1
00:00:40,916 --> 00:00:43,333
-[crew 1] Run it.
-[footsteps]
2
00:00:43,416 --> 00:00:45,833
- Cut.
-[footsteps]
3
00:00:45,916 --> 00:00:48,000
Again. No, cut.
4
00:00:49,166 --> 00:00:50,166
- Ready?
- Okay.
5
00:00:50,250 --> 00:00:54,208
[crew members chattering]
6
00:01:06,166 --> 00:01:07,666
[chattering continues]
7
00:01:20,958 --> 00:01:22,375
[laughter]
8
00:01:24,541 --> 00:01:26,958
-[crew 1] Turn over.
-[crew 2] Turn over, lads. Thank you.
9
00:01:28,625 --> 00:01:29,833
[crew 3] Turn over.
10
00:01:40,791 --> 00:01:43,166
-[Michael] Sit down over here...
-[Ringo] Shall we sit over here?
11
00:01:43,250 --> 00:01:44,250
Yeah.
12
00:01:47,375 --> 00:01:48,375
Hi.
13
00:01:49,333 --> 00:01:55,291
[Ringo] ♪ You're my world
You are my only love ♪
14
00:02:05,416 --> 00:02:06,791
How was the meeting?
15
00:02:07,875 --> 00:02:09,166
The meeting was fine.
16
00:02:10,041 --> 00:02:11,750
A lot of good things, but then, you know...
17
00:02:14,041 --> 00:02:16,208
they all sort of fell apart in the end.
18
00:02:17,041 --> 00:02:19,583
[Michael] I just spoke to Neil,
who's calling a couple of your colleagues
19
00:02:20,250 --> 00:02:22,375
to see if they're also gonna come.
20
00:02:24,375 --> 00:02:26,250
[Ringo] Couple of colleagues
told me last night
21
00:02:26,333 --> 00:02:28,625
that they would be there the same time.
[chuckles]
22
00:02:28,708 --> 00:02:30,875
[Michael] Neil expressed an opinion
that no one was coming.
23
00:02:30,958 --> 00:02:34,000
[Ringo] Well, phone Neil
and tell him I'm here for lunch.
24
00:02:34,083 --> 00:02:35,875
[all chuckling]
25
00:02:35,958 --> 00:02:38,000
Have you got enough
for a good documentary?
26
00:02:38,083 --> 00:02:40,333
[Michael]
It depends how liquid the situation is.
27
00:02:40,833 --> 00:02:42,625
Use it all.
28
00:02:42,708 --> 00:02:45,416
Well, in other words,
if we tell it like it is,
29
00:02:45,500 --> 00:02:47,625
then we've got a very good documentary.
30
00:02:47,708 --> 00:02:48,708
But if--
31
00:02:48,791 --> 00:02:50,083
We're hiding.
32
00:02:50,166 --> 00:02:52,625
[Michael] If we're hiding,
then we don't have much of a documentary.
33
00:02:52,708 --> 00:02:56,416
We just have a couple of days
when things didn't work out, that's it.
34
00:02:58,333 --> 00:03:01,791
- Yeah.
-[laughing]
35
00:03:01,875 --> 00:03:03,041
Yeah, I'll take it.
36
00:03:03,125 --> 00:03:04,791
-[Ringo] I'll take them for him.
- Okay.
37
00:03:05,875 --> 00:03:08,041
[delivery man] I had strict instructions
to bring them on the set.
38
00:03:08,125 --> 00:03:09,375
Yeah, okay.
39
00:03:21,833 --> 00:03:24,000
- Harry who?
- Hare Krishna.
40
00:03:24,666 --> 00:03:26,208
Do you like India?
41
00:03:26,291 --> 00:03:27,416
No, not really.
42
00:03:30,333 --> 00:03:33,041
[chattering]
43
00:03:34,250 --> 00:03:35,625
[coughing]
44
00:03:35,708 --> 00:03:38,708
[chattering continues]
45
00:03:44,750 --> 00:03:47,500
[Glyn] Did I tell you
my wife's definitely confirmed pregnant?
46
00:03:47,583 --> 00:03:48,583
-[Tony] Oh, good.
- Yeah.
47
00:03:48,666 --> 00:03:51,375
- Congratulations.
- Well pleased, yes.
48
00:03:53,041 --> 00:03:54,750
[Tony] I wouldn't mind knocking one out.
49
00:03:55,916 --> 00:03:57,708
- I really love kids.
-[Glyn] "Knocking one out."
50
00:03:59,416 --> 00:04:01,833
- Morning, morning, morning.
- Morning, morning.
51
00:04:01,916 --> 00:04:02,750
Thank you.
52
00:04:02,833 --> 00:04:04,333
- Hello.
- Hello.
53
00:04:04,416 --> 00:04:07,208
-[Ringo] Morning, Linda.
-[Linda] Morning.
54
00:04:07,291 --> 00:04:08,500
- It's...
- From The Circus.
55
00:04:08,583 --> 00:04:11,625
-[Ringo] Here we are.
-[Michael] Neil spoke to me and he said...
56
00:04:12,666 --> 00:04:15,333
He, A, said he'd call me back at 11:15.
57
00:04:18,000 --> 00:04:19,958
Then when I arrived back RS was here.
58
00:04:20,625 --> 00:04:22,125
[Paul] And PM was on his way.
59
00:04:22,208 --> 00:04:24,125
[Michael] PM was on his way. And, uh...
60
00:04:24,208 --> 00:04:25,166
[Paul] JL was in bed.
61
00:04:25,250 --> 00:04:27,166
JL was in bed.
62
00:04:27,250 --> 00:04:28,583
Morning, Neil.
63
00:04:28,666 --> 00:04:30,000
Good morning, Glyn.
64
00:04:32,666 --> 00:04:34,916
-[Ringo] Did you get in touch with John?
- I couldn't get him.
65
00:04:37,166 --> 00:04:38,166
I don't know.
66
00:04:39,916 --> 00:04:41,791
Mal couldn't get him either.
You can only get the machine.
67
00:04:45,916 --> 00:04:49,125
[Linda] 'Cause I have a feeling that
half the stuff Yoko said yesterday isn't--
68
00:04:49,208 --> 00:04:51,125
She was talking for John.
69
00:04:51,208 --> 00:04:54,958
And I don't think he really
believed any of that, you know?
70
00:04:55,541 --> 00:04:56,416
No, so, it's--
71
00:04:56,500 --> 00:04:59,791
John didn't talk, so Yoko talked for John.
72
00:05:01,000 --> 00:05:02,291
In the middle of all that, actually...
73
00:05:06,458 --> 00:05:08,916
See, but their point is
that they're trying to,
74
00:05:09,000 --> 00:05:11,166
like, be as near together as they can.
75
00:05:12,000 --> 00:05:14,125
They wanna stay together, those two.
76
00:05:14,208 --> 00:05:16,125
So it's all right.
Let the young lovers stay together.
77
00:05:16,208 --> 00:05:17,750
But it's not that bad, you know.
78
00:05:17,833 --> 00:05:21,875
We got a lot out of Beatles,
so that if-- I think John's thing now--
79
00:05:29,375 --> 00:05:31,000
-[chattering]
- All right.
80
00:05:31,083 --> 00:05:32,125
Are we running?
81
00:05:32,208 --> 00:05:34,500
♪ Why do you build me up ♪
82
00:05:34,583 --> 00:05:38,208
♪ Build me up
Buttercup baby, just... ♪
83
00:05:40,583 --> 00:05:41,583
[Michael] Yeah.
84
00:05:41,666 --> 00:05:43,541
Funny enough,
the other day when we were talking,
85
00:05:43,625 --> 00:05:46,666
John had said that he really did not want
not to be a Beatle.
86
00:05:47,333 --> 00:05:48,791
Yes.
87
00:05:52,625 --> 00:05:53,875
- Oh, yeah. Sure.
- Are you--
88
00:05:53,958 --> 00:05:56,166
We'd cooled it
because we were not playing together.
89
00:05:56,250 --> 00:05:58,916
'Cause we lived together
when we played together.
90
00:05:59,000 --> 00:06:00,166
We were in the same hotel,
91
00:06:00,250 --> 00:06:02,333
up at the same time
every morning, all day.
92
00:06:03,000 --> 00:06:05,916
As long as you're this close all day,
so something grows.
93
00:06:06,000 --> 00:06:08,833
And then when you're not this close,
just physically, something goes.
94
00:06:08,916 --> 00:06:10,000
Right.
95
00:06:10,083 --> 00:06:14,041
[Paul] Actually, musically, we can play
better than we've ever been able to play.
96
00:06:14,125 --> 00:06:16,333
You know, we're all right on that.
97
00:06:16,416 --> 00:06:18,333
It's just that being together thing.
98
00:06:18,416 --> 00:06:21,125
It's difficult starting right from scratch
with Yoko there.
99
00:06:21,208 --> 00:06:23,791
'Cause I start out writing songs
about white walls.
100
00:06:23,875 --> 00:06:24,875
-[laughing]
- Just 'cause I--
101
00:06:24,958 --> 00:06:28,291
You know, just 'cause
I think John and Yoko would like that.
102
00:06:28,375 --> 00:06:29,541
And they wouldn't.
103
00:06:34,458 --> 00:06:37,916
So, I just think
it's just silly of me or anyone
104
00:06:38,000 --> 00:06:40,416
to try and say to 'em, "No, you can't."
105
00:06:40,500 --> 00:06:44,958
It's like-- It's like that we're striking
'cause work conditions aren't right.
106
00:06:45,041 --> 00:06:46,666
But it shouldn't be.
107
00:06:46,750 --> 00:06:49,708
"Can't operate under these conditions,
boy. We're coming out."
108
00:06:50,291 --> 00:06:52,958
It's like they're going overboard
about it.
109
00:06:53,041 --> 00:06:54,416
But John always does, you know.
110
00:06:54,500 --> 00:06:58,208
You can't go saying, "Be sensible about it
and don't bring her to meetings."
111
00:06:58,708 --> 00:07:00,375
It's his decision, that.
112
00:07:00,458 --> 00:07:02,791
It's none of our business,
like, interfering in that.
113
00:07:08,541 --> 00:07:10,583
Well, I think for them
to be able to compromise,
114
00:07:10,666 --> 00:07:12,666
I have to be able to compromise first.
115
00:07:12,750 --> 00:07:14,000
Then they'll be able to.
116
00:07:14,083 --> 00:07:16,833
But it's silly,
neither of us compromising.
117
00:07:17,458 --> 00:07:19,041
We probably do need...
118
00:07:20,333 --> 00:07:22,666
really, sort of a central daddy figure
119
00:07:22,750 --> 00:07:27,458
to say, you know, "Nine o'clock,
leave your girls at home, lads."
120
00:07:27,541 --> 00:07:28,708
You know, we're all...
121
00:07:31,125 --> 00:07:37,541
But it's gonna be such an incredible sort
of comical thing, like, in 50 years' time.
122
00:07:39,500 --> 00:07:41,750
"They broke up 'cause Yoko sat on an amp."
123
00:07:41,833 --> 00:07:44,625
-[chattering]
- Just something like that. "What?"
124
00:07:45,958 --> 00:07:48,291
"You see,
John kept bringing this girl along."
125
00:07:50,250 --> 00:07:51,333
What?
126
00:07:51,416 --> 00:07:56,625
It's not as though there's any sort
of earth-splitting rows or anything.
127
00:08:10,125 --> 00:08:11,291
[whistling]
128
00:08:11,375 --> 00:08:13,083
[Michael] Lid on the parrot's cage.
129
00:08:16,708 --> 00:08:18,333
[whistling continues]
130
00:08:25,375 --> 00:08:28,125
[Michael]
Uh, if we were gonna take a ship's pool
131
00:08:28,208 --> 00:08:30,041
on what our communal life is gonna be
132
00:08:30,125 --> 00:08:32,208
in the next two weeks,
what are we all betting?
133
00:08:32,291 --> 00:08:34,750
We should cancel that 18th day.
134
00:08:34,833 --> 00:08:37,250
'Cause it should definitely be the 19th.
135
00:08:37,875 --> 00:08:40,291
I mean, already,
'cause we're gonna lose today.
136
00:08:40,375 --> 00:08:43,041
I think we see the end of this week out
137
00:08:43,125 --> 00:08:46,000
and something will have happened,
definitely.
138
00:08:46,083 --> 00:08:47,375
[Michael] Even if it's only nothing?
139
00:08:47,458 --> 00:08:53,083
I was talking to Neil last night
about an idea I thought of for a TV show.
140
00:08:53,166 --> 00:08:57,250
We should get, like, say,
the editor of The Daily Mirror,
141
00:08:58,333 --> 00:09:04,208
a real hard news nut, rehearsing a team
of really hard, incredible newsmen.
142
00:09:04,833 --> 00:09:09,000
So that on the night of the show,
in between all our songs is news,
143
00:09:09,083 --> 00:09:12,208
but the fastest and the hottest
from every corner of the Earth.
144
00:09:12,291 --> 00:09:14,375
"We just heard there's been
an earthquake"... filming it.
145
00:09:14,458 --> 00:09:16,625
So it's like a red-hot news program.
146
00:09:17,166 --> 00:09:21,291
And at the end, the final bulletin is
that The Beatles have broken up.
147
00:09:24,208 --> 00:09:26,875
[Michael] But do you think
if you put any pressure on him,
148
00:09:26,958 --> 00:09:28,958
that he'd go your way a bit more?
149
00:09:29,708 --> 00:09:31,041
I don't know.
150
00:10:09,375 --> 00:10:13,125
- Speak to John? Yeah, okay.
-[Linda] Hey, you know, it's that thing...
151
00:10:13,208 --> 00:10:16,000
The world's dying to see them.
That's the thing.
152
00:10:16,083 --> 00:10:18,208
And if I were there,
I'd be staring at them.
153
00:10:18,291 --> 00:10:21,708
Yeah, not only them, you know,
and they were 40 miles away.
154
00:10:21,791 --> 00:10:23,791
But the audience, the screams,
the lights--
155
00:10:23,875 --> 00:10:26,041
Look, we looked at Help!
the other night again
156
00:10:26,125 --> 00:10:29,041
and, like, A Hard Day's Night,
and that was them playing.
157
00:10:29,125 --> 00:10:31,250
Right. But it was them
over an hour and a half--
158
00:10:31,333 --> 00:10:32,375
It was them. Just--
159
00:10:32,458 --> 00:10:34,541
I'm speaking like a fan. I really am.
160
00:10:37,750 --> 00:10:40,708
- Oh, okay. Should we fight about that?
- Yeah.
161
00:10:40,791 --> 00:10:41,958
[Neil] Did you take a photograph?
162
00:10:42,041 --> 00:10:44,041
-[Linda] I was gonna say there are only--
-[Michael] What's new?
163
00:10:46,208 --> 00:10:49,041
-[Linda] So is he lighting his, uh...
-[Paul] Lighting up a Players.
164
00:10:49,125 --> 00:10:50,416
[Neil] And jumping on his hands.
165
00:10:50,500 --> 00:10:52,958
[Michael] You see, Paul, I was saying
to Linda when you were out
166
00:10:53,041 --> 00:10:55,458
that I can do it any way,
167
00:10:55,541 --> 00:10:59,291
except I gotta keep saying you're wrong
when I think you're wrong.
168
00:10:59,875 --> 00:11:02,083
Yeah. Sure. Great.
169
00:11:02,166 --> 00:11:04,000
I'll just keep saying I'm right
when I think I'm right.
170
00:11:04,083 --> 00:11:05,333
[Michael] Yeah, of course.
171
00:11:05,916 --> 00:11:10,791
Because otherwise I abdicate
both my fanship and also my, uh...
172
00:11:12,875 --> 00:11:14,208
[all laugh]
173
00:11:21,958 --> 00:11:23,833
[laughing]
174
00:11:31,166 --> 00:11:33,166
No, come on. You stay out of this, Yoko.
175
00:11:33,250 --> 00:11:34,375
[Linda laughs]
176
00:11:39,375 --> 00:11:41,333
-[chattering]
-[dishes clattering]
177
00:15:57,875 --> 00:16:00,125
[guitar, bass playing]
178
00:16:00,208 --> 00:16:02,250
[crew, indistinct]
179
00:16:04,583 --> 00:16:05,666
And you're right.
180
00:16:15,750 --> 00:16:17,500
-[John] You got any pep pills?
- Okay, Mal.
181
00:16:17,583 --> 00:16:18,625
Could I have a couple?
182
00:16:18,708 --> 00:16:20,291
[Paul] We've got an hour.
183
00:16:20,375 --> 00:16:21,875
Yeah, none of that, I reckon.
184
00:16:21,958 --> 00:16:23,208
Do an hour, just so, uh...
185
00:16:23,291 --> 00:16:25,166
[Linda] I just knew it has to be...
186
00:16:45,750 --> 00:16:47,416
Okay. Sweet Loretta Marsh.
187
00:16:48,416 --> 00:16:51,625
♪ Sweet Loretta Marsh, she thought-- ♪
188
00:16:51,708 --> 00:16:54,166
Marsh isn't nice, is it? Marsh is too--
189
00:16:55,333 --> 00:16:56,333
♪ Loretta Mare ♪
190
00:16:57,166 --> 00:16:59,791
♪ Sweet Loretta Mare thought she was... ♪
191
00:17:00,375 --> 00:17:03,208
Loretta Mary--
I mean, it's gotta be a name--
192
00:17:03,291 --> 00:17:06,875
♪ Sweet Loretta Mary
Thought she was a woman... ♪
193
00:17:06,958 --> 00:17:09,291
♪ But she was another man ♪
194
00:17:10,750 --> 00:17:11,833
[Mal] What's that one?
195
00:17:13,750 --> 00:17:14,833
Marsh.
196
00:17:16,875 --> 00:17:20,125
Uh, but we're not sure about that,
but put it in.
197
00:17:23,875 --> 00:17:28,250
It's gotta be, like, one of those hard,
"night," "bite," "right."
198
00:17:28,333 --> 00:17:31,875
♪ Sweet Loretta Mare-- Mare-- ♪
199
00:17:31,958 --> 00:17:35,416
♪ Sweet Loretta Marety
Thought she was a woman ♪
200
00:17:35,500 --> 00:17:38,041
♪ But she was another man ♪
201
00:17:43,291 --> 00:17:47,000
Leave that verse, eh, 'cause it's--
It could be all right, that verse.
202
00:17:47,083 --> 00:17:48,291
It sings all right.
203
00:17:49,166 --> 00:17:51,541
- Okay, the next verse.
- Jo Jo Jackson.
204
00:17:51,625 --> 00:17:52,875
[groans]
205
00:17:53,625 --> 00:17:56,791
♪ Jo Jo Jackson left his home in Arizona ♪
206
00:17:56,875 --> 00:17:59,291
-"Left his home in Arizona," is it?
- That's all right.
207
00:17:59,375 --> 00:18:01,916
- Yeah, "home in Arizona."
-"But he knew it couldn't last."
208
00:18:02,000 --> 00:18:04,166
No that's not good.
"But he knew it couldn't last."
209
00:18:04,250 --> 00:18:07,541
♪ Jo Jo Jackson left his home in Arizona ♪
210
00:18:08,208 --> 00:18:10,500
[indistinct]
211
00:18:14,708 --> 00:18:18,208
♪ Jo Jo left his home
In nuh-nuh, Arizona ♪
212
00:18:18,291 --> 00:18:20,791
[mumbles]
213
00:18:24,958 --> 00:18:28,541
♪ Jo Jo left his home in Tucson, Arizona ♪
214
00:18:28,625 --> 00:18:33,166
[grunts]
"Jo left his home in Tucson, Arizona."
215
00:18:33,250 --> 00:18:35,291
- Is Tucson in Arizona?
- Yeah. It is, yeah.
216
00:18:39,041 --> 00:18:42,541
♪ Jo Jo left his home in Tucson, Arizona ♪
217
00:18:42,625 --> 00:18:45,375
♪ Thought it's gonna be a... ♪
218
00:18:45,958 --> 00:18:47,000
I can make sense of it.
219
00:18:47,083 --> 00:18:49,375
Jo Jo left his home,
hoping it would be a blast.
220
00:18:49,458 --> 00:18:52,041
Pretty soon he found that
he'd have to be a loner
221
00:18:52,125 --> 00:18:54,083
with some California grass in America.
222
00:18:54,166 --> 00:18:57,458
You make that make sense,
but it doesn't sing good.
223
00:18:58,166 --> 00:19:00,041
-♪ Jo Jo left his ♪
-[John] Is it Jo Jo?
224
00:19:00,125 --> 00:19:03,833
♪ ...in Tucson, Arizona
But he thought it couldn't last ♪
225
00:19:03,916 --> 00:19:05,416
Looking for a what? What is it?
226
00:19:05,500 --> 00:19:06,833
♪ Looking for a home to last ♪
227
00:19:06,916 --> 00:19:08,166
[John] No, looking for a...
228
00:19:08,250 --> 00:19:10,333
[Ringo]
♪ Looking for a blast from the past ♪
229
00:19:11,041 --> 00:19:12,541
[Paul] One, two, three.
230
00:19:16,416 --> 00:19:22,500
♪ Jo Jo left his home in Tucson, Arizona
But he knew it couldn't last ♪
231
00:19:23,875 --> 00:19:25,208
[indistinct]
232
00:19:25,291 --> 00:19:27,291
♪ Thought he was a loner ♪
233
00:19:27,375 --> 00:19:29,583
♪ For some California grass ♪
234
00:19:30,666 --> 00:19:34,083
♪ Get back
Get back ♪
235
00:19:34,166 --> 00:19:37,250
♪ Get back to where you once belonged ♪
236
00:19:39,375 --> 00:19:41,250
-[playing stops]
-[Paul] Okay. Can we go home now?
237
00:19:41,333 --> 00:19:43,833
[Michael] I think at some point we should
talk conceptually about the show.
238
00:19:43,916 --> 00:19:47,666
[Paul] Okay, we have to be flexible, but
we're gonna have to be very flexible now.
239
00:19:47,750 --> 00:19:51,916
Which is like, the 18th today
has changed to the 19th.
240
00:19:52,000 --> 00:19:53,583
'Cause we lost a day today.
241
00:19:53,666 --> 00:19:55,791
Tomorrow it will change to the 20th.
242
00:19:55,875 --> 00:19:57,541
The day after, it will change to the 21st.
243
00:19:59,000 --> 00:20:01,500
[Paul]
Well, exactly. If George comes back, yeah.
244
00:20:01,583 --> 00:20:02,750
Put it back a full week, yeah.
245
00:20:02,833 --> 00:20:04,000
[Michael] Put it back a full week.
246
00:20:04,083 --> 00:20:06,250
But book it for a full week
and then cancel it next week.
247
00:20:06,333 --> 00:20:08,333
Not to say changeable.
248
00:20:20,041 --> 00:20:22,333
"Baby's in Black,"
"If I Needed," "Tripper."
249
00:20:22,416 --> 00:20:24,083
[John]
I mean, that's how flexible we can get.
250
00:20:24,166 --> 00:20:26,416
[Paul] "I Feel Fine,"
"Yesterday," "I Wanna Be,"
251
00:20:26,500 --> 00:20:28,416
"Nowhere Man," "Paperback," "Long Tall."
252
00:20:28,500 --> 00:20:30,625
-[Michael] What's it from?
-[John] That's from the old shows.
253
00:20:34,875 --> 00:20:38,416
[Paul] And, like, lot of old tunes
had just set chord patterns.
254
00:20:38,500 --> 00:20:40,916
'Cause that's the great thing. Once...
255
00:20:41,000 --> 00:20:44,375
Once you start trying to find out
chord patterns, you really suss
256
00:20:44,458 --> 00:20:46,500
what people are doing,
what musicians are doing.
257
00:20:46,583 --> 00:20:47,583
And they really, it's...
258
00:20:47,666 --> 00:20:48,708
[playing chord]
259
00:20:48,791 --> 00:20:52,166
- You know, it's like... [vocalizing]
-[playing]
260
00:20:58,666 --> 00:20:59,833
[piano stops]
261
00:20:59,916 --> 00:21:03,541
Like, old tunes, you know,
they had just a certain way of going.
262
00:21:03,625 --> 00:21:05,333
And they hardly ever varied from that.
263
00:21:05,416 --> 00:21:08,416
I don't really know it, you know?
My dad knows that better.
264
00:21:08,500 --> 00:21:10,916
The great thing about a piano
is that, there it all is.
265
00:21:11,000 --> 00:21:13,583
There's all the music ever.
That's it, you know?
266
00:21:13,666 --> 00:21:16,791
All this that's ever been written
is all there.
267
00:21:16,875 --> 00:21:18,916
[playing "Martha My Dear"]
268
00:21:37,166 --> 00:21:41,166
[vocalizing]
269
00:21:41,250 --> 00:21:43,750
See, it's still basically
only one, two, three, four--
270
00:21:43,833 --> 00:21:44,833
[Paul Bond] Yeah.
271
00:21:45,416 --> 00:21:48,583
You know, okay, so that's getting
more complicated than the three,
272
00:21:48,666 --> 00:21:50,458
- but it's still only--
- Yeah, sure.
273
00:21:50,541 --> 00:21:52,791
- Used the same way, presumably?
- Yeah.
274
00:21:53,375 --> 00:21:56,125
And from there, you know, like,
there's no--
275
00:21:56,208 --> 00:21:58,041
Unless you stop yourself,
there's no stopping yourself.
276
00:21:58,125 --> 00:21:58,958
No.
277
00:22:00,625 --> 00:22:02,125
- Yeah.
-[Paul Bond chuckles]
278
00:22:04,625 --> 00:22:05,708
And then there was one.
279
00:22:05,791 --> 00:22:08,750
♪ Eee, by gummy-o ♪
280
00:22:08,833 --> 00:22:11,083
[Ringo] Good! I'm glad to hear that.
281
00:22:11,833 --> 00:22:13,833
- Morning, Paul!
- Good morning, Rich!
282
00:22:13,916 --> 00:22:15,875
- How are you this morning?
- Okay!
283
00:22:15,958 --> 00:22:18,708
[playing boogie-woogie blues piano]
284
00:22:25,916 --> 00:22:27,083
It's fine, thanks.
285
00:22:32,583 --> 00:22:36,125
♪ Well, I bought a piano the other day ♪
286
00:22:36,208 --> 00:22:38,416
♪ I didn't know... ♪
287
00:22:39,083 --> 00:22:41,250
♪ You had to play the goddamn thing ♪
288
00:22:43,958 --> 00:22:45,208
♪ Oh, baby ♪
289
00:22:47,875 --> 00:22:49,250
Use two hands.
290
00:23:00,583 --> 00:23:01,750
[song ends]
291
00:23:01,833 --> 00:23:03,333
[all chuckling]
292
00:23:04,625 --> 00:23:06,208
[Ringo] Well, that's me finished.
293
00:23:07,208 --> 00:23:08,833
[Paul] At least we're keeping together.
294
00:23:08,916 --> 00:23:10,333
[piano playing]
295
00:23:10,416 --> 00:23:14,208
-[Ringo vocalizing]
-[Paul] ♪ Woman, do you love me? ♪
296
00:23:15,791 --> 00:23:20,083
♪ Woman, if you need me then ♪
297
00:23:20,166 --> 00:23:24,500
♪ Believe me I need you ♪
298
00:23:24,583 --> 00:23:27,541
♪ To be my woman ♪
299
00:23:28,833 --> 00:23:31,583
I wonder if Peter's still got
the original thing of that.
300
00:23:32,375 --> 00:23:35,000
First time we did it, it was little.
It was great, you know. It was really...
301
00:23:35,083 --> 00:23:38,375
-♪ Woman, do you love me? ♪
-[playing piano]
302
00:23:40,666 --> 00:23:44,208
♪ Woman, do you need me? ♪
303
00:23:45,666 --> 00:23:50,083
♪ Woman, if you need me then ♪
304
00:23:50,166 --> 00:23:51,666
That is the great bit Gordon did.
305
00:23:51,750 --> 00:23:57,833
♪ If you need me then
Believe me I need you ♪
306
00:23:57,916 --> 00:24:00,791
[imitating Gordon Waller]
♪ To be my woman ♪
307
00:24:02,708 --> 00:24:05,958
Gordon couldn't get the high notes,
and he would sort of--
308
00:24:06,041 --> 00:24:09,333
And he'd just let them go and do it again.
But they did it the next time.
309
00:24:09,416 --> 00:24:11,333
It was a mammoth
Peter and Gordon treatment.
310
00:24:11,416 --> 00:24:12,416
That's right. Yeah.
311
00:24:12,500 --> 00:24:14,583
[vocalizing]
312
00:24:17,708 --> 00:24:19,000
[Paul] Whatever I'm around, you know?
313
00:24:22,041 --> 00:24:23,791
[Paul] Yeah, sure.
314
00:24:23,875 --> 00:24:25,875
In fact, I had one this morning.
315
00:24:25,958 --> 00:24:28,083
-♪ We were just busy driving ♪
-[playing piano]
316
00:24:29,250 --> 00:24:35,291
♪ Driving in the back seat of my car ♪
317
00:24:35,375 --> 00:24:38,500
♪ Ooh ♪
318
00:24:38,583 --> 00:24:40,833
♪ Honey, I'm busy riding ♪
319
00:24:41,708 --> 00:24:47,125
♪ Sitting in the back seat of my car ♪
320
00:24:48,041 --> 00:24:52,500
-[vocalizing]
-[laughing]
321
00:25:01,208 --> 00:25:02,958
♪ It's just for you ♪
322
00:25:04,000 --> 00:25:08,041
♪ That I sing a song of Spring ♪
323
00:25:10,208 --> 00:25:15,958
♪ And every time the raindrops fall ♪
324
00:25:16,041 --> 00:25:19,541
♪ I think of Summer ♪
325
00:25:19,625 --> 00:25:22,041
-[piano stops]
-♪ It's just for you ♪
326
00:25:22,125 --> 00:25:23,958
-[resumes]
-[chuckles]
327
00:25:24,041 --> 00:25:29,416
♪ That I sing a song of love ♪
328
00:25:30,083 --> 00:25:33,166
♪ Sing a song of love ♪
329
00:25:34,625 --> 00:25:38,583
♪ Sing a song of love ♪
330
00:25:38,666 --> 00:25:43,166
[holds note]
331
00:25:43,250 --> 00:25:44,500
-[piano stops]
- It's just for you.
332
00:25:44,583 --> 00:25:45,833
[Michael] Nice.
333
00:25:47,291 --> 00:25:49,291
Thank you, Michael Lindsay-Hogg.
334
00:25:50,208 --> 00:25:51,958
Director of this epic.
335
00:25:53,208 --> 00:25:55,083
[Michael] That's the first thing
you ever said to me.
336
00:25:55,166 --> 00:25:56,166
[Ringo] What?
337
00:25:56,250 --> 00:25:58,291
[Michael] At Chiswick Park, years ago,
when we did something,
338
00:25:58,375 --> 00:26:00,833
you said, "What kind of tree is that?"
and I said, "It's a yew."
339
00:26:00,916 --> 00:26:03,916
- And you said, "No, it's not. It's a me."
- Did I really?
340
00:26:04,000 --> 00:26:06,041
- I thought, "Beatles humor."
- Yeah.
341
00:26:06,625 --> 00:26:08,708
[Mal] I see the sets are arriving, fellas.
342
00:26:08,791 --> 00:26:11,500
-[Paul] Yeah, the sets are coming in.
-[Michael] Yeah, nice.
343
00:26:11,583 --> 00:26:14,125
Hey, should we shoot the train coming in,
chug-chug.
344
00:26:14,208 --> 00:26:15,666
-[Tony] No, no, no.
- Why not?
345
00:26:15,750 --> 00:26:17,083
[Mal] It's copyrighted.
346
00:26:17,166 --> 00:26:18,666
Well, it's a documentary.
347
00:26:20,458 --> 00:26:22,250
Just turn your lights around.
348
00:26:22,333 --> 00:26:24,666
But it's a good shot
for the part of the atmosphere.
349
00:26:24,750 --> 00:26:29,375
- Oh, come on, Tony. Oh, fuck. Oh, no.
-[Paul] Jean-Luc Godard?
350
00:26:30,125 --> 00:26:31,916
We could make a film, you know?
351
00:26:32,625 --> 00:26:36,416
Just get a script and all that,
and really not waste all this camera time.
352
00:26:36,500 --> 00:26:38,333
- Do a little sort of film.
-[Mal] Yeah, right.
353
00:26:38,416 --> 00:26:40,000
[Michael] Yeah, we can make train movies.
354
00:26:40,083 --> 00:26:42,166
[Mal] We've got a spare few thousand feet,
haven't we?
355
00:26:42,250 --> 00:26:44,625
We've got a spare few thousand feet.
We won't tell Denis we're doing it.
356
00:26:44,708 --> 00:26:46,916
- Let's make a silent movie.
- Yeah.
357
00:26:47,000 --> 00:26:49,083
Slow so it's speeded up
when we play it back,
358
00:26:49,166 --> 00:26:50,666
'cause they're always funny to watch.
359
00:26:50,750 --> 00:26:51,750
[Michael] Yeah.
360
00:26:51,833 --> 00:26:55,666
[Paul] Can we have it in a club?
You know, the atmosphere is a club, and...
361
00:26:56,333 --> 00:26:58,333
That's it. We're in a band.
362
00:26:58,416 --> 00:27:00,916
We're in a band who sell drugs.
363
00:27:01,000 --> 00:27:03,625
- Do you want to be a goody then, Glyn?
- Uh...
364
00:27:03,708 --> 00:27:05,833
[Paul] Come on.
Now, you're sulking, aren't you?
365
00:27:05,916 --> 00:27:07,208
-[laughter]
- Wants to be a goody.
366
00:27:07,291 --> 00:27:09,000
-[Ringo] The roughneck that changes.
-[Paul] Yeah.
367
00:27:09,083 --> 00:27:11,416
-[Glyn] Bit of sentimentality.
-[Paul] The hard drug-peddling yob...
368
00:27:11,500 --> 00:27:13,666
-[Ringo] With a good heart.
-[Paul] ...who turned to religion.
369
00:27:13,750 --> 00:27:15,125
[laughter]
370
00:27:15,208 --> 00:27:17,833
Ringo's the teacher--
the schoolteacher who goes to see him.
371
00:27:17,916 --> 00:27:20,250
-[Ringo] Mal's the policeman gone wrong.
-[laughter]
372
00:27:22,666 --> 00:27:24,500
[Paul] We shouldn't waste
all this camera time.
373
00:27:24,583 --> 00:27:26,500
Tony can shoot it.
We can do a movie today.
374
00:27:26,583 --> 00:27:28,208
[Paul] No, Tony's in it. He's the fence.
375
00:27:28,291 --> 00:27:31,041
-[Michael] Can I be in it?
- Where Glyn gets rid of the drugs.
376
00:27:31,125 --> 00:27:33,625
Just so long as I look thin,
Tony, I don't care.
377
00:27:33,708 --> 00:27:35,666
-[Paul] Then go through there?
- No.
378
00:27:35,750 --> 00:27:38,750
No, if you do it that way,
it's like hanging yourself by your arse.
379
00:27:38,833 --> 00:27:39,833
[laughter]
380
00:27:39,916 --> 00:27:41,708
[groaning]
381
00:27:41,791 --> 00:27:43,625
-[Kevin] Help, no legs.
-[chuckles]
382
00:27:43,708 --> 00:27:45,291
[Paul]
Seen The Good, the Bad and the Ugly?
383
00:27:45,375 --> 00:27:46,375
-[Ringo] No.
- That's great.
384
00:27:46,458 --> 00:27:49,333
[chains rattling]
385
00:27:49,416 --> 00:27:52,750
[Paul] That's the trouble.
You get the panic about halfway up.
386
00:27:52,833 --> 00:27:54,500
[Ringo]
When you realize you can't stand heights.
387
00:27:54,583 --> 00:27:56,791
[Paul] ♪ Those were the days, my friend ♪
388
00:27:56,875 --> 00:27:58,833
♪ We thought they'd-- ♪ [yelps]
389
00:27:58,916 --> 00:28:01,541
- There's no business like show business.
-[laughter]
390
00:28:01,625 --> 00:28:03,375
What is it?
Straight up to the top and back?
391
00:28:03,458 --> 00:28:05,125
In the old days, boys,
you used to be able to--
392
00:28:09,333 --> 00:28:10,916
In the old days-- That was me!
393
00:28:11,791 --> 00:28:13,791
[Mal] Any minute now, it gets dangerous.
394
00:28:14,541 --> 00:28:16,291
-[Ringo] Well, good night.
-[laughter]
395
00:28:16,375 --> 00:28:18,750
- It's a wrap.
-[laughter]
396
00:28:18,833 --> 00:28:23,250
Well, that's all for this evening. [hums]
397
00:28:25,666 --> 00:28:27,458
Funny you should've said that--
[indistinct]
398
00:28:27,541 --> 00:28:29,958
Very good. I think--
It was nice when the camera came up.
399
00:28:30,041 --> 00:28:31,708
- I think they got--
- What you said.
400
00:28:31,791 --> 00:28:32,833
-...exactly what you mean.
- All right.
401
00:28:32,916 --> 00:28:34,500
Well, it's a chance to speak.
402
00:28:34,583 --> 00:28:36,875
I know. It's the only chance we get. We--
403
00:28:36,958 --> 00:28:39,416
There's only Cliff doing his bit,
really and--
404
00:28:39,500 --> 00:28:41,833
Well, I left the clergy about '59,
you know.
405
00:28:41,916 --> 00:28:43,916
I thought I better get in with the kids.
406
00:28:44,000 --> 00:28:46,250
It all started with Rosie.
407
00:28:46,333 --> 00:28:48,083
- Well, a lot of us did.
- She was in the congregation.
408
00:28:48,166 --> 00:28:50,083
- A lot of us started with Rosie, actually.
-[laughs]
409
00:28:50,166 --> 00:28:52,500
-[chuckles]
- It was rehearsal rooms.
410
00:28:53,291 --> 00:28:56,458
Also leaving for the Midem Song Festival
is John Rowles.
411
00:28:56,541 --> 00:28:58,208
- Oh, he's not?
-[Paul chuckles]
412
00:28:58,291 --> 00:29:00,166
-[Paul] He's flying out.
-[coughs]
413
00:29:00,250 --> 00:29:01,750
[John]
See you've given up smoking, Richie.
414
00:29:01,833 --> 00:29:03,000
Yes, I have.
415
00:29:03,916 --> 00:29:06,000
[John] Now, we were going
to discuss this afternoon
416
00:29:06,083 --> 00:29:09,541
what religion meant to a pop star.
417
00:29:09,625 --> 00:29:11,250
And the pop star we've chosen
418
00:29:11,333 --> 00:29:13,791
is Tumble Starker, who's sitting here.
419
00:29:17,291 --> 00:29:19,625
[Michael] Tony, Denis is gonna worry
about the footage again.
420
00:29:19,708 --> 00:29:21,083
Don't tell him you're shooting.
421
00:29:21,166 --> 00:29:22,666
-[John] How are you?
-[Peter Sellers] All right.
422
00:29:22,750 --> 00:29:23,833
Welcome to Panorama.
423
00:29:23,916 --> 00:29:24,833
- Hello.
-[Peter] Hello.
424
00:29:24,916 --> 00:29:26,750
How are you? Pleased to meet you.
425
00:29:26,833 --> 00:29:29,125
-[chattering]
- We've been lucky enough this evening
426
00:29:29,208 --> 00:29:32,958
to secure the, uh, talents
of Mr. Peter Sellers here
427
00:29:33,541 --> 00:29:35,458
who is going to give us number three.
428
00:29:36,458 --> 00:29:37,541
[Peter] Yes.
429
00:29:37,625 --> 00:29:39,875
Number three, folks, number three.
430
00:29:39,958 --> 00:29:41,416
- Number three.
- How about that, folks?
431
00:29:41,500 --> 00:29:43,500
That was number three from Peter Sellers.
432
00:29:43,583 --> 00:29:45,416
- Now on to the next round.
- Number three.
433
00:29:45,500 --> 00:29:46,416
[chuckles]
434
00:29:46,500 --> 00:29:49,375
[John] Well, if we ask him really nicely,
435
00:29:49,458 --> 00:29:52,333
- he'll probably do a number five.
-[Peter] Yes, I might.
436
00:29:52,416 --> 00:29:53,416
[chuckles]
437
00:29:54,458 --> 00:29:56,291
[John] Long, tall Sally, pretty sweet.
438
00:29:56,375 --> 00:29:59,416
She got everything Uncle John need.
Oh, boy. Baby.
439
00:30:01,083 --> 00:30:03,416
Your chance to win a fab, free Beatle.
440
00:30:03,500 --> 00:30:06,541
-[Paul chuckles]
- Send in 39 disk tops.
441
00:30:08,541 --> 00:30:11,708
-[Paul] Wake up, Lennon.
-[John] Wake up, Lennon. It's about time.
442
00:30:13,125 --> 00:30:16,250
What, uh-- What are we discussing
at this moment? What's the, uh...
443
00:30:16,333 --> 00:30:17,791
-[Paul] The film.
-[Yoko] Issue. [chuckles]
444
00:30:17,875 --> 00:30:18,875
Ah.
445
00:30:19,833 --> 00:30:21,250
This is the impromptu mic.
446
00:30:21,333 --> 00:30:23,125
It's a documentary
of how The Beatles work.
447
00:30:23,208 --> 00:30:26,083
[Michael] It's a spontaneous--
A spontaneous documentary.
448
00:30:26,166 --> 00:30:28,208
'Cause we feel we shouldn't
keep it all to ourselves.
449
00:30:28,291 --> 00:30:30,500
We should spread it out, you know?
450
00:30:30,583 --> 00:30:34,541
We want to share
with the world what we have, Peter.
451
00:30:34,625 --> 00:30:38,541
- And-- And this is what we have.
-[Yoko] Or what we haven't. [chuckles]
452
00:30:38,625 --> 00:30:40,083
[Peter] Ah.
453
00:30:40,166 --> 00:30:41,833
[Paul] Well, this is--
we just sort of sit here
454
00:30:41,916 --> 00:30:43,583
and allow ourselves to be embarrassed
455
00:30:43,666 --> 00:30:46,083
- about this time every day.
-[chuckles]
456
00:30:46,166 --> 00:30:48,541
-[John] Oh, yes.
-[Paul] Number nine.
457
00:30:48,625 --> 00:30:53,208
You're talking to the ninth-best-dressed
male pop singer in the world, you know?
458
00:30:53,291 --> 00:30:56,708
- No mean city. Yes.
-[Paul] And Judy Garland.
459
00:30:57,625 --> 00:30:59,625
Look out, Tom Jones, I say.
460
00:30:59,708 --> 00:31:01,333
-[chuckles]
- Over to you, Peter.
461
00:31:03,916 --> 00:31:06,458
Very kind of you, but I-- I must be off.
462
00:31:08,125 --> 00:31:09,125
Mm-hmm.
463
00:31:10,666 --> 00:31:12,416
Well, nice to have met you, fellas.
464
00:31:12,500 --> 00:31:13,541
Other guys.
465
00:31:13,625 --> 00:31:14,625
- See you.
-[John] Bye-bye.
466
00:31:14,708 --> 00:31:15,708
- Bye.
-[Paul] Too much, Pete.
467
00:31:15,791 --> 00:31:17,500
- Bye-bye.
-[chuckles]
468
00:31:17,583 --> 00:31:19,125
- Way out.
- All right.
469
00:31:19,208 --> 00:31:21,208
-[Peter] All right. Way out.
-[Joe] Exit.
470
00:31:21,291 --> 00:31:23,041
- It's that way.
- Yeah, wrong way.
471
00:31:23,125 --> 00:31:24,541
It's that way. [chuckles]
472
00:31:24,625 --> 00:31:26,541
-[all chuckling]
- All right.
473
00:31:26,625 --> 00:31:29,166
[John]
Just don't leave the needles lying around.
474
00:31:29,250 --> 00:31:33,250
We've got a bad reputation now
with John getting busted and that.
475
00:31:33,333 --> 00:31:35,416
-[Peter, indistinct]
-[Yoko chuckles]
476
00:31:35,500 --> 00:31:38,083
-[Michael] Do you really not feel well?
- No, I just feel a bit--
477
00:31:38,166 --> 00:31:40,833
I don't feel well, but I can't say,
'cause I'm the captain of the ship.
478
00:31:40,916 --> 00:31:42,791
[John]
Nowadays, the captain gets off first.
479
00:31:43,750 --> 00:31:45,291
No, I'd go down with the ship.
480
00:31:46,125 --> 00:31:49,000
[Paul] If we hang around a bit longer,
we'll get Ringo being sick.
481
00:31:50,083 --> 00:31:52,958
[John] See you missed me this morning.
I did it for CBS.
482
00:31:53,041 --> 00:31:55,083
- Leapt off in the middle of the interview.
- Did you?
483
00:31:55,166 --> 00:31:57,750
Actually I'm just recovering from the day,
you know?
484
00:31:58,875 --> 00:32:00,541
[Yoko] From the night.
485
00:32:01,125 --> 00:32:03,541
[John] No reason at all,
except that I'm mistreating my body.
486
00:32:04,583 --> 00:32:07,625
Yes. I just was up late, you know.
487
00:32:07,708 --> 00:32:10,083
I was sort of stoned and high
and watching films.
488
00:32:10,166 --> 00:32:11,666
And I wouldn't have made it anyway.
489
00:32:11,750 --> 00:32:14,083
Is there any need to do this in public,
Mr. Lennon?
490
00:32:14,166 --> 00:32:15,958
[Michael]
At the moment you're a guest for lunch.
491
00:32:16,041 --> 00:32:17,250
Yeah. But it's not good.
492
00:32:17,333 --> 00:32:20,208
If I'm gonna come at 10:00
I should come at 10:00.
493
00:32:20,291 --> 00:32:22,166
[Paul] Up with the dawn,
down with the sun.
494
00:32:22,708 --> 00:32:24,375
Ringo ever, Eric never.
495
00:32:24,458 --> 00:32:25,458
Okay.
496
00:32:26,041 --> 00:32:27,541
Shall we knock off early today, or not?
497
00:32:27,625 --> 00:32:28,750
[Paul] Probably, yeah.
498
00:32:28,833 --> 00:32:30,791
[Michael]
Shall we knock on early tomorrow?
499
00:32:32,500 --> 00:32:33,875
Yes, I'll do that.
500
00:32:35,583 --> 00:32:36,583
Yeah.
501
00:32:36,666 --> 00:32:38,791
[John] "When I was younger,
so much younger than today,
502
00:32:38,875 --> 00:32:41,583
I never needed anybody's help in any way.
503
00:32:43,500 --> 00:32:45,916
But now my life has changed
in oh so many ways."
504
00:32:48,208 --> 00:32:51,000
A wop-bop-a-loo-ma. Ba-lim-bam-boo.
505
00:32:53,166 --> 00:32:55,250
We can't carry on like this indefinitely.
506
00:32:55,750 --> 00:32:57,291
-[Ringo] We seem to be.
-[Paul] Doing this.
507
00:32:57,375 --> 00:32:58,791
We seem to, but we can't.
508
00:33:00,125 --> 00:33:03,250
See, what you need
is a serious program of work.
509
00:33:04,291 --> 00:33:08,000
Not an aimless rambling
amongst the canyons of your mind.
510
00:33:09,958 --> 00:33:11,125
An aim in life.
511
00:33:11,750 --> 00:33:14,083
Trip upon that golden ship of shores.
512
00:33:15,333 --> 00:33:16,583
We all together, boy.
513
00:33:16,666 --> 00:33:19,625
To wander aimlessly is very un-swinging.
514
00:33:22,500 --> 00:33:23,583
Unhip.
515
00:33:23,666 --> 00:33:25,791
Well, "When I touch you,
I feel happy inside.
516
00:33:25,875 --> 00:33:27,458
I can't hide. I can't hide."
517
00:33:30,208 --> 00:33:32,791
-"Ask me why, I'll say I love you."
- What you need is a schedule.
518
00:33:33,625 --> 00:33:35,583
Achieve something every day.
519
00:33:39,458 --> 00:33:41,916
-[Yoko] It's so hard, right?
- It's rather hard to live up to, Paul.
520
00:33:44,500 --> 00:33:45,666
[John] I'm planning on 11.
521
00:33:46,833 --> 00:33:48,541
[Paul] It's 12 to 14, Mal.
522
00:33:50,916 --> 00:33:52,166
[John] It's a choice of six.
523
00:33:52,750 --> 00:33:55,166
Some ready to wear
and some made to measure.
524
00:33:55,250 --> 00:33:56,333
[clears throat]
525
00:34:03,083 --> 00:34:05,041
[Michael] We were talking earlier.
526
00:34:05,125 --> 00:34:06,500
About the space between us?
527
00:34:07,416 --> 00:34:08,750
[Michael] About the gap between us.
528
00:34:08,833 --> 00:34:12,291
But about also the documentary, which
is grinding to a halt. How do we do it?
529
00:34:12,375 --> 00:34:14,458
Grinding to a halt?
I think it's taking off.
530
00:34:14,541 --> 00:34:15,833
Exactly. Here we go.
531
00:34:15,916 --> 00:34:19,250
"Loop de loop,"
as Frankie Vaughan once said.
532
00:34:19,333 --> 00:34:20,333
The one-legged wonder.
533
00:34:20,416 --> 00:34:22,500
[all chuckling]
534
00:34:22,583 --> 00:34:25,875
Ringo said that he thought
we ought to just tell it like it is.
535
00:34:28,916 --> 00:34:29,916
I think we are.
536
00:34:31,458 --> 00:34:33,041
[John] Once upon a tarmac,
537
00:34:33,125 --> 00:34:37,000
there lived a small baggage who suffered
incredible distortion on his right leg.
538
00:34:38,583 --> 00:34:41,333
He took it to all the doctors,
and they said...
539
00:34:43,416 --> 00:34:44,416
But one day...
540
00:34:47,708 --> 00:34:48,750
Happy ever after.
541
00:34:48,833 --> 00:34:49,833
[Yoko chuckles]
542
00:34:49,916 --> 00:34:52,291
-[phone rings]
- Ah!
543
00:34:52,375 --> 00:34:55,041
-[chuckles]
- Sir Joseph.
544
00:34:55,125 --> 00:34:56,250
[laughs]
545
00:34:56,333 --> 00:34:58,458
It's about this deal with FBI.
546
00:34:59,500 --> 00:35:00,958
I need another million...
547
00:35:02,625 --> 00:35:06,250
and the written acclamation of Dick James.
548
00:35:07,541 --> 00:35:09,291
I know it's hard. I know it's hard.
549
00:35:09,375 --> 00:35:11,083
They died that we might wank.
550
00:35:11,583 --> 00:35:14,791
[all laughing]
551
00:35:17,291 --> 00:35:19,500
I'm talking about the Boy Scouts
who aren't allowed to masturbate.
552
00:35:19,583 --> 00:35:20,666
Oh.
553
00:35:20,750 --> 00:35:23,125
It's very tempting
when you're wearing shorts.
554
00:35:23,833 --> 00:35:27,416
If they only wore long trousers,
maybe they'd stand a chance, you know?
555
00:35:28,208 --> 00:35:31,375
But I can tell you, you don't go blind
but very shortsighted.
556
00:35:31,458 --> 00:35:35,458
[all laughing]
557
00:35:35,541 --> 00:35:38,291
[Yoko] Are you talking from experience
then, John?
558
00:35:39,125 --> 00:35:40,916
-[song playing]
-[John] ♪ Mean Mister Mustard ♪
559
00:35:41,000 --> 00:35:43,833
♪ Sleeps in the park
Shaves in the dark ♪
560
00:35:43,916 --> 00:35:46,291
♪ Trying to save paper ♪
561
00:35:47,541 --> 00:35:50,958
♪ He sleeps in a hole in the road ♪
562
00:35:52,125 --> 00:35:55,208
♪ He keeps a ten-bob note up his nose ♪
563
00:35:56,666 --> 00:36:00,000
♪ He's saving up to buy some clothes ♪
564
00:36:00,083 --> 00:36:02,916
♪ He's such a mean old man ♪
565
00:36:04,916 --> 00:36:06,750
-[song fades]
-[John] Right. Guitars?
566
00:36:06,833 --> 00:36:10,041
- I thought that's what they do.
- That is what they do, but you can't--
567
00:36:10,125 --> 00:36:12,250
Could even sing you
half a song I was writing.
568
00:36:12,333 --> 00:36:14,541
-[music playing]
-[Paul] Come on.
569
00:36:18,166 --> 00:36:24,041
[John] ♪ Don't you know that there's a
Madman-a-comin' gonna do you no harm ♪
570
00:36:24,125 --> 00:36:29,166
♪ He's wearin' pink pajamas
'Cause he comes from a farm ♪
571
00:36:29,250 --> 00:36:34,333
♪ He's got to get somewhere
To go and be so happy on his own ♪
572
00:36:36,916 --> 00:36:40,041
♪ But every place you go is low ♪
573
00:36:41,416 --> 00:36:44,583
♪ Every place you go is low ♪
574
00:36:45,541 --> 00:36:48,208
♪ The place you go is low ♪
575
00:36:49,291 --> 00:36:51,166
-[song fades]
- Well, it's been lots of fun.
576
00:36:51,250 --> 00:36:53,791
[Michael] We ought to figure out, like,
do you wanna go on rehearsing?
577
00:36:53,875 --> 00:36:57,125
Or do you want to move into EMI
and just maybe do an album?
578
00:36:57,791 --> 00:37:00,625
[John] Well, it all rests on when we see--
579
00:37:00,708 --> 00:37:02,875
I think we stop filming now.
As a matter of policy.
580
00:37:02,958 --> 00:37:04,791
-[Michael] I mean, I know--
- But--
581
00:37:04,875 --> 00:37:07,083
-[Paul] That's a wrap for you, lads.
-[crew] Let's take it home, Jim.
582
00:37:13,333 --> 00:37:14,625
-[Paul] Yeah.
-[chattering]
583
00:38:12,291 --> 00:38:14,166
[crew chattering]
584
00:38:14,250 --> 00:38:16,041
-[Michael] You right, lads?
- Yeah.
585
00:38:16,125 --> 00:38:17,458
-[beep]
- Running up here.
586
00:38:17,541 --> 00:38:19,791
-[Michael] Running. Running. Ready.
- Speed.
587
00:38:24,750 --> 00:38:26,083
[crew 2] Pretty sure we're going.
588
00:38:32,083 --> 00:38:33,916
[Tony] Switch off your two green, Steve.
589
00:38:34,000 --> 00:38:36,041
-[Michael] And just here.
-[Glyn] Hold on. Hold on, everybody.
590
00:38:44,208 --> 00:38:45,916
[playing piano]
591
00:38:48,416 --> 00:38:50,958
[with reverb] ♪ Oh, darling ♪
592
00:38:51,041 --> 00:38:52,458
[volume increases]
593
00:38:52,541 --> 00:38:54,541
♪ Please believe me ♪
594
00:38:55,041 --> 00:38:56,208
Please believe me, darling.
595
00:38:57,125 --> 00:39:01,875
♪ I'll never do you no harm ♪
596
00:39:04,166 --> 00:39:08,125
♪ Believe me when I tell you
Whoo ♪
597
00:39:08,208 --> 00:39:13,166
♪ I'll never do you no harm ♪
598
00:39:19,666 --> 00:39:21,041
Oh, darling.
599
00:39:22,041 --> 00:39:23,541
Please believe me.
600
00:39:24,583 --> 00:39:25,916
Yes, sirree.
601
00:39:26,791 --> 00:39:30,375
I'll never do you no harm.
602
00:39:35,625 --> 00:39:38,375
♪ When you told me
When you told me ♪
603
00:39:39,125 --> 00:39:41,916
♪ You didn't need me anymore ♪
604
00:39:42,666 --> 00:39:43,875
♪ Well, you know ♪
605
00:39:44,875 --> 00:39:50,375
♪ I nearly broke down and cried ♪
606
00:39:50,458 --> 00:39:51,916
♪ When you told me ♪
607
00:39:53,291 --> 00:39:56,541
♪ You didn't need me anymore ♪
608
00:39:57,583 --> 00:40:03,208
♪ You know I nearly broke down and died ♪
609
00:40:04,125 --> 00:40:06,333
♪ Oh, darling ♪
610
00:40:07,958 --> 00:40:09,708
♪ Please believe me ♪
611
00:40:12,625 --> 00:40:14,458
♪ I'll never do you ♪
612
00:40:14,541 --> 00:40:17,041
♪ I'll never do you no harm ♪
613
00:40:45,916 --> 00:40:48,708
[George Martin over distorted speaker,
indistinct]
614
00:40:49,208 --> 00:40:51,250
One, two, three, four, five, six,
seven, eight, nine, ten.
615
00:40:51,333 --> 00:40:53,916
One, two, three, four, five, six,
seven, eight, nine, ten.
616
00:40:57,541 --> 00:40:59,250
[engineer] This-- This is not controlled.
617
00:40:59,333 --> 00:41:01,541
-[George Martin] If somebody is upstairs--
-[Magic Alex] No, we don't have control.
618
00:41:01,625 --> 00:41:03,250
We've got to know how to record.
Listen to that.
619
00:41:03,333 --> 00:41:05,541
One, two, three, four, five, six, seven.
620
00:41:08,041 --> 00:41:10,958
-[chattering]
-[feedback]
621
00:41:17,250 --> 00:41:20,916
[George Martin]
Dave, why don't we use this one?
622
00:41:21,000 --> 00:41:22,625
[continues, indistinct]
623
00:41:22,708 --> 00:41:24,625
[Dave, indistinct]
624
00:41:24,708 --> 00:41:27,416
We can't record without doing it.
625
00:41:30,416 --> 00:41:32,000
[George Martin] In the meantime,
can we have--
626
00:41:32,083 --> 00:41:33,541
[Dave] Yes. [indistinct]
627
00:41:33,625 --> 00:41:35,375
-[engineer] Cheers, man.
-[George Martin] Thank you.
628
00:41:36,583 --> 00:41:38,750
[George Martin] Now, Dave,
can you control it in there?
629
00:41:38,833 --> 00:41:39,833
[Dave] Yes.
630
00:42:19,250 --> 00:42:20,583
[indistinct]
631
00:42:29,125 --> 00:42:32,000
[Tony] We've been doing this film
for the last, sort of, two weeks,
632
00:42:32,083 --> 00:42:36,125
and we've noticed you every day
at Twickenham Studios and also here.
633
00:42:36,208 --> 00:42:38,791
You stand outside all day long.
Can you tell us why?
634
00:42:56,250 --> 00:42:59,625
What do you think of John Lennon
and the relationship with Yoko Ono?
635
00:43:06,208 --> 00:43:08,375
- It doesn't worry you at all?
- No.
636
00:43:08,458 --> 00:43:10,916
It's got nothing to do
with anybody else really, has it?
637
00:43:11,833 --> 00:43:13,125
Not really. That's a good answer.
638
00:43:24,333 --> 00:43:27,666
And you've obviously read in the papers
about the possible split of The Beatles.
639
00:43:27,750 --> 00:43:29,416
I mean, how does that sort of affect you?
640
00:43:37,916 --> 00:43:40,166
As long as I can see him it's all right.
641
00:43:45,166 --> 00:43:47,916
What would you like
to see The Beatles do now?
642
00:43:48,000 --> 00:43:49,125
- God, what a question.
- A show.
643
00:43:49,208 --> 00:43:51,625
Yeah. A live show.
644
00:43:51,708 --> 00:43:53,125
- Any show.
- Yeah.
645
00:43:59,583 --> 00:44:02,541
[piano playing]
646
00:44:10,333 --> 00:44:14,583
[Ringo] It was lovely walking in here
yesterday after Twickenham. It really was.
647
00:44:14,666 --> 00:44:16,791
[Michael]
In retrospect, I'm glad we got out.
648
00:44:16,875 --> 00:44:19,250
Something queer about Twickenham,
I don't know what it was.
649
00:44:19,333 --> 00:44:20,666
-[Ringo] Too big.
- Too big?
650
00:44:20,750 --> 00:44:22,541
[Ringo] For what we were doing, you know.
651
00:44:22,625 --> 00:44:23,958
And this is nicer.
652
00:44:24,625 --> 00:44:25,958
[both chuckling]
653
00:44:27,541 --> 00:44:29,166
I'm on a special diet as of today.
654
00:44:29,250 --> 00:44:30,791
- What are you on?
- No food.
655
00:44:30,875 --> 00:44:32,791
Oh, poor, why?
656
00:44:32,875 --> 00:44:34,833
I just feel a little heavy.
657
00:44:34,916 --> 00:44:38,416
When you get out the bath and find you're
not admiring yourself in the mirror.
658
00:44:38,500 --> 00:44:39,500
[Ringo] Too much to admire.
659
00:44:39,583 --> 00:44:42,208
You going to do everything in here?
Rather than go to EMI in future?
660
00:44:42,291 --> 00:44:45,833
- Unless you mean big orchestrations.
-[Ringo] Don't know till we hear it.
661
00:44:45,916 --> 00:44:48,458
George was saying good thing
you have to fight certain things at EMI,
662
00:44:48,541 --> 00:44:50,291
so it's much better
when it hits the record.
663
00:44:50,375 --> 00:44:51,375
- Aye.
- Mmm.
664
00:44:51,458 --> 00:44:53,625
It's a much more real sound,
what the customer buys.
665
00:44:59,416 --> 00:45:01,208
Have you said good morning to Fred?
666
00:45:01,291 --> 00:45:04,250
You'll be able to get rid of these things
once we get set up.
667
00:45:04,333 --> 00:45:06,250
-[Ringo] What things?
- The boom mics.
668
00:45:06,333 --> 00:45:09,166
This is for intimate,
unobserved conversation
669
00:45:09,250 --> 00:45:10,625
in the middle of the room, though.
670
00:45:10,708 --> 00:45:11,958
[chuckles] Unobserved conversation?
671
00:45:12,041 --> 00:45:13,708
[all chuckling]
672
00:45:15,208 --> 00:45:17,250
We should get really underway today,
I think.
673
00:45:17,333 --> 00:45:19,750
We really got underway yesterday.
It was a good day yesterday.
674
00:45:19,833 --> 00:45:22,416
Yeah. From your point of view.
I'm talking about from my point of view.
675
00:45:22,500 --> 00:45:24,208
Oh, yeah, you should get on with it.
676
00:45:24,291 --> 00:45:25,833
[Michael]
How late did you work last night?
677
00:45:25,916 --> 00:45:27,500
[Ringo] About twenty past seven.
678
00:45:28,000 --> 00:45:30,333
It's just that.
But it could have gone longer too.
679
00:45:30,416 --> 00:45:31,500
[Ringo] Mmm. You get me a small--
680
00:45:31,583 --> 00:45:32,916
-[George] Morning.
-[all] Morning, George.
681
00:45:33,000 --> 00:45:34,583
-[George] You're looking very--
-[Michael] Pink.
682
00:45:34,666 --> 00:45:37,875
- Yes, very clean and in order.
-[Michael] And even washed and in order.
683
00:45:37,958 --> 00:45:39,375
- I hear yesterday was good?
- Mmm.
684
00:45:39,458 --> 00:45:40,666
- Work-wise.
- Yeah.
685
00:45:40,750 --> 00:45:42,041
[Michael] Good.
686
00:45:42,125 --> 00:45:44,041
- Good vibes, man.
- Yeah.
687
00:45:44,125 --> 00:45:45,791
[Michael] Morning, Glyn. How are you?
688
00:45:45,875 --> 00:45:47,375
- Morning, Glyn.
- Morning, Glyn.
689
00:45:47,458 --> 00:45:49,375
-[Glyn] Morning, George.
-[George Martin] What are we doing?
690
00:45:49,458 --> 00:45:50,833
What are all these people doing?
691
00:45:51,375 --> 00:45:53,166
[George Martin]
They've come to look at you, John.
692
00:45:53,250 --> 00:45:56,125
Now, who can we find
to switch off this ventilation? Mal?
693
00:45:56,625 --> 00:45:58,000
It's so freezing in here.
694
00:45:58,083 --> 00:46:00,958
[Ringo]
I was listening to-- I've told everybody.
695
00:46:01,041 --> 00:46:04,458
You know the Around the Beatles thing?
696
00:46:04,541 --> 00:46:07,375
-[Glyn] Oh, yeah.
- You did the sound. Great sound.
697
00:46:07,458 --> 00:46:11,708
I just heard it over the weekend.
And we were great as well, you know?
698
00:46:11,791 --> 00:46:14,791
- You were, actually. Yes.
-[chattering]
699
00:46:14,875 --> 00:46:18,833
[Ringo] The acetate's great, 'cause we got
all the sort of rockers first half,
700
00:46:18,916 --> 00:46:22,208
and all, you know, "Love Me Dos"
and "Please Please Me" the second half.
701
00:46:22,291 --> 00:46:25,041
The rockers are so great,
all the kids screaming.
702
00:46:25,708 --> 00:46:26,916
But the sound was great.
703
00:46:27,416 --> 00:46:29,416
[Michael]
I love when you play rock and roll.
704
00:46:29,500 --> 00:46:32,166
Oh, George, before I forget it.
Where do you--
705
00:46:39,375 --> 00:46:42,125
[George Martin] Ah, well, any good
music shop. There are a couple near here.
706
00:46:43,666 --> 00:46:44,666
Chappell's will have it, yeah.
707
00:46:44,750 --> 00:46:46,208
[guitar playing]
708
00:46:55,958 --> 00:46:58,166
[Michael] But I think, you see,
we ought to get together.
709
00:46:58,250 --> 00:47:01,041
See if we're gonna have it out of doors,
whether people just turn up.
710
00:47:01,125 --> 00:47:07,041
[George] Uh, are you still trying to do it
with all people, audience, all in one go?
711
00:47:07,125 --> 00:47:10,666
Yes. Shall we say
we'll do it this weekend week?
712
00:47:24,125 --> 00:47:25,791
[George Martin]
The problem with Glyn, I'd like him--
713
00:47:25,875 --> 00:47:28,208
You know, if he's starting the thing,
I'd like him to finish it.
714
00:47:28,291 --> 00:47:29,958
It's silly, really,
to change horses midstream.
715
00:47:30,041 --> 00:47:30,958
[John] I know.
716
00:47:32,666 --> 00:47:34,666
[Tony]
"Drugs, divorce and a slipping image."
717
00:47:34,750 --> 00:47:40,500
And it says, "But it wasn't the first time
they've traded a few punches."
718
00:47:40,583 --> 00:47:41,625
[John] Yeah.
719
00:47:42,583 --> 00:47:45,500
[all chuckling]
720
00:47:45,583 --> 00:47:47,916
[John] There's only one guy
I'd like to get, and that's Housego.
721
00:47:48,000 --> 00:47:50,375
[Glyn] It's really extraordinary,
the last week's press, isn't it?
722
00:47:50,458 --> 00:47:54,041
[George] Because there's nothing to it
except that it's a lie.
723
00:47:54,125 --> 00:47:56,375
[John] Hope it doesn't come out
about me beating up Maharishi.
724
00:47:56,458 --> 00:47:59,458
No doubt Derek will have read it
before it got in there
725
00:47:59,541 --> 00:48:01,625
and has sent them their telegrams
and things.
726
00:48:01,708 --> 00:48:03,000
[John] Congratulating them.
727
00:48:04,958 --> 00:48:06,250
[John] Morning, Denis.
728
00:48:09,166 --> 00:48:11,625
- Don't you think it's suable?
- No.
729
00:48:11,708 --> 00:48:14,541
- What about the fisticuffs?
-[George] Yeah, none of that.
730
00:48:14,625 --> 00:48:16,166
He said it didn't take place, right?
731
00:48:16,250 --> 00:48:17,666
- He said it did.
- No.
732
00:48:17,750 --> 00:48:19,500
-[John] Oh, crumbs.
-[George] Yes, he did.
733
00:48:20,125 --> 00:48:21,458
[Ringo] He said "might have."
734
00:48:21,541 --> 00:48:24,250
[John] Yes. In the past,
well, that's false too.
735
00:48:24,833 --> 00:48:28,791
It's never got to that, except for a plate
of dinner in Hamburg.
736
00:48:28,875 --> 00:48:31,125
The picture's great, yeah.
737
00:48:31,208 --> 00:48:33,708
George Harrison, the sane one, speaks out.
738
00:48:33,791 --> 00:48:36,791
I read it before the riddles.
739
00:48:37,375 --> 00:48:43,833
♪ You are my sunshine, my only sunshine ♪
740
00:48:43,916 --> 00:48:48,250
♪ You make me happy when skies are gray ♪
741
00:48:49,625 --> 00:48:55,791
[George] ♪ You'll never know, dear
How much I love you ♪
742
00:48:55,875 --> 00:48:59,458
♪ Please don't take my sunshine away ♪
743
00:49:05,125 --> 00:49:08,791
Would you like to do the link
into The Stones for The Circus?
744
00:49:08,875 --> 00:49:11,333
- Or would you not like to?
- What's that?
745
00:49:11,416 --> 00:49:14,041
[Michael] We've found we haven't shot
anybody announcing The Rolling Stones.
746
00:49:14,708 --> 00:49:16,166
[John] Oh, I see.
747
00:49:16,250 --> 00:49:19,333
- Well, what kind of--
- It would just be, uh...
748
00:49:19,416 --> 00:49:22,541
"And now, ladies and gentlemen, your host
for this evening, The Rolling Stones,"
749
00:49:22,625 --> 00:49:23,625
or words to that effect.
750
00:49:23,708 --> 00:49:25,583
- If it's straight, then I'll do it.
- Yeah, it's straight.
751
00:49:25,666 --> 00:49:31,958
And now, your host this evening,
Rolling Stones.
752
00:49:32,041 --> 00:49:33,541
[Ringo chuckles]
753
00:49:33,625 --> 00:49:35,125
-[Ringo] Did you see Hancock?
- Yeah.
754
00:49:35,208 --> 00:49:36,208
[chuckles]
755
00:49:36,291 --> 00:49:38,000
[crew] I'm playing it right.
756
00:49:38,083 --> 00:49:39,958
[Michael] That's Keith Moon.
757
00:49:43,000 --> 00:49:46,000
[vocalizing]
758
00:49:47,291 --> 00:49:49,833
See that? With the sound on, I...
759
00:49:51,583 --> 00:49:53,291
[John] Turn me on, man, will you?
760
00:49:54,541 --> 00:49:55,625
[Michael] Can you juggle?
761
00:49:56,375 --> 00:49:57,791
- It's the one thing I really--
- Watch.
762
00:49:57,875 --> 00:49:59,458
[drumroll]
763
00:49:59,541 --> 00:50:02,208
[Michael, chuckling] So uncoordinated.
764
00:50:02,291 --> 00:50:03,666
[John] No, I can't juggle.
765
00:50:03,750 --> 00:50:05,250
[Michael] Can you juggle, RS?
766
00:50:05,875 --> 00:50:08,291
[John]
While he juggled, I knifed up the wall.
767
00:50:11,916 --> 00:50:13,791
[Ringo] Ready for three.
768
00:50:13,875 --> 00:50:18,000
[John]
♪ My rock and roll finger is bleeding ♪
769
00:50:18,708 --> 00:50:21,875
♪ My rock and roll finger is hurt ♪
770
00:50:44,250 --> 00:50:47,458
[John] "Beatle George Harrison, above,
is due in court here today
771
00:50:47,541 --> 00:50:48,708
to answer assault charges.
772
00:50:48,791 --> 00:50:51,500
If he does not appear, he will be given
an immediate jail sentence.
773
00:50:52,208 --> 00:50:55,583
Harrison is accused
of assaulting a photographer last May,
774
00:50:55,666 --> 00:50:57,625
as he and Beatle Ringo Starr
left a nightclub."
775
00:50:58,666 --> 00:50:59,750
Hey!
776
00:51:13,833 --> 00:51:16,250
[Glyn] Does the PA come before
or after the limiters?
777
00:51:17,416 --> 00:51:18,666
After, isn't it?
778
00:51:20,458 --> 00:51:25,333
[Glyn] Can you move the speakers
behind Paul a little bit further round?
779
00:51:25,416 --> 00:51:27,625
[Paul] Glyn?
780
00:51:27,708 --> 00:51:29,791
When will you be set up to tape something?
781
00:51:29,875 --> 00:51:31,208
[George] Haven't they got it plugged up?
782
00:51:31,291 --> 00:51:33,000
[John] Are we not in that situation yet?
783
00:51:34,958 --> 00:51:36,500
[chuckles] No answer.
784
00:51:36,583 --> 00:51:39,125
It's all right. Not yet, you mean?
785
00:51:49,291 --> 00:51:50,541
[Mal] It's been made up by Alex.
786
00:51:55,208 --> 00:51:56,500
How do you tune it?
787
00:51:59,708 --> 00:52:00,541
What?
788
00:52:01,750 --> 00:52:02,750
[John] It looks like he's--
789
00:52:02,833 --> 00:52:04,625
[George]
Let's give him half a million quid.
790
00:52:04,708 --> 00:52:06,083
It looks a good idea.
791
00:52:06,166 --> 00:52:07,500
- Yeah!
- Two-sided bass/rhythm...
792
00:52:07,583 --> 00:52:09,583
[John]
And let's give it him just for this!
793
00:52:10,166 --> 00:52:11,458
I'll put it on show.
794
00:52:11,541 --> 00:52:14,541
[all chuckling]
795
00:52:15,625 --> 00:52:18,250
He might have something in that though.
796
00:52:18,333 --> 00:52:19,541
You never--
797
00:52:19,625 --> 00:52:22,041
He'd have to just have less sides.
798
00:52:22,125 --> 00:52:24,083
[George] There it is now.
799
00:52:24,166 --> 00:52:25,666
- Yeah, two sides.
- Two sides and one...
800
00:52:25,750 --> 00:52:28,166
[George] You're gonna get all your strings
rubbing on your hand.
801
00:52:28,666 --> 00:52:30,458
[John] Tell him to build a prototype.
802
00:52:30,541 --> 00:52:31,833
[George] Better be good!
803
00:52:34,875 --> 00:52:37,791
- Glyn, can you look into the PA thing?
- Let's think in terms of--
804
00:52:37,875 --> 00:52:40,500
We still haven't had
a really good PA sound yet.
805
00:52:41,125 --> 00:52:45,500
You know? If we're gonna do it here,
let's try and get one in this room.
806
00:52:45,583 --> 00:52:49,666
'Cause we still haven't had that, where
we're knocked out with what we hear yet.
807
00:52:54,833 --> 00:52:58,583
- I say it now so we can get on with it.
- No idea.
808
00:53:03,708 --> 00:53:05,000
[Paul shouting in German]
809
00:53:08,000 --> 00:53:09,291
[German continues]
810
00:53:09,375 --> 00:53:11,125
♪ Yeah, yeah ♪
811
00:53:11,208 --> 00:53:14,666
-♪ I said, hey now, child ♪
-♪ Yeah, yeah ♪
812
00:53:15,375 --> 00:53:18,250
♪ C'mon everybody, take a trip with me ♪
813
00:53:19,208 --> 00:53:20,208
[Paul] All right!
814
00:53:21,208 --> 00:53:23,541
♪ Oh, way downtown ♪
815
00:53:23,625 --> 00:53:25,708
♪ Way down there ♪
816
00:53:25,791 --> 00:53:29,375
♪ I got a girl who's such a girl ♪
817
00:53:29,458 --> 00:53:31,583
♪ Well, she's my queen ♪
818
00:53:33,583 --> 00:53:35,833
♪ And you know what I mean ♪
819
00:53:37,833 --> 00:53:40,333
♪ Hey ♪
820
00:53:42,000 --> 00:53:44,208
♪ Oh, yeah ♪
821
00:53:45,416 --> 00:53:47,125
[John] ♪ In a tiny house ♪
822
00:53:48,416 --> 00:53:50,416
♪ By a tiny stream ♪
823
00:53:51,208 --> 00:53:52,416
♪ Lived a little girl ♪
824
00:53:52,500 --> 00:53:53,750
Drop me off tonight?
825
00:53:53,833 --> 00:53:55,208
Will you drop me off tonight?
826
00:53:55,291 --> 00:53:56,458
♪ Had a little dream ♪
827
00:53:56,541 --> 00:53:58,000
It's on your way, is it?
828
00:53:58,083 --> 00:54:01,291
♪ And the dream came true ♪
829
00:54:01,375 --> 00:54:04,625
♪ So unexpectedly ♪
830
00:54:04,708 --> 00:54:10,458
[John, Paul] ♪ In Gilly Gilly Ossenfeffer
Katzenellen Bogen By The Sea ♪
831
00:54:13,041 --> 00:54:15,833
[John] ♪ Hula, hula, hula, hula 40 days ♪
832
00:54:15,916 --> 00:54:16,916
A-ruff!
833
00:54:17,416 --> 00:54:19,541
♪ Oh, they say they had satisfaction ♪
834
00:54:19,625 --> 00:54:21,666
♪ I'm gonna take it
To the United Nation ♪
835
00:54:23,208 --> 00:54:24,500
[Paul] Okay.
836
00:54:24,583 --> 00:54:26,916
- Do something for them.
-[John] Okay, boys.
837
00:54:27,000 --> 00:54:28,625
[Paul, imitating Elvis Presley]
Okay, boys.
838
00:54:28,708 --> 00:54:31,791
Let's cool it for once
and get it real going for a change.
839
00:54:32,500 --> 00:54:35,125
Hold it now and don't move.
840
00:54:35,208 --> 00:54:37,375
[babbling]
841
00:54:37,458 --> 00:54:40,250
-[John] Another Lennon/
- McCartney original
entitled...
842
00:54:40,333 --> 00:54:45,333
[Paul] ♪ Too bad about sorrow ♪
843
00:54:47,333 --> 00:54:52,958
♪ Too bad about love ♪
844
00:54:53,708 --> 00:54:58,333
[together] ♪ There'll be no tomorrow ♪
845
00:55:00,333 --> 00:55:04,750
♪ For all of your love ♪
846
00:55:05,625 --> 00:55:09,208
-♪ Ah, ah, ah, ooh ♪
-♪ Ooh, ooh ♪
847
00:55:12,958 --> 00:55:14,166
-[Kevin] Yeah. Okay.
-[Paul] Thank you.
848
00:55:14,250 --> 00:55:18,000
"All I Want Is You,"
"The Long And Winding Road,"
849
00:55:18,750 --> 00:55:21,583
"Bathroom Window," "Let It Be."
850
00:55:21,666 --> 00:55:23,833
-"Bathroom Window"?
-"Across the Universe,"
851
00:55:23,916 --> 00:55:28,875
"Get Back To Where You Once Belonged,"
"Two Of Us On Our Way Home,"
852
00:55:28,958 --> 00:55:31,875
"Maxwell's Silver Hammer,"
"I Got A Feeling,"
853
00:55:31,958 --> 00:55:34,083
"Sunrise," "I Me Mine."
854
00:55:34,166 --> 00:55:35,250
-[John] "Sunrise"?
-[George] "Sunrise"?
855
00:55:35,333 --> 00:55:39,083
Uh, "Sun"-- "All Things Shall Pass."
856
00:55:39,166 --> 00:55:40,708
- Oh, my--
-[Paul] They mean--
857
00:55:40,791 --> 00:55:41,875
You threw me there.
858
00:55:41,958 --> 00:55:43,833
I thought, I was away a day,
they learned a fucking tune.
859
00:55:43,916 --> 00:55:45,333
They learned a fucking tune.
860
00:55:47,500 --> 00:55:48,500
[crew] Over there.
861
00:55:48,583 --> 00:55:49,666
[John] Over there.
862
00:55:49,750 --> 00:55:51,541
[George]
If we're just trying to make the album,
863
00:55:51,625 --> 00:55:53,666
I think we should just start it
straightaway.
864
00:55:54,291 --> 00:55:57,166
I think we're just gonna sing them live
to the camera.
865
00:55:57,958 --> 00:55:59,958
So we'll probably just do
about half an hour.
866
00:56:00,041 --> 00:56:04,166
♪ I, a, hi, hi, a, hi, hi ♪
867
00:56:05,541 --> 00:56:08,125
-♪ Dig a pony ♪
-[feedback]
868
00:56:08,208 --> 00:56:11,625
♪ Well, you can celebrate
Anything you want ♪
869
00:56:12,791 --> 00:56:17,083
♪ Yes, you can celebrate
Anything you want ♪
870
00:56:17,666 --> 00:56:23,250
♪ Oh, I, a, hi, hi, a, hi, hi ♪
871
00:56:24,333 --> 00:56:26,416
♪ Take a skylight ♪
872
00:56:27,208 --> 00:56:29,958
♪ Well, you can penetrate
Any place you go ♪
873
00:56:30,041 --> 00:56:31,041
[feedback continues]
874
00:56:31,125 --> 00:56:33,625
♪ Whoo hoo hoo, ooh ♪
875
00:56:33,708 --> 00:56:34,916
It's not me, is it?
876
00:56:35,000 --> 00:56:36,208
-♪ Ooh, ooh ♪
- Is it me?
877
00:56:36,291 --> 00:56:38,541
[Paul]
It seems to be this mic feeding back.
878
00:56:38,625 --> 00:56:41,875
-[George, indistinct]
-[Paul] ♪ A ha ha, ooh ♪
879
00:56:41,958 --> 00:56:44,625
It stops when I talk on this mic, so...
880
00:56:44,708 --> 00:56:46,416
-♪ Ooh, ooh ♪
-[microphone feedback]
881
00:56:46,583 --> 00:56:47,958
- Can you turn?
-[Paul] Sure.
882
00:56:48,666 --> 00:56:53,000
[John] I'm going to have road hog instead
of skylight, however pretty it may be.
883
00:56:53,083 --> 00:56:55,375
I keep telling you not to,
and you won't listen to what I say.
884
00:56:55,458 --> 00:56:56,708
- You're right.
- I know.
885
00:56:56,791 --> 00:56:58,083
What is it?
886
00:56:58,166 --> 00:56:59,541
[Paul] A fragile Leslie.
887
00:57:00,875 --> 00:57:04,500
I con a Lowrey, but it didn't sing well.
888
00:57:04,583 --> 00:57:06,666
-[Michael] Yeah.
-[John] ♪ Con a Lowrey... ♪
889
00:57:06,750 --> 00:57:09,625
There wasn't-- So I changed it to Paul's
"dog a boney."
890
00:57:09,708 --> 00:57:11,416
[George]
"Cadge a Leslie," you had as well.
891
00:57:11,500 --> 00:57:13,125
[John] Yeah, "cadge a Leslie," that.
892
00:57:13,625 --> 00:57:15,791
It's gotta be Ds and Bs, you know?
893
00:57:15,875 --> 00:57:17,875
[feedback]
894
00:57:17,958 --> 00:57:20,958
- Are they ready to take any yet?
-[feedback continues]
895
00:57:26,291 --> 00:57:27,916
Glyn can hear us. Can't you, Glyn?
896
00:57:30,750 --> 00:57:32,041
In fact, he's coming out.
897
00:57:32,666 --> 00:57:33,666
Yes, Glyn?
898
00:57:34,833 --> 00:57:38,166
There's lots missing yet.
This afternoon, late--
899
00:57:38,250 --> 00:57:41,458
[John] 'Cause it's got to the point where
we don't know what anything's like there.
900
00:57:42,125 --> 00:57:43,125
[Glyn] In fact...
901
00:57:51,666 --> 00:57:53,666
-[John] Oh, no, you're not!
- Oh, yes, I am!
902
00:57:58,041 --> 00:58:02,708
♪ Well, since my baby left me
Never said a word ♪
903
00:58:02,791 --> 00:58:04,250
♪ Was it something that I done ♪
904
00:58:04,333 --> 00:58:05,708
♪ Or something that she heard? ♪
905
00:58:05,791 --> 00:58:07,416
♪ You know, she left ♪
906
00:58:08,375 --> 00:58:09,708
♪ Yeah, left me ♪
907
00:58:09,791 --> 00:58:12,458
♪ So she even left me ♪
908
00:58:12,541 --> 00:58:15,208
♪ Never saying a word ♪
909
00:58:15,291 --> 00:58:18,458
♪ Put on your hi-heel sneakers ♪
910
00:58:20,458 --> 00:58:23,125
♪ 'Cause we're going out tonight ♪
911
00:58:29,916 --> 00:58:32,708
♪ Better take your shotgun ♪
912
00:58:33,541 --> 00:58:36,666
♪ In case some fool might wanna fight ♪
913
00:58:39,541 --> 00:58:42,708
♪ Every morning when the sun comes up ♪
914
00:58:43,958 --> 00:58:46,125
♪ Said that old milk cow ♪
915
00:58:46,208 --> 00:58:48,708
♪ The lazy way she walks ♪
916
00:58:48,791 --> 00:58:51,458
♪ You know, the moo... ♪
917
00:58:53,625 --> 00:58:55,708
♪ That old milk cow ♪
918
00:59:02,000 --> 00:59:03,625
♪ Yeah, that old milk cow... ♪
919
00:59:03,708 --> 00:59:04,916
♪ Don't hurt me ♪
920
00:59:06,083 --> 00:59:08,541
♪ Ooh, ah ♪
921
00:59:16,541 --> 00:59:18,083
♪ I woke up this morning ♪
922
00:59:19,708 --> 00:59:21,250
♪ And I looked out my door ♪
923
00:59:22,875 --> 00:59:25,250
♪ I can tell that old milk cow ♪
924
00:59:25,333 --> 00:59:27,958
♪ I can tell the way she walks ♪
925
00:59:28,041 --> 00:59:30,541
♪ She's gonna leave ♪
926
00:59:31,708 --> 00:59:35,708
[Paul]
♪ "The End of a Beautiful Friendship" ♪
927
00:59:35,791 --> 00:59:38,708
♪ By Michael House-go-home ♪
928
00:59:41,541 --> 00:59:45,041
"The awful tension of being locked
in each other's arms
929
00:59:45,125 --> 00:59:47,875
snapped last night at a TV rehearsal.
930
00:59:48,416 --> 00:59:51,875
And Beatles John, George,
Paul and Harold, at very least...
931
00:59:52,583 --> 00:59:54,958
a few vicious phrases took place.
932
00:59:57,750 --> 01:00:01,666
He, the mystical one
who lost so much of The Beatles' magic.
933
01:00:02,708 --> 01:00:03,958
She, the nudie.
934
01:00:05,666 --> 01:00:10,791
It's only the suddenness of their decline
from the status of 'boys next door'
935
01:00:10,875 --> 01:00:15,583
to the category of 'weirdies'
that has left most people agog."
936
01:00:15,666 --> 01:00:17,416
[Denis] I heard he just played that.
937
01:00:17,500 --> 01:00:20,166
"It would be about the middle of 1960
938
01:00:20,250 --> 01:00:22,875
that the personal luster of The Beatles
939
01:00:22,958 --> 01:00:26,708
began to show a few spots of rust.
940
01:00:26,791 --> 01:00:29,708
I will deliberately leave Ringo out of it,
941
01:00:29,791 --> 01:00:32,916
because he has never
developed an inclination
942
01:00:33,000 --> 01:00:34,375
towards the bizarre.
943
01:00:34,458 --> 01:00:36,500
Lennon was married, happily.
944
01:00:36,583 --> 01:00:41,000
McCartney was going steady,
and George Harrison was about to marry.
945
01:00:41,541 --> 01:00:44,458
Everything in the Beatle garden was rosy.
946
01:00:44,541 --> 01:00:46,500
But that was a long time ago.
947
01:00:46,583 --> 01:00:51,000
They went their own private ways,
found their own friends
948
01:00:51,083 --> 01:00:56,708
and became less reliant on each other
for guidance and comradeship."
949
01:00:56,791 --> 01:00:58,875
♪ Early in the morning
I'm a-giving you the warning ♪
950
01:00:58,958 --> 01:01:01,791
-"Where did it all lead to?"
-♪ Don't you step on my blue suede shoes ♪
951
01:01:01,875 --> 01:01:08,458
"I suppose it is fair to say
that it led pretty close to disaster
952
01:01:08,541 --> 01:01:11,625
at one time or another.
953
01:01:11,708 --> 01:01:16,166
Today all of them find acute embarrassment
954
01:01:16,250 --> 01:01:19,166
at the stories of one another's
955
01:01:19,250 --> 01:01:23,666
odd-ball adventures and conduct.
956
01:01:23,750 --> 01:01:28,666
Harrison's escapades
with his favorite mystic from India
957
01:01:28,750 --> 01:01:31,000
- left Paul and Ringo aghast..."
-♪ I'm a-giving you the warning ♪
958
01:01:31,083 --> 01:01:36,000
-♪ Don't you step on my blue suede shoes ♪
-"...and both felt obliged to try him out
959
01:01:36,083 --> 01:01:39,791
to see if they were missing anything."
960
01:01:39,875 --> 01:01:41,583
♪ Nothing to lose, and hey ♪
961
01:01:41,666 --> 01:01:44,750
"Drugs, divorce and a slipping image
962
01:01:45,333 --> 01:01:50,041
played desperately on their minds
and it appeared to them all
963
01:01:50,125 --> 01:01:52,708
that the public was being encouraged
964
01:01:52,791 --> 01:01:54,291
to hate them."
965
01:01:54,375 --> 01:01:57,625
♪ You don't need no rhythm and blues ♪
966
01:01:57,708 --> 01:02:00,458
♪ I got nothing to lose ♪
967
01:02:01,666 --> 01:02:04,666
♪ Early in the morning
I'm a-giving you the warning ♪
968
01:02:04,750 --> 01:02:07,666
♪ Don't you step on my blue suede shoes ♪
969
01:02:07,750 --> 01:02:12,500
"But that still doesn't amount
to a complete break-up of the group.
970
01:02:12,583 --> 01:02:16,041
Whatever talent they have as individuals,
971
01:02:16,125 --> 01:02:18,291
and who can deny it,
972
01:02:18,375 --> 01:02:24,125
their capacity to earn is largely tied up
973
01:02:24,208 --> 01:02:26,875
in their performances as a group."
974
01:02:54,458 --> 01:02:58,041
"They will never be
exactly the same again."
975
01:02:58,125 --> 01:03:00,458
♪ Everybody's rockin' tonight ♪
976
01:03:04,041 --> 01:03:05,791
-[Paul] Okay.
-[John] Okay.
977
01:03:05,875 --> 01:03:07,500
-[Paul] Okay then.
-[John] Are you ready, George?
978
01:03:08,375 --> 01:03:10,208
[Paul] Here we go, Glyn.
979
01:03:10,291 --> 01:03:11,708
Coming, ready or not.
980
01:03:11,791 --> 01:03:13,750
-[John] Glyn.
-[Glyn] You're on.
981
01:03:14,333 --> 01:03:17,041
- Okay, boys and girls.
-[Paul] Okay.
982
01:03:17,708 --> 01:03:18,791
"All I Want Is You."
983
01:03:18,875 --> 01:03:20,041
Take one.
984
01:03:23,166 --> 01:03:25,958
And now, your hosts for this evening,
The Bottles.
985
01:03:26,041 --> 01:03:28,041
♪ Oh ♪
986
01:03:28,125 --> 01:03:32,208
♪ I, a, hi, hi, a, hi, hi ♪
987
01:03:33,125 --> 01:03:35,708
♪ Roll a stoney ♪
988
01:03:35,791 --> 01:03:36,791
♪ Whoa ♪
989
01:03:36,875 --> 01:03:40,208
[John]
♪ You can imitate everyone you know ♪
990
01:03:41,375 --> 01:03:45,958
♪ Yes, you can imitate everyone you know ♪
991
01:03:46,041 --> 01:03:48,291
♪ I told you so ♪
992
01:03:48,375 --> 01:03:51,416
♪ All I want is you ♪
993
01:03:53,833 --> 01:03:59,458
♪ Everything has got to be
Just like you want it to ♪
994
01:04:00,083 --> 01:04:02,083
♪ Because ♪
995
01:04:23,583 --> 01:04:28,041
♪ Oh, I, a, hi, hi, a, hi, hi ♪
996
01:04:29,583 --> 01:04:31,875
♪ Feel the wind love ♪
997
01:04:32,666 --> 01:04:36,583
♪ Well, you can indicate
Anything you see ♪
998
01:04:37,250 --> 01:04:42,541
♪ Yes, you can indicate
Anything you see ♪
999
01:04:42,625 --> 01:04:49,000
♪ Oh, I, a, hi, hi, a, hi, hi ♪
1000
01:04:50,250 --> 01:04:52,833
♪ Dug a bony ♪
1001
01:04:53,416 --> 01:04:57,291
♪ Well, you can syndicate
Any boat you row ♪
1002
01:04:58,166 --> 01:05:02,958
♪ Yes, you can syndicate
Any boat you row ♪
1003
01:05:03,041 --> 01:05:05,375
♪ I told you so ♪
1004
01:05:05,458 --> 01:05:11,083
♪ All I want is you ♪
1005
01:05:11,166 --> 01:05:12,166
[Paul] ♪ Girl ♪
1006
01:05:12,750 --> 01:05:15,041
[John] ♪ You're gonna shag that girl ♪
1007
01:05:17,041 --> 01:05:18,333
♪ Shag ♪
1008
01:05:18,416 --> 01:05:21,208
♪ Everybody shag now
Everybody shag ♪
1009
01:05:22,291 --> 01:05:25,250
[Paul] ♪ Move a little bit harder now
Move a little bit softer now ♪
1010
01:05:29,416 --> 01:05:30,416
[Ringo] Gonna hear that.
1011
01:05:30,500 --> 01:05:31,791
- What, where?
- There.
1012
01:05:31,875 --> 01:05:33,458
- Go in there?
- In there.
1013
01:05:33,541 --> 01:05:34,583
Sure. Why not?
1014
01:05:37,416 --> 01:05:39,125
-[John] No, no, don't...
- Oh, no, no, no, John.
1015
01:05:39,208 --> 01:05:40,833
Please don't put the mockers on it.
1016
01:05:40,916 --> 01:05:42,458
[George] ♪ Oh, no, no, no ♪
1017
01:05:42,541 --> 01:05:45,791
["Dig a Pony" playback]
1018
01:05:45,875 --> 01:05:48,041
♪ Because ♪
1019
01:05:49,500 --> 01:05:51,250
[playback continues]
1020
01:06:05,666 --> 01:06:09,083
♪ All I want is you ♪
1021
01:06:11,375 --> 01:06:13,708
[George] That sounds very nice, really.
1022
01:06:13,791 --> 01:06:15,333
[Glyn] I'm really pleased with the sound.
1023
01:06:15,416 --> 01:06:17,833
I thought, "Well, fuck me. If they
don't like that, what do they want?"
1024
01:06:17,916 --> 01:06:19,250
[John] It's just like we sound.
1025
01:06:19,333 --> 01:06:21,500
♪ Lodge Sam Wrapper
Is the place you gotta go ♪
1026
01:06:22,375 --> 01:06:26,666
And now, our hosts for this evening,
The Bony Rolls.
1027
01:06:26,750 --> 01:06:31,375
"I Dig A Pygmy"
by Charles Hawtrey and the Deaf-Aids!
1028
01:06:31,458 --> 01:06:32,541
[laughing]
1029
01:06:32,625 --> 01:06:35,958
Phase one, in which Doris gets her oats.
1030
01:06:36,458 --> 01:06:37,541
Ringo!
1031
01:06:37,625 --> 01:06:39,500
[coughing] Richie!
1032
01:06:40,750 --> 01:06:42,500
Scab head! Come in!
1033
01:06:43,208 --> 01:06:44,208
One more.
1034
01:06:45,333 --> 01:06:48,083
[Paul, posh accent]
Glyn would like us to do it one more time.
1035
01:06:48,166 --> 01:06:49,916
Shall we oblige him?
1036
01:06:50,000 --> 01:06:51,250
[John, American accent] Okay.
1037
01:06:51,333 --> 01:06:53,583
I think we could
still take it a little quieter.
1038
01:06:53,666 --> 01:06:55,208
[Paul, American accent] I think I agree.
1039
01:06:55,833 --> 01:06:59,458
[John, normal voice] And when I go, "Oh,"
I want you to go, "Oh."
1040
01:06:59,541 --> 01:07:00,541
[Paul] Got it!
1041
01:07:00,625 --> 01:07:02,875
♪ Oh ♪
1042
01:07:02,958 --> 01:07:05,333
[both] ♪ Oh ♪
1043
01:07:05,416 --> 01:07:06,958
[playing "Dig A Pony"]
1044
01:07:08,625 --> 01:07:11,791
♪ All I want is you ♪
1045
01:07:11,875 --> 01:07:15,208
♪ I, a, hi, hi, a, hi, hi ♪
1046
01:07:17,000 --> 01:07:19,083
♪ Dig a pony ♪
1047
01:07:19,750 --> 01:07:23,500
♪ Well, you can celebrate
Anything you want ♪
1048
01:07:24,083 --> 01:07:27,083
After we got to "a wind love,"
I went berserk.
1049
01:07:27,166 --> 01:07:29,458
[laughing]
1050
01:07:29,541 --> 01:07:31,666
[Paul] Like the wind, he blew away.
1051
01:07:31,750 --> 01:07:33,833
- His thoughts scattered...
- I blew a windstorm.
1052
01:07:33,916 --> 01:07:35,958
[Paul] ...tumbling like a paper cup.
1053
01:07:37,333 --> 01:07:39,333
"Blew a road hog." That's better.
1054
01:07:40,291 --> 01:07:41,625
Blew a road hog.
1055
01:07:41,708 --> 01:07:44,583
[Paul] Slither wildly like a blind dog.
1056
01:07:45,416 --> 01:07:48,083
As it creeps away across my underpants.
1057
01:07:48,166 --> 01:07:49,875
[Paul laughs]
1058
01:07:53,000 --> 01:07:55,708
-[John] I'm a lyricist in my own right.
-[Paul] He is, you know.
1059
01:07:55,791 --> 01:07:58,833
[Paul] Yes, Richard Rodgers
has got nothing on this boy.
1060
01:07:58,916 --> 01:08:00,833
-[all chattering]
-[John] ♪ Oh, Paul, sometimes... ♪
1061
01:08:00,916 --> 01:08:02,833
[Paul]
♪ Aye, sometimes, John, I don't know... ♪
1062
01:08:02,916 --> 01:08:05,166
[John]
That tongue will be the death of you!
1063
01:08:05,916 --> 01:08:07,583
"I feel a wind love"?
1064
01:08:07,666 --> 01:08:09,958
Yeah, I've changed it to "wind love" now.
1065
01:08:10,041 --> 01:08:13,458
- I just make it up as I go along.
-[Paul] Oh, is that how you do it?
1066
01:08:28,250 --> 01:08:30,416
[playback]
1067
01:08:32,666 --> 01:08:35,083
See, I want it so that it goes...
1068
01:08:35,166 --> 01:08:36,916
[imitates drums]
1069
01:08:37,000 --> 01:08:38,458
The bass is going that bit.
1070
01:08:38,541 --> 01:08:41,083
Try doing it so you're almost playing
four in a bar. So you go...
1071
01:08:41,166 --> 01:08:46,250
[imitates drums]
1072
01:08:46,333 --> 01:08:47,708
...on those bits.
1073
01:08:47,791 --> 01:08:50,583
[Ringo] Well, that's the beginning
of the verses, isn't it?
1074
01:08:50,666 --> 01:08:53,583
Yeah. ♪ I dig a pony ♪
1075
01:08:53,666 --> 01:08:55,041
[Ringo] That's what I'm doing now.
1076
01:08:55,125 --> 01:08:56,208
This one isn't going...
1077
01:08:56,875 --> 01:08:58,541
high or heavy. You can hear the...
1078
01:08:59,125 --> 01:09:01,916
There's none for that one.
Only the bass is doing that.
1079
01:09:02,000 --> 01:09:03,750
[George]
We haven't got the double bass drum.
1080
01:09:03,833 --> 01:09:05,208
The other bass drum.
1081
01:09:05,291 --> 01:09:07,666
[John] So what would that be, Paul?
Would that be four in the bar?
1082
01:09:07,750 --> 01:09:10,083
- Are you using high hats?
-[Ringo] Mmm.
1083
01:09:10,166 --> 01:09:12,333
-[John humming]
- Don't know, maybe a...
1084
01:09:14,291 --> 01:09:16,708
If you did--
Are you doing the big cymbal on that?
1085
01:09:17,208 --> 01:09:20,541
[imitates drums]
1086
01:09:20,625 --> 01:09:22,166
- That's the way I'm doing it.
-[John] Yeah.
1087
01:09:22,250 --> 01:09:26,125
♪ After 40 years in the desert
He couldn't find his balls ♪
1088
01:09:27,375 --> 01:09:28,791
[Mal] What time are you working till?
1089
01:09:28,875 --> 01:09:30,458
-[Ringo] What time is it?
-[Mal] Seven o'clock.
1090
01:09:30,541 --> 01:09:31,750
[Ringo] That's time enough.
1091
01:09:33,375 --> 01:09:36,291
[John] ♪ Well, don't you know
That there's a madman a-comin' ♪
1092
01:09:36,375 --> 01:09:38,291
♪ Gonna do you no harm ♪
1093
01:09:38,375 --> 01:09:42,500
♪ He's wearin' pink pajamas
And he lives on a farm ♪
1094
01:09:42,583 --> 01:09:46,500
♪ He's got to get somewhere
So that he can be on his own ♪
1095
01:09:48,500 --> 01:09:53,166
♪ I got a feeling
A feeling deep inside ♪
1096
01:09:53,250 --> 01:09:54,250
♪ Oh, yeah ♪
1097
01:09:56,041 --> 01:09:57,541
-♪ Oh, yeah ♪
-[John] ♪ Oh, yeah ♪
1098
01:10:00,000 --> 01:10:04,791
♪ I got a feeling
A feeling I can't hide ♪
1099
01:10:04,875 --> 01:10:06,666
♪ Oh, no ♪
1100
01:10:07,666 --> 01:10:08,916
-♪ Oh, no ♪
-♪ Oh, no ♪
1101
01:10:10,666 --> 01:10:12,583
-♪ Oh, yeah ♪
-♪ Oh, yeah ♪
1102
01:10:13,666 --> 01:10:15,125
[Paul] ♪ Oh, no ♪
1103
01:10:15,208 --> 01:10:20,541
-[song continues on playback]
-♪ Yeah, yeah, I got a feeling ♪
1104
01:10:20,625 --> 01:10:24,250
♪ Don't let me down ♪
1105
01:10:27,083 --> 01:10:30,291
♪ Don't let me down ♪
1106
01:10:31,916 --> 01:10:34,000
One, two, five, six!
1107
01:10:35,791 --> 01:10:37,541
[Paul]
Sounds all right in here, doesn't it?
1108
01:10:37,625 --> 01:10:39,041
Doesn't really make much difference.
1109
01:10:39,125 --> 01:10:41,583
[Glyn] Oh, yeah. But with everything being
so close-mic'ed,
1110
01:10:41,666 --> 01:10:43,916
you don't notice it on the tapes much.
1111
01:10:44,000 --> 01:10:48,500
This is really good for strings
or anything-- You'd mic more distanced.
1112
01:10:48,583 --> 01:10:50,000
-[Paul] Is it?
- Know what I mean?
1113
01:10:50,958 --> 01:10:53,125
[John] Imagine if we could have
played like this at The Cavern.
1114
01:10:53,208 --> 01:10:54,208
It would've been great.
1115
01:10:54,291 --> 01:10:56,583
Eh, we were there, weren't we?
1116
01:10:56,666 --> 01:10:57,875
[George] Got another toy.
1117
01:10:57,958 --> 01:11:00,125
[Paul] See, would you have piano on it?
1118
01:11:00,833 --> 01:11:02,166
[John] Yeah, but how do we do that?
1119
01:11:02,250 --> 01:11:04,416
'Cause then it just leaves one guitar,
doesn't it?
1120
01:11:04,500 --> 01:11:05,958
- We need somebody else.
-[Paul] Yeah.
1121
01:11:06,041 --> 01:11:09,125
[John] Probably be like
a guy that plays piano all the time.
1122
01:11:09,208 --> 01:11:10,708
That one that plays with The Stones.
1123
01:11:10,791 --> 01:11:12,416
- Or anybody. Yeah.
-[Paul] Nicky Hopkins.
1124
01:11:17,333 --> 01:11:19,375
♪ Don't you know it's gonna last? ♪
1125
01:11:21,125 --> 01:11:23,208
♪ It's a love that lasts forever ♪
1126
01:11:24,916 --> 01:11:27,416
♪ It's a love that has no past ♪
1127
01:11:32,291 --> 01:11:34,625
[deep voice]
♪ Don't let me down ♪
1128
01:11:34,708 --> 01:11:37,333
Plop, plop, plop. Plop. Plop.
1129
01:11:38,708 --> 01:11:40,625
[normal voice] Don't let me down, baby!
1130
01:11:40,708 --> 01:11:42,500
[Paul babbling]
1131
01:11:46,708 --> 01:11:50,500
♪ I'm in love for the first time ♪
1132
01:11:50,583 --> 01:11:52,875
♪ A wop-bop-a-loo-bop, oh ♪
1133
01:11:52,958 --> 01:11:56,291
♪ It's a love that has no past ♪
1134
01:11:58,791 --> 01:12:01,833
[scatting] ♪ Don't let me down ♪
1135
01:12:01,916 --> 01:12:05,625
♪ I'm in love for the first time ♪
1136
01:12:05,708 --> 01:12:07,375
-♪ Dicky Murdoch ♪
-["Don't Let Me Down" continues]
1137
01:12:10,708 --> 01:12:13,208
♪ Dicky, Dicky, Dicky Doo ♪
1138
01:12:16,500 --> 01:12:20,000
♪ Dicky, Dicky, Dicky, Dicky
Dicky, Dicky, Dicky Murdoch ♪
1139
01:12:22,791 --> 01:12:25,833
♪ Dicky, Dicky, Dicky Doo ♪
1140
01:12:28,625 --> 01:12:29,750
[blows raspberry]
1141
01:12:30,791 --> 01:12:33,458
[Paul]
"She Came In Through The Bathroom Window."
1142
01:12:33,541 --> 01:12:34,541
[John] No idea.
1143
01:12:34,625 --> 01:12:36,750
[Paul] A... "Diana" chords in A.
1144
01:12:38,291 --> 01:12:40,416
-[John] I'm on piano for this one.
- Yeah.
1145
01:12:40,500 --> 01:12:41,958
It's a great piano.
1146
01:12:45,708 --> 01:12:48,125
- It's the best one here.
- Oh, yeah. But you had one.
1147
01:12:48,208 --> 01:12:49,833
- I know, but it wasn't like...
- Your Fender.
1148
01:12:49,916 --> 01:12:51,458
Nicky Hopkins has just got one of these.
1149
01:12:51,541 --> 01:12:54,041
[John] I've had one about two years
at home, but it's not as good as this.
1150
01:12:54,125 --> 01:12:57,625
Must've been the prototype, you know?
It's all buzzy like the old one.
1151
01:13:01,125 --> 01:13:04,875
♪ By the banks of her own... ♪
1152
01:13:04,958 --> 01:13:06,333
Just like that. [vocalizing]
1153
01:13:06,416 --> 01:13:09,083
[Paul] ♪ But she could not rob ♪
1154
01:13:09,583 --> 01:13:13,750
♪ Didn't anybody tell her? ♪
1155
01:13:13,833 --> 01:13:15,625
[George vocalizing]
1156
01:13:49,500 --> 01:13:52,333
On the chorus--
Just need it to be a bit more solid.
1157
01:13:53,125 --> 01:13:54,291
So, like...
1158
01:13:55,416 --> 01:13:56,916
Sing on the top of it.
1159
01:13:57,000 --> 01:13:59,208
♪ Didn't anybody tell her? ♪
1160
01:14:00,083 --> 01:14:02,750
Yes, they're all like that.
They're all like that.
1161
01:14:03,666 --> 01:14:07,500
♪ Didn't anybody tell her? ♪
1162
01:14:10,625 --> 01:14:12,750
♪ Didn't anybody ♪
1163
01:14:12,833 --> 01:14:16,750
It should be like three-part,
and very close, very tight.
1164
01:14:16,833 --> 01:14:18,166
And with a sort of...
1165
01:14:18,250 --> 01:14:21,625
♪ She could steal, but she could not rob ♪
1166
01:14:22,291 --> 01:14:26,041
♪ Didn't anybody tell her? ♪
1167
01:14:26,833 --> 01:14:29,833
Just very, sort of--
In the background, it should be...
1168
01:14:29,916 --> 01:14:33,375
[imitates beat] Very plain.
1169
01:14:36,125 --> 01:14:40,208
♪ Didn't anybody tell her? ♪
1170
01:14:42,791 --> 01:14:46,250
♪ Didn't anybody see? ♪
1171
01:14:48,916 --> 01:14:53,458
♪ Sunday's on the phone to Monday ♪
1172
01:14:53,541 --> 01:14:55,958
[John] We've got to start on
all them other ones we've learned now.
1173
01:14:56,041 --> 01:14:57,666
- Yeah, little bits--
- And start doing them.
1174
01:14:59,625 --> 01:15:02,250
Well, shall we do it tomorrow?
The harmonies?
1175
01:15:02,333 --> 01:15:04,916
♪ Didn't anybody tell her? ♪
1176
01:15:06,958 --> 01:15:10,500
[John] We must be able to have it so that
we can play with an electric piano.
1177
01:15:10,583 --> 01:15:12,541
I mean, look,
other groups play on stage with 'em.
1178
01:15:13,208 --> 01:15:15,875
I mean, I've seen people on telly
playing them, you know?
1179
01:15:18,458 --> 01:15:19,833
[John] That's what it is.
1180
01:15:19,916 --> 01:15:21,041
Come along.
1181
01:15:21,125 --> 01:15:22,750
- Oh, yeah.
- Come on. Get home.
1182
01:15:22,833 --> 01:15:24,166
We're going with Ringo.
1183
01:15:25,833 --> 01:15:28,125
Goodbye, goodbye. See you tomorrow.
1184
01:15:28,208 --> 01:15:30,291
[Michael] Okay. What time are you coming?
1185
01:15:31,166 --> 01:15:33,166
At 11:00 on the nose.
1186
01:15:34,625 --> 01:15:35,833
Or one o'clock.
1187
01:15:35,916 --> 01:15:37,500
But on the nose.
1188
01:15:37,583 --> 01:15:39,625
I had a good idea for the TV show.
1189
01:15:39,708 --> 01:15:41,000
The only way we ever did them...
1190
01:15:41,083 --> 01:15:43,333
- Harmony? You're right.
- You're right, John.
1191
01:15:43,416 --> 01:15:45,416
Riffs on guitar, Paul. Harmony on piano.
1192
01:15:45,500 --> 01:15:48,541
I'd like to-- What we did today,
it was the same story.
1193
01:15:48,625 --> 01:15:50,291
- Same story.
- Same story exactly.
1194
01:15:50,375 --> 01:15:51,958
- For the voices, you mean?
- Yeah.
1195
01:15:52,041 --> 01:15:53,000
- Sure.
- Yeah.
1196
01:15:53,083 --> 01:15:54,708
We gotta get those voices cleaned up.
1197
01:15:54,791 --> 01:15:56,875
Well, let's get 'em all
into the riff stage.
1198
01:15:57,958 --> 01:16:00,375
'Cause I do like the riff stage, you know?
1199
01:16:00,458 --> 01:16:01,458
Yeah.
1200
01:16:01,541 --> 01:16:03,333
- Okay, see you tomorrow.
- Yes. Good night.
1201
01:16:03,416 --> 01:16:04,708
- Yeah.
- At eleven o'clock.
1202
01:16:04,791 --> 01:16:05,875
[Michael] Good night.
1203
01:16:05,958 --> 01:16:07,291
Bye.
1204
01:16:07,375 --> 01:16:10,083
[chattering]
1205
01:16:10,166 --> 01:16:12,125
Ta-ta. Good night.
1206
01:16:12,208 --> 01:16:16,833
[chattering]
1207
01:16:16,916 --> 01:16:18,333
[John] "'So be it,' says George Harrison."
1208
01:16:18,416 --> 01:16:19,416
[Yoko] Is that Michael Housego?
1209
01:16:19,500 --> 01:16:20,500
- Have you seen that?
-[George] No.
1210
01:16:20,583 --> 01:16:23,125
In the Mail, there's a picture of you
inside the next page.
1211
01:16:23,208 --> 01:16:24,916
And you said about France,
1212
01:16:25,000 --> 01:16:27,583
"'So be it,' says Beatle George Harrison,
1213
01:16:27,666 --> 01:16:31,208
who smashed, ruined the fellow's
evening suit and his cameras, and"--
1214
01:16:31,291 --> 01:16:32,666
[Glyn] Had seven stitches in his knee.
1215
01:16:32,750 --> 01:16:37,458
[George] "Harrison has already agreed
to pay Bebert £425 compensation."
1216
01:16:37,541 --> 01:16:40,750
It's amazing the way it goes on
without even
1217
01:16:40,833 --> 01:16:42,375
- anything to do with you.
- Yeah.
1218
01:16:42,458 --> 01:16:45,375
[George] It's like, as if you can just
give 'em a plastic dummy of you
1219
01:16:45,458 --> 01:16:48,541
to, you know,
to push around and play with.
1220
01:16:49,166 --> 01:16:53,416
Morning. Morning, everybody.
Another bright day. Morning, camera.
1221
01:16:54,250 --> 01:16:58,708
And now, your host for this evening,
The Rolling Stones.
1222
01:16:59,208 --> 01:17:01,625
[Glyn] Lovely warm air coming
through here. It's great.
1223
01:17:07,500 --> 01:17:10,625
[Paul] Neil thinks they'll want to
print their own in America.
1224
01:17:10,708 --> 01:17:11,958
[Derek] Yeah. Well, they will.
1225
01:17:12,041 --> 01:17:13,666
[Paul] It's like-- I don't like that thing
1226
01:17:13,750 --> 01:17:15,333
where it goes cheap
when it goes to America
1227
01:17:15,416 --> 01:17:17,958
- and they do the reprint.
-[Derek] I know what you mean.
1228
01:17:18,041 --> 01:17:20,083
Because the album's
gonna be called Postcard.
1229
01:17:23,125 --> 01:17:24,333
[Paul] By Mary Hopkin.
1230
01:17:24,416 --> 01:17:27,458
So we're just getting Valentine's,
the people who make postcards,
1231
01:17:27,541 --> 01:17:30,166
to put one of them on the cover of the LP.
1232
01:17:30,250 --> 01:17:32,875
- There's no, sort of, sleeve notes--
- And a picture of her.
1233
01:17:32,958 --> 01:17:35,083
[Paul] Yeah.
And just a few pictures of her in it all.
1234
01:17:35,666 --> 01:17:37,041
- Postcard?
- Yes.
1235
01:17:37,125 --> 01:17:38,541
-[George] Next of Hopkin.
-[laughs]
1236
01:17:40,041 --> 01:17:41,458
- Does this work?
- Yeah.
1237
01:17:41,541 --> 01:17:42,875
[Glyn] Goodness me.
1238
01:17:42,958 --> 01:17:45,166
- Should be a good day.
-[laughs]
1239
01:17:45,250 --> 01:17:47,375
[George] Bring your tambourine
next time you come.
1240
01:17:47,458 --> 01:17:48,458
All right.
1241
01:17:48,541 --> 01:17:51,125
-[John] Is that old toast that you had...
- Yeah.
1242
01:17:51,208 --> 01:17:53,583
- They're bringing some more.
-[George] With a bit of marmalade, Kev?
1243
01:17:53,666 --> 01:17:57,250
[John] ♪ Has taken my love away from me
Oh, now ♪
1244
01:17:57,833 --> 01:17:59,333
♪ Some other guy now ♪
1245
01:18:00,250 --> 01:18:01,833
John, could you give us an E?
1246
01:18:01,916 --> 01:18:03,833
- Yes.
-[plays note on piano]
1247
01:18:15,958 --> 01:18:16,958
Wow, that's great.
1248
01:18:17,041 --> 01:18:18,583
[John] Michael, do you want this?
1249
01:18:18,666 --> 01:18:19,791
-[Michael] Those walls?
- Yeah.
1250
01:18:19,875 --> 01:18:23,166
- We don't have to have them anymore.
- They're reflecting it all back on us.
1251
01:18:23,250 --> 01:18:24,541
-[Paul] The heat?
- Yeah.
1252
01:18:25,583 --> 01:18:27,666
- You're so right.
- Oh, Paul, I--
1253
01:18:27,750 --> 01:18:29,791
I know you've probably lived
in a glass house.
1254
01:18:33,458 --> 01:18:37,416
[vocalizing]
1255
01:18:38,000 --> 01:18:39,375
[Michael] Paul, what I'd like to do now
1256
01:18:39,458 --> 01:18:42,083
is go and talk to Neil
about seeing if Primrose Hill is free.
1257
01:18:42,166 --> 01:18:43,083
Can I do that?
1258
01:18:43,791 --> 01:18:46,000
[Paul]
It would be nice almost not to tell 'em.
1259
01:18:46,083 --> 01:18:47,791
[Michael]
That's why I wanted to do it in Africa.
1260
01:18:47,875 --> 01:18:50,750
You just start playing, and one by one
they come, one by one, ten by ten...
1261
01:18:50,833 --> 01:18:54,583
[Paul] Well, to me that's okay.
Primrose Hill. And I dig it.
1262
01:19:10,750 --> 01:19:13,625
[Michael] So, but just roughly, timewise,
you'd say in about a week?
1263
01:19:13,708 --> 01:19:14,708
[Paul] Yeah.
1264
01:19:14,791 --> 01:19:19,208
[John] Mal, could you buy
some cooling fans? Just loose ones.
1265
01:19:19,291 --> 01:19:21,875
-[Mal] The engineer's coming over.
-[Ringo] We need the blowers.
1266
01:19:28,333 --> 01:19:29,500
[John] Oh, yeah.
1267
01:19:29,583 --> 01:19:32,625
See, we're never gonna be the same
two days running, you know?
1268
01:19:32,708 --> 01:19:34,916
- It's impossible to remember.
-[Glyn] Sure.
1269
01:19:36,291 --> 01:19:38,791
The amp--
The amp, I'm not bothered about at all.
1270
01:19:38,875 --> 01:19:40,791
It's just the bass itself.
1271
01:19:40,875 --> 01:19:43,958
[John] Did you see Fleetwood Mac
on Late Night Live?
1272
01:19:44,041 --> 01:19:46,041
- They were so sweet, man.
- Were they?
1273
01:19:46,125 --> 01:19:48,958
[John] And the lead singer's great.
You know, looks great.
1274
01:19:49,041 --> 01:19:51,041
And he just, sort of,
sings very quiet as well.
1275
01:19:51,125 --> 01:19:52,750
He's not a shouter.
1276
01:19:52,833 --> 01:19:56,125
- And they were just like... [hums]
-[George, indistinct]
1277
01:19:58,166 --> 01:19:59,583
[John] Yeah, but better than Canned Heat.
1278
01:20:02,333 --> 01:20:03,541
Yeah, they're really good though.
1279
01:20:03,625 --> 01:20:06,041
It's just that sweeter,
just the guitar hanging.
1280
01:20:06,125 --> 01:20:09,750
[Paul] ♪ Well, the more we ran
Won't be back again ♪
1281
01:20:11,083 --> 01:20:13,291
That's like the Canned Heat one.
I love that one.
1282
01:20:13,375 --> 01:20:15,250
♪ Well, I'm going down the country ♪
1283
01:20:15,333 --> 01:20:17,416
♪ Down the country way ♪
1284
01:20:19,666 --> 01:20:21,291
♪ Going down the country ♪
1285
01:20:21,375 --> 01:20:23,666
♪ Don't have what to... ♪
1286
01:20:25,916 --> 01:20:27,416
♪ And I won't be back ♪
1287
01:20:27,500 --> 01:20:29,666
♪ For a while with all the loving here ♪
1288
01:20:34,000 --> 01:20:35,708
Okay, Glynis.
1289
01:20:35,791 --> 01:20:37,750
- Shall we do it?
- Okay.
1290
01:20:37,833 --> 01:20:40,500
Okay. Let's try it now.
1291
01:20:40,583 --> 01:20:42,833
Give up Canned Heat.
We're The Beatles now.
1292
01:20:42,916 --> 01:20:44,625
- Do it like The Beatles.
-[Glyn] Running.
1293
01:20:44,708 --> 01:20:46,500
♪ I told you so ♪
1294
01:20:46,583 --> 01:20:50,375
♪ All I want is you ♪
1295
01:20:52,666 --> 01:20:54,458
♪ Everything has got to be ♪
1296
01:20:54,541 --> 01:21:00,291
♪ Just like you want it to, because ♪
1297
01:21:18,583 --> 01:21:23,541
♪ All I want is you ♪
1298
01:21:27,083 --> 01:21:28,583
-[George] It certainly--
- We improve with time.
1299
01:21:28,666 --> 01:21:31,041
You're not talking to
Ricky and the Red Streaks, you know?
1300
01:21:31,125 --> 01:21:32,291
[Paul] Like a fine wine, really.
1301
01:21:32,375 --> 01:21:34,041
[John] Ooh, it's a strain of a song.
1302
01:21:34,125 --> 01:21:36,666
It's such a heavy one
to go through all these times.
1303
01:21:36,750 --> 01:21:39,041
Yeah. There's no time for a breath.
1304
01:21:39,625 --> 01:21:41,208
I'm trying it all different ways.
1305
01:21:41,291 --> 01:21:43,166
Okay, let's change the format.
1306
01:21:43,250 --> 01:21:45,791
- Let's run through "I've Got a Feeling."
- Okay.
1307
01:21:46,791 --> 01:21:51,125
♪ ...wandering around
Wondering how come nobody told me ♪
1308
01:21:51,208 --> 01:21:54,375
♪ All that I've been looking for was
Somebody who looked like you ♪
1309
01:21:54,458 --> 01:21:56,291
♪ Ooh ♪
1310
01:21:56,375 --> 01:21:57,375
We go to D.
1311
01:21:57,458 --> 01:21:59,708
I just had a harmony.
It just came, just like...
1312
01:21:59,791 --> 01:22:01,666
-[Paul] ♪ That everybody knows ♪
-[Glyn] John?
1313
01:22:13,250 --> 01:22:14,208
[Paul] More.
1314
01:22:14,791 --> 01:22:17,208
Let me tell you about
the feeling I've got.
1315
01:22:17,291 --> 01:22:18,166
[Paul] Bit more.
1316
01:22:19,958 --> 01:22:25,041
♪ Everybody had a hard year
Everybody had a good time ♪
1317
01:22:28,833 --> 01:22:31,750
See, it's not as good, man,
as when it was bassy.
1318
01:22:32,375 --> 01:22:33,583
What's the matter with you?
1319
01:22:34,500 --> 01:22:36,208
- I can't hear you.
-[Glyn] Be bassy.
1320
01:22:36,291 --> 01:22:37,375
- What?
- Be bassy!
1321
01:22:37,458 --> 01:22:42,083
You know, 'cause I get a drone going
without being loud, you know?
1322
01:22:42,166 --> 01:22:43,166
Right.
1323
01:22:44,791 --> 01:22:47,000
-[Glyn] Ringo?
- Yeah? What?
1324
01:22:47,083 --> 01:22:49,375
Is there a damper on your floor tom-tom?
1325
01:22:49,458 --> 01:22:50,625
- A damper?
- Yeah.
1326
01:22:50,708 --> 01:22:51,541
No.
1327
01:22:51,625 --> 01:22:54,000
The only damper
around here is you, Glyn Johns!
1328
01:22:54,083 --> 01:22:56,083
-[Ringo] You want one?
-[Glyn] Yeah.
1329
01:22:56,166 --> 01:22:57,750
-[Paul] It should do that.
-[George vocalizing]
1330
01:22:57,833 --> 01:23:00,958
[Paul] At the eight.
1331
01:23:01,041 --> 01:23:02,833
[John] Yes! Yes!
1332
01:23:02,916 --> 01:23:04,500
- Yeah, okay.
- Okay.
1333
01:23:05,083 --> 01:23:06,875
[John] Let's take the song and hear it.
1334
01:23:13,708 --> 01:23:16,625
-♪ Everybody had a hard year ♪
-[Paul] ♪ I have a dream ♪
1335
01:23:16,708 --> 01:23:18,791
♪ Everybody had a soft shine ♪
1336
01:23:19,750 --> 01:23:23,125
♪ Everybody had a wet dream
Every-- ♪
1337
01:23:23,208 --> 01:23:24,375
Sing, Paul!
1338
01:23:25,041 --> 01:23:28,083
-[Paul] ♪ Oh, yeah ♪
-♪ Everybody had a hard year ♪
1339
01:23:28,166 --> 01:23:30,791
-♪ Oh, yeah ♪
-[John] ♪ Everybody had a wet dream ♪
1340
01:23:31,625 --> 01:23:34,083
-♪ I've got a feeling ♪
-[John] ♪ Everybody had a... ♪
1341
01:23:34,166 --> 01:23:36,791
-[Paul] ♪ That keeps me on my toes ♪
-♪ Everybody put their foot down ♪
1342
01:23:36,875 --> 01:23:37,875
[both] ♪ Oh, yeah ♪
1343
01:23:41,375 --> 01:23:44,958
-[Paul] I have a dream...
- I had a dream this afternoon.
1344
01:23:45,708 --> 01:23:47,291
Yeah, I had a dream.
1345
01:23:47,375 --> 01:23:49,833
[John] I had a dream this afternoon.
1346
01:23:50,416 --> 01:23:52,541
- Yeah, I had a dream.
- Great, wasn't it?
1347
01:23:54,000 --> 01:23:56,083
When all people...
1348
01:23:58,208 --> 01:23:59,458
shall be united.
1349
01:24:00,625 --> 01:24:01,875
-[George] No.
-[John] Fantastic.
1350
01:24:01,958 --> 01:24:05,041
[Imitating Martin Luther King Junior]
I had a dream this afternoon, children.
1351
01:24:05,125 --> 01:24:07,625
I dreamed the Black and the white kids
are gonna be together.
1352
01:24:07,708 --> 01:24:09,166
[Paul] Walk together, hand in hand.
1353
01:24:09,250 --> 01:24:10,833
[John, normal voice]
Like a big poem, it was.
1354
01:24:13,208 --> 01:24:15,541
- Yeah.
- Just like a poet.
1355
01:24:15,625 --> 01:24:18,000
-[Michael] And his voice--
- Just like Tennyson on that whole thing.
1356
01:24:18,083 --> 01:24:20,208
"I had a dream this afternoon."
1357
01:24:20,291 --> 01:24:21,458
[music starts]
1358
01:24:21,541 --> 01:24:23,625
♪ Yeah ♪
1359
01:24:23,708 --> 01:24:29,708
♪ Oh, I've got a feeling
Ooh, ooh ♪
1360
01:24:32,166 --> 01:24:35,000
♪ All these years
I've been wandering around ♪
1361
01:24:35,083 --> 01:24:38,125
♪ Wondering how come nobody told me ♪
1362
01:24:38,208 --> 01:24:42,000
♪ All that I've been looking for
Was somebody who looked like you ♪
1363
01:24:44,583 --> 01:24:47,750
[John] Have we taped any of these
that we can hear back, Glynis?
1364
01:24:47,833 --> 01:24:49,583
- Did you tape the last one?
- Yes.
1365
01:24:49,666 --> 01:24:53,666
[screeching]
1366
01:24:54,625 --> 01:24:56,541
I'd just like to say...
1367
01:24:57,208 --> 01:25:00,041
-[Paul] It's all right, this studio.
-[George] It's gonna be a good studio.
1368
01:25:06,750 --> 01:25:09,541
-[person] What's this?
-[George] It's only the decorators...
1369
01:25:09,625 --> 01:25:12,250
[John] I'm gonna say,
"I Wanna Hold Your Hand. Disk 1932."
1370
01:25:12,333 --> 01:25:13,666
[chuckling]
1371
01:25:20,125 --> 01:25:22,041
[John] If you can get 'em off Mimi's wall.
1372
01:25:23,208 --> 01:25:26,583
-♪ All I want is you ♪
- It just doesn't happen.
1373
01:25:26,666 --> 01:25:29,250
- I mean, he's not going... [imitates drums]
- Yeah.
1374
01:25:29,333 --> 01:25:30,458
To the end one.
1375
01:25:30,541 --> 01:25:32,875
I think maybe you could do...
1376
01:25:32,958 --> 01:25:35,375
Yeah, well, now we've got--
You can alternate through 'em.
1377
01:25:35,458 --> 01:25:37,125
Alternate everything now.
1378
01:25:37,208 --> 01:25:39,333
You know, uh, really fill it out a bit.
1379
01:25:39,416 --> 01:25:42,916
And on the "all I need, all I want,
everything has got to be," he can go...
1380
01:25:43,000 --> 01:25:45,541
[imitates drums]
1381
01:25:45,625 --> 01:25:48,208
- That one.
- It's like where we are now.
1382
01:25:48,291 --> 01:25:52,541
We normally record it, put it down like
that, just get that sort of a bit okay.
1383
01:25:52,625 --> 01:25:53,875
Then do all the voices,
1384
01:25:53,958 --> 01:25:55,791
- then finish it off.
- Then start laying on...
1385
01:25:55,875 --> 01:25:57,291
And then make it into a record.
1386
01:25:57,375 --> 01:26:00,291
And then you think, "Yeah, we should have
played it a bit more like that."
1387
01:26:00,375 --> 01:26:02,375
- Yes.
- And it's like that really.
1388
01:26:02,458 --> 01:26:05,083
- It's just trying to jump ahead.
- Yeah.
1389
01:26:05,166 --> 01:26:07,375
Yeah. I think this will do, might do it.
1390
01:26:07,458 --> 01:26:11,666
I've just gotta be
sort of different on the rhythm.
1391
01:26:11,750 --> 01:26:14,750
It's gotta be either one thing--
It's neither one thing nor the other now.
1392
01:26:16,000 --> 01:26:19,000
And there's something we need for the...
1393
01:26:31,458 --> 01:26:33,541
How you doing? How are you?
How you doing, baby?
1394
01:26:33,625 --> 01:26:36,791
- Good to see you. Hi.
- Hi. Good to see you.
1395
01:26:37,500 --> 01:26:38,666
[George] He was this big last time.
1396
01:26:38,750 --> 01:26:40,750
- Hello.
- How you doing, Ringo? Good to see you.
1397
01:26:40,833 --> 01:26:42,041
- You too.
- Yeah.
1398
01:26:42,125 --> 01:26:43,416
Out of sight, man.
1399
01:26:50,291 --> 01:26:53,250
Every number's got a piano part, or a--
1400
01:26:53,333 --> 01:26:55,500
And normally we overdub it.
1401
01:26:55,583 --> 01:26:57,625
But this time we wanna do it live.
1402
01:26:57,708 --> 01:26:59,083
Yeah. That'd be nice.
1403
01:26:59,166 --> 01:27:00,833
- I mean, just live to ourselves...
- Yeah.
1404
01:27:00,916 --> 01:27:03,041
...straight off, one number after the other.
1405
01:27:03,125 --> 01:27:05,125
And that means having somebody in on it.
1406
01:27:05,208 --> 01:27:08,583
- If you'd like to do that you're welcome.
- Sure. Beautiful.
1407
01:27:08,666 --> 01:27:11,416
- Right. And then you'd be on the album.
- You're kidding. [chuckles]
1408
01:27:11,500 --> 01:27:12,666
Well, that's good then.
1409
01:27:13,708 --> 01:27:19,375
We've taped a few. The thing is
to get some tapes made of what we've done,
1410
01:27:20,333 --> 01:27:22,208
and let him have a listen,
take 'em home at night.
1411
01:27:22,291 --> 01:27:24,666
He'll probably pick them up much quicker
hearing us play 'em.
1412
01:27:24,750 --> 01:27:26,291
[Paul] Yeah, just rehearsing them.
1413
01:27:27,375 --> 01:27:29,458
-[John] Have you met Billy, George?
- How do you do, Billy?
1414
01:27:29,541 --> 01:27:32,291
That's George Martin, our A&R man.
That's Billy.
1415
01:27:32,375 --> 01:27:36,208
We played with him in Hamburg.
He was backing Little Richard.
1416
01:27:36,291 --> 01:27:37,541
- Did you...
- In Hamburg.
1417
01:27:37,625 --> 01:27:38,625
[George] Yes.
1418
01:27:38,708 --> 01:27:39,833
[Paul] In the old days.
1419
01:27:41,000 --> 01:27:44,375
♪ A taste of honey ♪
1420
01:27:44,458 --> 01:27:47,916
[vocalizing] ♪ Much sweeter ♪
1421
01:27:53,458 --> 01:27:55,250
The piano behind here.
1422
01:28:05,166 --> 01:28:07,166
[George] Who's controlling the PA?
1423
01:28:08,625 --> 01:28:10,625
- Hello?
-[George] And this one isn't on.
1424
01:28:10,708 --> 01:28:12,666
- Is that one on?
-[Ringo] One isn't on, Glyn.
1425
01:28:17,250 --> 01:28:18,666
[George] You got all them chords?
1426
01:28:19,375 --> 01:28:23,250
And now, your hosts for this evening,
The Rolling Stones.
1427
01:28:24,125 --> 01:28:25,583
[Paul] ♪ No, no, no ♪
1428
01:28:25,666 --> 01:28:28,000
♪ Yeah ♪
1429
01:28:28,083 --> 01:28:29,208
♪ Oh ♪
1430
01:28:29,291 --> 01:28:31,666
♪ I've got a feeling ♪
1431
01:28:36,583 --> 01:28:39,500
♪ All these years
I've been wandering around ♪
1432
01:28:39,583 --> 01:28:42,458
♪ Wondering how come nobody told me ♪
1433
01:28:42,541 --> 01:28:45,791
♪ All that I've been looking for
Was somebody who looked like you ♪
1434
01:28:51,541 --> 01:28:53,208
♪ I've got a feeling ♪
1435
01:28:53,291 --> 01:28:54,416
[John] Yes, you have.
1436
01:28:54,500 --> 01:28:56,000
♪ That keeps me on my toes ♪
1437
01:28:56,083 --> 01:28:57,083
[John] On your what?
1438
01:28:57,166 --> 01:29:00,583
-♪ Oh, yeah ♪
-[both] ♪ Oh, yeah ♪
1439
01:29:03,208 --> 01:29:05,958
♪ I've got a feeling I think that ♪
1440
01:29:06,041 --> 01:29:08,166
[both] ♪ Everybody knows ♪
1441
01:29:08,250 --> 01:29:09,125
♪ Oh, yeah ♪
1442
01:29:11,083 --> 01:29:12,583
[both] ♪ Oh, yeah ♪
1443
01:29:13,875 --> 01:29:15,250
♪ Oh, yeah ♪
1444
01:29:15,333 --> 01:29:18,791
♪ Woo, woo-oo, woo-oo ♪
1445
01:29:20,708 --> 01:29:25,833
♪ Woo, woo-oo, woo-oo ♪
1446
01:29:30,583 --> 01:29:32,125
- All right.
- Yes.
1447
01:29:32,208 --> 01:29:34,458
[George]
Electric piano has such a great sound.
1448
01:29:35,958 --> 01:29:38,625
It's only--
Is there a speaker facing you as well?
1449
01:29:38,708 --> 01:29:40,000
[Billy] Yeah, I'm getting it played back.
1450
01:29:40,708 --> 01:29:41,875
Okay.
1451
01:29:42,458 --> 01:29:43,916
Do a nice, big... [imitates cymbal crash]
1452
01:29:44,000 --> 01:29:46,500
...for me, you know, to give me
the courage to come screaming in.
1453
01:29:46,583 --> 01:29:47,791
[Ringo] Okay.
1454
01:29:48,375 --> 01:29:50,708
♪ Don't let me down ♪
1455
01:29:54,750 --> 01:29:57,125
♪ Don't let me down ♪
1456
01:29:59,958 --> 01:30:01,000
[John] It's great!
1457
01:30:01,583 --> 01:30:03,125
- You're giving us a lift, Bill!
- All right.
1458
01:30:03,208 --> 01:30:05,333
We've been doing this for days, you know.
1459
01:30:05,416 --> 01:30:06,541
Weeks.
1460
01:30:06,625 --> 01:30:08,458
- Just choking.
- Years.
1461
01:30:08,541 --> 01:30:10,166
My voice is choking.
1462
01:30:10,833 --> 01:30:14,083
I just wish I had yesterday's voice
but today's backing.
1463
01:30:14,750 --> 01:30:15,916
I was swinging yesterday.
1464
01:30:16,541 --> 01:30:19,041
Voice-wise, that is.
I've just gone over the top.
1465
01:30:20,208 --> 01:30:23,500
-♪ Don't let me down ♪
-♪ Down ♪
1466
01:30:26,083 --> 01:30:28,541
♪ Don't let me down ♪
1467
01:30:31,416 --> 01:30:36,125
♪ And from the first time
That she really done me ♪
1468
01:30:37,083 --> 01:30:42,125
♪ Ooh, she done me, she done me good ♪
1469
01:30:42,208 --> 01:30:45,083
[George] Some tea and sandwiches came.
1470
01:30:45,166 --> 01:30:46,625
- Yeah.
-[John] Sandwiches?
1471
01:30:46,708 --> 01:30:52,291
[John, Paul]
♪ And if somebody ever really loved me ♪
1472
01:30:53,333 --> 01:30:55,208
♪ Like she love me ♪
1473
01:30:56,708 --> 01:30:58,541
♪ Yes, she does ♪
1474
01:30:58,625 --> 01:31:00,375
All right, Glynis. We're off again.
1475
01:31:00,458 --> 01:31:03,291
♪ Don't let me down ♪
1476
01:31:06,625 --> 01:31:09,125
♪ Don't let me down ♪
1477
01:31:11,458 --> 01:31:12,500
[John] Take it, Billy!
1478
01:31:19,291 --> 01:31:20,375
Can you dig it?
1479
01:31:20,916 --> 01:31:22,916
♪ Ooh, ooh ♪
1480
01:31:28,833 --> 01:31:31,208
[John] I had a dream this afternoon.
1481
01:31:35,500 --> 01:31:37,041
Don't let me down.
1482
01:31:38,750 --> 01:31:41,833
Well, ladies and gentlemen,
we'd like to change up the tempo a little.
1483
01:31:42,333 --> 01:31:45,083
Okay. Let's do the next song then.
1484
01:31:45,750 --> 01:31:49,125
- You right? I'm doing my intro.
- Sorry.
1485
01:31:49,208 --> 01:31:50,625
Do you mind?
1486
01:31:50,708 --> 01:31:53,500
I'm getting a bit dafter
with every song. This...
1487
01:31:53,583 --> 01:31:56,208
- Come on, son. Now try your hardest.
- It's getting... Look at them.
1488
01:31:56,291 --> 01:31:57,291
I don't--
1489
01:31:58,791 --> 01:32:00,375
-[George] Was he taping them?
-[John] Yeah.
1490
01:32:00,458 --> 01:32:02,500
We'll do "Dig a Pony"
straight into "I've Got A Fever."
1491
01:32:07,208 --> 01:32:09,000
Piss on your boots.
1492
01:32:09,583 --> 01:32:11,375
♪ You can dance ♪
1493
01:32:11,458 --> 01:32:15,708
♪ Every dance with the guy
Holding you tight ♪
1494
01:32:15,791 --> 01:32:18,125
♪ Let him hold you tight ♪
1495
01:32:19,958 --> 01:32:21,458
♪ You can dance ♪
1496
01:32:22,208 --> 01:32:26,583
[indistinct] ♪ In the pale moonlight ♪
1497
01:32:27,750 --> 01:32:31,791
♪ But don't forget who's takin' you home ♪
1498
01:32:31,875 --> 01:32:35,000
♪ And in whose arms you want to stay ♪
1499
01:32:36,708 --> 01:32:38,458
♪ Oh, darlin' ♪
1500
01:32:38,541 --> 01:32:42,333
♪ Save the last dance for me ♪
1501
01:32:45,333 --> 01:32:48,166
♪ Back when I loved a lovely girl ♪
1502
01:32:48,250 --> 01:32:51,708
♪ And I lived on as I lived on ♪
1503
01:32:54,208 --> 01:32:57,166
♪ Every time I wanna... ♪
1504
01:32:57,250 --> 01:33:00,041
♪ Just on and on and put me down ♪
1505
01:33:00,125 --> 01:33:03,583
♪ With a cupcake, baby
Chocolate, yeah, yeah ♪
1506
01:33:05,458 --> 01:33:07,166
♪ I told you so ♪
1507
01:33:07,250 --> 01:33:11,291
♪ All I want is you ♪
1508
01:33:13,458 --> 01:33:18,916
♪ Everything has got to be
Just like you want it to ♪
1509
01:33:19,583 --> 01:33:21,458
♪ Because ♪
1510
01:33:39,458 --> 01:33:44,875
♪ All I want is you ♪
1511
01:33:50,833 --> 01:33:52,083
[John] No, keep 'em.
1512
01:33:52,166 --> 01:33:54,125
I mean, what,
was something wrong with 'em?
1513
01:33:54,208 --> 01:33:55,291
[Paul] There's nothing to keep.
1514
01:33:55,375 --> 01:33:57,208
[John] They've improved on this morning,
haven't they?
1515
01:33:57,291 --> 01:33:58,500
Haven't you got three now?
1516
01:33:58,583 --> 01:33:59,625
[Glyn] You're talking about--
1517
01:33:59,708 --> 01:34:02,541
Do you have "Don't Let Me Down" as well?
The three.
1518
01:34:02,625 --> 01:34:06,583
Yeah, you got the last three
with two takes of "I've Got A Feeling."
1519
01:34:06,666 --> 01:34:07,666
[Glyn] Oh, yeah.
1520
01:34:07,750 --> 01:34:11,458
We want to hear what we've done to 'em.
The waltzes and bits. So keep 'em.
1521
01:34:11,541 --> 01:34:14,041
- What, have you got no more tape?
-[Glyn] Yeah.
1522
01:34:14,125 --> 01:34:16,625
Well, we don't need to record any more,
so keep 'em.
1523
01:34:16,708 --> 01:34:18,625
Can we hear "Don't Let Me Down"?
I wanna hear that.
1524
01:34:23,833 --> 01:34:26,333
You heard the drums are on two tracks.
So, like, when he goes...
1525
01:34:26,416 --> 01:34:29,458
[imitates drumming]
...it goes right across the room.
1526
01:34:29,541 --> 01:34:30,625
Sweet, man.
1527
01:34:31,625 --> 01:34:34,708
[George] You know, when he asked
for four speakers, the EMI guy said,
1528
01:34:34,791 --> 01:34:37,041
"What do you want four for?
You've only got two ears."
1529
01:34:37,125 --> 01:34:40,375
[all chuckling]
1530
01:34:41,166 --> 01:34:45,750
♪ Nobody ever loved me like she does ♪
1531
01:34:47,458 --> 01:34:49,041
♪ Ooh, she does ♪
1532
01:34:50,375 --> 01:34:51,833
♪ Yes, she does ♪
1533
01:34:54,708 --> 01:34:59,166
♪ And if somebody ever really loved me ♪
1534
01:35:00,791 --> 01:35:02,541
♪ Ooh, she loves me ♪
1535
01:35:03,875 --> 01:35:05,208
♪ Yes, she does ♪
1536
01:35:19,041 --> 01:35:21,166
- Can you play violin?
- No.
1537
01:35:21,250 --> 01:35:22,125
-[beep]
-[crew] 2-9-0.
1538
01:35:22,208 --> 01:35:24,208
-[Paul] What time is it?
-[John, George Martin] Five past 6:00.
1539
01:35:24,291 --> 01:35:25,916
- Thank you.
- We work to the clock.
1540
01:35:26,000 --> 01:35:27,000
[chuckles]
1541
01:35:29,125 --> 01:35:31,125
It's good all his fills on the...
1542
01:35:31,208 --> 01:35:34,208
♪ Don't let me down
Doo doo doo doo doo doo doo ♪
1543
01:35:34,291 --> 01:35:36,333
-[Michael] I had a word with Neil.
-[John] Yeah.
1544
01:35:36,416 --> 01:35:40,541
What he indicates is that we'll
do something early next week.
1545
01:35:40,625 --> 01:35:43,125
[John] And it'll be great.
Soon as we got them off...
1546
01:36:18,625 --> 01:36:19,875
[Michael] If it's good enough, yeah.
1547
01:36:22,041 --> 01:36:24,541
[George] When you record, you know,
you settle on something,
1548
01:36:24,625 --> 01:36:27,250
and you say,
"Okay, that's how it's gonna be for now."
1549
01:36:27,333 --> 01:36:32,583
But when you're on the road, say,
doing it all the time, it slowly changes.
1550
01:36:32,666 --> 01:36:37,041
So, I mean, that means we may go on
rehearsing forever. [chuckles]
1551
01:36:37,125 --> 01:36:38,166
Yeah.
1552
01:36:38,250 --> 01:36:39,833
-[indistinct]
-[Yoko] Oh, yes.
1553
01:36:39,916 --> 01:36:41,625
The thing is that, um...
1554
01:36:41,708 --> 01:36:44,541
[bluesy instrumental music playing]
1555
01:36:53,333 --> 01:36:55,666
I think-- Weren't we
doing something on Friday night?
1556
01:36:55,750 --> 01:36:56,791
[Yoko] Friday night, yes.
1557
01:37:03,083 --> 01:37:04,166
[John] Monday night.
1558
01:37:20,250 --> 01:37:22,333
[drums playing]
1559
01:37:32,541 --> 01:37:35,541
[Yoko vocalizing]
1560
01:38:21,000 --> 01:38:22,416
[vocalizing stops]
1561
01:38:22,500 --> 01:38:24,166
-[laughing]
-[George] The lights are working.
1562
01:38:24,250 --> 01:38:25,666
[John] You missed it!
1563
01:38:25,750 --> 01:38:28,166
[George] Yeah, I felt it
as I left the second floor.
1564
01:38:28,250 --> 01:38:29,375
[John] It was great.
1565
01:38:29,458 --> 01:38:33,166
Yoko, John and Paul and Billy
were doing their freak-out.
1566
01:38:33,250 --> 01:38:34,833
-[Michael] The Beatles, yeah.
-[John] No, no.
1567
01:38:34,916 --> 01:38:35,916
[Michael] Yes, go on.
1568
01:38:36,000 --> 01:38:37,833
-[Yoko chuckles]
-[John] Billy, Yoko, John and Paul.
1569
01:38:37,916 --> 01:38:39,541
-[John] Is it all on film?
-[crew] Yeah.
1570
01:38:39,625 --> 01:38:40,916
[John] What a great bit of film!
1571
01:38:41,000 --> 01:38:43,833
- The whole place was zooming.
- It was. It was beautiful.
1572
01:38:43,916 --> 01:38:46,041
I'd like it to be part of her new LP.
[chuckles]
1573
01:38:46,125 --> 01:38:48,375
-[Michael] Glyn!
- Or our new LP.
1574
01:38:48,458 --> 01:38:49,791
[Yoko chuckles]
1575
01:38:49,875 --> 01:38:51,541
[Paul]
I think you're nuts, the pair of you.
1576
01:38:51,625 --> 01:38:52,791
[all chuckling]
1577
01:38:53,625 --> 01:38:55,208
[Michael] Well, the current thought
1578
01:38:55,291 --> 01:38:58,208
is that we'll try to do it
at the end of next week, maybe.
1579
01:38:58,291 --> 01:39:00,958
[Ringo] You know,
if we did ten days straight from now...
1580
01:39:01,041 --> 01:39:03,916
[George Martin]
Well, you're working so well together now.
1581
01:39:04,000 --> 01:39:05,958
-[John] Yes.
- Let's keep it going.
1582
01:39:06,041 --> 01:39:09,166
-[John] Well, you know, I won't say no.
-[Michael] Mightn't be able to speak.
1583
01:39:09,250 --> 01:39:10,958
[Ringo] You know,
I'd rather work the weekend
1584
01:39:11,041 --> 01:39:13,041
than make it last out an extra week or so.
1585
01:39:13,125 --> 01:39:15,125
[Michael] I think the thing is
we'll aim for Thursday,
1586
01:39:15,208 --> 01:39:18,125
'cause if we don't make Thursday,
just as a...
1587
01:39:18,208 --> 01:39:20,416
[Ringo]
Then we won't get outside, will we?
1588
01:39:20,500 --> 01:39:23,375
[John] Michael was talking
in terms of next Thursday.
1589
01:39:23,458 --> 01:39:24,458
[Paul] Yes.
1590
01:39:24,958 --> 01:39:27,375
-[John] And working over the weekend.
-[indistinct]
1591
01:39:27,458 --> 01:39:29,291
[John] So, it's gonna be stupid.
1592
01:39:29,375 --> 01:39:30,375
[Paul, indistinct]
1593
01:39:30,458 --> 01:39:33,791
Yeah, let's work Saturday, but not Sunday.
Just to have one day.
1594
01:39:33,875 --> 01:39:36,708
-'Cause it does help next week...
-[John] Oh, yeah.
1595
01:39:36,791 --> 01:39:38,000
...if you get one day.
1596
01:39:38,083 --> 01:39:40,166
[John] I'm so tired though. It's amazing.
1597
01:39:40,750 --> 01:39:42,875
Could we have some more tea, Mal,
like a pot, you know?
1598
01:39:44,125 --> 01:39:46,458
♪ Oh, well, I've got a girl
With a record machine ♪
1599
01:39:46,541 --> 01:39:49,625
♪ When it comes to rockin'
She's the queen ♪
1600
01:39:49,708 --> 01:39:52,458
♪ We love to dance on a Saturday night ♪
1601
01:39:52,541 --> 01:39:55,083
♪ All alone where I can hold her tight ♪
1602
01:39:55,166 --> 01:39:58,000
♪ But she lives
On the twentieth floor uptown ♪
1603
01:39:58,083 --> 01:40:00,125
♪ The elevator's broken down ♪
1604
01:40:00,208 --> 01:40:03,458
♪ So I walked one, two flight
Three flight, four ♪
1605
01:40:03,541 --> 01:40:05,833
♪ Five, six, flight seven
Flight, more ♪
1606
01:40:06,500 --> 01:40:08,458
♪ By the twelfth, I'm ready to drag ♪
1607
01:40:08,541 --> 01:40:11,250
♪ Fifteenth floor, I'm a-startin' to sag ♪
1608
01:40:14,958 --> 01:40:16,541
[John] Yeah, like rockers!
1609
01:40:16,625 --> 01:40:18,458
[George] Way back in the '50s.
1610
01:40:18,541 --> 01:40:21,333
'Course,
you probably don't remember the '50s.
1611
01:40:21,416 --> 01:40:23,458
When the great names were around.
1612
01:40:24,250 --> 01:40:27,208
Eddie Cochran, Gene Burke.
1613
01:40:27,291 --> 01:40:31,291
- George Hemingway, Frida Starr.
- Foster Dulles.
1614
01:40:32,333 --> 01:40:33,583
[George] Mal?
1615
01:40:33,666 --> 01:40:39,625
Can you send somebody to buy me a--
You know those lace bow ties?
1616
01:40:39,708 --> 01:40:41,791
-[John] Like a cowboy?
-[George] A black one.
1617
01:40:41,875 --> 01:40:43,291
- A cowboy one?
-[Mal] A string tie?
1618
01:40:43,375 --> 01:40:46,375
Yeah, but they get 'em.
They just clip on under your collar.
1619
01:40:47,708 --> 01:40:49,750
So what should we do that's fun?
1620
01:40:49,833 --> 01:40:51,208
Besides work?
1621
01:40:52,375 --> 01:40:54,541
-[George] Are we doing that one?
-[Paul] Yeah.
1622
01:40:54,625 --> 01:40:57,250
-"Across the Universe"?
- No, no. 'Cause it's going out on an EP.
1623
01:40:57,833 --> 01:40:59,416
There's always Mal's instrument.
1624
01:41:01,916 --> 01:41:04,916
♪ Bang, bang, Maxwell's silver hammer ♪
1625
01:41:05,000 --> 01:41:09,666
It's just a reminder to remind you about
"Maxwell's Silver Hammer" all the time.
1626
01:41:10,458 --> 01:41:13,666
[John] I'd like to do a song today
that I don't have to sing so much,
1627
01:41:13,750 --> 01:41:15,958
-'cause it's really stupid, that.
- Yes.
1628
01:41:16,833 --> 01:41:19,000
♪ Oh, darling ♪
1629
01:41:20,708 --> 01:41:22,791
♪ Please believe me ♪
1630
01:41:22,875 --> 01:41:25,583
♪ Oh, yeah ♪
1631
01:41:25,666 --> 01:41:30,375
♪ I'll never do you no harm ♪
1632
01:41:32,833 --> 01:41:36,833
♪ Believe me when I tell you ♪
1633
01:41:36,916 --> 01:41:41,625
♪ I'll never do you no harm ♪
1634
01:41:46,500 --> 01:41:48,666
♪ Oh, when you told me ♪
1635
01:41:50,958 --> 01:41:54,416
♪ You didn't need me anymore ♪
1636
01:41:55,500 --> 01:42:01,166
♪ You know I nearly broke down and cried ♪
1637
01:42:02,208 --> 01:42:04,291
♪ When you told me ♪
1638
01:42:05,625 --> 01:42:07,625
- Did you know that?
-[Paul] It's very interesting.
1639
01:42:07,708 --> 01:42:11,500
With the Twin Reverb amp, Paul,
I find myself satisfied completely.
1640
01:42:12,125 --> 01:42:15,916
And now your hosts for this evening,
The Rolling Stones.
1641
01:42:20,250 --> 01:42:21,250
Whoo!
1642
01:42:22,333 --> 01:42:23,416
Yeah.
1643
01:42:24,125 --> 01:42:26,958
♪ Get back to where you once belonged ♪
1644
01:42:27,041 --> 01:42:28,041
How many verses are there?
1645
01:42:29,041 --> 01:42:32,916
[Paul] Well, see-- see,
it started off as a protest song--
1646
01:42:33,000 --> 01:42:34,041
But, you know...
1647
01:42:34,583 --> 01:42:37,833
I think it works okay
with just the two verses
1648
01:42:38,458 --> 01:42:40,625
about sweet Loretta Martin,
the first verse...
1649
01:42:40,708 --> 01:42:42,500
-[John] Just have two for now.
- Yeah.
1650
01:42:42,583 --> 01:42:44,958
[George] But, I mean--
I don't mean really how many verses--
1651
01:42:45,041 --> 01:42:47,583
- Okay, I'll sing it through.
- How many times will you do a verse?
1652
01:42:47,666 --> 01:42:51,166
I'll sing it through and shout
where I think it should go,
1653
01:42:51,250 --> 01:42:54,416
and then if you don't agree,
remember it and we'll change it.
1654
01:42:54,500 --> 01:42:57,500
Well, maybe if we had an intro,
a verse, a chorus,
1655
01:42:57,583 --> 01:42:59,666
of "Get Back,"
and then there's a bit with--
1656
01:42:59,750 --> 01:43:02,750
[Paul] Solo. Yes, solo. Get back, Jo.
1657
01:43:03,708 --> 01:43:06,291
Then there's a bit of chorus
on the end of that solo though.
1658
01:43:06,375 --> 01:43:09,708
Yeah. And then the doo-dah-dum.
Then the next verse,
1659
01:43:10,250 --> 01:43:14,083
the next chorus,
the next solo, the next chorus.
1660
01:43:14,166 --> 01:43:16,416
Well, let's have one guitar solo
and one piano solo then.
1661
01:43:16,500 --> 01:43:17,333
[Paul] Okay.
1662
01:43:17,416 --> 01:43:19,416
'Cause I'm only gonna be
able to work one out.
1663
01:43:20,625 --> 01:43:22,958
[Paul] Who do you wanna be,
Jo Jo or Loretta?
1664
01:43:23,791 --> 01:43:25,375
Get back to sweet Loretta.
1665
01:43:26,125 --> 01:43:27,625
He's waiting for you. [chuckles]
1666
01:43:29,500 --> 01:43:32,541
This old drag queen back on the ranch.
1667
01:43:32,625 --> 01:43:33,833
Tucson.
1668
01:43:33,916 --> 01:43:36,125
Wearing his high-heeled shoes.
1669
01:43:37,333 --> 01:43:41,333
♪ Jo Jo left his home in Tucson, Arizona ♪
1670
01:43:41,416 --> 01:43:44,208
-♪ Looking for California grass ♪
-[chattering]
1671
01:43:45,333 --> 01:43:47,708
♪ On California grass ♪
1672
01:43:49,125 --> 01:43:52,791
♪ Jo Jo left his home in Tucson, Arizona ♪
1673
01:43:52,875 --> 01:43:55,666
♪ For some California grass ♪
1674
01:43:55,750 --> 01:43:57,750
♪ Oh, get back ♪
1675
01:43:58,250 --> 01:43:59,916
♪ Oh, get back ♪
1676
01:44:01,166 --> 01:44:02,958
Get back, Jo Jo.
1677
01:44:03,041 --> 01:44:04,708
-[Paul] One, two, three.
- Two.
1678
01:44:05,791 --> 01:44:08,125
[Paul] Sorry. One, two, three, four.
1679
01:44:11,500 --> 01:44:13,958
It's like on "Reach Out." Do you remember?
1680
01:44:14,916 --> 01:44:18,041
You know, "Reach Out,"
where everything stops, and you just have...
1681
01:44:19,041 --> 01:44:21,375
- That beat going da, da, da, da.
-[Paul] Whoo-hoo!
1682
01:44:21,458 --> 01:44:23,666
♪ Oh, get back ♪
1683
01:44:23,750 --> 01:44:25,250
[Paul] Get back, Jo Jo!
1684
01:44:25,333 --> 01:44:27,250
[vocalizing]
1685
01:44:33,916 --> 01:44:35,291
♪ Ah ♪
1686
01:44:35,375 --> 01:44:36,791
♪ Get back ♪
1687
01:44:37,458 --> 01:44:41,083
♪ With a love... ♪
1688
01:44:41,666 --> 01:44:44,041
-[George] ♪ Ah ♪
-[Paul] ♪ Get back ♪
1689
01:44:44,125 --> 01:44:48,208
[John] So you do the beginning,
then my solo, then you and me singing,
1690
01:44:48,291 --> 01:44:51,208
and then he comes in,
does his break and a solo,
1691
01:44:51,291 --> 01:44:54,750
then you sing a verse,
and one last, long "Get back" and out.
1692
01:44:54,833 --> 01:44:57,208
- A match, Ring...
-[Paul] Okay. So...
1693
01:44:57,291 --> 01:44:58,375
But that break...
1694
01:44:58,458 --> 01:45:01,500
[John] It's almost natural, like,
rock and roll, except for the break.
1695
01:45:01,583 --> 01:45:02,708
It's just a break before--
1696
01:45:02,791 --> 01:45:05,333
[Paul] See, that's it.
If we make too much of a break,
1697
01:45:05,416 --> 01:45:07,416
we start getting it into, like,
an arranged song.
1698
01:45:07,500 --> 01:45:08,583
[John] Yeah, it just should go...
1699
01:45:08,666 --> 01:45:10,958
[Paul] It's better just to have,
like, a rock and roll song.
1700
01:45:11,041 --> 01:45:13,666
[John] But, I mean,
they did have breaks in the old days.
1701
01:45:13,750 --> 01:45:14,916
[Paul] That's what I mean, yeah.
1702
01:45:15,000 --> 01:45:16,166
[John] Okay. Well, for now I'll vamp.
1703
01:45:16,250 --> 01:45:18,041
[George]
The arrangement is only enough to know.
1704
01:45:18,125 --> 01:45:20,541
One, two, three, four.
1705
01:45:28,291 --> 01:45:30,708
- It just, like, resolves the thing.
- Yeah.
1706
01:45:30,791 --> 01:45:31,791
I do like--
1707
01:45:31,875 --> 01:45:33,875
It'd be nice,
for the bit going into the solo,
1708
01:45:33,958 --> 01:45:36,083
the last verse before the solo,
1709
01:45:36,166 --> 01:45:41,166
if we stop that thing we're doing
and maybe you just keep doing that.
1710
01:45:42,375 --> 01:45:46,125
- Yeah.
- You do-- And Ringo and I. Just that...
1711
01:45:46,208 --> 01:45:47,291
Go ahead. Do it.
1712
01:45:47,375 --> 01:45:48,708
Just sing a verse...
1713
01:45:48,791 --> 01:45:49,958
[Paul] Yeah, great.
1714
01:45:52,166 --> 01:45:53,458
♪ Get back ♪
1715
01:45:54,250 --> 01:45:55,250
♪ Get back ♪
1716
01:45:56,250 --> 01:45:59,375
♪ Get back to where you once belonged ♪
1717
01:46:00,125 --> 01:46:01,583
♪ Get back ♪
1718
01:46:01,666 --> 01:46:04,458
- About there we should have the thing.
- Yeah.
1719
01:46:04,541 --> 01:46:07,458
- Like, before we go into the second verse.
-[John] Are we having two solos?
1720
01:46:07,541 --> 01:46:10,041
Yeah, see, we should just have
a real formula, you know?
1721
01:46:10,125 --> 01:46:13,583
Just like a beginning. Da, da, da.
1722
01:46:13,666 --> 01:46:16,791
-[John] Beginning, verse, chorus, solo.
- Into the verse then the chorus.
1723
01:46:16,875 --> 01:46:20,333
Da-- "Back." Da--
"Back to where you once belonged."
1724
01:46:20,416 --> 01:46:21,916
"Get back." Dum.
1725
01:46:22,000 --> 01:46:24,166
Then the low one.
1726
01:46:24,250 --> 01:46:27,166
"Get back. Get back.
Back to where you once belonged.
1727
01:46:27,250 --> 01:46:29,541
Get back.
Back to where you once belonged."
1728
01:46:29,625 --> 01:46:31,916
-♪ Get back ♪
-♪ Get back ♪
1729
01:46:32,000 --> 01:46:35,000
♪ Back to where you once belonged ♪
1730
01:46:35,708 --> 01:46:36,791
♪ Get back ♪
1731
01:46:37,666 --> 01:46:38,708
♪ Get back ♪
1732
01:46:39,625 --> 01:46:42,791
♪ Get back to where you once belonged ♪
1733
01:46:43,333 --> 01:46:46,083
So then it's like
it's more in the register we're in.
1734
01:46:46,166 --> 01:46:48,625
♪ Back to where you once belonged ♪
1735
01:46:48,708 --> 01:46:51,125
[vocalizes]
1736
01:46:52,833 --> 01:46:53,833
[George] Why don't we have--
1737
01:46:53,916 --> 01:46:56,500
Weren't we gonna have, like,
a verse, chorus, then solo,
1738
01:46:56,583 --> 01:46:58,916
- then verse, chorus, and then the solo?
-[Paul] Yeah. Well, see--
1739
01:46:59,000 --> 01:47:02,458
We are trying to just get a break,
weren't we, after the solo?
1740
01:47:02,541 --> 01:47:04,708
- Yeah.
- We're trying to get a break to separate.
1741
01:47:04,791 --> 01:47:07,708
Yeah, but we've got, like,
a bit of a break and another solo now.
1742
01:47:07,791 --> 01:47:09,833
- So there's gonna be three solos?
-[John] No, two?
1743
01:47:09,916 --> 01:47:11,458
-'Cause it would be nice just to--
- Three?
1744
01:47:11,541 --> 01:47:13,458
Like the bit we were starting to have.
1745
01:47:13,541 --> 01:47:14,958
[Paul] I like solos.
1746
01:47:15,041 --> 01:47:17,166
[John] So do I, but I've only got one.
1747
01:47:17,250 --> 01:47:20,291
- The bit that we were--
- I was thinking of you doing two.
1748
01:47:20,375 --> 01:47:21,833
And Billy doing one in the middle of it.
1749
01:47:21,916 --> 01:47:24,833
You doing the both, "Get back Jo Jo."
1750
01:47:25,541 --> 01:47:27,125
[John] Just do the same one twice?
1751
01:47:27,208 --> 01:47:29,833
-[George] Oh, yeah, you could.
-[John] Do that and rock and roll a bit.
1752
01:47:31,291 --> 01:47:32,291
-[Paul] Okay, so...
- Okay.
1753
01:47:32,375 --> 01:47:35,666
[John] So, I'm-- I'm lost now.
Do you want to start writing it down?
1754
01:47:35,750 --> 01:47:37,666
Just write it down. Verse, solo, verse.
1755
01:47:38,291 --> 01:47:40,666
♪ Get back to where you once belonged ♪
1756
01:47:40,750 --> 01:47:41,625
[John] What did I do? Uh...
1757
01:47:41,708 --> 01:47:43,083
♪ Get back ♪
1758
01:47:43,166 --> 01:47:45,666
[Paul] The trouble is, you're on
a harmony, then you go to the melody.
1759
01:47:45,750 --> 01:47:47,333
-[John] Yes.
- So, you should really go...
1760
01:47:47,416 --> 01:47:48,416
♪ Get back ♪
1761
01:47:48,500 --> 01:47:49,500
♪ Get back ♪
1762
01:47:49,583 --> 01:47:50,666
♪ Get back ♪
1763
01:47:51,791 --> 01:47:54,666
♪ Back to where you once belonged ♪
1764
01:47:54,750 --> 01:47:58,250
If you could give us that chord that we...
1765
01:47:58,333 --> 01:47:59,833
[vocalizes] Yeah.
1766
01:48:00,583 --> 01:48:02,166
At the end of John's solo, so it goes...
1767
01:48:02,250 --> 01:48:04,708
♪ Doo-doo-doo-doo-doo-doo-doo ♪
1768
01:48:04,791 --> 01:48:05,791
At the end of his solo.
1769
01:48:05,875 --> 01:48:08,916
[vocalizes]
1770
01:48:09,500 --> 01:48:11,458
There. [vocalizes]
1771
01:48:11,541 --> 01:48:12,625
♪ Get back ♪
1772
01:48:12,708 --> 01:48:14,541
So I'll pick it up off you then.
1773
01:48:14,625 --> 01:48:17,166
So, I'll just keep doing it,
and I'll join in when I can.
1774
01:48:17,250 --> 01:48:18,958
But presume that's the verse
where I come in.
1775
01:48:19,041 --> 01:48:22,083
End the solo not in a flurry.
1776
01:48:22,166 --> 01:48:23,375
'Cause then, you know,
1777
01:48:23,458 --> 01:48:26,041
"I gotta get all my notes in
before the end of the solo,"
1778
01:48:26,125 --> 01:48:27,916
but don't, you know, just end it just...
1779
01:48:28,000 --> 01:48:29,125
[John] Well, I have to work it out.
1780
01:48:29,833 --> 01:48:32,541
-[Paul] Or even don't go right to the end.
-[indistinct]
1781
01:48:37,041 --> 01:48:38,416
-[Paul] No, just do--
-♪ Get back ♪
1782
01:48:38,500 --> 01:48:40,208
- Yeah.
- I can do it if I go...
1783
01:48:40,291 --> 01:48:41,750
You were well in time. That's the thing.
1784
01:48:41,833 --> 01:48:42,916
- Oh, was I?
- Yeah. Oh, plenty--
1785
01:48:43,000 --> 01:48:45,291
- You got hours if you finish there.
-[John] I see.
1786
01:48:45,375 --> 01:48:47,166
[Paul]
In fact, we'd have to fill that a bit.
1787
01:48:47,250 --> 01:48:49,666
- It's just that singing one throws me.
-[Glyn] We're going to scrub out.
1788
01:48:49,750 --> 01:48:51,208
-[Paul] Okay.
-[Glyn] I'll give you a shout.
1789
01:48:51,291 --> 01:48:53,291
I wish I could just not have
to sing that bit.
1790
01:48:53,375 --> 01:48:54,500
No, you've got to sing.
1791
01:48:54,583 --> 01:48:55,666
- Okay.
- Don't worry about it.
1792
01:48:55,750 --> 01:48:57,416
It's just nice to be a guitarist
for a change...
1793
01:48:57,500 --> 01:48:59,166
- Yeah, I know.
-...and not think about vocals.
1794
01:48:59,250 --> 01:49:02,500
Well, you're a guitarist until there,
that one little line.
1795
01:49:02,583 --> 01:49:05,416
♪ Back to where you once belonged ♪
1796
01:49:06,541 --> 01:49:07,541
♪ Get back ♪
1797
01:49:09,416 --> 01:49:11,458
♪ Back to where you once belonged ♪
1798
01:49:11,541 --> 01:49:13,416
[John] No, on the bit-- "Belonged."
1799
01:49:13,500 --> 01:49:16,875
Maybe for the "get back" bits,
we should do it twice,
1800
01:49:16,958 --> 01:49:19,458
- the going to A.
- I'm sorry! I'm sorry!
1801
01:49:20,166 --> 01:49:21,500
[John] I thought I was playing the tune.
1802
01:49:22,458 --> 01:49:24,000
[Paul] I'm getting a bit confused
1803
01:49:24,083 --> 01:49:25,625
- with all the little bits now.
-[John] Yeah.
1804
01:49:27,291 --> 01:49:29,416
-[Paul] Shit.
-[John] "Shit Back."
1805
01:49:29,500 --> 01:49:30,750
-"Shit," take one.
- Thank you.
1806
01:49:32,208 --> 01:49:33,333
"Get Back."
1807
01:49:33,416 --> 01:49:37,583
♪ Said she got it coming
But she get it while she can ♪
1808
01:49:38,583 --> 01:49:39,583
♪ Get back ♪
1809
01:49:40,333 --> 01:49:41,416
♪ Get back ♪
1810
01:49:41,958 --> 01:49:43,583
[John] I don't feel as bad as yesterday.
1811
01:49:43,666 --> 01:49:46,333
- It was really throbbing.
-[Ringo] I'm really tired today.
1812
01:49:46,416 --> 01:49:48,041
Yesterday was the worst for me.
1813
01:49:48,125 --> 01:49:50,541
- Just aching.
- Just that screaming all day.
1814
01:49:50,625 --> 01:49:52,833
-[Yoko chuckles] Poor John.
- Yes, it's so terrible.
1815
01:49:52,916 --> 01:49:54,166
♪ Get back ♪
1816
01:49:54,250 --> 01:49:56,166
- Paul?
-[Paul] Yes, Glyn?
1817
01:50:03,166 --> 01:50:04,625
- No, no, no.
-[Glyn] What?
1818
01:50:12,375 --> 01:50:14,708
I like this one. It's lighter. [chuckles]
1819
01:50:16,125 --> 01:50:17,541
- Okay.
- Are you sure you're gonna do that?
1820
01:50:17,625 --> 01:50:19,666
- One, two, three, four.
- So the answer's no.
1821
01:50:20,250 --> 01:50:21,541
♪ Get back ♪
1822
01:50:21,625 --> 01:50:22,625
♪ Get back to where ♪
1823
01:50:22,708 --> 01:50:24,208
♪ Get back to where you once belonged ♪
1824
01:50:24,291 --> 01:50:28,166
Okay, now, one time.
A bit cooler this time.
1825
01:50:31,000 --> 01:50:32,500
- One, two...
- Take?
1826
01:50:32,583 --> 01:50:33,583
- Yes.
- Yeah.
1827
01:50:33,666 --> 01:50:35,833
- Here we go.
- Just a sec.
1828
01:50:35,916 --> 01:50:38,000
- A second, you mean?
- One sec.
1829
01:50:47,625 --> 01:50:51,083
♪ Jo Jo was a man
Who thought he was a loner ♪
1830
01:50:51,166 --> 01:50:52,333
[vocalizes]
1831
01:50:52,416 --> 01:50:55,125
[John] It doesn't matter for the last one,
'cause I don't have to come in singing.
1832
01:50:55,208 --> 01:50:56,791
- Yeah, but there's still...
- You know, I can go--
1833
01:50:56,875 --> 01:51:00,041
Yeah, but it means that you're going on
to D when we're still on A.
1834
01:51:00,125 --> 01:51:01,250
That's all right.
1835
01:51:01,333 --> 01:51:03,416
It's only the one
when I've gotta come in singing.
1836
01:51:03,500 --> 01:51:06,041
No, well, I thought
you'd do two solos twice, don't you?
1837
01:51:06,125 --> 01:51:08,125
- What?
- Slightly varied second time.
1838
01:51:08,208 --> 01:51:10,750
Oh, second time. Yes. I rather...
1839
01:51:10,833 --> 01:51:12,458
[guitar playing]
1840
01:51:15,166 --> 01:51:18,166
Now I remember why
I stopped getting solos.
1841
01:51:18,791 --> 01:51:20,291
'Cause this would happen all the time.
1842
01:51:24,625 --> 01:51:25,458
Just...
1843
01:51:25,541 --> 01:51:26,541
Oh, yeah!
1844
01:51:34,458 --> 01:51:36,666
[all chuckling]
1845
01:51:39,916 --> 01:51:40,958
A one, two.
1846
01:51:44,000 --> 01:51:45,083
A one, two.
1847
01:51:47,291 --> 01:51:48,458
In Sweden, yeah.
1848
01:51:57,291 --> 01:51:59,208
-[all chuckling]
- And we just went, "One, two!"
1849
01:51:59,291 --> 01:52:00,625
[all chuckling]
1850
01:52:03,541 --> 01:52:05,208
Then he'd just go...
1851
01:52:05,791 --> 01:52:08,500
[all chuckling]
1852
01:52:11,958 --> 01:52:14,000
- I keep missing that D bit.
- Okay. Yeah.
1853
01:52:14,750 --> 01:52:17,041
- I'll shout when it's the end.
- Three, four.
1854
01:52:19,083 --> 01:52:20,333
Let's build up.
1855
01:52:20,416 --> 01:52:22,666
- Yeah.
- Two, three, four...
1856
01:52:24,833 --> 01:52:27,541
[cooing, trilling]
1857
01:52:37,166 --> 01:52:42,375
♪ Imagine I'm in love with you ♪
1858
01:52:42,458 --> 01:52:44,416
♪ It's easy... ♪
1859
01:52:46,791 --> 01:52:47,791
[John] Are you?
1860
01:52:48,500 --> 01:52:49,875
[Michael] Are you really?
1861
01:52:49,958 --> 01:52:53,375
We're gonna do it through one more time,
and it's just gonna be the greatest ever.
1862
01:52:53,458 --> 01:52:55,666
- We should have, like...
-[plays guitar]
1863
01:52:55,750 --> 01:52:58,166
...when you take your solo,
you stand up, and, uh...
1864
01:52:58,250 --> 01:52:59,916
- Okay.
- Yeah?
1865
01:53:01,083 --> 01:53:02,083
You've convinced me.
1866
01:53:02,166 --> 01:53:04,541
-[chuckles]
- The boys are ready for action.
1867
01:53:04,625 --> 01:53:06,125
The boys is ready.
1868
01:53:06,958 --> 01:53:08,958
- I can't play standing up.
- I can't either.
1869
01:53:09,041 --> 01:53:10,833
-[Yoko chuckles]
- I can't.
1870
01:53:12,416 --> 01:53:13,583
Hello.
1871
01:53:18,541 --> 01:53:19,708
No, you gotta...
1872
01:53:19,791 --> 01:53:21,625
- Yeah.
- Okay, Barney.
1873
01:53:23,833 --> 01:53:26,166
One, two.
1874
01:53:26,250 --> 01:53:28,625
One, two, three, four.
1875
01:53:30,666 --> 01:53:31,875
Go on, Al.
1876
01:53:32,666 --> 01:53:34,750
What? You what?
1877
01:53:34,833 --> 01:53:36,583
[Glyn]
I just said, "Go on, Al." That's all.
1878
01:53:37,625 --> 01:53:40,000
Don't interrupt stars
when they're recording.
1879
01:53:40,083 --> 01:53:42,625
- Hey. Hey.
- We're bloody stars, you know?
1880
01:53:42,708 --> 01:53:44,041
Look, fuckface.
1881
01:53:45,083 --> 01:53:46,875
- Don't comment.
- Fucking cheek.
1882
01:53:53,000 --> 01:53:54,125
Well, thank you very much.
1883
01:53:54,208 --> 01:53:55,916
♪ I've got a feeling ♪
1884
01:53:56,500 --> 01:53:59,458
♪ Rocks me off my bones
Oh, yeah ♪
1885
01:54:01,583 --> 01:54:03,208
Whoo!
1886
01:54:07,208 --> 01:54:12,166
♪ When I was younger
So much younger than today ♪
1887
01:54:12,875 --> 01:54:16,875
♪ I never needed anybody's help in any ♪
1888
01:54:18,625 --> 01:54:20,833
♪ But now these days are gone
I'm not so self-assured ♪
1889
01:54:20,916 --> 01:54:24,333
-♪ I'm not so self-assured ♪
-♪ Self-assured ♪
1890
01:54:24,416 --> 01:54:26,791
♪ Now I find I've changed my mind ♪
1891
01:54:26,875 --> 01:54:28,958
♪ I've opened up the door ♪
1892
01:54:29,708 --> 01:54:31,791
-♪ Help! ♪
-♪ Help me if you can ♪
1893
01:54:31,875 --> 01:54:33,416
♪ Down! ♪
1894
01:54:35,541 --> 01:54:36,541
♪ Need! ♪
1895
01:54:38,375 --> 01:54:39,375
♪ Round! ♪
1896
01:54:44,666 --> 01:54:47,166
♪ Last night I said these words to ♪
1897
01:54:47,750 --> 01:54:50,166
♪ Last night I said these words to ♪
1898
01:54:50,250 --> 01:54:51,500
♪ My girl ♪
1899
01:54:51,583 --> 01:54:53,250
[vocalizing]
1900
01:54:53,333 --> 01:54:55,333
- We'll have to do it sitting down...
- Oh, yeah.
1901
01:54:55,416 --> 01:54:57,541
-...or we get too excited.
-[all chuckling]
1902
01:55:02,625 --> 01:55:06,041
♪ Jo Jo was a man
Who thought he was a loner ♪
1903
01:55:06,125 --> 01:55:09,333
♪ But he knew it couldn't last ♪
1904
01:55:10,458 --> 01:55:14,375
♪ Jo Jo left his home in Tucson, Arizona ♪
1905
01:55:14,458 --> 01:55:17,375
♪ For some California grass ♪
1906
01:55:18,291 --> 01:55:19,375
♪ Get back ♪
1907
01:55:20,250 --> 01:55:21,458
♪ Get back ♪
1908
01:55:22,333 --> 01:55:26,333
♪ Get back
To where you once belonged, Jo Jo ♪
1909
01:55:26,416 --> 01:55:28,041
♪ Get back ♪
1910
01:55:28,125 --> 01:55:29,708
♪ Get back ♪
1911
01:55:30,291 --> 01:55:32,750
♪ Get back to where you once belonged ♪
1912
01:55:33,416 --> 01:55:35,000
♪ Get back, Jo Jo ♪
1913
01:55:50,041 --> 01:55:51,125
♪ Get back ♪
1914
01:55:51,916 --> 01:55:53,125
♪ Get back ♪
1915
01:55:53,916 --> 01:55:57,125
♪ Get back to where you once belonged ♪
1916
01:55:57,875 --> 01:55:59,208
♪ Get back ♪
1917
01:55:59,833 --> 01:56:00,833
♪ Get back ♪
1918
01:56:01,791 --> 01:56:04,666
♪ Get back to where you once belonged ♪
1919
01:56:07,166 --> 01:56:08,833
♪ Get back, Jo ♪
1920
01:56:24,000 --> 01:56:27,625
♪ Sweet Loretta Martin
Thought she was a woman ♪
1921
01:56:27,708 --> 01:56:30,833
♪ But she was another man ♪
1922
01:56:31,708 --> 01:56:35,625
♪ All the girls around
They said she got it coming ♪
1923
01:56:35,708 --> 01:56:38,166
♪ But she get it while she can ♪
1924
01:56:38,250 --> 01:56:40,416
It'd be nice to just put it out
as a single.
1925
01:56:41,041 --> 01:56:43,375
- Yeah.
- Just do a single of it now.
1926
01:56:43,458 --> 01:56:45,833
- Okay.
- Let's knock it off for a single maybe.
1927
01:56:45,916 --> 01:56:47,833
- Let's finish it off--
- Just make it now
1928
01:56:47,916 --> 01:56:50,291
and have it as a single,
put it out next week.
1929
01:56:50,375 --> 01:56:51,958
- Oh, yeah?
- It's easy.
1930
01:56:52,041 --> 01:56:53,750
Just take it in there,
cut it in the master.
1931
01:56:53,833 --> 01:56:55,375
You have the master back tomorrow.
1932
01:56:55,458 --> 01:56:56,458
Master.
1933
01:56:58,041 --> 01:57:00,041
- I'm easy, lads.
-[all chuckling]
1934
01:57:08,750 --> 01:57:09,625
Yeah.
1935
01:57:11,583 --> 01:57:13,125
It's great.
Remember how we used to have it?
1936
01:57:13,208 --> 01:57:16,083
One record would be coming out,
and we'd put another one out.
1937
01:57:16,166 --> 01:57:18,083
- Like in the old hustling days.
- Yeah.
1938
01:57:18,166 --> 01:57:21,291
-[chuckles]
- It'd be great. "Get back" in time.
1939
01:57:21,375 --> 01:57:23,541
♪ Doo doo doo doo doo doo doo doo doo ♪
1940
01:57:25,125 --> 01:57:26,625
[Paul]
Well, I'm going home now. Knocking off.
1941
01:57:26,708 --> 01:57:29,083
- All right, Paul. Right.
-[Paul] Put this on.
1942
01:57:29,166 --> 01:57:30,916
- Okay.
- I'm coming in tomorrow.
1943
01:57:31,000 --> 01:57:33,541
Let's do some instrumentals,
you know, to do the--
1944
01:57:33,625 --> 01:57:35,083
you know, for the album, like.
1945
01:57:35,750 --> 01:57:38,000
Hey, you look
like a Victorian miner now, you know?
1946
01:57:38,083 --> 01:57:39,125
-[all chuckling]
- It's true.
1947
01:57:39,208 --> 01:57:40,625
- Aye?
- A DH Lawrence.
1948
01:57:40,708 --> 01:57:43,208
All right, well, I can't afford
to mess around here, you know?
1949
01:57:43,291 --> 01:57:45,583
♪ I'm a golden garter ♪
1950
01:57:48,291 --> 01:57:50,916
-[John] Did you hear about the book idea?
-[Paul] Yeah.
1951
01:57:51,000 --> 01:57:53,541
[John] They're great, man. Really great.
1952
01:57:56,416 --> 01:57:57,750
It'll be a book of the film.
1953
01:57:57,833 --> 01:58:00,166
They can have it out
almost simultaneously.
1954
01:58:00,250 --> 01:58:02,875
The book of the film,
the book of the-- All that.
1955
01:58:02,958 --> 01:58:04,458
- The package is great.
- It's good.
1956
01:58:04,541 --> 01:58:05,708
They'll have slides, you know.
1957
01:58:05,791 --> 01:58:07,791
And I'll talk to John Kosh on Monday.
1958
01:58:07,875 --> 01:58:10,208
'Cause I think
he'd be a nice guy to design it.
1959
01:58:10,875 --> 01:58:12,708
Will you have any new ones today?
1960
01:58:14,458 --> 01:58:17,125
[Yoko] I'm trying without
the marmalade today, you know?
1961
01:58:17,208 --> 01:58:18,708
-[John] Very good.
-[Yoko] Ah.
1962
01:58:18,791 --> 01:58:20,125
[John] You see what happens?
1963
01:58:20,208 --> 01:58:22,750
They're gonna concentrate
on our legs and toast today.
1964
01:58:22,833 --> 01:58:25,166
It'll be great.
"Get Back" will be coming out.
1965
01:58:25,250 --> 01:58:26,500
Are we gonna do a single?
1966
01:58:27,333 --> 01:58:31,375
I don't know, you know?
I'm just sort of still rehearsing.
1967
01:58:31,458 --> 01:58:33,250
- Yeah.
- And if we hit one, great.
1968
01:58:33,333 --> 01:58:34,333
The thing is,
1969
01:58:34,416 --> 01:58:37,791
this is the first song
we've really sort of got into that we dig.
1970
01:58:37,875 --> 01:58:38,916
But there's a...
1971
01:58:39,000 --> 01:58:42,083
I dig "Don't Let Me Down"
and "I Dig A Pony,"
1972
01:58:42,166 --> 01:58:43,833
personally speaking.
1973
01:58:43,916 --> 01:58:45,500
Well, yeah. I mean...
1974
01:58:45,583 --> 01:58:49,291
I still haven't done "Don't Let Me Down"
satisfactorily for myself yet.
1975
01:58:49,375 --> 01:58:51,083
Oh, yeah? Well, we're all great on it,
1976
01:58:51,166 --> 01:58:53,500
so just get yourself together, will you?
1977
01:58:53,583 --> 01:58:56,125
Did you tell Paul
we've got Billy a contract?
1978
01:58:56,208 --> 01:58:59,750
- No, not yet.
- We've got him off Capitol.
1979
01:58:59,833 --> 01:59:01,041
Just like that.
1980
01:59:01,125 --> 01:59:02,958
And George will produce him.
1981
01:59:03,041 --> 01:59:04,750
I was just talking to him about that.
1982
01:59:10,625 --> 01:59:12,875
And he sort of had
a couple groups together.
1983
01:59:12,958 --> 01:59:15,291
- But he's never, sort of, done his thing.
-[John] Yes.
1984
01:59:15,375 --> 01:59:18,791
The main thing,
Billy just really is so knocked out,
1985
01:59:18,875 --> 01:59:20,250
so thrilled doing it.
1986
01:59:20,333 --> 01:59:23,125
And also he sees
it's his great opportunity.
1987
01:59:23,208 --> 01:59:24,208
[John] Yeah, and produce him.
1988
01:59:24,291 --> 01:59:27,375
[Paul] Then he puts his name
and The Beatles. Like, it's Billy Preston!
1989
01:59:27,458 --> 01:59:28,625
[George] I didn't think about it.
1990
01:59:31,500 --> 01:59:33,708
'Cause, if we were having
Nicky Hopkins playing,
1991
01:59:33,791 --> 01:59:36,083
we'd have to pay him
session musician rates.
1992
01:59:36,166 --> 01:59:37,541
-[John] Yeah.
- Which will be--
1993
01:59:37,625 --> 01:59:40,208
This is, like, to be in the film and that.
1994
01:59:40,291 --> 01:59:43,250
Yeah, we'll just say to Ron,
"Look, will you talk to Billy?"
1995
01:59:43,333 --> 01:59:45,041
On the film it happened so great.
1996
01:59:54,375 --> 01:59:55,375
[laughter]
1997
01:59:55,458 --> 01:59:57,208
We can do that, as well.
1998
01:59:57,291 --> 02:00:00,750
If I asked Dylan to join The Beatles,
and he would, as well, you know,
1999
02:00:00,833 --> 02:00:02,416
and we get 'em all in here!
2000
02:00:02,500 --> 02:00:04,625
Yeah, but they don't need to join
The Beatles.
2001
02:00:04,708 --> 02:00:07,000
We'd call it The Beatles & Co.
That'll be our band.
2002
02:00:07,625 --> 02:00:10,291
I mean, it's Sergeant Pepper's
Lonely Hearts Club Band, innit?
2003
02:00:10,375 --> 02:00:11,666
- Yeah.
- We could get 'em all.
2004
02:00:11,750 --> 02:00:14,833
[Paul] I just don't,
because it's just bad enough with four.
2005
02:00:14,916 --> 02:00:16,083
[all chuckling]
2006
02:00:16,166 --> 02:00:17,291
- Okay.
-[John] Mal, can we have--
2007
02:00:17,375 --> 02:00:18,291
[instruments tuning]
2008
02:00:18,375 --> 02:00:21,083
We haven't got the PA. Do they know that?
2009
02:00:21,166 --> 02:00:23,416
- PA is not on.
-[John] Hello...
2010
02:00:23,500 --> 02:00:25,541
Okay. What should we do, Paul?
2011
02:00:25,625 --> 02:00:28,083
[Michael] Do you have anything more
that you're writing?
2012
02:00:29,458 --> 02:00:31,500
[George Martin] You're writing
all the time, aren't you, John?
2013
02:00:31,583 --> 02:00:32,583
[John] Sure I am.
2014
02:00:32,666 --> 02:00:36,416
I'd do "On The Road To Marrakesh,"
which is a sweet number, baby.
2015
02:00:36,500 --> 02:00:37,666
-[Michael] Sweet number?
- Sweet number.
2016
02:00:37,750 --> 02:00:39,541
I was gonna do a big '30s orchestra bit.
2017
02:00:39,625 --> 02:00:45,375
[strumming on instruments]
2018
02:00:47,625 --> 02:00:52,041
♪ On the road to Marrakesh ♪
2019
02:00:55,041 --> 02:00:58,250
♪ I was dreaming more or less ♪
2020
02:01:01,916 --> 02:01:05,250
♪ And the dream I had was you ♪
2021
02:01:09,041 --> 02:01:12,625
♪ And the dream I had was you ♪
2022
02:01:15,500 --> 02:01:19,375
♪ I'm just a child of nature ♪
2023
02:01:20,625 --> 02:01:23,333
-[instruments stop]
- Forget where we end.
2024
02:01:23,416 --> 02:01:25,083
-[Glyn] Paul?
-[Paul] Yes?
2025
02:01:25,166 --> 02:01:28,166
[Glyn] What's the possibility
of you using another bass?
2026
02:01:28,250 --> 02:01:29,666
You wanna try the bass on its own?
2027
02:01:31,250 --> 02:01:32,250
Oh, yeah.
2028
02:01:48,583 --> 02:01:49,916
Uh-huh.
2029
02:01:50,500 --> 02:01:52,375
[guitar plays]
2030
02:01:54,500 --> 02:01:56,458
♪ Hail, hail, rock and roll ♪
2031
02:01:57,916 --> 02:02:00,125
[vocalization]
2032
02:02:01,583 --> 02:02:03,708
♪ Long live rock and roll ♪
2033
02:02:03,791 --> 02:02:08,666
The only trouble is the strings slip
off this, 'cause it's left-handed,
2034
02:02:08,750 --> 02:02:11,458
and the nut is for right-handed, you know?
2035
02:02:11,541 --> 02:02:14,666
- So, you know, I'm not as keen on it.
- Well, I'll try that.
2036
02:02:14,750 --> 02:02:17,791
♪ Oh, oh, oh, oh
Stand ♪
2037
02:02:18,666 --> 02:02:19,833
♪ Stand by me ♪
2038
02:02:19,916 --> 02:02:21,875
-♪ Stand by me ♪
-♪ Oh ♪
2039
02:02:21,958 --> 02:02:23,666
♪ Stand by me ♪
2040
02:02:26,375 --> 02:02:30,166
-♪ Stand by me ♪
-[Paul] ♪ Stand by me, darling, darling ♪
2041
02:02:32,083 --> 02:02:33,541
- So I'll get that fixed.
- Proper drag, yeah.
2042
02:02:33,625 --> 02:02:34,958
Yeah, but I will get it fixed.
2043
02:02:35,041 --> 02:02:36,541
I'd like to hear more bass still.
2044
02:02:37,541 --> 02:02:38,708
[laughs]
2045
02:02:39,625 --> 02:02:42,375
See, I just don't know
what these knobs do, actually.
2046
02:02:42,458 --> 02:02:44,708
We seem to be at a loss without Billy.
2047
02:02:44,791 --> 02:02:45,875
What should we do?
2048
02:02:45,958 --> 02:02:48,083
[Paul] Just ones we don't know.
2049
02:02:48,166 --> 02:02:49,875
- Yes.
-[Paul, indistinct]
2050
02:02:49,958 --> 02:02:51,791
Let's try to get "Two Of Us."
2051
02:02:51,875 --> 02:02:54,708
-[John] Okay. Am I still singing it?
- Yeah.
2052
02:02:54,791 --> 02:02:56,250
[John] Yeah? Okay.
2053
02:02:56,333 --> 02:02:58,125
[Paul] Now, what kind of thing was it?
2054
02:02:58,208 --> 02:03:01,250
[John] I don't know, it's just--
We're all very stiff, like...
2055
02:03:01,333 --> 02:03:02,208
Yes.
2056
02:03:02,291 --> 02:03:04,958
♪ Two of us riding nowhere ♪
2057
02:03:05,041 --> 02:03:09,750
♪ Spending someone's hard-earned pay... ♪
2058
02:03:09,833 --> 02:03:11,666
[John] When I heard Stevie Wonder...
2059
02:03:11,750 --> 02:03:15,208
I don't know what his backing would be,
but then you'd sing it looser.
2060
02:03:15,291 --> 02:03:16,333
But I can't...
2061
02:03:16,416 --> 02:03:18,583
♪ Two of us riding nowhere ♪
2062
02:03:18,666 --> 02:03:20,125
Maybe it's just soft.
2063
02:03:20,208 --> 02:03:22,708
♪ Two of us riding nowhere ♪
2064
02:03:22,791 --> 02:03:24,125
You know what I mean?
2065
02:03:24,208 --> 02:03:26,625
Mal, have you got my acoustic?
2066
02:03:26,708 --> 02:03:27,708
Martin?
2067
02:03:27,791 --> 02:03:30,375
[George] And a packet of ciggys, Mal.
2068
02:03:30,458 --> 02:03:31,916
And a packet of ciggys, Mal.
2069
02:03:32,833 --> 02:03:37,041
See, I'd like not to be playing bass
on these ones, 'cause it's just silly.
2070
02:03:37,125 --> 02:03:39,791
It's silly, 'cause I wrote it
on my own guitar, you know?
2071
02:03:39,875 --> 02:03:40,875
And it's just...
2072
02:03:41,500 --> 02:03:42,875
A bit like "Peggy Sue."
2073
02:03:45,750 --> 02:03:48,541
[John] Well,
I can't play bass and sing, you see?
2074
02:03:48,625 --> 02:03:51,291
Let's all stay on guitar
until we have to have bass.
2075
02:03:51,375 --> 02:03:52,750
And then I'll get back on it.
2076
02:03:52,833 --> 02:03:54,083
Bass is, uh...
2077
02:03:54,166 --> 02:03:55,916
It's a bit of a drag, bass, isn't it?
2078
02:03:56,000 --> 02:03:58,041
Bass is a drag when there's no bass.
2079
02:03:58,125 --> 02:03:59,583
But, you know, uh...
2080
02:04:01,250 --> 02:04:02,291
That's it. Play.
2081
02:04:02,375 --> 02:04:04,541
-[strums guitar]
-[drums playing]
2082
02:04:04,625 --> 02:04:07,875
See, I quite like those ones
where there isn't bass.
2083
02:04:07,958 --> 02:04:09,125
I've never heard one.
2084
02:04:09,208 --> 02:04:11,125
- We've done a few.
- What?
2085
02:04:11,208 --> 02:04:14,041
"I'll Follow The Sun."
They've all tended to be that kind.
2086
02:04:14,125 --> 02:04:15,750
But they're nice.
2087
02:04:17,125 --> 02:04:18,916
They lose a big bottom.
2088
02:04:19,541 --> 02:04:22,958
But they gain a... slim, lithe look.
2089
02:04:23,041 --> 02:04:24,208
[John] Okay.
2090
02:04:27,541 --> 02:04:29,541
["Two Of Us" playing]
2091
02:04:32,083 --> 02:04:33,875
♪ Desmond had a bar ♪
2092
02:04:34,458 --> 02:04:36,791
♪ Oh, oh ♪
2093
02:04:36,875 --> 02:04:37,875
♪ Oh ♪
2094
02:04:38,958 --> 02:04:41,208
♪ We're on our way home ♪
2095
02:04:42,541 --> 02:04:44,583
♪ We're on our way home ♪
2096
02:04:45,833 --> 02:04:49,583
♪ We're going home ♪
2097
02:04:50,541 --> 02:04:52,166
- Whoo!
- Yeah!
2098
02:04:53,125 --> 02:04:55,125
♪ Writing postcards ♪
2099
02:04:55,208 --> 02:04:57,541
[indistinct]
2100
02:04:57,625 --> 02:05:00,833
♪ On my wall ♪
2101
02:05:02,250 --> 02:05:05,250
♪ You and the PTA ♪
2102
02:05:05,333 --> 02:05:07,500
♪ The Harper Bazaar ♪
2103
02:05:07,583 --> 02:05:11,458
♪ Won't let go ♪
2104
02:05:11,541 --> 02:05:13,000
♪ Back home ♪
2105
02:05:14,041 --> 02:05:16,333
♪ We're on our way home ♪
2106
02:05:17,708 --> 02:05:20,250
♪ We're on our way home ♪
2107
02:05:20,833 --> 02:05:24,750
♪ We're going home ♪
2108
02:05:25,458 --> 02:05:26,666
[George] Yeah! I like that.
2109
02:05:35,666 --> 02:05:38,375
[Mal chuckles] "I'm a cheat."
2110
02:05:38,458 --> 02:05:41,125
[John] Because, I mean, if we'd
recorded it then tried to do it onstage,
2111
02:05:41,208 --> 02:05:43,416
we'd have to modify it,
like we always did, you know?
2112
02:05:43,500 --> 02:05:45,000
[Paul] What do you want for lunch?
2113
02:05:45,083 --> 02:05:46,000
Take one.
2114
02:05:46,083 --> 02:05:48,208
-[Mal] Yeah, what's your order?
-[Ringo] And just some steak.
2115
02:05:48,291 --> 02:05:50,083
Sparrow on toast.
2116
02:05:50,166 --> 02:05:52,041
[Paul] Boiled testicle.
2117
02:05:52,125 --> 02:05:54,041
- Uh, Mal?
- Yes?
2118
02:05:54,125 --> 02:05:56,625
So I'll just--
We'll have whatever the vegetables are.
2119
02:05:56,708 --> 02:05:59,625
If they've got any cheese sauce
for the cauliflower...
2120
02:05:59,708 --> 02:06:01,708
- Let's have a mushroom omelet then.
- Cauliflower.
2121
02:06:03,083 --> 02:06:05,583
Don't do it, Richie. Don't do it.
2122
02:06:05,666 --> 02:06:06,833
He used to eat chips.
2123
02:06:06,916 --> 02:06:08,208
[inaudible]
2124
02:06:09,666 --> 02:06:12,833
It's like after "Get Back,"
2125
02:06:12,916 --> 02:06:14,791
-"We're on our way home."
- Yeah.
2126
02:06:14,875 --> 02:06:15,875
So there's a story.
2127
02:06:15,958 --> 02:06:17,666
And there's another one,
"Don't Let Me Down."
2128
02:06:17,750 --> 02:06:20,708
♪ Oh, darling
I'll never let you down ♪
2129
02:06:20,791 --> 02:06:23,291
- Yeah. It's like you and me are lovers.
- Yeah.
2130
02:06:23,375 --> 02:06:25,333
We shall have to camp it up for those two.
2131
02:06:25,416 --> 02:06:26,458
[George] Thanks, Mal.
2132
02:06:28,458 --> 02:06:29,958
[John] Oh, isn't that pretty?
2133
02:06:32,125 --> 02:06:33,375
Didn't have a black one?
2134
02:06:33,458 --> 02:06:35,416
I'd like one like the purple one in black.
2135
02:06:35,500 --> 02:06:36,500
Yeah.
2136
02:06:37,250 --> 02:06:38,250
It's lovely.
2137
02:06:44,750 --> 02:06:46,166
- Purple dicky bow.
-[Yoko] It's very nice.
2138
02:06:53,208 --> 02:06:54,208
-[George] Yeah.
-[John] Okay.
2139
02:06:54,291 --> 02:06:55,875
[George] "Funky Pudding," take one.
2140
02:06:55,958 --> 02:06:57,458
- Are you on?
-[Glyn] Okay.
2141
02:06:57,541 --> 02:07:02,708
["Two Of Us" playing]
2142
02:07:06,916 --> 02:07:10,000
♪ Two of us riding nowhere ♪
2143
02:07:10,083 --> 02:07:15,375
♪ Spending someone's hard-earned pay ♪
2144
02:07:16,791 --> 02:07:20,208
♪ You and me Sunday driving ♪
2145
02:07:20,291 --> 02:07:22,541
♪ Not arriving ♪
2146
02:07:22,625 --> 02:07:27,750
♪ On our way back home ♪
2147
02:07:34,250 --> 02:07:36,750
-♪ Yes, very nice ♪
- Well, it's part of the pudding.
2148
02:07:36,833 --> 02:07:37,833
Oh, yeah.
2149
02:07:37,916 --> 02:07:39,125
Shall we hear it?
2150
02:07:39,208 --> 02:07:42,000
- Come on, let's hear it.
- Track it. Put the violins on. Let's go.
2151
02:07:43,250 --> 02:07:44,625
Just release it.
2152
02:07:45,541 --> 02:07:46,958
[John] Release it in Italy only.
2153
02:07:47,041 --> 02:07:50,125
Let's just make a different single
for every country.
2154
02:07:50,208 --> 02:07:54,208
♪ Wearing raincoats
Standing solo ♪
2155
02:07:54,291 --> 02:07:57,750
♪ In the sun ♪
2156
02:07:57,833 --> 02:08:00,000
[John] Phyllis Lindsay-Hogg.
2157
02:08:00,083 --> 02:08:01,833
Instead of Mal picking us up,
2158
02:08:01,916 --> 02:08:04,583
on one day, should be all
from each of our houses for this.
2159
02:08:04,666 --> 02:08:08,500
You should get, each day,
one of us coming straight from home,
2160
02:08:08,583 --> 02:08:11,125
even right into the bedroom, you know.
Let's make it...
2161
02:08:15,791 --> 02:08:16,666
[Michael] Yeah.
2162
02:08:20,250 --> 02:08:21,958
[chuckling]
2163
02:08:22,041 --> 02:08:24,208
Well, we are rather uncouth.
2164
02:08:24,791 --> 02:08:26,458
We're not your elite, you know.
2165
02:08:28,333 --> 02:08:30,541
♪ You should see Polythene Pam ♪
2166
02:08:31,041 --> 02:08:33,250
♪ She's not good looking
But she looks like a man ♪
2167
02:08:33,750 --> 02:08:36,500
♪ You should see her in drag
Dressed in her polythene bag ♪
2168
02:08:36,583 --> 02:08:38,625
♪ Yes, you should see Polythene Pam ♪
2169
02:08:39,833 --> 02:08:41,583
♪ See Poly-- ♪
2170
02:08:41,666 --> 02:08:42,666
♪ See-- ♪
2171
02:08:43,875 --> 02:08:46,041
♪ See Polythene Pam ♪
2172
02:08:47,041 --> 02:08:48,041
[indistinct]
2173
02:08:48,125 --> 02:08:51,416
♪ Dressed in her polythene bag
Yes, you should see Polythene Pam ♪
2174
02:08:51,500 --> 02:08:53,166
♪ See Poly-- ♪
2175
02:08:53,250 --> 02:08:54,708
♪ Polythene Pam ♪
2176
02:08:55,625 --> 02:08:56,708
♪ See... ♪
2177
02:08:57,208 --> 02:08:59,333
♪ See Polythene Pam ♪
2178
02:09:02,958 --> 02:09:04,291
♪ Yes ♪
2179
02:09:04,375 --> 02:09:05,916
♪ Well, you should see her ♪
2180
02:09:06,000 --> 02:09:07,250
♪ Should see her when she's-- ♪
2181
02:09:07,333 --> 02:09:08,791
[John] What is it?
2182
02:09:14,208 --> 02:09:16,041
Mal, what about the Hawaiian?
2183
02:09:17,875 --> 02:09:19,375
[John] No, it's not like that.
2184
02:09:19,458 --> 02:09:21,583
I might have a little stand, you know.
2185
02:09:21,666 --> 02:09:23,833
See, one goes into the amplifier,
2186
02:09:23,916 --> 02:09:25,750
the other goes to the foot pedal.
2187
02:09:26,250 --> 02:09:28,750
A lead from the guitar
to a foot pedal to the amp.
2188
02:09:28,833 --> 02:09:32,291
-[George] Take it to Alex, and he-
-[John] Get some fucking wires, man.
2189
02:09:32,375 --> 02:09:34,791
["Her Majesty" playing]
2190
02:09:34,875 --> 02:09:39,416
♪ Her Majesty's a pretty nice girl
But she changes from day to day ♪
2191
02:09:40,875 --> 02:09:43,208
That's the cheapest one, actually.
2192
02:09:43,291 --> 02:09:46,250
But if he gets any good on it
we'll give him a good one.
2193
02:09:46,333 --> 02:09:48,541
♪ I wanna tell her that I love her a lot ♪
2194
02:09:48,625 --> 02:09:51,375
♪ But I gotta get a belly full of wine ♪
2195
02:09:52,208 --> 02:09:56,541
♪ Her Majesty's a pretty nice girl
Someday I'm gonna make her mine ♪
2196
02:09:56,625 --> 02:09:59,750
♪ Yeah, someday I'm gonna make her mine ♪
2197
02:09:59,833 --> 02:10:01,000
["Teddy Boy" playing]
2198
02:10:01,083 --> 02:10:04,083
[indistinct]
♪ Tell her he'd be twice as good ♪
2199
02:10:04,166 --> 02:10:05,875
♪ And he knew he could ♪
2200
02:10:05,958 --> 02:10:09,041
♪ 'Cause in his head
He said... ♪
2201
02:10:10,208 --> 02:10:13,750
♪ "Mommy, don't worry
Now Teddy Boy's here ♪
2202
02:10:13,833 --> 02:10:16,791
♪ Taking good care of you ♪
2203
02:10:16,875 --> 02:10:20,208
♪ Mommy, don't worry
Your Teddy Boy's here ♪
2204
02:10:20,291 --> 02:10:22,541
♪ Teddy's gonna see you through" ♪
2205
02:10:22,625 --> 02:10:27,166
♪ And she said, "Teddy, don't worry
Now Mommy is here ♪
2206
02:10:28,041 --> 02:10:30,416
♪ Taking good care of you ♪
2207
02:10:30,500 --> 02:10:33,791
♪ Teddy, don't worry
Now your mama is here ♪
2208
02:10:33,875 --> 02:10:36,208
♪ Mama's gonna see you through" ♪
2209
02:10:36,291 --> 02:10:40,666
♪ And he said, "Mommy, don't worry
'Cause Teddy Boy's here ♪
2210
02:10:40,750 --> 02:10:43,583
♪ Taking good care of you ♪
2211
02:10:43,666 --> 02:10:47,291
♪ Mommy, don't worry now
Teddy Boy's here ♪
2212
02:10:47,375 --> 02:10:49,416
♪ Teddy's gonna see us through" ♪
2213
02:10:50,708 --> 02:10:53,958
♪ Take your partners
And do-si-do ♪
2214
02:10:54,041 --> 02:10:56,708
♪ Hold them tight
And don't let go ♪
2215
02:10:57,291 --> 02:10:59,833
♪ When you got it
Jump up ♪
2216
02:11:00,500 --> 02:11:03,458
♪ Take your partners
And do-si-do ♪
2217
02:11:03,541 --> 02:11:06,500
♪ And when you've got it
Let it go ♪
2218
02:11:07,000 --> 02:11:08,500
♪ Hold them tight and-- ♪
2219
02:11:11,500 --> 02:11:13,791
♪ Oh, dirty Maggie Mae ♪
2220
02:11:13,875 --> 02:11:16,083
♪ They have taken her away ♪
2221
02:11:16,166 --> 02:11:19,250
♪ And she'll never walk down
Lime Street anymore ♪
2222
02:11:20,666 --> 02:11:22,791
♪ Well, the judge, he guilty found her ♪
2223
02:11:22,875 --> 02:11:25,000
♪ Of robbin' the homeward bounder ♪
2224
02:11:25,083 --> 02:11:27,916
♪ That dirty, no good
Robbin' Maggie Mae ♪
2225
02:11:29,291 --> 02:11:31,708
♪ 'Tis the part of Liverpool ♪
2226
02:11:31,791 --> 02:11:34,000
[indistinct]
2227
02:11:34,083 --> 02:11:37,458
♪ And two pound ten a week
That was my pay ♪
2228
02:11:38,625 --> 02:11:43,000
[singing indistinctly]
2229
02:11:43,083 --> 02:11:46,208
♪ That dirty, no good
Robbin' Maggie Mae ♪
2230
02:11:47,041 --> 02:11:49,666
♪ Oh, dirty Maggie Mae ♪
2231
02:11:49,750 --> 02:11:51,791
♪ They have taken her away ♪
2232
02:11:51,875 --> 02:11:55,083
♪ And she'll never walk down
Lime Street anymore ♪
2233
02:11:56,416 --> 02:11:58,708
♪ Oh, the judge, he guilty found her ♪
2234
02:11:58,791 --> 02:12:00,916
♪ Of robbin' the homeward bounder ♪
2235
02:12:01,000 --> 02:12:03,791
♪ That dirty, no good
No good Maggie Mae ♪
2236
02:12:04,666 --> 02:12:05,666
[Paul] Take it, Maggie!
2237
02:12:05,750 --> 02:12:07,375
["Fancy Me Chances With You" playing]
2238
02:12:08,708 --> 02:12:10,416
♪ Oh, I fancy me chances with you ♪
2239
02:12:11,041 --> 02:12:12,625
♪ I fancy me chances with you ♪
2240
02:12:13,291 --> 02:12:15,333
♪ I fancy me chances
Fancy me chances ♪
2241
02:12:15,416 --> 02:12:17,000
♪ Oh, fancy me chances with you ♪
2242
02:12:17,708 --> 02:12:19,250
♪ Fancy me chances at the lock ♪
2243
02:12:19,958 --> 02:12:22,041
♪ Fancy me chances with your frock ♪
2244
02:12:22,125 --> 02:12:24,333
♪ Fancy me chances
Fancy me chances ♪
2245
02:12:24,416 --> 02:12:26,041
♪ Fancy me chances with you ♪
2246
02:12:26,125 --> 02:12:28,250
♪ I fancy me chances with you ♪
2247
02:12:29,000 --> 02:12:30,500
♪ I fancy me chances with you ♪
2248
02:12:31,250 --> 02:12:33,375
♪ Oh, fancy me chances
I fancy me chances ♪
2249
02:12:33,458 --> 02:12:35,083
♪ I fancy me chances with you ♪
2250
02:12:35,166 --> 02:12:36,291
[song ends]
2251
02:12:36,375 --> 02:12:38,041
Yeah!
2252
02:12:40,083 --> 02:12:41,208
[chattering]
2253
02:12:41,291 --> 02:12:42,291
Yeah.
2254
02:12:42,375 --> 02:12:43,458
- You know...
- What?
2255
02:12:43,541 --> 02:12:45,500
No one's asked you
if you mind coming every day.
2256
02:12:49,208 --> 02:12:50,375
I just thought you never know.
2257
02:12:50,458 --> 02:12:53,583
Like, coming along every day and saying,
"When am I getting paid?"
2258
02:12:53,666 --> 02:12:56,583
["Dig It" playing]
2259
02:13:03,500 --> 02:13:04,708
♪ Well, can you dig it now? ♪
2260
02:13:06,916 --> 02:13:08,458
-♪ Oh, can you dig it? Yeah ♪
-♪ Yeah ♪
2261
02:13:10,333 --> 02:13:11,958
♪ Well, can you dig it now? ♪
2262
02:13:13,791 --> 02:13:15,875
♪ Well, can you dig it right now? ♪
2263
02:13:15,958 --> 02:13:16,958
♪ Yeah ♪
2264
02:13:17,041 --> 02:13:19,458
♪ Well, you can dig it every morning ♪
2265
02:13:19,541 --> 02:13:21,041
♪ Dig it every evening ♪
2266
02:13:21,125 --> 02:13:23,333
♪ Dig it every time of day ♪
2267
02:13:24,750 --> 02:13:27,041
♪ Dig it every time of day ♪
2268
02:13:27,125 --> 02:13:28,625
[inaudible]
2269
02:13:32,958 --> 02:13:35,833
[in high voice] That was "Can You Dig It?"
by Georgie Wood.
2270
02:13:35,916 --> 02:13:39,166
And now we'd like to do
"Hark, the Angels Come."
2271
02:13:41,166 --> 02:13:43,625
- How long you had the camera?
- Nearly six months.
2272
02:13:43,708 --> 02:13:45,375
They're fantastic, those things.
2273
02:13:46,416 --> 02:13:48,916
[George Martin] What do you do?
You put it on a replay, which is plugged...
2274
02:13:49,000 --> 02:13:50,458
[chattering]
2275
02:13:50,541 --> 02:13:53,791
-[George] Magnetic tape?
-[Ringo] Yeah, it's a videotape.
2276
02:13:53,875 --> 02:13:56,083
[George Martin] I feel like a drink.
Shall we go to a nearby pub?
2277
02:13:56,166 --> 02:13:58,750
-[Glyn] There is a boozer.
- There is? Lead me to it.
2278
02:14:02,250 --> 02:14:03,916
[George Martin] Fine, thank you, George.
2279
02:14:18,875 --> 02:14:20,916
[Paul] ♪ Life is happening every day ♪
2280
02:14:21,000 --> 02:14:22,666
[John] It's all right. I'll sit on this.
2281
02:14:27,000 --> 02:14:32,208
-["Dehra Dun" playing]
-[guitar playing]
2282
02:14:39,166 --> 02:14:44,125
♪ Many roads can take you there
Many different ways ♪
2283
02:14:45,625 --> 02:14:48,333
♪ One direction takes you years ♪
2284
02:14:48,416 --> 02:14:51,041
♪ Another takes you days ♪
2285
02:14:51,125 --> 02:14:52,708
Been to India, have you?
2286
02:14:52,791 --> 02:14:55,750
- Oh, yeah. I've been there.
- I looked at mine last night,
2287
02:14:55,833 --> 02:14:57,166
next to me Pepper suit.
2288
02:14:57,250 --> 02:14:58,250
[chuckles]
2289
02:15:00,708 --> 02:15:02,125
[John] Me too.
2290
02:15:04,083 --> 02:15:06,416
-["Within You Without You" playing]
-[George] ♪ Ga, Ma, Pa, Ni ♪
2291
02:15:08,083 --> 02:15:11,916
♪ Ni, Dha, Ga, Pa ♪
2292
02:15:12,000 --> 02:15:15,625
♪ Re, Pa, Ma, Ga ♪
2293
02:15:15,708 --> 02:15:19,125
♪ Ga, Ma, Pa, Ni ♪ [fades]
2294
02:15:19,208 --> 02:15:21,583
-[Paul] I saw the film last night.
-[John] What?
2295
02:15:21,666 --> 02:15:24,250
Of us at the Maharishi's.
I've got all the film of it.
2296
02:15:24,750 --> 02:15:26,708
The opening is great.
It's just incredible.
2297
02:15:26,791 --> 02:15:27,958
It opens with Cyn...
2298
02:15:29,958 --> 02:15:31,375
and Pattie,
2299
02:15:32,458 --> 02:15:33,666
Jane.
2300
02:15:33,750 --> 02:15:36,875
You know. And it goes through
all sorts of changes and stuff.
2301
02:15:36,958 --> 02:15:38,541
It's all the people who were there.
2302
02:15:38,625 --> 02:15:42,958
Jeffrey. Uh, the little American girl.
2303
02:15:43,041 --> 02:15:44,375
You know, it's all of them.
2304
02:15:44,458 --> 02:15:47,041
And they're just all the same shot
and against the sky.
2305
02:15:47,125 --> 02:15:48,750
And it changes to someone else.
2306
02:15:48,833 --> 02:15:53,458
And it's a great opening. It's like,
"The cast for this evening is..." And then--
2307
02:15:54,458 --> 02:15:55,500
[Paul] But then it goes--
2308
02:15:55,583 --> 02:15:57,666
Then there's a big, sort of,
white flare out thing,
2309
02:15:57,750 --> 02:15:59,958
'cause it's change of reel.
2310
02:16:00,041 --> 02:16:01,541
It's great, that. It really works.
2311
02:16:01,625 --> 02:16:04,375
Then the soundtrack should start with a...
2312
02:16:04,458 --> 02:16:05,625
Uh...
2313
02:16:07,916 --> 02:16:10,958
Yeah, it is like that,
because Mike Love comes on,
2314
02:16:11,041 --> 02:16:13,250
and he's-- you know, and he's--
2315
02:16:13,333 --> 02:16:16,375
And then he's just sitting
with Cyn and Jane, waving.
2316
02:16:16,458 --> 02:16:17,583
Mike Love and Cyn.
2317
02:16:17,666 --> 02:16:21,708
And you just sort of see us,
what we're doing. It's unbelievable.
2318
02:16:22,625 --> 02:16:23,708
[George] What were we doing?
2319
02:16:23,791 --> 02:16:26,541
-[John] Yes, what were we doing?
-[Paul] We, uh...
2320
02:16:27,291 --> 02:16:28,666
I don't really know, you know?
2321
02:16:28,750 --> 02:16:34,250
But it's like we totally, sort of,
put our own personalities under,
2322
02:16:34,333 --> 02:16:35,625
for the sake of it.
2323
02:16:35,708 --> 02:16:37,750
And you can really see, you know,
we're all--
2324
02:16:37,833 --> 02:16:39,333
[John] Who's writing all them songs?
2325
02:16:40,916 --> 02:16:42,791
- That was probably when we did--
-[John] In your room.
2326
02:16:42,875 --> 02:16:43,916
Yeah. Right.
2327
02:16:44,000 --> 02:16:45,416
I remember, yeah.
2328
02:16:46,041 --> 02:16:48,000
But just sort of-- There's a--
2329
02:16:50,375 --> 02:16:52,000
No, no. Oh, no.
2330
02:16:53,833 --> 02:16:57,666
[Paul] I just think, what we did there,
we weren't really very truthful there.
2331
02:16:57,750 --> 02:17:00,666
You know, things like sneaking
behind his back and sort of saying,
2332
02:17:00,750 --> 02:17:02,333
"It's a bit like school, isn't it?"
2333
02:17:02,416 --> 02:17:05,041
But you can see on the film
that it is very like school.
2334
02:17:06,541 --> 02:17:09,416
You want to call it
What We Did On Our Holidays?
2335
02:17:09,500 --> 02:17:10,666
But it is very like that.
2336
02:17:10,750 --> 02:17:13,333
There's a long shot of you, sort of,
walking with him.
2337
02:17:13,416 --> 02:17:15,000
And it's just not you, you know?
2338
02:17:15,083 --> 02:17:17,958
It's just-- Yeah. Yeah. [chuckles]
2339
02:17:18,041 --> 02:17:20,208
[chattering]
2340
02:17:20,291 --> 02:17:22,666
-[Paul] It's got a great opening.
-[John] Yeah.
2341
02:17:23,708 --> 02:17:24,708
[Paul] Incredible.
2342
02:17:25,458 --> 02:17:27,750
[John] I've got a couple of reels
if you want some more.
2343
02:17:28,541 --> 02:17:30,458
The helicopter one, up in the sky.
2344
02:17:30,541 --> 02:17:32,791
[Paul] I noticed you taking it,
so I thought, "I'll get that."
2345
02:17:32,875 --> 02:17:35,291
Well, that was the idea.
'Cause you said you were making a film.
2346
02:17:36,125 --> 02:17:40,333
I want "By John Lennon Productions"
written on those two reels.
2347
02:17:40,416 --> 02:17:43,208
But each of my reels have got
"By John Lennon" all through 'em,
2348
02:17:43,291 --> 02:17:44,666
- like subtitles.
-[Paul] Yeah.
2349
02:17:44,750 --> 02:17:45,916
[John] "John Lennon's reel."
2350
02:17:46,000 --> 02:17:47,666
[Paul] "Shot by..."
2351
02:17:47,750 --> 02:17:49,333
And if I remember I'll bring 'em in.
2352
02:17:49,416 --> 02:17:51,791
And Linda remembered
that thing you said the other night
2353
02:17:51,875 --> 02:17:53,708
about when you went up
in the helicopter with him.
2354
02:17:53,791 --> 02:17:56,083
You just thought he might
slip you the answer.
2355
02:18:02,875 --> 02:18:04,291
Tell me, Old Master.
2356
02:18:05,625 --> 02:18:07,208
[chuckling]
2357
02:18:12,875 --> 02:18:14,166
[all laugh]
2358
02:18:15,666 --> 02:18:17,250
I wouldn't mind having--
2359
02:18:17,333 --> 02:18:19,041
Wouldn't mind having his money.
2360
02:18:19,125 --> 02:18:20,458
[laughs]
2361
02:18:20,541 --> 02:18:21,708
I wouldn't mind having...
2362
02:18:22,416 --> 02:18:26,041
two months out of every four months...
2363
02:18:26,125 --> 02:18:27,500
in a place like that though.
2364
02:18:27,583 --> 02:18:29,416
Linda was saying, sitting up on his roof
2365
02:18:29,500 --> 02:18:33,625
and looking at that view, didn't you
ever really feel like going out in it?
2366
02:18:33,708 --> 02:18:36,000
-[guitar playing]
- Well, we were out in it, weren't we?
2367
02:18:36,583 --> 02:18:40,125
Yeah, but I mean
the bit in the villages and stuff.
2368
02:18:40,208 --> 02:18:43,416
The bit that everyone else,
95% of them, were doing around there,
2369
02:18:43,500 --> 02:18:45,916
except for the converts on the hill.
2370
02:18:46,000 --> 02:18:47,000
You know?
2371
02:18:47,083 --> 02:18:48,166
It's incredible stuff.
2372
02:18:48,250 --> 02:18:49,541
[guitar continues]
2373
02:18:50,208 --> 02:18:54,166
Uh. And then, uh, then the next scene
burns out white again.
2374
02:18:54,250 --> 02:18:56,666
And the next scene is just this monkey,
2375
02:18:56,750 --> 02:18:58,958
just comes up and humps this other monkey.
2376
02:19:02,333 --> 02:19:07,791
♪ People will be watching us
Why don't we do it in the road? ♪
2377
02:19:08,833 --> 02:19:10,083
[Paul] And then they just jump off.
2378
02:19:10,166 --> 02:19:12,083
Then they just start picking each other.
2379
02:19:12,166 --> 02:19:13,166
It's great stuff.
2380
02:19:13,750 --> 02:19:15,375
And then there's a great one of you.
2381
02:19:15,458 --> 02:19:18,208
It's like you come up
and wander onto the roof,
2382
02:19:18,291 --> 02:19:21,083
and you walk up, and you look
like a student of philosophy
2383
02:19:21,166 --> 02:19:22,375
with your tape recorder.
2384
02:19:22,875 --> 02:19:23,875
And then...
2385
02:19:23,958 --> 02:19:26,916
-[guitar playing]
- Yeah, I've got all the soundtracks too.
2386
02:19:30,541 --> 02:19:32,625
[guitar playing]
2387
02:19:34,125 --> 02:19:35,291
[drums playing]
2388
02:19:36,625 --> 02:19:39,583
It's that thing,
we probably should have sort of just...
2389
02:19:41,291 --> 02:19:43,625
- Been ourselves.
- Yeah, a lot more. Yeah.
2390
02:19:45,416 --> 02:19:46,416
[chattering]
2391
02:19:46,500 --> 02:19:48,875
[instruments continue playing]
2392
02:19:48,958 --> 02:19:54,208
That is the biggest joke,
to be yourselves.
2393
02:19:54,291 --> 02:19:56,250
'Cause that was
the purpose of going there,
2394
02:19:56,333 --> 02:19:59,041
to try and find who yourself really is.
2395
02:19:59,125 --> 02:20:00,666
Yes. We found out, didn't we?
2396
02:20:00,750 --> 02:20:04,625
And if you were really yourself,
you wouldn't be any of who we are now.
2397
02:20:10,041 --> 02:20:11,541
["Act Naturally" playing on guitar]
2398
02:20:15,458 --> 02:20:18,500
[John] ♪ If you're gonna put me
In the movies ♪
2399
02:20:19,500 --> 02:20:22,291
♪ They're gonna make a big star
Out of me ♪
2400
02:20:24,125 --> 02:20:26,208
[George] No, he's doing a TV show.
2401
02:20:26,291 --> 02:20:27,916
-[John] All day?
-[George] Yeah.
2402
02:20:28,000 --> 02:20:29,208
[John] ♪ Bye-bye, love ♪
2403
02:20:29,708 --> 02:20:32,166
♪ Bye-bye, happiness ♪
2404
02:20:32,666 --> 02:20:34,500
♪ Hello, loneliness ♪
2405
02:20:35,000 --> 02:20:37,416
♪ I think I'm a-gonna die ♪
2406
02:20:38,000 --> 02:20:40,375
[Paul, John] ♪ Bye, my love, goodbye ♪
2407
02:20:41,208 --> 02:20:46,458
♪ I'm through with romance
I'm through with love ♪
2408
02:20:47,375 --> 02:20:52,166
♪ And through with counting
The stars above ♪
2409
02:20:53,166 --> 02:20:58,791
♪ And here's the reason
Why I'm so free ♪
2410
02:20:58,875 --> 02:21:04,541
♪ My loving baby
Is through with me ♪
2411
02:21:06,083 --> 02:21:08,083
♪ Bye-bye, love ♪
2412
02:21:09,291 --> 02:21:11,833
♪ Bye-bye, happiness ♪
2413
02:21:11,916 --> 02:21:14,708
♪ Hello, loneliness ♪
2414
02:21:14,791 --> 02:21:17,166
♪ I think I'm a-gonna cry ♪
2415
02:21:17,666 --> 02:21:20,208
♪ Bye, my love, goodbye ♪
2416
02:21:21,750 --> 02:21:25,541
Okay. Four of us on our way home.
2417
02:21:25,625 --> 02:21:26,666
[Paul] Right.
2418
02:21:27,541 --> 02:21:31,500
♪ You and I have memories ♪
2419
02:21:31,583 --> 02:21:38,041
[Paul, John] ♪ Long before the road
That stretches out ahead ♪
2420
02:21:38,625 --> 02:21:39,708
♪ Out ahead ♪
2421
02:21:41,250 --> 02:21:44,958
♪ You and I have memories ♪
2422
02:21:45,625 --> 02:21:49,500
[Paul, John] ♪ Long before the road
That stretches... ♪
2423
02:21:49,583 --> 02:21:50,750
[Paul] Take it slowly.
2424
02:21:50,833 --> 02:21:53,083
♪ Long-- Longer than ♪
2425
02:21:53,166 --> 02:21:54,000
Oh, yeah.
2426
02:21:54,083 --> 02:22:00,750
♪ Longer than the road that stretches... ♪
2427
02:22:00,833 --> 02:22:02,708
You just-- You're underneath it.
2428
02:22:02,791 --> 02:22:08,000
[Paul, John] ♪ Longer than the road ♪
2429
02:22:08,083 --> 02:22:11,125
♪ That stretches... ♪
2430
02:22:11,208 --> 02:22:12,333
[Paul] It's funny.
2431
02:22:12,416 --> 02:22:16,541
♪ Road that stretches out ahead ♪
2432
02:22:16,625 --> 02:22:17,625
That's mine.
2433
02:22:17,708 --> 02:22:19,375
♪ Longer than... ♪
2434
02:22:19,458 --> 02:22:25,166
♪ Longer than the road that stretches
Out ahead ♪
2435
02:22:25,250 --> 02:22:27,166
Just keep it down for that bit.
2436
02:22:27,250 --> 02:22:32,458
[George, John] ♪ Longer than the road
That stretches out ahead ♪
2437
02:22:33,291 --> 02:22:35,125
[vocalizing]
2438
02:22:35,208 --> 02:22:38,416
[John, Paul]
♪ Two of us wearing raincoats ♪
2439
02:22:38,500 --> 02:22:44,041
♪ Standing solo in the sun ♪
2440
02:22:45,083 --> 02:22:48,625
-[John] ♪ You and I chasing paper ♪
-[Paul] ♪ You and me chasing paper ♪
2441
02:22:48,708 --> 02:22:50,375
[John, Paul] ♪ Getting nowhere ♪
2442
02:22:50,458 --> 02:22:56,166
♪ On our way back home ♪
2443
02:22:57,333 --> 02:23:03,000
♪ We're on our way home
We're on our way home ♪
2444
02:23:04,000 --> 02:23:06,666
♪ We are going home ♪
2445
02:23:08,250 --> 02:23:09,333
[vocalizing]
2446
02:23:09,416 --> 02:23:12,708
[John, Paul]
♪ Two of us wearing raincoats ♪
2447
02:23:12,791 --> 02:23:17,958
♪ Standing solo in the sun ♪
2448
02:23:18,041 --> 02:23:19,500
[John] You're doing well.
2449
02:23:19,583 --> 02:23:22,458
♪ You and me chasing paper ♪
2450
02:23:22,541 --> 02:23:24,666
♪ Getting nowhere ♪
2451
02:23:24,750 --> 02:23:30,041
♪ On our way back home ♪
2452
02:23:31,708 --> 02:23:37,041
♪ We're on our way home
We're on our way home ♪
2453
02:23:38,125 --> 02:23:41,875
♪ We're going home ♪
2454
02:23:43,000 --> 02:23:47,291
-[Paul] ♪ You and I have memories, yeah ♪
-[John vocalizes]
2455
02:23:47,375 --> 02:23:54,041
[Paul] ♪ Longer than the road
That stretches out ahead ♪
2456
02:23:54,125 --> 02:23:55,916
-[John vocalizes]
-[Paul] ♪ Out ahead ♪
2457
02:23:56,666 --> 02:24:00,000
[John, Paul]
♪ Two of us wearing raincoats ♪
2458
02:24:00,083 --> 02:24:05,166
♪ Standing solo in the sun ♪
2459
02:24:05,250 --> 02:24:06,375
[John] ♪ The moon ♪
2460
02:24:06,875 --> 02:24:09,916
[John, Paul] ♪ You and me chasing paper ♪
2461
02:24:10,000 --> 02:24:12,000
♪ Getting nowhere ♪
2462
02:24:12,083 --> 02:24:17,541
♪ On our way back home ♪
2463
02:24:17,625 --> 02:24:18,833
♪ Home ♪
2464
02:24:18,916 --> 02:24:24,583
♪ We're on our way home
We're on our way home ♪
2465
02:24:25,708 --> 02:24:27,291
♪ We're going home ♪
2466
02:24:31,041 --> 02:24:34,541
♪ You and I have memories ♪
2467
02:24:35,541 --> 02:24:41,458
♪ Longer than the road
That stretches out ahead ♪
2468
02:24:41,958 --> 02:24:43,291
♪ We're gwan home ♪
2469
02:24:43,375 --> 02:24:44,500
Oh, yes, now.
2470
02:24:44,583 --> 02:24:47,541
[John, Paul]
♪ Two of us wearing raincoats ♪
2471
02:24:47,625 --> 02:24:53,416
♪ Standing solo in the sun ♪
2472
02:24:53,500 --> 02:24:54,500
Yes, boy.
2473
02:24:54,583 --> 02:24:57,625
[John, Paul] ♪ You and me chasing paper ♪
2474
02:24:58,250 --> 02:25:05,208
♪ Getting nowhere
On our way back home ♪
2475
02:25:06,625 --> 02:25:08,208
♪ We're on our way home ♪
2476
02:25:08,291 --> 02:25:09,291
We are, yes.
2477
02:25:09,916 --> 02:25:11,916
♪ We on our way home ♪
2478
02:25:12,833 --> 02:25:16,916
♪ We going home ♪
2479
02:25:36,833 --> 02:25:37,875
[coughs]
2480
02:25:37,958 --> 02:25:40,083
Is that the idea? We're just gonna
record them all
2481
02:25:40,166 --> 02:25:43,333
until we've got them all before Tuesday
when Glyn goes?
2482
02:25:43,416 --> 02:25:44,708
Is that it?
2483
02:25:46,875 --> 02:25:49,666
[George] I see. So we'll have time...
2484
02:25:49,750 --> 02:25:52,083
- So Wednesday night, we've recorded--
-[John] Yeah, do them all.
2485
02:25:52,166 --> 02:25:54,166
I've gotta mix--
I'd like to mix 'em before I go too...
2486
02:25:54,250 --> 02:25:55,375
-[George] Doing the show.
-...somehow.
2487
02:25:55,458 --> 02:25:56,750
Are we still doing the show?
2488
02:25:56,833 --> 02:25:58,250
I don't know, really.
2489
02:25:58,333 --> 02:26:03,958
[John] Say we did eight or nine, he'll
come back after about a week or something.
2490
02:26:06,083 --> 02:26:08,666
That's if we don't get 14 done by Tuesday.
2491
02:26:09,625 --> 02:26:12,208
-[guitar plays]
- Okay. Uh...
2492
02:26:12,791 --> 02:26:17,458
The piano. It'd be nice to make
the piano, like, one of those bad pianos.
2493
02:26:17,541 --> 02:26:18,541
[Paul] Yes.
2494
02:26:18,625 --> 02:26:19,625
'Cause it--
2495
02:26:20,500 --> 02:26:25,041
Glyn, how can we make the piano like one
of those very bad old honky-tonks?
2496
02:26:25,125 --> 02:26:27,833
Rather than like a Blüthner grand.
2497
02:26:28,375 --> 02:26:29,375
[piano playing]
2498
02:26:29,458 --> 02:26:30,500
[piano playing]
2499
02:26:30,583 --> 02:26:32,000
[Michael]
What does the paper do to the piano?
2500
02:26:32,083 --> 02:26:33,583
- Just make it tinnier?
-[George] Tinny the sound.
2501
02:26:33,666 --> 02:26:35,916
- Yeah, just tinnier.
-[George] More like, yeah, honky-tonk.
2502
02:26:36,000 --> 02:26:37,625
[George Martin]
Less like a Blüthner, in short.
2503
02:26:37,708 --> 02:26:39,416
-[Michael] What?
-[George Martin] Less like a Blüthner.
2504
02:26:39,500 --> 02:26:41,125
[Michael] Less like a Blüthner, in short.
2505
02:26:41,208 --> 02:26:42,541
[Glyn] A fucked-up Blüthner.
2506
02:26:42,625 --> 02:26:43,625
[chuckles]
2507
02:26:43,708 --> 02:26:46,208
[George] The main thing with this,
in my head it's like,
2508
02:26:46,291 --> 02:26:48,375
influenced by those old fellas,
2509
02:26:48,458 --> 02:26:51,166
you know,
where nothing was professional at all.
2510
02:26:51,250 --> 02:26:54,375
So it's really just like
a one-take wonder.
2511
02:26:54,458 --> 02:26:56,583
But we may have a four-take wonder.
2512
02:26:56,666 --> 02:26:58,208
["For You Blue" playing]
2513
02:26:58,291 --> 02:27:02,541
♪ I feel it now
I hope you feel it too ♪
2514
02:27:05,625 --> 02:27:11,291
♪ Because you're sweet and lovely
I love you ♪
2515
02:27:13,083 --> 02:27:17,583
♪ Because you're sweet and lovely, girl
I do ♪
2516
02:27:20,708 --> 02:27:25,083
♪ I'm living every moment, girl, for you ♪
2517
02:27:26,958 --> 02:27:29,083
- That's all.
-[song ends]
2518
02:27:29,166 --> 02:27:30,833
Personally, I was a phenomenon.
2519
02:27:30,916 --> 02:27:31,833
[chattering]
2520
02:27:31,916 --> 02:27:34,083
Another slug of whiskey, Mama.
2521
02:27:34,750 --> 02:27:37,125
Does this guitar sound in tune, Glyn?
2522
02:27:37,208 --> 02:27:38,291
[guitar tunes]
2523
02:27:41,375 --> 02:27:43,291
-[piano plays]
- Yeah, was it all right?
2524
02:27:43,875 --> 02:27:46,375
-[Yoko chuckles]
- I mean, me solo was out of this world.
2525
02:27:47,541 --> 02:27:49,375
- What's it like, Glyn?
-[Glyn] All right.
2526
02:27:49,458 --> 02:27:51,291
- Should we keep it and do another?
-[Glyn, indistinct]
2527
02:27:51,375 --> 02:27:53,916
Yeah. George?
2528
02:27:54,000 --> 02:27:55,458
How are you?
2529
02:27:55,541 --> 02:27:57,000
Should we keep that and do another?
2530
02:27:59,500 --> 02:28:00,750
-[Paul] Right back.
-[John] Okay.
2531
02:28:01,333 --> 02:28:03,833
'Cause I'm gonna go
over me peak in a minute. [chuckles]
2532
02:28:03,916 --> 02:28:05,791
I think I'm hitting me best now.
2533
02:28:05,875 --> 02:28:06,875
Okay!
2534
02:28:08,458 --> 02:28:11,375
["For You Blue" playing]
2535
02:28:11,458 --> 02:28:12,958
Start again, hey.
2536
02:28:13,041 --> 02:28:15,291
Just don't talk
when he's playing there, gang.
2537
02:28:16,958 --> 02:28:18,541
["For You Blue" continues]
2538
02:28:27,083 --> 02:28:32,541
♪ Because you're sweet and lovely, girl
I love you ♪
2539
02:28:34,708 --> 02:28:39,125
♪ Because you're sweet and lovely, girl
It's true ♪
2540
02:28:42,083 --> 02:28:46,625
♪ I love you more than ever, girl, I do ♪
2541
02:28:50,250 --> 02:28:55,541
♪ I want you in the morning, girl
I love you ♪
2542
02:28:58,458 --> 02:29:00,500
So let's keep that and do one more.
2543
02:29:00,583 --> 02:29:01,833
[Glyn chuckles]
2544
02:29:01,916 --> 02:29:04,583
- What for? What for?
- Next time, please.
2545
02:29:04,666 --> 02:29:06,833
- So he can do the guitar like he wants it.
- Come on.
2546
02:29:08,416 --> 02:29:12,625
♪ I want you at the moment I feel blue ♪
2547
02:29:15,916 --> 02:29:20,708
♪ I'm living every moment, girl, for you ♪
2548
02:29:49,916 --> 02:29:51,875
[George] But I think, uh...
2549
02:29:51,958 --> 02:29:54,875
I think we're getting
a good sound in Apple Studios.
2550
02:29:54,958 --> 02:29:56,291
- Yeah.
- Yeah. I think we are too.
2551
02:29:59,666 --> 02:30:01,083
[Paul] We're taking our...
2552
02:30:07,125 --> 02:30:08,166
[chattering]
2553
02:30:08,250 --> 02:30:10,166
[George]
Okay, can you play us the other one?
2554
02:30:10,250 --> 02:30:15,250
I'll just take this after the first one
and just bring it on after "I love you."
2555
02:30:15,333 --> 02:30:17,250
- Yeah, you just--
- And leave it in there.
2556
02:30:17,333 --> 02:30:18,333
[Paul] That's a good idea.
2557
02:30:18,416 --> 02:30:19,833
Yeah, I'm full of ideas like that.
2558
02:30:19,916 --> 02:30:21,083
- I'm famous for 'em.
-[Paul] Yeah.
2559
02:30:21,166 --> 02:30:23,958
-[John] Literary Beatle, you know?
-[George] Hail to the captain.
2560
02:30:24,041 --> 02:30:27,583
This is one that Alex at Apple Electronics
has brought out.
2561
02:30:27,666 --> 02:30:30,250
- And there isn't another one in the world.
- It's a mixer!
2562
02:30:30,333 --> 02:30:32,083
- Yeah.
- It's a 20-channel mixer.
2563
02:30:32,166 --> 02:30:35,625
Or a radar screen,
or a tail of an aeroplane.
2564
02:30:36,500 --> 02:30:39,000
-[George Martin laughs] Aeroplane.
- Or...
2565
02:30:39,083 --> 02:30:40,875
[George Martin]
Just as uncomfortable as the rest of 'em.
2566
02:30:41,916 --> 02:30:46,000
-[imitating airplane]
-[tape rewinding]
2567
02:31:02,583 --> 02:31:05,625
- I would dig to play onstage, you know?
-[Paul] Yeah.
2568
02:31:05,708 --> 02:31:08,666
I mean, if it was all-- everything was
all right and there was no messing
2569
02:31:08,750 --> 02:31:10,916
and we're just gonna play onstage.
2570
02:31:11,000 --> 02:31:13,541
You know,
that's why I said yes to the TV show.
2571
02:31:13,625 --> 02:31:15,250
I didn't want the hell of doing it,
2572
02:31:16,625 --> 02:31:20,208
but nobody else wants to go on the stage
or do a TV show.
2573
02:31:20,833 --> 02:31:25,625
You know, that's what it's about.
Nobody wants to get out there. You know?
2574
02:31:25,708 --> 02:31:27,541
I suppose that's true, you know?
2575
02:31:27,625 --> 02:31:31,583
I think so, you know?
I'm only going by what's happened.
2576
02:31:31,666 --> 02:31:33,333
Yeah, yeah.
2577
02:31:34,166 --> 02:31:36,541
What are you trying
to make a show out of now?
2578
02:31:37,958 --> 02:31:39,541
- I can't answer it, you know?
- I know.
2579
02:31:39,625 --> 02:31:42,625
I know that
there's no sort of answer for it, but...
2580
02:31:43,333 --> 02:31:46,375
The things that have worked out
best ever for us
2581
02:31:46,458 --> 02:31:49,041
haven't really been planned
any more than this has.
2582
02:31:49,125 --> 02:31:54,333
It's just, you know, it's like you just go
into something and it does it itself.
2583
02:31:54,416 --> 02:31:57,916
You know, whatever it's gonna be,
it becomes that, you know?
2584
02:31:58,000 --> 02:32:00,833
[John] See, it's turned out
it's not what Paul wants.
2585
02:32:00,916 --> 02:32:04,125
It's like if it's--
Say it's his number, this whole show.
2586
02:32:04,208 --> 02:32:07,583
It's actually turned into our number
more than his number.
2587
02:32:07,666 --> 02:32:09,666
That's all. And, uh...
2588
02:32:11,458 --> 02:32:13,166
It's just that, really.
2589
02:32:13,250 --> 02:32:16,041
Yeah, I know,
it is majority decisions and all. Yeah.
2590
02:32:16,666 --> 02:32:20,375
We're presuming that we are gonna make
this LP anyway as one whole piece,
2591
02:32:20,458 --> 02:32:22,333
like as if the cameras aren't here.
2592
02:32:23,916 --> 02:32:26,500
But it might be an idea
to sort of face 'em...
2593
02:32:26,583 --> 02:32:27,583
[Paul] Mmm.
2594
02:32:27,666 --> 02:32:29,041
[John] ...for the singing.
2595
02:32:29,125 --> 02:32:34,125
The point of doing it all in one go
is that we're aware of the camera.
2596
02:32:34,208 --> 02:32:36,208
So we should look at the camera.
2597
02:32:36,291 --> 02:32:38,666
And we sing it straight to 'em. You know?
2598
02:32:38,750 --> 02:32:39,750
- Yeah.
-[John] And--
2599
02:32:39,833 --> 02:32:42,375
The finale'd just be us
doing the numbers well.
2600
02:32:48,208 --> 02:32:49,291
What do you think?
2601
02:32:49,875 --> 02:32:51,875
The main thing is to do the change
2602
02:32:51,958 --> 02:32:54,250
from the acoustic numbers
to the electric numbers.
2603
02:32:54,875 --> 02:32:57,125
I mean, if we're doing a stage show,
we'd have to--
2604
02:32:57,208 --> 02:33:01,208
"Hold on a sec, ladies and gentlemen,
George just getting on his Rickenbacker."
2605
02:33:01,291 --> 02:33:04,250
As far as I'm concerned, I would need
one run-through on each number
2606
02:33:04,333 --> 02:33:07,708
to get the balance set for it,
'cause it's all-- everything's changing.
2607
02:33:07,791 --> 02:33:11,291
We'll know that better
as soon as we've got an order.
2608
02:33:15,083 --> 02:33:16,708
Soon as we've got a story.
2609
02:33:16,791 --> 02:33:19,208
It's all right, but I'd meant to sort of
2610
02:33:19,291 --> 02:33:21,291
put the songs
to some other framework this time.
2611
02:33:21,375 --> 02:33:22,875
That's what I'd sort of thought.
2612
02:33:23,750 --> 02:33:28,583
That we'd just keep to the same
environment, totally-- always, you know?
2613
02:33:28,666 --> 02:33:30,791
We don't ever attempt to break out of it.
2614
02:33:30,875 --> 02:33:35,208
We-- We're in a recording studio again
in London making another album, you know?
2615
02:33:35,291 --> 02:33:39,083
I think this is the nicest place
I've been for a long time, this studio.
2616
02:33:39,166 --> 02:33:41,416
- Yeah, it is.
-[George] No, really, you know, I mean.
2617
02:33:41,500 --> 02:33:43,125
And also we've played--
2618
02:33:43,208 --> 02:33:46,708
This is the most I've ever played
by playing every day.
2619
02:33:46,791 --> 02:33:51,625
And I can just feel meself getting--
me fingers getting loose a bit.
2620
02:33:51,708 --> 02:33:52,916
Yeah.
2621
02:33:53,000 --> 02:33:55,166
Because we don't get the chance
to do that.
2622
02:33:55,250 --> 02:33:57,583
- But really I just want to play.
-[John] That's what it was about.
2623
02:33:57,666 --> 02:34:02,916
What we've got
is you all playing live in one room.
2624
02:34:03,000 --> 02:34:05,750
That in itself is a fresh thing
for The Beatles.
2625
02:34:05,833 --> 02:34:06,833
Mmm.
2626
02:34:08,000 --> 02:34:09,916
Are you gonna just stay around
in a circle?
2627
02:34:10,000 --> 02:34:12,208
Unless we felt like standing up
'cause it was a shouter, you know?
2628
02:34:12,291 --> 02:34:13,500
[Michael] No matter what we do,
2629
02:34:13,583 --> 02:34:16,291
it's still gonna look like
you're sitting in a room making the album.
2630
02:34:16,375 --> 02:34:18,041
- It's not per se a show.
-[George playing guitar]
2631
02:34:18,125 --> 02:34:22,875
All we've got is us, and the documentary,
where we happen to be singing.
2632
02:34:24,416 --> 02:34:26,958
I mean, you see what happens
when we're just grooving to the music.
2633
02:34:27,041 --> 02:34:29,750
- The whole place changes.
-[Paul] Yeah, that's true.
2634
02:34:29,833 --> 02:34:32,666
And that--
If we're doing them well on the day,
2635
02:34:32,750 --> 02:34:33,916
without anything...
2636
02:34:35,166 --> 02:34:37,458
it should come over.
We've gotta do it, you know?
2637
02:34:39,250 --> 02:34:42,375
[Michael] And also, remember,
the original idea was a TV show
2638
02:34:42,458 --> 02:34:44,000
and then a documentary about it.
2639
02:34:44,083 --> 02:34:46,083
And now it's changed to being a movie.
2640
02:34:46,166 --> 02:34:49,916
It's like, really,
if we're gonna do a film for cinema,
2641
02:34:50,000 --> 02:34:52,083
it should've been done on 35 millimeters,
2642
02:34:52,166 --> 02:34:54,166
which is just the best quality.
2643
02:34:54,875 --> 02:34:57,666
We shot this on 16
because it's a television thing.
2644
02:34:57,750 --> 02:35:00,708
Just the still photos
would make a UA movie
2645
02:35:00,791 --> 02:35:02,708
with soundtrack on it, you know?
2646
02:35:03,291 --> 02:35:07,541
I think we should blow it up to 35
and if they don't take it,
2647
02:35:07,625 --> 02:35:09,125
- they're fucking fools.
-[Paul] Yeah.
2648
02:35:09,208 --> 02:35:11,416
[laughing] Because they're not gonna get
anything else, are they?
2649
02:35:11,500 --> 02:35:13,750
Unless we've got
incredible quality on this,
2650
02:35:13,833 --> 02:35:16,208
16 blown to 35 is a mess.
2651
02:35:16,291 --> 02:35:17,708
-[George] No, it's not.
- Generally.
2652
02:35:17,791 --> 02:35:20,458
There's a certain stock
that blows up better.
2653
02:35:20,541 --> 02:35:21,958
Ektachrome 500.
2654
02:35:22,041 --> 02:35:23,916
Yeah, this will blow up all right,
this film.
2655
02:35:24,000 --> 02:35:25,458
Yeah?
2656
02:35:25,541 --> 02:35:28,541
I don't know what it is that
I'm moaning about, but it's just sort of--
2657
02:35:28,625 --> 02:35:31,333
I must admit I can't really see it either,
because it's--
2658
02:35:31,416 --> 02:35:33,958
It just seems the last two days
everything's gone so ridiculously well.
2659
02:35:34,041 --> 02:35:36,375
- He's right, you know.
- It is good. It's going great.
2660
02:35:36,458 --> 02:35:37,791
It really is something.
2661
02:35:37,875 --> 02:35:39,041
-[Yoko] It's true though.
- Mmm.
2662
02:35:39,958 --> 02:35:43,250
I just have a feeling that we--
It's all right, you know?
2663
02:35:43,333 --> 02:35:45,208
It's nothing to complain about, but...
2664
02:35:46,083 --> 02:35:49,333
But it's just funny to sort of
realize that after this is all over,
2665
02:35:49,416 --> 02:35:53,291
you'll be off in a black bag somewhere
on the Albert Hall, you know?
2666
02:35:53,375 --> 02:35:54,833
Yeah.
2667
02:35:57,000 --> 02:35:59,041
What you're moaning about
is there's no payoff.
2668
02:35:59,791 --> 02:36:02,083
I think all I wanna do is, like, uh...
2669
02:36:02,708 --> 02:36:05,916
I probably, you know,
having got it together,
2670
02:36:06,000 --> 02:36:08,125
I probably just wanna go
and have fun with it.
2671
02:36:08,208 --> 02:36:12,291
Rather than just, sort of,
finish off exactly as we started.
2672
02:36:12,375 --> 02:36:15,250
And I'd like to sort of do a...
[exclaims] ...for the finish.
2673
02:36:15,333 --> 02:36:17,375
- Mmm.
- And we just get out in the open,
2674
02:36:17,458 --> 02:36:18,583
change of scene,
2675
02:36:18,666 --> 02:36:23,083
and go and do it somewhere else,
do it on a live show, do it on a stage.
2676
02:36:23,166 --> 02:36:24,833
You know, I'd like to light a rocket
2677
02:36:24,916 --> 02:36:27,375
and really sort of
take off for the end of it.
2678
02:36:27,458 --> 02:36:29,666
And, uh, you know...
2679
02:36:29,750 --> 02:36:32,541
but that's going a bit, like, overboard,
I suppose.
2680
02:36:32,625 --> 02:36:34,125
[Michael] Still could do that.
2681
02:36:34,625 --> 02:36:36,500
But that's me, you know? I always do that.
2682
02:36:47,791 --> 02:36:50,041
[John] ♪ I woke up late this morning ♪
2683
02:36:52,541 --> 02:36:54,666
♪ My head was in a whirl ♪
2684
02:36:55,208 --> 02:36:56,541
♪ Yes, it was ♪
2685
02:36:57,291 --> 02:36:59,791
♪ It was only then I realized ♪
2686
02:37:01,000 --> 02:37:02,416
[chattering]
2687
02:37:02,500 --> 02:37:03,625
♪ I'd lost my little girl ♪
2688
02:37:03,708 --> 02:37:05,916
♪ Yes, I had
That very last evening, Friday night ♪
2689
02:37:12,000 --> 02:37:14,458
♪ I woke up late this morning ♪
2690
02:37:16,958 --> 02:37:18,958
♪ My head was in a whirl ♪
2691
02:37:21,625 --> 02:37:23,791
♪ Only then I realized ♪
2692
02:37:26,416 --> 02:37:28,958
♪ Lost my little girl
Ladies and gentlemen ♪
2693
02:37:29,041 --> 02:37:31,083
♪ Is there a doctor in the house?
Yeah ♪
2694
02:37:34,041 --> 02:37:35,375
♪ I want you to tell me ♪
2695
02:37:36,291 --> 02:37:38,083
[vehicles passing]
2696
02:37:38,166 --> 02:37:39,375
[vehicle honks]
2697
02:37:48,791 --> 02:37:51,125
[Paul] Yeah. Or maybe
we don't have to do it on a--
2698
02:37:51,208 --> 02:37:53,250
You'd get the week people,
the mothers and...
2699
02:37:53,333 --> 02:37:54,333
[Michael] Yeah, great.
2700
02:37:54,416 --> 02:37:56,750
The only thing is
we've got to get some permission, Paul.
2701
02:37:56,833 --> 02:37:57,833
Yes, yes, yes.
2702
02:37:57,916 --> 02:38:00,250
So the cops don't come
and throw us off, that's all.
2703
02:38:00,333 --> 02:38:02,708
What happens
if we go on top of the other roof?
2704
02:38:02,791 --> 02:38:03,791
If it's somebody else's roof,
2705
02:38:03,875 --> 02:38:06,958
then we can get had not only
for disturbing the peace and the noise,
2706
02:38:07,041 --> 02:38:08,125
but also for trespassing.
2707
02:38:08,875 --> 02:38:10,583
Now, um, good.
2708
02:38:11,083 --> 02:38:13,916
So, but just roughly timewise,
so I can look into gear--
2709
02:38:14,000 --> 02:38:17,750
[Paul] Yeah. So, okay, look, if we say
like on Friday or something.
2710
02:38:18,375 --> 02:38:19,833
- You know?
-[Michael] Right.
2711
02:38:19,916 --> 02:38:21,083
["Mean Mr. Mustard" playing]
2712
02:38:22,250 --> 02:38:25,958
[John] ♪ Shaves in the dark
Trying to save paper ♪
2713
02:38:27,708 --> 02:38:31,291
♪ Sleeps in a hole in the road ♪
2714
02:38:32,458 --> 02:38:35,750
♪ Saving up to buy some clothes ♪
2715
02:38:37,333 --> 02:38:40,833
♪ Keeps a ten-bob note up his nose ♪
2716
02:38:41,416 --> 02:38:43,958
♪ Such a mean old man ♪
2717
02:38:46,791 --> 02:38:48,541
[John, Paul] ♪ Mean old man ♪
2718
02:38:48,625 --> 02:38:50,666
John?
2719
02:38:51,250 --> 02:38:53,083
That's a bit powerful, man.
2720
02:38:53,166 --> 02:38:55,250
I think the thing is
we'll aim for Thursday.
2721
02:38:55,333 --> 02:38:56,916
[George] Are we gonna do it all here now?
2722
02:38:57,000 --> 02:38:59,041
I think you should aim
for a little earlier than Thursday.
2723
02:38:59,125 --> 02:39:01,083
'Cause if you aim for Thursday,
it's not gonna be Thursday.
2724
02:39:01,166 --> 02:39:05,000
[Paul] See, we have to give them a chance
to get their other cameras in.
2725
02:39:05,083 --> 02:39:06,166
[Michael] Aim for Wednesday.
2726
02:39:07,250 --> 02:39:10,125
[Paul] It'll be pretty quick, but
it'll still give us some time to do it.
2727
02:39:10,208 --> 02:39:11,333
[chattering]
2728
02:39:11,416 --> 02:39:14,458
[John] ♪ His sister, Shirley
Works in the shop ♪
2729
02:39:14,541 --> 02:39:18,791
♪ She never stops
She's a go-getter ♪
2730
02:39:20,583 --> 02:39:23,750
♪ She takes him out to look at the queen ♪
2731
02:39:24,958 --> 02:39:28,083
♪ It's the only place
That he's ever been ♪
2732
02:39:29,750 --> 02:39:33,250
♪ He always shouts out something obscene ♪
2733
02:39:33,833 --> 02:39:36,541
♪ He's such a mean old man ♪
2734
02:39:38,291 --> 02:39:41,416
♪ He's such a dirty old man ♪
2735
02:39:43,041 --> 02:39:45,916
♪ Oh, Mean Mister Mustard ♪
2736
02:39:46,958 --> 02:39:49,416
- Okay, Paul.
-[playing piano]
2737
02:39:49,500 --> 02:39:51,875
-[George] How does it start?
-[Paul] Yeah, I don't really see--
2738
02:39:51,958 --> 02:39:54,458
- How does it start?
-[John] Any order will be all right.
2739
02:39:54,541 --> 02:39:56,500
-[George] How does it start?
-[John] The longer the better.
2740
02:39:56,583 --> 02:39:57,708
- Okay. Um...
- All right then.
2741
02:39:57,791 --> 02:39:58,875
- Um--
-[George] Go on.
2742
02:39:58,958 --> 02:40:00,916
-[playing "Let It Be"]
-[vocalizing]
2743
02:40:01,000 --> 02:40:03,416
- So just straight into the first verse?
- Well, that's-- Yeah.
2744
02:40:03,500 --> 02:40:04,583
Or an intro.
2745
02:40:05,583 --> 02:40:08,083
- Well, I'll probably do...
-[continues playing piano]
2746
02:40:12,750 --> 02:40:16,291
♪ When I find myself
In times of trouble ♪
2747
02:40:16,375 --> 02:40:19,250
♪ Mother Mary comes to me ♪
2748
02:40:19,333 --> 02:40:21,833
♪ Speaking words of wisdom ♪
2749
02:40:22,333 --> 02:40:24,333
♪ Let it be ♪
2750
02:40:24,416 --> 02:40:26,958
-[laughter]
- All right.
2751
02:40:27,666 --> 02:40:29,416
Come on,
I only get two notes in this song.
2752
02:40:29,500 --> 02:40:31,458
[laughter]
2753
02:40:31,541 --> 02:40:33,666
["Let It Be" continues playing]
2754
02:40:40,625 --> 02:40:43,541
♪ Let it be
Let it be ♪
2755
02:40:44,041 --> 02:40:47,791
-♪ Let it be, let it be ♪
-[John] ♪ Ooh ♪
2756
02:40:47,875 --> 02:40:50,083
[coughs]
2757
02:40:50,166 --> 02:40:52,666
[imitating popping sound]
2758
02:40:54,583 --> 02:40:57,291
[vocalizing "Let It Be"]
2759
02:41:02,583 --> 02:41:05,250
[laughter]
2760
02:41:08,041 --> 02:41:14,791
♪ Well, when all the broken hearted people
Living in the world agree ♪
2761
02:41:14,875 --> 02:41:17,041
♪ There will be an answer ♪
2762
02:41:17,708 --> 02:41:19,583
♪ Let it be ♪
2763
02:41:21,458 --> 02:41:23,916
♪ For though they may be parted ♪
2764
02:41:24,416 --> 02:41:28,125
♪ There is still a chance
That they will see ♪
2765
02:41:28,208 --> 02:41:30,708
♪ There will be an answer ♪
2766
02:41:30,791 --> 02:41:33,666
♪ Let it be ♪
2767
02:41:33,750 --> 02:41:37,541
-♪ Oh, let it be, let it be ♪
-[John, George] ♪ Ooh ♪
2768
02:41:37,625 --> 02:41:40,791
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2769
02:41:41,750 --> 02:41:44,125
♪ There will be an answer ♪
2770
02:41:44,208 --> 02:41:47,750
♪ Let it be ♪
2771
02:41:49,250 --> 02:41:51,375
♪ Ah, here's to Robert Fraser ♪
2772
02:41:51,916 --> 02:41:55,208
♪ There's still a chance
For them to see ♪
2773
02:41:55,291 --> 02:41:57,708
♪ There will be an answer ♪
2774
02:41:57,791 --> 02:42:00,666
[imitating popping sound]
2775
02:42:00,750 --> 02:42:03,250
After two then. One, two.
2776
02:42:03,333 --> 02:42:05,583
["Let It Be" continues playing]
2777
02:42:11,125 --> 02:42:12,500
[vocalizing]
2778
02:42:12,583 --> 02:42:14,416
[George] And if it was that length,
it would be okay.
2779
02:42:14,500 --> 02:42:17,125
[Paul] Yes, right. You were right
about another verse.
2780
02:42:17,208 --> 02:42:18,916
- He's right, you know.
-[Paul] He is right.
2781
02:42:19,000 --> 02:42:21,083
[George] "Captain Marvel comes to me."
2782
02:42:21,166 --> 02:42:22,541
-[laughter]
-[exhales]
2783
02:42:22,625 --> 02:42:23,791
[chattering]
2784
02:42:26,000 --> 02:42:27,000
Yeah.
2785
02:42:27,083 --> 02:42:29,625
[Paul] Come on, now.
Back to the drudgery. Thank you.
2786
02:42:29,708 --> 02:42:31,125
[John]
It's you that's making it like this.
2787
02:42:31,208 --> 02:42:32,916
It's you that's bloody making it
like this.
2788
02:42:33,000 --> 02:42:34,958
[Paul] The real meaning of Christmas.
2789
02:42:35,041 --> 02:42:36,125
Come on.
2790
02:42:37,291 --> 02:42:38,291
Come on.
2791
02:42:39,083 --> 02:42:40,416
Okay.
2792
02:42:44,166 --> 02:42:46,166
-[John] "Bloody Mary comes to me."
-[laughter]
2793
02:42:47,291 --> 02:42:50,250
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2794
02:42:50,333 --> 02:42:51,750
-♪ Let it be ♪
-♪ Ooh ♪
2795
02:42:52,750 --> 02:42:55,541
- Glyn said it's all happening too quickly.
-[John] Yeah.
2796
02:42:55,625 --> 02:42:57,500
- Yeah. We're very excitable.
- It is in a way.
2797
02:42:57,583 --> 02:42:59,666
No, you're right.
It's coming in all too soon.
2798
02:42:59,750 --> 02:43:01,291
Okay, do it exactly then.
2799
02:43:01,375 --> 02:43:03,375
As we-- As was.
2800
02:43:03,458 --> 02:43:04,791
- Oh?
-[John] I like the solo--
2801
02:43:04,875 --> 02:43:06,791
- Isn't it as it was?
-[John] I don't know.
2802
02:43:06,875 --> 02:43:09,458
[Paul] But, I mean, that's the end
of the song, as much as I know.
2803
02:43:09,541 --> 02:43:11,333
[John]
Think what Vera Lynn would do to it, Paul.
2804
02:43:11,416 --> 02:43:12,666
[laughing] Let's see, yeah.
2805
02:43:15,416 --> 02:43:16,666
[Paul] Glyn?
2806
02:43:16,750 --> 02:43:19,458
Why is this microphone very quiet?
2807
02:43:21,125 --> 02:43:22,333
[laughter]
2808
02:43:22,416 --> 02:43:25,375
[Paul] See, there's only
those two verses-- Watch me.
2809
02:43:25,458 --> 02:43:27,041
[John] We'll write some more, should we?
2810
02:43:28,916 --> 02:43:30,583
That's a possibility, I suppose.
2811
02:43:30,666 --> 02:43:32,250
[John] Have we had "hour of darkness"?
2812
02:43:32,333 --> 02:43:34,750
- Yeah.
-[John] Oh. I thought it came quick.
2813
02:43:34,833 --> 02:43:37,541
[microphone feedback]
2814
02:43:37,625 --> 02:43:40,125
Goddamn you, little microphone.
2815
02:43:40,208 --> 02:43:45,791
[John screams]
2816
02:43:45,875 --> 02:43:48,000
[Paul] Okay, you watch us.
We're gonna do this now.
2817
02:43:48,083 --> 02:43:50,000
-[John] You just watch us.
-[Paul] Okay, boys. Come on.
2818
02:43:50,083 --> 02:43:52,208
- Pull yourselves together.
-[John] Ha!
2819
02:43:52,291 --> 02:43:53,708
- Talking to me?
- That's it.
2820
02:43:53,791 --> 02:43:55,000
Talking to me?
2821
02:43:55,083 --> 02:43:57,416
He's the most together man in Garston.
2822
02:43:57,500 --> 02:43:59,333
[laughter]
2823
02:43:59,416 --> 02:44:01,833
[chattering]
2824
02:44:05,916 --> 02:44:07,208
Yeah, let it develop.
2825
02:44:08,333 --> 02:44:12,125
-♪ Yeah, let it be, let it be ♪
-[John, George] ♪ Ooh ♪
2826
02:44:12,208 --> 02:44:14,958
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2827
02:44:15,041 --> 02:44:16,125
[John] We've gone off.
2828
02:44:16,208 --> 02:44:19,833
Are you doing it like we rehearsed it
at Twickenham? Or are you changing it?
2829
02:44:19,916 --> 02:44:21,708
[Paul] I'm not sure. I can't remember.
2830
02:44:21,791 --> 02:44:25,833
I'm just doing the whole thing twice,
which is, like, two verses.
2831
02:44:25,916 --> 02:44:27,083
"Can you dig it?"
2832
02:44:27,875 --> 02:44:30,041
- Take this one then.
-[John] Yeah, take it home.
2833
02:44:31,458 --> 02:44:34,500
This'll--
This is gonna knock you out, boy.
2834
02:44:34,583 --> 02:44:36,166
["Let It Be" playing]
2835
02:44:39,458 --> 02:44:42,541
[indistinct]
2836
02:44:42,625 --> 02:44:46,083
♪ And you know that it was meant to be ♪
2837
02:44:47,041 --> 02:44:51,916
♪ There's a word of wisdom
Let it be ♪
2838
02:44:52,541 --> 02:44:54,833
-♪ Oh, let it be ♪
-♪ Ooh ♪
2839
02:44:54,916 --> 02:44:56,333
-♪ Let it be ♪
-♪ Ooh ♪
2840
02:44:56,958 --> 02:44:59,625
[Paul] ♪ Sing it, children
Let it be ♪
2841
02:45:02,708 --> 02:45:03,916
[laughter]
2842
02:45:04,833 --> 02:45:08,333
[John] Especially like to thank you
for all the birthday presents.
2843
02:45:09,041 --> 02:45:10,333
[Paul] ♪ When I find myself ♪
2844
02:45:10,416 --> 02:45:11,583
All moody.
2845
02:45:11,666 --> 02:45:12,833
♪ Trouble-- ♪
2846
02:45:12,916 --> 02:45:16,666
♪ When I find myself in times of trouble ♪
2847
02:45:17,791 --> 02:45:20,250
[sings faster]
♪ When I find myself in times of trouble ♪
2848
02:45:20,333 --> 02:45:22,416
♪ Mother Mary comes to me ♪
2849
02:45:22,500 --> 02:45:25,708
♪ Speaking words of wisdom
Let it be ♪
2850
02:45:25,791 --> 02:45:27,625
[John] Okay, this is your last chance.
2851
02:45:27,708 --> 02:45:30,333
[Paul] Now look, boys. Now, come on.
Enthuse a little.
2852
02:45:30,416 --> 02:45:33,958
I can't. I don't even get up to my bit,
you keep finishing.
2853
02:45:34,041 --> 02:45:35,625
[laughter]
2854
02:45:37,166 --> 02:45:38,458
[John] Shut up, will you?
2855
02:45:38,541 --> 02:45:40,916
I'll have you banned from bloody Apple
if you don't shut up.
2856
02:45:41,625 --> 02:45:42,708
♪ Let it be ♪
2857
02:45:42,791 --> 02:45:45,958
♪ Let it be, let it be ♪
2858
02:45:46,041 --> 02:45:47,250
♪ Yeah ♪
2859
02:45:47,333 --> 02:45:49,375
♪ Oh-oh-oh ♪
2860
02:45:49,458 --> 02:45:53,625
-[John] ♪ Let it be, let it be ♪
-♪ Let it be ♪
2861
02:45:55,041 --> 02:45:58,166
[John vocalizing]
2862
02:45:58,250 --> 02:46:00,666
I couldn't, you see? I've got to force it.
[vocalizes]
2863
02:46:00,750 --> 02:46:01,583
Yes.
2864
02:46:01,666 --> 02:46:03,666
[John] After all that, I came in too soon.
2865
02:46:03,750 --> 02:46:04,875
[exhales]
2866
02:46:05,500 --> 02:46:06,875
[Paul] Can we carry this on tomorrow?
2867
02:46:06,958 --> 02:46:08,875
- I feel a bit tired now.
- Yes, all right.
2868
02:46:09,750 --> 02:46:11,416
[Paul] Darling. [chuckles]
2869
02:46:11,500 --> 02:46:13,375
No, you don't mind
if we finish now, do you?
2870
02:46:13,458 --> 02:46:16,250
I'm just trying to get the group working,
you know, like every day...
2871
02:46:16,333 --> 02:46:18,958
I know, but office hours. [chuckles]
2872
02:46:19,041 --> 02:46:22,541
Yes, Paul, you have to be strict.
Some discipline.
2873
02:46:22,625 --> 02:46:25,208
Get a shave, get your fucking hair cut,
you know?
2874
02:46:25,291 --> 02:46:26,833
-[Yoko laughs]
- Live, man.
2875
02:46:26,916 --> 02:46:29,750
- Are we coming tomorrow?
- What?
2876
02:46:29,833 --> 02:46:31,333
-[George] Are we coming in tomorrow?
- Yeah.
2877
02:46:31,416 --> 02:46:32,416
[chattering]
2878
02:46:32,500 --> 02:46:33,750
[John] Can we come too?
2879
02:46:33,833 --> 02:46:34,958
[chattering]
2880
02:46:35,041 --> 02:46:36,458
-[John] Yeah, sure.
- Okay. Bye.
2881
02:46:36,541 --> 02:46:37,541
Okay. Got it.
2882
02:46:38,833 --> 02:46:40,125
[chattering continues]
2883
02:46:40,208 --> 02:46:42,583
[instruments playing]
2884
02:46:48,416 --> 02:46:53,041
["Blues Jam" playing]
2885
02:47:43,250 --> 02:47:44,916
[ends]
2886
02:47:45,000 --> 02:47:46,916
-["The Walk" playing]
-[Paul] ♪ Then you walk ♪
2887
02:47:49,500 --> 02:47:50,708
♪ Then you walk ♪
2888
02:47:53,750 --> 02:47:55,166
♪ Yeah, you walk ♪
2889
02:47:58,166 --> 02:47:59,416
♪ Yeah, you walk ♪
2890
02:48:02,541 --> 02:48:03,541
♪ And you talk ♪
2891
02:48:06,041 --> 02:48:09,250
♪ Boy, you will-- ♪ [indistinct]
2892
02:48:09,333 --> 02:48:12,208
♪ No, I can't give you what I gotta give ♪
2893
02:48:16,375 --> 02:48:18,166
[mock growling]
2894
02:48:19,875 --> 02:48:21,541
♪ I can't give you what I got ♪
2895
02:48:24,750 --> 02:48:26,625
♪ You can't get me that way ♪
2896
02:48:28,458 --> 02:48:32,791
-[singing, indistinct]
-[ends]
2897
02:48:34,000 --> 02:48:35,541
Yeah. [chuckles]
2898
02:48:35,625 --> 02:48:37,833
["Without a Song" playing]
2899
02:48:39,625 --> 02:48:41,958
[Billy] ♪ That field of corn ♪
2900
02:48:44,208 --> 02:48:47,416
♪ Whoa, would never see a plow ♪
2901
02:48:51,125 --> 02:48:52,875
♪ That field of corn ♪
2902
02:48:56,041 --> 02:48:59,000
♪ Whoa, whoa
Would be deserted now ♪
2903
02:49:02,750 --> 02:49:04,583
♪ A man is born ♪
2904
02:49:07,541 --> 02:49:11,375
♪ Whoa, he ain't got no friends no how ♪
2905
02:49:11,458 --> 02:49:13,250
♪ No how ♪
2906
02:49:14,250 --> 02:49:16,208
♪ Unless he has a song ♪
2907
02:49:17,000 --> 02:49:18,875
♪ No, no, no, no, no, no, no ♪
2908
02:49:21,250 --> 02:49:22,250
♪ Yeah ♪
2909
02:49:24,791 --> 02:49:26,541
[indistinct]
2910
02:49:30,833 --> 02:49:33,750
[song continues]
2911
02:49:48,875 --> 02:49:50,250
♪ A man is born ♪
2912
02:49:53,166 --> 02:49:56,583
♪ He ain't got no friends no how ♪
2913
02:49:56,666 --> 02:49:58,583
♪ Whoa ♪
2914
02:49:59,833 --> 02:50:01,416
♪ Unless he has a song ♪
2915
02:50:03,041 --> 02:50:04,833
♪ Whoa ♪
2916
02:50:10,958 --> 02:50:12,083
[laughing]
2917
02:50:15,041 --> 02:50:16,750
[song continues]
2918
02:50:27,375 --> 02:50:30,541
♪ Whoa ♪
2919
02:50:32,291 --> 02:50:33,416
♪ Huh ♪
2920
02:50:34,291 --> 02:50:36,375
♪ I said a man don't ♪
2921
02:50:38,666 --> 02:50:41,791
♪ Whoa he ain't got no friends ♪
2922
02:50:41,875 --> 02:50:43,916
♪ Nowhere, nowhere ♪
2923
02:50:45,041 --> 02:50:47,333
♪ Unless he has a song ♪
2924
02:50:48,625 --> 02:50:50,125
[vocalizing]
2925
02:50:51,333 --> 02:50:53,375
[indistinct]
2926
02:50:54,250 --> 02:50:55,750
♪ A song ♪
2927
02:50:56,458 --> 02:50:58,583
♪ Yeah, yeah ♪
2928
02:50:59,458 --> 02:51:00,708
[vocalizing]
2929
02:51:02,166 --> 02:51:06,041
♪ Whoa ♪ [chuckles]
2930
02:51:12,791 --> 02:51:14,583
[song ends]
2931
02:51:15,958 --> 02:51:17,541
["Love Me Do" playing]
2932
02:51:23,708 --> 02:51:26,000
[John, Paul] ♪ Love, love me do ♪
2933
02:51:27,708 --> 02:51:30,208
♪ You know I love you ♪
2934
02:51:31,375 --> 02:51:34,333
♪ I'll always be true ♪
2935
02:51:35,250 --> 02:51:40,000
♪ So please ♪
2936
02:51:40,083 --> 02:51:42,958
-[John scatting]
-[Paul] ♪ Love me do ♪
2937
02:51:50,333 --> 02:51:52,958
♪ Love, love me do, yeah ♪
2938
02:51:53,625 --> 02:51:58,500
♪ You know I love you ♪
2939
02:51:58,583 --> 02:52:00,583
♪ I'll always be true ♪
2940
02:52:01,208 --> 02:52:05,041
♪ So please ♪
2941
02:52:06,750 --> 02:52:10,916
♪ Love me do ♪
2942
02:52:15,791 --> 02:52:18,750
♪ Someone to love ♪
2943
02:52:19,833 --> 02:52:22,625
♪ Somebody new ♪
2944
02:52:24,333 --> 02:52:26,625
♪ Someone to love ♪
2945
02:52:27,791 --> 02:52:30,583
♪ Someone like you ♪
2946
02:52:31,916 --> 02:52:34,750
♪ Love, love me do ♪
2947
02:52:35,833 --> 02:52:38,833
♪ You know I love you ♪
2948
02:52:39,875 --> 02:52:42,833
♪ I'll always be true ♪
2949
02:52:43,541 --> 02:52:48,458
♪ So please ♪
2950
02:52:49,041 --> 02:52:52,833
♪ Love me do ♪
2951
02:53:01,583 --> 02:53:02,791
[Paul] Okay.
2952
02:53:04,625 --> 02:53:07,166
♪ Love me do, love me do ♪
2953
02:53:07,250 --> 02:53:08,500
[song ends]