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[George] ♪ I once knew a beautiful girl ♪
2
00:00:40,916 --> 00:00:41,916
{\an8}[Mal] Go on.
3
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{\an8}♪ She had long blonde hair and a curl ♪
4
00:00:44,916 --> 00:00:45,916
[Mal] A curl?
5
00:00:46,000 --> 00:00:49,666
♪ She looked after me
And I looked before her ♪
6
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♪ At that time, we hadn't a care ♪
7
00:00:52,916 --> 00:00:54,250
[Mal] A care? [laughing]
8
00:00:54,333 --> 00:00:57,083
♪ As time turned my head and my mind ♪
9
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♪ The pleasure seemed harder to find ♪
10
00:01:02,500 --> 00:01:04,333
♪ By then, it was such ♪
11
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♪ That I knew far too much ♪
12
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♪ Now I stay home and slowly unwind ♪
13
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[Ringo]
Didn't you get to bed last night, Glyn?
14
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{\an8}Sorry. You just look this morning
like you didn't go at all.
15
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{\an8}[Glyn laughs]
16
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{\an8}- [Ringo] Have you heard the "Octopus" one?
- [George] No.
17
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["Octopus's Garden" playing]
18
00:01:25,333 --> 00:01:27,291
You learned A minor, then?
19
00:01:27,375 --> 00:01:31,625
♪ I'd like to be underneath the sea ♪
20
00:01:31,708 --> 00:01:34,083
♪ In an octopus's garden ♪
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♪ In the shade ♪
22
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[chuckling]
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♪ It would be nice ♪
24
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♪ In paradise ♪
25
00:01:42,250 --> 00:01:44,583
♪ In an octopus's garden ♪
26
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♪ In the shade ♪
27
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That's all I've got.
28
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[all laughing]
29
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[clears throat]
30
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{\an8}After the two times, the second time…
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{\an8}[vocalizing]
32
00:02:00,541 --> 00:02:05,000
♪ In an octopus's garden in the shade ♪
33
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Then to get to the G one, a bit, uh…
34
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Let's go from the beginning.
35
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- From the beginning.
- Right.
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♪ In an octopus's garden ♪
37
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♪ In the shade ♪
38
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{\an8}♪ It would be nice ♪
39
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♪ Paradise ♪
40
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♪ In an oc-- ♪
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Then stay on F.
42
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♪ In the shade ♪
43
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Then that, then this, uh…
44
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What one's that?
45
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[vocalizing]
46
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Uh-- [vocalizes]
47
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♪ In an octopus's garden in the shade… ♪
48
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[vocalizes]
49
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[vocalizing continues]
50
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Just, I mean, something
to sort of get back to where you--
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Where we started.
52
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♪ Wouldn't it be nice ♪
53
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♪ Paradise ♪
54
00:03:08,625 --> 00:03:12,333
♪ In an octopus's garden in the shade ♪
55
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- It's a little bit--
- [George clears throat]
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[vocalizing]
57
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[vocalizing continues]
58
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♪ So wouldn't it be nice ♪
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[vocalizing]
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♪ Paradise ♪
61
00:03:31,625 --> 00:03:35,541
♪ In an octopus's garden
By the shade ♪
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- So it resolves itself.
- Yeah.
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Well, I'll have to put words
in that bit, then.
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♪ In the shade ♪
65
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♪ It would be nice ♪
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[vocalizing]
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00:03:46,750 --> 00:03:48,541
♪ Paradise ♪
68
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♪ In an octopus's garden in the shade ♪
69
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[chattering]
70
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♪ Wouldn't it be nice ♪
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♪ Paradise ♪
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- [John] Oh, drums, right.
- [Yoko chuckles]
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00:04:04,708 --> 00:04:08,458
[John] I think Paul would wanna do drums,
wouldn't he? With his strong left arm.
74
00:04:08,541 --> 00:04:10,625
I'm not getting on that kit
without a ciggy.
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[all laughing]
76
00:04:12,041 --> 00:04:14,041
["Octopus's Garden" playing]
77
00:04:20,375 --> 00:04:22,041
I've never been up here before.
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00:04:23,875 --> 00:04:25,375
♪ I'd like to be ♪
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♪ Underneath the sea ♪
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♪ In an octopus's garden
By the shade ♪
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Very strong one.
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00:04:33,208 --> 00:04:34,750
- Okay!
- [plays drums]
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00:04:37,041 --> 00:04:40,458
- [Heather] I'm a tame tiger. Meow.
- I'm cool with that.
84
00:04:44,333 --> 00:04:46,333
{\an8}- Are you going to eat them?
- No!
85
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{\an8}[John] Lots of people do, you know.
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00:04:51,083 --> 00:04:52,333
[Paul] On toast?
87
00:04:52,416 --> 00:04:54,833
[John] You put pastry around them,
and you have cat pie.
88
00:04:57,416 --> 00:04:59,583
{\an8}[John] You better wait a week or two
before you eat them.
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00:05:00,708 --> 00:05:02,625
{\an8}- [John] That's very good.
- [Ringo] We'll put on the meat.
90
00:05:06,916 --> 00:05:09,416
[John] Oh, you don't eat them
if they have black spots.
91
00:05:11,958 --> 00:05:14,208
[John] You don't eat them
if they're like tigers, either.
92
00:05:17,666 --> 00:05:22,083
[Heather] And anyway,
I'm just a pussycat that was just born.
93
00:05:22,833 --> 00:05:23,833
[chattering]
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00:05:28,875 --> 00:05:30,375
["Let It Be" playing]
95
00:05:30,458 --> 00:05:32,291
♪ Oh, let it be ♪
96
00:05:32,375 --> 00:05:33,458
♪ Let it be ♪
97
00:05:34,041 --> 00:05:37,208
♪ Let it be
Let it be ♪
98
00:05:38,333 --> 00:05:41,250
♪ Whisper words of wisdom ♪
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00:05:41,333 --> 00:05:44,166
♪ Let it be ♪
100
00:05:44,250 --> 00:05:46,000
♪ Yeah, let it be ♪
101
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♪ Let it be
Let it be ♪
102
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♪ Let it be ♪
103
00:05:52,416 --> 00:05:57,041
{\an8}♪ There will be an answer
Let it be, yeah ♪
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00:05:58,166 --> 00:05:59,333
♪ Let it be ♪
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[vocalizing]
106
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♪ There will be an answer
Let it… ♪
107
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[George] Kevin?
108
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What was the… Do that old gospel ending.
109
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- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.
110
00:06:17,416 --> 00:06:20,750
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.
111
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♪ Be-e-e ♪
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[Paul] Yeah.
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We all was gonna do it.
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- We did it just fine. It was just that…
- Yeah.
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[laughs]
116
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["Let It Be" playing]
117
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♪ Let it be, let it be ♪
118
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♪ Let it be, let it be ♪
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♪ There will be an answer ♪
120
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♪ Let it be ♪
121
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I'll tell you one thing.
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Do it lighter. Don't do sort of--
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[imitates rapid drumming]
124
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Do it more-- [imitates slow drumming]
125
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[George]
♪ Somewhere in the Himalayas ♪
126
00:07:08,791 --> 00:07:10,916
[Paul]
And so a bit lighter offbeat, and maybe…
127
00:07:11,000 --> 00:07:12,708
[George]
♪ Lives a man called Babaji ♪
128
00:07:12,791 --> 00:07:15,125
♪ Singing words of wisdom ♪
129
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♪ Let it be ♪
130
00:07:19,291 --> 00:07:20,541
♪ Somewhere out in Weybridge ♪
131
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Keep it light.
So it's not going heavy again.
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♪ Lives the cat whose name is Babaji ♪
133
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♪ Singing words of wisdom ♪
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♪ Let it be, H, I, J, K ♪
135
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I don't know what you are saying.
136
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Uh…
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Hello. [giggles]
138
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Is anybody… [giggles]
139
00:07:41,416 --> 00:07:44,333
Let me sing. Hello. Is anybody home?
140
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♪ Aah ♪
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[no audible dialogue]
142
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♪ I did it again
You got me again ♪
143
00:08:08,666 --> 00:08:10,041
♪ In love with me ♪
144
00:08:15,750 --> 00:08:18,083
{\an8}[no audible dialogue]
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[vocalizing]
146
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Hi.
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- [vocalizing]
- [Heather] Aah!
148
00:08:31,500 --> 00:08:33,666
[Heather] ♪ Aah ♪
149
00:08:33,750 --> 00:08:34,833
Yoko!
150
00:08:36,250 --> 00:08:40,708
[Heather] ♪ Aah ♪
151
00:08:41,375 --> 00:08:43,666
♪ Aah ♪
152
00:08:46,208 --> 00:08:47,791
♪ Come on, Heather ♪
153
00:08:47,875 --> 00:08:50,791
[Heather] ♪ Aah ♪
154
00:08:50,875 --> 00:08:52,500
[John] ♪ Yeah, yeah, yeah ♪
155
00:08:52,583 --> 00:08:55,750
[Heather] ♪ Aah ♪
156
00:08:55,833 --> 00:08:58,416
[John] ♪ Shake it up, baby, now ♪
157
00:08:58,500 --> 00:09:00,625
♪ Shake it up, baby, now ♪
158
00:09:00,708 --> 00:09:03,125
♪ Twist and shout ♪
159
00:09:03,208 --> 00:09:05,625
♪ Twist and shout ♪
160
00:09:05,708 --> 00:09:08,041
♪ Come on, twist and shout now ♪
161
00:09:08,125 --> 00:09:09,833
- ♪ Come on ♪
- ♪ Aah… ♪
162
00:09:09,916 --> 00:09:12,291
{\an8}♪ Come on and work it on out ♪
163
00:09:12,375 --> 00:09:14,375
{\an8}♪ Come on and work it on out ♪
164
00:09:15,708 --> 00:09:17,041
♪ Well, can you dig it? ♪
165
00:09:17,125 --> 00:09:18,208
[Heather] ♪ Aah ♪
166
00:09:18,291 --> 00:09:22,291
♪ Can you dig it?
Yeah, dig it ♪
167
00:09:22,375 --> 00:09:24,791
♪ I like how you dig it ♪
168
00:09:24,875 --> 00:09:26,958
♪ Yeah, so dig it ♪
169
00:09:27,625 --> 00:09:29,916
♪ You can get it if you want it ♪
170
00:09:30,000 --> 00:09:33,416
♪ And if you want it you can get it
So come on ♪
171
00:09:34,958 --> 00:09:37,125
[Paul] ♪ If you want it
You can dig it, oh ♪
172
00:09:37,208 --> 00:09:38,208
♪ Come on ♪
173
00:09:38,291 --> 00:09:41,375
[Paul] ♪ Dig it up, dig it up, dig it up ♪
174
00:09:41,458 --> 00:09:43,416
[John] ♪ For Christ's sake, come on! ♪
175
00:09:43,500 --> 00:09:45,708
[Paul] ♪ Dig it up, dig it up ♪
176
00:09:45,791 --> 00:09:47,083
♪ Dig it up ♪
177
00:09:47,166 --> 00:09:49,208
[John, Paul] ♪ Dig it up, dig it up ♪
178
00:09:49,291 --> 00:09:51,583
♪ Dig it up, dig it up ♪
179
00:09:51,666 --> 00:09:53,708
[John] ♪ Oh, you dig it up again ♪
180
00:09:53,791 --> 00:09:57,041
- [Paul] ♪ If you want it you can dig it ♪
- [John] ♪ Like a rolling stone ♪
181
00:09:57,125 --> 00:09:59,000
{\an8}[Paul] ♪ Dig it, dig it ♪
182
00:09:59,083 --> 00:10:01,208
{\an8}♪ Like the FBI ♪
183
00:10:02,083 --> 00:10:03,833
{\an8}♪ Dig it, dig it ♪
184
00:10:03,916 --> 00:10:06,083
♪ And the CIA ♪
185
00:10:08,291 --> 00:10:10,750
♪ And the BBC ♪
186
00:10:13,583 --> 00:10:14,958
♪ B.B. King ♪
187
00:10:17,208 --> 00:10:18,708
♪ And Doris Day ♪
188
00:10:21,750 --> 00:10:23,708
♪ Matt Busby ♪
189
00:10:23,791 --> 00:10:28,000
♪ Dig it, dig it, dig it, dig it ♪
190
00:10:28,083 --> 00:10:30,125
♪ If you want it you can dig it ♪
191
00:10:30,208 --> 00:10:32,541
♪ If you want it you can dig it up ♪
192
00:10:32,625 --> 00:10:34,750
♪ If you want it you can dig it ♪
193
00:10:34,833 --> 00:10:38,458
♪ If you want it you can dig it up ♪
194
00:10:42,083 --> 00:10:43,583
Yeah!
195
00:10:47,208 --> 00:10:48,208
[song ends]
196
00:10:48,291 --> 00:10:49,291
[John] Oh, sorry.
197
00:10:50,000 --> 00:10:51,166
♪ Oh ♪
198
00:10:51,250 --> 00:10:52,791
[George Martin] Come on, let it be.
199
00:10:59,750 --> 00:11:01,125
What ones haven't you done yet?
200
00:11:01,208 --> 00:11:03,083
A little thing that goes
something like this.
201
00:11:03,166 --> 00:11:04,833
♪ It's one for the money ♪
202
00:11:05,625 --> 00:11:07,625
[John, Paul] ♪ Two for the show ♪
203
00:11:07,708 --> 00:11:10,208
♪ Three to get ready
Now go, cat, go ♪
204
00:11:10,291 --> 00:11:14,291
♪ Well, don't you
Step on my blue suede shoes ♪
205
00:11:15,875 --> 00:11:20,291
{\an8}♪ You can do anything
But lay off them blue suede shoes ♪
206
00:11:22,166 --> 00:11:23,916
♪ Well, you can knock me down ♪
207
00:11:24,000 --> 00:11:25,541
♪ Step on my face ♪
208
00:11:25,625 --> 00:11:28,666
♪ Slander my name
All over the place ♪
209
00:11:28,750 --> 00:11:31,500
♪ Do anything that you want to do ♪
210
00:11:31,583 --> 00:11:34,333
♪ Uh-uh, honey
Lay off of them shoes ♪
211
00:11:34,416 --> 00:11:35,833
♪ But don't you ♪
212
00:11:37,375 --> 00:11:40,583
[fast piano playing]
213
00:11:46,416 --> 00:11:49,208
♪ One-eyed cat
Peepin' in a seafood store ♪
214
00:11:51,125 --> 00:11:55,041
{\an8}♪ I'm like a one-eyed cat
Peepin' in a seafood store ♪
215
00:11:57,041 --> 00:12:00,250
♪ And I'll do anything
Till you don't love me no more ♪
216
00:12:01,958 --> 00:12:03,875
♪ I said, shake, rattle and roll ♪
217
00:12:04,708 --> 00:12:07,166
♪ I said, shake, rattle and roll ♪
218
00:12:07,250 --> 00:12:10,041
♪ I said, shake, rattle and roll ♪
219
00:12:10,125 --> 00:12:12,625
♪ I said, shake, rattle and roll ♪
220
00:12:13,125 --> 00:12:16,416
♪ You never do a thing
To save your doggone soul ♪
221
00:12:23,000 --> 00:12:24,333
[song ends]
222
00:12:24,416 --> 00:12:26,000
[Paul] ♪ A long, long time ago ♪
223
00:12:27,958 --> 00:12:29,875
♪ Don't leave me standing here ♪
224
00:12:30,833 --> 00:12:32,250
♪ Lead me to your door ♪
225
00:12:32,958 --> 00:12:35,375
{\an8}[George vocalizing]
226
00:12:35,458 --> 00:12:37,250
[guitar strumming]
227
00:12:39,791 --> 00:12:40,916
- [George vocalizes]
- No. No.
228
00:12:41,000 --> 00:12:43,125
No, see,
you've gotta wait a lot longer than that.
229
00:12:43,208 --> 00:12:46,000
[vocalizing]
230
00:13:04,375 --> 00:13:05,666
[shutter clicks]
231
00:13:05,750 --> 00:13:10,166
[Paul] ♪ The long and winding road ♪
232
00:13:11,416 --> 00:13:17,250
♪ That leads to your door ♪
233
00:13:20,375 --> 00:13:23,958
♪ Will never disappear ♪
234
00:13:27,708 --> 00:13:31,875
♪ I've seen that road before ♪
235
00:13:35,000 --> 00:13:38,458
♪ Don't-- It always leads me here ♪
236
00:13:38,541 --> 00:13:40,708
- [John] You done left me.
- You done left me.
237
00:13:40,791 --> 00:13:45,958
♪ Now lead me to your door ♪
238
00:13:47,833 --> 00:13:51,791
♪ The wild and windy night ♪
239
00:13:53,708 --> 00:13:59,458
♪ The rain washed away ♪
240
00:14:04,125 --> 00:14:07,375
♪ La, la, la, la, la, la ♪
241
00:14:07,458 --> 00:14:09,708
There wouldn't be much drumming,
would there?
242
00:14:11,125 --> 00:14:12,708
Go around a bit, you know?
243
00:14:12,791 --> 00:14:13,791
[John] What?
244
00:14:14,333 --> 00:14:16,708
[Paul] It sounds a bit like
a sort of dance orchestra.
245
00:14:17,625 --> 00:14:19,750
And the slow foxtrot… [chuckles]
246
00:14:19,833 --> 00:14:22,250
Like Rita and Thomas Williams.
247
00:14:22,333 --> 00:14:23,666
[George Martin, indistinct]
248
00:14:23,750 --> 00:14:26,625
Rita is wearing a dark sombrero
and a beard.
249
00:14:26,708 --> 00:14:28,208
{\an8}[George Martin] The chord there. I mean--
250
00:14:30,750 --> 00:14:33,708
Her husband is wearing
a crinoline skirt which he made himself.
251
00:14:33,791 --> 00:14:36,291
[George Martin, indistinct]
252
00:14:36,375 --> 00:14:37,958
[indistinct]
253
00:14:52,416 --> 00:14:53,916
[Ringo] Still no idea where I come in.
254
00:14:54,000 --> 00:14:56,791
- [John] Off the top of your head.
- [Paul] John, yours doesn't sound as much…
255
00:14:57,375 --> 00:14:59,041
It sounds like
you're doing too many notes.
256
00:14:59,125 --> 00:15:01,875
- Yeah, all right. Well, it just gets--
- [Paul] It's too, sort of, regular.
257
00:15:02,541 --> 00:15:06,666
♪ Dum, dum, dum ♪
258
00:15:07,291 --> 00:15:08,791
But you're doing…
259
00:15:08,875 --> 00:15:11,291
♪ Dum, dum… ♪
260
00:15:11,375 --> 00:15:12,583
I've been going…
261
00:15:12,666 --> 00:15:13,875
♪ Dum, dum ♪
262
00:15:13,958 --> 00:15:15,750
- You just want the one?
- Don't do that.
263
00:15:15,833 --> 00:15:18,250
No, but I mean, don't do any note there.
Just go…
264
00:15:18,333 --> 00:15:19,416
♪ Dum ♪
265
00:15:19,500 --> 00:15:22,750
♪ Dum, dum ♪
266
00:15:22,833 --> 00:15:24,041
[George humming]
267
00:15:24,125 --> 00:15:25,125
♪ Dum ♪
268
00:15:25,208 --> 00:15:27,125
That's what I'm really doing.
I've been going--
269
00:15:27,708 --> 00:15:29,166
♪ Dum ♪
270
00:15:30,833 --> 00:15:31,833
Hello?
271
00:15:35,625 --> 00:15:38,166
[George vocalizing to
"The Long And Winding Road"]
272
00:15:38,250 --> 00:15:39,250
[John] Great!
273
00:15:39,333 --> 00:15:41,125
[all laughing]
274
00:15:42,666 --> 00:15:46,833
- [vocalizing continues]
- [all laughing]
275
00:15:49,541 --> 00:15:52,958
[vocalizing]
276
00:15:53,041 --> 00:15:54,416
[George] Amazing.
277
00:15:56,875 --> 00:15:58,458
[muffled nasal vocalizing]
278
00:15:58,541 --> 00:15:59,541
[laughs]
279
00:16:16,708 --> 00:16:20,333
♪ The long and winding road ♪
280
00:16:21,916 --> 00:16:25,041
♪ Yes, Glyn Johns? ♪
281
00:16:26,083 --> 00:16:27,083
♪ What do you want? ♪
282
00:16:30,875 --> 00:16:31,875
Okay.
283
00:16:33,875 --> 00:16:35,041
[Glyn] One.
284
00:16:36,125 --> 00:16:40,625
[Paul] ♪ The long and winding road ♪
285
00:16:41,750 --> 00:16:47,958
♪ That leads to your door ♪
286
00:16:51,291 --> 00:16:55,291
{\an8}♪ Will never disappear ♪
287
00:16:58,250 --> 00:17:03,083
♪ I've seen that road before ♪
288
00:17:03,166 --> 00:17:05,416
- [chattering]
- [laughter]
289
00:17:05,500 --> 00:17:10,250
[Paul] ♪ It always leads me here ♪
290
00:17:12,875 --> 00:17:17,666
♪ Lead me to your door ♪
291
00:17:17,750 --> 00:17:21,125
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.
292
00:17:21,208 --> 00:17:22,333
I know what--
293
00:17:32,458 --> 00:17:34,416
Paul, are you gonna have strings?
294
00:17:41,833 --> 00:17:43,416
- [Paul] Yeah.
- [George] Well, it's like--
295
00:17:43,500 --> 00:17:44,500
Ooh!
296
00:17:44,583 --> 00:17:45,583
Yeah, there's parts--
297
00:17:45,666 --> 00:17:48,791
There's only parts where
you can hear the electric piano properly,
298
00:17:48,875 --> 00:17:50,583
- or the piano properly.
- [Paul] Yes.
299
00:17:50,666 --> 00:17:53,458
{\an8}Most of the time, you know,
like, they mix together.
300
00:17:59,291 --> 00:18:01,916
[Paul] Yeah. I think it needs,
like, a lot of, uh…
301
00:18:02,000 --> 00:18:03,875
- [Ringo] Cleaning.
- Cleaning, yeah.
302
00:18:05,250 --> 00:18:07,416
[George Martin] Actually,
the thing is, it's a nice feel to it,
303
00:18:07,500 --> 00:18:09,416
but it's rather like
everything else we've done.
304
00:18:09,500 --> 00:18:11,041
And this particular song
doesn't need that.
305
00:18:12,958 --> 00:18:16,250
See, the only way I've ever heard it is,
like, in my head,
306
00:18:16,333 --> 00:18:19,166
- is, like, Ray Charles's band.
- [Heather] I'm supposed to marry you.
307
00:18:19,250 --> 00:18:21,291
And I don't--
I haven't really even listened to them.
308
00:18:21,375 --> 00:18:25,625
[George] It would be nice with some brass
just doing the sustaining chord thing.
309
00:18:25,708 --> 00:18:27,708
- [Paul] Yeah.
- [hums chord]
310
00:18:27,791 --> 00:18:31,375
- [Glyn] Yeah.
- Moving and just holding notes.
311
00:18:33,875 --> 00:18:35,916
- Yeah. We probably, yeah--
- [Glyn] If I pull yours up…
312
00:18:36,000 --> 00:18:38,791
We were planning to do it anyway
for a couple of numbers,
313
00:18:38,875 --> 00:18:41,041
just to have
a bit of brass and bit of strings.
314
00:18:41,125 --> 00:18:42,583
That's what George was saying before.
315
00:18:42,666 --> 00:18:44,541
That's the bit
where The Raelettes'd sing it.
316
00:18:44,625 --> 00:18:49,000
{\an8}♪ The long and winding road ♪
317
00:18:49,541 --> 00:18:54,958
♪ That leads me to your door ♪
318
00:18:56,166 --> 00:18:59,041
Great. Sorry, man. Oh, that's nice.
319
00:18:59,541 --> 00:19:01,125
That's nice of what?
320
00:19:01,208 --> 00:19:02,375
It's nice of you.
321
00:19:03,125 --> 00:19:04,875
- For what?
- Very nice of you.
322
00:19:04,958 --> 00:19:06,958
- For what?
- Just to come here.
323
00:19:07,875 --> 00:19:08,875
We're going home.
324
00:19:08,958 --> 00:19:10,458
- When?
- Now.
325
00:19:11,000 --> 00:19:12,000
No.
326
00:19:12,083 --> 00:19:13,375
[chuckles]
327
00:19:13,458 --> 00:19:15,166
Am I gonna eat now? I'm going back.
328
00:19:15,250 --> 00:19:17,958
She's so worried now.
"I gotta eat for three hours,
329
00:19:18,541 --> 00:19:20,458
then maybe go to bed around 1:00."
330
00:19:21,833 --> 00:19:24,375
You're just going back in your box.
That's where you're going.
331
00:19:24,458 --> 00:19:26,666
- [all laughing]
- Don't tell. Don't tell.
332
00:19:26,750 --> 00:19:29,041
Aren't I gonna have anything to eat?
333
00:19:29,125 --> 00:19:31,041
Hey, I've got a present for you.
334
00:19:31,125 --> 00:19:33,375
- See you tomorrow.
- [Heather] Bye.
335
00:19:33,458 --> 00:19:36,000
{\an8}- [Heather] Aren't you going, George?
- [Paul] I said yes, George.
336
00:19:36,083 --> 00:19:38,708
{\an8}[John, Paul]
♪ I said shake, rattle and roll ♪
337
00:19:38,791 --> 00:19:41,500
♪ I said shake, rattle and roll ♪
338
00:19:41,583 --> 00:19:44,208
♪ I said shake, rattle and roll ♪
339
00:19:44,291 --> 00:19:48,750
{\an8}♪ You never do a thing
To save your doggone soul ♪
340
00:19:50,000 --> 00:19:53,583
[fast piano playing]
341
00:19:53,666 --> 00:19:55,666
[no audible dialogue]
342
00:19:58,125 --> 00:20:01,416
♪ One-eyed cat
Peepin' in a seafood store ♪
343
00:20:03,125 --> 00:20:06,916
♪ I'm like a one-eyed cat
Peepin' in a seafood store ♪
344
00:20:08,666 --> 00:20:12,958
- [John] ♪ I do believe… ♪
- I never done, done before ♪
345
00:20:14,458 --> 00:20:15,666
♪ Goin' to Kansas City ♪
346
00:20:18,250 --> 00:20:20,000
[Paul] ♪ I might take a boat ♪
347
00:20:20,083 --> 00:20:21,916
{\an8}I might take a train ♪
348
00:20:22,000 --> 00:20:25,500
{\an8}♪ And if I have to walk
I'm gonna get there just the same ♪
349
00:20:25,583 --> 00:20:26,750
♪ Going to Kansas City ♪
350
00:20:32,416 --> 00:20:35,416
[Paul] ♪ Oh, Miss Ann ♪
351
00:20:36,375 --> 00:20:38,625
{\an8}♪ You're doing something no one can ♪
352
00:20:39,333 --> 00:20:44,083
{\an8}♪ Because believing and deceiving
Driving me to leave you now ♪
353
00:20:44,666 --> 00:20:48,208
♪ You can knock me down
Step on my face ♪
354
00:20:48,291 --> 00:20:51,041
♪ Slander my name all over the place ♪
355
00:20:51,125 --> 00:20:53,791
♪ Do anything that you wanna do ♪
356
00:20:54,375 --> 00:20:57,041
♪ Uh-uh, honey
Lay off of them shoes ♪
357
00:20:57,125 --> 00:21:00,958
♪ But don't you
Step on my blue suede shoes ♪
358
00:21:02,916 --> 00:21:06,833
♪ Well, you can do anything
But lay off them blue suede shoes ♪
359
00:21:17,083 --> 00:21:19,583
- [song ends]
- [chattering]
360
00:21:19,666 --> 00:21:21,333
I don't know.
You didn't get the other one?
361
00:21:21,416 --> 00:21:22,416
- [Glyn] No.
- [George] No.
362
00:21:22,500 --> 00:21:24,666
- Well, we'll remember that another day.
- [Michael] Yeah.
363
00:21:24,750 --> 00:21:27,000
[John]
I'm just so high when I get in at night.
364
00:21:28,458 --> 00:21:29,458
{\an8}[John] I couldn't sleep.
365
00:21:38,875 --> 00:21:39,958
{\an8}[Paul] Tea or toast.
366
00:21:54,750 --> 00:21:56,708
[laughter]
367
00:22:00,250 --> 00:22:02,000
- [Paul] Yeah.
- [piano playing]
368
00:22:02,083 --> 00:22:05,500
What's this chord, Billy? E with a C?
369
00:22:05,583 --> 00:22:07,500
[Billy] Yeah. Just loading the E.
370
00:22:08,250 --> 00:22:09,625
- [George] Yeah. That's like E7.
- Yeah.
371
00:22:09,708 --> 00:22:11,208
This one.
372
00:22:12,083 --> 00:22:14,416
- Yeah. Um, E with a raised…
- [both chuckle]
373
00:22:15,958 --> 00:22:17,833
E with a C. E.
374
00:22:18,583 --> 00:22:21,375
- Yeah, E with a C.
- E with a C. What's that?
375
00:22:21,958 --> 00:22:22,958
[laughs]
376
00:22:23,708 --> 00:22:26,208
I've had an E with an F,
which is pretty good.
377
00:22:26,291 --> 00:22:27,291
[chuckles]
378
00:22:29,000 --> 00:22:30,416
[playing chords]
379
00:22:30,500 --> 00:22:34,208
[George] ♪ And now I'm stepping out
This old brown shoe ♪
380
00:22:35,208 --> 00:22:37,291
♪ And, baby, I'm in love with you ♪
381
00:22:37,375 --> 00:22:39,958
♪ And I'm so, so glad you came here ♪
382
00:22:41,916 --> 00:22:44,083
{\an8}♪ And, baby, I'm in love with you ♪
383
00:22:44,166 --> 00:22:47,583
{\an8}♪ And I'm so glad you came here
It won't be the same here ♪
384
00:22:47,666 --> 00:22:49,000
♪ I'm telling you ♪
385
00:22:55,916 --> 00:23:00,583
♪ You know you hold me up
From where some try to drag me down ♪
386
00:23:05,750 --> 00:23:07,250
What's this chord then, Billy?
387
00:23:09,958 --> 00:23:14,250
- It's F, but raising the F to F sharp.
- [Billy] Yeah. F sharp. Diminished.
388
00:23:14,333 --> 00:23:17,500
[George]
And then F with that, like the 7th.
389
00:23:18,708 --> 00:23:21,291
It's great on piano
'cause I don't know anything about it.
390
00:23:21,375 --> 00:23:22,208
[Billy] Yeah.
391
00:23:22,291 --> 00:23:25,750
But it's great, because I wouldn't have
been able to do that on the guitar.
392
00:23:40,458 --> 00:23:42,958
[scatting]
393
00:24:01,708 --> 00:24:03,541
[scatting]
394
00:24:14,791 --> 00:24:15,791
[song ends]
395
00:24:15,875 --> 00:24:19,166
- [George] Yeah, sorry, that bit comes…
- It does work, the bit--
396
00:24:19,250 --> 00:24:20,875
- [George] But it--
- In the bit before that bit.
397
00:24:20,958 --> 00:24:24,958
[George] Yeah, but then it's, uh--
Then it stays too long on the other one.
398
00:24:25,041 --> 00:24:29,041
- But it's like a natural on there.
- [Paul] Yeah. Well, you don't know…
399
00:24:29,125 --> 00:24:31,375
[scatting]
400
00:24:31,458 --> 00:24:34,416
♪ Wearing rings on every finger ♪
401
00:24:34,500 --> 00:24:38,291
♪ Not worrying what they or you say ♪
402
00:24:38,375 --> 00:24:41,583
♪ I'll live and love and maybe some day ♪
403
00:24:41,666 --> 00:24:46,250
♪ Who knows, baby
You will comfort me ♪
404
00:24:50,416 --> 00:24:52,250
[scatting]
405
00:25:02,166 --> 00:25:05,000
- Pianos are very difficult, aren't they?
- [Billy laughs]
406
00:25:05,083 --> 00:25:09,583
[Paul] ♪ There will be the answer
Let it be ♪
407
00:25:10,750 --> 00:25:13,708
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
408
00:25:13,791 --> 00:25:16,041
- ♪ Let it be, let it be ♪
- [George] ♪ Ooh ♪
409
00:25:16,125 --> 00:25:18,041
- [microphone feedback]
- [Ringo] Mal? Mal?
410
00:25:18,125 --> 00:25:19,750
The drums are on PA anyway.
411
00:25:19,833 --> 00:25:21,458
[George Martin]
When we connect it, I could hear Ringo.
412
00:25:21,541 --> 00:25:23,041
[John] The drums are on PA!
413
00:25:23,541 --> 00:25:26,166
- It's not my idea of a personal assistant.
- [Paul] No.
414
00:25:26,250 --> 00:25:29,875
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
415
00:25:29,958 --> 00:25:32,958
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
416
00:25:41,166 --> 00:25:45,166
[organ playing]
417
00:25:48,083 --> 00:25:50,208
[snare drum playing]
418
00:25:50,791 --> 00:25:51,791
[John] Hello? Hello?
419
00:25:54,583 --> 00:25:56,166
'Cause coming from the north of England,
420
00:25:56,250 --> 00:25:58,541
it doesn't come too easy, you know,
all the soul.
421
00:25:58,625 --> 00:26:00,166
- [laughs]
- [John] Let's take one now.
422
00:26:00,250 --> 00:26:01,333
[Ringo] Yeah, right.
423
00:26:01,416 --> 00:26:04,166
♪ Can we have our microphones?
Oh, mister, can we please? ♪
424
00:26:04,250 --> 00:26:05,875
Ask 'em to put the mics on, will you?
425
00:26:05,958 --> 00:26:07,375
Hello.
426
00:26:07,458 --> 00:26:08,958
And get one for Billy too.
427
00:26:09,041 --> 00:26:11,041
["Let It Be" playing]
428
00:26:15,500 --> 00:26:17,541
- [Paul] It's a bit ploddy.
- What?
429
00:26:18,500 --> 00:26:21,958
[Paul] You know, just--
It sort of plods along a bit. A bit much.
430
00:26:22,041 --> 00:26:25,375
- It's just mourning and slow, slow.
- [Paul] Mourning and…
431
00:26:25,458 --> 00:26:28,750
[John] And a slow song.
It takes a long time to get out of it.
432
00:26:28,833 --> 00:26:31,375
[Paul] Yeah.
That'll do for the time being.
433
00:26:31,458 --> 00:26:33,458
"The Wrong and Winding Box."
434
00:26:34,041 --> 00:26:38,750
[John, Paul]
♪ But still they lead me back ♪
435
00:26:39,833 --> 00:26:46,166
♪ To the long winding road ♪
436
00:26:49,625 --> 00:26:53,625
♪ You left me waiting here ♪
437
00:26:54,791 --> 00:26:57,125
[Paul humming]
438
00:26:57,958 --> 00:27:00,416
All those little melodic things, you know?
439
00:27:00,500 --> 00:27:01,916
It's a-- It's a--
440
00:27:02,750 --> 00:27:05,833
It's like the other one, you know.
They're sort of slow, ballady,
441
00:27:05,916 --> 00:27:07,708
and they're plodding a bit.
442
00:27:07,791 --> 00:27:09,250
[piano playing]
443
00:27:09,333 --> 00:27:13,333
- [Paul humming]
- [John whistling]
444
00:27:16,375 --> 00:27:19,708
See, that's the kind of thing. Yeah.
It needs to go like that.
445
00:27:20,375 --> 00:27:23,375
[Paul vocalizing]
446
00:27:27,416 --> 00:27:29,708
[vocalizing continues]
447
00:27:32,416 --> 00:27:33,541
Oh, just a second.
448
00:27:33,625 --> 00:27:36,416
When it goes, um-- On that bit, it goes…
449
00:27:36,500 --> 00:27:38,041
♪ Has left a-- ♪
450
00:27:38,125 --> 00:27:39,250
Hang on.
451
00:27:40,041 --> 00:27:42,166
[George] Can we make the bridge…
452
00:27:43,333 --> 00:27:44,333
heavy?
453
00:27:45,833 --> 00:27:48,541
I can't sort of think how to do
this one at all, you know.
454
00:27:48,625 --> 00:27:50,458
Just, mind's a blank on it.
455
00:27:50,541 --> 00:27:51,666
I don't know.
456
00:27:52,833 --> 00:27:54,250
I don't know.
457
00:27:55,083 --> 00:27:56,083
Give up.
458
00:27:56,750 --> 00:27:58,291
[George] It's nice though.
459
00:27:58,375 --> 00:28:00,541
- [John] Have you turned me down?
- [George Martin] No.
460
00:28:00,625 --> 00:28:01,625
[chattering]
461
00:28:01,708 --> 00:28:03,500
[Paul humming]
462
00:28:03,583 --> 00:28:05,458
[chattering]
463
00:28:06,125 --> 00:28:08,458
[Paul] It's funny though.
You can't hear the piano either.
464
00:28:13,416 --> 00:28:15,083
{\an8}[Paul] We only asked for the piano.
465
00:28:21,375 --> 00:28:23,166
No. I said, "Oh, Ringo is on PA."
466
00:28:25,291 --> 00:28:29,000
[Paul] A great sound in here
will improve what we do.
467
00:28:29,708 --> 00:28:33,125
{\an8}No, but I mean, it's like
when we played in clubs in Hamburg.
468
00:28:34,416 --> 00:28:35,833
{\an8}[Paul] We sounded great.
469
00:28:45,541 --> 00:28:46,541
{\an8}[Paul] So you get…
470
00:28:53,583 --> 00:28:55,666
Let's do that.
It'll help you anyway to begin with.
471
00:28:55,750 --> 00:28:57,291
- Thank you, George.
- You're welcome.
472
00:28:57,833 --> 00:29:00,416
See, 'cause that'd be good
if we could get all that,
473
00:29:01,083 --> 00:29:03,083
get the sound in this room.
474
00:29:03,166 --> 00:29:06,166
It's, like, remember that night
we tried tape echo with George?
475
00:29:06,250 --> 00:29:07,500
On a bit of vocal.
476
00:29:28,250 --> 00:29:30,583
They have bloody big speakers
or something,
477
00:29:31,166 --> 00:29:32,375
to shout through.
478
00:29:33,083 --> 00:29:35,375
They should be
at least as big as a bass amp.
479
00:29:35,458 --> 00:29:36,458
- [Paul] Yeah.
- Paul.
480
00:29:36,541 --> 00:29:37,708
Yeah. [chuckling]
481
00:29:41,250 --> 00:29:43,541
[John] Thing is, they're both facing
each other for a kickoff.
482
00:29:43,625 --> 00:29:46,375
{\an8}They're all facing--
They're all right next to the amps.
483
00:29:53,000 --> 00:29:55,333
[John] I mean, get them up there,
they come down to us.
484
00:29:55,416 --> 00:29:58,625
Nail 'em on them sticks up there
and shoot 'em down to us,
485
00:29:58,708 --> 00:30:02,125
{\an8}and we'll all face that way if you like.
We'll face any way.
486
00:30:02,958 --> 00:30:05,583
Well, then, let's--
I don't know who to tell to do that.
487
00:30:05,666 --> 00:30:07,375
[George Martin] Right, okay.
Yeah. I'll do something about it.
488
00:30:07,458 --> 00:30:09,875
[Paul] Somehow if we can each hear
what the others are playing.
489
00:30:13,333 --> 00:30:15,666
{\an8}[Paul] Yes, it does. [laughs]
490
00:30:15,750 --> 00:30:20,833
{\an8}♪ I'll never do you no harm ♪
491
00:30:23,083 --> 00:30:25,875
{\an8}- ♪ Believe me when I tell you ♪
- ♪ Oh, I do! ♪
492
00:30:28,000 --> 00:30:32,500
♪ I'll never do you no harm ♪
493
00:30:36,416 --> 00:30:40,291
- ♪ No, darling, no harm ♪
- ♪ Yeah, yeah, yeah ♪
494
00:30:42,500 --> 00:30:43,500
[song ends]
495
00:30:43,583 --> 00:30:44,583
- Uh…
- [Paul] Ow!
496
00:30:45,166 --> 00:30:48,416
Just heard that Yoko's divorce
has just gone through.
497
00:30:48,500 --> 00:30:49,833
- [Yoko chuckles]
- [Paul vocalizes]
498
00:30:49,916 --> 00:30:50,916
[John] Free at last.
499
00:30:51,000 --> 00:30:52,541
♪ I'm free ♪
500
00:30:52,625 --> 00:30:54,208
[Paul] ♪ Oh ♪
501
00:30:55,875 --> 00:30:56,875
♪ This morning ♪
502
00:30:59,708 --> 00:31:03,041
♪ My baby told the lawyer ♪
503
00:31:03,750 --> 00:31:06,333
- ♪ It's okay ♪
- [Paul] ♪ Yeah, yeah ♪
504
00:31:08,416 --> 00:31:12,458
♪ Believe me when I tell you ♪
505
00:31:13,000 --> 00:31:18,458
♪ I'll never never do you no harm ♪
506
00:31:22,541 --> 00:31:25,291
[Paul] ♪ Yeah ♪
507
00:31:25,375 --> 00:31:30,166
♪ And if somebody ever loved me
Like she does ♪
508
00:31:30,250 --> 00:31:31,500
Did we… "And if"?
509
00:31:31,583 --> 00:31:32,583
Start again.
510
00:31:33,083 --> 00:31:38,125
♪ And if somebody ever really loved me
Like she does ♪
511
00:31:38,208 --> 00:31:41,291
I've just got written down here,
"If somebody ever loved me."
512
00:31:41,375 --> 00:31:45,291
[John] Oh, I've got, "If somebody
ever really loved me, like as she do me."
513
00:31:45,375 --> 00:31:46,375
[Paul] Ah.
514
00:31:46,458 --> 00:31:49,833
♪ And if somebody ever loved me
Like she does ♪
515
00:31:49,916 --> 00:31:53,041
[John] Maybe we should have,
"I guess nobody ever loved me."
516
00:31:53,125 --> 00:31:55,416
- [chattering]
- [laughter]
517
00:31:55,500 --> 00:31:59,250
♪ I guess nobody ever really ♪
518
00:31:59,333 --> 00:32:01,583
♪ Done me, done me, done me ♪
519
00:32:01,666 --> 00:32:03,166
{\an8}♪ Oh, she done me ♪
520
00:32:04,750 --> 00:32:06,166
{\an8}♪ Yeah, she good ♪
521
00:32:09,250 --> 00:32:12,083
♪ Don't let me down, yeah ♪
522
00:32:15,666 --> 00:32:18,250
♪ Don't let me down ♪
523
00:32:20,458 --> 00:32:22,208
♪ Oh, Little Willy! Yeah! ♪
524
00:32:27,458 --> 00:32:30,166
[Paul vocalizes]
525
00:32:33,791 --> 00:32:36,208
♪ Don't let me down ♪
526
00:32:39,833 --> 00:32:42,041
♪ Please don't let me down ♪
527
00:32:43,833 --> 00:32:45,125
[song ends]
528
00:32:45,208 --> 00:32:46,875
[chattering]
529
00:32:50,916 --> 00:32:52,875
George. George. George.
530
00:32:52,958 --> 00:32:54,625
[chattering continues]
531
00:32:54,708 --> 00:32:57,791
- [laughing]
- [chattering]
532
00:33:01,750 --> 00:33:05,625
[instruments playing]
533
00:33:19,291 --> 00:33:21,208
- [song ends]
- [chattering]
534
00:33:21,291 --> 00:33:23,291
[laughing]
535
00:33:26,583 --> 00:33:29,416
[John] The layout of the book's
really good, though, the way he's done it.
536
00:33:30,000 --> 00:33:31,541
{\an8}[Paul] This is it. Is this the layout?
537
00:33:31,625 --> 00:33:33,291
{\an8}[John] No, this is just the bit. That bit.
538
00:33:33,958 --> 00:33:38,708
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,
539
00:33:38,791 --> 00:33:41,416
'My marriage is over.
I am in love with Yoko.'"
540
00:33:41,500 --> 00:33:43,666
- [Yoko] It's amazing. [laughs]
- [John] Sinceriously.
541
00:33:43,750 --> 00:33:47,166
"How much does he love Yoko?
'Much more than I love the Queen.'"
542
00:33:47,250 --> 00:33:50,041
[all laughing]
543
00:33:50,125 --> 00:33:51,916
["Strawberry Fields Forever" playing]
544
00:33:58,625 --> 00:34:02,250
♪ Well, let me take you down ♪
545
00:34:02,333 --> 00:34:05,000
♪ 'Cause I'm going… ♪
546
00:34:06,541 --> 00:34:08,875
♪ Strawberry Fields ♪
547
00:34:13,000 --> 00:34:15,000
♪ Nothing is real ♪
548
00:34:17,791 --> 00:34:21,041
{\an8}♪ Nothing to get hung about ♪
549
00:34:22,458 --> 00:34:25,666
{\an8}♪ Strawberry Fields forever ♪
550
00:34:27,375 --> 00:34:30,125
[George]
Let's record it all this afternoon, now.
551
00:34:30,208 --> 00:34:31,208
[laughing]
552
00:34:31,291 --> 00:34:34,708
The show on Wednesday,
which is up on the roof, we can get, uh,
553
00:34:34,791 --> 00:34:37,666
{\an8}no worse than a 4-shot on the roof
out toward London,
554
00:34:38,291 --> 00:34:40,708
- which I think is worth it.
- [John] Yes. How much does it cost?
555
00:34:42,500 --> 00:34:44,750
Well, just send the helicopter up.
No film.
556
00:34:44,833 --> 00:34:48,041
- It's too much, film and a…
- Helicopter.
557
00:34:48,125 --> 00:34:49,541
Uh, what do you say, lads?
558
00:34:49,625 --> 00:34:51,000
- Have it on Paul!
- [Yoko] Yeah.
559
00:34:51,083 --> 00:34:52,375
- [Ringo] Yeah.
- [Michael] Yes.
560
00:34:53,250 --> 00:34:54,833
- Is that a yes?
- [Paul] That's a no-no.
561
00:34:54,916 --> 00:34:57,958
[John] ♪ Sweet Loretta Fart
She thought she was a cleaner ♪
562
00:34:58,041 --> 00:35:00,041
♪ But she was a frying pan ♪
563
00:35:00,125 --> 00:35:02,333
One, two, three, four.
564
00:35:10,125 --> 00:35:13,916
♪ Jo Jo was a man
Who thought he was a loner ♪
565
00:35:14,000 --> 00:35:16,625
♪ But he knew it couldn't last… ♪
566
00:35:18,208 --> 00:35:21,208
Not too loud though.
It's nice, quiet. Oh, yeah.
567
00:35:21,291 --> 00:35:25,083
It settled into it, though, after where
we started in, but much, much faster.
568
00:35:25,166 --> 00:35:27,500
One, two, three, four.
569
00:35:28,000 --> 00:35:31,000
["Get Back" playing]
570
00:35:35,083 --> 00:35:36,875
♪ Jo Jo was a man… ♪
571
00:35:36,958 --> 00:35:38,833
Bit faster, do you think? Bit faster now.
572
00:35:39,541 --> 00:35:41,375
One, two, three, four.
573
00:35:45,500 --> 00:35:46,500
Hello.
574
00:35:49,041 --> 00:35:52,333
{\an8}♪ Jo Jo was a man
Who thought he was a loner ♪
575
00:35:52,416 --> 00:35:55,250
{\an8}♪ But he knew it couldn't last ♪
576
00:35:56,291 --> 00:36:00,125
♪ Jo Jo left his home in Tucson, Arizona ♪
577
00:36:00,208 --> 00:36:02,541
- Little bit slower.
- It seems it's picking up speed, I think.
578
00:36:02,625 --> 00:36:03,625
[Glyn] Yeah.
579
00:36:03,708 --> 00:36:05,833
'Cause I find myself starting off, going…
580
00:36:05,916 --> 00:36:06,916
[Paul] We get excited.
581
00:36:07,916 --> 00:36:09,083
[John] And then ended up…
582
00:36:15,833 --> 00:36:18,708
Ah, this here's the story
about Sweet Loretta Martin
583
00:36:19,458 --> 00:36:20,958
and Jo Jo McCartney.
584
00:36:23,291 --> 00:36:24,416
[Paul] ♪ Oh, get back ♪
585
00:36:25,333 --> 00:36:26,333
♪ Oh, get back ♪
586
00:36:27,500 --> 00:36:30,916
♪ Get back to where you once belonged
Yeah ♪
587
00:36:31,000 --> 00:36:36,625
♪ Sweet Loretta Martin
Thought she was a woman ♪
588
00:36:37,458 --> 00:36:40,833
♪ But she was another man ♪
589
00:36:41,625 --> 00:36:42,750
[vocalizing]
590
00:36:42,833 --> 00:36:45,250
All right, boy. All right, John.
I've gotta call order, John.
591
00:36:45,333 --> 00:36:47,166
- All right, Paul.
- You know, valuable time here, son.
592
00:36:48,125 --> 00:36:49,291
Cool down, son.
593
00:36:49,375 --> 00:36:50,916
[John] Don't let me down, babe.
594
00:36:52,791 --> 00:36:57,291
[Paul] ♪ Take these chains
And set me free ♪
595
00:36:58,500 --> 00:37:03,250
{\an8}♪ Take these chains away
And set me free ♪
596
00:37:10,208 --> 00:37:13,166
- [John] They can afford it.
- Costing EMI. We're EMI artists, man, no?
597
00:37:13,250 --> 00:37:14,250
[Glyn laughs]
598
00:37:14,333 --> 00:37:17,666
♪ Get back, get back ♪
599
00:37:18,666 --> 00:37:21,833
♪ Get back to where you once belonged ♪
600
00:37:21,916 --> 00:37:23,208
♪ Get back home Jo Jo ♪
601
00:37:31,916 --> 00:37:34,458
- [Billy] …together at the beginning.
- You were very good, Bill.
602
00:37:34,541 --> 00:37:37,375
[Glyn] Bill, you were just great. [laughs]
603
00:37:39,583 --> 00:37:40,708
[Glyn] What are you gonna do?
604
00:37:40,791 --> 00:37:42,500
- Play it again.
- Sing a bit.
605
00:37:42,583 --> 00:37:44,958
- [Glyn] J?
- Just keep 'em. Keep 'em.
606
00:37:45,041 --> 00:37:46,583
- [Glyn] Do another one?
- Yeah.
607
00:37:46,666 --> 00:37:48,916
[Paul] Well, tell us if you think
we've got it, you know?
608
00:37:49,000 --> 00:37:50,208
[Glyn] Well, yeah.
609
00:37:50,291 --> 00:37:52,000
Let's keep doing them then, you know?
610
00:37:52,083 --> 00:37:54,416
'Cause if we keep doing that
and going in and then saying, "Oh."
611
00:37:54,500 --> 00:37:57,000
[George Martin] I think you ought to do
something else, 'cause I think you might--
612
00:37:57,083 --> 00:37:58,791
If you keep doing it,
you'll go stale on it.
613
00:37:58,875 --> 00:38:00,708
- [John] No, no. Let's do it.
- You can always go back to it.
614
00:38:00,791 --> 00:38:03,041
- Do you want your head kicked in?
- You know what I mean, though.
615
00:38:04,500 --> 00:38:06,875
- [Paul] Do you wanna do it once more then?
- [John] Yes, yes.
616
00:38:06,958 --> 00:38:10,125
At least once more.
We'll never get a chance to do it again.
617
00:38:10,208 --> 00:38:13,375
[George Martin] It is the final
performance. You've got an audience now.
618
00:38:13,458 --> 00:38:16,458
[Paul] Okay, honeybunch.
Let's hit it one time, tutti-frutti.
619
00:38:17,041 --> 00:38:18,500
One, two…
620
00:38:18,583 --> 00:38:21,833
♪ Get back, get back ♪
621
00:38:22,416 --> 00:38:25,583
♪ Get back to where you once belonged ♪
622
00:38:27,250 --> 00:38:29,083
[Glyn]
That last take was extremely good though.
623
00:38:29,166 --> 00:38:31,250
Okay. Keep it extremely good then.
We'll carry on.
624
00:38:34,333 --> 00:38:38,041
[Paul]
♪ Oh, get back, Loretta Martin, back ♪
625
00:38:38,958 --> 00:38:41,583
♪ Back to where you once belonged ♪
626
00:38:41,666 --> 00:38:43,583
[Glyn] Why not go straight into
another number then?
627
00:38:43,666 --> 00:38:46,083
We were trying to go into
"Don't Let Me Down" if we made it,
628
00:38:46,166 --> 00:38:48,166
but we haven't made it once yet, you know?
629
00:38:48,250 --> 00:38:51,750
We think of everything and we're
even gonna go on to "I've Got a Fever."
630
00:38:51,833 --> 00:38:53,166
If we really know.
631
00:38:53,250 --> 00:38:55,041
[Glyn] In that case,
I'm gonna change tape.
632
00:38:55,125 --> 00:38:56,125
Are you? Okay.
633
00:38:56,208 --> 00:38:58,125
["Get Back" playing]
634
00:39:04,166 --> 00:39:07,666
♪ Sweet Loretta Martin
Thought she was a woman ♪
635
00:39:07,750 --> 00:39:10,375
♪ But she was another man ♪
636
00:39:10,458 --> 00:39:12,458
Was the other one before better than that?
637
00:39:13,708 --> 00:39:17,250
[Glyn] Yes. There was one better than that
earlier on. Hang on, we'll just…
638
00:39:17,333 --> 00:39:18,916
The one before this was better for me.
639
00:39:19,000 --> 00:39:21,333
Should we have another ciggy,
another cup of tea, or…
640
00:39:21,416 --> 00:39:23,083
- [John] Okay, yeah after this.
- …ciggy after the wine.
641
00:39:23,166 --> 00:39:26,250
Oh, ready? One, two three, four.
642
00:39:26,333 --> 00:39:28,333
["Get Back" playing]
643
00:39:34,125 --> 00:39:37,416
♪ Jo Jo was a man
Who thought he was a loner ♪
644
00:39:37,500 --> 00:39:38,958
There's one where everything was right…
645
00:39:39,041 --> 00:39:41,166
- [Glyn] What's the next reel?
- …except the last bit of my guitar solo.
646
00:39:41,250 --> 00:39:43,666
[Paul] Well, remember the one before that
that we all said was all right?
647
00:39:43,750 --> 00:39:45,208
- [Glyn] Yeah.
- [George Martin] That's Take 11.
648
00:39:45,291 --> 00:39:46,333
You can always edit.
649
00:39:46,416 --> 00:39:48,666
- [Glyn] Yeah, I'm just getting it.
- Edit?
650
00:39:48,750 --> 00:39:50,416
You're talking to the Bootles.
651
00:39:57,916 --> 00:40:01,083
{\an8}[Paul] Yeah, right. Now, see the thing is,
we need another week to do it.
652
00:40:01,833 --> 00:40:03,458
[Paul] ♪ Get back, Jo ♪
653
00:40:18,750 --> 00:40:22,458
{\an8}♪ Sweet Loretta Martin
Thought she was a woman ♪
654
00:40:22,541 --> 00:40:25,291
{\an8}♪ But she was another man ♪
655
00:40:26,625 --> 00:40:30,500
♪ All the girls around her
Say she's got it coming ♪
656
00:40:30,583 --> 00:40:32,875
♪ But she gets it while she can ♪
657
00:40:34,000 --> 00:40:35,291
♪ Oh, get back ♪
658
00:40:36,166 --> 00:40:37,166
♪ Get back ♪
659
00:40:38,125 --> 00:40:41,125
♪ Get back to where you once belonged ♪
660
00:40:42,041 --> 00:40:43,083
♪ Get back ♪
661
00:40:43,958 --> 00:40:44,958
♪ Get back ♪
662
00:40:45,041 --> 00:40:46,291
♪ Oh, yeah ♪
663
00:40:48,583 --> 00:40:49,833
♪ Oh, yeah ♪
664
00:40:49,916 --> 00:40:51,416
Miles out, aren't we?
665
00:40:51,500 --> 00:40:52,916
- [George] Tune.
- Yeah.
666
00:40:53,000 --> 00:40:54,041
It was A, Bill.
667
00:40:54,125 --> 00:41:00,125
Billy, instead of giving us,
like, one note, give us a riff like…
668
00:41:01,833 --> 00:41:03,666
That's easier to tune to.
669
00:41:22,458 --> 00:41:25,375
[Paul] ♪ All these years
I've been wandering around ♪
670
00:41:25,458 --> 00:41:28,416
♪ Wondering how come nobody told me ♪
671
00:41:28,500 --> 00:41:31,125
- [Glyn] Hold up. Hold up.
- [John] Okay. Let me just--
672
00:41:31,208 --> 00:41:33,041
[John clears throat, vocalizes]
673
00:41:35,250 --> 00:41:38,333
{\an8}[John cackles] Not giving 'em that!
674
00:41:38,416 --> 00:41:40,333
Oh, fucking right.
675
00:41:40,416 --> 00:41:42,333
[chuckling]
676
00:41:44,000 --> 00:41:46,458
Something happened.
I don't know what it was though.
677
00:41:47,083 --> 00:41:48,125
Something happened.
678
00:41:48,208 --> 00:41:49,833
["I've Got A Feeling" playing]
679
00:41:49,916 --> 00:41:50,916
♪ Oh, yeah ♪
680
00:41:52,166 --> 00:41:53,666
[Paul] ♪ No, no, no ♪
681
00:41:54,208 --> 00:41:56,291
♪ Yeah ♪
682
00:41:56,375 --> 00:41:59,583
♪ I've got a feeling ♪
683
00:42:04,583 --> 00:42:07,416
♪ Well, all of these years
I've been wandering around ♪
684
00:42:07,500 --> 00:42:10,416
♪ Wondering how come nobody told me ♪
685
00:42:10,500 --> 00:42:14,208
♪ All that I've been looking for
Was somebody who looked like you ♪
686
00:42:19,833 --> 00:42:22,250
- ♪ I've got a feeling ♪
- [John] ♪ Oh, yeah ♪
687
00:42:22,333 --> 00:42:25,583
♪ That keeps me on my toes
Oh, yeah ♪
688
00:42:27,500 --> 00:42:28,833
[Paul, John] ♪ Oh, yeah ♪
689
00:42:31,500 --> 00:42:33,625
♪ I've got a feeling ♪
690
00:42:33,708 --> 00:42:36,625
♪ I think that everybody knows ♪
691
00:42:36,708 --> 00:42:38,166
- ♪ Oh, no ♪
- [John] ♪ Yeah ♪
692
00:42:39,833 --> 00:42:41,375
[Paul, John] ♪ Oh, yeah ♪
693
00:42:42,625 --> 00:42:44,083
[Paul] ♪ Oh, yeah ♪
694
00:42:44,666 --> 00:42:46,916
♪ Yeah ♪
695
00:42:47,000 --> 00:42:50,541
♪ Yeah, I've got a feeling ♪
696
00:42:50,625 --> 00:42:52,291
♪ Yeah, yeah, yeah ♪
697
00:42:55,833 --> 00:42:58,041
♪ Everybody had a hard year ♪
698
00:42:59,000 --> 00:43:01,250
♪ Everybody had a good time ♪
699
00:43:02,083 --> 00:43:04,333
♪ Everybody had a wet dream ♪
700
00:43:05,166 --> 00:43:07,208
♪ Everybody saw the sunshine ♪
701
00:43:07,291 --> 00:43:09,041
- ♪ Oh, yeah ♪
- [Paul] ♪ Oh, yeah ♪
702
00:43:09,125 --> 00:43:11,916
- ♪ Oh yeah, oh yeah ♪
- [Paul] ♪ Oh, yeah ♪
703
00:43:14,375 --> 00:43:17,333
- ♪ Everybody had a good year ♪
- [Paul] ♪ Yeah ♪
704
00:43:17,416 --> 00:43:20,375
- ♪ Everybody had their hair down ♪
- [Paul] ♪ Yeah ♪
705
00:43:20,458 --> 00:43:23,333
- ♪ Everybody pulled their socks up ♪
- [Paul] ♪ Oh, yeah ♪
706
00:43:23,416 --> 00:43:26,708
♪ Everybody put their foot down
Oh, yeah ♪
707
00:43:35,041 --> 00:43:36,041
[song ends]
708
00:43:37,708 --> 00:43:40,166
Glyn? What does that sound like?
709
00:43:40,250 --> 00:43:41,875
[laughter]
710
00:43:41,958 --> 00:43:43,875
[Glyn] Probably lucky… [indistinct]
711
00:43:43,958 --> 00:43:45,000
- What?
- [Glyn] Yeah.
712
00:43:45,083 --> 00:43:46,125
- All right?
- [Glyn] Yeah.
713
00:43:46,208 --> 00:43:49,125
[instruments playing]
714
00:43:51,958 --> 00:43:54,375
[no audible dialogue]
715
00:44:00,125 --> 00:44:02,000
- [chattering]
- [laughter]
716
00:44:02,083 --> 00:44:03,666
- Not bad.
- Got it.
717
00:44:05,000 --> 00:44:07,541
- [John] Oh, the last two will do me.
- [Glyn] That's what I thought.
718
00:44:07,625 --> 00:44:10,083
- It was just about diabolical enough.
- [Paul] You see, the thing is…
719
00:44:10,166 --> 00:44:13,500
I don't feel as though
I'm singing it any good.
720
00:44:13,583 --> 00:44:16,041
- The other day I was singing better.
- 'Cause you're standing up.
721
00:44:16,125 --> 00:44:18,083
- And you're trying to do a thing.
- Maybe.
722
00:44:18,166 --> 00:44:19,416
You should sit down.
723
00:44:19,500 --> 00:44:20,666
- Enjoy yourself.
- Yeah.
724
00:44:21,583 --> 00:44:25,083
Maybe. No, but even so today,
I just feel as though…
725
00:44:25,791 --> 00:44:26,916
Hobson's is a bit…
726
00:44:28,166 --> 00:44:29,166
[Glyn] That reel on?
727
00:44:29,250 --> 00:44:31,666
{\an8}We've still got a lot more songs
we haven't even rehearsed.
728
00:44:32,541 --> 00:44:37,000
{\an8}The two slow ones we're doing,
"Mother Mary" and… "Brother Jesus."
729
00:44:37,083 --> 00:44:38,708
- [George] Have we recorded?
- [laughter]
730
00:44:38,791 --> 00:44:40,583
[George]
Have we recorded the "Mother Mary" one?
731
00:44:40,666 --> 00:44:41,916
Haven't happened yet, have they?
732
00:44:42,000 --> 00:44:43,000
- [Glyn] No.
- [George] Haven't they?
733
00:44:43,083 --> 00:44:44,583
- [Glyn] One has. One has.
- Well…
734
00:44:44,666 --> 00:44:46,375
- Which one?
- [Glyn] I can never get it.
735
00:44:46,458 --> 00:44:48,000
- "Long, Long, Winding"--
- "Long and Winding Road"?
736
00:44:48,083 --> 00:44:49,166
[Glyn] "Long and Winding Scrotum."
737
00:44:49,250 --> 00:44:51,416
- Really?
- [Glyn] I think it's very tasty.
738
00:44:51,500 --> 00:44:52,583
Très tasty, in fact.
739
00:44:52,666 --> 00:44:54,000
Oh, the little version we had--
740
00:44:54,083 --> 00:44:56,083
- He's so good for your morale, this boy.
- Yeah, yeah.
741
00:44:56,166 --> 00:44:57,583
- [chuckles]
- [Glyn] No, really.
742
00:44:57,666 --> 00:44:59,916
- We can do--
- I'm not saying you can't do it better.
743
00:45:00,000 --> 00:45:01,458
But, I mean, it's very together.
744
00:45:02,166 --> 00:45:04,833
See, that's a bit like the old "Get Back."
745
00:45:04,916 --> 00:45:07,166
It's together
until you think you can do it better.
746
00:45:08,041 --> 00:45:10,250
We should arrange what's happening
around lunchtime tomorrow.
747
00:45:10,333 --> 00:45:12,500
John's got something at 1:30,
and so have I.
748
00:45:12,583 --> 00:45:15,458
[Glyn] I'll take these tonight.
You can have a mix of these tomorrow.
749
00:45:16,208 --> 00:45:18,166
- I'm meeting a fella.
- Oh, right.
750
00:45:19,375 --> 00:45:23,250
No, uh, at 1:30 though.
We're both going at 1:30, so can you…
751
00:45:23,333 --> 00:45:26,833
We'll do something, all right.
I'll do Ringo at 1:30.
752
00:45:26,916 --> 00:45:29,333
- [laughs]
- Let's say 12:00.
753
00:45:29,416 --> 00:45:31,916
[George] We'll be coming in before 1:30?
754
00:45:32,000 --> 00:45:34,000
- Yeah. Coming in at 11:00.
- [George] Okay.
755
00:45:34,083 --> 00:45:35,083
Then work till 1:30.
756
00:45:35,166 --> 00:45:36,875
[Paul on tape]
Okay, honeybunch. Let's hit it one time.
757
00:45:36,958 --> 00:45:39,041
- What time are you starting?
- 11:00.
758
00:45:39,625 --> 00:45:41,208
- [George Martin] 11:00 to 1:30?
- 10:30, yeah.
759
00:45:41,291 --> 00:45:42,625
[Paul on tape] Dig, man.
760
00:45:42,708 --> 00:45:44,958
[George Martin] And then how long
are you having off from 1:30?
761
00:45:45,041 --> 00:45:47,291
[Ringo] Till 3:00. Good night, everybody.
762
00:45:47,375 --> 00:45:49,416
- [George Martin] Good night, Rich.
- [crew] Good night, Richie.
763
00:45:49,500 --> 00:45:51,375
- [John] I think I'm gonna go.
- [Ringo] Will you?
764
00:45:51,458 --> 00:45:53,333
[Paul] I think the one you said was best…
765
00:45:53,416 --> 00:45:54,666
- [George Martin] Nine?
- …is best.
766
00:45:54,750 --> 00:45:56,833
[Glyn] Yeah. But it still doesn't make it.
767
00:45:57,708 --> 00:45:59,708
- We'll keep it anyway.
- [Paul] Keep it in.
768
00:45:59,791 --> 00:46:03,208
♪ Jo Jo was a man
Who thought he was a loner ♪
769
00:46:03,291 --> 00:46:04,500
{\an8}- [Glyn] Good?
- [Paul] Yeah.
770
00:46:04,583 --> 00:46:08,583
{\an8}- [Glyn] Right. New reel.
- [chattering, laughter]
771
00:46:08,666 --> 00:46:10,541
{\an8}[Paul] Well, the air-conditioning works.
772
00:46:11,541 --> 00:46:14,125
- [Linda] God, feel like I'm in the army.
- [George Martin] It must be terrible.
773
00:46:14,208 --> 00:46:16,416
[Linda] That was the only good thing
about being a girl.
774
00:46:16,500 --> 00:46:18,416
[George Martin]
Can you imagine being drafted to Vietnam?
775
00:46:18,500 --> 00:46:20,583
{\an8}[Michael] George,
of the ones they've done so far,
776
00:46:20,666 --> 00:46:22,791
{\an8}which do you think we can do on the roof?
777
00:46:22,875 --> 00:46:24,791
{\an8}- Anything without the grand piano.
- Oh!
778
00:46:25,791 --> 00:46:27,791
- [Mike] Morning.
- You're embarrassing me.
779
00:46:31,583 --> 00:46:33,833
[Michael] Should we write down
what we could do on the roof?
780
00:46:34,375 --> 00:46:36,750
[George Martin] You haven't got
a concise list of titles, have we, Alan?
781
00:46:36,833 --> 00:46:39,000
- [Alan] No. I can make one.
- [Michael] Well, I…
782
00:46:39,083 --> 00:46:41,000
One is "I Dig a Pony."
We can do that on the roof.
783
00:46:41,083 --> 00:46:42,083
"Let It Be."
784
00:46:42,666 --> 00:46:45,833
[Michael] Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.
785
00:46:46,708 --> 00:46:48,208
[George Martin]
Yeah, with the piano on that.
786
00:46:48,291 --> 00:46:49,291
♪ Let it be ♪
787
00:46:50,166 --> 00:46:52,875
[Paul] Is anyone sort of
thinking of this like making an album
788
00:46:52,958 --> 00:46:55,333
or more like sort of
doing a lot of numbers then
789
00:46:55,416 --> 00:46:59,083
to be able to play them all
one after the other?
790
00:46:59,166 --> 00:47:00,208
[John] Let's pick the five--
791
00:47:06,125 --> 00:47:07,166
Uh…
792
00:47:08,250 --> 00:47:09,750
{\an8}I don't see much point in doing
793
00:47:09,833 --> 00:47:12,083
"Don't Let Me Down,"
"I've Got A Feeling" and that now.
794
00:47:13,083 --> 00:47:14,291
Yeah…
795
00:47:14,375 --> 00:47:16,083
'Cause you lose it.
796
00:47:16,166 --> 00:47:18,666
So let's pick up on the ones
that are all in pieces.
797
00:47:19,666 --> 00:47:22,666
I'm trying to get us to do
one of George's for the first batch.
798
00:47:22,750 --> 00:47:24,500
Oh, ah. Yeah.
799
00:47:24,583 --> 00:47:27,833
♪ What do you know now, Mr. Show? ♪
800
00:47:29,291 --> 00:47:30,916
[John] ♪ I don't know ♪
801
00:47:32,500 --> 00:47:34,083
[John, Paul]
♪ I don't know ♪
802
00:47:34,166 --> 00:47:36,875
Then you can have the next one,
"Did you know, missed the show?"
803
00:47:36,958 --> 00:47:39,750
♪ Do you know who missed the show? ♪
804
00:47:41,791 --> 00:47:43,375
♪ No, I don't know ♪
805
00:47:44,416 --> 00:47:46,083
♪ I don't know ♪
806
00:47:46,166 --> 00:47:49,375
♪ Dun, dun, dun
Dun, dun ♪
807
00:47:49,458 --> 00:47:52,416
♪ Do you know now, Mr. Joe? ♪
808
00:47:53,625 --> 00:47:57,875
{\an8}♪ Something in the way she moves ♪
809
00:48:00,541 --> 00:48:04,458
{\an8}♪ Attracts me like a moth to candlelight ♪
810
00:48:06,541 --> 00:48:09,083
♪ Something in the way… ♪
811
00:48:11,208 --> 00:48:12,208
[song ends]
812
00:48:12,291 --> 00:48:13,833
[George] What could it be, Paul?
813
00:48:13,916 --> 00:48:15,750
- "Something in the way she moves."
- [Paul] Hmm?
814
00:48:15,833 --> 00:48:17,250
[George] What attracted me at all?
815
00:48:17,333 --> 00:48:19,541
Just say whatever comes
into your head each time.
816
00:48:19,625 --> 00:48:22,875
"Attracts me like a cauliflower,"
until you get the word, you know?
817
00:48:22,958 --> 00:48:26,291
Yeah, but I've been through this one,
like, for about six months.
818
00:48:26,375 --> 00:48:29,041
♪ Attracts me like a pomegranate ♪
819
00:48:29,125 --> 00:48:30,583
[chuckles]
820
00:48:30,666 --> 00:48:31,666
♪ Something in the… ♪
821
00:48:31,750 --> 00:48:34,666
[George] We could have that.
"Attracts me like a pomegranate."
822
00:48:34,750 --> 00:48:39,083
♪ Something in the way she moves ♪
823
00:48:41,875 --> 00:48:44,708
♪ Attracts me like a moth to candlelight--
To pomegranate ♪
824
00:48:44,791 --> 00:48:46,125
♪ Pomegranate ♪
825
00:48:46,208 --> 00:48:47,500
"Cauliflower" is better.
826
00:48:47,583 --> 00:48:52,875
♪ Something in the way she woos me ♪
827
00:48:53,875 --> 00:48:55,833
♪ I don't want to leave her now ♪
828
00:48:56,708 --> 00:48:58,875
♪ You know I believe and how ♪
829
00:49:02,708 --> 00:49:04,666
[laughter]
830
00:49:07,583 --> 00:49:10,500
♪ Da, da, da
Da, da, da ♪
831
00:49:12,333 --> 00:49:13,500
♪ I don't know ♪
832
00:49:13,583 --> 00:49:15,333
[scatting]
833
00:49:15,416 --> 00:49:16,875
♪ Da, da, da ♪
834
00:49:20,208 --> 00:49:23,041
♪ Da, da, da
Da, da, da ♪
835
00:49:24,708 --> 00:49:28,375
♪ I don't know ♪
836
00:49:28,458 --> 00:49:30,166
- [George] Okay.
- [John] What was that?
837
00:49:30,250 --> 00:49:33,041
[George] Yeah, but say we got
a really good one of "Love Me Do."
838
00:49:33,125 --> 00:49:36,041
- [Paul] Well, yeah. That's true.
- [John] Yeah. Okay.
839
00:49:39,583 --> 00:49:42,083
♪ Love, love me do ♪
840
00:49:43,416 --> 00:49:46,000
♪ You know I love you ♪
841
00:49:47,166 --> 00:49:50,000
{\an8}♪ I'll always be true ♪
842
00:49:50,958 --> 00:49:55,708
{\an8}♪ So please ♪
843
00:49:55,791 --> 00:49:56,833
[John scatting]
844
00:49:56,916 --> 00:49:58,708
♪ Love me do ♪
845
00:49:58,791 --> 00:50:02,875
[Paul] Is it 1:30? I've got this--
to go to this meeting.
846
00:50:02,958 --> 00:50:03,958
So, can you do it?
847
00:50:04,625 --> 00:50:07,291
[John] Will you ring down for us?
And we'll keep going through this.
848
00:50:07,375 --> 00:50:09,041
Yeah. Okay.
849
00:50:12,583 --> 00:50:15,000
[instruments playing]
850
00:50:25,416 --> 00:50:26,583
[Ringo] Shall we do it?
851
00:50:28,000 --> 00:50:29,666
♪ I've got a feeling ♪
852
00:50:30,583 --> 00:50:32,916
♪ A feeling deep inside ♪
853
00:50:33,000 --> 00:50:34,166
♪ Oh, yeah ♪
854
00:50:35,541 --> 00:50:37,708
- [John] Glyn?
- Send an engineer.
855
00:50:37,791 --> 00:50:38,791
[John] Glyn.
856
00:50:40,458 --> 00:50:43,666
Can you come and fix my microphone?
It keeps falling down.
857
00:50:44,833 --> 00:50:47,791
♪ Everybody had a hard year ♪
858
00:50:47,875 --> 00:50:48,875
♪ Everybody… ♪
859
00:50:58,416 --> 00:51:00,208
See, can I change from going…
860
00:51:00,291 --> 00:51:02,625
[guitar playing]
861
00:51:02,708 --> 00:51:05,208
Because I can't do it.
I go into that folk bit.
862
00:51:05,291 --> 00:51:06,375
Have a ciggy, Billy.
863
00:51:06,458 --> 00:51:08,291
♪ I've got a feeling ♪
864
00:51:09,083 --> 00:51:11,416
♪ Everybody knows ♪
865
00:51:11,500 --> 00:51:12,583
♪ Oh, yeah ♪
866
00:51:14,333 --> 00:51:15,416
♪ Oh, yeah ♪
867
00:51:17,916 --> 00:51:19,000
♪ Yeah ♪
868
00:51:22,958 --> 00:51:24,458
♪ Oh, I've got a feeling ♪
869
00:51:24,541 --> 00:51:25,875
Two, three, four.
870
00:51:27,583 --> 00:51:28,875
♪ I've got a feeling ♪
871
00:51:34,833 --> 00:51:37,625
♪ All these years
I've been wandering around ♪
872
00:51:37,708 --> 00:51:40,875
♪ Wondering how come nobody told me ♪
873
00:51:40,958 --> 00:51:44,291
♪ All that I was looking for
Was somebody who looked like you ♪
874
00:51:44,375 --> 00:51:45,541
♪ You know that ♪
875
00:51:51,375 --> 00:51:54,333
I'll sing it a bit different than that.
I'll sing…
876
00:51:54,416 --> 00:51:57,708
♪ Everybody had a good year
Everybody let their hair down ♪
877
00:51:57,791 --> 00:51:58,791
- All that bit.
- Yeah.
878
00:51:58,875 --> 00:52:00,458
Okay.
Should we go from the last verse again?
879
00:52:00,541 --> 00:52:02,041
That's the bit still, isn't it?
880
00:52:02,125 --> 00:52:03,125
[George] I still think that--
881
00:52:03,208 --> 00:52:05,791
I'm not sure about that syncopation bit,
but leave that to Paul.
882
00:52:05,875 --> 00:52:10,416
Well, that's okay if we just do it
in between, you know, where the riff…
883
00:52:10,500 --> 00:52:11,500
Uh…
884
00:52:12,333 --> 00:52:14,291
It seems to be going
through every verse now.
885
00:52:14,375 --> 00:52:16,375
Yeah, that's the riff. Goes…
886
00:52:17,000 --> 00:52:18,750
- I mean that…
- It should change.
887
00:52:18,833 --> 00:52:20,500
No, that just comes at the end.
888
00:52:21,583 --> 00:52:23,208
Oh, in the middle of every verse?
889
00:52:23,291 --> 00:52:26,875
♪ A feeling deep inside
Oh, yeah ♪
890
00:52:36,208 --> 00:52:40,875
But also we need somebody that's gonna
tune everything in here to one pitch.
891
00:52:40,958 --> 00:52:42,500
Uh, the piano people do that.
892
00:52:42,583 --> 00:52:44,791
[John] Okay, well,
we'll play about for a bit then.
893
00:52:44,875 --> 00:52:47,166
- How do you tune an electric piano?
- [Billy] I don't know.
894
00:52:47,250 --> 00:52:49,000
♪ How do you tune an electric piano ♪
895
00:52:49,083 --> 00:52:51,500
[Billy] There's got to be a way though.
Probably here somewhere.
896
00:52:53,291 --> 00:52:54,708
[George] What did you wanna talk about?
897
00:52:54,791 --> 00:52:56,916
[John] Uh, well,
just that I saw Klein, and that.
898
00:52:57,000 --> 00:52:58,666
- Oh, Klein?
- Yeah, yeah. Klein.
899
00:52:58,750 --> 00:53:00,083
- Allen Klein.
- [George] Oh, I see.
900
00:53:00,166 --> 00:53:02,166
[John] Yeah. And it's--
You know, it's very interesting.
901
00:53:02,250 --> 00:53:03,250
Yeah.
902
00:53:03,333 --> 00:53:05,458
- [John] You know, from a lot of angles.
- [George] Hmm.
903
00:53:05,541 --> 00:53:09,375
And the-- But I want to tell you
all at once, you know, so as it's not…
904
00:53:10,666 --> 00:53:14,083
But just, um--
I just think he's fantastic.
905
00:53:14,166 --> 00:53:15,583
- [George] Really?
- Yeah.
906
00:53:16,833 --> 00:53:19,833
A lot of interesting news
that we don't know half about,
907
00:53:19,916 --> 00:53:21,291
- just about--
- [George] About us?
908
00:53:21,375 --> 00:53:24,708
Well, I'll tell-- You know,
he'll tell you all that, 'cause it's…
909
00:53:24,791 --> 00:53:26,791
You know,
he knows everything about everything.
910
00:53:26,875 --> 00:53:28,000
Very interesting guy.
911
00:53:28,083 --> 00:53:30,791
- I was there till 2:00 in the morning.
- Oh, you went last night?
912
00:53:30,875 --> 00:53:34,125
I went there thinking, "Well, I've got
to see him. I put it off last time."
913
00:53:34,208 --> 00:53:35,458
You know?
914
00:53:35,541 --> 00:53:37,416
I keep hearing about him all these years.
915
00:53:37,500 --> 00:53:40,375
Things that you just…
you can't believe, you know.
916
00:53:40,458 --> 00:53:44,125
Right down to where-- where it's gone,
917
00:53:45,500 --> 00:53:46,666
and how to get it.
918
00:53:47,958 --> 00:53:51,666
So, I, you know-- Well, I didn't
really wanna say it to sort of half o'ya.
919
00:53:51,750 --> 00:53:54,416
I thought,
"He's gonna look after me, whatever."
920
00:53:54,500 --> 00:53:56,041
That's… it's just like that.
921
00:53:58,083 --> 00:54:00,875
And he knows--
He even knows what we're like, you know?
922
00:54:00,958 --> 00:54:03,375
The way he described each one of us,
you know,
923
00:54:03,458 --> 00:54:05,833
and what we've done
and what we're gonna do and that.
924
00:54:05,916 --> 00:54:09,125
But just, like,
he knows me as much as you do.
925
00:54:10,791 --> 00:54:12,125
Incredible guy.
926
00:54:12,625 --> 00:54:14,875
{\an8}He's got a great idea for Biafra.
927
00:54:14,958 --> 00:54:16,833
He's like--
He says, "I'm a practical man."
928
00:54:16,916 --> 00:54:19,875
And his thing--
You know The Stones' Circus we did?
929
00:54:19,958 --> 00:54:21,833
- So he arranges those things for them.
- [George] Yeah.
930
00:54:21,916 --> 00:54:27,041
All we heard about that
and the-- the-- the royalty from way back…
931
00:54:27,125 --> 00:54:28,875
- Yeah.
- …they get much more than us.
932
00:54:28,958 --> 00:54:31,375
However many we sell, they cop.
933
00:54:32,000 --> 00:54:35,833
You know, so, The Stones show,
he's gonna make an LP out of it.
934
00:54:35,916 --> 00:54:38,166
They're making a book of it
and everything, of course, you know?
935
00:54:38,250 --> 00:54:39,916
Like, everybody is into that.
936
00:54:40,000 --> 00:54:45,083
And he's gonna, uh, make an LP of it,
of everybody that was on…
937
00:54:45,791 --> 00:54:48,541
to buy food for Biafra.
938
00:54:48,625 --> 00:54:50,625
Yeah, I was telling him
about your idea for that film.
939
00:54:50,708 --> 00:54:51,958
- [George] Oh, yeah.
- [John] The thing is,
940
00:54:52,041 --> 00:54:55,875
I mean, if we took the food to that place,
with the money we've all earned--
941
00:54:55,958 --> 00:54:57,958
He'd do it completely himself,
arrange it all.
942
00:54:58,041 --> 00:55:01,458
I didn't mean to get into all this,
but he's so fascinating.
943
00:55:04,791 --> 00:55:06,791
Do you want to do this one more time?
944
00:55:06,875 --> 00:55:08,250
- Yeah.
- [John] Eh?
945
00:55:08,916 --> 00:55:11,916
'Cause I'd like to learn
"On the Road to Marrakesh" or something.
946
00:55:14,625 --> 00:55:15,791
Or "Mr. Mustard."
947
00:55:16,333 --> 00:55:18,791
Must do another number, I've decided.
948
00:55:18,875 --> 00:55:23,125
♪ I want a short-haired girl
Who sometimes wears it twice as long ♪
949
00:55:25,541 --> 00:55:29,208
♪ Now I'm steppin' out
This old brown shoe ♪
950
00:55:29,291 --> 00:55:31,541
[no audible dialogue]
951
00:55:31,625 --> 00:55:34,750
[George] Mal, what was the name of that
shoe shop somebody said is in Bond Street?
952
00:55:34,833 --> 00:55:37,458
The good one.
Do you know a good shoe shop near?
953
00:55:37,541 --> 00:55:39,541
[Mal] There's a lot of shoe shops
in Bond Street.
954
00:55:39,625 --> 00:55:44,041
[George] Yeah. But I just want, you know,
like ordinary black leather shoes.
955
00:55:44,625 --> 00:55:47,875
It's just that I never get any, you know,
'cause I'm never in shoe shops.
956
00:55:48,625 --> 00:55:50,458
[Kevin] Do you want me
to bring the bloke over?
957
00:55:50,541 --> 00:55:52,708
If you can con somebody into coming
958
00:55:52,791 --> 00:55:56,750
with, you know, a selection
of black slip-on size eights.
959
00:55:56,833 --> 00:55:57,875
[Kevin] Yeah, okay.
960
00:55:57,958 --> 00:56:01,291
♪ I'm so glad you came here
It won't be the same now ♪
961
00:56:01,375 --> 00:56:02,458
♪ I'm telling you ♪
962
00:56:04,333 --> 00:56:05,333
♪ Yeah ♪
963
00:56:07,583 --> 00:56:08,708
♪ Dun, de, da, dun ♪
964
00:56:08,791 --> 00:56:11,708
♪ Now I'm steppin' out
This old brown shoe ♪
965
00:56:12,416 --> 00:56:14,291
♪ Baby, I'm in love with you ♪
966
00:56:14,375 --> 00:56:16,375
♪ I'm so glad you came here ♪
967
00:56:16,458 --> 00:56:18,458
[piano playing]
968
00:56:28,083 --> 00:56:32,875
♪ I like a love that's right
When right is only half of what's wrong ♪
969
00:56:35,250 --> 00:56:39,875
♪ I want a short-haired girl
Who sometimes wears it twice as long ♪
970
00:56:41,791 --> 00:56:45,541
♪ Now I'm steppin' out
This old brown shoe ♪
971
00:56:45,625 --> 00:56:47,875
- What?
- [Stylophone mini organ playing]
972
00:56:47,958 --> 00:56:50,166
[George] Where's it from? Who makes it?
973
00:56:50,250 --> 00:56:51,666
- [Billy] Wow.
- [George] Japanese?
974
00:56:51,750 --> 00:56:53,833
I saw it on the television.
975
00:56:56,166 --> 00:56:58,000
Too much! Whoo.
976
00:56:59,208 --> 00:57:00,208
Nice sound.
977
00:57:00,291 --> 00:57:02,541
- [George] Could you transpose that to D?
- Yeah.
978
00:57:02,625 --> 00:57:05,916
- All on one note, huh?
- [John] Yeah, you can change it.
979
00:57:08,083 --> 00:57:09,916
[Billy laughs]
980
00:57:10,000 --> 00:57:12,000
[John] One at a time. It's a little organ.
981
00:57:13,291 --> 00:57:14,625
[Billy chuckles]
982
00:57:15,541 --> 00:57:16,541
That's better.
983
00:57:17,083 --> 00:57:19,625
Yeah. It's too much, man.
984
00:57:19,708 --> 00:57:21,708
[Stylophone mini organ playing]
985
00:57:48,041 --> 00:57:50,125
[playing continues]
986
00:57:53,916 --> 00:57:56,416
[George Martin] I love that song.
That's beautiful. I couldn't…
987
00:57:56,500 --> 00:57:57,500
[Glyn] You've won a prize.
988
00:57:57,583 --> 00:57:59,666
[George Martin] Couldn't have asked for
better. Can we have something else now?
989
00:57:59,750 --> 00:58:01,541
Another song, right. Okay, George?
990
00:58:02,208 --> 00:58:04,708
How about, uh…
What have you got up your sleeve, John?
991
00:58:05,916 --> 00:58:07,250
[George Martin]
How about "Love Me Do" again?
992
00:58:07,333 --> 00:58:09,750
What about "Don't Let Me Down"?
That's a bloody good one, that.
993
00:58:09,833 --> 00:58:12,250
Very high though. But never mind.
We'll practice the backing.
994
00:58:12,333 --> 00:58:13,416
- What is it now?
- Just--
995
00:58:13,500 --> 00:58:16,083
"And if somebody ever loved me
like she does," that's all.
996
00:58:16,166 --> 00:58:17,416
Just the "really" out.
997
00:58:18,875 --> 00:58:24,708
♪ And if somebody ever loved me
Like she does ♪
998
00:58:25,916 --> 00:58:27,625
♪ Ooh, she does ♪
999
00:58:29,125 --> 00:58:31,541
♪ Yes, she does ♪
1000
00:58:32,250 --> 00:58:33,250
Same guitar?
1001
00:58:33,333 --> 00:58:34,458
♪ I'm in love for the… ♪
1002
00:58:35,083 --> 00:58:38,083
[Paul, John vocalizing]
1003
00:58:42,750 --> 00:58:44,166
Okay, George. Come on.
1004
00:58:45,000 --> 00:58:46,375
One…
1005
00:58:46,458 --> 00:58:48,375
[Paul] The Krishna chronicle. [chuckles]
1006
00:58:49,458 --> 00:58:50,958
The Krishna Christmas club.
1007
00:58:51,041 --> 00:58:53,500
[laughter]
1008
00:58:53,583 --> 00:58:55,333
[George Martin]
A little bit of a tune-up, I think.
1009
00:58:55,416 --> 00:58:56,833
No, I don't think so, George.
1010
00:58:56,916 --> 00:58:58,750
Yeah, John. Don't, John. Don't.
1011
00:58:58,833 --> 00:59:01,208
I've had some wine, you know?
Remember Bob Wooler.
1012
00:59:01,291 --> 00:59:03,000
Fucking right.
1013
00:59:03,083 --> 00:59:04,166
Peace on Earth.
1014
00:59:04,791 --> 00:59:07,583
"Don't Let Me Down the Road Again Blues."
1015
00:59:07,666 --> 00:59:10,083
"Short, fat Fanny, you're my desire."
1016
00:59:11,791 --> 00:59:14,041
One, two, three, four.
1017
00:59:14,125 --> 00:59:15,625
["Don't Let Me Down" playing]
1018
00:59:18,833 --> 00:59:21,583
♪ Don't let me down ♪
1019
00:59:25,000 --> 00:59:27,833
♪ Don't let me down ♪
1020
00:59:30,791 --> 00:59:34,125
{\an8}♪ Don't let me down ♪
1021
00:59:37,208 --> 00:59:39,875
♪ Don't let me down ♪
1022
00:59:42,333 --> 00:59:46,708
♪ Nobody ever loved me like she does ♪
1023
00:59:48,250 --> 00:59:50,791
♪ Ooh, she does ♪
1024
00:59:50,875 --> 00:59:53,333
♪ Yes, she does ♪
1025
00:59:53,416 --> 00:59:55,208
♪ I need you ♪
1026
00:59:56,458 --> 00:59:58,916
{\an8}♪ I need you so bad ♪
1027
01:00:00,083 --> 01:00:01,333
{\an8}♪ I need you ♪
1028
01:00:02,625 --> 01:00:06,083
♪ I need you so bad
It's driving me mad ♪
1029
01:00:06,166 --> 01:00:08,166
♪ It's driving me mad ♪
1030
01:00:10,166 --> 01:00:13,500
♪ Oh, oh, oh, oh ♪
1031
01:00:13,583 --> 01:00:16,333
♪ Half a pound of greasepaint
On your face ♪
1032
01:00:16,416 --> 01:00:19,000
{\an8}♪ That's the life
Let's face it, chums ♪
1033
01:00:19,541 --> 01:00:21,583
{\an8}♪ All the rest are a gang of bums ♪
1034
01:00:21,666 --> 01:00:24,208
♪ Oh, half a pound of greasepaint
On your face ♪
1035
01:00:24,291 --> 01:00:27,208
♪ Get your togs and get in quick ♪
1036
01:00:27,291 --> 01:00:32,166
♪ Get that pancake on your head
And get out on the boards ♪
1037
01:00:32,750 --> 01:00:35,250
♪ Sock it to 'em, sock it to 'em
One more time ♪
1038
01:00:35,333 --> 01:00:37,875
♪ Till the closing curtain falls ♪
1039
01:00:37,958 --> 01:00:40,916
♪ Go and do your act
And get it right ♪
1040
01:00:41,000 --> 01:00:43,708
♪ Don't let 'em down
In the old limelight ♪
1041
01:00:43,791 --> 01:00:46,458
♪ Oh, half a pound of greasepaint
On your face ♪
1042
01:00:46,541 --> 01:00:48,833
♪ That's a little kind of thing
You can't erase ♪
1043
01:00:48,916 --> 01:00:51,833
♪ It gets in your blood
It gets in your stream ♪
1044
01:00:51,916 --> 01:00:54,541
♪ So get onto the boards
And let 'em hear you scream ♪
1045
01:00:56,708 --> 01:00:58,458
♪ Half a pound of greasepaint ♪
1046
01:00:59,500 --> 01:01:00,916
♪ Half a pound of greasepaint ♪
1047
01:01:02,291 --> 01:01:03,458
[John] ♪ Mr. Show ♪
1048
01:01:05,666 --> 01:01:09,916
[Paul] ♪ Oh, go into song and dances ♪
1049
01:01:11,291 --> 01:01:15,458
♪ Oh, go into funny prances ♪
1050
01:01:16,750 --> 01:01:21,208
♪ Let me hear you do the new
Oh, newest dance ♪
1051
01:01:21,291 --> 01:01:22,958
♪ And in the greasepaint pants ♪
1052
01:01:23,916 --> 01:01:25,625
♪ The man in the greasepaint pants ♪
1053
01:01:26,291 --> 01:01:27,500
[John] Allen Klein's here.
1054
01:01:28,458 --> 01:01:29,916
[George] Where's he gonna be?
1055
01:01:30,708 --> 01:01:32,291
[John] Should we go up to our room?
1056
01:01:32,375 --> 01:01:34,458
- [Paul] Yeah.
- [George] Oh, fuck it.
1057
01:01:34,541 --> 01:01:36,750
[laughing]
1058
01:01:36,833 --> 01:01:39,208
[John] ♪ I want you so bad ♪
1059
01:01:39,291 --> 01:01:40,625
[chattering]
1060
01:01:46,125 --> 01:01:47,833
{\an8}- [Ringo] Morning, Michael.
- [Michael] Morning, R.S.
1061
01:01:47,916 --> 01:01:51,000
{\an8}How many numbers do you think
you'll have by tomorrow at 1:00
1062
01:01:51,083 --> 01:01:52,750
{\an8}- before you go up on the roof?
- [Ringo] About six.
1063
01:01:53,625 --> 01:01:54,791
{\an8}[Michael] Yes, it's gonna be great.
1064
01:01:56,500 --> 01:01:57,500
{\an8}[Yoko laughs]
1065
01:02:05,083 --> 01:02:06,083
{\an8}[Yoko chuckles]
1066
01:02:27,625 --> 01:02:28,625
{\an8}[John] Yeah.
1067
01:02:29,375 --> 01:02:30,875
[Glyn] But strange, man. [laughs]
1068
01:02:37,250 --> 01:02:38,250
{\an8}[Yoko] Yes.
1069
01:02:59,625 --> 01:03:00,625
{\an8}[Yoko] Mmm.
1070
01:03:00,708 --> 01:03:03,958
Tomorrow, with the nine cameras,
if we do tomorrow,
1071
01:03:04,041 --> 01:03:05,958
there is a kind of,
"Something will happen."
1072
01:03:06,041 --> 01:03:08,000
No, it's the best bit of us,
1073
01:03:08,083 --> 01:03:09,875
always has been and always will be,
1074
01:03:09,958 --> 01:03:12,875
is when we've got--
when we're backs against the wall
1075
01:03:12,958 --> 01:03:14,916
and we've been rehearsing,
rehearsing, rehearsing.
1076
01:03:15,000 --> 01:03:17,583
And he knows it's a take on the dub.
And he does it great.
1077
01:03:17,666 --> 01:03:20,791
No, the organization
has gotta come from either you
1078
01:03:20,875 --> 01:03:22,000
or from you doing an audience.
1079
01:03:22,083 --> 01:03:24,708
But that's not true, you see?
There is a difference.
1080
01:03:24,791 --> 01:03:27,375
- Like when we came here from Twickenham.
- Mmm.
1081
01:03:27,458 --> 01:03:29,083
It's a whole other thing, you know?
1082
01:03:30,041 --> 01:03:34,458
If we went into a TV studio now,
in one of those big, bare TV studios
1083
01:03:34,541 --> 01:03:36,833
and you sat us down,
just with our songs and amps,
1084
01:03:36,916 --> 01:03:38,500
we'd do 'em and we'd do 'em great.
1085
01:03:39,541 --> 01:03:41,500
I think what we need is
an audience of some sort.
1086
01:03:41,583 --> 01:03:43,083
Either a surprise audience--
1087
01:03:43,666 --> 01:03:46,000
{\an8}Tomorrow, or, uh… I'll light my cigar.
1088
01:03:49,666 --> 01:03:50,666
{\an8}[laughter]
1089
01:03:52,791 --> 01:03:56,166
{\an8}If we've got like everything set for
tomorrow, we just go ahead and do it and--
1090
01:03:56,250 --> 01:03:58,416
[Paul] The roof is like too far out.
1091
01:03:58,500 --> 01:03:59,833
If we do an open air thing…
1092
01:04:00,583 --> 01:04:03,208
That's-- that's really all
I can say about this whole scene.
1093
01:04:03,291 --> 01:04:05,916
We should learn all the numbers.
All of them.
1094
01:04:06,000 --> 01:04:07,875
All the ones that are gonna be
on the album.
1095
01:04:07,958 --> 01:04:09,791
I know it literally takes a bit more time.
1096
01:04:09,875 --> 01:04:11,750
[George Martin] That's why I wanna
go through with you today, the ones--
1097
01:04:11,833 --> 01:04:14,041
But we haven't got the end thing.
1098
01:04:14,125 --> 01:04:17,000
I've got a feeling that
we're gonna just, sort of, go off…
1099
01:04:18,083 --> 01:04:19,083
♪ Got a feeling ♪
1100
01:04:19,166 --> 01:04:22,000
We're just gonna go off like we did
after the end of the last album.
1101
01:04:22,625 --> 01:04:25,375
And just sort of think,
"Oh, not another fucking album."
1102
01:04:25,458 --> 01:04:27,791
You know? Because this is--
this is what this is, you know.
1103
01:04:27,875 --> 01:04:30,333
- I can't wait to work it, you know?
- Yeah.
1104
01:04:30,416 --> 01:04:33,833
But it's like we got much better takes
after we moved from Twickenham to here.
1105
01:04:33,916 --> 01:04:36,291
Oh, yeah,
but I mean here I like. It's like home.
1106
01:04:36,375 --> 01:04:41,833
But, like, we still haven't got
any aim for it, except an album again.
1107
01:04:41,916 --> 01:04:44,791
- Yeah.
- Our only aim ever is an album, you know?
1108
01:04:44,875 --> 01:04:47,083
Which is like a very nonvisual thing.
1109
01:04:47,166 --> 01:04:49,416
But albums is
what we're doing at the moment.
1110
01:04:49,500 --> 01:04:51,208
I mean,
you gotta be sneaky with The Beatles,
1111
01:04:51,291 --> 01:04:53,916
or else we'll just go on forever
in a circle, you know?
1112
01:04:54,000 --> 01:04:56,750
Whenever we talk about it,
we have certain rules.
1113
01:04:56,833 --> 01:05:00,291
Like George saying, "What do you
wanna do?" And he says, "No films."
1114
01:05:00,375 --> 01:05:02,958
You know, but it's wrong, that.
It's very wrong, that.
1115
01:05:03,041 --> 01:05:04,708
Because you don't know.
1116
01:05:04,791 --> 01:05:07,833
He says-- What he means is,
no Help, Hard Day's Night.
1117
01:05:07,916 --> 01:05:10,375
'Cause this is a film.
And he now he doesn't mind this.
1118
01:05:10,458 --> 01:05:12,416
It's us going silly again.
1119
01:05:14,375 --> 01:05:16,833
[Paul] See, it's like when we came
back from Hamburg,
1120
01:05:16,916 --> 01:05:20,666
and did Leicester, De Montfort Hall
and we had the worst first night thing,
1121
01:05:20,750 --> 01:05:22,750
and we're all nervous,
and it was terrible.
1122
01:05:22,833 --> 01:05:25,375
Then we played another the next night.
We just went right into it.
1123
01:05:25,458 --> 01:05:28,000
We're good at that
once we get over the nervousness.
1124
01:05:28,083 --> 01:05:31,625
But it's like there's the hurdle
of that nervousness is there now.
1125
01:05:36,958 --> 01:05:40,125
{\an8}[Paul] Yes, but for who is
tomorrow the day? Not for me.
1126
01:05:40,208 --> 01:05:42,000
You know, it's like there's this thing
1127
01:05:42,083 --> 01:05:45,708
where there is a show to be had
out of what we've got here,
1128
01:05:45,791 --> 01:05:48,791
which is just so incredible.
That's unbelievable.
1129
01:05:48,875 --> 01:05:51,666
And you don't have to go on the roof.
You don't have to go anywhere.
1130
01:05:51,750 --> 01:05:53,875
- You really only have to sing 'em.
- Well, even if we stay here--
1131
01:05:53,958 --> 01:05:56,375
[George Martin] This business of
a deadline though is up to you really,
1132
01:05:56,458 --> 01:05:58,083
because we've given you deadlines already.
1133
01:05:58,166 --> 01:06:01,250
Yeah, well, that's why
I'm talking to John, not you.
1134
01:06:02,541 --> 01:06:07,458
The easiest way to finish the show,
is just to sit here for another few days
1135
01:06:07,541 --> 01:06:10,958
and start rehearsing them one after
the other and do three numbers at a time.
1136
01:06:11,041 --> 01:06:13,708
And like George said, get a program
of where we're gonna do 'em,
1137
01:06:13,791 --> 01:06:15,625
what's gonna follow what.
1138
01:06:15,708 --> 01:06:17,625
And just start playing them right through.
1139
01:06:17,708 --> 01:06:19,416
And then just knock it off.
1140
01:06:19,500 --> 01:06:22,375
[George Martin] Like you used to, and have
all your titles on your guitar, you know.
1141
01:06:22,458 --> 01:06:24,791
Yes, yes. I mean,
I thought that's what we're doing.
1142
01:06:24,875 --> 01:06:26,333
[George Martin] It's just that
you say you're not ready.
1143
01:06:26,416 --> 01:06:27,791
We're not ready, yeah, sure.
1144
01:06:27,875 --> 01:06:29,333
We're not ready to do 14.
1145
01:06:29,416 --> 01:06:33,375
See, the only trouble is, we really have
to want to do a show at the end of it.
1146
01:06:33,458 --> 01:06:35,250
That's the thing. That's the trouble.
1147
01:06:35,333 --> 01:06:37,208
None of us have an aim.
1148
01:06:37,291 --> 01:06:39,750
We don't have a thing
at the end of it that we wanna do.
1149
01:06:39,833 --> 01:06:42,083
We could have had a De Montfort Hall show…
1150
01:06:42,166 --> 01:06:43,708
This would have been De Montfort Hall
1151
01:06:43,791 --> 01:06:46,666
if we'd have done
the dress rehearsal here.
1152
01:06:46,750 --> 01:06:48,958
And get over the nervousness
of an audience,
1153
01:06:49,041 --> 01:06:52,291
and stop, sort of, playing to show off
to them and-- [hums]
1154
01:06:53,000 --> 01:06:54,291
{\an8}Just play it.
1155
01:06:55,083 --> 01:06:56,291
{\an8}[Paul] Yeah. Yeah.
1156
01:06:56,375 --> 01:06:59,250
The voices are going in my head,
which way we're gonna-- which way we are--
1157
01:06:59,333 --> 01:07:04,166
What's your, sort of, practical answer
to the problem now, regarding tomorrow?
1158
01:07:07,541 --> 01:07:09,958
I think we'd be daft just not to do it--
1159
01:07:10,041 --> 01:07:12,208
- Well, try and do something tomorrow…
- [George] Sorry I'm late.
1160
01:07:12,291 --> 01:07:16,416
…even if it's a grand dress rehearsal,
and see how it went.
1161
01:07:16,500 --> 01:07:18,750
- Morning, George.
- [John] And then, you know…
1162
01:07:19,708 --> 01:07:22,041
I mean, if we had another six weeks…
1163
01:07:22,125 --> 01:07:24,125
[chattering]
1164
01:07:27,541 --> 01:07:29,458
[George inhales] Six weeks.
1165
01:07:30,833 --> 01:07:33,833
[John] I mean, you know,
if we had another month to play with
1166
01:07:33,916 --> 01:07:39,500
to really, I think,
get 14 straight off, it'd be nice,
1167
01:07:39,583 --> 01:07:41,625
you know, to still do the seven we've got.
1168
01:07:42,541 --> 01:07:45,541
- [crew] Do you plan on playing the…
- What, what?
1169
01:07:45,625 --> 01:07:48,750
[George] I just don't-- You know, I think
it's gonna take months doing it like that.
1170
01:07:49,916 --> 01:07:52,250
So how do you think we should do it then?
1171
01:07:52,333 --> 01:07:54,625
[George] You can film some
while we're recording them
1172
01:07:54,708 --> 01:07:56,500
at the same time, okay, but--
1173
01:07:56,583 --> 01:07:58,750
[Paul] Yeah, see,
that's what I wanna get in me head.
1174
01:07:58,833 --> 01:08:02,416
Is it a documentary of us
doing another album? Which it is.
1175
01:08:02,500 --> 01:08:05,125
Except,
we're doing them one after the other.
1176
01:08:05,208 --> 01:08:07,958
No, but, I mean, we're not doing a payoff.
1177
01:08:08,041 --> 01:08:13,291
We're not doing the 11 numbers
straight off for an album.
1178
01:08:13,375 --> 01:08:15,500
We're gonna have to, sort off, join 'em.
1179
01:08:15,583 --> 01:08:18,208
[John] I agree with that.
I think it's disappointing but, all right,
1180
01:08:18,291 --> 01:08:20,666
we've only got to seven. Let's do seven.
1181
01:08:23,416 --> 01:08:24,416
Yeah.
1182
01:08:24,916 --> 01:08:27,375
[John] 'Cause otherwise--
We haven't enough time to do 14,
1183
01:08:27,458 --> 01:08:29,458
'cause Ringo's gotta go, you know?
1184
01:08:29,541 --> 01:08:32,833
But we might be able to get another seven
off by the end of two weeks.
1185
01:08:33,500 --> 01:08:34,666
I mean, we will, but…
1186
01:08:34,750 --> 01:08:37,250
The only trouble is that the only people,
1187
01:08:37,333 --> 01:08:40,750
like, who need to agree on what it is
we're doing is the four of us,
1188
01:08:40,833 --> 01:08:43,333
and we're the only ones
who haven't even talked about it.
1189
01:08:43,416 --> 01:08:46,375
Because we had the meeting
before all this and said, "TV show."
1190
01:08:46,458 --> 01:08:47,833
That's what I've gotta get in my head.
1191
01:08:47,916 --> 01:08:49,208
It's an album.
1192
01:08:49,291 --> 01:08:52,375
[George] All that footage of film
which could make about half a dozen films.
1193
01:08:52,458 --> 01:08:54,791
Yeah. It's a film of us making an album.
1194
01:08:54,875 --> 01:08:56,458
Yeah, but that's visual.
1195
01:08:56,541 --> 01:08:58,166
[Paul] Yes. Yeah.
1196
01:08:58,250 --> 01:09:01,583
Yeah. I've got no complaints about it.
But I just gotta get that in my head.
1197
01:09:10,041 --> 01:09:13,333
This TV show was supposed
to be a TV show of the last album.
1198
01:09:14,416 --> 01:09:15,708
- [Glyn] The last album?
- Yes.
1199
01:09:15,791 --> 01:09:18,708
But when we came to do it we said,
"We'll write new songs."
1200
01:09:18,791 --> 01:09:20,041
[Paul] 'Cause that's it, you see.
We always--
1201
01:09:20,125 --> 01:09:22,291
We never--
We always get ahead of ourselves.
1202
01:09:22,375 --> 01:09:26,125
The thing is that, like, yesterday,
which wasn't a particularly good day,
1203
01:09:26,208 --> 01:09:28,041
and the day before, which wasn't
a particularly good day either.
1204
01:09:28,125 --> 01:09:29,125
Mmm.
1205
01:09:29,208 --> 01:09:31,208
The reason is obviously
the fact that you're playing
1206
01:09:31,291 --> 01:09:34,708
the same three or four songs
for a week or whatever,
1207
01:09:34,791 --> 01:09:36,083
you know,
and you're flogging them to death.
1208
01:09:36,166 --> 01:09:37,708
Obviously you're getting bored
with them, you know, like,
1209
01:09:37,791 --> 01:09:39,583
- it can't be any other way.
- Yeah.
1210
01:09:39,666 --> 01:09:42,000
That was why George and I were trying
to get you yesterday
1211
01:09:42,083 --> 01:09:45,541
to do three in one go,
straight through, so you had to think,
1212
01:09:45,625 --> 01:09:48,000
"Oh, yeah, what's the key?
Why isn't it right?"
1213
01:09:48,083 --> 01:09:50,333
[George] How many have we
already recorded good enough?
1214
01:09:50,416 --> 01:09:51,416
None.
1215
01:09:51,500 --> 01:09:55,458
None? Well, what about all those
times we've done "Get Back"?
1216
01:09:55,541 --> 01:09:57,416
Oh, well, I mean,
one of them's all right, isn't it?
1217
01:09:57,500 --> 01:09:59,333
There's that one of yours we did.
1218
01:10:00,000 --> 01:10:01,291
And "Get Back."
1219
01:10:01,375 --> 01:10:04,291
[George Martin] But they're at a stage
where it's dress rehearsal stage,
1220
01:10:04,375 --> 01:10:06,000
- Yes.
- Where if you did a performance,
1221
01:10:06,083 --> 01:10:07,166
it probably would be it.
1222
01:10:08,500 --> 01:10:10,833
- Yes.
- Yesterday you got terribly close to it
1223
01:10:10,916 --> 01:10:13,041
on a couple of the numbers
you were trying to do.
1224
01:10:13,125 --> 01:10:16,666
- One more take and you've had it.
- It's just physical tiredness on my part.
1225
01:10:16,750 --> 01:10:18,083
You know, it took great strain
1226
01:10:18,166 --> 01:10:20,750
to get through "Don't Let Me Down"
and the other one.
1227
01:10:20,833 --> 01:10:23,625
Just physically singing at that pace,
I'm being so tired.
1228
01:10:23,708 --> 01:10:25,916
[George] Well, that's the thing,
if you're planning on working up
1229
01:10:26,000 --> 01:10:29,291
till Ringo does the film,
doing it like this,
1230
01:10:29,375 --> 01:10:31,041
you know, we're just gonna drop.
1231
01:10:32,291 --> 01:10:34,291
{\an8}I think-- I think yesterday…
1232
01:10:36,125 --> 01:10:39,041
- At least we could've recorded all those.
- Was the result of not having the weekend.
1233
01:10:39,125 --> 01:10:42,000
If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.
1234
01:10:42,083 --> 01:10:43,333
That's the paradox.
1235
01:10:43,416 --> 01:10:45,666
[George] But if we had just
been recording them, you know…
1236
01:10:45,750 --> 01:10:48,583
[Michael] And at the moment
the documentary is really like No Exit.
1237
01:10:48,666 --> 01:10:51,375
It's just going around and around
and around with no payoff.
1238
01:10:51,458 --> 01:10:52,458
There's no story.
1239
01:10:52,541 --> 01:10:54,875
There's a lot of good stuff
that we shot in the documentary,
1240
01:10:54,958 --> 01:10:56,250
but there's no story yet.
1241
01:10:56,333 --> 01:11:01,666
[Paul] Now I know how to get
this TV show together in about a week.
1242
01:11:01,750 --> 01:11:04,291
But I can't do it with you.
I can't produce you.
1243
01:11:04,375 --> 01:11:06,375
- [John] Neither can anybody else.
- No, right.
1244
01:11:06,458 --> 01:11:08,083
'Cause we don't allow it, you know.
1245
01:11:08,666 --> 01:11:10,958
We don't allow people
to come and say, "You do that."
1246
01:11:11,041 --> 01:11:13,750
[Paul] That's why I'm creating
artificial frameworks for us to do it--
1247
01:11:13,833 --> 01:11:16,500
[Michael] We've got a lot of good stuff,
like with some of the days at Twickenham.
1248
01:11:16,583 --> 01:11:19,500
We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.
1249
01:11:19,583 --> 01:11:20,875
See, 'cause they've got the film,
you know.
1250
01:11:20,958 --> 01:11:22,375
- I just wanna get out now.
- [John] Yes.
1251
01:11:22,458 --> 01:11:25,458
[Paul] We've done the film.
We've done the numbers enough, you know?
1252
01:11:25,541 --> 01:11:26,666
And we begin together--
1253
01:11:26,750 --> 01:11:29,250
But, I mean, if George wants to think
while we're doing it
1254
01:11:29,333 --> 01:11:30,500
that he's making a record.
1255
01:11:30,583 --> 01:11:33,166
- [Paul] Yes.
- And you wanna think we're rehearsing.
1256
01:11:33,250 --> 01:11:34,458
It makes no odds, you know.
1257
01:11:34,541 --> 01:11:35,750
[Paul] So we've gotta decide
1258
01:11:35,833 --> 01:11:38,166
that we mustn't then go on "Get Back"
for three hours.
1259
01:11:42,458 --> 01:11:45,291
{\an8}Or else I really feel like
I'm trying to produce The Beatles,
1260
01:11:45,375 --> 01:11:46,958
and I know it's hopeless.
1261
01:11:47,041 --> 01:11:48,333
I just can't do it, you know.
1262
01:11:48,416 --> 01:11:49,625
And no one can do it
1263
01:11:49,708 --> 01:11:52,916
'cause the four individuals
are too strong individually.
1264
01:11:53,000 --> 01:11:55,916
- Yes, we know.
- So you want us to record these songs?
1265
01:11:56,000 --> 01:11:59,583
Yeah. Get it together now
instead of talking about the show.
1266
01:11:59,666 --> 01:12:01,416
Get it, so that we've got 14 songs.
1267
01:12:01,500 --> 01:12:04,166
[Paul] We're talking about
this abstract thing we hope to get,
1268
01:12:04,250 --> 01:12:05,833
and by talking about,
we're not getting it.
1269
01:12:05,916 --> 01:12:07,000
[John] Okay, let's do it.
1270
01:12:07,083 --> 01:12:09,958
But, man, physically, yesterday
we tried to learn the next half.
1271
01:12:10,041 --> 01:12:11,375
But physically we were too tired.
1272
01:12:11,458 --> 01:12:13,000
- That's all it was.
- [Paul] Yeah, that's right.
1273
01:12:13,083 --> 01:12:14,541
And we're trying to do what you're saying,
1274
01:12:14,625 --> 01:12:17,166
and we might have done
what he was saying at the same time,
1275
01:12:17,250 --> 01:12:18,791
but we couldn't do it 'cause we're tired.
1276
01:12:18,875 --> 01:12:19,875
- That's all.
- [Paul] Yeah.
1277
01:12:19,958 --> 01:12:22,083
So we had--
We might have had a bit more sleep--
1278
01:12:22,166 --> 01:12:26,000
You mean you're still expecting us to be
on the chimney with a lot of people,
1279
01:12:26,083 --> 01:12:27,333
or something like that?
1280
01:12:27,416 --> 01:12:29,875
Well, anyway, we won't worry
about that. Don't give us that one.
1281
01:12:29,958 --> 01:12:32,041
[Michael]
"Expecting" is not a word we use anymore.
1282
01:12:32,125 --> 01:12:33,125
Uh, "thinking about."
1283
01:12:33,208 --> 01:12:35,458
- "Praying"?
- [Michael] "Praying. Hoping."
1284
01:12:36,500 --> 01:12:38,375
Uh… well, now,
what about the roof tomorrow?
1285
01:12:38,458 --> 01:12:40,250
- Do you wanna collectively do it or not?
- No, let's--
1286
01:12:40,333 --> 01:12:43,625
Let's-- Let's decide on that,
sort of, a bit later.
1287
01:12:43,708 --> 01:12:45,708
Let's us keep off that.
1288
01:12:45,791 --> 01:12:47,333
- We'll do the numbers, you know?
- [laughter]
1289
01:12:47,416 --> 01:12:48,791
We're the band.
1290
01:12:48,875 --> 01:12:51,416
- [George chuckles]
- [George Martin] "You're fucking right."
1291
01:12:51,500 --> 01:12:54,041
No, you know, I-- You know, whatever.
1292
01:12:54,125 --> 01:12:56,166
I'll do it if we've got to go on the roof.
1293
01:12:56,250 --> 01:12:57,625
- You're the band now…
- You know, I mean…
1294
01:13:04,583 --> 01:13:05,750
[Paul] You would like to?
1295
01:13:06,666 --> 01:13:07,666
{\an8}[Paul chuckles]
1296
01:13:08,875 --> 01:13:10,708
Very diverse people.
1297
01:13:10,791 --> 01:13:13,000
- One second.
- [John] But, I mean if… See, I don't mind…
1298
01:13:13,083 --> 01:13:16,000
- That's all right. We won't discuss it.
- …if anybody doesn't wanna go on it.
1299
01:13:16,083 --> 01:13:18,125
- It wasn't that I--
- [Paul] So what songs have we got?
1300
01:13:18,208 --> 01:13:20,541
Have we got a sort of list
of what we've got, 'cause--
1301
01:13:20,625 --> 01:13:23,291
[George Martin] A lot of them are…
I mean, there's too much of a list there.
1302
01:13:23,375 --> 01:13:25,666
- But there's certainly everything here.
- [Paul] Okay.
1303
01:13:25,750 --> 01:13:28,708
[Paul] "I've Got a Feeling,"
"Don't Let Me Down," "Get Back."
1304
01:13:28,791 --> 01:13:31,583
- [George Martin] Don't know what that is.
- [Paul] "I'd Like a Love That's Right."
1305
01:13:31,666 --> 01:13:32,791
♪ I'd like a love that… ♪
1306
01:13:34,166 --> 01:13:36,750
{\an8}[Paul] "Long and Winding Road,"
"Let it Be," "For You Blue."
1307
01:13:41,333 --> 01:13:44,500
- I love "Yer Blue."
- [Paul] "Two of Us," "All I Want is You,"
1308
01:13:44,583 --> 01:13:46,875
"Across The Universe,"
"Maxwell's Silver Hammer."
1309
01:13:46,958 --> 01:13:49,250
- [Michael] "Route 999."
- "One After 909."
1310
01:13:49,333 --> 01:13:50,875
- [laughter]
- [Paul] "One After 909."
1311
01:13:50,958 --> 01:13:52,916
[Paul] Listen, there's no surprise numbers
even in this.
1312
01:13:53,000 --> 01:13:54,000
Surprises?
1313
01:13:54,083 --> 01:13:56,541
I mean, there's nothing that'd throw us
to do it straight.
1314
01:13:56,625 --> 01:13:58,500
"Bathroom Window," "Teddy Boy."
1315
01:13:58,583 --> 01:14:00,583
We haven't gone through
"Maxwell's" since Twickenham.
1316
01:14:00,666 --> 01:14:03,500
[Paul] No. "All Things Must Pass."
That's lucky 13.
1317
01:14:03,583 --> 01:14:05,458
{\an8}[Glyn] There's "Dig It", as well,
which is very long.
1318
01:14:06,875 --> 01:14:08,958
It's like all these new ones
we've gotta do
1319
01:14:09,041 --> 01:14:11,375
to make up the number don't exist.
1320
01:14:11,458 --> 01:14:12,458
- [Glyn] Right.
- [Yoko] Great.
1321
01:14:12,541 --> 01:14:13,791
We've got 'em all.
1322
01:14:13,875 --> 01:14:15,083
And you've got the live album.
1323
01:14:15,166 --> 01:14:16,958
- [Paul] Yeah.
- If you wanna do it, if we just find out--
1324
01:14:17,041 --> 01:14:18,875
We should just collect
all the thoughts on these
1325
01:14:18,958 --> 01:14:20,541
and just check through every song,
1326
01:14:20,625 --> 01:14:24,416
like to know, say, make sure you know
all the chords, I know all the bass notes.
1327
01:14:26,041 --> 01:14:27,875
♪ Dig it, dig it, dig it, dig it, dig it ♪
1328
01:14:27,958 --> 01:14:29,416
♪ Don't Let Me Down ♪
1329
01:14:29,500 --> 01:14:31,916
[Paul]
♪ Dig it, dig it, dig it, dig it, dig it ♪
1330
01:14:32,000 --> 01:14:33,041
[John] ♪ Get Back ♪
1331
01:14:33,125 --> 01:14:35,708
♪ Dig it, dig it, dig it, dig it, dig it ♪
1332
01:14:35,791 --> 01:14:37,375
♪ I've Got A Feeling ♪
1333
01:14:37,458 --> 01:14:40,041
♪ Dig it, dig it, dig it, dig it, dig it ♪
1334
01:14:40,125 --> 01:14:42,000
♪ Two Of Us (On Our Way Home) ♪
1335
01:14:42,083 --> 01:14:44,208
{\an8}[Paul]
♪ Dig it, dig it, dig it, dig it, dig it ♪
1336
01:14:44,291 --> 01:14:47,041
{\an8}[John] ♪ All I Want Is You, Teddy Boy ♪
1337
01:14:48,416 --> 01:14:50,583
♪ One After 909 ♪
1338
01:14:50,666 --> 01:14:52,750
♪ Dig it, dig it, dig it, dig it, dig it ♪
1339
01:14:52,833 --> 01:14:54,750
♪ All Things Must Pass ♪
1340
01:14:54,833 --> 01:14:56,875
♪ Oh… ♪
1341
01:14:56,958 --> 01:14:58,791
♪ Well Can You Dig It ♪
1342
01:15:01,708 --> 01:15:03,291
♪ Let It Be ♪
1343
01:15:04,958 --> 01:15:07,416
♪ The Long And Winding Road ♪
1344
01:15:09,333 --> 01:15:11,416
♪ Also, For You Blue ♪
1345
01:15:11,500 --> 01:15:13,041
♪ Oh… ♪
1346
01:15:13,125 --> 01:15:15,333
♪ Across The Universe ♪
1347
01:15:15,416 --> 01:15:17,333
[vocalizing]
1348
01:15:17,416 --> 01:15:20,083
♪ With Maxwell's Silver Hammer ♪
1349
01:15:22,666 --> 01:15:24,083
♪ I Me Mine ♪
1350
01:15:25,833 --> 01:15:28,333
♪ Through the Bathroom Window ♪
1351
01:15:30,166 --> 01:15:31,375
{\an8}♪ I'd Like a Life ♪
1352
01:15:31,458 --> 01:15:35,750
{\an8}♪ B, C, D, F, G, A-flat, A ♪
1353
01:15:35,833 --> 01:15:38,916
♪ A, C, D, F, G, A-flat, A ♪
1354
01:15:42,791 --> 01:15:46,000
♪ Dig it, dig it, dig it, dig it
Dig it, dig it, dig it, dig it ♪
1355
01:15:46,083 --> 01:15:47,916
♪ Dig it, dig it, dig it, dig it, dig it ♪
1356
01:15:50,625 --> 01:15:51,625
[song ends]
1357
01:15:55,666 --> 01:15:56,875
[Paul] Are we having lunch soon?
1358
01:15:58,291 --> 01:16:00,375
- See you later.
- [John] Ta-ra, girls.
1359
01:16:00,458 --> 01:16:01,458
See ya.
1360
01:16:04,666 --> 01:16:06,666
[guitars tuning]
1361
01:16:07,916 --> 01:16:10,791
[George] John, I'll tell you
what I'd like to do.
1362
01:16:11,500 --> 01:16:12,625
Um…
1363
01:16:12,708 --> 01:16:17,250
You know, I've got so many songs
that I've got me, like,
1364
01:16:17,333 --> 01:16:22,666
my quota of tunes
for the next ten years or albums.
1365
01:16:23,291 --> 01:16:29,625
I'd just like to maybe do
an album of songs.
1366
01:16:30,541 --> 01:16:31,625
{\an8}- [George] Yeah.
- [John] Yeah.
1367
01:16:31,708 --> 01:16:34,708
[George] But, I mean,
I'd like it so that if, uh…
1368
01:16:38,125 --> 01:16:41,791
'Cause it would be nice. It would be nice
to mainly get them all out the way.
1369
01:16:41,875 --> 01:16:42,708
[John] Yes.
1370
01:16:44,166 --> 01:16:48,791
[George] And secondly, just to hear
what all mine are like all together.
1371
01:16:53,250 --> 01:16:58,875
[George] Yeah, but it'd be nice if
any of us can do separate things as well.
1372
01:16:58,958 --> 01:17:04,625
That way it also preserves this,
the Beatle bit of it, more.
1373
01:17:04,708 --> 01:17:05,708
Because then--
1374
01:17:05,791 --> 01:17:07,916
[John] Have an outlet
for every little note you want.
1375
01:17:08,000 --> 01:17:10,458
[George] You know,
'cause all these songs of mine,
1376
01:17:10,541 --> 01:17:12,916
I could give to people
who could do 'em good.
1377
01:17:13,000 --> 01:17:15,625
But I suddenly realized,
"You know, fuck all that.
1378
01:17:15,708 --> 01:17:18,708
I'm just gonna do me for a bit. You know?"
1379
01:17:18,791 --> 01:17:21,000
- [Billy] That's the real thing.
- [Yoko] It's great. That's a good idea.
1380
01:17:21,083 --> 01:17:22,625
And, you know…
1381
01:17:23,416 --> 01:17:25,291
♪ I had a dream ♪
1382
01:17:26,750 --> 01:17:29,791
♪ I had a good dream ♪
1383
01:17:30,958 --> 01:17:32,583
♪ I had a dream ♪
1384
01:17:34,166 --> 01:17:36,083
♪ I had a good dream… ♪
1385
01:17:36,166 --> 01:17:40,416
♪ You're Black or you're white
Do you wanna go right ♪
1386
01:17:40,500 --> 01:17:41,833
[chuckles]
1387
01:17:43,083 --> 01:17:44,583
♪ I had a dream ♪
1388
01:17:46,291 --> 01:17:48,333
♪ A very good dream last night ♪
1389
01:17:49,791 --> 01:17:52,041
♪ I said I got a dream ♪
1390
01:17:54,041 --> 01:18:00,208
♪ I said wrong or right, Black or white
We all deserve our equal rights ♪
1391
01:18:02,083 --> 01:18:03,875
♪ I had a dream ♪
1392
01:18:05,041 --> 01:18:07,708
- ♪ A very good dream ♪
- ♪ Yes, I did ♪
1393
01:18:09,291 --> 01:18:10,875
♪ I had a dream ♪
1394
01:18:12,625 --> 01:18:15,291
♪ A very good dream, y'all ♪
1395
01:18:16,541 --> 01:18:18,750
♪ I had a dream ♪
1396
01:18:19,625 --> 01:18:22,583
♪ A very good dream
Every man born deserves a dream ♪
1397
01:18:22,666 --> 01:18:24,791
[John] ♪ If you're Black or white
We want equal rights ♪
1398
01:18:24,875 --> 01:18:27,125
- ♪ Yeah ♪
- ♪ It's very hard to get those words in ♪
1399
01:19:33,791 --> 01:19:34,791
[song ends]
1400
01:19:35,375 --> 01:19:36,375
[Paul] This one.
1401
01:19:37,000 --> 01:19:40,666
♪ You and I have memories ♪
1402
01:19:41,625 --> 01:19:46,125
♪ Longer than the road that stretches ♪
1403
01:19:46,208 --> 01:19:49,083
♪ Out ahead ♪
1404
01:19:50,458 --> 01:19:53,916
- [Paul] ♪ Two of us wearing raincoats ♪
- [John] ♪ You and me wearing raincoats ♪
1405
01:19:54,000 --> 01:19:59,250
♪ Standing solo in the sun ♪
1406
01:20:00,708 --> 01:20:03,958
♪ You and me chasing paper ♪
1407
01:20:04,041 --> 01:20:06,125
♪ Getting nowhere ♪
1408
01:20:06,208 --> 01:20:11,375
♪ On our way back home ♪
1409
01:20:12,666 --> 01:20:15,333
♪ We're on our way home ♪
1410
01:20:16,000 --> 01:20:18,250
♪ We're on our way home ♪
1411
01:20:19,333 --> 01:20:22,208
♪ We're going home ♪
1412
01:20:22,291 --> 01:20:23,541
- [John] Take it.
- Yes, sir.
1413
01:20:24,500 --> 01:20:28,125
♪ You and I have memories ♪
1414
01:20:29,250 --> 01:20:33,916
♪ Longer than the road that stretches ♪
1415
01:20:34,000 --> 01:20:35,125
[John] ♪ Out ahead ♪
1416
01:20:35,208 --> 01:20:38,083
[Paul] ♪ Gottle of geer
Gottle of geer, gottle of geer ♪
1417
01:20:38,166 --> 01:20:41,250
♪ Two of us wearing raincoats ♪
1418
01:20:41,333 --> 01:20:43,666
♪ Standing solo ♪
1419
01:20:43,750 --> 01:20:46,958
♪ In the sun ♪
1420
01:20:48,291 --> 01:20:51,291
♪ You and me chasing paper ♪
1421
01:20:51,375 --> 01:20:53,750
♪ Getting nowhere ♪
1422
01:20:53,833 --> 01:20:59,291
♪ On our way back home ♪
1423
01:21:00,291 --> 01:21:02,375
♪ We're on our way home ♪
1424
01:21:03,666 --> 01:21:05,833
♪ We're on our way home ♪
1425
01:21:07,000 --> 01:21:10,333
♪ We're going home ♪
1426
01:21:15,625 --> 01:21:16,625
[Paul] I'm going home.
1427
01:21:19,666 --> 01:21:20,666
♪ Goodbye ♪
1428
01:21:20,750 --> 01:21:21,916
[John] ♪ Goodbye ♪
1429
01:21:23,833 --> 01:21:25,750
A, B, C, D, E, F, G,
1430
01:21:25,833 --> 01:21:28,375
- H, I, J, K, L, M, N, O, P…
- [John] Greta Garbo.
1431
01:21:28,458 --> 01:21:31,208
- …Q, S, R, T.
- [John] Greta Garbo. Greta Garbo.
1432
01:21:31,291 --> 01:21:32,291
Greta Garbo.
1433
01:21:33,750 --> 01:21:35,083
[John] No, that's not.
1434
01:21:37,708 --> 01:21:39,958
Put the ones we know in a hat.
1435
01:21:40,041 --> 01:21:42,416
Shuffle them out
to see which order we do 'em in.
1436
01:21:44,791 --> 01:21:46,666
[Mal] We'll all be here bright and early.
1437
01:21:46,750 --> 01:21:48,000
[Michael] 11:30.
1438
01:21:48,083 --> 01:21:50,750
We're all sleeping at George's tonight.
Get in the mood.
1439
01:21:50,833 --> 01:21:52,458
We're all ready for tomorrow.
1440
01:21:52,541 --> 01:21:54,375
So you're doing the show
on the roof tomorrow?
1441
01:21:57,000 --> 01:22:00,250
{\an8}Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.
1442
01:22:01,416 --> 01:22:02,333
[Paul] Mm-hmm.
1443
01:22:04,583 --> 01:22:06,333
[chuckling]
1444
01:22:09,666 --> 01:22:11,458
- You'll go as well?
- [John] Yeah.
1445
01:22:11,541 --> 01:22:14,291
I think John and, uh, Ringo
are on the roof.
1446
01:22:16,166 --> 01:22:18,125
In a green bag on the roof.
1447
01:22:20,833 --> 01:22:22,208
Who knows, Yoko? [chuckles]
1448
01:22:24,750 --> 01:22:26,791
Supposed to be, yeah. Yeah.
1449
01:22:26,875 --> 01:22:28,750
[chattering]
1450
01:22:28,833 --> 01:22:30,750
- [person] Okay.
- [John] Oh, yeah. Let's do that.
1451
01:22:30,833 --> 01:22:32,000
Go on the roof.
1452
01:22:32,083 --> 01:22:34,333
- Good night, Mike.
- [Mike] Good night. [chuckles]
1453
01:22:34,416 --> 01:22:36,500
- [Michael] Seven come 11. Good night.
- [Ringo] The others are from…
1454
01:22:36,583 --> 01:22:37,708
- Good night.
- [Michael] Good night.
1455
01:22:37,791 --> 01:22:39,500
- [Ringo] Good night!
- [chattering]
1456
01:22:39,583 --> 01:22:40,583
[Ringo] From your show.
1457
01:22:40,666 --> 01:22:42,416
- [Michael] Night, George.
- [Mike] Good night, George!
1458
01:22:43,166 --> 01:22:44,666
Good night, Sir Richard.
1459
01:22:44,750 --> 01:22:47,000
{\an8}I'll be here tomorrow
to film in the church.
1460
01:22:54,916 --> 01:22:55,916
[horn honks]
1461
01:22:59,958 --> 01:23:02,208
[Michael] And then Tony and I
are gonna split downstairs.
1462
01:23:04,083 --> 01:23:06,083
{\an8}[chattering]
1463
01:23:24,208 --> 01:23:25,208
{\an8}[horn honks]
1464
01:23:40,208 --> 01:23:43,041
{\an8}- [phone ringing]
- [crew] Yeah?
1465
01:23:48,833 --> 01:23:50,833
[Debbie] Would you like to go up
when you're ready?
1466
01:23:51,625 --> 01:23:54,208
- [crew] What time is he expecting you?
- [crew 2] You can give them to Debbie.
1467
01:23:54,291 --> 01:23:57,333
[crew 3] You know, it's exclusive.
It's gotta work for whoever does it.
1468
01:23:59,083 --> 01:24:00,208
{\an8}Thank you.
1469
01:24:01,541 --> 01:24:04,541
[engine revving]
1470
01:24:08,875 --> 01:24:11,208
[Michael] Let's get a camera
down in the hall now too.
1471
01:24:17,041 --> 01:24:18,458
{\an8}[chattering]
1472
01:24:19,958 --> 01:24:21,458
{\an8}Yeah, I heard about that.
1473
01:24:27,083 --> 01:24:28,375
{\an8}[chattering]
1474
01:24:34,375 --> 01:24:36,208
{\an8}- [crew] Yes.
- [Michael] Is that the same kind of…
1475
01:24:37,041 --> 01:24:39,208
{\an8}[chattering]
1476
01:24:39,291 --> 01:24:40,458
[Michael] Okay, hold it.
1477
01:24:41,750 --> 01:24:44,333
Three, two, one. All right.
1478
01:24:49,291 --> 01:24:50,291
[horn honks]
1479
01:24:53,541 --> 01:24:54,791
{\an8}[person] Hi. Can we come in?
1480
01:24:55,708 --> 01:24:58,166
{\an8}- Who you here for?
- [person] Tony Richmond. Is he--
1481
01:24:58,250 --> 01:25:00,250
[chattering]
1482
01:25:06,500 --> 01:25:08,125
[crew] There's a special lead
that goes under.
1483
01:25:10,291 --> 01:25:11,541
[Michael] Tony's ready, isn't he?
1484
01:25:13,166 --> 01:25:14,500
Uh, with cameras?
1485
01:25:14,583 --> 01:25:16,291
- [crew] Yeah.
- [crew 2] Yeah.
1486
01:25:24,833 --> 01:25:26,416
[Michael] Okay. Let's go.
1487
01:25:27,541 --> 01:25:29,125
- Is it running?
- [crew] Yes.
1488
01:25:29,208 --> 01:25:30,666
- [crew 2] We're running.
- [crew] Running.
1489
01:25:30,750 --> 01:25:32,083
- [crew 3] What's going on?
- All right.
1490
01:25:33,041 --> 01:25:34,666
All cameras, take one!
1491
01:25:36,208 --> 01:25:37,958
[George] Where's the best way
out of the way?
1492
01:25:38,041 --> 01:25:39,166
[Michael] Over here, I think.
1493
01:25:39,250 --> 01:25:41,250
- [person] Yeah, you would think that.
- [person 2] With Maureen.
1494
01:25:42,250 --> 01:25:44,250
[Paul] See, you can never tell
what he's doing.
1495
01:25:45,458 --> 01:25:46,458
[person 3] Sorry.
1496
01:25:47,291 --> 01:25:49,000
- Hey.
- [person 4] You know you're around back.
1497
01:25:51,458 --> 01:25:52,708
Which is you here.
1498
01:25:54,958 --> 01:25:56,458
- We may find--
- [person 5] All right, yeah?
1499
01:25:56,541 --> 01:25:58,458
- It's a bit cold, isn't it?
- [person 6] What's going on?
1500
01:25:58,541 --> 01:26:00,375
[Michael] It's, uh, great.
1501
01:26:05,041 --> 01:26:07,125
- [crew] You're all right playing there?
- I don't know.
1502
01:26:07,791 --> 01:26:09,791
[boards creaking]
1503
01:26:10,875 --> 01:26:12,416
- [crew 2] Good shot there.
- [crew 3] Yeah.
1504
01:26:13,000 --> 01:26:14,083
Where's the instruments?
1505
01:26:15,166 --> 01:26:17,083
- Mal?
- [laughs]
1506
01:26:17,166 --> 01:26:18,916
Nailed me down in the wrong place.
1507
01:26:19,458 --> 01:26:21,041
[Paul] That's the last of it, yeah.
1508
01:26:21,708 --> 01:26:23,958
The three-- First, second and third.
1509
01:26:24,916 --> 01:26:27,416
- [George] First of all, that seems to…
- I think if we have some…
1510
01:26:28,250 --> 01:26:29,375
[crew] Are you sure?
1511
01:26:29,458 --> 01:26:31,375
[Michael] We've worked that out.
1512
01:26:31,875 --> 01:26:33,375
- Let's set them up.
- [Mal] Yeah.
1513
01:26:35,208 --> 01:26:37,416
[chattering]
1514
01:26:39,041 --> 01:26:41,833
[crew 2] There's piping along there.
That's where you put them back in.
1515
01:26:42,833 --> 01:26:45,041
[siren wailing]
1516
01:26:45,625 --> 01:26:46,791
Yeah, well that goes in here.
1517
01:26:46,875 --> 01:26:48,416
- That should do it, really.
- Yeah.
1518
01:26:48,500 --> 01:26:50,333
[guitar strumming]
1519
01:26:50,416 --> 01:26:52,750
- [Mal] What's that? A perfect fit.
- [Paul] Yeah, man.
1520
01:26:53,750 --> 01:26:55,750
[chuckling]
1521
01:26:56,458 --> 01:26:57,541
What is it?
1522
01:26:59,416 --> 01:27:00,916
Hands are getting the feel of it.
1523
01:27:02,083 --> 01:27:03,458
[George Martin] It's gotta be like it is.
1524
01:27:03,541 --> 01:27:05,208
Just record the song.
1525
01:27:08,666 --> 01:27:10,416
[crew]
Glyn, are you getting this down there?
1526
01:27:12,583 --> 01:27:14,208
- [Paul] Oh, it's right-handed.
- [George] Is it?
1527
01:27:14,291 --> 01:27:15,958
- [Paul] Yeah.
- [George] Kevin?
1528
01:27:16,625 --> 01:27:19,458
- [guitar tuning]
- I missed the start. George--
1529
01:27:19,541 --> 01:27:22,083
- Just look down. Must have had a few.
- Well, they're gonna hear it.
1530
01:27:24,250 --> 01:27:26,541
- [crew] Final checks. Roll sound.
- [crew 2] Right.
1531
01:27:26,625 --> 01:27:28,500
[George] One, two, three, four…
1532
01:27:28,583 --> 01:27:31,416
["Get Back" playing]
1533
01:27:40,708 --> 01:27:43,541
♪ Get back, get back ♪
1534
01:27:44,708 --> 01:27:47,708
♪ Get back to where you once belonged ♪
1535
01:27:48,291 --> 01:27:51,000
♪ Get back, get back ♪
1536
01:27:51,791 --> 01:27:54,791
♪ Get back to where you once belonged ♪
1537
01:27:57,708 --> 01:27:58,916
- [beeps]
- [crew] Rolling.
1538
01:27:59,875 --> 01:28:01,666
- ♪ Jo Jo was a man ♪
- Rolling. Is the door shut?
1539
01:28:01,750 --> 01:28:03,000
- Come on.
- We're good to go.
1540
01:28:03,083 --> 01:28:04,416
- [crew 2] Glyn, this one?
- [Glyn] No.
1541
01:28:04,500 --> 01:28:06,250
The one at the bottom of the spirals.
1542
01:28:06,333 --> 01:28:08,083
It's gotta be wedged.
1543
01:28:08,166 --> 01:28:10,416
- [Michael] Get the clapper.
- [John] Come on, you idiot.
1544
01:28:10,500 --> 01:28:11,875
[Michael] Get the clapper here.
1545
01:28:11,958 --> 01:28:13,291
- Okay?
- Okay.
1546
01:28:18,416 --> 01:28:19,458
[John] Okay.
1547
01:28:19,541 --> 01:28:21,041
[George] One, two, three, four…
1548
01:28:21,125 --> 01:28:22,708
["Get Back" playing]
1549
01:28:22,791 --> 01:28:23,791
Yeah.
1550
01:28:28,875 --> 01:28:32,333
♪ Jo Jo was a man
Who thought he was a loner ♪
1551
01:28:32,416 --> 01:28:35,250
♪ But he knew it couldn't last ♪
1552
01:28:36,250 --> 01:28:40,083
♪ Jo Jo left his home in Tucson, Arizona ♪
1553
01:28:40,166 --> 01:28:42,791
♪ For some California grass ♪
1554
01:28:43,666 --> 01:28:46,666
♪ Get back, get back ♪
1555
01:28:47,583 --> 01:28:50,583
♪ Get back to where you once belonged ♪
1556
01:28:51,416 --> 01:28:54,250
♪ Get back, get back ♪
1557
01:28:55,000 --> 01:28:58,250
♪ Get back to where you once belonged ♪
1558
01:28:58,333 --> 01:28:59,333
♪ Get back, Jo Jo ♪
1559
01:29:05,250 --> 01:29:06,583
♪ Go home ♪
1560
01:29:14,625 --> 01:29:17,458
♪ Get back, get back ♪
1561
01:29:18,500 --> 01:29:21,416
♪ Get back to where you once belonged ♪
1562
01:29:22,375 --> 01:29:24,458
♪ Get back, yeah ♪
1563
01:29:24,541 --> 01:29:26,125
♪ Get back ♪
1564
01:29:26,208 --> 01:29:29,250
♪ Get back to where you once belonged ♪
1565
01:29:31,541 --> 01:29:32,625
♪ Get back, Jo ♪
1566
01:29:38,833 --> 01:29:40,666
♪ Whoo, get back! ♪
1567
01:29:47,833 --> 01:29:51,458
♪ Sweet Loretta Martin
Thought she was a woman ♪
1568
01:29:51,541 --> 01:29:54,208
♪ But she was another man ♪
1569
01:29:55,333 --> 01:29:59,208
♪ All the girls around her
Say she's got it coming ♪
1570
01:29:59,291 --> 01:30:01,916
♪ But she get it while she can ♪
1571
01:30:02,916 --> 01:30:05,750
♪ Get back, get back ♪
1572
01:30:06,791 --> 01:30:10,000
♪ Get back to where you once belonged ♪
1573
01:30:10,500 --> 01:30:13,541
♪ Oh, get back, yeah
Get back ♪
1574
01:30:14,791 --> 01:30:17,083
♪ Get back to where you once belonged ♪
1575
01:30:17,166 --> 01:30:18,458
♪ Get back, Loretta ♪
1576
01:30:24,875 --> 01:30:27,958
♪ Go home
Your mommy's waiting for you ♪
1577
01:30:30,291 --> 01:30:32,583
♪ In her high-heel shoes
And her low-neck sweater ♪
1578
01:30:32,666 --> 01:30:33,916
♪ Get back, Loretta! ♪
1579
01:30:34,000 --> 01:30:37,000
♪ Get back, yeah
Get back ♪
1580
01:30:37,833 --> 01:30:40,833
♪ Get back to where you once belonged ♪
1581
01:30:41,500 --> 01:30:44,666
♪ Oh, get back, get back ♪
1582
01:30:45,541 --> 01:30:49,041
♪ Get back to where you once belonged ♪
1583
01:30:50,791 --> 01:30:52,875
♪ Ooh, ooh, ow!
1584
01:30:57,875 --> 01:30:59,291
♪ Go home ♪
1585
01:31:00,750 --> 01:31:01,916
♪ She's waiting for you ♪
1586
01:31:04,166 --> 01:31:05,458
♪ The tea's on ♪
1587
01:31:05,541 --> 01:31:07,375
♪ Oh, get back ♪
1588
01:31:08,750 --> 01:31:09,750
♪ Get back ♪
1589
01:31:10,583 --> 01:31:13,375
♪ Get back to where you once belonged ♪
1590
01:31:14,291 --> 01:31:18,083
♪ Oh, get back, get back
Get back ♪
1591
01:31:18,625 --> 01:31:21,208
♪ Get back to where you once belonged ♪
1592
01:31:22,375 --> 01:31:23,875
Whoo-hoo!
1593
01:31:25,583 --> 01:31:26,833
[applause]
1594
01:31:26,916 --> 01:31:28,791
- Thank you very much.
- Thank you very much.
1595
01:31:28,875 --> 01:31:31,416
It looks like
Ted Dexter has scored another.
1596
01:31:31,500 --> 01:31:33,833
We've had a request
from Martin and Luther.
1597
01:31:33,916 --> 01:31:35,958
We need more voice on the PA, yes, Glyn?
1598
01:31:36,041 --> 01:31:39,708
- [John] No, we don't need any more.
- That's all right. Hello? Hello?
1599
01:31:39,791 --> 01:31:43,041
[Michael]
Glyn, any more voice on the Fenders?
1600
01:31:43,125 --> 01:31:44,125
[guitar strumming]
1601
01:31:44,208 --> 01:31:45,916
[Glyn on PA] Do it there.
1602
01:31:46,000 --> 01:31:48,166
- [Michael] What?
- [Glyn] Do it from up there.
1603
01:31:48,250 --> 01:31:50,000
[John] No, they would have had
to turn off the whole roof.
1604
01:31:50,083 --> 01:31:51,083
[Michael] Okay, cut it.
1605
01:31:51,166 --> 01:31:52,208
♪ Get back! ♪
1606
01:31:52,291 --> 01:31:53,375
[Glyn] Mike, have you cut?
1607
01:31:53,458 --> 01:31:55,083
- ♪ Get back ♪
- [Michael] Yeah, we'll cut.
1608
01:31:55,166 --> 01:31:56,708
Where's the noise coming from?
1609
01:31:56,791 --> 01:31:58,333
[interviewer] It's coming from the roof.
1610
01:31:58,416 --> 01:31:59,625
Do you know who it is?
1611
01:31:59,708 --> 01:32:01,958
Yeah, The Beatles, ain't it?
Yeah. [chuckles]
1612
01:32:02,041 --> 01:32:03,166
[interviewer] You like it?
1613
01:32:03,250 --> 01:32:04,333
Yeah, it's okay.
1614
01:32:04,416 --> 01:32:06,250
[interviewer] What do you think of it?
It's The Beatles.
1615
01:32:06,333 --> 01:32:08,041
Oh, I think jolly good.
1616
01:32:08,125 --> 01:32:09,125
[interviewer] Enjoying it?
1617
01:32:09,208 --> 01:32:12,625
Yeah, very much. Nice, bright thing
to see at the end of the day.
1618
01:32:12,708 --> 01:32:14,041
[interviewer] Do you like the idea?
1619
01:32:14,125 --> 01:32:16,000
I don't know
what they're supposed to be doing.
1620
01:32:16,083 --> 01:32:18,541
- [George] Right, stop--
- [Tony] All cameras, three!
1621
01:32:18,625 --> 01:32:20,083
[Michael] Okay. When you're ready, guys.
1622
01:32:20,166 --> 01:32:21,166
All right, Billy.
1623
01:32:21,750 --> 01:32:23,458
One, two, three, four.
1624
01:32:23,541 --> 01:32:25,541
["Get Back" playing]
1625
01:32:31,250 --> 01:32:34,833
♪ Jo Jo was a man
Who thought he was a loner ♪
1626
01:32:34,916 --> 01:32:37,666
♪ But he knew it couldn't last ♪
1627
01:32:38,708 --> 01:32:42,541
♪ Jo Jo left his home in Tucson, Arizona ♪
1628
01:32:42,625 --> 01:32:45,708
♪ For some California grass ♪
1629
01:32:46,291 --> 01:32:49,125
♪ Get back, get back ♪
1630
01:32:49,916 --> 01:32:53,083
♪ Get back to where you once belonged ♪
1631
01:32:53,750 --> 01:32:56,666
♪ Get back, get back ♪
1632
01:32:57,625 --> 01:33:00,041
♪ Get back to where you once belonged ♪
1633
01:33:00,625 --> 01:33:01,625
Get back, Jo Jo.
1634
01:33:08,125 --> 01:33:09,208
Go home.
1635
01:33:12,625 --> 01:33:13,625
Yeah.
1636
01:33:17,166 --> 01:33:18,750
{\an8}[interviewer]
1637
01:33:18,833 --> 01:33:20,875
You could say so, yes.
I think they're great.
1638
01:33:20,958 --> 01:33:23,708
♪ Get back to where you once belonged ♪
1639
01:33:24,375 --> 01:33:27,166
♪ Get back, get back ♪
1640
01:33:28,208 --> 01:33:31,291
♪ Get back to where you once belonged ♪
1641
01:33:32,791 --> 01:33:34,458
♪ Oh, get back, Jo ♪
1642
01:33:49,333 --> 01:33:52,916
♪ Sweet Loretta Martin
Thought she was a woman ♪
1643
01:33:53,000 --> 01:33:55,125
♪ But she was another man ♪
1644
01:33:56,500 --> 01:34:00,625
♪ All the girls around her
Say she's got it coming ♪
1645
01:34:00,708 --> 01:34:03,333
♪ But she gets it while she can ♪
1646
01:34:04,083 --> 01:34:07,250
♪ Well, get back, get back… ♪
1647
01:34:12,375 --> 01:34:14,666
♪ Oh, get back, get back ♪
1648
01:34:15,500 --> 01:34:18,666
♪ Get back to where you once belonged ♪
1649
01:34:18,750 --> 01:34:20,125
Get back, Loretta.
1650
01:34:20,208 --> 01:34:21,208
♪ Oh! ♪
1651
01:34:26,458 --> 01:34:27,708
Yeah, go home.
1652
01:34:30,458 --> 01:34:32,125
Your mommy's waiting.
1653
01:34:32,208 --> 01:34:34,208
In her high-heel shoes
and her low-neck sweater.
1654
01:34:34,291 --> 01:34:35,500
Get back, Loretta!
1655
01:34:35,583 --> 01:34:37,583
♪ Get back, get back ♪
1656
01:34:37,666 --> 01:34:38,666
Whoo!
1657
01:34:38,750 --> 01:34:41,333
♪ Get back to where you once belonged ♪
1658
01:34:42,208 --> 01:34:43,375
♪ Oh, get back ♪
1659
01:34:44,500 --> 01:34:45,500
♪ Get back ♪
1660
01:34:46,291 --> 01:34:47,708
{\an8}[interviewer]
1661
01:34:47,791 --> 01:34:49,208
I think it's marvelous. Yes.
1662
01:34:49,291 --> 01:34:50,666
{\an8}[interviewer]
1663
01:34:50,750 --> 01:34:51,791
Beatles, I think.
1664
01:34:58,916 --> 01:35:01,583
Oh, get back home.
1665
01:35:04,083 --> 01:35:05,916
Never more to roam.
1666
01:35:08,041 --> 01:35:09,041
{\an8}[interviewer]
1667
01:35:09,125 --> 01:35:10,333
On the roof?
1668
01:35:11,250 --> 01:35:14,166
♪ Get back to where you once belonged ♪
1669
01:35:14,791 --> 01:35:16,250
♪ Yeah, get back ♪
1670
01:35:16,916 --> 01:35:18,083
♪ Get back ♪
1671
01:35:18,416 --> 01:35:21,000
{\an8}[interviewer]
1672
01:35:21,083 --> 01:35:22,583
It's The Beatles, isn't it? Yeah.
1673
01:35:22,666 --> 01:35:25,625
It's Paul McCartney singing now.
Well, it was. Yeah.
1674
01:35:25,708 --> 01:35:28,375
Okay. Well, thank you,
ladies and gentlemen.
1675
01:35:28,458 --> 01:35:30,791
We've had a request
from Daisy, Morris and Tommy.
1676
01:35:37,166 --> 01:35:38,791
- [Michael] "Don't Let Me Down."
- Okay.
1677
01:35:38,875 --> 01:35:40,333
♪ Don't let me down ♪
1678
01:35:44,000 --> 01:35:47,083
["Don't Let Me Down" playing]
1679
01:35:48,375 --> 01:35:50,875
♪ Don't let me down ♪
1680
01:35:54,041 --> 01:35:56,708
♪ Don't let me down ♪
1681
01:36:00,250 --> 01:36:02,833
♪ Don't let me down ♪
1682
01:36:06,125 --> 01:36:08,625
♪ Don't let me down ♪
1683
01:36:10,916 --> 01:36:15,083
♪ Nobody ever loved me like she does ♪
1684
01:36:16,708 --> 01:36:18,416
♪ Oh, she does ♪
1685
01:36:19,541 --> 01:36:21,041
♪ Yes, she does ♪
1686
01:36:23,083 --> 01:36:25,500
[passerby] This type of music
is all right in its place,
1687
01:36:25,583 --> 01:36:28,541
but I think it's a bit of an imposition.
First of all, it's too loud.
1688
01:36:29,458 --> 01:36:30,791
♪ Oh, she does ♪
1689
01:36:32,250 --> 01:36:33,916
♪ Yes, she does ♪
1690
01:36:37,458 --> 01:36:39,916
♪ Don't let me down ♪
1691
01:36:43,458 --> 01:36:45,833
♪ Don't let me down ♪
1692
01:36:49,375 --> 01:36:51,791
♪ Don't let me down ♪
1693
01:36:51,875 --> 01:36:54,333
Absolutely disrupts all the business
in this area.
1694
01:36:54,416 --> 01:36:56,291
I think it's great!
Who is this? The Beatles?
1695
01:36:56,375 --> 01:36:57,541
♪ Don't let me down ♪
1696
01:36:57,625 --> 01:36:58,833
I think it's fantastic.
1697
01:37:00,333 --> 01:37:03,583
♪ I'm in love for the first time ♪
1698
01:37:06,416 --> 01:37:09,500
♪ Don't you know it's gonna last ♪
1699
01:37:12,500 --> 01:37:14,875
♪ It's a love that lasts forever ♪
1700
01:37:18,291 --> 01:37:21,750
♪ It's a love that has no past ♪
1701
01:37:24,833 --> 01:37:27,250
♪ Don't let me down ♪
1702
01:37:30,666 --> 01:37:32,958
♪ Don't let me down ♪
1703
01:37:36,500 --> 01:37:38,958
♪ Don't let me down ♪
1704
01:37:42,125 --> 01:37:44,666
♪ Don't let me down ♪
1705
01:37:47,083 --> 01:37:51,041
[sings gibberish]
1706
01:37:52,666 --> 01:37:53,875
♪ Oh, she does ♪
1707
01:37:55,333 --> 01:37:57,125
♪ Yeah, she does ♪
1708
01:37:59,583 --> 01:38:04,041
♪ I guess nobody ever really done me ♪
1709
01:38:05,375 --> 01:38:06,833
♪ Ooh, she done me ♪
1710
01:38:08,166 --> 01:38:09,666
♪ She done me good ♪
1711
01:38:13,500 --> 01:38:15,791
♪ Don't let me down ♪
1712
01:38:19,291 --> 01:38:21,625
♪ Don't let me down ♪
1713
01:38:25,083 --> 01:38:27,416
♪ Don't let me down ♪
1714
01:38:30,833 --> 01:38:33,208
♪ Don't let me down ♪
1715
01:38:36,791 --> 01:38:39,416
♪ Please ♪
1716
01:38:42,625 --> 01:38:44,916
♪ Please ♪
1717
01:38:48,250 --> 01:38:50,458
♪ Please ♪
1718
01:38:53,958 --> 01:38:56,083
♪ Please ♪
1719
01:38:58,041 --> 01:38:59,625
[song ends]
1720
01:38:59,708 --> 01:39:00,875
Don't let me down.
1721
01:39:00,958 --> 01:39:02,958
["I've Got A Feeling" playing]
1722
01:39:07,375 --> 01:39:08,958
♪ I've got a feeling ♪
1723
01:39:09,833 --> 01:39:13,041
♪ A feeling deep inside
Oh, yeah ♪
1724
01:39:15,041 --> 01:39:16,541
♪ Oh, yeah ♪
1725
01:39:16,625 --> 01:39:17,791
That's right.
1726
01:39:19,625 --> 01:39:21,666
{\an8}♪ I've got a feeling ♪
1727
01:39:21,750 --> 01:39:25,625
♪ A feeling I can't hide
Oh, no, no… ♪
1728
01:39:54,791 --> 01:39:58,625
♪ And if you leave me
I won't be late again ♪
1729
01:39:58,708 --> 01:39:59,708
♪ Oh, no… ♪
1730
01:40:13,541 --> 01:40:14,541
{\an8}[interviewer]
1731
01:40:21,416 --> 01:40:22,625
♪ …nobody told me ♪
1732
01:40:22,708 --> 01:40:26,291
♪ All that I've looking for
Was somebody who looked like you ♪
1733
01:40:32,416 --> 01:40:33,875
♪ I've got a feeling ♪
1734
01:40:33,958 --> 01:40:36,208
♪ That keeps me on my toes ♪
1735
01:40:36,291 --> 01:40:37,458
♪ Oh, yeah ♪
1736
01:40:39,541 --> 01:40:40,875
- ♪ Oh, yeah ♪
- ♪ Oh, yeah ♪
1737
01:40:43,458 --> 01:40:47,958
♪ I've got a feeling
I think that everybody knows ♪
1738
01:40:48,041 --> 01:40:49,125
♪ Oh, yeah ♪
1739
01:40:51,041 --> 01:40:52,291
- ♪ Oh, yeah ♪
- ♪ Oh, yeah ♪
1740
01:40:53,875 --> 01:40:55,583
♪ Oh, yeah ♪
1741
01:40:55,666 --> 01:40:58,541
♪ Yeah, yeah ♪
1742
01:40:59,416 --> 01:41:01,666
♪ I have got a feeling
Yeah ♪
1743
01:41:06,583 --> 01:41:08,666
♪ Everybody had a hard year ♪
1744
01:41:09,500 --> 01:41:11,500
♪ Everybody had a good time ♪
1745
01:41:12,416 --> 01:41:14,958
♪ Everybody had a wet dream ♪
1746
01:41:15,041 --> 01:41:18,083
♪ Everybody saw the sun shine
Oh, yeah ♪
1747
01:41:18,166 --> 01:41:21,083
- ♪ Oh, yeah ♪
- ♪ Oh, yeah, oh, yeah ♪
1748
01:41:23,916 --> 01:41:25,916
♪ Everybody had a good year ♪
1749
01:41:26,833 --> 01:41:28,916
♪ Everybody let their hair down ♪
1750
01:41:29,708 --> 01:41:32,583
♪ Everybody pulled their socks up ♪
1751
01:41:32,666 --> 01:41:35,666
♪ Everybody put their foot down
Oh, yeah ♪
1752
01:41:45,041 --> 01:41:46,666
Whoo-hoo!
1753
01:41:46,750 --> 01:41:49,416
- ♪ I've got a feeling ♪
- ♪ Everybody had a good year ♪
1754
01:41:49,500 --> 01:41:52,958
- ♪ A feeling deep inside, oh, yeah ♪
- ♪ Everybody had a hard time ♪
1755
01:41:53,041 --> 01:41:55,750
- ♪ Everybody had a wet dream ♪
- ♪ Oh, yeah ♪
1756
01:41:55,833 --> 01:41:58,208
♪ Everybody saw the sun shine ♪
1757
01:41:58,291 --> 01:42:00,958
- ♪ Everybody had a good year ♪
- [Paul] ♪ I've got a feeling ♪
1758
01:42:01,041 --> 01:42:04,458
{\an8}♪ A feeling I can't hide, oh no… ♪
1759
01:42:29,291 --> 01:42:30,291
{\an8}[song ends]
1760
01:42:30,375 --> 01:42:32,916
♪ Oh, my soul ♪
1761
01:42:33,000 --> 01:42:34,916
- That was so hard.
- [applause]
1762
01:42:35,000 --> 01:42:37,000
{\an8}Hey! All right!
1763
01:42:38,291 --> 01:42:40,291
{\an8}No, no, no, no. [imitates gunshot]
1764
01:42:42,583 --> 01:42:44,208
[passerby] Peace on Earth!
1765
01:42:45,250 --> 01:42:47,250
[people laughing]
1766
01:42:54,500 --> 01:42:56,500
- [chattering]
- [Mal] Alan.
1767
01:42:58,750 --> 01:42:59,750
[Glyn] Ringo?
1768
01:42:59,833 --> 01:43:01,458
- [crew] Are the cameras still running?
- Yeah.
1769
01:43:01,541 --> 01:43:03,750
[Glyn] Just stick your snare drum mic
back over the snare drum.
1770
01:43:05,083 --> 01:43:08,166
[interviewer] Sir, we must have
your comment. What do you think of it?
1771
01:43:08,250 --> 01:43:09,250
What's going on?
1772
01:43:09,333 --> 01:43:11,833
- [interviewer] It's The Beatles.
- What gives? What's happening?
1773
01:43:11,916 --> 01:43:13,958
[interviewer] They decided to play
for the public for nothing.
1774
01:43:14,041 --> 01:43:15,250
Well, that's great.
1775
01:43:15,333 --> 01:43:17,208
It's a bloody stupid place
to have a concert.
1776
01:43:17,291 --> 01:43:19,833
Nice to have something for free
in this country at the moment, isn't it?
1777
01:43:19,916 --> 01:43:22,541
- [interviewer] Don't you like The Beatles?
- No.
1778
01:43:22,625 --> 01:43:24,166
- No?
- No.
1779
01:43:24,250 --> 01:43:25,583
[interviewer] Not at all?
1780
01:43:25,666 --> 01:43:28,041
Not now. They've changed completely.
1781
01:43:28,125 --> 01:43:30,541
[interviewer] The Beatles are doing
a free concert on the roof.
1782
01:43:30,625 --> 01:43:32,500
- Now?
- Yeah. What do you think of it?
1783
01:43:33,041 --> 01:43:35,083
I think it's very good.
Why aren't they doing it in the street?
1784
01:43:35,166 --> 01:43:36,833
[interviewer]
They just thought you'd wanna hear it.
1785
01:43:36,916 --> 01:43:38,625
Yeah, well, we'd also like to see them.
1786
01:43:38,708 --> 01:43:41,166
I just can't see that it makes sense.
1787
01:43:41,791 --> 01:43:43,500
Well, I think it's a very good thing.
1788
01:43:43,583 --> 01:43:46,750
It woke me up from my sleep,
and I don't like it.
1789
01:43:47,458 --> 01:43:49,875
- [playing electric piano]
- [chattering]
1790
01:43:50,583 --> 01:43:51,666
[laughs]
1791
01:43:51,750 --> 01:43:53,416
All cameras, four!
1792
01:43:54,666 --> 01:43:56,166
One, two, three.
1793
01:43:56,250 --> 01:43:58,250
["One After 909" playing]
1794
01:44:04,791 --> 01:44:08,041
♪ My baby says she's traveling
On the one after 909 ♪
1795
01:44:09,750 --> 01:44:13,166
♪ I said move over, honey
I'm traveling on that line ♪
1796
01:44:14,833 --> 01:44:18,208
♪ I said move over once
Move over twice ♪
1797
01:44:18,291 --> 01:44:20,708
♪ Come on, baby
Don't be cold as ice ♪
1798
01:44:20,791 --> 01:44:23,708
♪ She said she's traveling
On the one after 909 ♪
1799
01:44:25,750 --> 01:44:28,916
♪ I begged her not to go
And I begged her on my bended knee ♪
1800
01:44:31,166 --> 01:44:34,166
♪ You're only fooling 'round
You're fooling 'round with me ♪
1801
01:44:36,041 --> 01:44:38,666
{\an8}♪ I said move over once
Move over twice… ♪
1802
01:44:52,125 --> 01:44:53,500
♪ Railman said ♪
1803
01:44:54,416 --> 01:44:56,500
{\an8}♪ You've got the wrong location ♪
1804
01:44:57,875 --> 01:44:59,000
{\an8}♪ Pick up my bag ♪
1805
01:45:00,250 --> 01:45:01,333
♪ Run right home ♪
1806
01:45:02,625 --> 01:45:06,458
♪ Then I find
I've got the number wrong ♪
1807
01:45:07,041 --> 01:45:11,208
♪ Well, she said she's traveling
On the one after 909 ♪
1808
01:45:12,958 --> 01:45:16,750
♪ I said move over, honey
I'm traveling on that line ♪
1809
01:45:18,333 --> 01:45:21,541
♪ I said move over once
Move over twice ♪
1810
01:45:21,625 --> 01:45:24,208
♪ Come on, baby
Don't be cold as ice ♪
1811
01:45:24,291 --> 01:45:27,083
♪ She said she's traveling
On the one after 909 ♪
1812
01:45:28,250 --> 01:45:29,458
♪ Yeah! ♪
1813
01:45:41,958 --> 01:45:43,375
♪ Whoo! ♪
1814
01:45:50,458 --> 01:45:51,791
♪ Pick up my bag ♪
1815
01:45:53,208 --> 01:45:55,000
♪ Run to the station ♪
1816
01:45:55,541 --> 01:45:57,666
♪ Railman said ♪
1817
01:45:57,750 --> 01:45:59,666
♪ You've got the wrong location ♪
1818
01:45:59,750 --> 01:46:02,375
♪ Yeah
Pick up my bag ♪
1819
01:46:03,500 --> 01:46:05,000
♪ Run right home ♪
1820
01:46:06,208 --> 01:46:07,541
♪ Then I find ♪
1821
01:46:08,375 --> 01:46:09,875
♪ I've got the number wrong ♪
1822
01:46:09,958 --> 01:46:14,833
♪ Well, she said she's traveling
On the one after 909 ♪
1823
01:46:16,500 --> 01:46:19,916
♪ I said move over, honey
I'm traveling on that line ♪
1824
01:46:21,750 --> 01:46:24,958
♪ I said move over once
Move over twice ♪
1825
01:46:25,041 --> 01:46:27,666
♪ Come on, baby
Don't be cold as ice ♪
1826
01:46:27,750 --> 01:46:30,291
♪ She said she's traveling
On the one after 9-0 ♪
1827
01:46:30,375 --> 01:46:32,708
♪ She said she's traveling
On the one after 9-0 ♪
1828
01:46:32,791 --> 01:46:36,208
♪ She said she's traveling
On the one after 909 ♪
1829
01:46:39,916 --> 01:46:42,458
♪ Oh, Danny Boy ♪
1830
01:46:42,541 --> 01:46:44,916
♪ The old savanna calling ♪
1831
01:46:45,000 --> 01:46:46,500
[Michael]
Make sure you don't lean on that.
1832
01:46:47,750 --> 01:46:49,083
[chattering]
1833
01:46:49,166 --> 01:46:51,500
[Dagg] I can't see what to do.
1834
01:46:51,583 --> 01:46:53,000
[Debbie coughs]
1835
01:46:54,083 --> 01:46:55,791
[chattering]
1836
01:46:55,875 --> 01:46:57,166
- Oh.
- [George] "Dig A Pony."
1837
01:46:57,250 --> 01:46:58,708
I'll have to get the words then.
1838
01:46:58,791 --> 01:47:00,375
- "Dig A Pony."
- [Glyn] "Dig A Pony."
1839
01:47:09,125 --> 01:47:12,250
- [John] I don't know. It's just, uh--
- Just ask Mal to hold 'em.
1840
01:47:12,333 --> 01:47:13,333
[John] Yeah.
1841
01:47:13,416 --> 01:47:14,833
- Kev.
- [John] Kevin?
1842
01:47:15,416 --> 01:47:16,708
Come here.
1843
01:47:20,416 --> 01:47:22,833
Can you hang on?
Well, I'll ring you back later, all right?
1844
01:47:24,083 --> 01:47:26,083
[chattering]
1845
01:48:07,333 --> 01:48:08,333
{\an8}[PC Shayler]
1846
01:48:10,583 --> 01:48:13,833
{\an8}[PC Shayler]
1847
01:48:16,625 --> 01:48:17,833
[Mal] Thank you very much.
1848
01:48:20,000 --> 01:48:21,458
We can't use City One Reserve.
1849
01:48:23,625 --> 01:48:25,250
Charming, innit?
1850
01:48:25,333 --> 01:48:26,416
- [Debbie] Jimmy?
- Hmm?
1851
01:48:26,500 --> 01:48:27,875
[Debbie] Have a Sweet Afton.
1852
01:48:29,000 --> 01:48:30,875
Thank you. Don't mind if I do.
1853
01:49:10,041 --> 01:49:11,041
Rolling.
1854
01:49:15,333 --> 01:49:16,666
[Michael] Are you all ready?
1855
01:49:16,750 --> 01:49:18,541
Yeah? Okay. Are we rolling?
1856
01:49:18,625 --> 01:49:19,708
- Yeah.
- [Michael] Okay.
1857
01:49:19,791 --> 01:49:21,458
- One, two, three!
- [Ringo] Hold it!
1858
01:49:25,500 --> 01:49:26,958
One, two, three…
1859
01:49:27,041 --> 01:49:29,041
["Dig A Pony" playing]
1860
01:49:38,125 --> 01:49:41,250
♪ All I want is ♪
1861
01:49:41,333 --> 01:49:45,083
♪ I, a-hi-hi, a-hi-hi ♪
1862
01:49:46,791 --> 01:49:48,791
♪ Dig a pony ♪
1863
01:49:49,583 --> 01:49:52,583
♪ Well, you can celebrate
Anything you want ♪
1864
01:49:54,500 --> 01:49:58,333
♪ Yes, you can celebrate
Anything you want ♪
1865
01:49:59,791 --> 01:50:01,333
♪ Oh ♪
1866
01:50:01,416 --> 01:50:05,333
{\an8}♪ I, a-hi-hi, a-hi-hi ♪
1867
01:50:07,083 --> 01:50:08,958
♪ Do a road hog ♪
1868
01:50:10,166 --> 01:50:12,791
♪ Well, you can penetrate
Any place you go ♪
1869
01:50:14,875 --> 01:50:18,875
♪ Yes, you can penetrate
Any place you go… ♪
1870
01:50:23,916 --> 01:50:25,375
♪ All I want is you ♪
1871
01:50:27,375 --> 01:50:33,625
♪ Everything has got to be
Just like you want it to ♪
1872
01:50:33,708 --> 01:50:35,958
♪ Because ♪
1873
01:50:37,208 --> 01:50:41,125
♪ I, a-hi-hi, a-hi-hi ♪
1874
01:50:42,875 --> 01:50:44,791
♪ Pick a moon dog ♪
1875
01:50:45,833 --> 01:50:48,833
♪ Well, you can radiate
Everything you are ♪
1876
01:50:50,583 --> 01:50:51,750
♪ Yes, you can radiate… ♪
1877
01:50:51,833 --> 01:50:54,833
Yeah, so why is it on the top of the roof?
1878
01:50:54,916 --> 01:50:57,750
{\an8}[interviewer]
1879
01:50:57,833 --> 01:51:00,541
All that money they've got?
1880
01:51:00,625 --> 01:51:03,250
{\an8}[interviewer]
1881
01:51:03,333 --> 01:51:05,541
No, I have no idea.
But it sounds really wonderful.
1882
01:51:06,541 --> 01:51:07,541
{\an8}Yes.
1883
01:51:12,333 --> 01:51:13,333
{\an8}Yes.
1884
01:51:14,583 --> 01:51:15,583
{\an8}Oh, yes.
1885
01:51:16,458 --> 01:51:19,875
{\an8}- Yes, I do. Yes.
- Yeah, I think it's a good idea.
1886
01:51:19,958 --> 01:51:22,208
{\an8}[interviewer]
1887
01:51:22,291 --> 01:51:23,500
Yes.
1888
01:51:23,583 --> 01:51:29,416
♪ Everything has got to be
Just like you want it to ♪
1889
01:51:29,958 --> 01:51:31,958
- ♪ Because ♪
- ♪ Whoo! ♪
1890
01:51:32,541 --> 01:51:33,541
♪ Oh! ♪
1891
01:51:51,541 --> 01:51:53,000
♪ Oh, now ♪
1892
01:51:53,083 --> 01:51:56,750
♪ I, a-hi-hi, a-hi-hi ♪
1893
01:51:58,500 --> 01:52:00,875
♪ Feel the wind blow ♪
1894
01:52:01,666 --> 01:52:04,916
♪ But you can indicate
Everything you see ♪
1895
01:52:06,333 --> 01:52:10,791
♪ Yes, you can indicate
Everything you see ♪
1896
01:52:11,708 --> 01:52:13,333
♪ Oh, now ♪
1897
01:52:13,416 --> 01:52:17,333
♪ I, a-hi-hi, a-hi-hi ♪
1898
01:52:19,041 --> 01:52:21,125
♪ I'm cold and lonely ♪
1899
01:52:22,083 --> 01:52:25,833
♪ Well, you can syndicate
Any boat you row ♪
1900
01:52:26,916 --> 01:52:31,500
♪ Yeah, you can syndicate
Any boat you row ♪
1901
01:52:32,083 --> 01:52:33,791
♪ I told you so ♪
1902
01:52:33,875 --> 01:52:37,791
♪ All I want is you ♪
1903
01:52:39,916 --> 01:52:45,958
♪ Everything has got to be
Just like you want it to ♪
1904
01:52:46,041 --> 01:52:47,833
♪ Because ♪
1905
01:53:01,125 --> 01:53:07,041
{\an8}♪ All I want is you ♪
1906
01:53:10,583 --> 01:53:12,000
Thank you, brothers.
1907
01:53:12,791 --> 01:53:15,208
My hands are getting too cold
to play a chord now.
1908
01:53:15,291 --> 01:53:16,916
- [Michael] Turn on the PA too.
- [John] Okay.
1909
01:53:17,000 --> 01:53:18,708
- [vocalizing]
- [John] Shall we do "Can You Dig It"?
1910
01:53:18,791 --> 01:53:21,000
- "Can You Dig It"?
- [John] I don't know.
1911
01:53:21,083 --> 01:53:23,083
[chattering]
1912
01:53:41,708 --> 01:53:43,125
{\an8}[Debbie] What's happening?
1913
01:53:43,208 --> 01:53:44,708
{\an8}[PC Dagg]
1914
01:53:44,791 --> 01:53:46,791
[chattering]
1915
01:53:49,666 --> 01:53:51,416
{\an8}[interviewer]
1916
01:53:52,041 --> 01:53:53,375
The Beatles, obviously.
1917
01:54:01,041 --> 01:54:04,208
{\an8}- Fabulous. Lovely.
- Definitely. Fantastic.
1918
01:54:04,291 --> 01:54:08,541
{\an8}[interviewer]
1919
01:54:08,625 --> 01:54:11,916
- They're all a few lads.
- Yeah. Get around, don't they?
1920
01:54:12,000 --> 01:54:13,000
{\an8}[interviewer]
1921
01:54:13,083 --> 01:54:14,708
- I said they get around.
- [laughs]
1922
01:54:34,541 --> 01:54:36,708
[customer] "Misery."
That's the one, I think.
1923
01:54:38,041 --> 01:54:40,000
- That it?
- That's it. Lovely.
1924
01:54:40,083 --> 01:54:42,583
Anywhere where I could
have a listen to this?
1925
01:54:43,333 --> 01:54:44,875
{\an8}[interviewer]
1926
01:54:44,958 --> 01:54:46,250
{\an8}Yes. Very much. Yes.
1927
01:54:47,166 --> 01:54:48,166
{\an8}Yeah. It's great.
1928
01:54:48,250 --> 01:54:49,541
{\an8}[interviewer]
1929
01:54:49,625 --> 01:54:51,583
{\an8}Um, I think Ringo.
1930
01:54:52,416 --> 01:54:55,541
{\an8}[interviewer]
1931
01:54:55,625 --> 01:54:56,625
No.
1932
01:54:57,291 --> 01:54:58,291
{\an8}No.
1933
01:55:01,083 --> 01:55:02,666
{\an8}Yeah.
1934
01:55:02,750 --> 01:55:04,000
{\an8}Yeah. I think they're good.
1935
01:55:04,083 --> 01:55:05,666
{\an8}[interviewer]
1936
01:55:09,125 --> 01:55:11,000
{\an8}[interviewer]
1937
01:55:13,083 --> 01:55:18,250
["God Save the Queen" playing]
1938
01:55:25,333 --> 01:55:29,125
[song fades out]
1939
01:55:29,208 --> 01:55:30,208
[Debbie coughs]
1940
01:55:30,291 --> 01:55:32,541
[Michael] Okay. Glynny.
Are you ready, Glyn?
1941
01:55:32,625 --> 01:55:33,958
- [Glyn] Running.
- Turnover, Mike.
1942
01:55:34,041 --> 01:55:35,541
[Michael] Can we scratch that?
1943
01:55:35,625 --> 01:55:37,541
- [crew 2] Tuning.
- [Michael] Running. Ready?
1944
01:55:40,291 --> 01:55:41,458
Okay, okay.
1945
01:55:41,541 --> 01:55:43,541
["I've Got A Feeling" playing]
1946
01:55:47,500 --> 01:55:49,083
♪ I've got a feeling ♪
1947
01:55:49,875 --> 01:55:52,125
♪ A feeling deep inside ♪
1948
01:55:52,208 --> 01:55:53,250
♪ Oh, yeah ♪
1949
01:55:55,041 --> 01:55:56,208
♪ Oh, yeah ♪
1950
01:55:59,083 --> 01:56:00,666
♪ I've got a feeling ♪
1951
01:56:01,458 --> 01:56:04,708
♪ A feeling I can't hide
No, no ♪
1952
01:56:04,791 --> 01:56:06,166
♪ No ♪
1953
01:56:06,708 --> 01:56:07,791
♪ Oh, no ♪
1954
01:56:09,541 --> 01:56:10,541
♪ No, no ♪
1955
01:56:10,625 --> 01:56:12,708
{\an8}[interviewer]
1956
01:56:12,791 --> 01:56:14,125
Not in the street, no.
1957
01:56:14,791 --> 01:56:16,750
{\an8}[interviewer]
1958
01:56:16,833 --> 01:56:19,250
{\an8}- Oh, yes. Yes. Very much. [laughs]
- [interviewer] You do?
1959
01:56:19,333 --> 01:56:20,791
{\an8}[interviewer]
1960
01:56:20,875 --> 01:56:22,458
{\an8}No, my son does.
1961
01:56:22,541 --> 01:56:24,083
Oh, yes. My daughter does.
1962
01:56:24,791 --> 01:56:27,833
My son would.
He likes all that, but not me.
1963
01:56:27,916 --> 01:56:29,041
♪ Oh, yeah ♪
1964
01:56:30,333 --> 01:56:31,416
♪ Oh, yeah ♪
1965
01:56:34,375 --> 01:56:38,958
♪ And if you leave me
I won't be late again ♪
1966
01:56:39,041 --> 01:56:40,125
♪ Oh, no ♪
1967
01:56:41,958 --> 01:56:43,041
♪ Oh, no ♪
1968
01:56:44,916 --> 01:56:46,583
♪ Oh, no ♪
1969
01:56:46,666 --> 01:56:50,291
♪ Oh, yeah ♪
1970
01:56:50,375 --> 01:56:52,416
♪ I've got a feeling
Yeah ♪
1971
01:56:57,250 --> 01:57:00,083
♪ All these years
I've been wandering around ♪
1972
01:57:00,166 --> 01:57:03,083
♪ Wondering how come nobody told me ♪
1973
01:57:03,166 --> 01:57:06,833
♪ All that I've been looking for
Was somebody who looked like you ♪
1974
01:57:11,083 --> 01:57:12,333
♪ Hey ♪
1975
01:57:12,416 --> 01:57:14,666
♪ I've got a feeling ♪
1976
01:57:14,750 --> 01:57:18,166
♪ That keeps me on my toes
Oh, yeah ♪
1977
01:57:20,166 --> 01:57:21,250
♪ Oh, yeah ♪
1978
01:57:24,208 --> 01:57:26,125
♪ I've got a feeling ♪
1979
01:57:26,208 --> 01:57:29,583
♪ I think that everybody knows
Oh, yeah ♪
1980
01:57:31,875 --> 01:57:32,958
♪ Oh, yeah ♪
1981
01:57:34,208 --> 01:57:35,541
{\an8}Yeah, we'll come upstairs.
1982
01:57:40,291 --> 01:57:42,375
♪ I've got a feeling ♪
1983
01:57:46,333 --> 01:57:47,708
♪ Oh, yeah ♪
1984
01:57:47,791 --> 01:57:49,791
♪ Everybody had a hard year ♪
1985
01:57:50,583 --> 01:57:52,500
♪ Everybody had a head dream ♪
1986
01:57:53,500 --> 01:57:55,916
♪ Everybody saw the sun shine ♪
1987
01:57:56,500 --> 01:57:58,500
♪ Everybody gotten obscene ♪
1988
01:57:58,583 --> 01:57:59,875
- ♪ Oh, yeah ♪
- ♪ Oh, yeah ♪
1989
01:57:59,958 --> 01:58:01,208
♪ Oh, yeah ♪
1990
01:58:01,291 --> 01:58:02,625
- ♪ Oh, yeah ♪
- ♪ Oh, yeah? ♪
1991
01:58:05,166 --> 01:58:07,833
♪ Everybody had a good year ♪
1992
01:58:07,916 --> 01:58:10,416
♪ Everybody let their hair down ♪
1993
01:58:11,041 --> 01:58:13,958
- ♪ Everybody pulled their socks up ♪
- ♪ Yeah ♪
1994
01:58:14,041 --> 01:58:17,000
- ♪ Everybody put their foot down ♪
- ♪ Oh, yeah ♪
1995
01:58:28,666 --> 01:58:31,083
- ♪ Everybody had a hard year ♪
- ♪ I've got a feeling ♪
1996
01:58:31,166 --> 01:58:34,583
- ♪ A feeling deep inside, oh yeah ♪
- ♪ Everybody had a good time ♪
1997
01:58:34,666 --> 01:58:37,583
- ♪ Everybody had a wet dream ♪
- ♪ Oh, yeah ♪
1998
01:58:37,666 --> 01:58:39,833
♪ Everybody saw the sun shine ♪
1999
01:58:40,666 --> 01:58:43,000
- ♪ Everybody had a good year ♪
- ♪ I've got a feeling ♪
2000
01:58:43,083 --> 01:58:45,500
- ♪ A feeling I can't hide ♪
- ♪ Everybody let their hair down ♪
2001
01:58:45,583 --> 01:58:48,791
- ♪ Oh, no ♪
- ♪ Everybody pulled their socks up ♪
2002
01:58:48,875 --> 01:58:51,458
- ♪ Oh, no ♪
- ♪ Everybody put their foot down ♪
2003
01:58:51,541 --> 01:58:52,791
- ♪ Oh, yeah ♪
- ♪ Yeah, yeah ♪
2004
01:58:53,958 --> 01:58:56,833
♪ Ooh yeah, ooh yeah ♪
2005
01:58:56,916 --> 01:58:59,500
♪ Ooh, ooh yeah ♪
2006
01:59:00,666 --> 01:59:03,083
♪ I've got a feeling
Yeah ♪
2007
01:59:05,125 --> 01:59:07,583
♪ I've got a feeling
Yeah ♪
2008
01:59:08,208 --> 01:59:09,625
♪ Whoo-hoo! ♪
2009
01:59:12,208 --> 01:59:13,208
[song ends]
2010
01:59:13,958 --> 01:59:17,500
♪ A pretty girl is like a melody ♪
2011
01:59:17,583 --> 01:59:19,000
[singing continues, indistinct]
2012
01:59:20,833 --> 01:59:21,958
Yeah.
2013
01:59:22,041 --> 01:59:24,166
- One, two, three, four.
- "And For The First Time."
2014
01:59:24,250 --> 01:59:26,666
- Oh!
- No, no, "Don't Let Me Down." Sorry.
2015
01:59:26,750 --> 01:59:28,083
[laughing]
2016
01:59:28,166 --> 01:59:30,625
♪ Don't let me down ♪
2017
01:59:30,708 --> 01:59:32,250
[person] Rock and roll!
2018
01:59:32,333 --> 01:59:33,500
You too!
2019
01:59:34,666 --> 01:59:37,250
- [chattering]
- Whoo!
2020
01:59:37,333 --> 01:59:39,333
["Don't Let Me Down" playing]
2021
01:59:41,916 --> 01:59:44,333
♪ Don't let me down ♪
2022
01:59:47,500 --> 01:59:50,250
♪ Don't let me down ♪
2023
01:59:53,708 --> 01:59:56,166
♪ Don't let me down ♪
2024
01:59:58,458 --> 01:59:59,458
Whoo!
2025
01:59:59,541 --> 02:00:02,041
♪ Don't let me down ♪
2026
02:00:04,916 --> 02:00:08,583
♪ And from the first time
That she really loved me ♪
2027
02:00:10,083 --> 02:00:11,583
♪ Ooh, she loved me ♪
2028
02:00:13,041 --> 02:00:14,458
♪ Yes, she does ♪
2029
02:00:17,041 --> 02:00:21,458
♪ And if somebody ever really loved me ♪
2030
02:00:22,791 --> 02:00:24,375
♪ Ooh, she loves me ♪
2031
02:00:25,750 --> 02:00:27,500
♪ Yes, she does ♪
2032
02:00:30,875 --> 02:00:33,291
♪ Don't let me down ♪
2033
02:00:36,625 --> 02:00:39,250
♪ Don't let me down ♪
2034
02:00:42,666 --> 02:00:45,083
♪ Don't let me down ♪
2035
02:00:48,250 --> 02:00:51,000
♪ Don't let me down ♪
2036
02:00:53,625 --> 02:00:56,791
♪ I'm in love for the first time ♪
2037
02:00:59,666 --> 02:01:02,750
♪ Don't you know it's gonna last ♪
2038
02:01:05,708 --> 02:01:08,541
♪ It's a love that lasts forever ♪
2039
02:01:11,583 --> 02:01:15,166
♪ It's a love that has no past ♪
2040
02:01:15,250 --> 02:01:16,250
Whoo!
2041
02:01:18,000 --> 02:01:20,583
♪ Don't let me down ♪
2042
02:01:22,458 --> 02:01:23,875
♪ Please ♪
2043
02:01:23,958 --> 02:01:26,666
♪ Don't let me down ♪
2044
02:01:29,583 --> 02:01:32,208
♪ Don't let me down ♪
2045
02:01:35,500 --> 02:01:37,916
♪ Don't let me down ♪
2046
02:01:40,250 --> 02:01:44,583
{\an8}♪ And from the first time
That she really done me ♪
2047
02:01:46,166 --> 02:01:47,625
♪ Ooh, she done me ♪
2048
02:01:48,583 --> 02:01:50,333
♪ She done me good ♪
2049
02:01:50,916 --> 02:01:52,083
Yeah, that's right.
2050
02:01:55,708 --> 02:01:57,125
{\an8}[person speaking]
2051
02:01:57,208 --> 02:01:58,208
{\an8}[person] Yes.
2052
02:02:11,208 --> 02:02:12,500
{\an8}[Debbie] Yeah.
2053
02:02:12,583 --> 02:02:15,125
{\an8}♪ Don't let me down ♪
2054
02:02:18,250 --> 02:02:20,958
♪ Don't let me down ♪
2055
02:02:24,000 --> 02:02:26,500
♪ Don't let me down ♪
2056
02:02:29,708 --> 02:02:32,541
♪ Please ♪
2057
02:02:35,666 --> 02:02:38,416
♪ Please ♪
2058
02:02:41,291 --> 02:02:43,708
♪ Please ♪
2059
02:02:45,083 --> 02:02:46,250
♪ Oh ♪
2060
02:02:46,750 --> 02:02:48,958
♪ Please ♪
2061
02:02:53,958 --> 02:02:54,958
[song ends]
2062
02:02:55,041 --> 02:02:57,000
["Get Back" playing]
2063
02:03:02,541 --> 02:03:06,250
♪ Jo Jo was a man
Who thought he was a loner ♪
2064
02:03:06,333 --> 02:03:08,916
♪ But he knew it couldn't last ♪
2065
02:03:10,125 --> 02:03:13,875
♪ Jo Jo left his home in Tucson, Arizona ♪
2066
02:03:13,958 --> 02:03:16,583
♪ For some California grass ♪
2067
02:03:17,416 --> 02:03:20,541
♪ Get back, get back ♪
2068
02:03:21,458 --> 02:03:22,958
♪ Get back to where you once belonged ♪
2069
02:03:23,041 --> 02:03:24,125
It's off.
2070
02:03:27,000 --> 02:03:28,708
♪ Get back ♪
2071
02:03:28,791 --> 02:03:32,166
♪ Get back to where you once belonged ♪
2072
02:03:32,250 --> 02:03:34,083
♪ Get back, Jo Jo
Yeah ♪
2073
02:03:48,000 --> 02:03:50,666
♪ Get back, get back ♪
2074
02:03:51,541 --> 02:03:54,541
♪ Get back to where you once belonged ♪
2075
02:03:55,583 --> 02:03:57,958
♪ Get back, whoo!
Get back ♪
2076
02:03:59,166 --> 02:04:01,833
♪ Get back to where you once belonged ♪
2077
02:04:04,083 --> 02:04:05,500
♪ Get back, Jo ♪
2078
02:04:06,291 --> 02:04:07,375
Whoo!
2079
02:04:10,208 --> 02:04:12,791
♪ Oh, yeah
Get back ♪
2080
02:04:13,416 --> 02:04:14,416
Whoo!
2081
02:04:15,583 --> 02:04:16,583
Yeah!
2082
02:04:20,416 --> 02:04:24,000
♪ Sweet Loretta Martin
Thought she was a woman ♪
2083
02:04:24,083 --> 02:04:26,666
♪ But she was another man ♪
2084
02:04:27,958 --> 02:04:31,458
♪ All the girls around her
Say she's got it coming ♪
2085
02:04:31,541 --> 02:04:34,208
♪ But she gets it while she can ♪
2086
02:04:34,916 --> 02:04:38,250
♪ Get back, get back ♪
2087
02:04:39,166 --> 02:04:41,916
♪ Get back to where you once belonged ♪
2088
02:04:42,750 --> 02:04:45,833
♪ Get back, get back ♪
2089
02:04:46,625 --> 02:04:49,541
♪ Get back to where you once belonged ♪
2090
02:04:49,625 --> 02:04:51,083
♪ Get back, Loretta
Get back home ♪
2091
02:04:51,166 --> 02:04:52,833
♪ Come on, come on ♪
2092
02:04:55,625 --> 02:04:58,083
♪ Oh, come on, go home
Your mommy's waiting ♪
2093
02:04:59,375 --> 02:05:01,708
♪ In her high-heel shoes
And her low-neck sweater, get back ♪
2094
02:05:01,791 --> 02:05:04,458
{\an8}[person speaking]
2095
02:05:21,833 --> 02:05:23,083
{\an8}[Paul] Whoo!
2096
02:05:23,166 --> 02:05:24,958
{\an8}[person speaking]
2097
02:05:25,041 --> 02:05:26,625
{\an8}♪ Yeah, get back ♪
2098
02:05:28,791 --> 02:05:31,875
♪ You've been out too long, Loretta
You've been playing on the roofs again ♪
2099
02:05:31,958 --> 02:05:35,166
♪ And that's no good, 'cause you know
Your mommy doesn't like that ♪
2100
02:05:35,750 --> 02:05:38,125
♪ Oh, she gets angry
She's gonna have you arrested ♪
2101
02:05:38,208 --> 02:05:39,208
♪ Get back ♪
2102
02:05:39,291 --> 02:05:40,708
♪ Oh, get back ♪
2103
02:05:41,666 --> 02:05:43,916
♪ Oh, yeah
Yeah, yeah, yeah ♪
2104
02:05:44,750 --> 02:05:47,916
♪ Get back, get back ♪
2105
02:05:48,666 --> 02:05:51,625
♪ Get back to where you once belonged ♪
2106
02:05:54,083 --> 02:05:55,083
Get back.
2107
02:05:58,333 --> 02:06:00,500
[applause]
2108
02:06:00,583 --> 02:06:02,250
- Thanks, Mo.
- I'd like to say thank you
2109
02:06:02,333 --> 02:06:04,125
on behalf of the group and ourselves.
2110
02:06:04,208 --> 02:06:05,833
I hope we passed the audition.
2111
02:06:05,916 --> 02:06:07,750
[laughing]
2112
02:06:08,541 --> 02:06:11,625
[crew] All right, boys.
Get in here. Step aside, there.
2113
02:06:14,583 --> 02:06:15,750
[John] You all right?
2114
02:06:18,375 --> 02:06:20,416
Come. Get in there. Come on. In there.
2115
02:06:20,500 --> 02:06:22,166
What's the matter? Everything all right?
2116
02:06:23,041 --> 02:06:24,166
Hmm?
2117
02:06:25,791 --> 02:06:28,541
[Michael] Get some more cover there.
Film through the office windows.
2118
02:06:28,625 --> 02:06:29,625
[crew] Okay.
2119
02:06:30,250 --> 02:06:31,750
[Michael] People on the roof. Everything.
2120
02:06:31,833 --> 02:06:33,625
Stay there, girls. Stay there.
2121
02:06:43,541 --> 02:06:44,625
Thank you.
2122
02:06:44,708 --> 02:06:47,416
[Michael] Okay. As soon as
you got the cover, that's a wrap.
2123
02:06:47,500 --> 02:06:49,375
[chattering]
2124
02:06:49,958 --> 02:06:52,500
[officer] Let's keep it moving please.
2125
02:06:52,583 --> 02:06:55,125
[officer 2] Step off the road, please.
Move along!
2126
02:06:56,791 --> 02:06:58,375
[officer 3] Move along, please.
2127
02:07:01,625 --> 02:07:02,875
Move along, please.
2128
02:07:03,541 --> 02:07:05,291
- [chattering]
- [horn honking]
2129
02:07:08,208 --> 02:07:09,541
[officer 4] Off the road, please.
2130
02:07:11,083 --> 02:07:13,000
- [horn honks]
- Come on. Move along.
2131
02:07:13,083 --> 02:07:16,083
What's the law say that you--
why you can't do that?
2132
02:07:16,166 --> 02:07:18,666
- [Michael] 'Cause of the PA speakers.
- [George Martin] Disturbing the peace.
2133
02:07:18,750 --> 02:07:22,333
{\an8}- Well, how-- "Disturbing the peace"?
- [Paul] Peace means like noise.
2134
02:07:22,416 --> 02:07:23,666
[George Martin] As Mike was saying,
2135
02:07:23,750 --> 02:07:26,708
this is a very good dry run
for something else too.
2136
02:07:26,791 --> 02:07:29,083
Apart from the value of this as it stands.
2137
02:07:29,166 --> 02:07:30,166
Yeah.
2138
02:07:30,250 --> 02:07:32,875
- Yeah, for taking over London.
- Yeah.
2139
02:07:32,958 --> 02:07:35,166
- [Michael] You see, because…
- [John] Top of the Hilton tomorrow.
2140
02:07:35,250 --> 02:07:36,916
[George Martin]
Blasting out the sound in their power.
2141
02:07:37,000 --> 02:07:39,208
- [John] Fantastic.
- [George] Every rock group in the world,
2142
02:07:39,291 --> 02:07:41,750
in London, all on the top of buildings.
2143
02:07:41,833 --> 02:07:44,375
- Playing the same tune.
- Also on a platform of loudspeakers.
2144
02:07:44,458 --> 02:07:47,958
So you're just sort of strapped in
to little boxes in this structure.
2145
02:07:48,041 --> 02:07:49,458
♪ Well, get back ♪
2146
02:07:49,541 --> 02:07:52,333
♪ …Loretta Martin
Thought she was a woman ♪
2147
02:07:52,416 --> 02:07:55,041
♪ But she was another man ♪
2148
02:07:56,083 --> 02:08:00,000
♪ All the girls around her
Said she's got it coming ♪
2149
02:08:00,083 --> 02:08:02,708
♪ But she get it while she can ♪
2150
02:08:03,500 --> 02:08:04,541
♪ Oh, get back ♪
2151
02:08:05,666 --> 02:08:07,333
♪ Get back ♪
2152
02:08:07,416 --> 02:08:10,416
♪ Get back to where you once belonged ♪
2153
02:08:11,291 --> 02:08:14,375
♪ Oh, get back, yeah
Get back ♪
2154
02:08:15,500 --> 02:08:18,083
♪ Get back to where you once belonged ♪
2155
02:08:18,166 --> 02:08:19,416
♪ Get back, Loretta ♪
2156
02:08:20,750 --> 02:08:21,750
♪ Hey! ♪
2157
02:08:25,583 --> 02:08:26,583
♪ Go home ♪
2158
02:08:27,208 --> 02:08:29,041
♪ Your mommy's waiting for you ♪
2159
02:08:29,125 --> 02:08:33,041
[John singing gibberish]
2160
02:08:34,750 --> 02:08:36,000
♪ Ooh, she does ♪
2161
02:08:37,500 --> 02:08:39,083
♪ Yes, she does ♪
2162
02:08:41,583 --> 02:08:46,083
♪ I guess nobody ever really done me ♪
2163
02:08:47,416 --> 02:08:49,500
♪ Ooh, she done me ♪
2164
02:08:50,458 --> 02:08:52,625
♪ Oh, please believe me ♪
2165
02:08:52,708 --> 02:08:56,208
♪ I'd hate to miss the train
Oh, yeah ♪
2166
02:08:58,041 --> 02:08:59,375
♪ Oh, yeah ♪
2167
02:09:02,041 --> 02:09:06,875
♪ And if you leave me
I won't be late again ♪
2168
02:09:06,958 --> 02:09:07,958
♪ Oh, no ♪
2169
02:09:08,041 --> 02:09:09,750
[no audible dialogue]
2170
02:09:09,833 --> 02:09:10,916
♪ Oh, no ♪
2171
02:09:12,916 --> 02:09:14,000
♪ Oh, no ♪
2172
02:09:14,583 --> 02:09:18,208
♪ No, yeah ♪
2173
02:09:18,291 --> 02:09:20,791
♪ I've got a feeling
Yeah ♪
2174
02:09:23,375 --> 02:09:25,458
♪ I've got the number wrong ♪
2175
02:09:25,541 --> 02:09:29,291
♪ Well, she said she's traveling
On the one after 909 ♪
2176
02:09:31,125 --> 02:09:34,625
♪ I said move over, honey
I'm traveling on that line ♪
2177
02:09:36,416 --> 02:09:39,333
♪ I said move over once
Move over twice ♪
2178
02:09:39,416 --> 02:09:40,666
♪ Come on, baby
Don't be… ♪
2179
02:09:40,750 --> 02:09:43,708
♪ All I want is ♪
2180
02:09:43,791 --> 02:09:47,791
♪ I, a-hi, hi, a-hi, hi ♪
2181
02:09:49,375 --> 02:09:51,375
♪ Dig a pony ♪
2182
02:09:52,458 --> 02:09:55,291
♪ Well, you can celebrate
Anything you want ♪
2183
02:09:57,166 --> 02:10:01,166
♪ Yes, you can celebrate
Anything you want ♪
2184
02:10:02,375 --> 02:10:04,000
[Michael]
What are you feeling about today?
2185
02:10:04,083 --> 02:10:05,916
- You wanna work more today or not?
- [Paul] Yeah.
2186
02:10:06,000 --> 02:10:07,916
We should record the others now.
2187
02:10:08,000 --> 02:10:10,083
[Glyn] Gotta get the stuff down first.
2188
02:10:10,166 --> 02:10:12,666
- [George] Let's have a break for a bit.
- We'll have lunch and that.
2189
02:10:12,750 --> 02:10:15,333
And then we record the other stuff
that we didn't do.
2190
02:10:15,416 --> 02:10:17,583
- [George Martin] Right.
- Up there. The acoustic stuff.
2191
02:10:17,666 --> 02:10:19,500
- [Glyn] Up there?
- No, down here now.
2192
02:10:19,583 --> 02:10:21,250
- When I--
- [George] There won't be more rooftops.
2193
02:10:21,333 --> 02:10:22,333
[Paul] No. No more rooftop.
2194
02:10:22,416 --> 02:10:23,750
- That was the rooftop.
- [George] It was really bad.
2195
02:10:23,833 --> 02:10:25,375
{\an8}- [George Martin] Oh, right.
- [Paul] So, it's like--
2196
02:10:25,458 --> 02:10:27,416
{\an8}You know, you're doing this
and we're taking it--
2197
02:10:27,500 --> 02:10:29,750
{\an8}If we got the police,
we could pretend in the film
2198
02:10:29,833 --> 02:10:31,625
that we had to get down because of them.
2199
02:10:31,708 --> 02:10:33,875
{\an8}- And here we are…
- [John] Just the way it happened then.
2200
02:10:33,958 --> 02:10:35,666
{\an8}That'll just be it, you know.
2201
02:10:35,750 --> 02:10:37,750
{\an8}[chattering]
2202
02:10:45,208 --> 02:10:48,833
{\an8}[crew] This is B camera roll, 1,150.
2203
02:10:48,916 --> 02:10:53,291
Slate 500, take one. Slate 500, take one.
2204
02:10:53,375 --> 02:10:54,625
[crew 2] Roll mic.
2205
02:10:54,708 --> 02:10:58,250
[John] It might have been-- You know.
I don't like to throw things away.
2206
02:10:58,333 --> 02:10:59,416
[Paul] Okay. Ready?
2207
02:10:59,500 --> 02:11:01,208
- [Michael] Okay, turnover cameras.
- Clap it.
2208
02:11:01,291 --> 02:11:02,583
[Michael] Turnover cameras.
2209
02:11:03,500 --> 02:11:06,000
♪ Take it to the captain ♪
2210
02:11:07,166 --> 02:11:10,083
♪ Take this hammer ♪
2211
02:11:10,791 --> 02:11:13,666
♪ Take it to the captain ♪
2212
02:11:13,750 --> 02:11:17,375
♪ You and me Sunday driving ♪
2213
02:11:17,458 --> 02:11:19,791
♪ Not arriving ♪
2214
02:11:19,875 --> 02:11:23,208
♪ On our way… ♪
2215
02:11:23,291 --> 02:11:26,958
♪ If you're ever in a jam
Here I am ♪
2216
02:11:29,125 --> 02:11:32,541
♪ If you're ever in the shit
Grab my tit ♪
2217
02:11:34,125 --> 02:11:37,708
♪ …it's gonna make it stop ♪
2218
02:11:38,291 --> 02:11:40,458
♪ How high's the water, mama? ♪
2219
02:11:41,875 --> 02:11:44,041
♪ Daddy's gonna tell on… ♪
2220
02:11:44,125 --> 02:11:47,208
♪ Rather see you dead, little girl ♪
2221
02:11:47,291 --> 02:11:50,125
♪ Than to be with another man ♪
2222
02:11:51,458 --> 02:11:54,791
♪ You better watch your head
Little girl ♪
2223
02:11:54,875 --> 02:11:57,583
♪ Or you won't know where I am ♪
2224
02:11:58,333 --> 02:12:00,750
♪ You'd better run for your life
If you can… ♪
2225
02:12:00,833 --> 02:12:01,833
Okay.
2226
02:12:01,916 --> 02:12:03,541
- [crew] Running.
- Turn over.
2227
02:12:03,625 --> 02:12:06,041
- Did I ever tell you when I had the--
- Take-- Take ten.
2228
02:12:06,875 --> 02:12:08,583
[John] I don't think
I wanna hear that, Dick.
2229
02:12:09,750 --> 02:12:11,083
Okay, Jim.
2230
02:12:12,750 --> 02:12:14,500
- Good night, Paul.
- Say good night, John.
2231
02:12:14,583 --> 02:12:16,375
- Good night, Paul.
- Good night.
2232
02:12:25,291 --> 02:12:28,541
{\an8}♪ Two of us riding nowhere ♪
2233
02:12:28,625 --> 02:12:33,541
{\an8}♪ Spending someone's hard-earned pay ♪
2234
02:12:35,000 --> 02:12:38,166
♪ You and me Sunday driving ♪
2235
02:12:38,250 --> 02:12:40,375
♪ Not arriving ♪
2236
02:12:40,458 --> 02:12:45,458
♪ On our way back home ♪
2237
02:12:46,750 --> 02:12:48,666
♪ We're on our way home ♪
2238
02:12:49,875 --> 02:12:51,958
♪ We're on our way home ♪
2239
02:12:53,125 --> 02:12:55,958
♪ We're going home ♪
2240
02:13:09,875 --> 02:13:12,708
{\an8}♪ I suddenly discovered
I was halfway out of tune ♪
2241
02:13:12,791 --> 02:13:15,625
{\an8}♪ But I continued playing
Because I'm no goon ♪
2242
02:13:17,375 --> 02:13:19,875
{\an8}[crew] Take-- Take-- Take 17!
2243
02:13:20,541 --> 02:13:25,166
♪ The long and winding road ♪
2244
02:13:26,291 --> 02:13:32,541
♪ That leads to your door ♪
2245
02:13:33,416 --> 02:13:35,541
- [beeps, static]
- Okay, start again.
2246
02:13:38,250 --> 02:13:39,333
♪ The long… ♪
2247
02:13:39,416 --> 02:13:41,250
[laughs, whines]
2248
02:13:42,583 --> 02:13:43,750
F-stop.
2249
02:13:45,083 --> 02:13:46,125
♪ The long… ♪
2250
02:13:46,208 --> 02:13:47,875
[Glyn] We'll need one more, actually.
2251
02:13:49,708 --> 02:13:50,708
[crew] Take 18.
2252
02:13:54,083 --> 02:13:55,541
Now what's the chord you play…
2253
02:13:55,625 --> 02:13:57,666
[vocalizes]
2254
02:13:57,750 --> 02:14:02,583
♪ The wild and windy night ♪
2255
02:14:03,625 --> 02:14:09,666
♪ That the rain washed away ♪
2256
02:14:13,416 --> 02:14:18,250
♪ Has left a pool of tears ♪
2257
02:14:20,750 --> 02:14:25,000
♪ Crying for the day ♪
2258
02:14:26,083 --> 02:14:28,375
- [Michael] Running.
- [clapping]
2259
02:14:28,458 --> 02:14:29,958
- [Michael] Running, Col? Running, Mike?
- [Colin] Yeah.
2260
02:14:30,041 --> 02:14:31,833
- [Mike] Running, yeah.
- [Michael] Nice and quiet. Mark it.
2261
02:14:31,916 --> 02:14:32,916
[clapper] Take 25.
2262
02:14:33,875 --> 02:14:36,708
["Let It Be" playing]
2263
02:14:46,541 --> 02:14:50,083
♪ When I find myself in times of trouble ♪
2264
02:14:50,166 --> 02:14:53,041
♪ Mother Mary comes to me ♪
2265
02:14:53,125 --> 02:14:55,708
♪ Speaking words of wisdom ♪
2266
02:14:55,791 --> 02:14:57,208
♪ Let it be ♪
2267
02:14:59,416 --> 02:15:02,000
♪ And in my hour of darkness ♪
2268
02:15:02,083 --> 02:15:05,666
♪ She is standing right in front of me ♪
2269
02:15:05,750 --> 02:15:08,458
♪ Speaking words of wisdom ♪
2270
02:15:08,541 --> 02:15:10,625
♪ Let it be ♪
2271
02:15:11,541 --> 02:15:16,583
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
2272
02:15:18,083 --> 02:15:20,375
- [raspberry]
- What the shittin' hell is going on here?
2273
02:15:20,458 --> 02:15:23,041
[imitates speaking German]
2274
02:15:23,125 --> 02:15:26,875
[imitates speaking German]
2275
02:15:28,250 --> 02:15:30,958
Eins, zwei, viertel nach drei.
2276
02:15:31,041 --> 02:15:32,416
[rock playing]
2277
02:15:36,333 --> 02:15:38,583
♪ Whisper words of wisdom… ♪
2278
02:15:39,958 --> 02:15:41,625
What the fuck's going on?
2279
02:15:41,708 --> 02:15:44,208
I'll never get "Maggie Mae" done
if we go on like this.
2280
02:15:49,500 --> 02:15:51,333
Are we supposed to giggle in the solo?
2281
02:15:51,416 --> 02:15:52,666
- Yeah.
- [John] Okay.
2282
02:15:52,750 --> 02:15:56,666
♪ And when the broken-hearted people ♪
2283
02:15:56,750 --> 02:15:59,208
- [laughs]
- [John] Get off, you bum!
2284
02:16:05,083 --> 02:16:06,083
[song ends]
2285
02:16:11,541 --> 02:16:14,000
- I lost a bass note somewhere.
- Oh.
2286
02:16:14,083 --> 02:16:16,166
["Let It Be" playing]
2287
02:16:25,375 --> 02:16:28,750
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
2288
02:16:28,833 --> 02:16:32,166
{\an8}♪ Let it be, yeah
Let it be ♪
2289
02:16:32,250 --> 02:16:35,250
{\an8}♪ There will be an answer ♪
2290
02:16:35,333 --> 02:16:37,041
{\an8}♪ Let it be ♪
2291
02:16:39,416 --> 02:16:43,166
♪ When I find myself in times of trouble ♪
2292
02:16:43,250 --> 02:16:46,166
♪ Mother Mary comes to me ♪
2293
02:16:46,250 --> 02:16:50,250
♪ Speaking words of wisdom
Let it be ♪
2294
02:16:50,333 --> 02:16:51,500
[John mouthing] Let it be.
2295
02:16:52,583 --> 02:16:58,666
♪ And in my hour of darkness
She is standing right in front of me ♪
2296
02:16:58,750 --> 02:17:01,416
♪ Speaking words of wisdom ♪
2297
02:17:01,500 --> 02:17:02,958
♪ Let it be ♪
2298
02:17:04,208 --> 02:17:07,875
- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
2299
02:17:07,958 --> 02:17:11,125
{\an8}- ♪ Let it be, let it be ♪
- ♪ Ooh ♪
2300
02:17:12,166 --> 02:17:14,708
{\an8}♪ Whisper words of wisdom ♪
2301
02:17:14,791 --> 02:17:16,541
{\an8}♪ Let it be ♪
2302
02:17:23,625 --> 02:17:25,250
[song ends]
2303
02:17:30,125 --> 02:17:33,583
- [George Martin] Is that the best one?
- I think that was rather grand.
2304
02:17:34,083 --> 02:17:35,833
I'd take one home with me.
2305
02:17:37,625 --> 02:17:38,666
[Glyn] Yeah, that was fine.
2306
02:17:39,291 --> 02:17:41,208
Don't kid us, Glyn.
2307
02:17:42,083 --> 02:17:44,125
Give it to us straight.
2308
02:17:45,333 --> 02:17:47,416
- Get me off this bass.
- [Paul] Was that good enough?
2309
02:17:47,500 --> 02:17:50,750
- [Glyn] Yes.
- We'll do one more to cover ourselves.
2310
02:17:50,833 --> 02:17:53,500
We'll just do one more
'cause we know we've got it now.
2311
02:17:54,208 --> 02:17:56,125
[John] We've got so many of the bastards.