1
00:00:09,083 --> 00:00:11,083
[insects chittering]

2
00:00:17,458 --> 00:00:19,791
[gramophone crackling]

3
00:00:19,875 --> 00:00:21,125
[flies buzzing]

4
00:00:21,208 --> 00:00:23,333
[melancholy piano music playing]

5
00:01:23,666 --> 00:01:24,500
"Dah…"

6
00:01:24,583 --> 00:01:28,000
[narrator] For more than 15 years,
Aureliano Babilonia endured

7
00:01:28,083 --> 00:01:31,166
the tyrannical yoke
of Fernanda del Carpio.

8
00:01:35,000 --> 00:01:39,791
Confined to Melquiades' laboratory,
which he left only to eat,

9
00:01:40,500 --> 00:01:44,875
he learned by heart
the fantastic legends of the unbound book.

10
00:01:54,125 --> 00:01:56,791
[Aureliano II] A round of applause
for Fernanda del Carpio!

11
00:01:56,875 --> 00:01:58,875
[applause]

12
00:02:03,333 --> 00:02:06,458
[narrator] He memorized
the studies of Hermann the Cripple,

13
00:02:07,750 --> 00:02:10,291
the secrets of the philosopher's stone,

14
00:02:10,875 --> 00:02:15,291
the Centuries of Nostradamus,
and his investigations into the plague…

15
00:02:19,375 --> 00:02:22,958
[mother whispers]
And you'll be queen one day.

16
00:02:23,583 --> 00:02:25,583
[melancholy piano music continues]

17
00:02:29,958 --> 00:02:32,000
[narrator] …until he reached
his adolescence,

18
00:02:32,083 --> 00:02:34,458
knowing nothing of the age
in which he lived,

19
00:02:34,541 --> 00:02:38,000
but armed with the essential knowledge
of a medieval man.

20
00:02:38,500 --> 00:02:41,041
[Aureliano] This word, "dharma,"

21
00:02:42,083 --> 00:02:45,041
is also in the Ramcharitmanas,
which is in Hindi.

22
00:02:46,416 --> 00:02:48,458
[narrator] He seemed
to be talking to himself.

23
00:02:49,666 --> 00:02:50,791
But actually,

24
00:02:51,416 --> 00:02:53,583
he was talking to Melquiades.

25
00:02:54,375 --> 00:02:56,333
That's right, my dear Aureliano.

26
00:02:59,416 --> 00:03:00,875
Now tell me, my boy.

27
00:03:02,458 --> 00:03:04,125
What language is it written in?

28
00:03:09,208 --> 00:03:11,000
Do you know what this is, Melquiades?

29
00:03:15,000 --> 00:03:16,791
You still have time to learn it.

30
00:03:17,875 --> 00:03:19,166
But not too much time.

31
00:03:20,375 --> 00:03:23,000
Then you will be able
to decipher the manuscript,

32
00:03:24,000 --> 00:03:25,875
finally discover your origin.

33
00:03:28,666 --> 00:03:30,666
[melancholy piano music continues]

34
00:03:35,500 --> 00:03:36,916
In the alley,

35
00:03:37,416 --> 00:03:39,708
where in the days of the banana company

36
00:03:40,291 --> 00:03:42,333
they'd tell people's fortunes,

37
00:03:42,416 --> 00:03:45,375
there is a wise Catalan
who owns a bookstore

38
00:03:45,458 --> 00:03:46,958
in the Alley of the Future.

39
00:03:47,458 --> 00:03:48,833
Alley of the Future.

40
00:03:49,333 --> 00:03:51,416
[Melquiades] You'll find
a Sanskrit primer there.

41
00:03:51,916 --> 00:03:55,916
It'll be between Jerusalem Delivered
and Milton's poems,

42
00:03:56,708 --> 00:03:58,458
on the far right side…

43
00:04:00,583 --> 00:04:03,208
of the second shelf of the bookcases.

44
00:04:04,750 --> 00:04:06,541
[Aureliano] On the second shelf…

45
00:04:06,625 --> 00:04:08,083
[owl hoots]

46
00:04:14,208 --> 00:04:16,208
[music fades]

47
00:04:17,458 --> 00:04:18,750
Melquiades.

48
00:04:33,125 --> 00:04:34,250
Melquiades.

49
00:04:34,875 --> 00:04:36,583
[glass shatters in distance]

50
00:04:37,750 --> 00:04:39,125
[crying in distance]

51
00:04:44,333 --> 00:04:46,041
[crying continues]

52
00:04:46,125 --> 00:04:48,125
[electrical crackling]

53
00:05:00,375 --> 00:05:02,375
[footsteps approaching]

54
00:05:03,583 --> 00:05:05,583
[wind whistling]

55
00:05:22,458 --> 00:05:23,958
Let me clean your wound.

56
00:05:25,541 --> 00:05:28,083
-[sobs]
-It's gonna be all right.

57
00:05:33,833 --> 00:05:35,375
[sobbing continues]

58
00:05:35,458 --> 00:05:37,583
[drawer opens, closes]

59
00:05:41,625 --> 00:05:43,000
It's all right.

60
00:05:51,250 --> 00:05:53,250
[Fernanda whimpering]

61
00:05:57,166 --> 00:05:59,208
It's the roses from the wreaths.

62
00:06:02,791 --> 00:06:05,375
I forget to remove the thorns sometimes.

63
00:06:11,458 --> 00:06:13,083
My great-grandma,

64
00:06:14,291 --> 00:06:15,375
Renata…

65
00:06:17,958 --> 00:06:19,375
she was queen.

66
00:06:22,541 --> 00:06:23,500
And now,

67
00:06:24,666 --> 00:06:25,750
thanks to you…

68
00:06:28,000 --> 00:06:30,208
I'll be the queen of Madagascar.

69
00:06:33,875 --> 00:06:35,500
And our children,

70
00:06:36,833 --> 00:06:38,083
we will have two.

71
00:06:39,916 --> 00:06:42,458
She will be the queen of Belgium.

72
00:06:45,500 --> 00:06:46,708
And he…

73
00:06:48,750 --> 00:06:50,500
He will be the king

74
00:06:51,000 --> 00:06:52,833
of the whole Church.

75
00:06:55,583 --> 00:06:58,416
Fernanda, I'm gonna carry you.

76
00:06:58,500 --> 00:06:59,541
Don't be scared.

77
00:07:04,750 --> 00:07:06,750
[intriguing music playing]

78
00:07:14,875 --> 00:07:15,791
[Fernanda] Hmm.

79
00:07:21,041 --> 00:07:26,458
I - AURELIANO AND FERNANDA

80
00:07:26,541 --> 00:07:27,666
[music fades]

81
00:07:27,750 --> 00:07:28,958
[Fernanda] Mm…

82
00:07:57,541 --> 00:07:59,291
[narrator] Aureliano Babilonia,

83
00:07:59,791 --> 00:08:04,041
who had entered Fernanda's room
only a handful of times in his life,

84
00:08:04,125 --> 00:08:07,958
was seized
by an unexpected burst of boldness

85
00:08:08,041 --> 00:08:11,625
and thus managed to see
Amaranta Úrsula once more.

86
00:08:16,833 --> 00:08:20,000
[Amaranta Úrsula] Dear mother,
it fills me with great joy to tell you

87
00:08:20,083 --> 00:08:23,125
that I will be extending my studies
in Belgium.

88
00:08:23,208 --> 00:08:24,708
Though I'm excited,

89
00:08:24,791 --> 00:08:28,625
it's hard knowing that, once again,
I'll be away for so long

90
00:08:28,708 --> 00:08:29,625
and that Macondo will--

91
00:08:29,708 --> 00:08:30,750
What are you doing?

92
00:08:31,583 --> 00:08:34,250
You know that you're forbidden
to enter my bedroom.

93
00:08:34,916 --> 00:08:35,916
Get out!

94
00:08:37,458 --> 00:08:38,625
Bastard.

95
00:08:39,125 --> 00:08:41,083
You should have never been born.

96
00:08:42,375 --> 00:08:44,375
[lively piano music playing]

97
00:09:24,000 --> 00:09:26,666
[narrator] There was no shortage of food
in the house.

98
00:09:28,500 --> 00:09:31,791
Every Wednesday,
a basket of goods arrived.

99
00:09:34,208 --> 00:09:37,625
Fernanda never knew
that they came from Petra Cotes,

100
00:09:38,250 --> 00:09:40,583
who believed that her continued charity

101
00:09:40,666 --> 00:09:44,458
was a way of humiliating the person
who had humiliated her.

102
00:09:47,833 --> 00:09:50,750
Aureliano performed
all of the kitchen duties.

103
00:09:51,250 --> 00:09:53,416
And even under the circumstances,

104
00:09:53,500 --> 00:09:56,875
Aureliano and Fernanda
did not share their solitude.

105
00:09:56,958 --> 00:10:00,375
[Fernanda] I've given that dirty rat
everything, and now he steals from me.

106
00:10:05,583 --> 00:10:08,166
I should have slammed the door
in that nun's face.

107
00:10:10,250 --> 00:10:12,541
Worst mistake I ever made in my life.

108
00:10:13,541 --> 00:10:16,125
Worse than having married
an uncultured idiot.

109
00:10:17,791 --> 00:10:19,791
[lively piano music continues]

110
00:10:24,375 --> 00:10:25,791
A wise Catalan.

111
00:10:25,875 --> 00:10:29,625
[narrator] Aureliano lacked the tools
to decipher the manuscripts,

112
00:10:30,833 --> 00:10:33,208
so he decided to ask Fernanda

113
00:10:33,291 --> 00:10:36,958
to let him go in search of the book
Melquiades had told him about.

114
00:10:38,625 --> 00:10:41,625
He was so certain
that he would be given permission

115
00:10:42,458 --> 00:10:44,458
that Aureliano cut his hair,

116
00:10:44,958 --> 00:10:47,000
shaved his tangled beard,

117
00:10:47,083 --> 00:10:49,041
and put on a pair of tight trousers

118
00:10:49,125 --> 00:10:52,125
despite not knowing
who he'd inherited them from.

119
00:10:53,500 --> 00:10:55,791
[ceremonial music playing]

120
00:11:15,625 --> 00:11:16,708
[sighs]

121
00:11:17,625 --> 00:11:21,000
There's simply no way
for this wretch to understand

122
00:11:21,083 --> 00:11:24,000
the salad fork doesn't go
with the table knife.

123
00:11:26,416 --> 00:11:29,208
Or that the red wine
does not pair with the chicken.

124
00:11:29,291 --> 00:11:31,291
[somber ethereal music playing]

125
00:11:32,458 --> 00:11:34,083
-Ma'am.
-[both gasp]

126
00:11:35,541 --> 00:11:36,416
Forgive me.

127
00:11:36,916 --> 00:11:38,541
-I didn't mean to scare you.
-I…

128
00:11:39,458 --> 00:11:41,541
I am no Conservative spy, you hear me?

129
00:11:43,625 --> 00:11:45,916
Please, calm down.

130
00:11:46,416 --> 00:11:47,416
No.

131
00:11:47,500 --> 00:11:49,791
I had nothing to do
with the attack on your life, Colonel.

132
00:11:49,875 --> 00:11:51,625
-No.
-Absolutely nothing, all right?

133
00:11:51,708 --> 00:11:53,416
-Fernanda, calm down.
-Don't come any closer!

134
00:11:53,500 --> 00:11:55,125
Please. It's all right, Fernanda.

135
00:11:55,208 --> 00:11:57,416
-I said don't come any closer!
-Please drop the knife!

136
00:11:57,500 --> 00:11:58,916
That is an order, got that?

137
00:11:59,000 --> 00:12:00,375
Fernanda, it's me!

138
00:12:06,333 --> 00:12:08,041
-[Fernanda grunts]
-[music fades]

139
00:12:20,291 --> 00:12:22,041
Where did you get that uniform?

140
00:12:30,708 --> 00:12:31,875
What do you want?

141
00:12:35,250 --> 00:12:38,833
I, uh, wanted to ask for permission
to go to town to buy some books.

142
00:12:53,541 --> 00:12:54,958
I'd rather drop dead

143
00:12:56,041 --> 00:12:58,416
than have Macondo
ever learn of the existence

144
00:12:58,500 --> 00:13:00,583
of the Buendía Family bastard.

145
00:13:02,791 --> 00:13:04,791
I won't tell anyone. No one will know.

146
00:13:09,208 --> 00:13:10,333
I swear.

147
00:13:29,416 --> 00:13:31,625
Such insolence.

148
00:13:33,625 --> 00:13:36,291
After everything I've given that ingrate.

149
00:13:37,375 --> 00:13:39,375
[reverential music playing]

150
00:13:48,750 --> 00:13:50,125
[Fernanda] My beloved son,

151
00:13:51,791 --> 00:13:54,083
I'm counting the days until you return.

152
00:13:57,833 --> 00:14:01,458
I have readied the house
to receive you with the highest honors.

153
00:14:03,750 --> 00:14:05,250
Soon, you will be here,

154
00:14:06,875 --> 00:14:09,250
and we will be a happy family again.

155
00:14:10,666 --> 00:14:14,208
Before long, we will bask
in the riches of our reign together.

156
00:14:41,833 --> 00:14:45,125
[narrator] Entranced in her own
monarchical gestures,

157
00:14:45,208 --> 00:14:49,166
she had transformed the royal garments
into a machine of memory.

158
00:14:49,958 --> 00:14:52,166
She felt so old and spent,

159
00:14:52,666 --> 00:14:56,083
so far removed
from the best years of her life,

160
00:14:56,166 --> 00:15:00,291
that she found herself longing
for those she'd considered her worst.

161
00:15:10,166 --> 00:15:12,583
As the years ravaged her,

162
00:15:12,666 --> 00:15:16,416
the need to indulge her sorrow
became a vice.

163
00:15:35,875 --> 00:15:37,875
[music fades]

164
00:15:40,416 --> 00:15:44,625
[narrator] Aureliano granted himself
the permission Fernanda had denied him.

165
00:15:45,333 --> 00:15:46,833
The truth was

166
00:15:46,916 --> 00:15:51,583
he could have escaped a thousand times
over the years and returned unnoticed.

167
00:15:52,291 --> 00:15:55,750
But the long captivity
and the uncertainty of the world

168
00:15:56,416 --> 00:15:59,750
had parched the seeds of rebellion
in his heart.

169
00:16:00,500 --> 00:16:03,458
-[lively music playing in distance]
-[metallic clattering]

170
00:16:19,500 --> 00:16:21,375
[fireworks exploding in distance]

171
00:16:21,458 --> 00:16:23,458
[indistinct chattering]

172
00:16:28,458 --> 00:16:30,583
Alley of the Future, wise Catalan.

173
00:16:31,166 --> 00:16:32,750
Next to Milton's poems.

174
00:16:34,458 --> 00:16:37,250
[narrator] He walked the 11 blocks
between the house and the alley

175
00:16:37,333 --> 00:16:39,125
without stopping once.

176
00:16:40,875 --> 00:16:43,083
Nothing that he saw interested him,

177
00:16:43,666 --> 00:16:46,708
perhaps because
he had no memories to compare.

178
00:16:47,791 --> 00:16:49,791
[cheerful music playing]

179
00:16:54,875 --> 00:16:56,458
[laughter]

180
00:17:11,958 --> 00:17:13,625
[fireworks exploding in distance]

181
00:17:26,541 --> 00:17:28,500
[tango music playing]

182
00:17:28,583 --> 00:17:31,166
[man 1] That vicious circle thing
is false.

183
00:17:31,250 --> 00:17:32,750
[men laugh]

184
00:17:33,708 --> 00:17:35,166
-[man 2] For sure.
-[man 1 whistles]

185
00:17:35,250 --> 00:17:37,583
[man 1] Hey, look, this drunk
must've confused the bookstore

186
00:17:37,666 --> 00:17:39,166
with the Golden Child brothel.

187
00:17:39,250 --> 00:17:40,625
[men laugh]

188
00:17:40,708 --> 00:17:41,791
Why is he dressed like that?

189
00:17:41,875 --> 00:17:43,625
Because today
is the last day of the Carnival,

190
00:17:43,708 --> 00:17:45,375
and the tradition is to bury a colonel.

191
00:17:45,458 --> 00:17:47,000
-They still do that shit?
-That's right.

192
00:17:47,083 --> 00:17:48,791
[man 3] Listen, listen, to me
for a moment.

193
00:17:48,875 --> 00:17:52,375
The world will have gone to hell
the day men travel first class

194
00:17:52,458 --> 00:17:55,125
and literature goes in the freight car.

195
00:17:55,625 --> 00:17:56,708
-[man 2] That's true.
-[man 3] Right?

196
00:17:56,791 --> 00:17:58,208
[man 1] No, no, no. Listen to this.

197
00:17:58,291 --> 00:18:01,291
As I was telling you,
Oedipus' vicious cycle is a lie.

198
00:18:01,375 --> 00:18:04,000
That sly fellow
was well aware of what he was doing

199
00:18:04,083 --> 00:18:05,250
when he slept with his mother.

200
00:18:05,333 --> 00:18:06,166
[man 2] You're right!

201
00:18:06,250 --> 00:18:08,791
[man 4] There is no human act,
from the most sublime to the most abject,

202
00:18:08,875 --> 00:18:10,958
that does not contain a piece of poetry.

203
00:18:11,041 --> 00:18:13,708
[man 1 laughs]
Well, all right, all right. All right.

204
00:18:13,791 --> 00:18:16,500
But what about Rabelais? Huh?
He was an idiot.

205
00:18:16,583 --> 00:18:21,291
I don't think there's only 480 ways
to touch your own ass.

206
00:18:21,875 --> 00:18:23,625
You must be insane.

207
00:18:23,708 --> 00:18:26,375
Isaac the Blind was the last man
to read these novels,

208
00:18:27,041 --> 00:18:28,875
so you might wanna think about that.

209
00:18:29,375 --> 00:18:30,375
Here, take them.

210
00:18:30,458 --> 00:18:32,791
[man 1] These were the streets of Paris
where that rascal…

211
00:18:32,875 --> 00:18:33,958
What's this?

212
00:18:34,541 --> 00:18:36,541
…we need to ask his ghost
what he was thinking when…

213
00:18:36,625 --> 00:18:39,333
[man 2] Let's drink.
Rabelais can go fuck himself.

214
00:18:39,416 --> 00:18:40,583
[man 1] Go fuck yourself!

215
00:18:40,666 --> 00:18:42,125
[men laugh]

216
00:18:42,208 --> 00:18:44,208
[tango music continues]

217
00:18:54,708 --> 00:18:56,708
[door chime rings]

218
00:19:00,791 --> 00:19:03,250
-[tropical music playing]
-[indistinct chattering]

219
00:19:05,083 --> 00:19:09,041
[woman] Out, goddammit! Hey, you!
Yes, you! You heard me, you little punk.

220
00:19:09,125 --> 00:19:11,708
I know who you are!
Get out of here, right now!

221
00:19:11,791 --> 00:19:13,291
[boys laugh]

222
00:19:13,375 --> 00:19:15,666
-[woman] Get out of here!
-[boy 1] Fuck you, lady!

223
00:19:15,750 --> 00:19:17,750
-[boys laughing]
-[dog barking]

224
00:19:19,166 --> 00:19:20,500
[boy 2] Look at this guy.

225
00:19:22,500 --> 00:19:24,416
[tense music playing]

226
00:19:24,500 --> 00:19:27,125
[boy imitating dog barking]

227
00:19:27,208 --> 00:19:28,833
Where are you going, Colonel?

228
00:19:28,916 --> 00:19:30,583
I'm looking for my house.
The Buendía house.

229
00:19:30,666 --> 00:19:32,166
-Let's have dinner, Colonel.
-Please.

230
00:19:32,250 --> 00:19:34,583
Not the books. Please. No, no, no.

231
00:19:34,666 --> 00:19:36,708
[laughter]

232
00:19:36,791 --> 00:19:38,750
What else you got, Colonel? What else?

233
00:19:38,833 --> 00:19:40,375
Hey, that's mine. Let go!

234
00:19:40,458 --> 00:19:41,291
[laughter]

235
00:19:41,375 --> 00:19:42,375
Please!

236
00:19:42,458 --> 00:19:44,625
No! Please! No! Hey!

237
00:19:44,708 --> 00:19:45,583
Stop!

238
00:19:47,041 --> 00:19:48,708
-[boys clamoring]
-Stop!

239
00:19:48,791 --> 00:19:51,000
I have nothing! I swear!

240
00:19:51,875 --> 00:19:53,041
I have nothing!

241
00:19:53,125 --> 00:19:54,583
[Aureliano panting]

242
00:19:57,333 --> 00:19:59,125
Thought you weren't
carrying anything, Colonel.

243
00:19:59,208 --> 00:20:00,041
Bad, bad Colonel.

244
00:20:00,125 --> 00:20:01,666
Thought you weren't carrying anything!

245
00:20:01,750 --> 00:20:02,958
You're a liar!

246
00:20:03,041 --> 00:20:05,000
[unsettling music playing]

247
00:20:05,083 --> 00:20:07,583
-You think it's gold?
-[Aureliano] Give it back.

248
00:20:07,666 --> 00:20:10,708
No way. Let's go to the brothel
and see if they'll take it as payment.

249
00:20:10,791 --> 00:20:12,208
-Let's go.
-[boys chuckle]

250
00:20:15,333 --> 00:20:18,041
[Aureliano grunts, coughs]

251
00:20:18,791 --> 00:20:20,416
That's what you get for lying.

252
00:20:21,708 --> 00:20:23,208
Come on, come on, come on. Come on.

253
00:20:23,875 --> 00:20:25,416
Piece of shit, Colonel.

254
00:20:25,500 --> 00:20:27,041
[boys laughing]

255
00:20:35,791 --> 00:20:37,791
[unsettling music continues]

256
00:21:06,541 --> 00:21:08,125
[echoes] Get some sleep, honey.

257
00:21:09,458 --> 00:21:11,583
You're safe here.

258
00:21:19,500 --> 00:21:20,666
[music fades]

259
00:21:20,750 --> 00:21:22,750
[Cuban jazz music playing]

260
00:21:29,875 --> 00:21:31,583
Thank you for taking me in, sir.

261
00:21:32,291 --> 00:21:33,958
You can thank my granddaughter.

262
00:21:34,666 --> 00:21:36,958
She's the one who found you
out on the street.

263
00:21:38,916 --> 00:21:41,166
You slept for 18 hours straight,
young man.

264
00:21:41,250 --> 00:21:42,583
You must be starving.

265
00:21:45,791 --> 00:21:47,333
I should head back home.

266
00:21:52,833 --> 00:21:53,666
Sir…

267
00:21:54,583 --> 00:21:55,500
Thank you.

268
00:22:00,666 --> 00:22:03,875
This looks just like the fish
that Colonel Buendía used to make.

269
00:22:23,625 --> 00:22:25,666
[breathing heavily]

270
00:22:29,708 --> 00:22:31,625
[unsettling music playing]

271
00:22:32,750 --> 00:22:34,791
[insects chittering]

272
00:23:16,500 --> 00:23:18,416
[owl hooting]

273
00:23:18,500 --> 00:23:20,500
[wind whistling]

274
00:23:32,125 --> 00:23:34,125
[gentle music playing]

275
00:24:23,458 --> 00:24:25,791
[Aureliano] "With love and respect,
Amaranta Úrsula."

276
00:24:25,875 --> 00:24:28,375
-[Amaranta]You'd find it outrageous.
-"You'd find it outrageous."

277
00:24:28,458 --> 00:24:30,833
"Europeans are
nothing like people from Macondo."

278
00:24:31,458 --> 00:24:32,416
[chuckles]

279
00:24:38,083 --> 00:24:41,291
"I understand that this decision
may cause you concern,

280
00:24:41,375 --> 00:24:43,291
but I want you to know I am well."

281
00:24:43,375 --> 00:24:46,416
[Amaranta Úrsula] I don't understand
why I never get letters from Aureliano.

282
00:24:47,083 --> 00:24:49,875
-I miss Macondo…
-"I miss Macondo."

283
00:24:49,958 --> 00:24:51,708
[both] …but Brussels makes me feel alive.

284
00:24:51,791 --> 00:24:53,875
Tell the cannibal caveman
that I miss the days

285
00:24:53,958 --> 00:24:55,958
when we'd hunt for scorpions.

286
00:25:00,875 --> 00:25:03,416
[Amaranta Úrsula] Tell me about the house,
about Macondo,

287
00:25:03,500 --> 00:25:05,083
about that little cannibal, Aureliano.

288
00:25:05,166 --> 00:25:06,625
I never hear from him.

289
00:25:08,916 --> 00:25:11,541
I miss Macondo during these long winters.

290
00:25:11,625 --> 00:25:13,458
The house, the cannibal,

291
00:25:13,541 --> 00:25:15,250
please tell him I remember him

292
00:25:15,333 --> 00:25:17,791
and that I think of him
whenever I stroll through Brussels.

293
00:25:17,875 --> 00:25:21,458
"Remember him and that I think of him
whenever I stroll through Brussels."

294
00:25:22,416 --> 00:25:23,416
"I stand firm on what…"

295
00:25:23,500 --> 00:25:26,208
-I miss you both more than ever.
-…I miss you both more than ever."

296
00:25:26,291 --> 00:25:28,000
-[knocking at door]
-[music fades]

297
00:25:29,458 --> 00:25:31,458
[bell ringing]

298
00:25:39,166 --> 00:25:42,875
[narrator] It was impossible
to conceive of a man more like his mother.

299
00:25:46,958 --> 00:25:48,708
[intriguing music playing]

300
00:25:48,791 --> 00:25:49,833
Bring them in.

301
00:26:17,458 --> 00:26:22,375
II - AURELIANO AND JOSÉ ARCADIO

302
00:26:25,625 --> 00:26:27,625
[music fades]

303
00:26:29,416 --> 00:26:32,500
[narrator] Aureliano had vaporized mercury
to preserve the body

304
00:26:32,583 --> 00:26:35,125
according to Melquiades' formula.

305
00:26:35,208 --> 00:26:37,208
[footsteps approaching]

306
00:26:39,208 --> 00:26:43,208
[narrator] And four months later,
when José Arcadio arrived,

307
00:26:43,291 --> 00:26:45,083
he found her intact.

308
00:26:53,916 --> 00:27:00,916
[in Latin] Eternal rest grant unto her,
O Lord.

309
00:27:01,750 --> 00:27:04,625
And let perpetual light shine upon her.

310
00:27:09,541 --> 00:27:11,250
[in English] When exactly did she pass?

311
00:27:12,625 --> 00:27:13,875
A few months ago.

312
00:27:18,500 --> 00:27:19,875
My mother spoke of you.

313
00:27:22,833 --> 00:27:24,208
Leave me alone with her.

314
00:27:27,000 --> 00:27:29,000
[opera music playing]

315
00:28:06,833 --> 00:28:09,916
[in Latin] Forgive, I pray, O Lord,

316
00:28:10,000 --> 00:28:12,708
the soul of your servant,

317
00:28:12,791 --> 00:28:15,916
so that, released from the bonds of death,

318
00:28:16,000 --> 00:28:18,958
she may come to eternal life.

319
00:28:19,833 --> 00:28:23,500
Lord, have mercy. Christ, have mercy.

320
00:28:23,583 --> 00:28:27,375
May she rest in peace, grant her, O Lord.

321
00:28:27,458 --> 00:28:32,125
And let perpetual light
shine upon her for eternity.

322
00:28:35,250 --> 00:28:36,166
[in English] Amen.

323
00:28:43,166 --> 00:28:44,250
[grunts]

324
00:28:46,375 --> 00:28:48,291
Bastard, come here.

325
00:28:56,291 --> 00:28:57,875
[music fades]

326
00:29:04,125 --> 00:29:07,166
I get up at 5:15, and I want my breakfast
on the table at 6:00,

327
00:29:07,250 --> 00:29:08,958
right after my morning prayers.

328
00:29:16,375 --> 00:29:18,458
[inhales sharply]

329
00:29:19,333 --> 00:29:20,458
[exhales]

330
00:29:31,583 --> 00:29:32,500
[José Arcadio] Bastard.

331
00:29:41,041 --> 00:29:43,041
I like them warm, in their shell.

332
00:29:43,125 --> 00:29:45,791
And I don't know
what the hell this disgusting juice is.

333
00:29:45,875 --> 00:29:48,458
I said I wanted
freshly squeezed orange juice.

334
00:29:50,875 --> 00:29:53,500
Well, if you like your eggs warm,
then you can cook them.

335
00:29:54,000 --> 00:29:57,000
And there were no oranges in the basket,
so start getting used to guava juice.

336
00:29:57,083 --> 00:29:58,125
That's all we have.

337
00:29:58,208 --> 00:30:01,750
[in Italian] Fucking bastard.
My mother told me you were incorrigible.

338
00:30:01,833 --> 00:30:06,333
You are the incorrigible one.
You can't even wipe your own ass.

339
00:30:09,375 --> 00:30:12,750
[in English] I also speak German, Spanish,
and French. My Latin's better than yours.

340
00:30:12,833 --> 00:30:15,291
I don't know what the hell you said
when you buried your mother.

341
00:30:16,500 --> 00:30:18,416
That's not even the way
Christians do funerals.

342
00:30:18,500 --> 00:30:21,583
[triumphant orchestral music playing]

343
00:30:36,833 --> 00:30:37,958
[door slams]

344
00:30:45,958 --> 00:30:47,250
[loud clattering]

345
00:30:47,333 --> 00:30:50,125
[José Arcadio shouting indistinctly]

346
00:30:51,125 --> 00:30:52,375
[José Arcadio screams]

347
00:30:54,500 --> 00:30:56,041
-[José Arcadio screams]
-[music stops]

348
00:30:56,125 --> 00:30:58,041
-Where are you hiding the gold? Hmm?
-What gold?

349
00:30:58,125 --> 00:31:00,333
-The gold my mother promised!
-What are you talking about?

350
00:31:00,416 --> 00:31:02,541
"You will be here,
and we will be a happy family again."

351
00:31:02,625 --> 00:31:05,083
"Before long, we will bask
in the riches of our reign together."

352
00:31:05,166 --> 00:31:07,750
-Where is it? Huh?
-Your mother was crazy. There's nothing.

353
00:31:07,833 --> 00:31:09,833
Mama Úrsula supposedly had
a hidden treasure,

354
00:31:09,916 --> 00:31:11,208
but nobody ever found it.

355
00:31:11,708 --> 00:31:13,666
And all that's left
are the colonel's little fish.

356
00:31:13,750 --> 00:31:15,333
-Where?
-In the workshop.

357
00:31:15,833 --> 00:31:17,458
[grunts]

358
00:31:17,541 --> 00:31:19,791
I don't know what I was thinking,
coming back to this place

359
00:31:19,875 --> 00:31:21,083
in the middle of nowhere!

360
00:31:21,166 --> 00:31:22,000
[clattering]

361
00:31:22,083 --> 00:31:24,083
["Let's Dance" by David Bowie playing]

362
00:31:46,833 --> 00:31:49,791
[narrator] For years,
José Arcadio had entertained his mother

363
00:31:49,875 --> 00:31:53,166
with the endless lies
of his pontifical pursuits.

364
00:32:04,291 --> 00:32:07,583
He'd abandoned the seminary
as soon as he set foot in Rome,

365
00:32:08,083 --> 00:32:12,250
but continued to feed the legend
of theology and canon law to her

366
00:32:12,333 --> 00:32:14,666
so as not to endanger
the fabulous inheritance

367
00:32:14,750 --> 00:32:17,666
that his mother's delirious letters
spoke of.

368
00:32:19,000 --> 00:32:21,000
["Let's Dance" continues]

369
00:33:03,083 --> 00:33:04,416
[music fades]

370
00:33:10,291 --> 00:33:13,833
[narrator] As a child,
José Arcadio would break into a cold sweat

371
00:33:13,916 --> 00:33:16,875
beneath the icy gaze
of the tattletale saints.

372
00:33:16,958 --> 00:33:18,083
[José Arcadio humming]

373
00:33:18,166 --> 00:33:20,291
[narrator] It was a useless torture,

374
00:33:20,375 --> 00:33:23,583
since he already feared the stories
that surrounded him.

375
00:33:25,041 --> 00:33:28,750
Women in the house
bearing children with tails of pigs,

376
00:33:28,833 --> 00:33:31,625
fighting cocks
that led to men killing one another,

377
00:33:31,708 --> 00:33:34,458
burdening their conscience with remorse,

378
00:33:35,458 --> 00:33:38,625
reckless ventures
that ended only in madness…

379
00:33:38,708 --> 00:33:40,041
[laughing]

380
00:33:40,125 --> 00:33:41,375
…and, in short,

381
00:33:42,291 --> 00:33:45,333
everything God had created
in his infinite goodness

382
00:33:45,416 --> 00:33:46,791
that the devil had corrupted.

383
00:33:46,875 --> 00:33:49,625
Hey. How are we supposed to survive?

384
00:33:49,708 --> 00:33:51,291
All we have is candy and booze.

385
00:33:51,375 --> 00:33:53,083
[José Arcadio laughs]

386
00:33:53,166 --> 00:33:54,541
Who needs food?

387
00:33:55,041 --> 00:33:58,125
We have the blood of the sacrament here.

388
00:33:59,250 --> 00:34:01,916
You… You need to go out
and buy some real food.

389
00:34:02,583 --> 00:34:05,291
My mother told me
you were forbidden to go outside

390
00:34:05,375 --> 00:34:09,333
because Macondo should never know of
the Buendía bastard.

391
00:34:09,416 --> 00:34:13,166
But now, I wear the crown in this house,

392
00:34:13,250 --> 00:34:16,541
so I grant you the permission to go out,
my son of mine.

393
00:34:16,625 --> 00:34:18,625
[head rattling]

394
00:34:24,625 --> 00:34:27,291
-[José Arcadio laughing]
-[loud clatter]

395
00:34:37,416 --> 00:34:38,541
Take this.

396
00:34:38,625 --> 00:34:40,375
Bring more food and more wine.

397
00:34:41,166 --> 00:34:43,083
No, I'm not going anywhere. You go.

398
00:34:44,250 --> 00:34:45,208
Hmm?

399
00:34:47,166 --> 00:34:48,000
Fine.

400
00:34:48,708 --> 00:34:50,333
If you don't wanna go,

401
00:34:50,958 --> 00:34:54,625
then I invite you to join me
in destroying all these relics.

402
00:34:55,125 --> 00:34:56,458
Go ahead, drink.

403
00:34:56,958 --> 00:34:57,791
Come on.

404
00:34:58,333 --> 00:34:59,166
Drink.

405
00:34:59,666 --> 00:35:01,500
[both moaning]

406
00:35:01,583 --> 00:35:03,250
[José Arcadio laughs]

407
00:35:03,875 --> 00:35:08,750
Or what, you wanna tell me you like
how all these degenerates judge us

408
00:35:08,833 --> 00:35:11,583
with their eerie
and malevolently painted eyes?

409
00:35:11,666 --> 00:35:12,500
Hmm?

410
00:35:13,000 --> 00:35:15,125
[laughs] No.

411
00:35:20,750 --> 00:35:22,000
Come on, bastard!

412
00:35:22,083 --> 00:35:23,541
This one! Come here!

413
00:35:24,500 --> 00:35:26,208
[José Arcadio grunting]

414
00:35:27,041 --> 00:35:28,000
That's it.

415
00:35:28,541 --> 00:35:30,791
Smash it! Come on, bastard, go!

416
00:35:30,875 --> 00:35:32,750
[lively Italian music playing]

417
00:35:32,833 --> 00:35:34,250
[laughter continues]

418
00:35:35,083 --> 00:35:35,916
[both] Two.

419
00:35:36,666 --> 00:35:37,500
Three!

420
00:35:38,000 --> 00:35:41,166
We must burn them. Burn them all!

421
00:35:55,833 --> 00:35:57,166
[José Arcadio laughs]

422
00:36:19,666 --> 00:36:21,666
[lively Italian music continues]

423
00:36:46,416 --> 00:36:48,083
[music fades]

424
00:36:48,166 --> 00:36:51,500
[narrator] Many times
during that feverish Roman August,

425
00:36:51,583 --> 00:36:53,916
he awoke in the middle of the night

426
00:36:54,000 --> 00:36:58,041
and saw Amaranta emerging
from a brocatelle marble fountain,

427
00:36:58,791 --> 00:37:00,750
with her bandaged hand,

428
00:37:00,833 --> 00:37:03,625
idealized by the longing of his exile.

429
00:37:04,625 --> 00:37:06,291
[José Arcadio] Her name was Amaranta.

430
00:37:07,666 --> 00:37:10,041
I loved her more than I loved my mother.

431
00:37:13,291 --> 00:37:16,416
She'd spend hours
counting the spots on my skin.

432
00:37:16,500 --> 00:37:18,375
She gave each one a name.

433
00:37:20,208 --> 00:37:21,625
Amaranta Úrsula…

434
00:37:22,458 --> 00:37:24,208
I love her more than my life.

435
00:37:25,416 --> 00:37:27,083
She comes to me in my dreams.

436
00:37:27,583 --> 00:37:29,333
Night after night.

437
00:37:36,041 --> 00:37:38,000
We're gonna run out of wine, bastard.

438
00:37:38,083 --> 00:37:39,750
This is very serious.

439
00:37:40,250 --> 00:37:41,583
Very serious.

440
00:37:44,958 --> 00:37:46,916
We still have this, look.

441
00:37:47,500 --> 00:37:49,750
But you have to come with me into town
for more wine.

442
00:37:50,416 --> 00:37:51,416
Let's go.

443
00:37:52,375 --> 00:37:55,750
[narrator] Aureliano was surprised
by how different José Arcadio was

444
00:37:55,833 --> 00:37:58,041
from the image he had formed of him.

445
00:37:59,083 --> 00:38:01,541
The closeness that grew
between the two lonely men

446
00:38:01,625 --> 00:38:04,041
of the same blood
was far from a friendship…

447
00:38:04,125 --> 00:38:04,958
There you go.

448
00:38:05,041 --> 00:38:09,000
…but it allowed them to better endure
the unfathomable solitude

449
00:38:09,083 --> 00:38:12,625
that both separated them and united them.

450
00:38:16,083 --> 00:38:17,708
No one remembers us, bastard.

451
00:38:18,208 --> 00:38:19,500
-Look. Ma'am.
-No, wait.

452
00:38:19,583 --> 00:38:21,416
Hey, hey, hey, ma'am. How are you?

453
00:38:21,500 --> 00:38:24,041
We are José Arcadio and Aureliano Buendía.

454
00:38:24,125 --> 00:38:25,208
Do you know who we are?

455
00:38:25,291 --> 00:38:27,666
She doesn't know. God bless you.

456
00:38:27,750 --> 00:38:29,166
And the Holy Spirit.

457
00:38:29,250 --> 00:38:31,500
No one remembers the Buendías!

458
00:38:31,583 --> 00:38:33,333
Do you remember? Hmm? Sir?

459
00:38:33,833 --> 00:38:37,375
Macondo was founded
by José Arcadio Buendía!

460
00:38:37,458 --> 00:38:38,958
He had two sons.

461
00:38:39,041 --> 00:38:41,375
Aureliano, a legendary soldier,

462
00:38:41,458 --> 00:38:44,458
and José Arcadio, a seafaring adventurer.

463
00:38:45,208 --> 00:38:46,208
Cheers.

464
00:38:46,291 --> 00:38:47,833
No one knows us.

465
00:38:49,791 --> 00:38:51,041
What about you there?

466
00:38:51,125 --> 00:38:52,333
Ladies!

467
00:38:52,416 --> 00:38:53,541
Gentlemen!

468
00:38:54,083 --> 00:38:56,875
This is José Arcadio, Your Holiness.

469
00:38:56,958 --> 00:38:59,083
And I would love to introduce you all

470
00:38:59,166 --> 00:39:04,250
to Aureliano, the spawn of sin, himself.

471
00:39:04,333 --> 00:39:07,833
[laughs] From heaven to hell!

472
00:39:08,875 --> 00:39:13,750
My father, Aureliano Segundo,
had a twin brother, José Arcadio,

473
00:39:13,833 --> 00:39:15,625
and he brought the train, huh?

474
00:39:15,708 --> 00:39:17,125
Hey, did you know that?

475
00:39:17,625 --> 00:39:19,833
No one remembers us anymore.

476
00:39:21,208 --> 00:39:22,791
No one does.

477
00:39:29,166 --> 00:39:30,541
The Golden Child.

478
00:39:31,500 --> 00:39:32,416
Come on.

479
00:39:40,833 --> 00:39:43,000
THE GOLDEN CHILD

480
00:39:43,083 --> 00:39:44,833
[mambo music playing]

481
00:39:52,041 --> 00:39:53,916
-[grunts]
-[animals chittering]

482
00:39:54,000 --> 00:39:55,208
[birds squawking]

483
00:39:55,291 --> 00:39:57,625
MEN

484
00:40:04,250 --> 00:40:06,250
[elephant trumpets]

485
00:40:06,333 --> 00:40:09,166
[narrator] The Golden Child
was a zoological brothel

486
00:40:09,250 --> 00:40:11,291
where the air had an innocent density,

487
00:40:11,375 --> 00:40:13,583
as if it had just been invented,

488
00:40:13,666 --> 00:40:15,625
and the beautiful mulatto women,

489
00:40:15,708 --> 00:40:18,916
who hopelessly waited
among blood-colored petals,

490
00:40:19,000 --> 00:40:21,750
knew trades of love
that man had left behind,

491
00:40:21,833 --> 00:40:24,458
forgotten in the earthly paradise.

492
00:40:26,541 --> 00:40:28,375
[Pilar] Hey, I know you.

493
00:40:32,083 --> 00:40:35,375
You. You are José Arcadio.

494
00:40:38,208 --> 00:40:42,041
And you… have the face of Aureliano.

495
00:40:42,125 --> 00:40:44,125
The same gaze.

496
00:40:44,625 --> 00:40:45,958
That is us, ma'am. Piacere.

497
00:40:46,041 --> 00:40:48,458
[narrator]
In that greenhouse of illusions,

498
00:40:48,541 --> 00:40:51,750
Pilar Ternera was a splendid
and taciturn old woman

499
00:40:51,833 --> 00:40:53,333
that guarded the entrance.

500
00:40:53,833 --> 00:40:56,208
Finally, someone recognized us.

501
00:40:56,291 --> 00:40:58,208
-[chuckles] Salud!
-[Pilar laughs]

502
00:40:59,541 --> 00:41:01,708
[Pilar] And I know why you are here.

503
00:41:03,291 --> 00:41:05,291
You are both in love,

504
00:41:06,541 --> 00:41:08,250
and you need to forget.

505
00:41:10,500 --> 00:41:12,291
Nigromanta!

506
00:41:13,416 --> 00:41:16,333
Nigromanta, darling, come here!

507
00:41:27,166 --> 00:41:28,833
Help these boys out, will you?

508
00:41:28,916 --> 00:41:30,291
Take care of them.

509
00:41:30,875 --> 00:41:32,083
[Nigromanta] Of course, Mama.

510
00:41:32,583 --> 00:41:33,750
Excuse me, ma'am.

511
00:41:33,833 --> 00:41:34,708
Thank you.

512
00:41:36,500 --> 00:41:38,833
-Thank you.
-Well, go ahead.

513
00:41:46,041 --> 00:41:47,041
So did you read that book?

514
00:41:47,125 --> 00:41:48,541
The book?

515
00:41:48,625 --> 00:41:50,291
I thought you had left this dump.

516
00:41:50,375 --> 00:41:52,375
José Arcadio. Piacere.

517
00:41:52,875 --> 00:41:54,083
Gabriel García.

518
00:41:55,083 --> 00:41:56,333
-Aureliano.
-Mm-hmm.

519
00:41:56,416 --> 00:41:59,000
If this guy knows you,
that means you left the house before,

520
00:41:59,083 --> 00:42:00,875
you lying, little bastard.

521
00:42:01,625 --> 00:42:04,125
I only left once, and it was
the worst experience of my life.

522
00:42:04,208 --> 00:42:05,750
What other secrets are you keeping?

523
00:42:05,833 --> 00:42:07,833
No other secrets, I swear, Your Holiness.

524
00:42:07,916 --> 00:42:09,416
[Nigromanta] Hey, I know you.

525
00:42:09,500 --> 00:42:11,500
[laughing]

526
00:42:12,833 --> 00:42:15,958
When I found you on the street,
looking like some beaten old dog.

527
00:42:17,208 --> 00:42:20,416
[José Arcadio] Salud!
To the beaten old dog.

528
00:42:21,000 --> 00:42:21,875
Salud!

529
00:42:21,958 --> 00:42:24,208
[José Arcadio laughing]

530
00:42:24,291 --> 00:42:26,333
To the pleasure of seeing you again.

531
00:42:27,375 --> 00:42:29,375
[elephant trumpets]

532
00:42:29,458 --> 00:42:31,458
[birds squawking]

533
00:42:32,583 --> 00:42:34,666
["Danza Negra" by Lucho Bermúdez playing]

534
00:43:37,166 --> 00:43:38,916
Be careful. Don't squish it.

535
00:43:39,500 --> 00:43:42,083
Don't you see that cockroaches
are the oldest winged insect

536
00:43:42,166 --> 00:43:43,541
on the face of the earth?

537
00:43:43,625 --> 00:43:44,458
Yeah, yeah, yeah.

538
00:43:44,541 --> 00:43:47,416
[narrator] Neither that afternoon,
nor in the days that followed,

539
00:43:47,500 --> 00:43:49,416
did Aureliano return home.

540
00:43:49,500 --> 00:43:50,958
[both laughing]

541
00:43:51,041 --> 00:43:53,041
[Cuban jazz music playing]

542
00:43:58,000 --> 00:43:59,125
[narrator] In the meantime,

543
00:43:59,208 --> 00:44:02,375
José Arcadio brought the children
over to the house to play,

544
00:44:03,000 --> 00:44:05,500
and they held parties
that lasted until dawn.

545
00:44:05,583 --> 00:44:06,750
[laughter]

546
00:44:08,166 --> 00:44:11,500
Gentlemen, don't forget
that Cervantes was a brute

547
00:44:11,583 --> 00:44:13,875
and Shakespeare was a real bastard!

548
00:44:15,458 --> 00:44:17,750
-See ya.
-[man] Long live literature!

549
00:44:17,833 --> 00:44:19,833
[all cheering]

550
00:44:19,916 --> 00:44:21,916
[Cuban jazz music continues]

551
00:44:25,458 --> 00:44:27,000
[glass shattering]

552
00:44:28,375 --> 00:44:30,875
[man 1] Welcome to
Macondo's marvelous cinema.

553
00:44:30,958 --> 00:44:32,541
Or at least what's left of it.

554
00:44:32,625 --> 00:44:36,083
[man 2] The art of cinema
is subordinate to theater.

555
00:44:36,166 --> 00:44:37,291
[Aureliano] That so?

556
00:44:37,791 --> 00:44:42,000
[narrator] Aureliano continued to meet
with the four debaters every afternoon.

557
00:44:42,708 --> 00:44:47,166
Álvaro, Germán, Alfonso, and Gabriel.

558
00:44:47,250 --> 00:44:51,291
The first and last friends
he would ever have in his life.

559
00:44:54,708 --> 00:44:58,125
[José Arcadio] Jump! Jump, ragazzi! Jump!

560
00:44:58,208 --> 00:45:01,833
[narrator] José Arcadio turned the house
into a decadent paradise.

561
00:45:01,916 --> 00:45:03,291
Deep into the night,

562
00:45:03,375 --> 00:45:06,708
they could still be heard
chattering, singing, and dancing,

563
00:45:06,791 --> 00:45:09,625
swimming like birds
soaring through a golden sky

564
00:45:09,708 --> 00:45:11,208
of fragrant bubbles,

565
00:45:11,291 --> 00:45:14,625
making the house look
like a boarding school without discipline.

566
00:45:14,708 --> 00:45:16,708
[indistinct chattering, laughter]

567
00:45:18,083 --> 00:45:19,666
[boy 2] Come on. Come on.

568
00:45:19,750 --> 00:45:22,208
One, two, three!

569
00:45:23,583 --> 00:45:25,166
[indistinct chattering]

570
00:45:25,250 --> 00:45:29,416
[narrator] Although Aureliano shared
the same affection for all four friends,

571
00:45:29,500 --> 00:45:32,166
Gabriel was the one
to whom he felt closest.

572
00:45:32,250 --> 00:45:35,791
They say that Colonel Aureliano Buendía
would draw chalk circles around himself

573
00:45:35,875 --> 00:45:37,750
that no one could walk over or enter.

574
00:45:38,291 --> 00:45:39,750
[narrator] Their friendship was born

575
00:45:39,833 --> 00:45:43,000
when he spoke of
Colonel Aureliano Buendía in passing.

576
00:45:43,500 --> 00:45:46,083
Gabriel hadn't questioned his existence,

577
00:45:46,166 --> 00:45:49,625
since the colonel had been comrade in arms
and an inseparable friend

578
00:45:49,708 --> 00:45:54,208
to his great-grandfather,
Colonel Gerineldo Márquez.

579
00:45:55,958 --> 00:45:57,958
[Cuban jazz music continues]

580
00:45:58,041 --> 00:46:00,041
[screaming, laughing]

581
00:46:10,500 --> 00:46:11,875
So you remember, then?

582
00:46:12,375 --> 00:46:14,625
Three thousand of them.
Dumped into the sea.

583
00:46:14,708 --> 00:46:16,291
That's right, young man.

584
00:46:16,375 --> 00:46:17,958
[music fades]

585
00:46:19,666 --> 00:46:21,666
[opera music playing]

586
00:47:08,958 --> 00:47:10,958
[opera music continues]

587
00:47:11,500 --> 00:47:13,500
[humming]

588
00:47:19,041 --> 00:47:21,041
[humming continues]

589
00:47:35,666 --> 00:47:36,916
[Aureliano] José Arcadio!

590
00:47:37,416 --> 00:47:38,583
In here!

591
00:47:40,000 --> 00:47:41,166
Bastard!

592
00:47:55,541 --> 00:47:57,750
There really was a treasure, bastard.

593
00:48:01,708 --> 00:48:05,625
The only place I didn't think to look was
under Mama Úrsula's bed.

594
00:48:08,291 --> 00:48:10,333
That's where my boys found it.

595
00:48:10,416 --> 00:48:12,291
Hmm? [laughs]

596
00:48:13,250 --> 00:48:15,125
[Aureliano] Those kids are dangerous.

597
00:48:16,208 --> 00:48:18,750
No, they're not though.

598
00:48:19,333 --> 00:48:21,666
Thanks to them, we're rich now.

599
00:48:21,750 --> 00:48:25,750
We'll be able to remodel the house
however we want to. Hmm?

600
00:48:25,833 --> 00:48:28,750
[chuckles] We'll be able to live
like kings now.

601
00:48:28,833 --> 00:48:31,250
Come on.
I'll treat you to a feast, bastard.

602
00:48:31,750 --> 00:48:33,666
Drink this champagne. Here.

603
00:48:34,166 --> 00:48:35,000
Salud!

604
00:48:35,500 --> 00:48:36,541
To, uh… [chuckles]

605
00:48:36,625 --> 00:48:39,958
To the Buendía family treasure.

606
00:48:40,041 --> 00:48:42,958
-Here. Drink.
-Not now. I'm going to bed.

607
00:48:44,083 --> 00:48:46,083
[José Arcadio laughs]

608
00:48:48,333 --> 00:48:50,333
[José Arcadio humming]

609
00:48:52,375 --> 00:48:54,375
[humming continues]

610
00:49:04,833 --> 00:49:06,833
[opera music continues]

611
00:49:16,208 --> 00:49:17,625
[music fades]

612
00:49:22,833 --> 00:49:24,833
[loud clattering]

613
00:49:25,333 --> 00:49:27,333
[metallic clattering]

614
00:49:32,125 --> 00:49:34,458
-[ominous music playing]
-[screaming]

615
00:49:38,791 --> 00:49:40,083
[both scream]

616
00:49:40,166 --> 00:49:43,208
[boy pants] What the hell?
What the hell was that?

617
00:49:43,291 --> 00:49:44,541
[boy 2] How should I know?

618
00:49:45,583 --> 00:49:46,625
[boy 2 screams]

619
00:49:50,041 --> 00:49:52,041
[mysterious ethereal music playing]

620
00:49:57,625 --> 00:49:59,208
[music fades]

621
00:50:11,000 --> 00:50:13,208
[narrator] In his exhausting insomnia,

622
00:50:13,750 --> 00:50:16,958
he once again
measured the depth of his misfortune…

623
00:50:18,833 --> 00:50:22,833
further highlighted as he made his rounds
through the darkened house

624
00:50:22,916 --> 00:50:25,375
where the dead wandered after sundown.

625
00:50:49,083 --> 00:50:49,958
Get up!

626
00:50:50,458 --> 00:50:52,583
Get out of here, you faggots!

627
00:50:52,666 --> 00:50:53,541
Go!

628
00:50:54,041 --> 00:50:55,083
Get out.

629
00:50:55,166 --> 00:50:56,166
Faggots!

630
00:50:56,958 --> 00:50:58,041
Get out of here!

631
00:50:58,125 --> 00:50:59,166
Get out!

632
00:51:03,000 --> 00:51:04,333
[boy 1] We'll be back!

633
00:51:04,916 --> 00:51:08,250
-[boy 2] You'll be sorry for this!
-[boy 3] Screw you, José Arcadio!

634
00:51:08,333 --> 00:51:10,708
[narrator] Enraged not so much
by the havoc

635
00:51:10,791 --> 00:51:13,958
as by the disgust and pity
he felt for himself,

636
00:51:14,041 --> 00:51:18,000
he kicked the boys out of the house
more harshly than he would have done

637
00:51:18,541 --> 00:51:20,000
with a pack of coyotes.

638
00:51:20,083 --> 00:51:22,083
[pensive string music playing]

639
00:51:29,375 --> 00:51:31,375
[clattering]

640
00:51:39,750 --> 00:51:41,125
[Aureliano] Where are the boys?

641
00:51:42,708 --> 00:51:43,833
I kicked them out.

642
00:51:44,333 --> 00:51:45,583
I was sick of 'em.

643
00:51:48,166 --> 00:51:49,708
[inhales sharply]

644
00:51:50,541 --> 00:51:52,375
I'm going to the square to get food.

645
00:51:58,458 --> 00:52:01,083
Go to the pharmacy
and buy me some salts for my asthma.

646
00:52:02,583 --> 00:52:03,916
I'm gonna take a bath.

647
00:52:06,125 --> 00:52:06,958
Hey,

648
00:52:08,541 --> 00:52:09,583
and get rum.

649
00:52:15,916 --> 00:52:19,208
[narrator] He remained that way,
self-absorbed,

650
00:52:19,708 --> 00:52:23,125
ruminating on the bitterness
of his equivocal pleasures.

651
00:52:26,583 --> 00:52:28,916
[door opens, closes]

652
00:52:30,125 --> 00:52:32,125
[pensive string music continues]

653
00:52:34,833 --> 00:52:36,833
[indistinct chattering]

654
00:53:12,000 --> 00:53:13,208
José Arcadio.

655
00:53:36,000 --> 00:53:37,125
José Arcadio?

656
00:53:42,958 --> 00:53:44,208
[music fades]

657
00:53:44,291 --> 00:53:45,583
[owl hoots]

658
00:53:45,666 --> 00:53:47,666
[muffled sounds]

659
00:53:54,041 --> 00:53:57,041
[narrator] The four boys
had burst through the shingles.

660
00:54:00,666 --> 00:54:03,500
It was so quick, methodical, and brutal

661
00:54:03,583 --> 00:54:06,208
that it seemed like a military operation.

662
00:54:29,625 --> 00:54:35,208
Only then… did Aureliano realize
how much he had begun to love him.

663
00:54:36,458 --> 00:54:38,458
[opera music playing]

664
00:55:08,625 --> 00:55:10,083
[music fades]

665
00:55:11,750 --> 00:55:13,750
[lively jazz music playing]

666
00:55:51,041 --> 00:55:52,750
Rise and shine, little cannibal.

667
00:55:57,166 --> 00:55:59,125
You've been snoring since I got here.

668
00:56:08,875 --> 00:56:10,833
What's it like to party in Macondo now?

669
00:56:11,541 --> 00:56:14,041
Whoever destroys the house first
gets all the rum?

670
00:56:14,125 --> 00:56:16,125
[laughing]

671
00:56:18,833 --> 00:56:19,875
Uh-uh?

672
00:56:20,500 --> 00:56:22,166
Cat got your tongue or what?

673
00:56:29,541 --> 00:56:31,458
It's been so long.

674
00:56:31,958 --> 00:56:33,958
[laughing]

675
00:56:38,666 --> 00:56:39,833
[Aureliano chuckles]

676
00:56:41,750 --> 00:56:43,833
Go take a bath. You smell like a wet dog.

677
00:56:52,500 --> 00:56:53,333
Here.

678
00:56:53,916 --> 00:56:55,125
I'll make us lunch.

679
00:56:58,625 --> 00:57:04,291
III - AURELIANO AND AMARANTA ÚRSULA

680
00:57:04,375 --> 00:57:06,375
[music fades]

681
00:57:13,083 --> 00:57:14,375
Wine or juice?

682
00:57:17,250 --> 00:57:18,583
Eh, juice.

683
00:57:18,666 --> 00:57:19,583
Thanks.

684
00:57:20,375 --> 00:57:21,500
You do speak.

685
00:57:22,083 --> 00:57:24,041
I was beginning to think
you'd lost your tongue.

686
00:57:25,041 --> 00:57:26,083
[Aureliano chuckles]

687
00:57:36,250 --> 00:57:37,583
Tell me about my brother.

688
00:57:39,333 --> 00:57:41,958
My mother spoke wonders of him,
but I never met him.

689
00:57:46,541 --> 00:57:47,875
I guess he…

690
00:57:49,625 --> 00:57:51,166
He was pretty sad, actually.

691
00:57:52,416 --> 00:57:53,791
He lived in the past.

692
00:57:56,500 --> 00:57:57,750
But he was a good man.

693
00:57:57,833 --> 00:57:58,791
Generous.

694
00:58:01,166 --> 00:58:04,416
In a lot of ways,
he was like Aureliano, your father.

695
00:58:05,000 --> 00:58:06,000
[chuckles]

696
00:58:08,958 --> 00:58:10,958
I thought you were happy in Belgium.

697
00:58:11,041 --> 00:58:12,000
I was.

698
00:58:15,041 --> 00:58:17,875
But every morning,
I woke up wishing I was here instead.

699
00:58:20,750 --> 00:58:22,500
Are you going to stay in Macondo?

700
00:58:23,000 --> 00:58:24,291
[man] Chérie!

701
00:58:24,375 --> 00:58:26,125
[footsteps approaching]

702
00:58:26,208 --> 00:58:27,166
[man] It's ready.

703
00:58:28,625 --> 00:58:30,791
[Amaranta Úrsula] This is the cannibal.
He's like my little brother.

704
00:58:30,875 --> 00:58:31,958
This is my husband.

705
00:58:32,041 --> 00:58:34,416
He says he's gonna start
an airmail service.

706
00:58:34,500 --> 00:58:36,500
Can you imagine airplanes in Macondo?

707
00:58:36,583 --> 00:58:37,875
[laughing]

708
00:58:38,875 --> 00:58:40,541
Gaston. Enchanté.

709
00:58:56,041 --> 00:58:57,583
[lively piano music playing]

710
00:58:57,666 --> 00:58:58,666
[sighs]

711
00:59:05,750 --> 00:59:07,708
[Gaston] Chérie, what are you doing?

712
00:59:07,791 --> 00:59:11,291
-It's impossible to kill all those ants.
-Ah, don't be like that.

713
00:59:11,375 --> 00:59:13,250
Are you going to draw another beetle?

714
00:59:14,875 --> 00:59:16,833
You know what I'm going to do? Hmm?

715
00:59:16,916 --> 00:59:19,375
-You know what I'm going to do? Huh?
-[laughing]

716
00:59:19,458 --> 00:59:21,916
I'll give you a hint.
It's not drawing another beetle!

717
00:59:22,000 --> 00:59:25,666
[narrator] Although he was at least
15 years older than his wife,

718
00:59:25,750 --> 00:59:27,625
his youthful pleasures,

719
00:59:27,708 --> 00:59:30,125
his vigilant determination
to make her happy,

720
00:59:31,125 --> 00:59:35,041
and his virtues as a good lover
made up for the difference.

721
00:59:35,125 --> 00:59:37,000
[both moaning]

722
00:59:37,083 --> 00:59:39,083
[moaning continues]

723
00:59:49,875 --> 00:59:50,875
[sighs]

724
00:59:51,666 --> 00:59:54,416
We gotta clear this area
and back behind the tree there.

725
00:59:54,916 --> 00:59:57,833
Better earn our keep.
There are no lazy people in this house.

726
00:59:58,416 --> 00:59:59,750
Those bags, let's--

727
00:59:59,833 --> 01:00:01,291
[in French] Gentle lady.

728
01:00:01,958 --> 01:00:04,375
[in English] Would you do me
the incredible honor

729
01:00:05,041 --> 01:00:09,291
of accompanying me
to the beautiful city of Macondo?

730
01:00:09,375 --> 01:00:12,125
[narrator] It was inconceivable
for a woman of such spirit

731
01:00:12,208 --> 01:00:14,208
to have returned to a dead town…

732
01:00:14,291 --> 01:00:15,375
It's beautiful, isn't it?

733
01:00:15,458 --> 01:00:17,208
…depressed by dust and heat.

734
01:00:17,291 --> 01:00:19,750
This is the street of the Turks.
Remember I told you about it?

735
01:00:20,250 --> 01:00:22,250
There were flying carpets everywhere.

736
01:00:22,833 --> 01:00:24,458
Oui, I remember.

737
01:00:26,458 --> 01:00:29,333
Oh, and over there
was where Aureliano Triste sold ice.

738
01:00:29,416 --> 01:00:30,666
-Really? Mm.
-Uh-huh.

739
01:00:30,750 --> 01:00:32,833
[narrator] She spoke to Gaston
about Macondo

740
01:00:32,916 --> 01:00:36,125
as the brightest and most peaceful town
in the world

741
01:00:36,208 --> 01:00:39,875
and of an enormous house
perfumed with oregano,

742
01:00:39,958 --> 01:00:42,416
where she wanted to grow old
with a loyal husband

743
01:00:42,500 --> 01:00:46,583
and their two irrepressible boys
named Rodrigo and Gonzalo,

744
01:00:46,666 --> 01:00:49,625
never Aureliano or José Arcadio,

745
01:00:49,708 --> 01:00:51,541
and a daughter named Virginia,

746
01:00:52,125 --> 01:00:53,625
never Remedios.

747
01:00:53,708 --> 01:00:54,916
[Amaranta Úrsula] On your back.

748
01:00:55,750 --> 01:00:57,791
-Like that.
-Ah, yes. Like this.

749
01:00:57,875 --> 01:00:59,291
[Gaston laughs]

750
01:01:05,208 --> 01:01:07,208
[lively music playing]

751
01:01:08,291 --> 01:01:13,000
[narrator] Aureliano was still a virgin
when Amaranta Úrsula returned to Macondo.

752
01:01:18,666 --> 01:01:21,583
[screaming in distance]

753
01:01:32,666 --> 01:01:35,000
[narrator] Nigromanta took him to her bed,

754
01:01:35,500 --> 01:01:40,291
and her fierce, hardened, soulless body
prepared to dispatch him

755
01:01:41,416 --> 01:01:43,875
as if he were a frightened little boy.

756
01:01:45,791 --> 01:01:46,916
[Nigromanta moans]

757
01:01:48,041 --> 01:01:51,250
[narrator] But instead, she found a man
whose tremendous vigor

758
01:01:52,000 --> 01:01:56,208
demanded her insides to readjust
in seismic proportions.

759
01:02:03,166 --> 01:02:05,166
[knocking at door]

760
01:02:08,750 --> 01:02:11,291
I thought you were dead or something.
You haven't come out in days.

761
01:02:12,791 --> 01:02:14,833
I thought the sky was falling down.

762
01:02:14,916 --> 01:02:15,750
Here.

763
01:02:17,083 --> 01:02:18,833
Are the workers too noisy for you?

764
01:02:18,916 --> 01:02:20,166
I'll tell them to leave.

765
01:02:21,541 --> 01:02:23,541
There are worse noises in the house.

766
01:02:31,333 --> 01:02:33,125
Amaranta, I'm trying to study.

767
01:02:33,208 --> 01:02:34,500
What do you want?

768
01:02:42,625 --> 01:02:44,708
Why didn't you ever respond to my letters?

769
01:02:46,500 --> 01:02:47,708
I wrote you so many times,

770
01:02:47,791 --> 01:02:50,500
but my mom told me
you wanted nothing to do with me,

771
01:02:50,583 --> 01:02:51,708
so I stopped.

772
01:02:54,250 --> 01:02:56,833
Do you hate me
for leaving you behind here with her?

773
01:03:00,000 --> 01:03:01,166
I don't hate you.

774
01:03:02,708 --> 01:03:04,458
So why won't you speak to me, then?

775
01:03:07,958 --> 01:03:09,583
Because I need to study.

776
01:03:09,666 --> 01:03:11,250
You're always studying.

777
01:03:13,875 --> 01:03:15,958
What's this monstrous book about?

778
01:03:18,500 --> 01:03:20,708
Well, I dunno.
That's what I'm trying to understand.

779
01:03:20,791 --> 01:03:23,166
What for?
Aren't there other books you can read?

780
01:03:24,541 --> 01:03:26,041
I already read them all.

781
01:03:26,125 --> 01:03:27,333
[laughs]

782
01:03:28,625 --> 01:03:30,708
You've read every single book
in the world?

783
01:03:30,791 --> 01:03:32,500
[lively jazz music playing]

784
01:03:33,250 --> 01:03:34,708
All the ones worth reading.

785
01:03:50,500 --> 01:03:53,500
[narrator] Amaranta Úrsula
kept making occasional visits.

786
01:03:55,041 --> 01:03:57,333
She'd stay there for a few minutes…

787
01:04:00,916 --> 01:04:03,291
while her husband scrutinized the skies,

788
01:04:03,375 --> 01:04:06,875
looking for the airplane
he intended to bring to Macondo.

789
01:04:07,625 --> 01:04:11,000
By then, Gaston had dissected
every insect in the region

790
01:04:11,083 --> 01:04:12,875
that could possibly be dissected.

791
01:04:12,958 --> 01:04:16,666
Get out! Go look for your little airplane,
and take these with you!

792
01:04:16,750 --> 01:04:18,833
I don't need more bugs
with all these ants!

793
01:04:18,916 --> 01:04:20,791
It's just for a season.

794
01:04:20,875 --> 01:04:23,875
It's not like there's anything exciting
happening in this shitty house anyway.

795
01:04:23,958 --> 01:04:24,791
What did you say?

796
01:04:24,875 --> 01:04:27,791
Shitty house?
You think my house is shitty?

797
01:04:27,875 --> 01:04:30,583
It's shitty? Huh? That's what you said!

798
01:04:30,666 --> 01:04:31,916
Amaranta, calm down!

799
01:04:32,916 --> 01:04:34,916
S'il te plaît, please.

800
01:04:36,083 --> 01:04:38,083
I don't understand
why you're so attached to Macondo.

801
01:04:38,166 --> 01:04:39,500
It doesn't make any sense.

802
01:04:40,208 --> 01:04:41,958
You're never gonna understand.

803
01:04:42,041 --> 01:04:43,250
[Gaston] Amaranta!

804
01:04:45,791 --> 01:04:46,875
Chérie.

805
01:04:49,666 --> 01:04:50,666
Chérie.

806
01:04:59,375 --> 01:05:01,041
Calm down. Please.

807
01:05:02,833 --> 01:05:05,708
[moaning]

808
01:05:11,208 --> 01:05:13,958
[group singing funeral song]

809
01:05:47,333 --> 01:05:49,958
[narrator] She died
in her wicker rocking chair

810
01:05:50,041 --> 01:05:51,791
on a night of celebration,

811
01:05:51,875 --> 01:05:53,541
guarding the door to her paradise.

812
01:05:53,625 --> 01:05:55,625
[woman sings in Spanish]
♪ Oh, my mother! ♪

813
01:05:55,708 --> 01:05:57,708
♪ Oh, my mother! ♪

814
01:05:57,791 --> 01:06:01,208
♪ My mom left to never come back! ♪

815
01:06:01,291 --> 01:06:03,250
♪ Oh, my mother! ♪

816
01:06:03,333 --> 01:06:04,875
♪ Oh, my mother! ♪

817
01:06:04,958 --> 01:06:08,750
[women] ♪ Holy Mary, Mother of God ♪

818
01:06:08,833 --> 01:06:12,416
♪ Pray for us sinners ♪

819
01:06:12,500 --> 01:06:15,458
♪ Now and at the hour of our death, amen ♪

820
01:06:15,541 --> 01:06:18,750
[woman] Hail Mary, full of grace,
the Lord is with thee…

821
01:06:18,833 --> 01:06:20,833
[melancholy music playing]

822
01:06:23,541 --> 01:06:24,875
[narrator] It was the end.

823
01:06:25,416 --> 01:06:27,041
In Pilar Ternera's grave,

824
01:06:28,000 --> 01:06:30,333
between psalms and whore trinkets,

825
01:06:30,416 --> 01:06:33,500
the rubble of the past was rotting away.

826
01:06:35,541 --> 01:06:37,541
[melancholy music continues]

827
01:06:41,583 --> 01:06:42,875
What have you been doing?

828
01:06:48,583 --> 01:06:50,875
Reading the same book until I decipher it.

829
01:06:53,958 --> 01:06:56,208
This place has nothing left
to offer anyone.

830
01:06:59,833 --> 01:07:01,083
I'm going to Paris.

831
01:07:02,666 --> 01:07:03,958
Mercedes is there.

832
01:07:06,125 --> 01:07:07,166
[in French] Okay.

833
01:07:08,416 --> 01:07:10,041
[in English] As soon as you get there,

834
01:07:10,125 --> 01:07:13,500
go to Henri Champion bookstore
in the Latin Quarter,

835
01:07:14,250 --> 01:07:18,875
and mail me both Reynard the Fox
and The Song of Roland.

836
01:07:20,875 --> 01:07:22,375
Liquor, s'il vous plaît.

837
01:07:22,875 --> 01:07:24,375
That's all I need, my friend.

838
01:07:24,458 --> 01:07:26,041
[chuckles] That's all you need.

839
01:07:30,875 --> 01:07:32,083
[man] Listen up, everyone.

840
01:07:34,208 --> 01:07:35,958
The Golden Child is closing.

841
01:07:38,291 --> 01:07:40,541
The party is over.

842
01:07:40,625 --> 01:07:42,625
[pensive ethereal music playing]

843
01:07:47,916 --> 01:07:49,250
[man] See you around.

844
01:08:08,541 --> 01:08:11,541
So long, Aureliano Buendía.

845
01:08:12,458 --> 01:08:14,500
So long, Gabriel García.

846
01:08:27,333 --> 01:08:29,375
Having friends is horrible.

847
01:08:37,750 --> 01:08:39,291
[music fades]

848
01:08:39,375 --> 01:08:40,666
[gasps] Ah!

849
01:08:40,750 --> 01:08:42,291
[breathes deeply]

850
01:08:45,916 --> 01:08:47,041
[Aureliano] What happened?

851
01:08:47,708 --> 01:08:49,166
Nothing, I cut myself.

852
01:08:53,541 --> 01:08:55,708
[Amaranta Úrsula laughs]

853
01:08:56,333 --> 01:08:58,791
You're too mischievous
to be a good bat, you know?

854
01:09:12,708 --> 01:09:13,833
Where were you?

855
01:09:19,291 --> 01:09:21,083
Everybody's leaving Macondo.

856
01:09:21,666 --> 01:09:23,291
Not everyone, little cannibal.

857
01:09:29,000 --> 01:09:30,333
There, that's better.

858
01:09:34,291 --> 01:09:35,875
[kissing]

859
01:09:39,083 --> 01:09:41,208
Don't ever leave me again, Amaranta.

860
01:09:41,291 --> 01:09:42,625
Aureliano, come on.

861
01:09:43,125 --> 01:09:44,375
Don't leave me.

862
01:09:47,375 --> 01:09:49,708
Every night I dream
that you whisper "Gaston" in my ear.

863
01:09:49,791 --> 01:09:51,125
Idiot!

864
01:09:58,375 --> 01:10:00,125
I'm getting on the first boat to Europe.

865
01:10:13,166 --> 01:10:15,000
[door opens, closes]

866
01:10:15,750 --> 01:10:16,916
[can clatters]

867
01:10:21,041 --> 01:10:23,041
[muffled sounds]

868
01:10:30,083 --> 01:10:31,125
[door opens]

869
01:10:31,625 --> 01:10:32,625
[Gaston] Chérie.

870
01:10:33,541 --> 01:10:34,625
Listen to this.

871
01:10:36,041 --> 01:10:40,958
"We are ashamed to confirm
that the airplane was sent to Tanganyika

872
01:10:41,041 --> 01:10:44,375
and delivered to the Makondo people,"
so on and so forth.

873
01:10:44,458 --> 01:10:47,791
"But we are already working tirelessly
at organizing its voyage to Macondo,

874
01:10:47,875 --> 01:10:49,208
in Latin America."

875
01:10:49,291 --> 01:10:50,541
[laughing]

876
01:10:50,625 --> 01:10:52,000
Why are you laughing?

877
01:10:52,083 --> 01:10:53,583
Unbelievable.

878
01:10:57,500 --> 01:10:59,791
[narrator] It was 4:30 in the afternoon

879
01:10:59,875 --> 01:11:02,375
when Amaranta Úrsula
came out of the bathroom.

880
01:11:02,458 --> 01:11:03,916
[Amaranta Úrsula] What are you doing?

881
01:11:07,791 --> 01:11:09,708
Waiting for you to go to Belgium.

882
01:11:20,000 --> 01:11:22,416
[typewriter clacking]

883
01:11:22,500 --> 01:11:25,083
[Gaston speaking French]

884
01:11:35,916 --> 01:11:37,916
[Gaston continue speaking French]

885
01:11:50,375 --> 01:11:51,333
[in English] Get out.

886
01:11:54,041 --> 01:11:56,041
[Gaston continues speaking French]

887
01:12:33,250 --> 01:12:36,041
[Gaston continues speaking French]

888
01:12:44,208 --> 01:12:46,583
[both moaning]

889
01:12:50,333 --> 01:12:51,375
[sighs]

890
01:12:59,458 --> 01:13:02,500
[narrator in English] The town had sunk
to such depths of inactivity

891
01:13:03,000 --> 01:13:05,500
that the only things left
in the darkened shop windows

892
01:13:05,583 --> 01:13:07,458
were headless mannequins.

893
01:13:09,500 --> 01:13:11,500
[train whistle blows]

894
01:13:18,916 --> 01:13:20,166
[Gaston in French] Stop!

895
01:13:21,166 --> 01:13:22,458
[in English] Stop!

896
01:13:22,541 --> 01:13:24,208
What the hell is going on?

897
01:13:27,750 --> 01:13:28,916
Unbelievable!

898
01:13:32,333 --> 01:13:35,375
[train whistle blaring]

899
01:13:39,208 --> 01:13:41,208
[romantic jazz music playing]

900
01:13:41,291 --> 01:13:44,166
[Amaranta Úrsula, Aureliano laughing]

901
01:13:46,708 --> 01:13:48,333
[Amaranta Úrsula] Hurry up, cannibal.

902
01:14:14,416 --> 01:14:16,916
[both laughing]

903
01:14:23,083 --> 01:14:26,583
[narrator] In a Macondo forgotten
even by the birds,

904
01:14:26,666 --> 01:14:30,791
where the dust and the heat had grown
so relentless that it was hard to breathe…

905
01:14:30,875 --> 01:14:32,333
[both laughing]

906
01:14:33,416 --> 01:14:36,625
…secluded by solitude and love in a house

907
01:14:36,708 --> 01:14:40,625
where the clamor of the red ants
made it impossible to sleep,

908
01:14:41,166 --> 01:14:45,750
Aureliano and Amaranta Úrsula
were the only joyful beings,

909
01:14:47,208 --> 01:14:49,333
and the happiest on Earth.

910
01:14:50,583 --> 01:14:52,583
[both laughing]

911
01:14:55,208 --> 01:14:57,416
[narrator] In that paradise of ruin,

912
01:14:57,916 --> 01:15:00,208
they lost all sense of reality

913
01:15:00,291 --> 01:15:03,666
and surrendered themselves
to the worship of the flesh.

914
01:15:03,750 --> 01:15:05,958
-[both moaning]
-[music fades]

915
01:15:06,041 --> 01:15:08,041
[birds squawking]

916
01:15:08,958 --> 01:15:10,958
[animals chittering]

917
01:15:19,041 --> 01:15:21,041
[flies buzzing]

918
01:15:30,833 --> 01:15:32,458
Good morning, cannibal.

919
01:15:36,083 --> 01:15:37,458
So how did you sleep?

920
01:15:40,916 --> 01:15:42,583
We're having a baby, Aureliano.

921
01:15:46,958 --> 01:15:47,916
What?

922
01:15:51,083 --> 01:15:52,500
When? How?

923
01:15:52,583 --> 01:15:53,666
[chuckles]

924
01:15:54,375 --> 01:15:55,875
What did you think would happen?

925
01:16:06,958 --> 01:16:07,958
[Aureliano chuckles]

926
01:16:12,500 --> 01:16:13,541
What's wrong?

927
01:16:16,791 --> 01:16:19,541
"Don't let the Buendías marry each other,
or their children will be born

928
01:16:19,625 --> 01:16:21,166
with a corkscrew pig's tail."

929
01:16:22,625 --> 01:16:24,458
That's what Mama Úrsula said.

930
01:16:26,458 --> 01:16:29,416
Yes, but you and I
are not brother and sister.

931
01:16:30,041 --> 01:16:31,750
My mom called you a bastard.

932
01:16:32,875 --> 01:16:36,125
She found me floating in a basket.
That's what she told us.

933
01:16:36,916 --> 01:16:38,500
We cannot have this child.

934
01:16:41,125 --> 01:16:43,125
[bells ringing]

935
01:16:46,166 --> 01:16:49,000
[train whistle blowing in distance]

936
01:16:50,791 --> 01:16:52,208
[man] Soldiers!

937
01:16:52,291 --> 01:16:53,333
Ready!

938
01:16:54,000 --> 01:16:55,166
Aim!

939
01:16:55,250 --> 01:16:57,458
[Úrsula] Release General Moncada!

940
01:16:57,541 --> 01:16:59,333
[woman 2] You're all monsters!

941
01:16:59,416 --> 01:17:03,708
[protestors chanting] Only eight hours!
Only eight hours! Only eight hours!

942
01:17:04,208 --> 01:17:05,291
[man] Hey, Buendía!

943
01:17:05,375 --> 01:17:09,416
You know, maybe that fighting cock
can finally do your wife a favor.

944
01:17:11,291 --> 01:17:12,791
[José Arcadio II] You vultures!

945
01:17:12,875 --> 01:17:15,916
You can keep your last minute
and go fuck off!

946
01:17:16,000 --> 01:17:18,000
[train whistle blowing]

947
01:17:38,083 --> 01:17:39,708
Sorry, the church is closed.

948
01:17:39,791 --> 01:17:41,208
I'm not here to pray.

949
01:17:41,291 --> 01:17:43,041
That's good, my son.

950
01:17:43,125 --> 01:17:44,875
God has abandoned this town.

951
01:17:44,958 --> 01:17:47,375
I need to see the baptism records.

952
01:17:50,416 --> 01:17:52,666
They were all eaten by the rats.

953
01:17:52,750 --> 01:17:54,875
Please, Father.
I need to know who my parents are.

954
01:17:54,958 --> 01:17:56,083
This is urgent.

955
01:17:57,458 --> 01:17:58,916
What's your name, young man?

956
01:18:00,166 --> 01:18:01,666
Aureliano Buendía.

957
01:18:03,166 --> 01:18:04,791
Then don't let it trouble you.

958
01:18:05,333 --> 01:18:09,083
You see, many years ago
there was a street here with that name.

959
01:18:10,083 --> 01:18:14,833
It was customary for folks back then
to name their children

960
01:18:15,458 --> 01:18:17,625
after places and streets.

961
01:18:19,166 --> 01:18:20,875
So you don't believe it either.

962
01:18:23,541 --> 01:18:24,708
What's that?

963
01:18:25,666 --> 01:18:29,750
That Colonel Aureliano Buendía fought
32 civil wars and lost them all.

964
01:18:30,250 --> 01:18:32,791
That 3,000 workers
were gunned down by the military

965
01:18:32,875 --> 01:18:36,750
and loaded into train cars and dumped
into the sea like forgotten bananas.

966
01:18:37,583 --> 01:18:38,708
Oh, son.

967
01:18:39,208 --> 01:18:43,000
I can't even be sure
that you and I exist in this moment.

968
01:18:48,000 --> 01:18:49,500
[door closes]

969
01:18:49,583 --> 01:18:51,583
[traditional French music playing]

970
01:19:11,208 --> 01:19:15,375
[narrator] Aureliano and Amaranta Úrsula
accepted the basket story,

971
01:19:15,958 --> 01:19:17,791
not because they believed it,

972
01:19:18,500 --> 01:19:21,166
but because it eased their greatest fears.

973
01:19:21,250 --> 01:19:24,333
Who would have guessed we'd end up
living like cavemen in this house?

974
01:19:24,416 --> 01:19:25,916
[both laugh]

975
01:19:38,708 --> 01:19:40,791
-[fluid splashes]
-[Amaranta Úrsula gasps]

976
01:20:04,875 --> 01:20:06,875
[traditional French music continues]

977
01:20:25,166 --> 01:20:28,833
[screaming in pain]

978
01:20:33,208 --> 01:20:35,166
[screaming continues]

979
01:20:39,000 --> 01:20:40,958
[Amaranta Úrsula breathing heavily]

980
01:20:41,041 --> 01:20:43,458
[screaming continues]

981
01:20:48,083 --> 01:20:49,291
[breathing heavily]

982
01:20:49,375 --> 01:20:53,375
[screaming continues]

983
01:20:58,458 --> 01:21:02,416
[screaming continues]

984
01:21:06,916 --> 01:21:11,958
[screaming continues]

985
01:21:12,666 --> 01:21:14,666
[panting]

986
01:21:15,250 --> 01:21:19,916
[screaming continues]

987
01:21:20,000 --> 01:21:22,000
[baby crying]

988
01:21:24,833 --> 01:21:26,916
[Aureliano] Sh, sh. It's okay.

989
01:21:27,708 --> 01:21:30,291
[baby crying]

990
01:21:30,916 --> 01:21:33,625
-[Aureliano shushing]
-[Amaranta Úrsula laughs]

991
01:21:35,958 --> 01:21:37,041
Hey there.

992
01:21:40,208 --> 01:21:41,125
That's it.

993
01:21:50,333 --> 01:21:52,125
He's a little cannibal caveman.

994
01:21:53,666 --> 01:21:55,291
His name will be Rodrigo.

995
01:21:57,291 --> 01:21:59,416
No, his name will be Aureliano.

996
01:21:59,500 --> 01:22:01,541
And he will win 32 wars.

997
01:22:04,541 --> 01:22:05,791
All right, then.

998
01:22:06,750 --> 01:22:08,458
His name is Aureliano.

999
01:22:12,875 --> 01:22:13,958
You should rest.

1000
01:22:14,500 --> 01:22:15,500
I've got him.

1001
01:22:15,583 --> 01:22:18,291
[reverential music playing]

1002
01:22:18,375 --> 01:22:20,375
[baby crying]

1003
01:22:34,458 --> 01:22:35,833
[Amaranta Úrsula] Don't worry.

1004
01:22:36,500 --> 01:22:37,958
We'll cut it off when he's older.

1005
01:22:38,041 --> 01:22:40,041
As long as he's able to talk.

1006
01:22:40,125 --> 01:22:41,416
[chuckles]

1007
01:22:41,500 --> 01:22:42,875
[chuckles]

1008
01:22:47,583 --> 01:22:50,166
-[baby crying]
-[exhales sharply]

1009
01:23:03,250 --> 01:23:05,250
[reverential music continues]

1010
01:23:14,958 --> 01:23:17,458
Amaranta, what's happening?

1011
01:23:19,541 --> 01:23:21,083
Don't worry, my love.

1012
01:23:22,833 --> 01:23:26,125
People like me aren't the type
to meet death against their will.

1013
01:23:36,583 --> 01:23:37,708
Wait.

1014
01:23:37,791 --> 01:23:39,125
Hang on, little guy.

1015
01:23:40,125 --> 01:23:41,833
Hang on. That's it.

1016
01:23:41,916 --> 01:23:43,166
Sh, sh, sh.

1017
01:23:43,750 --> 01:23:45,208
Sh, sh, sh.

1018
01:23:51,416 --> 01:23:53,416
[reverential music continues]

1019
01:24:13,000 --> 01:24:15,583
Amaranta. Amaranta.

1020
01:24:15,666 --> 01:24:17,166
[baby crying]

1021
01:24:17,250 --> 01:24:18,791
[Aureliano sobs]

1022
01:24:46,958 --> 01:24:49,166
-[music fades]
-[Aureliano sobs]

1023
01:24:53,125 --> 01:24:56,708
[screaming]

1024
01:24:57,250 --> 01:24:59,250
[grunting]

1025
01:25:01,250 --> 01:25:03,541
[sobbing]

1026
01:25:10,333 --> 01:25:11,500
[sighs]

1027
01:25:16,208 --> 01:25:18,666
[baby crying]

1028
01:25:38,416 --> 01:25:40,416
[Aureliano shushing]

1029
01:25:58,791 --> 01:26:00,791
[wind whistling]

1030
01:26:16,916 --> 01:26:18,916
[objects clattering]

1031
01:28:04,083 --> 01:28:06,083
[breathing echoes]

1032
01:28:06,166 --> 01:28:08,166
[wind howling]

1033
01:28:10,875 --> 01:28:12,875
[owl hooting echoes]

1034
01:28:26,333 --> 01:28:28,541
[narrator] At that prodigious instant,

1035
01:28:29,250 --> 01:28:33,666
Melquiades' final keys
were revealed to Aureliano Babilonia.

1036
01:28:36,166 --> 01:28:39,250
He saw the epigraph
of the parchments perfectly placed

1037
01:28:39,333 --> 01:28:41,916
in the order of man's time and space.

1038
01:28:44,666 --> 01:28:47,500
The first of the line is tied to a tree…

1039
01:28:52,625 --> 01:28:53,916
and the last

1040
01:28:55,000 --> 01:28:57,708
is being eaten by ants.

1041
01:29:11,541 --> 01:29:13,541
[somber music playing]

1042
01:29:26,833 --> 01:29:29,500
[narrator] Aureliano had never been
more lucid in his life

1043
01:29:29,583 --> 01:29:33,291
than when he forgot the dead
and the grief they had left him with.

1044
01:29:35,375 --> 01:29:39,916
Melquiades had not ordered events
within the conventional time of mankind,

1045
01:29:40,583 --> 01:29:43,125
but had compressed a century of episodes

1046
01:29:43,208 --> 01:29:46,416
so that all of them might coexist
in a single instant.

1047
01:29:50,333 --> 01:29:53,166
He read them
without the slightest difficulty,

1048
01:29:53,250 --> 01:29:56,333
as if they had been written
in his native tongue.

1049
01:29:57,166 --> 01:30:02,333
He found the moment of his own conception
among scorpions and yellow butterflies,

1050
01:30:04,333 --> 01:30:08,000
and discovered
that Amaranta Úrsula was not his sister,

1051
01:30:08,750 --> 01:30:09,958
but his aunt.

1052
01:30:11,125 --> 01:30:13,125
[bell ringing]

1053
01:30:24,708 --> 01:30:27,166
[narrator] The warm wind began to blow,

1054
01:30:28,208 --> 01:30:30,666
laden with voices from the past

1055
01:30:30,750 --> 01:30:35,291
and sighs of disillusionments
older than the most stubborn nostalgias.

1056
01:30:51,625 --> 01:30:53,625
[somber music continues]

1057
01:32:09,583 --> 01:32:11,583
[somber music continues]

1058
01:32:32,458 --> 01:32:36,500
[narrator] Aureliano began to decipher
the very instant he was living…

1059
01:32:39,000 --> 01:32:40,833
prophesying himself.

1060
01:32:45,208 --> 01:32:47,166
Before he reached the final line,

1061
01:32:47,250 --> 01:32:50,791
he had already understood
that he would never leave that room,

1062
01:32:51,416 --> 01:32:56,125
for it had been foretold
that the city of mirrors or mirages,

1063
01:32:57,125 --> 01:32:59,291
would be swept away by the wind…

1064
01:33:02,791 --> 01:33:04,916
and banished from the memory of men

1065
01:33:05,000 --> 01:33:08,125
the moment he finished
deciphering the parchments,

1066
01:33:08,875 --> 01:33:13,875
and that everything written in them
was unrepeatable, now and forever…

1067
01:33:15,625 --> 01:33:19,750
because lineages condemned
to 100 years of solitude

1068
01:33:20,541 --> 01:33:23,750
were not granted
a second opportunity on Earth.

1069
01:33:24,958 --> 01:33:26,958
[music intensifies]

1070
01:33:37,333 --> 01:33:44,333
ONE HUNDRED YEARS OF SOLITUDE

1071
01:33:45,291 --> 01:33:47,291
[melancholy ethereal music playing]

1072
01:42:31,916 --> 01:42:33,916
[music fades]