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Downloaded from
YTS.MX

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♪♪♪

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Official YIFY movies site:
YTS.MX

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[crickets chirping]

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[somber, melodic
piano instrumental]

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♪♪♪

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♪♪♪

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♪♪♪

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[music slowly fades]

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[crickets chirping]

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[Dean] I live in the junkyard,
where I was born.

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And I grew up
playing in these cars.

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We’d use the springs
trampolines and this and that.

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[crickets chirping]

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[somber, melodic
piano instrumental]

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[rasping]

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♪♪♪

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My mother and daddy
started this in 1931.

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Back then, it wasn't scrap.
It was about sellin’ parts.

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[water tinkles on metal]

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Depression time, another
dime a day made a difference.

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♪♪♪

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Some people has a feeling
about their hunting.

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I’m automobiles.

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They like to get up
and look at their guns.

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I like to get up and look at
my cars.

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♪♪♪

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You can look at the way a car

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is rusted or faded
or discoloured some way,

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and you can see
maybe a face in it,

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or maybe a building,
whatever.

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Like looking at the moon,

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you can see the Man in the Moon
or the clouds,

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you see different things.
I see that in a lot of cars.

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[crickets chirping]

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[somber piano music resumes]

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♪♪♪

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[Mike]
Met Dean across the road

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when I was 15 years old.
I'm 42 now.

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I believe I'm--
I'm like one of the old cars.

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♪♪♪

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I would love to be polished up,

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and cleaned up and moulded
into a new person.

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♪♪♪

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[haunting vocals enter]

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[sombre melodic music]

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♪♪♪

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♪♪♪

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[rustling]

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People don't think
they're useful anymore.

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And that's one
point of coming here,

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it makes people feel
like they can get out again.

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♪♪♪

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They can see what they've
known when they were younger.

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[crickets chirping]

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[somber and melodic
piano instrumental]

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[Dean] Some people says
that I'm hoardin’

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but I’m not hoardin’.

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I'm savin’ these cars
so kids that never seen

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these here
will come look at ‘em.

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It's art, nature and history.

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♪♪♪

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Art is the way
the vegetation,

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the trees and all,
has grown through the cars,

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and into cars and all,
that's art.

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♪♪♪

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♪♪♪

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I walk out through the lot and,

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no noise going on and you just--
you hear nothing.

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[crickets chirping]

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♪♪♪

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[Mike] They're going back
to the earth, most of 'em.

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Most of ‘em is goin’ back.

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♪♪♪

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[chirping continues]

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[birds calling]

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♪♪♪

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[engine whooshing]

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♪♪♪

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[dog barks
in distance]

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♪♪♪

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[birds singing]

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♪♪♪

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[belt clicks]

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♪♪♪

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[dog barks in distance]

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♪♪♪

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[speaking
in other language]

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[rooster crows]

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[children speaking
other language]

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[somber melodic music resumes]

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♪♪♪

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♪♪♪

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[woman speaking
other language]

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♪♪♪

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[child giggling]

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♪♪♪

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[birds chirping]

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[motor revving]

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♪♪♪

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[woman speaking
other language]

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Do you want to be in the photo?

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[woman] No, honey, you're good.
I like it with the blue, though.

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It’s a nice contrast
with your yellow shirt.

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Ah, that's excellent!

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♪♪♪

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[woman speaking
other language]

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[man]
Do you have change?

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Change, change.

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[man] Ah, thank you.
What’s your name?

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-Pete!
-[man] Pete? How old are you?

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-Ten.
-[man] 10.

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-Yeah. Yeah.
-[man] And you live here?

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-Yes.
-[warmly] Ah.

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[woman] Oh!

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[man] Careful.

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All right, well done.
See if I can do this.

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♪♪♪

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♪♪♪

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[trees rustling]

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♪♪♪

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[birds singing]

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[woman speaking
other language]

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[woman speaking
other language]

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[splashing]

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♪♪♪

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[woman speaking
other language]

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♪♪♪

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♪♪♪

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[children yelling excitedly]

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[scraping]

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♪♪♪

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[clucking]

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[cheerful chattering]

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♪♪♪

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[sombre melodic music]

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♪♪♪

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♪♪♪

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[playful chatter]

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[cheerful chatter]

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♪♪♪

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[music fades]

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[metallic groaning]

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00:17:02,011 --> 00:17:07,266
[low reverberating drone]

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00:17:07,350 --> 00:17:10,269
[slow dripping]

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00:17:10,436 --> 00:17:13,064
[low reverberating drone]

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00:17:20,112 --> 00:17:25,618
[dissonant synth instrumental]

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00:17:32,750 --> 00:17:37,088
[soft footsteps]

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[man speaking French]

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00:18:00,403 --> 00:18:03,239
[woman speaking French]

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00:18:03,322 --> 00:18:04,657
[man speaking French]

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[metallic creaking]

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00:18:17,628 --> 00:18:22,550
♪♪♪

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[man speaking French]

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[door creaks then clanks]

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00:18:59,795 --> 00:19:01,714
[rustling]

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00:19:04,425 --> 00:19:08,763
[squeaking]

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00:19:16,771 --> 00:19:20,733
[hissing and sparking]

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00:19:22,943 --> 00:19:27,698
♪♪♪

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00:19:31,744 --> 00:19:33,329
[thud]

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♪♪♪

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00:19:42,713 --> 00:19:46,759
[clanging]

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00:19:46,926 --> 00:19:49,136
[whirring]

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♪♪♪

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00:19:52,139 --> 00:19:55,059
[spritzing]

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00:20:01,607 --> 00:20:04,527
[man speaking French]

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00:20:09,657 --> 00:20:12,743
[melodic instrumental music]

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00:20:12,827 --> 00:20:17,832
♪♪♪

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00:20:33,472 --> 00:20:38,352
[man speaking French]

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00:20:45,234 --> 00:20:50,156
♪♪♪

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00:21:06,297 --> 00:21:09,884
[speaking French]

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00:21:32,531 --> 00:21:37,495
♪♪♪

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00:21:51,550 --> 00:21:54,845
[speaking Spanish]

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00:22:03,396 --> 00:22:07,984
[birds squawking]

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00:22:13,155 --> 00:22:16,951
[man speaking French]

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00:22:51,402 --> 00:22:55,323
♪♪♪

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00:23:15,676 --> 00:23:18,304
[birds squawking]

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00:23:28,397 --> 00:23:30,900
[clanging]

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00:23:37,990 --> 00:23:40,618
[resounding clangs]

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00:24:01,764 --> 00:24:03,849
[hissing]

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00:24:05,059 --> 00:24:09,480
[sparking]

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00:24:15,611 --> 00:24:19,824
♪♪♪

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00:24:32,795 --> 00:24:35,756
[flames whooshing]

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00:24:39,176 --> 00:24:42,888
[man speaking French]

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00:24:56,027 --> 00:24:59,196
[metal ratcheting]

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00:25:03,034 --> 00:25:05,953
[hissing]

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00:25:10,499 --> 00:25:12,918
[creaking]

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00:25:22,428 --> 00:25:26,557
[clattering]

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00:25:29,727 --> 00:25:35,149
[man speaking French]

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00:25:37,860 --> 00:25:42,782
♪♪♪

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00:25:50,915 --> 00:25:56,337
[man speaking French]

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00:26:00,007 --> 00:26:05,012
♪♪♪

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00:26:17,441 --> 00:26:20,987
[birds chirping
in distance]

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00:26:28,411 --> 00:26:32,790
[light piano music]

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00:26:42,049 --> 00:26:44,468
♪♪♪

196
00:26:44,552 --> 00:26:46,470
[rattling]

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00:26:46,554 --> 00:26:51,559
♪♪♪

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00:26:56,689 --> 00:26:59,900
[squeaking]

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00:26:59,984 --> 00:27:01,652
[John] Just brings
back all the memories

200
00:27:01,736 --> 00:27:03,487
from the old days.

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♪♪♪

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00:27:17,585 --> 00:27:20,713
Has meaning, a lot of meaning.

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00:27:28,471 --> 00:27:32,808
♪♪♪

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00:27:32,892 --> 00:27:34,852
These machines were
very important to people

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00:27:34,935 --> 00:27:37,355
because it made
their life a lot easier.

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00:27:39,148 --> 00:27:41,859
They spent a lot
of money buying these,

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00:27:41,942 --> 00:27:45,154
so you weren't real
quick to get rid of it.

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00:27:49,200 --> 00:27:54,121
♪♪♪

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00:27:59,001 --> 00:28:02,129
The farmers would pull
these old pieces of equipment,

210
00:28:02,213 --> 00:28:04,090
which is
basically an old dinosaur--

211
00:28:04,173 --> 00:28:05,925
it kind of looks
like an old dinosaur--

212
00:28:06,008 --> 00:28:09,261
pull it up on the hill
and create a conversation piece.

213
00:28:15,351 --> 00:28:19,939
We're losing a lot of our
history and it's sad to me.

214
00:28:20,690 --> 00:28:25,695
♪♪♪

215
00:28:27,738 --> 00:28:31,534
[rustling]

216
00:28:45,881 --> 00:28:51,095
♪♪♪

217
00:28:51,178 --> 00:28:54,473
I have such an emotional
connection to this place.

218
00:28:55,558 --> 00:28:57,435
This is my home.

219
00:28:57,601 --> 00:29:01,814
♪♪♪

220
00:29:05,693 --> 00:29:08,529
We raise quarter horses
and cattle.

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00:29:09,989 --> 00:29:14,160
[morose strings instrumental]

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00:29:21,751 --> 00:29:26,922
♪♪♪

223
00:29:27,089 --> 00:29:30,676
When you work cattle, people
really depend on each other.

224
00:29:31,344 --> 00:29:33,763
Your neighbours
really come to help you,

225
00:29:33,846 --> 00:29:35,973
and you depend on ‘em.

226
00:29:41,937 --> 00:29:45,358
If I'm ever looking for
something really kinda special,

227
00:29:45,441 --> 00:29:47,360
people will come out
of the woodwork

228
00:29:47,443 --> 00:29:49,320
to bring me what I need.

229
00:29:49,820 --> 00:29:52,448
[clicking]

230
00:30:10,091 --> 00:30:11,676
Okay, now don't--
Try to hold it.

231
00:30:11,759 --> 00:30:13,010
[laughs]

232
00:30:13,094 --> 00:30:14,178
Watch your feet.

233
00:30:14,261 --> 00:30:17,181
[loud thud]

234
00:30:17,348 --> 00:30:19,266
[jangling]

235
00:30:20,559 --> 00:30:23,062
[man 3] Like I said, I hope
that they'll work for you.

236
00:30:23,229 --> 00:30:25,064
[John] They're perfect.
Thank you, sir.

237
00:30:25,147 --> 00:30:26,774
[man 3]
Here you are, John.

238
00:30:26,857 --> 00:30:28,609
Glad we could bring ‘em out.

239
00:30:28,776 --> 00:30:30,528
Well, we'll get out
of here so you can work.

240
00:30:30,611 --> 00:30:32,113
[John]
All right. Thanks, guys.

241
00:30:32,196 --> 00:30:33,572
[man 3]
And we have a birthday party--

242
00:30:33,656 --> 00:30:35,157
[John]
Okay.

243
00:30:36,826 --> 00:30:40,746
[jangling]

244
00:30:45,001 --> 00:30:49,338
♪♪♪

245
00:30:59,598 --> 00:31:02,727
[hissing]

246
00:31:09,233 --> 00:31:10,943
It's kind of interesting

247
00:31:11,027 --> 00:31:14,613
to do these sculptures
made out of the scrap metal

248
00:31:14,697 --> 00:31:16,157
that's been left behind.

249
00:31:16,324 --> 00:31:18,826
[zapping]

250
00:31:20,578 --> 00:31:25,291
[tools whirring]

251
00:31:25,458 --> 00:31:30,713
♪♪♪

252
00:31:36,844 --> 00:31:39,013
Every one of those items
is attached

253
00:31:39,096 --> 00:31:41,515
to someone
that used them in the past.

254
00:31:43,309 --> 00:31:47,271
♪♪♪

255
00:31:48,731 --> 00:31:51,651
It adds that little
extra human element.

256
00:31:54,945 --> 00:31:58,240
So each one of those pieces
has a story of its own.

257
00:31:59,700 --> 00:32:04,622
♪♪♪

258
00:32:06,791 --> 00:32:09,669
I'm hoping that
my sculptures can honour

259
00:32:09,752 --> 00:32:12,088
those people
that worked so hard.

260
00:32:17,176 --> 00:32:18,970
They worked
their fingers to the bone.

261
00:32:23,975 --> 00:32:28,521
[grass rustling]

262
00:32:30,606 --> 00:32:36,070
[metal clattering]

263
00:32:42,535 --> 00:32:47,540
♪♪♪

264
00:32:58,843 --> 00:33:03,931
[factory din]

265
00:33:22,867 --> 00:33:24,910
[Saumya]
We don't think about our scrap.

266
00:33:29,790 --> 00:33:33,252
We consume and we discard,
but we don't really think

267
00:33:33,336 --> 00:33:36,547
about what happens with all the
waste that we’re producing.

268
00:33:39,258 --> 00:33:44,180
♪♪♪

269
00:33:50,061 --> 00:33:52,855
All these pieces of our lives,

270
00:33:52,938 --> 00:33:57,401
these metals and scraps
and rubbers and wires

271
00:33:57,485 --> 00:34:01,322
kind of find
their own way to their grave.

272
00:34:02,823 --> 00:34:07,620
[melancholic string music]

273
00:34:17,672 --> 00:34:22,510
[factory din
increases in volume]

274
00:34:37,400 --> 00:34:39,360
When we become
a photo journalist,

275
00:34:39,443 --> 00:34:41,320
we come with the impression

276
00:34:41,404 --> 00:34:43,406
that we’re really going to
change the world, you know?

277
00:34:43,489 --> 00:34:44,532
[chuckles]

278
00:34:45,366 --> 00:34:48,160
[camera clicking]

279
00:34:53,791 --> 00:34:57,962
When there are issues
that bother me, the only thing

280
00:34:58,045 --> 00:35:01,257
that I can do is photograph
it and put it out.

281
00:35:02,383 --> 00:35:05,928
♪♪♪

282
00:35:06,095 --> 00:35:07,596
[camera clicking]

283
00:35:20,276 --> 00:35:23,738
[plastic snaps]

284
00:35:43,716 --> 00:35:46,594
It's good to know
that it's being treated.

285
00:35:48,638 --> 00:35:50,640
But on the other side,
we also know

286
00:35:50,806 --> 00:35:51,974
that there's
such a big percentage

287
00:35:52,058 --> 00:35:53,643
that we're doing nothing about.

288
00:35:54,185 --> 00:35:56,062
[drill whirring]

289
00:35:57,938 --> 00:35:59,690
We just either
don't have the capacity

290
00:35:59,774 --> 00:36:02,109
to deal with it,
or we just aren’t aware.

291
00:36:14,914 --> 00:36:18,709
[yelling indistinctly]

292
00:36:26,175 --> 00:36:31,097
♪♪♪

293
00:36:46,821 --> 00:36:49,573
Here, when you come, you
realize everything has a life.

294
00:37:01,168 --> 00:37:03,587
Despite the fact that we
might not need it any more

295
00:37:03,671 --> 00:37:07,049
doesn't mean that we can
just get it out of our lives.

296
00:37:07,133 --> 00:37:09,302
We might not have it
in front of our eyes,

297
00:37:09,385 --> 00:37:12,138
but it goes on to affect
us in the longer run,

298
00:37:12,221 --> 00:37:15,266
at a scale that we probably
don't realize it does.

299
00:37:20,438 --> 00:37:25,443
♪♪♪

300
00:37:26,861 --> 00:37:30,031
In order to convey
what that waste really means

301
00:37:30,114 --> 00:37:32,867
to this Earth, to the people
who are engaging with it,

302
00:37:34,201 --> 00:37:36,662
I think it is important to
bring in the human experience.

303
00:37:36,829 --> 00:37:41,000
[banging]

304
00:37:42,501 --> 00:37:47,131
[metallic tinkling]

305
00:37:51,969 --> 00:37:54,764
All those workers tirelessly
just segregating the waste,

306
00:37:54,847 --> 00:37:56,807
doing the same job
day-in/day-out,

307
00:37:56,974 --> 00:38:00,144
cleaning up our waste so
that we can be entertained.

308
00:38:04,315 --> 00:38:06,525
People might not want to see it,

309
00:38:06,609 --> 00:38:10,446
but that reality
becomes undeniable.

310
00:38:25,419 --> 00:38:28,214
[women chattering]

311
00:38:30,299 --> 00:38:33,928
[Saumya speaking in Hindi]

312
00:38:46,315 --> 00:38:51,028
♪♪♪

313
00:39:09,922 --> 00:39:13,426
My goal would be
to give a certain life

314
00:39:13,509 --> 00:39:16,470
to the things
that I'm seeing here.

315
00:39:17,471 --> 00:39:22,476
♪♪♪

316
00:39:25,021 --> 00:39:27,940
Even if these wires
and all this metal,

317
00:39:28,482 --> 00:39:31,110
even if these are not
the prettiest thing you see,

318
00:39:31,986 --> 00:39:35,448
when all of them get together,
it's beautiful.

319
00:39:37,700 --> 00:39:41,996
[low horn instrumental]

320
00:39:48,544 --> 00:39:53,549
♪♪♪

321
00:40:14,487 --> 00:40:18,491
Reusing and minimizing
wastage has always

322
00:40:18,574 --> 00:40:21,327
been a part of the culture here.

323
00:40:21,494 --> 00:40:26,540
[metallic clinking]

324
00:40:31,337 --> 00:40:33,631
My mom’s saris
have become cushions,

325
00:40:33,714 --> 00:40:36,050
and they've become runners,
and they've become mats.

326
00:40:41,722 --> 00:40:45,643
This is the idea that
I find romantic, in a way.

327
00:40:51,565 --> 00:40:53,609
Everything that's
been a part of my life,

328
00:40:53,776 --> 00:40:56,445
I can be attached to it,
you know?

329
00:40:58,656 --> 00:41:03,202
[metallic clinking]

330
00:41:05,162 --> 00:41:08,165
With the use and throw culture,
that emotional value

331
00:41:08,249 --> 00:41:11,669
that you had with things
is getting lost.

332
00:41:14,463 --> 00:41:19,385
♪♪♪

333
00:41:31,272 --> 00:41:34,150
We might say that
it's impacting the environment,

334
00:41:34,233 --> 00:41:37,611
but what it's really
impacting is us as human beings.

335
00:41:47,079 --> 00:41:52,084
♪♪♪

336
00:42:03,763 --> 00:42:06,974
[birds squawking]

337
00:42:20,196 --> 00:42:23,658
[motors humming]

338
00:42:23,824 --> 00:42:26,619
[distant hammering]

339
00:42:29,163 --> 00:42:31,791
[sloshing]

340
00:42:45,179 --> 00:42:46,472
[engines humming]

341
00:42:46,639 --> 00:42:48,975
[slow grinding]

342
00:42:52,061 --> 00:42:54,021
[tapping]

343
00:42:54,814 --> 00:42:56,607
[light splashing]

344
00:43:04,407 --> 00:43:07,118
[metal groaning]

345
00:43:16,669 --> 00:43:19,755
[man speaking French]

346
00:43:30,850 --> 00:43:33,060
[squeaking]

347
00:43:45,865 --> 00:43:47,450
[solemn strings instrumental]

348
00:43:59,795 --> 00:44:02,340
♪♪♪

349
00:44:02,423 --> 00:44:06,302
[man speaking French]

350
00:44:44,548 --> 00:44:48,010
[water rushing]

351
00:44:55,977 --> 00:45:01,315
♪♪♪

352
00:45:37,852 --> 00:45:42,857
♪♪♪

353
00:45:54,535 --> 00:45:59,665
[strings crescendo]

354
00:45:59,832 --> 00:46:04,587
[hissing and sparking]

355
00:46:19,644 --> 00:46:22,438
[clanking]

356
00:46:31,572 --> 00:46:35,826
[water gushing]

357
00:46:55,221 --> 00:46:57,014
[squeaking]

358
00:46:57,098 --> 00:46:59,141
[wind whistling]

359
00:47:09,318 --> 00:47:12,154
[wind whistling]

360
00:47:35,386 --> 00:47:39,432
[footsteps]

361
00:47:45,813 --> 00:47:47,648
[thudding]

362
00:47:54,655 --> 00:47:56,365
[John]
When I get a lot of pieces,

363
00:47:56,449 --> 00:47:58,367
you can see
the old scars.

364
00:47:58,534 --> 00:48:01,245
Like, where it's broken
and somebody re-welded it,

365
00:48:01,329 --> 00:48:02,830
or put a new piece over it.

366
00:48:10,212 --> 00:48:14,258
The old timers, they like
to take the time to fix it.

367
00:48:22,767 --> 00:48:23,851
It reminds me of my dad.

368
00:48:29,982 --> 00:48:31,942
He had a thing for scrap metal.

369
00:48:38,908 --> 00:48:41,577
He never made things
but he always

370
00:48:41,661 --> 00:48:43,871
would make me look
at things a certain way.

371
00:48:46,290 --> 00:48:48,960
He made me look
at things closer.

372
00:48:55,508 --> 00:48:57,510
[rattling]

373
00:49:08,854 --> 00:49:13,859
♪♪♪

374
00:49:26,122 --> 00:49:30,584
[engine vrooming]

375
00:49:39,302 --> 00:49:42,305
[clanking]

376
00:49:42,471 --> 00:49:47,393
♪♪♪

377
00:49:59,071 --> 00:50:00,573
All right.
I think we're good.

378
00:50:01,407 --> 00:50:03,576
Okay.

379
00:50:03,659 --> 00:50:05,077
-I love ya.
-[John] Love ya.

380
00:50:05,161 --> 00:50:06,162
-Good luck.
-[John] Yeah.

381
00:50:06,245 --> 00:50:07,788
-Thanks for your help.
-I'm proud of ya.

382
00:50:07,872 --> 00:50:10,082
Dad would be proud too.

383
00:50:10,166 --> 00:50:13,461
Yeah. It looks great.
I’m excited.

384
00:50:13,544 --> 00:50:14,879
I'll go to Mobridge
and see it.

385
00:50:14,962 --> 00:50:18,215
-Okay.
-As soon as I can. Okay.

386
00:50:19,300 --> 00:50:24,221
♪♪♪

387
00:50:34,565 --> 00:50:36,442
[John] I started
making my sculptures

388
00:50:37,026 --> 00:50:38,778
after I went to college.

389
00:50:40,821 --> 00:50:44,241
These wild cowboys
and horses and cows

390
00:50:44,408 --> 00:50:47,286
and going in different
directions and lots of action.

391
00:50:50,164 --> 00:50:54,085
♪♪♪

392
00:50:55,252 --> 00:50:57,880
And then my Aunt Effie,

393
00:50:57,964 --> 00:50:59,632
who is a very
big supporter of mine,

394
00:50:59,715 --> 00:51:01,467
was killed in a car accident.

395
00:51:10,184 --> 00:51:13,771
Effie was the glue that kind
of held us all together.

396
00:51:15,606 --> 00:51:18,192
It really kind
of changed things for me.

397
00:51:21,153 --> 00:51:23,239
I moved down
to where her husband

398
00:51:23,406 --> 00:51:25,116
was living on their ranch.

399
00:51:28,619 --> 00:51:33,541
♪♪♪

400
00:51:36,961 --> 00:51:39,297
My uncle wanted
to build a cemetery.

401
00:51:41,132 --> 00:51:45,011
I cut up these little blue
bottles that Effie collected.

402
00:51:45,094 --> 00:51:47,013
I cut the ends off of ‘em
and I put ‘em

403
00:51:47,096 --> 00:51:49,432
in this cross so that when
the light shine through it,

404
00:51:49,515 --> 00:51:51,642
you could see the blue.

405
00:51:58,566 --> 00:52:01,277
I wanted to build this angel
for the top of the gate.

406
00:52:03,654 --> 00:52:05,656
So instead of sculpting one

407
00:52:05,740 --> 00:52:07,533
and casting it in bronze,
I thought,

408
00:52:07,616 --> 00:52:09,660
“I'll just make one
out of found objects”.

409
00:52:09,744 --> 00:52:14,749
♪♪♪

410
00:52:18,294 --> 00:52:21,047
It all started with--
with Effie’s cemetery.

411
00:52:22,340 --> 00:52:24,967
This explosion
of creativity just hit me

412
00:52:25,051 --> 00:52:27,094
and I started
building these sculptures.

413
00:52:32,350 --> 00:52:35,561
[bell tolls]

414
00:52:41,442 --> 00:52:46,697
♪♪♪

415
00:52:52,912 --> 00:52:56,207
All these different
items that come from my friends,

416
00:52:56,290 --> 00:52:57,917
family, ranchers,
all these people

417
00:52:58,084 --> 00:52:59,919
that I have a history with.

418
00:53:01,921 --> 00:53:04,924
Whoever this item belonged
to does live on forever

419
00:53:05,091 --> 00:53:07,760
because it's
in a public sculpture

420
00:53:07,843 --> 00:53:09,512
that everybody gets to see.

421
00:53:10,513 --> 00:53:15,393
♪♪♪

422
00:53:35,329 --> 00:53:36,831
[birds chirp]

423
00:53:37,581 --> 00:53:42,169
[metallic clanking
and clattering]

424
00:53:46,716 --> 00:53:52,013
[phone dial clanking]

425
00:54:00,187 --> 00:54:05,443
[phone ringing]

426
00:54:08,154 --> 00:54:11,741
[man ] It's like
a field of soldiers, sentries.

427
00:54:20,416 --> 00:54:22,960
They were very protective
and they stood

428
00:54:23,044 --> 00:54:24,670
on street corners
and they were there

429
00:54:24,754 --> 00:54:26,172
at all kinds of weather.

430
00:54:33,512 --> 00:54:38,351
So to see it go, it's
like seeing an old servant go.

431
00:54:40,394 --> 00:54:45,816
♪♪♪

432
00:54:51,864 --> 00:54:53,574
When people come visit,
very often

433
00:54:53,658 --> 00:54:54,950
they start touching the kiosks.

434
00:54:59,330 --> 00:55:01,874
It's like when you touch
a trunk of a tree.

435
00:55:04,794 --> 00:55:07,546
There is the age to it,
it’s got gravity.

436
00:55:09,215 --> 00:55:12,635
So they feel that very
definite connection to it.

437
00:55:14,679 --> 00:55:19,100
♪♪♪

438
00:55:26,565 --> 00:55:28,693
Originally,
they were going to be scrapped.

439
00:55:31,529 --> 00:55:33,614
There was no plan
for them to be reused

440
00:55:33,698 --> 00:55:35,157
or anything like that.

441
00:55:35,324 --> 00:55:40,079
♪♪♪

442
00:55:40,162 --> 00:55:42,331
We decided to buy up a stock.

443
00:55:45,126 --> 00:55:46,919
We thought,
“We can't let them go.

444
00:55:47,003 --> 00:55:48,879
They’re just--
We can't just see these go away

445
00:55:48,963 --> 00:55:50,673
and just go to scrap.

446
00:55:53,467 --> 00:55:55,386
They've got
to be more than that”.

447
00:55:58,723 --> 00:56:03,311
[train rattling]

448
00:56:07,148 --> 00:56:11,694
[somber and melodic
piano instrumental]

449
00:56:24,707 --> 00:56:27,001
[banging]

450
00:56:35,259 --> 00:56:37,428
They're the opposite
of how you make things now,

451
00:56:37,511 --> 00:56:39,388
where your things
are quick and disposable.

452
00:56:40,765 --> 00:56:45,686
♪♪♪

453
00:56:49,482 --> 00:56:53,653
[scraping]

454
00:56:59,992 --> 00:57:01,160
It’s a number six kiosk.

455
00:57:01,327 --> 00:57:03,454
G.P.O: General Post Office,

456
00:57:03,537 --> 00:57:06,457
M.F: that’s McFarlane
Foundry up in Scotland.

457
00:57:06,624 --> 00:57:08,709
And 37/1.

458
00:57:08,793 --> 00:57:10,962
That's the first quarter, 1937.

459
00:57:11,045 --> 00:57:12,922
So this is
a pretty early kiosk.

460
00:57:14,006 --> 00:57:16,926
[scraping]

461
00:57:17,551 --> 00:57:19,220
The more recent things
are hard to restore

462
00:57:19,303 --> 00:57:21,389
because they're temporary
materials and plastics

463
00:57:21,472 --> 00:57:23,140
and pressed steel, and things.

464
00:57:23,224 --> 00:57:25,977
But cast iron is wonderful
because underneath

465
00:57:26,060 --> 00:57:28,229
all that paint and glass,
it’s still there.

466
00:57:31,107 --> 00:57:36,028
♪♪♪

467
00:57:39,490 --> 00:57:41,283
If you could
bring them back again

468
00:57:41,367 --> 00:57:42,868
and get
a second purpose of them.

469
00:57:42,952 --> 00:57:45,496
It's nice to see
the effort put back in.

470
00:57:46,080 --> 00:57:51,085
♪♪♪

471
00:57:54,964 --> 00:57:59,385
[high-pitched squeaking]

472
00:58:00,678 --> 00:58:02,179
[low-pitched squeak]

473
00:58:02,263 --> 00:58:06,517
We've restored about 2,000.

474
00:58:11,022 --> 00:58:13,816
We see them used
for defibrillators

475
00:58:13,899 --> 00:58:17,570
and libraries
and swap shops and galleries.

476
00:58:19,697 --> 00:58:22,700
So, as an object,
they're still viable.

477
00:58:27,163 --> 00:58:31,959
[footsteps]

478
00:58:43,971 --> 00:58:46,098
When I finish a restoration,

479
00:58:46,182 --> 00:58:49,143
it's a confirmation of the faith
that I had in the kiosk,

480
00:58:49,310 --> 00:58:53,814
that beneath all this rust
and decay and flakes

481
00:58:53,898 --> 00:58:56,567
and smashed glass,
that underneath it,

482
00:58:56,651 --> 00:58:58,444
there is the original kiosk.

483
00:59:00,446 --> 00:59:05,785
♪♪♪

484
00:59:05,868 --> 00:59:06,827
[exhales]

485
00:59:10,498 --> 00:59:12,249
You get the feeling
that you're doing something,

486
00:59:12,333 --> 00:59:13,876
you're bringing something back

487
00:59:13,960 --> 00:59:15,628
and you're leaving
something behind as well.

488
00:59:18,464 --> 00:59:23,844
[romantic strings instrumental]

489
00:59:32,269 --> 00:59:36,065
[train chugging]

490
00:59:39,652 --> 00:59:44,532
♪♪♪

491
00:59:46,242 --> 00:59:48,577
I think sometimes
people just want something

492
00:59:48,661 --> 00:59:50,663
to just slow down a bit

493
00:59:50,746 --> 00:59:52,707
and just not lose
everything very quickly.

494
00:59:55,084 --> 00:59:59,463
[birds chirping]

495
00:59:59,547 --> 01:00:04,135
♪♪♪

496
01:00:04,302 --> 01:00:07,221
And they like
that stability and security

497
01:00:07,305 --> 01:00:08,764
of having an object.

498
01:00:08,848 --> 01:00:10,391
It will always
going to be unchanging,

499
01:00:10,474 --> 01:00:12,143
something constant.

500
01:00:19,859 --> 01:00:22,862
They’re like
anchors with the past.

501
01:00:25,823 --> 01:00:30,619
♪♪♪

502
01:00:57,229 --> 01:00:59,690
[soft footsteps]

503
01:01:13,287 --> 01:01:18,209
[gentle panting]

504
01:01:31,305 --> 01:01:32,431
[exhaling]

505
01:01:33,808 --> 01:01:36,185
[panting]

506
01:01:36,268 --> 01:01:38,020
[Ed] We were actually
going to restore

507
01:01:38,104 --> 01:01:39,939
some of these cars.

508
01:01:40,022 --> 01:01:44,986
And at the very last minute,
our financing had problems.

509
01:01:47,071 --> 01:01:50,825
[outdoor din]

510
01:01:53,494 --> 01:01:57,790
[melancholy string
instrumental]

511
01:02:03,337 --> 01:02:06,716
Plan B was to put
everything here,

512
01:02:06,799 --> 01:02:09,051
and wait for
the next opportunity.

513
01:02:09,135 --> 01:02:14,140
♪♪♪

514
01:02:34,035 --> 01:02:36,537
[metal groans]

515
01:02:39,957 --> 01:02:44,962
♪♪♪

516
01:02:58,059 --> 01:03:02,021
My first trolley ride
was when I was probably

517
01:03:02,104 --> 01:03:04,649
old enough to walk.

518
01:03:04,732 --> 01:03:06,275
[bell clangs]

519
01:03:09,987 --> 01:03:12,114
I was fascinated
by the trolley,

520
01:03:14,492 --> 01:03:18,621
the appearance of it,
the clickety-clackety sound.

521
01:03:25,544 --> 01:03:29,006
I’d stand up by the motorman
and watch how he operated it.

522
01:03:30,591 --> 01:03:32,677
[switches clicking]

523
01:03:35,012 --> 01:03:37,556
By the time I was
four or five years old,

524
01:03:37,723 --> 01:03:39,684
I think I could drive
that streetcar

525
01:03:39,767 --> 01:03:41,310
as good as he could.

526
01:03:42,436 --> 01:03:45,940
[whimsical horn instrumental]

527
01:03:46,107 --> 01:03:51,028
♪♪♪

528
01:04:08,254 --> 01:04:10,506
[insects chirring]

529
01:04:12,425 --> 01:04:15,219
There's an interesting
possibility with this car

530
01:04:15,303 --> 01:04:18,264
from the Twin Cities
that at some point

531
01:04:18,347 --> 01:04:21,142
my wife rode on this car,

532
01:04:21,767 --> 01:04:23,769
because she lived
up in the Twin Cities.

533
01:04:30,568 --> 01:04:35,323
♪♪♪

534
01:04:38,617 --> 01:04:41,370
Even though we graduated
from high school together,

535
01:04:41,454 --> 01:04:43,748
we didn't see each other
for 61 years.

536
01:04:47,209 --> 01:04:50,921
[melancholy
classical instrumental]

537
01:04:56,010 --> 01:05:00,348
About four or five years ago,
I reconnected with June.

538
01:05:01,974 --> 01:05:05,728
And one thing led to another,
and the rest was history.

539
01:05:07,188 --> 01:05:12,109
♪♪♪

540
01:05:22,036 --> 01:05:24,080
We had
three good years together.

541
01:05:26,374 --> 01:05:29,919
[somber piano instrumental]

542
01:05:30,002 --> 01:05:35,007
♪♪♪

543
01:05:59,407 --> 01:06:02,827
I'm moving primarily
because my three kids,

544
01:06:02,910 --> 01:06:06,330
it would be a lot
easier for them to respond

545
01:06:06,497 --> 01:06:08,457
to anything I might need.

546
01:06:21,345 --> 01:06:23,347
Here's Iowa Trolleys.

547
01:06:30,688 --> 01:06:34,108
Omaha, Nebraska streetcars.

548
01:06:40,364 --> 01:06:41,407
[thudding]

549
01:06:52,918 --> 01:06:55,463
There's a lot
of interest in these cars.

550
01:06:57,882 --> 01:07:00,676
June understood the reasoning
for it.

551
01:07:00,760 --> 01:07:03,387
Urban renewal.

552
01:07:08,976 --> 01:07:11,020
When you put
a streetcar line in,

553
01:07:11,103 --> 01:07:13,314
all at once things turn round.

554
01:07:15,691 --> 01:07:18,653
New businesses move
in along the line.

555
01:07:19,779 --> 01:07:22,323
Restoration of the buildings.

556
01:07:23,407 --> 01:07:28,412
♪♪♪

557
01:07:30,831 --> 01:07:33,334
I know that many
of these can be restored.

558
01:07:36,587 --> 01:07:41,342
[metal screeching]

559
01:07:45,763 --> 01:07:50,768
♪♪♪

560
01:08:10,496 --> 01:08:15,501
♪♪♪

561
01:08:17,837 --> 01:08:20,506
I sold these cars to Kenosha.

562
01:08:20,589 --> 01:08:23,259
[operator] Oh, did you?
How many of these do you own?

563
01:08:24,010 --> 01:08:25,886
Oh, about 30.

564
01:08:26,053 --> 01:08:29,056
-[operator] You own 30 of them?
-[Ed] Yeah.

565
01:08:29,223 --> 01:08:30,391
Right on.

566
01:08:30,474 --> 01:08:32,852
[dinging]

567
01:08:34,603 --> 01:08:36,605
[Ed]
It’s very satisfying to see

568
01:08:36,689 --> 01:08:38,899
these cars running again.

569
01:08:41,694 --> 01:08:44,864
It just brings back
a lot of good memories.

570
01:08:53,831 --> 01:08:57,168
I've got a few more
opportunities I'm working on,

571
01:08:57,251 --> 01:09:01,964
and I have a feeling that one
or more will be successful.

572
01:09:06,761 --> 01:09:11,766
♪♪♪

573
01:09:13,643 --> 01:09:19,148
[street din]

574
01:09:28,783 --> 01:09:34,163
[Saumya] My biggest focus
would be to have people

575
01:09:34,246 --> 01:09:37,166
become a little more
aware of their lifestyles.

576
01:09:38,209 --> 01:09:41,087
[low chatter]

577
01:09:44,131 --> 01:09:46,592
I'm not saying,
"Abandon city life,"

578
01:09:46,676 --> 01:09:49,261
but I think we can
make more conscious choices

579
01:09:49,345 --> 01:09:51,138
in terms of the materials
that we're using

580
01:09:51,305 --> 01:09:53,975
and what is the kind
of afterlife it has.

581
01:09:55,768 --> 01:10:00,147
[street din]

582
01:10:01,565 --> 01:10:04,068
When I was young,
I've seen this little factory

583
01:10:04,151 --> 01:10:07,321
very close to our house,
where once a year

584
01:10:07,488 --> 01:10:12,034
everything would stop because
that was Vishwakarma Puja.

585
01:10:14,245 --> 01:10:19,166
♪♪♪

586
01:10:19,250 --> 01:10:21,752
Everyone was supposed to worship

587
01:10:21,836 --> 01:10:24,005
the machines because
that is the source of income.

588
01:10:24,088 --> 01:10:25,673
And that's the source of living.

589
01:10:26,841 --> 01:10:31,846
♪♪♪

590
01:10:32,888 --> 01:10:36,225
[crinkling]

591
01:10:43,941 --> 01:10:47,653
[dripping]

592
01:10:54,243 --> 01:10:59,165
♪♪♪

593
01:11:09,967 --> 01:11:14,722
[chanting in Sanskrit]

594
01:11:27,401 --> 01:11:32,406
♪♪♪

595
01:11:32,490 --> 01:11:34,659
I’ll place them there.

596
01:11:36,160 --> 01:11:41,165
♪♪♪

597
01:11:41,248 --> 01:11:44,168
I find it fascinating
that we worship machines

598
01:11:44,335 --> 01:11:46,337
at a Hindu festival.

599
01:11:48,339 --> 01:11:52,134
[metallic scratching]

600
01:11:58,599 --> 01:12:02,269
The idea is to be grateful
for the things we have.

601
01:12:03,145 --> 01:12:08,150
♪♪♪

602
01:12:10,528 --> 01:12:13,364
On the other hand, we also
end up being very callous

603
01:12:13,447 --> 01:12:15,741
towards the very things
we worship.

604
01:12:20,705 --> 01:12:22,248
Hello, everyone.

605
01:12:22,331 --> 01:12:24,625
Thank you so much
for coming to my show today.

606
01:12:26,127 --> 01:12:31,048
These photographs that you see
are a eulogy to modern life.

607
01:12:36,971 --> 01:12:40,141
In my opinion,
it's important to know

608
01:12:40,224 --> 01:12:43,352
and understand
what happens to the things

609
01:12:43,436 --> 01:12:47,106
that we discard
after they exhaust our use.

610
01:12:47,273 --> 01:12:52,194
♪♪♪

611
01:12:53,571 --> 01:12:56,365
They’re the people
who least use the technology.

612
01:12:56,449 --> 01:13:00,578
So what was their take on seeing
so much waste being produced?

613
01:13:00,661 --> 01:13:02,079
They said,
“It doesn't matter.

614
01:13:02,163 --> 01:13:04,040
At least
we getting work out of it”.

615
01:13:04,123 --> 01:13:05,958
Yeah, but that's true.

616
01:13:06,042 --> 01:13:08,210
Like, what is waste for us
is creating jobs for them, so.

617
01:13:08,294 --> 01:13:10,171
[Saumya] Yeah, while we are
trying to be philosophical

618
01:13:10,254 --> 01:13:12,632
about this idea of our waste
as being treated

619
01:13:12,715 --> 01:13:14,967
by someone else, they’re
so matter of fact about it,

620
01:13:15,051 --> 01:13:16,636
you know?

621
01:13:19,305 --> 01:13:22,767
As long as it's--
it gives them their livelihood,

622
01:13:22,850 --> 01:13:24,518
they don't want
to think beyond it,

623
01:13:24,602 --> 01:13:26,103
which I think is fair.

624
01:13:26,187 --> 01:13:30,524
♪♪♪

625
01:13:30,608 --> 01:13:33,944
I think the project
would be complete

626
01:13:34,028 --> 01:13:36,530
when it reaches
the people who engage

627
01:13:36,614 --> 01:13:39,492
with technology
in their daily lives.

628
01:13:40,493 --> 01:13:44,372
[low chatter]

629
01:13:47,875 --> 01:13:51,087
Even if out of,
I don't know, 1,000 people

630
01:13:51,170 --> 01:13:53,089
who see my photographs,
even if five decide

631
01:13:53,172 --> 01:13:57,093
to change their lifestyle,
even that's something achieved.

632
01:13:57,176 --> 01:14:02,181
♪♪♪

633
01:14:22,576 --> 01:14:25,204
[wind whispering]

634
01:14:39,093 --> 01:14:42,138
[rustling]

635
01:14:53,357 --> 01:14:55,443
[John]
After I found out that my dad

636
01:14:55,526 --> 01:14:57,820
was diagnosed
with lung cancer,

637
01:14:57,903 --> 01:14:59,613
I just started in on this tree.

638
01:15:06,203 --> 01:15:09,498
♪♪♪

639
01:15:09,582 --> 01:15:11,417
[hissing]

640
01:15:11,500 --> 01:15:14,587
I wanted to do a tree
that looked like it had been

641
01:15:14,670 --> 01:15:19,216
through a lot because
my dad has been through a lot

642
01:15:19,300 --> 01:15:21,636
in his life.

643
01:15:22,345 --> 01:15:27,350
♪♪♪

644
01:15:34,065 --> 01:15:37,818
It's twisting and turning
and it's old.

645
01:15:39,236 --> 01:15:43,699
Yet, it comes up to
these branches that are blooming

646
01:15:43,783 --> 01:15:46,202
little green sprigs of life.

647
01:15:47,161 --> 01:15:52,166
♪♪♪

648
01:15:56,796 --> 01:15:58,506
[metallic clanking and scraping]

649
01:15:59,382 --> 01:16:00,758
There's so many things

650
01:16:00,841 --> 01:16:03,219
that dad has brought
to me through the years.

651
01:16:03,302 --> 01:16:06,097
And I tried to put
a few of them in there.

652
01:16:08,391 --> 01:16:13,396
♪♪♪

653
01:16:16,148 --> 01:16:18,526
There's an old man's face
in the tree.

654
01:16:19,694 --> 01:16:22,655
A lot of times people
don't see the face at first.

655
01:16:22,738 --> 01:16:25,992
It's like my dad's peering
out of the trunk of this tree.

656
01:16:29,578 --> 01:16:31,372
He always would tell me,

657
01:16:31,455 --> 01:16:33,416
“Now, don't do
a half-assed job”.

658
01:16:33,499 --> 01:16:35,960
[laughs]

659
01:16:39,255 --> 01:16:42,216
I know this tree
is going to live forever

660
01:16:42,300 --> 01:16:46,220
because it's made out of iron
and it is made for my dad.

661
01:16:53,352 --> 01:16:56,772
[rustling]

662
01:17:14,832 --> 01:17:19,879
[melodic and whimsical
piano instrumental]

663
01:17:19,962 --> 01:17:24,925
♪♪♪

664
01:17:45,404 --> 01:17:50,242
♪♪♪