‐ I have my boys parking the van next to his car.
‐ FEMALE NARRATOR: Previously on "Sistas".
‐ FATIMA: And they beat his ass just enough to put him to sleep.
They put him on the hood of his car naked.
‐ [laughing]
‐ You said you were bringing someone here to meet me, right?
‐ Maurice, this is my friend Laz.
‐ He has told me so much about you.
‐ Did he tell you that I like ‐‐ ?
‐ Maurice!
‐ GARY: It's a $500,000 car in your name.
‐ What are you trying to do?
‐ I'm trying to get another chance.
‐ I met this guy and he asked me out.
‐ Don't she look great? ‐ Amazing.
Danni. ‐ Hi.
‐ So..
‐ Yeah. How are you?
‐ I'm fine.
‐ Uh, what, uh, what...what... what are you doing here?
You go to this... this salon?
‐ All the time, sugar.
‐ Okay.
‐ What?
‐ Nothing. I just, I didn't think you were‐‐
‐ You look a little surprised to see me.
‐ I'm not surprised. I just didn't know you were...
‐ What? ‐ Nothing.
‐ Well, you look good.
Got your honky tonk boots on. You're going out in dungarees.
‐ Thank you. Thank you.
‐ DANNI: And your hoedown jacket.
‐ I got you.
‐ Speaking of hoedown.
Who's this?
‐ This is Tanya.
‐ Hi, Tanya. ‐ Hi.
‐ Danni? ‐ Hm?
‐ Are you okay?
‐ Yeah, I'm fine.
‐ It seems like you're acting kinda strange right now.
‐ Karen? You think I'm acting strange?
‐ Karen. Like, your friend Karen.
‐ Of Karen's Hair Mastery?
‐ Yes. Yeah, hi.
‐ Nice to meet you again.
‐ Nice to meet you. Yeah, yeah.
‐ Well, now that we've got these pleasantries out of the way...
‐ Are they outta the way?
‐ Pam!
‐ Shit, girl, this looking intense.
‐ Stay out their business.
‐ You in it. ‐ Pam!
‐ Okay. We're gonna go.
‐ Where you going?
‐ On a date.
‐ A date. Fancy that. Where?
‐ Am I missing something?
‐ No, honey, I just need to talk to him real fast.
That's all.
‐ Oh, OK. Real fast.
‐ Danni, all this is kinda rude.
‐ I couldn't agree with you more.
Like, I couldn't agree more. But it'll be just a second.
‐ Just a second.
Okay.
‐ Come on, Sugar. Oh, Karen?
‐ My office.
‐ Are you sure you wanna do this right now?
‐ Mm‐hmm. Oh, you damn right.
‐ Just give them a second to talk it out.
‐ Let's come over here. No Pam, it's all good.
‐ Child, there's so much going on in this here salon.
‐ Yeah, and you in all of it.
‐ Hell, somebody gotta keep up.
‐ God.
‐ Hmm.
‐ FEMALE SINGER: ♪ My girls hold me down ♪
♪ When them boys mess around ♪
♪ My love life is a headache ♪
♪ We going out tonight 'cause I'm looking for love ♪
‐ FEMALE SINGER: ♪ We ain't got a real plan ♪
♪ Can we take it slow ♪
♪ We ain't got a real plan ♪
♪ Can we take it slow ♪
♪ We ain't got a... ♪
‐ So, what's up?
‐ You going on a date?
‐ I am.
‐ That's what we're doing now? I was supposed to know that?
‐ We're not together.
‐ Now, you right about that. We're not.
‐ Okay. So I'm confused.
Why is this happening?
‐ Why is what happening, Preston?
‐ You having me in here right now.
‐ I thought we... ‐ What?
Shit, tell me because I don't know.
‐ Preston, this has become too complicated.
‐ No, look, you told me how you felt last time.
So tell me now.
‐ I thought we were trying to fix it.
You know? That's what I was trying
to talk to you. But you left.
I thought we were... ‐ This is crazy.
‐ Don't call me crazy, Preston. Don't.
‐ Danni. Danni. You're not listening.
I didn't say you were crazy. I said this is crazy.
You want me around. You don't want me around.
You don't like my conversation.
‐ Preston, I hurt you. But I know what you meant.
And no, don't no Black woman wanna talk about cows all day.
‐ She does.
‐ Okay. Okay.
She does. Hmm?
‐ Yeah. We talk all the time.
She's a veterinarian.
‐ I see.
‐ She knows more about cows than I do.
‐ You know, I didn't know that was possible.
But judging by her shoes, I can see that now.
Nice moo print.
‐ Yeah.
I didn't think it was possible either.
‐ So you like her?
‐ I don't know. But I'm gonna find out.
‐ Okay. You do that.
‐ And while I'm doing that,
you need to find out what part of me you want,
'cause I'm not good at giving pieces.
‐ Preston‐‐ ‐ Look, look. I'm gonna go.
Okay? We're going to a rodeo.
‐ Okay. Well, you have to leave.
‐ Look, I'll talk to you later, okay?
‐ Hey.
‐ Why'd you do this, Karen?
‐ What? I was gonna call
and tell you I'm sorry for calling.
‐ That didn't answer the question.
‐ Don't do that, Danni.
Do you not call and tell me everything that Zac is into,
including Fatima?
‐ Oh, so we're getting even now, hmm?
‐ No, I just, I just, I thought you may wanna know.
‐ Why? You never ask about
anything else with him.
‐ Look, that's your man, or so I thought.
I...I don't know.
‐ We're trying to figure it out.
‐ Okay.
Well, it looks like he's figuring someone else out.
Sorry. I'm sorry.
‐ He saw me with El Fuego.
‐ Oh, shit.
‐ Yeah, so now he's with a damn moo boot‐wearing veterinarian.
‐ Oh, shit.
‐ What?
‐ Zac.
‐ What about him?
‐ Zac. Zac did this.
When he first got out, he worked at a clinic.
She was doing me a favor.
Maybe Him and Preston talked and he hooked them up.
‐ I see.
‐ Yeah.
‐ You knew this the whole time? ‐ No, no.
They said they met at the gas station.
I asked.
‐ Okay. This is ‐‐ up, Karen.
‐ What? ‐ This is...this is...
‐ I didn't know!
What...Danni, I didn't...
I didn't know.
‐ All right, Karen. All right.
‐ Oh, Danni. You all right?
‐ Don't.
‐ What?
‐ Don't. Mm‐mm. Karen, you better get your girl.
You better get her.
‐ I'm sorry.
‐ You need an assistant. Okay? I'll whoop your little ass, Pam.
‐ [laughing]
‐ Just leave her alone, okay?
‐ Yes, I know.
‐ Damn.
‐ Girl, she is mad at you.
‐ I know. ‐ You do?
‐ Can you do some work, Pam?
‐ Oh, uh‐uh, we almost closed.
‐ Well do something, okay?
‐ ♪
‐ Yo.
‐ Hey. Where you at?
‐ EL FUEGO: In Atlanta.
‐ All right. What you doing later?
‐ Uh, shit.
‐ All right, well, let me know
if you wanna come by.
‐ Okay.
‐ DANNI: All right, I'll be at the house.
‐ Okay.
‐ DANNI: All right. Bye.
‐ Damn, Danni.
‐ What?
‐ Nothing.
Look, whoever you're mad with,
don't be taking that shit out on me.
‐ ‐‐, look, just let me know if you're coming by.
All right?
‐ All right. I'll text you.
‐ DANNI: Okay. Bye.
‐ ♪
‐ FEMALE SINGER: ♪ I wanna see you doing what you do ♪
♪ Is you is you running through ♪
♪ I really need you turning up the heat ♪
♪ Is this real or is this a dream ♪
♪ I wanna see you I really do, I really do ♪
♪ I really need you ♪
‐ Hey, is that you?
‐ What's up?
‐ Nothing.
You were over there for a while.
‐ Yeah. We got a lot done.
‐ Good. I love that.
‐ It's coming along nice.
‐ Good.
‐ You okay?
‐ I should be asking you that.
‐ I'm fine.
‐ Mm‐hmm. Sure?
‐ Yes. Come on.
‐ Whoa, whoa, whoa. Where you going?
‐ I cooked.
‐ Fatima.
‐ What?
‐ Are you really this girl?
‐ Yes. Zac, I love to cook.
‐ I'm not talking... No, no, no, no, no.
‐ Okay.
‐ I'm not talking about cooking.
‐ Do you want dinner?
‐ Actually no, I don't. I'm not hungry.
I'm talking about what you did to Hayden.
Like...
‐ We still on that? Look, babe, it's handled.
It's over. It's handled.
‐ Damn.
Damn, Fatima.
‐ But you know what turned me on?
‐ What? Watching him bleed with your crazy ass?
‐ That too. But he's not you.
‐ No, he's...he's not me.
‐ No, but here I am setting it all out for you
and you was gonna take the rap for me?
‐ Yeah, I would have.
‐ Damn.
‐ What?
‐ Okay.
‐ What?
‐ You know you're in trouble, right?
‐ I like being in trouble.
‐ Mm‐hmm. Look, Zac, I'm...I'm gone.
‐ I've seen that earlier today.
‐ No, seriously. No, my guard is down.
I'm just..I'm gone.
‐ That's good.
‐ Are you sure?
‐ I'm positive.
‐ All right, 'cause ain't no guardrails on this thing.
‐ I know how to ride that thing.
‐ Mm‐hmm. ‐ I got you.
‐ Yeah, you better.
‐ I got you. Same way you always got me.
‐ I got you, boy.
‐ So you really got this ‐‐ beat up?
‐ Yep. Idiot.
‐ You know you still gotta let me whip his ass
for hitting you in the face, right?
‐ Zac, that was a part of the plan.
‐ I don't like that part of the plan, though.
What if he hurts you?
‐ Look, my dudes were close.
They wouldn't let nothing happen to me.
‐ About that. Um, who are these...
these dudes you got?
‐ You see...that? We're not...
we're not gonna talk about that.
‐ Oh, that we're not talking about?
‐ Confidentiality.
‐ Oh, so you the thing that go bump in the night?
‐ Yeah.
It's cool. It's cool. I promise.
‐ You sure?
‐ Yes, babe. Look, you don't think I work
with all these dudes that's been in jail
and they ain't gonna ride for me?
Don't be scared.
‐ I ain't scared of them.
‐ Okay.
‐ You sometimes, I'm somewhere in between scared
and in love, to be honest. I'm, I ain't gonna lie.
This is new for me.
I ain't never met a woman like you before.
‐ Babe, it's fine. It's fine. We good.
‐ You sure? ‐ Yes.
The only man you need to be worried about is you, all right?
We good.
‐ You sure?
‐ I'm all in. Yes.
‐ Shit, I'm trying to get all in, too.
This shit turning me on. Like I ain't never met
nobody like this.
‐ Always got to take it there. Being nasty.
‐ I am. That's me.
‐ Mhm. ‐ That's me.
‐ Well, your heart better be in it.
‐ It is. ‐ All right.
‐ You give me some time. ‐ Mhm, okay.
‐ Okay, shorty.
‐ You better.
‐ I got you.
‐ Mm‐hmm. I know you do.
‐ Mm‐hmm. ‐ Mm‐hmm.
‐ Let me get you right now.
‐ Uh‐uh, we're going to eat. What are you doing?
‐ I'm gonna take it. ‐ Oh, you gonna take it?
‐ It's already been taken.
‐ Oh, okay, well, then take it.
Oh. Okay.
This beats dinner.
‐ ZAC: This is dinner. This is dessert.
‐ ♪
‐ [knocking at door]
‐ Coming!
‐ [knocking at door] ‐ I'm coming!
‐ Hey. ‐ Hey.
‐ What you got to drink in here?
‐ It's in the kitchen.
‐ You look nice.
‐ Thank you.
Calvin's taking me out on a date.
‐ Oh, you ain't got to do nothing that special.
‐ Danni! Stop it!
‐ What? I mean, you put on some beads
and sequins, he'll like that.
‐ Enough.
‐ All right. But don't forget your vibrator.
He likes that. ‐ Can you please stop?
‐ Okay.
‐ What if I marry the man?
‐ That won't happen, Sabrina.
It's not.
‐ It could.
‐ I know you and that is not gonna happen.
‐ Danni, that's enough. You're spilling it.
‐ I'm looking for alcohol.
‐ You have alcohol.
‐ And weed.
‐ You got the weed too, Danni.
‐ Anyway, Preston's on a date.
‐ What? ‐ Yeah.
‐ What happened?
‐ I went to Karen's salon.
‐ Okay. And?
‐ She's doing this Black girl's hair, right?
And it turns out she's a veterinarian.
She loves talking about cows. Yeah, it's her thing.
She had on moo boots and everything.
Yeah.
Karen thinks Zac hooked 'em up.
Mm‐hmm.
‐ She does? ‐ Mm‐hmm.
‐ Huh. Since when do her and Zac talk?
Like, when does that happen?
‐ Well, Zac was always at my house unannounced too,
like Preston. So, you know.
‐ That's when they were...
‐ Hmm, yeah. So that ‐‐ betrayed me.
‐ No, no, no, don't think about it like that.
‐ How am I supposed to think about it, Sabrina?
‐ I mean, you told him to go home, right?
‐ I told Preston I needed space.
I told Zac, definitely take his ass home.
‐ You know Zac.
‐ Shit. ‐ Mm‐hmm.
You know, he's always starting some drama.
‐ And that ‐‐ will play a game.
‐ Mm‐hmm.
All the times he used to make Karen jealous.
‐ Yeah.
‐ So...wait.
Do you think that's what all this is about?
‐ With Fatima? Uh‐uh. No.
‐ Really?
‐ He loves that girl.
‐ Hmm.
‐ Well, I mean, let me say he's really, really feeling her.
You ain't got a lighter or nothing.
‐ Well, Karen's not gonna be happy about that.
‐ No, she's not.
And that's why she called me about Preston.
You know, misery loves some damn company.
‐ Mm‐hmm.
Hmm. Speaking of misery and company,
you guys got each other. I have to go on a date.
‐ He can't meet you here?
‐ I told him I'd meet him at this place.
‐ He's a cheap bastard, Sabrina. I guess y'all go together.
‐ Just lock up when you leave, okay?
‐ I'm going...uh‐uh, I'm going home.
‐ Okay, whatever.
‐ In here with all this cheap shit.
‐ You buy the cheap shit too, Danni.
‐ I do, but I steal the good shit from work, okay?
‐ That's why you going to jail.
‐ I'ma walk in there drunk. I'm taking this joint too.
‐ Okay, all right.
‐ Have fun.
‐ Thanks, you look great. ‐ Thank you, you, too.
‐ ♪
‐ [knocking at door]
‐ Hey. ‐ Hello.
‐ That car. ‐ You saw it?
‐ Yeah.
‐ That man is crazy.
‐ Yeah, he is.
‐ Why the hell would he buy me a damn car?
‐ 'Cause he wants you.
‐ I know that, but damn.
‐ Yeah. Damn.
‐ Do you want something to drink?
‐ No, I'm good.
‐ Karen?
Why aren't you drinking?
‐ I'm driving.
‐ That never stopped you before.
‐ Okay. Well, no, thank you.
‐ Hmm.
You want the pen? ‐ No.
‐ Why are you acting this way?
‐ Acting what way? I'm not acting like nothing.
‐ All sober.
‐ I'm not.
‐ It's the pastor man, preacher man.
‐ I ain't seen him, actually.
‐ Why not?
‐ I'm just taking some time. That's all.
‐ Okay. Well, that's good.
‐ Yeah. I do miss him, though.
‐ Then call him.
‐ No, I shouldn't. I really shouldn't do that.
‐ If you miss him, call him.
‐ No.
‐ Okay, I'm gonna say this at the risk of you
being mad at me.
‐ I'm not holding out for Zac, okay?
I'm not.
‐ Are you sure?
‐ Yeah.
‐ Because if you are...
‐ I don't wanna hear it, Andi. Okay?
‐ Okay.
‐ Are they happy?
‐ I knew that was coming.
I think they are.
‐ Good for them.
‐ You mean that?
‐ Yeah. What else can I do?
‐ I don't know.
‐ I have to let go of him the same way that you have
to let go of Gary.
‐ Oh, I have let go of Gary.
‐ Well, not just in words.
‐ Karen, I have.
‐ Okay. But that car...
‐ I'm not gonna get back with him just because he
bought me a damn car.
‐ I didn't think that you would. I just know that you might
because of all the good times y'all did have.
‐ When I'm done, I'm done.
You of all people should know that.
‐ Okay.
‐ You don't believe me?
‐ I said, okay.
‐ I'm done, Karen. ‐ Okay.
‐ What the hell I'm gonna do with that car anyway?
‐ You gonna sell it.
‐ You know what?
I'm gonna send it to his office tomorrow.
‐ That's a good idea, actually. You want me to drive it there?
‐ Wait.
‐ What?
‐ We could drive it at least once, right?
‐ Well, I've...I've never been in something like that before.
I guess.
You don't think he got a tracker in it though?
‐ Knowing Gary, probably.
‐ No, I don't... I don't think so.
Let's do it. Let's go.
Come on, let's go.
‐ Are you sure? ‐ Yes, get up.
Put your shoes on. ‐ Okay. Yes.
‐ No, wait, wait. Put 'em on.
‐ I got a little excited.
Okay, okay, let's go.
Let's go. Oh, almost there.
Okay. Let's go. ‐ Okay, let's go.
‐ ♪
‐ [knocking at door]
‐ What a disappointment. ‐ Oh, no.
‐ Mm, I'll leave it up to you. You should kiss me.
‐ Oh, Sabrina! What are you doing here?
This is a surprise.
‐ Hi, Calvin.
Hi, Laz.
‐ Hi. Serene, Serena, right?
‐ Sabrina.
‐ Sabrina, I remember, yes.
‐ SABRINA: Hey, Maurice.
‐ Sabrina, Sabrina, Sabrina.
‐ Yes?
‐ Are you responsible for this?
Are you responsible for it?
‐ Okay. Um, you remember...
‐ Dinner! ‐ Dinner. Dinner.
We have reservations.
‐ Ain't no damn dinner.
‐ Hm? Don't you wanna just stay here
with your new friend?
‐ New friend.
Brina, you know what kind of men I like.
‐ I do.
‐ Well then, what the ‐‐ are we doing here today?
‐ I was thinking the same thing. ‐ Please?
‐ We like a certain kind of man, you know?
‐ Yeah, I should...yeah, that's good, Lois.
Mm‐hmm.
‐ Abs. ‐ Chest.
‐ Ass. ‐ BOTH: ‐‐.
‐ BOTH: Okay. ‐ Yeah, we're gonna go.
‐ We're gonna go. ‐ We're gonna get out of here.
‐ No, no, no, no. You don't get to go.
‐ No. ‐ You don't get to go.
‐ We're going. ‐ We have reservations.
‐ We're going. Really glad... ‐ And you guys should...
‐ I'm sorry. I'm sorry.
‐ We'll see you later. Bye, bye.
‐ Switch shirts.
‐ CALVIN: Let's go.
‐ Bitch, y'all need to switch blouses.
‐ Mm‐hmm. That right there.
‐ Did you kiss him in the mouth? I just wanna make...
‐ I always do that, though. It's fine, right?
It's fine.
‐ That's nasty, boo.
‐ I need a cocktail.
‐ All right, I'm gonna like you.
‐ Okay, girl. Look, what we doing?
‐ Let's pour.
‐ That's what I love.
Why is it so hard to find a good man?
‐ I don't know.
Maybe we ought to try being one first.
‐ Look, that's the truth.
‐ Never.
‐ Hello, okay. Ooh, girl,
you got a heavy hand here.
‐ That's a man drink, scotch.
Cheers to knowing what we want and what we don't.
‐ Hellur.
‐ Ooh, not hellur.
‐ ♪
‐ FEMALE SINGER: ♪ It's the cash for me it's the swag for me ♪
‐ ANDI: Police.
‐ Shit. You speeding?
‐ No.
‐ Where'd they come from?
‐ They were following me, us for awhile.
But I didn't realize...
‐ Just pull over.
‐ ...it was the police until...
‐ What the hell is going on?
‐ Shit.
‐ We weren't speeding.
‐ Let me put my purse away.
‐ Did you bring your gun? ‐ Shut up.
‐ Okay.
‐ Oh my God. ‐ Oh, shit.
‐ KAREN: It's fine. Just let me do the talking.
‐ ANDI: Okay.
I don't believe you.
‐ License and registration, please.
‐ I wasn't speeding.
‐ Ma'am, step out of the car, please?
‐ For what? No!
‐ Uh, excuse me. She's a lawyer.
You might wanna tell what this is about.
‐ Karen, I got this. It's fine.
‐ No, he doesn't... ‐ Ma'am.
‐ Don't get out the car. ‐ It's okay. It's fine.
‐ You too, ma'am. ‐ Don't worry about it.
‐ Me?
‐ Out of the car!
‐ It's fine.
‐ Step back this way. Both of you.
‐ I didn't do anything. Oh, you are messing
with the wrong one tonight. We didn't do anything.
What the...oh.
‐ We have a message for you. ‐ What?
‐ ♪ He's sorry and he wants you back ♪
♪ I said he's sorry and he wants you back ♪
♪ I said he's sorry ♪
♪ And he wants you back ♪
Phone, ma'am.
‐ Oh no. She's not taking that call.
‐ Karen. ‐ Ma'am.
‐ Get your fake ass outta here. She's not taking a call.
‐ Yes, ma'am.
‐ Yes, ma'am is right. Go ahead.
Impersonating an officer is illegal.
You know that, right? ‐ It is.
‐ Okay. Okay. Okay, bye.
‐ Oh, we're sorry. ‐ Bye.
‐ Let's go, guys. Come on, get in the car.
‐ ♪ And he wants you back girl ♪
‐ Stop singing. ‐ Okay.
‐ You better stop singing. ‐ Yeah.
‐ KAREN: The ‐‐ ? How he even get this car?
This is crazy. You were right.
He was tracking you. This ‐‐ car.
‐ Yeah, he was.
‐ Andi?
‐ What?
‐ Tell me you're not falling for this.
‐ I mean...
♪ He's sorry and he wants you back ♪
Okay, I mean, it was sweet.
‐ If Bruno Mars had hopped out the car, I woulda thought
the same thing. He woulda had me.
But not these fake ass cops. Come on now.
Singin' and shit? That's so weird.
‐ Karen, it's...
‐ You really feeling this shit?
‐ I mean, it was... it was okay.
‐ You changing your mind?
‐ I'm not changing my mind. I'm gonna sell the car.
‐ Okay. ‐ Yeah.
‐ Take me home. ‐ Okay.
‐ ♪ He's sorry and he wants you back ♪
‐ ♪
‐ Okay, I won't sing it.
Oh, watch this. Watch this. Watch this.
Oh, Oh, Ooh.
Mm.
‐ ♪
‐ Okay. I'm going to bed after that.
‐ Wait what? ‐ Yes.
‐ What you mean?
‐ Zac, that was a damn marathon.
Are you...you kidding me, right?
‐ I just need to get some water.
I'll be back in about 10 minutes.
‐ Zac, no. I'm going to bed.
‐ All right, all right. All right.
‐ Act like you a gold medalist or something.
‐ You got it? You got it.
‐ Thank you. Oh my gosh.
‐ I like watching you sleep.
‐ Zac, I don't like when you watch me sleep.
‐ How you know? You be sleep.
‐ That shit is creepy.
‐ It would be if I was like some one‐eye humpback.
We're good.
‐ Oh, thank you, but... ‐ ZAC: What?
‐ Okay, that's cool. Keep watching.
I'm just gonna be drooling all over the place.
‐ You don't drool.
‐ I know.
‐ You do snore, though.
‐ ‐‐ don't try me.
‐ You do. Especially when I put it on you.
‐ Well, you do that all the time.
So I probably do be snoring.
‐ That I do. That I do.
All right.
‐ Where are you going?
‐ I'm going to play ball.
‐ What?
‐ Yeah. It's a men's game
we play at night.
‐ Mm hmm.
How come after all this time I've never heard
anything about this?
‐ Well, I couldn't before.
Shit, I was either working doubles at the airport
or working overnight at Chain Breakers so I couldn't.
But now I got free time.
‐ Now you got free time, so...
‐ Yeah.
What?
‐ Go on.
‐ No. I see... I see them wheels turning.
‐ Yeah, you do.
‐ Come on, talk to me. What's on your mind?
‐ Nothing. Just go.
‐ Don't do that, Tima. What's on your mind?
‐ I'm just thinking. ‐ What you thinking? Come on.
‐ I'm thinking that this is...
‐ That you want to stop talking to me, right?
And you wanna shut down.
How am I gonna get to know you if you do that?
‐ So, I'm just supposed to be cool with you going
to play ball at 10:00 at night?
‐ No, this is what you gonna do.
You gonna tell me what's on your mind
and you gonna trust me the same way
I'm gonna trust you. It's that simple.
Look at me.
Whenever you get nervous and you get scared,
you don't look at me. I know you're scared.
Look at me, look at me.
‐ I'm looking.
‐ I'm not going nowhere and you're not going nowhere.
You hear me? ‐ Mm‐hmm.
‐ I...I don't know. I don't...mm‐mm.
Do you hear me?
‐ Yes, I hear you.
‐ So, yes, I'm going to play ball at 10:00 at night.
Okay?
‐ Okay.
So you're gonna play basketball, right?
‐ Yes, I am.
‐ Okay. I'll come with you.
‐ Whoa, whoa, whoa, whoa, wait, wait, wait.
‐ What? We trust, trust, we talking trust, right?
We trust each other, right?
‐ You just said you were tired, right?
‐ Yeah, but I just got a sudden burst of energy...
‐ No, no, no, no, no, stop. No, no, no, no. Don't do that.
Don't. Fatima, stop. Don't do that.
‐ What?
‐ Listen. First of all, I'm not gonna
take you with your fine ass to go watch me play basketball
at 10 o'clock at night. I'm not bringing you
around all those dudes. That's number one.
Number two. I know you're gonna
do your verifications.
‐ Mm‐hmm, oh, I'm definitely gonna do that.
‐ I know that. ‐ Mm‐hmm.
‐ But you gonna have to learn to trust me
the same way I trust you.
Am I clear?
‐ Mhm.
‐ Come on, now.
‐ Well, enjoy your game.
‐ I will. Excuse me.
‐ Not going nowhere.
‐ That's your plan?
‐ Yep. Clink clink.
‐ To keep me locked in between your legs?
‐ Yes, that's the plan.
‐ I like it here. ‐ Master plan, actually.
‐ It's a master plan? ‐ Mm‐hmm.
‐ You know what happens when I get in here, though?
‐ Yeah, yeah.
‐ Yeah, you was just running from me about 10 minutes ago.
‐ Yeah, but I got, I got more energy.
‐ You got more energy? ‐ Yeah, so just stay.
‐ Fatima, that's not gonna work.
We got to do more than just this.
‐ Okay, you right.
‐ Look at me.
Every time you get scared, you look away.
‐ You know why I don't wanna look in your eyes?
‐ No.
‐ Because every time I do,
I fall deeper in love with you.
‐ That's where I want you. Just want you
to meet me where I am.
Can you do that?
‐ If you keep saying all the right shit,
I'ma let you go play basketball.
‐ I appreciate that.
‐ Yeah. And thank you.
‐ For what?
‐ For what you were gonna do about Hayden.
‐ I told you I got you.
‐ I know.
‐ I'm not gonna let you take the fall for no shit.
‐ I wouldn't have had to.
‐ No?
‐ No. My dudes are ride or die.
‐ You think he got the message?
‐ If he don't, he'll be getting his ass whooped weekly.
Yeah, I don't play that shit.
‐ You ruthless.
‐ Yeah, when it comes to what's mine, I can be.
‐ Oh, I'm yours.
‐ Bought and paid for.
‐ What makes you think that?
‐ ‐‐‐, wasn't you just calling my name like a little boy?
Yeah, that's mine.
‐ I was. ‐ I got that.
‐ I'm yours.
‐ I know you are.
‐ Can I go play basketball now?
‐ I guess.
Make sure you dunk it for me one time.
‐ I got you. ‐ Okay.
‐ All right? ‐ Mhm.
‐ Look, you gonna have to trust me now.
‐ I trust you.
‐ I'll be back in a few hours.
‐ All right, be careful.
‐ And that's it.
‐ Yes, Zac. That's it.
‐ You sure?
‐ Yeah, we good. ‐ All right.
‐ But Zac?
‐ You don't gotta say it.
I ain't gonna ‐‐ with you. I've already seen
what you did to Hayden.
‐ Okay. Have fun.
‐ All right.
You a lot girl.
‐ I know.
That's what you got two hands for.
‐ Bye.
‐ Where my sneakers?
‐ They smell so I put 'em outside the door.
You ain't about to be funking up my house.
‐ And my socks?
‐ Yes.
‐ That's foul! Foul.
‐ Bye, boy.
‐ Bye.
Ah, here they go!
‐ Oh my gosh, no.
‐ I'm telling you, it was crazy.
‐ Mm‐mm. I told you it was a bad idea.
‐ Yeah. Your boy was so mad.
‐ They were so mad. Can I have one?
‐ Yeah, go ahead. ‐ Thanks.
‐ They were so mad.
‐ I know.
‐ Well, not everybody. Maurice was the one
that was mad. You know your boy.
‐ Always hot. ‐ Yeah.
‐ Crazy.
‐ Yeah, but Laz is so cool. I wish they woulda hit it off.
‐ Me, too. ‐ Yeah.
‐ Well, thank you for this.
‐ Uh, yeah, this is, um...
‐ Normal?
‐ Yeah, I guess we haven't had normal in...
‐ Forever.
‐ Yeah. Cheers to normal.
‐ Sabrina?
‐ Hi. ‐ Hi.
‐ Um, I'm sorry. I'm Bayo.
‐ Um...
‐ You don't remember me? ‐ No.
‐ You used to work at the Dallas Street branch.
I would come in all the time.
‐ Yes. Yes. Hi, how are you?
‐ All the better after seeing you.
‐ Uh, yeah.
‐ Here, take my number and give me a call.
‐ This is Calvin.
‐ Hello. ‐ Hi.
‐ So when do you think we're gonna catch up?
‐ Excuse me, my man?
I don't think you realize that she's on a date.
‐ Oh, is there someone else here?
You mean with you? ‐ Yeah.
‐ I am so sorry.
My friend Johnny was telling me I should come say hi.
I told him you were with someone but he convinced me that, uh...
‐ Convinced you what?
‐ Well, never mind.
It was so good to see you, Sabrina.
I'm terribly sorry.
‐ Yeah, be that.
‐ That was, that was weird. Right?
‐ So he really came over here and disrespected me like that?
‐ I don't think he meant it.
‐ You know what?
‐ Calvin, where, where you going?
‐ Yo, my man?
‐ Hey, I'm sorry man.
‐ That shit you just pulled at the table?
That shit was rude and disrespectful
and I think you owe me an apology.
‐ Look man, I said I'm sorry.
‐ Hey, man, we thought you were her friend.
‐ I'm not her friend. I'm her boyfriend.
‐ Okay. Yeah man, sorry.
‐ Yeah, we get it.
‐ You know what? ‐‐ y'all.
‐ Calvin, stop. ‐ No, no, ‐‐ these clowns.
‐ What are you doing? ‐ You better get your friend.
‐ I'm so sorry.
‐ No, don't ‐‐ apologize for me.
‐ Calvin.
‐ No. ‐‐ him. Bitch ass ‐‐.
‐ Say it again.
‐ Bitch ass ‐‐.
‐ Chill out, man.
‐ What are you doing?
‐ No, ‐‐ him!
‐ Calvin, stop. It's not that serious.
‐ So him disrespecting me isn't serious?
‐ Calvin, seriously? What are you doing?
‐ No, ‐‐ him. And you don't have to ‐‐
apologize for me for anything. All right?
‐ Calvin, why are you talking to me like that?
This is getting out of hand.
‐ Yeah, yeah. You know what? You're right.
I'm outta here.
‐ Calvin. ‐ Let him go!
‐ Bitch, wasn't even nobody talking to your ass!
‐ What are you...stop! Enough!
Calvin!
‐ NARRATOR: Next on "Sistas".
‐ Remember that he tracked you.
‐ I got it. ‐ Okay.
‐ Look, I'm sorry I had you come all the way over here.
‐ Oh, that's the white boy.
Me? ‐ A little bit, yeah.
‐ I just wanted to talk. ‐ Okay.
‐ Tell me where you are and I'll meet you.
‐ Well, Gary's here. ‐ Oh.
‐ Zac, I'm telling you right now.
If you ‐‐ with my heart, you will lose.
‐ ♪