1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:27,865 --> 00:00:30,785 (film projector whirring) 4 00:01:05,403 --> 00:01:08,531 (amplifier buzzing) 5 00:01:08,823 --> 00:01:11,867 (strums a chord) 6 00:01:11,951 --> 00:01:15,204 This guitar was the beginning of it all for me. 7 00:01:15,288 --> 00:01:17,623 (plays guitar) 8 00:01:25,172 --> 00:01:27,508 Robbie Robertson: I don't have much of a process of, like, 9 00:01:27,592 --> 00:01:29,218 "I'm thinking about this, 10 00:01:29,552 --> 00:01:32,138 and now I'm gonna write a song, and it's gonna be about that." 11 00:01:32,388 --> 00:01:34,098 A lot of times, 12 00:01:34,181 --> 00:01:37,351 the creative process is trying to catch yourself off guard. 13 00:01:37,435 --> 00:01:39,895 ♪ ("I Heard You Paint Houses" by Robbie Robertson plays) ♪ 14 00:01:39,979 --> 00:01:42,273 And you sit down, and you've got a blank canvas, 15 00:01:42,356 --> 00:01:44,275 and you don't know what you're gonna do, 16 00:01:44,358 --> 00:01:46,611 and you just see what happens. 17 00:01:52,867 --> 00:01:54,160 How you doin', man? 18 00:02:00,041 --> 00:02:02,001 When you talk about songs that are 19 00:02:02,084 --> 00:02:04,503 reflective of your past, 20 00:02:05,171 --> 00:02:07,298 It becomes a jigsaw puzzle, 21 00:02:07,381 --> 00:02:10,259 because... you write about what you know. 22 00:02:11,218 --> 00:02:12,803 You write about where you've been. 23 00:02:14,430 --> 00:02:16,265 You write about who you know. 24 00:02:16,349 --> 00:02:19,018 ♪ ("Once Were Brothers" by Robbie Robertson plays) ♪ 25 00:02:23,272 --> 00:02:26,901 When I stumbled onto this song, "Once Were Brothers"... 26 00:02:28,653 --> 00:02:30,529 it really did, for me, 27 00:02:30,613 --> 00:02:33,282 zero in on The Band. 28 00:02:34,533 --> 00:02:37,119 ♪ Once were brothers ♪ 29 00:02:39,163 --> 00:02:42,416 ♪ Brothers no more ♪ 30 00:02:43,250 --> 00:02:46,128 ♪ We lost our connection ♪ 31 00:02:47,922 --> 00:02:50,132 ♪ After the war... ♪ 32 00:02:50,591 --> 00:02:53,844 I don't know of any other group of musicians 33 00:02:53,928 --> 00:02:56,097 with a story equivalent 34 00:02:56,263 --> 00:02:58,224 to the story of The Band. 35 00:02:58,599 --> 00:03:01,143 And it was a beautiful thing. 36 00:03:01,894 --> 00:03:04,855 It was so beautiful, it went up in flames. 37 00:03:05,231 --> 00:03:07,733 ♪ Brothers no more ♪ 38 00:03:15,908 --> 00:03:18,619 ♪ ("Up on Cripple Creek" by The Band plays) ♪ 39 00:03:22,873 --> 00:03:25,876 ♪ When I get off of this mountain ♪ 40 00:03:26,168 --> 00:03:28,379 ♪ You know where I want to go ♪ 41 00:03:30,131 --> 00:03:32,341 ♪ Straight down the Mississippi River ♪ 42 00:03:32,425 --> 00:03:34,969 ♪ To the Gulf of Mexico ♪ 43 00:03:36,137 --> 00:03:38,264 ♪ To Lake George, Louisiana... ♪ 44 00:03:38,347 --> 00:03:41,058 Bruce Springsteen: There is no band that emphasizes 45 00:03:41,434 --> 00:03:43,018 coming together and becoming 46 00:03:43,102 --> 00:03:45,521 greater than the sum of their parts than The Band. 47 00:03:45,688 --> 00:03:49,191 Simply their name, The Band, that was it. 48 00:03:49,525 --> 00:03:52,862 ♪ Up on Cripple Creek She sends me 49 00:03:52,945 --> 00:03:55,990 ♪ If I sprang a leak She'd mend me ♪ 50 00:03:56,240 --> 00:03:59,285 ♪ I don't have to speak She defends me ♪ 51 00:03:59,618 --> 00:04:03,748 ♪ A drunkard's dream If I ever did see one ♪ 52 00:04:06,417 --> 00:04:08,836 ♪ Good luck had just stung me ♪ 53 00:04:09,128 --> 00:04:11,547 ♪ And to the racetrack I did go ♪ 54 00:04:13,591 --> 00:04:16,260 ♪ I bet on one horse to win ♪ 55 00:04:16,343 --> 00:04:18,888 ♪ And she bet On another to show ♪ 56 00:04:20,181 --> 00:04:22,391 Eric Clapton: I've never been in a band that long. (laughs) 57 00:04:22,475 --> 00:04:24,977 I ran away, usually, and would move on 58 00:04:25,060 --> 00:04:27,354 to the next thing that was attractive to me, 59 00:04:27,438 --> 00:04:30,399 or that was missing in the band I was in. So I didn't 60 00:04:30,483 --> 00:04:31,942 have a sense of brotherhood, 61 00:04:32,026 --> 00:04:35,571 so I was in great awe of their brotherhood. 62 00:04:36,197 --> 00:04:37,448 It was the soul of The Band. 63 00:04:38,073 --> 00:04:41,327 ♪ She mends me I don't have to speak ♪ 64 00:04:41,410 --> 00:04:44,205 ♪ She defends me A drunkard's dream ♪ 65 00:04:44,288 --> 00:04:47,333 ♪ If I ever did see one ♪ 66 00:04:49,668 --> 00:04:52,296 Springsteen: Not only did they have the incredible writing, 67 00:04:52,379 --> 00:04:54,673 you know, Robbie's writing, but they had three 68 00:04:54,757 --> 00:04:57,551 of the greatest white singers in rock history. 69 00:04:57,927 --> 00:05:01,430 To have any one of those guys would be the foundation 70 00:05:01,514 --> 00:05:04,558 for a great band. To have three of them in one group, 71 00:05:04,683 --> 00:05:07,770 that was... just loaded for bear. 72 00:05:09,647 --> 00:05:11,982 ♪ That's when That little love of mine ♪ 73 00:05:12,066 --> 00:05:14,568 ♪ Dips her doughnut in my tea ♪ 74 00:05:15,945 --> 00:05:17,863 ♪ Up on Cripple Creek... ♪ 75 00:05:18,239 --> 00:05:20,199 Martin Scorsese: This music drew upon country music, 76 00:05:20,699 --> 00:05:22,868 English, Scotch, Irish, the choral sounds 77 00:05:22,952 --> 00:05:25,162 of the Welsh. At the same time, 78 00:05:25,246 --> 00:05:28,916 Mississippi Delta, the blues. And there was so much imagery. 79 00:05:28,999 --> 00:05:32,670 This... just didn't seem like anything else. 80 00:05:33,003 --> 00:05:36,090 Taj Mahal: No one sounded like those guys. You know, 81 00:05:36,173 --> 00:05:39,134 they came in, and they played. And I just loved 82 00:05:39,218 --> 00:05:41,595 that about them, you know, they were about the music. 83 00:05:41,679 --> 00:05:44,640 ♪ She defends me A drunkard's dream ♪ 84 00:05:44,723 --> 00:05:48,143 ♪ If I ever did see one ♪ 85 00:05:53,023 --> 00:05:55,693 (yodeling) 86 00:05:59,196 --> 00:06:01,448 Robbie: I think about Levon, 87 00:06:01,532 --> 00:06:04,034 Richard, Rick, and Garth 88 00:06:04,118 --> 00:06:07,913 all the time. We went through things together you could 89 00:06:07,997 --> 00:06:11,292 never replace. You can never give enough credit 90 00:06:11,375 --> 00:06:15,296 to something that special. I was an only child, 91 00:06:15,504 --> 00:06:19,133 so this brotherhood was so powerful. 92 00:06:19,341 --> 00:06:22,261 ♪ Oh, I could get you with my yodel, I go ♪ 93 00:06:22,678 --> 00:06:24,388 (yodeling) 94 00:06:36,525 --> 00:06:39,862 ♪ No, no, no, no, no ♪ 95 00:06:50,372 --> 00:06:51,957 Levon Helm: I think we're warmed up. 96 00:06:58,172 --> 00:07:00,341 (film projector whirring) 97 00:07:00,466 --> 00:07:02,509 (birds chirping) 98 00:07:02,593 --> 00:07:05,387 ♪ ("Coyote Dance" by Robbie Robertson plays) ♪ 99 00:07:10,726 --> 00:07:14,271 Robbie: Since I was a kid, I see stories 100 00:07:14,438 --> 00:07:17,441 in a different way. I don't see them like fairy tales. 101 00:07:21,153 --> 00:07:23,155 These stories are powerful, 102 00:07:23,322 --> 00:07:26,617 and some of them are dangerous and big. 103 00:07:29,495 --> 00:07:31,789 Maybe that's because my upbringing was 104 00:07:31,872 --> 00:07:35,918 a little bit scattered and not normal in some ways. 105 00:07:44,343 --> 00:07:46,345 My mother was born and raised 106 00:07:46,428 --> 00:07:48,681 in the Six Nation Indian reserve. 107 00:07:49,598 --> 00:07:51,183 Her name was Dolly. 108 00:07:54,186 --> 00:07:56,522 When she was around 16 years old, 109 00:07:56,730 --> 00:07:59,942 she was sent to live with an aunt in Toronto. 110 00:08:00,150 --> 00:08:03,529 - (streetcar clanking) - (vehicles honking) 111 00:08:04,321 --> 00:08:06,240 When we would go back to visit 112 00:08:06,323 --> 00:08:08,659 the relatives in the Indian reserve, 113 00:08:08,909 --> 00:08:11,286 I thought this was a magical place. 114 00:08:12,663 --> 00:08:14,456 It seemed like every day, 115 00:08:14,540 --> 00:08:16,792 when the sun started to go down, 116 00:08:17,376 --> 00:08:19,461 the instruments would come out. 117 00:08:25,634 --> 00:08:28,303 And I could sit in the middle of this, 118 00:08:28,387 --> 00:08:31,348 and hear the fingers on the strings, 119 00:08:31,432 --> 00:08:34,977 and the hands rubbing on the skins of the drum. 120 00:08:38,814 --> 00:08:41,442 My parents got me a little guitar 121 00:08:41,900 --> 00:08:44,403 with a cowboy painted on it. 122 00:08:44,820 --> 00:08:46,238 I already know 123 00:08:46,363 --> 00:08:48,449 a couple of chords on the guitar 124 00:08:48,532 --> 00:08:51,910 that my relatives at Six Nations have taught me. 125 00:08:57,207 --> 00:08:59,209 I would practice 126 00:08:59,293 --> 00:09:00,711 and practice. 127 00:09:01,336 --> 00:09:03,380 This is where I belong. 128 00:09:03,964 --> 00:09:05,758 This is calling me. 129 00:09:08,635 --> 00:09:10,804 I don't know for sure 130 00:09:11,013 --> 00:09:14,975 whether I would ever have found my way to music 131 00:09:15,267 --> 00:09:17,269 without this experience, 132 00:09:18,729 --> 00:09:19,980 and that's why I have 133 00:09:20,064 --> 00:09:22,149 such a deep appreciation 134 00:09:22,858 --> 00:09:23,984 for that place. 135 00:09:25,194 --> 00:09:27,154 ♪ ("Coyote Dance" continues) ♪ 136 00:09:38,707 --> 00:09:42,377 And then we crossed into a time zone 137 00:09:42,544 --> 00:09:44,713 when I was 13 years old. 138 00:09:44,797 --> 00:09:47,966 ♪ ("Johnny B. Goode" by Chuck Berry plays) ♪ 139 00:09:55,974 --> 00:09:57,851 Overnight, out of nowhere, 140 00:09:58,268 --> 00:10:01,563 this new music came pouring out. 141 00:10:01,897 --> 00:10:04,942 ♪ Deep down in Louisiana Close to New Orleans ♪ 142 00:10:05,025 --> 00:10:07,611 ♪ Way back up in the woods Among the evergreens ♪ 143 00:10:07,694 --> 00:10:10,239 ♪ There stood a log cabin made Of earth and wood ♪ 144 00:10:10,322 --> 00:10:13,575 ♪ Where lived a country boy Named Johnny B. Goode ♪ 145 00:10:13,659 --> 00:10:16,662 ♪ Who never ever learned To read or write so well ♪ 146 00:10:16,745 --> 00:10:19,289 ♪ But he could play a guitar Just like a-ringin' a bell ♪ 147 00:10:19,665 --> 00:10:23,210 For guys my age, it was a life-altering moment. 148 00:10:23,293 --> 00:10:25,087 Like, it just cut against the grain 149 00:10:25,295 --> 00:10:28,215 of the mundaneness of entertainment at that time. 150 00:10:32,219 --> 00:10:33,846 Jann Wenner: You know, it's raw, it's loud, 151 00:10:33,929 --> 00:10:35,639 it's raucous, it's tough. 152 00:10:36,056 --> 00:10:39,685 You know, the guitar sound is loud and thrilling. 153 00:10:44,398 --> 00:10:45,649 Springsteen: It immediately 154 00:10:45,774 --> 00:10:47,568 imparted to you this entire new way 155 00:10:47,734 --> 00:10:49,653 of living, of looking, 156 00:10:50,028 --> 00:10:51,989 of walking, of talking, of being, 157 00:10:52,364 --> 00:10:54,741 of the possibility of what you might be able to do 158 00:10:54,825 --> 00:10:58,412 with your life. It was a revolutionary moment, you know. 159 00:10:59,746 --> 00:11:00,747 Robbie: I thought of it 160 00:11:00,831 --> 00:11:04,418 as my own personal big bang. 161 00:11:04,626 --> 00:11:06,128 Little Richard: ♪ Lucille ♪ 162 00:11:06,879 --> 00:11:08,755 ♪ You won't do Your sister's will ♪ 163 00:11:11,341 --> 00:11:12,801 ♪ Lucille ♪ 164 00:11:13,802 --> 00:11:15,554 ♪ You won't do Your sister's will ♪ 165 00:11:15,721 --> 00:11:18,307 I thought, "That's it. I don't know 166 00:11:18,390 --> 00:11:20,017 what all you people are gonna do, 167 00:11:20,184 --> 00:11:22,019 but I know what I'm gonna do." 168 00:11:22,186 --> 00:11:24,188 (Little Richard screams) 169 00:11:25,355 --> 00:11:27,024 Within weeks, 170 00:11:27,107 --> 00:11:28,817 I was in my first band. 171 00:11:28,901 --> 00:11:31,111 We were off and running. 172 00:11:31,570 --> 00:11:33,405 Fats Domino: ♪ I'm walkin', yes indeed ♪ 173 00:11:33,488 --> 00:11:36,074 ♪ And I'm talkin' About you and me, I'm hopin' ♪ 174 00:11:36,658 --> 00:11:38,744 ♪ That you come back to me... ♪ 175 00:11:38,827 --> 00:11:40,537 Robbie: My schoolmates, they're like, 176 00:11:40,829 --> 00:11:43,749 "One of these days, I wanna have my own bowling alley." 177 00:11:43,832 --> 00:11:47,544 I'd be like, "Oh, my God, your own bowling... 178 00:11:47,628 --> 00:11:49,922 You could bowl for free all you wanted, right?" 179 00:11:51,632 --> 00:11:53,926 I don't have that vision. 180 00:11:54,551 --> 00:11:56,637 I saw something else, and the lights 181 00:11:56,762 --> 00:11:58,347 were really bright. 182 00:12:01,850 --> 00:12:04,728 Within a couple years, we were getting somewhere, 183 00:12:04,811 --> 00:12:07,856 booking different shows around Toronto. 184 00:12:08,440 --> 00:12:11,902 A local DJ booked us to open 185 00:12:12,152 --> 00:12:14,529 for Ronnie Hawkins and the Hawks. 186 00:12:14,738 --> 00:12:17,324 ♪ ("Baby Jean" by Ronnie Hawkins and the Hawks plays) ♪ 187 00:12:20,118 --> 00:12:23,288 ♪ Well, I had a little woman ♪ 188 00:12:23,580 --> 00:12:25,958 ♪ And her name was Baby Jean ♪ 189 00:12:26,959 --> 00:12:30,254 Robbie: Ronnie Hawkins and the Hawks had 190 00:12:30,420 --> 00:12:32,756 a reputation to be the best 191 00:12:32,923 --> 00:12:35,175 rockabilly band around. 192 00:12:35,259 --> 00:12:37,594 - ♪ Baby Jean, Baby Jean ♪ - ♪ Baby Jean ♪ 193 00:12:37,678 --> 00:12:39,721 - ♪ Baby Jean ♪ - ♪ Don't be mean ♪ 194 00:12:41,139 --> 00:12:43,267 These guys were up there 195 00:12:43,392 --> 00:12:46,395 with Jerry Lee Lewis, Conway Twitty, 196 00:12:46,478 --> 00:12:48,981 Carl Perkins, they were in that league. 197 00:12:49,398 --> 00:12:51,400 ♪ My baby ♪ 198 00:12:51,775 --> 00:12:54,069 ♪ Well, I learned To lose my mind ♪ 199 00:12:54,569 --> 00:12:56,905 Ronnie Hawkins: We didn't know anything about Canada. 200 00:12:57,447 --> 00:13:00,117 We figured, Canada is the wilderness, they've still got 201 00:13:00,200 --> 00:13:02,619 mountain men, you know, eating each other, 202 00:13:02,703 --> 00:13:04,288 stuff like that. (laughs) 203 00:13:04,579 --> 00:13:07,124 We didn't know nothing about Canada. Boy, and Canada is 204 00:13:07,207 --> 00:13:09,251 the promised land compared to where we came from. 205 00:13:10,460 --> 00:13:12,254 Robbie: We played our hearts out. 206 00:13:12,337 --> 00:13:14,881 Then Ronnie Hawkins and the Hawks take 207 00:13:14,965 --> 00:13:18,677 the stage. Oh, my God. They took flight. 208 00:13:18,885 --> 00:13:20,012 ♪ ...back home ♪ 209 00:13:21,346 --> 00:13:23,432 ♪ I'm gonna call up A gypsy woman ♪ 210 00:13:23,515 --> 00:13:25,183 ♪ On the telephone ♪ 211 00:13:26,393 --> 00:13:29,021 ♪ I'm gonna send out A worldwide hoo-doo ♪ 212 00:13:29,104 --> 00:13:31,356 ♪ That'd be the very thing That'd suit you ♪ 213 00:13:31,440 --> 00:13:33,400 ♪ I'm gonna see to it She will be back home ♪ 214 00:13:33,483 --> 00:13:35,277 ♪ In 40 days ♪ 215 00:13:35,360 --> 00:13:38,363 - ♪ Oh, 40 days ♪ - ♪ 40 days ♪ 216 00:13:38,447 --> 00:13:40,032 Robbie: Ronnie Hawkins was 217 00:13:40,157 --> 00:13:42,451 over here. Boom, he was over there. 218 00:13:42,534 --> 00:13:44,036 He was singing just in time. 219 00:13:44,119 --> 00:13:45,871 The piano player would be 220 00:13:45,954 --> 00:13:49,166 playing a solo, keys would be flying off 221 00:13:49,291 --> 00:13:51,501 the piano, he was hitting it so hard. 222 00:13:57,966 --> 00:14:00,218 There was a guy playing drums 223 00:14:00,302 --> 00:14:02,804 who looked like he was 15 years old, 224 00:14:02,888 --> 00:14:04,848 with white-blonde hair, 225 00:14:04,931 --> 00:14:08,477 and he was twirling sticks, and he was laughing, 226 00:14:08,560 --> 00:14:09,978 and smiling, 227 00:14:10,062 --> 00:14:12,397 and he just seemed to glow in the dark, 228 00:14:12,522 --> 00:14:15,484 and his name was Levon Helm. 229 00:14:20,655 --> 00:14:22,824 Helm: Well, I started with Ronnie when I was trying 230 00:14:22,908 --> 00:14:25,035 to get out of high school back in Arkansas. 231 00:14:25,118 --> 00:14:27,162 Ronnie was putting a band together. 232 00:14:27,245 --> 00:14:29,289 I got into it to play drums. 233 00:14:29,373 --> 00:14:31,166 We hit the road, played around for years, 234 00:14:31,249 --> 00:14:33,418 and ended up playing up in Canada. 235 00:14:33,877 --> 00:14:36,380 ♪ That'd be the very thing That'd suit you... ♪ 236 00:14:36,463 --> 00:14:40,217 This is it. This is the most amazing thing 237 00:14:40,467 --> 00:14:42,094 on the planet Earth. 238 00:14:42,594 --> 00:14:45,013 (audience applauds and cheers) 239 00:14:46,139 --> 00:14:49,184 After they played, I just stood around. 240 00:14:49,393 --> 00:14:52,437 I wanted to help out in any way I could, 241 00:14:52,521 --> 00:14:55,065 to have this rub off on me, 242 00:14:55,148 --> 00:14:58,151 this music, this talent, 243 00:14:58,443 --> 00:15:00,028 this southern-ness. 244 00:15:00,112 --> 00:15:02,280 I stuck to them like glue. 245 00:15:02,531 --> 00:15:04,699 ♪ ("Boba Lou" by Robbie Robertson plays) ♪ 246 00:15:04,991 --> 00:15:06,535 Hawkins: I knew right off the bat 247 00:15:06,618 --> 00:15:08,328 Robbie had something special. I don't know, 248 00:15:08,412 --> 00:15:10,330 he must've been 15 or 16 years old. 249 00:15:10,789 --> 00:15:12,541 ♪ Boba Lou... ♪ 250 00:15:12,624 --> 00:15:14,793 Hawkins: But he was hip. Robbie was street hip. 251 00:15:15,210 --> 00:15:17,129 He was a hell of a young man. 252 00:15:18,964 --> 00:15:22,134 Robbie: One day, I heard Ronnie Hawkins 253 00:15:22,217 --> 00:15:25,554 saying to the other guys, "I gotta cut a new record. 254 00:15:25,637 --> 00:15:27,264 I need some songs." 255 00:15:27,347 --> 00:15:30,725 I scampered home, went to my room, 256 00:15:30,851 --> 00:15:34,396 and never came out until I wrote two songs. 257 00:15:37,941 --> 00:15:40,777 ♪ I will love her Till my dying day ♪ 258 00:15:40,861 --> 00:15:42,946 ♪ Don't know why she left ♪ 259 00:15:43,029 --> 00:15:44,573 ♪ Left me this way ♪ 260 00:15:44,906 --> 00:15:47,826 ♪ Left me here all alone ♪ 261 00:15:47,909 --> 00:15:51,079 ♪ To sit and cry on my own... ♪ 262 00:15:51,496 --> 00:15:53,999 Hawkins: Robbie was writing songs when he was 15 years old. 263 00:15:54,082 --> 00:15:57,210 I recorded two of said songs on my album 264 00:15:57,294 --> 00:15:59,963 before anybody ever thought about Robbie Robertson. 265 00:16:05,469 --> 00:16:08,263 At that time, Robbie dropped out of school. 266 00:16:08,680 --> 00:16:10,140 His mother, Dolly, 267 00:16:10,223 --> 00:16:11,766 she was worried about him. 268 00:16:13,268 --> 00:16:14,603 ♪ Boba Lou... ♪ 269 00:16:14,728 --> 00:16:16,688 Robbie: There had been quite a period 270 00:16:16,897 --> 00:16:19,983 where my parents weren't getting along. 271 00:16:20,775 --> 00:16:23,403 My father, Jim Robertson, 272 00:16:23,612 --> 00:16:26,823 was being quite abusive with my mother, 273 00:16:26,907 --> 00:16:28,283 and with me. 274 00:16:30,160 --> 00:16:32,370 And one day she said to me, 275 00:16:32,829 --> 00:16:34,581 "Sit down, I... I need 276 00:16:34,664 --> 00:16:36,082 to tell you something. 277 00:16:36,791 --> 00:16:39,419 And maybe I should've told you this before, 278 00:16:39,669 --> 00:16:42,380 but he's not your real father." 279 00:16:46,968 --> 00:16:47,969 "What? 280 00:16:48,678 --> 00:16:51,890 I... What do you mean, he's not my real father?" 281 00:16:53,934 --> 00:16:56,478 Robbie's real daddy was a Hebrew gangster. 282 00:16:56,937 --> 00:16:58,772 Yeah, they killed him, they shot him on... 283 00:16:58,855 --> 00:17:00,065 Yonge Street, I think. 284 00:17:00,941 --> 00:17:03,401 ♪ ("Robbie's Blues" by Robbie Robertson plays) ♪ 285 00:17:06,321 --> 00:17:07,781 Robbie: My mother says, 286 00:17:07,864 --> 00:17:10,283 "Your blood father, his name was 287 00:17:10,450 --> 00:17:12,577 Alexander Klegerman. 288 00:17:13,578 --> 00:17:16,039 He got killed before you were born. 289 00:17:17,123 --> 00:17:18,375 He's Jewish." 290 00:17:19,209 --> 00:17:21,503 And she introduced me 291 00:17:21,586 --> 00:17:24,756 to the relatives of my blood father, 292 00:17:24,839 --> 00:17:27,926 Natie Klegerman and Morrie Klegerman. 293 00:17:28,385 --> 00:17:31,137 They bring me into their world 294 00:17:31,221 --> 00:17:34,266 with tremendous love and affection. 295 00:17:34,474 --> 00:17:36,351 I met his uncle who'd been in the penitentiary 296 00:17:36,434 --> 00:17:37,894 ten years. He was a gangster too. 297 00:17:38,979 --> 00:17:41,648 Robbie: Through these relatives of mine, 298 00:17:41,856 --> 00:17:44,734 I'm understanding what's been stirring 299 00:17:44,818 --> 00:17:46,861 inside of me all this time. 300 00:17:46,945 --> 00:17:49,030 They understand vision. 301 00:17:49,489 --> 00:17:51,908 They understand ambition. 302 00:17:52,659 --> 00:17:54,911 When I told the Klegermans 303 00:17:54,995 --> 00:17:57,914 I had musical ambitions, they were like, 304 00:17:58,081 --> 00:18:00,083 "rock 'n' roll? You don't wanna be 305 00:18:00,166 --> 00:18:02,460 in furs and diamonds, you wanna be in that...?" 306 00:18:02,544 --> 00:18:06,172 And then they were like, "Oh, you mean, show business." 307 00:18:06,298 --> 00:18:08,550 ♪ ("Robbie's Blues" continues) ♪ 308 00:18:11,177 --> 00:18:12,846 I'm 16 years old now. 309 00:18:12,929 --> 00:18:17,058 Ronnie Hawkins says, "I want you to come down to Arkansas 310 00:18:17,183 --> 00:18:20,812 and try out to become one of the Hawks." 311 00:18:21,479 --> 00:18:24,524 If I didn't go down there and try out for this, 312 00:18:24,774 --> 00:18:27,569 I would be sorry the rest of my life. 313 00:18:28,069 --> 00:18:32,157 I sold my '56 Stratocaster, 314 00:18:32,282 --> 00:18:35,619 I got the money to take a train from Toronto 315 00:18:35,744 --> 00:18:37,245 to Fayetteville, Arkansas. 316 00:18:37,996 --> 00:18:40,040 ♪ ("Help Me" by Sonny Boy Williamson II plays) ♪ 317 00:18:54,095 --> 00:18:57,307 I'm going to the Mississippi Delta, 318 00:18:57,474 --> 00:18:59,934 to the fountainhead of rock 'n' roll. 319 00:19:01,269 --> 00:19:04,564 "This is it, this is it. I've gotta make this work." 320 00:19:04,981 --> 00:19:07,651 ♪ I can't do it all by myself ♪ 321 00:19:07,734 --> 00:19:10,570 Robbie: So many amazing music people came out of there. 322 00:19:10,654 --> 00:19:12,572 ♪ You got to help me, baby ♪ 323 00:19:13,740 --> 00:19:15,992 ♪ I can't do it all by myself ♪ 324 00:19:18,953 --> 00:19:21,373 ♪ You know If you don't help me, darling ♪ 325 00:19:22,457 --> 00:19:23,583 Robbie: This music 326 00:19:23,875 --> 00:19:25,543 is down and dirty. 327 00:19:25,960 --> 00:19:27,545 And it's heavy, 328 00:19:27,879 --> 00:19:29,005 just like the air. 329 00:19:38,306 --> 00:19:39,808 Helm: Growin' up there in the Delta, 330 00:19:39,933 --> 00:19:42,852 just in the Memphis, West Memphis area there, 331 00:19:42,936 --> 00:19:45,814 we had as good a radio as you could find. 332 00:19:45,897 --> 00:19:47,649 Our jukeboxes and radios 333 00:19:47,732 --> 00:19:49,859 weren't running short of good songs. 334 00:19:50,902 --> 00:19:53,113 I consider myself fortunate to have 335 00:19:53,196 --> 00:19:56,533 grown up there and heard the kind of music that I did. 336 00:20:03,707 --> 00:20:04,624 Hawkins: Robbie was 337 00:20:04,708 --> 00:20:06,376 a hell of a gifted musician, I can tell you that. 338 00:20:06,459 --> 00:20:08,753 But what made him better than anybody else is 339 00:20:08,837 --> 00:20:10,004 he worked twice as hard. 340 00:20:10,964 --> 00:20:13,216 Robbie: Finally, Ronnie says, 341 00:20:13,466 --> 00:20:15,635 "I'm gonna offer you the job." 342 00:20:16,094 --> 00:20:20,640 I say, "You'll never have to tell me to work harder." 343 00:20:20,932 --> 00:20:24,269 He said, "I know." So I say, "Great. 344 00:20:24,352 --> 00:20:27,188 How much will I get paid working for you?" 345 00:20:27,272 --> 00:20:29,149 And I said, "Well, don't worry about the money, kid. 346 00:20:29,232 --> 00:20:31,109 You ain't gonna make much money, 347 00:20:31,192 --> 00:20:33,570 but you'll be gettin' more pussy than Frank Sinatra." 348 00:20:33,778 --> 00:20:34,779 And he did. 349 00:20:35,447 --> 00:20:37,365 ♪ ("Bo Diddley" by Ronnie Hawkins plays) ♪ 350 00:20:37,449 --> 00:20:39,367 ♪ Hey, Bo Diddley ♪ 351 00:20:39,451 --> 00:20:41,077 ♪ Hey, Bo Diddley ♪ 352 00:20:41,161 --> 00:20:43,621 ♪ Hey, Bo Diddley ♪ 353 00:20:43,705 --> 00:20:45,832 ♪ Hey, Bo Diddley... ♪ 354 00:20:45,915 --> 00:20:49,002 Robbie: I depended on Levon to show me the road. 355 00:20:49,544 --> 00:20:51,337 He had grown, 356 00:20:51,421 --> 00:20:52,672 in my eyes, 357 00:20:52,756 --> 00:20:55,550 bigger than life. When he laughed, 358 00:20:56,092 --> 00:20:57,343 everybody laughed. 359 00:20:58,803 --> 00:21:00,638 Hawkins: They were the best friends you could ever be. 360 00:21:00,764 --> 00:21:02,891 They were like Huckleberry Finn and Tom Sawyer. 361 00:21:02,974 --> 00:21:04,934 It was a hell of a combination, I thought, 362 00:21:05,059 --> 00:21:07,353 because Levon could put the arrangements and stuff together 363 00:21:07,562 --> 00:21:09,731 and do all that, and Robbie could write the songs. 364 00:21:12,066 --> 00:21:13,568 George Semkiw: When I saw Robbie play guitar, 365 00:21:13,651 --> 00:21:14,944 it just blew my mind. 366 00:21:15,069 --> 00:21:17,739 Every guitar player in Toronto learned from Robbie. 367 00:21:17,822 --> 00:21:19,783 Grant Smith: He changed the whole ballgame up here. 368 00:21:19,866 --> 00:21:21,618 I can remember people discussing, 369 00:21:21,701 --> 00:21:24,537 "How does Robbie make that guitar sound?" 370 00:21:25,288 --> 00:21:26,706 Semkiw: That was the big mystery. 371 00:21:26,831 --> 00:21:28,708 There was, like, stories going around 372 00:21:28,833 --> 00:21:30,835 that, oh, he slashed his speakers, 373 00:21:30,960 --> 00:21:32,879 broke a couple of tubes in the amp. 374 00:21:32,962 --> 00:21:36,716 Every guitar player I met after that was doing the same thing. 375 00:21:36,925 --> 00:21:39,844 I watched them all change from their old style of playing 376 00:21:39,928 --> 00:21:42,013 to the new Robbie style of playing, 377 00:21:42,096 --> 00:21:43,973 and I was... I was one of the pack. 378 00:21:58,738 --> 00:22:01,658 Robbie: Ronnie depends on Levon and I 379 00:22:01,741 --> 00:22:04,828 to help him choose musicians 380 00:22:04,911 --> 00:22:07,080 that have potential. 381 00:22:07,163 --> 00:22:08,998 ♪ ("You Know I Love You" by Ronnie Hawkins plays) ♪ 382 00:22:09,123 --> 00:22:13,086 Ronnie wants to have the best band in the land. 383 00:22:13,378 --> 00:22:14,838 Hawkins: Have you ever heard me sing? 384 00:22:14,963 --> 00:22:16,631 I'll better have a good band. 385 00:22:18,258 --> 00:22:19,634 The Arkansas boys would quit 386 00:22:19,717 --> 00:22:21,511 and Ronnie would replace 387 00:22:21,594 --> 00:22:23,304 with a Canadian musician. 388 00:22:23,930 --> 00:22:26,558 Within a fairly short time, we had 389 00:22:26,641 --> 00:22:28,893 Richard, Rick, and when Garth 390 00:22:29,060 --> 00:22:31,938 finally joined the outfit, I think that gave us a leg up. 391 00:22:33,857 --> 00:22:36,484 Robbie: We didn't know a musician 392 00:22:36,693 --> 00:22:38,194 that could do what he could do. 393 00:22:38,486 --> 00:22:41,030 Garth understood Muddy Waters 394 00:22:41,322 --> 00:22:44,242 and Bach in the same sentence. 395 00:22:44,951 --> 00:22:48,788 Richard was an incredibly beautiful soul. 396 00:22:48,872 --> 00:22:51,165 You couldn't help but just love the guy. 397 00:22:51,708 --> 00:22:53,167 Richard Manuel: It was kind of like boot camp. 398 00:22:53,251 --> 00:22:55,003 I mean, we drove ourselves 399 00:22:55,295 --> 00:22:57,589 to as near perfection as we could get, you know? 400 00:22:57,672 --> 00:23:00,925 To the point where we'd really thrill each other. 401 00:23:01,301 --> 00:23:03,636 Robbie: Rick was one of these people that was like, 402 00:23:03,720 --> 00:23:05,555 "Trombone, bass, tuba, 403 00:23:05,638 --> 00:23:09,309 violin, whatever it is, I can do it." 404 00:23:09,767 --> 00:23:11,895 Rick Danko: We were kids playing in bars 405 00:23:11,978 --> 00:23:13,938 that you were supposed to be 21 to play in. 406 00:23:14,022 --> 00:23:16,190 We were 17, 18, 19. It can 407 00:23:16,274 --> 00:23:18,902 get pretty outrageous when you're out there that young. 408 00:23:19,068 --> 00:23:21,613 ♪ Further on up the road ♪ 409 00:23:22,822 --> 00:23:25,241 ♪ Someone gonna hurt you Like you hurt me ♪ 410 00:23:27,160 --> 00:23:29,287 ♪ Further on up the road ♪ 411 00:23:30,038 --> 00:23:31,414 Hawkins: Robbie's mom, Dolly, 412 00:23:31,497 --> 00:23:33,541 she helped The Band out more than anybody. 413 00:23:33,625 --> 00:23:35,752 She would give them places to stay cheap, 414 00:23:35,835 --> 00:23:37,629 fed 'em, cooked. She did everything. 415 00:23:37,712 --> 00:23:39,172 She was somethin' else. 416 00:23:39,505 --> 00:23:41,466 ♪ Baby, just you wait and see ♪ 417 00:23:43,134 --> 00:23:46,054 Hawkins: We played six days a week and we practiced five. 418 00:23:46,304 --> 00:23:48,097 That's how come they got good. 419 00:23:48,181 --> 00:23:50,725 They were probably the best white rhythm and blues band 420 00:23:50,808 --> 00:23:53,519 in the world at that time. When they were young, 421 00:23:53,603 --> 00:23:55,313 they were absorbing all that knowledge quick. 422 00:23:55,688 --> 00:23:58,691 They shot by me musically like a bolt of lightning. 423 00:23:59,651 --> 00:24:02,570 Robbie: We were outgrowing the past 424 00:24:03,446 --> 00:24:05,782 and the music that we were playing with Ronnie. 425 00:24:14,165 --> 00:24:18,294 - (film projector whirring) - (distant siren blaring) 426 00:24:18,503 --> 00:24:20,922 Robbie: When we left Ronnie, we ended up 427 00:24:21,005 --> 00:24:23,049 playing at a club in New York, 428 00:24:23,508 --> 00:24:26,386 and one day my friend, John Hammond, 429 00:24:26,469 --> 00:24:28,429 a great musician, blues singer, 430 00:24:28,513 --> 00:24:30,431 he came and picked me up at the hotel, 431 00:24:30,515 --> 00:24:33,643 and we're going to the Columbia Records Building, 432 00:24:33,851 --> 00:24:35,269 to one of the studios. 433 00:24:35,895 --> 00:24:38,731 We go in. I see over in the corner 434 00:24:38,815 --> 00:24:42,276 this guy with dark glasses on 435 00:24:42,694 --> 00:24:45,113 and frizzly hair, and John says, 436 00:24:45,363 --> 00:24:47,073 "This is Bob Dylan." 437 00:24:48,116 --> 00:24:50,910 ♪ ("Like a Rolling Stone" by Bob Dylan plays) ♪ 438 00:24:57,750 --> 00:24:59,961 ♪ Once upon a time You dressed so fine ♪ 439 00:25:00,086 --> 00:25:01,379 ♪ Threw the bums a dime ♪ 440 00:25:01,462 --> 00:25:04,757 ♪ In your prime, didn't you? ♪ 441 00:25:05,550 --> 00:25:08,886 Robbie: Bob Dylan's a really respected songwriter. 442 00:25:08,970 --> 00:25:11,556 He was best known to me as a folk singer 443 00:25:11,639 --> 00:25:14,517 with a guitar and he has a harmonica. 444 00:25:14,600 --> 00:25:17,562 And he sings his beautiful songs. 445 00:25:17,645 --> 00:25:20,356 Folk music, from what we knew, 446 00:25:20,440 --> 00:25:23,568 was happening over by a university somewhere, 447 00:25:23,651 --> 00:25:25,987 and people were sipping cappuccinos, 448 00:25:26,070 --> 00:25:27,864 listening to folk music. 449 00:25:27,947 --> 00:25:28,823 Where we're playing, 450 00:25:28,906 --> 00:25:30,366 on the other side of the tracks, 451 00:25:30,533 --> 00:25:33,411 there ain't nobody sipping cappuccinos over there. 452 00:25:34,328 --> 00:25:36,748 I didn't know a whole lot about Bob. 453 00:25:36,831 --> 00:25:39,042 We were more into R&B 454 00:25:39,125 --> 00:25:41,669 and blues music. 455 00:25:44,881 --> 00:25:46,632 Robbie: When we left Ronnie, 456 00:25:47,175 --> 00:25:48,968 I wanna be something original, 457 00:25:49,093 --> 00:25:50,970 I don't wanna be a bar band. 458 00:25:51,220 --> 00:25:53,556 I've gotta come back to writing. 459 00:25:53,639 --> 00:25:55,558 I'm having dreams 460 00:25:55,641 --> 00:25:58,436 about finding a sanctuary, 461 00:25:58,519 --> 00:26:00,438 finding a place that we can go, 462 00:26:00,521 --> 00:26:03,608 and we can hone these skills, and we're just not 463 00:26:03,816 --> 00:26:06,444 on the road driving to the next gig. 464 00:26:06,694 --> 00:26:08,821 John Hammond: They were playing these gigs, 465 00:26:08,905 --> 00:26:11,616 trying to get a recording deal. I said, "Well, gee, you know, 466 00:26:11,783 --> 00:26:13,493 how about we make a record together? 467 00:26:13,576 --> 00:26:15,620 And I was signed to Vanguard Records. 468 00:26:15,703 --> 00:26:19,415 And they gave us, like, a three-hour window to record. 469 00:26:19,499 --> 00:26:22,460 I invited my friend Bob Dylan to the recording day. 470 00:26:22,752 --> 00:26:24,253 So I introduced them to Dylan. 471 00:26:24,420 --> 00:26:26,839 And... and Dylan flipped out, I mean, 472 00:26:27,006 --> 00:26:29,342 he thought these guys were phenomenal. 473 00:26:29,675 --> 00:26:31,469 Robbie: What we didn't know 474 00:26:31,552 --> 00:26:33,471 is that Bob's already doing 475 00:26:33,554 --> 00:26:35,264 the rock 'n' roll thing. 476 00:26:35,431 --> 00:26:37,517 ♪ ("Maggie's Farm" by Bob Dylan plays) ♪ 477 00:26:45,817 --> 00:26:48,611 He wanted to hire an amazing band 478 00:26:48,694 --> 00:26:51,739 that he could take on tour with him. 479 00:26:51,823 --> 00:26:53,741 So he hired the guys. 480 00:26:53,866 --> 00:26:56,911 ♪ ("Just Like Tom Thumb's Blues" by Bob Dylan and The Band) ♪ 481 00:27:03,292 --> 00:27:06,420 ♪ When you're lost In the rain ♪ 482 00:27:06,504 --> 00:27:07,797 ♪ In Juarez ♪ 483 00:27:07,880 --> 00:27:09,924 ♪ And it's Easter time too ♪ 484 00:27:12,510 --> 00:27:14,762 Robbie: Bob Dylan's thing was like a detour. 485 00:27:15,096 --> 00:27:17,223 We're hooking up with this guy, 486 00:27:17,306 --> 00:27:19,892 and he's changing the course of music. 487 00:27:20,518 --> 00:27:21,727 He's like... 488 00:27:21,811 --> 00:27:23,855 the king of the folk movement 489 00:27:23,938 --> 00:27:26,899 who now wants a rock 'n' roll band. 490 00:27:27,024 --> 00:27:29,235 Huh! That's not a bad thing 491 00:27:29,402 --> 00:27:31,821 to experience along the way too. 492 00:27:31,904 --> 00:27:34,323 We thought, "Let's take that detour." 493 00:27:35,116 --> 00:27:37,952 ♪ They got Some hungry women there ♪ 494 00:27:38,035 --> 00:27:40,204 ♪ And they really make a mess ♪ 495 00:27:40,288 --> 00:27:42,206 ♪ Out of you ♪ 496 00:27:42,748 --> 00:27:46,085 We hook up with him, and have no idea 497 00:27:46,210 --> 00:27:47,378 that he's the only one 498 00:27:47,461 --> 00:27:49,422 that thinks this is a good idea. 499 00:27:49,505 --> 00:27:52,675 The rest of the world hates this idea. 500 00:27:52,758 --> 00:27:56,137 We play with him and they boo us every night. 501 00:27:56,220 --> 00:27:59,599 - (audience boos) - It is weird that people could 502 00:27:59,807 --> 00:28:03,227 be this upset about this guy 503 00:28:03,311 --> 00:28:05,062 just wanting to expand 504 00:28:05,146 --> 00:28:06,856 his musical horizon 505 00:28:06,939 --> 00:28:08,983 and play with other musicians. 506 00:28:09,150 --> 00:28:12,195 ♪ ("Tell Me, Momma" by Bob Dylan and The Band plays) ♪ 507 00:28:18,910 --> 00:28:22,997 ♪ Ol' black Bascom Don't break no mirrors ♪ 508 00:28:23,372 --> 00:28:27,293 ♪ Cold black water dog Make no tears ♪ 509 00:28:27,376 --> 00:28:30,129 We'd go somewhere, we set up our equipment, 510 00:28:30,379 --> 00:28:31,380 we play. 511 00:28:32,506 --> 00:28:34,675 People come, they boo us, 512 00:28:34,759 --> 00:28:38,095 sometimes throw things. We'd pack up our equipment, 513 00:28:38,304 --> 00:28:40,014 go on to the next place, 514 00:28:40,097 --> 00:28:42,725 set up, play, they boo us. 515 00:28:42,934 --> 00:28:45,770 I think, "What a strange way to make a buck." 516 00:28:49,023 --> 00:28:50,816 Helm: Kids would break for the stage, 517 00:28:51,025 --> 00:28:53,527 cops were making open-field tackles... 518 00:28:54,278 --> 00:28:56,155 out in front of the stage. 519 00:28:56,239 --> 00:28:58,074 And Bob had told us, you know, 520 00:28:58,157 --> 00:29:00,117 whatever happens, just don't stop playing. 521 00:29:00,326 --> 00:29:02,870 ♪ Tell me, Momma ♪ 522 00:29:05,373 --> 00:29:07,583 ♪ Tell me, Momma ♪ 523 00:29:09,710 --> 00:29:12,338 ♪ Tell me, Momma, what is it? ♪ 524 00:29:14,423 --> 00:29:16,384 ♪ What's wrong with you ♪ 525 00:29:16,467 --> 00:29:18,302 ♪ This time? ♪ 526 00:29:19,262 --> 00:29:20,513 Bob Dylan: Cool car! 527 00:29:20,846 --> 00:29:23,599 Get the bass in with Robbie. Let's go. 528 00:29:24,058 --> 00:29:26,185 Let's go, we have to go now. Hey, tell them we have to go. 529 00:29:26,269 --> 00:29:28,020 Hey, don't pull my fingers! 530 00:29:28,104 --> 00:29:30,856 So long. So long, don't boo me anymore! 531 00:29:31,607 --> 00:29:34,902 When they yell in this weird nasal tone. 532 00:29:34,986 --> 00:29:37,488 Oh. Jesus, you know, I don't understand why they... 533 00:29:37,571 --> 00:29:39,782 how can they buy the tickets up so fast? 534 00:29:39,865 --> 00:29:41,284 Let's get that light off. 535 00:29:54,922 --> 00:29:58,050 Robbie: Levon expressed to me that there was 536 00:29:58,134 --> 00:30:00,511 something in this whole world 537 00:30:00,594 --> 00:30:03,556 that we had entered into that just didn't feel right to him. 538 00:30:04,557 --> 00:30:05,975 And the idea that we would 539 00:30:06,100 --> 00:30:10,146 go out and play and people would boo us, 540 00:30:10,396 --> 00:30:12,815 he thought that was just ridiculous. 541 00:30:13,524 --> 00:30:14,900 And I... I was 542 00:30:14,984 --> 00:30:16,861 much closer to Bob 543 00:30:16,944 --> 00:30:19,030 than the other guys were. 544 00:30:19,196 --> 00:30:21,824 I don't think Levon felt good about that, either. 545 00:30:22,533 --> 00:30:24,327 ♪ I bet you might ♪ 546 00:30:24,410 --> 00:30:28,331 ♪ Think it's foolish To be this way ♪ 547 00:30:28,414 --> 00:30:31,000 ♪ And am I sane? To who? ♪ 548 00:30:32,877 --> 00:30:35,296 One night, Levon comes 549 00:30:35,421 --> 00:30:38,090 to my hotel room and he says, 550 00:30:38,382 --> 00:30:41,469 "I don't like this music. I don't like these people. 551 00:30:42,136 --> 00:30:43,721 I don't wanna be here. 552 00:30:43,971 --> 00:30:46,432 And I don't wanna be in anybody's band. 553 00:30:48,059 --> 00:30:49,226 I wanna go." 554 00:30:51,437 --> 00:30:53,898 He didn't go anywhere without me. 555 00:30:54,607 --> 00:30:57,068 He said, "I'm gonna go down to New Orleans 556 00:30:57,443 --> 00:30:59,904 and maybe work on an oil rig 557 00:31:00,071 --> 00:31:03,324 in the Gulf of Mexico. " And I said, 558 00:31:03,574 --> 00:31:05,451 "Have you told the other guys?" 559 00:31:05,785 --> 00:31:08,454 He said, "No, I haven't spoke to the other guys. 560 00:31:08,537 --> 00:31:10,164 I'd like you to do that for me." 561 00:31:10,331 --> 00:31:12,458 ♪ Sometimes, you know ♪ 562 00:31:12,750 --> 00:31:14,835 "Tell them I wish them well, 563 00:31:14,919 --> 00:31:17,338 and I'll see them down the line." 564 00:31:18,172 --> 00:31:21,008 So I walked him down the street, 565 00:31:21,092 --> 00:31:23,719 and I put my arm around his shoulders 566 00:31:23,803 --> 00:31:25,262 as we were walking along. 567 00:31:25,763 --> 00:31:27,681 He felt beat up to me. 568 00:31:28,974 --> 00:31:32,728 And I knew that he was really in pain. 569 00:31:33,104 --> 00:31:34,897 My heart was breaking. 570 00:31:35,064 --> 00:31:38,025 My partner, my brother... 571 00:31:39,735 --> 00:31:42,029 has left, has gone. 572 00:31:42,154 --> 00:31:44,198 I don't know how to do this 573 00:31:44,281 --> 00:31:45,449 without Levon... 574 00:31:46,784 --> 00:31:48,536 but I'm gonna have to figure it out. 575 00:31:48,744 --> 00:31:51,455 ♪ Well, she hit a wall ♪ 576 00:31:53,124 --> 00:31:55,543 ♪ Back when I was young ♪ 577 00:32:00,840 --> 00:32:02,800 ♪ But you're headed out ♪ 578 00:32:04,051 --> 00:32:05,803 ♪ But I'll be here ♪ 579 00:32:06,178 --> 00:32:08,222 ♪ She knows she's the one ♪ 580 00:32:08,431 --> 00:32:09,890 After Levon left, 581 00:32:10,349 --> 00:32:12,435 we had to get another drummer. 582 00:32:13,102 --> 00:32:14,728 Mickey Jones was his name 583 00:32:14,812 --> 00:32:16,897 and he was a terrific guy, 584 00:32:17,022 --> 00:32:19,442 but, boy, they were tough shoes to fill. 585 00:32:19,608 --> 00:32:21,318 Levon left a big hole. 586 00:32:21,569 --> 00:32:23,696 ♪ ("Baby, Let Me Follow You Down" by Bob Dylan plays) ♪ 587 00:32:35,916 --> 00:32:38,085 We play all over Europe, 588 00:32:38,294 --> 00:32:40,463 and it just gets worse. 589 00:32:40,796 --> 00:32:43,132 We were thinking, "Maybe they don't like it here, 590 00:32:43,215 --> 00:32:46,218 but when we go there, they'll probably feel differently." 591 00:32:46,510 --> 00:32:49,013 - No. - ♪ Let me follow you down ♪ 592 00:32:49,096 --> 00:32:51,724 Wenner: Being in the trenches with Bob on this fight 593 00:32:51,807 --> 00:32:53,267 probably reinforced their relationship. 594 00:32:53,350 --> 00:32:55,394 I think they became closer under fire. 595 00:32:56,145 --> 00:32:58,481 It's fun to revolt. Robbie's young, 596 00:32:58,689 --> 00:33:00,399 and you know, throwin' it in the faces 597 00:33:00,483 --> 00:33:01,984 of all these like, pissant, 598 00:33:02,067 --> 00:33:03,736 you know, people that are in tweeds, or whatever. 599 00:33:04,570 --> 00:33:06,614 George Harrison: I remember it well. The show was 600 00:33:06,697 --> 00:33:08,991 in two halves. In the first half, Bob came out and did 601 00:33:09,074 --> 00:33:11,368 his usual thing with the guitar and the harmonica. 602 00:33:11,494 --> 00:33:13,871 In the second half, he came out with the band. 603 00:33:13,954 --> 00:33:16,665 All through that second half, people were getting up 604 00:33:16,916 --> 00:33:18,792 and walking out, shouting, 605 00:33:19,502 --> 00:33:21,504 and Bob just came out and he said, "Well, you know, 606 00:33:21,587 --> 00:33:24,256 "you all may know this song. Um, remember how 607 00:33:24,340 --> 00:33:26,759 it goes? Well, here's how it goes now." You know? 608 00:33:26,967 --> 00:33:29,637 ♪ ("Ballad of A Thin Man" by Bob Dylan and The Band plays) ♪ 609 00:33:35,226 --> 00:33:38,187 Robbie: I remember saying to the other guys, 610 00:33:38,687 --> 00:33:41,106 "This is good. They're wrong. 611 00:33:41,941 --> 00:33:43,442 This is good." 612 00:33:44,235 --> 00:33:46,320 And then you realize, 613 00:33:47,112 --> 00:33:49,657 you're in a musical revolution. 614 00:33:50,199 --> 00:33:52,284 There is something going on here, 615 00:33:52,451 --> 00:33:55,037 and you have nothing to compare it to. 616 00:33:56,705 --> 00:33:57,957 It just made us 617 00:33:58,082 --> 00:34:01,168 feel like flexing our musical muscles. 618 00:34:01,418 --> 00:34:04,797 We're gonna play this music in your face. 619 00:34:11,637 --> 00:34:13,722 Bob Dylan: The guys that were with me on that tour, 620 00:34:13,806 --> 00:34:15,516 you know, we were all in it together. 621 00:34:15,599 --> 00:34:17,810 We were puttin' our heads in the lion's mouth. 622 00:34:17,893 --> 00:34:20,646 I had to admire them for sticking it out with me, 623 00:34:20,729 --> 00:34:22,273 just for doing it, in my book they were, 624 00:34:22,356 --> 00:34:24,233 you know... gallant knights 625 00:34:24,316 --> 00:34:26,652 for even, you know, standing behind me. 626 00:34:28,320 --> 00:34:30,990 ♪ Mr. Jones ♪ 627 00:34:35,536 --> 00:34:37,871 (audience applauds and cheers) 628 00:34:40,124 --> 00:34:42,126 ♪ ("Amour Secours" by Claire Monchon plays) ♪ 629 00:34:42,376 --> 00:34:45,004 ♪ (singing in French) ♪ 630 00:34:45,462 --> 00:34:48,048 Robbie: One day, we were just taking a walk 631 00:34:48,132 --> 00:34:49,341 and looking in stores. 632 00:34:50,050 --> 00:34:54,471 I see two really pretty girls. 633 00:34:57,600 --> 00:34:59,560 Dominique Robertson: We're taking a wonderful walk. It was 634 00:34:59,643 --> 00:35:02,646 the springtime in Paris. There was a gathering of people 635 00:35:02,813 --> 00:35:04,440 somewhere around the corner 636 00:35:04,690 --> 00:35:07,860 who began to talk to us, and asked us what we were doing. 637 00:35:08,861 --> 00:35:10,487 Robbie: In broken English, 638 00:35:10,571 --> 00:35:15,242 they say they’re journalists from Montreal. 639 00:35:15,784 --> 00:35:17,244 I'm like, "Wow! 640 00:35:17,453 --> 00:35:19,413 I'm from Canada too. 641 00:35:19,747 --> 00:35:21,373 I'm from Toronto." 642 00:35:21,457 --> 00:35:24,293 And they look like, "Oh, that's too bad." 643 00:35:24,501 --> 00:35:26,754 And this whole thing at the time 644 00:35:26,879 --> 00:35:29,965 between English-speaking and the French-speaking, 645 00:35:30,257 --> 00:35:32,718 they were in a revolutionary spirit. This is when they were 646 00:35:32,801 --> 00:35:35,679 putting bombs in mailboxes, 647 00:35:35,763 --> 00:35:37,723 and it was rough going. 648 00:35:37,931 --> 00:35:40,517 I'm on neutral territory, I'm in Paris. 649 00:35:40,601 --> 00:35:42,936 He looked like family to me from the beginning. 650 00:35:43,145 --> 00:35:46,690 It was like... I recognized him. 651 00:35:46,982 --> 00:35:49,652 ♪ ("Je T'aime Moi Non Plus" by Serge Gainsbourg, Jane Birkin) ♪ 652 00:35:50,402 --> 00:35:52,488 Robbie: I am fancy dancing 653 00:35:52,613 --> 00:35:54,198 the best I can 654 00:35:54,281 --> 00:35:56,033 to charm Dominique 655 00:35:56,283 --> 00:35:58,577 into thinking I'm not a bad person, 656 00:35:58,661 --> 00:35:59,703 I'm not the enemy. 657 00:36:00,079 --> 00:36:01,997 And we've got to spend 658 00:36:02,081 --> 00:36:03,499 some time together. 659 00:36:05,250 --> 00:36:07,419 Dominique: We went to the concert at the Olympia, 660 00:36:07,628 --> 00:36:09,755 and the crowd was roaring 661 00:36:09,838 --> 00:36:12,341 in anger about electric guitars. 662 00:36:13,050 --> 00:36:15,010 Robbie: I didn't even realize 663 00:36:15,094 --> 00:36:18,305 people were booing anymore. There was something 664 00:36:18,389 --> 00:36:19,890 about her spirit. 665 00:36:20,516 --> 00:36:23,811 There was something about her eyes and her smile, 666 00:36:24,061 --> 00:36:26,480 and it was a fire inside her. 667 00:36:26,563 --> 00:36:28,315 ♪ (singing in French) ♪ 668 00:36:28,399 --> 00:36:30,901 Even though I didn't speak his language, 669 00:36:30,984 --> 00:36:32,903 I spoke a language that touched him. 670 00:36:35,322 --> 00:36:38,367 I was definitely falling in love with Robbie. 671 00:36:45,833 --> 00:36:48,001 Robbie: When we got back to New York City, 672 00:36:48,085 --> 00:36:51,171 I invited her to come and join me there, 673 00:36:51,672 --> 00:36:53,382 and eventually she did. 674 00:36:54,758 --> 00:36:57,094 The other guys in the Hawks and myself 675 00:36:57,261 --> 00:36:59,221 were trying to find a place 676 00:36:59,304 --> 00:37:01,849 where we could start working on our music. 677 00:37:03,767 --> 00:37:06,854 Albert Grossman, Bob's manager, 678 00:37:06,937 --> 00:37:09,565 he had a place up in Woodstock, New York. 679 00:37:09,898 --> 00:37:11,692 John Simon: Albert was 680 00:37:11,900 --> 00:37:15,821 an anomaly in the world of the record business people. 681 00:37:15,988 --> 00:37:17,322 He didn't wear a suit. 682 00:37:17,448 --> 00:37:20,284 His had his hair tied back in a ponytail. 683 00:37:20,534 --> 00:37:23,328 He looked like an overweight Benjamin Franklin. 684 00:37:23,662 --> 00:37:25,622 Albert took very good care of his artists. 685 00:37:25,914 --> 00:37:29,042 But as far as dealing with other people, he was shrewd. 686 00:37:29,585 --> 00:37:31,962 Robbie: Bob had moved up to Woodstock, 687 00:37:32,045 --> 00:37:33,255 got a house. 688 00:37:33,380 --> 00:37:35,924 Albert would go up there on the weekends. 689 00:37:36,216 --> 00:37:39,094 So Albert says, "Come up to Woodstock. 690 00:37:39,178 --> 00:37:40,721 There's so much room up there. 691 00:37:40,888 --> 00:37:41,930 You can get a place. 692 00:37:42,181 --> 00:37:44,767 You can make all the sounds you want." 693 00:37:44,933 --> 00:37:47,352 ♪ ("Can You Please Crawl Out Your Window?" by Bob Dylan) ♪ 694 00:37:47,436 --> 00:37:50,439 It was a very welcoming possibility. 695 00:37:50,773 --> 00:37:52,816 ♪ He sits in your room ♪ 696 00:37:53,358 --> 00:37:56,195 ♪ His tomb With a fistful of tacks ♪ 697 00:37:56,779 --> 00:37:58,363 Rick found us 698 00:37:58,447 --> 00:38:00,449 this ugly pink house. 699 00:38:03,994 --> 00:38:06,121 This is just what I've been 700 00:38:06,246 --> 00:38:09,333 dreaming about all these years... 701 00:38:09,666 --> 00:38:11,835 a sanctuary that we could 702 00:38:11,960 --> 00:38:14,713 go and write and create. 703 00:38:14,797 --> 00:38:16,840 ♪ ("Words and Numbers" by The Band plays) ♪ 704 00:38:19,176 --> 00:38:20,969 Oh, my god, I mean, a... 705 00:38:21,053 --> 00:38:22,971 pretty corny house, you know? 706 00:38:23,055 --> 00:38:24,556 But it was perfect. 707 00:38:28,185 --> 00:38:30,729 Robbie: So we moved up to Woodstock. 708 00:38:31,313 --> 00:38:33,315 We built a little studio 709 00:38:33,440 --> 00:38:36,693 in the basement, just for writing purposes. 710 00:38:37,194 --> 00:38:39,738 Garth, Richard, and Rick 711 00:38:39,822 --> 00:38:41,824 moved into this house. 712 00:38:42,950 --> 00:38:45,786 I called Bob, and I drive him out there 713 00:38:45,869 --> 00:38:47,204 to show him the place. 714 00:38:47,746 --> 00:38:50,499 And he comes in and he looks at this basement, 715 00:38:50,624 --> 00:38:53,502 and he sees all the instruments set up there, 716 00:38:53,585 --> 00:38:56,338 a little tape recorder, some microphones. 717 00:38:56,421 --> 00:39:00,509 He says, "Can you record music in this place?" 718 00:39:00,759 --> 00:39:03,804 And I was like, "Yeah, we've got that little tape recorder. 719 00:39:03,887 --> 00:39:06,306 It's not... you know, a recording studio, 720 00:39:06,557 --> 00:39:08,725 but it's pretty good for writing and stuff." 721 00:39:09,017 --> 00:39:11,979 He said, "Listen, I've got a couple of song ideas 722 00:39:12,104 --> 00:39:15,607 I've been kicking around. Maybe we could try them here." 723 00:39:16,066 --> 00:39:18,861 Great! That's the spirit. 724 00:39:19,570 --> 00:39:21,697 ♪ Now look here, Dear Sue ♪ 725 00:39:21,780 --> 00:39:23,699 ♪ You best feed the cats ♪ 726 00:39:23,991 --> 00:39:25,951 ♪ The cats need feeding ♪ 727 00:39:26,243 --> 00:39:27,953 ♪ You're the one to do it ♪ 728 00:39:28,579 --> 00:39:29,830 ♪ Get your head ♪ 729 00:39:30,914 --> 00:39:32,207 ♪ Feed the cats ♪ 730 00:39:32,833 --> 00:39:34,960 ♪ You ain't going nowhere ♪ 731 00:39:37,462 --> 00:39:39,172 Danko: Bob would come by, you know, 732 00:39:39,256 --> 00:39:41,049 every day for about a six, seven-month period, 733 00:39:41,216 --> 00:39:44,052 and we'd... we'd get together every afternoon 734 00:39:44,136 --> 00:39:46,555 six to seven days a week. And just from us 735 00:39:46,763 --> 00:39:48,682 getting together and applying ourselves, 736 00:39:48,891 --> 00:39:53,562 - a lot does come out of that. - Robbie: In the living room, 737 00:39:53,645 --> 00:39:55,355 there was a couple of typewriters, 738 00:39:55,480 --> 00:39:58,066 because Bob wrote songs on a typewriter. 739 00:39:58,150 --> 00:40:00,694 And he'd say, "Guys, let's go, let's go. 740 00:40:00,819 --> 00:40:03,906 I think I got something. Let's go." We'd all go downstairs, 741 00:40:04,031 --> 00:40:05,073 we would record it. 742 00:40:06,533 --> 00:40:08,327 Dylan: No, not any harmony, 743 00:40:08,410 --> 00:40:12,039 but harmony in the background like, ooh! 744 00:40:12,205 --> 00:40:14,666 - Helm: ♪ Whoa-oh... ♪ - Yeah, right.Why, why? ♪ 745 00:40:14,750 --> 00:40:17,252 - You know, just... (chuckles) - Helm: ♪ Oh, why... ♪ 746 00:40:17,336 --> 00:40:19,838 Dylan: ♪ Every time I go to town ♪ 747 00:40:20,422 --> 00:40:23,508 ♪ The bars keep Kicking my dog around ♪ 748 00:40:24,009 --> 00:40:27,012 ♪ I don't know why I'm going to town ♪ 749 00:40:27,512 --> 00:40:29,848 ♪ I don't know Why they kick my dog around ♪ 750 00:40:29,932 --> 00:40:32,184 - Let me hear you now! - The Band: ♪ Dog, dog, dog ♪ 751 00:40:33,268 --> 00:40:35,270 ♪ Dog, dog, dog ♪ 752 00:40:35,896 --> 00:40:39,149 Robbie: Working with Bob, I saw a door opening. 753 00:40:39,691 --> 00:40:42,444 He was making the possibility 754 00:40:42,527 --> 00:40:46,156 of using poetry in songwriting 755 00:40:46,239 --> 00:40:49,076 like I had never quite seen before. 756 00:40:49,326 --> 00:40:51,870 It gave you a sense of liberty. 757 00:40:52,245 --> 00:40:54,790 You used to think, "I don't know if you can do that. 758 00:40:54,873 --> 00:40:57,334 I don't know, is it all right to say that? 759 00:40:57,417 --> 00:40:59,711 Can you express things in that kind of way?" 760 00:41:00,253 --> 00:41:02,005 Boom, no rules. 761 00:41:02,422 --> 00:41:04,508 ♪ Well, that big, dumb blonde ♪ 762 00:41:04,591 --> 00:41:06,551 ♪ With her wheel gorged ♪ 763 00:41:07,010 --> 00:41:08,679 ♪ Turtle, that friend of hers ♪ 764 00:41:08,762 --> 00:41:12,516 ♪ With his checks all forged And his cheeks in a chunk ♪ 765 00:41:12,683 --> 00:41:14,851 ♪ With his cheese in the cash ♪ 766 00:41:14,935 --> 00:41:16,645 ♪ They're all gonna be there ♪ 767 00:41:16,770 --> 00:41:18,605 ♪ At that million-dollar bash ♪ 768 00:41:19,982 --> 00:41:21,858 Robbie is a real artist. 769 00:41:21,942 --> 00:41:24,861 He is an amazing creative force. 770 00:41:26,321 --> 00:41:27,698 I never saw him 771 00:41:27,781 --> 00:41:29,908 without a little pad of paper and a pencil, 772 00:41:29,992 --> 00:41:32,202 writing notes about everything. 773 00:41:32,744 --> 00:41:34,663 Some thought, some idea 774 00:41:34,746 --> 00:41:37,290 that he could use later in a song. 775 00:41:37,749 --> 00:41:40,794 ♪ She reads the leaves ♪ 776 00:41:40,877 --> 00:41:43,630 ♪ And she leads the life ♪ 777 00:41:43,714 --> 00:41:46,925 ♪ That she learned so well ♪ 778 00:41:47,426 --> 00:41:50,637 ♪ From the old wives ♪ 779 00:41:50,721 --> 00:41:53,515 ♪ It's so strange To arrange... ♪ 780 00:41:53,598 --> 00:41:56,643 Robbie: When Dominique was becoming my girlfriend, 781 00:41:57,060 --> 00:42:00,147 her connection to French literature, 782 00:42:00,230 --> 00:42:02,190 poetry, music, 783 00:42:02,482 --> 00:42:04,443 was rubbing off on me. 784 00:42:05,193 --> 00:42:07,821 The path that I was on intellectually, 785 00:42:08,363 --> 00:42:10,365 boom, she altered it, 786 00:42:10,449 --> 00:42:13,410 and I was being highly inspired 787 00:42:13,702 --> 00:42:15,662 by what she was bringing 788 00:42:15,746 --> 00:42:17,247 to the table as well. 789 00:42:23,211 --> 00:42:25,589 ♪ I can't get to you... ♪ 790 00:42:26,548 --> 00:42:28,133 Robbie: Albert Grossman 791 00:42:28,216 --> 00:42:30,177 was thinking about getting 792 00:42:30,385 --> 00:42:32,137 the Hawks a record deal. 793 00:42:32,262 --> 00:42:34,639 So he said, "You need to record 794 00:42:34,848 --> 00:42:37,309 a couple of your tunes so I can play them 795 00:42:37,392 --> 00:42:39,269 for some record companies." 796 00:42:39,478 --> 00:42:42,105 So we went into a studio, 797 00:42:42,189 --> 00:42:44,232 and we got a session drummer. 798 00:42:44,316 --> 00:42:46,985 I was really not satisfied 799 00:42:47,069 --> 00:42:48,570 with what we did. 800 00:42:48,862 --> 00:42:52,157 If you have a... a table and one of the legs is missing, 801 00:42:52,240 --> 00:42:53,909 it doesn't sit steady. 802 00:42:54,117 --> 00:42:55,786 This was the sign, 803 00:42:55,952 --> 00:42:59,748 it's time for him to come back. We gotta find Levon. 804 00:43:00,415 --> 00:43:02,918 ♪ Ain't no more cane ♪ 805 00:43:03,001 --> 00:43:05,921 ♪ On the Brazos ♪ 806 00:43:08,131 --> 00:43:12,010 ♪ Ooh, ooh, ooh ♪ 807 00:43:13,887 --> 00:43:15,806 Robbie: We tracked him down and we told him 808 00:43:15,889 --> 00:43:18,350 about the place we had and that we were 809 00:43:18,433 --> 00:43:20,727 gonna get a record deal and all of this, 810 00:43:20,936 --> 00:43:22,646 and you could hear 811 00:43:22,729 --> 00:43:25,190 the joy in his voice. 812 00:43:26,066 --> 00:43:28,693 ♪ You should've Been on the river ♪ 813 00:43:29,569 --> 00:43:31,738 ♪ In 1910 ♪ 814 00:43:32,697 --> 00:43:34,199 Dominique: I remember meeting him 815 00:43:34,282 --> 00:43:37,744 and he was such a nice guy. He was such a charming person. 816 00:43:38,036 --> 00:43:40,122 There was a sense of relief 817 00:43:40,205 --> 00:43:42,082 in the band that he was back, 818 00:43:42,165 --> 00:43:44,543 and hopefully he would stay. 819 00:43:45,335 --> 00:43:48,421 Moved into the house there, there was an extra spot for me, 820 00:43:48,505 --> 00:43:50,215 and uh, started gettin' together, 821 00:43:50,298 --> 00:43:52,134 and just putting songs together. 822 00:43:52,342 --> 00:43:54,261 Simon: I had the sense that Levon realized 823 00:43:54,344 --> 00:43:56,304 he was coming back to a good thing. 824 00:43:56,471 --> 00:43:57,639 They were on a salary, 825 00:43:57,722 --> 00:43:59,224 they were able to make their own music. 826 00:43:59,307 --> 00:44:02,352 Woodstock was full of young people and lots of girls. 827 00:44:02,435 --> 00:44:04,271 It was better than being on an oil rig in the middle 828 00:44:04,354 --> 00:44:07,899 of the Gulf of Mexico. Robbie played the tapes 829 00:44:07,983 --> 00:44:09,734 that they had made, "The Basement Tapes". 830 00:44:09,818 --> 00:44:11,736 ♪ Katie's been gone ♪ 831 00:44:11,820 --> 00:44:13,738 ♪ Since the springtime ♪ 832 00:44:13,822 --> 00:44:17,284 ♪ She wrote one time And sent her love ♪ 833 00:44:18,451 --> 00:44:19,995 ♪ Katie's been gone ♪ 834 00:44:20,078 --> 00:44:22,038 ♪ For such a long time now... ♪ 835 00:44:22,122 --> 00:44:24,791 Robbie: Levon's reaction was 836 00:44:24,875 --> 00:44:28,753 so extraordinary. He was blown away. 837 00:44:29,421 --> 00:44:31,298 Helm: We had never that kind of time 838 00:44:31,381 --> 00:44:33,967 on our hands, and there we are in the... 839 00:44:34,050 --> 00:44:36,678 in the Catskills, and we don't have a show to play that night, 840 00:44:36,761 --> 00:44:39,764 so we were enjoying it, just sitting around, you know, 841 00:44:39,848 --> 00:44:41,892 the freedom to go down and play some music, 842 00:44:41,975 --> 00:44:45,353 or go outside and throw a football around at each other. 843 00:44:45,896 --> 00:44:47,689 That was just part of a... 844 00:44:47,772 --> 00:44:50,108 a lifestyle that we got to love 845 00:44:50,233 --> 00:44:53,486 in Woodstock, you know, just being able to chop wood, 846 00:44:53,570 --> 00:44:55,739 or hit your thumb with a hammer. 847 00:44:56,489 --> 00:44:59,576 We'd be concerned with fixing the tape recorder 848 00:44:59,659 --> 00:45:01,536 and getting the songs together. 849 00:45:01,661 --> 00:45:04,581 ♪ We can talk about it now ♪ 850 00:45:05,457 --> 00:45:07,709 ♪ It's that same old riddle ♪ 851 00:45:07,792 --> 00:45:10,879 ♪ Only starting From the middle ♪ 852 00:45:11,087 --> 00:45:13,882 ♪ I'd fix it But I don't know how ♪ 853 00:45:14,049 --> 00:45:16,551 Robbie: We had come out with a different sound, 854 00:45:16,635 --> 00:45:19,679 a different sensibility. The music didn't 855 00:45:19,888 --> 00:45:22,432 sound anything like what we did 856 00:45:22,515 --> 00:45:25,435 with Ronnie Hawkins, like anything we did 857 00:45:25,644 --> 00:45:27,354 as Levon and the Hawks. 858 00:45:27,479 --> 00:45:29,940 It didn't sound like anything we did 859 00:45:30,148 --> 00:45:34,486 with Bob Dylan on the infamous tour, so having 860 00:45:34,569 --> 00:45:36,988 a new name felt natural as well. 861 00:45:39,032 --> 00:45:42,369 ♪ Pulling that eternal plough ♪ 862 00:45:42,869 --> 00:45:46,122 ♪ We've got to find A sharper blade ♪ 863 00:45:46,206 --> 00:45:48,166 ♪ Or have a new one made ♪ 864 00:45:48,291 --> 00:45:50,502 Robbie: In the town, people'd say, 865 00:45:50,585 --> 00:45:53,755 "Oh, those guys, they play with Bob. They're in the band." 866 00:45:54,005 --> 00:45:55,799 And we kept hearing, 867 00:45:56,049 --> 00:45:58,593 "the band, " "the band, " "the band." 868 00:45:58,802 --> 00:46:01,096 And it felt unpretentious, 869 00:46:01,304 --> 00:46:02,681 un-jivy, 870 00:46:03,181 --> 00:46:04,182 un-cute. 871 00:46:04,766 --> 00:46:07,435 Just strictly The Band. 872 00:46:07,602 --> 00:46:10,146 We had done a lot of pre-production work, of course, 873 00:46:10,230 --> 00:46:13,525 at Big Pink. Robbie was doing a lot of the songwriting, 874 00:46:13,608 --> 00:46:15,568 you know, and doing a lot more homework likely 875 00:46:15,652 --> 00:46:18,488 than the rest of us. It was just a question of us 876 00:46:18,571 --> 00:46:20,824 arranging them, and putting them together, 877 00:46:20,907 --> 00:46:22,659 and making them as strong as possible 878 00:46:22,867 --> 00:46:24,035 and working together. 879 00:46:25,370 --> 00:46:27,956 ♪ We can talk about it now ♪ 880 00:46:29,374 --> 00:46:32,335 Robbie: I came back to the house one evening. 881 00:46:32,627 --> 00:46:34,587 I thought, "I gotta do some writing 882 00:46:34,671 --> 00:46:36,798 for this record that we're working on." 883 00:46:36,965 --> 00:46:38,883 And I'm thinking, "What am I gonna write about?" 884 00:46:39,467 --> 00:46:41,928 And I'm sitting there with a guitar, 885 00:46:42,053 --> 00:46:43,763 noodling around. 886 00:46:45,348 --> 00:46:48,727 I look in the guitar, and inside, 887 00:46:49,102 --> 00:46:50,729 on Martin Guitars, 888 00:46:50,854 --> 00:46:53,606 it talks about where they're made. 889 00:46:54,149 --> 00:46:57,402 And they're made in Nazareth, Pennsylvania. 890 00:46:58,862 --> 00:47:01,656 ♪ I pulled into Nazareth... ♪ 891 00:47:01,740 --> 00:47:04,075 And it just, it was all coming to me. 892 00:47:04,617 --> 00:47:06,494 Going from Canada 893 00:47:06,786 --> 00:47:08,997 down to the Mississippi Delta 894 00:47:09,080 --> 00:47:11,041 when I was 16 years old, 895 00:47:11,750 --> 00:47:15,211 characters and circumstances, 896 00:47:15,503 --> 00:47:18,715 all of it started to come back to me. 897 00:47:18,965 --> 00:47:21,009 And when I got to this chorus... 898 00:47:21,092 --> 00:47:23,094 (humming and playing tune) 899 00:47:25,597 --> 00:47:27,557 And I could hear these voices... 900 00:47:27,640 --> 00:47:30,477 ♪ And... ♪ - voices: ♪ And, and, and ♪ 901 00:47:30,977 --> 00:47:34,647 ♪ You put the load Right on me ♪ 902 00:47:35,648 --> 00:47:38,568 And the whole thing just blended together. 903 00:47:38,735 --> 00:47:40,779 ♪ ("The Weight" by The Band plays) ♪ 904 00:47:49,162 --> 00:47:51,081 ♪ I pulled into Nazareth ♪ 905 00:47:51,748 --> 00:47:54,834 ♪ Was feelin' 'Bout half-past dead ♪ 906 00:47:55,794 --> 00:47:58,004 ♪ I just need some place ♪ 907 00:47:58,421 --> 00:48:01,841 ♪ Where I can lay my head ♪ 908 00:48:02,467 --> 00:48:04,511 ♪ Hey, mister, Can you tell me ♪ 909 00:48:04,928 --> 00:48:07,597 ♪ Where a man might Find a bed? ♪ 910 00:48:08,848 --> 00:48:11,810 ♪ He just grinned And shook my hand ♪ 911 00:48:12,018 --> 00:48:13,561 ♪ "No, " was all he said ♪ 912 00:48:15,647 --> 00:48:21,027 ♪ Take a load off, Fanny Take a load for free ♪ 913 00:48:21,236 --> 00:48:22,695 Manuel: We discovered a whole 914 00:48:23,029 --> 00:48:25,782 vocal thing that we weren't aware that we even had. 915 00:48:26,116 --> 00:48:28,576 ♪ And... and... and... ♪ 916 00:48:28,701 --> 00:48:31,329 ♪ You put the load Right on me ♪ 917 00:48:36,042 --> 00:48:37,752 Manuel: I remember listening to playbacks 918 00:48:37,919 --> 00:48:40,713 after the sessions of songs and thinking, 919 00:48:41,297 --> 00:48:43,466 "I really like this stuff. 920 00:48:43,758 --> 00:48:47,011 And... I don't have anything to compare it to, 921 00:48:47,137 --> 00:48:49,806 but I really like it, and I hope everybody else does 922 00:48:50,014 --> 00:48:51,808 'cause I really think this is strong." 923 00:48:52,267 --> 00:48:56,813 ♪ I said, "Hey, Carmen Come on, let's go downtown" ♪ 924 00:48:58,565 --> 00:49:03,153 ♪ She said, "I gotta go, but my Friend can stick around" ♪ 925 00:49:04,988 --> 00:49:07,323 ♪ Take a load off, Fanny ♪ 926 00:49:08,408 --> 00:49:10,660 ♪ Take a load for free ♪ 927 00:49:11,536 --> 00:49:13,913 ♪ Take a load off, Fanny ♪ 928 00:49:15,498 --> 00:49:18,209 ♪ And... and... and... ♪ 929 00:49:18,293 --> 00:49:21,296 ♪ You put the load Right on me ♪ 930 00:49:26,551 --> 00:49:29,053 Robbie: I was very excited 931 00:49:29,220 --> 00:49:31,723 playing this record for Bob. 932 00:49:32,015 --> 00:49:34,517 He hadn't heard a note of it. 933 00:49:34,976 --> 00:49:36,478 "The Weight" comes on. 934 00:49:36,728 --> 00:49:38,855 He's like, "Wait a minute. Who wrote that?" 935 00:49:38,938 --> 00:49:40,857 And I said, "I... I wrote that." 936 00:49:40,940 --> 00:49:44,611 He said, "You wrote that?" And I could just see 937 00:49:44,694 --> 00:49:47,322 the pride in his eyes. 938 00:49:47,614 --> 00:49:49,991 ♪ He said "Do me a favor, son, ♪ 939 00:49:50,241 --> 00:49:53,411 ♪ Won't you stay And keep Anna Lee company?" ♪ 940 00:49:54,329 --> 00:49:56,498 ♪ Take a load off, Fanny ♪ 941 00:49:57,415 --> 00:49:59,667 ♪ Take a load for free ♪ 942 00:50:00,919 --> 00:50:03,379 ♪ Take a load off, Fanny ♪ 943 00:50:04,797 --> 00:50:06,549 ♪ And... and... and... ♪ 944 00:50:06,925 --> 00:50:08,343 ♪ You put the load ♪ 945 00:50:08,426 --> 00:50:10,845 ♪ Right on me ♪ 946 00:50:11,346 --> 00:50:13,056 Springsteen: I think I was in a little coffee shop 947 00:50:13,223 --> 00:50:16,184 in Redbank, New Jersey. Kid came in 948 00:50:16,351 --> 00:50:19,312 with Music From Big Pink and put it on the sound system. 949 00:50:19,395 --> 00:50:20,939 It was late at night, after... 950 00:50:21,147 --> 00:50:23,191 after the place was about to close down, 951 00:50:23,441 --> 00:50:25,068 which was a fantastic moment 952 00:50:25,151 --> 00:50:27,862 to be introduced to that music, you know? 953 00:50:27,946 --> 00:50:30,782 And suddenly this music comes on and everything changes. 954 00:50:30,865 --> 00:50:33,785 ♪ Fought for the party To kingdom come ♪ 955 00:50:33,993 --> 00:50:36,621 ♪ Sadly told his only son ♪ 956 00:50:36,996 --> 00:50:39,499 ♪ Just be careful what you do ♪ 957 00:50:39,582 --> 00:50:41,543 ♪ It all comes back on you ♪ 958 00:50:42,293 --> 00:50:44,254 Clapton: When I heard Big Pink, it was as if someone 959 00:50:44,337 --> 00:50:46,714 had like, nailed me through the chest to the wall. 960 00:50:46,923 --> 00:50:49,634 I was just immediately converted. 961 00:50:50,051 --> 00:50:53,263 That was when Cream was in its sort of, uh, mid-stage 962 00:50:53,513 --> 00:50:56,224 and pretty much severed my connection with the other two 963 00:50:56,307 --> 00:50:59,561 in the band. And I thought, "This is what I wanna do." 964 00:50:59,727 --> 00:51:02,230 - It changed my life. - Taj Mahal: They weren't 965 00:51:02,313 --> 00:51:04,524 reading out of the modern book of music. 966 00:51:04,607 --> 00:51:06,359 They went to the source. 967 00:51:06,651 --> 00:51:08,820 You'd say in the Caribbean, "They was musical 968 00:51:08,903 --> 00:51:10,863 to the core, to the bone". 969 00:51:11,197 --> 00:51:13,992 If there was any American musicians 970 00:51:14,284 --> 00:51:17,370 that were comparable to what The Beatles were, 971 00:51:18,037 --> 00:51:21,040 - it would've been them. - ♪ We've been sitting here ♪ 972 00:51:21,124 --> 00:51:25,461 ♪ For so darn long, waiting for The end to come along ♪ 973 00:51:25,920 --> 00:51:27,964 ♪ Holy roaster on the brink ♪ 974 00:51:28,172 --> 00:51:30,758 ♪ I'd take a choice Swim or sink ♪ 975 00:51:32,635 --> 00:51:34,012 Springsteen: This is the middle 976 00:51:34,137 --> 00:51:35,805 of psychedelic era 977 00:51:35,888 --> 00:51:38,141 in popular music, so something comes along 978 00:51:38,224 --> 00:51:41,394 that is the antithesis of where music had been moving. 979 00:51:41,477 --> 00:51:43,646 Here come all these voices that sound 980 00:51:43,813 --> 00:51:45,607 like you've never heard them before, 981 00:51:45,815 --> 00:51:48,735 and like they've always been there, forever and ever. 982 00:51:49,027 --> 00:51:53,031 ♪ Oh, to be home again ♪ 983 00:51:53,615 --> 00:51:56,451 ♪ Down in old Virginny ♪ 984 00:51:56,868 --> 00:52:00,496 ♪ With my very best friend ♪ 985 00:52:00,705 --> 00:52:03,583 ♪ They call him Ragtime Willie ♪ 986 00:52:03,791 --> 00:52:07,587 ♪ We're gonna soothe away The rest of our years ♪ 987 00:52:07,920 --> 00:52:11,799 ♪ We're gonna put away All of our tears ♪ 988 00:52:12,008 --> 00:52:16,763 ♪ That big rockin' chair Won't go nowhere ♪ 989 00:52:18,348 --> 00:52:20,475 Elliot Landy: It was very clear the moment I met them 990 00:52:20,600 --> 00:52:22,352 who they were and what they were about. 991 00:52:22,560 --> 00:52:23,603 They were very grounded. 992 00:52:23,686 --> 00:52:26,356 They were very strong. They were very secure. 993 00:52:26,564 --> 00:52:28,858 They were gracious, like country people 994 00:52:28,941 --> 00:52:30,693 are gracious, and they were totally in love 995 00:52:30,860 --> 00:52:33,071 with their music, and they were in love with each other. 996 00:52:33,613 --> 00:52:36,366 I never saw any jealousy, I never saw any arguments, 997 00:52:36,449 --> 00:52:38,660 I never saw them disagree. It was always 998 00:52:38,785 --> 00:52:41,412 supporting each other. They were five brothers, 999 00:52:41,496 --> 00:52:43,581 very clearly five brothers who loved each other, 1000 00:52:43,665 --> 00:52:47,335 and I never saw anything but that. In the '60s, 1001 00:52:47,585 --> 00:52:49,045 part of the rebellion 1002 00:52:49,379 --> 00:52:52,548 was rejecting one's elders, rejecting one's parents. 1003 00:52:53,299 --> 00:52:55,885 The guys in The Band wanted to say, 1004 00:52:55,968 --> 00:52:58,513 "Hey, that's not right. We love our parents. 1005 00:52:58,638 --> 00:53:01,599 "They worked very hard to bring us up 1006 00:53:01,683 --> 00:53:03,518 and care for us. " And so 1007 00:53:03,810 --> 00:53:07,355 they wanted to have a picture of their families in the album. 1008 00:53:07,438 --> 00:53:11,651 ♪ Would've been nice Just to see the folks ♪ 1009 00:53:11,734 --> 00:53:15,822 ♪ Listen once again To the stale old jokes ♪ 1010 00:53:15,905 --> 00:53:20,159 ♪ That big rockin' chair Won't go nowhere ♪ 1011 00:53:24,372 --> 00:53:26,290 Robbie: It was a magical time 1012 00:53:26,374 --> 00:53:27,959 within this group. 1013 00:53:28,459 --> 00:53:29,877 We're getting somewhere. 1014 00:53:34,882 --> 00:53:37,760 They made Big Pink and then Robbie said, "We wanna go out 1015 00:53:37,844 --> 00:53:42,348 on the road. " But then Rick drove his car into a ditch... 1016 00:53:42,557 --> 00:53:44,058 (car crashing) 1017 00:53:44,475 --> 00:53:45,768 ...and broke his neck. 1018 00:53:47,854 --> 00:53:50,857 Dominique: It was a terrible car accident. 1019 00:53:51,274 --> 00:53:54,402 Rick was found wandering in the woods, 1020 00:53:54,569 --> 00:53:57,113 which is pretty extraordinary for someone who has 1021 00:53:57,196 --> 00:54:00,241 just broken his neck. He was 1022 00:54:00,324 --> 00:54:03,411 taken to the hospital and put in traction for 1023 00:54:03,703 --> 00:54:05,747 the longest time. We were all 1024 00:54:05,830 --> 00:54:08,124 quite scared as to whether he would recover. 1025 00:54:09,208 --> 00:54:11,294 Robbie: We're canceling everything. 1026 00:54:11,919 --> 00:54:13,838 Everything just stopped. 1027 00:54:14,630 --> 00:54:17,717 Music from Big Pink becomes this thing, 1028 00:54:17,967 --> 00:54:20,470 and we don't show up. We never play a concert. 1029 00:54:20,928 --> 00:54:22,889 They're like, "Who are these guys?" 1030 00:54:25,016 --> 00:54:28,895 We were becoming the most mysterious people 1031 00:54:29,061 --> 00:54:30,897 in the music business. 1032 00:54:32,398 --> 00:54:34,609 After we recorded Big Pink, 1033 00:54:34,692 --> 00:54:36,486 there is that thing of like, 1034 00:54:36,569 --> 00:54:40,072 "Whoa, what do we do now? Can we follow that up?" 1035 00:54:40,281 --> 00:54:42,200 ♪ ("Rag Mama Rag" by The Band plays) ♪ 1036 00:54:42,283 --> 00:54:45,411 I was working day and night on musical ideas. 1037 00:54:45,953 --> 00:54:48,790 Rick got out of the hospital, and then 1038 00:54:48,873 --> 00:54:51,000 boom, we were back in the studio. 1039 00:54:51,501 --> 00:54:54,128 ♪ Rag Mama rag ♪ 1040 00:54:54,212 --> 00:54:56,923 ♪ I can't believe it's true ♪ 1041 00:54:57,006 --> 00:54:59,133 ♪ Rag Mama rag ♪ 1042 00:54:59,425 --> 00:55:01,469 Peter Gabriel: You hear timeless songwriting, 1043 00:55:01,719 --> 00:55:03,888 painting pictures and telling stories, 1044 00:55:04,514 --> 00:55:05,890 a cohesion 1045 00:55:05,973 --> 00:55:08,100 which is greater than the sum of the parts. 1046 00:55:08,893 --> 00:55:10,937 They were the very first band 1047 00:55:11,020 --> 00:55:12,939 who got it together in a country house, 1048 00:55:13,147 --> 00:55:14,857 which became a big thing. 1049 00:55:15,233 --> 00:55:17,401 When you shut out the rest of the world 1050 00:55:17,485 --> 00:55:20,029 and the city, and just concentrate on... 1051 00:55:20,112 --> 00:55:23,241 music-making and performing and each other, 1052 00:55:23,866 --> 00:55:25,910 you get a different sort of result. 1053 00:55:27,370 --> 00:55:31,457 ♪ Up on Cripple Creek She sends me ♪ 1054 00:55:31,791 --> 00:55:34,794 Jonathan Taplin: Taking some of that roots music, 1055 00:55:34,877 --> 00:55:38,464 a little bit of Muddy Waters, a little bit of Hank Williams, 1056 00:55:38,798 --> 00:55:41,259 no long guitar solos, it was 1057 00:55:41,425 --> 00:55:43,177 just simple, straightforward music. 1058 00:55:43,344 --> 00:55:45,763 Nowadays we call it Americana. 1059 00:55:47,682 --> 00:55:49,892 (yodeling) 1060 00:55:50,560 --> 00:55:51,811 Van Morrison: I was in Boston. 1061 00:55:51,894 --> 00:55:53,104 I was sleeping on a couch, 1062 00:55:53,229 --> 00:55:54,939 and it was "I Shall Be Released" 1063 00:55:55,022 --> 00:55:56,649 was what came on. 1064 00:55:57,149 --> 00:55:59,402 I thought, "Oh yeah, there's... there's something. I'm 1065 00:55:59,777 --> 00:56:01,863 connecting with something here." That's what I thought. 1066 00:56:02,738 --> 00:56:05,491 I got an impression there was a lot of mythology going on. 1067 00:56:05,992 --> 00:56:10,538 ♪ Standin' by your window In pain ♪ 1068 00:56:11,873 --> 00:56:14,041 ♪ A pistol in your hand ♪ 1069 00:56:14,125 --> 00:56:16,127 Scorsese: You'd never really heard a sound like that. 1070 00:56:17,044 --> 00:56:19,088 It also it reminded me greatly 1071 00:56:19,171 --> 00:56:21,757 of 19th Century literature, American literature. 1072 00:56:21,966 --> 00:56:25,678 ♪ Try and understand your man The best you can ♪ 1073 00:56:26,429 --> 00:56:29,181 ♪ Across the great divide ♪ 1074 00:56:29,640 --> 00:56:31,851 ♪ Just grab your hat ♪ 1075 00:56:31,934 --> 00:56:34,562 ♪ And take that ride ♪ 1076 00:56:34,812 --> 00:56:37,440 Particularly Melville. There's something 1077 00:56:37,523 --> 00:56:40,151 about the Melville stories, and the sense of... 1078 00:56:40,359 --> 00:56:43,487 searching The Band brings to mind for me. 1079 00:56:43,654 --> 00:56:46,407 Jimmy Vivino: Each song is like a little John Steinbeck novel. 1080 00:56:46,782 --> 00:56:47,742 Steinbeck also 1081 00:56:47,825 --> 00:56:49,410 gives you these images of America, 1082 00:56:49,493 --> 00:56:51,120 of dustbowl America. 1083 00:56:51,621 --> 00:56:54,582 ♪ ("Unfaithful Servant" by The Band plays) ♪ 1084 00:56:54,665 --> 00:56:58,794 ♪ Unfaithful servant ♪ 1085 00:56:59,086 --> 00:57:00,338 ♪ I hear you ♪ 1086 00:57:00,421 --> 00:57:01,672 Harrison: I spent quite a bit of time 1087 00:57:01,756 --> 00:57:04,717 with The Band, and one of the things that Robbie said to me 1088 00:57:04,800 --> 00:57:06,928 was the fact that when he wrote a tune, he had 1089 00:57:07,011 --> 00:57:09,013 all these different singers who could sing the song. 1090 00:57:09,180 --> 00:57:12,350 And he could write lyrics, like, to write a song 1091 00:57:12,433 --> 00:57:14,518 knowing that Levon was gonna sing it. 1092 00:57:14,602 --> 00:57:17,063 You know, you could be... you could write much different 1093 00:57:17,146 --> 00:57:19,023 to knowing if you were gonna have to do it yourself. 1094 00:57:19,190 --> 00:57:23,110 ♪ Did you do it Just for the glory? ♪ 1095 00:57:23,194 --> 00:57:25,279 Springsteen: When they came together, something happened 1096 00:57:25,696 --> 00:57:28,491 that could not have occurred on their own 1097 00:57:28,658 --> 00:57:30,493 or individually. You know, something... 1098 00:57:31,369 --> 00:57:32,787 miraculous occurred. 1099 00:57:34,121 --> 00:57:36,332 ♪ She really cared ♪ 1100 00:57:36,415 --> 00:57:38,542 ♪ The time she spared ♪ 1101 00:57:43,839 --> 00:57:46,676 Robbie: We were booked to play our first job 1102 00:57:46,759 --> 00:57:50,471 as The Band at Winterland, in San Francisco, 1103 00:57:50,680 --> 00:57:52,515 with Bill Graham presenting. 1104 00:57:54,183 --> 00:57:56,227 Taplin: We went up to San Francisco, like, 1105 00:57:56,310 --> 00:57:58,604 two days early. Robbie is 1106 00:57:58,688 --> 00:58:00,439 sick as a dog. 1107 00:58:01,107 --> 00:58:04,860 Robbie: I'm completely drained 1108 00:58:04,986 --> 00:58:08,823 and it hits me: the last time we played together, 1109 00:58:08,990 --> 00:58:12,076 everybody boos us everywhere we go, right? 1110 00:58:12,326 --> 00:58:15,788 Am I having some kind of stage fright thing? 1111 00:58:16,747 --> 00:58:19,750 Taplin: He's got a fever of 103. 1112 00:58:19,834 --> 00:58:23,045 I'm saying to Bill Graham, "We've gotta cancel. I'm sorry." 1113 00:58:23,587 --> 00:58:26,757 Robbie: Bill Graham says, "Impossible. There is 1114 00:58:26,841 --> 00:58:29,593 no way in the world that we can cancel this." 1115 00:58:30,261 --> 00:58:32,304 And finally Bill says, 1116 00:58:32,388 --> 00:58:35,349 "What do you think about the idea 1117 00:58:35,474 --> 00:58:37,852 of us bringing in a hypnotist?" 1118 00:58:41,022 --> 00:58:43,858 Taplin: A little guy, about 5'8", 1119 00:58:43,983 --> 00:58:46,694 black suit, white carnation, shows up, 1120 00:58:46,944 --> 00:58:48,654 and he puts him under. 1121 00:58:50,156 --> 00:58:53,200 And he's saying, "Your stomach will feel 1122 00:58:53,284 --> 00:58:55,036 as calm as a lake. 1123 00:58:55,244 --> 00:58:58,706 Your head feels as cool as a winter breeze." 1124 00:59:00,666 --> 00:59:03,335 Robbie: The next thing I know, my head doesn't feel 1125 00:59:03,419 --> 00:59:06,338 so bad. And I'm thinking, 1126 00:59:06,422 --> 00:59:09,258 "I'll be damned, I'm actually feeling 1127 00:59:09,508 --> 00:59:13,262 stronger and better than I was before." 1128 00:59:14,055 --> 00:59:14,972 He says, 1129 00:59:15,056 --> 00:59:17,892 "Any time you start to feel too weak, 1130 00:59:17,975 --> 00:59:19,727 you look over at me 1131 00:59:20,019 --> 00:59:23,731 and I'm gonna say to you, 'Grow."' 1132 00:59:24,065 --> 00:59:26,609 ♪ ("Chest Fever" by The Band plays) ♪ 1133 00:59:44,251 --> 00:59:46,295 (audience applauds and cheers) 1134 00:59:57,098 --> 01:00:01,519 And the crowd is yelling and we're playing. 1135 01:00:01,811 --> 01:00:05,147 And I look over at him and he goes, 1136 01:00:05,231 --> 01:00:06,148 "Grow." 1137 01:00:07,858 --> 01:00:10,861 Bill Scheele: This guy had to be onstage with Robbie. 1138 01:00:10,945 --> 01:00:13,656 This was the first concert I'd ever experienced with them, 1139 01:00:13,948 --> 01:00:15,574 so... what did I know? But I did, 1140 01:00:15,658 --> 01:00:17,993 I know that usually there's not a hypnotist onstage. 1141 01:00:18,911 --> 01:00:21,205 ♪ Any scarlet would back her ♪ 1142 01:00:21,330 --> 01:00:24,708 Everybody got their own starring moment. 1143 01:00:25,167 --> 01:00:26,585 Rick had his songs. 1144 01:00:26,836 --> 01:00:29,004 Garth got to do "Chest Fever, " 1145 01:00:29,296 --> 01:00:31,132 and Richard was brilliant. 1146 01:00:31,382 --> 01:00:33,676 So in those first year and a half, 1147 01:00:33,759 --> 01:00:37,221 - it was amazing. - ♪ Can't be here no more ♪ 1148 01:00:38,305 --> 01:00:42,309 ♪ And as my mind unweaves ♪ 1149 01:00:42,601 --> 01:00:45,896 ♪ I feel the freeze Down in my knees ♪ 1150 01:00:47,690 --> 01:00:51,902 ♪ But just before she leaves ♪ 1151 01:00:52,194 --> 01:00:54,446 ♪ She receives ♪ 1152 01:00:57,783 --> 01:00:59,743 Bill: Well, when we first went out on tour, 1153 01:00:59,827 --> 01:01:01,912 they were famous because of their relationship 1154 01:01:01,996 --> 01:01:05,249 with Bob Dylan, but here they were now as themselves. 1155 01:01:05,457 --> 01:01:09,378 This was The Band. That brought about a fame 1156 01:01:09,461 --> 01:01:11,505 to them that they had never had before. 1157 01:01:11,881 --> 01:01:14,300 - Announcer: Folks, The Band. - (audience applauds and cheers) 1158 01:01:14,383 --> 01:01:17,428 ♪ ("Slippin' and Slidin" ' by The Band plays) ♪ 1159 01:01:33,652 --> 01:01:36,947 ♪ Slippin' and slidin' Peekin' and hidin' ♪ 1160 01:01:37,031 --> 01:01:39,533 ♪ Been told a long time ago ♪ 1161 01:01:40,075 --> 01:01:42,328 Clapton: And I got the chance to go and meet Robbie. 1162 01:01:42,786 --> 01:01:44,955 And I went up to Woodstock to hang with him. 1163 01:01:45,164 --> 01:01:48,000 And the reason I went up there was to pluck up the nerve 1164 01:01:48,083 --> 01:01:50,085 to ask him if I could join The Band. 1165 01:01:50,169 --> 01:01:52,630 Maybe they needed a rhythm guitar player! 1166 01:02:00,304 --> 01:02:02,431 And I was wearing pink boots 1167 01:02:02,514 --> 01:02:04,516 and I had curly hair, 1168 01:02:04,600 --> 01:02:06,143 just psychedelic. And they were 1169 01:02:06,310 --> 01:02:07,853 kinda really earthy. 1170 01:02:08,687 --> 01:02:10,481 And I was saying, "Well, let’s jam." 1171 01:02:10,648 --> 01:02:11,899 And he said, "We don't jam." 1172 01:02:12,107 --> 01:02:13,901 So it was a songwriting outfit. 1173 01:02:15,736 --> 01:02:18,113 ♪ I work for the union ♪ 1174 01:02:18,322 --> 01:02:20,032 Clapton: Robbie's listening to the way 1175 01:02:20,157 --> 01:02:22,034 that each of them play, but the way they worked 1176 01:02:22,117 --> 01:02:23,994 as a unit was, like, incredible. 1177 01:02:24,119 --> 01:02:25,913 Rick was pretty dynamic, 1178 01:02:25,996 --> 01:02:27,790 and he was a very powerful energy. 1179 01:02:27,915 --> 01:02:29,458 Garth was shy, 1180 01:02:29,625 --> 01:02:31,919 and I fell in love with Richard. 1181 01:02:32,086 --> 01:02:35,381 He was the most mournful, soulful thing I'd ever heard. 1182 01:02:35,714 --> 01:02:38,592 ♪ Last year this time Wasn't no joke ♪ 1183 01:02:40,302 --> 01:02:43,430 ♪ My whole barn Went up in smoke ♪ 1184 01:02:45,015 --> 01:02:46,767 ♪ And our horse, Jethro ♪ 1185 01:02:46,850 --> 01:02:48,310 ♪ He went mad ♪ 1186 01:02:49,186 --> 01:02:51,021 ♪ And I can't ever remember ♪ 1187 01:02:51,105 --> 01:02:53,190 ♪ Things being that bad ♪ 1188 01:02:54,692 --> 01:02:57,236 Dominique: God, Richard was 1189 01:02:57,319 --> 01:02:58,946 such a sensitive man. 1190 01:02:59,655 --> 01:03:01,490 Like a wounded bird. 1191 01:03:02,032 --> 01:03:04,827 But a beautiful, beautiful soul. 1192 01:03:05,828 --> 01:03:07,371 Clapton: He was very fragile, 1193 01:03:07,496 --> 01:03:09,248 and we liked to drink together. 1194 01:03:09,623 --> 01:03:12,793 When you put us together, there was an instant bond. 1195 01:03:13,419 --> 01:03:16,005 Robbie, in a way, was kind of outside of that 1196 01:03:16,088 --> 01:03:18,299 because I saw Robbie as the straight guy. 1197 01:03:18,382 --> 01:03:20,926 He was a guy who we could drink with, 1198 01:03:21,010 --> 01:03:23,637 but at some point, he would lose interest in that, 1199 01:03:23,721 --> 01:03:26,056 you know, whereas me and Richard were the kind of people 1200 01:03:26,140 --> 01:03:27,766 that we would like to drink together, 1201 01:03:27,850 --> 01:03:30,728 but we'd drink... we'd like drinking even more on our own. 1202 01:03:34,106 --> 01:03:36,025 Taplin: Just when The Band was really hitting, 1203 01:03:36,191 --> 01:03:40,404 the difference between Robbie and the rest of the band was 1204 01:03:40,612 --> 01:03:44,158 his family was incredibly important to him. 1205 01:03:44,241 --> 01:03:45,909 He already had a baby. 1206 01:03:45,993 --> 01:03:49,204 Dominique was this incredibly vital, 1207 01:03:49,288 --> 01:03:52,041 smart woman that he liked hanging with. 1208 01:03:52,124 --> 01:03:55,878 She was incredibly beautiful. And the rest of the guys 1209 01:03:55,961 --> 01:03:59,715 were still trying to figure out did they want a family or not? 1210 01:03:59,840 --> 01:04:02,634 And they were consuming a lot of drugs, 1211 01:04:03,093 --> 01:04:04,428 playing a lot, 1212 01:04:04,511 --> 01:04:06,972 drinking too much, you know, everything else. 1213 01:04:08,182 --> 01:04:10,184 Dominique: In Woodstock, it was... 1214 01:04:10,392 --> 01:04:14,188 at one point, car accidents. And the phone ringing 1215 01:04:14,271 --> 01:04:16,523 in the middle of the night to say this one or that one 1216 01:04:16,607 --> 01:04:19,902 had totaled the car or was in the ditch. 1217 01:04:22,363 --> 01:04:24,448 Rick, he was lucky, you know, 1218 01:04:24,531 --> 01:04:26,658 but it became far too 1219 01:04:26,867 --> 01:04:30,079 often that there were situations like that. 1220 01:04:32,206 --> 01:04:34,416 I had this Mustang 1221 01:04:34,958 --> 01:04:36,585 that Robbie had bought, 1222 01:04:37,336 --> 01:04:39,463 and Richard wanted to drive it. 1223 01:04:40,130 --> 01:04:42,383 I said, "Really, can you do it?" 1224 01:04:42,466 --> 01:04:46,136 And he said, "Well, I sober up behind the wheel." 1225 01:04:48,472 --> 01:04:50,766 And I said, "Please, don't go so fast, 1226 01:04:50,849 --> 01:04:52,643 you know, can you see? Can you see?" 1227 01:04:52,726 --> 01:04:55,229 And he said, "Oh, I can see like a lynx." 1228 01:04:58,190 --> 01:05:00,943 You know, and I was naive, frankly. 1229 01:05:01,193 --> 01:05:03,362 We hit this curve, 1230 01:05:03,487 --> 01:05:05,447 and it was like every... 1231 01:05:05,531 --> 01:05:08,158 hit every cement pole in the curve. 1232 01:05:08,450 --> 01:05:10,285 - (car crashes) - (glass shattering) 1233 01:05:10,369 --> 01:05:11,829 We ended up in the ditch. 1234 01:05:13,497 --> 01:05:15,290 Then Richard lit a match. 1235 01:05:17,209 --> 01:05:19,378 And I thought, "You're gonna blow the car. 1236 01:05:19,503 --> 01:05:22,131 We have to get out." Push. "Get out. Get out." 1237 01:05:25,217 --> 01:05:27,136 Simon: We were at Big Pink and somebody 1238 01:05:27,219 --> 01:05:29,179 came rushing up and said... 1239 01:05:29,471 --> 01:05:32,141 "Richard's just had an accident and he's crashed a new car." 1240 01:05:32,641 --> 01:05:35,602 Levon you know, jumps into his Corvette 1241 01:05:36,061 --> 01:05:37,771 and rushes to the scene, 1242 01:05:37,896 --> 01:05:40,399 and accidentally crashes into the police car. 1243 01:05:40,482 --> 01:05:42,818 - (tires screeching) - (car crashes) 1244 01:05:43,068 --> 01:05:45,904 Dominique: The cop threw Levon on the back of a car. 1245 01:05:46,029 --> 01:05:48,782 I think they handcuffed him. I don't know how long 1246 01:05:48,866 --> 01:05:53,078 it took me, you know, to really absorb the shock. 1247 01:05:56,123 --> 01:05:58,834 Robbie: Richard could've killed Dominique. 1248 01:05:59,668 --> 01:06:00,919 What do you say? 1249 01:06:01,128 --> 01:06:02,421 It pissed me off. 1250 01:06:03,922 --> 01:06:06,800 But it was something that we weren't educated in 1251 01:06:06,884 --> 01:06:10,095 at the time, of dealing with alcoholism. 1252 01:06:10,554 --> 01:06:13,557 And all the things that you think you should do 1253 01:06:13,807 --> 01:06:17,769 is mostly the things that you should absolutely not do. 1254 01:06:17,853 --> 01:06:20,939 ♪ My biggest mistake was Loving you too much ♪ 1255 01:06:21,356 --> 01:06:23,192 ♪ And letting you know ♪ 1256 01:06:24,276 --> 01:06:26,737 ♪ Now you've got me Where you want me ♪ 1257 01:06:26,820 --> 01:06:28,489 ♪ And you won't let me go ♪ 1258 01:06:29,490 --> 01:06:31,200 ♪ If my heart was Made of glass ♪ 1259 01:06:32,576 --> 01:06:34,411 ♪ Well, then you'd surely see ♪ 1260 01:06:34,495 --> 01:06:36,413 And after that, there was a whole period 1261 01:06:36,497 --> 01:06:38,499 where he didn't hardly drink at all. 1262 01:06:38,832 --> 01:06:41,335 So we were holding it at bay. 1263 01:07:13,075 --> 01:07:16,036 (audience applauds and cheers) 1264 01:07:16,119 --> 01:07:20,499 By this point, there was an experimenting going on 1265 01:07:21,124 --> 01:07:23,627 that led to heroin. 1266 01:07:23,752 --> 01:07:27,631 And I was confused that the guys wanted 1267 01:07:27,839 --> 01:07:30,092 to play with that fire. 1268 01:07:31,635 --> 01:07:34,429 Dominique: That was devastating. Nobody had 1269 01:07:34,513 --> 01:07:37,474 any understanding of addiction, 1270 01:07:37,558 --> 01:07:41,478 that it's a mental disorder. And at the time, 1271 01:07:41,562 --> 01:07:43,480 it felt very much like a betrayal. 1272 01:07:44,731 --> 01:07:46,608 Robbie might've used, 1273 01:07:46,775 --> 01:07:49,820 he might've drank, he might've tried different things, 1274 01:07:49,903 --> 01:07:52,114 but he did not have that gene 1275 01:07:52,281 --> 01:07:55,659 that would cause him to become an addict. 1276 01:07:57,995 --> 01:07:59,079 He had a vision, 1277 01:07:59,162 --> 01:08:00,872 and nothing was gonna get in the way 1278 01:08:00,956 --> 01:08:02,165 of the vision. 1279 01:08:03,333 --> 01:08:07,462 Taplin: If you think about the summer of 1969 into 1970, 1280 01:08:07,671 --> 01:08:10,299 Music from Big Pink, I think Robbie wrote 1281 01:08:10,382 --> 01:08:14,344 less than half the songs. By the Brown Album, 1282 01:08:14,428 --> 01:08:16,638 he wrote maybe two thirds of the songs. 1283 01:08:16,805 --> 01:08:20,017 By Stage Fright, he was writing all of the songs. 1284 01:08:20,475 --> 01:08:23,061 And it wasn't that he wanted to do that. 1285 01:08:23,478 --> 01:08:25,564 Robbie would start writing, like, 1286 01:08:25,814 --> 01:08:28,900 at ten in the morning. And to be honest, 1287 01:08:29,109 --> 01:08:31,903 Levon, and Rick, and Richard, were still asleep. 1288 01:08:32,821 --> 01:08:35,073 Robbie: I loved writing with Richard. 1289 01:08:35,699 --> 01:08:38,619 Richard had a beautiful, melodic ear, 1290 01:08:38,827 --> 01:08:41,246 and he would come up with chord changes 1291 01:08:41,413 --> 01:08:42,664 I would never find, 1292 01:08:42,914 --> 01:08:48,420 but somehow it just wasn't happening for him, 1293 01:08:48,629 --> 01:08:53,050 and if I pushed too hard, it made him feel bad. 1294 01:08:53,884 --> 01:08:55,927 John: With Richard, it was really poignant. 1295 01:08:56,470 --> 01:08:58,430 I very clearly remember Robbie 1296 01:08:58,513 --> 01:09:01,433 pleading with Richard, asking him, do you have anything? 1297 01:09:01,642 --> 01:09:04,561 Anything to add to the song? Richard just didn't have it. 1298 01:09:04,645 --> 01:09:06,313 He didn't have anything to offer. 1299 01:09:07,731 --> 01:09:10,484 It was up to Robbie and Garth, primarily, 1300 01:09:10,567 --> 01:09:13,737 to keep driving the basic creative force, 1301 01:09:13,904 --> 01:09:18,033 and hoping that their friends would keep on. 1302 01:09:19,660 --> 01:09:21,244 John: During the recording of Stage Fright, 1303 01:09:21,411 --> 01:09:23,121 heroin was being used. 1304 01:09:23,538 --> 01:09:25,957 It had an effect on their energy, their ability 1305 01:09:26,124 --> 01:09:29,378 to be present. Levon would sometimes be 1306 01:09:29,503 --> 01:09:32,297 nodded out upstairs, and it was a little sad, you know, 1307 01:09:32,381 --> 01:09:34,966 because he would come down, and you could still see a look 1308 01:09:35,050 --> 01:09:37,260 in his eye that was a little strange, 1309 01:09:37,386 --> 01:09:38,845 and it was-- it was difficult. 1310 01:09:40,764 --> 01:09:43,975 Bill: This is very different from the very energetic Levon 1311 01:09:44,059 --> 01:09:46,812 that I used to know, who was always very wiry, 1312 01:09:46,895 --> 01:09:48,689 always up for action, 1313 01:09:48,814 --> 01:09:51,024 up for going after it, whatever it may be, 1314 01:09:52,401 --> 01:09:55,821 and now it was like sleepy time. That's not easy to deal with. 1315 01:09:56,905 --> 01:09:59,116 Dominique: It's hard to connect with somebody 1316 01:09:59,241 --> 01:10:01,827 who's doing that, it's hard to trust, 1317 01:10:01,993 --> 01:10:05,622 it's hard to really keep a friendship going. 1318 01:10:05,747 --> 01:10:09,501 It was beginning to feel like a real fracture. 1319 01:10:11,002 --> 01:10:13,088 Robbie: One day I said to Levon, 1320 01:10:13,255 --> 01:10:16,049 "I can see what's going on. I know you." 1321 01:10:16,508 --> 01:10:20,303 And he was doing the junkie denial 1322 01:10:20,429 --> 01:10:23,849 and explaining and making excuses 1323 01:10:24,015 --> 01:10:27,102 and laughing and slapping me on the back, 1324 01:10:27,394 --> 01:10:30,689 and I'd never had this kind of an encounter with him before. 1325 01:10:32,983 --> 01:10:36,027 We don't do that. We don't lie to one another. 1326 01:10:38,697 --> 01:10:41,116 I still loved him, 1327 01:10:41,283 --> 01:10:45,203 but something got broken in that. 1328 01:10:45,287 --> 01:10:46,788 And it was like glass, 1329 01:10:47,581 --> 01:10:50,167 it was hard to put back together again. 1330 01:10:52,002 --> 01:10:54,129 Dominique: It was not just an exasperation, 1331 01:10:54,212 --> 01:10:57,716 it was a feeling that Robbie could lose everything. 1332 01:10:58,967 --> 01:11:02,220 That brotherhood, that friendship, 1333 01:11:02,304 --> 01:11:05,932 that bond, that love that they had for each other. 1334 01:11:06,016 --> 01:11:07,350 They were terrific guys, 1335 01:11:07,434 --> 01:11:10,103 I loved them myself, all of them, 1336 01:11:10,187 --> 01:11:13,023 but when you begin to function out of fear 1337 01:11:13,106 --> 01:11:16,026 of losing something, it's maddening. 1338 01:11:16,693 --> 01:11:19,905 I think I wanted something that I couldn't have, 1339 01:11:19,988 --> 01:11:23,033 which was normalcy and a regular schedule. 1340 01:11:23,241 --> 01:11:28,121 After the children were born, my focus changed entirely. 1341 01:11:28,205 --> 01:11:29,623 ♪ ("All La Glory" by The Band playing) ♪ 1342 01:11:29,706 --> 01:11:31,750 ♪ Climb up your ladder now ♪ 1343 01:11:34,336 --> 01:11:36,755 ♪ It's time for you ♪ 1344 01:11:36,963 --> 01:11:38,882 ♪ To dream away ♪ 1345 01:11:41,426 --> 01:11:44,930 ♪ For what a big day You've been through ♪ 1346 01:11:46,181 --> 01:11:50,435 Robbie: Our children were elevating my life, 1347 01:11:50,519 --> 01:11:52,479 they were making everything 1348 01:11:52,562 --> 01:11:55,774 have a beautiful aura around it, 1349 01:11:55,899 --> 01:11:58,318 except when I had to go to work, 1350 01:11:58,735 --> 01:12:03,907 and then this darkness, this cloud came back overhead. 1351 01:12:04,616 --> 01:12:07,410 My family was my saving grace. 1352 01:12:08,078 --> 01:12:12,207 ♪ And keep the little one Safe and warm ♪ 1353 01:12:14,251 --> 01:12:17,712 ♪ 'Cause to her It's just a fantasy ♪ 1354 01:12:19,005 --> 01:12:23,802 ♪ And to me It's all a mystery ♪ 1355 01:12:24,010 --> 01:12:25,554 Robbie: I had to go 1356 01:12:25,720 --> 01:12:28,139 from Woodstock out to Los Angeles, 1357 01:12:28,306 --> 01:12:31,935 and while I was out there, I got a message 1358 01:12:32,102 --> 01:12:35,605 that this guy who had a record company 1359 01:12:35,730 --> 01:12:39,901 wanted to meet with me, and his name was David Geffen. 1360 01:12:40,068 --> 01:12:42,737 ♪ ("Free Man In Paris" by Joni Mitchell playing) ♪ 1361 01:12:48,743 --> 01:12:51,746 ♪ The way I see it, he said ♪ 1362 01:12:51,830 --> 01:12:54,332 ♪ You just can't win it ♪ 1363 01:12:54,833 --> 01:12:56,793 In every band, there is someone 1364 01:12:56,877 --> 01:12:58,962 who ends up being the leader one way or the other. 1365 01:12:59,045 --> 01:13:00,964 Usually, the star is the lead singer. 1366 01:13:01,256 --> 01:13:02,340 In The Band, it wasn't. 1367 01:13:03,091 --> 01:13:05,427 Robbie's a star. You put him in any group, 1368 01:13:05,552 --> 01:13:07,429 Robbie'll start talking, and telling stories, 1369 01:13:07,512 --> 01:13:09,931 and performing, and he's a star. 1370 01:13:10,974 --> 01:13:15,103 Taplin: David Geffen was a manager, a record executive. 1371 01:13:15,687 --> 01:13:19,691 He thought if he could get Bob Dylan to his record company, 1372 01:13:19,774 --> 01:13:23,695 that would cement him as the king of the music business. 1373 01:13:24,279 --> 01:13:27,616 David saw Robbie as a way to make that happen. 1374 01:13:28,408 --> 01:13:31,036 He started romancing Robbie. 1375 01:13:33,121 --> 01:13:36,458 David was incredibly candid, 1376 01:13:36,583 --> 01:13:38,793 incredibly straightforward, 1377 01:13:39,210 --> 01:13:41,379 and back in Woodstock, in the world 1378 01:13:41,504 --> 01:13:45,216 of Albert Grossman, and of Bob Dylan, 1379 01:13:45,300 --> 01:13:47,552 a lot was left unsaid. 1380 01:13:48,386 --> 01:13:51,014 There was something about meeting with David 1381 01:13:51,097 --> 01:13:52,474 that was so open. 1382 01:13:52,724 --> 01:13:54,434 David Geffen: I remember saying to Robbie, 1383 01:13:54,559 --> 01:13:57,896 of all the places you could live, why pick Woodstock? 1384 01:13:57,979 --> 01:13:59,898 Because Albert Grossman lives here? 1385 01:14:00,482 --> 01:14:02,692 I thought it was a shithole, I mean, I hated it. 1386 01:14:03,401 --> 01:14:06,112 I suggested to Robbie that he move to Malibu. 1387 01:14:06,696 --> 01:14:09,491 ♪ I was a free man in Paris ♪ 1388 01:14:09,741 --> 01:14:12,118 ♪ I felt unfettered and alive ♪ 1389 01:14:12,327 --> 01:14:15,664 ♪ There was nobody Calling me up for favors ♪ 1390 01:14:15,747 --> 01:14:18,041 ♪ And no one's future To decide ♪ 1391 01:14:18,500 --> 01:14:22,337 If you could imagine, that move to Malibu, sight unseen, 1392 01:14:22,504 --> 01:14:24,714 it was another Twilight Zone experiment. 1393 01:14:25,090 --> 01:14:26,216 You know? For me. 1394 01:14:27,425 --> 01:14:31,221 - I guess for all of us. - Robbie loved it. 1395 01:14:31,596 --> 01:14:34,349 ♪ (song continues playing) ♪ 1396 01:14:42,357 --> 01:14:44,985 Robbie: It did feel like something fresh. 1397 01:14:45,276 --> 01:14:47,112 Geffen: He woke up every morning at the ocean, 1398 01:14:47,529 --> 01:14:48,613 his kids loved it, 1399 01:14:48,780 --> 01:14:51,992 his wife loved it. You know, I remember Robbie saying to me, 1400 01:14:52,075 --> 01:14:54,494 what the fuck was I doing in Woodstock? 1401 01:14:56,246 --> 01:15:00,041 I was like, I'm gonna call the guys, tell 'em to come out here. 1402 01:15:00,208 --> 01:15:04,004 ♪ (song continues playing) ♪ 1403 01:15:11,136 --> 01:15:13,096 Geffen: I thought it would be very stimulating for Robbie, 1404 01:15:13,304 --> 01:15:15,015 I thought it would be stimulating for The Band, 1405 01:15:15,098 --> 01:15:16,266 and Bob was there. 1406 01:15:16,474 --> 01:15:18,518 Robbie was the one who suggested I meet him. 1407 01:15:19,394 --> 01:15:20,562 Robbie: The next thing, 1408 01:15:20,687 --> 01:15:23,064 David Geffen is saying, you know, 1409 01:15:23,148 --> 01:15:28,278 it might be a great idea for Bob Dylan and The Band 1410 01:15:28,361 --> 01:15:31,239 to play together again, and do a tour. 1411 01:15:31,448 --> 01:15:35,618 ♪ ("Endless Highway" by Bob Dylan and The Band) ♪ 1412 01:15:51,801 --> 01:15:54,763 Bob had basically been in hiding in Woodstock 1413 01:15:54,846 --> 01:15:57,307 since the tour of '66. 1414 01:15:57,432 --> 01:16:00,727 David somehow managed to convince Bob 1415 01:16:00,894 --> 01:16:02,437 to come out on the road. 1416 01:16:02,562 --> 01:16:04,105 Geffen: No one had seen Bob for years. 1417 01:16:04,230 --> 01:16:05,440 It created quite a stir. 1418 01:16:05,899 --> 01:16:07,692 Taplin: It was what David Geffen wanted, 1419 01:16:07,942 --> 01:16:11,488 but David was just pure, unleashed ambition. 1420 01:16:12,030 --> 01:16:16,367 ♪ You're gonna walk That endless highway ♪ 1421 01:16:19,913 --> 01:16:22,916 ♪ Walk that highway Till you die ♪ 1422 01:16:24,417 --> 01:16:26,336 Robbie: The last time we played together, 1423 01:16:26,544 --> 01:16:30,423 in 1966, it wasn't very well received. 1424 01:16:31,508 --> 01:16:34,677 Now we go out, it was embraced 1425 01:16:35,261 --> 01:16:37,388 like the second coming. 1426 01:16:37,639 --> 01:16:42,143 ♪ ("Knockin' on Heaven's Door" by Bob Dylan playing) ♪ 1427 01:16:44,604 --> 01:16:48,274 Robbie: We didn't change a thing; the world changed. 1428 01:16:48,608 --> 01:16:49,901 It was kind of a good feeling. 1429 01:16:50,527 --> 01:16:53,988 ♪ Mama, take this badge Off of me ♪ 1430 01:16:54,155 --> 01:16:57,534 (cheers and applause) 1431 01:16:57,742 --> 01:17:00,453 ♪ I can't use it anymore ♪ 1432 01:17:01,496 --> 01:17:03,790 Geffen: I had signed The Band 1433 01:17:03,873 --> 01:17:05,750 and Bob Dylan to Asylum Records. 1434 01:17:06,167 --> 01:17:07,836 I had a handshake agreement with them, 1435 01:17:08,086 --> 01:17:09,671 because Bob Dylan said to me, 1436 01:17:09,796 --> 01:17:13,049 "Is my word good for you?" And I thought, Bob Dylan, 1437 01:17:13,133 --> 01:17:15,468 he wrote "Blowin' in the Wind", "The Times They Are a-Changin'." 1438 01:17:15,885 --> 01:17:17,220 Yeah, I'll take your word. 1439 01:17:17,428 --> 01:17:20,807 ♪ Knock, knock, knockin' On heaven's door ♪ 1440 01:17:23,977 --> 01:17:27,105 ♪ Knock, knock, knockin' On heaven's door ♪ 1441 01:17:27,689 --> 01:17:29,691 Bill: What I remember very clearly, 1442 01:17:29,774 --> 01:17:34,863 after the tour of '74, they went on tour as The Band, 1443 01:17:35,071 --> 01:17:36,114 and not with Bob Dylan. 1444 01:17:36,406 --> 01:17:38,700 ♪ ("The Shape I'm In" by The Band playing) ♪ 1445 01:17:44,080 --> 01:17:47,584 ♪ Go out yonder Peace in the valley ♪ 1446 01:17:47,792 --> 01:17:51,254 ♪ Come downtown Have to rumble in the alley ♪ 1447 01:17:51,421 --> 01:17:54,132 ♪ Oh, you don't know ♪ 1448 01:17:54,299 --> 01:17:56,176 ♪ The shape I'm in ♪ 1449 01:17:59,262 --> 01:18:03,016 Bill: After a while touring, it was very noticeable 1450 01:18:03,183 --> 01:18:06,352 that there was change afoot. 1451 01:18:06,519 --> 01:18:10,732 ♪ Oh, you don't know The shape I'm in ♪ 1452 01:18:11,733 --> 01:18:14,861 Bill: We played a gig in Cleveland... 1453 01:18:15,403 --> 01:18:18,865 (cheers and applause) 1454 01:18:19,741 --> 01:18:22,660 ...Richard had been doing heroin, 1455 01:18:22,744 --> 01:18:24,829 and apparently he lost his stash. 1456 01:18:25,455 --> 01:18:26,831 Bill Graham: Sorry about the delay, 1457 01:18:26,915 --> 01:18:28,917 Richard Manuel, the pianist, 1458 01:18:29,125 --> 01:18:32,086 has taken ill, he's being taken care of backstage. 1459 01:18:32,170 --> 01:18:34,380 The Band is gonna go on in a few minutes without Richard. 1460 01:18:34,505 --> 01:18:35,798 Hopefully he'll be fine. 1461 01:18:37,675 --> 01:18:39,969 Bill: They actually played the concert 1462 01:18:40,053 --> 01:18:44,891 as a quartet, without Richard, and it sounded so strange. 1463 01:18:45,350 --> 01:18:48,561 I kept seeing a lot of looks between everybody. 1464 01:18:48,811 --> 01:18:50,980 Obviously very uncomfortable with this. 1465 01:18:51,105 --> 01:18:52,273 ♪ ("Twilight" by The Band playing) ♪ 1466 01:18:52,398 --> 01:18:55,318 ♪ Over by the wildwood ♪ 1467 01:18:55,777 --> 01:18:57,737 ♪ Hot summer night ♪ 1468 01:18:58,571 --> 01:19:00,698 Robbie: These guys were soldiers, 1469 01:19:00,990 --> 01:19:04,077 but Richard Manuel had a disease. 1470 01:19:04,827 --> 01:19:07,330 This band was a real band. 1471 01:19:07,455 --> 01:19:13,461 All those spark plugs needed to be ignited, or it didn't work. 1472 01:19:13,628 --> 01:19:16,589 ♪ But a young man Serves his country ♪ 1473 01:19:17,423 --> 01:19:20,218 ♪ And an old man Guards the home ♪ 1474 01:19:20,927 --> 01:19:23,096 Hawkins: At first it was Richard holding everybody back, 1475 01:19:23,221 --> 01:19:24,305 he wasn't able to play, 1476 01:19:24,389 --> 01:19:25,723 and that's why they called me out there, 1477 01:19:25,807 --> 01:19:27,475 to try to scare Richard straight. 1478 01:19:27,850 --> 01:19:28,851 Everybody, all of them 1479 01:19:28,977 --> 01:19:33,690 was good, young, honest, solid guys, all of 'em. 1480 01:19:33,898 --> 01:19:37,026 Two or three years later, they were different personalities. 1481 01:19:37,235 --> 01:19:40,697 ♪ Don't leave me alone In the twilight ♪ 1482 01:19:41,364 --> 01:19:44,284 Bill: The rhythm section had definitely fallen into 1483 01:19:44,409 --> 01:19:46,744 heavier drugs. And once again, 1484 01:19:46,828 --> 01:19:49,539 it was up to Robbie and Garth, primarily. 1485 01:19:53,835 --> 01:19:56,587 Levon was doing things he'd never done in a million years 1486 01:19:56,796 --> 01:19:58,131 if it hadn't been for drugs. 1487 01:19:58,423 --> 01:20:02,343 ♪ (song continues playing) ♪ 1488 01:20:03,886 --> 01:20:07,390 Robbie: Levon often complained about our lawyer, 1489 01:20:07,473 --> 01:20:11,978 about our manager, and it was a kind of paranoia. 1490 01:20:12,603 --> 01:20:15,440 I would often say, "Don't worry, 1491 01:20:15,523 --> 01:20:18,568 if anybody is taking advantage of us, 1492 01:20:18,651 --> 01:20:21,321 we are gonna stop that immediately." 1493 01:20:22,447 --> 01:20:25,158 But a bitterness set in with him. 1494 01:20:27,118 --> 01:20:29,704 Vivino: Levon felt something was being taken away, 1495 01:20:30,163 --> 01:20:33,333 you know? But families, man, nobody can feud like a family. 1496 01:20:34,208 --> 01:20:36,711 Families can go to the grave feuding. 1497 01:20:37,837 --> 01:20:38,963 Dominique: If a person is getting 1498 01:20:39,130 --> 01:20:40,381 a little more attention, 1499 01:20:40,715 --> 01:20:43,843 resentment can set in, you know, and jealousy. 1500 01:20:45,178 --> 01:20:49,557 Robbie kept moving forward, and not everybody could follow. 1501 01:20:49,807 --> 01:20:53,102 ♪ (song continues playing) ♪ 1502 01:20:54,979 --> 01:20:58,066 Robbie: This is different now. This is hard. 1503 01:20:58,358 --> 01:21:00,318 This is kinda painful. 1504 01:21:02,236 --> 01:21:04,072 This could be tragic. 1505 01:21:04,697 --> 01:21:07,825 ♪ Don't leave me alone ♪ 1506 01:21:08,117 --> 01:21:10,244 ♪ In the twilight ♪ 1507 01:21:11,037 --> 01:21:13,748 Robbie: I don't know why we're doing this. 1508 01:21:18,878 --> 01:21:20,254 Simon: Robbie told me he just didn't wanna 1509 01:21:20,338 --> 01:21:22,590 go on the road with a suitcase full of heroin. 1510 01:21:23,216 --> 01:21:25,760 Robbie was planning the next step in his life. 1511 01:21:26,677 --> 01:21:29,263 I've always had that sense, way back 1512 01:21:29,430 --> 01:21:32,517 from when we cut the first album and we knew we had something, 1513 01:21:33,017 --> 01:21:35,269 and he said he wanted to work with Ingmar Bergman. 1514 01:21:35,561 --> 01:21:37,855 That's not the usual thing that a rock n' roller would say. 1515 01:21:37,939 --> 01:21:39,440 "I wanna work with Ingmar Bergman." 1516 01:21:39,649 --> 01:21:43,236 (waves crashing) 1517 01:21:43,694 --> 01:21:47,907 Robbie: There were many elements that brought this to a head. 1518 01:21:48,616 --> 01:21:51,244 It wasn't only because of drugs, 1519 01:21:51,744 --> 01:21:55,498 after you've been together for 16 years, you think, 1520 01:21:55,581 --> 01:21:57,875 "We need to be able to catch our breath." 1521 01:21:58,084 --> 01:22:01,170 - (fire crackling) - Robbie: I thought, 1522 01:22:01,462 --> 01:22:03,923 "If we could get off the treadmill, 1523 01:22:04,090 --> 01:22:08,136 if we can go and take care of ourselves, 1524 01:22:08,511 --> 01:22:11,222 we might be able to come to our senses." 1525 01:22:11,722 --> 01:22:13,724 My solution was, 1526 01:22:13,808 --> 01:22:18,020 let's bring it to a culmination in the name of music. 1527 01:22:18,104 --> 01:22:19,981 That's how we fight back on this. 1528 01:22:20,231 --> 01:22:22,900 ♪ ("Stage Fright" by The Band playing) ♪ 1529 01:22:24,444 --> 01:22:25,611 Robbie: And we did. 1530 01:22:25,736 --> 01:22:29,824 (song continues) 1531 01:22:44,422 --> 01:22:46,716 Taplin: The concert came together so quickly 1532 01:22:46,883 --> 01:22:48,092 it was almost shocking. 1533 01:22:48,176 --> 01:22:51,721 I think we started planning a month before we did it. 1534 01:22:51,929 --> 01:22:55,224 ♪ Now deep in the heart Of a lonely kid ♪ 1535 01:22:56,017 --> 01:22:58,895 ♪ Who suffered so much For what he did ♪ 1536 01:23:00,062 --> 01:23:03,483 ♪ They gave this poor boy His fortune and fame ♪ 1537 01:23:04,150 --> 01:23:07,278 ♪ Since that day He ain't been the same ♪ 1538 01:23:08,863 --> 01:23:11,407 Robbie: We decided to do it with our friends. 1539 01:23:12,950 --> 01:23:15,453 And that's why we felt comfortable 1540 01:23:15,620 --> 01:23:19,540 with the idea of doing "The Last Waltz". 1541 01:23:21,083 --> 01:23:22,710 ♪ But when we get to the end ♪ 1542 01:23:23,377 --> 01:23:25,213 ♪ He wants to start All over again ♪ 1543 01:23:27,173 --> 01:23:29,300 ♪ Just let him take it From the top ♪ 1544 01:23:29,425 --> 01:23:32,637 Robbie: I'm thinking, we should document it properly. 1545 01:23:32,720 --> 01:23:35,181 Let's think of some filmmaker 1546 01:23:35,389 --> 01:23:37,391 who could tell this story. 1547 01:23:38,893 --> 01:23:40,603 Scorsese: Robbie called me one day, 1548 01:23:40,728 --> 01:23:42,605 and he said, "These are some of the names in the lineup: 1549 01:23:42,813 --> 01:23:46,317 Joni Mitchell, Neil Young, Van Morrison, Muddy Waters, 1550 01:23:46,484 --> 01:23:47,485 Eric Clapton." 1551 01:23:47,693 --> 01:23:50,071 Worse comes to worse, the Library of Congress 1552 01:23:50,238 --> 01:23:53,824 will have 35mm footage of these extraordinary people, 1553 01:23:53,908 --> 01:23:56,577 performers and artists, and that would be it. 1554 01:23:57,328 --> 01:23:59,830 What it became, really, it was a celebration. 1555 01:24:00,331 --> 01:24:04,001 It was a celebration. It was all the influences of The Band. 1556 01:24:04,126 --> 01:24:06,504 ♪ (music playing) ♪ 1557 01:24:10,883 --> 01:24:13,844 Woo! Big time, Bill! 1558 01:24:14,387 --> 01:24:15,846 Big time! Big time! 1559 01:24:15,972 --> 01:24:17,181 Robbie: Ronnie Hawkins, 1560 01:24:17,306 --> 01:24:20,560 when I was 17 years old with him, I would play 1561 01:24:21,060 --> 01:24:24,564 and he would come over and fan the guitar 1562 01:24:24,814 --> 01:24:27,817 like it's gonna go up in flames if I don't cool it down. 1563 01:24:28,568 --> 01:24:30,778 It was just, it was so heartwarming. 1564 01:24:31,195 --> 01:24:32,488 Aaaah! 1565 01:24:34,699 --> 01:24:36,576 Hawkins: I went out with the boys a month early 1566 01:24:36,701 --> 01:24:39,453 just to see the rehearsals because I didn't know 1567 01:24:39,537 --> 01:24:41,664 a lot of these people, I'd never met 'em. I knew who they were, 1568 01:24:41,747 --> 01:24:42,707 big stars. 1569 01:24:43,124 --> 01:24:44,834 You see a lot of weird things out there, 1570 01:24:45,042 --> 01:24:47,295 and they paid 35,000 cash 1571 01:24:47,461 --> 01:24:50,047 right in front of me for a little ole bit of cocaine. 1572 01:24:50,339 --> 01:24:53,134 I snorted a couple lines and I said, "Boys, 1573 01:24:53,217 --> 01:24:54,760 there's enough flour and sugar in this shit 1574 01:24:54,844 --> 01:24:55,803 you'll sneeze biscuits 1575 01:24:55,886 --> 01:24:57,930 for three fuckin' months after you snort this." 1576 01:24:59,473 --> 01:25:01,434 And they ended up buying another one. 1577 01:25:01,601 --> 01:25:03,561 ♪ ("Caravan" by Van Morrison playing) ♪ 1578 01:25:03,686 --> 01:25:06,397 ♪ Yeah, the caravan Is on its way ♪ 1579 01:25:07,148 --> 01:25:09,275 All I remember is that it was more of a celebration 1580 01:25:09,400 --> 01:25:10,776 than feeling sad. 1581 01:25:10,860 --> 01:25:12,903 If I didn't know all these great-- all these people, 1582 01:25:13,779 --> 01:25:15,615 and that was a good gig, it was fun. 1583 01:25:15,740 --> 01:25:16,866 There was no pondering it. 1584 01:25:16,949 --> 01:25:19,327 It was only gonna happen once. You know, hey, presto. 1585 01:25:19,493 --> 01:25:24,290 ♪ La la la la, la la la ♪ 1586 01:25:25,124 --> 01:25:30,046 ♪ La la la la La la la ♪ 1587 01:25:31,631 --> 01:25:34,133 ♪ Yeah, the caravan is painted Red and white ♪ 1588 01:25:34,258 --> 01:25:37,845 Scorsese: It was a crazy idea, but we prepared so well. 1589 01:25:38,012 --> 01:25:41,474 I remember doing charts as to how to shoot, where to shoot, 1590 01:25:41,557 --> 01:25:43,351 which camera picks up which performer, 1591 01:25:43,476 --> 01:25:47,104 which lyric, which verse, the chorus, what instrument. 1592 01:25:48,481 --> 01:25:49,899 I said, "We shouldn't show the audience 1593 01:25:49,982 --> 01:25:51,025 reacting during songs. 1594 01:25:51,150 --> 01:25:52,985 We've seen it, so we stay on the stage." 1595 01:25:53,778 --> 01:25:55,905 We had hoped to get the way The Band works, 1596 01:25:56,113 --> 01:25:58,616 the looks, the glances, the moves. 1597 01:25:58,824 --> 01:26:01,077 So I decided to stay onstage 1598 01:26:01,202 --> 01:26:03,162 with the performers, and how they relate to each other. 1599 01:26:03,245 --> 01:26:04,789 And that was the key to the whole piece. 1600 01:26:05,164 --> 01:26:07,500 ♪ ("Further On Up the Road" by Eric Clapton playing) ♪ 1601 01:26:08,751 --> 01:26:10,544 Clapton: When I found out who was on the bill, 1602 01:26:10,670 --> 01:26:11,879 I thought, "My god, 1603 01:26:12,129 --> 01:26:13,464 this is huge," you know? 1604 01:26:13,964 --> 01:26:16,509 (song continues) 1605 01:26:19,720 --> 01:26:21,847 Clapton: The main memory I have of that thing 1606 01:26:22,056 --> 01:26:24,600 is obviously my strap coming off. 1607 01:26:25,309 --> 01:26:26,477 Whoa! 1608 01:26:27,228 --> 01:26:29,855 Robbie: His strap broke, so I jumped in. 1609 01:26:30,106 --> 01:26:32,525 You've gotta cover his back, he was our guest! 1610 01:26:33,442 --> 01:26:36,153 (song continues) 1611 01:26:42,952 --> 01:26:45,996 Robbie: And then he's like, "Wait a minute, pal, 1612 01:26:46,080 --> 01:26:49,250 let's not get too fancy over there." 1613 01:26:49,583 --> 01:26:52,586 (song continues) 1614 01:27:05,683 --> 01:27:07,393 ♪ Further on up the road ♪ 1615 01:27:08,185 --> 01:27:10,688 Clapton: What I remember about it, it was just... 1616 01:27:11,439 --> 01:27:12,940 so free, it was... 1617 01:27:13,023 --> 01:27:15,359 and I mean, nobody knew what was gonna happen next. 1618 01:27:16,152 --> 01:27:18,112 And I loved it, I loved it. 1619 01:27:18,279 --> 01:27:19,780 I didn't want it to ever end. 1620 01:27:20,072 --> 01:27:21,824 ♪ ("I Shall Be Released" by Bob Dylan playing) ♪ 1621 01:27:21,991 --> 01:27:24,326 ♪ I see my light ♪ 1622 01:27:24,535 --> 01:27:27,538 ♪ Come shining ♪ 1623 01:27:30,416 --> 01:27:35,129 ♪ From the west Down to the east ♪ 1624 01:27:38,466 --> 01:27:41,385 ♪ Any day now ♪ 1625 01:27:42,595 --> 01:27:45,681 ♪ Any day now ♪ 1626 01:27:46,557 --> 01:27:51,061 ♪ I shall be released ♪ 1627 01:27:52,688 --> 01:27:54,315 Robbie: "The Last Waltz" 1628 01:27:54,440 --> 01:27:58,152 was such a beautiful thank-you 1629 01:27:58,360 --> 01:28:01,864 to this wonderful journey that we'd been on, 1630 01:28:02,031 --> 01:28:05,367 and the amazing experiences we had. 1631 01:28:06,160 --> 01:28:09,163 The whole thing was so moving. 1632 01:28:09,789 --> 01:28:12,625 ♪ Any day now ♪ 1633 01:28:13,709 --> 01:28:16,504 ♪ Any day now ♪ 1634 01:28:17,588 --> 01:28:22,343 ♪ I shall be released... ♪ 1635 01:28:24,762 --> 01:28:28,098 (cheers and applause) 1636 01:28:35,648 --> 01:28:37,149 Thank you very much. 1637 01:28:40,152 --> 01:28:43,447 - Thank you. - Thank you very much. 1638 01:29:04,635 --> 01:29:06,262 ♪ (music playing) ♪ 1639 01:29:06,387 --> 01:29:08,639 ♪ When that curtain Comes down ♪ 1640 01:29:10,724 --> 01:29:13,352 ♪ We let go of the past ♪ 1641 01:29:15,062 --> 01:29:18,148 ♪ Tomorrow's another day ♪ 1642 01:29:19,233 --> 01:29:22,069 ♪ Some things weren't Meant to last ♪ 1643 01:29:22,736 --> 01:29:25,030 We need a little bit more of the harp 1644 01:29:25,781 --> 01:29:29,201 in the intro and in the first turnaround. 1645 01:29:29,493 --> 01:29:32,413 You want a little bit more, like, grit on it, or... 1646 01:29:32,788 --> 01:29:36,125 Yeah, just a little more atmosphere. Not so dry. 1647 01:29:36,375 --> 01:29:37,835 Yeah, got it. 1648 01:29:40,254 --> 01:29:43,257 ♪ Some things weren't Meant to last ♪ 1649 01:29:44,884 --> 01:29:47,177 Robbie: We did "The Last Waltz" 1650 01:29:47,678 --> 01:29:51,557 with the idea that we would put that away, 1651 01:29:51,724 --> 01:29:53,767 take care of one another a bit, 1652 01:29:54,393 --> 01:29:57,980 and really come back together again 1653 01:29:58,147 --> 01:30:01,483 and make music like we had never made before. 1654 01:30:01,567 --> 01:30:04,528 That was our dream. That was the idea. 1655 01:30:06,238 --> 01:30:09,033 Everybody just forgot to come back. 1656 01:30:09,283 --> 01:30:10,701 (song continues) 1657 01:30:10,868 --> 01:30:13,203 ♪ There'll be no revival ♪ 1658 01:30:15,080 --> 01:30:17,666 ♪ There'll be no encore ♪ 1659 01:30:20,002 --> 01:30:22,588 ♪ Once were brothers ♪ 1660 01:30:23,881 --> 01:30:26,508 ♪ Were brothers no more ♪ 1661 01:30:30,304 --> 01:30:31,680 Dominique: I was the first one 1662 01:30:31,889 --> 01:30:33,307 who was heartbroken, in a way, 1663 01:30:33,390 --> 01:30:35,351 because I loved The Band so much, 1664 01:30:36,101 --> 01:30:37,603 you know, and it felt like 1665 01:30:37,686 --> 01:30:40,272 it's closing this book, this chapter. 1666 01:30:41,732 --> 01:30:43,609 Robbie: If somebody had said, 1667 01:30:43,692 --> 01:30:45,903 I've got a couple of tunes started, 1668 01:30:46,028 --> 01:30:51,325 we're dying to go in and create some music, 1669 01:30:52,451 --> 01:30:54,328 I would've said yes in a minute. 1670 01:30:55,079 --> 01:30:56,121 Helm: By that time 1671 01:30:56,205 --> 01:30:58,332 I don't think you could've kept The Band together. 1672 01:30:58,582 --> 01:31:00,793 Everybody had something they wanted to do, 1673 01:31:01,043 --> 01:31:03,671 and after "The Last Waltz, " 1674 01:31:03,837 --> 01:31:05,756 we started chasing those dreams. 1675 01:31:09,259 --> 01:31:10,844 Robbie: Some years later, 1676 01:31:11,595 --> 01:31:13,973 Levon was having a tough time. 1677 01:31:15,849 --> 01:31:17,267 And out of that, 1678 01:31:17,893 --> 01:31:19,937 his anger was aimed at me. 1679 01:31:20,604 --> 01:31:23,440 ♪ ("It Makes No Difference" by The Band playing) ♪ 1680 01:31:23,774 --> 01:31:27,277 Taplin: In the end, Levon contended that somehow 1681 01:31:27,403 --> 01:31:31,365 he should've gotten a lot of the songwriting revenue. 1682 01:31:31,573 --> 01:31:34,118 And he just got more and more pissed off. 1683 01:31:35,953 --> 01:31:37,079 Hawkins: I can see why 1684 01:31:37,204 --> 01:31:39,289 Levon might say something like that, 1685 01:31:39,373 --> 01:31:41,667 because he was really good at helping arrange. 1686 01:31:42,126 --> 01:31:43,377 But Robbie wrote all the songs. 1687 01:31:43,544 --> 01:31:45,546 Robbie was writing songs when he was 15 years old. 1688 01:31:46,672 --> 01:31:48,841 And the rest of the boys helped arrange the songs, 1689 01:31:49,133 --> 01:31:50,759 which is a little bit different. 1690 01:31:51,385 --> 01:31:54,471 Larry Campbell: Levon's point was that these were five guys 1691 01:31:54,763 --> 01:31:56,724 that all played a role 1692 01:31:56,807 --> 01:31:59,935 in making The Band what it was. 1693 01:32:00,853 --> 01:32:05,482 I mean, the combination of those five guys was so unique, 1694 01:32:05,607 --> 01:32:07,901 and so he felt as though Robbie 1695 01:32:08,027 --> 01:32:10,487 were claiming all the credit for himself. 1696 01:32:11,280 --> 01:32:14,575 You could kinda see in Levon, through this bitterness, 1697 01:32:14,700 --> 01:32:17,911 that because of his interpretation of what happened, 1698 01:32:18,037 --> 01:32:20,205 he was really hurting, you know? 1699 01:32:20,497 --> 01:32:22,041 He just let it chew him up. 1700 01:32:22,207 --> 01:32:25,669 ♪ And the sun ♪ 1701 01:32:25,836 --> 01:32:28,213 ♪ Don't shine ♪ 1702 01:32:29,798 --> 01:32:33,260 ♪ Anymore ♪ 1703 01:32:35,304 --> 01:32:36,930 Hawkins: When Levon ran out of money, 1704 01:32:37,139 --> 01:32:38,932 that's when he went crazy, 1705 01:32:39,058 --> 01:32:40,726 because he had been living high. 1706 01:32:40,809 --> 01:32:43,353 But Levon's kind of like me, he gets mad 1707 01:32:43,437 --> 01:32:45,898 and says things he shouldn't say, and goes crazy. 1708 01:32:47,316 --> 01:32:49,568 Levon and Robbie were best friends, 1709 01:32:49,693 --> 01:32:52,780 were brothers, I mean, Levon showed him the ropes. 1710 01:32:53,614 --> 01:32:55,407 So it was very sad 1711 01:32:56,116 --> 01:32:57,785 that that's how he felt 1712 01:32:58,077 --> 01:33:00,412 and that, you know, that's what he believed. 1713 01:33:02,539 --> 01:33:05,000 Robbie: Years later, I got a message 1714 01:33:05,501 --> 01:33:08,128 that Levon was in the hospital 1715 01:33:09,838 --> 01:33:10,923 and he was dying. 1716 01:33:12,966 --> 01:33:16,053 I got on a plane and I went to the hospital. 1717 01:33:17,346 --> 01:33:19,640 Levon wasn't conscious anymore. 1718 01:33:20,724 --> 01:33:25,062 His daughter was there and she took me into the room, 1719 01:33:25,270 --> 01:33:27,981 I sat with him and I held his hand 1720 01:33:28,941 --> 01:33:30,776 and I thought about 1721 01:33:31,860 --> 01:33:35,489 the amazing times that we had had together. 1722 01:33:37,616 --> 01:33:39,535 We'd been on the front lines 1723 01:33:39,743 --> 01:33:42,496 of two or three musical revolutions. 1724 01:33:44,081 --> 01:33:47,668 And now we're just left with these memories. 1725 01:33:49,586 --> 01:33:51,547 So I sat with my brother, 1726 01:33:51,713 --> 01:33:53,298 and held his hand. 1727 01:33:54,341 --> 01:33:55,467 You know, I said, 1728 01:33:55,634 --> 01:33:59,096 Levon, I'll meet you on the other end. 1729 01:34:03,058 --> 01:34:05,185 ♪ ("The Night They Drove Old Dixie Down" by The Band) ♪ 1730 01:34:06,061 --> 01:34:08,438 ♪ Virgil Caine is the name ♪ 1731 01:34:08,605 --> 01:34:11,692 ♪ And I served On the Danville train ♪ 1732 01:34:13,193 --> 01:34:15,737 ♪ 'Til Stoneman's cavalry came ♪ 1733 01:34:16,280 --> 01:34:19,533 ♪ And they tore up The tracks again ♪ 1734 01:34:21,076 --> 01:34:25,455 ♪ In the winter of '65, We were hungry ♪ 1735 01:34:25,831 --> 01:34:27,833 ♪ Just barely alive ♪ 1736 01:34:28,667 --> 01:34:31,753 ♪ By May the tenth, Richmond had fell ♪ 1737 01:34:31,962 --> 01:34:35,090 ♪ It's a time I remember ♪ 1738 01:34:35,174 --> 01:34:38,719 ♪ Oh so well ♪ 1739 01:34:39,094 --> 01:34:44,600 ♪ The night they drove Old Dixie down ♪ 1740 01:34:45,225 --> 01:34:47,644 ♪ When all the bells Were ringing ♪ 1741 01:34:47,853 --> 01:34:52,316 ♪ The night they drove Old Dixie down ♪ 1742 01:34:53,192 --> 01:34:56,195 ♪ And all the people Were singing, they went ♪ 1743 01:34:56,361 --> 01:35:00,032 ♪ Na, la, la, la, na, na ♪ 1744 01:35:00,115 --> 01:35:03,744 ♪ La la, na, na La, la, la, la, la ♪ 1745 01:35:07,915 --> 01:35:11,293 ♪ Back with my wife In Tennessee ♪ 1746 01:35:12,085 --> 01:35:14,963 ♪ When one day She called to me ♪ 1747 01:35:16,715 --> 01:35:19,760 ♪ Said "Virgil, quick, Come and see ♪ 1748 01:35:20,052 --> 01:35:22,763 ♪ There goes The Robert E. Lee" ♪ 1749 01:35:23,889 --> 01:35:27,059 ♪ Now I don't mind Choppin' wood ♪ 1750 01:35:27,601 --> 01:35:31,813 ♪ And I don't care If the money's no good ♪ 1751 01:35:31,897 --> 01:35:34,650 ♪ You take what you need And you leave the rest ♪ 1752 01:35:35,150 --> 01:35:38,403 ♪ But they should never Have taken ♪ 1753 01:35:38,528 --> 01:35:42,407 ♪ The very best ♪ 1754 01:35:43,116 --> 01:35:48,121 ♪ The night they drove Old Dixie down ♪ 1755 01:35:49,122 --> 01:35:51,500 ♪ When all the bells Were ringing ♪ 1756 01:35:51,583 --> 01:35:56,421 ♪ The night they drove Old Dixie down ♪ 1757 01:35:56,588 --> 01:35:59,424 ♪ And all the people Were singing ♪ 1758 01:35:59,591 --> 01:36:03,262 ♪ They went, "Na, la, la La, na, na ♪ 1759 01:36:03,804 --> 01:36:08,058 ♪ La la, na, na La, la, la, na, na" ♪ 1760 01:36:15,774 --> 01:36:18,235 ♪ Like my father before me ♪ 1761 01:36:19,236 --> 01:36:22,197 ♪ I will work the land ♪ 1762 01:36:23,782 --> 01:36:27,077 ♪ And like my brother above me ♪ 1763 01:36:27,494 --> 01:36:30,080 ♪ Who took a rebel stand ♪ 1764 01:36:30,956 --> 01:36:34,418 ♪ He was just eighteen Proud and brave ♪ 1765 01:36:34,751 --> 01:36:38,797 ♪ But a Yankee laid him In his grave ♪ 1766 01:36:38,880 --> 01:36:41,925 ♪ And I swear by the mud Below my feet ♪ 1767 01:36:42,384 --> 01:36:45,345 ♪ You can't raise A Caine back up ♪ 1768 01:36:45,554 --> 01:36:49,933 ♪ When he's in defeat ♪ 1769 01:36:50,183 --> 01:36:55,522 ♪ The night they drove Old Dixie down ♪ 1770 01:36:56,189 --> 01:36:58,817 ♪ When all the bells Were ringing ♪ 1771 01:36:59,151 --> 01:37:03,488 ♪ The night they drove Old Dixie down ♪ 1772 01:37:04,323 --> 01:37:07,034 ♪ And all the people Were singing, they went ♪ 1773 01:37:07,284 --> 01:37:11,038 ♪ "Na, la, la, la, na, na ♪ 1774 01:37:11,288 --> 01:37:14,875 ♪ La la, na, na La, la, la, na, na" ♪ 1775 01:37:23,300 --> 01:37:28,638 ♪ The night they drove Old Dixie down ♪ 1776 01:37:29,056 --> 01:37:31,058 ♪ The bells were ringing ♪ 1777 01:37:31,183 --> 01:37:35,896 ♪ The night they drove Old Dixie down ♪ 1778 01:37:36,813 --> 01:37:38,899 ♪ And all the people Were singing ♪ 1779 01:37:38,982 --> 01:37:42,986 ♪ They went, "Na, la, la La, na, na, na ♪ 1780 01:37:43,570 --> 01:37:47,449 ♪ La la, na, na La, la, la, na, na" ♪ 1781 01:37:55,040 --> 01:37:59,044 (cheers and applause) 1782 01:38:05,884 --> 01:38:10,931 ♪ ("Ophelia" by the Band playing) ♪ 1783 01:38:18,939 --> 01:38:23,110 ♪ Boards on the window, Mail by the door ♪ 1784 01:38:24,069 --> 01:38:28,031 ♪ What would anybody leave So quickly for? ♪ 1785 01:38:28,281 --> 01:38:30,325 ♪ Ophelia ♪ 1786 01:38:33,036 --> 01:38:35,080 ♪ Where have you gone? ♪ 1787 01:38:39,835 --> 01:38:44,172 ♪ The old neighborhood Just ain't the same ♪ 1788 01:38:45,132 --> 01:38:49,469 ♪ Nobody knows Just what became of ♪ 1789 01:38:49,553 --> 01:38:51,304 ♪ Ophelia ♪ 1790 01:38:53,348 --> 01:38:55,892 ♪ Tell me, what went wrong? ♪ 1791 01:39:01,148 --> 01:39:04,526 ♪ Was it somethin' That somebody said? ♪ 1792 01:39:06,236 --> 01:39:09,322 ♪ Mama, I know We broke the rules ♪ 1793 01:39:11,533 --> 01:39:15,495 ♪ Was somebody up Against the law? ♪ 1794 01:39:16,746 --> 01:39:21,418 ♪ Honey, you know I'd die for you ♪ 1795 01:39:21,835 --> 01:39:26,214 ♪ Ashes of laughter, The coast is clear ♪ 1796 01:39:26,965 --> 01:39:30,802 ♪ Why do the best things Always disappear ♪ 1797 01:39:30,969 --> 01:39:33,305 ♪ Like Ophelia ♪ 1798 01:39:35,056 --> 01:39:37,642 ♪ Please darken my door ♪ 1799 01:40:24,523 --> 01:40:28,276 ♪ Was it somethin' That somebody said? ♪ 1800 01:40:29,653 --> 01:40:32,447 ♪ Honey, you know We broke the rules ♪ 1801 01:40:34,783 --> 01:40:38,411 ♪ Was somebody up Against the law? ♪ 1802 01:40:40,038 --> 01:40:44,584 ♪ Honey, you know I'd die for you ♪ 1803 01:40:44,918 --> 01:40:46,836 ♪ They got your number ♪ 1804 01:40:47,879 --> 01:40:49,464 ♪ Scared and runnin' ♪ 1805 01:40:50,131 --> 01:40:53,843 ♪ But I'm still waitin' For the second comin' ♪ 1806 01:40:54,010 --> 01:40:56,096 ♪ Of Ophelia ♪ 1807 01:40:58,848 --> 01:41:01,101 ♪ Come back home