEMENT. 543 00:38:46,490 --> 00:38:49,327 AND THE DRIPS... 544 00:38:49,393 --> 00:38:52,129 TENNY: IS THAT THE RAIN? 545 00:39:02,340 --> 00:39:05,643 SKEL: THAT'S THE MOMENT RIGHT BEFORE LIGHTNING STRIKES. 546 00:39:32,670 --> 00:39:34,605 TENNY: SOFTLY. 547 00:39:47,284 --> 00:39:49,186 OONA: WHEN THE FIRST BOMBS HIT, 548 00:39:49,253 --> 00:39:51,689 I WAS DOWN IN THE MAIN VALVE CHAMBER, 549 00:39:51,756 --> 00:39:54,392 200 FEET BELOW CENTRAL PARK. 550 00:39:54,458 --> 00:39:56,227 ELEVATOR GOT KNOCKED OUT. 551 00:39:56,293 --> 00:39:57,862 I WAS STUCK DOWN THERE FOR A WEEK. 552 00:39:57,928 --> 00:40:02,199 WHEN I FINALLY CAME UP, THE FIRST THING I SAW WAS 553 00:40:02,266 --> 00:40:04,535 A TEENAGE GIRL BEATING UP AN OLD MAN. 554 00:40:04,602 --> 00:40:07,138 IT LOOKED LIKE HE HAD JUST ROBBED A BODEGA. 555 00:40:07,238 --> 00:40:09,206 BUT SHE DIDN'T TAKE HIS FOOD. 556 00:40:09,273 --> 00:40:11,075 SHE TOOK HIS GUN. 557 00:40:11,142 --> 00:40:13,577 AND THAT'S WHEN I REALIZED WE WERE ALL IN A RACE 558 00:40:13,644 --> 00:40:16,614 TO STOCK UP ON CURRENCY. 559 00:40:16,714 --> 00:40:19,316 MOST PEOPLE WERE CHASING GUNS AND GOLD, 560 00:40:19,417 --> 00:40:21,419 BUT THEY FORGOT ABOUT WATER, 561 00:40:21,485 --> 00:40:24,488 THE ONE THING EVERYONE NEEDS TO SURVIVE. 562 00:40:24,588 --> 00:40:26,457 SO I TOOK IT. 563 00:40:26,557 --> 00:40:28,993 ALMA: TO LEVERAGE IT? OONA: TO KEEP IT EQUAL... 564 00:40:29,093 --> 00:40:32,496 AND OUT OF THE HANDS OF WARLORDS LIKE PARCO. 565 00:40:33,964 --> 00:40:36,667 ALMA: THAT'S WHY I WANT TO TAKE HIM DOWN. 566 00:40:36,767 --> 00:40:38,669 OONA: HOW? 567 00:40:38,769 --> 00:40:42,173 ALMA: THROW YOUR WEIGHT BEHIND WILSON AT THE DEBATE TONIGHT. 568 00:40:43,507 --> 00:40:47,778 ALMA: LOOK, I HAVE TO DO THIS. 569 00:40:47,845 --> 00:40:49,580 MY SON... 570 00:40:50,981 --> 00:40:53,184 I LOST HIM IN THE EVACUATION. 571 00:40:53,284 --> 00:40:55,820 I GOT KNOCKED OUT, AND I WOKE UP IN THE U.S., 572 00:40:55,920 --> 00:41:00,157 BUT MY BOY WAS TRAPPED HERE, AND THEN HE FOUND HIS FATHER... 573 00:41:00,257 --> 00:41:01,625 PARCO. 574 00:41:01,692 --> 00:41:03,327 OONA: YOUR SON IS SKEL? 575 00:41:03,427 --> 00:41:06,997 ALMA: SKEL IS THE IDEA THAT PARCO HAS TURNED HIM INTO. 576 00:41:07,097 --> 00:41:08,833 AND THE ONLY WAY TO BREAK THAT SPELL IS 577 00:41:08,933 --> 00:41:10,334 TO BREAK PARCO HIMSELF. 578 00:41:10,434 --> 00:41:12,002 OONA: AND YOU THINK THAT'S THROUGH WILSON? 579 00:41:12,102 --> 00:41:14,371 ALMA: I THINK THAT'S THROUGH YOU. 580 00:41:14,472 --> 00:41:16,774 YOU HAVE A VOICE HERE. THIS IS YOUR HOME. 581 00:41:16,841 --> 00:41:18,542 I'M NOT GONNA BE STICKING AROUND. 582 00:41:18,642 --> 00:41:22,112 PARCO WILL RULE THIS PLACE THE ONLY WAY THAT HE KNOWS HOW-- 583 00:41:22,179 --> 00:41:23,781 BY FEAR. 584 00:41:23,848 --> 00:41:26,484 IT'S WHAT HE COMES FROM. HE'S DRIVEN BY IT, BUT I'M NOT. 585 00:41:26,550 --> 00:41:31,655 OONA: PARCO, WILSON. IT'S ALL KABUKI THEATER, SWEETHEART. 586 00:41:31,722 --> 00:41:34,058 ALMA: HEY. WELL, WHAT ABOUT YOU? 587 00:41:34,158 --> 00:41:36,627 YOU KNOW, YOU SAY YOU'RE ABOUT EQUALITY, 588 00:41:36,694 --> 00:41:39,630 BUT YOU'VE GOT ENOUGH WATER FOR THIS KIND OF IRRIGATION. 589 00:41:39,697 --> 00:41:43,400 PEOPLE COME TO THE CLINIC FOR A SIP OF WATER, 590 00:41:43,501 --> 00:41:45,569 AND YOU'RE JUST WASHING YOUR HANDS ON DEMAND. 591 00:41:45,669 --> 00:41:48,639 WE'RE ALL LOOKING OUT FOR OUR OWN. 592 00:41:48,706 --> 00:41:52,877 THAT DOESN'T MEAN THAT WE GET TO SIT ON THE SIDELINES. 593 00:41:56,080 --> 00:41:57,915 COME TO THE TABLE. 594 00:41:58,015 --> 00:42:00,718 OONA: THERE IS NO TABLE IN THE DMZ. 595 00:42:02,019 --> 00:42:04,188 ALMA: THEN SOMEONE SHOULD BUILD ONE. 596 00:42:09,593 --> 00:42:12,763 SKEL: THAT WASN'T THE FIRST TIME I SAW YOU PLAY. 597 00:42:12,863 --> 00:42:14,899 THE FIRST TIME WAS ABOUT A YEAR AGO. 598 00:42:14,999 --> 00:42:19,703 TENNY: OH, YEAH? WHAT'D I PLAY? 599 00:42:19,770 --> 00:42:21,372 SKEL: I CAN'T REMEMBER. 600 00:42:21,438 --> 00:42:23,607 [TENNY CHUCKLES] 601 00:42:23,707 --> 00:42:28,946 SKEL: I JUST REMEMBER THE WAY YOU FELT... 602 00:42:29,046 --> 00:42:32,082 THE WAY YOU MADE ME FEEL WHEN YOU SANG. 603 00:42:32,182 --> 00:42:34,952 TENNY: AND HOW WAS THAT? 604 00:42:35,052 --> 00:42:36,954 SKEL: WEIGHTLESS. 605 00:42:38,522 --> 00:42:42,760 I IMAGINED THAT THE WORLD OUTSIDE WAS NORMAL AGAIN 606 00:42:44,895 --> 00:42:47,231 AND THAT AFTER... 607 00:42:47,298 --> 00:42:50,067 I'D TALK TO YOU... 608 00:42:50,134 --> 00:42:52,636 MAYBE ASK YOU OUT. 609 00:42:54,204 --> 00:42:56,240 TENNY: I USED TO DO THAT. 610 00:42:56,307 --> 00:42:58,642 [CHUCKLES] 611 00:42:58,742 --> 00:43:01,445 LIKE, PRETEND AND... 612 00:43:01,545 --> 00:43:05,115 LIVE IN DAYDREAMS. 613 00:43:06,917 --> 00:43:10,421 THEN AFTER A WHILE, IT STARTED TO, UH, HURT 614 00:43:10,487 --> 00:43:12,923 MORE THAN IT HELPED. 615 00:43:16,260 --> 00:43:18,295 WHEN I SAW YOU TODAY... 616 00:43:19,330 --> 00:43:23,100 JUST FOR A SECOND, I FELT MYSELF LOOKING FORWARD. 617 00:43:29,974 --> 00:43:33,577 SKEL: I'M PRETTY SURE I'M LOOKING FORWARD RIGHT NOW. 618 00:43:49,093 --> 00:43:51,295 ODI: CAN I ASK YOU SOMETHING? 619 00:43:51,362 --> 00:43:54,198 ALMA: OF COURSE. 620 00:43:54,298 --> 00:43:55,833 ODI: DO YOU LIVE AT THE CLINIC? 621 00:43:55,933 --> 00:43:59,036 MAN: HEY! THIS IS MY DINNER. 622 00:43:59,136 --> 00:44:01,505 ALMA: OK. COME ON. 623 00:44:21,692 --> 00:44:25,295 ODI: I FOUND THIS. I THOUGHT OF YOU. 624 00:44:31,635 --> 00:44:37,641 MAN: JUST YOU AND ME, GOD, RIGHT? 625 00:44:50,254 --> 00:44:53,057 GOD BLESS YOU, KID. 626 00:45:02,499 --> 00:45:04,735 ALMA: THAT WAS REALLY NICE OF YOU. 627 00:45:10,374 --> 00:45:12,443 ARE YOU OK? 628 00:45:14,344 --> 00:45:17,214 ODI: MY GRANDPA ALWAYS TOLD ME, 629 00:45:17,281 --> 00:45:20,551 THE BEST WAY TO GO ON HERE IS TO KEEP MOVING, 630 00:45:20,617 --> 00:45:24,888 BUT...I'M TIRED. 631 00:45:26,256 --> 00:45:29,126 HEY, IT'S NOT THAT I'M AFRAID OF THE DARK. 632 00:45:30,894 --> 00:45:33,764 JUST THE NIGHT. 633 00:45:33,864 --> 00:45:35,766 I KNOW ROSE DIED. 634 00:45:40,237 --> 00:45:42,306 ALMA: DO YOU HAVE SOMEWHERE TO STAY? 635 00:45:42,406 --> 00:45:45,242 ODI: I WAS GONNA ASK ROSE. 636 00:45:49,747 --> 00:45:53,617 ALMA: DO YOU WANT TO STAY WITH ME AT THE CLINIC? 637 00:45:59,923 --> 00:46:02,126 WE'LL BOTH STAY THERE. 638 00:46:04,094 --> 00:46:07,331 [HIT-BOY'S "SALUTE" PLAYING OVER P.A.] 639 00:46:11,969 --> 00:46:14,271 MAN: GOT IT, BOSS. 640 00:46:14,338 --> 00:46:16,974 CARMEN: THE CROWD'S MOSTLY OURS. 641 00:46:19,610 --> 00:46:20,677 YOU LOOK GOOD. 642 00:46:20,778 --> 00:46:22,312 [CHEERING AND APPLAUSE] 643 00:46:47,004 --> 00:46:48,672 [EMCEE TRILLING TONGUE] 644 00:46:48,772 --> 00:46:53,177 EMCEE: LET ME HEAR YOU, DMZ! 645 00:46:53,277 --> 00:46:54,678 [LOUDER CHEERING] 646 00:47:04,521 --> 00:47:07,891 EMCEE: YOU ALL READY TO THROW THIS SHIT DOWN? 647 00:47:07,991 --> 00:47:09,626 [CHEERING AND APPLAUSE] 648 00:47:09,693 --> 00:47:12,663 YEAH, YEAH, YEAH, YEAH, YEAH. ALL RIGHT. ALL RIGHT. 649 00:47:12,729 --> 00:47:14,631 IT LOOKS LIKE WE ALREADY GOT ONE FIGHTER TO THE RING. 650 00:47:14,698 --> 00:47:17,501 WE ALL KNOW HIM AS THE MAVEN OF MULBERRY, 651 00:47:17,568 --> 00:47:19,303 THE KILLER BELOW CANAL 652 00:47:19,369 --> 00:47:28,478 THAT IS WILSON LIN HOLDING IT DOWN FOR CHINATOWN, BABY! 653 00:47:28,545 --> 00:47:31,748 GIVE IT UP! GIVE IT UP! 654 00:47:31,849 --> 00:47:37,387 WILSON: THANK YOU FOR COMING. YOUR FATHER WOULD BE PROUD. 655 00:47:37,487 --> 00:47:42,159 EMCEE: ...IT'S HAIL TO THE MOTHERFUCKIN' CHIEF 656 00:47:42,226 --> 00:47:48,532 OF UPTOWN, PARCO DELGADO! 657 00:47:48,599 --> 00:47:55,505 [SUPPORTERS CHANTING "PARCO! PARCO! PARCO..."] 658 00:47:55,572 --> 00:47:58,275 EMCEE: ALL RIGHT. ALL RIGHT. LISTEN UP, LISTEN UP. 659 00:47:58,375 --> 00:48:02,512 EACH FIGHTER GETS ONE MINUTE FOR OPENING MOVES. 660 00:48:02,579 --> 00:48:04,114 THEN WE HIT THE QUESTIONS. 661 00:48:04,214 --> 00:48:06,350 [CHANTS OF "PARCO" CONTINUE] 662 00:48:06,416 --> 00:48:08,385 EMCEE: LET'S GET IT. 663 00:48:09,686 --> 00:48:13,457 PARCO: DAMN. YOU ALL CLEAN UP NICE. 664 00:48:13,557 --> 00:48:15,058 [CHEERING] 665 00:48:15,125 --> 00:48:16,760 HOW'S EVERYBODY FEELING TONIGHT? 666 00:48:16,860 --> 00:48:18,595 [CHEERING AND APPLAUSE] 667 00:48:18,695 --> 00:48:20,864 PARCO: NOW, LOOK, I'M GONNA TRY TO KEEP THIS REAL BRIEF. 668 00:48:20,931 --> 00:48:22,566 IT'S TOO NICE A NIGHT TO WASTE 669 00:48:22,633 --> 00:48:25,135 ON SOME MOTHERFUCKERS TALKING POLITICS. AM I RIGHT? 670 00:48:25,235 --> 00:48:28,105 [CHEERING AND APPLAUSE] 671 00:48:28,205 --> 00:48:32,042 NOW, YOU ALL KNOW ME, RIGHT? SUPPORTERS: YEAH! 672 00:48:32,109 --> 00:48:33,543 PARCO: WHO THE FUCK AM I? 673 00:48:33,610 --> 00:48:35,312 SUPPORTERS: PARCO! PARCO... 674 00:48:35,412 --> 00:48:37,648 PARCO: WHEN YOU SEE ME ON THE STREET, YOU SAY, 675 00:48:37,748 --> 00:48:40,651 "THAT'S MY O.G." SUPPORTERS: PARCO! 676 00:48:40,751 --> 00:48:42,786 PARCO: YOU KNOW ME 'CAUSE I COME FROM RIGHT HERE, 677 00:48:42,886 --> 00:48:45,088 BORN AND RAISED. 678 00:48:45,155 --> 00:48:49,326 YOU KNOW ME BECAUSE YOU ARE ME, AND I AM YOU. 679 00:48:49,426 --> 00:48:51,662 [CHEERS AND APPLAUSE CONTINUE] 680 00:48:51,762 --> 00:48:56,500 PARCO: HOLD UP. LET ME TELL YOU SOMETHING THAT MAKES ME MAD. 681 00:48:56,600 --> 00:49:02,673 OUR NAME, DMZ. THAT'S THE NAME THAT THEY GAVE US. 682 00:49:02,773 --> 00:49:05,108 IT AIN'T OURS. 683 00:49:05,175 --> 00:49:09,179 BUT I'LL TELL YOU WHAT IS, THIS LAND IS OURS. 684 00:49:09,279 --> 00:49:12,582 SUPPORTERS: YEAH! [APPLAUSE] 685 00:49:12,649 --> 00:49:14,184 PARCO: AND FIRST THINGS FIRST, 686 00:49:14,284 --> 00:49:16,486 WE'RE GONNA MARCH OVER TO THE LINCOLN TUNNEL, 687 00:49:16,586 --> 00:49:18,188 WHERE THE FSA'S GOT THEIR SOLDIERS 688 00:49:18,288 --> 00:49:21,258 AND WE'RE GONNA KICK THEM THE FUCK OFF OUR ISLAND. 689 00:49:21,325 --> 00:49:23,694 SUPPORTERS: YEAH! [CHEERING AND APPLAUSE] 690 00:49:23,794 --> 00:49:26,530 WE'RE GONNA TAKE IT ALL BACK TOGETHER-- 691 00:49:26,630 --> 00:49:31,668 UPTOWN, DOWNTOWN, DO IT AS ONE UNIFIED STATE. 692 00:49:31,768 --> 00:49:35,272 BUT TO DO THAT, WE GOT TO DO IT SPEAKING IN ONE VOICE. 693 00:49:35,339 --> 00:49:38,041 WILSON: YOU MEAN YOUR VOICE, RIGHT? 694 00:49:38,141 --> 00:49:40,844 PARCO: LEADERS LEAD. CALL IT WHAT YOU WANT. 695 00:49:40,944 --> 00:49:42,879 [CHEERING AND APPLAUSE] 696 00:49:46,483 --> 00:49:51,288 WILSON: HE PUTS ON A GOOD SHOW. I'LL GIVE HIM THAT. 697 00:49:53,357 --> 00:49:56,059 BUT LET'S, LET'S GET REAL, HMM? 698 00:49:56,159 --> 00:50:02,632 PARCO'S TALKING ABOUT SOME GRAND UNIFIED, UNITED STATE. 699 00:50:02,699 --> 00:50:06,670 I'M TALKING ABOUT YOUR FREEDOM... 700 00:50:06,737 --> 00:50:08,505 [APPLAUSE] 701 00:50:08,572 --> 00:50:12,142 WHICH IS THE FIRST THING THIS GUY'S GONNA TAKE FROM YOU. 702 00:50:12,209 --> 00:50:14,411 [SCATTERED APPLAUSE, CROWD MURMURING] 703 00:50:16,580 --> 00:50:21,885 THE PAST 8 YEARS HAVE BEEN HARD, NO DOUBT. 704 00:50:21,985 --> 00:50:25,989 BUT FOR THE FIRST TIME EVER, 705 00:50:26,056 --> 00:50:30,594 YOU HAVE BEEN COMPLETELY FREE 706 00:50:30,694 --> 00:50:33,363 WITH THE POWER TO CALL YOUR OWN SHOTS... 707 00:50:33,430 --> 00:50:37,701 [CHEERING] MAKE YOUR OWN LIFE. 708 00:50:37,768 --> 00:50:43,073 BEFORE THE WAR, WE NEVER KNEW FREEDOM LIKE THIS. 709 00:50:43,173 --> 00:50:47,611 WE WERE MARGINALIZED, 710 00:50:47,711 --> 00:50:52,082 UNSEEN, UNDERVALUED, SHUT OUT! 711 00:50:52,182 --> 00:50:53,617 WELL, GUESS WHAT. 712 00:50:53,717 --> 00:50:58,121 PARCO WANTS TO GO BACK TO THOSE GOOD OLD DAYS. 713 00:50:58,221 --> 00:51:02,359 BUT IF YOU WANTED A DADDY TO TELL YOU WHAT TO DO, 714 00:51:02,426 --> 00:51:05,962 TO SELL YOU EMPTY PROMISES OF SOCIAL INFRASTRUCTURE, 715 00:51:06,063 --> 00:51:07,464 BLAH, BLAH, BLAH, 716 00:51:07,564 --> 00:51:10,300 YOU COULD'VE LEFT WHEN THE SOLDIERS TOLD YOU TO. 717 00:51:10,400 --> 00:51:12,736 AM I RIGHT? [CHEERING AND APPLAUSE] 718 00:51:12,803 --> 00:51:17,441 YOU COULD BE OUT THERE RIGHT NOW PLEDGING YOUR ALLEGIANCE 719 00:51:17,541 --> 00:51:21,278 TO EITHER OF THESE TWO AMERICAS, BUT YOU'RE NOT. 720 00:51:21,378 --> 00:51:23,480 YOU CHOSE HERE, 721 00:51:23,580 --> 00:51:28,151 WHERE YOU'RE FREE TO BUILD YOUR OWN FUTURE. 722 00:51:28,251 --> 00:51:29,786 AND TONIGHT, 723 00:51:29,886 --> 00:51:33,890 IN THIS ELECTION, WE CAN SECURE THAT LIBERTY, 724 00:51:33,957 --> 00:51:35,992 AND THAT'S WHAT I'M GONNA DO, FRIENDS. 725 00:51:36,093 --> 00:51:39,796 I'M GONNA PROTECT YOUR FREEDOM. 726 00:51:39,896 --> 00:51:41,665 I'M GONNA DEFEND IT! 727 00:51:41,765 --> 00:51:44,167 [MIX OF CHEERING AND ATTENDEES CHANTING "PARCO!"] 728 00:51:47,404 --> 00:51:48,972 WILSON: YOU DON'T NEED THIS CLOWN'S VOICE 729 00:51:49,072 --> 00:51:50,474 DROWNING OUT YOUR OWN. 730 00:51:50,574 --> 00:51:52,008 YOU JUST NEED SOMEONE LIKE ME 731 00:51:52,109 --> 00:51:55,579 TO KEEP HIM AND HIS CRONIES OFF YOUR BACK. 732 00:51:55,645 --> 00:52:00,183 PARCO: YO, YO, HOLD UP. HOLD UP. WHO YOU CALLING A CLOWN, MAN? 733 00:52:00,283 --> 00:52:03,286 JUST BECAUSE YOUR BALD-HEADED, HUMPTY DUMPTY ASS 734 00:52:03,353 --> 00:52:06,089 PUTS ON A SUIT DOESN'T MAKE YOU GOVERNOR. 735 00:52:06,156 --> 00:52:11,261 COME ON, MAN. THE U.S., THE FSA, THEY WANT US DIVIDED. 736 00:52:11,328 --> 00:52:15,198 WE WANT TO STAND UP, WE GOT TO UNITE. 737 00:52:15,298 --> 00:52:16,967 [CHEERING AND APPLAUSE] 738 00:52:17,033 --> 00:52:19,970 THE ARMIES OUTSIDE AIN'T GONNA LEAVE US ALONE, FOOL. 739 00:52:20,036 --> 00:52:21,538 CALL THE ROLL, LEN. 740 00:52:21,638 --> 00:52:23,106 LEN: WHAT ABOUT QUESTIONS? 741 00:52:23,173 --> 00:52:24,474 PARCO: WE'RE GONNA SKIP RIGHT TO THE ANSWERS. 742 00:52:24,541 --> 00:52:25,876 YOU ALL WANT TO SEE WHO WE ARE? 743 00:52:25,976 --> 00:52:27,711 ATTENDEES: YEAH! PARCO: THEN LET'S GO. 744 00:52:27,811 --> 00:52:31,148 LEN: OK. ROLL CALL FOR THIS WEEK'S ELECTION. HERE WE GO. 745 00:52:31,214 --> 00:52:34,184 SPANISH HARLEM KINGS, WHO YOU ENDORSE? 746 00:52:34,284 --> 00:52:37,888 CESAR: WE PLEDGE TO PARCO. [CHEERING] 747 00:52:37,988 --> 00:52:39,723 LEN: STUYTOWN, WHERE YOU AT? 748 00:52:39,823 --> 00:52:41,892 WOMAN: STUYTOWN STANDS WITH WILSON! 749 00:52:41,992 --> 00:52:44,828 [CHEERING AND APPLAUSE] 750 00:52:44,895 --> 00:52:47,230 LEN: EL CAMINO MUERTO, SPEAK UP. 751 00:52:47,330 --> 00:52:49,232 MAN: CAMINO MUERTO STANDS WITH PARCO. 752 00:52:49,332 --> 00:52:50,700 [CHEERING AND APPLAUSE] 753 00:52:50,800 --> 00:52:52,736 LEN: TWO-FOUR CREW, WHAT IT DO? 754 00:52:52,836 --> 00:52:55,238 MAN: PARCO. [TWO-FOUR CREW CHEERS] 755 00:52:55,338 --> 00:52:56,740 LEN: BOWERY PROTECTORATE? 756 00:52:56,840 --> 00:53:00,510 MAN: THE BOWERY BACKS PARCO DELGADO. 757 00:53:00,577 --> 00:53:02,979 LET'S TAKE BACK OUR CITY. 758 00:53:03,046 --> 00:53:04,581 [CHEERING AND APPLAUSE] 759 00:53:04,681 --> 00:53:08,652 PARCO: THAT, TO ME, SOUNDS LIKE A LANDSLIDE. 760 00:53:08,718 --> 00:53:10,587 HEY, HEY, HEY, HOLD UP. 761 00:53:10,687 --> 00:53:13,590 WE ALSO GOT THE WESTSIDE KOLLECTIV, 762 00:53:13,690 --> 00:53:16,660 THE CO-OP, MERCER STREET, UNION SQUARE EAST AND WEST, 763 00:53:16,726 --> 00:53:18,595 THE POWER GRID FOLKS ON EAST 14th STREET. 764 00:53:18,695 --> 00:53:20,163 SHALL I GO ON? 765 00:53:20,230 --> 00:53:21,665 [CHEERING AND APPLAUSE] 766 00:53:21,731 --> 00:53:24,401 [CHANTS OF "PARCO! PARCO! PARCO..."] 767 00:53:41,551 --> 00:53:44,521 [EXCITED CHATTER] 768 00:53:44,588 --> 00:53:48,425 MAN: IS THAT OONA? DIFFERENT MAN: OONA? 769 00:53:48,525 --> 00:53:49,960 [ATTENDEE SHUSHING CHATTERING SPECTATORS] 770 00:53:50,060 --> 00:53:52,629 SECOND MAN: QUIET, MAN. OONA'S HERE... 771 00:54:01,238 --> 00:54:05,875 OONA: PARCO STANDS UP HERE OFFERING YOU PROTECTION? 772 00:54:05,942 --> 00:54:09,045 WELL, I'M HEARING HIM THREATENING TO TAKE IT AWAY. 773 00:54:09,112 --> 00:54:12,482 THIS ISN'T A POWERFUL MAN OFFERING POWER. 774 00:54:12,582 --> 00:54:16,620 THIS IS A FEARFUL MAN STOKING FEAR. 775 00:54:16,720 --> 00:54:18,655 I DON'T LIKE THIS. 776 00:54:18,755 --> 00:54:21,491 I STAY AWAY FROM ALL OF IT, 777 00:54:21,591 --> 00:54:23,126 AND I CAN BECAUSE I HAVE POWER 778 00:54:23,226 --> 00:54:26,229 THESE MEN COULDN'T EVEN DREAM OF. 779 00:54:26,296 --> 00:54:27,964 I COULD RUN THIS CITY DRY, 780 00:54:28,064 --> 00:54:33,436 AND I COULD STAND HERE AND DEMAND YOUR LOYALTY IN EXCHANGE. 781 00:54:33,503 --> 00:54:38,408 THAT'S WHAT PARCO WILL DO, BUT THAT'S NOT ME. 782 00:54:38,475 --> 00:54:43,613 I DIDN'T COME HERE TO ENDORSE EITHER ONE OF THESE MEN. 783 00:54:43,680 --> 00:54:48,318 THERE IS ONE PERSON THAT I'M INSPIRED BY-- 784 00:54:48,418 --> 00:54:53,189 SOMEONE WHO RECOGNIZES WHAT IS BROKEN 785 00:54:53,290 --> 00:54:55,959 AND CHALLENGES US TO FIX IT. 786 00:54:56,026 --> 00:55:03,700 I CAME HERE TO THROW MY SUPPORT BEHIND ZEE. 787 00:55:03,800 --> 00:55:06,369 WHERE SHE GOES, I GO. 788 00:55:06,469 --> 00:55:08,872 AND I URGE ALL OF YOU TO DO THE SAME. 789 00:55:08,972 --> 00:55:14,444 [AUDIENCE MEMBERS SPEAKING INDISTINCTLY] 790 00:55:22,285 --> 00:55:25,455 ALMA: YOU DON'T KNOW ME, BUT YOU SHOULD LISTEN TO ME 791 00:55:25,522 --> 00:55:29,059 BECAUSE I'VE GOT 5,000 GALLONS OF PURIFIED WATER FOR YOU 792 00:55:29,159 --> 00:55:30,727 UNDERNEATH MY FEET, 793 00:55:30,827 --> 00:55:32,996 AND BECAUSE I CAME FROM THE OUTSIDE 794 00:55:33,063 --> 00:55:35,465 WITH A MESSAGE FOR YOU ALL. 795 00:55:35,532 --> 00:55:39,836 OUT THERE, THEY'RE FIGHTING FOR WHAT YOU ALREADY HAVE HERE-- 796 00:55:39,903 --> 00:55:45,008 A CHANCE TO START OVER, GET IT RIGHT. 797 00:55:46,343 --> 00:55:50,714 THE FUTURE ISN'T ABOUT KINGS. 798 00:55:50,814 --> 00:55:53,483 IT'S ABOUT PARTNERS. 799 00:55:53,550 --> 00:55:56,586 SO I CAME HERE TODAY TO TELL YOU THAT I AM A PARTNER TO WILSON. 800 00:55:56,686 --> 00:55:58,855 [APPLAUSE] 801 00:55:58,922 --> 00:56:03,927 ALMA: A VOTE FOR WILSON IS A VOTE FOR YOU... 802 00:56:05,729 --> 00:56:10,734 SO WE CAN USE ALL OUR VOICES TO BUILD A NEW KIND OF POWER. 803 00:56:10,834 --> 00:56:14,738 [CHEERING AND APPLAUSE] 804 00:56:14,838 --> 00:56:19,442 SO RAISE YOUR GLASS AND GET YOUR FILL OF PURIFIED WATER. 805 00:56:19,542 --> 00:56:25,582 [CHEERING AND APPLAUSE] 806 00:56:28,251 --> 00:56:31,121 THIS WILL BE RUNNING FOR THE NEXT 3 HOURS. 807 00:56:31,221 --> 00:56:33,523 [LOUD CHEERING AND APPLAUSE] 808 00:56:54,077 --> 00:56:56,079 [LAUGHING] 809 00:57:02,051 --> 00:57:07,924 [PEOPLE CHANTING "ZEE! ZEE! ZEE! ZEE..."]