1 00:00:01,856 --> 00:00:03,524 [Davie] So when I walk on this site, 2 00:00:03,607 --> 00:00:06,277 it's a sense of joy and pride and accomplishment. 3 00:00:09,363 --> 00:00:10,656 It's been years of our lives 4 00:00:10,740 --> 00:00:13,200 and then just to see it come out of the ground, literally, 5 00:00:13,284 --> 00:00:16,871 and every day to see it change and evolve into what we created on paper 6 00:00:16,954 --> 00:00:18,372 is an amazing experience. 7 00:00:19,206 --> 00:00:21,876 I'm Mike Davie with Walt Disney Imagineering, 8 00:00:21,959 --> 00:00:25,296 and I'm responsible for delivering magical experiences to our guests. 9 00:00:41,771 --> 00:00:42,897 [Davie] So, I'm a project manager. 10 00:00:42,980 --> 00:00:47,401 And what I do is, I'm responsible for the entire project 11 00:00:47,485 --> 00:00:50,279 from its inception all the way to its completion. 12 00:00:50,363 --> 00:00:52,823 So, that involves from the Blue Sky time period 13 00:00:52,907 --> 00:00:54,408 when we're working with our design teams, 14 00:00:54,492 --> 00:00:56,952 our architects and our creative teams 15 00:00:57,036 --> 00:01:00,247 to come up with an idea, and then taking it from that idea 16 00:01:00,331 --> 00:01:03,125 into schedules and budgets and making sure we can execute 17 00:01:03,209 --> 00:01:05,753 on the creative vision that we're trying to create for our guests. 18 00:01:06,170 --> 00:01:09,006 Imagineering. That's the right word to describe what we do. 19 00:01:09,090 --> 00:01:11,509 We imagine things, then we have to engineer it. 20 00:01:11,801 --> 00:01:13,552 Early on in my career, or early on in my life, 21 00:01:13,636 --> 00:01:15,513 I knew nothing about Walt Disney Imagineering. 22 00:01:15,596 --> 00:01:16,764 I knew what Disney was, 23 00:01:16,847 --> 00:01:19,767 a magical place that everybody wanted to go to and be a part of. 24 00:01:19,850 --> 00:01:22,228 Then I got the opportunity to come and work for the company. 25 00:01:22,311 --> 00:01:24,980 As soon as I interviewed, I knew this was a place for me. 26 00:01:27,191 --> 00:01:30,736 So, what you're seeing here is the form. It's starting to take shape, 27 00:01:30,820 --> 00:01:35,449 is the exterior facade for the entry into the Ratatouille attraction. 28 00:01:35,533 --> 00:01:38,411 The Ratatouille attraction and why it's special to me is that 29 00:01:38,494 --> 00:01:41,288 we're bringing something to Epcot and the World Showcase pavilion 30 00:01:41,372 --> 00:01:42,832 that families can enjoy together. 31 00:01:44,667 --> 00:01:47,461 I've sat in rooms where we just had a napkin, literally, a napkin. 32 00:01:47,545 --> 00:01:50,423 We're at dinner, and there's a napkin sketch, and this idea has been taken 33 00:01:50,506 --> 00:01:54,051 and come to Blue Sky phase where we sit and we talk about it, 34 00:01:54,135 --> 00:01:56,053 and we think of it from a design perspective. 35 00:01:57,555 --> 00:02:00,141 And then, from there, we go into schematic design. 36 00:02:00,224 --> 00:02:02,476 And as that starts to evolve, we'll move into our next phase, 37 00:02:02,560 --> 00:02:05,730 which is live design development. And we really start to get into the detail 38 00:02:05,813 --> 00:02:08,149 and really start to infuse it with the storytelling. 39 00:02:08,232 --> 00:02:09,734 Then, from there, we go into construction, 40 00:02:09,817 --> 00:02:12,862 and that's where we really execute on those ideas that we've drawn, 41 00:02:12,945 --> 00:02:15,281 many years ago, back on a napkin sketch. 42 00:02:16,490 --> 00:02:17,825 This is a huge projection screen. 43 00:02:17,908 --> 00:02:20,411 So, right directly above us, there's a projection room 44 00:02:20,494 --> 00:02:22,580 which projects an image onto the screen 45 00:02:22,663 --> 00:02:25,583 that's choreographed with the ride experience that we're creating. 46 00:02:25,666 --> 00:02:29,045 And they can actually live inside the world that they've seen on the screen. 47 00:02:29,128 --> 00:02:30,337 [machines grinding] 48 00:02:30,421 --> 00:02:34,341 So this theme park wall that you see here is actually blown up to rat scale. 49 00:02:34,425 --> 00:02:36,510 So, you're a human, you've been shrunk to rat scale, 50 00:02:36,594 --> 00:02:41,432 and you see this brick wall that's been all hand carved by our artisans, right. 51 00:02:41,515 --> 00:02:43,225 The challenges with doing this to scale 52 00:02:43,309 --> 00:02:44,894 is that you can't get far enough away from it, 53 00:02:44,977 --> 00:02:47,188 so you have to have some really talented artisans 54 00:02:47,271 --> 00:02:49,106 who are able to stand this close to it, 55 00:02:49,190 --> 00:02:52,026 but still create something that's the right scale, 56 00:02:52,109 --> 00:02:54,528 as what it would be from a point of view of a rat. 57 00:02:54,612 --> 00:02:57,031 The amount of detail that it takes to execute and deliver 58 00:02:57,114 --> 00:02:59,533 on an attraction like Ratatouille is pretty intense. 59 00:02:59,617 --> 00:03:02,453 We labor over drawings for hours and hours and hours 60 00:03:02,536 --> 00:03:04,789 and so the level of detail is second to none. 61 00:03:04,872 --> 00:03:07,333 Well, we created these wood planks out of theme park plaster. 62 00:03:07,416 --> 00:03:08,793 And you can see the mortar joints 63 00:03:08,876 --> 00:03:11,212 that we created to look like they're oozing out of the planks. 64 00:03:11,295 --> 00:03:12,713 It's an exciting part of the project 65 00:03:12,797 --> 00:03:15,299 'cause you get to see everything that we've worked so hard for 66 00:03:15,383 --> 00:03:17,301 really come to life. 67 00:03:19,303 --> 00:03:21,806 So we work with our partners at Pixar to develop the story 68 00:03:21,889 --> 00:03:25,393 and make sure we're staying true to the overall idea and story and richness 69 00:03:25,476 --> 00:03:27,061 that's been created by Pixar. 70 00:03:27,144 --> 00:03:29,647 Every day I stop and say, "Wow. What we do is pretty amazing." 71 00:03:29,730 --> 00:03:31,440 I mean, Imagineers have something in them, 72 00:03:31,524 --> 00:03:34,819 it's creativity, it's passion and commitment. 73 00:03:36,737 --> 00:03:40,241 'Cause every time I deliver a project and at the end, and I see my family, 74 00:03:40,324 --> 00:03:42,952 or I see guests experience it the way that we intended 75 00:03:43,035 --> 00:03:45,746 and the richness we created within the environment, 76 00:03:45,830 --> 00:03:49,417 um, it really just gives me goose bumps and a feeling of pride and accomplishment, 77 00:03:49,500 --> 00:03:52,461 um, with our team and what we've been able to deliver for our guests.