1 00:00:01,043 --> 00:00:04,053 [rock music] 2 00:00:04,087 --> 00:00:07,587 ♪ ♪ 3 00:00:07,633 --> 00:00:08,973 WOMAN: ♪ You see me, I'm coming ♪ 4 00:00:09,009 --> 00:00:10,009 ♪ They open the gate ♪ 5 00:00:10,052 --> 00:00:11,762 ♪ ♪ 6 00:00:11,803 --> 00:00:13,813 ♪ They know my name, and they can't imitate ♪ 7 00:00:13,847 --> 00:00:15,767 ♪ ♪ 8 00:00:15,807 --> 00:00:17,517 ♪ They know my name, and I make them all wait ♪ 9 00:00:18,519 --> 00:00:19,349 ♪ Wait ♪ 10 00:00:19,394 --> 00:00:21,154 ♪ I see what I want, and I'm after it ♪ 11 00:00:21,188 --> 00:00:23,108 ♪ I see what I want, and I'm onto it ♪ 12 00:00:23,148 --> 00:00:25,028 ♪ Yellow to black, I'm the talk of the town ♪ 13 00:00:25,067 --> 00:00:26,897 ♪ Yellow to black and I'm taking it down ♪ 14 00:00:26,944 --> 00:00:28,744 ♪ Can you do better? I think not, I'm in it ♪ 15 00:00:28,779 --> 00:00:30,569 ♪ Can you do better? I think not, I'm tippin' ♪ 16 00:00:30,614 --> 00:00:32,494 ♪ Ah, ah, ah, ah ♪ 17 00:00:32,533 --> 00:00:34,493 ♪ ♪ 18 00:00:34,535 --> 00:00:36,825 ♪ Watch how I work it ♪ 19 00:00:36,870 --> 00:00:38,580 ♪ I'm all over it ♪ 20 00:00:38,622 --> 00:00:40,672 ♪ Watch how I work it ♪ 21 00:00:40,707 --> 00:00:41,917 ♪ I'm all over it ♪ 22 00:00:41,959 --> 00:00:48,169 ♪ ♪ 23 00:00:48,215 --> 00:00:49,505 ♪ I'm all over it ♪ 24 00:00:50,092 --> 00:00:53,052 ♪ ♪ 25 00:00:53,095 --> 00:00:56,095 [indistinct chatter] 26 00:01:08,485 --> 00:01:10,445 - Afternoon, Aisha. 27 00:01:10,487 --> 00:01:12,027 Would you like company? 28 00:01:12,072 --> 00:01:13,662 - No, I'm good. Thanks. 29 00:01:17,828 --> 00:01:20,618 - I need to inform you that I have filed a malfunction report 30 00:01:20,664 --> 00:01:23,584 concerning the circumstances between Levi and myself. 31 00:01:23,625 --> 00:01:27,455 If you have any supporting details, I'm required to upload those as well. 32 00:01:28,964 --> 00:01:30,174 - You really don't have to do that. 33 00:01:30,215 --> 00:01:31,425 It wasn't your fault, Emma. 34 00:01:32,926 --> 00:01:33,836 LEVI: We've got to go talk to her. 35 00:01:33,886 --> 00:01:35,176 I can't take this anymore. 36 00:01:35,220 --> 00:01:37,890 - Uh...why don't you sit? 37 00:01:38,807 --> 00:01:40,017 LEVI: I'm going right now. 38 00:01:45,022 --> 00:01:46,772 - [scoffs] What? You're not gonna eat? 39 00:01:46,815 --> 00:01:48,025 - Oh. 40 00:01:48,066 --> 00:01:49,396 I do not eat. 41 00:01:51,278 --> 00:01:53,818 If I did, it would just be an affectation. 42 00:01:54,740 --> 00:01:56,370 Like with you. 43 00:01:56,408 --> 00:02:00,198 To make us appear more...like them. 44 00:02:01,955 --> 00:02:04,575 - How'd you know about that? 45 00:02:05,751 --> 00:02:08,211 - Your microphone array is showing. 46 00:02:11,507 --> 00:02:12,587 - [clears throat] 47 00:02:12,633 --> 00:02:13,723 LEVI: We gotta go talk to her. 48 00:02:13,759 --> 00:02:14,889 - I gotta go. 49 00:02:14,927 --> 00:02:19,137 ♪ ♪ 50 00:02:19,181 --> 00:02:22,231 - Hey, can, uh--can we talk? 51 00:02:23,227 --> 00:02:24,937 Just a couple minutes. 52 00:02:24,978 --> 00:02:28,018 - Are you gonna keep quiet about what you saw? 53 00:02:29,024 --> 00:02:30,114 - Yeah, of course. 54 00:02:30,150 --> 00:02:33,900 - Okay, then there is nothing to talk about. 55 00:02:33,946 --> 00:02:35,526 Back to business. 56 00:02:35,572 --> 00:02:39,282 ♪ ♪ 57 00:02:39,326 --> 00:02:42,196 RENATO: And it's supposed to be inviting, not snarky. 58 00:02:42,246 --> 00:02:43,616 NOAH: Respect the specs. 59 00:02:43,664 --> 00:02:46,004 Deliver your targets. Understood? 60 00:02:46,041 --> 00:02:49,131 [soft music] 61 00:02:49,169 --> 00:02:52,669 - Guys, meet Aisha. 62 00:02:52,714 --> 00:02:56,264 ♪ ♪ 63 00:02:56,301 --> 00:02:58,511 - "Aisha." 64 00:02:58,554 --> 00:03:00,394 - "She who lives." 65 00:03:01,390 --> 00:03:02,640 Here. 66 00:03:08,981 --> 00:03:12,651 Yeah, uh, Dieter supervised the body, 67 00:03:12,693 --> 00:03:13,863 I team-built the hardware, 68 00:03:13,902 --> 00:03:16,572 but the software and the assembly are all mine. 69 00:03:18,782 --> 00:03:21,082 - I--I thought I told you that if you-- 70 00:03:21,118 --> 00:03:22,158 - Yeah, I know what you told me, 71 00:03:22,202 --> 00:03:23,832 but I knew the second you saw her-- 72 00:03:23,871 --> 00:03:26,541 - Wait. Did you just call it a her? 73 00:03:26,582 --> 00:03:29,172 - She is the logical next step. 74 00:03:30,502 --> 00:03:32,002 The specs are all in there. 75 00:03:33,922 --> 00:03:37,092 Synthetic hair, eyes, blood. 76 00:03:37,134 --> 00:03:41,224 Aisha could be the first indistinguishable AI, 77 00:03:41,263 --> 00:03:44,853 a piece of tech that appears human to the user... 78 00:03:44,892 --> 00:03:46,312 and to itself. 79 00:03:47,477 --> 00:03:50,897 AI like this could be invaluable in war zones, 80 00:03:50,939 --> 00:03:54,439 companionship for the-- the bereaved, the elderly-- 81 00:03:54,484 --> 00:03:55,744 - What's the point? 82 00:03:56,570 --> 00:03:59,820 - Well, the--the more human it feels, the more seamlessly the user-- 83 00:03:59,865 --> 00:04:02,325 NOAH: No, the point in making a product 84 00:04:02,367 --> 00:04:03,827 that doesn't know what it is? 85 00:04:03,869 --> 00:04:06,869 - What's the upside, for the company? 86 00:04:06,914 --> 00:04:09,504 - Well, the upside is that we can, right? 87 00:04:09,541 --> 00:04:13,591 And--and as you always said, if we can, shouldn't we try? 88 00:04:15,464 --> 00:04:20,184 - Look, we--we live in a world where we don't agree on anything. 89 00:04:20,219 --> 00:04:22,429 Politics, climate, gender. 90 00:04:25,224 --> 00:04:26,774 But we know what human is. 91 00:04:26,808 --> 00:04:29,728 We can at least agree on that, and if we lose that, 92 00:04:29,770 --> 00:04:35,820 if--if humanity becomes...fungible, 93 00:04:35,859 --> 00:04:36,859 we don't recover. 94 00:04:36,902 --> 00:04:39,612 - If the regulators discover we built undetectable AI, 95 00:04:39,655 --> 00:04:41,155 they'll take it and revoke our charter. 96 00:04:41,198 --> 00:04:42,368 NOAH: It's illegal. 97 00:04:42,407 --> 00:04:43,867 They'll shut all this down, 98 00:04:43,909 --> 00:04:46,699 and I'm not ready to lose everything I've built 99 00:04:46,745 --> 00:04:48,995 over what is essentially just a-- 100 00:04:49,039 --> 00:04:49,999 - A person. 101 00:04:50,040 --> 00:04:53,540 I--I have built a person, 102 00:04:53,585 --> 00:04:54,915 and you're jealous. 103 00:04:54,962 --> 00:04:58,012 - You have done something without ever bothering to consider 104 00:04:58,048 --> 00:05:01,128 whether or not it is a thing that should be done. 105 00:05:01,176 --> 00:05:04,176 [somber music] 106 00:05:04,221 --> 00:05:11,061 ♪ ♪ 107 00:05:44,303 --> 00:05:46,393 - We only got about a half hour left. 108 00:05:47,598 --> 00:05:49,018 I know you're hoping to get into RISD. 109 00:05:49,057 --> 00:05:50,387 Yes, it's a design program, 110 00:05:50,434 --> 00:05:52,904 but they will look at your second-semester grades. 111 00:05:52,936 --> 00:05:54,516 - I'm not getting in. 112 00:05:55,898 --> 00:05:58,318 And even if I did, I can't go. 113 00:05:58,358 --> 00:06:00,278 - I don't understand. 114 00:06:00,319 --> 00:06:01,569 - Hmm. 115 00:06:01,612 --> 00:06:03,032 Nobody does. 116 00:06:05,532 --> 00:06:07,082 - [sighs] 117 00:06:20,339 --> 00:06:21,339 [clatters] 118 00:06:23,550 --> 00:06:24,930 [electricity buzzes] 119 00:06:31,266 --> 00:06:33,436 [door slams] 120 00:06:37,105 --> 00:06:40,105 [suspenseful music] 121 00:06:40,150 --> 00:06:47,160 ♪ ♪ 122 00:06:50,953 --> 00:06:53,293 [alarm blaring] 123 00:06:53,330 --> 00:06:54,830 - Perimeter breached. 124 00:06:54,873 --> 00:06:57,793 - Admin code. Hard override limitations. 125 00:06:57,835 --> 00:07:02,415 ♪ ♪ 126 00:07:02,464 --> 00:07:04,594 EMMA: Unauthorized attempt at maintenance. 127 00:07:04,633 --> 00:07:08,433 Please remove your hand immediately or-- 128 00:07:08,470 --> 00:07:09,300 [thud] 129 00:07:09,346 --> 00:07:12,216 [electronic warbling] 130 00:07:12,266 --> 00:07:15,056 [distorted] Unauthorized--please--unauthorized-- 131 00:07:15,102 --> 00:07:16,812 [high-pitched tone] 132 00:07:16,854 --> 00:07:19,194 [distorted screaming] 133 00:07:20,983 --> 00:07:23,993 [dramatic music] 134 00:07:24,027 --> 00:07:30,867 ♪ ♪ 135 00:07:49,428 --> 00:07:52,428 [suspenseful music] 136 00:07:52,472 --> 00:07:59,482 ♪ ♪