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PORTSMOUTH, ENGLAND

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[dramatic music playing]

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[in English] Could I see
your invitation, please?

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I'll get this one.

5
00:00:36,080 --> 00:00:38,320
Um, can I see your invitation, please?

6
00:00:38,400 --> 00:00:41,360
-Thank you.
-[guard] Parking is around the corner.

7
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[people chattering]

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[woman in English] Welcome.

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[dramatic classical music playing]

10
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[people chattering]

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[in English] So I say to him,
"Are you serious?"

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You're using a five iron?
You'll be in the bunker all afternoon.

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[in English] Not if he had
a good sand wedge

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so that the ball would bounce
out of the sand.

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He did have one. Of course he did.

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But it's another thing
to know how to use it.

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[in English] Knowing him, the most
likely thing is that he's still there.

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[all laugh]

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[applause]

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[ominous music playing]

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[people chattering]

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VATICAN CITY

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[church bell ringing]

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[in Italian] Come in, please.

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[quiet, ominous music playing]

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The book?

27
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Yes.

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I have it here.

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[Paco] Hold on.

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Listen, we can't know what we're
dealing with unless you let me see it.

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-Sorry, Father, but since we don't know...
-[in Italian] I understand.

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[in English] You don't know me...
[in Italian] ...I don't know you either.

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And I have to trust what you tell me.

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-Is that what you mean?
-Your relationship with Father Vergara?

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[chuckle] We're like brothers.

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We studied together, here in Rome.

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Of course, but I'd like to know more.

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[quiet, ominous music continues]

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[wind blowing]

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I'll show you something.

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This was the lecture hall.

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Here Vergara and I devoted
the most precious years of our youth

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studying the scholastics:

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St. Augustine, St. Thomas...

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And now all that spirituality,
what has it become?

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A sports center. [laughing]

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[in English] We have to leave now.
Mike is waiting.

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Shhh!

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Uhh... That-- That's life,
even the Vatican needs money.

50
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You know?

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Oh, if Vergara could see it...

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You take over.

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Come on.

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[music stops]

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[Merche] Thank you.

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-[crunching]
-[gasps]

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[wind blowing]

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He liked simple things.

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He was happy in our little town,
beside the sea.

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[Lombardi] Hm.

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He loved sailing.

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-Right, Paco?
-Yes.

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[in English]
Yeah. It was a little boat, no?

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He had a little boat, didn't he?

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Yes, exactly, a boat painted blue.

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That's right. Blue.

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[chuckle]

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Sometimes when he went to sea,

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yeah, he used to call me from sea and,

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uh, I used to tell him,

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"This call will cost a fortune,"
but he didn't care.

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He could spend hours on the phone.

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[suspenseful music playing]

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The town isn't on the coast, is it?

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-No.
-Shit.

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Give me the book!

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Stop talking this bullshit.

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[screams]

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[grunts]

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[music becomes tense and dramatic]

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[sighing]

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-Fuck!
-Fuck!

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[agonized groaning]

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[grunts]

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[screaming]

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-[hard thud]
-[gasps]

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[ominous music playing]

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[crackling]

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[panting]

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Fuck!

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[panting]

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[dramatic action music playing]

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[screaming]

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[screaming]

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[laughing]

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-[stabbing]
-[screaming]

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[laughing]

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[shouting]

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30 COINS

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[music ends]

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[rope creaking]

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-[people clapping]
-[quiet, dramatic music playing]

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[man in English] Thank you.

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[people chattering]

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[people chattering]

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[quiet, dramatic music continues]

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[in English] We've been waiting
almost an hour!

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Who does this guy think he is?

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-[in English] Relax, darlin'.
-[sighs]

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Do you know the amount of money I've
already lost just to get to this talk?

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-[woman] Relax, sweetie.
-[man] OK.

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00:09:19,960 --> 00:09:22,360
[quiet, dramatic music continues]

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[Barbrow sighs]

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-Alright.
-[kiss]

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-I'll see you afterwards, OK?
-OK.

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[people chattering]

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[Merche in English] Hi!

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Mike, he's already here.

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Don't worry, everything's under control.

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-Okay.
-Hi, sugar.

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[sighs]

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[quiet, dramatic music stops]

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[applause]

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[lively dramatic classical music playing]

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[person whistling]

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[music ends]

127
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[no audible dialogue]

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[people muttering]

129
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-[chuckles]
-[ominous music playing]

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It's very simple
and very complicated at the same time,

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but it could be summarized like this:

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-That's why we're here. [chuckle]
-[all chuckling]

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I told you this last year
and apparently things haven't changed.

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We know what is going
to happen, but not when.

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We need to know the exact moment

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so as to react in time
and control our options, yes or no?

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-[crowd] Yes.
-[man] That's right.

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That is why I have come to the conclusion

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that the only way to know the exact date
and time of the end of the world

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is to provoke it ourselves.

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[people muttering]

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Well, that seemed to get your attention,
didn't it? [chuckles]

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[muttering continues]

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Yeah.

145
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Why deny it?

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This world is finished.

147
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Resources are becoming exhausted,

148
00:11:24,880 --> 00:11:27,120
wars are becoming increasingly menacing,

149
00:11:27,200 --> 00:11:28,880
the climate is a catastrophe

150
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and simply keeping the species alive
is terribly, terribly expensive.

151
00:11:34,080 --> 00:11:35,680
[computer bleeps]

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Everything that these poor wretches
have done

153
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in their governments
and parliaments are just Band-Aids.

154
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The real question is,
how do you really fix something?

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00:11:46,560 --> 00:11:47,760
For real?!

156
00:11:48,360 --> 00:11:50,040
Now, I'll give you one example of how.

157
00:11:51,040 --> 00:11:53,440
Uh, we've done it thousands of times.

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It's an everyday gesture we all make

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without paying
the necessary attention to it.

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Our laptop is broken.

161
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Or our cell phone, or the television.

162
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We don't know what's wrong, but we've
tried everything and it's blocked.

163
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It just doesn't respond!

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-[groans] Right.
-[all chuckling]

165
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Is there no solution?

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Yes, there is.

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We turn it off and we turn it on again.

168
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And, like magic...

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[happy guitar music playing]

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...it works again.

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[people chuckling]

172
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As simple as that.

173
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We all know it,
but no one wants to accept it.

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Reset.

175
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Start from zero.

176
00:12:32,320 --> 00:12:38,240
Or rather, start from 0.000.000.000.1.

177
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And that one, that one,

178
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is us.

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[people muttering]

180
00:12:43,760 --> 00:12:45,080
And you're wondering, question,

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-What makes us so special as to be chosen?
-[people chattering]

182
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The answer is simple.

183
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Money! M-O-N-E-Y.

184
00:12:51,480 --> 00:12:53,120
Yes, that's right, Mike. [chuckles]

185
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-Money.
-[cash register sound]

186
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Because you have it, a lot of it.

187
00:12:56,240 --> 00:12:58,040
And that's a good thing.

188
00:12:58,120 --> 00:13:01,520
But even though you've already bought
everything there is to be bought,

189
00:13:01,600 --> 00:13:05,080
still, you feel empty, sad, bored.

190
00:13:05,160 --> 00:13:07,200
There's something missing, isn't there?

191
00:13:08,320 --> 00:13:09,680
[musical chime]

192
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Love!

193
00:13:11,160 --> 00:13:14,920
But love is not that wimpy thing
we see in the movies.

194
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No, love is the absolute conviction
that something is good for you.

195
00:13:19,880 --> 00:13:23,280
And, dear people, there is nothing better
for you than being alive,

196
00:13:23,360 --> 00:13:25,400
and loving yourselves!

197
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Loving yourselves.

198
00:13:28,840 --> 00:13:30,640
That's what it's all about.

199
00:13:30,720 --> 00:13:34,080
Now, if any of this makes you
uncomfortable, that's OK.

200
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The door is always open.

201
00:13:36,120 --> 00:13:39,280
However... this is gonna happen.

202
00:13:39,360 --> 00:13:41,280
Tuesday, March 20th,

203
00:13:41,360 --> 00:13:43,880
at 21:30 hours, during the spring equinox,

204
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we will experience
the final death rattles of this planet,

205
00:13:47,720 --> 00:13:50,240
and then... nothing.

206
00:13:50,320 --> 00:13:51,560
[faint, ominous music playing]

207
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It's over.

208
00:13:54,120 --> 00:13:57,280
-[scoffs]
-[dramatic music playing over speakers]

209
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Reset.

210
00:14:01,320 --> 00:14:05,400
Now, you can be among the chosen,
or you can watch from the outside.

211
00:14:05,480 --> 00:14:07,520
The choice, as always...

212
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is yours.

213
00:14:09,880 --> 00:14:12,120
[muttering]

214
00:14:12,200 --> 00:14:15,160
[faint, ominous music playing]

215
00:14:17,720 --> 00:14:19,640
[tense music playing]

216
00:14:40,200 --> 00:14:41,720
[door shuts]

217
00:14:49,320 --> 00:14:52,160
[music stops]

218
00:14:54,920 --> 00:14:57,000
-[in Italian] Sir, there's something...
-[in Italian] No.

219
00:14:57,720 --> 00:15:00,560
No? Why?

220
00:15:00,640 --> 00:15:01,800
Let me at least--

221
00:15:01,880 --> 00:15:07,120
Aren't you used to the fact that I know
everything in your mind?

222
00:15:07,200 --> 00:15:12,000
I'm told that they've taken Father Vergara
from one of the palace dungeons.

223
00:15:13,080 --> 00:15:15,800
Where are they taking him?
What are you thinking of doing with him?

224
00:15:15,880 --> 00:15:18,360
He betrayed me in thought.
We do not need him.

225
00:15:19,040 --> 00:15:20,840
Are you still delving into his soul?

226
00:15:20,920 --> 00:15:24,680
Into his, yours and all human beings.

227
00:15:24,760 --> 00:15:26,760
It's my job, Fabio.

228
00:15:26,840 --> 00:15:28,400
I note a certain...

229
00:15:29,840 --> 00:15:32,200
obstinacy in Vergara's case.

230
00:15:32,800 --> 00:15:36,640
It's as if he were special to you.

231
00:15:40,720 --> 00:15:41,920
Don't concern yourself, Fabio.

232
00:15:42,000 --> 00:15:43,560
I'm not, Highness,

233
00:15:44,200 --> 00:15:48,000
but Vergara is more necessary
now than ever.

234
00:15:48,080 --> 00:15:49,880
[quiet, mysterious music playing]

235
00:15:50,600 --> 00:15:52,040
Don't you think?

236
00:15:52,120 --> 00:15:54,360
[Angelo] Hmmmmm.

237
00:15:55,640 --> 00:15:57,240
[sighs]

238
00:15:57,320 --> 00:15:59,280
My 12 apostles.

239
00:15:59,360 --> 00:16:00,960
I'd like you to meet Peter.

240
00:16:01,040 --> 00:16:03,880
So to speak, "He upon whom
I shall build my church."

241
00:16:03,960 --> 00:16:05,720
-Come on up here, Reginald.
-[applause]

242
00:16:15,240 --> 00:16:16,800
[in English] Thank you. Mm. Thank you.

243
00:16:16,880 --> 00:16:19,360
Forty years, 40 years in the making.

244
00:16:19,440 --> 00:16:21,920
We knew what we were looking for,
we found it,

245
00:16:22,000 --> 00:16:23,640
but there was no way
to put it into practice,

246
00:16:23,720 --> 00:16:26,000
at least not by any means
known to mankind.

247
00:16:26,920 --> 00:16:28,920
That was a bit of a disappointment.

248
00:16:29,000 --> 00:16:32,920
[inhaling] What many would consider
to be a dead end,

249
00:16:33,000 --> 00:16:34,520
a hopeless situation.

250
00:16:35,440 --> 00:16:38,200
But one man did not give up.

251
00:16:38,720 --> 00:16:42,320
Christian Barbrow did
what he's done his entire life:

252
00:16:42,400 --> 00:16:44,840
make the impossible possible.

253
00:16:44,920 --> 00:16:46,600
Boy, and they say I pay him too much.

254
00:16:46,680 --> 00:16:48,200
[all chuckling]

255
00:16:48,280 --> 00:16:50,720
Thank you so much. Thank you.

256
00:16:51,280 --> 00:16:53,440
My friend, you look fantastic.

257
00:16:53,520 --> 00:16:54,520
Thank you.

258
00:17:04,480 --> 00:17:07,240
[tense, dramatic music playing]

259
00:17:23,680 --> 00:17:27,560
Billy, I need to be there
within a half hour.

260
00:17:30,000 --> 00:17:31,440
-[in English] Hey. Hey.
-So, uh--

261
00:17:31,520 --> 00:17:34,400
-Mr. Johnson. Excuse me.
-Hold on, okay? Hold on a minute.

262
00:17:34,480 --> 00:17:36,800
I just wanted to take the,

263
00:17:36,880 --> 00:17:41,120
the opportunity to say hello and thank you
for all the work you're doing.

264
00:17:41,200 --> 00:17:42,720
Thank you. Thank you very much.

265
00:17:42,800 --> 00:17:45,000
[chuckling] Hey, what are you doing?!

266
00:17:45,080 --> 00:17:47,320
-Dr. Johnson doesn't want to be bothered.
-Am I bothering you?

267
00:17:47,400 --> 00:17:49,200
It's OK. Don't worry. Hold on one second.

268
00:17:49,280 --> 00:17:51,320
This is intolerable.

269
00:17:51,400 --> 00:17:53,160
-[grunts] Sorry.
-[Reginald] Alright.

270
00:17:54,200 --> 00:17:56,440
-I'm so sorry! Forgive me!
-No, I'll be with a...

271
00:17:56,520 --> 00:17:58,720
-Forgive me!
-OK. I'm on it. I'm on it.

272
00:17:58,800 --> 00:18:00,800
-Come with me. Come with me.
-Stupid... God!

273
00:18:02,040 --> 00:18:04,800
ROME, ITALY

274
00:18:05,960 --> 00:18:07,040
[whistle blowing]

275
00:18:07,120 --> 00:18:10,280
[alarm blaring]

276
00:18:10,360 --> 00:18:11,880
Will they have found the body?

277
00:18:11,960 --> 00:18:13,240
No. I don't think so.

278
00:18:32,000 --> 00:18:33,960
[in Italian] Two cappuccinos.
The bathroom?

279
00:18:34,040 --> 00:18:35,280
[in Italian] First door on the left.

280
00:18:37,960 --> 00:18:39,720
[faint, mysterious music playing]

281
00:18:39,800 --> 00:18:42,160
[dramatic action music playing]

282
00:18:45,560 --> 00:18:46,840
Come on.

283
00:18:46,920 --> 00:18:48,720
[music becomes faint and tense]

284
00:18:48,800 --> 00:18:51,040
[groaning]

285
00:18:52,040 --> 00:18:54,360
[knocking]

286
00:18:59,000 --> 00:19:01,480
-Open it. No other option.
-No, fuck.

287
00:19:01,560 --> 00:19:02,560
Paco!

288
00:19:08,600 --> 00:19:11,200
[in Italian] What's this?
The bathroom isn't for making love!

289
00:19:16,840 --> 00:19:19,000
[people chattering]

290
00:19:20,960 --> 00:19:22,720
[in Italian] Ahh! Thank you.

291
00:19:23,520 --> 00:19:26,360
[siren blaring]

292
00:19:33,000 --> 00:19:35,280
Your coffee, Father Lombardi.

293
00:19:35,360 --> 00:19:36,400
[in Italian] Thank you.

294
00:19:38,360 --> 00:19:41,040
[mysterious music playing]

295
00:19:46,760 --> 00:19:48,560
[in Italian] Are you Lombardi?

296
00:19:49,240 --> 00:19:53,040
You're Elena, aren't you?
I've been waiting for you for a long time.

297
00:20:02,560 --> 00:20:04,760
I am the real Lombardi, my dear.

298
00:20:06,200 --> 00:20:07,840
[Merche] Salcedo, how did you find me?

299
00:20:07,920 --> 00:20:09,640
It's my job, remember?

300
00:20:09,720 --> 00:20:13,040
You'll get nothing from here.
It's not like in the town.

301
00:20:13,120 --> 00:20:15,160
-What do you know of Paco?
-Excuse me?

302
00:20:15,240 --> 00:20:17,760
[Merche] You're with him,
aren't you? And with her.

303
00:20:17,840 --> 00:20:19,520
I'm carrying out an investigation.

304
00:20:19,600 --> 00:20:21,840
Nothing to do
with any two-timing nonsense in the town.

305
00:20:21,920 --> 00:20:23,640
Tell him I want to see him.

306
00:20:23,720 --> 00:20:26,160
-I just told you--
-His life is in danger!

307
00:20:26,240 --> 00:20:27,880
Only I can save him.

308
00:20:31,920 --> 00:20:34,560
[quiet, ominous music playing]

309
00:20:46,480 --> 00:20:49,760
[speaking Latin]

310
00:20:55,200 --> 00:20:56,440
[stops speaking]

311
00:21:15,920 --> 00:21:17,360
[echoing thud]

312
00:21:33,520 --> 00:21:34,800
[in Italian]
But you're reading it in reverse.

313
00:21:34,880 --> 00:21:35,960
Paco!

314
00:21:37,640 --> 00:21:39,760
[in Italian] You can't read it
like a normal book

315
00:21:39,840 --> 00:21:42,320
or you lose your head, literally.

316
00:21:45,200 --> 00:21:48,920
[mysterious music playing]

317
00:21:55,360 --> 00:21:57,440
Oh no. There is no doubt.

318
00:21:57,520 --> 00:21:59,120
The eyes of God.

319
00:21:59,760 --> 00:22:02,640
Some call it so, but it has other names.

320
00:22:02,720 --> 00:22:05,040
This is the Wormius translation

321
00:22:05,120 --> 00:22:07,320
from the edition by Teodoro Philetas,

322
00:22:07,400 --> 00:22:09,240
just like the one stolen from here,
in the Vatican.

323
00:22:09,320 --> 00:22:10,520
It's the finest.

324
00:22:10,600 --> 00:22:13,360
Then there's the John Dee edition
in the British Museum,

325
00:22:13,440 --> 00:22:16,760
but it has many errors
that make it quite unreliable.

326
00:22:17,440 --> 00:22:20,360
But what does it say? What's so important?

327
00:22:20,440 --> 00:22:22,280
It's a grimoire, Paco.

328
00:22:22,360 --> 00:22:23,360
A what?

329
00:22:23,440 --> 00:22:24,520
A book of spells.

330
00:22:24,600 --> 00:22:28,160
Magical formulas
based on mathematical principles.

331
00:22:28,240 --> 00:22:31,720
A very unusual vision. It's hard to read.

332
00:22:31,800 --> 00:22:33,160
Very hard.

333
00:22:33,240 --> 00:22:36,000
The last page is impossible.

334
00:22:36,760 --> 00:22:41,280
Each symbol is a number that,
in turn, represents a sound,

335
00:22:41,960 --> 00:22:45,320
making it indecipherable unless we know
the language we're speaking.

336
00:22:45,400 --> 00:22:47,080
-Latin?
-No!

337
00:22:47,160 --> 00:22:48,240
It doesn't work.

338
00:22:49,080 --> 00:22:51,520
Luckily, a Danish mathematician
and philologist

339
00:22:51,600 --> 00:22:55,080
discovered ten years ago
that it was an Inca dialect.

340
00:22:55,160 --> 00:22:57,120
-Inca?
-From Peru.

341
00:22:57,200 --> 00:22:59,360
That's why nothing fit.

342
00:22:59,440 --> 00:23:00,680
So...

343
00:23:01,600 --> 00:23:03,160
they already know what it says.

344
00:23:04,720 --> 00:23:05,760
No.

345
00:23:05,840 --> 00:23:08,360
[mysterious choir music playing]

346
00:23:08,440 --> 00:23:10,240
Not this final page.

347
00:23:11,880 --> 00:23:16,040
One would need a computing capacity
that does not currently exist.

348
00:23:17,280 --> 00:23:18,280
There is a theory...

349
00:23:19,160 --> 00:23:21,720
Some say it serves to summon
no less than God.

350
00:23:21,800 --> 00:23:24,280
[mysterious music playing]

351
00:23:26,360 --> 00:23:28,120
The danger of such a spell

352
00:23:28,880 --> 00:23:30,840
is that it could cause...

353
00:23:30,920 --> 00:23:32,760
The end of everything.

354
00:23:32,840 --> 00:23:34,240
I'm afraid so.

355
00:23:37,640 --> 00:23:40,080
But deciphering this may take them years.

356
00:23:40,160 --> 00:23:42,360
Or maybe they'll never succeed.

357
00:23:42,440 --> 00:23:44,680
The problem
is that the Danish mathematician...

358
00:23:44,760 --> 00:23:46,240
-Has vanished.
-Exactly.

359
00:23:46,880 --> 00:23:48,320
[Paco] So, they can.

360
00:23:48,400 --> 00:23:50,720
With the necessary energy, yes.

361
00:23:51,480 --> 00:23:52,600
The 30 coins.

362
00:23:52,680 --> 00:23:55,680
The suffering of God
is the most powerful of all energies.

363
00:23:55,760 --> 00:23:57,760
But I don't understand one thing:

364
00:23:57,840 --> 00:23:59,280
What good does this book do us?

365
00:23:59,360 --> 00:24:04,000
It explains how it's done,
but also how to stop it.

366
00:24:04,080 --> 00:24:06,320
-The antidote.
-Uh-huh.

367
00:24:11,120 --> 00:24:13,960
-[demons growl]
-[ominous, dramatic music playing]

368
00:24:22,040 --> 00:24:26,280
[people screaming,
laughing and chattering]

369
00:24:29,480 --> 00:24:31,480
[person screaming]

370
00:24:37,280 --> 00:24:39,760
[indistinct chatter]

371
00:24:41,240 --> 00:24:44,600
[demon mutters indistinctly]

372
00:24:50,280 --> 00:24:52,640
[in Italian] Is it necessary
to do this now?

373
00:24:55,800 --> 00:24:57,440
[groaning]

374
00:24:57,520 --> 00:24:59,600
[Sandro screams]

375
00:24:59,680 --> 00:25:01,760
[gasping]

376
00:25:01,840 --> 00:25:04,360
It's been a pleasure, my friend.

377
00:25:05,560 --> 00:25:07,080
I love you very much.

378
00:25:08,240 --> 00:25:11,640
[screams]

379
00:25:12,480 --> 00:25:15,480
[mysterious music playing]

380
00:25:18,000 --> 00:25:21,600
[fire roaring]

381
00:25:24,280 --> 00:25:25,680
But what can we do?

382
00:25:25,760 --> 00:25:27,560
Nothing for now.

383
00:25:27,640 --> 00:25:29,320
Barbrow has the edge on us.

384
00:25:29,400 --> 00:25:32,440
We must travel to stop the ritual
and you will help me.

385
00:25:32,520 --> 00:25:33,800
Travel where?

386
00:25:33,880 --> 00:25:35,240
To Nazca, in Peru.

387
00:25:35,320 --> 00:25:38,720
-But how do we know--?
-That's a long story.

388
00:25:38,800 --> 00:25:40,000
[mysterious music playing]

389
00:25:40,080 --> 00:25:45,720
Barbrow acquired a petroglyph
at an auction, he paid a fortune.

390
00:25:45,800 --> 00:25:49,600
Hold on. Can someone tell me
what a petroglyph is?

391
00:25:49,680 --> 00:25:51,560
An enormous stone, Paco.

392
00:25:51,640 --> 00:25:52,720
Ah-hah.

393
00:25:52,800 --> 00:25:56,080
We need fake passports, ID papers,

394
00:25:56,160 --> 00:25:57,920
driver's licenses...

395
00:25:58,000 --> 00:25:59,240
Wait.

396
00:25:59,320 --> 00:26:02,200
[ominous music playing]

397
00:26:09,240 --> 00:26:10,560
-[gasps]
-[grunts]

398
00:26:14,160 --> 00:26:15,640
[whipping sound]

399
00:26:15,720 --> 00:26:17,320
[Elena] Are you alright?

400
00:26:17,920 --> 00:26:21,680
[both gasp]

401
00:26:23,560 --> 00:26:25,600
[groaning]

402
00:26:25,680 --> 00:26:27,640
[music stops]

403
00:26:27,720 --> 00:26:29,000
[Angelo in Italian] Stop!

404
00:26:29,080 --> 00:26:31,760
[fire roaring]

405
00:26:33,880 --> 00:26:37,280
[panting]

406
00:26:37,360 --> 00:26:38,360
[in Italian] Why?

407
00:26:38,440 --> 00:26:39,840
[Santoro in Italian] Your Majesty!

408
00:26:41,040 --> 00:26:42,400
Your Majesty!

409
00:26:42,480 --> 00:26:43,960
I know, Santoro.

410
00:26:44,040 --> 00:26:45,520
Now that Lombardi is dead...

411
00:26:48,480 --> 00:26:50,120
You need me.

412
00:26:50,200 --> 00:26:52,080
Let us return to the surface.

413
00:26:55,000 --> 00:26:57,080
[siren blaring]

414
00:27:01,320 --> 00:27:04,080
[tense music playing]

415
00:27:08,640 --> 00:27:10,840
[dramatic action music playing]

416
00:27:19,880 --> 00:27:22,320
[car tires screeching]

417
00:27:36,200 --> 00:27:38,440
PEDRAZA, SPAIN

418
00:27:40,160 --> 00:27:42,560
[groaning]

419
00:27:51,120 --> 00:27:52,360
-[grunts]
-[flies buzzing]

420
00:27:52,440 --> 00:27:54,600
-[faint, ominous music playing]
-[grunts]

421
00:27:54,680 --> 00:27:57,000
Mmm.

422
00:28:02,440 --> 00:28:04,080
[groans faintly]

423
00:28:07,400 --> 00:28:09,280
[in Latin] Return to Earth

424
00:28:09,360 --> 00:28:11,080
what was underneath.

425
00:28:11,760 --> 00:28:15,480
Bring back to life what is dead.

426
00:28:17,840 --> 00:28:21,200
[moaning]

427
00:28:26,120 --> 00:28:30,040
[moans and whimpers]

428
00:28:31,600 --> 00:28:33,240
[groans]

429
00:28:34,920 --> 00:28:36,320
[groans]

430
00:28:36,400 --> 00:28:38,920
[strained groan]

431
00:28:39,000 --> 00:28:41,920
-[gasps]
-[ominous music playing]

432
00:28:42,000 --> 00:28:45,840
[groans and gasps]

433
00:28:47,960 --> 00:28:50,000
[grunts]

434
00:28:50,080 --> 00:28:51,200
[groans]

435
00:28:53,120 --> 00:28:56,040
[panting]

436
00:28:57,240 --> 00:29:00,280
[gasping scream]

437
00:29:01,360 --> 00:29:02,360
[breathes in deeply]

438
00:29:02,440 --> 00:29:06,560
[laughing]

439
00:29:06,640 --> 00:29:11,760
[in Spanish] I'm sorry to tell you that
time has been cruel to your bodies.

440
00:29:11,840 --> 00:29:15,160
-[laughing]
-[Vergara and Santoro groan]

441
00:29:15,240 --> 00:29:17,440
[wind blowing]

442
00:29:19,360 --> 00:29:22,040
Reginald Johnson, PhD at Cambridge.

443
00:29:22,120 --> 00:29:24,760
He worked for over three decades
on the top European projects

444
00:29:24,840 --> 00:29:27,640
in the field of physics.

445
00:29:27,720 --> 00:29:31,160
This guy has to be linked
to what we're investigating.

446
00:29:31,240 --> 00:29:33,240
But what's wrong? I can't find the link.

447
00:29:33,320 --> 00:29:35,520
And it's right in front
of our fucking noses.

448
00:29:35,600 --> 00:29:37,600
-They're together! They're back!
-Who?

449
00:29:37,680 --> 00:29:40,160
Those who were once enemies
now walk together

450
00:29:40,240 --> 00:29:42,640
and are here on Earth, among us!

451
00:29:42,720 --> 00:29:43,840
It has a password.

452
00:29:43,920 --> 00:29:45,080
Of course it has a password.

453
00:29:45,160 --> 00:29:48,280
This man designed the satellite
of the European Space Agency,

454
00:29:48,360 --> 00:29:50,800
the Airbus, and he worked
on the particle accelerator.

455
00:29:50,880 --> 00:29:55,160
Sure it's got a fucking password.
We may never find it in our fucking lives.

456
00:29:55,240 --> 00:29:58,240
[distant thunder rumbling]

457
00:30:01,040 --> 00:30:02,360
How are you?

458
00:30:03,760 --> 00:30:04,880
And you?

459
00:30:04,960 --> 00:30:06,560
I've been better.

460
00:30:06,640 --> 00:30:08,000
[Vergara] Slow down.

461
00:30:08,080 --> 00:30:09,640
Slow down.

462
00:30:09,720 --> 00:30:12,280
[Santoro in Italian]
Lady, where are we going?

463
00:30:12,360 --> 00:30:15,760
Lady, where are we going?

464
00:30:23,840 --> 00:30:25,680
PEDRAZA FUNERAL SERVICES

465
00:30:28,960 --> 00:30:30,720
[in Spanish] Are we in such bad shape?

466
00:30:34,160 --> 00:30:35,680
Right.

467
00:30:46,440 --> 00:30:48,400
[in Spanish] Why did she bring us here?

468
00:30:48,480 --> 00:30:50,320
I don't know.

469
00:30:50,400 --> 00:30:54,240
So that we try to fix that look of yours.

470
00:30:54,320 --> 00:30:55,640
Look at yourself.

471
00:30:56,360 --> 00:30:58,680
You haven't seen yourself.

472
00:31:00,920 --> 00:31:02,240
Fuck.

473
00:31:04,640 --> 00:31:07,040
[groaning] Dead flesh.

474
00:31:08,120 --> 00:31:10,560
Two rotting corpses,

475
00:31:10,640 --> 00:31:12,440
that's what we are.

476
00:31:13,040 --> 00:31:15,200
Nice way to come back to life.

477
00:31:15,280 --> 00:31:16,840
Fuck.

478
00:31:16,920 --> 00:31:20,200
"And on the third day they rose again..."

479
00:31:20,280 --> 00:31:23,640
Holy scriptures are called "holy"
for a reason.

480
00:31:23,720 --> 00:31:25,800
Don't you respect anything?

481
00:31:25,880 --> 00:31:28,600
Manuel, alive or dead
or whatever you are now,

482
00:31:28,680 --> 00:31:29,960
you're always so boring.

483
00:31:30,040 --> 00:31:31,040
Let's go.

484
00:31:31,120 --> 00:31:32,200
No, no, no. Wait.

485
00:31:32,280 --> 00:31:35,520
We were brought here
to fix our appearance.

486
00:31:35,600 --> 00:31:37,960
We can't wander the world like this.

487
00:31:38,040 --> 00:31:39,600
A long road awaits us.

488
00:31:39,680 --> 00:31:41,200
That's true.

489
00:31:43,200 --> 00:31:44,840
Ay, ay, ay, ay!

490
00:31:44,920 --> 00:31:47,400
Look at this pretty lab.

491
00:31:51,840 --> 00:31:53,720
-[distant thunder rumbling]
-[clicks teeth]

492
00:31:53,800 --> 00:31:56,120
[faint, tense music playing]

493
00:32:07,120 --> 00:32:08,520
Let's go.

494
00:32:10,440 --> 00:32:13,120
-What are you doing?
-Making you look decent.

495
00:32:14,160 --> 00:32:16,000
I'm going to shut that mouth.

496
00:32:18,000 --> 00:32:20,440
You're getting it in my teeth.

497
00:32:20,520 --> 00:32:22,440
You're so fussy, please!

498
00:32:22,520 --> 00:32:24,120
[groans]

499
00:32:24,840 --> 00:32:27,800
Right. Fuck.

500
00:32:27,880 --> 00:32:29,960
I look like a clown.

501
00:32:31,640 --> 00:32:34,720
Is this how you get revenge?

502
00:32:34,800 --> 00:32:35,840
[scoffs] Revenge?

503
00:32:35,920 --> 00:32:37,000
Yes.

504
00:32:42,360 --> 00:32:44,120
What's that?

505
00:32:47,680 --> 00:32:48,720
I can't feel anything.

506
00:32:50,560 --> 00:32:52,320
-You stuck it in me?
-Yes.

507
00:32:52,960 --> 00:32:53,960
[grunts]

508
00:32:55,600 --> 00:32:57,080
Interesting.

509
00:32:58,640 --> 00:33:00,040
Interesting. It'll do us good.

510
00:33:00,120 --> 00:33:03,800
Returning to Rome to snatch the book
from Elena won't be easy.

511
00:33:03,880 --> 00:33:05,680
To...? What did you say?

512
00:33:05,760 --> 00:33:09,120
Uh... I mean, to protect her.

513
00:33:09,200 --> 00:33:11,400
If she opens that book
to at any page, she's dead.

514
00:33:11,480 --> 00:33:13,400
-Listen to me.
-What?

515
00:33:13,480 --> 00:33:14,600
I killed you once,

516
00:33:15,720 --> 00:33:17,160
I can do it again.

517
00:33:17,840 --> 00:33:19,680
I want you to know that I don't trust you.

518
00:33:19,760 --> 00:33:22,680
I don't trust you either, my friend.

519
00:33:22,760 --> 00:33:25,520
Because of you I lost the 30 coins.

520
00:33:26,640 --> 00:33:28,320
But I don't hold a grudge.

521
00:33:28,400 --> 00:33:30,520
You've paid the price too.

522
00:33:30,600 --> 00:33:33,680
[faint, tense music continues]

523
00:33:35,280 --> 00:33:37,040
[stapling]

524
00:33:38,000 --> 00:33:39,320
Close it up well, eh?

525
00:33:47,200 --> 00:33:48,920
Try this on.

526
00:33:55,600 --> 00:33:56,720
How do I look?

527
00:33:56,800 --> 00:33:58,160
-Eh.
-Right.

528
00:33:58,240 --> 00:34:01,200
SEGOVIA, SPAIN

529
00:34:01,280 --> 00:34:04,000
I'm not surprised
that you went nuts the other day.

530
00:34:04,080 --> 00:34:05,600
She's pretty cute, your wife.

531
00:34:05,680 --> 00:34:08,360
Mature... [blows air]
...but well preserved. Mmm.

532
00:34:08,440 --> 00:34:11,040
One of those who know what they have
to do, you know what I mean?

533
00:34:12,320 --> 00:34:14,520
If she comes back
I don't mind giving it to her.

534
00:34:14,600 --> 00:34:18,840
Because you, with the shit they're
giving you, you should forget about it.

535
00:34:19,639 --> 00:34:20,920
Let's go. Up you get!

536
00:34:21,000 --> 00:34:22,480
[employees groan]

537
00:34:25,080 --> 00:34:28,520
Oof. What an atmosphere here today!

538
00:34:29,719 --> 00:34:32,719
I'll leave this guy here.
He's going to play a game with you.

539
00:34:32,800 --> 00:34:34,080
[faint, tense music playing]

540
00:34:34,159 --> 00:34:36,639
Some tokens here...

541
00:34:36,719 --> 00:34:38,120
Huh?

542
00:34:38,199 --> 00:34:41,600
He's a bit limp, but when he wakes up
he tells jokes and he's a riot.

543
00:34:41,679 --> 00:34:44,120
Fernando. Fernando!

544
00:34:46,520 --> 00:34:48,239
[Fernando] What's up with you?

545
00:34:49,120 --> 00:34:50,560
[grunts]

546
00:34:50,639 --> 00:34:52,280
Fernando. [grunts]

547
00:34:52,880 --> 00:34:54,400
-Sole!
-Here, give him one of these!

548
00:34:54,480 --> 00:34:56,760
-Do we know what it is?
-They use them to put my father to sleep.

549
00:34:56,840 --> 00:34:59,040
You're going to get in trouble
and I don't want to know about it.

550
00:34:59,120 --> 00:35:00,520
You always side with authority.

551
00:35:00,600 --> 00:35:02,080
Of course. Do you think I'm an idiot?

552
00:35:02,160 --> 00:35:04,600
Let's get the fuck out of here!
They're waiting for us!

553
00:35:04,680 --> 00:35:07,280
-Let's go!
-[groans]

554
00:35:07,360 --> 00:35:09,400
[dramatic action music playing]

555
00:35:15,360 --> 00:35:16,720
Hold it, hold it!

556
00:35:20,080 --> 00:35:21,160
Let's go!

557
00:35:23,080 --> 00:35:26,680
-Quietly, fuck! This way!
-[cell phone ringing]

558
00:35:27,760 --> 00:35:29,400
Salcedo? I can't talk right now.

559
00:35:30,160 --> 00:35:31,160
Quiet.

560
00:35:32,320 --> 00:35:33,880
-[loud thud]
-[electronic bleeps]

561
00:35:34,920 --> 00:35:36,880
-[Laguna] Fuck!
-[Concha] What's wrong?

562
00:35:36,960 --> 00:35:38,680
-It's not working!
-Pass it again!

563
00:35:38,760 --> 00:35:39,840
The strip is fucked!

564
00:35:39,920 --> 00:35:41,400
It happens a lot in hotels.

565
00:35:41,480 --> 00:35:43,440
Especially if you put it
in your pocket with your phone.

566
00:35:43,520 --> 00:35:45,640
-I can't believe this is happening now!
-Laguna.

567
00:35:45,720 --> 00:35:49,200
No, Max, we don't have time
to try 500 combinations now.

568
00:35:49,280 --> 00:35:50,960
What if we put a little tape on the card?

569
00:35:51,040 --> 00:35:52,360
Shut up and let me think!

570
00:35:52,440 --> 00:35:55,640
Do you think you're still a soldier?
You're fucking crazy. Someone tell him.

571
00:35:55,720 --> 00:35:58,040
-Sole! Sole!
-[Rogelio] Sole? Sole!

572
00:35:58,120 --> 00:36:00,200
[Ricardito] Sole! Sole, Sole.

573
00:36:00,280 --> 00:36:02,840
Sole, come here, honey. Look at the lock.

574
00:36:02,920 --> 00:36:05,640
Okay, it has a metal piece and a spring.

575
00:36:05,720 --> 00:36:07,240
You just have to make it pop.

576
00:36:07,320 --> 00:36:09,280
-But I...
-I know what they did to you.

577
00:36:09,360 --> 00:36:11,800
Since the Ouija,
nothing's been the same as before, right?

578
00:36:11,880 --> 00:36:12,880
No.

579
00:36:12,960 --> 00:36:16,080
They think you have a power
and I believe it too.

580
00:36:16,160 --> 00:36:18,240
Concentrate, honey. You can do it.

581
00:36:18,320 --> 00:36:19,360
Think...

582
00:36:19,440 --> 00:36:21,400
Think about your father,
what they've done to him.

583
00:36:21,480 --> 00:36:23,040
Do you want him to go through it again?

584
00:36:23,120 --> 00:36:24,120
-No.
-No, right?

585
00:36:24,200 --> 00:36:26,240
Then concentrate. Hm?

586
00:36:26,320 --> 00:36:30,720
Think about how they burnt his hand
just to see you raise the book.

587
00:36:30,800 --> 00:36:33,200
-Can you feel it? OK.
-Yes.

588
00:36:33,280 --> 00:36:37,000
Now channel the anger,
the anger you felt afterwards.

589
00:36:37,080 --> 00:36:39,680
-I wanted to kill them.
-Right, very good.

590
00:36:39,760 --> 00:36:42,280
Now focus that anger on the lock.

591
00:36:42,360 --> 00:36:47,160
You want to blow the lock
to smithereens, to melt it.

592
00:36:47,960 --> 00:36:49,720
Go, Sole. Sole, you can do it.

593
00:36:49,800 --> 00:36:52,480
[gasping]

594
00:36:52,560 --> 00:36:56,160
[screaming]

595
00:36:56,240 --> 00:36:57,840
[screaming]

596
00:36:57,920 --> 00:37:00,000
[explosion]

597
00:37:00,640 --> 00:37:01,880
[Laguna] Let's go! Let's go!

598
00:37:02,640 --> 00:37:03,640
Let's go, guys!

599
00:37:05,200 --> 00:37:07,040
Quickly! Quickly!

600
00:37:07,760 --> 00:37:09,560
[grunts]

601
00:37:09,640 --> 00:37:11,440
Come on!

602
00:37:12,240 --> 00:37:14,000
[screaming and groaning]

603
00:37:15,200 --> 00:37:16,360
Let's go!

604
00:37:21,320 --> 00:37:23,040
-[Laguna] Go!
-[Concha] Run!

605
00:37:23,960 --> 00:37:25,280
-[screams] Fuck!
-[Laguna] Wait!

606
00:37:25,360 --> 00:37:27,360
-[Laguna] Salcedo!
-Let go of me, you bastard!

607
00:37:27,920 --> 00:37:29,560
Let go of me, motherfucker!

608
00:37:29,640 --> 00:37:33,160
[Laguna] We're in the basement!
It has to be now!

609
00:37:33,240 --> 00:37:34,920
[dramatic action music continues]

610
00:37:35,000 --> 00:37:36,040
Let's go, quickly!

611
00:37:37,040 --> 00:37:38,360
Run, run, run!

612
00:37:38,440 --> 00:37:40,280
[Laguna] We're coming out
of the parking lot.

613
00:37:40,360 --> 00:37:43,320
-[grunts]
-Salcedo, now!

614
00:37:43,400 --> 00:37:44,720
Come now!

615
00:37:44,800 --> 00:37:46,560
[Sole's father] Hurry! Don't lag behind!

616
00:37:46,640 --> 00:37:47,920
[Laguna] Sole!

617
00:37:48,000 --> 00:37:50,760
-[Sole] Dad! Dad! Dad!
-[Sole's father] Sole!

618
00:37:50,840 --> 00:37:52,960
[screaming]

619
00:37:53,040 --> 00:37:55,720
[Sole's father] Run! My daughter!

620
00:37:55,800 --> 00:37:58,400
[people screaming]

621
00:38:03,880 --> 00:38:04,920
[Laguna] Come on!

622
00:38:05,800 --> 00:38:07,440
-Come on!
-[Salcedo] Let's go!

623
00:38:07,520 --> 00:38:09,600
Hurry! Come on!

624
00:38:09,680 --> 00:38:11,200
Antonio!

625
00:38:11,280 --> 00:38:12,960
[Antonio] Up! Up! Come on!

626
00:38:13,040 --> 00:38:14,080
-Come on!
-Let's go, Julio!

627
00:38:14,160 --> 00:38:15,400
Max got left behind.

628
00:38:17,120 --> 00:38:20,440
Come on, old man, however fast you are

629
00:38:20,520 --> 00:38:22,080
in your mind, you are slow.

630
00:38:22,160 --> 00:38:23,560
Get in, go on!

631
00:38:23,640 --> 00:38:24,680
Get up, Max!

632
00:38:24,760 --> 00:38:26,680
-[Concha] Let's go!
-[Enrique] Start the bus!

633
00:38:26,760 --> 00:38:28,200
[engine starts]

634
00:38:28,280 --> 00:38:30,440
[all shouting]

635
00:38:31,200 --> 00:38:32,600
[grunts]

636
00:38:32,680 --> 00:38:36,120
[dramatic action music continues]

637
00:38:36,200 --> 00:38:39,760
[police siren blaring]

638
00:38:45,440 --> 00:38:47,960
Who gave this woman a license?
We're going to die!

639
00:38:48,040 --> 00:38:50,440
You never drove like you had any balls.

640
00:38:50,520 --> 00:38:51,920
My balls are in my throat now.

641
00:38:53,360 --> 00:38:55,360
Shit. Take the wheel for a moment.

642
00:38:55,440 --> 00:38:57,640
They're right. Ease up a bit.

643
00:38:58,760 --> 00:39:00,640
Look in the fucking mirror.

644
00:39:00,720 --> 00:39:03,000
I lose them at the next detour,
or we're screwed.

645
00:39:04,160 --> 00:39:05,320
[crying]

646
00:39:05,400 --> 00:39:06,560
Relax.

647
00:39:07,520 --> 00:39:09,920
[cell phone ringing]

648
00:39:10,000 --> 00:39:11,960
It's Paco. Yes, Paco.

649
00:39:12,040 --> 00:39:15,160
Salcedo. How do I put this in a few words?

650
00:39:15,240 --> 00:39:16,320
It's all going bad.

651
00:39:16,400 --> 00:39:17,480
Bad?

652
00:39:17,560 --> 00:39:19,120
Bad, no. It's fucked.

653
00:39:19,200 --> 00:39:20,320
Lombardi got killed.

654
00:39:20,400 --> 00:39:22,600
They split him in half
right in front of us.

655
00:39:22,680 --> 00:39:23,800
Lombardi?

656
00:39:23,880 --> 00:39:26,840
Lombardi was the only one
that could translate this shit.

657
00:39:26,920 --> 00:39:28,560
Translate what?

658
00:39:28,640 --> 00:39:29,840
The book! Fuck!

659
00:39:29,920 --> 00:39:32,320
These people are getting
one step ahead of us.

660
00:39:32,400 --> 00:39:34,880
-What's going on?
-Some Lombardi guy got killed.

661
00:39:34,960 --> 00:39:37,720
-But do they have the book?
-Do you have a book?

662
00:39:37,800 --> 00:39:40,880
Yes, but it doesn't matter,
we don't know how to read it.

663
00:39:40,960 --> 00:39:42,680
We can't keep ahead of these people.

664
00:39:42,760 --> 00:39:43,880
They don't know what to do.

665
00:39:43,960 --> 00:39:46,280
They can't read it. Hold on.

666
00:39:46,360 --> 00:39:48,400
I may have a contact at the Ministry.
I'll make some calls, OK?

667
00:39:48,480 --> 00:39:50,840
-Now?
-No, tomorrow when it's open.

668
00:39:50,920 --> 00:39:53,600
It doesn't matter.
It doesn't matter who reads it.

669
00:39:53,680 --> 00:39:55,200
We have to find something else.

670
00:39:55,280 --> 00:39:56,640
I loved this part.

671
00:39:57,280 --> 00:40:02,080
We have to find a quiet place
where we can hide. It has to be safe.

672
00:40:02,160 --> 00:40:04,040
Talk to Antonio,
maybe he'll think of something.

673
00:40:04,120 --> 00:40:06,880
-Antonio, can you think of anything?
-Pass me the phone.

674
00:40:09,160 --> 00:40:10,240
Paco, can you hear me?

675
00:40:10,320 --> 00:40:11,760
[Paco] Yes, Antonio.

676
00:40:11,840 --> 00:40:13,160
Beware of people dressed in blue.

677
00:40:13,240 --> 00:40:15,560
-What?
-[doorbell rings]

678
00:40:15,640 --> 00:40:17,880
[tense music playing]

679
00:40:21,720 --> 00:40:22,720
Let me.

680
00:40:27,280 --> 00:40:28,280
Good evening.

681
00:40:28,360 --> 00:40:31,000
We're doing an evacuation drill.

682
00:40:31,080 --> 00:40:32,720
You must go down to reception.

683
00:40:32,800 --> 00:40:34,800
Thanks. We'll be down in a minute.

684
00:40:35,320 --> 00:40:36,680
You're welcome.

685
00:40:38,480 --> 00:40:39,960
They're here already.

686
00:40:40,040 --> 00:40:42,040
-Who?
-Didn't you see? She was all in blue.

687
00:40:42,960 --> 00:40:44,560
-So? What does that mean?
-Fuck.

688
00:40:44,640 --> 00:40:47,680
I don't know. Antonio just warned me
and that girl suddenly turns up.

689
00:40:49,440 --> 00:40:51,400
Look, they're on the street!

690
00:40:52,480 --> 00:40:55,560
[suspenseful music playing]

691
00:41:05,240 --> 00:41:06,800
[elevator bell dings]

692
00:41:08,280 --> 00:41:10,000
[water running]

693
00:41:15,680 --> 00:41:17,200
[elevator bell dings]

694
00:41:17,280 --> 00:41:20,200
[quiet, dramatic music playing]

695
00:41:25,120 --> 00:41:27,480
THERMAL POOLS – EMERGENCY EXIT

696
00:41:35,560 --> 00:41:37,600
[water dripping]

697
00:41:40,920 --> 00:41:42,800
Come here, let's go.

698
00:41:44,960 --> 00:41:46,440
[grunt]

699
00:41:46,520 --> 00:41:49,560
[mysterious music playing]

700
00:42:06,560 --> 00:42:07,800
[screams]

701
00:42:10,680 --> 00:42:12,960
[music becomes ominous]

702
00:42:13,800 --> 00:42:16,720
[muffled screams]

703
00:42:26,680 --> 00:42:28,320
[grunts]

704
00:42:31,200 --> 00:42:32,680
[gasps]

705
00:42:32,760 --> 00:42:35,640
[muffled screams]

706
00:42:36,560 --> 00:42:40,360
[music becomes dramatic]

707
00:42:50,400 --> 00:42:51,960
[muffled screams]

708
00:43:00,200 --> 00:43:01,200
[gasps]

709
00:43:02,160 --> 00:43:04,360
[gasping]

710
00:43:07,080 --> 00:43:08,240
Paco!

711
00:43:09,280 --> 00:43:11,200
Paco! Paco!

712
00:43:12,160 --> 00:43:13,960
-[spits]
-[groans]

713
00:43:14,960 --> 00:43:16,960
-[Paco groans]
-[Merche screams]

714
00:43:17,040 --> 00:43:18,360
-Paco!
-[grunts]

715
00:43:18,440 --> 00:43:19,760
[Merche gasping]

716
00:43:19,840 --> 00:43:22,760
-[Paco] Where are we?
-[Merche] We're together.

717
00:43:22,840 --> 00:43:24,880
[distant chatter]

718
00:43:24,960 --> 00:43:26,960
[panting]

719
00:43:46,520 --> 00:43:47,720
[moaning]

720
00:43:49,480 --> 00:43:50,840
There you are, my dear.

721
00:43:52,360 --> 00:43:54,040
Ahhhh!

722
00:43:54,120 --> 00:43:55,120
Cheers.

723
00:43:59,560 --> 00:44:02,280
Mmm. Too bold?

724
00:44:02,360 --> 00:44:04,680
No. No. I like it like this.

725
00:44:07,280 --> 00:44:08,320
Mmm.

726
00:44:16,120 --> 00:44:18,320
The coins shouldn't leave here
until their time comes.

727
00:44:18,400 --> 00:44:20,280
-This was important.
-Important?

728
00:44:21,320 --> 00:44:22,480
We didn't get the book back,

729
00:44:22,560 --> 00:44:25,880
she's still free
and now we're stuck with your husband.

730
00:44:25,960 --> 00:44:27,040
Yeah, that's great success.

731
00:44:27,120 --> 00:44:28,520
It is for me.

732
00:44:28,600 --> 00:44:30,480
Exactly. For you.

733
00:44:31,040 --> 00:44:32,760
Just for you.

734
00:44:32,840 --> 00:44:34,920
For everyone else, he's of no interest.

735
00:44:35,000 --> 00:44:36,720
You're wrong.

736
00:44:36,800 --> 00:44:39,320
There is someone else who cares about him.

737
00:44:40,520 --> 00:44:41,720
Elena?

738
00:44:41,800 --> 00:44:44,640
She will come back for him.
She always does.

739
00:44:44,720 --> 00:44:46,120
[faint, mysterious music playing]

740
00:44:46,200 --> 00:44:47,880
[laughing]

741
00:44:48,400 --> 00:44:51,280
Well, I hope you're right.

742
00:44:52,320 --> 00:44:54,280
Because time is running out.

743
00:44:56,120 --> 00:44:57,560
For mistakes too.

744
00:45:08,400 --> 00:45:12,040
[both chuckle]

745
00:45:12,120 --> 00:45:14,480
-[Nico crying]
-Ahhh.

746
00:45:14,560 --> 00:45:16,560
Oh, Nico is having a nightmare.

747
00:45:16,640 --> 00:45:19,800
No, stay, stay, stay, stay. He'll be fine.

748
00:45:19,880 --> 00:45:21,680
It's just me.

749
00:45:21,760 --> 00:45:22,920
I'm the nightmare.

750
00:45:23,000 --> 00:45:24,400
[chuckles]

751
00:45:26,320 --> 00:45:29,040
[mysterious music builds in intensity]

752
00:45:36,480 --> 00:45:37,520
[music stops]

753
00:45:37,600 --> 00:45:40,320
[dramatic action music playing]

754
00:46:58,880 --> 00:47:01,520
[music ends]