1 00:00:06,132 --> 00:00:08,009 [BIRDS CHIRPING] 2 00:00:08,091 --> 00:00:11,345 [RIFLE CLICKS] 3 00:00:15,349 --> 00:00:17,894 PARCO: OK, SHE'S SHOWING YOU HER BROAD SIDE. 4 00:00:17,977 --> 00:00:20,605 HEART'S JUST BEHIND THE NEAREST SHOULDER. 5 00:00:20,688 --> 00:00:22,982 THAT'S THE CLEANEST KILL SHOT POSSIBLE, 6 00:00:23,065 --> 00:00:26,235 BUT YOU'RE AIMING TOO FAR LEFT. 7 00:00:26,319 --> 00:00:28,446 AIM RIGHT. 8 00:00:28,529 --> 00:00:33,451 THAT'S IT. A LITTLE BIT FARTHER. STEADY. 9 00:00:35,745 --> 00:00:38,080 A LITTLE MORE. 10 00:00:43,586 --> 00:00:45,755 THERE. 11 00:00:48,674 --> 00:00:50,760 OK. DEEP BREATH. 12 00:00:53,721 --> 00:00:55,848 BRACE FOR THE RECOIL. 13 00:01:00,269 --> 00:01:02,396 AND... 14 00:01:04,606 --> 00:01:05,858 SQUEEZE. 15 00:01:05,942 --> 00:01:08,736 [SOUND OF GUNSHOT ECHOES] 16 00:01:26,796 --> 00:01:30,383 [MOANING] 17 00:01:49,610 --> 00:01:51,946 CARMEN: DAMN GOOD. 18 00:01:52,029 --> 00:01:53,823 LOOK AT US. 19 00:01:55,116 --> 00:01:59,328 THREE YEARS AGO, WE STARTED WITH 4 BLOCKS, 20 00:01:59,412 --> 00:02:02,081 AND WE'D SHOOT ON SIGHT TO GUARD IT. 21 00:02:02,164 --> 00:02:05,793 NOW WE GOT OPENED UP ROADS, 22 00:02:05,877 --> 00:02:08,420 CREW AFFILIATIONS, 23 00:02:08,504 --> 00:02:11,048 FREE TRADE. 24 00:02:11,132 --> 00:02:14,093 THAT STARTED WITH YOU. 25 00:02:14,176 --> 00:02:15,511 HA HA! OH, MY-- 26 00:02:15,595 --> 00:02:18,097 PARCO: YOU TRYING TO GET ME GOING HERE, HUH? 27 00:02:18,180 --> 00:02:19,432 HUH? 28 00:02:19,515 --> 00:02:21,392 [CARMEN CHUCKLING] PARCO: IT'S WORKING. 29 00:02:21,475 --> 00:02:24,020 ¿TÚ NO TE CANSAS? 30 00:02:24,103 --> 00:02:25,938 CARMEN: HMM? 31 00:02:26,022 --> 00:02:29,317 I'M TRYING TO TELL YOU I'M PROUD OF YOU, FOOL. 32 00:02:34,113 --> 00:02:37,241 PARCO: I'M GONNA MAKE BREAKFAST. 33 00:02:38,576 --> 00:02:40,161 [STATIC ON RADIO] 34 00:02:40,244 --> 00:02:41,829 QUEEN DOPE ON RADIO: TODAY IS THE DAY, FRIENDS. 35 00:02:41,913 --> 00:02:45,791 THE DMZ'S FIRST-EVER DEBATE: PARCO AND WILSON, 36 00:02:45,875 --> 00:02:49,128 THE TWO ICONS, THE TWO EGOS, AND THE TWO MEN 37 00:02:49,211 --> 00:02:51,756 WHO HAVE BEEN BEATING THEIR CHESTS TO CONVINCE US 38 00:02:51,839 --> 00:02:53,382 THEY DESERVE OUR VOTE. 39 00:02:53,466 --> 00:02:54,967 AND THAT'S BIG, FOLKS-- 40 00:02:55,051 --> 00:02:56,802 BIG FOR YOU, BIG FOR ME, 41 00:02:56,886 --> 00:02:59,722 AND BIG FOR ALL THE COZY-ASS WHITE BOYS CHEWING THEIR NAILS 42 00:02:59,805 --> 00:03:01,557 ON THE OUTSIDE. 43 00:03:01,641 --> 00:03:03,392 SO SHOW UP TO CITY HALL TONIGHT. 44 00:03:03,476 --> 00:03:05,561 LISTEN AND MAKE YOUR CHOICE. 45 00:03:05,645 --> 00:03:08,606 AND NOW A LITTLE SOMETHING TO BOUNCE TO. 46 00:03:08,689 --> 00:03:11,108 CARMEN: PANCAKES? HOW? 47 00:03:11,192 --> 00:03:13,152 PARCO: FARM CO-OP GAVE ME A SACK OF FLOUR, 48 00:03:13,235 --> 00:03:14,612 SOME BUTTER AND EGGS, 49 00:03:14,695 --> 00:03:16,447 EARLY CONGRATULATIONS FOR TODAY. 50 00:03:16,530 --> 00:03:19,784 CARMEN: CAREFUL. I MIGHT GET USED TO THIS. 51 00:03:19,867 --> 00:03:22,453 PARCO: BRING THAT COFFEE, GIRL. 52 00:03:22,536 --> 00:03:24,997 [MUSIC PLAYING ON SOUNDTRACK] 53 00:03:44,183 --> 00:03:45,893 PARCO: YOU GOT TO SWEETEN THAT UP JUST A LITTLE BIT. 54 00:03:45,977 --> 00:03:47,311 CARMEN: YEAH, BUT YOU ADDED 55 00:03:47,395 --> 00:03:48,604 A LITTLE BIT TOO MUCH SUGAR TO IT. 56 00:03:48,688 --> 00:03:50,356 PARCO: COME ON, NOW. 57 00:03:50,439 --> 00:03:51,983 DON'T FRONT LIKE YOU AIN'T ENJOYING IT. 58 00:03:52,066 --> 00:03:54,068 I KNOW YOU LOVING IT. 59 00:03:57,405 --> 00:03:59,865 CARMEN: WHAT DO YOU THINK OF THAT? 60 00:04:01,117 --> 00:04:02,743 PARCO: LITTLE NENE? 61 00:04:02,827 --> 00:04:05,579 WELL, THE KID WITH THE BAT NEEDS TO CHOKE UP ON THE GRIP, 62 00:04:05,663 --> 00:04:07,081 AND THAT PITCHER NEEDS TO LOSE HIS SIDEARM. 63 00:04:07,164 --> 00:04:09,542 CARMEN: HA HA. [PARCO CHUCKLES] 64 00:04:09,625 --> 00:04:11,043 CARMEN: YOU KNOW WHAT I MEAN. 65 00:04:11,127 --> 00:04:13,337 PARCO: COME ON, BABY. NOT NOW. 66 00:04:18,466 --> 00:04:21,137 CARMEN: WHY YOU GOT A STUPID GRIN ON YOUR FACE? 67 00:04:23,305 --> 00:04:26,017 PARCO: I'M JUST ENJOYING THE SUN IS ALL. 68 00:04:28,185 --> 00:04:30,229 I'M JUST THINKING ABOUT MY POPS. 69 00:04:31,731 --> 00:04:33,733 CARMEN: ABOUT WHAT? PARCO: NAH, NOTHING. 70 00:04:33,816 --> 00:04:38,404 JUST HOW WHEN HE CAME HERE WITH A POCKET FULL OF COINS, 71 00:04:38,487 --> 00:04:41,407 SET US UP IN A TINY, LITTLE SHITHOLE ON 124th. 72 00:04:41,490 --> 00:04:44,243 HE'D SAY, "IN ALL OF THE WORLD, 73 00:04:44,326 --> 00:04:46,996 THE SUN SHINES A LITTLE BRIGHTER HERE." 74 00:04:48,414 --> 00:04:50,041 CARMEN: THAT'S A NICE THOUGHT. 75 00:04:50,124 --> 00:04:51,751 PARCO: IT'S BULLSHIT. 76 00:04:51,834 --> 00:04:53,586 THAT MAN HAD TO CLIMB JUST A LITTLE BIT HIGHER THAN MOST 77 00:04:53,669 --> 00:04:56,297 TO REALLY SEE IT. 78 00:04:56,380 --> 00:04:58,257 CARMEN: HE'D BE PROUD OF YOU. 79 00:04:58,341 --> 00:05:00,509 PARCO: NAH. 80 00:05:00,593 --> 00:05:02,970 HE'D BE LOADED. 81 00:05:05,806 --> 00:05:08,225 [LOUD KNOCK ON DOOR] 82 00:05:10,644 --> 00:05:13,647 [KNOCKING ON DOOR] 83 00:05:18,402 --> 00:05:21,906 ALMA: PARCO! 84 00:05:21,989 --> 00:05:24,366 PARCO: OH, FUCK. 85 00:05:26,535 --> 00:05:28,204 [KNOCK ON DOOR] 86 00:05:35,461 --> 00:05:38,089 AFTER 8 YEARS AND A CIVIL WAR, WHAT DO YOU WANT, 87 00:05:38,172 --> 00:05:40,174 TO BORROW SOME SUGAR? 88 00:05:43,010 --> 00:05:44,637 HOW DID YOU FIND ME? 89 00:05:44,720 --> 00:05:47,014 ALMA: HOW MANY TIMES DID I HAVE TO LISTEN TO YOU GO ON 90 00:05:47,098 --> 00:05:48,849 ABOUT HOW YOU WERE GONNA OWN THIS BLOCK? 91 00:05:48,933 --> 00:05:51,519 WASN'T HARD. YOU GONNA LET ME IN? 92 00:05:51,602 --> 00:05:53,062 I'M MAKING A SCENE OUT HERE. 93 00:05:53,145 --> 00:05:56,273 PARCO: AIN'T GONNA BE MUCH BETTER IN HERE. 94 00:05:56,357 --> 00:05:58,859 ALMA: WHY? 95 00:05:58,943 --> 00:06:01,070 CARMEN: 'CAUSE I'M NOT GONNA LET YOU IN, BITCH. 96 00:06:01,153 --> 00:06:02,363 WHAT THE FUCK ARE YOU DOING HERE? 97 00:06:02,446 --> 00:06:03,864 ALMA: HI, CARMEN. 98 00:06:03,948 --> 00:06:05,783 CARMEN: WHO THE FUCK DO YOU THINK YOU ARE, 99 00:06:05,866 --> 00:06:07,368 SHOWING UP TO THIS HOME, TO MY HOME? 100 00:06:07,451 --> 00:06:09,328 ALMA: LOOK, I DON'T WANT TO BOTHER YOU. 101 00:06:09,411 --> 00:06:10,996 CARMEN: BITCH, YOU ARE BOTHERING ME, 102 00:06:11,080 --> 00:06:12,790 SO TURN YOUR ASS AROUND AND LEAVE. 103 00:06:12,873 --> 00:06:14,083 ALMA: 8 YEARS AND A CIVIL WAR LATER, 104 00:06:14,166 --> 00:06:15,751 AND THIS ONE'S STILL ALL BARK. 105 00:06:15,835 --> 00:06:17,837 CARMEN: BITCH, I AM RIGHT HERE. SAY IT TO MY FACE. 106 00:06:17,920 --> 00:06:20,673 ALMA: YOU KNOW, YOU ALWAYS WANTED TO BE LIKE ME. 107 00:06:20,756 --> 00:06:23,008 LOOKS LIKE YOU'RE STILL TRYING. 108 00:06:23,092 --> 00:06:26,887 BUT THIS IS IMPRESSIVE. YEAH. I LIKE THE DECOR. 109 00:06:26,971 --> 00:06:29,181 CARMEN: WOW. AFTER THE SHIT YOU PULLED, 110 00:06:29,265 --> 00:06:31,142 YOU WANT TO COME HERE AND INSULT ME, TOO? 111 00:06:31,225 --> 00:06:32,393 [ALMA EXHALES] 112 00:06:32,476 --> 00:06:33,936 CARMEN: THE GROWNUPS ARE TALKING. 113 00:06:34,019 --> 00:06:35,980 LISTEN, I JUST NEED SOME INFORMATION, 114 00:06:36,063 --> 00:06:37,815 AND I'M MORE THAN HAPPY TO LEAVE. 115 00:06:37,898 --> 00:06:39,275 PARCO: WHAT DO YOU WANT TO KNOW? ALMA: I DON'T WANT TO INTERRUPT 116 00:06:39,358 --> 00:06:40,734 YOUR DAILY ROUTINE-- PARCO: OH. 117 00:06:40,818 --> 00:06:42,987 [CARMEN YELLS, INDISTINCT] 118 00:06:43,070 --> 00:06:45,406 PARCO: OH, SHIT. 119 00:06:50,411 --> 00:06:52,329 CARMEN: STOP! 120 00:06:52,413 --> 00:06:54,540 CARMEN: YOU THINK YOU COULD RAT PARCO OUT AND COME BACK HERE? 121 00:06:54,623 --> 00:06:56,333 YOU KNOW, THEY ARRESTED HIM RIGHT BEFORE EVACUATION DAY. 122 00:06:56,417 --> 00:06:58,711 HE COULD'VE STARVED IN HOLDING. COPS ALL RAN-- 123 00:06:58,794 --> 00:07:00,462 ALMA: AND YOU DIDN'T THINK TO SAVE HIM? 124 00:07:00,546 --> 00:07:04,133 CARMEN: NO! THEY ARRESTED ME, TOO, YOU DUMB BITCH. 125 00:07:04,216 --> 00:07:07,052 PARCO: HEY, YO, YO, YO. HEY. HEY, YO, YO. HEY, HEY, HEY. OK. 126 00:07:07,136 --> 00:07:08,929 CARMEN: I'M GONNA KILL THAT RAT. PARCO: OK, I KNOW YOU ARE. 127 00:07:09,013 --> 00:07:11,223 HEY, I GOT THIS. I GOT THIS, ALL RIGHT? 128 00:07:11,307 --> 00:07:13,726 PARCO: WHAT DO YOU WANT, WOMAN? 129 00:07:13,809 --> 00:07:15,895 ALMA: I NEED TO SEE CHRISTIAN. 130 00:07:15,978 --> 00:07:17,813 TELL ME WHERE HE IS, AND I'LL LEAVE. 131 00:07:17,897 --> 00:07:19,857 PARCO: FOR ONE, HE DON'T GO BY THAT NAME NO MORE. 132 00:07:19,940 --> 00:07:21,734 AND HE LIKES HIS PRIVACY. 133 00:07:21,817 --> 00:07:23,986 UNLIKE YOU, I RESPECT THAT. 134 00:07:24,069 --> 00:07:25,321 [DOOR OPENS] 135 00:07:25,404 --> 00:07:27,323 CESAR: OONA ISN'T COMING THROUGH FOR YOU. 136 00:07:29,617 --> 00:07:31,243 ALMA: LONG TIME, CESAR. 137 00:07:31,327 --> 00:07:33,746 PARCO: WHAT DO YOU MEAN, "OONA ISN'T COMING THROUGH"? 138 00:07:33,829 --> 00:07:35,372 CESAR: SAME THING, MAN. COULDN'T GET IN. 139 00:07:35,456 --> 00:07:36,999 THEY WOULDN'T TALK TO ME. 140 00:07:37,082 --> 00:07:38,626 BITCH OUT FRONT ALMOST SHOT ME THIS TIME. 141 00:07:38,709 --> 00:07:40,628 PARCO: NO, WE NEED OONA. 142 00:07:40,711 --> 00:07:42,338 WE GET HER BUY-IN TONIGHT AT THE DEBATE, IT'S GAME OVER. 143 00:07:42,421 --> 00:07:44,089 WHAT, YOU THINK WILSON GOT TO HER? 144 00:07:44,173 --> 00:07:46,050 CESAR: NO. SHE'S AN ISLAND. 145 00:07:47,801 --> 00:07:50,304 CESAR: AND THIS ONE? 146 00:07:50,387 --> 00:07:52,264 PARCO: NAH, SHE WAS JUST LEAVING. 147 00:07:52,348 --> 00:07:55,601 ALMA: TELL ME WHERE HE IS. PARCO: BYE. 148 00:07:55,684 --> 00:07:58,479 ALMA: WHERE IS HE? FUCK YOU. 149 00:07:58,562 --> 00:07:59,939 [BALL BOUNCES] 150 00:08:02,650 --> 00:08:04,777 MAN: 1-6 THAT YOU WON'T MAKE IT. 151 00:08:04,860 --> 00:08:07,238 MAN 2: ALL RIGHT. 152 00:08:07,321 --> 00:08:11,158 [GUNSHOT, MAN SCREAMING] 153 00:08:11,242 --> 00:08:12,826 [GUNSHOT] 154 00:08:20,209 --> 00:08:21,460 [BONE CRACKS] 155 00:08:21,543 --> 00:08:23,170 [MEN GROANING] 156 00:08:31,512 --> 00:08:35,182 SKEL: YOUR NAME? MAN 1: FUCK YOU. 157 00:08:37,058 --> 00:08:39,019 [YELLS] 158 00:08:39,102 --> 00:08:41,897 BODHI KANG. SKEL: SPELL IT. 159 00:08:41,981 --> 00:08:48,195 BODHI: B-O-D-H-I. SKEL: K-A-N-G? 160 00:08:48,279 --> 00:08:50,197 BODHI: YEAH. SKEL: AND YOUR NAME? 161 00:08:50,281 --> 00:08:53,284 RICHARD: RICHARD HO. SKEL: MUCH EASIER. 162 00:08:53,367 --> 00:08:57,538 [GROANING CONTINUES] 163 00:09:07,089 --> 00:09:09,133 [DULL-SOUNDING TAPS] 164 00:09:09,216 --> 00:09:11,385 [RESONANT-SOUNDING TAPS] 165 00:09:25,441 --> 00:09:27,318 [METAL BARS CLANK] 166 00:09:42,416 --> 00:09:49,089 MAN: WE COME INTO THIS WORLD NAKED AND ALONE, RIGHT? 167 00:09:49,173 --> 00:09:52,634 AND WE LEAVE IT NAKED AND ALONE. 168 00:09:52,718 --> 00:09:56,221 YOU GOT TO GET YOU AND YOURS SQUARED UP. 169 00:09:56,305 --> 00:09:59,058 TO HELL WITH ALL Y'ALL. 170 00:09:59,141 --> 00:10:01,894 YOU SEE, IN THE END... 171 00:10:01,977 --> 00:10:06,315 IT'S JUST YOU AND GOD. 172 00:10:06,398 --> 00:10:07,816 THAT'S IT. 173 00:10:07,900 --> 00:10:11,820 IT'S JUST YOU AND GOD. 174 00:10:11,904 --> 00:10:14,239 THAT'S IT. 175 00:10:17,993 --> 00:10:19,620 GRANDFATHER: THE PREACHER AIN'T WRONG. 176 00:10:19,703 --> 00:10:21,914 YOU'RE LOOKING FOR HOME, 177 00:10:21,997 --> 00:10:25,834 BUT HOME TAKES TIME. 178 00:10:25,918 --> 00:10:27,878 MAKING PEACE WITH YOURSELF. 179 00:10:27,961 --> 00:10:29,963 THAT'S THE FIRST STEP TO FINDING YOUR PLACE, 180 00:10:30,047 --> 00:10:34,385 AND THAT TAKES REAL COURAGE, ODI. 181 00:10:34,468 --> 00:10:39,431 NICO: YO! WHY YOU LISTENING TO THAT FUCKING IDIOT, MAN? 182 00:10:39,515 --> 00:10:41,975 DUDE'S NUTS. 183 00:10:44,687 --> 00:10:47,231 [NICO SIGHS] 184 00:10:47,314 --> 00:10:49,191 COME ON. 185 00:10:52,778 --> 00:10:55,906 COME ON. GOT SOMETHING TO SHOW YOU. 186 00:10:55,989 --> 00:11:00,285 MAN: ...IT'S JUST YOU AND GOD. 187 00:11:00,369 --> 00:11:01,703 WILSON: I DON'T GET IT. 188 00:11:01,787 --> 00:11:03,914 WHAT DOES THIS HAVE TO DO WITH MY PROBLEM? 189 00:11:03,997 --> 00:11:06,208 WOMAN: TELL ME ABOUT THE BOOK. 190 00:11:06,291 --> 00:11:08,544 [WILSON EXHALES] 191 00:11:08,627 --> 00:11:11,880 WILSON: A MAN IS SENT TO CUBA TO BE A SPY FOR THE BRITISH. 192 00:11:11,964 --> 00:11:14,883 HE LIES ABOUT EVERYTHING TO EVERYONE 193 00:11:14,967 --> 00:11:16,760 TO GET PROMOTED, TO MAKE MORE MONEY. 194 00:11:16,844 --> 00:11:19,138 EVERYONE BELIEVES HIS LIES ANYWAY. 195 00:11:19,221 --> 00:11:22,558 AND REAL CONSEQUENCES PLAY OUT. WOMAN: AND? 196 00:11:22,641 --> 00:11:25,310 WILSON: AND PEOPLE START DYING, 197 00:11:25,394 --> 00:11:29,648 BUT HE DOUBLES DOWN ON HIS LIES, AND THE WAY OTHERS REACT 198 00:11:29,731 --> 00:11:31,942 MAKE HIS LIES COME TRUE. 199 00:11:32,025 --> 00:11:34,570 WOMAN: WHAT DOES THAT TELL YOU ABOUT TRUTH? 200 00:11:34,653 --> 00:11:37,531 WILSON: THAT IT'S IRRELEVANT. 201 00:11:39,283 --> 00:11:41,326 WOMAN: NOW YOUR GOLD IS DISAPPEARING, 202 00:11:41,410 --> 00:11:43,745 AND ONLY 3 PEOPLE KNOW WHERE IT'S HIDDEN, 203 00:11:43,829 --> 00:11:45,998 AND ONE OF THEM IS A RAT. 204 00:11:46,081 --> 00:11:48,667 HOW TO KNOW WHICH ONE? 205 00:11:48,750 --> 00:11:51,003 WILSON: IT DOESN'T MATTER. 206 00:11:51,086 --> 00:11:53,672 I CAN JUST CHOOSE. 207 00:11:53,755 --> 00:11:55,674 EITHER I'LL BE RIGHT OR I'LL BE WRONG, 208 00:11:55,757 --> 00:12:00,012 IN WHICH CASE EITHER THE TRUTH WILL BE WHATEVER I SAY IT IS, 209 00:12:00,095 --> 00:12:02,306 OR IT'LL EMERGE ON ITS OWN. 210 00:12:02,389 --> 00:12:03,932 IS THAT WHAT YOU'RE TELLING ME? 211 00:12:04,016 --> 00:12:06,977 WOMAN: I LEFT A NEW BOOK ON YOUR DESK, 212 00:12:07,060 --> 00:12:09,229 ANOTHER TALE ABOUT A FANTASTIC LIAR. 213 00:12:09,313 --> 00:12:11,231 WILSON: WHAT WOULD I DO WITHOUT YOU, SUSIE? 214 00:12:11,315 --> 00:12:14,651 SUSIE: AND I TAKE NO CREDIT. I SIMPLY SHARE MY BOOKS WITH YOU. 215 00:12:27,706 --> 00:12:29,416 WILSON: HO. 216 00:12:33,629 --> 00:12:36,340 [KIDS SPEAKING EXCITEDLY] 217 00:13:09,331 --> 00:13:13,293 WILSON: EVEN A KING KNEELS TO THE FUTURE. 218 00:13:13,377 --> 00:13:15,587 GO. [CHILD CHUCKLES] 219 00:13:21,468 --> 00:13:23,262 WILSON: WE LEAVE FOR CITY HALL IN 5 HOURS. 220 00:13:23,345 --> 00:13:25,931 I WANT EVERYONE THERE. WE GO AS-- 221 00:13:31,353 --> 00:13:33,230 YOU STAYED. 222 00:13:33,313 --> 00:13:36,525 ALMA: I DID. 223 00:13:36,608 --> 00:13:39,486 WILSON: COME HERE. 224 00:13:45,576 --> 00:13:47,869 ALMA: THEY ADORE YOU. 225 00:13:47,953 --> 00:13:51,123 WILSON: WELL, I WORK HARD FOR IT. 226 00:13:51,206 --> 00:13:52,749 I'M SO SORRY. 227 00:13:52,833 --> 00:13:54,293 THERE'S JUST SOMETHING QUICK I GOT TO TAKE CARE OF. 228 00:13:54,376 --> 00:13:55,877 WOULD YOU EXCUSE ME FOR A MOMENT? 229 00:13:55,961 --> 00:13:57,629 ALMA: OH, OF COURSE. WILSON: I'LL BE BACK. 230 00:13:57,713 --> 00:14:00,799 WAIT WITH HER IN MY OFFICE. IT WON'T TAKE LONG. 231 00:14:13,604 --> 00:14:16,273 GOOD MORNING, GENTLEMEN. 232 00:14:18,358 --> 00:14:20,027 HOW'S YOUR MOTHER? MAN: SHE'S GOOD. 233 00:14:20,110 --> 00:14:23,405 WILSON: GOOD, GOOD. HEH. 234 00:14:29,578 --> 00:14:32,289 STRIP. 235 00:14:32,372 --> 00:14:34,166 [MEN CHUCKLE WEAKLY] 236 00:14:39,671 --> 00:14:41,923 [WILSON EXHALES] 237 00:14:59,608 --> 00:15:03,737 YOU ARE THE ONLY PEOPLE WHO KNOW WHERE MY GOLD IS HIDDEN. 238 00:15:05,280 --> 00:15:07,991 I ENTRUSTED YOU... 239 00:15:09,451 --> 00:15:12,496 TO SECURE THOSE CACHES. 240 00:15:14,081 --> 00:15:18,877 AND NOW ANOTHER ONE'S GONE MISSING. 241 00:15:22,964 --> 00:15:25,175 ONE OF YOU IS MY RAT. 242 00:15:31,640 --> 00:15:33,308 [SCREAMING] 243 00:15:42,109 --> 00:15:44,069 WILSON: I'LL RETURN TOMORROW WITH BOTH OF YOUR MOTHERS. 244 00:15:44,152 --> 00:15:46,154 IF I DON'T GET A FULL CONFESSION FROM THIS GROUP, 245 00:15:46,238 --> 00:15:48,031 I'LL KILL THEM IN FRONT OF YOU. 246 00:15:56,998 --> 00:15:58,750 [MAN SHUDDERING] 247 00:15:58,834 --> 00:16:01,795 WILSON: I'M SO SORRY. 248 00:16:03,130 --> 00:16:04,923 I KNEW YOU'D COME BACK. 249 00:16:06,967 --> 00:16:08,927 YOU KNOW, YOUR TIMING IS PERFECT. 250 00:16:09,010 --> 00:16:10,762 I'VE GOT THIS DEBATE TODAY. 251 00:16:10,846 --> 00:16:12,723 ALMA: RIGHT. PARCO. 252 00:16:12,806 --> 00:16:14,808 WILSON: WOULD YOU EVER HAVE THOUGHT THAT I'D BE THE ONE 253 00:16:14,891 --> 00:16:19,563 FIGHTING FOR A NEW REPUBLIC HERE WITH TOTAL POLITICAL FREEDOM? 254 00:16:19,646 --> 00:16:21,732 ALMA: ACTUALLY, YEAH. 255 00:16:23,108 --> 00:16:26,111 SO THAT'S WHAT YOU'RE PEDDLING, POLITICAL FREEDOM? 256 00:16:26,194 --> 00:16:29,448 WILSON: PEOPLE DON'T WANT TO BE TOLD WHAT TO DO. 257 00:16:29,531 --> 00:16:32,576 THE ECOSYSTEM OF CREWS HERE, IT'S DEVELOPED 258 00:16:32,659 --> 00:16:34,202 OUT OF TRULY FREE CHOICE. 259 00:16:34,286 --> 00:16:38,665 MY PEOPLE DON'T WANT WHAT THE ARTIST COLLECTIVE WANTS, 260 00:16:38,749 --> 00:16:41,001 AND THOSE FOLKS DON'T WANT THE SAME THING 261 00:16:41,084 --> 00:16:42,669 AS THE KINGS UPTOWN. 262 00:16:42,753 --> 00:16:47,924 WHAT WE ALL WANT IS THE FREEDOM TO SELF-DETERMINE. 263 00:16:53,263 --> 00:16:57,267 AND I JUST WANT TO GUARANTEE IT. 264 00:16:59,478 --> 00:17:03,273 SO WHY DID YOU STAY? 265 00:17:04,440 --> 00:17:07,401 ALMA: I ASKED YOU ABOUT MY SON CHRISTIAN. 266 00:17:07,486 --> 00:17:11,531 I DIDN'T KNOW HOW TO TELL YOU THAT PARCO IS HIS FATHER. 267 00:17:15,452 --> 00:17:17,454 NOW DO YOU KNOW HIM? 268 00:17:26,170 --> 00:17:28,673 WILSON: I KNOW A LOT ABOUT SKEL. 269 00:17:28,757 --> 00:17:31,551 ALMA: CAN YOU TELL ME WHERE HE LIVES? 270 00:17:31,635 --> 00:17:35,806 WILSON: YOU ARE STEPPING INTO STRATOSPHERES OF CONSEQUENCE 271 00:17:35,889 --> 00:17:37,516 THAT CAN REALLY HURT YOU, ALMA. 272 00:17:37,599 --> 00:17:41,269 YOU NEED TO STOP AND ASK YOURSELF IF THIS IS WORTH IT. 273 00:17:41,353 --> 00:17:43,605 SKEL'S THE CROWN PRINCE. 274 00:17:43,688 --> 00:17:47,067 IF I TOUCH HIM, THE DMZ WILL HAVE ITS OWN CIVIL WAR. 275 00:17:47,150 --> 00:17:49,194 ALMA: DO YOU KNOW WHERE HE LIVES? 276 00:17:49,277 --> 00:17:51,988 WILSON: NOT TODAY, HMM? 277 00:17:57,035 --> 00:17:59,162 I'M SORRY. 278 00:18:05,168 --> 00:18:06,753 ALMA: OK. 279 00:18:08,421 --> 00:18:10,674 I'M GONNA TRY OONA, THEN. 280 00:18:12,175 --> 00:18:15,387 WILSON: OONA? ALMA: YEAH. MAYBE SHE KNOWS. 281 00:18:15,470 --> 00:18:16,930 WILSON: WHAT DO YOU KNOW ABOUT OONA? 282 00:18:17,013 --> 00:18:19,891 ALMA: CLEARLY, A LOT MORE THAN YOU THINK. 283 00:18:19,975 --> 00:18:22,978 I KNOW SHE'S HOLDING OUT ON PARCO. 284 00:18:23,061 --> 00:18:26,064 WILSON: YEAH, NO SHIT. SHE'S HOLDING OUT ON ME, TOO. 285 00:18:26,148 --> 00:18:28,733 THAT'S THE ONE THING YOUR BABY DADDY AND I HAVE IN COMMON. 286 00:18:28,817 --> 00:18:30,861 ALMA: WELL, HE'S PLAYING FOR HER HARD, 287 00:18:30,944 --> 00:18:32,571 AND SHE'S GOT HIM SWEATING. 288 00:18:32,654 --> 00:18:35,407 WILSON: BECAUSE HE'S TRYING TO WIN HER WITH DEALS, 289 00:18:35,490 --> 00:18:37,242 LIKE HE DOES TO EVERYBODY. 290 00:18:37,325 --> 00:18:40,453 SEE, HE'S TOO ARROGANT TO SEE YOU DON'T WIN OONA. 291 00:18:40,537 --> 00:18:44,875 SHE'S HOLED UP IN THE CLOISTERS WITH ALL THE SWAY IN THE DMZ. 292 00:18:47,002 --> 00:18:49,129 ALMA: AND THAT SCARES YOU. 293 00:18:50,672 --> 00:18:55,093 WILSON: A WOMAN LIKE OONA REQUIRES NUANCE AND PATIENCE, 294 00:18:55,177 --> 00:18:59,639 TWO IDEAS PARCO KNOWS NOTHING ABOUT. 295 00:19:01,933 --> 00:19:03,602 ALMA: MAYBE. 296 00:19:03,685 --> 00:19:05,937 WILSON: YOU DISAGREE. 297 00:19:07,188 --> 00:19:10,150 ALMA: I THINK YOU ENGAGE A WOMAN LIKE OONA WITH HUMANITY, 298 00:19:10,233 --> 00:19:13,153 BY GOING BEYOND YOURSELF TO HELP OTHERS. 299 00:19:13,236 --> 00:19:15,614 IN TIME... 300 00:19:15,697 --> 00:19:18,575 YOU'LL HELP THE RIGHT PEOPLE... 301 00:19:19,951 --> 00:19:22,078 SHE'LL SEE YOU. 302 00:19:52,859 --> 00:19:55,111 WILSON: GO ALONG THE HUDSON. 303 00:19:55,195 --> 00:19:57,489 THE FSA WON'T FIRE AT YOU FOR BEING NEAR THE WATER 304 00:19:57,572 --> 00:19:59,491 LIKE THE U.S. 305 00:20:05,080 --> 00:20:07,040 ALMA: THANK YOU. 306 00:20:10,251 --> 00:20:12,462 WILSON: AND, ALMA... 307 00:20:13,630 --> 00:20:16,091 GOOD LUCK. 308 00:21:03,096 --> 00:21:05,056 ALMA: CHRISTIAN? 309 00:21:16,401 --> 00:21:18,528 CHRISTIAN? 310 00:21:48,641 --> 00:21:50,560 [BREATHING HEAVILY] 311 00:21:53,271 --> 00:21:56,066 I'M SORRY. 312 00:22:02,906 --> 00:22:05,575 [SOBBING] I'M SO SORRY. 313 00:22:14,459 --> 00:22:18,379 YOU DIDN'T GET ANY MORE TATTOOS. 314 00:22:18,463 --> 00:22:21,841 SKEL: WHY DID YOU COME BACK? 315 00:22:24,219 --> 00:22:26,763 ALMA: FOR YOU. 316 00:22:26,846 --> 00:22:28,515 I CAME BACK FOR YOU. 317 00:22:28,598 --> 00:22:31,267 [GENERATOR POWERS UP] 318 00:23:08,596 --> 00:23:10,223 YOUR WORK IS INCREDIBLE. 319 00:23:10,306 --> 00:23:16,646 SKEL: DON'T SAY A WORD ABOUT MY ART. 320 00:23:16,729 --> 00:23:19,274 YOU DON'T GET TO DO THAT. 321 00:23:20,608 --> 00:23:24,112 WHAT DO YOU WANT? ALMA: CHRISTIAN, I-- 322 00:23:24,195 --> 00:23:26,656 SKEL: STOP SAYING THAT NAME. 323 00:23:30,201 --> 00:23:35,331 ALMA: FOR THE PAST 7 YEARS, 11 MONTHS, 25 DAYS, 324 00:23:35,415 --> 00:23:39,419 I'VE BEEN THINKING ONLY ABOUT THAT NAME... 325 00:23:41,045 --> 00:23:43,298 ABOUT YOU. 326 00:23:43,381 --> 00:23:45,633 I'VE BEEN LOOKING FOR YOU... 327 00:23:45,717 --> 00:23:49,095 DREAMING ABOUT THIS MOMENT. 328 00:23:55,977 --> 00:23:58,229 I LOST YOU... 329 00:23:58,313 --> 00:24:01,232 AND I'M SORRY. 330 00:24:01,316 --> 00:24:03,818 I LOVE YOU. 331 00:24:06,321 --> 00:24:10,241 I LOVE YOU FOREVER, AND I SWEAR, I WILL NEVER LEAVE YOU AGAIN. 332 00:24:10,325 --> 00:24:13,328 SKEL: YOU DIDN'T LOSE ME. 333 00:24:16,706 --> 00:24:18,499 I RAN. 334 00:24:18,583 --> 00:24:22,629 ALMA: OK. FOLLOW ME, OK? FOLLOW ME. 335 00:24:26,633 --> 00:24:28,593 WHAT? 336 00:24:28,676 --> 00:24:31,387 PLEASE. PLEASE. JUST ME AND MY SON. 337 00:24:32,722 --> 00:24:35,558 CHRISTIAN? 338 00:24:35,642 --> 00:24:37,227 CHRISTIAN! 339 00:24:37,310 --> 00:24:42,023 SKEL: YOU SPENT MY WHOLE LIFE LOOKING RIGHT THROUGH ME. 340 00:24:49,364 --> 00:24:51,199 WHATEVER. 341 00:24:51,282 --> 00:24:53,326 THE PAST DOESN'T MATTER. 342 00:24:53,409 --> 00:24:56,871 ALMA: I CAN HEAR YOUR FATHER. 343 00:24:59,499 --> 00:25:04,462 SKEL: YEAH? WELL, HE SEES IT ALL CLEARLY. 344 00:25:04,545 --> 00:25:06,756 HE'S NOT LIVING IN SOME FANTASY. 345 00:25:08,299 --> 00:25:09,968 ALMA: RIGHT. 346 00:25:10,051 --> 00:25:17,642 SKEL: AND HE GAVE ME THE ONE THING YOU ALWAYS TOOK FROM ME: 347 00:25:17,725 --> 00:25:21,437 POWER. 348 00:25:21,521 --> 00:25:22,897 [MOUTHS "POWER"?] 349 00:25:24,565 --> 00:25:26,693 SKEL: AND THAT'S ALL THAT MATTERS NOW. 350 00:25:31,572 --> 00:25:33,491 I'M NOT YOUR SON ANYMORE, 351 00:25:33,574 --> 00:25:39,122 AND I DON'T FEEL ANGER OR HATE FOR YOU RIGHT NOW. 352 00:25:42,417 --> 00:25:44,961 I FEEL NOTHING. 353 00:25:47,088 --> 00:25:51,759 SO GET THE FUCK OUT OF MY HOME. 354 00:25:51,843 --> 00:25:54,470 GO CRY FOR ME SOMEWHERE ELSE, 355 00:25:54,554 --> 00:25:58,349 AND DON'T YOU EVER COME BACK HERE AGAIN. 356 00:25:58,433 --> 00:25:59,934 GO! 357 00:26:00,018 --> 00:26:01,269 ALMA: PLEASE, PLEASE, PLEASE. PLEASE. 358 00:26:01,352 --> 00:26:03,855 [SKEL FIRES PISTOL] AAH! 359 00:26:03,938 --> 00:26:05,815 SKEL: GO! 360 00:26:05,898 --> 00:26:08,860 [ALMA SOBBING] 361 00:26:13,489 --> 00:26:15,700 [ALMA MOANING] 362 00:26:18,703 --> 00:26:20,621 [SCREAMS] 363 00:26:35,970 --> 00:26:41,142 [HIP-HOP MUSIC PLAYING] 364 00:26:41,225 --> 00:26:43,978 CESAR: YO, YOU ALL RIGHT? 365 00:26:44,062 --> 00:26:45,438 PARCO: TONIGHT, MAKE SURE 366 00:26:45,521 --> 00:26:47,398 THAT OUR FRIENDS ARE SPREAD THROUGHOUT. 367 00:26:47,482 --> 00:26:49,734 I DON'T WANT ANY ROOM FOR A SPLIT IN THE CROWD. 368 00:26:49,817 --> 00:26:51,194 SPEAKING OF, HOW'S THAT LOOKING? 369 00:26:51,277 --> 00:26:52,737 CESAR: THE CO-OP AND THE KOLLECTIV, 370 00:26:52,820 --> 00:26:54,238 THEY ACCEPTED OUR GOLD. 371 00:26:54,322 --> 00:26:55,907 CONFIRMED THEY'LL BE READY TO ENDORSE YOU. 372 00:26:55,990 --> 00:26:58,576 NOW, THE OTHER USUAL SUSPECTS DID THE SAME. 373 00:26:58,659 --> 00:27:01,079 UNION SQUARE, MERCER. 374 00:27:01,162 --> 00:27:03,373 I EVEN STOPPED BY TO SEE JORDAN. 375 00:27:03,456 --> 00:27:05,041 TWO-FOUR'S IN LINE. 376 00:27:05,124 --> 00:27:08,711 PARCO: ALL RIGHT. WHAT ABOUT THE ARTISTS? 377 00:27:08,795 --> 00:27:10,129 CESAR: LEANING WILSON. PARCO: OONA? 378 00:27:10,213 --> 00:27:11,631 CESAR: CAN'T HOLD OUR BREATH. 379 00:27:11,714 --> 00:27:13,925 LOOK, WORST CASE, SHE'S ON THE LINE. 380 00:27:19,514 --> 00:27:23,351 YOU READY FOR THIS? PARCO: YEAH, TÚ SABES. 381 00:27:23,434 --> 00:27:26,229 I'M GONNA WHIP THIS CROWD INTO A FINE LATHER. 382 00:27:26,312 --> 00:27:28,398 CESAR: NO, MAN. I MEAN GOVERNOR. 383 00:27:28,481 --> 00:27:31,609 NEITHER ARMY WANTS TO SEE THE DMZ GETTING STRONG. 384 00:27:31,692 --> 00:27:34,237 I KNOW WE GOT OUR PLAN, BUT THERE AIN'T NO GOING BACK. 385 00:27:34,320 --> 00:27:36,989 PARCO: LISTEN, BRO, 10, 15 YEARS FROM NOW, 386 00:27:37,073 --> 00:27:39,242 THIS RIGHT HERE IS WHAT THE KIDS ARE GONNA BE TALKING ABOUT 387 00:27:39,325 --> 00:27:40,952 IN HISTORY CLASS, OK, 388 00:27:41,035 --> 00:27:43,162 IN OUR SCHOOLS, RIGHT HERE IN MANHATTAN. 389 00:27:43,246 --> 00:27:46,958 HELL, YEAH, I'M READY. SHIT. 390 00:27:47,041 --> 00:27:48,835 HOW ABOUT YOU? 391 00:27:48,918 --> 00:27:52,130 CESAR: I'M AT YOUR SIX, BROTHER, ALL DAY. 392 00:27:52,213 --> 00:27:54,006 PARCO: ALL RIGHT. 393 00:27:54,090 --> 00:27:57,510 CESAR: PSSH. YO, LOOK WHO DECIDED TO SHOW UP. 394 00:27:57,593 --> 00:27:59,137 YOU KNOW, WE ALL BEEN MISSING YOU ENOUGH 395 00:27:59,220 --> 00:28:00,680 TO START WONDERING. 396 00:28:00,763 --> 00:28:02,890 SKEL: GIVE ME AND THE OLD MAN SOME AIR. 397 00:28:06,853 --> 00:28:09,647 PARCO: RELAX, BRO. GO GET YOURSELF A PALETA. 398 00:28:09,730 --> 00:28:11,983 COME ON. LET'S TAKE A WALK. 399 00:28:14,610 --> 00:28:17,113 SKEL: SHE CAME, JUST LIKE YOU WARNED. 400 00:28:17,196 --> 00:28:19,490 PARCO: ALREADY? DAMN. 401 00:28:19,574 --> 00:28:21,451 FIGURED IT WOULD'VE TAKEN MORE THAN JUST A FEW HOURS 402 00:28:21,534 --> 00:28:23,119 TO FIND YOU. 403 00:28:23,202 --> 00:28:26,330 SKEL: WELL, I MADE MYSELF CLEAR WHEN I TOLD HER TO LEAVE. 404 00:28:26,414 --> 00:28:30,001 MAYBE I GOT CARRIED AWAY, BUT SHE HEARD ME. 405 00:28:30,084 --> 00:28:32,378 PARCO: HEY, REMEMBER THAT TIME 406 00:28:32,462 --> 00:28:34,088 WE WENT TO THE GRAFFITI HALL OF FAME 407 00:28:34,172 --> 00:28:35,923 ABOUT A WEEK AFTER EVACUATION DAY, 408 00:28:36,007 --> 00:28:39,051 WE HAD THAT PLACE ALL TO OURSELVES? 409 00:28:39,135 --> 00:28:40,803 SKEL: YOU'RE TRYING TO COOL ME OFF. 410 00:28:40,887 --> 00:28:42,889 PARCO: I MEAN, THE WAR WAS GOING ON ALL AROUND US, 411 00:28:42,972 --> 00:28:44,932 BOMBS GOING OFF, GUNFIRE. 412 00:28:45,016 --> 00:28:48,144 BUT YOU, IT WAS LIKE YOU GOT SWEPT AWAY 413 00:28:48,227 --> 00:28:50,188 INTO THIS WHOLE OTHER WORLD. 414 00:28:50,271 --> 00:28:52,940 THE WAY I REMEMBER YOU FEELING, MAN, 415 00:28:53,024 --> 00:28:55,943 THAT'S HOW I'M FEELING TODAY. 416 00:28:57,528 --> 00:28:58,988 SKEL: PROUD OF YOU, POP. 417 00:28:59,071 --> 00:29:01,282 PARCO: AND THAT WOMAN THAT DROPPED IN ON US, 418 00:29:01,365 --> 00:29:02,867 ESA BRUJA MADRE TUYA, 419 00:29:02,950 --> 00:29:03,993 AIN'T GONNA STEP ON NONE OF THAT. 420 00:29:04,076 --> 00:29:05,620 SHE CHANGES NOTHING. 421 00:29:05,703 --> 00:29:08,122 I MEAN, SO WHAT, SHE SNUCK IN HERE. AFTER 8 YEARS? 422 00:29:08,206 --> 00:29:12,043 I GIVE HER TWO DAYS BEFORE THE DMZ EATS HER ALIVE. 423 00:29:12,126 --> 00:29:14,587 YO, LISTEN TO ME, 424 00:29:14,670 --> 00:29:17,381 5 DAYS FROM NOW AFTER THE VOTE IS ALL SAID AND DONE, 425 00:29:17,465 --> 00:29:19,800 WE'RE GONNA BE FIXING UP OUR OFFICES IN CITY HALL, 426 00:29:19,884 --> 00:29:22,094 ANNOUNCING MANHATTAN AS OUR OWN STATE. 427 00:29:22,178 --> 00:29:26,516 AND I WANT YOU TO LEAD SPANISH HARLEM. 428 00:29:29,310 --> 00:29:32,730 SKEL: YEAH, OK. PARCO: "YEAH, OK"? THAT'S IT? 429 00:29:32,813 --> 00:29:34,732 THAT'S ALL YOU GOT FOR ME? 430 00:29:34,815 --> 00:29:36,609 BETTER BRING IT IN HERE, MAN. LISTEN, 431 00:29:36,692 --> 00:29:39,111 NONE OF THIS SHIT WOULD HAVE BEEN POSSIBLE WITHOUT YOU, MAN. 432 00:29:39,195 --> 00:29:40,696 THAT'S THE TRUTH. 433 00:29:40,780 --> 00:29:43,407 HEY, I'M PROUD OF YOU, MAN. 434 00:29:43,491 --> 00:29:45,117 WE'RE SO CLOSE NOW, YOU KNOW? 435 00:29:45,201 --> 00:29:47,203 SKEL: YES, SIR. 436 00:29:54,502 --> 00:29:57,588 NICO: MY BROTHER SAYS THAT CANNIBALS HIDE GOLD IN THERE. 437 00:29:57,672 --> 00:30:01,050 YOU GONNA WUSS OUT ABOUT IT? ODI: NO. 438 00:30:23,197 --> 00:30:24,615 NICO: FUCK IT. LET'S GET OUT OF HERE. 439 00:30:24,699 --> 00:30:27,535 ODI: WAIT. COME HERE. HOLD MY LEGS. 440 00:30:28,995 --> 00:30:30,496 COME ON. 441 00:30:33,499 --> 00:30:34,875 NICO: GO. 442 00:30:40,715 --> 00:30:44,051 ODI: WAIT. JUST A LITTLE MORE. 443 00:30:44,135 --> 00:30:47,471 [LOUD THUD IN DISTANCE] NICO: ODI, WE GOT TO GO. 444 00:30:47,555 --> 00:30:49,890 ODI: OK. [GROANS] 445 00:30:53,686 --> 00:30:57,231 NICO: RUN! COME ON. IN HERE. 446 00:31:04,905 --> 00:31:06,741 HOLY SHIT. 447 00:31:06,824 --> 00:31:08,743 ODI: WAS THAT THEM? NICO: I DON'T KNOW, MAN. 448 00:31:08,826 --> 00:31:11,829 BUT THAT WAS FUCKING AWESOME... 449 00:31:11,912 --> 00:31:15,541 EVEN IF IT WAS FOR THAT DUMB SHIT. 450 00:31:16,751 --> 00:31:20,338 JUST YOU AND ME, GOD, RIGHT? 451 00:31:20,421 --> 00:31:24,133 ODI: I THINK IT'S AMAZING. NICO: YEAH. 452 00:31:25,509 --> 00:31:27,303 [DOOR OPENS NEARBY] 453 00:31:27,386 --> 00:31:30,181 NICO: SHH, SHH, SHH. 454 00:31:31,724 --> 00:31:35,227 [FOOTSTEPS APPROACHING] 455 00:31:35,311 --> 00:31:39,190 NICO: HEY, YO, WHAT THE FUCK, LADY? YOU WANT TO GET US KILLED? 456 00:31:39,273 --> 00:31:41,192 ALMA: ODI. ODI: HI, ZEE. 457 00:31:41,275 --> 00:31:44,528 NICO'S RIGHT. WE ALL GOT TO BOUNCE. 458 00:31:44,612 --> 00:31:47,698 ALMA: WHAT ARE YOU DOING HERE? ODI: WE WERE JUST LEAVING. 459 00:31:47,782 --> 00:31:49,367 ALMA: I'M GOING TO THE CLOISTERS. 460 00:31:49,450 --> 00:31:50,785 NICO: NO, NO, NO, NO, NO. 461 00:31:50,868 --> 00:31:52,453 NICO: GET DOWN. ALMA: WHAT? 462 00:31:52,536 --> 00:31:54,747 ODI: YOU CANNOT GO TO THE CITY OF DIS. 463 00:31:54,830 --> 00:31:57,208 THE WHOLE AREA IS RUN BY CANNIBALS. 464 00:31:58,793 --> 00:32:00,294 THEY'RE FANATICS. 465 00:32:00,378 --> 00:32:02,213 THEY'LL HAVE YOU ON A SPIKE BEFORE YOU'RE EVEN DEAD. 466 00:32:04,298 --> 00:32:06,425 ALMA: IS THERE A WAY AROUND 'EM? 467 00:32:06,509 --> 00:32:08,928 ODI: ALONG THE RIVER OR THROUGH THE PARK. 468 00:32:09,011 --> 00:32:10,721 IF YOU LIKE, I CAN SHOW YOU. 469 00:32:10,805 --> 00:32:14,600 NICO: NO FUCKING WAY I'M GOING. I'LL SEE YOU AT CITY HALL. 470 00:32:14,684 --> 00:32:16,435 ODI: COME ON. 471 00:32:25,736 --> 00:32:28,239 [MUSIC PLAYING, MUFFLED] 472 00:32:34,578 --> 00:32:36,372 [INDISTINCT CHATTER] 473 00:32:58,769 --> 00:33:02,356 MAN: THAT KIND OF DAY, HUH? 474 00:33:02,440 --> 00:33:03,899 PUT IT ON YOUR TAB? 475 00:33:03,983 --> 00:33:05,443 SKEL: I'LL SETTLE UP. 476 00:33:05,526 --> 00:33:07,737 [NEW SONG STARTS, APPLAUSE] 477 00:33:17,872 --> 00:33:22,960 WOMAN: ♪ I WANT TO HOLD THE HAND INSIDE YOU ♪ 478 00:33:26,630 --> 00:33:31,552 ♪ I LOOK TO YOU, AND I SEE NOTHING ♪ 479 00:33:35,723 --> 00:33:40,895 ♪ FADE INTO YOU ♪ 480 00:33:44,106 --> 00:33:49,320 ♪ I THINK IT'S STRANGE YOU NEVER KNEW ♪ 481 00:33:53,783 --> 00:33:56,827 HEY, I DID A FULL SONG. I GET A FULL POUR. 482 00:33:56,911 --> 00:34:01,832 SKEL: I GOT YOU. BARTENDER: ALL RIGHT. 483 00:34:01,916 --> 00:34:03,250 SINGER: MM-HMM. 484 00:34:06,045 --> 00:34:08,130 BARTENDER: JUST FINISH UP, ALL RIGHT? 485 00:34:08,213 --> 00:34:11,050 WE'RE CLOSING EARLY FOR THE DEBATE. 486 00:34:18,557 --> 00:34:21,393 SINGER: SO HE DOES SPEAK. 487 00:34:23,979 --> 00:34:25,981 I'VE SEEN YOU IN HERE 5 TIMES. 488 00:34:26,065 --> 00:34:29,235 NEVER ONCE SAW YOU TALK TO ANYBODY. 489 00:34:29,318 --> 00:34:32,195 SKEL: WHO'S BEEN COUNTING? 490 00:34:34,198 --> 00:34:36,242 SINGER: I NOTICE MY AUDIENCE. 491 00:34:40,829 --> 00:34:44,249 I WANTED TO CHARGE YOU EXTRA FOR THE WAY YOU LOOK AT ME, THOUGH. 492 00:34:45,584 --> 00:34:47,336 SKEL: I'M GOOD FOR IT. 493 00:34:53,925 --> 00:34:56,178 SINGER: WHAT'S YOUR NAME? 494 00:34:59,807 --> 00:35:02,017 SKEL: CHRISTIAN. 495 00:35:03,978 --> 00:35:05,855 TENNY: TENNY. 496 00:35:19,243 --> 00:35:22,079 ODI: THEY ONLY LET GIRLS IN TO SEE OONA. 497 00:35:22,162 --> 00:35:25,124 I'LL WAIT FOR YOU HERE. 498 00:35:27,501 --> 00:35:29,169 ALMA: THANKS. 499 00:35:36,385 --> 00:35:39,263 GUARD: YOU LOST? ALMA: I NEED TO SPEAK WITH OONA. 500 00:35:39,346 --> 00:35:40,598 GUARD: COME ANY FURTHER, JUST KNOW YOU GOT 501 00:35:40,681 --> 00:35:42,391 AT LEAST 3 RIFLES AIMED AT YOU. 502 00:35:42,474 --> 00:35:44,602 ALMA: WHAT'S YOUR NAME? 503 00:35:45,895 --> 00:35:50,441 WHATEVER YOUR NAME IS, I OWE OONA EXACTLY ONE FAVOR. 504 00:35:50,524 --> 00:35:52,067 SHE CALLED, AND I CAME. 505 00:35:52,151 --> 00:35:53,736 GUARD: I'VE NEVER SEEN YOU BEFORE. 506 00:35:53,819 --> 00:35:55,529 ALMA: IT'S ALL GOOD IF YOU WANT TO SEND ME AWAY, 507 00:35:55,613 --> 00:35:57,281 BUT I'M NOT COMING BACK. 508 00:35:57,364 --> 00:35:59,909 YOU CAN TELL OONA SHE CAN FIND A DOCTOR SOMEWHERE ELSE. 509 00:36:05,915 --> 00:36:07,750 GUARD: STAY HERE. 510 00:36:34,944 --> 00:36:37,279 ALMA: HI. 511 00:36:37,363 --> 00:36:41,492 [GROANING] HEY. OW! UH! 512 00:36:45,204 --> 00:36:47,998 OONA: A LIAR WHO COMES UNARMED. 513 00:36:49,708 --> 00:36:52,503 SNAKE IN THE GRASS IF I EVER SAW ONE. 514 00:36:52,586 --> 00:36:54,797 IF YOU'RE HERE ABOUT WATER, YOU'RE OUT OF LUCK. 515 00:36:54,880 --> 00:36:57,091 I DON'T CHANGE THE WATER FLOW IN THIS CITY FOR ANYBODY. 516 00:36:57,174 --> 00:36:58,676 ALMA: I DIDN'T COME HERE FOR WATER. 517 00:36:58,759 --> 00:37:01,679 OONA: THEN WHAT DO YOU WANT, FOOD, SHELTER? 518 00:37:01,762 --> 00:37:03,264 ALMA: I NEED YOUR SUPPORT. 519 00:37:03,347 --> 00:37:05,683 OONA: PARCO SENT YOU UP HERE TO BUY ME OFF? 520 00:37:05,766 --> 00:37:07,977 I DON'T GIVE A FUCK ABOUT HIS GOLD. 521 00:37:08,060 --> 00:37:11,522 ALMA: I'M NOT HERE TO SHILL FOR PARCO. I'M HERE TO DESTROY HIM. 522 00:37:11,605 --> 00:37:13,732 AND I'M NOT FROM THE DMZ. 523 00:37:13,816 --> 00:37:15,818 I'VE ONLY BEEN HERE TWO DAYS. 524 00:37:21,240 --> 00:37:24,994 LOOK, FOR THE PAST 8 YEARS, I'VE BEEN ALL OVER 525 00:37:25,077 --> 00:37:26,662 THE FREE STATES AND THE UNITED STATES, 526 00:37:26,745 --> 00:37:28,372 AND THAT SHOULD MATTER TO YOU 527 00:37:28,455 --> 00:37:30,416 BECAUSE WHILE YOU'VE BUILT YOUR WALLED GARDEN HERE, 528 00:37:30,499 --> 00:37:32,876 I KNOW THAT THE PEOPLE IN CHARGE OUT THERE ARE 529 00:37:32,960 --> 00:37:35,170 JUST BIDING THEIR TIME TO COME BACK HERE 530 00:37:35,254 --> 00:37:36,880 AND TAKE THIS ALL AWAY FROM YOU. 531 00:37:36,964 --> 00:37:41,510 BUT WE CAN CHANGE THAT IF WE ACT NOW. 532 00:37:41,593 --> 00:37:43,804 OONA: WHAT'S YOUR NAME? 533 00:37:45,389 --> 00:37:54,732 ALMA: ZEE. 534 00:37:54,815 --> 00:37:56,859 SKEL: THE LIGHTS WILL COME BACK IN A BIT. 535 00:38:00,904 --> 00:38:03,073 HERE. LET ME GET YOUR COAT. 536 00:38:07,745 --> 00:38:09,747 TENNY: YOU DID ALL THESE? 537 00:38:09,830 --> 00:38:11,707 SKEL: YEAH. 538 00:38:22,051 --> 00:38:23,927 TENNY: WHAT'S THAT ONE? 539 00:38:26,889 --> 00:38:32,269 SKEL: THAT IS THE CITY DURING A STORM. 540 00:38:34,229 --> 00:38:36,315 YOU KNOW, IF THE LIGHTS WERE ON, 541 00:38:36,398 --> 00:38:40,694 YOU COULD SEE THE BLUE GLOW ACROSS THE BOTTOM. 542 00:38:40,778 --> 00:38:44,740 THAT'S THE STEAM COMING UP OFF THE PAVEMENT. 543 00:38:46,533 --> 00:38:49,369 AND THE DRIPS... 544 00:38:49,453 --> 00:38:52,164 TENNY: IS THAT THE RAIN? 545 00:39:02,382 --> 00:39:05,677 SKEL: THAT'S THE MOMENT RIGHT BEFORE LIGHTNING STRIKES. 546 00:39:32,704 --> 00:39:34,665 TENNY: SOFTLY. 547 00:39:47,344 --> 00:39:49,221 OONA: WHEN THE FIRST BOMBS HIT, 548 00:39:49,304 --> 00:39:51,723 I WAS DOWN IN THE MAIN VALVE CHAMBER, 549 00:39:51,807 --> 00:39:54,434 200 FEET BELOW CENTRAL PARK. 550 00:39:54,518 --> 00:39:56,270 ELEVATOR GOT KNOCKED OUT. 551 00:39:56,353 --> 00:39:57,896 I WAS STUCK DOWN THERE FOR A WEEK. 552 00:39:57,980 --> 00:40:02,234 WHEN I FINALLY CAME UP, THE FIRST THING I SAW WAS 553 00:40:02,317 --> 00:40:04,570 A TEENAGE GIRL BEATING UP AN OLD MAN. 554 00:40:04,653 --> 00:40:07,197 IT LOOKED LIKE HE HAD JUST ROBBED A BODEGA. 555 00:40:07,281 --> 00:40:09,241 BUT SHE DIDN'T TAKE HIS FOOD. 556 00:40:09,324 --> 00:40:11,118 SHE TOOK HIS GUN. 557 00:40:11,201 --> 00:40:13,620 AND THAT'S WHEN I REALIZED WE WERE ALL IN A RACE 558 00:40:13,704 --> 00:40:16,665 TO STOCK UP ON CURRENCY. 559 00:40:16,748 --> 00:40:19,376 MOST PEOPLE WERE CHASING GUNS AND GOLD, 560 00:40:19,459 --> 00:40:21,461 BUT THEY FORGOT ABOUT WATER, 561 00:40:21,545 --> 00:40:24,548 THE ONE THING EVERYONE NEEDS TO SURVIVE. 562 00:40:24,631 --> 00:40:26,508 SO I TOOK IT. 563 00:40:26,592 --> 00:40:29,052 ALMA: TO LEVERAGE IT? OONA: TO KEEP IT EQUAL... 564 00:40:29,136 --> 00:40:32,556 AND OUT OF THE HANDS OF WARLORDS LIKE PARCO. 565 00:40:34,016 --> 00:40:36,727 ALMA: THAT'S WHY I WANT TO TAKE HIM DOWN. 566 00:40:36,810 --> 00:40:38,729 OONA: HOW? 567 00:40:38,812 --> 00:40:42,232 ALMA: THROW YOUR WEIGHT BEHIND WILSON AT THE DEBATE TONIGHT. 568 00:40:43,567 --> 00:40:47,821 ALMA: LOOK, I HAVE TO DO THIS. 569 00:40:47,905 --> 00:40:49,615 MY SON... 570 00:40:51,033 --> 00:40:53,243 I LOST HIM IN THE EVACUATION. 571 00:40:53,327 --> 00:40:55,871 I GOT KNOCKED OUT, AND I WOKE UP IN THE U.S., 572 00:40:55,954 --> 00:41:00,209 BUT MY BOY WAS TRAPPED HERE, AND THEN HE FOUND HIS FATHER... 573 00:41:00,292 --> 00:41:01,668 PARCO. 574 00:41:01,752 --> 00:41:03,378 OONA: YOUR SON IS SKEL? 575 00:41:03,462 --> 00:41:07,049 ALMA: SKEL IS THE IDEA THAT PARCO HAS TURNED HIM INTO. 576 00:41:07,132 --> 00:41:08,884 AND THE ONLY WAY TO BREAK THAT SPELL IS 577 00:41:08,967 --> 00:41:10,385 TO BREAK PARCO HIMSELF. 578 00:41:10,469 --> 00:41:12,054 OONA: AND YOU THINK THAT'S THROUGH WILSON? 579 00:41:12,137 --> 00:41:14,431 ALMA: I THINK THAT'S THROUGH YOU. 580 00:41:14,514 --> 00:41:16,808 YOU HAVE A VOICE HERE. THIS IS YOUR HOME. 581 00:41:16,892 --> 00:41:18,602 I'M NOT GONNA BE STICKING AROUND. 582 00:41:18,685 --> 00:41:22,147 PARCO WILL RULE THIS PLACE THE ONLY WAY THAT HE KNOWS HOW-- 583 00:41:22,231 --> 00:41:23,815 BY FEAR. 584 00:41:23,899 --> 00:41:26,526 IT'S WHAT HE COMES FROM. HE'S DRIVEN BY IT, BUT I'M NOT. 585 00:41:26,610 --> 00:41:31,698 OONA: PARCO, WILSON. IT'S ALL KABUKI THEATER, SWEETHEART. 586 00:41:31,782 --> 00:41:34,117 ALMA: HEY. WELL, WHAT ABOUT YOU? 587 00:41:34,201 --> 00:41:36,662 YOU KNOW, YOU SAY YOU'RE ABOUT EQUALITY, 588 00:41:36,745 --> 00:41:39,665 BUT YOU'VE GOT ENOUGH WATER FOR THIS KIND OF IRRIGATION. 589 00:41:39,748 --> 00:41:43,460 PEOPLE COME TO THE CLINIC FOR A SIP OF WATER, 590 00:41:43,543 --> 00:41:45,629 AND YOU'RE JUST WASHING YOUR HANDS ON DEMAND. 591 00:41:45,712 --> 00:41:48,674 WE'RE ALL LOOKING OUT FOR OUR OWN. 592 00:41:48,757 --> 00:41:52,928 THAT DOESN'T MEAN THAT WE GET TO SIT ON THE SIDELINES. 593 00:41:56,139 --> 00:41:57,975 COME TO THE TABLE. 594 00:41:58,058 --> 00:42:00,769 OONA: THERE IS NO TABLE IN THE DMZ. 595 00:42:02,062 --> 00:42:04,231 ALMA: THEN SOMEONE SHOULD BUILD ONE. 596 00:42:09,653 --> 00:42:12,823 SKEL: THAT WASN'T THE FIRST TIME I SAW YOU PLAY. 597 00:42:12,906 --> 00:42:14,950 THE FIRST TIME WAS ABOUT A YEAR AGO. 598 00:42:15,033 --> 00:42:19,746 TENNY: OH, YEAH? WHAT'D I PLAY? 599 00:42:19,830 --> 00:42:21,415 SKEL: I CAN'T REMEMBER. 600 00:42:21,498 --> 00:42:23,667 [TENNY CHUCKLES] 601 00:42:23,750 --> 00:42:29,006 SKEL: I JUST REMEMBER THE WAY YOU FELT... 602 00:42:29,089 --> 00:42:32,134 THE WAY YOU MADE ME FEEL WHEN YOU SANG. 603 00:42:32,217 --> 00:42:35,012 TENNY: AND HOW WAS THAT? 604 00:42:35,095 --> 00:42:37,014 SKEL: WEIGHTLESS. 605 00:42:38,557 --> 00:42:42,811 I IMAGINED THAT THE WORLD OUTSIDE WAS NORMAL AGAIN 606 00:42:44,938 --> 00:42:47,274 AND THAT AFTER... 607 00:42:47,357 --> 00:42:50,110 I'D TALK TO YOU... 608 00:42:50,193 --> 00:42:52,696 MAYBE ASK YOU OUT. 609 00:42:54,239 --> 00:42:56,283 TENNY: I USED TO DO THAT. 610 00:42:56,366 --> 00:42:58,702 [CHUCKLES] 611 00:42:58,785 --> 00:43:01,496 LIKE, PRETEND AND... 612 00:43:01,580 --> 00:43:05,167 LIVE IN DAYDREAMS. 613 00:43:06,960 --> 00:43:10,464 THEN AFTER A WHILE, IT STARTED TO, UH, HURT 614 00:43:10,547 --> 00:43:12,966 MORE THAN IT HELPED. 615 00:43:16,303 --> 00:43:18,347 WHEN I SAW YOU TODAY... 616 00:43:19,389 --> 00:43:23,143 JUST FOR A SECOND, I FELT MYSELF LOOKING FORWARD. 617 00:43:30,025 --> 00:43:33,612 SKEL: I'M PRETTY SURE I'M LOOKING FORWARD RIGHT NOW.