1
00:00:07,592 --> 00:00:09,594
[ominous music playing]

2
00:00:43,961 --> 00:00:45,963
[train wheels clacking]

3
00:00:55,890 --> 00:00:59,811
{\an8}- [indistinct chatter]
- [indistinct announcement over PA system]

4
00:01:08,528 --> 00:01:10,279
[tense music playing]

5
00:01:32,510 --> 00:01:34,512
[intriguing music playing]

6
00:01:37,306 --> 00:01:39,433
<i>- Taxi?</i>
- [in Italian] Get lost.

7
00:01:42,186 --> 00:01:44,772
- [seagulls squawking]
- [intriguing music continues]

8
00:01:49,026 --> 00:01:51,571
[tires screeching]

9
00:02:03,040 --> 00:02:04,417
[music fades]

10
00:02:04,417 --> 00:02:06,419
[birds calling]

11
00:02:06,419 --> 00:02:08,462
[mellow Italian music playing]

12
00:03:03,225 --> 00:03:04,310
[music fades]

13
00:03:04,936 --> 00:03:06,979
- [Marge in English] Dickie?
- In here.

14
00:03:11,192 --> 00:03:12,068
Oh, hi, Marge.

15
00:03:12,068 --> 00:03:13,736
[wind chimes tinkling]

16
00:03:21,243 --> 00:03:22,244
Where's Dickie?

17
00:03:23,621 --> 00:03:24,538
Rome.

18
00:03:26,207 --> 00:03:27,375
Rome?

19
00:03:27,375 --> 00:03:28,793
You didn't get his letter?

20
00:03:28,793 --> 00:03:29,877
No.

21
00:03:29,877 --> 00:03:31,963
Oh, it must be at the post office.

22
00:03:31,963 --> 00:03:33,172
But I was just there.

23
00:03:33,839 --> 00:03:34,757
Oh, then...

24
00:03:40,096 --> 00:03:41,305
What are you doing, Tom?

25
00:03:41,931 --> 00:03:43,891
I'm doing what Dickie asked me to do.

26
00:03:43,891 --> 00:03:45,977
I'm taking him some things
he wants in Rome.

27
00:03:45,977 --> 00:03:49,730
He said he was going to write to tell you
he's staying there for a while.

28
00:03:49,730 --> 00:03:51,315
A while, meaning what?

29
00:03:51,315 --> 00:03:52,900
I'm not sure. I'm not sure he's sure.

30
00:03:52,900 --> 00:03:56,028
Until the end of winter,
at least, he said.

31
00:03:56,988 --> 00:03:58,656
He's not coming back all winter?

32
00:03:58,656 --> 00:04:02,702
Oh, no, I'm sure he'll be back to visit,
and to... to take care of some things.

33
00:04:07,164 --> 00:04:09,000
We're still going to Cortina though.

34
00:04:10,293 --> 00:04:11,794
No, actually, he's not.

35
00:04:11,794 --> 00:04:13,879
He said he was going to write to, uh...

36
00:04:14,630 --> 00:04:16,841
What's his name? Freddie? And to tell him.

37
00:04:18,217 --> 00:04:21,012
Oh, but that you should go.
He made a point of saying that.

38
00:04:21,012 --> 00:04:24,432
That I should go?
Without him? Like I'd do that.

39
00:04:25,516 --> 00:04:28,144
I'm... I'm just telling you
what he said, Marge.

40
00:04:31,397 --> 00:04:32,815
Is he staying with somebody?

41
00:04:33,941 --> 00:04:35,568
I don't know where he's staying.

42
00:04:40,323 --> 00:04:43,492
Oh, and he said
that you should take the refrigerator.

43
00:04:46,412 --> 00:04:47,705
What did you guys do?

44
00:04:48,414 --> 00:04:49,248
When?

45
00:04:49,999 --> 00:04:51,000
In San Remo.

46
00:04:51,917 --> 00:04:54,253
We didn't do anything out of the ordinary.

47
00:04:55,421 --> 00:04:57,715
Oh! We bought your perfume.

48
00:05:13,481 --> 00:05:15,858
He didn't have a talk with you
about your plans?

49
00:05:17,401 --> 00:05:18,611
Mine?

50
00:05:20,780 --> 00:05:22,239
What do you mean?

51
00:05:24,116 --> 00:05:25,868
Are you staying with him in Rome?

52
00:05:26,911 --> 00:05:27,745
[Tom] Uh...

53
00:05:28,954 --> 00:05:30,706
For a while, I guess.

54
00:05:31,499 --> 00:05:32,833
Help him get settled.

55
00:05:36,295 --> 00:05:38,130
But you don't know where he's staying.

56
00:05:38,130 --> 00:05:41,008
He said he'd leave me a message
at the American Express there,

57
00:05:41,008 --> 00:05:42,635
once he knows where he's staying.

58
00:05:42,635 --> 00:05:45,471
And that's where you should write him,
if you write him.

59
00:05:58,192 --> 00:05:59,193
Then what?

60
00:05:59,902 --> 00:06:03,155
Then, uh... I want to go to Paris.

61
00:06:04,115 --> 00:06:05,533
[Marge] You, or you and him?

62
00:06:06,033 --> 00:06:07,034
Just me.

63
00:06:08,494 --> 00:06:09,620
What about Christmas?

64
00:06:10,454 --> 00:06:11,288
What about it?

65
00:06:11,288 --> 00:06:13,457
Did he say if he was
planning to come back here,

66
00:06:13,457 --> 00:06:14,834
if he's not going to Cortina?

67
00:06:14,834 --> 00:06:18,587
Uh, he didn't say, but...
[sighs] I don't think so.

68
00:06:18,587 --> 00:06:21,132
Why do you think that if he didn't say?

69
00:06:25,010 --> 00:06:29,140
This is kind of... awkward, Marge, because

70
00:06:30,683 --> 00:06:32,601
he said some things about you.

71
00:06:33,602 --> 00:06:35,729
About me? To you?

72
00:06:36,355 --> 00:06:37,356
Yeah.

73
00:06:38,941 --> 00:06:40,151
Like?

74
00:06:40,985 --> 00:06:43,904
He said he's feeling
like he wants to be alone for a while.

75
00:06:45,406 --> 00:06:47,241
Except he's not going to be alone.

76
00:06:48,951 --> 00:06:50,870
You'll be there, apparently.

77
00:06:52,496 --> 00:06:55,124
He didn't mean me, I guess.

78
00:07:00,004 --> 00:07:03,090
You want to go for a drink
and talk about this some more?

79
00:07:03,090 --> 00:07:06,177
I could make you a drink.
With ice. [chuckles softly]

80
00:07:11,849 --> 00:07:12,683
Yeah?

81
00:07:15,019 --> 00:07:15,853
No.

82
00:07:20,608 --> 00:07:22,568
[pensive music playing]

83
00:07:23,444 --> 00:07:24,570
[door opens]

84
00:07:24,570 --> 00:07:26,739
[sighs deeply]

85
00:07:26,739 --> 00:07:27,823
[door closes]

86
00:07:35,498 --> 00:07:38,125
- [wind chimes tinkling]
- [dog barking distantly]

87
00:07:38,125 --> 00:07:40,127
[pensive music continues]

88
00:07:46,842 --> 00:07:48,636
[owl hooting distantly]

89
00:08:00,105 --> 00:08:02,358
[ominous music swells]

90
00:08:07,988 --> 00:08:09,240
[music fades]

91
00:08:11,116 --> 00:08:13,494
- [bells tolling distantly]
- [indistinct chatter]

92
00:08:16,539 --> 00:08:18,541
[melancholic Italian music playing]

93
00:08:21,377 --> 00:08:22,461
[coins clatter]

94
00:08:26,507 --> 00:08:28,634
- [vehicles honking]
- [vehicle engines whirring]

95
00:08:28,634 --> 00:08:30,052
[indistinct chatter]

96
00:08:44,525 --> 00:08:47,278
{\an8}- [birds cawing distantly]
- [melancholic music continues]

97
00:08:50,322 --> 00:08:52,616
[man yelling] <i>Volete stare zitti?</i>

98
00:08:52,616 --> 00:08:54,243
[dog barking]

99
00:09:07,798 --> 00:09:09,174
[Carlo] <i>E questo che cos'è?</i>

100
00:09:10,426 --> 00:09:12,136
[man 1] <i>Il crocifisso...</i>

101
00:09:12,720 --> 00:09:14,638
[Carlo] <i>Ci stanno quattro crocifissi.</i>

102
00:09:15,347 --> 00:09:16,932
[man 2] <i>Mo' ce ne stanno tre.</i>

103
00:09:17,516 --> 00:09:19,602
[Carlo] <i>E io vi ho detto
di prendere proprio questo?</i>

104
00:09:20,227 --> 00:09:22,938
[man 1 in Italian] Carlo,
you told us to get the crucifix.

105
00:09:23,439 --> 00:09:25,858
[Carlo] It's a church.
It's full of crucifixes.

106
00:09:27,318 --> 00:09:29,903
I told you to get the Foggini crucifix.

107
00:09:31,989 --> 00:09:33,657
[man 1] I don't know who that is.

108
00:09:34,158 --> 00:09:35,868
[Carlo] That doesn't surprise me.

109
00:09:37,453 --> 00:09:39,705
[man 2] Is there something wrong
with this crucifix?

110
00:09:40,581 --> 00:09:42,833
Apart from the fact
that it's worth nothing?

111
00:09:43,667 --> 00:09:45,669
Carlo, you need to be
more specific with us.

112
00:09:45,669 --> 00:09:46,879
Obviously.

113
00:09:48,714 --> 00:09:51,091
- [man 2] I actually like it.
- [Carlo] <i>Ah, sì?</i>

114
00:09:51,800 --> 00:09:53,802
- [man 1] Me too.
- [Carlo] Huh.

115
00:09:53,802 --> 00:09:55,971
[man 1] I don't
usually like religious art.

116
00:09:55,971 --> 00:09:57,264
But this one's not bad.

117
00:09:57,264 --> 00:10:00,059
Ah. Bring it home then.

118
00:10:00,059 --> 00:10:01,101
[book thuds]

119
00:10:01,101 --> 00:10:03,062
It'll look good in your living room.

120
00:10:03,062 --> 00:10:04,355
[Tom] Carlo.

121
00:10:06,231 --> 00:10:07,066
[Carlo] <i>Ehi,</i> Tomma!

122
00:10:07,066 --> 00:10:12,237
[chuckles] Too late. I found someone else
for the Paris job. Sorry.

123
00:10:12,237 --> 00:10:15,157
That's okay. I have something for you.

124
00:10:17,910 --> 00:10:19,370
Get out of here, boys.

125
00:10:21,747 --> 00:10:22,665
Come on in.

126
00:10:31,757 --> 00:10:32,633
Tell me.

127
00:10:33,676 --> 00:10:36,053
[in English] You know anyone
who wants to buy a boat?

128
00:10:36,053 --> 00:10:37,471
Which type of boat?

129
00:10:37,471 --> 00:10:38,972
Forty-foot, Sangermani.

130
00:10:38,972 --> 00:10:39,932
That's your boat?

131
00:10:39,932 --> 00:10:42,643
It's my friend's. He's traveling.

132
00:10:42,643 --> 00:10:44,770
Your rich friend who's afraid of me?

133
00:10:45,938 --> 00:10:48,232
He wants three million lire for it,
nothing less,

134
00:10:48,232 --> 00:10:49,942
from which he'll pay you a commission.

135
00:10:50,859 --> 00:10:52,778
I can do that. 20%.

136
00:10:52,778 --> 00:10:54,446
No, that's not going to work.

137
00:10:54,446 --> 00:10:56,990
He's paying me ten. Thirty is too much.

138
00:10:58,075 --> 00:10:59,201
[in Italian] Wait a minute.

139
00:10:59,201 --> 00:11:01,578
[in English] Why is he paying you
when I'm selling it?

140
00:11:01,578 --> 00:11:04,748
Because you won't be the one selling it
without my say-so.

141
00:11:08,001 --> 00:11:11,296
It's not worth it.
It's not worth it to me for less than 20%.

142
00:11:11,296 --> 00:11:14,341
Carlo. This is what I do for a living.

143
00:11:14,967 --> 00:11:18,137
I arrange the sale of things,
so I set the fees.

144
00:11:19,596 --> 00:11:21,348
Do you know what I do for a living?

145
00:11:23,642 --> 00:11:24,977
I have a pretty good idea.

146
00:11:29,523 --> 00:11:32,651
Twenty percent. Split between
the two of us, ten each.

147
00:11:32,651 --> 00:11:34,319
That's as high as I'll go.

148
00:11:34,319 --> 00:11:35,529
You'll go?

149
00:11:36,196 --> 00:11:37,030
He'll go.

150
00:11:40,409 --> 00:11:41,785
Sorry. 20 for myself.

151
00:11:45,539 --> 00:11:46,582
Okay, well...

152
00:11:46,582 --> 00:11:47,666
<i>Ciao.</i>

153
00:11:53,380 --> 00:11:54,214
Tomma!

154
00:11:57,426 --> 00:11:58,886
[intriguing music playing]

155
00:12:00,471 --> 00:12:01,680
[in Italian] Come here.

156
00:12:05,809 --> 00:12:08,145
[in English] I like you, Ripley.
Have a seat.

157
00:12:09,271 --> 00:12:11,482
We'll work something out. Hmm?

158
00:12:11,482 --> 00:12:12,524
[Tom sighs]

159
00:12:13,275 --> 00:12:14,651
[call bell buzzes]

160
00:12:18,530 --> 00:12:19,406
[Tom] <i>Buongiorno.</i>

161
00:12:19,406 --> 00:12:21,825
You're back, sir. Staying with us again?

162
00:12:21,825 --> 00:12:24,745
No, actually, I'd like to speak
with the manager, please.

163
00:12:24,745 --> 00:12:25,662
That's me.

164
00:12:25,662 --> 00:12:27,122
Oh, okay.

165
00:12:27,122 --> 00:12:28,999
A friend of mine has some things he thinks

166
00:12:28,999 --> 00:12:31,168
the hotel might be interested
in purchasing.

167
00:12:31,835 --> 00:12:32,669
Things?

168
00:12:33,921 --> 00:12:34,880
Yeah.

169
00:12:34,880 --> 00:12:37,299
[intriguing music continues]

170
00:12:37,299 --> 00:12:39,259
[Tom] Make a list
of what the hotel might want,

171
00:12:39,259 --> 00:12:42,596
and a price, and send it to me in Rome,
care of American Express.

172
00:12:42,596 --> 00:12:45,849
I'll give it to my friend
and one of us will be in touch with you.

173
00:12:45,849 --> 00:12:47,559
Your friend is in Rome?

174
00:12:47,559 --> 00:12:48,477
He is.

175
00:12:49,603 --> 00:12:51,271
And you handle his affairs.

176
00:12:52,356 --> 00:12:53,190
I do.

177
00:13:04,826 --> 00:13:06,078
This too is for sale?

178
00:13:08,038 --> 00:13:09,248
Whatever it is.

179
00:13:10,123 --> 00:13:11,166
"Whatever it is"?

180
00:13:12,501 --> 00:13:13,418
Yeah.

181
00:13:14,419 --> 00:13:16,046
No, it's not for sale.

182
00:13:22,427 --> 00:13:23,637
[music fades]

183
00:13:25,389 --> 00:13:26,390
[Ermelinda] Tommaso.

184
00:13:27,099 --> 00:13:29,393
- [in Italian] Lunch is ready.
<i>- Grazie.</i>

185
00:13:29,393 --> 00:13:31,436
- Uh, Ermelinda?
- Mm-hmm?

186
00:13:32,604 --> 00:13:35,399
Richard said he's going to write you

187
00:13:35,399 --> 00:13:38,694
to thank you for all you've done for him.

188
00:13:38,694 --> 00:13:43,073
In the meantime,
he asked me to give you this.

189
00:13:51,331 --> 00:13:52,165
What's this for?

190
00:13:52,791 --> 00:13:56,920
He's still in Rome,
and isn't sure he's coming back,

191
00:13:56,920 --> 00:13:59,631
so your services are no longer required.

192
00:14:07,431 --> 00:14:09,725
<i>Grazie, signora.</i>

193
00:14:24,197 --> 00:14:26,450
[Tom hammering]

194
00:14:33,206 --> 00:14:35,083
[moody music playing]

195
00:14:46,178 --> 00:14:47,012
<i>No, no.</i>

196
00:14:47,012 --> 00:14:48,180
I'll do it myself.

197
00:14:49,264 --> 00:14:51,266
[moody music continues]

198
00:15:05,280 --> 00:15:07,991
- [wind chimes tinkling]
- [birds calling]

199
00:15:21,338 --> 00:15:22,381
[indistinct chatter]

200
00:15:22,381 --> 00:15:24,466
[moody music continues]

201
00:15:27,761 --> 00:15:29,513
[Tom] Wait for me here, thanks.

202
00:15:38,814 --> 00:15:39,648
[driver] <i>Grazie.</i>

203
00:15:39,648 --> 00:15:42,859
- [indistinct chatter]
- [indistinct announcement over PA system]

204
00:15:53,912 --> 00:15:56,164
Six tickets for Rome. First class.

205
00:15:56,164 --> 00:15:57,416
- Six?
- [Tom] <i>Sì.</i>

206
00:15:57,958 --> 00:15:58,959
12,000 lire.

207
00:16:01,545 --> 00:16:03,547
[indistinct announcement over PA system]

208
00:16:07,884 --> 00:16:09,553
[indistinct chatter]

209
00:16:15,684 --> 00:16:16,768
[music fades]

210
00:16:34,036 --> 00:16:35,620
[indistinct chatter]

211
00:17:01,313 --> 00:17:03,190
["Quando Quando Quando"
by Tony Renis playing]

212
00:17:03,190 --> 00:17:10,197
<i>♪ Dimmi quando tu verrai ♪</i>

213
00:17:10,197 --> 00:17:11,740
{\an8}[indistinct chatter]

214
00:17:12,199 --> 00:17:15,827
{\an8}- [indistinct announcement over PA system]
<i>- ♪ Dimmi quando quando quando ♪</i>

215
00:17:16,995 --> 00:17:20,373
<i>♪ L'anno, il giorno, l'ora in cui ♪</i>

216
00:17:21,625 --> 00:17:25,170
<i>♪ Forse tu mi bacerai ♪</i>

217
00:17:44,481 --> 00:17:45,440
<i>Grazie.</i>

218
00:17:45,440 --> 00:17:46,942
- [in English] Thank you.
<i>- Grazie.</i>

219
00:17:47,734 --> 00:17:50,362
- [in Italian] Welcome to the Excelsior.
- [in English] Thank you.

220
00:17:52,989 --> 00:17:56,743
<i>- ♪ Non ci lasceremo mai ♪</i>
- [indistinct chatter]

221
00:17:57,577 --> 00:18:09,506
<i>♪ Non ci lasceremo mai ♪</i>

222
00:18:09,506 --> 00:18:11,133
[song fades]

223
00:18:11,133 --> 00:18:12,217
<i>Buonasera, signor.</i>

224
00:18:12,217 --> 00:18:13,593
<i>Buonasera.</i>

225
00:18:13,593 --> 00:18:16,304
[in Italian] I'd like
a room please. Deluxe.

226
00:18:16,304 --> 00:18:17,681
Right away.

227
00:18:17,681 --> 00:18:18,723
For how many days?

228
00:18:19,307 --> 00:18:20,267
Two weeks.

229
00:18:20,267 --> 00:18:22,644
[baroque music playing over speakers]

230
00:18:24,729 --> 00:18:25,647
Perfect.

231
00:18:27,440 --> 00:18:29,860
Sign here, please.

232
00:18:30,485 --> 00:18:31,319
<i>Prego.</i>

233
00:18:31,319 --> 00:18:32,696
- Uh...
- Ah.

234
00:18:33,947 --> 00:18:34,781
Nice pen.

235
00:18:35,574 --> 00:18:36,575
<i>Grazie.</i>

236
00:18:59,598 --> 00:19:00,807
[Tom sniffs, exhales]

237
00:19:00,807 --> 00:19:02,309
Thank you, Mr. Greenleaf.

238
00:19:02,309 --> 00:19:04,019
Room number 312.

239
00:19:05,020 --> 00:19:06,396
Welcome to Rome.

240
00:19:06,396 --> 00:19:07,480
<i>Grazie.</i>

241
00:19:11,067 --> 00:19:13,653
[lively baroque music playing]

242
00:19:27,042 --> 00:19:29,753
If you need anything, call reception.

243
00:19:32,505 --> 00:19:34,049
<i>- Grazie.
- Grazie, signor.</i>

244
00:19:38,011 --> 00:19:39,012
[door opens]

245
00:19:40,847 --> 00:19:42,098
[door closes]

246
00:19:42,098 --> 00:19:43,225
[chuckles]

247
00:19:46,228 --> 00:19:47,395
[gasps gleefully]

248
00:19:47,395 --> 00:19:49,397
[lively baroque music continues]

249
00:20:25,225 --> 00:20:26,393
[camera shutter clicks]

250
00:20:35,568 --> 00:20:38,655
- [baroque music continues over speakers]
- [indistinct chatter]

251
00:20:39,864 --> 00:20:41,700
[clerk] <i>Signor</i> Greenleaf.

252
00:20:41,700 --> 00:20:42,784
<i>Ho un messaggio.</i>

253
00:20:50,875 --> 00:20:51,710
<i>Prego.</i>

254
00:20:54,921 --> 00:20:55,922
Bad news?

255
00:20:58,800 --> 00:21:00,719
[in English] Yes.
Uh, she called, or came by?

256
00:21:00,719 --> 00:21:02,512
Oh, she called.

257
00:21:05,515 --> 00:21:07,642
- You spoke to her?
- I spoke to her.

258
00:21:07,642 --> 00:21:08,643
What did she say?

259
00:21:08,643 --> 00:21:11,771
Uh, she seemed relieved
to know that you are here,

260
00:21:11,771 --> 00:21:14,399
and said it's urgent
you get in touch with her.

261
00:21:18,153 --> 00:21:21,865
Yes, it is urgent. It means my mother's
health has taken a turn for the worse.

262
00:21:21,865 --> 00:21:23,825
Oh, I'm sorry to hear.

263
00:21:26,244 --> 00:21:28,663
Did Miss Sherwood say anything
about coming to Rome?

264
00:21:28,663 --> 00:21:29,664
No, sir.

265
00:21:35,086 --> 00:21:37,797
I'm sorry. I'm going
to have to check out immediately.

266
00:21:37,797 --> 00:21:41,343
I understand completely.
You must attend to your mother.

267
00:21:41,343 --> 00:21:43,887
I hope it's not as serious as it seems.

268
00:21:43,887 --> 00:21:44,804
Me too.

269
00:21:45,555 --> 00:21:48,350
I will send a porter up
to help you with your luggage.

270
00:21:48,350 --> 00:21:49,642
Thank you.

271
00:21:49,642 --> 00:21:52,520
And, um, if Miss Sherwood calls again
before I reach her,

272
00:21:52,520 --> 00:21:55,607
can you tell her that, uh,
I'll be in touch just as soon as I can?

273
00:21:55,607 --> 00:21:57,067
Sure. I will make a note.

274
00:21:57,067 --> 00:21:59,152
<i>- Grazie.</i>
- And we'll prepare your bill.

275
00:21:59,944 --> 00:22:01,571
I just checked in.

276
00:22:01,571 --> 00:22:02,489
[clerk] Yes.

277
00:22:05,492 --> 00:22:06,326
Fine.

278
00:22:08,495 --> 00:22:09,329
Your key.

279
00:22:20,840 --> 00:22:21,674
<i>Grazie.</i>

280
00:22:27,514 --> 00:22:30,225
[baroque music continues]

281
00:22:35,939 --> 00:22:36,773
[music stops]

282
00:22:44,864 --> 00:22:46,199
[engine idling]

283
00:22:47,367 --> 00:22:48,785
- [Tom] <i>Grazie.
- Grazie a lei.</i>

284
00:22:59,504 --> 00:23:01,172
[dogs barking distantly]

285
00:23:13,893 --> 00:23:15,478
[object clatters distantly]

286
00:23:16,729 --> 00:23:18,690
[electrical buzzing]

287
00:23:26,990 --> 00:23:28,533
[clock ticking]

288
00:23:35,957 --> 00:23:36,791
<i>Mi scusi.</i>

289
00:23:40,628 --> 00:23:42,005
<i>- Prego.</i>
- [suitcase thuds]

290
00:23:42,005 --> 00:23:43,798
[in Italian] A single room please.

291
00:23:43,798 --> 00:23:45,133
[in English] Standard.

292
00:23:45,633 --> 00:23:47,343
- [clerk in Italian] Passport.
<i>- Sì.</i>

293
00:23:51,764 --> 00:23:52,932
<i>No, grazie.</i>

294
00:24:10,283 --> 00:24:11,201
[clerk sighs]

295
00:24:11,201 --> 00:24:12,785
Upstairs.

296
00:24:12,785 --> 00:24:13,786
<i>- Grazie.
- Prego.</i>

297
00:24:20,376 --> 00:24:22,170
[clocks ticking]

298
00:24:26,716 --> 00:24:28,968
This watch has been in water.

299
00:24:28,968 --> 00:24:30,970
It fell into the sink.

300
00:24:34,140 --> 00:24:35,600
In salt water.

301
00:24:39,896 --> 00:24:41,314
It's stolen, this watch?

302
00:24:42,065 --> 00:24:42,899
<i>No.</i>

303
00:24:43,775 --> 00:24:46,236
As you can see, my initials are on it.

304
00:24:48,238 --> 00:24:50,281
[intriguing music playing]

305
00:24:53,201 --> 00:24:54,452
[flashbulb pops]

306
00:25:02,835 --> 00:25:04,295
[distant chatter]

307
00:25:13,721 --> 00:25:15,306
[vehicle engine revving]

308
00:25:41,291 --> 00:25:42,750
[children laughing distantly]

309
00:25:58,182 --> 00:26:00,059
[indistinct chatter]

310
00:26:09,027 --> 00:26:12,030
- [typewriters clacking]
- [telephones ringing]

311
00:26:15,992 --> 00:26:17,285
[music fades]

312
00:26:22,081 --> 00:26:24,125
[indistinct chatter]

313
00:26:31,549 --> 00:26:32,759
<i>- Buongiorno.
- Buongiorno.</i>

314
00:26:32,759 --> 00:26:34,302
What can I do for you?

315
00:26:36,137 --> 00:26:38,181
Ah. An account with the Naples branch.

316
00:26:38,181 --> 00:26:39,140
<i>Sì.</i>

317
00:26:39,140 --> 00:26:40,183
One moment.

318
00:26:40,183 --> 00:26:41,267
[Tom] <i>Grazie.</i>

319
00:26:49,859 --> 00:26:51,402
[indistinct chatter]

320
00:27:07,919 --> 00:27:09,796
[man] Hello. This is Paolo Alessi,

321
00:27:10,380 --> 00:27:12,382
director of the Rome branch.

322
00:27:13,007 --> 00:27:16,094
<i>I'd like to check the balance
on an account in the name of</i>

323
00:27:16,094 --> 00:27:18,054
<i>Richard Greenleaf.</i>

324
00:27:26,729 --> 00:27:27,814
<i>Perfetto, grazie.</i>

325
00:27:28,815 --> 00:27:30,108
[indistinct chatter]

326
00:27:32,443 --> 00:27:33,444
<i>Firma leggibile.</i>

327
00:27:38,408 --> 00:27:39,534
[clerk] <i>Signor</i> Greenleaf.

328
00:27:40,159 --> 00:27:41,494
Your signature.

329
00:27:48,543 --> 00:27:49,669
Nice pen.

330
00:27:49,669 --> 00:27:50,753
[Tom] <i>Grazie.</i>

331
00:28:01,013 --> 00:28:01,848
<i>A lei.</i>

332
00:28:01,848 --> 00:28:02,932
<i>Grazie mille.</i>

333
00:28:02,932 --> 00:28:04,392
[clerk] <i>Buona giornata.</i>

334
00:28:05,726 --> 00:28:07,728
[mellow Italian jazz music playing]

335
00:28:10,022 --> 00:28:12,066
- [music continues over radio]
- [typewriter clacking]

336
00:28:12,066 --> 00:28:13,568
[Tom in English] <i>Dearest Marge.</i>

337
00:28:14,819 --> 00:28:16,821
<i>I apologize for not writing sooner.</i>

338
00:28:19,198 --> 00:28:22,034
<i>Hopefully, you spoke to Tom,
and he told you I'm in Rome,</i>

339
00:28:22,034 --> 00:28:23,786
<i>so you haven't worried about me.</i>

340
00:28:25,455 --> 00:28:29,709
<i>Speaking of Tom,
you are on the wrong track about him.</i>

341
00:28:30,460 --> 00:28:33,045
<i>All those terrible things
you were saying about him.</i>

342
00:28:33,045 --> 00:28:34,422
[woman chuckles]

343
00:28:34,422 --> 00:28:37,133
[Tom] <i>Whatever he is,
or isn't, in that regard...</i>

344
00:28:37,133 --> 00:28:38,342
[indistinct chatter]

345
00:28:38,342 --> 00:28:40,094
<i>...he's not a bad guy.</i>

346
00:28:41,804 --> 00:28:44,182
<i>He has nothing to do with us, in any case.</i>

347
00:28:44,182 --> 00:28:45,475
{\an8}<i>I hope you realize that.</i>

348
00:28:49,979 --> 00:28:51,022
<i>As for us,</i>

349
00:28:52,607 --> 00:28:55,276
<i>please don't think
I'm running away from anything.</i>

350
00:28:56,778 --> 00:28:57,820
<i>Or from you.</i>

351
00:28:59,280 --> 00:29:00,907
<i>I just think a little time apart</i>

352
00:29:00,907 --> 00:29:03,951
<i>will help us understand
how we really feel about each other.</i>

353
00:29:06,370 --> 00:29:08,498
<i>I'm sorry about Christmas in Cortina.</i>

354
00:29:09,916 --> 00:29:12,794
<i>But I don't think
we should see each other that soon.</i>

355
00:29:13,419 --> 00:29:15,213
<i>And I hope you don't hate me for it.</i>

356
00:29:18,382 --> 00:29:19,300
<i>Love, Dickie.</i>

357
00:29:19,300 --> 00:29:20,510
[music fades]

358
00:29:32,104 --> 00:29:34,023
[coin rattles, echoes]

359
00:29:35,483 --> 00:29:37,652
[mechanism ticking]

360
00:29:51,999 --> 00:29:54,752
[disembodied voices whispering]

361
00:29:54,752 --> 00:29:56,254
[dog barking]

362
00:29:56,254 --> 00:29:58,798
[disembodied voices screaming]

363
00:30:05,429 --> 00:30:06,764
[in Italian] The light.

364
00:30:09,267 --> 00:30:10,101
<i>Sì.</i>

365
00:30:10,601 --> 00:30:13,521
[distorted disembodied voices screaming]

366
00:30:19,068 --> 00:30:20,403
Always the light.

367
00:30:22,780 --> 00:30:24,282
[mechanism ticking]

368
00:30:25,950 --> 00:30:28,077
- [mechanism thuds]
- [ticking stops]

369
00:30:28,077 --> 00:30:29,036
[Tom in English] <i>PS.</i>

370
00:30:29,036 --> 00:30:30,454
[mellow jazz music continues]

371
00:30:30,454 --> 00:30:32,248
<i>I hope you like the perfume.</i>

372
00:30:34,083 --> 00:30:35,877
<i>It was hard to find.</i>

373
00:30:35,877 --> 00:30:38,337
<i>I'd almost given up when Tom found it.</i>

374
00:30:40,423 --> 00:30:44,010
<i>He said,
"Oh, Marge is going to be so happy."</i>

375
00:30:47,179 --> 00:30:50,433
- ["Guarda Che Luna" playing]
- [wind chimes tinkling]

376
00:30:51,100 --> 00:30:52,184
[Marge] <i>Dear Dickie.</i>

377
00:30:54,020 --> 00:30:57,398
<i>Well, this is a bit of a surprise. Rome?</i>

378
00:30:58,691 --> 00:31:00,902
<i>Makes me wonder what happened in San Remo.</i>

379
00:31:02,862 --> 00:31:05,114
{\an8}<i>I guess not what we talked about.</i>

380
00:31:05,865 --> 00:31:08,242
<i>I asked Tom
and he was perfectly vague about it.</i>

381
00:31:09,702 --> 00:31:12,204
<i>Everything about Tom is perfectly vague.</i>

382
00:31:12,204 --> 00:31:16,250
<i>Intentionally so, if you ask me.
Or haven't you noticed?</i>

383
00:31:17,793 --> 00:31:20,504
<i>You say he's not a bad guy,
but I don't like him.</i>

384
00:31:21,589 --> 00:31:23,674
<i>How can you not see he's using you?</i>

385
00:31:24,842 --> 00:31:25,885
<i>Is he queer?</i>

386
00:31:26,802 --> 00:31:28,054
<i>I don't know.</i>

387
00:31:28,054 --> 00:31:31,223
<i>I don't think he's normal enough
to have any kind of sex life.</i>

388
00:31:32,725 --> 00:31:35,853
<i>But I have to say,
you act kind of ashamed around him.</i>

389
00:31:35,853 --> 00:31:37,104
<i>What's that about?</i>

390
00:31:39,231 --> 00:31:41,484
<i>You were concerned
about your father's opinion of Tom,</i>

391
00:31:41,484 --> 00:31:43,361
<i>but now seem to be ignoring it.</i>

392
00:31:43,361 --> 00:31:45,196
<i>That was a warning, Dickie.</i>

393
00:31:45,196 --> 00:31:47,615
<i>Why are you ignoring
your father's warning?</i>

394
00:31:49,784 --> 00:31:52,036
<i>As for us, as you put it,</i>

395
00:31:52,036 --> 00:31:54,622
<i>I can bear the few weeks
without you here, darling,</i>

396
00:31:54,622 --> 00:31:55,957
<i>but I do miss you.</i>

397
00:31:57,083 --> 00:31:59,001
<i>Everywhere I look, I see signs of you.</i>

398
00:31:59,752 --> 00:32:03,047
<i>The little olive tree
we planted outside my window.</i>

399
00:32:03,047 --> 00:32:05,925
<i>The books I borrowed from you
and never returned.</i>

400
00:32:07,259 --> 00:32:09,428
<i>The tomato plant you gave me
is doing great.</i>

401
00:32:11,389 --> 00:32:13,140
<i>Thank you for the perfume.</i>

402
00:32:13,140 --> 00:32:17,269
<i>It's lovely, though I'm not at all sure
I believe Tom found it.</i>

403
00:32:19,146 --> 00:32:22,733
<i>Is he still there, or did he return
to the States like he said he would?</i>

404
00:32:23,442 --> 00:32:26,487
<i>I've said enough about what
I think of him, so won't say more here.</i>

405
00:32:26,487 --> 00:32:27,905
<i>It's just a question.</i>

406
00:32:28,572 --> 00:32:30,533
<i>Please let me know what your plans are.</i>

407
00:32:31,784 --> 00:32:33,661
<i>I don't even know if you're still in Rome.</i>

408
00:32:33,661 --> 00:32:34,745
<i>Are you?</i>

409
00:32:36,080 --> 00:32:38,165
<i>Maybe I should just come up and find you.</i>

410
00:32:39,709 --> 00:32:41,919
<i>I hope you like the scarf, darling.</i>

411
00:32:41,919 --> 00:32:44,005
<i>I spent many nights making it for you.</i>

412
00:32:46,298 --> 00:32:48,300
<i>I won't say lonely nights.</i>

413
00:32:52,263 --> 00:32:53,389
[song ends]

414
00:32:53,389 --> 00:32:55,808
- [classical music playing]
<i>- Buongiorno,</i> Mr. Greenleaf.

415
00:32:55,808 --> 00:32:56,892
<i>Buongiorno.</i>

416
00:32:58,602 --> 00:33:00,062
Can I speak to you about something?

417
00:33:00,062 --> 00:33:03,441
- Is there a problem with your room, sir?
- No. The room is fine.

418
00:33:03,441 --> 00:33:04,608
It's about a woman.

419
00:33:05,192 --> 00:33:06,193
Isn't it always?

420
00:33:06,777 --> 00:33:11,532
I recently broke up with my fiancée,
and she doesn't want to accept it.

421
00:33:11,532 --> 00:33:13,576
- Uh-huh.
- I met someone else,

422
00:33:13,576 --> 00:33:17,413
so I'm kind of hiding out here
from my fiancée.

423
00:33:17,413 --> 00:33:19,665
- Ex-fiancée.
- [chuckling] Ex-fiancée.

424
00:33:20,541 --> 00:33:21,959
[clerk] As would I.

425
00:33:21,959 --> 00:33:26,047
Yeah, but my concern is that
she's gonna try and find me,

426
00:33:26,047 --> 00:33:29,467
even if that means
checking every hotel in Rome.

427
00:33:29,467 --> 00:33:31,052
Oh, she knows you're in Rome?

428
00:33:31,052 --> 00:33:35,056
She does, and I'd rather not have a scene.
Especially not at your hotel.

429
00:33:35,056 --> 00:33:36,640
[clerk] She can be unpleasant?

430
00:33:38,017 --> 00:33:40,227
Yeah. And loud.

431
00:33:41,479 --> 00:33:42,438
[clerk] Hmm.

432
00:33:43,022 --> 00:33:46,192
Maybe you should go to Firenze,
or Venezia, even further.

433
00:33:46,192 --> 00:33:47,902
[Tom] Hmm, I like it here.

434
00:33:49,612 --> 00:33:50,613
So, uh,

435
00:33:51,655 --> 00:33:53,991
my question to you is, uh,

436
00:33:55,451 --> 00:33:58,996
if this young lady comes by
and asks if I'm here,

437
00:33:58,996 --> 00:34:01,165
do you think you could say that I'm not?

438
00:34:10,549 --> 00:34:12,009
[clerk sighs deeply]

439
00:34:16,097 --> 00:34:17,431
I'm terribly sorry, miss.

440
00:34:18,599 --> 00:34:20,267
There is no Mr. Greenleaf here.

441
00:34:21,685 --> 00:34:22,895
[softly] <i>Bravo.</i>

442
00:34:24,814 --> 00:34:26,148
[in normal voice] <i>Ciao.</i>

443
00:34:26,148 --> 00:34:27,316
[clerk] <i>Arrivederci.</i>

444
00:34:29,068 --> 00:34:31,320
- [coins rattling]
- [bells tolling distantly]

445
00:34:37,451 --> 00:34:40,121
[telephone ringing]

446
00:34:45,209 --> 00:34:46,252
<i>Sì, pronto?</i>

447
00:34:46,252 --> 00:34:47,211
[Tom] <i>Carlo.</i>

448
00:34:47,211 --> 00:34:48,712
Tommaso! <i>Ciao bello.</i>

449
00:34:48,712 --> 00:34:49,839
<i>How is Rome?</i>

450
00:34:49,839 --> 00:34:51,924
Rome is fine. Have you found someone?

451
00:34:51,924 --> 00:34:53,259
<i>There is a little issue.</i>

452
00:34:53,259 --> 00:34:57,429
The boatkeeper has found a buyer
for the boat at the price you said.

453
00:34:57,429 --> 00:34:59,056
Why is that an issue?

454
00:34:59,056 --> 00:35:03,853
Well, it isn't really. It's just that,
you know, he expects a commission too.

455
00:35:03,853 --> 00:35:07,481
Well, you're right. There is no issue.
You can split yours with him.

456
00:35:07,481 --> 00:35:09,817
[chuckles] <i>Sì!</i> Nah, nah.

457
00:35:09,817 --> 00:35:12,153
<i>Did I ask you to involve the boatkeeper?</i>

458
00:35:12,153 --> 00:35:14,238
If you knew about selling boats,
you would have.

459
00:35:14,238 --> 00:35:16,907
But I didn't, and frankly,
I doubt you spoke to him.

460
00:35:16,907 --> 00:35:18,659
I did spoke to him.

461
00:35:18,659 --> 00:35:19,910
<i>Oh, yeah? What's his name?</i>

462
00:35:19,910 --> 00:35:21,287
His name? Giulio.

463
00:35:22,037 --> 00:35:23,330
<i>Giulio, the boatkeeper?</i>

464
00:35:23,330 --> 00:35:25,166
Huh, Giulio, the boatkeeper.

465
00:35:26,625 --> 00:35:29,795
Look, I can tell him no if you want.

466
00:35:30,838 --> 00:35:32,631
We can let this buyer go.

467
00:35:32,631 --> 00:35:35,301
<i>But be prepared
for the boat to sit for a long time.</i>

468
00:35:35,301 --> 00:35:37,803
<i>No one wants a boat in the winter.
You know that.</i>

469
00:35:37,803 --> 00:35:39,555
- Carlo.
<i>- Huh?</i>

470
00:35:39,555 --> 00:35:42,600
You found a way to get your 20%.
I almost admire that.

471
00:35:43,309 --> 00:35:46,896
<i>Send a bank check
to American Express, Rome.</i>

472
00:35:46,896 --> 00:35:48,772
Minus Giulio's commission and mine.

473
00:35:48,772 --> 00:35:50,691
Don't push the story, Carlo.

474
00:35:51,859 --> 00:35:53,444
Did you say send it to you?

475
00:35:53,444 --> 00:35:56,197
<i>Yes, a Banca della Repubblica check.</i>

476
00:35:56,197 --> 00:35:57,406
Not to your friend.

477
00:35:57,406 --> 00:35:59,783
To me. He's traveling.

478
00:35:59,783 --> 00:36:01,827
<i>Okay, now who's telling a story?</i>

479
00:36:02,411 --> 00:36:05,331
Shall we just forget this?
Shall I get someone else to sell it?

480
00:36:05,331 --> 00:36:06,624
[in Italian] Calm down.

481
00:36:06,624 --> 00:36:09,627
[in English] I'm going to send the check
in your name, don't worry.

482
00:36:09,627 --> 00:36:13,839
Good. And it's Ripley. R-I-P, not R-E-E.

483
00:36:13,839 --> 00:36:16,008
<i>- Ciao.</i>
- [chuckling] <i>Va bene. Ciao.</i>

484
00:36:18,552 --> 00:36:20,554
[suspenseful music playing]

485
00:36:23,265 --> 00:36:24,892
[indistinct chatter]

486
00:36:32,441 --> 00:36:34,693
<i>Signor</i> Ripley. <i>Prego.</i>

487
00:36:35,236 --> 00:36:36,237
<i>Grazie.</i>

488
00:36:40,741 --> 00:36:42,117
[door opens]

489
00:36:42,117 --> 00:36:44,453
- [typewriters clacking]
- [telephones ringing]

490
00:36:44,453 --> 00:36:45,537
[indistinct chatter]

491
00:36:46,163 --> 00:36:49,291
[in Italian] What will you be opening
the account with, Mr. Ripley?

492
00:36:50,000 --> 00:36:51,168
These.

493
00:36:52,378 --> 00:36:56,090
$45,000

494
00:37:01,136 --> 00:37:02,680
[music swelling]

495
00:37:07,768 --> 00:37:09,311
- [Tom] <i>Grazie.
- Grazie a te.</i>

496
00:37:10,562 --> 00:37:12,064
<i>- A te.
- Grazie.</i>

497
00:37:13,482 --> 00:37:14,483
[shop bell tinkles]

498
00:37:14,483 --> 00:37:16,944
[melancholic music playing]

499
00:37:33,085 --> 00:37:35,254
[bells tolling distantly]

500
00:37:38,007 --> 00:37:40,050
[birds squawking frantically]

501
00:37:43,387 --> 00:37:46,640
[man] Four years after the murder
of Ranuccio Tomassoni in Rome,

502
00:37:47,558 --> 00:37:49,643
Caravaggio was still a fugitive.

503
00:37:51,020 --> 00:37:56,900
During this time,
perhaps the last year of his life in 1610,

504
00:37:56,900 --> 00:38:01,155
he painted his
<i>David with the Head of Goliath.</i>

505
00:38:03,198 --> 00:38:04,742
In the painting,

506
00:38:05,451 --> 00:38:11,165
Caravaggio links the killer and victim

507
00:38:12,624 --> 00:38:17,046
by portraying David
as compassionate, even loving,

508
00:38:17,046 --> 00:38:20,549
in the way he gazes
at the severed head of Goliath.

509
00:38:21,216 --> 00:38:23,886
And he made this bond even stronger

510
00:38:23,886 --> 00:38:29,141
by using himself as the model for both.

511
00:38:30,434 --> 00:38:32,936
Both are Caravaggio's face.

512
00:38:32,936 --> 00:38:35,397
Young... and old.

513
00:38:35,397 --> 00:38:37,649
[somber music playing]

514
00:38:37,649 --> 00:38:38,609
<i>Prego.</i>

515
00:38:47,451 --> 00:38:52,122
[woman in English] <i>♪ Silent night ♪</i>

516
00:38:52,998 --> 00:38:55,084
<i>♪ Holy... ♪</i>

517
00:38:55,084 --> 00:38:56,377
[Tom] <i>Dear Mom and Dad.</i>

518
00:38:58,253 --> 00:39:00,964
<i>I'm in Rome,
looking for an apartment for the winter.</i>

519
00:39:02,341 --> 00:39:04,760
<i>As soon as I'm settled
I'll send you the address.</i>

520
00:39:07,513 --> 00:39:10,099
<i>I'm sorry to miss another Christmas
with you in New York,</i>

521
00:39:10,099 --> 00:39:13,644
<i>but I'm trying to work some things through
before I come home.</i>

522
00:39:13,644 --> 00:39:16,063
- [Tom in Italian] Merry Christmas.
- And to you.

523
00:39:16,772 --> 00:39:18,440
[Tom in English] <i>I got your letter.</i>

524
00:39:19,233 --> 00:39:23,404
<i>I appreciate your concern about Tom,
but I have to say you're wrong about him.</i>

525
00:39:26,573 --> 00:39:28,992
<i>He's done exactly
what you sent him here to do.</i>

526
00:39:30,494 --> 00:39:32,538
<i>And has in fact helped me.</i>

527
00:39:36,583 --> 00:39:40,003
<i>I don't know if you know this,
but he's an orphan.</i>

528
00:39:41,797 --> 00:39:46,301
<i>And how he speaks about this has
reminded me of the importance of family,</i>

529
00:39:46,301 --> 00:39:50,347
<i>which I'm ashamed to say
I almost lost sight of, until he arrived.</i>

530
00:39:53,600 --> 00:39:58,522
<i>Somehow, out of all my friends,
you picked the right one to send.</i>

531
00:40:00,357 --> 00:40:01,817
<i>I love and miss you both.</i>

532
00:40:04,611 --> 00:40:05,612
<i>Richard.</i>

533
00:40:14,580 --> 00:40:16,999
[wind whooshing]

534
00:40:16,999 --> 00:40:20,043
[bells tolling distantly]

535
00:40:20,043 --> 00:40:22,296
[door opens]

536
00:40:22,296 --> 00:40:25,048
[mellow Italian music playing softly]

537
00:40:26,133 --> 00:40:27,718
[door closes]

538
00:40:27,718 --> 00:40:30,721
[locks clicking]

539
00:40:37,394 --> 00:40:40,022
[metal rattling]

540
00:40:49,406 --> 00:40:52,034
[indistinct radio chatter]

541
00:40:53,285 --> 00:40:55,913
[dogs barking]

542
00:40:59,458 --> 00:41:02,419
[fast approaching footsteps]

543
00:41:04,171 --> 00:41:05,881
[distant chatter]

544
00:41:06,840 --> 00:41:09,134
[indistinct knocking]

545
00:41:13,430 --> 00:41:15,516
[birds chirping]

546
00:41:15,516 --> 00:41:18,352
[typewriter clacking]

547
00:41:23,649 --> 00:41:27,027
[vehicle approaching]

548
00:41:30,864 --> 00:41:33,992
[heavy ascending footsteps]

549
00:41:43,085 --> 00:41:45,587
[object wobbling]

550
00:41:51,134 --> 00:41:52,511
[wobbling stops]

551
00:41:53,595 --> 00:41:55,973
- [bell tolling]
- [footsteps]

552
00:42:03,230 --> 00:42:04,898
[object jingles]

553
00:42:06,358 --> 00:42:09,653
[vehicles passing]

554
00:42:22,958 --> 00:42:25,794
[elevator doors closing]

555
00:42:29,923 --> 00:42:31,508
[mechanism whirring]

556
00:42:36,013 --> 00:42:37,264
[cat meows]

557
00:42:38,056 --> 00:42:40,267
[telephone ringing]

558
00:42:44,229 --> 00:42:45,981
[typewriter clacking]

559
00:42:48,317 --> 00:42:50,402
[deep rumbling]

560
00:42:59,119 --> 00:43:00,579
[birds chirping]

561
00:43:00,579 --> 00:43:01,913
[door opens]

562
00:43:03,373 --> 00:43:04,374
[door closes]

563
00:43:04,374 --> 00:43:06,752
[footsteps]

564
00:43:09,588 --> 00:43:11,632
[knocking at door]