1
00:00:40,916 --> 00:00:41,916
{\an8}Go on.

2
00:00:42,000 --> 00:00:44,833
{\an8}

3
00:00:44,916 --> 00:00:45,916
A curl?

4
00:01:12,291 --> 00:01:14,125
Didn't you get to bed last night, Glyn?

5
00:01:14,208 --> 00:01:16,916
{\an8}Sorry. You just look this morning
like you didn't go at all.

6
00:01:17,000 --> 00:01:18,208
{\an8}

7
00:01:18,291 --> 00:01:21,208
{\an8}- Have you heard the "Octopus" one?
- No.

8
00:01:25,333 --> 00:01:27,291
You learned A minor, then?

9
00:01:47,041 --> 00:01:48,208
That's all I've got.

10
00:01:53,166 --> 00:01:55,625
{\an8}After the two times, the second time…

11
00:01:55,708 --> 00:01:57,583
{\an8}

12
00:02:05,083 --> 00:02:08,208
Then to get to the G one, a bit, uh…

13
00:02:08,291 --> 00:02:10,458
Let's go from the beginning.

14
00:02:10,541 --> 00:02:11,833
- From the beginning.
- Right.

15
00:02:24,958 --> 00:02:26,416
{\an8}

16
00:02:30,416 --> 00:02:31,791
Then stay on F.

17
00:02:33,791 --> 00:02:35,291
Then that, then this, uh…

18
00:02:35,375 --> 00:02:36,375
What one's that?

19
00:02:37,916 --> 00:02:39,583
Uh--

20
00:02:59,166 --> 00:03:02,083
Just, I mean, something
to sort of get back to where you--

21
00:03:02,166 --> 00:03:03,166
Where we started.

22
00:03:12,416 --> 00:03:14,333
- It's a little bit--

23
00:03:35,625 --> 00:03:37,250
- So it resolves itself.
- Yeah.

24
00:03:37,958 --> 00:03:40,041
Well, I'll have to put words
in that bit, then.

25
00:04:02,958 --> 00:04:04,625
- Oh, drums, right.

26
00:04:04,708 --> 00:04:08,458
I think Paul would wanna do drums,
wouldn't he? With his strong left arm.

27
00:04:08,541 --> 00:04:10,625
I'm not getting on that kit
without a ciggy.

28
00:04:20,375 --> 00:04:22,041
I've never been up here before.

29
00:04:31,166 --> 00:04:32,625
Very strong one.

30
00:04:33,208 --> 00:04:34,750
- Okay!

31
00:04:37,041 --> 00:04:40,458
- I'm a tame tiger. Meow.
- I'm cool with that.

32
00:04:44,333 --> 00:04:46,333
{\an8}- Are you going to eat them?
- No!

33
00:04:46,416 --> 00:04:47,916
{\an8}Lots of people do, you know.

34
00:04:51,083 --> 00:04:52,333
On toast?

35
00:04:52,416 --> 00:04:54,833
You put pastry around them,
and you have cat pie.

36
00:04:57,416 --> 00:04:59,583
{\an8}You better wait a week or two
before you eat them.

37
00:05:00,708 --> 00:05:02,625
{\an8}- That's very good.
- We'll put on the meat.

38
00:05:06,916 --> 00:05:09,416
Oh, you don't eat them
if they have black spots.

39
00:05:11,958 --> 00:05:14,208
You don't eat them
if they're like tigers, either.

40
00:05:17,666 --> 00:05:22,083
And anyway,
I'm just a pussycat that was just born.

41
00:05:52,416 --> 00:05:57,041
{\an8}

42
00:06:10,416 --> 00:06:11,458
Kevin?

43
00:06:11,541 --> 00:06:14,416
What was the… Do that old gospel ending.

44
00:06:14,500 --> 00:06:17,333
- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.

45
00:06:17,416 --> 00:06:20,750
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.

46
00:06:23,250 --> 00:06:24,250
Yeah.

47
00:06:24,333 --> 00:06:25,916
We all was gonna do it.

48
00:06:26,000 --> 00:06:28,166
- We did it just fine. It was just that…
- Yeah.

49
00:06:58,875 --> 00:07:00,000
I'll tell you one thing.

50
00:07:00,583 --> 00:07:02,458
Do it lighter. Don't do sort of--

51
00:07:04,666 --> 00:07:06,541
Do it more--

52
00:07:08,791 --> 00:07:10,916
And so a bit lighter offbeat, and maybe…

53
00:07:20,625 --> 00:07:23,458
Keep it light.
So it's not going heavy again.

54
00:07:32,541 --> 00:07:35,041
I don't know what you are saying.

55
00:07:36,000 --> 00:07:37,250
Uh…

56
00:07:37,333 --> 00:07:38,833
Hello.

57
00:07:38,916 --> 00:07:41,333
Is anybody…

58
00:07:41,416 --> 00:07:44,333
Let me sing. Hello. Is anybody home?

59
00:08:15,750 --> 00:08:18,083
{\an8}

60
00:08:23,166 --> 00:08:24,458
Hi.

61
00:08:24,541 --> 00:08:26,333
- Aah!

62
00:08:33,750 --> 00:08:34,833
Yoko!

63
00:09:09,916 --> 00:09:12,291
{\an8}

64
00:09:12,375 --> 00:09:14,375
{\an8}

65
00:09:57,125 --> 00:09:59,000
{\an8}

66
00:09:59,083 --> 00:10:01,208
{\an8}

67
00:10:02,083 --> 00:10:03,833
{\an8}

68
00:10:42,083 --> 00:10:43,583
Yeah!

69
00:10:48,291 --> 00:10:49,291
Oh, sorry.

70
00:10:51,250 --> 00:10:52,791
Come on, let it be.

71
00:10:59,750 --> 00:11:01,125
What ones haven't you done yet?

72
00:11:01,208 --> 00:11:03,083
A little thing that goes
something like this.

73
00:11:15,875 --> 00:11:20,291
{\an8}

74
00:11:51,125 --> 00:11:55,041
{\an8}

75
00:12:32,958 --> 00:12:35,375
{\an8}

76
00:12:39,791 --> 00:12:40,916
- No. No.

77
00:12:41,000 --> 00:12:43,125
No, see,
you've gotta wait a lot longer than that.

78
00:13:38,541 --> 00:13:40,708
- You done left me.
- You done left me.

79
00:14:07,458 --> 00:14:09,708
There wouldn't be much drumming,
would there?

80
00:14:11,125 --> 00:14:12,708
Go around a bit, you know?

81
00:14:12,791 --> 00:14:13,791
What?

82
00:14:14,333 --> 00:14:16,708
It sounds a bit like
a sort of dance orchestra.

83
00:14:17,625 --> 00:14:19,750
And the slow foxtrot…

84
00:14:19,833 --> 00:14:22,250
Like Rita and Thomas Williams.

85
00:14:23,750 --> 00:14:26,625
Rita is wearing a dark sombrero
and a beard.

86
00:14:26,708 --> 00:14:28,208
{\an8}The chord there. I mean--

87
00:14:30,750 --> 00:14:33,708
Her husband is wearing
a crinoline skirt which he made himself.

88
00:14:52,416 --> 00:14:53,916
Still no idea where I come in.

89
00:14:54,000 --> 00:14:56,791
- Off the top of your head.
- John, yours doesn't sound as much…

90
00:14:57,375 --> 00:14:59,041
It sounds like
you're doing too many notes.

91
00:14:59,125 --> 00:15:01,875
- Yeah, all right. Well, it just gets--
- It's too, sort of, regular.

92
00:15:07,291 --> 00:15:08,791
But you're doing…

93
00:15:11,375 --> 00:15:12,583
I've been going…

94
00:15:13,958 --> 00:15:15,750
- You just want the one?
- Don't do that.

95
00:15:15,833 --> 00:15:18,250
No, but I mean, don't do any note there.
Just go…

96
00:15:25,208 --> 00:15:27,125
That's what I'm really doing.
I've been going--

97
00:15:30,833 --> 00:15:31,833
Hello?

98
00:15:38,250 --> 00:15:39,250
Great!

99
00:15:53,041 --> 00:15:54,416
Amazing.

100
00:16:30,875 --> 00:16:31,875
Okay.

101
00:16:33,875 --> 00:16:35,041
One.

102
00:16:51,291 --> 00:16:55,291
{\an8}

103
00:17:17,750 --> 00:17:21,125
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.

104
00:17:21,208 --> 00:17:22,333
I know what--

105
00:17:32,458 --> 00:17:34,416
Paul, are you gonna have strings?

106
00:17:41,833 --> 00:17:43,416
- Yeah.
- Well, it's like--

107
00:17:43,500 --> 00:17:44,500
Ooh!

108
00:17:44,583 --> 00:17:45,583
Yeah, there's parts--

109
00:17:45,666 --> 00:17:48,791
There's only parts where
you can hear the electric piano properly,

110
00:17:48,875 --> 00:17:50,583
- or the piano properly.
- Yes.

111
00:17:50,666 --> 00:17:53,458
{\an8}Most of the time, you know,
like, they mix together.

112
00:17:59,291 --> 00:18:01,916
Yeah. I think it needs,
like, a lot of, uh…

113
00:18:02,000 --> 00:18:03,875
- Cleaning.
- Cleaning, yeah.

114
00:18:05,250 --> 00:18:07,416
Actually,
the thing is, it's a nice feel to it,

115
00:18:07,500 --> 00:18:09,416
but it's rather like
everything else we've done.

116
00:18:09,500 --> 00:18:11,041
And this particular song
doesn't need that.

117
00:18:12,958 --> 00:18:16,250
See, the only way I've ever heard it is,
like, in my head,

118
00:18:16,333 --> 00:18:19,166
- is, like, Ray Charles's band.
- I'm supposed to marry you.

119
00:18:19,250 --> 00:18:21,291
And I don't--
I haven't really even listened to them.

120
00:18:21,375 --> 00:18:25,625
It would be nice with some brass
just doing the sustaining chord thing.

121
00:18:25,708 --> 00:18:27,708
- Yeah.

122
00:18:27,791 --> 00:18:31,375
- Yeah.
- Moving and just holding notes.

123
00:18:33,875 --> 00:18:35,916
- Yeah. We probably, yeah--
- If I pull yours up…

124
00:18:36,000 --> 00:18:38,791
We were planning to do it anyway
for a couple of numbers,

125
00:18:38,875 --> 00:18:41,041
just to have
a bit of brass and bit of strings.

126
00:18:41,125 --> 00:18:42,583
That's what George was saying before.

127
00:18:42,666 --> 00:18:44,541
That's the bit
where The Raelettes'd sing it.

128
00:18:44,625 --> 00:18:49,000
{\an8}

129
00:18:56,166 --> 00:18:59,041
Great. Sorry, man. Oh, that's nice.

130
00:18:59,541 --> 00:19:01,125
That's nice of what?

131
00:19:01,208 --> 00:19:02,375
It's nice of you.

132
00:19:03,125 --> 00:19:04,875
- For what?
- Very nice of you.

133
00:19:04,958 --> 00:19:06,958
- For what?
- Just to come here.

134
00:19:07,875 --> 00:19:08,875
We're going home.

135
00:19:08,958 --> 00:19:10,458
- When?
- Now.

136
00:19:11,000 --> 00:19:12,000
No.

137
00:19:13,458 --> 00:19:15,166
Am I gonna eat now? I'm going back.

138
00:19:15,250 --> 00:19:17,958
She's so worried now.
"I gotta eat for three hours,

139
00:19:18,541 --> 00:19:20,458
then maybe go to bed around 1:00."

140
00:19:21,833 --> 00:19:24,375
You're just going back in your box.
That's where you're going.

141
00:19:24,458 --> 00:19:26,666
- Don't tell. Don't tell.

142
00:19:26,750 --> 00:19:29,041
Aren't I gonna have anything to eat?

143
00:19:29,125 --> 00:19:31,041
Hey, I've got a present for you.

144
00:19:31,125 --> 00:19:33,375
- See you tomorrow.
- Bye.

145
00:19:33,458 --> 00:19:36,000
{\an8}- Aren't you going, George?
- I said yes, George.

146
00:19:36,083 --> 00:19:38,708
{\an8}

147
00:19:44,291 --> 00:19:48,750
{\an8}

148
00:20:22,000 --> 00:20:25,500
{\an8}

149
00:20:36,375 --> 00:20:38,625
{\an8}

150
00:20:39,333 --> 00:20:44,083
{\an8}

151
00:21:19,666 --> 00:21:21,333
I don't know.
You didn't get the other one?

152
00:21:21,416 --> 00:21:22,416
- No.
- No.

153
00:21:22,500 --> 00:21:24,666
- Well, we'll remember that another day.
- Yeah.

154
00:21:24,750 --> 00:21:27,000
I'm just so high when I get in at night.

155
00:21:28,458 --> 00:21:29,458
{\an8}I couldn't sleep.

156
00:21:38,875 --> 00:21:39,958
{\an8}Tea or toast.

157
00:22:00,250 --> 00:22:02,000
- Yeah.

158
00:22:02,083 --> 00:22:05,500
What's this chord, Billy? E with a C?

159
00:22:05,583 --> 00:22:07,500
Yeah. Just loading the E.

160
00:22:08,250 --> 00:22:09,625
- Yeah. That's like E7.
- Yeah.

161
00:22:09,708 --> 00:22:11,208
This one.

162
00:22:12,083 --> 00:22:14,416
- Yeah. Um, E with a raised…

163
00:22:15,958 --> 00:22:17,833
E with a C. E.

164
00:22:18,583 --> 00:22:21,375
- Yeah, E with a C.
- E with a C. What's that?

165
00:22:23,708 --> 00:22:26,208
I've had an E with an F,
which is pretty good.

166
00:22:41,916 --> 00:22:44,083
{\an8}

167
00:22:44,166 --> 00:22:47,583
{\an8}

168
00:23:05,750 --> 00:23:07,250
What's this chord then, Billy?

169
00:23:09,958 --> 00:23:14,250
- It's F, but raising the F to F sharp.
- Yeah. F sharp. Diminished.

170
00:23:14,333 --> 00:23:17,500
And then F with that, like the 7th.

171
00:23:18,708 --> 00:23:21,291
It's great on piano
'cause I don't know anything about it.

172
00:23:21,375 --> 00:23:22,208
Yeah.

173
00:23:22,291 --> 00:23:25,750
But it's great, because I wouldn't have
been able to do that on the guitar.

174
00:24:15,875 --> 00:24:19,166
- Yeah, sorry, that bit comes…
- It does work, the bit--

175
00:24:19,250 --> 00:24:20,875
- But it--
- In the bit before that bit.

176
00:24:20,958 --> 00:24:24,958
Yeah, but then it's, uh--
Then it stays too long on the other one.

177
00:24:25,041 --> 00:24:29,041
- But it's like a natural on there.
- Yeah. Well, you don't know…

178
00:25:02,166 --> 00:25:05,000
- Pianos are very difficult, aren't they?

179
00:25:16,125 --> 00:25:18,041
- Mal? Mal?

180
00:25:18,125 --> 00:25:19,750
The drums are on PA anyway.

181
00:25:19,833 --> 00:25:21,458
When we connect it, I could hear Ringo.

182
00:25:21,541 --> 00:25:23,041
The drums are on PA!

183
00:25:23,541 --> 00:25:26,166
- It's not my idea of a personal assistant.
- No.

184
00:25:50,791 --> 00:25:51,791
Hello? Hello?

185
00:25:54,583 --> 00:25:56,166
'Cause coming from the north of England,

186
00:25:56,250 --> 00:25:58,541
it doesn't come too easy, you know,
all the soul.

187
00:25:58,625 --> 00:26:00,166
- Let's take one now.

188
00:26:00,250 --> 00:26:01,333
Yeah, right.

189
00:26:04,250 --> 00:26:05,875
Ask 'em to put the mics on, will you?

190
00:26:05,958 --> 00:26:07,375
Hello.

191
00:26:07,458 --> 00:26:08,958
And get one for Billy too.

192
00:26:15,500 --> 00:26:17,541
- It's a bit ploddy.
- What?

193
00:26:18,500 --> 00:26:21,958
You know, just--
It sort of plods along a bit. A bit much.

194
00:26:22,041 --> 00:26:25,375
- It's just mourning and slow, slow.
- Mourning and…

195
00:26:25,458 --> 00:26:28,750
And a slow song.
It takes a long time to get out of it.

196
00:26:28,833 --> 00:26:31,375
Yeah.
That'll do for the time being.

197
00:26:31,458 --> 00:26:33,458
"The Wrong and Winding Box."

198
00:26:57,958 --> 00:27:00,416
All those little melodic things, you know?

199
00:27:00,500 --> 00:27:01,916
It's a-- It's a--

200
00:27:02,750 --> 00:27:05,833
It's like the other one, you know.
They're sort of slow, ballady,

201
00:27:05,916 --> 00:27:07,708
and they're plodding a bit.

202
00:27:16,375 --> 00:27:19,708
See, that's the kind of thing. Yeah.
It needs to go like that.

203
00:27:32,416 --> 00:27:33,541
Oh, just a second.

204
00:27:33,625 --> 00:27:36,416
When it goes, um-- On that bit, it goes…

205
00:27:38,125 --> 00:27:39,250
Hang on.

206
00:27:40,041 --> 00:27:42,166
Can we make the bridge…

207
00:27:43,333 --> 00:27:44,333
heavy?

208
00:27:45,833 --> 00:27:48,541
I can't sort of think how to do
this one at all, you know.

209
00:27:48,625 --> 00:27:50,458
Just, mind's a blank on it.

210
00:27:50,541 --> 00:27:51,666
I don't know.

211
00:27:52,833 --> 00:27:54,250
I don't know.

212
00:27:55,083 --> 00:27:56,083
Give up.

213
00:27:56,750 --> 00:27:58,291
It's nice though.

214
00:27:58,375 --> 00:28:00,541
- Have you turned me down?
- No.

215
00:28:06,125 --> 00:28:08,458
It's funny though.
You can't hear the piano either.

216
00:28:13,416 --> 00:28:15,083
{\an8}We only asked for the piano.

217
00:28:21,375 --> 00:28:23,166
No. I said, "Oh, Ringo is on PA."

218
00:28:25,291 --> 00:28:29,000
A great sound in here
will improve what we do.

219
00:28:29,708 --> 00:28:33,125
{\an8}No, but I mean, it's like
when we played in clubs in Hamburg.

220
00:28:34,416 --> 00:28:35,833
{\an8}We sounded great.

221
00:28:45,541 --> 00:28:46,541
{\an8}So you get…

222
00:28:53,583 --> 00:28:55,666
Let's do that.
It'll help you anyway to begin with.

223
00:28:55,750 --> 00:28:57,291
- Thank you, George.
- You're welcome.

224
00:28:57,833 --> 00:29:00,416
See, 'cause that'd be good
if we could get all that,

225
00:29:01,083 --> 00:29:03,083
get the sound in this room.

226
00:29:03,166 --> 00:29:06,166
It's, like, remember that night
we tried tape echo with George?

227
00:29:06,250 --> 00:29:07,500
On a bit of vocal.

228
00:29:28,250 --> 00:29:30,583
They have bloody big speakers
or something,

229
00:29:31,166 --> 00:29:32,375
to shout through.

230
00:29:33,083 --> 00:29:35,375
They should be
at least as big as a bass amp.

231
00:29:35,458 --> 00:29:36,458
- Yeah.
- Paul.

232
00:29:36,541 --> 00:29:37,708
Yeah.

233
00:29:41,250 --> 00:29:43,541
Thing is, they're both facing
each other for a kickoff.

234
00:29:43,625 --> 00:29:46,375
{\an8}They're all facing--
They're all right next to the amps.

235
00:29:53,000 --> 00:29:55,333
I mean, get them up there,
they come down to us.

236
00:29:55,416 --> 00:29:58,625
Nail 'em on them sticks up there
and shoot 'em down to us,

237
00:29:58,708 --> 00:30:02,125
{\an8}and we'll all face that way if you like.
We'll face any way.

238
00:30:02,958 --> 00:30:05,583
Well, then, let's--
I don't know who to tell to do that.

239
00:30:05,666 --> 00:30:07,375
Right, okay.
Yeah. I'll do something about it.

240
00:30:07,458 --> 00:30:09,875
Somehow if we can each hear
what the others are playing.

241
00:30:13,333 --> 00:30:15,666
{\an8}

242
00:30:15,750 --> 00:30:20,833
{\an8}

243
00:30:23,083 --> 00:30:25,875
{\an8}-

244
00:30:43,583 --> 00:30:44,583
- Uh…
- Ow!

245
00:30:45,166 --> 00:30:48,416
Just heard that Yoko's divorce
has just gone through.

246
00:30:49,916 --> 00:30:50,916
Free at last.

247
00:31:30,250 --> 00:31:31,500
Did we… "And if"?

248
00:31:31,583 --> 00:31:32,583
Start again.

249
00:31:38,208 --> 00:31:41,291
I've just got written down here,
"If somebody ever loved me."

250
00:31:41,375 --> 00:31:45,291
Oh, I've got, "If somebody
ever really loved me, like as she do me."

251
00:31:45,375 --> 00:31:46,375
Ah.

252
00:31:49,916 --> 00:31:53,041
Maybe we should have,
"I guess nobody ever loved me."

253
00:32:01,666 --> 00:32:03,166
{\an8}

254
00:32:04,750 --> 00:32:06,166
{\an8}

255
00:32:50,916 --> 00:32:52,875
George. George. George.

256
00:33:26,583 --> 00:33:29,416
The layout of the book's
really good, though, the way he's done it.

257
00:33:30,000 --> 00:33:31,541
{\an8}This is it. Is this the layout?

258
00:33:31,625 --> 00:33:33,291
{\an8}No, this is just the bit. That bit.

259
00:33:33,958 --> 00:33:38,708
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,

260
00:33:38,791 --> 00:33:41,416
'My marriage is over.
I am in love with Yoko.'"

261
00:33:41,500 --> 00:33:43,666
- Sinceriously.

262
00:33:43,750 --> 00:33:47,166
"How much does he love Yoko?
'Much more than I love the Queen.'"

263
00:34:17,791 --> 00:34:21,041
{\an8}

264
00:34:22,458 --> 00:34:25,666
{\an8}

265
00:34:27,375 --> 00:34:30,125
Let's record it all this afternoon, now.

266
00:34:31,291 --> 00:34:34,708
The show on Wednesday,
which is up on the roof, we can get, uh,

267
00:34:34,791 --> 00:34:37,666
{\an8}no worse than a 4-shot on the roof
out toward London,

268
00:34:38,291 --> 00:34:40,708
- which I think is worth it.
- Yes. How much does it cost?

269
00:34:42,500 --> 00:34:44,750
Well, just send the helicopter up.
No film.

270
00:34:44,833 --> 00:34:48,041
- It's too much, film and a…
- Helicopter.

271
00:34:48,125 --> 00:34:49,541
Uh, what do you say, lads?

272
00:34:49,625 --> 00:34:51,000
- Have it on Paul!
- Yeah.

273
00:34:51,083 --> 00:34:52,375
- Yeah.
- Yes.

274
00:34:53,250 --> 00:34:54,833
- Is that a yes?
- That's a no-no.

275
00:35:00,125 --> 00:35:02,333
One, two, three, four.

276
00:35:18,208 --> 00:35:21,208
Not too loud though.
It's nice, quiet. Oh, yeah.

277
00:35:21,291 --> 00:35:25,083
It settled into it, though, after where
we started in, but much, much faster.

278
00:35:25,166 --> 00:35:27,500
One, two, three, four.

279
00:35:36,958 --> 00:35:38,833
Bit faster, do you think? Bit faster now.

280
00:35:39,541 --> 00:35:41,375
One, two, three, four.

281
00:35:45,500 --> 00:35:46,500
Hello.

282
00:35:49,041 --> 00:35:52,333
{\an8}

283
00:35:52,416 --> 00:35:55,250
{\an8}

284
00:36:00,208 --> 00:36:02,541
- Little bit slower.
- It seems it's picking up speed, I think.

285
00:36:02,625 --> 00:36:03,625
Yeah.

286
00:36:03,708 --> 00:36:05,833
'Cause I find myself starting off, going…

287
00:36:05,916 --> 00:36:06,916
We get excited.

288
00:36:07,916 --> 00:36:09,083
And then ended up…

289
00:36:15,833 --> 00:36:18,708
Ah, this here's the story
about Sweet Loretta Martin

290
00:36:19,458 --> 00:36:20,958
and Jo Jo McCartney.

291
00:36:42,833 --> 00:36:45,250
All right, boy. All right, John.
I've gotta call order, John.

292
00:36:45,333 --> 00:36:47,166
- All right, Paul.
- You know, valuable time here, son.

293
00:36:48,125 --> 00:36:49,291
Cool down, son.

294
00:36:49,375 --> 00:36:50,916
Don't let me down, babe.

295
00:36:58,500 --> 00:37:03,250
{\an8}

296
00:37:10,208 --> 00:37:13,166
- They can afford it.
- Costing EMI. We're EMI artists, man, no?

297
00:37:31,916 --> 00:37:34,458
- …together at the beginning.
- You were very good, Bill.

298
00:37:39,583 --> 00:37:40,708
What are you gonna do?

299
00:37:40,791 --> 00:37:42,500
- Play it again.
- Sing a bit.

300
00:37:42,583 --> 00:37:44,958
- J?
- Just keep 'em. Keep 'em.

301
00:37:45,041 --> 00:37:46,583
- Do another one?
- Yeah.

302
00:37:46,666 --> 00:37:48,916
Well, tell us if you think
we've got it, you know?

303
00:37:49,000 --> 00:37:50,208
Well, yeah.

304
00:37:50,291 --> 00:37:52,000
Let's keep doing them then, you know?

305
00:37:52,083 --> 00:37:54,416
'Cause if we keep doing that
and going in and then saying, "Oh."

306
00:37:54,500 --> 00:37:57,000
I think you ought to do
something else, 'cause I think you might--

307
00:37:57,083 --> 00:37:58,791
If you keep doing it,
you'll go stale on it.

308
00:37:58,875 --> 00:38:00,708
- No, no. Let's do it.
- You can always go back to it.

309
00:38:00,791 --> 00:38:03,041
- Do you want your head kicked in?
- You know what I mean, though.

310
00:38:04,500 --> 00:38:06,875
- Do you wanna do it once more then?
- Yes, yes.

311
00:38:06,958 --> 00:38:10,125
At least once more.
We'll never get a chance to do it again.

312
00:38:10,208 --> 00:38:13,375
It is the final
performance. You've got an audience now.

313
00:38:13,458 --> 00:38:16,458
Okay, honeybunch.
Let's hit it one time, tutti-frutti.

314
00:38:17,041 --> 00:38:18,500
One, two…

315
00:38:27,250 --> 00:38:29,083
That last take was extremely good though.

316
00:38:29,166 --> 00:38:31,250
Okay. Keep it extremely good then.
We'll carry on.

317
00:38:41,666 --> 00:38:43,583
Why not go straight into
another number then?

318
00:38:43,666 --> 00:38:46,083
We were trying to go into
"Don't Let Me Down" if we made it,

319
00:38:46,166 --> 00:38:48,166
but we haven't made it once yet, you know?

320
00:38:48,250 --> 00:38:51,750
We think of everything and we're
even gonna go on to "I've Got a Fever."

321
00:38:51,833 --> 00:38:53,166
If we really know.

322
00:38:53,250 --> 00:38:55,041
In that case,
I'm gonna change tape.

323
00:38:55,125 --> 00:38:56,125
Are you? Okay.

324
00:39:10,458 --> 00:39:12,458
Was the other one before better than that?

325
00:39:13,708 --> 00:39:17,250
Yes. There was one better than that
earlier on. Hang on, we'll just…

326
00:39:17,333 --> 00:39:18,916
The one before this was better for me.

327
00:39:19,000 --> 00:39:21,333
Should we have another ciggy,
another cup of tea, or…

328
00:39:21,416 --> 00:39:23,083
- Okay, yeah after this.
- …ciggy after the wine.

329
00:39:23,166 --> 00:39:26,250
Oh, ready? One, two three, four.

330
00:39:37,500 --> 00:39:38,958
There's one where everything was right…

331
00:39:39,041 --> 00:39:41,166
- What's the next reel?
- …except the last bit of my guitar solo.

332
00:39:41,250 --> 00:39:43,666
Well, remember the one before that
that we all said was all right?

333
00:39:43,750 --> 00:39:45,208
- Yeah.
- That's Take 11.

334
00:39:45,291 --> 00:39:46,333
You can always edit.

335
00:39:46,416 --> 00:39:48,666
- Yeah, I'm just getting it.
- Edit?

336
00:39:48,750 --> 00:39:50,416
You're talking to the Bootles.

337
00:39:57,916 --> 00:40:01,083
{\an8}Yeah, right. Now, see the thing is,
we need another week to do it.

338
00:40:18,750 --> 00:40:22,458
{\an8}

339
00:40:22,541 --> 00:40:25,291
{\an8}

340
00:40:49,916 --> 00:40:51,416
Miles out, aren't we?

341
00:40:51,500 --> 00:40:52,916
- Tune.
- Yeah.

342
00:40:53,000 --> 00:40:54,041
It was A, Bill.

343
00:40:54,125 --> 00:41:00,125
Billy, instead of giving us,
like, one note, give us a riff like…

344
00:41:01,833 --> 00:41:03,666
That's easier to tune to.

345
00:41:28,500 --> 00:41:31,125
- Hold up. Hold up.
- Okay. Let me just--

346
00:41:35,250 --> 00:41:38,333
{\an8}Not giving 'em that!

347
00:41:38,416 --> 00:41:40,333
Oh, fucking right.

348
00:41:44,000 --> 00:41:46,458
Something happened.
I don't know what it was though.

349
00:41:47,083 --> 00:41:48,125
Something happened.

350
00:43:37,708 --> 00:43:40,166
Glyn? What does that sound like?

351
00:43:43,958 --> 00:43:45,000
- What?
- Yeah.

352
00:43:45,083 --> 00:43:46,125
- All right?
- Yeah.

353
00:44:02,083 --> 00:44:03,666
- Not bad.
- Got it.

354
00:44:05,000 --> 00:44:07,541
- Oh, the last two will do me.
- That's what I thought.

355
00:44:07,625 --> 00:44:10,083
- It was just about diabolical enough.
- You see, the thing is…

356
00:44:10,166 --> 00:44:13,500
I don't feel as though
I'm singing it any good.

357
00:44:13,583 --> 00:44:16,041
- The other day I was singing better.
- 'Cause you're standing up.

358
00:44:16,125 --> 00:44:18,083
- And you're trying to do a thing.
- Maybe.

359
00:44:18,166 --> 00:44:19,416
You should sit down.

360
00:44:19,500 --> 00:44:20,666
- Enjoy yourself.
- Yeah.

361
00:44:21,583 --> 00:44:25,083
Maybe. No, but even so today,
I just feel as though…

362
00:44:25,791 --> 00:44:26,916
Hobson's is a bit…

363
00:44:28,166 --> 00:44:29,166
That reel on?

364
00:44:29,250 --> 00:44:31,666
{\an8}We've still got a lot more songs
we haven't even rehearsed.

365
00:44:32,541 --> 00:44:37,000
{\an8}The two slow ones we're doing,
"Mother Mary" and… "Brother Jesus."

366
00:44:37,083 --> 00:44:38,708
- Have we recorded?

367
00:44:38,791 --> 00:44:40,583
Have we recorded the "Mother Mary" one?

368
00:44:40,666 --> 00:44:41,916
Haven't happened yet, have they?

369
00:44:42,000 --> 00:44:43,000
- No.
- Haven't they?

370
00:44:43,083 --> 00:44:44,583
- One has. One has.
- Well…

371
00:44:44,666 --> 00:44:46,375
- Which one?
- I can never get it.

372
00:44:46,458 --> 00:44:48,000
- "Long, Long, Winding"--
- "Long and Winding Road"?

373
00:44:48,083 --> 00:44:49,166
"Long and Winding Scrotum."

374
00:44:49,250 --> 00:44:51,416
- Really?
- I think it's very tasty.

375
00:44:51,500 --> 00:44:52,583
<i>Très</i> tasty, in fact.

376
00:44:52,666 --> 00:44:54,000
Oh, the little version we had--

377
00:44:54,083 --> 00:44:56,083
- He's so good for your morale, this boy.
- Yeah, yeah.

378
00:44:56,166 --> 00:44:57,583
- No, really.

379
00:44:57,666 --> 00:44:59,916
- We can do--
- I'm not saying you can't do it better.

380
00:45:00,000 --> 00:45:01,458
But, I mean, it's very together.

381
00:45:02,166 --> 00:45:04,833
See, that's a bit like the old "Get Back."

382
00:45:04,916 --> 00:45:07,166
It's together
until you think you can do it better.

383
00:45:08,041 --> 00:45:10,250
We should arrange what's happening
around lunchtime tomorrow.

384
00:45:10,333 --> 00:45:12,500
John's got something at 1:30,
and so have I.

385
00:45:12,583 --> 00:45:15,458
I'll take these tonight.
You can have a mix of these tomorrow.

386
00:45:16,208 --> 00:45:18,166
- I'm meeting a fella.
- Oh, right.

387
00:45:19,375 --> 00:45:23,250
No, uh, at 1:30 though.
We're both going at 1:30, so can you…

388
00:45:23,333 --> 00:45:26,833
We'll do something, all right.
I'll do Ringo at 1:30.

389
00:45:26,916 --> 00:45:29,333
- Let's say 12:00.

390
00:45:29,416 --> 00:45:31,916
We'll be coming in before 1:30?

391
00:45:32,000 --> 00:45:34,000
- Yeah. Coming in at 11:00.
- Okay.

392
00:45:34,083 --> 00:45:35,083
Then work till 1:30.

393
00:45:35,166 --> 00:45:36,875
<i>Okay, honeybunch. Let's hit it one time.</i>

394
00:45:36,958 --> 00:45:39,041
- What time are you starting?
- 11:00.

395
00:45:39,625 --> 00:45:41,208
- 11:00 to 1:30?
- 10:30, yeah.

396
00:45:41,291 --> 00:45:42,625
<i>Dig, man.</i>

397
00:45:42,708 --> 00:45:44,958
And then how long
are you having off from 1:30?

398
00:45:45,041 --> 00:45:47,291
Till 3:00. Good night, everybody.

399
00:45:47,375 --> 00:45:49,416
- Good night, Rich.
- Good night, Richie.

400
00:45:49,500 --> 00:45:51,375
- I think I'm gonna go.
- Will you?

401
00:45:51,458 --> 00:45:53,333
I think the one you said was best…

402
00:45:53,416 --> 00:45:54,666
- Nine?
- …is best.

403
00:45:54,750 --> 00:45:56,833
Yeah. But it still doesn't make it.

404
00:45:57,708 --> 00:45:59,708
- We'll keep it anyway.
- Keep it in.

405
00:46:03,291 --> 00:46:04,500
{\an8}- Good?
- Yeah.

406
00:46:04,583 --> 00:46:08,583
{\an8}- Right. New reel.

407
00:46:08,666 --> 00:46:10,541
{\an8}Well, the air-conditioning works.

408
00:46:11,541 --> 00:46:14,125
- God, feel like I'm in the army.
- It must be terrible.

409
00:46:14,208 --> 00:46:16,416
That was the only good thing
about being a girl.

410
00:46:16,500 --> 00:46:18,416
Can you imagine being drafted to Vietnam?

411
00:46:18,500 --> 00:46:20,583
{\an8}George,
of the ones they've done so far,

412
00:46:20,666 --> 00:46:22,791
{\an8}which do you think we can do on the roof?

413
00:46:22,875 --> 00:46:24,791
{\an8}- Anything without the grand piano.
- Oh!

414
00:46:25,791 --> 00:46:27,791
- Morning.
- You're embarrassing me.

415
00:46:31,583 --> 00:46:33,833
Should we write down
what we could do on the roof?

416
00:46:34,375 --> 00:46:36,750
You haven't got
a concise list of titles, have we, Alan?

417
00:46:36,833 --> 00:46:39,000
- No. I can make one.
- Well, I…

418
00:46:39,083 --> 00:46:41,000
One is "I Dig a Pony."
We can do that on the roof.

419
00:46:41,083 --> 00:46:42,083
"Let It Be."

420
00:46:42,666 --> 00:46:45,833
Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.

421
00:46:46,708 --> 00:46:48,208
Yeah, with the piano on that.

422
00:46:50,166 --> 00:46:52,875
Is anyone sort of
thinking of this like making an album

423
00:46:52,958 --> 00:46:55,333
or more like sort of
doing a lot of numbers then

424
00:46:55,416 --> 00:46:59,083
to be able to play them all
one after the other?

425
00:46:59,166 --> 00:47:00,208
Let's pick the five--

426
00:47:06,125 --> 00:47:07,166
Uh…

427
00:47:08,250 --> 00:47:09,750
{\an8}I don't see much point in doing

428
00:47:09,833 --> 00:47:12,083
"Don't Let Me Down,"
"I've Got A Feeling" and that now.

429
00:47:13,083 --> 00:47:14,291
Yeah…

430
00:47:14,375 --> 00:47:16,083
'Cause you lose it.

431
00:47:16,166 --> 00:47:18,666
So let's pick up on the ones
that are all in pieces.

432
00:47:19,666 --> 00:47:22,666
I'm trying to get us to do
one of George's for the first batch.

433
00:47:22,750 --> 00:47:24,500
Oh, ah. Yeah.

434
00:47:34,166 --> 00:47:36,875
Then you can have the next one,
"Did you know, missed the show?"

435
00:47:53,625 --> 00:47:57,875
{\an8}

436
00:48:00,541 --> 00:48:04,458
{\an8}

437
00:48:12,291 --> 00:48:13,833
What could it be, Paul?

438
00:48:13,916 --> 00:48:15,750
- "Something in the way she moves."
- Hmm?

439
00:48:15,833 --> 00:48:17,250
What attracted me at all?

440
00:48:17,333 --> 00:48:19,541
Just say whatever comes
into your head each time.

441
00:48:19,625 --> 00:48:22,875
"Attracts me like a cauliflower,"
until you get the word, you know?

442
00:48:22,958 --> 00:48:26,291
Yeah, but I've been through this one,
like, for about six months.

443
00:48:31,750 --> 00:48:34,666
We could have that.
"Attracts me like a pomegranate."

444
00:48:46,208 --> 00:48:47,500
"Cauliflower" is better.

445
00:49:28,458 --> 00:49:30,166
- Okay.
- What was that?

446
00:49:30,250 --> 00:49:33,041
Yeah, but say we got
a really good one of "Love Me Do."

447
00:49:33,125 --> 00:49:36,041
- Well, yeah. That's true.
- Yeah. Okay.

448
00:49:47,166 --> 00:49:50,000
{\an8}

449
00:49:50,958 --> 00:49:55,708
{\an8}

450
00:49:58,791 --> 00:50:02,875
Is it 1:30? I've got this--
to go to this meeting.

451
00:50:02,958 --> 00:50:03,958
So, can you do it?

452
00:50:04,625 --> 00:50:07,291
Will you ring down for us?
And we'll keep going through this.

453
00:50:07,375 --> 00:50:09,041
Yeah. Okay.

454
00:50:25,416 --> 00:50:26,583
Shall we do it?

455
00:50:35,541 --> 00:50:37,708
- Glyn?
- Send an engineer.

456
00:50:37,791 --> 00:50:38,791
Glyn.

457
00:50:40,458 --> 00:50:43,666
Can you come and fix my microphone?
It keeps falling down.

458
00:50:58,416 --> 00:51:00,208
See, can I change from going…

459
00:51:02,708 --> 00:51:05,208
Because I can't do it.
I go into that folk bit.

460
00:51:05,291 --> 00:51:06,375
Have a ciggy, Billy.

461
00:51:24,541 --> 00:51:25,875
Two, three, four.

462
00:51:51,375 --> 00:51:54,333
I'll sing it a bit different than that.
I'll sing…

463
00:51:57,791 --> 00:51:58,791
- All that bit.
- Yeah.

464
00:51:58,875 --> 00:52:00,458
Okay.
Should we go from the last verse again?

465
00:52:00,541 --> 00:52:02,041
That's the bit still, isn't it?

466
00:52:02,125 --> 00:52:03,125
I still think that--

467
00:52:03,208 --> 00:52:05,791
I'm not sure about that syncopation bit,
but leave that to Paul.

468
00:52:05,875 --> 00:52:10,416
Well, that's okay if we just do it
in between, you know, where the riff…

469
00:52:10,500 --> 00:52:11,500
Uh…

470
00:52:12,333 --> 00:52:14,291
It seems to be going
through every verse now.

471
00:52:14,375 --> 00:52:16,375
Yeah, that's the riff. Goes…

472
00:52:17,000 --> 00:52:18,750
- I mean that…
- It should change.

473
00:52:18,833 --> 00:52:20,500
No, that just comes at the end.

474
00:52:21,583 --> 00:52:23,208
Oh, in the middle of every verse?

475
00:52:36,208 --> 00:52:40,875
But also we need somebody that's gonna
tune everything in here to one pitch.

476
00:52:40,958 --> 00:52:42,500
Uh, the piano people do that.

477
00:52:42,583 --> 00:52:44,791
Okay, well,
we'll play about for a bit then.

478
00:52:44,875 --> 00:52:47,166
- How do you tune an electric piano?
- I don't know.

479
00:52:49,083 --> 00:52:51,500
There's got to be a way though.
Probably here somewhere.

480
00:52:53,291 --> 00:52:54,708
What did you wanna talk about?

481
00:52:54,791 --> 00:52:56,916
Uh, well,
just that I saw Klein, and that.

482
00:52:57,000 --> 00:52:58,666
- Oh, Klein?
- Yeah, yeah. Klein.

483
00:52:58,750 --> 00:53:00,083
- Allen Klein.
- Oh, I see.

484
00:53:00,166 --> 00:53:02,166
Yeah. And it's--
You know, it's very interesting.

485
00:53:02,250 --> 00:53:03,250
Yeah.

486
00:53:03,333 --> 00:53:05,458
- You know, from a lot of angles.
- Hmm.

487
00:53:05,541 --> 00:53:09,375
And the-- But I want to tell you
all at once, you know, so as it's not…

488
00:53:10,666 --> 00:53:14,083
But just, um--
I just think he's fantastic.

489
00:53:14,166 --> 00:53:15,583
- Really?
- Yeah.

490
00:53:16,833 --> 00:53:19,833
A lot of interesting news
that we don't know half about,

491
00:53:19,916 --> 00:53:21,291
- just about--
- About us?

492
00:53:21,375 --> 00:53:24,708
Well, I'll tell-- You know,
he'll tell you all that, 'cause it's…

493
00:53:24,791 --> 00:53:26,791
You know,
he knows everything about everything.

494
00:53:26,875 --> 00:53:28,000
Very interesting guy.

495
00:53:28,083 --> 00:53:30,791
- I was there till 2:00 in the morning.
- Oh, you went last night?

496
00:53:30,875 --> 00:53:34,125
I went there thinking, "Well, I've got
to see him. I put it off last time."

497
00:53:34,208 --> 00:53:35,458
You know?

498
00:53:35,541 --> 00:53:37,416
I keep hearing about him all these years.

499
00:53:37,500 --> 00:53:40,375
Things that you just…
you can't believe, you know.

500
00:53:40,458 --> 00:53:44,125
Right down to where-- where it's gone,

501
00:53:45,500 --> 00:53:46,666
and how to get it.

502
00:53:47,958 --> 00:53:51,666
So, I, you know-- Well, I didn't
really wanna say it to sort of half o'ya.

503
00:53:51,750 --> 00:53:54,416
I thought,
"He's gonna look after me, whatever."

504
00:53:54,500 --> 00:53:56,041
That's… it's just like that.

505
00:53:58,083 --> 00:54:00,875
And he knows--
He even knows what we're like, you know?

506
00:54:00,958 --> 00:54:03,375
The way he described each one of us,
you know,

507
00:54:03,458 --> 00:54:05,833
and what we've done
and what we're gonna do and that.

508
00:54:05,916 --> 00:54:09,125
But just, like,
he knows me as much as you do.

509
00:54:10,791 --> 00:54:12,125
Incredible guy.

510
00:54:12,625 --> 00:54:14,875
{\an8}He's got a great idea for Biafra.

511
00:54:14,958 --> 00:54:16,833
He's like--
He says, "I'm a practical man."

512
00:54:16,916 --> 00:54:19,875
And his thing--
You know The Stones' Circus we did?

513
00:54:19,958 --> 00:54:21,833
- So he arranges those things for them.
- Yeah.

514
00:54:21,916 --> 00:54:27,041
All we heard about that
and the-- the-- the royalty from way back…

515
00:54:27,125 --> 00:54:28,875
- Yeah.
- …they get much more than us.

516
00:54:28,958 --> 00:54:31,375
However many we sell, they cop.

517
00:54:32,000 --> 00:54:35,833
You know, so, The Stones show,
he's gonna make an LP out of it.

518
00:54:35,916 --> 00:54:38,166
They're making a book of it
and everything, of course, you know?

519
00:54:38,250 --> 00:54:39,916
Like, everybody is into that.

520
00:54:40,000 --> 00:54:45,083
And he's gonna, uh, make an LP of it,
of everybody that was on…

521
00:54:45,791 --> 00:54:48,541
to buy food for Biafra.

522
00:54:48,625 --> 00:54:50,625
Yeah, I was telling him
about your idea for that film.

523
00:54:50,708 --> 00:54:51,958
- Oh, yeah.
- The thing is,

524
00:54:52,041 --> 00:54:55,875
I mean, if we took the food to that place,
with the money we've all earned--

525
00:54:55,958 --> 00:54:57,958
He'd do it completely himself,
arrange it all.

526
00:54:58,041 --> 00:55:01,458
I didn't mean to get into all this,
but he's so fascinating.

527
00:55:04,791 --> 00:55:06,791
Do you want to do this one more time?

528
00:55:06,875 --> 00:55:08,250
- Yeah.
- Eh?

529
00:55:08,916 --> 00:55:11,916
'Cause I'd like to learn
"On the Road to Marrakesh" or something.

530
00:55:14,625 --> 00:55:15,791
Or "Mr. Mustard."

531
00:55:16,333 --> 00:55:18,791
Must do another number, I've decided.

532
00:55:31,625 --> 00:55:34,750
Mal, what was the name of that
shoe shop somebody said is in Bond Street?

533
00:55:34,833 --> 00:55:37,458
The good one.
Do you know a good shoe shop near?

534
00:55:37,541 --> 00:55:39,541
There's a lot of shoe shops
in Bond Street.

535
00:55:39,625 --> 00:55:44,041
Yeah. But I just want, you know,
like ordinary black leather shoes.

536
00:55:44,625 --> 00:55:47,875
It's just that I never get any, you know,
'cause I'm never in shoe shops.

537
00:55:48,625 --> 00:55:50,458
Do you want me
to bring the bloke over?

538
00:55:50,541 --> 00:55:52,708
If you can con somebody into coming

539
00:55:52,791 --> 00:55:56,750
with, you know, a selection
of black slip-on size eights.

540
00:55:56,833 --> 00:55:57,875
Yeah, okay.

541
00:56:45,625 --> 00:56:47,875
- What?

542
00:56:47,958 --> 00:56:50,166
Where's it from? Who makes it?

543
00:56:50,250 --> 00:56:51,666
- Wow.
- Japanese?

544
00:56:51,750 --> 00:56:53,833
I saw it on the television.

545
00:56:56,166 --> 00:56:58,000
Too much! Whoo.

546
00:56:59,208 --> 00:57:00,208
Nice sound.

547
00:57:00,291 --> 00:57:02,541
- Could you transpose that to D?
- Yeah.

548
00:57:02,625 --> 00:57:05,916
- All on one note, huh?
- Yeah, you can change it.

549
00:57:10,000 --> 00:57:12,000
One at a time. It's a little organ.

550
00:57:15,541 --> 00:57:16,541
That's better.

551
00:57:17,083 --> 00:57:19,625
Yeah. It's too much, man.

552
00:57:53,916 --> 00:57:56,416
I love that song.
That's beautiful. I couldn't…

553
00:57:56,500 --> 00:57:57,500
You've won a prize.

554
00:57:57,583 --> 00:57:59,666
Couldn't have asked for
better. Can we have something else now?

555
00:57:59,750 --> 00:58:01,541
Another song, right. Okay, George?

556
00:58:02,208 --> 00:58:04,708
How about, uh…
What have you got up your sleeve, John?

557
00:58:05,916 --> 00:58:07,250
How about "Love Me Do" again?

558
00:58:07,333 --> 00:58:09,750
What about "Don't Let Me Down"?
That's a bloody good one, that.

559
00:58:09,833 --> 00:58:12,250
Very high though. But never mind.
We'll practice the backing.

560
00:58:12,333 --> 00:58:13,416
- What is it now?
- Just--

561
00:58:13,500 --> 00:58:16,083
"And if somebody ever loved me
like she does," that's all.

562
00:58:16,166 --> 00:58:17,416
Just the "really" out.

563
00:58:32,250 --> 00:58:33,250
Same guitar?

564
00:58:42,750 --> 00:58:44,166
Okay, George. Come on.

565
00:58:45,000 --> 00:58:46,375
One…

566
00:58:49,458 --> 00:58:50,958
The Krishna Christmas club.

567
00:58:53,583 --> 00:58:55,333
A little bit of a tune-up, I think.

568
00:58:55,416 --> 00:58:56,833
No, I don't think so, George.

569
00:58:56,916 --> 00:58:58,750
Yeah, John. Don't, John. Don't.

570
00:58:58,833 --> 00:59:01,208
I've had some wine, you know?
Remember Bob Wooler.

571
00:59:01,291 --> 00:59:03,000
Fucking right.

572
00:59:03,083 --> 00:59:04,166
Peace on Earth.

573
00:59:04,791 --> 00:59:07,583
"Don't Let Me Down the Road Again Blues."

574
00:59:07,666 --> 00:59:10,083
"Short, fat Fanny, you're my desire."

575
00:59:11,791 --> 00:59:14,041
One, two, three, four.

576
00:59:30,791 --> 00:59:34,125
{\an8}

577
00:59:56,458 --> 00:59:58,916
{\an8}

578
01:00:00,083 --> 01:00:01,333
{\an8}

579
01:00:16,416 --> 01:00:19,000
{\an8}

580
01:00:19,541 --> 01:00:21,583
{\an8}

581
01:01:26,291 --> 01:01:27,500
Allen Klein's here.

582
01:01:28,458 --> 01:01:29,916
Where's he gonna be?

583
01:01:30,708 --> 01:01:32,291
Should we go up to our room?

584
01:01:32,375 --> 01:01:34,458
- Yeah.
- Oh, fuck it.

585
01:01:46,125 --> 01:01:47,833
{\an8}- Morning, Michael.
- Morning, R.S.

586
01:01:47,916 --> 01:01:51,000
{\an8}How many numbers do you think
you'll have by tomorrow at 1:00

587
01:01:51,083 --> 01:01:52,750
{\an8}- before you go up on the roof?
- About six.

588
01:01:53,625 --> 01:01:54,791
{\an8}Yes, it's gonna be great.

589
01:01:56,500 --> 01:01:57,500
{\an8}

590
01:02:05,083 --> 01:02:06,083
{\an8}

591
01:02:27,625 --> 01:02:28,625
{\an8}Yeah.

592
01:02:37,250 --> 01:02:38,250
{\an8}Yes.

593
01:02:59,625 --> 01:03:00,625
{\an8}Mmm.

594
01:03:00,708 --> 01:03:03,958
Tomorrow, with the nine cameras,
if we do tomorrow,

595
01:03:04,041 --> 01:03:05,958
there is a kind of,
"Something will happen."

596
01:03:06,041 --> 01:03:08,000
No, it's the best bit of us,

597
01:03:08,083 --> 01:03:09,875
always has been and always will be,

598
01:03:09,958 --> 01:03:12,875
is when we've got--
when we're backs against the wall

599
01:03:12,958 --> 01:03:14,916
and we've been rehearsing,
rehearsing, rehearsing.

600
01:03:15,000 --> 01:03:17,583
And he knows it's a take on the dub.
And he does it great.

601
01:03:17,666 --> 01:03:20,791
No, the organization
has gotta come from either you

602
01:03:20,875 --> 01:03:22,000
or from you doing an audience.

603
01:03:22,083 --> 01:03:24,708
But that's not true, you see?
There is a difference.

604
01:03:24,791 --> 01:03:27,375
- Like when we came here from Twickenham.
- Mmm.

605
01:03:27,458 --> 01:03:29,083
It's a whole other thing, you know?

606
01:03:30,041 --> 01:03:34,458
If we went into a TV studio now,
in one of those big, bare TV studios

607
01:03:34,541 --> 01:03:36,833
and you sat us down,
just with our songs and amps,

608
01:03:36,916 --> 01:03:38,500
we'd do 'em and we'd do 'em great.

609
01:03:39,541 --> 01:03:41,500
I think what we need is
an audience of some sort.

610
01:03:41,583 --> 01:03:43,083
Either a surprise audience--

611
01:03:43,666 --> 01:03:46,000
{\an8}Tomorrow, or, uh… I'll light my cigar.

612
01:03:49,666 --> 01:03:50,666
{\an8}

613
01:03:52,791 --> 01:03:56,166
{\an8}If we've got like everything set for
tomorrow, we just go ahead and do it and--

614
01:03:56,250 --> 01:03:58,416
The roof is like too far out.

615
01:03:58,500 --> 01:03:59,833
If we do an open air thing…

616
01:04:00,583 --> 01:04:03,208
That's-- that's really all
I can say about this whole scene.

617
01:04:03,291 --> 01:04:05,916
We should learn all the numbers.
All of them.

618
01:04:06,000 --> 01:04:07,875
All the ones that are gonna be
on the album.

619
01:04:07,958 --> 01:04:09,791
I know it literally takes a bit more time.

620
01:04:09,875 --> 01:04:11,750
That's why I wanna
go through with you today, the ones--

621
01:04:11,833 --> 01:04:14,041
But we haven't got the end thing.

622
01:04:14,125 --> 01:04:17,000
I've got a feeling that
we're gonna just, sort of, go off…

623
01:04:19,166 --> 01:04:22,000
We're just gonna go off like we did
after the end of the last album.

624
01:04:22,625 --> 01:04:25,375
And just sort of think,
"Oh, not another fucking album."

625
01:04:25,458 --> 01:04:27,791
You know? Because this is--
this is what this is, you know.

626
01:04:27,875 --> 01:04:30,333
- I can't wait to work it, you know?
- Yeah.

627
01:04:30,416 --> 01:04:33,833
But it's like we got much better takes
after we moved from Twickenham to here.

628
01:04:33,916 --> 01:04:36,291
Oh, yeah,
but I mean here I like. It's like home.

629
01:04:36,375 --> 01:04:41,833
But, like, we still haven't got
any aim for it, except an album again.

630
01:04:41,916 --> 01:04:44,791
- Yeah.
- Our only aim ever is an album, you know?

631
01:04:44,875 --> 01:04:47,083
Which is like a very nonvisual thing.

632
01:04:47,166 --> 01:04:49,416
But albums is
what we're doing at the moment.

633
01:04:49,500 --> 01:04:51,208
I mean,
you gotta be sneaky with The Beatles,

634
01:04:51,291 --> 01:04:53,916
or else we'll just go on forever
in a circle, you know?

635
01:04:54,000 --> 01:04:56,750
Whenever we talk about it,
we have certain rules.

636
01:04:56,833 --> 01:05:00,291
Like George saying, "What do you
wanna do?" And he says, "No films."

637
01:05:00,375 --> 01:05:02,958
You know, but it's wrong, that.
It's very wrong, that.

638
01:05:03,041 --> 01:05:04,708
Because you don't know.

639
01:05:04,791 --> 01:05:07,833
He says-- What he means is,
no <i>Help</i>, Hard Day's Night.

640
01:05:07,916 --> 01:05:10,375
'Cause this is a film.
And he now he doesn't mind this.

641
01:05:10,458 --> 01:05:12,416
It's us going silly again.

642
01:05:14,375 --> 01:05:16,833
See, it's like when we came
back from Hamburg,

643
01:05:16,916 --> 01:05:20,666
and did Leicester, De Montfort Hall
and we had the worst first night thing,

644
01:05:20,750 --> 01:05:22,750
and we're all nervous,
and it was terrible.

645
01:05:22,833 --> 01:05:25,375
Then we played another the next night.
We just went right into it.

646
01:05:25,458 --> 01:05:28,000
We're good at that
once we get over the nervousness.

647
01:05:28,083 --> 01:05:31,625
But it's like there's the hurdle
of that nervousness is there now.

648
01:05:36,958 --> 01:05:40,125
{\an8}Yes, but for who is
tomorrow the day? Not for me.

649
01:05:40,208 --> 01:05:42,000
You know, it's like there's this thing

650
01:05:42,083 --> 01:05:45,708
where there is a show to be had
out of what we've got here,

651
01:05:45,791 --> 01:05:48,791
which is just so incredible.
That's unbelievable.

652
01:05:48,875 --> 01:05:51,666
And you don't have to go on the roof.
You don't have to go anywhere.

653
01:05:51,750 --> 01:05:53,875
- You really only have to sing 'em.
- Well, even if we stay here--

654
01:05:53,958 --> 01:05:56,375
This business of
a deadline though is up to you really,

655
01:05:56,458 --> 01:05:58,083
because we've given you deadlines already.

656
01:05:58,166 --> 01:06:01,250
Yeah, well, that's why
I'm talking to John, not you.

657
01:06:02,541 --> 01:06:07,458
The easiest way to finish the show,
is just to sit here for another few days

658
01:06:07,541 --> 01:06:10,958
and start rehearsing them one after
the other and do three numbers at a time.

659
01:06:11,041 --> 01:06:13,708
And like George said, get a program
of where we're gonna do 'em,

660
01:06:13,791 --> 01:06:15,625
what's gonna follow what.

661
01:06:15,708 --> 01:06:17,625
And just start playing them right through.

662
01:06:17,708 --> 01:06:19,416
And then just knock it off.

663
01:06:19,500 --> 01:06:22,375
Like you used to, and have
all your titles on your guitar, you know.

664
01:06:22,458 --> 01:06:24,791
Yes, yes. I mean,
I thought that's what we're doing.

665
01:06:24,875 --> 01:06:26,333
It's just that
you say you're not ready.

666
01:06:26,416 --> 01:06:27,791
We're not ready, yeah, sure.

667
01:06:27,875 --> 01:06:29,333
We're not ready to do 14.

668
01:06:29,416 --> 01:06:33,375
See, the only trouble is, we really have
to want to do a show at the end of it.

669
01:06:33,458 --> 01:06:35,250
That's the thing. That's the trouble.

670
01:06:35,333 --> 01:06:37,208
None of us have an aim.

671
01:06:37,291 --> 01:06:39,750
We don't have a thing
at the end of it that we wanna do.

672
01:06:39,833 --> 01:06:42,083
We could have had a De Montfort Hall show…

673
01:06:42,166 --> 01:06:43,708
This would have been De Montfort Hall

674
01:06:43,791 --> 01:06:46,666
if we'd have done
the dress rehearsal here.

675
01:06:46,750 --> 01:06:48,958
And get over the nervousness
of an audience,

676
01:06:49,041 --> 01:06:52,291
and stop, sort of, playing to show off
to them and--

677
01:06:53,000 --> 01:06:54,291
{\an8}Just play it.

678
01:06:55,083 --> 01:06:56,291
{\an8}Yeah. Yeah.

679
01:06:56,375 --> 01:06:59,250
The voices are going in my head,
which way we're gonna-- which way we are--

680
01:06:59,333 --> 01:07:04,166
What's your, sort of, practical answer
to the problem now, regarding tomorrow?

681
01:07:07,541 --> 01:07:09,958
I think we'd be daft just not to do it--

682
01:07:10,041 --> 01:07:12,208
- Well, try and do something tomorrow…
- Sorry I'm late.

683
01:07:12,291 --> 01:07:16,416
…even if it's a grand dress rehearsal,
and see how it went.

684
01:07:16,500 --> 01:07:18,750
- Morning, George.
- And then, you know…

685
01:07:19,708 --> 01:07:22,041
I mean, if we had another six weeks…

686
01:07:27,541 --> 01:07:29,458
Six weeks.

687
01:07:30,833 --> 01:07:33,833
I mean, you know,
if we had another month to play with

688
01:07:33,916 --> 01:07:39,500
to really, I think,
get 14 straight off, it'd be nice,

689
01:07:39,583 --> 01:07:41,625
you know, to still do the seven we've got.

690
01:07:42,541 --> 01:07:45,541
- Do you plan on playing the…
- What, what?

691
01:07:45,625 --> 01:07:48,750
I just don't-- You know, I think
it's gonna take months doing it like that.

692
01:07:49,916 --> 01:07:52,250
So how do you think we should do it then?

693
01:07:52,333 --> 01:07:54,625
You can film some
while we're recording them

694
01:07:54,708 --> 01:07:56,500
at the same time, okay, but--

695
01:07:56,583 --> 01:07:58,750
Yeah, see,
that's what I wanna get in me head.

696
01:07:58,833 --> 01:08:02,416
Is it a documentary of us
doing another album? Which it is.

697
01:08:02,500 --> 01:08:05,125
Except,
we're doing them one after the other.

698
01:08:05,208 --> 01:08:07,958
No, but, I mean, we're not doing a payoff.

699
01:08:08,041 --> 01:08:13,291
We're not doing the 11 numbers
straight off for an album.

700
01:08:13,375 --> 01:08:15,500
We're gonna have to, sort off, join 'em.

701
01:08:15,583 --> 01:08:18,208
I agree with that.
I think it's disappointing but, all right,

702
01:08:18,291 --> 01:08:20,666
we've only got to seven. Let's do seven.

703
01:08:23,416 --> 01:08:24,416
Yeah.

704
01:08:24,916 --> 01:08:27,375
'Cause otherwise--
We haven't enough time to do 14,

705
01:08:27,458 --> 01:08:29,458
'cause Ringo's gotta go, you know?

706
01:08:29,541 --> 01:08:32,833
But we might be able to get another seven
off by the end of two weeks.

707
01:08:33,500 --> 01:08:34,666
I mean, we will, but…

708
01:08:34,750 --> 01:08:37,250
The only trouble is that the only people,

709
01:08:37,333 --> 01:08:40,750
like, who need to agree on what it is
we're doing is the four of us,

710
01:08:40,833 --> 01:08:43,333
and we're the only ones
who haven't even talked about it.

711
01:08:43,416 --> 01:08:46,375
Because we had the meeting
before all this and said, "TV show."

712
01:08:46,458 --> 01:08:47,833
That's what I've gotta get in my head.

713
01:08:47,916 --> 01:08:49,208
It's an album.

714
01:08:49,291 --> 01:08:52,375
All that footage of film
which could make about half a dozen films.

715
01:08:52,458 --> 01:08:54,791
Yeah. It's a film of us making an album.

716
01:08:54,875 --> 01:08:56,458
Yeah, but that's visual.

717
01:08:56,541 --> 01:08:58,166
Yes. Yeah.

718
01:08:58,250 --> 01:09:01,583
Yeah. I've got no complaints about it.
But I just gotta get that in my head.

719
01:09:10,041 --> 01:09:13,333
This TV show was supposed
to be a TV show of the last album.

720
01:09:14,416 --> 01:09:15,708
- The last album?
- Yes.

721
01:09:15,791 --> 01:09:18,708
But when we came to do it we said,
"We'll write new songs."

722
01:09:18,791 --> 01:09:20,041
'Cause that's it, you see.
We always--

723
01:09:20,125 --> 01:09:22,291
We never--
We always get ahead of ourselves.

724
01:09:22,375 --> 01:09:26,125
The thing is that, like, yesterday,
which wasn't a particularly good day,

725
01:09:26,208 --> 01:09:28,041
and the day before, which wasn't
a particularly good day either.

726
01:09:28,125 --> 01:09:29,125
Mmm.

727
01:09:29,208 --> 01:09:31,208
The reason is obviously
the fact that you're playing

728
01:09:31,291 --> 01:09:34,708
the same three or four songs
for a week or whatever,

729
01:09:34,791 --> 01:09:36,083
you know,
and you're flogging them to death.

730
01:09:36,166 --> 01:09:37,708
Obviously you're getting bored
with them, you know, like,

731
01:09:37,791 --> 01:09:39,583
- it can't be any other way.
- Yeah.

732
01:09:39,666 --> 01:09:42,000
That was why George and I were trying
to get you yesterday

733
01:09:42,083 --> 01:09:45,541
to do three in one go,
straight through, so you had to think,

734
01:09:45,625 --> 01:09:48,000
"Oh, yeah, what's the key?
Why isn't it right?"

735
01:09:48,083 --> 01:09:50,333
How many have we
already recorded good enough?

736
01:09:50,416 --> 01:09:51,416
None.

737
01:09:51,500 --> 01:09:55,458
None? Well, what about all those
times we've done "Get Back"?

738
01:09:55,541 --> 01:09:57,416
Oh, well, I mean,
one of them's all right, isn't it?

739
01:09:57,500 --> 01:09:59,333
There's that one of yours we did.

740
01:10:00,000 --> 01:10:01,291
And "Get Back."

741
01:10:01,375 --> 01:10:04,291
But they're at a stage
where it's dress rehearsal stage,

742
01:10:04,375 --> 01:10:06,000
- Yes.
- Where if you did a performance,

743
01:10:06,083 --> 01:10:07,166
it probably would be it.

744
01:10:08,500 --> 01:10:10,833
- Yes.
- Yesterday you got terribly close to it

745
01:10:10,916 --> 01:10:13,041
on a couple of the numbers
you were trying to do.

746
01:10:13,125 --> 01:10:16,666
- One more take and you've had it.
- It's just physical tiredness on my part.

747
01:10:16,750 --> 01:10:18,083
You know, it took great strain

748
01:10:18,166 --> 01:10:20,750
to get through "Don't Let Me Down"
and the other one.

749
01:10:20,833 --> 01:10:23,625
Just physically singing at that pace,
I'm being so tired.

750
01:10:23,708 --> 01:10:25,916
Well, that's the thing,
if you're planning on working up

751
01:10:26,000 --> 01:10:29,291
till Ringo does the film,
doing it like this,

752
01:10:29,375 --> 01:10:31,041
you know, we're just gonna drop.

753
01:10:32,291 --> 01:10:34,291
{\an8}I think-- I think yesterday…

754
01:10:36,125 --> 01:10:39,041
- At least we could've recorded all those.
- Was the result of not having the weekend.

755
01:10:39,125 --> 01:10:42,000
If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.

756
01:10:42,083 --> 01:10:43,333
That's the paradox.

757
01:10:43,416 --> 01:10:45,666
But if we had just
been recording them, you know…

758
01:10:45,750 --> 01:10:48,583
And at the moment
the documentary is really like <i>No Exit</i>.

759
01:10:48,666 --> 01:10:51,375
It's just going around and around
and around with no payoff.

760
01:10:51,458 --> 01:10:52,458
There's no story.

761
01:10:52,541 --> 01:10:54,875
There's a lot of good stuff
that we shot in the documentary,

762
01:10:54,958 --> 01:10:56,250
but there's no story yet.

763
01:10:56,333 --> 01:11:01,666
Now I know how to get
this TV show together in about a week.

764
01:11:01,750 --> 01:11:04,291
But I can't do it with you.
I can't produce you.

765
01:11:04,375 --> 01:11:06,375
- Neither can anybody else.
- No, right.

766
01:11:06,458 --> 01:11:08,083
'Cause we don't allow it, you know.

767
01:11:08,666 --> 01:11:10,958
We don't allow people
to come and say, "You do that."

768
01:11:11,041 --> 01:11:13,750
That's why I'm creating
artificial frameworks for us to do it--

769
01:11:13,833 --> 01:11:16,500
We've got a lot of good stuff,
like with some of the days at Twickenham.

770
01:11:16,583 --> 01:11:19,500
We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.

771
01:11:19,583 --> 01:11:20,875
See, 'cause they've got the film,
you know.

772
01:11:20,958 --> 01:11:22,375
- I just wanna get out now.
- Yes.

773
01:11:22,458 --> 01:11:25,458
We've done the film.
We've done the numbers enough, you know?

774
01:11:25,541 --> 01:11:26,666
And we begin together--

775
01:11:26,750 --> 01:11:29,250
But, I mean, if George wants to think
while we're doing it

776
01:11:29,333 --> 01:11:30,500
that he's making a record.

777
01:11:30,583 --> 01:11:33,166
- Yes.
- And you wanna think we're rehearsing.

778
01:11:33,250 --> 01:11:34,458
It makes no odds, you know.

779
01:11:34,541 --> 01:11:35,750
So we've gotta decide

780
01:11:35,833 --> 01:11:38,166
that we mustn't then go on "Get Back"
for three hours.

781
01:11:42,458 --> 01:11:45,291
{\an8}Or else I really feel like
I'm trying to produce The Beatles,

782
01:11:45,375 --> 01:11:46,958
and I know it's hopeless.

783
01:11:47,041 --> 01:11:48,333
I just can't do it, you know.

784
01:11:48,416 --> 01:11:49,625
And no one can do it

785
01:11:49,708 --> 01:11:52,916
'cause the four individuals
are too strong individually.

786
01:11:53,000 --> 01:11:55,916
- Yes, we know.
- So you want us to record these songs?

787
01:11:56,000 --> 01:11:59,583
Yeah. Get it together now
instead of talking about the show.

788
01:11:59,666 --> 01:12:01,416
Get it, so that we've got 14 songs.

789
01:12:01,500 --> 01:12:04,166
We're talking about
this abstract thing we hope to get,

790
01:12:04,250 --> 01:12:05,833
and by talking about,
we're not getting it.

791
01:12:05,916 --> 01:12:07,000
Okay, let's do it.

792
01:12:07,083 --> 01:12:09,958
But, man, physically, yesterday
we tried to learn the next half.

793
01:12:10,041 --> 01:12:11,375
But physically we were too tired.

794
01:12:11,458 --> 01:12:13,000
- That's all it was.
- Yeah, that's right.

795
01:12:13,083 --> 01:12:14,541
And we're trying to do what you're saying,

796
01:12:14,625 --> 01:12:17,166
and we might have done
what he was saying at the same time,

797
01:12:17,250 --> 01:12:18,791
but we couldn't do it 'cause we're tired.

798
01:12:18,875 --> 01:12:19,875
- That's all.
- Yeah.

799
01:12:19,958 --> 01:12:22,083
So we had--
We might have had a bit more sleep--

800
01:12:22,166 --> 01:12:26,000
You mean you're still expecting us to be
on the chimney with a lot of people,

801
01:12:26,083 --> 01:12:27,333
or something like that?

802
01:12:27,416 --> 01:12:29,875
Well, anyway, we won't worry
about that. Don't give us that one.

803
01:12:29,958 --> 01:12:32,041
"Expecting" is not a word we use anymore.

804
01:12:32,125 --> 01:12:33,125
Uh, "thinking about."

805
01:12:33,208 --> 01:12:35,458
- "Praying"?
- "Praying. Hoping."

806
01:12:36,500 --> 01:12:38,375
Uh… well, now,
what about the roof tomorrow?

807
01:12:38,458 --> 01:12:40,250
- Do you wanna collectively do it or not?
- No, let's--

808
01:12:40,333 --> 01:12:43,625
Let's-- Let's decide on that,
sort of, a bit later.

809
01:12:43,708 --> 01:12:45,708
Let's us keep off that.

810
01:12:45,791 --> 01:12:47,333
- We'll do the numbers, you know?

811
01:12:47,416 --> 01:12:48,791
We're the band.

812
01:12:48,875 --> 01:12:51,416
- "You're fucking right."

813
01:12:51,500 --> 01:12:54,041
No, you know, I-- You know, whatever.

814
01:12:54,125 --> 01:12:56,166
I'll do it if we've got to go on the roof.

815
01:12:56,250 --> 01:12:57,625
- You're the band now…
- You know, I mean…

816
01:13:04,583 --> 01:13:05,750
You would like to?

817
01:13:06,666 --> 01:13:07,666
{\an8}

818
01:13:08,875 --> 01:13:10,708
Very diverse people.

819
01:13:10,791 --> 01:13:13,000
- One second.
- But, I mean if… See, I don't mind…

820
01:13:13,083 --> 01:13:16,000
- That's all right. We won't discuss it.
- …if anybody doesn't wanna go on it.

821
01:13:16,083 --> 01:13:18,125
- It wasn't that I--
- So what songs have we got?

822
01:13:18,208 --> 01:13:20,541
Have we got a sort of list
of what we've got, 'cause--

823
01:13:20,625 --> 01:13:23,291
A lot of them are…
I mean, there's too much of a list there.

824
01:13:23,375 --> 01:13:25,666
- But there's certainly everything here.
- Okay.

825
01:13:25,750 --> 01:13:28,708
"I've Got a Feeling,"
"Don't Let Me Down," "Get Back."

826
01:13:28,791 --> 01:13:31,583
- Don't know what that is.
- "I'd Like a Love That's Right."

827
01:13:34,166 --> 01:13:36,750
{\an8}"Long and Winding Road,"
"Let it Be," "For You Blue."

828
01:13:41,333 --> 01:13:44,500
- I love "Yer Blue."
- "Two of Us," "All I Want is You,"

829
01:13:44,583 --> 01:13:46,875
"Across The Universe,"
"Maxwell's Silver Hammer."

830
01:13:46,958 --> 01:13:49,250
- "Route 999."
- "One After 909."

831
01:13:49,333 --> 01:13:50,875
- "One After 909."

832
01:13:50,958 --> 01:13:52,916
Listen, there's no surprise numbers
even in this.

833
01:13:53,000 --> 01:13:54,000
Surprises?

834
01:13:54,083 --> 01:13:56,541
I mean, there's nothing that'd throw us
to do it straight.

835
01:13:56,625 --> 01:13:58,500
"Bathroom Window," "Teddy Boy."

836
01:13:58,583 --> 01:14:00,583
We haven't gone through
"Maxwell's" since Twickenham.

837
01:14:00,666 --> 01:14:03,500
No. "All Things Must Pass."
That's lucky 13.

838
01:14:03,583 --> 01:14:05,458
{\an8}There's "Dig It", as well,
which is very long.

839
01:14:06,875 --> 01:14:08,958
It's like all these new ones
we've gotta do

840
01:14:09,041 --> 01:14:11,375
to make up the number don't exist.

841
01:14:11,458 --> 01:14:12,458
- Right.
- Great.

842
01:14:12,541 --> 01:14:13,791
We've got 'em all.

843
01:14:13,875 --> 01:14:15,083
And you've got the live album.

844
01:14:15,166 --> 01:14:16,958
- Yeah.
- If you wanna do it, if we just find out--

845
01:14:17,041 --> 01:14:18,875
We should just collect
all the thoughts on these

846
01:14:18,958 --> 01:14:20,541
and just check through every song,

847
01:14:20,625 --> 01:14:24,416
like to know, say, make sure you know
all the chords, I know all the bass notes.

848
01:14:42,083 --> 01:14:44,208
{\an8}

849
01:14:44,291 --> 01:14:47,041
{\an8}

850
01:15:30,166 --> 01:15:31,375
{\an8}

851
01:15:31,458 --> 01:15:35,750
{\an8}

852
01:15:55,666 --> 01:15:56,875
Are we having lunch soon?

853
01:15:58,291 --> 01:16:00,375
- See you later.
- Ta-ra, girls.

854
01:16:00,458 --> 01:16:01,458
See ya.

855
01:16:07,916 --> 01:16:10,791
John, I'll tell you
what I'd like to do.

856
01:16:11,500 --> 01:16:12,625
Um…

857
01:16:12,708 --> 01:16:17,250
You know, I've got so many songs
that I've got me, like,

858
01:16:17,333 --> 01:16:22,666
my quota of tunes
for the next ten years or albums.

859
01:16:23,291 --> 01:16:29,625
I'd just like to maybe do
an album of songs.

860
01:16:30,541 --> 01:16:31,625
{\an8}- Yeah.
- Yeah.

861
01:16:31,708 --> 01:16:34,708
But, I mean,
I'd like it so that if, uh…

862
01:16:38,125 --> 01:16:41,791
'Cause it would be nice. It would be nice
to mainly get them all out the way.

863
01:16:41,875 --> 01:16:42,708
Yes.

864
01:16:44,166 --> 01:16:48,791
And secondly, just to hear
what all mine are like all together.

865
01:16:53,250 --> 01:16:58,875
Yeah, but it'd be nice if
any of us can do separate things as well.

866
01:16:58,958 --> 01:17:04,625
That way it also preserves this,
the Beatle bit of it, more.

867
01:17:04,708 --> 01:17:05,708
Because then--

868
01:17:05,791 --> 01:17:07,916
Have an outlet
for every little note you want.

869
01:17:08,000 --> 01:17:10,458
You know,
'cause all these songs of mine,

870
01:17:10,541 --> 01:17:12,916
I could give to people
who could do 'em good.

871
01:17:13,000 --> 01:17:15,625
But I suddenly realized,
"You know, fuck all that.

872
01:17:15,708 --> 01:17:18,708
I'm just gonna do me for a bit. You know?"

873
01:17:18,791 --> 01:17:21,000
- That's the real thing.
- It's great. That's a good idea.

874
01:17:21,083 --> 01:17:22,625
And, you know…

875
01:19:35,375 --> 01:19:36,375
This one.

876
01:20:22,291 --> 01:20:23,541
- Take it.
- Yes, sir.

877
01:21:15,625 --> 01:21:16,625
I'm going home.

878
01:21:23,833 --> 01:21:25,750
A, B, C, D, E, F, G,

879
01:21:25,833 --> 01:21:28,375
- H, I, J, K, L, M, N, O, P…
- Greta Garbo.

880
01:21:28,458 --> 01:21:31,208
- …Q, S, R, T.
- Greta Garbo. Greta Garbo.

881
01:21:31,291 --> 01:21:32,291
Greta Garbo.

882
01:21:33,750 --> 01:21:35,083
No, that's not.

883
01:21:37,708 --> 01:21:39,958
Put the ones we know in a hat.

884
01:21:40,041 --> 01:21:42,416
Shuffle them out
to see which order we do 'em in.

885
01:21:44,791 --> 01:21:46,666
We'll all be here bright and early.

886
01:21:46,750 --> 01:21:48,000
11:30.

887
01:21:48,083 --> 01:21:50,750
We're all sleeping at George's tonight.
Get in the mood.

888
01:21:50,833 --> 01:21:52,458
We're all ready for tomorrow.

889
01:21:52,541 --> 01:21:54,375
So you're doing the show
on the roof tomorrow?

890
01:21:57,000 --> 01:22:00,250
{\an8}Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.

891
01:22:01,416 --> 01:22:02,333
Mm-hmm.

892
01:22:09,666 --> 01:22:11,458
- You'll go as well?
- Yeah.

893
01:22:11,541 --> 01:22:14,291
I think John and, uh, Ringo
are on the roof.

894
01:22:16,166 --> 01:22:18,125
In a green bag on the roof.

895
01:22:20,833 --> 01:22:22,208
Who knows, Yoko?

896
01:22:24,750 --> 01:22:26,791
Supposed to be, yeah. Yeah.

897
01:22:28,833 --> 01:22:30,750
- Okay.
- Oh, yeah. Let's do that.

898
01:22:30,833 --> 01:22:32,000
Go on the roof.

899
01:22:32,083 --> 01:22:34,333
- Good night, Mike.

900
01:22:34,416 --> 01:22:36,500
- Seven come 11. Good night.
- The others are from…

901
01:22:36,583 --> 01:22:37,708
- Good night.
- Good night.

902
01:22:37,791 --> 01:22:39,500
- Good night!

903
01:22:39,583 --> 01:22:40,583
From your show.

904
01:22:40,666 --> 01:22:42,416
- Night, George.
- Good night, George!

905
01:22:43,166 --> 01:22:44,666
Good night, Sir Richard.

906
01:22:44,750 --> 01:22:47,000
{\an8}I'll be here tomorrow
to film in the church.

907
01:22:59,958 --> 01:23:02,208
And then Tony and I
are gonna split downstairs.

908
01:23:04,083 --> 01:23:06,083
{\an8}

909
01:23:24,208 --> 01:23:25,208
{\an8}

910
01:23:40,208 --> 01:23:43,041
{\an8}-
- Yeah?

911
01:23:48,833 --> 01:23:50,833
Would you like to go up
when you're ready?

912
01:23:51,625 --> 01:23:54,208
- What time is he expecting you?
- You can give them to Debbie.

913
01:23:54,291 --> 01:23:57,333
You know, it's exclusive.
It's gotta work for whoever does it.

914
01:23:59,083 --> 01:24:00,208
{\an8}Thank you.

915
01:24:08,875 --> 01:24:11,208
Let's get a camera
down in the hall now too.

916
01:24:17,041 --> 01:24:18,458
{\an8}

917
01:24:19,958 --> 01:24:21,458
{\an8}Yeah, I heard about that.

918
01:24:27,083 --> 01:24:28,375
{\an8}

919
01:24:34,375 --> 01:24:36,208
{\an8}- Yes.
- Is that the same kind of…

920
01:24:37,041 --> 01:24:39,208
{\an8}

921
01:24:39,291 --> 01:24:40,458
Okay, hold it.

922
01:24:41,750 --> 01:24:44,333
Three, two, one. All right.

923
01:24:53,541 --> 01:24:54,791
{\an8}Hi. Can we come in?

924
01:24:55,708 --> 01:24:58,166
{\an8}- Who you here for?
- Tony Richmond. Is he--

925
01:25:06,500 --> 01:25:08,125
There's a special lead
that goes under.

926
01:25:10,291 --> 01:25:11,541
Tony's ready, isn't he?

927
01:25:13,166 --> 01:25:14,500
Uh, with cameras?

928
01:25:14,583 --> 01:25:16,291
- Yeah.
- Yeah.

929
01:25:24,833 --> 01:25:26,416
Okay. Let's go.

930
01:25:27,541 --> 01:25:29,125
- Is it running?
- Yes.

931
01:25:29,208 --> 01:25:30,666
- We're running.
- Running.

932
01:25:30,750 --> 01:25:32,083
- What's going on?
- All right.

933
01:25:33,041 --> 01:25:34,666
All cameras, take one!

934
01:25:36,208 --> 01:25:37,958
Where's the best way
out of the way?

935
01:25:38,041 --> 01:25:39,166
Over here, I think.

936
01:25:39,250 --> 01:25:41,250
- Yeah, you would think that.
- With Maureen.

937
01:25:42,250 --> 01:25:44,250
See, you can never tell
what he's doing.

938
01:25:45,458 --> 01:25:46,458
Sorry.

939
01:25:47,291 --> 01:25:49,000
- Hey.
- You know you're around back.

940
01:25:51,458 --> 01:25:52,708
Which is you here.

941
01:25:54,958 --> 01:25:56,458
- We may find--
- All right, yeah?

942
01:25:56,541 --> 01:25:58,458
- It's a bit cold, isn't it?
- What's going on?

943
01:25:58,541 --> 01:26:00,375
It's, uh, great.

944
01:26:05,041 --> 01:26:07,125
- You're all right playing there?
- I don't know.

945
01:26:10,875 --> 01:26:12,416
- Good shot there.
- Yeah.

946
01:26:13,000 --> 01:26:14,083
Where's the instruments?

947
01:26:15,166 --> 01:26:17,083
- Mal?

948
01:26:17,166 --> 01:26:18,916
Nailed me down in the wrong place.

949
01:26:19,458 --> 01:26:21,041
That's the last of it, yeah.

950
01:26:21,708 --> 01:26:23,958
The three-- First, second and third.

951
01:26:24,916 --> 01:26:27,416
- First of all, that seems to…
- I think if we have some…

952
01:26:28,250 --> 01:26:29,375
Are you sure?

953
01:26:29,458 --> 01:26:31,375
We've worked that out.

954
01:26:31,875 --> 01:26:33,375
- Let's set them up.
- Yeah.

955
01:26:39,041 --> 01:26:41,833
There's piping along there.
That's where you put them back in.

956
01:26:45,625 --> 01:26:46,791
Yeah, well that goes in here.

957
01:26:46,875 --> 01:26:48,416
- That should do it, really.
- Yeah.

958
01:26:50,416 --> 01:26:52,750
- What's that? A perfect fit.
- Yeah, man.

959
01:26:56,458 --> 01:26:57,541
What is it?

960
01:26:59,416 --> 01:27:00,916
Hands are getting the feel of it.

961
01:27:02,083 --> 01:27:03,458
It's gotta be like it is.

962
01:27:03,541 --> 01:27:05,208
Just record the song.

963
01:27:08,666 --> 01:27:10,416
Glyn, are you getting this down there?

964
01:27:12,583 --> 01:27:14,208
- Oh, it's right-handed.
- Is it?

965
01:27:14,291 --> 01:27:15,958
- Yeah.
- Kevin?

966
01:27:16,625 --> 01:27:19,458
- I missed the start. George--

967
01:27:19,541 --> 01:27:22,083
- Just look down. Must have had a few.
- Well, they're gonna hear it.

968
01:27:24,250 --> 01:27:26,541
- Final checks. Roll sound.
- Right.

969
01:27:26,625 --> 01:27:28,500
One, two, three, four…

970
01:27:57,708 --> 01:27:58,916
- Rolling.

971
01:27:59,875 --> 01:28:01,666
- Rolling. Is the door shut?

972
01:28:01,750 --> 01:28:03,000
- Come on.
- We're good to go.

973
01:28:03,083 --> 01:28:04,416
- Glyn, this one?
- No.

974
01:28:04,500 --> 01:28:06,250
The one at the bottom of the spirals.

975
01:28:06,333 --> 01:28:08,083
It's gotta be wedged.

976
01:28:08,166 --> 01:28:10,416
- Get the clapper.
- Come on, you idiot.

977
01:28:10,500 --> 01:28:11,875
Get the clapper here.

978
01:28:11,958 --> 01:28:13,291
- Okay?
- Okay.

979
01:28:18,416 --> 01:28:19,458
Okay.

980
01:28:19,541 --> 01:28:21,041
One, two, three, four…

981
01:28:22,791 --> 01:28:23,791
Yeah.

982
01:31:22,375 --> 01:31:23,875
Whoo-hoo!

983
01:31:26,916 --> 01:31:28,791
- Thank you very much.
- Thank you very much.

984
01:31:28,875 --> 01:31:31,416
It looks like
Ted Dexter has scored another.

985
01:31:31,500 --> 01:31:33,833
We've had a request
from Martin and Luther.

986
01:31:33,916 --> 01:31:35,958
We need more voice on the PA, yes, Glyn?

987
01:31:36,041 --> 01:31:39,708
- No, we don't need any more.
- That's all right. Hello? Hello?

988
01:31:39,791 --> 01:31:43,041
Glyn, any more voice on the Fenders?

989
01:31:44,208 --> 01:31:45,916
<i>Do it there.</i>

990
01:31:46,000 --> 01:31:48,166
- What?
- <i>Do it from up there.</i>

991
01:31:48,250 --> 01:31:50,000
No, they would have had
to turn off the whole roof.

992
01:31:50,083 --> 01:31:51,083
Okay, cut it.

993
01:31:52,291 --> 01:31:53,375
<i>Mike, have you cut?</i>

994
01:31:53,458 --> 01:31:55,083
- Yeah, we'll cut.

995
01:31:55,166 --> 01:31:56,708
Where's the noise coming from?

996
01:31:56,791 --> 01:31:58,333
It's coming from the roof.

997
01:31:58,416 --> 01:31:59,625
Do you know who it is?

998
01:31:59,708 --> 01:32:01,958
Yeah, The Beatles, ain't it?
Yeah.

999
01:32:02,041 --> 01:32:03,166
You like it?

1000
01:32:03,250 --> 01:32:04,333
Yeah, it's okay.

1001
01:32:04,416 --> 01:32:06,250
What do you think of it?
It's The Beatles.

1002
01:32:06,333 --> 01:32:08,041
Oh, I think jolly good.

1003
01:32:08,125 --> 01:32:09,125
Enjoying it?

1004
01:32:09,208 --> 01:32:12,625
Yeah, very much. Nice, bright thing
to see at the end of the day.

1005
01:32:12,708 --> 01:32:14,041
Do you like the idea?

1006
01:32:14,125 --> 01:32:16,000
I don't know
what they're supposed to be doing.

1007
01:32:16,083 --> 01:32:18,541
- Right, stop--
- All cameras, three!

1008
01:32:18,625 --> 01:32:20,083
Okay. When you're ready, guys.

1009
01:32:20,166 --> 01:32:21,166
All right, Billy.

1010
01:32:21,750 --> 01:32:23,458
One, two, three, four.

1011
01:33:00,625 --> 01:33:01,625
Get back, Jo Jo.

1012
01:33:08,125 --> 01:33:09,208
Go home.

1013
01:33:12,625 --> 01:33:13,625
Yeah.

1014
01:33:17,166 --> 01:33:18,750
{\an8}

1015
01:33:18,833 --> 01:33:20,875
You could say so, yes.
I think they're great.

1016
01:34:18,750 --> 01:34:20,125
Get back, Loretta.

1017
01:34:26,458 --> 01:34:27,708
Yeah, go home.

1018
01:34:30,458 --> 01:34:32,125
Your mommy's waiting.

1019
01:34:32,208 --> 01:34:34,208
In her high-heel shoes
and her low-neck sweater.

1020
01:34:34,291 --> 01:34:35,500
Get back, Loretta!

1021
01:34:37,666 --> 01:34:38,666
Whoo!

1022
01:34:46,291 --> 01:34:47,708
{\an8}

1023
01:34:47,791 --> 01:34:49,208
I think it's marvelous. Yes.

1024
01:34:49,291 --> 01:34:50,666
{\an8}

1025
01:34:50,750 --> 01:34:51,791
Beatles, I think.

1026
01:34:58,916 --> 01:35:01,583
Oh, get back home.

1027
01:35:04,083 --> 01:35:05,916
Never more to roam.

1028
01:35:08,041 --> 01:35:09,041
{\an8}

1029
01:35:09,125 --> 01:35:10,333
On the roof?

1030
01:35:18,416 --> 01:35:21,000
{\an8}

1031
01:35:21,083 --> 01:35:22,583
It's The Beatles, isn't it? Yeah.

1032
01:35:22,666 --> 01:35:25,625
It's Paul McCartney singing now.
Well, it was. Yeah.

1033
01:35:25,708 --> 01:35:28,375
Okay. Well, thank you,
ladies and gentlemen.

1034
01:35:28,458 --> 01:35:30,791
We've had a request
from Daisy, Morris and Tommy.

1035
01:35:37,166 --> 01:35:38,791
- "Don't Let Me Down."
- Okay.

1036
01:36:23,083 --> 01:36:25,500
This type of music
is all right in its place,

1037
01:36:25,583 --> 01:36:28,541
but I think it's a bit of an imposition.
First of all, it's too loud.

1038
01:36:51,875 --> 01:36:54,333
Absolutely disrupts all the business
in this area.

1039
01:36:54,416 --> 01:36:56,291
I think it's great!
Who is this? The Beatles?

1040
01:36:57,625 --> 01:36:58,833
I think it's fantastic.

1041
01:38:59,708 --> 01:39:00,875
Don't let me down.

1042
01:39:16,625 --> 01:39:17,791
That's right.

1043
01:39:19,625 --> 01:39:21,666
{\an8}

1044
01:40:13,541 --> 01:40:14,541
{\an8}

1045
01:41:45,041 --> 01:41:46,666
Whoo-hoo!

1046
01:42:01,041 --> 01:42:04,458
{\an8}

1047
01:42:29,291 --> 01:42:30,291
{\an8}

1048
01:42:33,000 --> 01:42:34,916
- That was so hard.

1049
01:42:35,000 --> 01:42:37,000
{\an8}Hey! All right!

1050
01:42:38,291 --> 01:42:40,291
{\an8}No, no, no, no.

1051
01:42:42,583 --> 01:42:44,208
Peace on Earth!

1052
01:42:54,500 --> 01:42:56,500
- Alan.

1053
01:42:58,750 --> 01:42:59,750
<i>Ringo?</i>

1054
01:42:59,833 --> 01:43:01,458
- Are the cameras still running?
- Yeah.

1055
01:43:01,541 --> 01:43:03,750
<i>Just stick your snare drum mic</i>
<i>back over the snare drum.</i>

1056
01:43:05,083 --> 01:43:08,166
Sir, we must have
your comment. What do you think of it?

1057
01:43:08,250 --> 01:43:09,250
What's going on?

1058
01:43:09,333 --> 01:43:11,833
- It's The Beatles.
- What gives? What's happening?

1059
01:43:11,916 --> 01:43:13,958
They decided to play
for the public for nothing.

1060
01:43:14,041 --> 01:43:15,250
Well, that's great.

1061
01:43:15,333 --> 01:43:17,208
It's a bloody stupid place
to have a concert.

1062
01:43:17,291 --> 01:43:19,833
Nice to have something for free
in this country at the moment, isn't it?

1063
01:43:19,916 --> 01:43:22,541
- Don't you like The Beatles?
- No.

1064
01:43:22,625 --> 01:43:24,166
- No?
- No.

1065
01:43:24,250 --> 01:43:25,583
Not at all?

1066
01:43:25,666 --> 01:43:28,041
Not now. They've changed completely.

1067
01:43:28,125 --> 01:43:30,541
The Beatles are doing
a free concert on the roof.

1068
01:43:30,625 --> 01:43:32,500
- Now?
- Yeah. What do you think of it?

1069
01:43:33,041 --> 01:43:35,083
I think it's very good.
Why aren't they doing it in the street?

1070
01:43:35,166 --> 01:43:36,833
They just thought you'd wanna hear it.

1071
01:43:36,916 --> 01:43:38,625
Yeah, well, we'd also like to see them.

1072
01:43:38,708 --> 01:43:41,166
I just can't see that it makes sense.

1073
01:43:41,791 --> 01:43:43,500
Well, I think it's a very good thing.

1074
01:43:43,583 --> 01:43:46,750
It woke me up from my sleep,
and I don't like it.

1075
01:43:51,750 --> 01:43:53,416
All cameras, four!

1076
01:43:54,666 --> 01:43:56,166
One, two, three.

1077
01:44:36,041 --> 01:44:38,666
{\an8}

1078
01:44:54,416 --> 01:44:56,500
{\an8}

1079
01:44:57,875 --> 01:44:59,000
{\an8}

1080
01:46:45,000 --> 01:46:46,500
Make sure you don't lean on that.

1081
01:46:49,166 --> 01:46:51,500
I can't see what to do.

1082
01:46:55,875 --> 01:46:57,166
- Oh.
- "Dig A Pony."

1083
01:46:57,250 --> 01:46:58,708
I'll have to get the words then.

1084
01:46:58,791 --> 01:47:00,375
- "Dig A Pony."
- <i>"Dig A Pony."</i>

1085
01:47:09,125 --> 01:47:12,250
- I don't know. It's just, uh--
- Just ask Mal to hold 'em.

1086
01:47:12,333 --> 01:47:13,333
Yeah.

1087
01:47:13,416 --> 01:47:14,833
- Kev.
- Kevin?

1088
01:47:15,416 --> 01:47:16,708
Come here.

1089
01:47:20,416 --> 01:47:22,833
Can you hang on?
Well, I'll ring you back later, all right?

1090
01:48:07,333 --> 01:48:08,333
{\an8}

1091
01:48:10,583 --> 01:48:13,833
{\an8}

1092
01:48:16,625 --> 01:48:17,833
Thank you very much.

1093
01:48:20,000 --> 01:48:21,458
We can't use City One Reserve.

1094
01:48:23,625 --> 01:48:25,250
Charming, innit?

1095
01:48:25,333 --> 01:48:26,416
- Jimmy?
- Hmm?

1096
01:48:26,500 --> 01:48:27,875
Have a Sweet Afton.

1097
01:48:29,000 --> 01:48:30,875
Thank you. Don't mind if I do.

1098
01:49:10,041 --> 01:49:11,041
Rolling.

1099
01:49:15,333 --> 01:49:16,666
Are you all ready?

1100
01:49:16,750 --> 01:49:18,541
Yeah? Okay. Are we rolling?

1101
01:49:18,625 --> 01:49:19,708
- Yeah.
- Okay.

1102
01:49:19,791 --> 01:49:21,458
- One, two, three!
- Hold it!

1103
01:49:25,500 --> 01:49:26,958
One, two, three…

1104
01:50:01,416 --> 01:50:05,333
{\an8}

1105
01:50:51,833 --> 01:50:54,833
Yeah, so why is it on the top of the roof?

1106
01:50:54,916 --> 01:50:57,750
{\an8}

1107
01:50:57,833 --> 01:51:00,541
All that money they've got?

1108
01:51:00,625 --> 01:51:03,250
{\an8}

1109
01:51:03,333 --> 01:51:05,541
No, I have no idea.
But it sounds really wonderful.

1110
01:51:06,541 --> 01:51:07,541
{\an8}Yes.

1111
01:51:12,333 --> 01:51:13,333
{\an8}Yes.

1112
01:51:14,583 --> 01:51:15,583
{\an8}Oh, yes.

1113
01:51:16,458 --> 01:51:19,875
{\an8}- Yes, I do. Yes.
- Yeah, I think it's a good idea.

1114
01:51:19,958 --> 01:51:22,208
{\an8}

1115
01:51:22,291 --> 01:51:23,500
Yes.

1116
01:53:01,125 --> 01:53:07,041
{\an8}

1117
01:53:10,583 --> 01:53:12,000
Thank you, brothers.

1118
01:53:12,791 --> 01:53:15,208
My hands are getting too cold
to play a chord now.

1119
01:53:15,291 --> 01:53:16,916
- Turn on the PA too.
- Okay.

1120
01:53:17,000 --> 01:53:18,708
- Shall we do "Can You Dig It"?

1121
01:53:18,791 --> 01:53:21,000
- "Can You Dig It"?
- I don't know.

1122
01:53:41,708 --> 01:53:43,125
{\an8}What's happening?

1123
01:53:43,208 --> 01:53:44,708
{\an8}

1124
01:53:49,666 --> 01:53:51,416
{\an8}

1125
01:53:52,041 --> 01:53:53,375
The Beatles, obviously.

1126
01:54:01,041 --> 01:54:04,208
{\an8}- Fabulous. Lovely.
- Definitely. Fantastic.

1127
01:54:04,291 --> 01:54:08,541
{\an8}

1128
01:54:08,625 --> 01:54:11,916
- They're all a few lads.
- Yeah. Get around, don't they?

1129
01:54:12,000 --> 01:54:13,000
{\an8}

1130
01:54:13,083 --> 01:54:14,708
- I said they get around.

1131
01:54:34,541 --> 01:54:36,708
"Misery."
That's the one, I think.

1132
01:54:38,041 --> 01:54:40,000
- That it?
- That's it. Lovely.

1133
01:54:40,083 --> 01:54:42,583
Anywhere where I could
have a listen to this?

1134
01:54:43,333 --> 01:54:44,875
{\an8}

1135
01:54:44,958 --> 01:54:46,250
{\an8}Yes. Very much. Yes.

1136
01:54:47,166 --> 01:54:48,166
{\an8}Yeah. It's great.

1137
01:54:48,250 --> 01:54:49,541
{\an8}

1138
01:54:49,625 --> 01:54:51,583
{\an8}Um, I think Ringo.

1139
01:54:52,416 --> 01:54:55,541
{\an8}

1140
01:54:55,625 --> 01:54:56,625
No.

1141
01:54:57,291 --> 01:54:58,291
{\an8}No.

1142
01:55:01,083 --> 01:55:02,666
{\an8}Yeah.

1143
01:55:02,750 --> 01:55:04,000
{\an8}Yeah. I think they're good.

1144
01:55:04,083 --> 01:55:05,666
{\an8}

1145
01:55:09,125 --> 01:55:11,000
{\an8}

1146
01:55:30,291 --> 01:55:32,541
Okay. Glynny.
Are you ready, Glyn?

1147
01:55:32,625 --> 01:55:33,958
- <i>Running.</i>
- Turnover, Mike.

1148
01:55:34,041 --> 01:55:35,541
Can we scratch that?

1149
01:55:35,625 --> 01:55:37,541
- Tuning.
- Running. Ready?

1150
01:55:40,291 --> 01:55:41,458
Okay, okay.

1151
01:56:10,625 --> 01:56:12,708
{\an8}

1152
01:56:12,791 --> 01:56:14,125
Not in the street, no.

1153
01:56:14,791 --> 01:56:16,750
{\an8}

1154
01:56:16,833 --> 01:56:19,250
{\an8}- Oh, yes. Yes. Very much.
- You do?

1155
01:56:19,333 --> 01:56:20,791
{\an8}

1156
01:56:20,875 --> 01:56:22,458
{\an8}No, my son does.

1157
01:56:22,541 --> 01:56:24,083
Oh, yes. My daughter does.

1158
01:56:24,791 --> 01:56:27,833
My son would.
He likes all that, but not me.

1159
01:57:34,208 --> 01:57:35,541
{\an8}Yeah, we'll come upstairs.

1160
01:59:20,833 --> 01:59:21,958
Yeah.

1161
01:59:22,041 --> 01:59:24,166
- One, two, three, four.
- "And For The First Time."

1162
01:59:24,250 --> 01:59:26,666
- Oh!
- No, no, "Don't Let Me Down." Sorry.

1163
01:59:30,708 --> 01:59:32,250
Rock and roll!

1164
01:59:32,333 --> 01:59:33,500
You too!

1165
01:59:34,666 --> 01:59:37,250
- Whoo!

1166
01:59:58,458 --> 01:59:59,458
Whoo!

1167
02:01:15,250 --> 02:01:16,250
Whoo!

1168
02:01:40,250 --> 02:01:44,583
{\an8}

1169
02:01:50,916 --> 02:01:52,083
Yeah, that's right.

1170
02:01:55,708 --> 02:01:57,125
{\an8}

1171
02:01:57,208 --> 02:01:58,208
{\an8}Yes.

1172
02:02:11,208 --> 02:02:12,500
{\an8}Yeah.

1173
02:02:12,583 --> 02:02:15,125
{\an8}

1174
02:03:23,041 --> 02:03:24,125
It's off.

1175
02:04:06,291 --> 02:04:07,375
Whoo!

1176
02:04:13,416 --> 02:04:14,416
Whoo!

1177
02:04:15,583 --> 02:04:16,583
Yeah!

1178
02:05:01,791 --> 02:05:04,458
{\an8}

1179
02:05:21,833 --> 02:05:23,083
{\an8}Whoo!

1180
02:05:23,166 --> 02:05:24,958
{\an8}

1181
02:05:25,041 --> 02:05:26,625
{\an8}

1182
02:05:54,083 --> 02:05:55,083
Get back.

1183
02:06:00,583 --> 02:06:02,250
- Thanks, Mo.
- I'd like to say thank you

1184
02:06:02,333 --> 02:06:04,125
on behalf of the group and ourselves.

1185
02:06:04,208 --> 02:06:05,833
I hope we passed the audition.

1186
02:06:08,541 --> 02:06:11,625
All right, boys.
Get in here. Step aside, there.

1187
02:06:14,583 --> 02:06:15,750
You all right?

1188
02:06:18,375 --> 02:06:20,416
Come. Get in there. Come on. In there.

1189
02:06:20,500 --> 02:06:22,166
What's the matter? Everything all right?

1190
02:06:23,041 --> 02:06:24,166
Hmm?

1191
02:06:25,791 --> 02:06:28,541
Get some more cover there.
Film through the office windows.

1192
02:06:28,625 --> 02:06:29,625
Okay.

1193
02:06:30,250 --> 02:06:31,750
People on the roof. Everything.

1194
02:06:31,833 --> 02:06:33,625
Stay there, girls. Stay there.

1195
02:06:43,541 --> 02:06:44,625
Thank you.

1196
02:06:44,708 --> 02:06:47,416
Okay. As soon as
you got the cover, that's a wrap.

1197
02:06:49,958 --> 02:06:52,500
Let's keep it moving please.

1198
02:06:52,583 --> 02:06:55,125
Step off the road, please.
Move along!

1199
02:06:56,791 --> 02:06:58,375
Move along, please.

1200
02:07:01,625 --> 02:07:02,875
Move along, please.

1201
02:07:08,208 --> 02:07:09,541
Off the road, please.

1202
02:07:11,083 --> 02:07:13,000
- Come on. Move along.

1203
02:07:13,083 --> 02:07:16,083
What's the law say that you--
why you can't do that?

1204
02:07:16,166 --> 02:07:18,666
- 'Cause of the PA speakers.
- Disturbing the peace.

1205
02:07:18,750 --> 02:07:22,333
{\an8}- Well, how-- "Disturbing the peace"?
- Peace means like noise.

1206
02:07:22,416 --> 02:07:23,666
As Mike was saying,

1207
02:07:23,750 --> 02:07:26,708
this is a very good dry run
for something else too.

1208
02:07:26,791 --> 02:07:29,083
Apart from the value of this as it stands.

1209
02:07:29,166 --> 02:07:30,166
Yeah.

1210
02:07:30,250 --> 02:07:32,875
- Yeah, for taking over London.
- Yeah.

1211
02:07:32,958 --> 02:07:35,166
- You see, because…
- Top of the Hilton tomorrow.

1212
02:07:35,250 --> 02:07:36,916
Blasting out the sound in their power.

1213
02:07:37,000 --> 02:07:39,208
- Fantastic.
- Every rock group in the world,

1214
02:07:39,291 --> 02:07:41,750
in London, all on the top of buildings.

1215
02:07:41,833 --> 02:07:44,375
- Playing the same tune.
- Also on a platform of loudspeakers.

1216
02:07:44,458 --> 02:07:47,958
So you're just sort of strapped in
to little boxes in this structure.

1217
02:10:02,375 --> 02:10:04,000
What are you feeling about today?

1218
02:10:04,083 --> 02:10:05,916
- You wanna work more today or not?
- Yeah.

1219
02:10:06,000 --> 02:10:07,916
We should record the others now.

1220
02:10:08,000 --> 02:10:10,083
Gotta get the stuff down first.

1221
02:10:10,166 --> 02:10:12,666
- Let's have a break for a bit.
- We'll have lunch and that.

1222
02:10:12,750 --> 02:10:15,333
And then we record the other stuff
that we didn't do.

1223
02:10:15,416 --> 02:10:17,583
- Right.
- Up there. The acoustic stuff.

1224
02:10:17,666 --> 02:10:19,500
- Up there?
- No, down here now.

1225
02:10:19,583 --> 02:10:21,250
- When I--
- There won't be more rooftops.

1226
02:10:21,333 --> 02:10:22,333
No. No more rooftop.

1227
02:10:22,416 --> 02:10:23,750
- That was the rooftop.
- It was really bad.

1228
02:10:23,833 --> 02:10:25,375
{\an8}- Oh, right.
- So, it's like--

1229
02:10:25,458 --> 02:10:27,416
{\an8}You know, you're doing this
and we're taking it--

1230
02:10:27,500 --> 02:10:29,750
{\an8}If we got the police,
we could pretend in the film

1231
02:10:29,833 --> 02:10:31,625
that we had to get down because of them.

1232
02:10:31,708 --> 02:10:33,875
{\an8}- And here we are…
- Just the way it happened then.

1233
02:10:33,958 --> 02:10:35,666
{\an8}That'll just be it, you know.

1234
02:10:35,750 --> 02:10:37,750
{\an8}

1235
02:10:45,208 --> 02:10:48,833
{\an8}This is B camera roll, 1,150.

1236
02:10:48,916 --> 02:10:53,291
Slate 500, take one. Slate 500, take one.

1237
02:10:53,375 --> 02:10:54,625
Roll mic.

1238
02:10:54,708 --> 02:10:58,250
It might have been-- You know.
I don't like to throw things away.

1239
02:10:58,333 --> 02:10:59,416
Okay. Ready?

1240
02:10:59,500 --> 02:11:01,208
- Okay, turnover cameras.
- Clap it.

1241
02:11:01,291 --> 02:11:02,583
Turnover cameras.

1242
02:12:00,833 --> 02:12:01,833
Okay.

1243
02:12:01,916 --> 02:12:03,541
- Running.
- Turn over.

1244
02:12:03,625 --> 02:12:06,041
- Did I ever tell you when I had the--
- Take-- Take ten.

1245
02:12:06,875 --> 02:12:08,583
I don't think
I wanna hear that, Dick.

1246
02:12:09,750 --> 02:12:11,083
Okay, Jim.

1247
02:12:12,750 --> 02:12:14,500
- Good night, Paul.
- Say good night, John.

1248
02:12:14,583 --> 02:12:16,375
- Good night, Paul.
- Good night.

1249
02:12:25,291 --> 02:12:28,541
{\an8}

1250
02:12:28,625 --> 02:12:33,541
{\an8}

1251
02:13:09,875 --> 02:13:12,708
{\an8}

1252
02:13:12,791 --> 02:13:15,625
{\an8}

1253
02:13:17,375 --> 02:13:19,875
{\an8}Take-- Take-- Take 17!

1254
02:13:33,416 --> 02:13:35,541
- Okay, start again.

1255
02:13:42,583 --> 02:13:43,750
F-stop.

1256
02:13:46,208 --> 02:13:47,875
We'll need one more, actually.

1257
02:13:49,708 --> 02:13:50,708
Take 18.

1258
02:13:54,083 --> 02:13:55,541
Now what's the chord you play…

1259
02:14:26,083 --> 02:14:28,375
- Running.

1260
02:14:28,458 --> 02:14:29,958
- Running, Col? Running, Mike?
- Yeah.

1261
02:14:30,041 --> 02:14:31,833
- Running, yeah.
- Nice and quiet. Mark it.

1262
02:14:31,916 --> 02:14:32,916
Take 25.

1263
02:15:18,083 --> 02:15:20,375
- What the shittin' hell is going on here?

1264
02:15:28,250 --> 02:15:30,958
<i>Eins, zwei, viertel nach drei.</i>

1265
02:15:39,958 --> 02:15:41,625
What the fuck's going on?

1266
02:15:41,708 --> 02:15:44,208
I'll never get "Maggie Mae" done
if we go on like this.

1267
02:15:49,500 --> 02:15:51,333
Are we supposed to giggle in the solo?

1268
02:15:51,416 --> 02:15:52,666
- Yeah.
- Okay.

1269
02:15:56,750 --> 02:15:59,208
- Get off, you bum!

1270
02:16:11,541 --> 02:16:14,000
- I lost a bass note somewhere.
- Oh.

1271
02:16:28,833 --> 02:16:32,166
{\an8}

1272
02:16:32,250 --> 02:16:35,250
{\an8}

1273
02:16:35,333 --> 02:16:37,041
{\an8}

1274
02:16:50,333 --> 02:16:51,500
Let it be.

1275
02:17:07,958 --> 02:17:11,125
{\an8}-

1276
02:17:12,166 --> 02:17:14,708
{\an8}

1277
02:17:14,791 --> 02:17:16,541
{\an8}

1278
02:17:30,125 --> 02:17:33,583
- Is that the best one?
- I think that was rather grand.

1279
02:17:34,083 --> 02:17:35,833
I'd take one home with me.

1280
02:17:37,625 --> 02:17:38,666
Yeah, that was fine.

1281
02:17:39,291 --> 02:17:41,208
Don't kid us, Glyn.

1282
02:17:42,083 --> 02:17:44,125
Give it to us straight.

1283
02:17:45,333 --> 02:17:47,416
- Get me off this bass.
- Was that good enough?

1284
02:17:47,500 --> 02:17:50,750
- Yes.
- We'll do one more to cover ourselves.

1285
02:17:50,833 --> 02:17:53,500
We'll just do one more
'cause we know we've got it now.

1286
02:17:54,208 --> 02:17:56,125
We've got so many of the bastards.