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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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(film projector whirring)
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(amplifier buzzing)
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(strums a chord)
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This guitar was
the beginning of it all for me.
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(plays guitar)
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Robbie Robertson: I don't have
much of a process of, like,
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"I'm thinking about this,
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and now I'm gonna write a song,
and it's gonna be about that."
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A lot of times,
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the creative process is trying
to catch yourself off guard.
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♪ ("I Heard You Paint Houses"
by Robbie Robertson plays) ♪
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And you sit down,
and you've got a blank canvas,
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and you don't know
what you're gonna do,
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and you just see what happens.
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How you doin', man?
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When you talk
about songs that are
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reflective of your past,
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It becomes a jigsaw puzzle,
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because... you write
about what you know.
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You write
about where you've been.
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You write about who you know.
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♪ ("Once Were Brothers"
by Robbie Robertson plays) ♪
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When I stumbled onto this song,
"Once Were Brothers"...
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it really did, for me,
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zero in on The Band.
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♪ Once were brothers ♪
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♪ Brothers no more ♪
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♪ We lost our connection ♪
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♪ After the war... ♪
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I don't know
of any other group of musicians
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with a story equivalent
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to the story of The Band.
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And it was a beautiful thing.
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It was so beautiful,
it went up in flames.
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♪ Brothers no more ♪
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♪ ("Up on Cripple Creek"
by The Band plays) ♪
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♪ When I get off
of this mountain ♪
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♪ You know where I want to go ♪
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♪ Straight down
the Mississippi River ♪
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♪ To the Gulf of Mexico ♪
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♪ To Lake George, Louisiana... ♪
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Bruce Springsteen: There is
no band that emphasizes
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coming together and becoming
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greater than the sum
of their parts than The Band.
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Simply their name,
The Band, that was it.
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♪ Up on Cripple Creek
She sends me
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♪ If I sprang a leak
She'd mend me ♪
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♪ I don't have to speak
She defends me ♪
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♪ A drunkard's dream
If I ever did see one ♪
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♪ Good luck had just stung me ♪
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♪ And to the racetrack
I did go ♪
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♪ I bet on one horse to win ♪
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♪ And she bet
On another to show ♪
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Eric Clapton: I've never been
in a band that long. (laughs)
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I ran away, usually,
and would move on
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to the next thing that was
attractive to me,
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or that was missing in the band
I was in. So I didn't
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have a sense of brotherhood,
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so I was in great awe
of their brotherhood.
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It was the soul of The Band.
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♪ She mends me
I don't have to speak ♪
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♪ She defends me
A drunkard's dream ♪
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♪ If I ever did see one ♪
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Springsteen: Not only did they
have the incredible writing,
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you know, Robbie's writing,
but they had three
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of the greatest white singers
in rock history.
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To have any one of those guys
would be the foundation
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for a great band. To have three
of them in one group,
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that was...
just loaded for bear.
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♪ That's when
That little love of mine ♪
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♪ Dips her doughnut in my tea ♪
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♪ Up on Cripple Creek... ♪
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Martin Scorsese: This music
drew upon country music,
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English, Scotch, Irish,
the choral sounds
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of the Welsh. At the same time,
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Mississippi Delta, the blues.
And there was so much imagery.
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This... just didn't
seem like anything else.
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Taj Mahal: No one sounded
like those guys. You know,
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they came in, and they played.
And I just loved
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that about them, you know,
they were about the music.
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♪ She defends me
A drunkard's dream ♪
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♪ If I ever did see one ♪
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(yodeling)
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Robbie: I think about Levon,
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Richard, Rick, and Garth
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all the time. We went through
things together you could
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never replace. You can never
give enough credit
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to something that special.
I was an only child,
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so this brotherhood was
so powerful.
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♪ Oh, I could
get you with my yodel, I go ♪
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(yodeling)
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♪ No, no, no, no, no ♪
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Levon Helm: I think
we're warmed up.
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(film projector whirring)
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(birds chirping)
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♪ ("Coyote Dance"
by Robbie Robertson plays) ♪
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Robbie: Since I was a kid,
I see stories
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in a different way. I don't see
them like fairy tales.
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These stories are powerful,
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and some of them are
dangerous and big.
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Maybe that's
because my upbringing was
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a little bit scattered
and not normal in some ways.
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My mother was born and raised
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in the Six Nation
Indian reserve.
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Her name was Dolly.
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When she was
around 16 years old,
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she was sent to live
with an aunt in Toronto.
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- (streetcar clanking)
- (vehicles honking)
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When we would go back to visit
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the relatives
in the Indian reserve,
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I thought this was
a magical place.
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It seemed like every day,
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when the sun
started to go down,
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the instruments would come out.
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And I could sit
in the middle of this,
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and hear the fingers
on the strings,
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and the hands rubbing
on the skins of the drum.
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My parents got me
a little guitar
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with a cowboy painted on it.
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I already know
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a couple of chords
on the guitar
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that my relatives at
Six Nations have taught me.
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I would practice
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and practice.
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This is where I belong.
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This is calling me.
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I don't know for sure
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whether I would ever have found
my way to music
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without this experience,
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and that's why I have
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such a deep appreciation
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for that place.
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♪ ("Coyote Dance" continues) ♪
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And then we crossed
into a time zone
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when I was 13 years old.
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♪ ("Johnny B. Goode"
by Chuck Berry plays) ♪
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Overnight, out of nowhere,
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this new music came pouring out.
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00:10:01,897 --> 00:10:04,942
♪ Deep down in Louisiana
Close to New Orleans ♪
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♪ Way back up in the woods
Among the evergreens ♪
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00:10:07,694 --> 00:10:10,239
♪ There stood a log cabin made
Of earth and wood ♪
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00:10:10,322 --> 00:10:13,575
♪ Where lived a country boy
Named Johnny B. Goode ♪
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♪ Who never ever learned
To read or write so well ♪
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00:10:16,745 --> 00:10:19,289
♪ But he could play a guitar
Just like a-ringin' a bell ♪
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00:10:19,665 --> 00:10:23,210
For guys my age,
it was a life-altering moment.
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Like, it just cut
against the grain
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00:10:25,295 --> 00:10:28,215
of the mundaneness of
entertainment at that time.
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00:10:32,219 --> 00:10:33,846
Jann Wenner: You know,
it's raw, it's loud,
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it's raucous, it's tough.
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You know, the guitar sound is
loud and thrilling.
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Springsteen: It immediately
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imparted to you
this entire new way
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of living, of looking,
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00:10:50,028 --> 00:10:51,989
of walking,
of talking, of being,
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of the possibility
of what you might be able to do
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with your life. It was a
revolutionary moment, you know.
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Robbie: I thought of it
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as my own personal big bang.
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Little Richard: ♪ Lucille ♪
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♪ You won't do
Your sister's will ♪
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♪ Lucille ♪
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♪ You won't do
Your sister's will ♪
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I thought,
"That's it. I don't know
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what all you people
are gonna do,
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but I know what I'm gonna do."
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(Little Richard screams)
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Within weeks,
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I was in my first band.
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We were off and running.
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Fats Domino:
♪ I'm walkin', yes indeed ♪
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♪ And I'm talkin'
About you and me, I'm hopin' ♪
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00:11:36,658 --> 00:11:38,744
♪ That you come back to me... ♪
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Robbie: My schoolmates,
they're like,
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"One of these days, I wanna have
my own bowling alley."
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00:11:43,832 --> 00:11:47,544
I'd be like, "Oh, my God,
your own bowling...
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00:11:47,628 --> 00:11:49,922
You could bowl for free
all you wanted, right?"
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00:11:51,632 --> 00:11:53,926
I don't have that vision.
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00:11:54,551 --> 00:11:56,637
I saw something else,
and the lights
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were really bright.
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00:12:01,850 --> 00:12:04,728
Within a couple years,
we were getting somewhere,
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booking different shows
around Toronto.
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00:12:08,440 --> 00:12:11,902
A local DJ booked us to open
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for Ronnie Hawkins
and the Hawks.
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00:12:14,738 --> 00:12:17,324
♪ ("Baby Jean" by Ronnie Hawkins
and the Hawks plays) ♪
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00:12:20,118 --> 00:12:23,288
♪ Well, I had a little woman ♪
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00:12:23,580 --> 00:12:25,958
♪ And her name was Baby Jean ♪
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00:12:26,959 --> 00:12:30,254
Robbie: Ronnie Hawkins
and the Hawks had
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00:12:30,420 --> 00:12:32,756
a reputation to be the best
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00:12:32,923 --> 00:12:35,175
rockabilly band around.
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00:12:35,259 --> 00:12:37,594
- ♪ Baby Jean, Baby Jean ♪
- ♪ Baby Jean ♪
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00:12:37,678 --> 00:12:39,721
- ♪ Baby Jean ♪
- ♪ Don't be mean ♪
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00:12:41,139 --> 00:12:43,267
These guys were up there
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00:12:43,392 --> 00:12:46,395
with Jerry Lee Lewis,
Conway Twitty,
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00:12:46,478 --> 00:12:48,981
Carl Perkins,
they were in that league.
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00:12:49,398 --> 00:12:51,400
♪ My baby ♪
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00:12:51,775 --> 00:12:54,069
♪ Well, I learned
To lose my mind ♪
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00:12:54,569 --> 00:12:56,905
Ronnie Hawkins: We didn't
know anything about Canada.
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00:12:57,447 --> 00:13:00,117
We figured, Canada is the
wilderness, they've still got
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00:13:00,200 --> 00:13:02,619
mountain men, you know,
eating each other,
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00:13:02,703 --> 00:13:04,288
stuff like that. (laughs)
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00:13:04,579 --> 00:13:07,124
We didn't know nothing
about Canada. Boy, and Canada is
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00:13:07,207 --> 00:13:09,251
the promised land compared
to where we came from.
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00:13:10,460 --> 00:13:12,254
Robbie: We played
our hearts out.
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00:13:12,337 --> 00:13:14,881
Then Ronnie Hawkins
and the Hawks take
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00:13:14,965 --> 00:13:18,677
the stage. Oh, my God.
They took flight.
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00:13:18,885 --> 00:13:20,012
♪ ...back home ♪
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00:13:21,346 --> 00:13:23,432
♪ I'm gonna call up
A gypsy woman ♪
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00:13:23,515 --> 00:13:25,183
♪ On the telephone ♪
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00:13:26,393 --> 00:13:29,021
♪ I'm gonna send out
A worldwide hoo-doo ♪
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00:13:29,104 --> 00:13:31,356
♪ That'd be the very thing
That'd suit you ♪
213
00:13:31,440 --> 00:13:33,400
♪ I'm gonna see to it
She will be back home ♪
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00:13:33,483 --> 00:13:35,277
♪ In 40 days ♪
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00:13:35,360 --> 00:13:38,363
- ♪ Oh, 40 days ♪
- ♪ 40 days ♪
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00:13:38,447 --> 00:13:40,032
Robbie: Ronnie Hawkins was
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00:13:40,157 --> 00:13:42,451
over here. Boom,
he was over there.
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00:13:42,534 --> 00:13:44,036
He was singing just in time.
219
00:13:44,119 --> 00:13:45,871
The piano player would be
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00:13:45,954 --> 00:13:49,166
playing a solo,
keys would be flying off
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00:13:49,291 --> 00:13:51,501
the piano,
he was hitting it so hard.
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00:13:57,966 --> 00:14:00,218
There was a guy playing drums
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00:14:00,302 --> 00:14:02,804
who looked like
he was 15 years old,
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00:14:02,888 --> 00:14:04,848
with white-blonde hair,
225
00:14:04,931 --> 00:14:08,477
and he was twirling sticks,
and he was laughing,
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00:14:08,560 --> 00:14:09,978
and smiling,
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00:14:10,062 --> 00:14:12,397
and he just seemed
to glow in the dark,
228
00:14:12,522 --> 00:14:15,484
and his name was Levon Helm.
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00:14:20,655 --> 00:14:22,824
Helm: Well, I started with
Ronnie when I was trying
230
00:14:22,908 --> 00:14:25,035
to get out of high school
back in Arkansas.
231
00:14:25,118 --> 00:14:27,162
Ronnie was putting
a band together.
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00:14:27,245 --> 00:14:29,289
I got into it to play drums.
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00:14:29,373 --> 00:14:31,166
We hit the road,
played around for years,
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00:14:31,249 --> 00:14:33,418
and ended up
playing up in Canada.
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00:14:33,877 --> 00:14:36,380
♪ That'd be the very thing
That'd suit you... ♪
236
00:14:36,463 --> 00:14:40,217
This is it.
This is the most amazing thing
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00:14:40,467 --> 00:14:42,094
on the planet Earth.
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00:14:42,594 --> 00:14:45,013
(audience applauds and cheers)
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00:14:46,139 --> 00:14:49,184
After they played,
I just stood around.
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00:14:49,393 --> 00:14:52,437
I wanted to help out
in any way I could,
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00:14:52,521 --> 00:14:55,065
to have this rub off on me,
242
00:14:55,148 --> 00:14:58,151
this music, this talent,
243
00:14:58,443 --> 00:15:00,028
this southern-ness.
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00:15:00,112 --> 00:15:02,280
I stuck to them like glue.
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00:15:02,531 --> 00:15:04,699
♪ ("Boba Lou"
by Robbie Robertson plays) ♪
246
00:15:04,991 --> 00:15:06,535
Hawkins: I knew
right off the bat
247
00:15:06,618 --> 00:15:08,328
Robbie had something special.
I don't know,
248
00:15:08,412 --> 00:15:10,330
he must've been
15 or 16 years old.
249
00:15:10,789 --> 00:15:12,541
♪ Boba Lou... ♪
250
00:15:12,624 --> 00:15:14,793
Hawkins: But he was hip.
Robbie was street hip.
251
00:15:15,210 --> 00:15:17,129
He was a hell of a young man.
252
00:15:18,964 --> 00:15:22,134
Robbie: One day,
I heard Ronnie Hawkins
253
00:15:22,217 --> 00:15:25,554
saying to the other guys,
"I gotta cut a new record.
254
00:15:25,637 --> 00:15:27,264
I need some songs."
255
00:15:27,347 --> 00:15:30,725
I scampered home,
went to my room,
256
00:15:30,851 --> 00:15:34,396
and never came out
until I wrote two songs.
257
00:15:37,941 --> 00:15:40,777
♪ I will love her
Till my dying day ♪
258
00:15:40,861 --> 00:15:42,946
♪ Don't know why she left ♪
259
00:15:43,029 --> 00:15:44,573
♪ Left me this way ♪
260
00:15:44,906 --> 00:15:47,826
♪ Left me here all alone ♪
261
00:15:47,909 --> 00:15:51,079
♪ To sit and cry on my own... ♪
262
00:15:51,496 --> 00:15:53,999
Hawkins: Robbie was writing
songs when he was 15 years old.
263
00:15:54,082 --> 00:15:57,210
I recorded two of said songs
on my album
264
00:15:57,294 --> 00:15:59,963
before anybody ever thought
about Robbie Robertson.
265
00:16:05,469 --> 00:16:08,263
At that time,
Robbie dropped out of school.
266
00:16:08,680 --> 00:16:10,140
His mother, Dolly,
267
00:16:10,223 --> 00:16:11,766
she was worried about him.
268
00:16:13,268 --> 00:16:14,603
♪ Boba Lou... ♪
269
00:16:14,728 --> 00:16:16,688
Robbie: There had been
quite a period
270
00:16:16,897 --> 00:16:19,983
where my parents weren't
getting along.
271
00:16:20,775 --> 00:16:23,403
My father, Jim Robertson,
272
00:16:23,612 --> 00:16:26,823
was being quite abusive
with my mother,
273
00:16:26,907 --> 00:16:28,283
and with me.
274
00:16:30,160 --> 00:16:32,370
And one day she said to me,
275
00:16:32,829 --> 00:16:34,581
"Sit down, I... I need
276
00:16:34,664 --> 00:16:36,082
to tell you something.
277
00:16:36,791 --> 00:16:39,419
And maybe I should've
told you this before,
278
00:16:39,669 --> 00:16:42,380
but he's not your real father."
279
00:16:46,968 --> 00:16:47,969
"What?
280
00:16:48,678 --> 00:16:51,890
I... What do you mean,
he's not my real father?"
281
00:16:53,934 --> 00:16:56,478
Robbie's real daddy was
a Hebrew gangster.
282
00:16:56,937 --> 00:16:58,772
Yeah, they killed him,
they shot him on...
283
00:16:58,855 --> 00:17:00,065
Yonge Street, I think.
284
00:17:00,941 --> 00:17:03,401
♪ ("Robbie's Blues"
by Robbie Robertson plays) ♪
285
00:17:06,321 --> 00:17:07,781
Robbie: My mother says,
286
00:17:07,864 --> 00:17:10,283
"Your blood father,
his name was
287
00:17:10,450 --> 00:17:12,577
Alexander Klegerman.
288
00:17:13,578 --> 00:17:16,039
He got killed
before you were born.
289
00:17:17,123 --> 00:17:18,375
He's Jewish."
290
00:17:19,209 --> 00:17:21,503
And she introduced me
291
00:17:21,586 --> 00:17:24,756
to the relatives
of my blood father,
292
00:17:24,839 --> 00:17:27,926
Natie Klegerman
and Morrie Klegerman.
293
00:17:28,385 --> 00:17:31,137
They bring me into their world
294
00:17:31,221 --> 00:17:34,266
with tremendous love
and affection.
295
00:17:34,474 --> 00:17:36,351
I met his uncle who'd been
in the penitentiary
296
00:17:36,434 --> 00:17:37,894
ten years.
He was a gangster too.
297
00:17:38,979 --> 00:17:41,648
Robbie: Through these
relatives of mine,
298
00:17:41,856 --> 00:17:44,734
I'm understanding
what's been stirring
299
00:17:44,818 --> 00:17:46,861
inside of me all this time.
300
00:17:46,945 --> 00:17:49,030
They understand vision.
301
00:17:49,489 --> 00:17:51,908
They understand ambition.
302
00:17:52,659 --> 00:17:54,911
When I told the Klegermans
303
00:17:54,995 --> 00:17:57,914
I had musical ambitions,
they were like,
304
00:17:58,081 --> 00:18:00,083
"rock 'n' roll?
You don't wanna be
305
00:18:00,166 --> 00:18:02,460
in furs and diamonds,
you wanna be in that...?"
306
00:18:02,544 --> 00:18:06,172
And then they were like,
"Oh, you mean, show business."
307
00:18:06,298 --> 00:18:08,550
♪ ("Robbie's Blues" continues) ♪
308
00:18:11,177 --> 00:18:12,846
I'm 16 years old now.
309
00:18:12,929 --> 00:18:17,058
Ronnie Hawkins says, "I want
you to come down to Arkansas
310
00:18:17,183 --> 00:18:20,812
and try out
to become one of the Hawks."
311
00:18:21,479 --> 00:18:24,524
If I didn't go down there
and try out for this,
312
00:18:24,774 --> 00:18:27,569
I would be sorry
the rest of my life.
313
00:18:28,069 --> 00:18:32,157
I sold my '56 Stratocaster,
314
00:18:32,282 --> 00:18:35,619
I got the money
to take a train from Toronto
315
00:18:35,744 --> 00:18:37,245
to Fayetteville, Arkansas.
316
00:18:37,996 --> 00:18:40,040
♪ ("Help Me" by Sonny Boy
Williamson II plays) ♪
317
00:18:54,095 --> 00:18:57,307
I'm going
to the Mississippi Delta,
318
00:18:57,474 --> 00:18:59,934
to the fountainhead
of rock 'n' roll.
319
00:19:01,269 --> 00:19:04,564
"This is it, this is it.
I've gotta make this work."
320
00:19:04,981 --> 00:19:07,651
♪ I can't do it all by myself ♪
321
00:19:07,734 --> 00:19:10,570
Robbie: So many amazing
music people came out of there.
322
00:19:10,654 --> 00:19:12,572
♪ You got to help me, baby ♪
323
00:19:13,740 --> 00:19:15,992
♪ I can't do it all by myself ♪
324
00:19:18,953 --> 00:19:21,373
♪ You know
If you don't help me, darling ♪
325
00:19:22,457 --> 00:19:23,583
Robbie: This music
326
00:19:23,875 --> 00:19:25,543
is down and dirty.
327
00:19:25,960 --> 00:19:27,545
And it's heavy,
328
00:19:27,879 --> 00:19:29,005
just like the air.
329
00:19:38,306 --> 00:19:39,808
Helm: Growin' up there
in the Delta,
330
00:19:39,933 --> 00:19:42,852
just in the Memphis,
West Memphis area there,
331
00:19:42,936 --> 00:19:45,814
we had as good a radio
as you could find.
332
00:19:45,897 --> 00:19:47,649
Our jukeboxes and radios
333
00:19:47,732 --> 00:19:49,859
weren't running short
of good songs.
334
00:19:50,902 --> 00:19:53,113
I consider
myself fortunate to have
335
00:19:53,196 --> 00:19:56,533
grown up there and heard
the kind of music that I did.
336
00:20:03,707 --> 00:20:04,624
Hawkins: Robbie was
337
00:20:04,708 --> 00:20:06,376
a hell of a gifted musician,
I can tell you that.
338
00:20:06,459 --> 00:20:08,753
But what made him better
than anybody else is
339
00:20:08,837 --> 00:20:10,004
he worked twice as hard.
340
00:20:10,964 --> 00:20:13,216
Robbie: Finally, Ronnie says,
341
00:20:13,466 --> 00:20:15,635
"I'm gonna offer you the job."
342
00:20:16,094 --> 00:20:20,640
I say, "You'll never have
to tell me to work harder."
343
00:20:20,932 --> 00:20:24,269
He said, "I know."
So I say, "Great.
344
00:20:24,352 --> 00:20:27,188
How much will I get paid
working for you?"
345
00:20:27,272 --> 00:20:29,149
And I said, "Well, don't worry
about the money, kid.
346
00:20:29,232 --> 00:20:31,109
You ain't gonna make much money,
347
00:20:31,192 --> 00:20:33,570
but you'll be gettin' more pussy
than Frank Sinatra."
348
00:20:33,778 --> 00:20:34,779
And he did.
349
00:20:35,447 --> 00:20:37,365
♪ ("Bo Diddley" by
Ronnie Hawkins plays) ♪
350
00:20:37,449 --> 00:20:39,367
♪ Hey, Bo Diddley ♪
351
00:20:39,451 --> 00:20:41,077
♪ Hey, Bo Diddley ♪
352
00:20:41,161 --> 00:20:43,621
♪ Hey, Bo Diddley ♪
353
00:20:43,705 --> 00:20:45,832
♪ Hey, Bo Diddley... ♪
354
00:20:45,915 --> 00:20:49,002
Robbie: I depended on Levon
to show me the road.
355
00:20:49,544 --> 00:20:51,337
He had grown,
356
00:20:51,421 --> 00:20:52,672
in my eyes,
357
00:20:52,756 --> 00:20:55,550
bigger than life.
When he laughed,
358
00:20:56,092 --> 00:20:57,343
everybody laughed.
359
00:20:58,803 --> 00:21:00,638
Hawkins: They were the best
friends you could ever be.
360
00:21:00,764 --> 00:21:02,891
They were like Huckleberry Finn
and Tom Sawyer.
361
00:21:02,974 --> 00:21:04,934
It was a hell of a combination,
I thought,
362
00:21:05,059 --> 00:21:07,353
because Levon could put the
arrangements and stuff together
363
00:21:07,562 --> 00:21:09,731
and do all that, and Robbie
could write the songs.
364
00:21:12,066 --> 00:21:13,568
George Semkiw: When I saw
Robbie play guitar,
365
00:21:13,651 --> 00:21:14,944
it just blew my mind.
366
00:21:15,069 --> 00:21:17,739
Every guitar player in Toronto
learned from Robbie.
367
00:21:17,822 --> 00:21:19,783
Grant Smith: He changed
the whole ballgame up here.
368
00:21:19,866 --> 00:21:21,618
I can remember
people discussing,
369
00:21:21,701 --> 00:21:24,537
"How does Robbie make
that guitar sound?"
370
00:21:25,288 --> 00:21:26,706
Semkiw: That was
the big mystery.
371
00:21:26,831 --> 00:21:28,708
There was, like,
stories going around
372
00:21:28,833 --> 00:21:30,835
that, oh,
he slashed his speakers,
373
00:21:30,960 --> 00:21:32,879
broke a couple of tubes
in the amp.
374
00:21:32,962 --> 00:21:36,716
Every guitar player I met after
that was doing the same thing.
375
00:21:36,925 --> 00:21:39,844
I watched them all change
from their old style of playing
376
00:21:39,928 --> 00:21:42,013
to the new Robbie style
of playing,
377
00:21:42,096 --> 00:21:43,973
and I was...
I was one of the pack.
378
00:21:58,738 --> 00:22:01,658
Robbie: Ronnie depends
on Levon and I
379
00:22:01,741 --> 00:22:04,828
to help him choose musicians
380
00:22:04,911 --> 00:22:07,080
that have potential.
381
00:22:07,163 --> 00:22:08,998
♪ ("You Know I Love You"
by Ronnie Hawkins plays) ♪
382
00:22:09,123 --> 00:22:13,086
Ronnie wants to have
the best band in the land.
383
00:22:13,378 --> 00:22:14,838
Hawkins:
Have you ever heard me sing?
384
00:22:14,963 --> 00:22:16,631
I'll better have a good band.
385
00:22:18,258 --> 00:22:19,634
The Arkansas boys would quit
386
00:22:19,717 --> 00:22:21,511
and Ronnie would replace
387
00:22:21,594 --> 00:22:23,304
with a Canadian musician.
388
00:22:23,930 --> 00:22:26,558
Within a fairly short time,
we had
389
00:22:26,641 --> 00:22:28,893
Richard, Rick, and when Garth
390
00:22:29,060 --> 00:22:31,938
finally joined the outfit,
I think that gave us a leg up.
391
00:22:33,857 --> 00:22:36,484
Robbie: We didn't
know a musician
392
00:22:36,693 --> 00:22:38,194
that could do what he could do.
393
00:22:38,486 --> 00:22:41,030
Garth understood Muddy Waters
394
00:22:41,322 --> 00:22:44,242
and Bach in the same sentence.
395
00:22:44,951 --> 00:22:48,788
Richard was
an incredibly beautiful soul.
396
00:22:48,872 --> 00:22:51,165
You couldn't help
but just love the guy.
397
00:22:51,708 --> 00:22:53,167
Richard Manuel: It was
kind of like boot camp.
398
00:22:53,251 --> 00:22:55,003
I mean, we drove ourselves
399
00:22:55,295 --> 00:22:57,589
to as near perfection
as we could get, you know?
400
00:22:57,672 --> 00:23:00,925
To the point where we'd
really thrill each other.
401
00:23:01,301 --> 00:23:03,636
Robbie: Rick was one
of these people that was like,
402
00:23:03,720 --> 00:23:05,555
"Trombone, bass, tuba,
403
00:23:05,638 --> 00:23:09,309
violin, whatever it is,
I can do it."
404
00:23:09,767 --> 00:23:11,895
Rick Danko: We were kids
playing in bars
405
00:23:11,978 --> 00:23:13,938
that you were supposed
to be 21 to play in.
406
00:23:14,022 --> 00:23:16,190
We were 17, 18, 19. It can
407
00:23:16,274 --> 00:23:18,902
get pretty outrageous when
you're out there that young.
408
00:23:19,068 --> 00:23:21,613
♪ Further on up the road ♪
409
00:23:22,822 --> 00:23:25,241
♪ Someone gonna hurt you
Like you hurt me ♪
410
00:23:27,160 --> 00:23:29,287
♪ Further on up the road ♪
411
00:23:30,038 --> 00:23:31,414
Hawkins: Robbie's mom, Dolly,
412
00:23:31,497 --> 00:23:33,541
she helped The Band out
more than anybody.
413
00:23:33,625 --> 00:23:35,752
She would give them
places to stay cheap,
414
00:23:35,835 --> 00:23:37,629
fed 'em, cooked.
She did everything.
415
00:23:37,712 --> 00:23:39,172
She was somethin' else.
416
00:23:39,505 --> 00:23:41,466
♪ Baby, just you wait and see ♪
417
00:23:43,134 --> 00:23:46,054
Hawkins: We played six days
a week and we practiced five.
418
00:23:46,304 --> 00:23:48,097
That's how come they got good.
419
00:23:48,181 --> 00:23:50,725
They were probably the best
white rhythm and blues band
420
00:23:50,808 --> 00:23:53,519
in the world at that time.
When they were young,
421
00:23:53,603 --> 00:23:55,313
they were absorbing
all that knowledge quick.
422
00:23:55,688 --> 00:23:58,691
They shot by me musically
like a bolt of lightning.
423
00:23:59,651 --> 00:24:02,570
Robbie: We were
outgrowing the past
424
00:24:03,446 --> 00:24:05,782
and the music that we were
playing with Ronnie.
425
00:24:14,165 --> 00:24:18,294
- (film projector whirring)
- (distant siren blaring)
426
00:24:18,503 --> 00:24:20,922
Robbie: When we
left Ronnie, we ended up
427
00:24:21,005 --> 00:24:23,049
playing at a club in New York,
428
00:24:23,508 --> 00:24:26,386
and one day my friend,
John Hammond,
429
00:24:26,469 --> 00:24:28,429
a great musician, blues singer,
430
00:24:28,513 --> 00:24:30,431
he came and picked me up
at the hotel,
431
00:24:30,515 --> 00:24:33,643
and we're going to the Columbia
Records Building,
432
00:24:33,851 --> 00:24:35,269
to one of the studios.
433
00:24:35,895 --> 00:24:38,731
We go in.
I see over in the corner
434
00:24:38,815 --> 00:24:42,276
this guy with dark glasses on
435
00:24:42,694 --> 00:24:45,113
and frizzly hair,
and John says,
436
00:24:45,363 --> 00:24:47,073
"This is Bob Dylan."
437
00:24:48,116 --> 00:24:50,910
♪ ("Like a Rolling Stone"
by Bob Dylan plays) ♪
438
00:24:57,750 --> 00:24:59,961
♪ Once upon a time
You dressed so fine ♪
439
00:25:00,086 --> 00:25:01,379
♪ Threw the bums a dime ♪
440
00:25:01,462 --> 00:25:04,757
♪ In your prime, didn't you? ♪
441
00:25:05,550 --> 00:25:08,886
Robbie: Bob Dylan's
a really respected songwriter.
442
00:25:08,970 --> 00:25:11,556
He was best known
to me as a folk singer
443
00:25:11,639 --> 00:25:14,517
with a guitar
and he has a harmonica.
444
00:25:14,600 --> 00:25:17,562
And he sings
his beautiful songs.
445
00:25:17,645 --> 00:25:20,356
Folk music, from what we knew,
446
00:25:20,440 --> 00:25:23,568
was happening
over by a university somewhere,
447
00:25:23,651 --> 00:25:25,987
and people were
sipping cappuccinos,
448
00:25:26,070 --> 00:25:27,864
listening to folk music.
449
00:25:27,947 --> 00:25:28,823
Where we're playing,
450
00:25:28,906 --> 00:25:30,366
on the other side
of the tracks,
451
00:25:30,533 --> 00:25:33,411
there ain't nobody sipping
cappuccinos over there.
452
00:25:34,328 --> 00:25:36,748
I didn't know
a whole lot about Bob.
453
00:25:36,831 --> 00:25:39,042
We were more into R&B
454
00:25:39,125 --> 00:25:41,669
and blues music.
455
00:25:44,881 --> 00:25:46,632
Robbie: When we left Ronnie,
456
00:25:47,175 --> 00:25:48,968
I wanna be something original,
457
00:25:49,093 --> 00:25:50,970
I don't wanna be a bar band.
458
00:25:51,220 --> 00:25:53,556
I've gotta
come back to writing.
459
00:25:53,639 --> 00:25:55,558
I'm having dreams
460
00:25:55,641 --> 00:25:58,436
about finding a sanctuary,
461
00:25:58,519 --> 00:26:00,438
finding a place that we can go,
462
00:26:00,521 --> 00:26:03,608
and we can hone these skills,
and we're just not
463
00:26:03,816 --> 00:26:06,444
on the road
driving to the next gig.
464
00:26:06,694 --> 00:26:08,821
John Hammond: They were
playing these gigs,
465
00:26:08,905 --> 00:26:11,616
trying to get a recording deal.
I said, "Well, gee, you know,
466
00:26:11,783 --> 00:26:13,493
how about we make
a record together?
467
00:26:13,576 --> 00:26:15,620
And I was signed
to Vanguard Records.
468
00:26:15,703 --> 00:26:19,415
And they gave us, like,
a three-hour window to record.
469
00:26:19,499 --> 00:26:22,460
I invited my friend Bob Dylan
to the recording day.
470
00:26:22,752 --> 00:26:24,253
So I introduced them to Dylan.
471
00:26:24,420 --> 00:26:26,839
And... and Dylan flipped out,
I mean,
472
00:26:27,006 --> 00:26:29,342
he thought
these guys were phenomenal.
473
00:26:29,675 --> 00:26:31,469
Robbie: What we didn't know
474
00:26:31,552 --> 00:26:33,471
is that Bob's already doing
475
00:26:33,554 --> 00:26:35,264
the rock 'n' roll thing.
476
00:26:35,431 --> 00:26:37,517
♪ ("Maggie's Farm"
by Bob Dylan plays) ♪
477
00:26:45,817 --> 00:26:48,611
He wanted to hire
an amazing band
478
00:26:48,694 --> 00:26:51,739
that he could take
on tour with him.
479
00:26:51,823 --> 00:26:53,741
So he hired the guys.
480
00:26:53,866 --> 00:26:56,911
♪ ("Just Like Tom Thumb's Blues"
by Bob Dylan and The Band) ♪
481
00:27:03,292 --> 00:27:06,420
♪ When you're lost
In the rain ♪
482
00:27:06,504 --> 00:27:07,797
♪ In Juarez ♪
483
00:27:07,880 --> 00:27:09,924
♪ And it's Easter time too ♪
484
00:27:12,510 --> 00:27:14,762
Robbie: Bob Dylan's thing
was like a detour.
485
00:27:15,096 --> 00:27:17,223
We're hooking up with this guy,
486
00:27:17,306 --> 00:27:19,892
and he's changing
the course of music.
487
00:27:20,518 --> 00:27:21,727
He's like...
488
00:27:21,811 --> 00:27:23,855
the king of the folk movement
489
00:27:23,938 --> 00:27:26,899
who now wants
a rock 'n' roll band.
490
00:27:27,024 --> 00:27:29,235
Huh! That's not a bad thing
491
00:27:29,402 --> 00:27:31,821
to experience along the way too.
492
00:27:31,904 --> 00:27:34,323
We thought,
"Let's take that detour."
493
00:27:35,116 --> 00:27:37,952
♪ They got
Some hungry women there ♪
494
00:27:38,035 --> 00:27:40,204
♪ And they really make a mess ♪
495
00:27:40,288 --> 00:27:42,206
♪ Out of you ♪
496
00:27:42,748 --> 00:27:46,085
We hook up with him,
and have no idea
497
00:27:46,210 --> 00:27:47,378
that he's the only one
498
00:27:47,461 --> 00:27:49,422
that thinks
this is a good idea.
499
00:27:49,505 --> 00:27:52,675
The rest of the world
hates this idea.
500
00:27:52,758 --> 00:27:56,137
We play with him
and they boo us every night.
501
00:27:56,220 --> 00:27:59,599
- (audience boos)
- It is weird that people could
502
00:27:59,807 --> 00:28:03,227
be this upset about this guy
503
00:28:03,311 --> 00:28:05,062
just wanting to expand
504
00:28:05,146 --> 00:28:06,856
his musical horizon
505
00:28:06,939 --> 00:28:08,983
and play with other musicians.
506
00:28:09,150 --> 00:28:12,195
♪ ("Tell Me, Momma" by
Bob Dylan and The Band plays) ♪
507
00:28:18,910 --> 00:28:22,997
♪ Ol' black Bascom
Don't break no mirrors ♪
508
00:28:23,372 --> 00:28:27,293
♪ Cold black water dog
Make no tears ♪
509
00:28:27,376 --> 00:28:30,129
We'd go somewhere,
we set up our equipment,
510
00:28:30,379 --> 00:28:31,380
we play.
511
00:28:32,506 --> 00:28:34,675
People come, they boo us,
512
00:28:34,759 --> 00:28:38,095
sometimes throw things.
We'd pack up our equipment,
513
00:28:38,304 --> 00:28:40,014
go on to the next place,
514
00:28:40,097 --> 00:28:42,725
set up, play, they boo us.
515
00:28:42,934 --> 00:28:45,770
I think, "What a strange way
to make a buck."
516
00:28:49,023 --> 00:28:50,816
Helm:
Kids would break for the stage,
517
00:28:51,025 --> 00:28:53,527
cops were making
open-field tackles...
518
00:28:54,278 --> 00:28:56,155
out in front of the stage.
519
00:28:56,239 --> 00:28:58,074
And Bob had told us, you know,
520
00:28:58,157 --> 00:29:00,117
whatever happens,
just don't stop playing.
521
00:29:00,326 --> 00:29:02,870
♪ Tell me, Momma ♪
522
00:29:05,373 --> 00:29:07,583
♪ Tell me, Momma ♪
523
00:29:09,710 --> 00:29:12,338
♪ Tell me, Momma, what is it? ♪
524
00:29:14,423 --> 00:29:16,384
♪ What's wrong with you ♪
525
00:29:16,467 --> 00:29:18,302
♪ This time? ♪
526
00:29:19,262 --> 00:29:20,513
Bob Dylan: Cool car!
527
00:29:20,846 --> 00:29:23,599
Get the bass in with Robbie.
Let's go.
528
00:29:24,058 --> 00:29:26,185
Let's go, we have to go now.
Hey, tell them we have to go.
529
00:29:26,269 --> 00:29:28,020
Hey, don't pull my fingers!
530
00:29:28,104 --> 00:29:30,856
So long. So long,
don't boo me anymore!
531
00:29:31,607 --> 00:29:34,902
When they yell in this
weird nasal tone.
532
00:29:34,986 --> 00:29:37,488
Oh. Jesus, you know,
I don't understand why they...
533
00:29:37,571 --> 00:29:39,782
how can they buy
the tickets up so fast?
534
00:29:39,865 --> 00:29:41,284
Let's get that light off.
535
00:29:54,922 --> 00:29:58,050
Robbie: Levon expressed
to me that there was
536
00:29:58,134 --> 00:30:00,511
something in this whole world
537
00:30:00,594 --> 00:30:03,556
that we had entered into that
just didn't feel right to him.
538
00:30:04,557 --> 00:30:05,975
And the idea that we would
539
00:30:06,100 --> 00:30:10,146
go out and play
and people would boo us,
540
00:30:10,396 --> 00:30:12,815
he thought
that was just ridiculous.
541
00:30:13,524 --> 00:30:14,900
And I... I was
542
00:30:14,984 --> 00:30:16,861
much closer to Bob
543
00:30:16,944 --> 00:30:19,030
than the other guys were.
544
00:30:19,196 --> 00:30:21,824
I don't think Levon felt good
about that, either.
545
00:30:22,533 --> 00:30:24,327
♪ I bet you might ♪
546
00:30:24,410 --> 00:30:28,331
♪ Think it's foolish
To be this way ♪
547
00:30:28,414 --> 00:30:31,000
♪ And am I sane? To who? ♪
548
00:30:32,877 --> 00:30:35,296
One night, Levon comes
549
00:30:35,421 --> 00:30:38,090
to my hotel room and he says,
550
00:30:38,382 --> 00:30:41,469
"I don't like this music.
I don't like these people.
551
00:30:42,136 --> 00:30:43,721
I don't wanna be here.
552
00:30:43,971 --> 00:30:46,432
And I don't wanna be
in anybody's band.
553
00:30:48,059 --> 00:30:49,226
I wanna go."
554
00:30:51,437 --> 00:30:53,898
He didn't go
anywhere without me.
555
00:30:54,607 --> 00:30:57,068
He said, "I'm gonna go
down to New Orleans
556
00:30:57,443 --> 00:30:59,904
and maybe work on an oil rig
557
00:31:00,071 --> 00:31:03,324
in the Gulf of Mexico. "
And I said,
558
00:31:03,574 --> 00:31:05,451
"Have you told the other guys?"
559
00:31:05,785 --> 00:31:08,454
He said, "No, I haven't spoke
to the other guys.
560
00:31:08,537 --> 00:31:10,164
I'd like you to do that for me."
561
00:31:10,331 --> 00:31:12,458
♪ Sometimes, you know ♪
562
00:31:12,750 --> 00:31:14,835
"Tell them I wish them well,
563
00:31:14,919 --> 00:31:17,338
and I'll see them
down the line."
564
00:31:18,172 --> 00:31:21,008
So I walked him
down the street,
565
00:31:21,092 --> 00:31:23,719
and I put my arm
around his shoulders
566
00:31:23,803 --> 00:31:25,262
as we were walking along.
567
00:31:25,763 --> 00:31:27,681
He felt beat up to me.
568
00:31:28,974 --> 00:31:32,728
And I knew that he was
really in pain.
569
00:31:33,104 --> 00:31:34,897
My heart was breaking.
570
00:31:35,064 --> 00:31:38,025
My partner, my brother...
571
00:31:39,735 --> 00:31:42,029
has left, has gone.
572
00:31:42,154 --> 00:31:44,198
I don't know how to do this
573
00:31:44,281 --> 00:31:45,449
without Levon...
574
00:31:46,784 --> 00:31:48,536
but I'm gonna have
to figure it out.
575
00:31:48,744 --> 00:31:51,455
♪ Well, she hit a wall ♪
576
00:31:53,124 --> 00:31:55,543
♪ Back when I was young ♪
577
00:32:00,840 --> 00:32:02,800
♪ But you're headed out ♪
578
00:32:04,051 --> 00:32:05,803
♪ But I'll be here ♪
579
00:32:06,178 --> 00:32:08,222
♪ She knows she's the one ♪
580
00:32:08,431 --> 00:32:09,890
After Levon left,
581
00:32:10,349 --> 00:32:12,435
we had to get another drummer.
582
00:32:13,102 --> 00:32:14,728
Mickey Jones was his name
583
00:32:14,812 --> 00:32:16,897
and he was a terrific guy,
584
00:32:17,022 --> 00:32:19,442
but, boy, they were
tough shoes to fill.
585
00:32:19,608 --> 00:32:21,318
Levon left a big hole.
586
00:32:21,569 --> 00:32:23,696
♪ ("Baby, Let Me Follow
You Down" by Bob Dylan plays) ♪
587
00:32:35,916 --> 00:32:38,085
We play all over Europe,
588
00:32:38,294 --> 00:32:40,463
and it just gets worse.
589
00:32:40,796 --> 00:32:43,132
We were thinking,
"Maybe they don't like it here,
590
00:32:43,215 --> 00:32:46,218
but when we go there, they'll
probably feel differently."
591
00:32:46,510 --> 00:32:49,013
- No.
- ♪ Let me follow you down ♪
592
00:32:49,096 --> 00:32:51,724
Wenner: Being in the
trenches with Bob on this fight
593
00:32:51,807 --> 00:32:53,267
probably reinforced
their relationship.
594
00:32:53,350 --> 00:32:55,394
I think they became closer
under fire.
595
00:32:56,145 --> 00:32:58,481
It's fun to revolt.
Robbie's young,
596
00:32:58,689 --> 00:33:00,399
and you know, throwin' it
in the faces
597
00:33:00,483 --> 00:33:01,984
of all these like, pissant,
598
00:33:02,067 --> 00:33:03,736
you know, people that are
in tweeds, or whatever.
599
00:33:04,570 --> 00:33:06,614
George Harrison: I remember
it well. The show was
600
00:33:06,697 --> 00:33:08,991
in two halves. In the first
half, Bob came out and did
601
00:33:09,074 --> 00:33:11,368
his usual thing with the guitar
and the harmonica.
602
00:33:11,494 --> 00:33:13,871
In the second half,
he came out with the band.
603
00:33:13,954 --> 00:33:16,665
All through that second half,
people were getting up
604
00:33:16,916 --> 00:33:18,792
and walking out, shouting,
605
00:33:19,502 --> 00:33:21,504
and Bob just came out
and he said, "Well, you know,
606
00:33:21,587 --> 00:33:24,256
"you all may know this song.
Um, remember how
607
00:33:24,340 --> 00:33:26,759
it goes? Well, here's how
it goes now." You know?
608
00:33:26,967 --> 00:33:29,637
♪ ("Ballad of A Thin Man" by
Bob Dylan and The Band plays) ♪
609
00:33:35,226 --> 00:33:38,187
Robbie: I remember saying
to the other guys,
610
00:33:38,687 --> 00:33:41,106
"This is good. They're wrong.
611
00:33:41,941 --> 00:33:43,442
This is good."
612
00:33:44,235 --> 00:33:46,320
And then you realize,
613
00:33:47,112 --> 00:33:49,657
you're in a musical revolution.
614
00:33:50,199 --> 00:33:52,284
There is something
going on here,
615
00:33:52,451 --> 00:33:55,037
and you have
nothing to compare it to.
616
00:33:56,705 --> 00:33:57,957
It just made us
617
00:33:58,082 --> 00:34:01,168
feel like flexing
our musical muscles.
618
00:34:01,418 --> 00:34:04,797
We're gonna play this music
in your face.
619
00:34:11,637 --> 00:34:13,722
Bob Dylan: The guys that were
with me on that tour,
620
00:34:13,806 --> 00:34:15,516
you know,
we were all in it together.
621
00:34:15,599 --> 00:34:17,810
We were puttin' our heads
in the lion's mouth.
622
00:34:17,893 --> 00:34:20,646
I had to admire them
for sticking it out with me,
623
00:34:20,729 --> 00:34:22,273
just for doing it,
in my book they were,
624
00:34:22,356 --> 00:34:24,233
you know... gallant knights
625
00:34:24,316 --> 00:34:26,652
for even, you know,
standing behind me.
626
00:34:28,320 --> 00:34:30,990
♪ Mr. Jones ♪
627
00:34:35,536 --> 00:34:37,871
(audience applauds and cheers)
628
00:34:40,124 --> 00:34:42,126
♪ ("Amour Secours" by
Claire Monchon plays) ♪
629
00:34:42,376 --> 00:34:45,004
♪ (singing in French) ♪
630
00:34:45,462 --> 00:34:48,048
Robbie: One day, we were
just taking a walk
631
00:34:48,132 --> 00:34:49,341
and looking in stores.
632
00:34:50,050 --> 00:34:54,471
I see two really pretty girls.
633
00:34:57,600 --> 00:34:59,560
Dominique Robertson: We're
taking a wonderful walk. It was
634
00:34:59,643 --> 00:35:02,646
the springtime in Paris.
There was a gathering of people
635
00:35:02,813 --> 00:35:04,440
somewhere around the corner
636
00:35:04,690 --> 00:35:07,860
who began to talk to us,
and asked us what we were doing.
637
00:35:08,861 --> 00:35:10,487
Robbie:
In broken English,
638
00:35:10,571 --> 00:35:15,242
they say they’re journalists
from Montreal.
639
00:35:15,784 --> 00:35:17,244
I'm like, "Wow!
640
00:35:17,453 --> 00:35:19,413
I'm from Canada too.
641
00:35:19,747 --> 00:35:21,373
I'm from Toronto."
642
00:35:21,457 --> 00:35:24,293
And they look like,
"Oh, that's too bad."
643
00:35:24,501 --> 00:35:26,754
And this whole thing
at the time
644
00:35:26,879 --> 00:35:29,965
between English-speaking
and the French-speaking,
645
00:35:30,257 --> 00:35:32,718
they were in a revolutionary
spirit. This is when they were
646
00:35:32,801 --> 00:35:35,679
putting bombs in mailboxes,
647
00:35:35,763 --> 00:35:37,723
and it was rough going.
648
00:35:37,931 --> 00:35:40,517
I'm on neutral territory,
I'm in Paris.
649
00:35:40,601 --> 00:35:42,936
He looked like family to me
from the beginning.
650
00:35:43,145 --> 00:35:46,690
It was like...
I recognized him.
651
00:35:46,982 --> 00:35:49,652
♪ ("Je T'aime Moi Non Plus" by
Serge Gainsbourg, Jane Birkin) ♪
652
00:35:50,402 --> 00:35:52,488
Robbie:
I am fancy dancing
653
00:35:52,613 --> 00:35:54,198
the best I can
654
00:35:54,281 --> 00:35:56,033
to charm Dominique
655
00:35:56,283 --> 00:35:58,577
into thinking
I'm not a bad person,
656
00:35:58,661 --> 00:35:59,703
I'm not the enemy.
657
00:36:00,079 --> 00:36:01,997
And we've got to spend
658
00:36:02,081 --> 00:36:03,499
some time together.
659
00:36:05,250 --> 00:36:07,419
Dominique: We went
to the concert at the Olympia,
660
00:36:07,628 --> 00:36:09,755
and the crowd was roaring
661
00:36:09,838 --> 00:36:12,341
in anger
about electric guitars.
662
00:36:13,050 --> 00:36:15,010
Robbie: I didn't even realize
663
00:36:15,094 --> 00:36:18,305
people were booing anymore.
There was something
664
00:36:18,389 --> 00:36:19,890
about her spirit.
665
00:36:20,516 --> 00:36:23,811
There was something
about her eyes and her smile,
666
00:36:24,061 --> 00:36:26,480
and it was a fire inside her.
667
00:36:26,563 --> 00:36:28,315
♪ (singing in French) ♪
668
00:36:28,399 --> 00:36:30,901
Even though I didn't
speak his language,
669
00:36:30,984 --> 00:36:32,903
I spoke a language
that touched him.
670
00:36:35,322 --> 00:36:38,367
I was definitely
falling in love with Robbie.
671
00:36:45,833 --> 00:36:48,001
Robbie: When we got back
to New York City,
672
00:36:48,085 --> 00:36:51,171
I invited her to come
and join me there,
673
00:36:51,672 --> 00:36:53,382
and eventually she did.
674
00:36:54,758 --> 00:36:57,094
The other guys
in the Hawks and myself
675
00:36:57,261 --> 00:36:59,221
were trying to find a place
676
00:36:59,304 --> 00:37:01,849
where we could
start working on our music.
677
00:37:03,767 --> 00:37:06,854
Albert Grossman, Bob's manager,
678
00:37:06,937 --> 00:37:09,565
he had a place up
in Woodstock, New York.
679
00:37:09,898 --> 00:37:11,692
John Simon: Albert was
680
00:37:11,900 --> 00:37:15,821
an anomaly in the world
of the record business people.
681
00:37:15,988 --> 00:37:17,322
He didn't wear a suit.
682
00:37:17,448 --> 00:37:20,284
His had his hair tied back
in a ponytail.
683
00:37:20,534 --> 00:37:23,328
He looked like an overweight
Benjamin Franklin.
684
00:37:23,662 --> 00:37:25,622
Albert took very good care
of his artists.
685
00:37:25,914 --> 00:37:29,042
But as far as dealing with
other people, he was shrewd.
686
00:37:29,585 --> 00:37:31,962
Robbie: Bob had moved
up to Woodstock,
687
00:37:32,045 --> 00:37:33,255
got a house.
688
00:37:33,380 --> 00:37:35,924
Albert would go up there
on the weekends.
689
00:37:36,216 --> 00:37:39,094
So Albert says,
"Come up to Woodstock.
690
00:37:39,178 --> 00:37:40,721
There's so much room up there.
691
00:37:40,888 --> 00:37:41,930
You can get a place.
692
00:37:42,181 --> 00:37:44,767
You can make
all the sounds you want."
693
00:37:44,933 --> 00:37:47,352
♪ ("Can You Please Crawl Out
Your Window?" by Bob Dylan) ♪
694
00:37:47,436 --> 00:37:50,439
It was a very welcoming
possibility.
695
00:37:50,773 --> 00:37:52,816
♪ He sits in your room ♪
696
00:37:53,358 --> 00:37:56,195
♪ His tomb
With a fistful of tacks ♪
697
00:37:56,779 --> 00:37:58,363
Rick found us
698
00:37:58,447 --> 00:38:00,449
this ugly pink house.
699
00:38:03,994 --> 00:38:06,121
This is just what I've been
700
00:38:06,246 --> 00:38:09,333
dreaming about
all these years...
701
00:38:09,666 --> 00:38:11,835
a sanctuary that we could
702
00:38:11,960 --> 00:38:14,713
go and write and create.
703
00:38:14,797 --> 00:38:16,840
♪ ("Words and Numbers"
by The Band plays) ♪
704
00:38:19,176 --> 00:38:20,969
Oh, my god, I mean, a...
705
00:38:21,053 --> 00:38:22,971
pretty corny house, you know?
706
00:38:23,055 --> 00:38:24,556
But it was perfect.
707
00:38:28,185 --> 00:38:30,729
Robbie: So we moved up
to Woodstock.
708
00:38:31,313 --> 00:38:33,315
We built a little studio
709
00:38:33,440 --> 00:38:36,693
in the basement,
just for writing purposes.
710
00:38:37,194 --> 00:38:39,738
Garth, Richard, and Rick
711
00:38:39,822 --> 00:38:41,824
moved into this house.
712
00:38:42,950 --> 00:38:45,786
I called Bob,
and I drive him out there
713
00:38:45,869 --> 00:38:47,204
to show him the place.
714
00:38:47,746 --> 00:38:50,499
And he comes in
and he looks at this basement,
715
00:38:50,624 --> 00:38:53,502
and he sees all the instruments
set up there,
716
00:38:53,585 --> 00:38:56,338
a little tape recorder,
some microphones.
717
00:38:56,421 --> 00:39:00,509
He says, "Can you record music
in this place?"
718
00:39:00,759 --> 00:39:03,804
And I was like, "Yeah, we've got
that little tape recorder.
719
00:39:03,887 --> 00:39:06,306
It's not... you know,
a recording studio,
720
00:39:06,557 --> 00:39:08,725
but it's pretty good
for writing and stuff."
721
00:39:09,017 --> 00:39:11,979
He said, "Listen, I've got
a couple of song ideas
722
00:39:12,104 --> 00:39:15,607
I've been kicking around.
Maybe we could try them here."
723
00:39:16,066 --> 00:39:18,861
Great! That's the spirit.
724
00:39:19,570 --> 00:39:21,697
♪ Now look here, Dear Sue ♪
725
00:39:21,780 --> 00:39:23,699
♪ You best feed the cats ♪
726
00:39:23,991 --> 00:39:25,951
♪ The cats need feeding ♪
727
00:39:26,243 --> 00:39:27,953
♪ You're the one to do it ♪
728
00:39:28,579 --> 00:39:29,830
♪ Get your head ♪
729
00:39:30,914 --> 00:39:32,207
♪ Feed the cats ♪
730
00:39:32,833 --> 00:39:34,960
♪ You ain't going nowhere ♪
731
00:39:37,462 --> 00:39:39,172
Danko:
Bob would come by, you know,
732
00:39:39,256 --> 00:39:41,049
every day for about a six,
seven-month period,
733
00:39:41,216 --> 00:39:44,052
and we'd... we'd get together
every afternoon
734
00:39:44,136 --> 00:39:46,555
six to seven days a week.
And just from us
735
00:39:46,763 --> 00:39:48,682
getting together
and applying ourselves,
736
00:39:48,891 --> 00:39:53,562
- a lot does come out of that.
- Robbie: In the living room,
737
00:39:53,645 --> 00:39:55,355
there was a couple
of typewriters,
738
00:39:55,480 --> 00:39:58,066
because Bob wrote songs
on a typewriter.
739
00:39:58,150 --> 00:40:00,694
And he'd say,
"Guys, let's go, let's go.
740
00:40:00,819 --> 00:40:03,906
I think I got something. Let's
go." We'd all go downstairs,
741
00:40:04,031 --> 00:40:05,073
we would record it.
742
00:40:06,533 --> 00:40:08,327
Dylan: No, not any harmony,
743
00:40:08,410 --> 00:40:12,039
but harmony in the background
like, ooh!
744
00:40:12,205 --> 00:40:14,666
- Helm: ♪ Whoa-oh... ♪
- Yeah, right. ♪ Why, why? ♪
745
00:40:14,750 --> 00:40:17,252
- You know, just... (chuckles)
- Helm: ♪ Oh, why... ♪
746
00:40:17,336 --> 00:40:19,838
Dylan:
♪ Every time I go to town ♪
747
00:40:20,422 --> 00:40:23,508
♪ The bars keep
Kicking my dog around ♪
748
00:40:24,009 --> 00:40:27,012
♪ I don't know why
I'm going to town ♪
749
00:40:27,512 --> 00:40:29,848
♪ I don't know
Why they kick my dog around ♪
750
00:40:29,932 --> 00:40:32,184
- Let me hear you now!
- The Band: ♪ Dog, dog, dog ♪
751
00:40:33,268 --> 00:40:35,270
♪ Dog, dog, dog ♪
752
00:40:35,896 --> 00:40:39,149
Robbie: Working with Bob,
I saw a door opening.
753
00:40:39,691 --> 00:40:42,444
He was making the possibility
754
00:40:42,527 --> 00:40:46,156
of using poetry in songwriting
755
00:40:46,239 --> 00:40:49,076
like I had never
quite seen before.
756
00:40:49,326 --> 00:40:51,870
It gave you a sense of liberty.
757
00:40:52,245 --> 00:40:54,790
You used to think, "I don't know
if you can do that.
758
00:40:54,873 --> 00:40:57,334
I don't know, is it all right
to say that?
759
00:40:57,417 --> 00:40:59,711
Can you express things
in that kind of way?"
760
00:41:00,253 --> 00:41:02,005
Boom, no rules.
761
00:41:02,422 --> 00:41:04,508
♪ Well, that big, dumb blonde ♪
762
00:41:04,591 --> 00:41:06,551
♪ With her wheel gorged ♪
763
00:41:07,010 --> 00:41:08,679
♪ Turtle, that friend of hers ♪
764
00:41:08,762 --> 00:41:12,516
♪ With his checks all forged
And his cheeks in a chunk ♪
765
00:41:12,683 --> 00:41:14,851
♪ With his cheese in the cash ♪
766
00:41:14,935 --> 00:41:16,645
♪ They're all gonna be there ♪
767
00:41:16,770 --> 00:41:18,605
♪ At that million-dollar bash ♪
768
00:41:19,982 --> 00:41:21,858
Robbie is a real artist.
769
00:41:21,942 --> 00:41:24,861
He is an amazing creative force.
770
00:41:26,321 --> 00:41:27,698
I never saw him
771
00:41:27,781 --> 00:41:29,908
without a little pad of paper
and a pencil,
772
00:41:29,992 --> 00:41:32,202
writing notes about everything.
773
00:41:32,744 --> 00:41:34,663
Some thought, some idea
774
00:41:34,746 --> 00:41:37,290
that he could use
later in a song.
775
00:41:37,749 --> 00:41:40,794
♪ She reads the leaves ♪
776
00:41:40,877 --> 00:41:43,630
♪ And she leads the life ♪
777
00:41:43,714 --> 00:41:46,925
♪ That she learned so well ♪
778
00:41:47,426 --> 00:41:50,637
♪ From the old wives ♪
779
00:41:50,721 --> 00:41:53,515
♪ It's so strange
To arrange... ♪
780
00:41:53,598 --> 00:41:56,643
Robbie: When Dominique was
becoming my girlfriend,
781
00:41:57,060 --> 00:42:00,147
her connection
to French literature,
782
00:42:00,230 --> 00:42:02,190
poetry, music,
783
00:42:02,482 --> 00:42:04,443
was rubbing off on me.
784
00:42:05,193 --> 00:42:07,821
The path that I was
on intellectually,
785
00:42:08,363 --> 00:42:10,365
boom, she altered it,
786
00:42:10,449 --> 00:42:13,410
and I was being highly inspired
787
00:42:13,702 --> 00:42:15,662
by what she was bringing
788
00:42:15,746 --> 00:42:17,247
to the table as well.
789
00:42:23,211 --> 00:42:25,589
♪ I can't get to you... ♪
790
00:42:26,548 --> 00:42:28,133
Robbie: Albert Grossman
791
00:42:28,216 --> 00:42:30,177
was thinking about getting
792
00:42:30,385 --> 00:42:32,137
the Hawks a record deal.
793
00:42:32,262 --> 00:42:34,639
So he said, "You need to record
794
00:42:34,848 --> 00:42:37,309
a couple of your tunes
so I can play them
795
00:42:37,392 --> 00:42:39,269
for some record companies."
796
00:42:39,478 --> 00:42:42,105
So we went into a studio,
797
00:42:42,189 --> 00:42:44,232
and we got a session drummer.
798
00:42:44,316 --> 00:42:46,985
I was really not satisfied
799
00:42:47,069 --> 00:42:48,570
with what we did.
800
00:42:48,862 --> 00:42:52,157
If you have a... a table
and one of the legs is missing,
801
00:42:52,240 --> 00:42:53,909
it doesn't sit steady.
802
00:42:54,117 --> 00:42:55,786
This was the sign,
803
00:42:55,952 --> 00:42:59,748
it's time for him to come back.
We gotta find Levon.
804
00:43:00,415 --> 00:43:02,918
♪ Ain't no more cane ♪
805
00:43:03,001 --> 00:43:05,921
♪ On the Brazos ♪
806
00:43:08,131 --> 00:43:12,010
♪ Ooh, ooh, ooh ♪
807
00:43:13,887 --> 00:43:15,806
Robbie: We tracked him down
and we told him
808
00:43:15,889 --> 00:43:18,350
about the place we had
and that we were
809
00:43:18,433 --> 00:43:20,727
gonna get a record deal
and all of this,
810
00:43:20,936 --> 00:43:22,646
and you could hear
811
00:43:22,729 --> 00:43:25,190
the joy in his voice.
812
00:43:26,066 --> 00:43:28,693
♪ You should've
Been on the river ♪
813
00:43:29,569 --> 00:43:31,738
♪ In 1910 ♪
814
00:43:32,697 --> 00:43:34,199
Dominique: I remember
meeting him
815
00:43:34,282 --> 00:43:37,744
and he was such a nice guy.
He was such a charming person.
816
00:43:38,036 --> 00:43:40,122
There was a sense of relief
817
00:43:40,205 --> 00:43:42,082
in the band that he was back,
818
00:43:42,165 --> 00:43:44,543
and hopefully he would stay.
819
00:43:45,335 --> 00:43:48,421
Moved into the house there,
there was an extra spot for me,
820
00:43:48,505 --> 00:43:50,215
and uh,
started gettin' together,
821
00:43:50,298 --> 00:43:52,134
and just
putting songs together.
822
00:43:52,342 --> 00:43:54,261
Simon: I had the sense
that Levon realized
823
00:43:54,344 --> 00:43:56,304
he was coming back
to a good thing.
824
00:43:56,471 --> 00:43:57,639
They were on a salary,
825
00:43:57,722 --> 00:43:59,224
they were able
to make their own music.
826
00:43:59,307 --> 00:44:02,352
Woodstock was full of young
people and lots of girls.
827
00:44:02,435 --> 00:44:04,271
It was better than being
on an oil rig in the middle
828
00:44:04,354 --> 00:44:07,899
of the Gulf of Mexico.
Robbie played the tapes
829
00:44:07,983 --> 00:44:09,734
that they had made,
"The Basement Tapes".
830
00:44:09,818 --> 00:44:11,736
♪ Katie's been gone ♪
831
00:44:11,820 --> 00:44:13,738
♪ Since the springtime ♪
832
00:44:13,822 --> 00:44:17,284
♪ She wrote one time
And sent her love ♪
833
00:44:18,451 --> 00:44:19,995
♪ Katie's been gone ♪
834
00:44:20,078 --> 00:44:22,038
♪ For such a long time now... ♪
835
00:44:22,122 --> 00:44:24,791
Robbie: Levon's reaction was
836
00:44:24,875 --> 00:44:28,753
so extraordinary.
He was blown away.
837
00:44:29,421 --> 00:44:31,298
Helm: We had never
that kind of time
838
00:44:31,381 --> 00:44:33,967
on our hands,
and there we are in the...
839
00:44:34,050 --> 00:44:36,678
in the Catskills, and we don't
have a show to play that night,
840
00:44:36,761 --> 00:44:39,764
so we were enjoying it,
just sitting around, you know,
841
00:44:39,848 --> 00:44:41,892
the freedom to go down
and play some music,
842
00:44:41,975 --> 00:44:45,353
or go outside and throw a
football around at each other.
843
00:44:45,896 --> 00:44:47,689
That was just part of a...
844
00:44:47,772 --> 00:44:50,108
a lifestyle that we got to love
845
00:44:50,233 --> 00:44:53,486
in Woodstock, you know,
just being able to chop wood,
846
00:44:53,570 --> 00:44:55,739
or hit your thumb
with a hammer.
847
00:44:56,489 --> 00:44:59,576
We'd be concerned
with fixing the tape recorder
848
00:44:59,659 --> 00:45:01,536
and getting the songs together.
849
00:45:01,661 --> 00:45:04,581
♪ We can talk about it now ♪
850
00:45:05,457 --> 00:45:07,709
♪ It's that same old riddle ♪
851
00:45:07,792 --> 00:45:10,879
♪ Only starting
From the middle ♪
852
00:45:11,087 --> 00:45:13,882
♪ I'd fix it
But I don't know how ♪
853
00:45:14,049 --> 00:45:16,551
Robbie: We had come out
with a different sound,
854
00:45:16,635 --> 00:45:19,679
a different sensibility.
The music didn't
855
00:45:19,888 --> 00:45:22,432
sound anything like what we did
856
00:45:22,515 --> 00:45:25,435
with Ronnie Hawkins,
like anything we did
857
00:45:25,644 --> 00:45:27,354
as Levon and the Hawks.
858
00:45:27,479 --> 00:45:29,940
It didn't sound like
anything we did
859
00:45:30,148 --> 00:45:34,486
with Bob Dylan
on the infamous tour, so having
860
00:45:34,569 --> 00:45:36,988
a new name felt natural as well.
861
00:45:39,032 --> 00:45:42,369
♪ Pulling that eternal plough ♪
862
00:45:42,869 --> 00:45:46,122
♪ We've got to find
A sharper blade ♪
863
00:45:46,206 --> 00:45:48,166
♪ Or have a new one made ♪
864
00:45:48,291 --> 00:45:50,502
Robbie: In the town,
people'd say,
865
00:45:50,585 --> 00:45:53,755
"Oh, those guys, they play
with Bob. They're in the band."
866
00:45:54,005 --> 00:45:55,799
And we kept hearing,
867
00:45:56,049 --> 00:45:58,593
"the band, "
"the band, " "the band."
868
00:45:58,802 --> 00:46:01,096
And it felt unpretentious,
869
00:46:01,304 --> 00:46:02,681
un-jivy,
870
00:46:03,181 --> 00:46:04,182
un-cute.
871
00:46:04,766 --> 00:46:07,435
Just strictly The Band.
872
00:46:07,602 --> 00:46:10,146
We had done a lot of
pre-production work, of course,
873
00:46:10,230 --> 00:46:13,525
at Big Pink. Robbie was doing
a lot of the songwriting,
874
00:46:13,608 --> 00:46:15,568
you know, and doing
a lot more homework likely
875
00:46:15,652 --> 00:46:18,488
than the rest of us.
It was just a question of us
876
00:46:18,571 --> 00:46:20,824
arranging them,
and putting them together,
877
00:46:20,907 --> 00:46:22,659
and making them
as strong as possible
878
00:46:22,867 --> 00:46:24,035
and working together.
879
00:46:25,370 --> 00:46:27,956
♪ We can talk about it now ♪
880
00:46:29,374 --> 00:46:32,335
Robbie: I came back
to the house one evening.
881
00:46:32,627 --> 00:46:34,587
I thought,
"I gotta do some writing
882
00:46:34,671 --> 00:46:36,798
for this record
that we're working on."
883
00:46:36,965 --> 00:46:38,883
And I'm thinking, "What am I
gonna write about?"
884
00:46:39,467 --> 00:46:41,928
And I'm sitting there
with a guitar,
885
00:46:42,053 --> 00:46:43,763
noodling around.
886
00:46:45,348 --> 00:46:48,727
I look in the guitar,
and inside,
887
00:46:49,102 --> 00:46:50,729
on Martin Guitars,
888
00:46:50,854 --> 00:46:53,606
it talks about
where they're made.
889
00:46:54,149 --> 00:46:57,402
And they're made
in Nazareth, Pennsylvania.
890
00:46:58,862 --> 00:47:01,656
♪ I pulled into Nazareth... ♪
891
00:47:01,740 --> 00:47:04,075
And it just,
it was all coming to me.
892
00:47:04,617 --> 00:47:06,494
Going from Canada
893
00:47:06,786 --> 00:47:08,997
down to the Mississippi Delta
894
00:47:09,080 --> 00:47:11,041
when I was 16 years old,
895
00:47:11,750 --> 00:47:15,211
characters and circumstances,
896
00:47:15,503 --> 00:47:18,715
all of it started
to come back to me.
897
00:47:18,965 --> 00:47:21,009
And when I got to this chorus...
898
00:47:21,092 --> 00:47:23,094
(humming and playing tune)
899
00:47:25,597 --> 00:47:27,557
And I could hear these voices...
900
00:47:27,640 --> 00:47:30,477
♪ And... ♪
- voices: ♪ And, and, and ♪
901
00:47:30,977 --> 00:47:34,647
♪ You put the load
Right on me ♪
902
00:47:35,648 --> 00:47:38,568
And the whole thing
just blended together.
903
00:47:38,735 --> 00:47:40,779
♪ ("The Weight"
by The Band plays) ♪
904
00:47:49,162 --> 00:47:51,081
♪ I pulled into Nazareth ♪
905
00:47:51,748 --> 00:47:54,834
♪ Was feelin'
'Bout half-past dead ♪
906
00:47:55,794 --> 00:47:58,004
♪ I just need some place ♪
907
00:47:58,421 --> 00:48:01,841
♪ Where I can lay my head ♪
908
00:48:02,467 --> 00:48:04,511
♪ Hey, mister,
Can you tell me ♪
909
00:48:04,928 --> 00:48:07,597
♪ Where a man might
Find a bed? ♪
910
00:48:08,848 --> 00:48:11,810
♪ He just grinned
And shook my hand ♪
911
00:48:12,018 --> 00:48:13,561
♪ "No, " was all he said ♪
912
00:48:15,647 --> 00:48:21,027
♪ Take a load off, Fanny
Take a load for free ♪
913
00:48:21,236 --> 00:48:22,695
Manuel: We discovered a whole
914
00:48:23,029 --> 00:48:25,782
vocal thing that we weren't
aware that we even had.
915
00:48:26,116 --> 00:48:28,576
♪ And... and... and... ♪
916
00:48:28,701 --> 00:48:31,329
♪ You put the load
Right on me ♪
917
00:48:36,042 --> 00:48:37,752
Manuel: I remember
listening to playbacks
918
00:48:37,919 --> 00:48:40,713
after the sessions
of songs and thinking,
919
00:48:41,297 --> 00:48:43,466
"I really like this stuff.
920
00:48:43,758 --> 00:48:47,011
And... I don't have
anything to compare it to,
921
00:48:47,137 --> 00:48:49,806
but I really like it,
and I hope everybody else does
922
00:48:50,014 --> 00:48:51,808
'cause I really think
this is strong."
923
00:48:52,267 --> 00:48:56,813
♪ I said, "Hey, Carmen
Come on, let's go downtown" ♪
924
00:48:58,565 --> 00:49:03,153
♪ She said, "I gotta go, but my
Friend can stick around" ♪
925
00:49:04,988 --> 00:49:07,323
♪ Take a load off, Fanny ♪
926
00:49:08,408 --> 00:49:10,660
♪ Take a load for free ♪
927
00:49:11,536 --> 00:49:13,913
♪ Take a load off, Fanny ♪
928
00:49:15,498 --> 00:49:18,209
♪ And... and... and... ♪
929
00:49:18,293 --> 00:49:21,296
♪ You put the load
Right on me ♪
930
00:49:26,551 --> 00:49:29,053
Robbie: I was very excited
931
00:49:29,220 --> 00:49:31,723
playing this record for Bob.
932
00:49:32,015 --> 00:49:34,517
He hadn't heard a note of it.
933
00:49:34,976 --> 00:49:36,478
"The Weight" comes on.
934
00:49:36,728 --> 00:49:38,855
He's like, "Wait a minute.
Who wrote that?"
935
00:49:38,938 --> 00:49:40,857
And I said,
"I... I wrote that."
936
00:49:40,940 --> 00:49:44,611
He said, "You wrote that?"
And I could just see
937
00:49:44,694 --> 00:49:47,322
the pride in his eyes.
938
00:49:47,614 --> 00:49:49,991
♪ He said
"Do me a favor, son, ♪
939
00:49:50,241 --> 00:49:53,411
♪ Won't you stay
And keep Anna Lee company?" ♪
940
00:49:54,329 --> 00:49:56,498
♪ Take a load off, Fanny ♪
941
00:49:57,415 --> 00:49:59,667
♪ Take a load for free ♪
942
00:50:00,919 --> 00:50:03,379
♪ Take a load off, Fanny ♪
943
00:50:04,797 --> 00:50:06,549
♪ And... and... and... ♪
944
00:50:06,925 --> 00:50:08,343
♪ You put the load ♪
945
00:50:08,426 --> 00:50:10,845
♪ Right on me ♪
946
00:50:11,346 --> 00:50:13,056
Springsteen: I think
I was in a little coffee shop
947
00:50:13,223 --> 00:50:16,184
in Redbank, New Jersey.
Kid came in
948
00:50:16,351 --> 00:50:19,312
with Music From Big Pink
and put it on the sound system.
949
00:50:19,395 --> 00:50:20,939
It was late at night, after...
950
00:50:21,147 --> 00:50:23,191
after the place was
about to close down,
951
00:50:23,441 --> 00:50:25,068
which was a fantastic moment
952
00:50:25,151 --> 00:50:27,862
to be introduced
to that music, you know?
953
00:50:27,946 --> 00:50:30,782
And suddenly this music comes on
and everything changes.
954
00:50:30,865 --> 00:50:33,785
♪ Fought for the party
To kingdom come ♪
955
00:50:33,993 --> 00:50:36,621
♪ Sadly told his only son ♪
956
00:50:36,996 --> 00:50:39,499
♪ Just be careful what you do ♪
957
00:50:39,582 --> 00:50:41,543
♪ It all comes back on you ♪
958
00:50:42,293 --> 00:50:44,254
Clapton: When I heard
Big Pink, it was as if someone
959
00:50:44,337 --> 00:50:46,714
had like, nailed me
through the chest to the wall.
960
00:50:46,923 --> 00:50:49,634
I was just
immediately converted.
961
00:50:50,051 --> 00:50:53,263
That was when Cream was
in its sort of, uh, mid-stage
962
00:50:53,513 --> 00:50:56,224
and pretty much severed
my connection with the other two
963
00:50:56,307 --> 00:50:59,561
in the band. And I thought,
"This is what I wanna do."
964
00:50:59,727 --> 00:51:02,230
- It changed my life.
- Taj Mahal: They weren't
965
00:51:02,313 --> 00:51:04,524
reading out of
the modern book of music.
966
00:51:04,607 --> 00:51:06,359
They went to the source.
967
00:51:06,651 --> 00:51:08,820
You'd say in the Caribbean,
"They was musical
968
00:51:08,903 --> 00:51:10,863
to the core, to the bone".
969
00:51:11,197 --> 00:51:13,992
If there was
any American musicians
970
00:51:14,284 --> 00:51:17,370
that were comparable
to what The Beatles were,
971
00:51:18,037 --> 00:51:21,040
- it would've been them.
- ♪ We've been sitting here ♪
972
00:51:21,124 --> 00:51:25,461
♪ For so darn long, waiting for
The end to come along ♪
973
00:51:25,920 --> 00:51:27,964
♪ Holy roaster on the brink ♪
974
00:51:28,172 --> 00:51:30,758
♪ I'd take a choice
Swim or sink ♪
975
00:51:32,635 --> 00:51:34,012
Springsteen: This is the middle
976
00:51:34,137 --> 00:51:35,805
of psychedelic era
977
00:51:35,888 --> 00:51:38,141
in popular music,
so something comes along
978
00:51:38,224 --> 00:51:41,394
that is the antithesis
of where music had been moving.
979
00:51:41,477 --> 00:51:43,646
Here come all these voices
that sound
980
00:51:43,813 --> 00:51:45,607
like you've never
heard them before,
981
00:51:45,815 --> 00:51:48,735
and like they've always
been there, forever and ever.
982
00:51:49,027 --> 00:51:53,031
♪ Oh, to be home again ♪
983
00:51:53,615 --> 00:51:56,451
♪ Down in old Virginny ♪
984
00:51:56,868 --> 00:52:00,496
♪ With my very best friend ♪
985
00:52:00,705 --> 00:52:03,583
♪ They call him
Ragtime Willie ♪
986
00:52:03,791 --> 00:52:07,587
♪ We're gonna soothe away
The rest of our years ♪
987
00:52:07,920 --> 00:52:11,799
♪ We're gonna put away
All of our tears ♪
988
00:52:12,008 --> 00:52:16,763
♪ That big rockin' chair
Won't go nowhere ♪
989
00:52:18,348 --> 00:52:20,475
Elliot Landy: It was very
clear the moment I met them
990
00:52:20,600 --> 00:52:22,352
who they were
and what they were about.
991
00:52:22,560 --> 00:52:23,603
They were very grounded.
992
00:52:23,686 --> 00:52:26,356
They were very strong.
They were very secure.
993
00:52:26,564 --> 00:52:28,858
They were gracious,
like country people
994
00:52:28,941 --> 00:52:30,693
are gracious,
and they were totally in love
995
00:52:30,860 --> 00:52:33,071
with their music, and they were
in love with each other.
996
00:52:33,613 --> 00:52:36,366
I never saw any jealousy,
I never saw any arguments,
997
00:52:36,449 --> 00:52:38,660
I never saw them disagree.
It was always
998
00:52:38,785 --> 00:52:41,412
supporting each other.
They were five brothers,
999
00:52:41,496 --> 00:52:43,581
very clearly five brothers
who loved each other,
1000
00:52:43,665 --> 00:52:47,335
and I never saw
anything but that. In the '60s,
1001
00:52:47,585 --> 00:52:49,045
part of the rebellion
1002
00:52:49,379 --> 00:52:52,548
was rejecting one's elders,
rejecting one's parents.
1003
00:52:53,299 --> 00:52:55,885
The guys in The Band
wanted to say,
1004
00:52:55,968 --> 00:52:58,513
"Hey, that's not right.
We love our parents.
1005
00:52:58,638 --> 00:53:01,599
"They worked very hard
to bring us up
1006
00:53:01,683 --> 00:53:03,518
and care for us. " And so
1007
00:53:03,810 --> 00:53:07,355
they wanted to have a picture
of their families in the album.
1008
00:53:07,438 --> 00:53:11,651
♪ Would've been nice
Just to see the folks ♪
1009
00:53:11,734 --> 00:53:15,822
♪ Listen once again
To the stale old jokes ♪
1010
00:53:15,905 --> 00:53:20,159
♪ That big rockin' chair
Won't go nowhere ♪
1011
00:53:24,372 --> 00:53:26,290
Robbie: It was
a magical time
1012
00:53:26,374 --> 00:53:27,959
within this group.
1013
00:53:28,459 --> 00:53:29,877
We're getting somewhere.
1014
00:53:34,882 --> 00:53:37,760
They made Big Pink and then
Robbie said, "We wanna go out
1015
00:53:37,844 --> 00:53:42,348
on the road. " But then Rick
drove his car into a ditch...
1016
00:53:42,557 --> 00:53:44,058
(car crashing)
1017
00:53:44,475 --> 00:53:45,768
...and broke his neck.
1018
00:53:47,854 --> 00:53:50,857
Dominique: It was
a terrible car accident.
1019
00:53:51,274 --> 00:53:54,402
Rick was found
wandering in the woods,
1020
00:53:54,569 --> 00:53:57,113
which is pretty extraordinary
for someone who has
1021
00:53:57,196 --> 00:54:00,241
just broken his neck. He was
1022
00:54:00,324 --> 00:54:03,411
taken to the hospital
and put in traction for
1023
00:54:03,703 --> 00:54:05,747
the longest time. We were all
1024
00:54:05,830 --> 00:54:08,124
quite scared as to
whether he would recover.
1025
00:54:09,208 --> 00:54:11,294
Robbie:
We're canceling everything.
1026
00:54:11,919 --> 00:54:13,838
Everything just stopped.
1027
00:54:14,630 --> 00:54:17,717
Music from Big Pink
becomes this thing,
1028
00:54:17,967 --> 00:54:20,470
and we don't show up.
We never play a concert.
1029
00:54:20,928 --> 00:54:22,889
They're like,
"Who are these guys?"
1030
00:54:25,016 --> 00:54:28,895
We were becoming
the most mysterious people
1031
00:54:29,061 --> 00:54:30,897
in the music business.
1032
00:54:32,398 --> 00:54:34,609
After we recorded Big Pink,
1033
00:54:34,692 --> 00:54:36,486
there is that thing of like,
1034
00:54:36,569 --> 00:54:40,072
"Whoa, what do we do now?
Can we follow that up?"
1035
00:54:40,281 --> 00:54:42,200
♪ ("Rag Mama Rag"
by The Band plays) ♪
1036
00:54:42,283 --> 00:54:45,411
I was working day and night
on musical ideas.
1037
00:54:45,953 --> 00:54:48,790
Rick got out of the hospital,
and then
1038
00:54:48,873 --> 00:54:51,000
boom, we were back
in the studio.
1039
00:54:51,501 --> 00:54:54,128
♪ Rag Mama rag ♪
1040
00:54:54,212 --> 00:54:56,923
♪ I can't believe it's true ♪
1041
00:54:57,006 --> 00:54:59,133
♪ Rag Mama rag ♪
1042
00:54:59,425 --> 00:55:01,469
Peter Gabriel: You hear
timeless songwriting,
1043
00:55:01,719 --> 00:55:03,888
painting pictures
and telling stories,
1044
00:55:04,514 --> 00:55:05,890
a cohesion
1045
00:55:05,973 --> 00:55:08,100
which is greater
than the sum of the parts.
1046
00:55:08,893 --> 00:55:10,937
They were the very first band
1047
00:55:11,020 --> 00:55:12,939
who got it together
in a country house,
1048
00:55:13,147 --> 00:55:14,857
which became a big thing.
1049
00:55:15,233 --> 00:55:17,401
When you shut out
the rest of the world
1050
00:55:17,485 --> 00:55:20,029
and the city,
and just concentrate on...
1051
00:55:20,112 --> 00:55:23,241
music-making and performing
and each other,
1052
00:55:23,866 --> 00:55:25,910
you get
a different sort of result.
1053
00:55:27,370 --> 00:55:31,457
♪ Up on Cripple Creek
She sends me ♪
1054
00:55:31,791 --> 00:55:34,794
Jonathan Taplin: Taking some
of that roots music,
1055
00:55:34,877 --> 00:55:38,464
a little bit of Muddy Waters,
a little bit of Hank Williams,
1056
00:55:38,798 --> 00:55:41,259
no long guitar solos, it was
1057
00:55:41,425 --> 00:55:43,177
just simple,
straightforward music.
1058
00:55:43,344 --> 00:55:45,763
Nowadays we call it Americana.
1059
00:55:47,682 --> 00:55:49,892
(yodeling)
1060
00:55:50,560 --> 00:55:51,811
Van Morrison: I was in Boston.
1061
00:55:51,894 --> 00:55:53,104
I was sleeping on a couch,
1062
00:55:53,229 --> 00:55:54,939
and it was
"I Shall Be Released"
1063
00:55:55,022 --> 00:55:56,649
was what came on.
1064
00:55:57,149 --> 00:55:59,402
I thought, "Oh yeah, there's...
there's something. I'm
1065
00:55:59,777 --> 00:56:01,863
connecting with something here."
That's what I thought.
1066
00:56:02,738 --> 00:56:05,491
I got an impression there was
a lot of mythology going on.
1067
00:56:05,992 --> 00:56:10,538
♪ Standin' by your window
In pain ♪
1068
00:56:11,873 --> 00:56:14,041
♪ A pistol in your hand ♪
1069
00:56:14,125 --> 00:56:16,127
Scorsese: You'd never
really heard a sound like that.
1070
00:56:17,044 --> 00:56:19,088
It also it reminded me greatly
1071
00:56:19,171 --> 00:56:21,757
of 19th Century literature,
American literature.
1072
00:56:21,966 --> 00:56:25,678
♪ Try and understand your man
The best you can ♪
1073
00:56:26,429 --> 00:56:29,181
♪ Across the great divide ♪
1074
00:56:29,640 --> 00:56:31,851
♪ Just grab your hat ♪
1075
00:56:31,934 --> 00:56:34,562
♪ And take that ride ♪
1076
00:56:34,812 --> 00:56:37,440
Particularly Melville.
There's something
1077
00:56:37,523 --> 00:56:40,151
about the Melville stories,
and the sense of...
1078
00:56:40,359 --> 00:56:43,487
searching The Band brings
to mind for me.
1079
00:56:43,654 --> 00:56:46,407
Jimmy Vivino: Each song is like
a little John Steinbeck novel.
1080
00:56:46,782 --> 00:56:47,742
Steinbeck also
1081
00:56:47,825 --> 00:56:49,410
gives you these images
of America,
1082
00:56:49,493 --> 00:56:51,120
of dustbowl America.
1083
00:56:51,621 --> 00:56:54,582
♪ ("Unfaithful Servant"
by The Band plays) ♪
1084
00:56:54,665 --> 00:56:58,794
♪ Unfaithful servant ♪
1085
00:56:59,086 --> 00:57:00,338
♪ I hear you ♪
1086
00:57:00,421 --> 00:57:01,672
Harrison: I spent quite
a bit of time
1087
00:57:01,756 --> 00:57:04,717
with The Band, and one of the
things that Robbie said to me
1088
00:57:04,800 --> 00:57:06,928
was the fact that when he wrote
a tune, he had
1089
00:57:07,011 --> 00:57:09,013
all these different singers
who could sing the song.
1090
00:57:09,180 --> 00:57:12,350
And he could write lyrics,
like, to write a song
1091
00:57:12,433 --> 00:57:14,518
knowing that Levon
was gonna sing it.
1092
00:57:14,602 --> 00:57:17,063
You know, you could be...
you could write much different
1093
00:57:17,146 --> 00:57:19,023
to knowing if you were gonna
have to do it yourself.
1094
00:57:19,190 --> 00:57:23,110
♪ Did you do it
Just for the glory? ♪
1095
00:57:23,194 --> 00:57:25,279
Springsteen: When they came
together, something happened
1096
00:57:25,696 --> 00:57:28,491
that could not have occurred
on their own
1097
00:57:28,658 --> 00:57:30,493
or individually.
You know, something...
1098
00:57:31,369 --> 00:57:32,787
miraculous occurred.
1099
00:57:34,121 --> 00:57:36,332
♪ She really cared ♪
1100
00:57:36,415 --> 00:57:38,542
♪ The time she spared ♪
1101
00:57:43,839 --> 00:57:46,676
Robbie: We were booked
to play our first job
1102
00:57:46,759 --> 00:57:50,471
as The Band at Winterland,
in San Francisco,
1103
00:57:50,680 --> 00:57:52,515
with Bill Graham presenting.
1104
00:57:54,183 --> 00:57:56,227
Taplin: We went
up to San Francisco, like,
1105
00:57:56,310 --> 00:57:58,604
two days early. Robbie is
1106
00:57:58,688 --> 00:58:00,439
sick as a dog.
1107
00:58:01,107 --> 00:58:04,860
Robbie: I'm completely drained
1108
00:58:04,986 --> 00:58:08,823
and it hits me: the last time
we played together,
1109
00:58:08,990 --> 00:58:12,076
everybody boos us
everywhere we go, right?
1110
00:58:12,326 --> 00:58:15,788
Am I having some kind
of stage fright thing?
1111
00:58:16,747 --> 00:58:19,750
Taplin: He's got a fever of 103.
1112
00:58:19,834 --> 00:58:23,045
I'm saying to Bill Graham,
"We've gotta cancel. I'm sorry."
1113
00:58:23,587 --> 00:58:26,757
Robbie: Bill Graham says,
"Impossible. There is
1114
00:58:26,841 --> 00:58:29,593
no way in the world
that we can cancel this."
1115
00:58:30,261 --> 00:58:32,304
And finally Bill says,
1116
00:58:32,388 --> 00:58:35,349
"What do you think
about the idea
1117
00:58:35,474 --> 00:58:37,852
of us bringing in a hypnotist?"
1118
00:58:41,022 --> 00:58:43,858
Taplin: A little guy,
about 5'8",
1119
00:58:43,983 --> 00:58:46,694
black suit, white carnation,
shows up,
1120
00:58:46,944 --> 00:58:48,654
and he puts him under.
1121
00:58:50,156 --> 00:58:53,200
And he's saying,
"Your stomach will feel
1122
00:58:53,284 --> 00:58:55,036
as calm as a lake.
1123
00:58:55,244 --> 00:58:58,706
Your head feels
as cool as a winter breeze."
1124
00:59:00,666 --> 00:59:03,335
Robbie: The next thing
I know, my head doesn't feel
1125
00:59:03,419 --> 00:59:06,338
so bad. And I'm thinking,
1126
00:59:06,422 --> 00:59:09,258
"I'll be damned,
I'm actually feeling
1127
00:59:09,508 --> 00:59:13,262
stronger and better
than I was before."
1128
00:59:14,055 --> 00:59:14,972
He says,
1129
00:59:15,056 --> 00:59:17,892
"Any time you start
to feel too weak,
1130
00:59:17,975 --> 00:59:19,727
you look over at me
1131
00:59:20,019 --> 00:59:23,731
and I'm gonna say
to you, 'Grow."'
1132
00:59:24,065 --> 00:59:26,609
♪ ("Chest Fever"
by The Band plays) ♪
1133
00:59:44,251 --> 00:59:46,295
(audience applauds and cheers)
1134
00:59:57,098 --> 01:00:01,519
And the crowd is yelling
and we're playing.
1135
01:00:01,811 --> 01:00:05,147
And I look over at him
and he goes,
1136
01:00:05,231 --> 01:00:06,148
"Grow."
1137
01:00:07,858 --> 01:00:10,861
Bill Scheele: This guy had
to be onstage with Robbie.
1138
01:00:10,945 --> 01:00:13,656
This was the first concert
I'd ever experienced with them,
1139
01:00:13,948 --> 01:00:15,574
so... what did I know?
But I did,
1140
01:00:15,658 --> 01:00:17,993
I know that usually there's not
a hypnotist onstage.
1141
01:00:18,911 --> 01:00:21,205
♪ Any scarlet would back her ♪
1142
01:00:21,330 --> 01:00:24,708
Everybody got
their own starring moment.
1143
01:00:25,167 --> 01:00:26,585
Rick had his songs.
1144
01:00:26,836 --> 01:00:29,004
Garth got to do "Chest Fever, "
1145
01:00:29,296 --> 01:00:31,132
and Richard was brilliant.
1146
01:00:31,382 --> 01:00:33,676
So in those first
year and a half,
1147
01:00:33,759 --> 01:00:37,221
- it was amazing.
- ♪ Can't be here no more ♪
1148
01:00:38,305 --> 01:00:42,309
♪ And as my mind unweaves ♪
1149
01:00:42,601 --> 01:00:45,896
♪ I feel the freeze
Down in my knees ♪
1150
01:00:47,690 --> 01:00:51,902
♪ But just before she leaves ♪
1151
01:00:52,194 --> 01:00:54,446
♪ She receives ♪
1152
01:00:57,783 --> 01:00:59,743
Bill: Well, when we first
went out on tour,
1153
01:00:59,827 --> 01:01:01,912
they were famous
because of their relationship
1154
01:01:01,996 --> 01:01:05,249
with Bob Dylan, but here they
were now as themselves.
1155
01:01:05,457 --> 01:01:09,378
This was The Band.
That brought about a fame
1156
01:01:09,461 --> 01:01:11,505
to them that they had
never had before.
1157
01:01:11,881 --> 01:01:14,300
- Announcer: Folks, The Band.
- (audience applauds and cheers)
1158
01:01:14,383 --> 01:01:17,428
♪ ("Slippin' and Slidin" '
by The Band plays) ♪
1159
01:01:33,652 --> 01:01:36,947
♪ Slippin' and slidin'
Peekin' and hidin' ♪
1160
01:01:37,031 --> 01:01:39,533
♪ Been told a long time ago ♪
1161
01:01:40,075 --> 01:01:42,328
Clapton: And I got the
chance to go and meet Robbie.
1162
01:01:42,786 --> 01:01:44,955
And I went up to Woodstock
to hang with him.
1163
01:01:45,164 --> 01:01:48,000
And the reason I went up there
was to pluck up the nerve
1164
01:01:48,083 --> 01:01:50,085
to ask him
if I could join The Band.
1165
01:01:50,169 --> 01:01:52,630
Maybe they needed
a rhythm guitar player!
1166
01:02:00,304 --> 01:02:02,431
And I was wearing pink boots
1167
01:02:02,514 --> 01:02:04,516
and I had curly hair,
1168
01:02:04,600 --> 01:02:06,143
just psychedelic. And they were
1169
01:02:06,310 --> 01:02:07,853
kinda really earthy.
1170
01:02:08,687 --> 01:02:10,481
And I was saying,
"Well, let’s jam."
1171
01:02:10,648 --> 01:02:11,899
And he said, "We don't jam."
1172
01:02:12,107 --> 01:02:13,901
So it was a songwriting outfit.
1173
01:02:15,736 --> 01:02:18,113
♪ I work for the union ♪
1174
01:02:18,322 --> 01:02:20,032
Clapton: Robbie's listening
to the way
1175
01:02:20,157 --> 01:02:22,034
that each of them play,
but the way they worked
1176
01:02:22,117 --> 01:02:23,994
as a unit was,
like, incredible.
1177
01:02:24,119 --> 01:02:25,913
Rick was pretty dynamic,
1178
01:02:25,996 --> 01:02:27,790
and he was
a very powerful energy.
1179
01:02:27,915 --> 01:02:29,458
Garth was shy,
1180
01:02:29,625 --> 01:02:31,919
and I fell in love
with Richard.
1181
01:02:32,086 --> 01:02:35,381
He was the most mournful,
soulful thing I'd ever heard.
1182
01:02:35,714 --> 01:02:38,592
♪ Last year this time
Wasn't no joke ♪
1183
01:02:40,302 --> 01:02:43,430
♪ My whole barn
Went up in smoke ♪
1184
01:02:45,015 --> 01:02:46,767
♪ And our horse, Jethro ♪
1185
01:02:46,850 --> 01:02:48,310
♪ He went mad ♪
1186
01:02:49,186 --> 01:02:51,021
♪ And I can't ever remember ♪
1187
01:02:51,105 --> 01:02:53,190
♪ Things being that bad ♪
1188
01:02:54,692 --> 01:02:57,236
Dominique:
God, Richard was
1189
01:02:57,319 --> 01:02:58,946
such a sensitive man.
1190
01:02:59,655 --> 01:03:01,490
Like a wounded bird.
1191
01:03:02,032 --> 01:03:04,827
But a beautiful, beautiful soul.
1192
01:03:05,828 --> 01:03:07,371
Clapton: He was very fragile,
1193
01:03:07,496 --> 01:03:09,248
and we liked to drink together.
1194
01:03:09,623 --> 01:03:12,793
When you put us together,
there was an instant bond.
1195
01:03:13,419 --> 01:03:16,005
Robbie, in a way,
was kind of outside of that
1196
01:03:16,088 --> 01:03:18,299
because I saw Robbie
as the straight guy.
1197
01:03:18,382 --> 01:03:20,926
He was a guy
who we could drink with,
1198
01:03:21,010 --> 01:03:23,637
but at some point,
he would lose interest in that,
1199
01:03:23,721 --> 01:03:26,056
you know, whereas me and Richard
were the kind of people
1200
01:03:26,140 --> 01:03:27,766
that we would like
to drink together,
1201
01:03:27,850 --> 01:03:30,728
but we'd drink... we'd like
drinking even more on our own.
1202
01:03:34,106 --> 01:03:36,025
Taplin: Just when The Band
was really hitting,
1203
01:03:36,191 --> 01:03:40,404
the difference between Robbie
and the rest of the band was
1204
01:03:40,612 --> 01:03:44,158
his family was
incredibly important to him.
1205
01:03:44,241 --> 01:03:45,909
He already had a baby.
1206
01:03:45,993 --> 01:03:49,204
Dominique was
this incredibly vital,
1207
01:03:49,288 --> 01:03:52,041
smart woman that he liked
hanging with.
1208
01:03:52,124 --> 01:03:55,878
She was incredibly beautiful.
And the rest of the guys
1209
01:03:55,961 --> 01:03:59,715
were still trying to figure out
did they want a family or not?
1210
01:03:59,840 --> 01:04:02,634
And they were consuming
a lot of drugs,
1211
01:04:03,093 --> 01:04:04,428
playing a lot,
1212
01:04:04,511 --> 01:04:06,972
drinking too much, you know,
everything else.
1213
01:04:08,182 --> 01:04:10,184
Dominique:
In Woodstock, it was...
1214
01:04:10,392 --> 01:04:14,188
at one point, car accidents.
And the phone ringing
1215
01:04:14,271 --> 01:04:16,523
in the middle of the night
to say this one or that one
1216
01:04:16,607 --> 01:04:19,902
had totaled the car
or was in the ditch.
1217
01:04:22,363 --> 01:04:24,448
Rick, he was lucky, you know,
1218
01:04:24,531 --> 01:04:26,658
but it became far too
1219
01:04:26,867 --> 01:04:30,079
often that there were
situations like that.
1220
01:04:32,206 --> 01:04:34,416
I had this Mustang
1221
01:04:34,958 --> 01:04:36,585
that Robbie had bought,
1222
01:04:37,336 --> 01:04:39,463
and Richard wanted to drive it.
1223
01:04:40,130 --> 01:04:42,383
I said,
"Really, can you do it?"
1224
01:04:42,466 --> 01:04:46,136
And he said, "Well, I sober up
behind the wheel."
1225
01:04:48,472 --> 01:04:50,766
And I said,
"Please, don't go so fast,
1226
01:04:50,849 --> 01:04:52,643
you know, can you see?
Can you see?"
1227
01:04:52,726 --> 01:04:55,229
And he said,
"Oh, I can see like a lynx."
1228
01:04:58,190 --> 01:05:00,943
You know,
and I was naive, frankly.
1229
01:05:01,193 --> 01:05:03,362
We hit this curve,
1230
01:05:03,487 --> 01:05:05,447
and it was like every...
1231
01:05:05,531 --> 01:05:08,158
hit every cement pole
in the curve.
1232
01:05:08,450 --> 01:05:10,285
- (car crashes)
- (glass shattering)
1233
01:05:10,369 --> 01:05:11,829
We ended up in the ditch.
1234
01:05:13,497 --> 01:05:15,290
Then Richard lit a match.
1235
01:05:17,209 --> 01:05:19,378
And I thought,
"You're gonna blow the car.
1236
01:05:19,503 --> 01:05:22,131
We have to get out."
Push. "Get out. Get out."
1237
01:05:25,217 --> 01:05:27,136
Simon: We were
at Big Pink and somebody
1238
01:05:27,219 --> 01:05:29,179
came rushing up and said...
1239
01:05:29,471 --> 01:05:32,141
"Richard's just had an accident
and he's crashed a new car."
1240
01:05:32,641 --> 01:05:35,602
Levon you know,
jumps into his Corvette
1241
01:05:36,061 --> 01:05:37,771
and rushes to the scene,
1242
01:05:37,896 --> 01:05:40,399
and accidentally crashes
into the police car.
1243
01:05:40,482 --> 01:05:42,818
- (tires screeching)
- (car crashes)
1244
01:05:43,068 --> 01:05:45,904
Dominique: The cop threw Levon
on the back of a car.
1245
01:05:46,029 --> 01:05:48,782
I think they handcuffed him.
I don't know how long
1246
01:05:48,866 --> 01:05:53,078
it took me, you know,
to really absorb the shock.
1247
01:05:56,123 --> 01:05:58,834
Robbie: Richard could've
killed Dominique.
1248
01:05:59,668 --> 01:06:00,919
What do you say?
1249
01:06:01,128 --> 01:06:02,421
It pissed me off.
1250
01:06:03,922 --> 01:06:06,800
But it was something
that we weren't educated in
1251
01:06:06,884 --> 01:06:10,095
at the time,
of dealing with alcoholism.
1252
01:06:10,554 --> 01:06:13,557
And all the things
that you think you should do
1253
01:06:13,807 --> 01:06:17,769
is mostly the things that you
should absolutely not do.
1254
01:06:17,853 --> 01:06:20,939
♪ My biggest mistake was
Loving you too much ♪
1255
01:06:21,356 --> 01:06:23,192
♪ And letting you know ♪
1256
01:06:24,276 --> 01:06:26,737
♪ Now you've got me
Where you want me ♪
1257
01:06:26,820 --> 01:06:28,489
♪ And you won't let me go ♪
1258
01:06:29,490 --> 01:06:31,200
♪ If my heart was
Made of glass ♪
1259
01:06:32,576 --> 01:06:34,411
♪ Well, then you'd surely see ♪
1260
01:06:34,495 --> 01:06:36,413
And after that,
there was a whole period
1261
01:06:36,497 --> 01:06:38,499
where he didn't
hardly drink at all.
1262
01:06:38,832 --> 01:06:41,335
So we were holding it at bay.
1263
01:07:13,075 --> 01:07:16,036
(audience applauds and cheers)
1264
01:07:16,119 --> 01:07:20,499
By this point, there was
an experimenting going on
1265
01:07:21,124 --> 01:07:23,627
that led to heroin.
1266
01:07:23,752 --> 01:07:27,631
And I was confused
that the guys wanted
1267
01:07:27,839 --> 01:07:30,092
to play with that fire.
1268
01:07:31,635 --> 01:07:34,429
Dominique: That was devastating.
Nobody had
1269
01:07:34,513 --> 01:07:37,474
any understanding of addiction,
1270
01:07:37,558 --> 01:07:41,478
that it's a mental disorder.
And at the time,
1271
01:07:41,562 --> 01:07:43,480
it felt very much
like a betrayal.
1272
01:07:44,731 --> 01:07:46,608
Robbie might've used,
1273
01:07:46,775 --> 01:07:49,820
he might've drank, he might've
tried different things,
1274
01:07:49,903 --> 01:07:52,114
but he did not have that gene
1275
01:07:52,281 --> 01:07:55,659
that would cause him
to become an addict.
1276
01:07:57,995 --> 01:07:59,079
He had a vision,
1277
01:07:59,162 --> 01:08:00,872
and nothing
was gonna get in the way
1278
01:08:00,956 --> 01:08:02,165
of the vision.
1279
01:08:03,333 --> 01:08:07,462
Taplin: If you think about
the summer of 1969 into 1970,
1280
01:08:07,671 --> 01:08:10,299
Music from Big Pink,
I think Robbie wrote
1281
01:08:10,382 --> 01:08:14,344
less than half the songs.
By the Brown Album,
1282
01:08:14,428 --> 01:08:16,638
he wrote maybe two thirds
of the songs.
1283
01:08:16,805 --> 01:08:20,017
By Stage Fright, he was
writing all of the songs.
1284
01:08:20,475 --> 01:08:23,061
And it wasn't that
he wanted to do that.
1285
01:08:23,478 --> 01:08:25,564
Robbie would start
writing, like,
1286
01:08:25,814 --> 01:08:28,900
at ten in the morning.
And to be honest,
1287
01:08:29,109 --> 01:08:31,903
Levon, and Rick, and Richard,
were still asleep.
1288
01:08:32,821 --> 01:08:35,073
Robbie:
I loved writing with Richard.
1289
01:08:35,699 --> 01:08:38,619
Richard had a beautiful,
melodic ear,
1290
01:08:38,827 --> 01:08:41,246
and he would come up with
chord changes
1291
01:08:41,413 --> 01:08:42,664
I would never find,
1292
01:08:42,914 --> 01:08:48,420
but somehow it just
wasn't happening for him,
1293
01:08:48,629 --> 01:08:53,050
and if I pushed too hard,
it made him feel bad.
1294
01:08:53,884 --> 01:08:55,927
John: With Richard,
it was really poignant.
1295
01:08:56,470 --> 01:08:58,430
I very clearly remember Robbie
1296
01:08:58,513 --> 01:09:01,433
pleading with Richard, asking
him, do you have anything?
1297
01:09:01,642 --> 01:09:04,561
Anything to add to the song?
Richard just didn't have it.
1298
01:09:04,645 --> 01:09:06,313
He didn't have
anything to offer.
1299
01:09:07,731 --> 01:09:10,484
It was up to Robbie
and Garth, primarily,
1300
01:09:10,567 --> 01:09:13,737
to keep driving
the basic creative force,
1301
01:09:13,904 --> 01:09:18,033
and hoping that their friends
would keep on.
1302
01:09:19,660 --> 01:09:21,244
John: During the recording
of Stage Fright,
1303
01:09:21,411 --> 01:09:23,121
heroin was being used.
1304
01:09:23,538 --> 01:09:25,957
It had an effect on their
energy, their ability
1305
01:09:26,124 --> 01:09:29,378
to be present. Levon
would sometimes be
1306
01:09:29,503 --> 01:09:32,297
nodded out upstairs, and it was
a little sad, you know,
1307
01:09:32,381 --> 01:09:34,966
because he would come down,
and you could still see a look
1308
01:09:35,050 --> 01:09:37,260
in his eye that was
a little strange,
1309
01:09:37,386 --> 01:09:38,845
and it was-- it was difficult.
1310
01:09:40,764 --> 01:09:43,975
Bill: This is very different
from the very energetic Levon
1311
01:09:44,059 --> 01:09:46,812
that I used to know,
who was always very wiry,
1312
01:09:46,895 --> 01:09:48,689
always up for action,
1313
01:09:48,814 --> 01:09:51,024
up for going after it,
whatever it may be,
1314
01:09:52,401 --> 01:09:55,821
and now it was like sleepy time.
That's not easy to deal with.
1315
01:09:56,905 --> 01:09:59,116
Dominique: It's hard to connect
with somebody
1316
01:09:59,241 --> 01:10:01,827
who's doing that,
it's hard to trust,
1317
01:10:01,993 --> 01:10:05,622
it's hard to really keep
a friendship going.
1318
01:10:05,747 --> 01:10:09,501
It was beginning to feel
like a real fracture.
1319
01:10:11,002 --> 01:10:13,088
Robbie:
One day I said to Levon,
1320
01:10:13,255 --> 01:10:16,049
"I can see what's going on.
I know you."
1321
01:10:16,508 --> 01:10:20,303
And he was doing
the junkie denial
1322
01:10:20,429 --> 01:10:23,849
and explaining
and making excuses
1323
01:10:24,015 --> 01:10:27,102
and laughing
and slapping me on the back,
1324
01:10:27,394 --> 01:10:30,689
and I'd never had this kind of
an encounter with him before.
1325
01:10:32,983 --> 01:10:36,027
We don't do that.
We don't lie to one another.
1326
01:10:38,697 --> 01:10:41,116
I still loved him,
1327
01:10:41,283 --> 01:10:45,203
but something
got broken in that.
1328
01:10:45,287 --> 01:10:46,788
And it was like glass,
1329
01:10:47,581 --> 01:10:50,167
it was hard to put back
together again.
1330
01:10:52,002 --> 01:10:54,129
Dominique: It was not just
an exasperation,
1331
01:10:54,212 --> 01:10:57,716
it was a feeling that Robbie
could lose everything.
1332
01:10:58,967 --> 01:11:02,220
That brotherhood,
that friendship,
1333
01:11:02,304 --> 01:11:05,932
that bond, that love
that they had for each other.
1334
01:11:06,016 --> 01:11:07,350
They were terrific guys,
1335
01:11:07,434 --> 01:11:10,103
I loved them myself,
all of them,
1336
01:11:10,187 --> 01:11:13,023
but when you begin
to function out of fear
1337
01:11:13,106 --> 01:11:16,026
of losing something,
it's maddening.
1338
01:11:16,693 --> 01:11:19,905
I think I wanted something
that I couldn't have,
1339
01:11:19,988 --> 01:11:23,033
which was normalcy
and a regular schedule.
1340
01:11:23,241 --> 01:11:28,121
After the children were born,
my focus changed entirely.
1341
01:11:28,205 --> 01:11:29,623
♪ ("All La Glory"
by The Band playing) ♪
1342
01:11:29,706 --> 01:11:31,750
♪ Climb up your ladder now ♪
1343
01:11:34,336 --> 01:11:36,755
♪ It's time for you ♪
1344
01:11:36,963 --> 01:11:38,882
♪ To dream away ♪
1345
01:11:41,426 --> 01:11:44,930
♪ For what a big day
You've been through ♪
1346
01:11:46,181 --> 01:11:50,435
Robbie: Our children
were elevating my life,
1347
01:11:50,519 --> 01:11:52,479
they were making everything
1348
01:11:52,562 --> 01:11:55,774
have a beautiful aura
around it,
1349
01:11:55,899 --> 01:11:58,318
except when
I had to go to work,
1350
01:11:58,735 --> 01:12:03,907
and then this darkness,
this cloud came back overhead.
1351
01:12:04,616 --> 01:12:07,410
My family was my saving grace.
1352
01:12:08,078 --> 01:12:12,207
♪ And keep the little one
Safe and warm ♪
1353
01:12:14,251 --> 01:12:17,712
♪ 'Cause to her
It's just a fantasy ♪
1354
01:12:19,005 --> 01:12:23,802
♪ And to me
It's all a mystery ♪
1355
01:12:24,010 --> 01:12:25,554
Robbie: I had to go
1356
01:12:25,720 --> 01:12:28,139
from Woodstock out
to Los Angeles,
1357
01:12:28,306 --> 01:12:31,935
and while I was out there,
I got a message
1358
01:12:32,102 --> 01:12:35,605
that this guy who had
a record company
1359
01:12:35,730 --> 01:12:39,901
wanted to meet with me,
and his name was David Geffen.
1360
01:12:40,068 --> 01:12:42,737
♪ ("Free Man In Paris"
by Joni Mitchell playing) ♪
1361
01:12:48,743 --> 01:12:51,746
♪ The way I see it, he said ♪
1362
01:12:51,830 --> 01:12:54,332
♪ You just can't win it ♪
1363
01:12:54,833 --> 01:12:56,793
In every band,
there is someone
1364
01:12:56,877 --> 01:12:58,962
who ends up being the leader
one way or the other.
1365
01:12:59,045 --> 01:13:00,964
Usually, the star
is the lead singer.
1366
01:13:01,256 --> 01:13:02,340
In The Band, it wasn't.
1367
01:13:03,091 --> 01:13:05,427
Robbie's a star.
You put him in any group,
1368
01:13:05,552 --> 01:13:07,429
Robbie'll start talking,
and telling stories,
1369
01:13:07,512 --> 01:13:09,931
and performing,
and he's a star.
1370
01:13:10,974 --> 01:13:15,103
Taplin: David Geffen was
a manager, a record executive.
1371
01:13:15,687 --> 01:13:19,691
He thought if he could get Bob
Dylan to his record company,
1372
01:13:19,774 --> 01:13:23,695
that would cement him as the
king of the music business.
1373
01:13:24,279 --> 01:13:27,616
David saw Robbie as a way
to make that happen.
1374
01:13:28,408 --> 01:13:31,036
He started romancing Robbie.
1375
01:13:33,121 --> 01:13:36,458
David was incredibly candid,
1376
01:13:36,583 --> 01:13:38,793
incredibly straightforward,
1377
01:13:39,210 --> 01:13:41,379
and back in Woodstock,
in the world
1378
01:13:41,504 --> 01:13:45,216
of Albert Grossman,
and of Bob Dylan,
1379
01:13:45,300 --> 01:13:47,552
a lot was left unsaid.
1380
01:13:48,386 --> 01:13:51,014
There was something
about meeting with David
1381
01:13:51,097 --> 01:13:52,474
that was so open.
1382
01:13:52,724 --> 01:13:54,434
David Geffen: I remember
saying to Robbie,
1383
01:13:54,559 --> 01:13:57,896
of all the places you could
live, why pick Woodstock?
1384
01:13:57,979 --> 01:13:59,898
Because Albert Grossman
lives here?
1385
01:14:00,482 --> 01:14:02,692
I thought it was a shithole,
I mean, I hated it.
1386
01:14:03,401 --> 01:14:06,112
I suggested to Robbie
that he move to Malibu.
1387
01:14:06,696 --> 01:14:09,491
♪ I was a free man in Paris ♪
1388
01:14:09,741 --> 01:14:12,118
♪ I felt unfettered and alive ♪
1389
01:14:12,327 --> 01:14:15,664
♪ There was nobody
Calling me up for favors ♪
1390
01:14:15,747 --> 01:14:18,041
♪ And no one's future
To decide ♪
1391
01:14:18,500 --> 01:14:22,337
If you could imagine, that
move to Malibu, sight unseen,
1392
01:14:22,504 --> 01:14:24,714
it was another
Twilight Zone experiment.
1393
01:14:25,090 --> 01:14:26,216
You know? For me.
1394
01:14:27,425 --> 01:14:31,221
- I guess for all of us.
- Robbie loved it.
1395
01:14:31,596 --> 01:14:34,349
♪ (song continues playing) ♪
1396
01:14:42,357 --> 01:14:44,985
Robbie: It did feel
like something fresh.
1397
01:14:45,276 --> 01:14:47,112
Geffen: He woke up
every morning at the ocean,
1398
01:14:47,529 --> 01:14:48,613
his kids loved it,
1399
01:14:48,780 --> 01:14:51,992
his wife loved it. You know,
I remember Robbie saying to me,
1400
01:14:52,075 --> 01:14:54,494
what the fuck was I doing
in Woodstock?
1401
01:14:56,246 --> 01:15:00,041
I was like, I'm gonna call the
guys, tell 'em to come out here.
1402
01:15:00,208 --> 01:15:04,004
♪ (song continues playing) ♪
1403
01:15:11,136 --> 01:15:13,096
Geffen: I thought it would be
very stimulating for Robbie,
1404
01:15:13,304 --> 01:15:15,015
I thought it would be
stimulating for The Band,
1405
01:15:15,098 --> 01:15:16,266
and Bob was there.
1406
01:15:16,474 --> 01:15:18,518
Robbie was the one
who suggested I meet him.
1407
01:15:19,394 --> 01:15:20,562
Robbie: The next thing,
1408
01:15:20,687 --> 01:15:23,064
David Geffen is saying,
you know,
1409
01:15:23,148 --> 01:15:28,278
it might be a great idea
for Bob Dylan and The Band
1410
01:15:28,361 --> 01:15:31,239
to play together again,
and do a tour.
1411
01:15:31,448 --> 01:15:35,618
♪ ("Endless Highway"
by Bob Dylan and The Band) ♪
1412
01:15:51,801 --> 01:15:54,763
Bob had basically been
in hiding in Woodstock
1413
01:15:54,846 --> 01:15:57,307
since the tour of '66.
1414
01:15:57,432 --> 01:16:00,727
David somehow managed
to convince Bob
1415
01:16:00,894 --> 01:16:02,437
to come out on the road.
1416
01:16:02,562 --> 01:16:04,105
Geffen: No one
had seen Bob for years.
1417
01:16:04,230 --> 01:16:05,440
It created quite a stir.
1418
01:16:05,899 --> 01:16:07,692
Taplin: It was what
David Geffen wanted,
1419
01:16:07,942 --> 01:16:11,488
but David was just pure,
unleashed ambition.
1420
01:16:12,030 --> 01:16:16,367
♪ You're gonna walk
That endless highway ♪
1421
01:16:19,913 --> 01:16:22,916
♪ Walk that highway
Till you die ♪
1422
01:16:24,417 --> 01:16:26,336
Robbie: The last time
we played together,
1423
01:16:26,544 --> 01:16:30,423
in 1966, it wasn't
very well received.
1424
01:16:31,508 --> 01:16:34,677
Now we go out, it was embraced
1425
01:16:35,261 --> 01:16:37,388
like the second coming.
1426
01:16:37,639 --> 01:16:42,143
♪ ("Knockin' on Heaven's Door"
by Bob Dylan playing) ♪
1427
01:16:44,604 --> 01:16:48,274
Robbie: We didn't change
a thing; the world changed.
1428
01:16:48,608 --> 01:16:49,901
It was kind of a good feeling.
1429
01:16:50,527 --> 01:16:53,988
♪ Mama, take this badge
Off of me ♪
1430
01:16:54,155 --> 01:16:57,534
(cheers and applause)
1431
01:16:57,742 --> 01:17:00,453
♪ I can't use it anymore ♪
1432
01:17:01,496 --> 01:17:03,790
Geffen: I had signed The Band
1433
01:17:03,873 --> 01:17:05,750
and Bob Dylan
to Asylum Records.
1434
01:17:06,167 --> 01:17:07,836
I had a handshake agreement
with them,
1435
01:17:08,086 --> 01:17:09,671
because Bob Dylan said to me,
1436
01:17:09,796 --> 01:17:13,049
"Is my word good for you?"
And I thought, Bob Dylan,
1437
01:17:13,133 --> 01:17:15,468
he wrote "Blowin' in the Wind",
"The Times They Are a-Changin'."
1438
01:17:15,885 --> 01:17:17,220
Yeah, I'll take your word.
1439
01:17:17,428 --> 01:17:20,807
♪ Knock, knock, knockin'
On heaven's door ♪
1440
01:17:23,977 --> 01:17:27,105
♪ Knock, knock, knockin'
On heaven's door ♪
1441
01:17:27,689 --> 01:17:29,691
Bill: What I remember
very clearly,
1442
01:17:29,774 --> 01:17:34,863
after the tour of '74,
they went on tour as The Band,
1443
01:17:35,071 --> 01:17:36,114
and not with Bob Dylan.
1444
01:17:36,406 --> 01:17:38,700
♪ ("The Shape I'm In"
by The Band playing) ♪
1445
01:17:44,080 --> 01:17:47,584
♪ Go out yonder
Peace in the valley ♪
1446
01:17:47,792 --> 01:17:51,254
♪ Come downtown
Have to rumble in the alley ♪
1447
01:17:51,421 --> 01:17:54,132
♪ Oh, you don't know ♪
1448
01:17:54,299 --> 01:17:56,176
♪ The shape I'm in ♪
1449
01:17:59,262 --> 01:18:03,016
Bill: After a while touring,
it was very noticeable
1450
01:18:03,183 --> 01:18:06,352
that there was change afoot.
1451
01:18:06,519 --> 01:18:10,732
♪ Oh, you don't know
The shape I'm in ♪
1452
01:18:11,733 --> 01:18:14,861
Bill: We played a gig
in Cleveland...
1453
01:18:15,403 --> 01:18:18,865
(cheers and applause)
1454
01:18:19,741 --> 01:18:22,660
...Richard had been
doing heroin,
1455
01:18:22,744 --> 01:18:24,829
and apparently
he lost his stash.
1456
01:18:25,455 --> 01:18:26,831
Bill Graham:
Sorry about the delay,
1457
01:18:26,915 --> 01:18:28,917
Richard Manuel, the pianist,
1458
01:18:29,125 --> 01:18:32,086
has taken ill, he's being
taken care of backstage.
1459
01:18:32,170 --> 01:18:34,380
The Band is gonna go on in a few
minutes without Richard.
1460
01:18:34,505 --> 01:18:35,798
Hopefully he'll be fine.
1461
01:18:37,675 --> 01:18:39,969
Bill: They actually played
the concert
1462
01:18:40,053 --> 01:18:44,891
as a quartet, without Richard,
and it sounded so strange.
1463
01:18:45,350 --> 01:18:48,561
I kept seeing a lot of looks
between everybody.
1464
01:18:48,811 --> 01:18:50,980
Obviously very uncomfortable
with this.
1465
01:18:51,105 --> 01:18:52,273
♪ ("Twilight"
by The Band playing) ♪
1466
01:18:52,398 --> 01:18:55,318
♪ Over by the wildwood ♪
1467
01:18:55,777 --> 01:18:57,737
♪ Hot summer night ♪
1468
01:18:58,571 --> 01:19:00,698
Robbie:
These guys were soldiers,
1469
01:19:00,990 --> 01:19:04,077
but Richard Manuel
had a disease.
1470
01:19:04,827 --> 01:19:07,330
This band was a real band.
1471
01:19:07,455 --> 01:19:13,461
All those spark plugs needed to
be ignited, or it didn't work.
1472
01:19:13,628 --> 01:19:16,589
♪ But a young man
Serves his country ♪
1473
01:19:17,423 --> 01:19:20,218
♪ And an old man
Guards the home ♪
1474
01:19:20,927 --> 01:19:23,096
Hawkins: At first it was Richard
holding everybody back,
1475
01:19:23,221 --> 01:19:24,305
he wasn't able to play,
1476
01:19:24,389 --> 01:19:25,723
and that's why they called me
out there,
1477
01:19:25,807 --> 01:19:27,475
to try to scare
Richard straight.
1478
01:19:27,850 --> 01:19:28,851
Everybody, all of them
1479
01:19:28,977 --> 01:19:33,690
was good, young, honest,
solid guys, all of 'em.
1480
01:19:33,898 --> 01:19:37,026
Two or three years later, they
were different personalities.
1481
01:19:37,235 --> 01:19:40,697
♪ Don't leave me alone
In the twilight ♪
1482
01:19:41,364 --> 01:19:44,284
Bill: The rhythm section
had definitely fallen into
1483
01:19:44,409 --> 01:19:46,744
heavier drugs.
And once again,
1484
01:19:46,828 --> 01:19:49,539
it was up to Robbie
and Garth, primarily.
1485
01:19:53,835 --> 01:19:56,587
Levon was doing things he'd
never done in a million years
1486
01:19:56,796 --> 01:19:58,131
if it hadn't been for drugs.
1487
01:19:58,423 --> 01:20:02,343
♪ (song continues playing) ♪
1488
01:20:03,886 --> 01:20:07,390
Robbie: Levon often complained
about our lawyer,
1489
01:20:07,473 --> 01:20:11,978
about our manager, and it was
a kind of paranoia.
1490
01:20:12,603 --> 01:20:15,440
I would often say,
"Don't worry,
1491
01:20:15,523 --> 01:20:18,568
if anybody is taking
advantage of us,
1492
01:20:18,651 --> 01:20:21,321
we are gonna stop that
immediately."
1493
01:20:22,447 --> 01:20:25,158
But a bitterness
set in with him.
1494
01:20:27,118 --> 01:20:29,704
Vivino: Levon felt something
was being taken away,
1495
01:20:30,163 --> 01:20:33,333
you know? But families, man,
nobody can feud like a family.
1496
01:20:34,208 --> 01:20:36,711
Families can go
to the grave feuding.
1497
01:20:37,837 --> 01:20:38,963
Dominique:
If a person is getting
1498
01:20:39,130 --> 01:20:40,381
a little more attention,
1499
01:20:40,715 --> 01:20:43,843
resentment can set in,
you know, and jealousy.
1500
01:20:45,178 --> 01:20:49,557
Robbie kept moving forward,
and not everybody could follow.
1501
01:20:49,807 --> 01:20:53,102
♪ (song continues playing) ♪
1502
01:20:54,979 --> 01:20:58,066
Robbie: This is different now.
This is hard.
1503
01:20:58,358 --> 01:21:00,318
This is kinda painful.
1504
01:21:02,236 --> 01:21:04,072
This could be tragic.
1505
01:21:04,697 --> 01:21:07,825
♪ Don't leave me alone ♪
1506
01:21:08,117 --> 01:21:10,244
♪ In the twilight ♪
1507
01:21:11,037 --> 01:21:13,748
Robbie: I don't know
why we're doing this.
1508
01:21:18,878 --> 01:21:20,254
Simon: Robbie told me
he just didn't wanna
1509
01:21:20,338 --> 01:21:22,590
go on the road
with a suitcase full of heroin.
1510
01:21:23,216 --> 01:21:25,760
Robbie was planning
the next step in his life.
1511
01:21:26,677 --> 01:21:29,263
I've always had that sense,
way back
1512
01:21:29,430 --> 01:21:32,517
from when we cut the first album
and we knew we had something,
1513
01:21:33,017 --> 01:21:35,269
and he said he wanted to work
with Ingmar Bergman.
1514
01:21:35,561 --> 01:21:37,855
That's not the usual thing
that a rock n' roller would say.
1515
01:21:37,939 --> 01:21:39,440
"I wanna work
with Ingmar Bergman."
1516
01:21:39,649 --> 01:21:43,236
(waves crashing)
1517
01:21:43,694 --> 01:21:47,907
Robbie: There were many elements
that brought this to a head.
1518
01:21:48,616 --> 01:21:51,244
It wasn't only
because of drugs,
1519
01:21:51,744 --> 01:21:55,498
after you've been together
for 16 years, you think,
1520
01:21:55,581 --> 01:21:57,875
"We need to be able
to catch our breath."
1521
01:21:58,084 --> 01:22:01,170
- (fire crackling)
- Robbie: I thought,
1522
01:22:01,462 --> 01:22:03,923
"If we could get off
the treadmill,
1523
01:22:04,090 --> 01:22:08,136
if we can go and
take care of ourselves,
1524
01:22:08,511 --> 01:22:11,222
we might be able to
come to our senses."
1525
01:22:11,722 --> 01:22:13,724
My solution was,
1526
01:22:13,808 --> 01:22:18,020
let's bring it to a culmination
in the name of music.
1527
01:22:18,104 --> 01:22:19,981
That's how we fight back
on this.
1528
01:22:20,231 --> 01:22:22,900
♪ ("Stage Fright"
by The Band playing) ♪
1529
01:22:24,444 --> 01:22:25,611
Robbie: And we did.
1530
01:22:25,736 --> 01:22:29,824
(song continues)
1531
01:22:44,422 --> 01:22:46,716
Taplin: The concert
came together so quickly
1532
01:22:46,883 --> 01:22:48,092
it was almost shocking.
1533
01:22:48,176 --> 01:22:51,721
I think we started planning
a month before we did it.
1534
01:22:51,929 --> 01:22:55,224
♪ Now deep in the heart
Of a lonely kid ♪
1535
01:22:56,017 --> 01:22:58,895
♪ Who suffered so much
For what he did ♪
1536
01:23:00,062 --> 01:23:03,483
♪ They gave this poor boy
His fortune and fame ♪
1537
01:23:04,150 --> 01:23:07,278
♪ Since that day
He ain't been the same ♪
1538
01:23:08,863 --> 01:23:11,407
Robbie: We decided to do it
with our friends.
1539
01:23:12,950 --> 01:23:15,453
And that's why we felt
comfortable
1540
01:23:15,620 --> 01:23:19,540
with the idea of doing
"The Last Waltz".
1541
01:23:21,083 --> 01:23:22,710
♪ But when we get to the end ♪
1542
01:23:23,377 --> 01:23:25,213
♪ He wants to start
All over again ♪
1543
01:23:27,173 --> 01:23:29,300
♪ Just let him take it
From the top ♪
1544
01:23:29,425 --> 01:23:32,637
Robbie: I'm thinking, we should
document it properly.
1545
01:23:32,720 --> 01:23:35,181
Let's think of some filmmaker
1546
01:23:35,389 --> 01:23:37,391
who could tell this story.
1547
01:23:38,893 --> 01:23:40,603
Scorsese:
Robbie called me one day,
1548
01:23:40,728 --> 01:23:42,605
and he said, "These are some
of the names in the lineup:
1549
01:23:42,813 --> 01:23:46,317
Joni Mitchell, Neil Young,
Van Morrison, Muddy Waters,
1550
01:23:46,484 --> 01:23:47,485
Eric Clapton."
1551
01:23:47,693 --> 01:23:50,071
Worse comes to worse,
the Library of Congress
1552
01:23:50,238 --> 01:23:53,824
will have 35mm footage of these
extraordinary people,
1553
01:23:53,908 --> 01:23:56,577
performers and artists,
and that would be it.
1554
01:23:57,328 --> 01:23:59,830
What it became, really,
it was a celebration.
1555
01:24:00,331 --> 01:24:04,001
It was a celebration. It was
all the influences of The Band.
1556
01:24:04,126 --> 01:24:06,504
♪ (music playing) ♪
1557
01:24:10,883 --> 01:24:13,844
Woo! Big time, Bill!
1558
01:24:14,387 --> 01:24:15,846
Big time! Big time!
1559
01:24:15,972 --> 01:24:17,181
Robbie: Ronnie Hawkins,
1560
01:24:17,306 --> 01:24:20,560
when I was 17 years old
with him, I would play
1561
01:24:21,060 --> 01:24:24,564
and he would come over
and fan the guitar
1562
01:24:24,814 --> 01:24:27,817
like it's gonna go up in flames
if I don't cool it down.
1563
01:24:28,568 --> 01:24:30,778
It was just, it was
so heartwarming.
1564
01:24:31,195 --> 01:24:32,488
Aaaah!
1565
01:24:34,699 --> 01:24:36,576
Hawkins: I went out
with the boys a month early
1566
01:24:36,701 --> 01:24:39,453
just to see the rehearsals
because I didn't know
1567
01:24:39,537 --> 01:24:41,664
a lot of these people, I'd never
met 'em. I knew who they were,
1568
01:24:41,747 --> 01:24:42,707
big stars.
1569
01:24:43,124 --> 01:24:44,834
You see a lot
of weird things out there,
1570
01:24:45,042 --> 01:24:47,295
and they paid 35,000 cash
1571
01:24:47,461 --> 01:24:50,047
right in front of me for a
little ole bit of cocaine.
1572
01:24:50,339 --> 01:24:53,134
I snorted a couple lines
and I said, "Boys,
1573
01:24:53,217 --> 01:24:54,760
there's enough flour and sugar
in this shit
1574
01:24:54,844 --> 01:24:55,803
you'll sneeze biscuits
1575
01:24:55,886 --> 01:24:57,930
for three fuckin' months
after you snort this."
1576
01:24:59,473 --> 01:25:01,434
And they ended up
buying another one.
1577
01:25:01,601 --> 01:25:03,561
♪ ("Caravan"
by Van Morrison playing) ♪
1578
01:25:03,686 --> 01:25:06,397
♪ Yeah, the caravan
Is on its way ♪
1579
01:25:07,148 --> 01:25:09,275
All I remember is that it was
more of a celebration
1580
01:25:09,400 --> 01:25:10,776
than feeling sad.
1581
01:25:10,860 --> 01:25:12,903
If I didn't know all
these great-- all these people,
1582
01:25:13,779 --> 01:25:15,615
and that was a good gig,
it was fun.
1583
01:25:15,740 --> 01:25:16,866
There was no pondering it.
1584
01:25:16,949 --> 01:25:19,327
It was only gonna happen once.
You know, hey, presto.
1585
01:25:19,493 --> 01:25:24,290
♪ La la la la, la la la ♪
1586
01:25:25,124 --> 01:25:30,046
♪ La la la la
La la la ♪
1587
01:25:31,631 --> 01:25:34,133
♪ Yeah, the caravan is painted
Red and white ♪
1588
01:25:34,258 --> 01:25:37,845
Scorsese: It was a crazy
idea, but we prepared so well.
1589
01:25:38,012 --> 01:25:41,474
I remember doing charts as to
how to shoot, where to shoot,
1590
01:25:41,557 --> 01:25:43,351
which camera picks up
which performer,
1591
01:25:43,476 --> 01:25:47,104
which lyric, which verse,
the chorus, what instrument.
1592
01:25:48,481 --> 01:25:49,899
I said, "We shouldn't show
the audience
1593
01:25:49,982 --> 01:25:51,025
reacting during songs.
1594
01:25:51,150 --> 01:25:52,985
We've seen it,
so we stay on the stage."
1595
01:25:53,778 --> 01:25:55,905
We had hoped to get
the way The Band works,
1596
01:25:56,113 --> 01:25:58,616
the looks, the glances,
the moves.
1597
01:25:58,824 --> 01:26:01,077
So I decided to stay onstage
1598
01:26:01,202 --> 01:26:03,162
with the performers, and how
they relate to each other.
1599
01:26:03,245 --> 01:26:04,789
And that was the key
to the whole piece.
1600
01:26:05,164 --> 01:26:07,500
♪ ("Further On Up the Road"
by Eric Clapton playing) ♪
1601
01:26:08,751 --> 01:26:10,544
Clapton: When I found out
who was on the bill,
1602
01:26:10,670 --> 01:26:11,879
I thought, "My god,
1603
01:26:12,129 --> 01:26:13,464
this is huge," you know?
1604
01:26:13,964 --> 01:26:16,509
(song continues)
1605
01:26:19,720 --> 01:26:21,847
Clapton: The main memory
I have of that thing
1606
01:26:22,056 --> 01:26:24,600
is obviously
my strap coming off.
1607
01:26:25,309 --> 01:26:26,477
Whoa!
1608
01:26:27,228 --> 01:26:29,855
Robbie: His strap broke,
so I jumped in.
1609
01:26:30,106 --> 01:26:32,525
You've gotta cover his back,
he was our guest!
1610
01:26:33,442 --> 01:26:36,153
(song continues)
1611
01:26:42,952 --> 01:26:45,996
Robbie: And then he's like,
"Wait a minute, pal,
1612
01:26:46,080 --> 01:26:49,250
let's not get
too fancy over there."
1613
01:26:49,583 --> 01:26:52,586
(song continues)
1614
01:27:05,683 --> 01:27:07,393
♪ Further on up the road ♪
1615
01:27:08,185 --> 01:27:10,688
Clapton: What I remember
about it, it was just...
1616
01:27:11,439 --> 01:27:12,940
so free, it was...
1617
01:27:13,023 --> 01:27:15,359
and I mean, nobody knew
what was gonna happen next.
1618
01:27:16,152 --> 01:27:18,112
And I loved it, I loved it.
1619
01:27:18,279 --> 01:27:19,780
I didn't want it to ever end.
1620
01:27:20,072 --> 01:27:21,824
♪ ("I Shall Be Released"
by Bob Dylan playing) ♪
1621
01:27:21,991 --> 01:27:24,326
♪ I see my light ♪
1622
01:27:24,535 --> 01:27:27,538
♪ Come shining ♪
1623
01:27:30,416 --> 01:27:35,129
♪ From the west
Down to the east ♪
1624
01:27:38,466 --> 01:27:41,385
♪ Any day now ♪
1625
01:27:42,595 --> 01:27:45,681
♪ Any day now ♪
1626
01:27:46,557 --> 01:27:51,061
♪ I shall be released ♪
1627
01:27:52,688 --> 01:27:54,315
Robbie: "The Last Waltz"
1628
01:27:54,440 --> 01:27:58,152
was such a beautiful thank-you
1629
01:27:58,360 --> 01:28:01,864
to this wonderful journey
that we'd been on,
1630
01:28:02,031 --> 01:28:05,367
and the amazing
experiences we had.
1631
01:28:06,160 --> 01:28:09,163
The whole thing was so moving.
1632
01:28:09,789 --> 01:28:12,625
♪ Any day now ♪
1633
01:28:13,709 --> 01:28:16,504
♪ Any day now ♪
1634
01:28:17,588 --> 01:28:22,343
♪ I shall be released... ♪
1635
01:28:24,762 --> 01:28:28,098
(cheers and applause)
1636
01:28:35,648 --> 01:28:37,149
Thank you very much.
1637
01:28:40,152 --> 01:28:43,447
- Thank you.
- Thank you very much.
1638
01:29:04,635 --> 01:29:06,262
♪ (music playing) ♪
1639
01:29:06,387 --> 01:29:08,639
♪ When that curtain
Comes down ♪
1640
01:29:10,724 --> 01:29:13,352
♪ We let go of the past ♪
1641
01:29:15,062 --> 01:29:18,148
♪ Tomorrow's another day ♪
1642
01:29:19,233 --> 01:29:22,069
♪ Some things weren't
Meant to last ♪
1643
01:29:22,736 --> 01:29:25,030
We need a little bit more
of the harp
1644
01:29:25,781 --> 01:29:29,201
in the intro and in
the first turnaround.
1645
01:29:29,493 --> 01:29:32,413
You want a little bit more,
like, grit on it, or...
1646
01:29:32,788 --> 01:29:36,125
Yeah, just a little
more atmosphere. Not so dry.
1647
01:29:36,375 --> 01:29:37,835
Yeah, got it.
1648
01:29:40,254 --> 01:29:43,257
♪ Some things weren't
Meant to last ♪
1649
01:29:44,884 --> 01:29:47,177
Robbie: We did "The Last Waltz"
1650
01:29:47,678 --> 01:29:51,557
with the idea that
we would put that away,
1651
01:29:51,724 --> 01:29:53,767
take care of one another a bit,
1652
01:29:54,393 --> 01:29:57,980
and really come back
together again
1653
01:29:58,147 --> 01:30:01,483
and make music like
we had never made before.
1654
01:30:01,567 --> 01:30:04,528
That was our dream.
That was the idea.
1655
01:30:06,238 --> 01:30:09,033
Everybody just forgot
to come back.
1656
01:30:09,283 --> 01:30:10,701
(song continues)
1657
01:30:10,868 --> 01:30:13,203
♪ There'll be no revival ♪
1658
01:30:15,080 --> 01:30:17,666
♪ There'll be no encore ♪
1659
01:30:20,002 --> 01:30:22,588
♪ Once were brothers ♪
1660
01:30:23,881 --> 01:30:26,508
♪ Were brothers no more ♪
1661
01:30:30,304 --> 01:30:31,680
Dominique: I was the first one
1662
01:30:31,889 --> 01:30:33,307
who was heartbroken,
in a way,
1663
01:30:33,390 --> 01:30:35,351
because I loved
The Band so much,
1664
01:30:36,101 --> 01:30:37,603
you know, and it felt like
1665
01:30:37,686 --> 01:30:40,272
it's closing this book,
this chapter.
1666
01:30:41,732 --> 01:30:43,609
Robbie: If somebody had said,
1667
01:30:43,692 --> 01:30:45,903
I've got a couple
of tunes started,
1668
01:30:46,028 --> 01:30:51,325
we're dying to go in
and create some music,
1669
01:30:52,451 --> 01:30:54,328
I would've said yes in a minute.
1670
01:30:55,079 --> 01:30:56,121
Helm: By that time
1671
01:30:56,205 --> 01:30:58,332
I don't think you could've
kept The Band together.
1672
01:30:58,582 --> 01:31:00,793
Everybody had something
they wanted to do,
1673
01:31:01,043 --> 01:31:03,671
and after "The Last Waltz, "
1674
01:31:03,837 --> 01:31:05,756
we started chasing those dreams.
1675
01:31:09,259 --> 01:31:10,844
Robbie: Some years later,
1676
01:31:11,595 --> 01:31:13,973
Levon was having a tough time.
1677
01:31:15,849 --> 01:31:17,267
And out of that,
1678
01:31:17,893 --> 01:31:19,937
his anger was aimed at me.
1679
01:31:20,604 --> 01:31:23,440
♪ ("It Makes No Difference"
by The Band playing) ♪
1680
01:31:23,774 --> 01:31:27,277
Taplin: In the end, Levon
contended that somehow
1681
01:31:27,403 --> 01:31:31,365
he should've gotten a lot
of the songwriting revenue.
1682
01:31:31,573 --> 01:31:34,118
And he just got more
and more pissed off.
1683
01:31:35,953 --> 01:31:37,079
Hawkins: I can see why
1684
01:31:37,204 --> 01:31:39,289
Levon might say
something like that,
1685
01:31:39,373 --> 01:31:41,667
because he was really good at
helping arrange.
1686
01:31:42,126 --> 01:31:43,377
But Robbie wrote all the songs.
1687
01:31:43,544 --> 01:31:45,546
Robbie was writing songs
when he was 15 years old.
1688
01:31:46,672 --> 01:31:48,841
And the rest of the boys
helped arrange the songs,
1689
01:31:49,133 --> 01:31:50,759
which is
a little bit different.
1690
01:31:51,385 --> 01:31:54,471
Larry Campbell: Levon's point
was that these were five guys
1691
01:31:54,763 --> 01:31:56,724
that all played a role
1692
01:31:56,807 --> 01:31:59,935
in making The Band what it was.
1693
01:32:00,853 --> 01:32:05,482
I mean, the combination of those
five guys was so unique,
1694
01:32:05,607 --> 01:32:07,901
and so he felt as though Robbie
1695
01:32:08,027 --> 01:32:10,487
were claiming all the credit
for himself.
1696
01:32:11,280 --> 01:32:14,575
You could kinda see in Levon,
through this bitterness,
1697
01:32:14,700 --> 01:32:17,911
that because of his
interpretation of what happened,
1698
01:32:18,037 --> 01:32:20,205
he was really hurting, you know?
1699
01:32:20,497 --> 01:32:22,041
He just let it chew him up.
1700
01:32:22,207 --> 01:32:25,669
♪ And the sun ♪
1701
01:32:25,836 --> 01:32:28,213
♪ Don't shine ♪
1702
01:32:29,798 --> 01:32:33,260
♪ Anymore ♪
1703
01:32:35,304 --> 01:32:36,930
Hawkins: When Levon
ran out of money,
1704
01:32:37,139 --> 01:32:38,932
that's when he went crazy,
1705
01:32:39,058 --> 01:32:40,726
because he had been
living high.
1706
01:32:40,809 --> 01:32:43,353
But Levon's kind of like me,
he gets mad
1707
01:32:43,437 --> 01:32:45,898
and says things he shouldn't
say, and goes crazy.
1708
01:32:47,316 --> 01:32:49,568
Levon and Robbie
were best friends,
1709
01:32:49,693 --> 01:32:52,780
were brothers, I mean,
Levon showed him the ropes.
1710
01:32:53,614 --> 01:32:55,407
So it was very sad
1711
01:32:56,116 --> 01:32:57,785
that that's how he felt
1712
01:32:58,077 --> 01:33:00,412
and that, you know,
that's what he believed.
1713
01:33:02,539 --> 01:33:05,000
Robbie: Years later,
I got a message
1714
01:33:05,501 --> 01:33:08,128
that Levon was in the hospital
1715
01:33:09,838 --> 01:33:10,923
and he was dying.
1716
01:33:12,966 --> 01:33:16,053
I got on a plane
and I went to the hospital.
1717
01:33:17,346 --> 01:33:19,640
Levon wasn't conscious anymore.
1718
01:33:20,724 --> 01:33:25,062
His daughter was there
and she took me into the room,
1719
01:33:25,270 --> 01:33:27,981
I sat with him
and I held his hand
1720
01:33:28,941 --> 01:33:30,776
and I thought about
1721
01:33:31,860 --> 01:33:35,489
the amazing times
that we had had together.
1722
01:33:37,616 --> 01:33:39,535
We'd been on the front lines
1723
01:33:39,743 --> 01:33:42,496
of two or three
musical revolutions.
1724
01:33:44,081 --> 01:33:47,668
And now we're just left
with these memories.
1725
01:33:49,586 --> 01:33:51,547
So I sat with my brother,
1726
01:33:51,713 --> 01:33:53,298
and held his hand.
1727
01:33:54,341 --> 01:33:55,467
You know, I said,
1728
01:33:55,634 --> 01:33:59,096
Levon, I'll meet you
on the other end.
1729
01:34:03,058 --> 01:34:05,185
♪ ("The Night They Drove
Old Dixie Down" by The Band) ♪
1730
01:34:06,061 --> 01:34:08,438
♪ Virgil Caine is the name ♪
1731
01:34:08,605 --> 01:34:11,692
♪ And I served
On the Danville train ♪
1732
01:34:13,193 --> 01:34:15,737
♪ 'Til Stoneman's cavalry came ♪
1733
01:34:16,280 --> 01:34:19,533
♪ And they tore up
The tracks again ♪
1734
01:34:21,076 --> 01:34:25,455
♪ In the winter of '65,
We were hungry ♪
1735
01:34:25,831 --> 01:34:27,833
♪ Just barely alive ♪
1736
01:34:28,667 --> 01:34:31,753
♪ By May the tenth,
Richmond had fell ♪
1737
01:34:31,962 --> 01:34:35,090
♪ It's a time I remember ♪
1738
01:34:35,174 --> 01:34:38,719
♪ Oh so well ♪
1739
01:34:39,094 --> 01:34:44,600
♪ The night they drove
Old Dixie down ♪
1740
01:34:45,225 --> 01:34:47,644
♪ When all the bells
Were ringing ♪
1741
01:34:47,853 --> 01:34:52,316
♪ The night they drove
Old Dixie down ♪
1742
01:34:53,192 --> 01:34:56,195
♪ And all the people
Were singing, they went ♪
1743
01:34:56,361 --> 01:35:00,032
♪ Na, la, la, la, na, na ♪
1744
01:35:00,115 --> 01:35:03,744
♪ La la, na, na
La, la, la, la, la ♪
1745
01:35:07,915 --> 01:35:11,293
♪ Back with my wife
In Tennessee ♪
1746
01:35:12,085 --> 01:35:14,963
♪ When one day
She called to me ♪
1747
01:35:16,715 --> 01:35:19,760
♪ Said "Virgil, quick,
Come and see ♪
1748
01:35:20,052 --> 01:35:22,763
♪ There goes
The Robert E. Lee" ♪
1749
01:35:23,889 --> 01:35:27,059
♪ Now I don't mind
Choppin' wood ♪
1750
01:35:27,601 --> 01:35:31,813
♪ And I don't care
If the money's no good ♪
1751
01:35:31,897 --> 01:35:34,650
♪ You take what you need
And you leave the rest ♪
1752
01:35:35,150 --> 01:35:38,403
♪ But they should never
Have taken ♪
1753
01:35:38,528 --> 01:35:42,407
♪ The very best ♪
1754
01:35:43,116 --> 01:35:48,121
♪ The night they drove
Old Dixie down ♪
1755
01:35:49,122 --> 01:35:51,500
♪ When all the bells
Were ringing ♪
1756
01:35:51,583 --> 01:35:56,421
♪ The night they drove
Old Dixie down ♪
1757
01:35:56,588 --> 01:35:59,424
♪ And all the people
Were singing ♪
1758
01:35:59,591 --> 01:36:03,262
♪ They went, "Na, la, la
La, na, na ♪
1759
01:36:03,804 --> 01:36:08,058
♪ La la, na, na
La, la, la, na, na" ♪
1760
01:36:15,774 --> 01:36:18,235
♪ Like my father before me ♪
1761
01:36:19,236 --> 01:36:22,197
♪ I will work the land ♪
1762
01:36:23,782 --> 01:36:27,077
♪ And like my brother above me ♪
1763
01:36:27,494 --> 01:36:30,080
♪ Who took a rebel stand ♪
1764
01:36:30,956 --> 01:36:34,418
♪ He was just eighteen
Proud and brave ♪
1765
01:36:34,751 --> 01:36:38,797
♪ But a Yankee laid him
In his grave ♪
1766
01:36:38,880 --> 01:36:41,925
♪ And I swear by the mud
Below my feet ♪
1767
01:36:42,384 --> 01:36:45,345
♪ You can't raise
A Caine back up ♪
1768
01:36:45,554 --> 01:36:49,933
♪ When he's in defeat ♪
1769
01:36:50,183 --> 01:36:55,522
♪ The night they drove
Old Dixie down ♪
1770
01:36:56,189 --> 01:36:58,817
♪ When all the bells
Were ringing ♪
1771
01:36:59,151 --> 01:37:03,488
♪ The night they drove
Old Dixie down ♪
1772
01:37:04,323 --> 01:37:07,034
♪ And all the people
Were singing, they went ♪
1773
01:37:07,284 --> 01:37:11,038
♪ "Na, la, la, la, na, na ♪
1774
01:37:11,288 --> 01:37:14,875
♪ La la, na, na
La, la, la, na, na" ♪
1775
01:37:23,300 --> 01:37:28,638
♪ The night they drove
Old Dixie down ♪
1776
01:37:29,056 --> 01:37:31,058
♪ The bells were ringing ♪
1777
01:37:31,183 --> 01:37:35,896
♪ The night they drove
Old Dixie down ♪
1778
01:37:36,813 --> 01:37:38,899
♪ And all the people
Were singing ♪
1779
01:37:38,982 --> 01:37:42,986
♪ They went, "Na, la, la
La, na, na, na ♪
1780
01:37:43,570 --> 01:37:47,449
♪ La la, na, na
La, la, la, na, na" ♪
1781
01:37:55,040 --> 01:37:59,044
(cheers and applause)
1782
01:38:05,884 --> 01:38:10,931
♪ ("Ophelia"
by the Band playing) ♪
1783
01:38:18,939 --> 01:38:23,110
♪ Boards on the window,
Mail by the door ♪
1784
01:38:24,069 --> 01:38:28,031
♪ What would anybody leave
So quickly for? ♪
1785
01:38:28,281 --> 01:38:30,325
♪ Ophelia ♪
1786
01:38:33,036 --> 01:38:35,080
♪ Where have you gone? ♪
1787
01:38:39,835 --> 01:38:44,172
♪ The old neighborhood
Just ain't the same ♪
1788
01:38:45,132 --> 01:38:49,469
♪ Nobody knows
Just what became of ♪
1789
01:38:49,553 --> 01:38:51,304
♪ Ophelia ♪
1790
01:38:53,348 --> 01:38:55,892
♪ Tell me, what went wrong? ♪
1791
01:39:01,148 --> 01:39:04,526
♪ Was it somethin'
That somebody said? ♪
1792
01:39:06,236 --> 01:39:09,322
♪ Mama, I know
We broke the rules ♪
1793
01:39:11,533 --> 01:39:15,495
♪ Was somebody up
Against the law? ♪
1794
01:39:16,746 --> 01:39:21,418
♪ Honey, you know
I'd die for you ♪
1795
01:39:21,835 --> 01:39:26,214
♪ Ashes of laughter,
The coast is clear ♪
1796
01:39:26,965 --> 01:39:30,802
♪ Why do the best things
Always disappear ♪
1797
01:39:30,969 --> 01:39:33,305
♪ Like Ophelia ♪
1798
01:39:35,056 --> 01:39:37,642
♪ Please darken my door ♪
1799
01:40:24,523 --> 01:40:28,276
♪ Was it somethin'
That somebody said? ♪
1800
01:40:29,653 --> 01:40:32,447
♪ Honey, you know
We broke the rules ♪
1801
01:40:34,783 --> 01:40:38,411
♪ Was somebody up
Against the law? ♪
1802
01:40:40,038 --> 01:40:44,584
♪ Honey, you know
I'd die for you ♪
1803
01:40:44,918 --> 01:40:46,836
♪ They got your number ♪
1804
01:40:47,879 --> 01:40:49,464
♪ Scared and runnin' ♪
1805
01:40:50,131 --> 01:40:53,843
♪ But I'm still waitin'
For the second comin' ♪
1806
01:40:54,010 --> 01:40:56,096
♪ Of Ophelia ♪
1807
01:40:58,848 --> 01:41:01,101
♪ Come back home ♪