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[ cheers and applause ]
>>> ladies and gentlemen, regina

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king.
[ cheers and applause ]

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>> ooh.
[ cheers and applause ]

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ooh.
Live tv.

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Here we go.
Welcome to the 93rd oscars.

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[ cheers and applause ]
oh, jesus, I made it.

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It has been quite a year, and
we are still smack dab in the

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middle of it.
We are mourning the loss of so

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many.
And I have to be honest, if

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things had gone differently this
past week in minneapolis, I may

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have traded in my heels for
marching boots.

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Now, I know that a lot of you
people at home want to reach for

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your remote when you feel like
hollywood is preaching to you.

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But as a mother of a black son,
I know the fear that so many

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live with, and no amount of fame
or fortune changes.

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That okay?
[ applause ]

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but tonight, we're here to
celebrate.

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This was indeed a hard year for
everyone.

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But our love of movies helped to
get us through.

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It made us feel less isolated
and connected us when we were

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apart.
Like all of you here, I've loved

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movies for as long as I can
remember.

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Tonight, I'm here not only as a
presenter, but my film "one

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night in miami" is also --
[ cheers and applause ]

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it is also nominated in three
categories.

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So I'm very proud and excited to
be here.

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And, yes, we are doing it
maskless.

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Yes.
You are probably asking, how are

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they able to do that?
Well, think of this as a movie

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set, an oscars movie.
With a cast of over 200

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nominees, people have been
vaxxed, tested, re-tested,

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socially distanced, and we're
following all of the rigorous

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protocols that got us back to
work safely.

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So just like on a movie set,
when we are rolling, masks off.

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And when we are not rolling,
masks on.

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All right?
That's how we do it.

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Okay.
Tonight, you will meet a

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creative family of storytellers.
You'll hear tales of how they

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fell in love with movies and how
that movie love connects them to

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the movies we are here to honor
tonight.

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Now, movies begin with a
screenplay, either an original

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story or one adapted from a
previous work.

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And after so much isolation, we
wanted to get to know our

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nominees.
So here are a few things we

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learned.
The writer and director of

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"judas and the black messiah,"
shaka king's -- that's my

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cousin.
It's not, but he is.

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His first movie job was as an
extra on a film called

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"30 days," directed by
jamal joseph, a former black

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panther.
And for co-writer

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will berson, being the office
manager for john leguziamo's

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lower east side films stoked the
fire in him to tell his stories.

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And for co-writer kenny lucas,
watching "city of god" in

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college inspired him to be a
filmmaker instead of getting a

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phd in philosophy.
Lee isaac chung, writer of

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"minari," whose first film job
was producing educational films

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in new york, remembers seeing
"e.T." for the first time as a

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child.
Standing up wide-eyed in the

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movie theater the entire time.
That is so adorable.

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Oh.
And emerald fennell, girl.

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You took time off from playing
camilla bowles in "the crown" to

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write, produce, and direct
"promising young woma”

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while you were seven months
pregnant during a 23-day film

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shoot.
Girl, you earned the title of

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your film.
Darius marder supported his

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ten-year journey to making
"sound of metal" with a sushi

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catering business in vermont.
His co-writer brother,

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abraham marder, was a musician
and composer.

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And co-writer derek cianfrance's
first job was a friend's get

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rich quick scheme filming dogs'
faces to put on coffee cups

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called puppy mugs.
Derek, let me get one of those

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mugs.
Yes.

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And aaron sorkin,
writer/director of "the trial of

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the chicago 7", he started his
career in movies by ripping

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tickets, and making the popcorn
in his neighborhood theater.

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See, you never know, the guy
serving the popcorn could be the

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next aaron sorkin.
And the oscar goes to --

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emerald fennell,
"promising young woman”

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[ cheers and applause ]
♪

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>> oh, my gosh.
Oh, they said write a speech.

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And I didn't, because I just
didn't think this would ever

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happen.
I'm going to be in trouble with

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steven soderbergh.
I'm so sorry.

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I don't want him to be cross
with me.

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Oh, my god, he's so heavy and so
cold.

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The only speech I ever wrote was
when I was 10.

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I had a look to see if there
would be anything useful, I

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mainly thanked zack morris
from "saved by the bell."

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unfortunately, he hasn't been as
much a part of my life as I had

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hoped.
So the speech is not that

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useful.
But all I can say is, trying

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very hard not to cry, which is
very difficult as an english

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person, because you don't cry
ever.

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This film was made by the most
incredible people in the world,

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who made it in 23 days.
Just and brought their complete

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genius and love and humor to it.
And I have so many people to

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thank.
I feel mortified that I'm here

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by myself when it's not just my
job at all.

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I want to thank carey mulligan,
the kindest and funniest person

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in the world.
I want to thank the producers

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f
for standing behind this film.

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The cast and the crew, the
greatest in the world, the

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kindest in the world.
They just made me look good.

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And again, I'm just so grateful.
Finally, my family.

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Mom, dad, coco.
Oh.

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My husband, chris.
Come on, come on.

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Our son, who did not arrive
until a couple of weeks after

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shooting, thank god, because I
was crossing my legs.

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Thank you all so much.
Steven, I hope that was all

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right.
♪

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[ cheers and applause ]
>> all of the nominees for the

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best adapted screenplay are
phenomenal.

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Chloe zhao came to realize that
her experience as an outsider to

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the american dream gave her a
unique window.

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That unique perspective drew her
to "nomadland".

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Ramin bahrani, nominated for
"the white tiger."

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films working as a truck driver,
a bartender, and a telemarketer.

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Whoo, telemarketing.
I may have hung up on you a few

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times.
Kemp powers adapted his own

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play, "one night in miami”
now, there's some fun facts in

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the teleprompter, but I'm going
off script here.

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This was his first screenplay,
before he was a playwright, a

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journalist.
One of his favorite films

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was "animal house," where he
heard sam cook for the first

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time.
Florian zeller, adapting his

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play "the father," saw the movie
"rain man."

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with that understanding, he was
inspired to create a character

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that allows us to understand
alzheimer's through the eyes of

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00:11:02,829 --> 00:11:05,764
those living with it.
His collaborator,

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christopher hampton, was
raised in kay cairo, egypt.

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His love for movies stems from
his father taking him to the

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movies three times a week while
being raised in cairo, egypt.

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I bet tickets weren't $13 apiece
back then.

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>> and, okay, here we go.
"borat: Subsequent movie film."

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okay.
Here we go.

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And the oscar goes to --
christopher hampton and florian

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zeller, "the father".
>> thank you.

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It's such a great joy and award.
I share this, and I want to

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thank him for being such a great
writer and a wonderful friend.

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I want to thank everyone in "the
father" who helped me to make

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the film.
My producers, of course.

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Simon, who first produced the
play in london.

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David, phillip, the sony
classics family, michael, tom,

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me
melody, all my team, so many

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names that I have to mention.
Frederic, chris, andrew,

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suzanne, thank you for being so
supportive.

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And the crew of "the father,"
and the wonderful cast.

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I wrote this script for anthony
hopkins.

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To me, he's the greatest living
actor.

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And just the idea to work with
him was like a dream.

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And I knew that it was not an
easy dream to fulfill.

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Because I'm french, as you can
hear.

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It was my first feature film,
and, you know, he's anthony

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hopkins.
I thought, until someone comes

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and prodves it was not possible
it was possible.

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And for "the father," I wanted
not to close that door and

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follow my inspiration, desire,
and dream.

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So thank you, anthony, for
having said yes to that script.

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And for giving everything to
that film.

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Your energy, your grace, and
your talent.

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Sharing that journey with you
was the most amazing experience

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00:14:05,946 --> 00:14:09,714
of my life.
And at least, I want to thank my

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00:14:09,749 --> 00:14:15,353
wife marina for supporting me
with love and patience.

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Thank you to the academy.
[ applause ]

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♪
>> hi.

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My name is afi ekulona, and I'm
your oscars voiceover.

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When we come back, last year's
winner for best supporting

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00:14:32,405 --> 00:14:33,671
actress will present best
supporting actor.

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It's the oscars on abc.
>>> the oscars on abc, brought

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00:14:55,128 --> 00:15:03,134
to you by --
♪

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>> please welcome last year's
winner for best actress in a

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00:15:04,938 --> 00:15:13,344
supporting role, laura dern.
[ cheers and applause ]

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00:15:13,380 --> 00:15:18,116
>> good evening.
So happy to see you all.

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When I was a little girl, my
mother took me to see one of her

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00:15:23,590 --> 00:15:30,495
favorite films.
"le strada" by fellini.

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I was a little young to read
subtitles, but she wanted to

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00:15:35,969 --> 00:15:42,707
share with me one of the most
extraordinary performances, that

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00:15:42,742 --> 00:15:50,648
of julietta.
It was filled with magic and

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00:15:50,684 --> 00:15:55,053
heartbreak, and it's the
language of cinema itself that

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transformed me forever.
I learned that was the first

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00:15:58,458 --> 00:16:01,559
film to win the oscar in this
next category.

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00:16:01,594 --> 00:16:08,433
Here are the nominees for best
international feature film.

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00:16:08,468 --> 00:16:11,169
>> from denmark, "another
round."

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♪
♪

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>> from hong kong, "better
days."

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♪
♪

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00:17:00,320 --> 00:17:35,319
>> from romania, "collective."
>> from tunisia, "the man who

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00:17:35,355 --> 00:17:50,701
sold his skin."
♪

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00:17:52,405 --> 00:18:08,186
♪
>> from bosnia and herzegovina,

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00:18:08,221 --> 00:18:20,598
"quo vadis, aida?"

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00:18:20,633 --> 00:18:33,377
>> hey, hey, hey!
>> and the oscar goes to --

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"another round," denmark.
[ applause ]

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00:18:40,120 --> 00:18:51,295
♪
>> hey, wow.

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00:18:51,331 --> 00:18:54,966
Thank you very much.
Thanks to the academy.

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00:18:55,001 --> 00:19:00,738
For votiing on this film.
This is beyond anything I could

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00:19:00,773 --> 00:19:04,775
ever imagine, except this is
something I've always imagined

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00:19:04,811 --> 00:19:13,918
since I was 5 or something.
I've been preparing speeches in

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00:19:13,953 --> 00:19:15,887
train stations, at school, in
the toilet.

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00:19:15,922 --> 00:19:18,756
And here I am, it's real.
It's amazing.

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00:19:18,791 --> 00:19:21,092
Wow.
This is a film about getting go

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00:19:21,127 --> 00:19:25,296
of control in life, and as I
lost control in my own.

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00:19:25,331 --> 00:19:29,433
And I want to thank my wife,
helene, who sits over here, for

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00:19:29,469 --> 00:19:32,270
being the angel of this project.
For guiding me through this very

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00:19:32,305 --> 00:19:41,879
difficult period.
I want to thank my children, my

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00:19:41,915 --> 00:19:50,988
family, my screenwriter, tobias
lindholm.

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00:19:51,024 --> 00:19:56,194
Who is my guardian angel.
There's a lot of people to

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00:19:56,229 --> 00:19:57,895
thank.
But I'll get there.

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00:19:57,931 --> 00:20:06,103
I'm sending my praises to
caspar, peter, all of you.

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00:20:06,139 --> 00:20:10,341
You had so much heart and
strength at the same time.

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00:20:10,376 --> 00:20:13,211
The crew, who threw everything
they had in their hands to

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00:20:13,246 --> 00:20:19,517
rescue me.
And rescue this film.

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00:20:19,552 --> 00:20:33,264
The investors, my agents,
distributors, you're all there.

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00:20:33,299 --> 00:20:38,970
Thank you for showing the
bravery of investing in a movie

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00:20:39,005 --> 00:20:44,475
that is about four depraved,
white, drunk men, basically.

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00:20:44,510 --> 00:20:47,278
Who teaches children to drink as
well.

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00:20:47,313 --> 00:20:55,853
I mean, pretty uphill, from my
perspective.

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00:20:55,888 --> 00:21:01,325
Those four white men, the whole
cast, you were brilliant.

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00:21:01,361 --> 00:21:05,329
Susan, maria, all of you, took
out your hearts for this.

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00:21:05,365 --> 00:21:08,666
And were brilliant.
I want to send a special thanks

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00:21:08,701 --> 00:21:18,542
to mads mikkelsen.
Yeah, give him a hand.

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00:21:18,578 --> 00:21:21,445
[ applause ]
mads, you gave us your finest.

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00:21:21,481 --> 00:21:24,749
Not just for the film, but for
my daughter as well.

227
00:21:24,784 --> 00:21:28,419
And I'll never forget it.
Whoo.

228
00:21:28,454 --> 00:21:33,724
Okay.
So we wanted to make a film that

229
00:21:33,760 --> 00:21:34,792
celebrates life.
And four days into shooting, the

230
00:21:34,827 --> 00:21:40,531
impossible happened.
An accident on a highway took my

231
00:21:40,566 --> 00:21:44,435
daughter away.
Someone looking into a cell

232
00:21:44,470 --> 00:21:55,146
phone.
And we miss her, and I love her.

233
00:21:55,181 --> 00:22:03,387
And -- sorry.
Two months before we shot this

234
00:22:03,423 --> 00:22:07,892
movie, two months before she
died, she was in africa.

235
00:22:07,927 --> 00:22:13,130
She sent me a letter, she had
just read the script, and loved

236
00:22:13,166 --> 00:22:15,032
it.
She felt seen by this.

237
00:22:15,068 --> 00:22:17,468
And she was supposed to be in
this.

238
00:22:17,503 --> 00:22:23,240
And if anyone dares to believe
that she's here with us somehow,

239
00:22:23,276 --> 00:22:27,345
you'll be able to see her
clapping and cheering with us.

240
00:22:27,380 --> 00:22:34,352
We ended up making this movie
for her, as her monument.

241
00:22:34,387 --> 00:22:39,423
So, ida, this is a miracle that
just happened, and you're a part

242
00:22:39,459 --> 00:22:41,826
of this miracle.
Maybe you've been pulling some

243
00:22:41,861 --> 00:22:45,763
strings somewhere, I don't know.
But this one is for you.

244
00:22:45,798 --> 00:22:46,797
Thank you so much.
[ cheers and applause ]

245
00:22:46,833 --> 00:23:02,246
♪
>> we're not adhering to every

246
00:23:02,281 --> 00:23:05,082
oscar tradition tonight.
But I am so happy that I now

247
00:23:05,118 --> 00:23:15,359
have the honor to present the
award for best supporting actor.

248
00:23:15,395 --> 00:23:22,733
Each of these five artists
presented us with themes of

249
00:23:22,769 --> 00:23:27,037
equity and social justice in
their own unique and

250
00:23:27,073 --> 00:23:29,173
extraordinary ways.
Lakeith stanfield.

251
00:23:29,208 --> 00:23:39,283
"judas and the black messiah."
lakeith, with such power, you

252
00:23:39,318 --> 00:23:43,287
gave us an experience of what it
is when citizens are betrayed by

253
00:23:43,322 --> 00:23:49,160
their own country and while
grappling with morality, they

254
00:23:49,195 --> 00:23:53,230
must fight to survive.
Daniel kaluuya, "judas and the

255
00:23:53,266 --> 00:24:01,038
black messiah."
daniel, hi.

256
00:24:01,073 --> 00:24:05,176
I just want to say, thank you
because with your extraordinary

257
00:24:05,211 --> 00:24:10,047
commitment and your endless
research, you did in fact

258
00:24:10,082 --> 00:24:14,685
beautifully get within the man
and I have been listening to you

259
00:24:14,720 --> 00:24:18,989
speak of your inspiration in
denzel washington's performance

260
00:24:19,025 --> 00:24:22,092
in "malcolm x."
and just to say how grateful we

261
00:24:22,128 --> 00:24:25,229
are for the inspiration you gave
us, with not only the role, but

262
00:24:25,264 --> 00:24:28,098
the words you shared, and the
reminder that you can't murder

263
00:24:28,134 --> 00:24:37,208
freedom.
Thank you.

264
00:24:37,243 --> 00:24:40,411
[ applause ]
to leslie odom jr., "one night

265
00:24:40,446 --> 00:24:47,651
in miami."
[ applause ]

266
00:24:47,687 --> 00:24:51,755
leslie, the gorgeous weight of
responsibility that you carried

267
00:24:51,791 --> 00:24:58,829
in these discussions in and
around advancing social justice.

268
00:24:58,865 --> 00:25:05,703
It captured our hearts forever,
as did your chilling gift of

269
00:25:05,738 --> 00:25:12,243
bringing sam cooke back to us.
Thank you.

270
00:25:12,278 --> 00:25:23,287
[ applause ]
to paul raci, "sound of metal."

271
00:25:23,322 --> 00:25:25,856
[ applause ]
growing up as a hearing person

272
00:25:25,892 --> 00:25:31,495
with deaf parents, I know you
made such a tireless commitment

273
00:25:31,531 --> 00:25:38,068
to expand the narrowed
perspective of deaf characters

274
00:25:38,104 --> 00:25:40,137
in film.
With this brilliant performance,

275
00:25:40,172 --> 00:25:47,144
you gave us the opportunity to
truly understand what

276
00:25:47,179 --> 00:25:52,550
inclusivity means.
And we're so lucky.

277
00:25:52,585 --> 00:25:55,819
Thank you.
[ applause ]

278
00:25:55,855 --> 00:26:06,897
and to sacha baron cohen, "the
trial of the chicago 7."

279
00:26:06,933 --> 00:26:13,804
with your perfect portrayal of
the yippie iconoclast

280
00:26:13,839 --> 00:26:17,041
abbie hoffman, you leaned into
your activist instincts.

281
00:26:17,076 --> 00:26:25,182
And I'm stunned you would be
attracted to playing such a

282
00:26:25,217 --> 00:26:27,718
disruptor, it's so unlike you to
rock the boat.

283
00:26:27,753 --> 00:26:31,655
But that's why they call it
abouting.

284
00:26:31,691 --> 00:26:33,123
These are the nominees for best
actor in a supporting role.

285
00:26:33,159 --> 00:26:40,030
And the oscar goes to --
daniel kaluuya, "judas and the

286
00:26:40,066 --> 00:26:40,297
black messiah."
[ cheers and applause ]

287
00:26:40,333 --> 00:26:58,716
♪
♪

288
00:26:58,751 --> 00:27:02,820
>> all right.
Man.

289
00:27:02,855 --> 00:27:09,560
Man.
Thank you, god.

290
00:27:09,595 --> 00:27:13,631
Thank you, god.
I can't be here without your

291
00:27:13,666 --> 00:27:19,203
guidance and protection.
For my mom, thank you so much

292
00:27:19,238 --> 00:27:22,239
for pouring into me, you gave me
everything.

293
00:27:22,274 --> 00:27:26,310
You gave me your factory
settings.

294
00:27:26,345 --> 00:27:29,980
So I can stand at my fullest
height.

295
00:27:30,016 --> 00:27:34,852
Love to my sister, my niece, my
friends and family, everyone I

296
00:27:34,887 --> 00:27:39,690
love, I'd like to thank my team.
Incredible support.

297
00:27:39,725 --> 00:27:43,227
Bro, we out here.
Yo.

298
00:27:43,262 --> 00:27:47,631
Man.
Man.

299
00:27:47,667 --> 00:27:56,974
It's good, come on down.
Ryan, sev, everyone at

300
00:27:57,009 --> 00:27:58,042
proximity.
Charles king.

301
00:27:58,077 --> 00:28:06,283
Everyone at macro.
Ni

302
00:28:06,318 --> 00:28:09,887
nigel, everyone at warner
brothers.

303
00:28:09,922 --> 00:28:13,524
It's so hard to make a film
about a man like this, and they

304
00:28:13,559 --> 00:28:17,628
made this possible.
I share this honor with the gift

305
00:28:17,663 --> 00:28:22,032
that is lakeith stanfield.
The light that is -- yeah.

306
00:28:22,068 --> 00:28:23,200
Yeah.
[ applause ]

307
00:28:23,235 --> 00:28:27,171
the light that is dominique
fishbach.

308
00:28:27,206 --> 00:28:32,476
The incredible cast and crew.
Lucas brothers, starting the

309
00:28:32,511 --> 00:28:34,211
journey.
Will, it's so incredible to look

310
00:28:34,246 --> 00:28:38,315
around you, to look around you
and just go, you're inspired by

311
00:28:38,350 --> 00:28:42,753
not only what they do, but who
they are.

312
00:28:42,788 --> 00:28:44,888
That's amazing.
Thank you so much for allowing

313
00:28:44,924 --> 00:28:46,890
us into your life and into your
story.

314
00:28:46,926 --> 00:28:54,531
Thank you for trusting us, you
know, with your truth.

315
00:28:54,567 --> 00:28:56,967
I appreciate you deeply.
It's an honor to partner up and

316
00:28:57,002 --> 00:29:01,105
stand side-by-side with you.
And to chairman fred hampton,

317
00:29:01,140 --> 00:29:03,040
bro, man, man.
What a man.

318
00:29:03,075 --> 00:29:09,513
What a man.
How blessed we are that we live

319
00:29:09,548 --> 00:29:14,985
in a lifetime where he existed.
You know what I mean?

320
00:29:15,020 --> 00:29:17,988
Thank you for your light.
He was on this earth for 21

321
00:29:18,023 --> 00:29:24,628
years.
And he found a way to feed kids

322
00:29:24,663 --> 00:29:27,564
breakfast.
Educate kids, give free medical

323
00:29:27,600 --> 00:29:28,899
care.
Against all the odds, he showed

324
00:29:28,934 --> 00:29:37,441
me, he taught me, him, huey p.
Newton, the black panther party,

325
00:29:37,476 --> 00:29:42,246
they showed me out to love
myself, and the black community

326
00:29:42,281 --> 00:29:47,484
and other communities.
And they showed us the power of

327
00:29:47,520 --> 00:29:50,754
unity.
When they play divide and

328
00:29:50,790 --> 00:29:53,423
conquer, we say unite and
ascend.

329
00:29:53,459 --> 00:29:57,528
Thank you so much for showing me
myself.

330
00:29:57,563 --> 00:30:00,230
And there's so much work to do,
guys.

331
00:30:00,266 --> 00:30:03,901
That's on everyone in this room.
This ain't no single man job.

332
00:30:03,936 --> 00:30:05,469
I look at every single one of
you.

333
00:30:05,504 --> 00:30:09,306
We've got work to do.
And I'm going to get back to

334
00:30:09,341 --> 00:30:13,744
work Tuesday morning.
Because tonight I'm going up.

335
00:30:13,779 --> 00:30:16,113
We're going up, you know what I
mean?

336
00:30:16,148 --> 00:30:17,548
We're enjoying ourselves
tonight.

337
00:30:17,583 --> 00:30:22,152
You got to celebrate life, man.
We're breathing, walking, it's

338
00:30:22,188 --> 00:30:23,453
incredible.
It's incredible.

339
00:30:23,489 --> 00:30:27,324
My mom, my dad, they had sex.
It's amazing.

340
00:30:27,359 --> 00:30:30,227
You understand, I'm here.
You know what I mean?

341
00:30:30,262 --> 00:30:35,532
I'm so happy to be alive.
So I'm going to celebrate

342
00:30:35,568 --> 00:30:37,034
tonight.
I appreciate everyone in the

343
00:30:37,069 --> 00:30:43,440
room, everyone watching at home.
You know, peace, love, and

344
00:30:43,475 --> 00:30:44,741
onwards.
We go again.

345
00:30:44,777 --> 00:30:48,111
Appreciate you.
[ applause ]

346
00:30:48,147 --> 00:30:51,849
♪
>> just so you know, we have it

347
00:30:51,884 --> 00:30:55,619
on good authority don cheadle
does an amazing

348
00:30:55,654 --> 00:30:57,154
christopher walken impression.
The question is, will he do it

349
00:30:57,189 --> 00:30:58,055
tonight?
Stay tuned.

350
00:30:58,090 --> 00:30:58,322
It's the oscars.
♪

351
00:31:04,930 --> 00:31:09,233
>>> we're live at the oscars, at
union station in los angeles.

352
00:31:09,268 --> 00:31:17,975
And now, please welcome academy
award nominee, don cheadle.

353
00:31:18,010 --> 00:31:21,345
[ applause ]
♪

354
00:31:21,380 --> 00:31:27,017
>> okay, here's the thing.
All actors know this.

355
00:31:27,052 --> 00:31:31,054
You can be primed to give the
performance of your life, but if

356
00:31:31,090 --> 00:31:32,189
you show up and your hair looks
wrong, all anybody will be

357
00:31:32,224 --> 00:31:33,390
looking at is your hair.
And if you show up and your

358
00:31:33,425 --> 00:31:35,058
costume is wrong, all anybody
will be looking at is your

359
00:31:35,094 --> 00:31:36,560
costume.
Before you've even spoken a

360
00:31:36,595 --> 00:31:38,795
line, you're done.
For best makeup and hair

361
00:31:38,831 --> 00:31:44,501
styling, five different teams of
three are nominated.

362
00:31:44,536 --> 00:31:47,337
These artists shared their
various paths to tonight.

363
00:31:47,373 --> 00:31:50,374
One began by doing makeup on
himself.

364
00:31:50,409 --> 00:31:52,643
Another got started by showing
up on a set at 3:00 a.M. To hold

365
00:31:52,678 --> 00:31:54,511
hairpins.
Others by working for free on

366
00:31:54,546 --> 00:31:59,283
small independent films.
Here are the nominees for makeup

367
00:31:59,318 --> 00:32:07,224
and hairstyling.
"emma," marese langan.

368
00:32:07,259 --> 00:32:14,531
Laura allen and claudia stolze.
[ applause ]

369
00:32:14,566 --> 00:32:20,270
"hillbilly elegy,"
eryn krueger,

370
00:32:20,306 --> 00:32:23,507
matthew mungle and
patricia dehaney.

371
00:32:23,542 --> 00:32:26,209
"ma rainey's black bottom,"
sergio lopez-rivera.

372
00:32:26,245 --> 00:32:35,385
Mia neal, and jamika wilson.
"mank," gigi williams,

373
00:32:35,421 --> 00:32:42,159
kimberley spiteri, and
colleen labaff.

374
00:32:42,194 --> 00:32:45,829
"pinocchio," mark coulier,
dalia colli, and

375
00:32:45,864 --> 00:32:56,807
francesco pegoretti.
And the oscar goes to --

376
00:32:56,842 --> 00:33:00,877
"ma rainey's black bottom,"
sergio lopez-rivera,

377
00:33:00,913 --> 00:33:02,112
mia neal, and jamika wilson.
[ cheers and applause ]

378
00:33:02,147 --> 00:33:21,198
♪
♪

379
00:33:21,233 --> 00:33:32,676
[ cheers and applause ]
>> I was raised by my

380
00:33:32,711 --> 00:33:42,185
grandfather, james holland.
He was an original tuskegee

381
00:33:42,221 --> 00:33:45,489
airman.
He graduated from northwest

382
00:33:45,524 --> 00:33:50,293
university at a time when they
did not allow blacks to stay on

383
00:33:50,329 --> 00:33:53,764
campus, so he stayed at the
ymca.

384
00:33:53,799 --> 00:33:59,770
Then he went back to his
hometown in hopes of becoming a

385
00:33:59,805 --> 00:34:01,772
teacher.
But they did not hire blacks in

386
00:34:01,807 --> 00:34:04,474
the school system.
I want to say thank you to our

387
00:34:04,510 --> 00:34:10,547
ancestors who put the work in.
Who were denied but never gave

388
00:34:10,582 --> 00:34:12,115
up.
And I also stand here, as we

389
00:34:12,151 --> 00:34:18,255
break this glass ceiling with so
much excitement for the future.

390
00:34:18,290 --> 00:34:22,125
[ cheers and applause ]
because I can picture black

391
00:34:22,161 --> 00:34:34,337
trans women standing up here,
asian and latina sisters, and

392
00:34:34,373 --> 00:34:38,542
indigenous women.
And it won't be unusual or

393
00:34:38,577 --> 00:34:46,917
groundbreaking one day, it will
just be normal.

394
00:34:46,952 --> 00:34:54,224
Thank you to the aacademy,
netflix, denzel washington,

395
00:34:54,259 --> 00:35:01,198
viola davis, andrea resnick.
To the spirit of ma rainey.

396
00:35:01,233 --> 00:35:04,101
Thank you.
[ cheers and applause ]

397
00:35:04,136 --> 00:35:19,883
♪
>> anthony hopkins, who's done

398
00:35:19,918 --> 00:35:21,718
pretty damn well for himself,
especially this year, said, "the

399
00:35:21,753 --> 00:35:24,054
minute I put on the wardrobe,
the character just unfolds”

400
00:35:24,089 --> 00:35:27,290
"emma's" alexandra byrne had the
challenge of designing costumes

401
00:35:27,326 --> 00:35:28,558
for a film set in the early 19th
century.

402
00:35:28,594 --> 00:35:32,762
To meet that challenge she
looked at everything.

403
00:35:32,798 --> 00:35:35,932
Paintings, journals, and even in
museums.

404
00:35:35,968 --> 00:35:40,170
To prepare for "ma rainey's
black bottom," costume designer

405
00:35:40,205 --> 00:35:46,309
ann roth reads the script, and
asks herself questions about the

406
00:35:46,345 --> 00:35:47,344
character like, when she goes to
bed, where are those clothes?

407
00:35:47,379 --> 00:35:48,445
Do they fall on the floor?
Does she hang them up?

408
00:35:48,480 --> 00:35:52,215
From there, ann builds the
costumes which define the

409
00:35:52,251 --> 00:35:56,620
character.
For "mank," trish summerville

410
00:35:56,655 --> 00:36:00,423
used sears and roebuck
catalogues, charlie chaplin

411
00:36:00,459 --> 00:36:05,695
movies, and still photographs
from the '20s, '30s and '40s to

412
00:36:05,731 --> 00:36:06,963
create an authentic look of real
people from movie history.

413
00:36:06,999 --> 00:36:09,633
Bina daigeler spent three weeks
in china researching costumes

414
00:36:09,668 --> 00:36:10,901
for "mulan."
she said her goal was to enable

415
00:36:10,936 --> 00:36:13,336
the audience to grasp something
essential about the character.

416
00:36:13,372 --> 00:36:16,406
And in the case of "mulan"
herself, she used color and

417
00:36:16,441 --> 00:36:20,210
costume to convey an uplifting
and positive message.

418
00:36:20,245 --> 00:36:24,814
"pinocchio's" costume designer
massimo cantini parrini also is

419
00:36:24,850 --> 00:36:27,984
a strong believer that color
helps create the character.

420
00:36:28,020 --> 00:36:31,354
And because red is the color
that expresses powerful emotions

421
00:36:31,390 --> 00:36:35,358
like anger, passion, love, and
lying, "pinocchio" became the

422
00:36:35,394 --> 00:36:37,761
only character in the movie
wearing red.

423
00:36:37,796 --> 00:36:54,411
And the oscar goes to --
ann roth, "ma rainey's black

424
00:36:54,446 --> 00:36:58,448
bottom."
the academy congratulates ann,

425
00:36:58,483 --> 00:37:02,285
and accepts the oscar on her
behalf.

426
00:37:02,321 --> 00:37:05,388
Thank you.
>> when we come back,

427
00:37:05,424 --> 00:37:06,523
bryan cranston goes to
hollywood, and then we take a

428
00:37:06,558 --> 00:37:09,893
trip halfway around the world.
It's the oscars on abc.

429
00:37:13,498 --> 00:37:15,332
>>> live from the dolby theatre
in hollywood, here is

430
00:37:15,367 --> 00:37:16,833
bryan cranston presenting the
jean hersholt humanitarian

431
00:37:16,868 --> 00:37:25,208
award.
♪

432
00:37:25,244 --> 00:37:26,443
>> the grand dolby theatre has
been home to the academy awards

433
00:37:26,478 --> 00:37:36,253
since 2002.
And we'll be back here again

434
00:37:36,288 --> 00:37:38,722
next year.
But the times have called for a

435
00:37:38,757 --> 00:37:41,358
pause while we grapple with all
the changes around us.

436
00:37:41,393 --> 00:37:44,294
The times are always changing of
course, but it's fascinating how

437
00:37:44,329 --> 00:37:54,571
often they repeat themselves.
Let me set this scene.

438
00:37:54,606 --> 00:37:57,407
It's a raging tail end of a
pandemic.

439
00:37:57,442 --> 00:38:00,910
Many millions of lives are lost.
Many millions more permanently

440
00:38:00,946 --> 00:38:03,079
dislocated and changed forever.
People wonder, how will we move

441
00:38:03,115 --> 00:38:07,183
forward?
The year is 1921.

442
00:38:07,219 --> 00:38:13,990
After the worst pandemic in
history, actors mary pickford

443
00:38:14,026 --> 00:38:16,860
and jean hersholt took action,
raising money for the motion

444
00:38:16,895 --> 00:38:22,299
picture and television fund, a
foundation that would provide a

445
00:38:22,334 --> 00:38:23,767
remarkable range of health
services and aid to anyone who

446
00:38:23,802 --> 00:38:27,404
worked in the film or television
industry.

447
00:38:27,439 --> 00:38:30,840
100 years later, we found
ourselves in another global

448
00:38:30,876 --> 00:38:35,278
pandemic.
This time the mptf knew how to

449
00:38:35,314 --> 00:38:50,427
answer the call, because they
had been doing it for decades.

450
00:38:50,462 --> 00:38:52,429
In 1942, the motion picture and
television fund broke ground on

451
00:38:52,464 --> 00:38:53,963
what would become the
lew wasserman campus in

452
00:38:53,999 --> 00:38:55,231
woodland hills.
From actors to make-up artists.

453
00:38:55,267 --> 00:38:58,234
From electricians to carpenters.
From painters to teamsters, the

454
00:38:58,270 --> 00:38:59,602
fund was created to help those
who, for whatever reason, fell

455
00:38:59,638 --> 00:39:00,637
on hard times.
The film lab chemist who

456
00:39:00,672 --> 00:39:04,374
developed alzheimer's found a
home at the mptf.

457
00:39:04,409 --> 00:39:08,578
A gay hair and make-up artist
whose death left his life

458
00:39:08,613 --> 00:39:11,014
partner unable to receive his
pension because their 40-year

459
00:39:11,049 --> 00:39:12,215
union was not recognized as a
marriage.

460
00:39:12,250 --> 00:39:19,489
The mptf was there to help.
>> being a single mother in this

461
00:39:19,524 --> 00:39:24,227
industry is hard.
But having my son lose his

462
00:39:24,262 --> 00:39:30,533
father made it a lot harder.
But the mptf were here for us.

463
00:39:30,569 --> 00:39:36,706
>> my family and I will always
remember the grace with which

464
00:39:36,742 --> 00:39:43,980
travis died, and the mptf al
allowed that to happen.

465
00:39:44,015 --> 00:39:45,215
>> I have a special connection
to the mptf.

466
00:39:45,250 --> 00:39:46,916
When my mother, peggy, a former
actress, was diagnosed with

467
00:39:46,952 --> 00:39:48,818
alzheimer's, the mptf offered
her a caring and loving home for

468
00:39:48,854 --> 00:39:51,054
her final years, as well as her
last sweet romance.

469
00:39:51,089 --> 00:39:53,890
Today, over 250 residents call
the wasserman campus their home,

470
00:39:53,925 --> 00:39:57,727
their ages ranging from over
60 to nearly 100.

471
00:39:57,763 --> 00:40:01,464
These glorious people hold the
history of film and television

472
00:40:01,500 --> 00:40:04,401
in their stories and
experiences.

473
00:40:04,436 --> 00:40:07,370
Keeping these residents safe
during covid, seeing to their

474
00:40:07,406 --> 00:40:11,374
health needs, keeping them
socially distanced and socially

475
00:40:11,410 --> 00:40:13,376
connected was an overwhelming
challenge.

476
00:40:13,412 --> 00:40:15,512
But the mptf staff and
volunteers never left their

477
00:40:15,547 --> 00:40:18,314
side.
Often sacrificing time with

478
00:40:18,350 --> 00:40:23,753
their own families to take care
of the residents.

479
00:40:23,789 --> 00:40:24,621
Quite simply, they are our
heroes, working beyond the call

480
00:40:24,656 --> 00:40:32,095
of duty.
[ applause ]

481
00:40:32,130 --> 00:40:36,766
it's the 100th anniversary of
the mptf and we have with us

482
00:40:36,802 --> 00:40:40,170
70 of those vaccinated health
care and social workers whose

483
00:40:40,205 --> 00:40:43,039
compassion compelled them to
step up and take action to help

484
00:40:43,074 --> 00:40:52,615
those in need.
It is with infinite gratitude

485
00:40:52,651 --> 00:40:57,787
and great pride, that we honor
them tonight.

486
00:40:57,823 --> 00:41:01,257
Bob beitcher, here to accept
this year's jean hersholt

487
00:41:01,293 --> 00:41:03,026
humanitarian award.
♪

488
00:41:03,061 --> 00:41:19,442
[ cheers and applause ]
>> bryan, thank you for those

489
00:41:19,478 --> 00:41:21,911
kind words.
They mean so much to us, coming

490
00:41:21,947 --> 00:41:25,181
from a member of our mptf
family.

491
00:41:25,217 --> 00:41:29,319
Jennifer, norma, and I want to
express our gratitude to

492
00:41:29,354 --> 00:41:34,791
david rubin, dawn hudson, and
the academy board of governors

493
00:41:34,826 --> 00:41:38,628
for recognizing the fund tonight
with this very special honor.

494
00:41:38,663 --> 00:41:40,363
Especially since this is the
first time the award has gone to

495
00:41:40,398 --> 00:41:48,204
an organization.
Thank you to our boards, who

496
00:41:48,240 --> 00:41:51,174
have guided and supported us
over the years.

497
00:41:51,209 --> 00:41:54,878
Your kind words during the
pandemic were cherished.

498
00:41:54,913 --> 00:42:02,819
Much appreciation to the
small and large donors who

499
00:42:02,854 --> 00:42:04,954
sustain our charity and to our
volunteers who are so essential

500
00:42:04,990 --> 00:42:10,159
to our mission.
Here's to the tens of thousands

501
00:42:10,195 --> 00:42:15,765
of freelance workers in our
entertainment community.

502
00:42:15,800 --> 00:42:17,000
Those in front of and behind the
camera.

503
00:42:17,035 --> 00:42:18,868
They are the heartbeat of our
industry and for 100 years mptf

504
00:42:18,904 --> 00:42:23,840
has been their safety net of
support.

505
00:42:23,875 --> 00:42:32,315
This year alone, mptf connected
with our industry workforce over

506
00:42:32,350 --> 00:42:34,817
40,000 times.
Thank you to the residents of

507
00:42:34,853 --> 00:42:38,955
the iconic motion picture home.
They've had a very rough

508
00:42:38,990 --> 00:42:45,929
12 months of social isolation.
Tonight, they're all together,

509
00:42:45,964 --> 00:42:55,271
but socially distanced and
watching the oscars.

510
00:42:55,307 --> 00:43:00,944
To norma and jennifer, and to
the rest of our mptf work

511
00:43:00,979 --> 00:43:04,347
family.
On the front line during the

512
00:43:04,382 --> 00:43:05,481
pandemic.
The social workers, nurses,

513
00:43:05,517 --> 00:43:11,621
doctors, housekeepers, activity
staff, food servers,

514
00:43:11,656 --> 00:43:18,561
fundraisers, I.T. Techs,
producers, hr professionals,

515
00:43:18,597 --> 00:43:21,264
chaplains, cooks, and land
landscapers, they are our

516
00:43:21,299 --> 00:43:25,568
industry's superheroes of 2020.
This award is for them and the

517
00:43:25,604 --> 00:43:30,940
tens of thousands of others who
have worked at mptf over the

518
00:43:30,976 --> 00:43:40,950
past 100 years.
It's the honor of a lifetime for

519
00:43:40,986 --> 00:43:45,521
us to work together and to
receive this award.

520
00:43:45,557 --> 00:43:51,461
We truly take care of our own.
And to jean hersholt, our

521
00:43:51,496 --> 00:43:59,569
president at mptf for 18 years,
we're bringing you home tonight.

522
00:43:59,604 --> 00:44:09,012
[ cheers and applause ]
♪

523
00:44:09,047 --> 00:44:14,917
>> last year in this very
theater, history was made when,

524
00:44:14,953 --> 00:44:23,192
for the first time, a non
english language film swept the

525
00:44:23,228 --> 00:44:24,227
awards.
Winning best picture, along with

526
00:44:24,262 --> 00:44:26,596
best screenplay, best
international film and best

527
00:44:26,631 --> 00:44:29,432
director.
Presenting the academy award for

528
00:44:29,467 --> 00:44:32,635
directing, bong joon ho from
dolby cinema in seoul.

529
00:44:45,884 --> 00:45:00,063
[ speaking foreign language ]
>> translator: What is

530
00:45:00,098 --> 00:45:02,165
directing?
I'm a director myself, but I

531
00:45:02,200 --> 00:45:06,869
don't know what to say.
It's hard to answer with a

532
00:45:06,905 --> 00:45:08,805
straight face.
A bit cringy as well.

533
00:45:08,840 --> 00:45:12,842
It's difficult to give a short
answer.

534
00:45:14,646 --> 00:45:27,490
[ speaking foreign language ]
>> translator: When I get asked

535
00:45:27,525 --> 00:45:32,428
this question during an
interview, I don't want to

536
00:45:32,464 --> 00:45:34,931
answer.
But this time, I asked this

537
00:45:34,966 --> 00:45:37,900
question to the five directors
nominated tonight.

538
00:45:39,204 --> 00:45:45,875
[ speaking foreign language ]
>> translator: The question was,

539
00:45:45,910 --> 00:45:49,412
if you have to explain to a
random kid on the street what

540
00:45:49,447 --> 00:45:58,421
directing is in 20 seconds, what
would you say?

541
00:45:58,456 --> 00:46:01,190
[ speaking foreign language ]
>> translator: The five

542
00:46:01,226 --> 00:46:04,694
directors all sent their
replies.

543
00:46:04,729 --> 00:47:43,759
The replies were very personal.
>> and the oscar goes to --

544
00:47:43,795 --> 00:47:52,401
chloe zhao, "nomadland."
[ cheers and applause ]

545
00:47:52,437 --> 00:48:08,217
♪
>> oh, man.

546
00:48:08,253 --> 00:48:10,620
Thank you, thank you to the
academy.

547
00:48:10,655 --> 00:48:16,158
Thank you to my brilliant,
brilliant nominees, fellow

548
00:48:16,194 --> 00:48:19,328
nominees, thank you.
My entire "nomadland" company.

549
00:48:19,364 --> 00:48:24,200
What a crazy once in a lifetime
journey we went on.

550
00:48:24,235 --> 00:48:27,069
Thank you so much.
I'm so grateful to you.

551
00:48:27,105 --> 00:48:31,173
I have been thinking a lot
lately of how I keep going when

552
00:48:31,209 --> 00:48:36,946
things get hard.
And I think it goes back to

553
00:48:36,981 --> 00:48:39,448
something I learned when I was a
kid.

554
00:48:39,484 --> 00:48:45,488
When I was growing up in china,
my dad and I would play this

555
00:48:45,523 --> 00:48:47,790
game.
We would memorize classic

556
00:48:47,825 --> 00:48:54,463
chinese poems and texts, and we
would recite them together.

557
00:48:54,499 --> 00:48:59,602
And there was one I remember,
it's called "the three character

558
00:48:59,637 --> 00:49:08,077
classics."
and the first phrase goes --

559
00:49:08,112 --> 00:49:10,947
[ speaking foreign language ]
people at birth are inherently

560
00:49:10,982 --> 00:49:15,051
good.
And those six letters had such a

561
00:49:15,086 --> 00:49:19,121
great impact on me when I was a
kid.

562
00:49:19,157 --> 00:49:20,890
And I still truly believe them
today.

563
00:49:20,925 --> 00:49:27,029
Even though sometimes it may
seem like the opposite is true.

564
00:49:27,065 --> 00:49:28,698
But I have always found goodness
in the people I met.

565
00:49:28,733 --> 00:49:37,506
Everywhere I went in the world.
So this is for anyone who has

566
00:49:37,542 --> 00:49:41,477
the faith and the courage to
hold on to the goodness in

567
00:49:41,512 --> 00:49:43,713
themselves.
And to hold on to the goodness

568
00:49:43,748 --> 00:49:46,515
in each other.
No matter how difficult it is to

569
00:49:46,551 --> 00:49:49,385
do that.
And this is for you, you inspire

570
00:49:49,420 --> 00:49:53,356
me to keep going.
Thank you.

571
00:49:53,391 --> 00:49:54,090
Thank you.
[ cheers and applause ]

572
00:49:54,125 --> 00:50:03,099
♪
>> I'll keep saying it's the

573
00:50:03,134 --> 00:50:06,168
oscars on abc until they tell me
not to.

574
00:50:06,204 --> 00:50:07,370
Next up, riz ahmed gives out two
oscars.

575
00:50:07,405 --> 00:50:18,581
Stay with us.
♪

576
00:50:22,253 --> 00:50:28,257
[ cheers and applause ]
>>> welcome back to the oscars.

577
00:50:28,292 --> 00:50:29,959
And now, here's a nominee
tonight for best actor, riz

578
00:50:29,994 --> 00:50:33,029
ahmed.
[ cheers and applause ]

579
00:50:33,064 --> 00:50:41,237
>> thank you.
So in a year when half of us

580
00:50:41,272 --> 00:50:44,240
forgot to unmute ourselves, we
were all reminded about the

581
00:50:44,275 --> 00:50:51,213
importance of sound.
But we tell people to go and see

582
00:50:51,249 --> 00:51:00,790
a movie, but the best ones are
the ones we feel, right here.

583
00:51:00,825 --> 00:51:01,924
I had the opportunity to learn
american sign language for my

584
00:51:01,959 --> 00:51:09,432
role in "sound of metal," and
what a learned is that

585
00:51:09,467 --> 00:51:13,936
communication is something we do
with our entire bodies.

586
00:51:13,971 --> 00:51:19,375
And the nominees tonight struck
us at our core.

587
00:51:19,410 --> 00:51:23,879
Here are the nominees for
achievement in sound.

588
00:51:23,915 --> 00:51:25,481
“greyhound” warren shaw,
michael minkler, beau borders,

589
00:51:25,516 --> 00:51:35,524
and david wyman.
“mank” ren klyce, jeremy molod,

590
00:51:35,560 --> 00:51:39,995
david parker, nathan nance, and
drew kunin.

591
00:51:40,031 --> 00:51:44,266
“news of the world” oliver
tarney, mike prestwood smith,

592
00:51:44,302 --> 00:51:49,839
william miller, and john
pritchett.

593
00:51:49,874 --> 00:51:56,145
“soul” ren klyce, coya elliott,
and david parker.

594
00:51:56,180 --> 00:52:02,084
“sound of metal” nicolas
becker, jaime baksht, michellee

595
00:52:02,120 --> 00:52:06,388
couttolenc, carlos corés, and
phillip bladh.

596
00:52:06,424 --> 00:52:16,499
And the oscar goes to --
“sound of metal” nicolas

597
00:52:16,534 --> 00:52:19,735
becker, jaime baksht, michellee
couttolenc, carlos corés, and

598
00:52:19,770 --> 00:52:22,738
phillip bladh.
[ cheers and applause ]

599
00:52:22,773 --> 00:52:41,157
♪
♪

600
00:52:47,832 --> 00:52:55,437
>> so thank you so much for the
academy, for recognizing this

601
00:52:55,473 --> 00:52:57,740
wonderful film.
I'm sorry, my english is not

602
00:52:57,775 --> 00:53:01,844
very good.
So I'm going to read a bit

603
00:53:01,879 --> 00:53:05,080
because I don't want to make
problems.

604
00:53:05,116 --> 00:53:09,852
Thank you for recognizing this
wonderful film.

605
00:53:09,887 --> 00:53:21,597
No, thank you, sasha, riz, and
others for your amazing

606
00:53:21,632 --> 00:53:28,237
performances.
For your creativity, and

607
00:53:28,272 --> 00:53:41,517
carolina for your brilliance.
On behalf of all of us, I thank

608
00:53:41,552 --> 00:53:51,126
you -- we are five on the team.
That's why it's a bit long.

609
00:53:51,162 --> 00:53:55,097
Now I would like to say
something more personal.

610
00:53:55,132 --> 00:54:01,937
Fellini once said, in the
history of cinema, beyond styles

611
00:54:01,973 --> 00:54:04,006
and techniques is the human
vitality.

612
00:54:04,041 --> 00:54:09,111
Whoever enjoys it receives a
charge of energy, something

613
00:54:09,146 --> 00:54:14,984
mysterious and vibrant.
"sound of metal" received from

614
00:54:15,019 --> 00:54:17,419
its team so much care, love, and
attention.

615
00:54:17,455 --> 00:54:22,358
So much energy that we believe
it's one of the reasons the film

616
00:54:22,393 --> 00:54:23,292
has been received so
beautifully.

617
00:54:23,327 --> 00:54:27,229
So thank you for that.
Thank you very much.

618
00:54:27,265 --> 00:54:38,173
[ cheers and applause ]
♪

619
00:54:44,882 --> 00:54:48,751
>> now, before I announce the
nominees for best live action

620
00:54:48,786 --> 00:54:52,721
short, I've got a question for
all the nominees here.

621
00:54:52,757 --> 00:55:00,229
How many of you started off your
career working as cast or crew

622
00:55:00,264 --> 00:55:03,098
on a short film?
I'm noticing some people go

623
00:55:03,134 --> 00:55:06,468
straight to the top.
Exactly.

624
00:55:06,504 --> 00:55:09,104
You can always be sure the
category for best live action

625
00:55:09,140 --> 00:55:21,717
short will showcase some of
tomorrow's great filmmakers.

626
00:55:21,752 --> 00:55:27,356
If feature films are novels,
short films are like poems.

627
00:55:27,391 --> 00:55:31,894
They have less space to work
with, but they have a big

628
00:55:31,929 --> 00:55:33,829
impact.
Here are the nominees for best

629
00:55:33,864 --> 00:55:37,333
live action short film.
“feeling through” doug roland

630
00:55:37,368 --> 00:55:44,606
and susan ruzenski.
[ applause ]

631
00:55:44,642 --> 00:55:48,310
“the letter” elvira lind and
sofia sondervan.

632
00:55:48,346 --> 00:55:56,585
[ applause ]
“the present” farah nabulsi and

633
00:55:56,620 --> 00:55:59,988
ossama bawardi.
[ applause ]

634
00:56:00,024 --> 00:56:02,658
“two distant strangers” travon
free and martin desmond roe.

635
00:56:02,693 --> 00:56:09,998
[ applause ]
“white eye” tomer shushan and

636
00:56:10,034 --> 00:56:16,305
shira hochman.
[ applause ]

637
00:56:16,340 --> 00:56:22,578
and the oscar goes to --
“two distant strangers” travon

638
00:56:22,613 --> 00:56:26,348
free and martin desmond roe.
♪

639
00:56:26,384 --> 00:56:42,464
[ cheers and applause ]
♪

640
00:56:42,500 --> 00:56:54,376
>> oh, my god.
Oh, god is so good.

641
00:56:54,412 --> 00:56:59,815
Oh.
Today, the police will kill

642
00:56:59,850 --> 00:57:02,317
three people.
And tomorrow, the police will

643
00:57:02,353 --> 00:57:05,320
kill three people.
And the day after that, the

644
00:57:05,356 --> 00:57:10,492
police will kill three people.
Because on average, the police

645
00:57:10,528 --> 00:57:14,263
in america every day kill three
people.

646
00:57:14,298 --> 00:57:18,434
Which amounts to about 1,000
people a year.

647
00:57:18,469 --> 00:57:27,075
And those people happen to be
dispro

648
00:57:27,111 --> 00:57:30,112
dispro
disproportionately black people.

649
00:57:30,147 --> 00:57:33,782
I just ask that you please not
be indifferent.

650
00:57:33,818 --> 00:57:38,086
Please don't be indifferent to
our pain.

651
00:57:38,122 --> 00:57:42,858
>> we'd like to thank netflix
for giving our short film a

652
00:57:42,893 --> 00:57:47,629
chance to be seen by the world.
We'd like to thank the academy.

653
00:57:47,665 --> 00:57:55,971
We'd like to thank joey and
others for bringing our short

654
00:57:56,006 --> 00:58:03,479
film to life.
And lawrence, sean, jesse, van,

655
00:58:03,514 --> 00:58:06,682
nicki, and nick for making this
dream a reality.

656
00:58:06,717 --> 00:58:15,057
>> and I want to thank tony.
My mom, and zaria, happy

657
00:58:15,092 --> 00:58:17,826
birthday.
I love you.

658
00:58:17,862 --> 00:58:21,930
>> and my mom and brother.
Love you.

659
00:58:21,966 --> 00:58:29,938
Thank you all.
>> I swear, we're running on

660
00:58:29,974 --> 00:58:32,508
time.
Next, we've got reese

661
00:58:32,543 --> 00:58:34,209
witherspoon presenting best
animated feature.

662
00:58:34,245 --> 00:58:34,776
This is the oscars on abc.
♪

663
00:58:40,518 --> 00:58:42,951
>>> welcome back.
And now, here is academy award

664
00:58:42,987 --> 00:58:50,225
winner reese witherspoon.
[ applause ]

665
00:58:50,261 --> 00:58:52,628
>>  the nominees for best
animated short prove that while

666
00:58:52,663 --> 00:58:56,698
you may end up working in
animation, your inspiration can

667
00:58:56,734 --> 00:59:06,108
come from all sorts of places.
Adrien merigeau's very first

668
00:59:06,143 --> 00:59:07,543
favorite film was "hedgehog in
the fog" and amaury ovise's

669
00:59:07,578 --> 00:59:17,719
favorite line, "are you talking
to me?"

670
00:59:17,755 --> 00:59:19,021
from "taxi driver," do I sound
like him?

671
00:59:19,056 --> 00:59:20,656
Fueled the movie love that
inspired them to make "genius

672
00:59:20,691 --> 00:59:21,924
loci."
"yes-people's" arnar gunnarsson

673
00:59:21,959 --> 00:59:23,926
and ísli darri halldorsson's
love affair with animation began

674
00:59:23,961 --> 00:59:28,897
with "star wars."
the force is very strong with

675
00:59:28,933 --> 00:59:30,032
those two.
Erick oh spent hours and hours

676
00:59:30,067 --> 00:59:32,100
watching films by legendary
animation director miyazaki

677
00:59:32,136 --> 00:59:34,603
hayao.
Those hours inspired him to

678
00:59:34,638 --> 00:59:40,309
create the film "opera."
madeline sharafian is a huge fan

679
00:59:40,344 --> 00:59:42,978
of wes anderson films.
And her partner, michael

680
00:59:43,013 --> 00:59:45,514
capbarat is a huge fan of a
large coke and a small popcorn.

681
00:59:45,549 --> 00:59:51,320
Both helped to fuel them to
create their film "burrow."

682
00:59:51,355 --> 00:59:53,388
michael govier's favorite film
at 12 years old was "citizen

683
00:59:53,424 --> 00:59:59,528
kane."
really, 12 years old?

684
00:59:59,563 --> 01:00:10,205
That's very intense.
Will mccormac's favorite film

685
01:00:10,240 --> 01:00:14,443
was -- and his favorite movie
snack was the unique combination

686
01:00:14,478 --> 01:00:21,249
of pouring milk duds into his
small popcorn, which sounds

687
01:00:21,285 --> 01:00:22,284
delicious.
They both worked together to

688
01:00:22,319 --> 01:00:23,719
give us "if anything happens I
love you."

689
01:00:23,754 --> 01:00:31,760
and so the oscar for best
animated short film goes to --

690
01:00:31,795 --> 01:00:41,737
"if anything happens I love
yo

691
01:00:41,772 --> 01:00:46,842
you."
will mccormac and michael

692
01:00:46,877 --> 01:00:51,079
govier.
♪

693
01:00:51,115 --> 01:01:00,255
[ cheers and applause ]
>> I never thought I would get

694
01:01:00,290 --> 01:01:04,860
to say this.
Thank you to the academy.

695
01:01:04,895 --> 01:01:12,934
I just want to thank -- just
thank you to everyone who opened

696
01:01:12,970 --> 01:01:14,503
their hearts and watched our
film.

697
01:01:14,538 --> 01:01:22,711
It means so much to us.
Mary ann, you were the heart of

698
01:01:22,746 --> 01:01:34,723
our film.
Laura, jamie, lindsay marcus,

699
01:01:34,758 --> 01:01:40,062
your sublime music.
We were so lucky to work with

700
01:01:40,097 --> 01:01:42,097
all of you.
That's how big our team was.

701
01:01:42,132 --> 01:01:47,235
I would like to thank my
parents, my wife, I love you.

702
01:01:47,271 --> 01:01:58,180
Thank you to rashida jones,
melissa cobb, greg taylor.

703
01:01:58,215 --> 01:02:06,254
Wolf, noel, sophie, mom and dad
for telling me I could do

704
01:02:06,290 --> 01:02:09,324
anything I believed in.
My wife and son.

705
01:02:09,359 --> 01:02:14,262
We dedicate this film to all
those who have lost loved ones

706
01:02:14,298 --> 01:02:19,568
to gun violence.
We deserved better than to live

707
01:02:19,603 --> 01:02:25,107
in a country where more than 100
people die by gun violence every

708
01:02:25,142 --> 01:02:27,843
single day.
We must and will do better.

709
01:02:27,878 --> 01:02:31,747
Thank you.
>> thank you!

710
01:02:31,782 --> 01:02:36,051
♪
[ applause ]

711
01:02:41,825 --> 01:02:43,058
>> so you've just heard why our
nominees for animated shorts

712
01:02:43,093 --> 01:02:49,998
fell in love with animation.
Me?

713
01:02:50,033 --> 01:03:02,911
I fell in love with them when my
mother took me to "the secret of

714
01:03:02,946 --> 01:03:05,113
nimh."
it was my first experience

715
01:03:05,149 --> 01:03:09,184
seeing a strong woman at the
center of a film.

716
01:03:09,219 --> 01:03:12,521
And that is the power of really
great animation.

717
01:03:12,556 --> 01:03:14,656
It shows you as a child that
anything is possible.

718
01:03:14,691 --> 01:03:19,761
That you can change the world,
even if you're as small as a

719
01:03:19,797 --> 01:03:22,898
mouse.
Tonight, we have nominees with

720
01:03:22,933 --> 01:03:27,369
us in person, but we want to say
a special hello to those joining

721
01:03:27,404 --> 01:03:33,008
us from london and ireland.
[ applause ]

722
01:03:33,043 --> 01:03:35,811
here are the nominees for best
animated feature.

723
01:03:35,846 --> 01:03:45,387
"onward."
>> say hi to dad for me.

724
01:03:45,422 --> 01:03:49,291
>> no.
You go and say good-bye.

725
01:03:49,326 --> 01:03:51,126
>> what?
>> I had someone who looked out

726
01:03:51,161 --> 01:03:52,194
for me.
Someone who pushed me to be more

727
01:03:52,229 --> 01:03:58,033
than I ever thought I could be.
I never had a dad.

728
01:03:58,068 --> 01:04:11,880
But I always had you.
>> "over the moon."

729
01:04:11,915 --> 01:04:18,220
♪ could I discover a way to
break through what would a girl

730
01:04:18,255 --> 01:04:28,230
like me possibly do ♪
♪ oh how I want to fly away I'm

731
01:04:28,265 --> 01:04:33,168
coming to you fly away ♪
♪ I will prove it to you I'll be

732
01:04:33,203 --> 01:04:36,204
free of all gravity ♪
>> "a shaun the sheep movie:

733
01:04:36,240 --> 01:04:53,755
Farmageddon."
♪

734
01:04:53,790 --> 01:05:08,803
[ screaming ]
>> "soul."

735
01:05:08,839 --> 01:05:24,853
[ applause ]
♪

736
01:05:26,089 --> 01:05:39,267
♪
>> "wolfwalkers."

737
01:05:39,303 --> 01:05:46,007
[ applause ]
♪

738
01:05:46,043 --> 01:05:54,149
♪ there is no way for you to
hide the harvest moon is

739
01:05:54,184 --> 01:05:56,985
shining ♪
♪ I'm running with the wolves

740
01:05:57,020 --> 01:06:06,561
tonight I'm running with the
wolves tonight ♪

741
01:06:06,596 --> 01:06:09,431
[ applause ]
>> and the oscar for best

742
01:06:09,466 --> 01:06:19,541
animated feature goes to --
"soul."

743
01:06:19,576 --> 01:06:31,519
♪
[ cheers and applause ]

744
01:06:31,555 --> 01:06:33,822
>> wow.
Okay.

745
01:06:33,857 --> 01:06:44,933
I've been nominated to speak on
behalf of the co-directors.

746
01:06:44,968 --> 01:06:49,270
We had no idea what jazz could
teach us about life.

747
01:06:49,306 --> 01:06:53,208
Like a jazz musician, we can
turn whatever happens into

748
01:06:53,243 --> 01:06:54,476
something of value and something
of beauty.

749
01:06:54,511 --> 01:07:02,650
That was certainly true of our
amazing cast, jamie foxx, tina

750
01:07:02,686 --> 01:07:04,819
fey.
Our brilliant collaborators,

751
01:07:04,855 --> 01:07:20,735
trent and atticus, jean batiste,
our cultural consultants, dr.

752
01:07:20,771 --> 01:07:22,370
Jinetta cole.
We're thankful to our partners

753
01:07:22,406 --> 01:07:28,510
at disney, when we said, we want
to do a film that explores the

754
01:07:28,545 --> 01:07:32,480
purpose of life, they said,
okay, go ahead.

755
01:07:32,516 --> 01:07:35,150
And of course to our family,
dana wants to thank --

756
01:07:35,185 --> 01:07:39,220
>> my amazing husband, my
parents, I'm here because of

757
01:07:39,256 --> 01:07:40,755
you.
I love you so much.

758
01:07:40,791 --> 01:07:44,993
Hazel and murray, my babies at
home, you're everything to me.

759
01:07:45,028 --> 01:07:51,232
We have to thank the crew, who
made this film and even finished

760
01:07:51,268 --> 01:07:53,001
it from home with seven weeks of
production left.

761
01:07:53,036 --> 01:07:57,572
You should be up here with us.
And we are just the lucky

762
01:07:57,607 --> 01:07:59,274
speakers.
I'm not supposed to be speaking,

763
01:07:59,309 --> 01:08:02,977
actually.
>> so our main character joe is

764
01:08:03,013 --> 01:08:10,452
a music teacher.
We wanted to thank music and art

765
01:08:10,487 --> 01:08:14,689
teachers everywhere.
Including my parents and dana's

766
01:08:14,724 --> 01:08:16,391
parents.
You make the world a better

767
01:08:16,426 --> 01:08:18,626
place.
And my wish is that we could

768
01:08:18,662 --> 01:08:27,735
follow the example of jazz
musi

769
01:08:27,771 --> 01:08:28,670
musicians.
Wherever we are, whatever we

770
01:08:28,705 --> 01:08:29,070
have, we turn it into something
beautiful.

771
01:08:29,106 --> 01:08:30,205
Thank you.
♪

772
01:08:30,240 --> 01:08:32,240
[ cheers and applause ]
>> fun fact, the oscar weighs 8

773
01:08:32,275 --> 01:08:34,709
1/2 pounds.
He maintains that weight on a

774
01:08:34,744 --> 01:08:38,379
steady diet of love and
applause.

775
01:08:38,415 --> 01:08:40,982
Coming up, marlee matlin and
brad pitt.

776
01:08:41,017 --> 01:08:44,953
It's oscar night on abc.
♪

777
01:08:53,096 --> 01:08:55,830
>>> we're back at the oscars.
And now, please welcome academy

778
01:08:55,866 --> 01:09:03,471
award winner marlee matlin.
[ applause ]

779
01:09:03,507 --> 01:09:07,509
>> watching this year's short
documentary films, I'm reminded

780
01:09:07,544 --> 01:09:10,411
by how much impact good
storytelling can have at any

781
01:09:10,447 --> 01:09:18,953
length.
"colette" introduces us to a

782
01:09:18,989 --> 01:09:22,957
90-year-old french resistance
fighter, whose then 17-year-old

783
01:09:22,993 --> 01:09:25,927
brother, also in the resistance,
was sent to a german

784
01:09:25,962 --> 01:09:33,101
concentration camp by the nazis.
“a concerto is a conversatio”

785
01:09:33,136 --> 01:09:38,206
is a gorgeous tribute to a
grandfather who made it possible

786
01:09:38,241 --> 01:09:44,946
for his family to dream the
biggest of dreams.

787
01:09:44,981 --> 01:09:51,686
“hunger war” takes us inside a
clinic in yemen.

788
01:09:51,721 --> 01:09:56,524
The result is as dizzying and
as disorienting as war itself.

789
01:09:56,560 --> 01:10:02,463
Embedded inside the hong kong
protests for "do not split," the

790
01:10:02,499 --> 01:10:06,834
filmmakers' approach is deeply
collaborative.

791
01:10:06,870 --> 01:10:13,007
Sophia nahli allison's
experimental documentary "a love

792
01:10:13,043 --> 01:10:16,811
song for latasha," is a
meditation on life and joy in

793
01:10:16,846 --> 01:10:24,485
the south central neighborhood
where she spent her childhood.

794
01:10:24,521 --> 01:10:38,766
And the academy award for best
documentary short goes to --

795
01:10:38,802 --> 01:10:51,779
“colette” alice doyard.
[ applause ]

796
01:10:51,815 --> 01:11:07,328
♪
[ applause ]

797
01:11:07,364 --> 01:11:13,601
♪
>> thank you.

798
01:11:13,637 --> 01:11:19,107
To the academy, I hope the
actors in the room don't mind

799
01:11:19,142 --> 01:11:22,443
that I have something written
down here.

800
01:11:22,479 --> 01:11:26,214
Because there are all different
kinds of people in the academy.

801
01:11:26,249 --> 01:11:34,088
Today is collette's birthday.
She was born just 22 days before

802
01:11:34,124 --> 01:11:38,226
the very first oscars in 1929.
I imagine it must have been a

803
01:11:38,261 --> 01:11:42,363
crowd about this big, right?
You know?

804
01:11:42,399 --> 01:11:50,371
When we got nominated, she told
us that, or she reminded us that

805
01:11:50,407 --> 01:11:54,842
the power of documentary
filmmaking ensured that her

806
01:11:54,878 --> 01:11:59,747
brother, jean-pierre, was no
longer lost in the night and fog

807
01:11:59,783 --> 01:12:01,582
of the nazi concentration camp
system.

808
01:12:01,618 --> 01:12:07,789
And I want to say, I think it's
the -- that same power of the

809
01:12:07,824 --> 01:12:15,363
documentary storytelling that is
going to ensure that the memory,

810
01:12:15,398 --> 01:12:25,006
carriage, and resilience of
latasha, horace, the innocent

811
01:12:25,041 --> 01:12:31,279
children of yemen, and the
protesters in hong kong are not

812
01:12:31,314 --> 01:12:36,317
forgotten.
That's why we make these films.

813
01:12:36,353 --> 01:12:37,652
So thank you.
We're grateful that these

814
01:12:37,687 --> 01:12:41,155
stories and individuals have
been honored tonight.

815
01:12:41,191 --> 01:12:47,929
And I also would just like to
thank colette, I want to thank

816
01:12:47,964 --> 01:12:54,669
our amazing ep, peter, at
electronic arts.

817
01:12:54,704 --> 01:13:01,209
Everyone at electronic arts,
vince, dusty, laura, our

818
01:13:01,244 --> 01:13:04,112
producers, annie and aaron,
thank you so much.

819
01:13:04,147 --> 01:13:12,620
To the guardians, charlie
phillips, jess gormley, and

820
01:13:12,655 --> 01:13:16,491
lindsay pulton.
We share this award with you.

821
01:13:16,526 --> 01:13:22,597
>> and I just add something,
this award is a tribute, and

822
01:13:22,632 --> 01:13:27,101
this film is a tribute to women
everywhere in the world of any

823
01:13:27,137 --> 01:13:35,209
ages, that -- who are joining
hands and fight for justice.

824
01:13:35,245 --> 01:13:35,777
[ speaking foreign language ]
>> thank you.

825
01:13:35,812 --> 01:13:38,846
Thank you.
[ applause ]

826
01:13:38,882 --> 01:13:53,294
♪
>> one of tonight's documentary

827
01:13:53,329 --> 01:13:56,197
feature nominees, alexander
manuela, calls his approach

828
01:13:56,232 --> 01:14:01,569
observational storytelling,
which seems like a really good

829
01:14:01,604 --> 01:14:04,439
definition of what a documentary
should be.

830
01:14:04,474 --> 01:14:13,948
Their impact can be
extraordinary, whether it's a

831
01:14:13,983 --> 01:14:15,149
full length feature film, or a
cell phone video taken by a

832
01:14:15,185 --> 01:14:19,687
young woman in minneapolis by
the name of darnella frazier

833
01:14:19,722 --> 01:14:23,991
that became the catalyst for
change.

834
01:14:24,027 --> 01:14:31,899
Here are the nominees for
documentary feature.

835
01:14:31,935 --> 01:14:35,837
>>“collective” alexander nanau
and bianca oana.

836
01:15:00,029 --> 01:15:05,399
>>“crip camp” nicole newnham,
jim lebrecht, and sara bolder.

837
01:15:05,435 --> 01:15:16,377
>> we will no longer allow the
government to oppress disabled

838
01:15:16,412 --> 01:15:18,179
individuals.
We want no more segregation.

839
01:15:18,214 --> 01:15:21,749
We will accept no more
discussion of segregation.

840
01:15:21,784 --> 01:15:27,488
And I would appreciate it if you
would stop shaking your head in

841
01:15:27,524 --> 01:15:30,958
agreement if you don't
understand what we're talking

842
01:15:30,994 --> 01:15:32,226
about.
[ applause ]

843
01:15:32,262 --> 01:15:36,297
>>“the mole agent” maite
alberdi and marcela santiáñez.

844
01:15:56,853 --> 01:15:59,153
>>“my octopus teacher” pippa
ehrlich, james reed, and craig

845
01:15:59,188 --> 01:16:05,626
foster.
>> and then it just happens.

846
01:16:05,662 --> 01:16:22,176
I put my hand out a tiny bit.
♪

847
01:16:25,014 --> 01:16:29,083
>>“time” garrett bradley,
lauren domino, and kellen quinn.

848
01:16:29,118 --> 01:16:35,723
>> time is when you look at
pictures from when your babies

849
01:16:35,758 --> 01:16:38,726
were small.
And then you look at them and

850
01:16:38,761 --> 01:16:42,496
you see that they have mustaches
and beards.

851
01:16:42,532 --> 01:16:48,002
And that the biggest hope that
you had was that before they

852
01:16:48,037 --> 01:16:51,372
turned into men they would have
a chance to be with their

853
01:16:51,407 --> 01:16:59,981
father.
[ applause ]

854
01:17:00,016 --> 01:17:12,860
>> and the oscar goes to --
“my octopus teacher” pippa

855
01:17:12,895 --> 01:17:16,230
ehrlich, james reed, and craig
foster.

856
01:17:16,265 --> 01:17:29,110
♪
[ cheers and applause ]

857
01:17:30,813 --> 01:17:47,395
[ applause ]
♪

858
01:17:53,569 --> 01:18:00,274
>> thank you to the academy.
And thank you to all of our

859
01:18:00,309 --> 01:18:03,210
incredible nominees who spent so
many years and I presume a lot

860
01:18:03,246 --> 01:18:07,181
of tears making beautiful and
important films and bringing

861
01:18:07,216 --> 01:18:15,956
them into the world.
I'd like to thank craig foster

862
01:18:15,992 --> 01:18:22,196
and his family.
Especially tom, who opened their

863
01:18:22,231 --> 01:18:27,835
hearts and supported us every
step of the way, and fed us and

864
01:18:27,870 --> 01:18:32,139
allowed their home to become a
production company for three

865
01:18:32,175 --> 01:18:33,874
years.
I want to thank our production

866
01:18:33,910 --> 01:18:38,879
partners at off the fence,
especially ellen and sam.

867
01:18:38,915 --> 01:18:44,218
Who believed in this film before
it was anything.

868
01:18:44,253 --> 01:18:48,322
We want to thank netflix for
enabling us to share our story

869
01:18:48,357 --> 01:18:56,697
with the world.
And then our incredible octopus

870
01:18:56,733 --> 01:19:04,505
teams, whose arms stretch across
the planet.

871
01:19:04,540 --> 01:19:11,645
Roger and warren, for beautiful
cinematography.

872
01:19:11,681 --> 01:19:14,014
Dan for incredible patience in
editing.

873
01:19:14,050 --> 01:19:18,986
Kevin, barry, kyle, and all the
people at the refinery.

874
01:19:19,021 --> 01:19:25,259
And the incredible sea change
project, who has been supporting

875
01:19:25,294 --> 01:19:35,336
us and caring so much for the
great african sea forest, where

876
01:19:35,371 --> 01:19:39,774
the octopus lived.
And our friends and family who

877
01:19:39,809 --> 01:19:45,646
put up with years and years of
tunnel vision.

878
01:19:45,681 --> 01:19:50,451
We know there are many south
africans awake in the middle of

879
01:19:50,486 --> 01:19:59,727
the night to watch this.
And it's a tiny story that

880
01:19:59,762 --> 01:20:12,506
played out in a sea forest in
south africa, but -- yeah.

881
01:20:12,542 --> 01:20:16,443
>> thank you.
And you covered it very well,

882
01:20:16,479 --> 01:20:22,683
pippa.
It's a great and totally

883
01:20:22,718 --> 01:20:23,617
overwhelming, an honor to be
here.

884
01:20:23,653 --> 01:20:24,819
Thank you so much to the
academy.

885
01:20:24,854 --> 01:20:28,622
And all the incredible films
that were in our category.

886
01:20:28,658 --> 01:20:32,493
It's really humbling and
amazing.

887
01:20:32,528 --> 01:20:37,565
I'd also like to thank my
family, rosie, and isabelle, and

888
01:20:37,600 --> 01:20:41,936
my mom and two sisters, jenny
and janice.

889
01:20:41,971 --> 01:20:45,306
And I don't think I'd be here
today without their sort of

890
01:20:45,341 --> 01:20:49,143
level of love and support.
So thank you very much.

891
01:20:49,178 --> 01:20:56,617
And I think the final extra
thank you for craig, who while

892
01:20:56,652 --> 01:21:00,688
it was such an enormous team
making the film in the end, it's

893
01:21:00,723 --> 01:21:03,490
his story and it began and ended
with him.

894
01:21:03,526 --> 01:21:15,636
He kind of showed us, if a man
can form a friendship with an

895
01:21:15,671 --> 01:21:18,639
octopus, it makes you wonder
what else is possible.

896
01:21:18,674 --> 01:21:23,944
Thank you everyone, and cheers.
[ applause ]

897
01:21:23,980 --> 01:21:24,979
♪
>> I promise I wasn't lying

898
01:21:25,014 --> 01:21:25,946
about brad pitt.
He's presenting the award for

899
01:21:25,982 --> 01:21:29,450
best supporting actress next.
Don't go away.

900
01:21:29,485 --> 01:21:37,725
It's the oscars, only on abc.
♪

901
01:21:43,532 --> 01:21:45,933
[ cheers and applause ]
>>> and now, please welcome a

902
01:21:45,968 --> 01:21:51,438
nominee for best actor,
steven yeun.

903
01:21:51,474 --> 01:21:59,346
[ cheers and applause ]
♪

904
01:21:59,382 --> 01:22:07,454
>> great visual effects can
completely change a film's

905
01:22:07,490 --> 01:22:13,294
experience.
When I was 7, my mother took me

906
01:22:13,329 --> 01:22:24,805
to see "terminator 2."
we saw the t-1000 get blown

907
01:22:24,840 --> 01:22:29,376
apart, and I remember trying to
see if it was okay for me to

908
01:22:29,412 --> 01:22:36,150
watch, and my mom playing it
cool as if she meant to bring me

909
01:22:36,185 --> 01:22:40,454
to the movie.
But maybe she revelled in a fact

910
01:22:40,489 --> 01:22:46,660
that she got to see a badass mom
duke it out with robots with her

911
01:22:46,696 --> 01:22:49,229
son in 1991.
The way that the technology and

912
01:22:49,265 --> 01:22:50,597
the expertise in visual effects
has advanced in the 31 years

913
01:22:50,633 --> 01:22:52,466
since "t2" is staggering.
They have become the key element

914
01:22:52,501 --> 01:22:53,667
in many of the biggest films in
cinema history.

915
01:22:53,703 --> 01:22:56,637
And with each year, those who
are the best in the world top

916
01:22:56,672 --> 01:22:59,673
even themselves, and take the
art to another level.

917
01:22:59,709 --> 01:23:04,979
Like this year's nominees.
"love and monsters."

918
01:23:05,014 --> 01:23:10,884
matt sloan, genevieve camilleri,
matt everitt, and brian cox.

919
01:23:10,920 --> 01:23:13,354
"the midnight sky."
matthew kasmir,

920
01:23:13,389 --> 01:23:18,459
christopher lawrence,
max solomon, and david watkins.

921
01:23:18,494 --> 01:23:21,495
[ applause ]
"mulan."

922
01:23:21,530 --> 01:23:25,332
sean faden, anders langlands,
seth maury, and steve ingram.

923
01:23:25,368 --> 01:23:28,335
[ applause ]
"the one and only ivan."

924
01:23:28,371 --> 01:23:32,439
nick davis, greg fisher,
ben jones, and

925
01:23:32,475 --> 01:23:35,943
santiago colomo martinez.
[ applause ]

926
01:23:35,978 --> 01:23:39,613
"tenet."
andrew jackson, david lee,

927
01:23:39,648 --> 01:23:42,850
andrew lockley, and
scott fisher.

928
01:23:42,885 --> 01:23:50,758
[ applause ]
and the oscar goes to --

929
01:23:50,793 --> 01:23:54,828
"tenet."
[ cheers and applause ]

930
01:23:54,864 --> 01:24:08,742
♪
>> well, all my colleagues are

931
01:24:08,778 --> 01:24:14,581
overseas, unfortunately for
them, they have to let me speak.

932
01:24:14,617 --> 01:24:18,585
So this is what you get.
It's amazing, amazing.

933
01:24:18,621 --> 01:24:23,357
Our visual effects team
on "tenet," there are so many

934
01:24:23,392 --> 01:24:27,227
departments to thank.
Not just in our own, but in, you

935
01:24:27,263 --> 01:24:35,669
know, the art department,
nathan, the camera department,

936
01:24:35,704 --> 01:24:39,640
and of course our stunt
coordinator, george.

937
01:24:39,675 --> 01:24:43,644
But it all goes back to her
director, christopher nolan.

938
01:24:43,679 --> 01:24:46,146
He leads us all.
And gives us amazing

939
01:24:46,182 --> 01:24:49,249
opportunities to do amazing
things.

940
01:24:49,285 --> 01:24:55,756
And I'd like to thank my family,
my wife, my amazing crew.

941
01:24:55,791 --> 01:24:59,827
And my father.
Who won this same award.

942
01:24:59,862 --> 01:25:02,529
Thank you.
[ cheers and applause ]

943
01:25:02,565 --> 01:25:12,206
♪
♪ what we've got to say fight

944
01:25:12,241 --> 01:25:13,340
the power ♪
>> and now, here is last year's

945
01:25:13,375 --> 01:25:22,516
winner for best actor in a
supporting role, brad pitt.

946
01:25:22,551 --> 01:25:24,218
[ applause ]
♪

947
01:25:24,253 --> 01:25:30,757
>> my love of movies began at
the local drive-in, watching

948
01:25:30,793 --> 01:25:39,133
clint eastwood and godzilla.
My nominees for best actor also

949
01:25:39,168 --> 01:25:43,103
fell in love with movies at a
young age.

950
01:25:43,139 --> 01:25:45,272
Yuh-jung youn fell in love with
the movies through the work of

951
01:25:45,307 --> 01:25:47,174
actresses like maggie smith and
directors robert altman and

952
01:25:47,209 --> 01:25:48,775
mike leigh.
For amanda seyfried it was the

953
01:25:48,811 --> 01:25:58,752
film version of "romeo and
juliet," the leo version.

954
01:25:58,787 --> 01:26:05,025
Me, too.
Maria bakalova loved

955
01:26:05,060 --> 01:26:06,493
marilyn monroe.
And when maria dreamed about

956
01:26:06,529 --> 01:26:11,298
coming to hollywood, she'd write
out, "I'm going to be a great

957
01:26:11,333 --> 01:26:15,569
movie star some day."
maria, welcome.

958
01:26:15,604 --> 01:26:17,538
As a young girl olivia colman's
family would gather at christmas

959
01:26:17,573 --> 01:26:19,506
time, get some popcorn and watch
"the sound of music" and "chitty

960
01:26:19,542 --> 01:26:23,777
chitty bang bang."
and the great glenn close was

961
01:26:23,812 --> 01:26:25,712
entranced by classic disney
movies like "snow white,"

962
01:26:25,748 --> 01:26:31,418
"littlest outlaw," "old yeller."
and you ended up being cast as

963
01:26:31,453 --> 01:26:32,653
cruella de vil.
The oscar for best supporting

964
01:26:32,688 --> 01:26:44,464
actress goes to --
yuh-jung youn.

965
01:26:44,500 --> 01:26:57,144
[ cheers and applause ]
♪

966
01:26:58,747 --> 01:27:09,523
♪
>> mr. Brad pitt, finally.

967
01:27:09,558 --> 01:27:17,698
Nice to meet you.
Where were you when we were

968
01:27:17,733 --> 01:27:18,865
filming?
It's an honor to meet you.

969
01:27:18,901 --> 01:27:27,307
As you know, I'm from korea.
And actually my name, most of

970
01:27:27,343 --> 01:27:34,081
you people call me -- and some
of them call me -- but tonight,

971
01:27:34,116 --> 01:27:41,622
you are all forgiven.
And usually when I'm living in

972
01:27:41,657 --> 01:27:48,195
the other part of the world, I
just watch the television.

973
01:27:48,230 --> 01:27:51,698
It's oscar, an event on the
television, just watching, like

974
01:27:51,734 --> 01:27:58,672
a television program for us.
But me being here, by myself,

975
01:27:58,707 --> 01:28:03,610
this, I cannot believe I'm here.
Okay.

976
01:28:03,646 --> 01:28:12,152
Let me pull myself together.
Okay.

977
01:28:12,187 --> 01:28:16,123
Thank you for the tremendous,
thanks to the academy members

978
01:28:16,158 --> 01:28:20,394
who vote for me.
And that's the speech, they

979
01:28:20,429 --> 01:28:31,438
usually say, okay, thank you for
the -- wonderful family.

980
01:28:31,473 --> 01:28:37,110
Steven, aisa, noel, we became a
family.

981
01:28:37,146 --> 01:28:43,717
And most of all, above all, lee,
without him, I couldn't be here

982
01:28:43,752 --> 01:28:53,193
tonight.
He was our captain and my

983
01:28:53,228 --> 01:28:54,995
director.
So thanks to you.

984
01:28:55,030 --> 01:29:02,636
Tremendous thanks to you.
And I'd like to thank -- I don't

985
01:29:02,671 --> 01:29:09,710
believe in competition.
How can I win over glenn close?

986
01:29:09,745 --> 01:29:13,513
I've been watching her, so many
performances.

987
01:29:13,549 --> 01:29:17,918
So this is just -- all the
nominees, five nominees.

988
01:29:17,953 --> 01:29:22,522
We were the winner for the
different movie, we play the

989
01:29:22,558 --> 01:29:26,293
different role.
So we cannot compete each other.

990
01:29:26,328 --> 01:29:28,795
Tonight, I have just a little
bit luck, I think.

991
01:29:28,831 --> 01:29:37,771
I'm luckier than you.
And also, maybe is american

992
01:29:37,806 --> 01:29:39,906
hospitality for the korean
actor?

993
01:29:39,942 --> 01:29:45,178
I'm not sure.
But anyway, thank you so much.

994
01:29:45,214 --> 01:29:48,315
And I'd like to thank to my two
boys.

995
01:29:48,350 --> 01:29:57,457
Who made me go out and work.
So -- this is the result.

996
01:29:57,493 --> 01:30:05,232
Because mommy worked so hard.
And I would like to dedicate

997
01:30:05,267 --> 01:30:09,669
this award for my first
director.

998
01:30:09,705 --> 01:30:15,142
Who was very genius director, I
made the movie together with

999
01:30:15,177 --> 01:30:17,944
him, first movie.
I think he would be very happy

1000
01:30:17,980 --> 01:30:24,384
if he was still alive.
Thank you very much.

1001
01:30:24,420 --> 01:30:25,252
Tremendous thank you for this.
Thank you.

1002
01:30:25,287 --> 01:30:34,294
[ cheers and applause ]
♪

1003
01:30:34,329 --> 01:30:39,666
>> nothing says oscars like
halle berry, except maybe

1004
01:30:39,701 --> 01:30:41,368
halle berry giving out two
oscars.

1005
01:30:41,403 --> 01:30:44,805
That's coming up next.
It's the oscars on abc.

1006
01:30:57,820 --> 01:30:59,019
♪
[ cheers and applause ]

1007
01:30:59,054 --> 01:31:03,123
>>> we're live at the oscars.
And now, please welcome academy

1008
01:31:03,158 --> 01:31:09,963
award winner halle berry.
[ applause ]

1009
01:31:09,998 --> 01:31:14,768
>> for each of the nominees for
best production design, it was a

1010
01:31:14,803 --> 01:31:21,208
dream and journey that wasn't
always clear.

1011
01:31:21,243 --> 01:31:23,810
Growing up, kathy lucas loved
movies but couldn't quite figure

1012
01:31:23,846 --> 01:31:25,345
out where she fit in making
them.

1013
01:31:25,380 --> 01:31:30,684
As a young architecture student,
nathan crowley had no idea he

1014
01:31:30,719 --> 01:31:31,918
could ever be a part of the film
industry.

1015
01:31:31,954 --> 01:31:33,553
But tonight, they are both
nominated for "tenet."

1016
01:31:33,589 --> 01:31:36,356
donald graham burt spent the
early part of his career

1017
01:31:36,391 --> 01:31:38,859
sweeping floors as an on-set
janitor.

1018
01:31:38,894 --> 01:31:45,665
Jan pascale was a puppet master
on "mr. Rogers' neighborhood."

1019
01:31:45,701 --> 01:31:52,739
we recognize their incredible
work tonight on "mank."

1020
01:31:52,774 --> 01:31:54,107
and as fate would have it, jan
pascale would later hire mark

1021
01:31:54,142 --> 01:31:58,111
ricker as an intern, which put
him on the road to making "ma

1022
01:31:58,146 --> 01:32:00,180
rainey's black bottom" alongside
brilliant set decorators diana

1023
01:32:00,215 --> 01:32:15,295
stoughton and karen o'hara.
Now, I wonder, were you thinking

1024
01:32:15,330 --> 01:32:16,730
about anything when you were
getg

1025
01:32:16,765 --> 01:32:19,165
getting jan's coffee?
Just a thought.

1026
01:32:19,201 --> 01:32:20,700
Peter francis trained for many
years as a landscape architect.

1027
01:32:20,736 --> 01:32:22,602
Cathy featherstone couldn't stop
thinking about how to construct

1028
01:32:22,638 --> 01:32:26,773
one-eyed willy's ship after
watching "the goonies" as a kid,

1029
01:32:26,808 --> 01:32:30,844
so she started building sets and
designing costumes for school

1030
01:32:30,879 --> 01:32:33,680
plays just before she teamed up
with peter on "the father."

1031
01:32:33,715 --> 01:32:37,350
and finally, david crank landed
in motion picture design after

1032
01:32:37,386 --> 01:32:39,352
working in theater for ten
years.

1033
01:32:39,388 --> 01:32:43,156
Elizabeth keenan worked in
advertising for 15 years before

1034
01:32:43,191 --> 01:32:48,995
hopping on a plane to the czech
republic to secure her first set

1035
01:32:49,031 --> 01:32:50,063
decorating job.
They are both nominated tonight

1036
01:32:50,098 --> 01:33:05,278
for "news of the world."
and the oscar goes to --

1037
01:33:05,314 --> 01:33:25,332
"mank."
donald graham burt and jan

1038
01:33:25,367 --> 01:33:25,966
pascale.
[ cheers and applause ]

1039
01:33:26,001 --> 01:33:36,643
♪
[ cheers and applause ]

1040
01:33:36,678 --> 01:33:55,495
♪
>> it's a long way down here.

1041
01:33:55,530 --> 01:34:03,770
First of all, thank you to david
fincher, and don burt for

1042
01:34:03,805 --> 01:34:06,239
trusting me with this amazing
project.

1043
01:34:06,274 --> 01:34:11,378
I'm just -- it was such an honor
to work with such an amazing

1044
01:34:11,413 --> 01:34:15,482
group of people.
Thank you to my crew, who worked

1045
01:34:15,517 --> 01:34:18,018
their tails off on this just to
make it right.

1046
01:34:18,053 --> 01:34:23,189
And, you know, when I was young,
I never realized that this was a

1047
01:34:23,225 --> 01:34:25,458
career that was even a
possibility.

1048
01:34:25,494 --> 01:34:29,562
There were so many people that
helped me along the way.

1049
01:34:29,598 --> 01:34:32,465
And guided me.
And I'm so grateful to all of

1050
01:34:32,501 --> 01:34:40,674
them.
And especially to my wife,

1051
01:34:40,709 --> 01:34:42,308
louise, who inspires me every
day.

1052
01:34:42,344 --> 01:34:45,945
Thank you so much.
[ cheers and applause ]

1053
01:34:45,981 --> 01:34:55,288
♪
>> cinematography is one of

1054
01:34:55,323 --> 01:35:04,264
those jobs that you have
absolutely heard of, but still

1055
01:35:04,299 --> 01:35:06,933
don't quite understand
completely.

1056
01:35:06,968 --> 01:35:12,806
But this group has the knowledge
you seek.

1057
01:35:12,841 --> 01:35:18,778
In "judas and the black
messiah," sean bobbit finds

1058
01:35:18,814 --> 01:35:19,746
excitement in responding to what
actors do when they're in a

1059
01:35:19,781 --> 01:35:25,018
space.
For dariusz wolski, it's the

1060
01:35:25,053 --> 01:35:35,462
nuances the environment brings
to a scene.

1061
01:35:35,497 --> 01:35:37,564
In "nomadland," joshua james
richards.

1062
01:35:37,599 --> 01:35:49,342
And finally, in "the trial of
the chicago 7," phedon

1063
01:35:49,377 --> 01:35:52,112
papamichael, found a visual
language to establish a pulse.

1064
01:35:52,147 --> 01:36:04,157
And the oscar goes to --
erik messerschmidt.

1065
01:36:04,192 --> 01:36:05,859
"mank."
♪

1066
01:36:05,894 --> 01:36:18,004
[ cheers and applause ]
♪

1067
01:36:18,039 --> 01:36:25,478
[ cheers and applause ]
>> wow.

1068
01:36:25,514 --> 01:36:31,251
Wow.
I wish I could cut this into

1069
01:36:31,286 --> 01:36:35,288
five pieces.
Because it's such an honor to be

1070
01:36:35,323 --> 01:36:39,459
nominated amongst all of you.
It's an incredible honor.

1071
01:36:39,494 --> 01:36:47,634
David, thank you.
Thank you for creating an

1072
01:36:47,669 --> 01:36:50,203
environment where we can do our
best work.

1073
01:36:50,238 --> 01:36:54,007
And I got to go home and feel
like I gave it my all every

1074
01:36:54,042 --> 01:37:01,714
night.
Thank you.

1075
01:37:01,750 --> 01:37:03,850
Sian, thank you for the endless
support.

1076
01:37:03,885 --> 01:37:07,287
Eric roth, thank you for the
guidance.

1077
01:37:07,322 --> 01:37:13,326
Amanda, gary, what a privilege
and a joy to watch you work.

1078
01:37:13,361 --> 01:37:16,329
The entire cast, thank you for
hitting your marks.

1079
01:37:16,364 --> 01:37:24,070
It mattered.
And it's -- this really belongs

1080
01:37:24,105 --> 01:37:29,909
to an extraordinary crew, who I
could not do anything without.

1081
01:37:29,945 --> 01:37:39,919
Brian, will, alex, dave, gary,
dwayne, danny, jerry, and all of

1082
01:37:39,955 --> 01:37:44,123
your team.
You make my job easy.

1083
01:37:44,159 --> 01:37:46,826
Thank you.
And thank you to my beautiful

1084
01:37:46,862 --> 01:37:52,999
wife, niara, who tolerates this
crazy business, and helped me

1085
01:37:53,034 --> 01:37:55,835
get through this movie.
So thank you so much.

1086
01:37:55,871 --> 01:37:56,603
Thank you.
[ applause ]

1087
01:37:56,638 --> 01:38:00,740
♪
>> coming up, we have harrison

1088
01:38:00,775 --> 01:38:05,345
ford and viola davis, so don't
even pretend you can top that.

1089
01:38:05,380 --> 01:38:07,847
This is the oscars on abc.
♪

1090
01:38:11,987 --> 01:38:13,186
[ applause ]
>> we're back live at

1091
01:38:13,221 --> 01:38:18,124
union station in los angeles.
And now, please welcome academy

1092
01:38:18,159 --> 01:38:30,236
award nominee harrison ford.
[ applause ]

1093
01:38:30,272 --> 01:38:31,304
♪
>> thank you.

1094
01:38:31,339 --> 01:38:39,979
Thank you very much.
I want to share some notes, some

1095
01:38:40,015 --> 01:38:48,821
editorial suggestions that were
prepared after the screening

1096
01:38:48,857 --> 01:38:56,329
of -- of a movie I was in.
Opening too choppy.

1097
01:38:56,364 --> 01:38:58,898
Why is this voiceover track so
terrible?

1098
01:38:58,934 --> 01:39:05,204
He sounds drugged.
Were they all on drugs?

1099
01:39:05,240 --> 01:39:08,574
Deckard at the piano is
interminable.

1100
01:39:08,610 --> 01:39:14,547
Flashback dialogue confusing.
Is he listening to a tape?

1101
01:39:14,582 --> 01:39:19,719
Why do we need the third cut to
the eggs?

1102
01:39:19,754 --> 01:39:27,493
The synagogue music is awful on
the street, we've got to use

1103
01:39:27,529 --> 01:39:29,028
vangelis.
Up to zhora's death, the movie

1104
01:39:29,064 --> 01:39:33,466
is deadly dull.
This movie gets worse every

1105
01:39:33,501 --> 01:39:40,173
screening.
[ laughter ]

1106
01:39:40,208 --> 01:39:43,142
that movie was called "blade
runner”

1107
01:39:43,178 --> 01:39:54,354
[ cheers and applause ]
and these notes can help us

1108
01:39:54,389 --> 01:39:57,790
understand why the editing
process can often get a little

1109
01:39:57,826 --> 01:40:06,165
complicated.
The possibilities may seem

1110
01:40:06,201 --> 01:40:09,168
endless.
But the editor will work

1111
01:40:09,204 --> 01:40:20,213
tirelessly, often in isolation,
to make thousands of choices.

1112
01:40:20,248 --> 01:40:22,749
Placing the right piece of the
right length in the right order

1113
01:40:22,784 --> 01:40:28,388
to arrive at the best version of
what the movie wants to be.

1114
01:40:28,423 --> 01:40:35,328
It's is an extremely difficult
process, not for the impatient

1115
01:40:35,363 --> 01:40:37,463
or faint of heart.
You've got to really love making

1116
01:40:37,499 --> 01:40:41,501
movies.
Tonight's nominees for best film

1117
01:40:41,536 --> 01:40:49,075
editing are --
"the father," yorgos lamprinos.

1118
01:40:49,110 --> 01:40:55,548
[ applause ]
"nomadland," chloe zhao.

1119
01:40:55,583 --> 01:41:02,255
[ applause ]
"promising young woman,"

1120
01:41:02,290 --> 01:41:06,092
frederic thoraval.
[ applause ]

1121
01:41:06,127 --> 01:41:11,964
"sound of metal,"
mikkel e.G. Nielsen.

1122
01:41:12,000 --> 01:41:17,637
[ applause ]
and "the trial of the chicago

1123
01:41:17,672 --> 01:41:20,373
7," alan baumgarten.
[ applause ]

1124
01:41:20,408 --> 01:41:27,613
and the oscar goes to --
"sound of metal,"

1125
01:41:27,649 --> 01:41:29,182
mikkel e.G. Nielsen.
[ cheers and applause ]

1126
01:41:29,217 --> 01:41:52,004
♪
♪

1127
01:41:52,040 --> 01:42:02,381
[ applause ]
[ cheers and applause ]

1128
01:42:02,417 --> 01:42:04,851
♪
>> thank you.

1129
01:42:04,886 --> 01:42:11,591
Thank you, academy.
And fellow nominees, you're an

1130
01:42:11,626 --> 01:42:15,995
inspiration for me.
I'm from denmark.

1131
01:42:16,030 --> 01:42:24,370
And I would like to greet
denmark, because they're

1132
01:42:24,405 --> 01:42:28,241
extremely bold at funding the
danish film school.

1133
01:42:28,276 --> 01:42:30,910
So we as students can develop
our craft and language for four

1134
01:42:30,945 --> 01:42:34,113
years.
That's amazing.

1135
01:42:34,149 --> 01:42:40,019
This is what you get.
So just continue doing it.

1136
01:42:40,054 --> 01:42:54,300
I would like to thank eve and
angus, and my amazing assistant,

1137
01:42:54,335 --> 01:43:00,106
and my family at rock paper
scissors.

1138
01:43:00,141 --> 01:43:04,043
I want to thank my agents,
hillary and rebecca.

1139
01:43:04,078 --> 01:43:09,582
I want to thank amazon, caviar,
and everyone from cast and crew

1140
01:43:09,617 --> 01:43:10,983
for sharing your enormous
talents.

1141
01:43:11,019 --> 01:43:18,658
The deaf community, for inviting
me in.

1142
01:43:18,693 --> 01:43:21,460
It's a very rewarding and
inspiring world.

1143
01:43:21,496 --> 01:43:24,931
I would like to thank all my
friends, my families, my

1144
01:43:24,966 --> 01:43:26,966
parents, I have to remember my
parents.

1145
01:43:27,001 --> 01:43:33,339
My sisters, my wife, and my
kids.

1146
01:43:33,374 --> 01:43:38,744
They always allow me to spend
time with my big love affair,

1147
01:43:38,780 --> 01:43:40,913
editing.
So thank you for that.

1148
01:43:40,949 --> 01:43:49,388
But one above all, darius matta.
Thank you for your incredible

1149
01:43:49,424 --> 01:43:52,825
vision.
Thank you for inviting me on

1150
01:43:52,860 --> 01:43:57,563
this life-changing, I would say,
journey.

1151
01:43:57,599 --> 01:44:00,132
And it's been like following a
rainbow for me.

1152
01:44:00,168 --> 01:44:03,302
And today, I feel like we found
the gold.

1153
01:44:03,338 --> 01:44:04,203
Thank you.
[ cheers and applause ]

1154
01:44:04,239 --> 01:44:11,577
♪
>> please welcome academy award

1155
01:44:11,613 --> 01:44:18,417
winner viola davis.
[ cheers and applause ]

1156
01:44:18,453 --> 01:44:30,062
♪
>> maya angelou once said, "each

1157
01:44:30,098 --> 01:44:34,400
one of us has lived through some
devastation, some loneliness,

1158
01:44:34,435 --> 01:44:38,104
some weather superstorm or
spiritual superstorm.

1159
01:44:38,139 --> 01:44:42,742
When we look at each other we
must say, I understand.

1160
01:44:42,777 --> 01:44:45,177
I understand how you feel,
because I have been there

1161
01:44:45,213 --> 01:44:51,484
myself”
my great friend, filmmaker, and

1162
01:44:51,519 --> 01:44:54,820
philanthropist, tyler perry,
personifies empathy.

1163
01:44:54,856 --> 01:45:00,059
Tyler knows what it is to be
hungry, to be without a home, to

1164
01:45:00,094 --> 01:45:04,230
feel unsafe and uncertain.
So when he buys groceries for

1165
01:45:04,265 --> 01:45:11,737
1,000 of his neighbors, supports
a women's shelter, or quietly

1166
01:45:11,773 --> 01:45:12,938
pays tuition for a hard-working
student, tyler is coming from a

1167
01:45:12,974 --> 01:45:17,209
place of shared experience.
Tyler paid for the funerals of

1168
01:45:17,245 --> 01:45:23,215
the black men whose names were
on the placards at marches.

1169
01:45:23,251 --> 01:45:27,420
In atlanta, where his film
studios employ thousands, he

1170
01:45:27,455 --> 01:45:30,222
created camp quarantine, making
it possible to safely continue

1171
01:45:30,258 --> 01:45:41,000
making a living.
Everyone in tyler's camp has

1172
01:45:41,035 --> 01:45:45,538
been given access to the
vaccine.

1173
01:45:45,573 --> 01:45:47,740
And this is just in the past
year.

1174
01:45:47,775 --> 01:45:51,877
>> the most generous person when
I grew up was my mother.

1175
01:45:51,913 --> 01:45:57,750
She never looked for someone
else to be the hero.

1176
01:45:57,785 --> 01:46:00,653
Find a way.
She said, junior, find a way.

1177
01:46:00,688 --> 01:46:05,725
And in that, she always
encouraged me to help someone

1178
01:46:05,760 --> 01:46:09,662
else.
I remember getting out of bed,

1179
01:46:09,697 --> 01:46:12,698
stepping on someone on the
floor.

1180
01:46:12,734 --> 01:46:14,767
And she said, they needed a
place to stay.

1181
01:46:14,802 --> 01:46:21,640
So that's very much in my dna.
>> it is how he was raised.

1182
01:46:21,676 --> 01:46:25,311
If somebody reaches out, you
reach out, then they'll reach

1183
01:46:25,346 --> 01:46:28,781
out to somebody else.
>> it was important for me to

1184
01:46:28,816 --> 01:46:31,684
get everybody back to work.
Okay, this is happening, how do

1185
01:46:31,719 --> 01:46:34,453
we fix it?
How do we fight it?

1186
01:46:34,489 --> 01:46:37,723
>> he fed all these people
during the pandemic.

1187
01:46:37,759 --> 01:46:41,527
He made sure people had what
they needed to get through it.

1188
01:46:41,562 --> 01:46:47,566
>> the perry foundation has been
about transferring tragedy into

1189
01:46:47,602 --> 01:46:49,935
triumph.
I don't want to target one

1190
01:46:49,971 --> 01:46:54,407
specific thing, because the need
is so great.

1191
01:46:54,442 --> 01:47:00,112
Battered women, homelessness,
addiction, whatever we can do to

1192
01:47:00,148 --> 01:47:02,214
help.
>> there's no harm in caring.

1193
01:47:02,250 --> 01:47:08,154
He's going to create
opportunities for other people,

1194
01:47:08,189 --> 01:47:09,789
like opportunities were created
for him.

1195
01:47:09,824 --> 01:47:12,291
He's going to encourage people,
the way people encouraged him.

1196
01:47:12,326 --> 01:47:15,528
>> when you've been given a
voice, there's a huge

1197
01:47:15,563 --> 01:47:18,197
responsibility to use it in a
way that sustains change.

1198
01:47:18,232 --> 01:47:22,067
>> so he created a living legacy
that keeps on giving.

1199
01:47:22,103 --> 01:47:34,380
What is better than that?
This man exemplifies the best in

1200
01:47:34,415 --> 01:47:38,284
any human, and that is to care
about your fellow human beings.

1201
01:47:38,319 --> 01:47:40,786
>> it goes back to my mother,
junior, find a way.

1202
01:47:40,822 --> 01:47:51,163
Find a way.
[ cheers and applause ]

1203
01:47:51,199 --> 01:47:56,669
>> tyler, I know you never do
what you do for thanks, but I am

1204
01:47:56,704 --> 01:47:57,703
grateful for the countless ways
you work to make ours a better

1205
01:47:57,738 --> 01:48:03,909
world.
It is my honor to present to you

1206
01:48:03,945 --> 01:48:07,947
the jean hersholt humanitarian
award.

1207
01:48:07,982 --> 01:48:18,023
[ applause ]
♪

1208
01:48:20,695 --> 01:48:28,267
[ cheers and applause ]
>> thank you.

1209
01:48:28,302 --> 01:48:34,540
Thank you.
That is -- that's incredibly

1210
01:48:34,575 --> 01:48:35,941
kind.
Thank you so much.

1211
01:48:35,977 --> 01:48:45,217
They only gave me a few minutes.
So I want to say a very special

1212
01:48:45,253 --> 01:48:50,122
thanks to ms. Viola davis.
To the board of governors, to

1213
01:48:50,157 --> 01:48:54,260
whoopi goldberg, ava.
When I set out to help someone,

1214
01:48:54,295 --> 01:48:58,864
I'm not trying to do anything
other than meet somebody at

1215
01:48:58,900 --> 01:49:02,801
their humanity.
I remember one time, about 17

1216
01:49:02,837 --> 01:49:10,643
years ago, I rented a building,
using it for 3rproduction.

1217
01:49:10,678 --> 01:49:16,815
I saw a woman, I said, she's
homeless, let me give her some

1218
01:49:16,851 --> 01:49:20,686
money.
I'm about to give her money, she

1219
01:49:20,721 --> 01:49:22,354
says, sir, do you have any
shoes?

1220
01:49:22,390 --> 01:49:25,224
It stopped me cold.
I remember being homeless, and I

1221
01:49:25,259 --> 01:49:33,132
had one pair of shoes, they were
bent over at the heels.

1222
01:49:33,167 --> 01:49:38,070
We go to wardrobe, and there
were all these boxes, fabrics,

1223
01:49:38,105 --> 01:49:40,072
racks of clothes.
We had to stand in the middle of

1224
01:49:40,107 --> 01:49:46,612
the floor.
As we were standing there, we

1225
01:49:46,647 --> 01:49:48,080
found some shoes, she's looking
down.

1226
01:49:48,115 --> 01:49:50,516
She finally looks up, she has
tears in her eyes.

1227
01:49:50,551 --> 01:49:53,852
She said, thank you, jesus.
My feet are off the ground.

1228
01:49:53,888 --> 01:49:58,490
In that moment, I just -- I
recall her saying to me, I

1229
01:49:58,526 --> 01:50:00,559
thought she would hate me for
asking.

1230
01:50:00,595 --> 01:50:05,864
How can I hate you, when I used
to be you, when I had a mother

1231
01:50:05,900 --> 01:50:08,534
who grew up in the jim crow
south in louisiana, right across

1232
01:50:08,569 --> 01:50:12,871
the border in mississippi.
At 9 or 10 years old, she was

1233
01:50:12,907 --> 01:50:16,775
grieving the death of emmitt
till.

1234
01:50:16,811 --> 01:50:22,314
And the death of the civil
rights boys, and the little

1235
01:50:22,350 --> 01:50:27,186
girls in the bombing in alabama.
And I remember coming home, she

1236
01:50:27,221 --> 01:50:29,254
was in tears.
She said, there was a bomb

1237
01:50:29,290 --> 01:50:30,489
threat.
She couldn't believe that

1238
01:50:30,524 --> 01:50:34,560
someone wanted to blow up this
place where she worked, where

1239
01:50:34,595 --> 01:50:39,798
she took care of the toddlers,
it was the jewish community

1240
01:50:39,834 --> 01:50:43,569
center.
She taught me to refuse hate and

1241
01:50:43,604 --> 01:50:45,170
blanket judgment.
In this time, with all of the

1242
01:50:45,206 --> 01:50:49,508
internet and social media and
algorithms that want us to think

1243
01:50:49,543 --> 01:50:53,512
a certain way.
The 24-hour news cycle.

1244
01:50:53,547 --> 01:50:57,082
It's my hope that we teach our
kids, refuse hate.

1245
01:50:57,118 --> 01:50:59,985
Don't hate anybody.
I refuse to hate someone because

1246
01:51:00,021 --> 01:51:06,091
they're mexican or because they
are black or white.

1247
01:51:06,127 --> 01:51:09,828
[ applause ]
or lbgtq.

1248
01:51:09,864 --> 01:51:12,798
I refuse to hate someone because
they're a police officer or

1249
01:51:12,833 --> 01:51:17,703
because they're asian.
I would hope we would refuse hit

1250
01:51:17,738 --> 01:51:19,672
hate.
And I want to take this

1251
01:51:19,707 --> 01:51:26,078
humanitarian award and dedicate
it to anyone who wants to stand

1252
01:51:26,113 --> 01:51:28,914
in the middle.
Because that's where healing,

1253
01:51:28,949 --> 01:51:30,082
where conversation, where change
happens.

1254
01:51:30,117 --> 01:51:36,055
It happens in the middle.
Anyone who wants to meet me in

1255
01:51:36,090 --> 01:51:42,928
the middle to refuse hate and
blanket judgment, this one is

1256
01:51:42,963 --> 01:51:46,598
for you, too.
God bless you, and I appreciate

1257
01:51:46,634 --> 01:51:47,066
you, academy.
Thank you.

1258
01:51:47,101 --> 01:52:02,481
[ applause ]
♪

1259
01:52:02,516 --> 01:52:06,485
>> when we come back, zendaya,
music, and the oscars.

1260
01:52:06,520 --> 01:52:15,227
The perfect trifecta.
It's the oscars on abc.

1261
01:52:17,031 --> 01:52:25,671
>>> the oscar on abc, brought to
>>> welcome back to the 93rd

1262
01:52:36,851 --> 01:52:37,950
os
oscars.

1263
01:52:37,985 --> 01:52:39,952
And now, here is zendaya.
>> music and movies were made

1264
01:52:39,987 --> 01:52:40,819
for each other.
Decades before talkies, movies

1265
01:52:40,855 --> 01:52:43,188
had music.
They needed music, and music

1266
01:52:43,224 --> 01:52:45,924
needed them right back.
These are the nominees for best

1267
01:52:45,960 --> 01:52:49,828
score.
"da 5 bloods" by

1268
01:52:49,864 --> 01:52:54,333
terence blanchard.
"mank" by trent reznor and

1269
01:52:54,368 --> 01:53:02,307
atticus ross.
"minari" by emile mosseri.

1270
01:53:02,343 --> 01:53:06,145
"news of the world" by
james newton howard.

1271
01:53:06,180 --> 01:53:12,351
"soul" by trent reznor,
atticus ross, and jon batiste.

1272
01:53:12,386 --> 01:53:21,794
And the oscar goes to --
trent reznor, atticus ross, and

1273
01:53:21,829 --> 01:53:26,064
jon batiste.
"soul."

1274
01:53:26,100 --> 01:53:44,950
[ cheers and applause ]
♪

1275
01:53:47,254 --> 01:53:56,795
[ applause ]
♪

1276
01:54:00,935 --> 01:54:07,306
[ cheers and applause ]
♪

1277
01:54:12,746 --> 01:54:18,283
>> hello.
Hello.

1278
01:54:18,319 --> 01:54:26,124
Man, you know what is deep is
that god gave us 12 notes.

1279
01:54:26,160 --> 01:54:32,631
It's the same 12 notes duke
ellington had.

1280
01:54:32,666 --> 01:54:36,735
Bach had.
It's the same 12.

1281
01:54:36,770 --> 01:54:40,405
Nina simone.
And all the nominees, I want to

1282
01:54:40,441 --> 01:54:42,140
point out that every gift is
special.

1283
01:54:42,176 --> 01:54:47,779
Every contribution with music
that comes from the divine into

1284
01:54:47,815 --> 01:54:54,219
the instruments, into the film,
into the minds and hearts and

1285
01:54:54,255 --> 01:54:56,555
souls of every person who hears
it.

1286
01:54:56,590 --> 01:55:01,293
The stories that happen when you
listen to it and watch it, and

1287
01:55:01,328 --> 01:55:04,196
the stories you share.
The moments you create, the

1288
01:55:04,231 --> 01:55:05,397
memories you make.
Man.

1289
01:55:05,432 --> 01:55:10,802
It's just so incredibly special.
And I just want to first

1290
01:55:10,838 --> 01:55:14,706
recognize the nominees and say
that I'm incredibly -- I'm

1291
01:55:14,742 --> 01:55:17,709
speaking for all of us.
We're incredibly humbled and

1292
01:55:17,745 --> 01:55:20,312
grateful to the academy for this
recognition.

1293
01:55:20,347 --> 01:55:25,417
And I'm just thankful to god for
those 12 notes, man.

1294
01:55:25,452 --> 01:55:27,085
That's so dope.
[ applause ]

1295
01:55:27,121 --> 01:55:34,092
thank you to my parents, for
your support and love, coming

1296
01:55:34,128 --> 01:55:36,695
here with me.
We flew on the plane, my parents

1297
01:55:36,730 --> 01:55:42,000
took me around clubs in new
orleans when I was 10 years old.

1298
01:55:42,036 --> 01:55:48,740
Put me in piano lessons.
Ms. Shirley.

1299
01:55:48,776 --> 01:55:53,078
So much has happened, this
moment is a culmination of a

1300
01:55:53,113 --> 01:55:55,948
series of miracles.
I can't go into all of them.

1301
01:55:55,983 --> 01:55:59,785
We don't have enough time.
But it's so incredibly powerful

1302
01:55:59,820 --> 01:56:03,956
to be standing here, in the
lineage we come from, the

1303
01:56:03,991 --> 01:56:10,662
collaborators on this film are
the best you can ask for.

1304
01:56:10,698 --> 01:56:14,733
Pete, I love this man.
Pete is a genius and a

1305
01:56:14,768 --> 01:56:20,105
visionary.
Dana murray, kent, tom at

1306
01:56:20,140 --> 01:56:21,273
disney.
Thank you for welcoming us to

1307
01:56:21,308 --> 01:56:27,112
the family with open arms.
So much of a true collaborative

1308
01:56:27,147 --> 01:56:28,613
process.
My team, thank y'all for just

1309
01:56:28,649 --> 01:56:32,884
dealing with me.
Because I get ideas all the

1310
01:56:32,920 --> 01:56:35,520
time, changing directions.
Y'all holding me down.

1311
01:56:35,556 --> 01:56:39,591
All the people.
Thank you for do you what y'all

1312
01:56:39,626 --> 01:56:43,729
do, it's hard to put yourself
out there.

1313
01:56:43,764 --> 01:56:47,265
Thank y'all for putting yourself
out there.

1314
01:56:47,301 --> 01:56:50,602
I'm a fan of everybody here.
Much love, much light to you,

1315
01:56:50,637 --> 01:56:53,105
even if you don't know you.
Lay it on.

1316
01:56:53,140 --> 01:57:06,385
[ cheers and applause ]
♪

1317
01:57:06,420 --> 01:57:12,257
>> when the right song becomes a
part of the right movie, it

1318
01:57:12,292 --> 01:57:15,093
stays with us forever.
You can never hear that song get

1319
01:57:15,129 --> 01:57:17,662
without thinking about its movie
partner.

1320
01:57:17,698 --> 01:57:20,198
That is the power of music.
Although most of the nominees

1321
01:57:20,234 --> 01:57:22,067
were able to make it to
los angeles, there are a pair

1322
01:57:22,102 --> 01:57:23,902
joining us from sweden.
Here are the nominees for best

1323
01:57:23,937 --> 01:57:33,578
song.
♪ can you hear the bells ring

1324
01:57:33,614 --> 01:57:38,884
out ♪
♪ speak now

1325
01:57:38,919 --> 01:57:45,157
♪ speak now
♪ can you hear the angels sing

1326
01:57:45,192 --> 01:58:05,977
loud speak now speak now ♪
♪

1327
01:58:12,820 --> 01:58:29,601
♪ hear my voice hear my dream
♪ let us make a world in which I

1328
01:58:29,636 --> 01:58:42,280
believe ♪
♪ there's no one like you as I'm

1329
01:58:42,316 --> 01:58:50,355
standing we could never do I'm
always gonna fight for you ♪

1330
01:58:50,390 --> 01:59:04,936
♪ I'll always fight for you
♪

1331
01:59:04,972 --> 01:59:12,310
♪ in my hometown my hometown
[ applause ]

1332
01:59:12,346 --> 01:59:20,452
>> and the oscar goes to --
h.E.R. And dernst emile ii.

1333
01:59:20,487 --> 01:59:25,257
"fight for you" from "judas and
the black messiah”

1334
01:59:25,292 --> 01:59:40,605
[ cheers and applause ]
♪

1335
01:59:43,110 --> 01:59:48,046
>> oh, my god.
I did not expect to win this

1336
01:59:48,081 --> 01:59:51,149
award.
I am so, so, so, so grateful.

1337
01:59:51,185 --> 01:59:55,887
Not only to win, but to be a
part of such an important,

1338
01:59:55,923 --> 01:59:57,622
important story.
So thank you so much.

1339
01:59:57,658 --> 02:00:02,027
Thank you to the academy.
I've always wanted to say that.

1340
02:00:02,062 --> 02:00:07,299
And of course my collaborators,
the song wouldn't be what it was

1341
02:00:07,334 --> 02:00:11,670
without them.
[ applause ]

1342
02:00:11,705 --> 02:00:13,772
I have to thank god for giving
us these gifts.

1343
02:00:13,807 --> 02:00:17,642
And my parents, my beautiful
mother, who is here with me

1344
02:00:17,678 --> 02:00:19,444
today.
And my father at home.

1345
02:00:19,479 --> 02:00:26,117
All those days of listening to
sly and the family stone and

1346
02:00:26,153 --> 02:00:28,353
curtis mayfield, they really
paid off.

1347
02:00:28,388 --> 02:00:31,957
So thank you, dad.
Thank you so much to archie and

1348
02:00:31,992 --> 02:00:34,960
chaka king and everybody
involved in the movie who gave

1349
02:00:34,995 --> 02:00:38,597
us the call to do this record.
I'm so, so grateful.

1350
02:00:38,632 --> 02:00:43,802
I just want to say this.
You know, musicians, filmmakers,

1351
02:00:43,837 --> 02:00:47,973
I believe we have an opportunity
and a responsibility to me to

1352
02:00:48,008 --> 02:00:51,476
tell the truth.
And to write history the way

1353
02:00:51,511 --> 02:00:56,648
that it was.
And how it connects us to today.

1354
02:00:56,683 --> 02:00:59,117
And what we see going on in the
world today.

1355
02:00:59,152 --> 02:01:01,653
And, yeah, I'm just -- I have no
words.

1356
02:01:01,688 --> 02:01:05,490
I'm just so, so, so happy and
grateful.

1357
02:01:05,525 --> 02:01:09,561
And, yeah, knowledge is power.
Music is power.

1358
02:01:09,596 --> 02:01:15,267
And as long as I'm standing, I'm
always going to fight for us.

1359
02:01:15,302 --> 02:01:17,636
I'm always going to fight for my
people and what is right.

1360
02:01:17,671 --> 02:01:19,671
That's what music and
storytelling does.

1361
02:01:19,706 --> 02:01:20,338
Thank you so much.
Thank you.

1362
02:01:20,374 --> 02:01:24,042
[ cheers and applause ]
♪

1363
02:01:24,077 --> 02:01:38,623
>> yeah!
>> congratulations to h.E.R.

1364
02:01:38,659 --> 02:01:41,159
What's up, y'all?
It's time to play a game.

1365
02:01:41,194 --> 02:01:48,133
We're going to play a game
called questlove's oscar trivia.

1366
02:01:48,168 --> 02:01:50,902
And here to help us play is my
boy, lil rel.

1367
02:01:50,937 --> 02:01:53,571
>> how y'all doing?
Everybody good?

1368
02:01:53,607 --> 02:02:00,312
First of all, congratulations to
h.E.R. And the "judas and the

1369
02:02:00,347 --> 02:02:02,981
black messiah" family.
But we're about to play a game,

1370
02:02:03,016 --> 02:02:06,117
okay?
Quest is going to play a song

1371
02:02:06,153 --> 02:02:09,120
from a movie.
And we're going to try to figure

1372
02:02:09,156 --> 02:02:13,692
out if it was from an oscar
nominee, an oscar winner, or

1373
02:02:13,727 --> 02:02:19,597
none of the above.
Don't look nervous.

1374
02:02:19,633 --> 02:02:23,068
Y'all okay?
I got to find somebody who is

1375
02:02:23,103 --> 02:02:27,605
into music.
I got to go to my girl over

1376
02:02:27,641 --> 02:02:29,341
here.
Hey, andra day.

1377
02:02:29,376 --> 02:02:31,876
You want to play this game with
me?

1378
02:02:31,912 --> 02:02:37,048
You ready for this?
That's the mic hand, we can't

1379
02:02:37,084 --> 02:02:41,319
share mics.
Okay.

1380
02:02:41,355 --> 02:02:45,523
Questlove, play the song.
♪

1381
02:02:45,559 --> 02:02:53,398
♪ purple rain purple rain
>> okay.

1382
02:02:53,433 --> 02:02:59,537
♪ purple rain purple rain
>> okay.

1383
02:02:59,573 --> 02:03:04,175
You heard it, sounds good.
Is this an oscar winner or just

1384
02:03:04,211 --> 02:03:09,681
an oscar nominee, or none of the
above?

1385
02:03:09,716 --> 02:03:13,985
>> I mean, it's a brilliant
song.

1386
02:03:14,020 --> 02:03:23,728
It probably wasn't even --
[ applause ]

1387
02:03:23,764 --> 02:03:28,967
>> it is, right?
Because it wasn't nominated,

1388
02:03:29,002 --> 02:03:31,169
actually.
>> ding.

1389
02:03:31,204 --> 02:03:33,304
>> no.
The score won the award, but

1390
02:03:33,340 --> 02:03:39,411
none of the songs got nominated.
>> that sounds about right.

1391
02:03:39,446 --> 02:03:40,612
Here.
[ applause ]

1392
02:03:40,647 --> 02:03:45,016
>> I don't know how much that
will cost you, abc, but it

1393
02:03:45,051 --> 02:03:47,619
happened.
We're in a train station.

1394
02:03:47,654 --> 02:03:49,287
I don't know what you're going
to hear.

1395
02:03:49,322 --> 02:03:51,356
All right.
Let's find somebody else to play

1396
02:03:51,391 --> 02:03:55,026
this game with.
Okay, I got to go to my boy.

1397
02:03:55,061 --> 02:04:00,365
Now I need you to save me, now.
Because that was crazy over

1398
02:04:00,400 --> 02:04:02,000
there.
Now for me to save you.

1399
02:04:02,035 --> 02:04:10,141
You know I saved this brother.
>> you did.

1400
02:04:10,177 --> 02:04:15,480
>> I picked you up and we drove
off.

1401
02:04:15,515 --> 02:04:20,251
>> I will never get caught with
a woman like that again.

1402
02:04:20,287 --> 02:04:22,454
>> okay, here we go, brother.
You ready for this?

1403
02:04:22,489 --> 02:04:27,325
>> yeah.
>> and you won an oscar tonight,

1404
02:04:27,360 --> 02:04:29,928
bro.
>> yeah, it's crazy.

1405
02:04:29,963 --> 02:04:32,897
>> here we go.
Quest, play the song.

1406
02:04:32,933 --> 02:04:34,199
>> all right.
♪

1407
02:04:34,234 --> 02:04:41,539
♪ so let's dance the last dance
let's dance the last dance ♪

1408
02:04:41,575 --> 02:04:47,045
>> she said you're too young.
>> glenn said I'm too young.

1409
02:04:47,080 --> 02:04:53,251
You're too young.
Sit down.

1410
02:04:53,286 --> 02:04:56,588
>> oscar winner, nominee, or
none of the above?

1411
02:04:56,623 --> 02:04:57,822
>> nominee?
>> nominee?

1412
02:04:57,858 --> 02:05:03,161
No, they won the oscar.
>> oh, man, I didn't even know

1413
02:05:03,196 --> 02:05:06,030
that.
>> she was right.

1414
02:05:06,066 --> 02:05:11,202
You're too young.
"the last dance" is an oscar

1415
02:05:11,238 --> 02:05:15,273
winning song.
Donna summer did that.

1416
02:05:15,308 --> 02:05:19,811
Give it up for donna summer, the
legendary.

1417
02:05:19,846 --> 02:05:22,046
Somebody get his mic.
He was wrong.

1418
02:05:22,082 --> 02:05:25,517
Donna summer, bro.
You're in the sunken place

1419
02:05:25,552 --> 02:05:26,784
again, man.
All right.

1420
02:05:26,820 --> 02:05:30,922
You know who I'm going to go to?
I'm going to glenn close for the

1421
02:05:30,957 --> 02:05:32,090
next one.
The icon.

1422
02:05:32,125 --> 02:05:35,126
Are you ready for this?
>> yeah.

1423
02:05:35,161 --> 02:05:39,531
>> you told him he was too young
for the donna summer song.

1424
02:05:39,566 --> 02:05:43,601
>> well, he was.
>> I think we got something,

1425
02:05:43,637 --> 02:05:46,704
questlove, just play it.
Let me see.

1426
02:05:46,740 --> 02:05:48,473
>> here we go.
♪

1427
02:05:48,508 --> 02:05:53,745
♪ I said, come here girl, show
that ♪

1428
02:05:53,780 --> 02:05:58,650
>> okay, okay, stop, stop.
That's not fair to glenn close.

1429
02:05:58,685 --> 02:06:02,620
>> wait just a second.
That's "da butt."

1430
02:06:02,656 --> 02:06:12,664
I know that, "da butt," it was a
classic song by the great

1431
02:06:12,699 --> 02:06:15,199
washington, d.C., go-go band
e.U.

1432
02:06:15,235 --> 02:06:19,537
Shout out to sugar bear and the
whole backyard band.

1433
02:06:19,573 --> 02:06:26,544
So, wait, no, I remember this.
So spike lee had it written for

1434
02:06:26,580 --> 02:06:37,021
his brilliant movie.
"school daze”

1435
02:06:37,057 --> 02:06:43,628
sadly, my friends at the oscars
missed this one and it was not

1436
02:06:43,663 --> 02:06:51,169
nominated so it couldn't win.
>> I wasn't expecting that at

1437
02:06:51,204 --> 02:06:57,275
all, that you knew "da butt."
it's dope, but do you know the

1438
02:06:57,310 --> 02:07:05,316
dance, though?
Do you know how to do "da butt"?

1439
02:07:05,352 --> 02:07:08,519
Quest, turn it on.
Let me see you do it.

1440
02:07:08,555 --> 02:07:13,191
Oh!
♪

1441
02:07:13,226 --> 02:07:18,429
[ cheers and applause ]
oh, my god.

1442
02:07:18,465 --> 02:07:22,700
She did the whole butt at the
oscars.

1443
02:07:22,736 --> 02:07:28,873
This is the blackest oscars of
all time.

1444
02:07:28,908 --> 02:07:32,010
Questlove, play "da butt" to the
break.

1445
02:07:32,045 --> 02:07:34,979
>> all right, we'll do that.
>> up next, angela bassett.

1446
02:07:35,015 --> 02:07:37,715
And I shouldn't have to say
anything more.

1447
02:07:37,751 --> 02:07:40,952
Just angela bassett.
Oh, and this is the oscars on

1448
02:07:40,987 --> 02:07:43,888
abc.
>>> and now, please welcome

1449
02:07:51,765 --> 02:07:54,298
academy award nominee, angela
bassett.

1450
02:07:54,334 --> 02:08:03,808
♪
[ cheers and applause ]

1451
02:08:03,843 --> 02:08:08,446
>> vernon jordan said, "we exist
temporarily through what we

1452
02:08:08,481 --> 02:08:13,918
take, but we live forever
through what we give."

1453
02:08:13,953 --> 02:08:23,761
in 2020, we were united by loss.
As of April 25th, 2021, there

1454
02:08:23,797 --> 02:08:27,565
were recorded over 3 million
souls lost around the world to

1455
02:08:27,600 --> 02:08:28,933
covid alone.
Considering the enormity of our

1456
02:08:28,968 --> 02:08:35,840
collective loss and the often
incomprehensible times we're

1457
02:08:35,875 --> 02:08:39,811
living through, we wish to also
acknowledge those precious lives

1458
02:08:39,846 --> 02:08:48,486
lost to the violence of
inequality, injustice, hatred,

1459
02:08:48,521 --> 02:08:50,688
racism, and poverty.
To all of those who left our

1460
02:08:50,724 --> 02:08:55,326
lives too soon, we cherish the
moments that we had the honor of

1461
02:08:55,361 --> 02:09:01,065
having with you.
Tonight, we want to celebrate

1462
02:09:01,101 --> 02:09:04,168
the artists who gave us
permission to dream, the

1463
02:09:04,204 --> 02:09:13,578
technical pioneers and
innovators who expanded our

1464
02:09:13,613 --> 02:09:20,485
experience of movie love.
Let us as one community say

1465
02:09:20,520 --> 02:09:23,855
thank you, you will remain, as
we remember you in our hearts,

1466
02:09:23,890 --> 02:09:34,232
always.
♪

1467
02:09:34,267 --> 02:09:42,006
♪ as around the sun the earth
revolving and the rose buds know

1468
02:09:42,041 --> 02:09:48,246
to bloom in early may ♪
♪ just as hate knows love's the

1469
02:09:48,281 --> 02:09:54,619
cure, you can rest assured that
I'll be loving you always ♪

1470
02:09:54,654 --> 02:10:00,224
♪ as we can't reveal the mystery
of tomorrow but in passing we'll

1471
02:10:00,260 --> 02:10:08,599
grow older every day ♪
♪ just as all that's born is new

1472
02:10:08,635 --> 02:10:15,339
you know what I say is true that
I'll be loving you always ♪

1473
02:10:15,375 --> 02:10:38,863
♪ always always always
♪ true love asks for nothing

1474
02:10:38,898 --> 02:10:46,737
♪ did you know that life is
giving love I guarantee to last

1475
02:10:46,773 --> 02:10:56,380
forever in another day ♪
♪ I know I'm living for

1476
02:10:56,416 --> 02:11:02,019
tomorrow ♪
♪ I know deep in my mind that

1477
02:11:02,055 --> 02:11:11,128
the love I left behind I'll be
loving you always ♪

1478
02:11:11,164 --> 02:11:22,874
♪ until the day that is the
day ♪

1479
02:11:22,909 --> 02:11:28,179
♪ always
♪ always

1480
02:11:28,214 --> 02:11:39,357
♪
♪ I'll be loving you

1481
02:11:39,392 --> 02:11:49,634
♪ loving you until the ocean
♪ loving you

1482
02:11:49,669 --> 02:11:56,374
♪ loving you
♪ until the day that is the day

1483
02:11:56,409 --> 02:11:59,777
that I'm no more ♪
♪ until the day that is the day

1484
02:11:59,812 --> 02:12:07,018
that I'm no more ♪
♪ until the day that is the day

1485
02:12:07,053 --> 02:12:14,992
that I'm no more ♪
♪ always

1486
02:12:16,095 --> 02:12:30,107
♪
[ applause ]

1487
02:12:40,186 --> 02:12:41,819
♪
♪ hey you guys

1488
02:12:41,854 --> 02:12:45,723
>>> we're back at the oscars.
And now please welcome academy

1489
02:12:45,758 --> 02:12:51,729
award winner rita moreno.
♪

1490
02:12:51,764 --> 02:12:59,203
[ cheers and applause ]
>> thank you.

1491
02:12:59,238 --> 02:13:03,174
60 years ago this October, "west
side story" was released.

1492
02:13:03,209 --> 02:13:11,315
It would go on to win
ten competitive oscars, most

1493
02:13:11,351 --> 02:13:15,786
famously for best supporting
actress.

1494
02:13:15,822 --> 02:13:26,630
[ cheers and applause ]
among its other smaller awards

1495
02:13:26,666 --> 02:13:30,167
was best picture of the year,
and that is what I am here to

1496
02:13:30,203 --> 02:13:36,474
present.
“the father” david parfitt,

1497
02:13:36,509 --> 02:13:45,182
jean-louis livi,
phillipe carcassonne, producers.

1498
02:13:45,218 --> 02:13:50,154
>> she's cooking something up.
That I do know.

1499
02:13:50,189 --> 02:13:56,527
She must put men at home for --
I've seen the signs.

1500
02:13:56,562 --> 02:14:04,969
But let me be absolutely clear.
I'm not leaving my flat.

1501
02:14:05,004 --> 02:14:11,609
I am not leaving my flat!
>> this isn't your flat, antony.

1502
02:14:11,644 --> 02:14:14,612
>>“judas and the black
messiah” shaka king,

1503
02:14:14,647 --> 02:14:19,050
charles d. King, and
ryan coogler, producers.

1504
02:14:19,085 --> 02:14:33,364
>> it's not a question of
violence or nonviolence.

1505
02:14:33,399 --> 02:14:44,508
You can murder a revolutionary,
but not a revolution.

1506
02:14:44,544 --> 02:14:51,315
I am a revolutionary!
I am a revolutionary!

1507
02:14:51,350 --> 02:14:56,587
I am a revolutionary!
I am a revolutionary!

1508
02:14:56,622 --> 02:15:02,426
>>“mank” cean chaffin,
eric roth,

1509
02:15:02,462 --> 02:15:12,903
and douglas urbanksi, producers.
>> "the wizard of oz" is going

1510
02:15:12,939 --> 02:15:16,440
to sink that studio.
>> sleep.

1511
02:15:16,476 --> 02:15:24,949
>> I would sneak aboard in
albuquerque and climb into your

1512
02:15:24,984 --> 02:15:29,553
compa
compartment naked.

1513
02:15:29,589 --> 02:15:32,189
Boy, were those the days.
>> yeah, yeah.

1514
02:15:32,225 --> 02:15:35,626
And the nights weren't bad
either.

1515
02:15:35,661 --> 02:15:38,762
>>“minari” christina oh,
producer.

1516
02:16:03,422 --> 02:16:05,422
>>“nomadland”
frances mcdormand, peter spears,

1517
02:16:05,458 --> 02:16:13,430
mollye asher, dan janvey,
and chloe zhao, producers.

1518
02:16:14,667 --> 02:16:24,308
♪
>> I don't know.

1519
02:16:24,343 --> 02:16:32,249
Maybe when I die, my friends
will gather around a fire and

1520
02:16:32,285 --> 02:16:37,821
toss a rock into the fire in
memory of me.

1521
02:16:37,857 --> 02:16:46,564
Oh, I see something neat.
>>“promising young woman”

1522
02:16:46,599 --> 02:16:51,001
ben browning, ashley fox,
emerald fennell, and

1523
02:16:51,037 --> 02:16:59,009
josey mcnamara, producers.
>> I can do it again and be

1524
02:16:59,045 --> 02:17:00,644
better.
>> do you want milk?

1525
02:17:00,680 --> 02:17:02,947
>> pardon?
>> in your coffee.

1526
02:17:02,982 --> 02:17:04,515
>> but you can spit in it if you
want.

1527
02:17:04,550 --> 02:17:11,956
I deserve that.
♪

1528
02:17:11,991 --> 02:17:21,799
thank you.
Do you want to go out with me?

1529
02:17:21,834 --> 02:17:27,871
>> what?
>> on a date.

1530
02:17:27,907 --> 02:17:35,679
>> seriously?
I just spat in your coffee.

1531
02:17:35,715 --> 02:17:37,848
>>“sound of metal”
bert hamelick and

1532
02:17:37,883 --> 02:18:31,135
sacha ben harroche, producers.
>>“the trial of the chicago ”"

1533
02:18:31,170 --> 02:18:33,871
marc platt and stuart besser,
producers.

1534
02:18:33,906 --> 02:18:37,975
>> it's a yes or no question.
When you came to chicago, were

1535
02:18:38,010 --> 02:18:52,890
you hoping for a confrontation
with the police?

1536
02:18:52,925 --> 02:18:54,358
I'm concerned that you have to
think about it.

1537
02:18:54,393 --> 02:18:58,128
>> give me a moment, would you,
friend?

1538
02:18:58,164 --> 02:19:06,637
I've never been on trial for my
thoughts before.

1539
02:19:06,672 --> 02:19:12,009
>> and the oscar goes to --
>>“nomadland”

1540
02:19:12,044 --> 02:19:30,427
[ cheers and applause ]
♪

1541
02:19:33,332 --> 02:19:45,142
[ applause ]
♪

1542
02:19:57,823 --> 02:20:05,129
>> on behalf of my fellow
producers, peter, molly, and the

1543
02:20:05,164 --> 02:20:09,166
one and only frances mcdormand,
we thank the academy.

1544
02:20:09,201 --> 02:20:11,568
And we thank our brilliant
fellow nominees.

1545
02:20:11,604 --> 02:20:18,008
And we thank all the hearts and
hands that come together to make

1546
02:20:18,043 --> 02:20:22,813
this movie.
Jessica, who trusted us with her

1547
02:20:22,848 --> 02:20:26,650
beautiful book.
To our brilliant

1548
02:20:26,685 --> 02:20:28,485
cinematographer.
And to the entire "nomadland"

1549
02:20:28,521 --> 02:20:32,055
company.
We want to show our deepest

1550
02:20:32,091 --> 02:20:38,896
gratitude to linda, swanky,
bubba, and the nomad community.

1551
02:20:38,931 --> 02:20:40,230
All the people we met on the
road.

1552
02:20:40,266 --> 02:20:44,001
Thank you for teaching us the
power of resilience and hope.

1553
02:20:44,036 --> 02:20:48,205
And for reminding us what true
kindness looks like.

1554
02:20:48,240 --> 02:20:54,912
And now, I give you fern.
>> no, I'm not.

1555
02:20:54,947 --> 02:20:58,348
I'm fran.
Please, watch our movie on the

1556
02:20:58,384 --> 02:21:03,253
largest screen possible.
And one day, very, very soon,

1557
02:21:03,289 --> 02:21:08,125
take everyone you know into a
theater, shoulder to shoulder.

1558
02:21:08,160 --> 02:21:11,595
In that dark space.
And watch every film that is

1559
02:21:11,630 --> 02:21:17,601
represented here tonight.
We give this one to our wolf.

1560
02:21:17,636 --> 02:21:32,649
[ howling ]
[ cheers and applause ]

1561
02:21:32,685 --> 02:21:35,519
♪
>> when we come back, oscar

1562
02:21:35,554 --> 02:21:38,188
winners joaquin phoenix and
renee zellweger give out the

1563
02:21:38,224 --> 02:21:43,327
awards for best actor and best
actress.

1564
02:21:43,362 --> 02:21:53,170
This is the oscars.
[ cheers and applause ]

1565
02:21:58,544 --> 02:22:01,311
>>> please welcome last year's
winner for best actress in a

1566
02:22:01,347 --> 02:22:10,521
leading role, renee zellweger.
[ cheers and applause ]

1567
02:22:17,429 --> 02:22:27,204
>> I'm here to present the oscar
for best actress.

1568
02:22:27,239 --> 02:22:31,241
The academy has recognized some
great performances this year.

1569
02:22:31,277 --> 02:22:32,843
25 years ago she made her debut
in an August wilson play.

1570
02:22:32,878 --> 02:22:35,412
Tonight, viola davis is
nominated for bringing to life

1571
02:22:35,447 --> 02:22:37,848
another of that great american
playwright's work, as the lead

1572
02:22:37,883 --> 02:22:40,851
actress in "ma rainey's black
bottom."

1573
02:22:40,886 --> 02:22:42,319
you were luminous in that role,
viola.

1574
02:22:42,354 --> 02:22:45,122
Andra day, it's hard to believe
"the united states vs. Billie

1575
02:22:45,157 --> 02:22:48,425
holiday" is your first major
film role.

1576
02:22:48,460 --> 02:22:50,527
You seamlessly embodied the
icon, and reminded us that

1577
02:22:50,563 --> 02:22:53,730
billie holiday was a survivor
and a fighter.

1578
02:22:53,766 --> 02:22:58,702
Vanessa kirby, you went there
for your performance in "pieces

1579
02:22:58,737 --> 02:22:59,836
of a woman."
which is why your peers have

1580
02:22:59,872 --> 02:23:03,974
recognized this fearless and
vulnerable performance.

1581
02:23:04,009 --> 02:23:06,743
Frances mcdormand, in this
untethered moment, we needed

1582
02:23:06,779 --> 02:23:14,618
your performance in "nomadland."
you took us into a world hiding

1583
02:23:14,653 --> 02:23:18,355
in plain sight with charisma and
transparency.

1584
02:23:18,390 --> 02:23:20,324
Carey mulligan, you knew the
risk you were taking with

1585
02:23:20,359 --> 02:23:21,758
"promising young woman."
congratulations on a performance

1586
02:23:21,794 --> 02:23:25,429
that was painful, witty, and
powerful.

1587
02:23:25,464 --> 02:23:32,636
And the best oscar for best
actress goes to --

1588
02:23:32,671 --> 02:23:35,205
frances mcdormand, "nomadland."
[ cheers and applause ]

1589
02:23:35,240 --> 02:24:00,163
♪
>> look, they didn't ask me.

1590
02:24:00,199 --> 02:24:03,367
But if they had, I would have
said, karaoke.

1591
02:24:03,402 --> 02:24:09,706
When you have voices like leslie
and marcus and -- we should add

1592
02:24:09,742 --> 02:24:12,376
a karaoke bar.
Okay?

1593
02:24:12,411 --> 02:24:19,850
I have no words.
My voice is in my sword.

1594
02:24:19,885 --> 02:24:26,957
We know the sword is our work.
And I like work.

1595
02:24:26,992 --> 02:24:30,527
Thank you for knowing that.
And thanks for this.

1596
02:24:30,562 --> 02:24:38,201
[ applause ]
♪

1597
02:24:38,237 --> 02:24:41,104
>> please welcome last year's
winner for best actor in a

1598
02:24:41,140 --> 02:24:50,981
leading role, joaquin phoenix.
>> hi.

1599
02:24:51,016 --> 02:24:56,486
I'm here to present the award
for actor.

1600
02:24:56,522 --> 02:25:03,593
And I'm supposed to talk about
acting and specifically the

1601
02:25:03,629 --> 02:25:09,266
transformative moment when an
actor discovers the character

1602
02:25:09,301 --> 02:25:13,870
and fully embodies it.
But I don't really know anything

1603
02:25:13,906 --> 02:25:16,106
about that.
I don't think I've ever really

1604
02:25:16,141 --> 02:25:19,710
had that experience.
I think the only thing I can say

1605
02:25:19,745 --> 02:25:25,749
with sincerity is that when I
watched these five performances,

1606
02:25:25,784 --> 02:25:34,057
I feel inspired, and it's a
shame that we have to choose

1607
02:25:34,093 --> 02:25:38,261
just one.
So the nominees for actor are --

1608
02:25:38,297 --> 02:25:43,834
anthony hopkins,“the father”
[ applause ]

1609
02:25:43,869 --> 02:25:50,307
riz ahmed,“sound of metal”
[ applause ]

1610
02:25:50,342 --> 02:25:53,810
chadwick boseman,“ma rainey's
black bottom”

1611
02:25:53,846 --> 02:25:58,014
[ applause ]
gary oldman,“mank”

1612
02:25:58,050 --> 02:26:03,019
[ applause ]
steven yeun,“minari”

1613
02:26:03,055 --> 02:26:15,165
[ applause ]
and the academy award for actor

1614
02:26:15,200 --> 02:26:19,402
goes to --
anthony hopkins, "the father."

1615
02:26:19,438 --> 02:26:26,109
the academy congratulates
ant

1616
02:26:26,145 --> 02:26:31,414
anthony hopkins and accepts the
oscar on his behalf.

1617
02:26:31,450 --> 02:26:34,151
>> ladies and gentlemen, I'd
like to thank you for joining us

1618
02:26:34,186 --> 02:26:37,988
tonight at the 93rd oscars.
Congratulations to all of our

1619
02:26:38,023 --> 02:26:41,024
nominees and winners.
There's nothing like celebrating

1620
02:26:41,059 --> 02:26:45,095
our movie love together.
My name is questlove, it's been

1621
02:26:45,130 --> 02:26:49,099
an honor to be your musical
director tonight.

1622
02:26:49,134 --> 02:26:50,801
Stay tuned for "oscars after
dark."

1623
02:26:50,836 --> 02:26:56,273
good night.
[ applause ]

1624
02:27:05,984 --> 02:27:09,686
>> air transportation for the
academy awards provided by delta

1625
02:27:09,721 --> 02:27:13,790
airlines.
Led walls provided in part by

1626
02:27:13,826 --> 02:27:19,229
senovva.
Closed captioning

1627
02:27:19,264 --> 02:27:54,431
sponsored by google
♪

1628
02:27:55,467 --> 02:28:22,392
♪
♪