1
00:00:03,295 --> 00:00:04,245
MAN: Abel.

2
00:00:04,296 --> 00:00:06,256
- Sending me on the Jet.

3
00:00:06,298 --> 00:00:08,048
Must be serious.

4
00:00:08,091 --> 00:00:12,681
My brother can't have the precious
moneymakers malfunctioning.

5
00:00:12,721 --> 00:00:15,061
- Merced Magnet School, clean it up.

6
00:00:15,098 --> 00:00:17,478
- I have an aunt
who lives 30 minutes east of Merced.

7
00:00:17,518 --> 00:00:19,268
Took me to a Vietnamese restaurant once.

8
00:00:19,311 --> 00:00:21,481
Fantastic pho, terrific.

9
00:00:21,522 --> 00:00:24,902
- He's not gonna have time for pho.

10
00:00:24,942 --> 00:00:27,072
- No?

11
00:00:27,110 --> 00:00:28,950
- Probably no pho.

12
00:00:32,115 --> 00:00:34,025
- Okay.

13
00:00:34,076 --> 00:00:37,826
Half power to stun, full power to fry.

14
00:00:37,871 --> 00:00:40,541
- You've outdone yourself.

15
00:00:42,125 --> 00:00:45,085
- Keep it away from kids and animals.

16
00:00:45,128 --> 00:00:46,588
- I'll do my best.

17
00:00:54,137 --> 00:00:56,307
[tires screech]

18
00:00:56,348 --> 00:00:58,518
[Aisha grunts]

19
00:00:58,559 --> 00:01:00,309
- Aisha?

20
00:01:00,352 --> 00:01:01,562
Hey.

21
00:01:03,355 --> 00:01:05,105
What happened, honey?
What happened?

22
00:01:05,148 --> 00:01:06,938
- I-I got a little lightheaded.

23
00:01:06,984 --> 00:01:09,744
- She passed out.
I saw it happen from across the street.

24
00:01:09,778 --> 00:01:11,738
MARTIN: Oh, did--did you hit your head
or anything, babe?

25
00:01:11,780 --> 00:01:13,200
- No. I'm fine.

26
00:01:13,240 --> 00:01:14,740
- You're fine. Okay, here, okay.
- Oh, no.

27
00:01:14,783 --> 00:01:16,743
I think you should call an ambulance.
- She's fine, all right?

28
00:01:16,785 --> 00:01:18,405
Please.
- Who are you? Are you her father?

29
00:01:18,453 --> 00:01:20,543
- Who are you? Back off, okay?

30
00:01:20,581 --> 00:01:23,131
- Just--we got it, all right?
- WOMAN: Oh, my God.

31
00:01:23,166 --> 00:01:24,536
- Is this yours?
- I got it.

32
00:01:24,585 --> 00:01:25,535
- Okay.
- WOMAN: Wow.

33
00:01:25,586 --> 00:01:27,336
- Here, let me--let me take this
for you, okay?

34
00:01:27,379 --> 00:01:28,759
W-we're fine. We'll take it from here.

35
00:01:28,797 --> 00:01:30,757
Come on, babe. Come on.

36
00:01:30,799 --> 00:01:32,339
- Um...

37
00:01:32,384 --> 00:01:34,894
maybe I should go to the hospital.

38
00:01:34,928 --> 00:01:36,758
- I don't--I don't know
if that's necessary, baby.

39
00:01:36,805 --> 00:01:38,095
- What if I have a concussion?

40
00:01:38,140 --> 00:01:39,980
- You said you didn't hit
your head, right?

41
00:01:40,017 --> 00:01:41,347
- Right.
- Okay.

42
00:01:41,393 --> 00:01:42,983
Well, then let's just get you home, okay?

43
00:01:43,020 --> 00:01:45,770
I think you probably just have
low blood sugar or something.

44
00:01:45,814 --> 00:01:49,194
And we'll get some food and water in you.
I'll order from Yang's, okay?

45
00:01:51,028 --> 00:01:53,358
- You know I don't like Chinese.

46
00:01:53,405 --> 00:01:56,155
No--yeah.
No, La--La Cabaña, La Cabaña, Mexican.

47
00:01:56,200 --> 00:01:57,580
Okay, just sit back.
Put your seat belt on.

48
00:01:57,618 --> 00:01:59,448
You're gonna be all right.

49
00:01:59,494 --> 00:02:02,504
[dramatic music]

50
00:02:02,539 --> 00:02:03,999
♪ ♪

51
00:02:04,041 --> 00:02:05,381
Okay.

52
00:02:05,417 --> 00:02:07,167
Let's go.

53
00:02:07,211 --> 00:02:08,631
You're gonna be fine.

54
00:02:10,839 --> 00:02:13,009
ROBOT:
This is an example of surface tension.

55
00:02:13,050 --> 00:02:15,590
If you look closely,
when the pink is behind the green,

56
00:02:15,636 --> 00:02:17,216
it makes a brown color.

57
00:02:17,262 --> 00:02:19,182
Water and oil don't mix.

58
00:02:19,223 --> 00:02:20,853
[continues indistinctly]

59
00:02:20,891 --> 00:02:26,401
♪ ♪

60
00:02:26,438 --> 00:02:29,858
[keys clacking]

61
00:02:29,900 --> 00:02:36,910
♪ ♪

62
00:02:42,621 --> 00:02:44,291
MISS HART:
No Aisha?

63
00:02:44,331 --> 00:02:46,791
- Uh, I haven't seen her today.

64
00:02:46,834 --> 00:02:49,094
- I'll call the office.

65
00:02:58,804 --> 00:03:00,854
MARTIN:
Okay, well, you're looking better,

66
00:03:00,889 --> 00:03:03,229
so, look, why don't you go on in
and, um, order the food?

67
00:03:03,267 --> 00:03:06,097
And I-I've got to--I've got to get
back to this faculty meeting.

68
00:03:06,144 --> 00:03:08,614
Uh, and I'll see you later, okay?

69
00:03:08,647 --> 00:03:09,687
- Okay.

70
00:03:16,280 --> 00:03:18,910
[gear shifter clacks]

71
00:03:20,117 --> 00:03:21,907
[line trilling]

72
00:03:24,663 --> 00:03:25,663
Yeah, it's me.

73
00:03:25,706 --> 00:03:28,246
Listen, she, uh--she--she collapsed again.

74
00:03:31,503 --> 00:03:34,093
- Initiate audio enhancement.

75
00:03:34,131 --> 00:03:37,131
MARTIN: Yeah, this time she asked me
to take her to the hospital.

76
00:03:37,176 --> 00:03:39,466
Of course I didn't take her
to the goddamn h--

77
00:03:39,511 --> 00:03:41,681
Look--no, it's all these lies, okay?

78
00:03:41,722 --> 00:03:44,272
They're all, like, building up
and collapsing on top of each other.

79
00:03:44,308 --> 00:03:45,888
Are you listening to me?

80
00:03:45,934 --> 00:03:47,694
Listen, I-I'm coming over.

81
00:03:47,728 --> 00:03:52,768
♪ ♪

82
00:03:52,816 --> 00:03:54,686
[door closes]

83
00:03:54,735 --> 00:04:01,735
♪ ♪

84
00:04:37,778 --> 00:04:40,568
[pills rattling]

85
00:04:55,212 --> 00:04:57,762
- Want some coffee?
- No.

86
00:04:57,798 --> 00:05:02,338
Look, y-you could've at least told me that
you made her stop liking Chinese food.

87
00:05:02,386 --> 00:05:03,546
- I didn't.

88
00:05:03,595 --> 00:05:05,345
Maybe she was testing you.

89
00:05:05,389 --> 00:05:08,179
She's hacking her own system.

90
00:05:08,225 --> 00:05:11,345
- Well, that's new.
- Yeah, but not unexpected.

91
00:05:11,395 --> 00:05:13,895
It was only a matter of time
before she adapted.

92
00:05:13,939 --> 00:05:15,359
I'll wipe, archive, and reinstall.

93
00:05:15,399 --> 00:05:16,359
- Jesus.

94
00:05:16,400 --> 00:05:18,030
Hey, you know, I--

95
00:05:18,068 --> 00:05:20,198
I-I-I have to keep a damn journal,

96
00:05:20,237 --> 00:05:24,197
you know, just to--just to keep track
of what reality we're living in, Sharon.

97
00:05:24,241 --> 00:05:27,371
Sharon, Sharon, listen...
[stammers]

98
00:05:27,411 --> 00:05:29,201
We can't keep doing this.
It's not right.

99
00:05:29,246 --> 00:05:31,576
We've taken so much of her life from her.

100
00:05:31,623 --> 00:05:33,883
- Okay, there is no choice.

101
00:05:33,917 --> 00:05:36,797
If she becomes aware...

102
00:05:36,837 --> 00:05:39,007
it's only a matter of time
before they become aware.

103
00:05:39,047 --> 00:05:42,757
And if they become aware,
they know she's here and not in a box--

104
00:05:42,801 --> 00:05:44,851
- They'll come for her, I-I know.

105
00:05:45,846 --> 00:05:48,846
[Phantogram's "Cruel World"]

106
00:05:48,891 --> 00:05:55,901
♪ ♪

107
00:05:59,276 --> 00:06:01,396
- ♪ I used to see beauty in people ♪

108
00:06:01,445 --> 00:06:04,235
MARTIN: Let's just tell her,
I mean, bring her in on it with us.

109
00:06:04,281 --> 00:06:06,621
- If she's in on it,
what does she become then exactly?

110
00:06:06,658 --> 00:06:10,248
♪ ♪

111
00:06:10,287 --> 00:06:11,957
The whole point of the experiment is--

112
00:06:11,997 --> 00:06:15,327
- She is not an experiment, Sharon, okay?
Not to me.

113
00:06:15,375 --> 00:06:19,295
- ♪ But I'm sorry, my friend,
this is the end ♪

114
00:06:19,338 --> 00:06:22,628
♪ It's a cruel, cruel world ♪

115
00:06:22,674 --> 00:06:25,184
SHARON:
You knew what this work was, Martin.

116
00:06:25,219 --> 00:06:26,639
And you agreed.

117
00:06:26,678 --> 00:06:29,058
- Well, okay, well,
then I-I don't agree anymore.

118
00:06:29,097 --> 00:06:30,557
I disagree. I un-agree.

119
00:06:30,599 --> 00:06:32,679
Whatever.
I don't--I don't want to do it anymore.

120
00:06:32,726 --> 00:06:39,726
♪ ♪

121
00:06:44,571 --> 00:06:47,071
- ♪ It's a cruel, cruel world ♪

122
00:06:47,115 --> 00:06:48,775
♪ ♪

123
00:06:48,825 --> 00:06:50,115
- You have to understand, at some point,

124
00:06:50,160 --> 00:06:52,450
I'm gonna do what is right
for my daughter.

125
00:06:52,496 --> 00:06:53,496
That's--

126
00:06:53,539 --> 00:06:55,619
- ♪ Erase you from my mind ♪

127
00:06:55,666 --> 00:06:58,876
♪ I'm sorry, but I... ♪

128
00:06:58,919 --> 00:07:02,089
♪ I'm cutting all the ties ♪

129
00:07:02,130 --> 00:07:05,300
♪ So I'm saying my good-byes ♪

130
00:07:05,342 --> 00:07:08,102
♪ ♪

131
00:07:08,136 --> 00:07:10,596
♪ Good-bye to my good side ♪

132
00:07:10,639 --> 00:07:11,889
♪ ♪

133
00:07:11,932 --> 00:07:12,772
[tone plays]

134
00:07:12,808 --> 00:07:14,888
COMPUTERIZED FEMALE VOICE:
Welcome, Martin Taylor.

135
00:07:14,935 --> 00:07:17,095
Activating surveillance system.

136
00:07:17,145 --> 00:07:19,765
- ♪ And I finally learned ♪

137
00:07:19,815 --> 00:07:21,685
- Wait a minute. What--

138
00:07:21,733 --> 00:07:23,903
[scoffs]
What is this? What's going on?

139
00:07:23,944 --> 00:07:25,904
- It's always been the best way
to get you to shut up.

140
00:07:25,946 --> 00:07:28,196
- Jesus. Fuck you, Sharon.

141
00:07:29,741 --> 00:07:32,121
- Which is what usually followed.

142
00:07:32,160 --> 00:07:35,080
- ♪ Cruel, cruel world ♪
[computer beeps]

143
00:07:35,122 --> 00:07:38,002
[computer beeps]

144
00:07:38,041 --> 00:07:44,511
♪ ♪

145
00:07:44,548 --> 00:07:47,178
[computer beeps]

146
00:07:47,217 --> 00:07:49,967
- What the fuck?

147
00:07:50,012 --> 00:07:52,102
[computer beeps]