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["In Spite of All the Danger" playing]
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[The Quarrymen]
♪ In spite of all the danger ♪
3
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♪ In spite of all that may be ♪
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00:00:53,583 --> 00:00:58,958
♪ I'll do anything for you ♪
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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♪ In spite of all the heartache ♪
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♪ That you may cause me ♪
9
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♪ I'll do anything for you ♪
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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[crowd screaming]
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["Some Other Guy" playing]
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♪ Some other guy now
Has taken my love away from me ♪
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I was immediately struck by their music,
their beat
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and their sense of humor,
actually, onstage.
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And it was there that, really,
it all started.
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♪ Love, love me do ♪
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♪ You know I love you ♪
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[announcer] The Beatles--
George Harrison, Ringo Starr,
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John Lennon, Paul McCartney.
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[crowd screams]
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["Please Please Me" playing]
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-♪ Come on ♪
-♪ Come on ♪
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♪ Please please me, whoa yeah
Like I please you ♪
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-[crowd screams]
-["Twist and Shout" playing]
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[interviewer] George, you think all this
success is just a one-night stand?
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I mean,
it can't go on the way it has been going.
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["She Loves You" playing]
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♪ Ooh ♪
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♪ She loves you yeah, yeah, yeah ♪
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[announcer] This is no ordinary departure
from London Airport.
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The Beatles are on their way to America.
34
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Paul McCartney may have been wondering
how the songs he and John write
35
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will go over in the States.
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♪ Listen, do you want to know a secret? ♪
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[announcer]
This rock and roll group has taken over
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as the kingpins of musical appreciation.
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- Do you hope to get a haircut at all--
- No!
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- No, thanks.
- I had one yesterday.
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[crowd laughs]
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Ladies and gentlemen, The Beatles!
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♪ Close your eyes and I'll kiss you ♪
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♪ Tomorrow I'll miss you ♪
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[announcer] The Beatles, who originated
as a small-time act out of Liverpool,
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now have no rivals
as the kingpins of the teenage set.
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♪ Hope you need my love, babe
Just like I need you ♪
48
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♪ Oh, hold me ♪
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-[interviewer] Did you enjoy it?
- Yeah, it was marvelous.
50
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I just loved all of it.
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[announcer] The Beatles are the top
pop music phenomenon of the century.
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[interviewer] Did you have a chance to get
away from anybody at anytime on the trip?
53
00:03:44,666 --> 00:03:47,083
- Yeah.
- He got away from me twice.
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["A Hard Day's Night" playing]
55
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♪ It's been a hard day's night ♪
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[announcer] And here with The Beatles was
Brian Epstein, their famous manager.
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♪ 'Cause I don't care too much for money ♪
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♪ Money can't buy me love ♪
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♪ Can't buy me love ♪
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00:04:04,583 --> 00:04:05,916
♪ And I do ♪
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♪ And I do, hey, hey, hey ♪
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♪ And I do ♪
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Hey, pardon me for asking,
but who's that little old man?
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Oh, that's my grandfather.
He's very clean.
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♪ Help me if you can ♪
I'm feeling down ♪
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♪ And I do appreciate you being 'round ♪
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Has any of you any ambitions left at all?
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Yeah. I want to be an astronaut.
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♪ They're gonna put me in the movies ♪
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♪ They're gonna make a big star
Out of me ♪
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[announcer]
Says Paul, "We've had so much success,
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we don't care if it fades tomorrow.
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We've reached the point
where we don't have worries anymore."
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♪ Yesterday ♪
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♪ All my troubles seemed so far away ♪
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♪ Baby, you can drive my car ♪
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♪ Yes, I'm gonna be a star ♪
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♪ Baby, you can drive my car ♪
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♪ And maybe I'll love you ♪
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♪ Beep, beep, beep, beep, yeah! ♪
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♪ We all live in a yellow submarine ♪
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♪ Yellow submarine, yellow submarine ♪
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[crowd clamors]
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[announcer] With Manila, some of the fans
have broken off diplomatic relations.
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♪ Yeah, I'm the Taxman ♪
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[interviewer] John,
what exactly happened at Manila Airport?
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You're treated like an ordinary passenger.
Ordinary passenger!
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An ordinary passenger,
he doesn't get kicked, does he?
89
00:05:37,500 --> 00:05:41,333
- Would you go to Manila again, George?
- No. I didn't even want to go that time.
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Do you consider that this religious issue
is answered once and for all?
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The quote which John Lennon made has
been represented entirely out of context.
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But I'm not saying
that we're better or greater
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or comparing us
with Jesus Christ as a person.
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You tell me what you think I meant,
and I'll tell you whether I agree.
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[interviewer] What difference has all
this row made to this tour, do you think?
96
00:06:03,541 --> 00:06:04,875
It's made it more hectic.
97
00:06:04,958 --> 00:06:07,666
Well, I've clarified it about 800 times,
you know.
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People said to us last time we came
all our answers were a bit flippant.
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They said, "Why isn't it this time?"
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And the thing is, the questions
are a bit more serious this time.
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♪ Turn off your mind, relax
And float down-stream ♪
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00:06:20,583 --> 00:06:23,583
The Ku Klux Klan
is going to stop this performance.
103
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Apart from that, it's great.
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Having a swinging tour.
105
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♪ Let me take you down ♪
106
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♪'Cause I'm going to Strawberry Fields ♪
107
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♪ Penny Lane is in my ears
And in my eyes ♪
108
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♪ Sergeant Pepper's
Lonely Hearts Club Band ♪
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Everything's all right.
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♪ Oh, I get by with a little help
From my friends ♪
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♪ Lucy in the sky with diamonds ♪
112
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♪ All you need is love ♪
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♪ I read the news today, oh boy ♪
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♪ Roll up for the mystery tour ♪
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♪ Roll up, we've got everything you need ♪
116
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♪ Roll up for the mystery tour ♪
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Roll up, satisfaction guaranteed ♪
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♪ Roll up for the mystery tour ♪
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Yes, Mr. Bloodvessel.
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♪ I am the walrus
Goo goo g'joob ♪
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[cheers]
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[announcer]
Far from the noise and pace of city life
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in the cool, clear air
of Rishikesh, North India,
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the world-famous quartet stroll quietly
in the lovely meditation retreat
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00:07:58,125 --> 00:08:00,041
of Maharishi Mahesh Yogi.
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Flower-loving Yogi told reporters
that his brand of peace of mind
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00:08:03,750 --> 00:08:06,791
could only be truly appreciated
by intelligent men of the world.
128
00:08:06,875 --> 00:08:10,791
♪ The Ukraine girls really knock me out ♪
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♪ They leave the West behind ♪
130
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♪ While my guitar gently weeps ♪
131
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♪ Blackbird singing
In the dead of night ♪
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- We don't get on at all.
- There are so many father figures.
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-[chuckles]
-[laughter]
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-[moans]
-[chuckles]
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Oh, I see.
136
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What is Apple, John?
137
00:08:33,125 --> 00:08:37,416
It's a company we're setting up
which involves records,
138
00:08:37,500 --> 00:08:41,791
films, electronics,
which make records and films work,
139
00:08:41,875 --> 00:08:45,083
- and, what's it called? Manufacturing?
- Yeah, it does a few things, you know?
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["Hey Jude" playing]
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♪ Hey Jude, don't be afraid ♪
142
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♪ You were made to go out and get her ♪
143
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♪ Remember to let her into your heart ♪
144
00:09:04,958 --> 00:09:10,791
♪Then you can start to make it better ♪
145
00:09:10,875 --> 00:09:16,250
♪ Better, better, better
Better, better, oh ♪
146
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♪ Yeah ♪
147
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-♪ Yeah, yeah, yeah ♪
-♪ Na, na, na, na, na, na, na ♪
148
00:09:22,916 --> 00:09:26,875
♪ Na, na, na, na, hey, Jude ♪
149
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♪ Na, na, na, na, na, na, na ♪
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00:09:36,083 --> 00:09:40,416
♪ Na, na, na, na, hey, Jude ♪
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00:09:43,041 --> 00:09:48,458
♪ Na, na, na, na, na, na, na ♪
152
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♪ Na, na, na, na, hey, Jude ♪
153
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♪ Na, na, na, na, na, na, na ♪
154
00:10:02,750 --> 00:10:07,916
♪ Na, na, na, na, hey, Jude ♪
155
00:10:09,375 --> 00:10:15,041
♪ Na, na, na, na, na, na, na ♪
156
00:10:16,041 --> 00:10:19,666
♪ Na, na, na, na, hey, Jude ♪
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♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪
158
00:10:22,583 --> 00:10:28,416
♪ Na, na, na, na, na, na, na ♪
159
00:10:29,250 --> 00:10:33,250
♪ Na, na, na, na, hey, Jude ♪
160
00:10:35,666 --> 00:10:41,000
♪ Na, na, na, na, na, na, na ♪
161
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♪ Na, na, na, na, hey, Jude ♪
162
00:10:48,500 --> 00:10:53,625
♪ Na, na, na, na, na, na, na ♪
163
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♪ Na, na, na, na, hey, Jude ♪
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[song fades out]
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00:11:09,833 --> 00:11:11,458
[Peter Sutton]
Two, take one. Silent turn over.
166
00:11:11,541 --> 00:11:12,541
[Paul Bond] Running.
167
00:11:17,500 --> 00:11:21,083
[John]
♪ As I leave the desert skies ♪
168
00:11:23,916 --> 00:11:27,750
♪ And my thoughts return to home ♪
169
00:11:30,333 --> 00:11:34,375
♪ Yes, my thoughts return to home ♪
170
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♪ I'm just a child of nature ♪
171
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♪ I don't need much to set me free ♪
172
00:11:49,708 --> 00:11:53,250
♪ I'm just a child of nature ♪
173
00:11:56,708 --> 00:11:59,125
♪ I'm one of nature's children ♪
174
00:12:01,666 --> 00:12:05,208
-[John] Where's the what?
- The mixer and the 8-tracks and all them.
175
00:12:10,333 --> 00:12:11,583
- Hi, Ringo.
- Hi, George.
176
00:12:11,666 --> 00:12:13,791
- Happy New Year.
- Happy New Year.
177
00:12:15,666 --> 00:12:19,125
♪ Everybody got a piece of toast
To chew on ♪
178
00:12:22,500 --> 00:12:24,916
♪ Everybody's got soul ♪
179
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♪ Everybody's got soul ♪
180
00:12:29,041 --> 00:12:32,708
♪ Everybody got to feel
This all alone ♪
181
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♪ Don't let me down ♪
182
00:12:39,916 --> 00:12:43,000
♪ Don't let me down ♪
183
00:12:46,333 --> 00:12:49,750
♪ Don't let me down ♪
184
00:12:52,666 --> 00:12:55,250
♪ Don't let me down ♪
185
00:12:58,708 --> 00:13:01,000
♪ Don't let me down ♪
186
00:13:04,791 --> 00:13:08,583
♪ Don't let me down ♪
187
00:13:10,166 --> 00:13:13,666
♪ I'm in love for the first time ♪
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[George] I don't think this is
a very acoustically good place.
189
00:13:19,166 --> 00:13:20,291
[John] Who's that little old man?
190
00:13:20,875 --> 00:13:22,958
Oh, is he one of the Hare Krishnas
or something?
191
00:13:31,666 --> 00:13:33,791
'Cause they won't be rehearsing
shots for three weeks.
192
00:13:33,875 --> 00:13:37,208
[Paul] As I was saying to Mal,
keep all the audience out, you know...
193
00:13:41,291 --> 00:13:42,416
If you can think of a--
194
00:13:45,000 --> 00:13:46,875
One of those Binson Echorec things.
195
00:13:46,958 --> 00:13:48,416
Have a little one of them.
196
00:13:58,541 --> 00:14:01,333
Oh, are you recording our conversation?
197
00:14:01,416 --> 00:14:03,250
[Paul] Yeah. [hums]
198
00:14:03,958 --> 00:14:05,583
We should have a bass--
199
00:14:05,666 --> 00:14:08,125
a bass and guitar all in one.
200
00:14:08,208 --> 00:14:09,416
- Yeah.
- Be great, wouldn't it?
201
00:14:10,000 --> 00:14:12,333
[Paul] Well, two people
should have bass and guitar.
202
00:14:12,416 --> 00:14:15,416
[George] Maybe we should learn
a few songs first.
203
00:14:15,500 --> 00:14:16,500
Great.
204
00:14:16,583 --> 00:14:18,000
["I've Got a Feeling" playing]
205
00:14:18,083 --> 00:14:21,166
[Paul] ♪ Oh, no, ah ♪
206
00:14:21,958 --> 00:14:23,750
One, two, three.
207
00:14:23,833 --> 00:14:26,041
♪ Yeah, I've got a feeling ♪
208
00:14:31,458 --> 00:14:34,041
-♪ Oh, please believe me ♪
-[John] ♪ Yes, I will ♪
209
00:14:34,125 --> 00:14:37,708
♪ I'd hate to miss the train
Oh, yeah ♪
210
00:14:39,500 --> 00:14:40,958
♪ Oh, yeah ♪
211
00:14:43,500 --> 00:14:48,458
♪ And if you leave me
I won't be late again ♪
212
00:14:48,541 --> 00:14:49,541
♪ No, no ♪
213
00:14:49,625 --> 00:14:53,041
♪ Oh, no, oh, no ♪
214
00:14:54,208 --> 00:14:58,083
♪ No, no, yeah ♪
215
00:14:58,166 --> 00:15:00,458
♪ One, two, three ♪
216
00:15:00,541 --> 00:15:02,250
♪ I've got a feeling ♪
217
00:15:05,000 --> 00:15:06,333
Then it goes to E.
218
00:15:07,250 --> 00:15:09,083
♪ All these years I've been wandering ♪
219
00:15:09,166 --> 00:15:10,166
G.
220
00:15:10,250 --> 00:15:11,875
♪ Wondering how come nobody ♪
221
00:15:11,958 --> 00:15:12,958
E.
222
00:15:13,041 --> 00:15:15,833
♪ All that I've been looking for
Was somebody who looked like ♪
223
00:15:15,916 --> 00:15:16,916
Stop.
224
00:15:21,875 --> 00:15:24,208
[John]
I just gotta see which should come where.
225
00:15:29,125 --> 00:15:30,541
Everybody had a hard on.
226
00:15:31,458 --> 00:15:32,750
♪ Everybody had a hard on ♪
227
00:15:32,833 --> 00:15:34,250
Except for me and my monkey.
228
00:15:35,208 --> 00:15:37,291
[George]
♪ Everybody been... [indistinct] ♪
229
00:15:37,875 --> 00:15:39,791
♪ Oh, yeah! ♪
230
00:15:39,875 --> 00:15:42,416
[chattering]
231
00:15:42,500 --> 00:15:44,291
[Paul] ♪ Oh, no ♪
232
00:15:44,375 --> 00:15:45,791
♪ Oh ♪
233
00:15:45,875 --> 00:15:48,416
♪ Yeah, yeah ♪
234
00:15:48,500 --> 00:15:49,708
♪ I've got a feeling ♪
235
00:15:49,791 --> 00:15:52,958
-♪ Everybody had a hard year ♪
-♪ Whoo, yeah, yeah ♪
236
00:15:53,041 --> 00:15:55,125
♪ Everybody had a good time ♪
237
00:15:56,000 --> 00:15:58,875
♪ Everybody had a wet dream ♪
238
00:15:58,958 --> 00:16:00,958
♪ Everybody saw the sun shine ♪
239
00:16:01,041 --> 00:16:02,666
-♪ Oh, yeah ♪
-♪ Yeah ♪
240
00:16:02,750 --> 00:16:05,250
-♪ Oh, yeah, oh, yeah ♪
-♪ Oh, oh, yeah ♪
241
00:16:05,333 --> 00:16:08,791
♪ Oh, oh ♪
242
00:16:09,708 --> 00:16:11,458
-♪ No, no ♪
-[John] ♪ No, no ♪
243
00:16:11,541 --> 00:16:13,208
-♪ Yeah ♪
-♪ No, no ♪
244
00:16:13,291 --> 00:16:14,625
♪ I've got a feeling ♪
245
00:16:14,708 --> 00:16:17,083
[vocalizing]
246
00:16:17,750 --> 00:16:19,791
♪ I've got a feeling ♪
247
00:16:23,791 --> 00:16:25,125
[George Martin] Which this isn't.
248
00:16:25,791 --> 00:16:27,375
[Paul] Um, um, we--
249
00:17:01,208 --> 00:17:02,333
- December 25th.
-[Michael] Yeah.
250
00:17:08,250 --> 00:17:09,791
[Denis] Yeah.
251
00:17:11,875 --> 00:17:13,666
[guitar strumming]
252
00:17:18,791 --> 00:17:20,208
[Denis] When you're ready. That's right.
253
00:17:20,708 --> 00:17:22,250
[Denis] We could do-- Yeah.
254
00:17:23,333 --> 00:17:25,208
♪ Go, go ♪
255
00:17:25,291 --> 00:17:26,916
♪ Go, Johnny, go, go ♪
256
00:17:27,625 --> 00:17:29,958
♪ Go, Johnny, go, go ♪
257
00:17:30,041 --> 00:17:34,791
[Paul] ♪ Come all without
Come all within ♪
258
00:17:35,583 --> 00:17:40,000
♪ You'll not see nothing
Like the Mighty-- ♪
259
00:17:40,083 --> 00:17:41,416
[Ringo] All of us just...
260
00:17:41,500 --> 00:17:43,833
[George]
♪ They say everything can be replaced ♪
261
00:17:46,833 --> 00:17:49,791
♪ Every distance is not near ♪
262
00:17:54,541 --> 00:17:58,333
[Paul] ♪ Yeah, I've got a feeling ♪
263
00:18:05,458 --> 00:18:07,083
[Denis] John is just finishing it up.
264
00:18:12,250 --> 00:18:14,416
I'll take you up in the Art Department
when you get a moment.
265
00:18:14,500 --> 00:18:17,083
You can see some of the designs
and all that, 'cause it's well under way.
266
00:18:17,166 --> 00:18:18,291
Is it still the 17th?
267
00:18:18,375 --> 00:18:19,958
No, 24th now, because of this.
268
00:18:20,041 --> 00:18:22,250
Why? This is only going to take two weeks.
269
00:18:22,333 --> 00:18:24,208
Well, we don't know yet, do we?
270
00:18:24,291 --> 00:18:27,791
[John] ♪ It's a love that lasts forever ♪
271
00:18:29,875 --> 00:18:33,000
♪ It's a love that has no past ♪
272
00:18:36,416 --> 00:18:39,916
-♪ Don't let me ♪
-♪ Down ♪
273
00:18:40,958 --> 00:18:42,708
[Paul] That's all the bits you've got?
274
00:18:42,791 --> 00:18:44,208
♪ Don't let me... ♪
275
00:18:44,291 --> 00:18:46,500
All right. If you had,
"Don't let me down,"
276
00:18:46,583 --> 00:18:48,500
say twice at the beginning...
277
00:18:49,083 --> 00:18:52,500
[Paul] But you know when you bring that,
"'Cause I'm in love for the first time"?
278
00:18:53,500 --> 00:18:56,416
- I don't dig that. Sounds like a middle 8.
-[John] Oh, yeah. Okay.
279
00:18:56,500 --> 00:18:58,750
[Paul] It doesn't sound like-- But I--
Some of it.
280
00:18:58,833 --> 00:19:01,083
Scrap that,
except use that somewhere near the end.
281
00:19:01,166 --> 00:19:03,083
[John] That one used to go after the...
282
00:19:03,166 --> 00:19:05,333
♪ Love that-- A love that had no past ♪
283
00:19:05,416 --> 00:19:08,250
-[Paul] Yeah, 'cause that's where--
-"Nobody ever loved me like she do me."
284
00:19:08,333 --> 00:19:10,291
[George]
No harm just having a break in that bit.
285
00:19:10,375 --> 00:19:12,041
Yeah, except just skip that little...
286
00:19:12,125 --> 00:19:13,500
-[John] Yes.
-...interlude.
287
00:19:13,583 --> 00:19:15,750
- Put the interlude right somewhere.
-[John] In the beginning.
288
00:19:15,833 --> 00:19:17,208
I'll do one set of "don't let me down."
289
00:19:18,166 --> 00:19:22,000
Uh-- "Like she do me. Ooh, she do me.
Yes, she do me."
290
00:19:22,083 --> 00:19:24,250
I didn't quite get around to making sense,
you see?
291
00:19:24,333 --> 00:19:25,666
So we'll see what happens.
292
00:19:25,750 --> 00:19:27,208
[George] Do you want some sandwiches?
293
00:19:27,291 --> 00:19:29,916
We don't eat these.
Paul, do you want some sandwiches?
294
00:19:30,000 --> 00:19:31,250
- Hang on. [whistles]
-[Michael] Ray.
295
00:19:31,333 --> 00:19:34,000
-[John] Do you want a dry bun?
-[George] A dry bun? Yeah.
296
00:19:34,083 --> 00:19:36,666
[John] It's like a rock cake
but needs butter or something.
297
00:19:36,750 --> 00:19:40,291
The thing I don't want is,
like, a TV show sound.
298
00:19:40,375 --> 00:19:43,625
They always seem to have that
sort of farty, little sound on TV shows.
299
00:19:43,708 --> 00:19:46,166
[Glyn] Well, don't forget,
you're hearing it on a TV speaker,
300
00:19:46,250 --> 00:19:47,458
which is a grotty speaker.
301
00:19:47,541 --> 00:19:51,125
But see, this place sounds terrible now.
It may just be great.
302
00:19:51,208 --> 00:19:53,166
You can never tell
with these places though.
303
00:19:53,250 --> 00:19:56,083
We did "Yer Blues"
in a little room like a bog.
304
00:19:56,166 --> 00:19:57,791
-[Glyn] Yeah.
- And...
305
00:19:57,875 --> 00:19:59,625
No separation in there, you know?
306
00:19:59,708 --> 00:20:01,666
- We really got good separation.
-[Glyn] Yeah.
307
00:20:02,458 --> 00:20:06,000
The thing is,
that an open-air sound is fantastic.
308
00:20:06,083 --> 00:20:09,208
I've always wanted to do something
in the open air.
309
00:20:09,291 --> 00:20:12,708
It'd be nice to try and find some way
to do it out of doors.
310
00:20:12,791 --> 00:20:13,791
[Glyn] It's so bloody cold.
311
00:20:13,875 --> 00:20:16,625
[Michael] It's your English rain which is
worrying about outdoors in this country.
312
00:20:16,708 --> 00:20:19,041
-[Glyn] Yeah, right.
- Snow or rain will do me.
313
00:20:19,125 --> 00:20:21,291
You know, wind and anything.
Make all that...
314
00:20:21,375 --> 00:20:23,750
- It's just a frozen hand trying to...
-[Glyn laughs] Yes, you could.
315
00:20:23,833 --> 00:20:24,833
...play those notes.
316
00:20:24,916 --> 00:20:26,791
[Tony] Trying to get your E-seventh
when your little finger's frozen...
317
00:20:26,875 --> 00:20:27,875
The snow and rain.
318
00:20:27,958 --> 00:20:31,333
It's all right. You might just
have a few deaths on the set
319
00:20:31,416 --> 00:20:32,666
due to electric shocks.
320
00:20:33,666 --> 00:20:36,375
I was very taken by the place
Denis talked about.
321
00:20:36,458 --> 00:20:38,291
[Glyn] Yeah. That was...
322
00:20:38,375 --> 00:20:40,833
Because I could see it outside torch-lit.
323
00:20:41,708 --> 00:20:43,375
2,000 Arabs and friends around.
324
00:20:43,458 --> 00:20:45,625
[Paul chuckles] No, I think we won't be.
325
00:20:45,708 --> 00:20:47,708
I think you'll find
we're not going abroad.
326
00:20:47,791 --> 00:20:48,791
[Michael] Hmm.
327
00:20:50,416 --> 00:20:52,625
'Cause Ringo just said
he doesn't wanna go abroad.
328
00:20:52,708 --> 00:20:54,541
No, and he put his foot down.
329
00:20:55,541 --> 00:20:57,208
- So...
- Yeah?
330
00:20:57,291 --> 00:20:59,291
Us and Jimmie Nicol might go abroad.
331
00:20:59,375 --> 00:21:01,250
[all laugh]
332
00:21:01,333 --> 00:21:04,083
[Michael] I think the thing to do
is just be very flexible still
333
00:21:04,166 --> 00:21:06,375
about every aspect of the enterprise.
334
00:21:06,458 --> 00:21:11,000
I think-- Well, I think, you know--
Michael, I think you're pretty right.
335
00:21:11,083 --> 00:21:12,541
[Glyn] He won't give up.
336
00:21:12,625 --> 00:21:14,583
- Pretty fair comment.
-[Glyn] You're pretty right, Mike.
337
00:21:14,666 --> 00:21:15,916
Are you gonna keep the beard?
338
00:21:16,000 --> 00:21:16,833
I don't know.
339
00:21:16,916 --> 00:21:18,916
[Michael] You ought to get one
of those big-brimmed hats
340
00:21:19,000 --> 00:21:20,458
with those ringlets down the ears.
341
00:21:20,541 --> 00:21:22,333
Yes. Yes, I saw that
on telly the other night.
342
00:21:22,416 --> 00:21:24,166
That'd be good.
Then we could do it in Israel.
343
00:21:24,750 --> 00:21:27,041
[Paul] ♪ We're on our way home ♪
344
00:21:27,833 --> 00:21:29,791
♪ We're on our way home ♪
345
00:21:30,875 --> 00:21:32,125
♪ We're going home ♪
346
00:21:32,208 --> 00:21:33,708
Middle eight, B flat.
347
00:21:33,791 --> 00:21:37,125
♪ You and I made memories ♪
348
00:21:37,875 --> 00:21:43,708
♪ Longer than the road
That stretches out ahead ♪
349
00:21:46,125 --> 00:21:49,083
♪ Two of us wearing raincoats ♪
350
00:21:49,166 --> 00:21:54,083
♪ Standing solo in the sun ♪
351
00:21:56,083 --> 00:21:57,375
I'll do a verse. Just...
352
00:21:57,458 --> 00:22:02,291
[both vocalizing]
353
00:22:02,791 --> 00:22:03,791
No, I think it goes...
354
00:22:03,875 --> 00:22:08,666
♪ We're on our way back home ♪
355
00:22:08,750 --> 00:22:09,750
♪ Ba-bam, ba-ba ♪
356
00:22:09,833 --> 00:22:10,833
Three, four...
357
00:22:10,916 --> 00:22:12,458
It's like...
358
00:22:12,541 --> 00:22:16,541
♪ On our way back ♪
359
00:22:16,625 --> 00:22:18,875
♪ Ba-da, da-da, da-da ♪
360
00:22:18,958 --> 00:22:20,375
♪ We're on our way home ♪
361
00:22:20,458 --> 00:22:21,916
Two, three.
362
00:22:22,000 --> 00:22:23,750
♪ We're on our way home ♪
363
00:22:23,833 --> 00:22:25,000
Two, three.
364
00:22:25,083 --> 00:22:26,166
♪ We're going home ♪
365
00:22:26,250 --> 00:22:27,250
- Two.
- After three.
366
00:22:27,333 --> 00:22:29,458
[Paul] It goes into waltz.
It goes into three.
367
00:22:30,791 --> 00:22:32,166
♪ We're on our way home ♪
368
00:22:32,250 --> 00:22:33,791
♪ Ch-cha-cha, cha ♪
369
00:22:33,875 --> 00:22:35,666
♪ We're going home ♪
370
00:22:37,375 --> 00:22:38,375
Yeah.
371
00:22:38,458 --> 00:22:39,500
♪ We're on our way home ♪
372
00:22:39,583 --> 00:22:41,083
Repeat now.
373
00:22:41,166 --> 00:22:42,958
♪ We're on our way home ♪
374
00:22:43,041 --> 00:22:44,125
Then short.
375
00:22:44,208 --> 00:22:45,708
♪ We're going home ♪
376
00:22:45,791 --> 00:22:47,791
And that's like a break. Ch-cha.
377
00:22:47,875 --> 00:22:48,875
♪ Two of us ♪
378
00:22:48,958 --> 00:22:50,166
I'll go from the beginning.
379
00:22:50,250 --> 00:22:52,166
♪ Chu-chu-chu-chu-chu-chu, ooh ♪
380
00:22:52,250 --> 00:22:53,500
♪ We're on our way home ♪
381
00:22:53,583 --> 00:22:55,208
♪ Ch-cha-cha, cha, ooh ♪
382
00:22:55,291 --> 00:22:56,583
We're on our way home ♪
383
00:22:56,666 --> 00:22:58,208
♪ Ch-cha-cha, cha, ooh ♪
384
00:22:58,291 --> 00:23:00,291
♪ We're going home ♪
385
00:23:01,000 --> 00:23:05,958
♪ You and me, Henry Cooper
Henry Cooper ♪
386
00:23:06,041 --> 00:23:09,458
♪ Henry Coop ♪
387
00:23:10,125 --> 00:23:12,958
♪ You and me, Henry Cooper ♪
388
00:23:13,041 --> 00:23:14,250
[Paul] It's not-- It's not--
389
00:23:14,333 --> 00:23:17,000
[Peter Sutton]
That was 23, take one. End announcement.
390
00:23:17,083 --> 00:23:18,791
[Paul] ♪ Wearing raincoats ♪
391
00:23:24,041 --> 00:23:27,041
[upbeat piano tune playing]
392
00:23:35,416 --> 00:23:38,750
[tap dancing]
393
00:23:39,458 --> 00:23:40,625
[Paul] Nice, that purple.
394
00:23:47,958 --> 00:23:51,000
[George] "What do you think
of George's pseudo tie sweatshirt?"
395
00:23:51,083 --> 00:23:52,583
I think it's terrible.
396
00:23:53,250 --> 00:23:54,375
[laughs]
397
00:23:55,250 --> 00:23:59,291
"The True Story of The Beatles.
You can still get it direct."
398
00:24:00,333 --> 00:24:04,333
"Accompanied by his current steady,
American photographer Linda Eastman,
399
00:24:04,416 --> 00:24:06,375
Paul spent a December week in Portugal
400
00:24:06,458 --> 00:24:09,166
visiting The Beatles' biographer,
Hunter Davis."
401
00:24:10,333 --> 00:24:12,166
It's just so sort of daft.
402
00:24:13,333 --> 00:24:14,333
[chuckling]
403
00:24:17,916 --> 00:24:20,125
"...send a big 'Hi'
to all the Bertle Persons."
404
00:24:22,416 --> 00:24:23,583
[laughs]
405
00:24:23,666 --> 00:24:25,416
"It's fab in here!" [laughs]
406
00:24:27,125 --> 00:24:29,166
I think your beard suits you, man.
407
00:24:29,250 --> 00:24:30,208
- Mmm.
-[George laughs]
408
00:24:30,291 --> 00:24:32,625
[George] I've been thinking
of all the tunes I've got.
409
00:24:32,708 --> 00:24:35,541
And they're all, uh, they're all slowish.
410
00:24:35,625 --> 00:24:37,416
- I seem to be--
-[Paul] Yeah, most of mine are.
411
00:24:37,500 --> 00:24:42,041
[George] See, so far, there's a couple
I know I could do live with no backing.
412
00:24:42,125 --> 00:24:45,125
-[Paul] Just with the guitar and singing.
-[George] Well, you know...
413
00:24:45,208 --> 00:24:49,208
- I've got "Taking a Trip to Carolina."
-[laughs]
414
00:24:49,291 --> 00:24:50,750
In the same...
415
00:24:50,833 --> 00:24:52,000
In his mind.
416
00:24:52,083 --> 00:24:52,916
♪ Taking-- ♪
417
00:24:53,000 --> 00:24:53,916
Oh, no.
418
00:24:54,000 --> 00:24:55,750
♪ Taking a trip on a ocean liner ♪
419
00:24:55,833 --> 00:24:58,041
♪ I gotta get to Carolina ♪
420
00:24:58,125 --> 00:25:00,333
♪ Taking a trip on an ocean liner ♪
421
00:25:00,416 --> 00:25:02,625
♪ I gotta get to Carolina ♪
422
00:25:02,708 --> 00:25:04,583
[humming]
423
00:25:04,666 --> 00:25:05,791
♪ Oh, baby ♪
424
00:25:05,875 --> 00:25:08,875
[laughs]
425
00:25:09,500 --> 00:25:11,041
[Ringo] ♪ I've been-- ♪
426
00:25:11,125 --> 00:25:12,125
I had-- It's on there.
427
00:25:12,208 --> 00:25:15,916
I've got it on the little tape, singing
"I've been to LA and New York too."
428
00:25:16,000 --> 00:25:17,750
So, they're not very nice.
429
00:25:17,833 --> 00:25:20,208
You know, the words,
I mean, they're not very good.
430
00:25:20,291 --> 00:25:22,916
- Uh-huh.
-"Carolina," it's, "Oh, baby."
431
00:25:23,000 --> 00:25:24,166
[laughs]
432
00:25:24,250 --> 00:25:25,916
[Paul] Just get me back there.
433
00:25:32,041 --> 00:25:33,416
[Paul] But it's good.
434
00:25:37,583 --> 00:25:39,375
But they'll have all this sort of...
435
00:25:41,166 --> 00:25:45,208
Yeah. If you wanted to get 8-track stuff
to record all this,
436
00:25:45,291 --> 00:25:47,875
where would we get it?
'Cause, apparently, it hasn't been--
437
00:25:47,958 --> 00:25:50,666
[George] We'll lend it to ourselves,
but EMI should do it.
438
00:25:50,750 --> 00:25:53,500
You know, it's like if Benjamin Britten
wants to do an album...
439
00:25:53,583 --> 00:25:54,750
- Right.
-...in Paris,
440
00:25:54,833 --> 00:25:57,375
EMI have got to fucking get
all that shit over to him.
441
00:25:57,458 --> 00:25:59,000
And they do, of course.
442
00:25:59,083 --> 00:26:01,666
We subsidize EMI, then get it out there.
443
00:26:01,750 --> 00:26:03,958
- Get an 8-track mixer--
-'Cause they just told Glyn and Mal--
444
00:26:04,041 --> 00:26:06,833
They just told them
that they've only got 4-track.
445
00:26:06,916 --> 00:26:09,791
But I know for a fact that they got
8-track out for The Beach Boys.
446
00:26:09,875 --> 00:26:11,833
[Michael] But The Beach Boys are American.
447
00:26:13,541 --> 00:26:15,541
[chattering]
448
00:26:17,791 --> 00:26:19,375
[Paul]
'Cause I really never thought of that.
449
00:26:19,458 --> 00:26:22,125
It's just we all used to sag off
every school day.
450
00:26:22,208 --> 00:26:23,958
You know, and go back to my house,
451
00:26:24,041 --> 00:26:26,458
and the two of us
would just sit there and write.
452
00:26:26,541 --> 00:26:28,500
There's a lot from then, you know?
453
00:26:28,583 --> 00:26:32,041
There's about 100 songs from then
that we never reckoned,
454
00:26:32,125 --> 00:26:34,541
'cause they were all
very unsophisticated songs.
455
00:26:35,166 --> 00:26:37,833
[singsong]
"They said our love was just fun,
456
00:26:37,916 --> 00:26:39,791
the day that our friendship begun."
457
00:26:39,875 --> 00:26:43,750
[Ringo]
♪ They said our love was just fun ♪
458
00:26:44,375 --> 00:26:45,500
[Paul] ♪ Oh, oh, oh ♪
459
00:26:45,583 --> 00:26:47,125
[Ringo] ♪ The day that... ♪
460
00:26:48,333 --> 00:26:49,333
[George] ♪ Begun... ♪
461
00:26:49,416 --> 00:26:50,875
[Paul humming]
462
00:26:50,958 --> 00:26:52,583
[George speaks indistinctly]
463
00:26:52,666 --> 00:26:56,250
[Paul] ♪ Because I know you love me so ♪
464
00:26:58,916 --> 00:27:03,250
♪ Wake up in the morning
I don't feel blue ♪
465
00:27:04,291 --> 00:27:09,125
♪ 'Cause I know I've got you ♪
466
00:27:09,708 --> 00:27:13,750
♪ Get a funny feeling
All day and night ♪
467
00:27:15,000 --> 00:27:17,583
♪ Get the funny feeling ♪
468
00:27:17,666 --> 00:27:20,208
♪ You don't treat me right ♪
469
00:27:20,291 --> 00:27:22,875
♪ Should have read your letter ♪
470
00:27:22,958 --> 00:27:24,666
♪ And then I'd know ♪
471
00:27:25,541 --> 00:27:27,875
♪ I would have felt much better ♪
472
00:27:27,958 --> 00:27:31,541
♪ Because I know you love me so ♪
473
00:27:34,500 --> 00:27:36,375
Don't think that ever got there, did it?
474
00:27:37,416 --> 00:27:38,541
♪ Well, I've been thinking... ♪
475
00:27:38,625 --> 00:27:39,625
[John humming]
476
00:27:39,708 --> 00:27:41,333
♪ ...love me ♪
477
00:27:42,500 --> 00:27:43,791
♪ Tell me that ♪
478
00:27:45,666 --> 00:27:47,708
[John] ♪ Won't you please ♪
479
00:27:48,333 --> 00:27:50,000
[John, Paul]
♪ Say goodbye? ♪
480
00:27:51,291 --> 00:27:54,750
♪ This love has long since grown cold ♪
481
00:27:54,833 --> 00:27:59,083
♪ Yeah, won't you please say goodbye? ♪
482
00:28:00,625 --> 00:28:04,333
♪ How many times must you be told? ♪
483
00:28:06,125 --> 00:28:08,458
♪ Won't you please say goodbye? ♪
484
00:28:09,125 --> 00:28:11,083
-[hums]
- That sounded like...
485
00:28:12,375 --> 00:28:13,500
♪ Pick up my bags ♪
486
00:28:14,958 --> 00:28:17,500
♪ Run to the station ♪
487
00:28:17,583 --> 00:28:18,833
♪ Railman said ♪
488
00:28:19,875 --> 00:28:21,708
♪ "You've got the wrong location" ♪
489
00:28:23,125 --> 00:28:25,333
-♪ Pick up my bag ♪
-♪ Pick up my bag, yeah, yeah ♪
490
00:28:25,416 --> 00:28:27,291
-♪ Run right home ♪
-♪ Run home ♪
491
00:28:28,250 --> 00:28:30,333
-♪ Then I find ♪
-♪ Then I find that ♪
492
00:28:30,416 --> 00:28:33,833
-♪ I got the number wrong, yeah ♪
-♪ I got the number wrong, yes ♪
493
00:28:33,916 --> 00:28:36,583
♪ She said she's travelin'
On the one after 909 ♪
494
00:28:38,958 --> 00:28:42,166
♪ Move over, honey
I'm travelin' on that line ♪
495
00:28:44,458 --> 00:28:47,083
♪ Said Move over once
Move over twice ♪
496
00:28:47,166 --> 00:28:49,291
♪ Come on, baby
Don't be cold as ice ♪
497
00:28:50,000 --> 00:28:52,666
♪ She said she's travelin'
On the one after 909 ♪
498
00:28:52,750 --> 00:28:55,125
♪ She said she's travelin'
On the one after 909 ♪
499
00:28:55,208 --> 00:28:58,750
♪ She said she's travelin'
On the one after 909 ♪
500
00:29:02,166 --> 00:29:04,125
[Paul] Okay. All right.
501
00:29:05,375 --> 00:29:07,708
[Paul]
Really, that's out of the past, that.
502
00:29:09,916 --> 00:29:12,666
I always meant to just change the words
a bit and do something.
503
00:29:12,750 --> 00:29:14,083
[Paul] But no, it's so great.
504
00:29:14,166 --> 00:29:16,833
-[George] It's all working. Keep them.
-[Paul hums]
505
00:29:16,916 --> 00:29:19,833
"Said, 'Move over, honey,
I'm traveling on that line.'" [laughs]
506
00:29:19,916 --> 00:29:23,416
"Move over once, move over twice.
Come on, baby. Don't be cold as ice."
507
00:29:23,500 --> 00:29:24,833
[John] "You're only fooling around."
508
00:29:24,916 --> 00:29:26,833
[John, Paul]
"You're only fooling around with me."
509
00:29:27,458 --> 00:29:29,916
[Paul] I never sort of knew
what it was about before.
510
00:29:30,000 --> 00:29:31,958
- I mean, so she's on a train.
-[John] Yes.
511
00:29:32,041 --> 00:29:35,041
- And he sort of-- [laughs]
-[John] Goes to the station and misses it.
512
00:29:35,125 --> 00:29:38,666
But he goes back and finds
it was the wrong number, so...
513
00:29:38,750 --> 00:29:40,666
"Wrong location."
514
00:29:40,750 --> 00:29:42,791
To rhyme with "station," you know?
515
00:29:42,875 --> 00:29:44,250
That's great.
516
00:29:44,333 --> 00:29:47,083
"Railman said you got the wrong location."
517
00:29:47,791 --> 00:29:49,375
-[John] Hello, George.
-[laughs]
518
00:29:49,458 --> 00:29:52,833
[John] Hi, Paul. It's simply great
for you to turn up this evening.
519
00:29:52,916 --> 00:29:55,291
-["Ob-La-Di, Ob-La-Da" playing]
- The Animals reunited.
520
00:29:55,875 --> 00:29:59,250
[falsetto] ♪ Desmond had a barrow
In the market place ♪
521
00:29:59,333 --> 00:30:01,708
♪ Doris had another in the bog ♪
522
00:30:03,000 --> 00:30:05,875
♪ Charlie has another
In the back of town ♪
523
00:30:05,958 --> 00:30:08,250
♪ And, Lordy, Lordy
Did they have a bag of fun ♪
524
00:30:09,166 --> 00:30:11,583
♪ Oh, my God, oh, my God
Oh, my... ♪
525
00:30:15,833 --> 00:30:17,666
♪ Tell it to the captain ♪
526
00:30:18,833 --> 00:30:20,458
♪ Get in trouble with the man ♪
527
00:30:20,541 --> 00:30:22,958
♪ Let the Midnight Special ♪
528
00:30:23,750 --> 00:30:25,291
♪ Shine its light on me ♪
529
00:30:26,500 --> 00:30:28,833
♪ Let the Midnight Special ♪
530
00:30:29,833 --> 00:30:32,333
♪ Shine its ever-lovin' light on me ♪
531
00:30:33,166 --> 00:30:37,416
[George] ♪ What do you want
To make those eyes at me for? ♪
532
00:30:38,041 --> 00:30:41,791
-♪ If they don't mean what they say? ♪
-♪ When you're out with someone new ♪
533
00:30:43,750 --> 00:30:47,583
[George, Paul] ♪ You made me glad
You made me sad ♪
534
00:30:47,666 --> 00:30:50,000
♪ You make me want a lot of things ♪
535
00:30:50,083 --> 00:30:51,666
-♪ That I never had ♪
-♪ Bundle of dynamite ♪
536
00:30:51,750 --> 00:30:54,750
["The Third Man Theme" playing]
537
00:31:34,333 --> 00:31:35,791
[Paul whistles]
538
00:31:46,416 --> 00:31:48,416
-[microphone feedback]
- Ah! Fucking hell.
539
00:31:48,500 --> 00:31:50,416
-[Paul] I just got shocked.
- Just got a belt, man.
540
00:31:51,000 --> 00:31:52,791
I really-- I got an electric shock.
541
00:31:52,875 --> 00:31:54,416
[Paul] Gonna be in trouble over this.
542
00:31:54,500 --> 00:31:56,208
If this boy dies, you're gonna cop it.
543
00:31:57,291 --> 00:32:00,333
[George] Hold that one as well
at the same time and see what happens.
544
00:32:00,416 --> 00:32:02,041
Let me see it again.
545
00:32:02,125 --> 00:32:03,208
Let's try it.
546
00:32:03,291 --> 00:32:05,458
-[Peter Sutton] You get feedback.
-[Paul] It's the feedback, yeah.
547
00:32:05,541 --> 00:32:06,833
The feedback going into the, uh--
548
00:32:06,916 --> 00:32:08,000
- There, it's not--
-[feedback]
549
00:32:08,083 --> 00:32:10,000
-[John] That's it.
-[George] Put your hand on that bit.
550
00:32:10,083 --> 00:32:11,750
[Paul] It might be
the playing the guitar as well.
551
00:32:11,833 --> 00:32:15,041
It should be where you're here
rather than all this...
552
00:32:15,125 --> 00:32:16,583
- You know, all this thing.
-[Paul] Yeah.
553
00:32:16,666 --> 00:32:18,166
[Michael] When was it when you touched it?
554
00:32:18,250 --> 00:32:19,833
I gripped hold of two of them together.
555
00:32:19,916 --> 00:32:22,375
-[Paul] The feedback going into the...
-[George] Just grip it tight.
556
00:32:22,458 --> 00:32:24,708
-[microphone feedback]
- Put the palm of your hand on that bit.
557
00:32:24,791 --> 00:32:27,541
-[microphone feedback]
-[laughing]
558
00:32:28,500 --> 00:32:30,541
[Paul]
The bit that I find the weakest now is...
559
00:32:30,625 --> 00:32:32,208
♪ All these years
I've been wandering around ♪
560
00:32:32,291 --> 00:32:33,916
[John] Yeah, that's just power, you know?
561
00:32:34,000 --> 00:32:36,208
[Paul]
♪ Wondering how come nobody told me ♪
562
00:32:37,791 --> 00:32:39,958
-[Paul] Maybe harmonies.
- Just sing your one.
563
00:32:40,041 --> 00:32:43,625
♪ All these years
I've been wandering around ♪
564
00:32:43,708 --> 00:32:46,250
♪ Wondering how come nobody told me ♪
565
00:32:46,333 --> 00:32:49,750
♪ All that I've been looking for
Was somebody who looked like you ♪
566
00:32:51,083 --> 00:32:52,291
You're singing B.
567
00:32:52,833 --> 00:32:55,708
Yeah, just sing the next harmony down
so it's not too low for you.
568
00:32:55,791 --> 00:32:58,125
♪ All these years ♪
569
00:32:58,208 --> 00:33:00,291
-[Paul] ♪ All these years I've been-- ♪
-♪ All-- ♪
570
00:33:00,375 --> 00:33:02,166
- That's very high for me.
-[Paul] Don't shout. It's power.
571
00:33:02,250 --> 00:33:03,083
♪ All these-- ♪
572
00:33:03,166 --> 00:33:04,125
Oh, it's terribly high.
573
00:33:04,208 --> 00:33:06,416
-[Paul] ♪ Been wandering around ♪
-♪ All these days ♪
574
00:33:06,500 --> 00:33:07,750
[vocalizing]
575
00:33:08,416 --> 00:33:09,708
[Paul] ♪ Wondering how come-- ♪
576
00:33:09,791 --> 00:33:11,208
Down on the one note, is it?
577
00:33:12,125 --> 00:33:13,833
♪ All these years
I've been wandering around ♪
578
00:33:13,916 --> 00:33:16,333
♪ Wondering how come nobody told me
All that I've-- ♪
579
00:33:16,416 --> 00:33:17,875
[vocalizing]
580
00:33:17,958 --> 00:33:20,541
-[John] That's very high, you know?
-[vocalizing continues]
581
00:33:20,625 --> 00:33:22,375
♪ All these years I've been wandering ♪
582
00:33:22,458 --> 00:33:25,458
[vocalizing]
583
00:33:27,250 --> 00:33:28,291
Fuck it!
584
00:33:29,666 --> 00:33:31,208
One, two, three, four.
585
00:33:31,291 --> 00:33:33,458
♪ All these years I've been wondering-- ♪
586
00:33:33,541 --> 00:33:36,541
[vocalizing]
587
00:33:40,125 --> 00:33:41,125
♪ You! ♪
588
00:33:41,208 --> 00:33:42,375
[groans]
589
00:33:42,458 --> 00:33:44,250
- It's a bit early for that, isn't it?
- Yeah.
590
00:33:47,125 --> 00:33:49,708
Early in the morning, you know?
I'm not 18 anymore.
591
00:33:49,791 --> 00:33:51,166
[chuckles]
592
00:33:55,791 --> 00:33:58,083
[Mal speaks indistinctly]
593
00:33:58,166 --> 00:34:00,375
-[bass playing]
-[Mal speaks indistinctly]
594
00:34:11,708 --> 00:34:13,708
[chattering]
595
00:34:16,000 --> 00:34:17,625
♪ Everybody had a hard-- ♪
596
00:34:18,875 --> 00:34:19,875
♪ Everybody-- ♪
597
00:34:21,791 --> 00:34:23,875
Uh-- Hair down.
598
00:34:25,541 --> 00:34:27,166
Socks up. Foot down.
599
00:34:28,000 --> 00:34:30,666
-[Mal] "Everybody pulled their socks up"?
-[John] Yeah. Yeah.
600
00:34:30,750 --> 00:34:32,416
[Paul] ♪ Everybody pulled their socks up ♪
601
00:34:32,500 --> 00:34:35,375
-"Foot down." Okay, that's it.
- Right.
602
00:34:35,458 --> 00:34:36,458
[John] Yeah.
603
00:34:37,125 --> 00:34:38,250
[Paul] Bit of power there.
604
00:34:38,333 --> 00:34:40,333
[John] I don't want every time
we're doing "Don't Let Me Down,"
605
00:34:40,416 --> 00:34:42,500
that it hurts just to rehearse it.
606
00:34:42,583 --> 00:34:45,541
I wonder how long it is.
Do you want to time it, Mal?
607
00:34:45,625 --> 00:34:47,958
'Cause it's probably
only about half a minute long.
608
00:34:48,875 --> 00:34:51,916
♪ Desmond had a sparrow
In his parking lot ♪
609
00:34:52,000 --> 00:34:55,666
One, two, three...
610
00:34:55,750 --> 00:34:58,458
♪ Don't let me down ♪
611
00:35:01,458 --> 00:35:03,750
♪ Don't let me down ♪
612
00:35:06,458 --> 00:35:09,208
♪ Don't let me down ♪
613
00:35:11,791 --> 00:35:14,458
♪ Don't let me down ♪
614
00:35:18,291 --> 00:35:19,791
- Three minutes!
- What?
615
00:35:19,875 --> 00:35:21,875
-[Mal] Three minutes, 40 seconds.
- That's fine.
616
00:35:21,958 --> 00:35:24,000
- Three minutes, 40 seconds.
-[Michael] Yeah.
617
00:35:24,083 --> 00:35:25,666
This is incredible.
618
00:35:25,750 --> 00:35:29,166
- It's long. It sounded just like...
- Half a minute.
619
00:35:29,250 --> 00:35:30,250
Okay.
620
00:35:31,041 --> 00:35:32,583
[John] Uh, I've got one.
621
00:35:32,666 --> 00:35:36,750
- Uh, "Gimme Some Truth" or something.
-[Paul] Something like that.
622
00:35:36,833 --> 00:35:39,375
-"Gimme Some Truth."
- We could finish that.
623
00:35:39,458 --> 00:35:42,458
- Remember your hangman bit?
-[Paul] Yeah.
624
00:35:42,541 --> 00:35:43,958
-[John] It was all right.
-[Paul] No.
625
00:35:44,041 --> 00:35:48,666
"No, no freaked-out...
yellow-bellied son of Gary Cooper gonna..."
626
00:35:48,750 --> 00:35:50,666
♪ Freaked out... ♪
627
00:35:50,750 --> 00:35:52,416
- It started in D, didn't it?
- Yeah.
628
00:35:53,208 --> 00:35:54,500
♪ Some... ♪
629
00:35:54,583 --> 00:35:55,958
That was-- That was my bit.
630
00:35:56,041 --> 00:35:57,541
♪ Freaked out, yellow-bellied... ♪
631
00:35:57,625 --> 00:35:59,333
[John]
♪ Sick and tired of hearing words ♪
632
00:35:59,416 --> 00:36:01,500
-[Paul] Yours was in E, wasn't it?
- No, it was in D.
633
00:36:01,583 --> 00:36:06,750
[Paul, John vocalizing]
634
00:36:06,833 --> 00:36:09,041
♪ Hope ♪
635
00:36:09,125 --> 00:36:11,333
♪ Money for rope ♪
636
00:36:11,416 --> 00:36:12,416
[George] If we add a--
637
00:36:12,500 --> 00:36:13,541
♪ Money for rope ♪
638
00:36:15,333 --> 00:36:19,166
[Paul] ♪ No freaked out, yellow-bellied
Son of Gary Cooper gonna tell him... ♪
639
00:36:19,250 --> 00:36:21,041
[scatting]
640
00:36:21,125 --> 00:36:22,750
♪ For dope ♪
641
00:36:23,583 --> 00:36:25,250
♪ Money for rope ♪
642
00:36:26,125 --> 00:36:27,958
♪ Just money for rope ♪
643
00:36:33,166 --> 00:36:35,666
♪ I'm sick and tired of hearing lies ♪
644
00:36:35,750 --> 00:36:39,375
♪ By seasick, narrow-minded
Shortsighted hypocrites ♪
645
00:36:39,458 --> 00:36:41,333
♪ All I want is the truth ♪
646
00:36:41,416 --> 00:36:42,458
[John] We should change the--
647
00:36:42,541 --> 00:36:44,166
♪ Just gimme some truth ♪
648
00:36:45,333 --> 00:36:47,666
♪ I've had enough of readin' lines ♪
649
00:36:47,750 --> 00:36:51,375
♪ By some sicked out
Hard-sided politicians ♪
650
00:36:51,458 --> 00:36:53,208
♪ All I want is the truth ♪
651
00:36:54,333 --> 00:36:55,416
♪ Just gimme some truth ♪
652
00:36:55,500 --> 00:36:57,291
No, it was in D and E.
653
00:36:57,375 --> 00:36:58,666
- Oh, okay.
-[Paul] Yeah. Right.
654
00:37:05,958 --> 00:37:07,916
[Mal] Perhaps if you stuck it
over that side--
655
00:37:08,000 --> 00:37:09,250
How's that for your show?
656
00:37:11,666 --> 00:37:12,666
[Paul] Okay, yeah.
657
00:37:13,250 --> 00:37:16,500
[George] It's really getting
into a show. [chuckles]
658
00:37:16,583 --> 00:37:17,583
[John] Bottoms up.
659
00:37:17,666 --> 00:37:19,916
[Paul]
If you'll all turn now to "Sunrise,"
660
00:37:20,000 --> 00:37:22,000
I would very much appreciate it.
661
00:37:24,791 --> 00:37:27,250
"All Things Must Pass."
662
00:37:29,083 --> 00:37:32,000
[George] There's no solo
or anything complicated.
663
00:37:32,083 --> 00:37:34,833
It's purely just rhythmical and vocal.
664
00:37:34,916 --> 00:37:37,708
And if we suddenly add a Lowrey organ...
665
00:37:40,666 --> 00:37:43,250
Also, the chords really are E.
666
00:37:43,916 --> 00:37:49,083
[singsong] To F-sharp minor, to E, to A.
667
00:37:50,083 --> 00:37:52,791
E to F-sharp minor.
668
00:37:53,791 --> 00:37:56,208
E, A.
669
00:37:58,041 --> 00:38:04,791
♪ All things must pass ♪
670
00:38:05,541 --> 00:38:09,291
♪ All things must pass away ♪
671
00:38:16,041 --> 00:38:21,208
♪ Sunset doesn't last all evening ♪
672
00:38:21,291 --> 00:38:23,166
♪ Doesn't last ♪
673
00:38:23,250 --> 00:38:28,333
♪ A wind can blow those clouds away ♪
674
00:38:28,416 --> 00:38:31,750
♪ Wind can blow those clouds away ♪
675
00:38:33,708 --> 00:38:35,041
♪ After all this ♪
676
00:38:35,125 --> 00:38:39,458
♪ My love is up and must be leaving ♪
677
00:38:41,000 --> 00:38:47,250
♪ It's not always been this grey ♪
678
00:38:48,791 --> 00:38:55,458
♪ All things must pass ♪
679
00:38:56,083 --> 00:39:00,250
♪ All things must pass away ♪
680
00:39:02,291 --> 00:39:06,333
[George] But the middle bit,
because it says the same word first...
681
00:39:07,375 --> 00:39:09,250
Like "All things must pass away," then...
682
00:39:09,833 --> 00:39:13,375
♪ All things must pass ♪
683
00:39:13,458 --> 00:39:15,875
Something there, you know,
is where we'd overdub something
684
00:39:15,958 --> 00:39:18,416
or add voices, or I'd track it, or--
685
00:39:18,500 --> 00:39:21,125
[Paul] Maybe it would be better
if we just did it straight, first of all.
686
00:39:21,208 --> 00:39:22,333
[George] ♪ All things must pass ♪
687
00:39:22,416 --> 00:39:23,625
Okay.
688
00:39:23,708 --> 00:39:25,791
[Paul] Just to do everything
just really mechanical
689
00:39:25,875 --> 00:39:28,750
and then we can sort of
get it all good after that.
690
00:39:29,708 --> 00:39:33,583
♪ Macrobiotic pills are good at arriving ♪
691
00:39:33,666 --> 00:39:35,416
♪ At the right time ♪
692
00:39:36,791 --> 00:39:37,791
[whistling]
693
00:39:37,875 --> 00:39:42,291
♪ A wind can blow those clouds away ♪
694
00:39:46,541 --> 00:39:47,875
[George chuckles]
695
00:39:47,958 --> 00:39:49,416
Yeah, okay.
696
00:39:54,083 --> 00:39:55,750
[George] It looks like it on the paper.
697
00:39:55,833 --> 00:39:57,708
[John]
"A miner can blow these clouds away."
698
00:39:57,791 --> 00:40:00,333
-[George] Mal's writing.
- What are they all having? Pale ale.
699
00:40:00,416 --> 00:40:03,375
- Pale ale. Anyone else want a drink?
- Yeah. Anybody else want a drink?
700
00:40:03,458 --> 00:40:04,666
-[George] Yes, please.
-[John] Yes.
701
00:40:04,750 --> 00:40:07,583
-[George] I'll have a glass of white wine.
-[John] I'll have a beer.
702
00:40:07,666 --> 00:40:10,208
[George] You know, man,
the idea of doing this thing
703
00:40:10,291 --> 00:40:11,833
so that it's just us doing it
704
00:40:11,916 --> 00:40:14,541
and there's no overdubs
or you can't get out of it
705
00:40:14,625 --> 00:40:16,291
is much better really.
706
00:40:16,375 --> 00:40:18,833
Because, you know, all the time recording,
707
00:40:18,916 --> 00:40:21,583
you're thinking,
"It's all right. We can do that later."
708
00:40:21,666 --> 00:40:22,666
Hmm.
709
00:40:22,750 --> 00:40:25,875
[John] People are doing live shows now,
710
00:40:25,958 --> 00:40:29,875
they do their overdubs
'cause they're phased and echoed live.
711
00:40:29,958 --> 00:40:33,583
But we're still thinking of it in terms of
the four guys and four amps in The Cavern.
712
00:40:33,666 --> 00:40:35,041
[George] Yeah.
713
00:40:35,125 --> 00:40:36,458
[John] Yeah, I'd like phasing.
714
00:40:36,541 --> 00:40:39,750
[George] But the phasing is Alex,
and he's building the studio
715
00:40:39,833 --> 00:40:41,791
and putting it in this week.
716
00:40:59,125 --> 00:41:00,333
Yeah.
717
00:41:28,416 --> 00:41:29,958
["Every Little Thing" playing]
718
00:41:32,666 --> 00:41:35,916
♪ When I'm walking beside her ♪
719
00:41:36,708 --> 00:41:39,708
[vocalizing]
720
00:41:44,625 --> 00:41:47,083
[John scatting]
721
00:41:49,625 --> 00:41:52,125
Not bad though. Good try that, Johnny.
722
00:41:52,208 --> 00:41:54,375
[George] Yeah, but you know, John,
723
00:41:54,458 --> 00:41:57,541
the difference between me and, say, Eric,
724
00:41:57,625 --> 00:41:59,416
I'm just another guitar,
725
00:41:59,500 --> 00:42:02,500
sometimes playing bits
and sometimes singing.
726
00:42:04,000 --> 00:42:07,125
But he's the only guitar to play lead.
727
00:42:07,208 --> 00:42:08,750
And so he's, like, playing.
728
00:42:08,833 --> 00:42:11,208
That's how he can keep it going
all the time.
729
00:42:12,083 --> 00:42:13,750
-[John] Yeah.
-[George] So...
730
00:42:13,833 --> 00:42:16,041
I feel now I can play things.
731
00:42:16,125 --> 00:42:19,291
I can learn things that will sound okay,
732
00:42:19,375 --> 00:42:21,625
especially fast fingering like that.
733
00:42:22,625 --> 00:42:23,833
[Paul] It's jazz, man.
734
00:42:31,833 --> 00:42:34,541
You know, like, a lot of guitarists
can sustain even,
735
00:42:34,625 --> 00:42:36,083
but they play it like a lot of shit.
736
00:42:36,166 --> 00:42:38,041
But his thing takes on a pattern
737
00:42:38,125 --> 00:42:41,166
and gets somewhere and resolves itself,
738
00:42:41,250 --> 00:42:42,541
which is very hard.
739
00:42:58,583 --> 00:43:01,083
[George]
Yeah, I'm sure you'll dig it when you see.
740
00:43:21,250 --> 00:43:22,666
[Paul] And what shall we do, then?
741
00:43:22,750 --> 00:43:26,166
♪ I'm so tired ♪
742
00:43:26,250 --> 00:43:28,500
♪ I haven't slept a wink ♪
743
00:43:31,250 --> 00:43:33,500
♪ I'm so tired ♪
744
00:43:34,458 --> 00:43:36,791
♪ My mind is on the blink ♪
745
00:43:37,750 --> 00:43:39,958
♪ I wonder should I call you ♪
746
00:43:41,541 --> 00:43:43,250
♪ And get myself a drink ♪
747
00:43:43,333 --> 00:43:45,125
♪ No, no, no ♪
748
00:43:45,750 --> 00:43:47,500
No. Lay off the booze, boy.
749
00:43:48,458 --> 00:43:51,291
♪ 'Cause I'm so tired ♪
750
00:43:52,541 --> 00:43:55,333
♪ I don't know what to do
Don't know what to do ♪
751
00:43:57,041 --> 00:43:59,000
♪ I'm so tired ♪
752
00:44:00,250 --> 00:44:02,166
♪ My mind is set on you ♪
753
00:44:03,291 --> 00:44:04,458
♪ Ah ♪
754
00:44:04,541 --> 00:44:07,166
♪ I wonder should I call you ♪
755
00:44:07,250 --> 00:44:11,041
♪ But I know what you'd do ♪
756
00:44:11,541 --> 00:44:12,541
♪ Oh, no, no ♪
757
00:44:13,125 --> 00:44:14,208
♪ You'd say ♪
758
00:44:15,250 --> 00:44:17,833
♪ I'm putting you on
But it's no joke ♪
759
00:44:18,375 --> 00:44:19,625
Uh, John?
760
00:44:25,708 --> 00:44:28,666
[Paul] How near are we
to getting the stuff in?
761
00:44:28,750 --> 00:44:32,208
[Glyn] Should be in today with any luck.
I've got bits and pieces coming from IBC.
762
00:44:33,166 --> 00:44:37,125
And George's 8-track coming and EMI's gear
should be here either today or tomorrow.
763
00:44:37,208 --> 00:44:39,041
I haven't thought of it like a record yet.
764
00:44:39,125 --> 00:44:41,541
[Glyn] I think the idea of the record
should be a live performance.
765
00:44:41,625 --> 00:44:43,291
The fact it's being recorded
is something--
766
00:44:43,375 --> 00:44:45,958
It's like when I heard
Sgt. Pepper last night.
767
00:44:46,833 --> 00:44:50,375
I thought, "Oh, that-- So that's
what live performances could be like."
768
00:44:50,458 --> 00:44:51,458
[Michael clears throat]
769
00:44:51,541 --> 00:44:54,500
You know, even though that was a lash-up
that wasn't a live performance there.
770
00:44:55,166 --> 00:44:56,541
Good morning.
771
00:44:57,416 --> 00:44:58,416
Hi.
772
00:45:00,333 --> 00:45:02,166
[Ringo] I won't lie. I'm not too good.
773
00:45:02,250 --> 00:45:04,583
[all chuckling]
774
00:45:04,666 --> 00:45:06,375
-[Glyn] Morning.
-[Michael] How are you?
775
00:45:06,458 --> 00:45:08,291
[Paul] Hiya. [chuckles] Good morning.
776
00:45:08,375 --> 00:45:10,541
[Michael] We ought to think this week
sometime about the show.
777
00:45:10,625 --> 00:45:14,000
-[Paul] We are thinking about the show.
-[John] We never stop thinking about it.
778
00:45:14,083 --> 00:45:16,125
-[John] Good morning, George.
- Morning, all.
779
00:45:16,208 --> 00:45:19,666
- It's just a funny day again.
-[Paul] Again?
780
00:45:19,750 --> 00:45:22,750
[Michael] Wouldn't it be nice if
we did this show with a big audience?
781
00:45:22,833 --> 00:45:23,833
[Paul] Yes.
782
00:45:23,916 --> 00:45:26,583
I think we should forget
the whole idea of this show.
783
00:45:26,666 --> 00:45:28,291
[Paul] Yeah, just, that's it. Okay.
784
00:45:29,208 --> 00:45:30,375
I'll go along with that.
785
00:45:31,291 --> 00:45:33,416
-[Michael] We're back--
-[Paul] We're back to square one.
786
00:45:37,958 --> 00:45:40,291
Here comes my recording studio.
787
00:45:40,375 --> 00:45:42,375
[all chuckling]
788
00:45:42,458 --> 00:45:44,375
[George] Who's gonna
look after all this equipment?
789
00:45:44,458 --> 00:45:47,791
'Cause the only thing is,
it is, like, 10,000 quid.
790
00:45:47,875 --> 00:45:50,125
And is Alex going to plug all that up?
791
00:45:50,208 --> 00:45:51,375
[Glyn] Supposedly.
792
00:45:51,458 --> 00:45:53,458
[George Martin]
Now, Alex rang me yesterday, George,
793
00:45:53,541 --> 00:45:56,916
and said that he didn't think
that you needed an 8-track console.
794
00:45:57,000 --> 00:45:58,291
Alex said he can build one.
795
00:45:58,375 --> 00:46:01,166
- Now, the thing is that it might go wrong.
-[George] Yes.
796
00:46:03,333 --> 00:46:04,708
[Michael] Where did you get Alexis from?
797
00:46:04,791 --> 00:46:07,041
[Glyn] He worked for Pye Color Television...
798
00:46:07,125 --> 00:46:09,708
[George] No, he was in England
and John Dunbar asked him
799
00:46:09,791 --> 00:46:12,416
if he'd stay and build a light machine
for The Stones' tour.
800
00:46:12,500 --> 00:46:13,500
[Michael] Yeah.
801
00:46:13,583 --> 00:46:15,083
So he stayed and did that.
802
00:46:15,166 --> 00:46:17,833
Then he met John, and then he met us.
803
00:46:17,916 --> 00:46:19,833
-[Michael] Hmm.
- And he's been there ever since.
804
00:46:19,916 --> 00:46:20,916
[Michael] Hmm. Hmm.
805
00:46:21,000 --> 00:46:24,666
[John] Yeah, I'm not going to tell you the
story about Alex and his foot pedal am I?
806
00:46:24,750 --> 00:46:26,000
[Glyn] Have you actually tried it out or--
807
00:46:26,083 --> 00:46:29,000
You see, the thing is
he just comes across things
808
00:46:29,083 --> 00:46:32,833
and then he says,
"Oh, yeah, I've done this."
809
00:46:32,916 --> 00:46:34,500
But he hasn't actually made it
810
00:46:34,583 --> 00:46:37,791
because he's busy building
recording studios.
811
00:46:37,875 --> 00:46:40,125
[George Martin] I don't think we should
have Alex build one
812
00:46:40,208 --> 00:46:43,875
because it's better to have something
that we know we can use and is reliable.
813
00:46:43,958 --> 00:46:46,541
-[chattering]
-[instruments playing]
814
00:46:50,375 --> 00:46:52,458
[Paul] ♪ Yeah, you wear out your women ♪
815
00:46:52,541 --> 00:46:54,791
♪ Well, you wear them high ♪
816
00:46:57,333 --> 00:46:58,708
♪ They do my woman ♪
817
00:46:58,791 --> 00:47:01,875
♪ Why, why, why, why, why? ♪
818
00:47:01,958 --> 00:47:05,250
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
819
00:47:06,833 --> 00:47:10,208
♪ It took me by surprise
In the middle of my conversation ♪
820
00:47:12,416 --> 00:47:15,458
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
821
00:47:18,416 --> 00:47:19,625
♪ Conversation... ♪
822
00:47:20,208 --> 00:47:21,541
Something like-- The words, like,
823
00:47:21,625 --> 00:47:25,250
"Love for the first time in my life,
so don't you let it get away."
824
00:47:25,333 --> 00:47:26,791
Uh...
825
00:47:26,875 --> 00:47:29,333
-[George] What are the words?
-"It lasts forever and a day."
826
00:47:30,041 --> 00:47:32,583
Uh, no. "Love for the first time
in my life." Here you go.
827
00:47:32,666 --> 00:47:35,375
♪ I'm in love for the first ♪
828
00:47:35,458 --> 00:47:38,708
♪ Love for the first time in my life ♪
829
00:47:38,791 --> 00:47:40,250
♪ Don't you know it's gonna last ♪
830
00:47:40,333 --> 00:47:41,500
It's nice though. I mean, it's--
831
00:47:41,583 --> 00:47:43,416
What can we do to that bit then, you know?
832
00:47:43,500 --> 00:47:45,083
♪ A dah dah ♪
833
00:47:52,291 --> 00:47:55,708
♪ I'm in love for the first time ♪
834
00:48:01,125 --> 00:48:03,125
♪ In love for the first time ♪
835
00:48:09,375 --> 00:48:11,666
Yeah, it's really like
that's where the piano would come in.
836
00:48:11,750 --> 00:48:13,833
See, would you have piano on it?
837
00:48:13,916 --> 00:48:16,583
[John] Yeah, I like the idea of piano.
But how do we do that?
838
00:48:16,666 --> 00:48:19,583
One of us play bass. George play the bass.
839
00:48:19,666 --> 00:48:21,166
[John] But then there's no guitars.
840
00:48:21,250 --> 00:48:23,083
[Paul] Well, it's either you or him.
841
00:48:23,166 --> 00:48:25,750
Or a bass player or a pianist. You know?
842
00:48:25,833 --> 00:48:27,958
-[John] If we need somebody else...
-[Paul] Yes.
843
00:48:28,041 --> 00:48:31,000
...probably be like a guy
that plays piano all the time.
844
00:48:31,083 --> 00:48:33,458
-[Paul] Somebody like Nicky Hopkins.
-[John] Or anybody. Yeah.
845
00:48:33,958 --> 00:48:38,041
Or if it develops that nothing
need be done on guitar except for rhythm,
846
00:48:38,125 --> 00:48:41,458
then we say, "Well, fuck that.
Two rhythms. We'll have one piano."
847
00:48:41,541 --> 00:48:44,666
[Paul] Okay, well, we'll play the rhythms
with the guitars anyway.
848
00:48:44,750 --> 00:48:46,708
[vocalizing]
849
00:48:46,791 --> 00:48:49,708
[John] I was thinking
about this whole three mics bit.
850
00:48:49,791 --> 00:48:51,041
Do you think we should?
851
00:48:53,083 --> 00:48:57,875
I was watching that pop show on BBC2.
The Move were on.
852
00:48:57,958 --> 00:49:01,583
You know that one little voice there
doing harmony, one little voice there.
853
00:49:01,666 --> 00:49:04,375
They never joined into a group.
854
00:49:04,958 --> 00:49:09,291
♪ Nobody ever loved me
Like she do me ♪
855
00:49:10,750 --> 00:49:12,875
♪ Ooh, she does me ♪
856
00:49:13,666 --> 00:49:15,416
♪ Yes, she does ♪
857
00:49:18,000 --> 00:49:23,458
♪ And if somebody ever loved me
Like she do me ♪
858
00:49:24,083 --> 00:49:26,250
-[Paul] ♪ Oh ♪
-♪ Yes, she do me ♪
859
00:49:26,333 --> 00:49:27,791
[Paul vocalizes]
860
00:49:27,875 --> 00:49:29,416
♪ Yes, she does ♪
861
00:49:32,416 --> 00:49:34,625
[Paul] It should be, like,
a sustained thing over that.
862
00:49:34,708 --> 00:49:37,916
♪ Nobody ever loved me like she ♪
863
00:49:38,000 --> 00:49:40,000
[scatting]
864
00:49:44,291 --> 00:49:46,750
So, George, so that we can split up,
865
00:49:46,833 --> 00:49:51,541
so that you're, like, doing the chords,
like a "Ave Maria" thing.
866
00:49:51,625 --> 00:49:52,750
Yeah.
867
00:49:54,583 --> 00:49:55,583
♪ Yes, she does ♪
868
00:49:55,666 --> 00:49:57,750
-[scatting]
- Tell me--
869
00:49:59,708 --> 00:50:00,875
[imitates drumbeat]
870
00:50:00,958 --> 00:50:02,250
Like on the tom-toms--
871
00:50:02,333 --> 00:50:05,333
[imitating drumbeat]
872
00:50:11,083 --> 00:50:12,166
You know what I mean?
873
00:50:13,208 --> 00:50:14,208
Yeah, so it goes--
874
00:50:14,291 --> 00:50:17,833
There's a point where we'll have to
concentrate on the guitar
875
00:50:17,916 --> 00:50:20,458
for each song, you know, where,
if it's going to play anything.
876
00:50:20,541 --> 00:50:22,958
But if it's
"I'm in love for the first time."
877
00:50:23,041 --> 00:50:24,666
And I'm doing, uh...
878
00:50:26,000 --> 00:50:29,791
♪ I'm in love for the first time ♪
879
00:50:29,875 --> 00:50:32,416
♪ For the first time in my life ♪
880
00:50:32,500 --> 00:50:34,375
♪ And you know it's gonna last ♪
881
00:50:34,458 --> 00:50:36,916
[Paul] It's nice though.
I mean, corny's all right in this one.
882
00:50:37,000 --> 00:50:38,541
'Cause what he's doing is corny.
883
00:50:38,625 --> 00:50:41,166
But it-- See, that's the thing
that will make it not corny,
884
00:50:41,250 --> 00:50:43,625
if we sing different words. So, you say...
885
00:50:43,708 --> 00:50:45,291
♪ I'm in love for the first time ♪
886
00:50:45,375 --> 00:50:48,500
♪ Love for the first time in my life ♪
887
00:50:48,583 --> 00:50:50,583
Wait, okay. But roughly...
888
00:50:50,666 --> 00:50:53,458
Okay, well, we'll do that.
That comes later. So...
889
00:50:53,541 --> 00:50:55,541
- Just start off with a corny one.
-[John] Yeah.
890
00:50:55,625 --> 00:50:57,333
'Cause the words aren't that good.
So it goes...
891
00:50:57,416 --> 00:50:59,208
♪ I'm in love for the first ♪
892
00:50:59,291 --> 00:51:01,791
♪ Love for the first time... ♪
893
00:51:01,875 --> 00:51:05,291
[John] I think the words should be corny
'cause there's no clever words in it.
894
00:51:08,583 --> 00:51:11,291
♪ I'm in love for the first time ♪
895
00:51:11,375 --> 00:51:14,375
♪ La la la la la la la ♪
896
00:51:14,458 --> 00:51:16,125
♪ Don't you know it's... ♪
897
00:51:16,208 --> 00:51:18,083
-[Paul] You see, we should--
-[John] Yeah, change the beat.
898
00:51:18,166 --> 00:51:21,333
[Paul] Should be different beat
and all on to light things and cymbals.
899
00:51:21,416 --> 00:51:25,625
Yeah. [imitating drumbeat]
900
00:51:31,083 --> 00:51:32,458
Arthur Alexander then?
901
00:51:32,541 --> 00:51:34,291
[Paul] Okay, do it from the beginning.
902
00:51:34,375 --> 00:51:37,166
[John]
♪ I'm in love for the first time ♪
903
00:51:37,250 --> 00:51:40,666
[Paul, George]
♪ Love for the first time in my life ♪
904
00:51:40,750 --> 00:51:43,833
♪ Don't you know it's gonna last ♪
905
00:51:43,916 --> 00:51:46,833
♪ Don't you know it's gonna last ♪
906
00:51:46,916 --> 00:51:49,666
♪ It's a love that lasts forever ♪
907
00:51:50,416 --> 00:51:53,666
♪ It's a love that lasts forever ♪
908
00:51:53,750 --> 00:51:56,291
♪ It's a love that has no past ♪
909
00:51:59,833 --> 00:52:02,291
[George] It sounds like the same old shit.
910
00:52:02,375 --> 00:52:05,208
Well, I like the same old shit
if it's just clear, you know?
911
00:52:07,791 --> 00:52:12,125
Okay, so how about-- how about
changing around these two?
912
00:52:12,208 --> 00:52:14,541
And when you sing,
"Don't you know it's gonna last,"
913
00:52:14,625 --> 00:52:16,250
we sing, "It's a love that has no past."
914
00:52:16,333 --> 00:52:20,708
Then he sings it, and then we repeat,
"It's a love that lasts forever," exactly.
915
00:52:20,791 --> 00:52:22,541
When you sing,
"It's a love that has no past,"
916
00:52:22,625 --> 00:52:24,416
we sing, "It's a love that's gonna last."
917
00:52:24,500 --> 00:52:27,500
- Yes. I agree.
- Okay, so...
918
00:52:27,583 --> 00:52:28,708
♪ I'm in love for the-- ♪
919
00:52:28,791 --> 00:52:30,583
"Love for the first time in my life."
920
00:52:31,250 --> 00:52:33,708
"It's a love that has no past."
921
00:52:33,791 --> 00:52:35,166
Swap that one for the other,
922
00:52:35,250 --> 00:52:37,500
so that when he's singing that,
we're singing the other.
923
00:52:37,583 --> 00:52:39,166
Then, "It's a love that lasts forever."
924
00:52:39,250 --> 00:52:41,791
Repeat that, even though
it sounds funny. It'll be all right.
925
00:52:41,875 --> 00:52:43,708
And then,
"Don't you know it's gonna last."
926
00:52:43,791 --> 00:52:45,500
Just try it through roughly.
927
00:52:46,458 --> 00:52:48,666
-♪ I'm in love ♪
-♪ Dah dah ♪
928
00:52:49,250 --> 00:52:50,250
♪ Don't-- ♪
929
00:52:50,833 --> 00:52:52,750
♪ I'm in love for the first time ♪
930
00:52:52,833 --> 00:52:56,041
♪ Love for the first time in my life ♪
931
00:52:56,125 --> 00:52:59,166
♪ Don't you know it's gonna last ♪
932
00:52:59,250 --> 00:53:02,166
♪ It's a love that has no past ♪
933
00:53:02,250 --> 00:53:05,041
♪ It's a love that lasts forever ♪
934
00:53:06,541 --> 00:53:08,333
[George]
Yeah, well, that time it was just silly.
935
00:53:08,416 --> 00:53:09,708
[John] What's the bones of the part?
936
00:53:09,791 --> 00:53:11,375
We don't really know
what we're saying now.
937
00:53:11,458 --> 00:53:12,375
♪ Love for the first... ♪
938
00:53:12,458 --> 00:53:14,666
-[Paul] It was always weak on your guitar...
- Yeah, sure.
939
00:53:14,750 --> 00:53:16,250
...'cause that's a weak bit
of the song, that.
940
00:53:16,333 --> 00:53:19,541
- But you see, nothing has to happen...
- Yeah, it's the same bit.
941
00:53:19,625 --> 00:53:20,875
...in those things.
942
00:53:22,166 --> 00:53:24,833
- If you listen to the words and things...
- Yeah, right, nothing does.
943
00:53:24,916 --> 00:53:27,208
...all that's going on
is the bass, guitar and drums doing...
944
00:53:27,291 --> 00:53:28,583
[Paul] ♪ I'm in love for the... ♪
945
00:53:28,666 --> 00:53:30,875
It doesn't really make that much odds--
No, but--
946
00:53:38,291 --> 00:53:39,916
[Paul] ♪ Love for the first time ♪
947
00:53:43,375 --> 00:53:47,125
♪ Don't you know it's gonna last ♪
948
00:53:49,666 --> 00:53:52,333
♪ It's a love that lasts forever ♪
949
00:53:55,750 --> 00:53:59,250
♪ It's a love that has no past ♪
950
00:54:03,375 --> 00:54:06,083
-[Paul] Yeah. All right?
- Yeah.
951
00:54:06,166 --> 00:54:09,125
That's the only time that works, really,
is on the last line.
952
00:54:09,208 --> 00:54:11,625
- Paul, forget the last line.
- I'm just trying to get a bit--
953
00:54:11,708 --> 00:54:13,958
We'll try to sort of go right through.
We keep talking about it.
954
00:54:14,041 --> 00:54:16,333
-[George] It seems we're saying...
- Okay, girls.
955
00:54:19,000 --> 00:54:21,333
- Give in. I give in.
- You're right that it's wrong on that bit.
956
00:54:21,416 --> 00:54:23,208
You see, the first song is not bad.
957
00:54:23,291 --> 00:54:26,583
[Paul] Okay. Okay, we'll just repeat
exactly what you say.
958
00:54:26,666 --> 00:54:29,083
One, two, three.
959
00:54:29,166 --> 00:54:32,250
♪ I'm in love for the first time ♪
960
00:54:32,333 --> 00:54:35,375
♪ For the first time in my life ♪
961
00:54:35,458 --> 00:54:38,416
♪ Don't you know it's gonna last ♪
962
00:54:38,500 --> 00:54:41,583
♪ Don't you know it's gonna last ♪
963
00:54:41,666 --> 00:54:44,833
♪ It's a love that lasts forever ♪
964
00:54:44,916 --> 00:54:47,916
♪ It's a love that lasts forever ♪
965
00:54:48,000 --> 00:54:51,166
♪ It's a love that has no past ♪
966
00:54:51,250 --> 00:54:54,541
♪ It's a love that has no past ♪
967
00:54:55,083 --> 00:54:57,291
♪ Don't let me down ♪
968
00:54:57,375 --> 00:55:01,375
Okay. Okay, that's-- that's all right.
That's--
969
00:55:01,458 --> 00:55:03,500
-[John] Yes, I can't hear you.
-[George] Right.
970
00:55:03,583 --> 00:55:04,708
No.
971
00:55:04,791 --> 00:55:07,166
[George] I think it's awful, actually.
972
00:55:07,250 --> 00:55:08,500
[Paul] We're gonna improve on that--
973
00:55:08,583 --> 00:55:11,500
If we had a tape recorder now and then
just taped that and played it back,
974
00:55:11,583 --> 00:55:13,708
- you'd throw that out straightaway.
-[Paul] Yeah, right, but--
975
00:55:13,791 --> 00:55:15,666
-[Glyn] Yeah.
- No, really.
976
00:55:15,750 --> 00:55:17,833
- You'd throw it out, right? I mean...
- Yeah, sure. Okay.
977
00:55:21,166 --> 00:55:22,875
Well, for a start
it would be better to sing...
978
00:55:22,958 --> 00:55:24,916
-[plays tune]
- Instead of...
979
00:55:25,500 --> 00:55:26,500
♪ Ah ♪
980
00:55:26,583 --> 00:55:29,708
Yeah, see, but in a way,
that's even cornier, I think.
981
00:55:29,791 --> 00:55:32,041
That little harmony bit.
It's just too pretty.
982
00:55:32,125 --> 00:55:34,750
♪ It's a love that lasts forever ♪
983
00:55:35,333 --> 00:55:37,791
- Just anything would be--
- Yeah, well, that's-- It's the--
984
00:55:37,875 --> 00:55:40,291
I think you should
just get a corny one first
985
00:55:40,375 --> 00:55:42,500
and then start doing roundups.
986
00:55:42,583 --> 00:55:45,625
You know, you'll start getting
the rhythm to it, something, or change it.
987
00:55:45,708 --> 00:55:49,166
♪ Don't you know it's gonna last ♪
988
00:55:49,250 --> 00:55:50,625
[vocalizes]
989
00:55:50,708 --> 00:55:54,375
You know, we've just gone round, like,
for an hour with nothing in our heads.
990
00:55:54,458 --> 00:55:58,250
- Just... And we're back, so let's--
- We've been through a lot of permutations.
991
00:55:58,333 --> 00:56:00,458
Yeah, I know,
but let's move-- sort of move on now.
992
00:56:01,750 --> 00:56:02,916
[Michael] Today's the sixth.
993
00:56:03,000 --> 00:56:04,125
- What is it?
-[Michael] Yeah.
994
00:56:07,458 --> 00:56:09,000
We haven't done many yet.
995
00:56:15,458 --> 00:56:16,583
Yeah.
996
00:56:16,666 --> 00:56:19,083
♪ Two of us riding nowhere ♪
997
00:56:19,166 --> 00:56:20,166
[Paul] Okay, now...
998
00:56:20,250 --> 00:56:22,458
- Am I singing on this or what?
- I don't know, really.
999
00:56:23,875 --> 00:56:26,333
"Two Of Us"?
You have to remember the words too.
1000
00:56:26,416 --> 00:56:28,208
Yes, I've got 'em here.
1001
00:56:28,291 --> 00:56:29,333
But learn 'em.
1002
00:56:30,541 --> 00:56:31,750
I almost know 'em.
1003
00:56:32,333 --> 00:56:36,750
♪ On our way back ♪
1004
00:56:37,833 --> 00:56:39,583
♪ On our way home ♪
1005
00:56:40,333 --> 00:56:41,333
See, look.
1006
00:56:41,416 --> 00:56:42,500
♪ On our way home ♪
1007
00:56:42,583 --> 00:56:43,750
Listen, now.
1008
00:56:43,833 --> 00:56:46,708
See, we're gonna have to sort of bring it
together, 'cause we're all at odds.
1009
00:56:46,791 --> 00:56:48,666
We're doing that thing
we did on The Beatles.
1010
00:56:48,750 --> 00:56:52,208
Like, in this verse, it's two harmonies
singing, trying to say some words, right?
1011
00:56:54,250 --> 00:56:55,958
It's not sounding together.
1012
00:56:57,708 --> 00:57:00,125
Or we can stop and say it's not together.
1013
00:57:06,541 --> 00:57:07,625
[John] When you just get them?
1014
00:57:07,708 --> 00:57:11,125
No, not really, it's just--
We've got to be imaginative.
1015
00:57:11,208 --> 00:57:15,125
You know, like--
It's like-- It's complicated now, so it...
1016
00:57:16,083 --> 00:57:19,208
See, if we can get it simpler
and then complicate it
1017
00:57:19,291 --> 00:57:22,583
where it needs complications,
but it's complicated in the bit--
1018
00:57:34,500 --> 00:57:36,208
[Paul] But you know what I mean?
1019
00:57:36,291 --> 00:57:39,625
Well, you know, we do this then.
Then we-- And then, I don't know.
1020
00:57:41,250 --> 00:57:42,250
Yeah.
1021
00:57:43,250 --> 00:57:44,833
I can't do it on film either.
1022
00:57:45,750 --> 00:57:48,041
Can't frickin' do it on camera.
1023
00:57:49,541 --> 00:57:50,750
Yeah.
1024
00:57:51,583 --> 00:57:53,500
[John] Forget about Candid Camera.
1025
00:57:58,958 --> 00:58:01,250
And I have been for,
like, a couple of years.
1026
00:58:01,333 --> 00:58:02,708
It's like I always sound--
1027
00:58:02,791 --> 00:58:06,416
I always feel as though I'm trying
to put you down and stop you playing.
1028
00:58:06,500 --> 00:58:09,541
But I'm not.
I'm trying to stop us all playing
1029
00:58:09,625 --> 00:58:11,416
until we know what we're playing.
1030
00:58:11,500 --> 00:58:14,708
[George] But you've got to play in order
to find which fits and which doesn't.
1031
00:58:14,791 --> 00:58:17,125
-[Paul] Mmm.
-[George] You see that's all we can do.
1032
00:58:17,208 --> 00:58:19,458
I don't wanna say it,
'cause I really just hear myself
1033
00:58:19,541 --> 00:58:22,041
as being the only one saying it, always.
1034
00:58:22,125 --> 00:58:24,333
And like, the three of you
just sort of sit there, like...
1035
00:58:24,416 --> 00:58:26,875
"Oh, he's saying that one again is he?"
1036
00:58:26,958 --> 00:58:29,416
And I never get any support, or anything.
1037
00:58:29,500 --> 00:58:31,541
So I just think, "Oh, well. Fuck it."
1038
00:58:31,625 --> 00:58:34,583
And I know it's right,
and you know it's right.
1039
00:58:34,666 --> 00:58:36,958
Yes, all right.
I just don't know what to do about it.
1040
00:58:37,041 --> 00:58:40,666
But doesn't everyone agree
that it's confused at the moment.
1041
00:58:40,750 --> 00:58:43,583
So, all I'm trying to say is,
we've only got 12 more days,
1042
00:58:43,666 --> 00:58:47,291
so, like, you know, we've really got to
do this methodically, this one.
1043
00:58:47,375 --> 00:58:48,625
Well, it's annoying, you know?
1044
00:58:56,291 --> 00:58:58,500
It's like a matter of
working it out with you
1045
00:58:58,583 --> 00:59:00,458
while you're working your bit out.
1046
00:59:00,541 --> 00:59:02,708
You know, have you got your bass bit?
1047
00:59:02,791 --> 00:59:04,791
[Paul] Look. You know, you--
1048
00:59:04,875 --> 00:59:07,250
You're doing it again
as though I'm trying to say that.
1049
00:59:07,333 --> 00:59:09,958
And what we said the other day,
you know I'm not trying to get you.
1050
00:59:10,041 --> 00:59:13,791
What I really am trying to just say,
"Look lads, the band,
1051
00:59:13,875 --> 00:59:18,375
shall we try it like this, you know?"
1052
00:59:18,458 --> 00:59:21,083
It's funny though
how it only occurs when the--
1053
00:59:21,166 --> 00:59:23,500
It's like, "Shall we play guitar
all through 'Hey Jude'?"
1054
00:59:23,583 --> 00:59:25,833
- Well, I don't think we should.
- Yeah. Okay, well, I don't mind.
1055
00:59:25,916 --> 00:59:28,541
I'll-- I'll play, you know,
whatever you want me to play.
1056
00:59:28,625 --> 00:59:31,041
Or I won't play at all
if you don't want me to play.
1057
00:59:31,125 --> 00:59:34,625
Now, whatever it is that will please you,
I'll do it.
1058
00:59:46,583 --> 00:59:48,500
- But do you wanna take the gallop?
- No, okay, but don't--
1059
00:59:48,583 --> 00:59:49,583
Now come on. Look--
1060
00:59:49,666 --> 00:59:52,166
We've gotta do this.
We've really gotta sort out this,
1061
00:59:52,250 --> 00:59:56,125
'cause we're rehearsing, and we're trying
to, like, get it together for the TV show.
1062
00:59:56,208 --> 00:59:59,500
So we really-- Like you said,
we've only been through four numbers.
1063
01:00:00,708 --> 01:00:04,416
So we probably gotta get some system
to get through, like, 20 or 30,
1064
01:00:04,500 --> 01:00:06,166
and know them all and have learnt them.
1065
01:00:06,250 --> 01:00:08,125
So that we get all the chords.
1066
01:00:08,208 --> 01:00:10,666
- So we can all vamp them all.
- Yeah.
1067
01:00:10,750 --> 01:00:13,375
Then we can, like,
all play every solo we need.
1068
01:00:13,458 --> 01:00:16,208
But, like,
it's gotta sound as though it's improving.
1069
01:00:25,500 --> 01:00:27,541
[Paul] Yeah, I know what you mean.
1070
01:00:27,625 --> 01:00:31,375
It's just that that way of doing it
puts me off the way I'm trying to do it.
1071
01:00:39,000 --> 01:00:40,000
[Paul] Yeah.
1072
01:00:40,708 --> 01:00:42,083
Let's do another song.
1073
01:00:47,000 --> 01:00:48,583
This is why we take so long.
1074
01:00:49,750 --> 01:00:53,458
I think we play it shitty ten times,
and so it's sort of in there.
1075
01:00:53,541 --> 01:00:56,125
And then I think we could come
and play it quite good then.
1076
01:01:02,708 --> 01:01:03,708
[Paul chuckles]
1077
01:01:07,875 --> 01:01:12,541
♪ On our way back home ♪
1078
01:01:12,625 --> 01:01:15,791
[vocalizes]
1079
01:01:15,875 --> 01:01:17,833
♪ On our way back... ♪
1080
01:01:17,916 --> 01:01:19,666
I'll have to tune my guitar.
1081
01:01:19,750 --> 01:01:21,958
[vocalizes]
1082
01:01:23,083 --> 01:01:26,708
It's got to just drive along like a car.
So how do we do that?
1083
01:01:27,625 --> 01:01:32,291
It was turning heavier.
Do you want it more countryish or more...
1084
01:01:34,875 --> 01:01:37,166
I can't talk anymore, I really can't.
1085
01:01:41,208 --> 01:01:45,708
♪ On our way back home ♪
1086
01:01:45,791 --> 01:01:48,833
Two, three, four, five, six, seven, eight.
1087
01:01:48,916 --> 01:01:53,750
♪ On our way back home ♪
1088
01:01:56,458 --> 01:02:00,333
♪ On our way back home ♪
1089
01:02:00,416 --> 01:02:02,583
[vocalizes]
1090
01:02:05,916 --> 01:02:07,583
[vocalizes]
1091
01:02:07,666 --> 01:02:09,291
-[George] But it comes--
-[John] Then just end on D.
1092
01:02:09,375 --> 01:02:11,583
-[George] It could end on G for that one.
-[Paul] G.
1093
01:02:11,666 --> 01:02:13,541
[Paul vocalizes]
1094
01:02:20,958 --> 01:02:23,041
[chatter, laughter]
1095
01:02:23,125 --> 01:02:24,833
[Ringo] ♪ Mondays on the road ♪
1096
01:02:24,916 --> 01:02:27,458
-[George] It's like Lyme Street Station.
-[Ringo] What?
1097
01:02:27,541 --> 01:02:29,875
It reminds me a bit
of Lyme Street Station.
1098
01:02:32,500 --> 01:02:34,291
[indistinct]
1099
01:02:38,083 --> 01:02:40,333
[Ringo]
Between 10:00 and 11:00 is the time.
1100
01:02:40,416 --> 01:02:42,125
[Paul] Thinking of getting rid of him.
1101
01:02:42,208 --> 01:02:43,708
[Ringo] I'm never late.
1102
01:02:43,791 --> 01:02:46,041
He's never late.
He's a bloody pro, is Ringo.
1103
01:02:48,208 --> 01:02:51,625
You're playing that bass again. [laughs]
1104
01:02:51,708 --> 01:02:55,291
Peter, can we have a Binson echo unit
for these microphones, please?
1105
01:02:55,375 --> 01:02:57,083
[George]
I think we could have better mics.
1106
01:02:57,166 --> 01:02:58,958
[Paul]
We could have better mics too, Peter.
1107
01:02:59,041 --> 01:03:00,708
- You know, those big Neumanns.
-[Michael] Yeah.
1108
01:03:03,750 --> 01:03:06,333
- Yes.
- We might, Michael. That's quite true.
1109
01:03:06,416 --> 01:03:07,333
[chuckles]
1110
01:03:07,416 --> 01:03:09,458
[upbeat song playing]
1111
01:03:10,958 --> 01:03:16,958
♪ Ooh, ooh, ooh ♪
1112
01:03:21,083 --> 01:03:25,458
♪ Ooh, ooh, ooh ♪
1113
01:03:29,375 --> 01:03:32,958
♪ Ooh, ooh, ooh ♪
1114
01:03:36,875 --> 01:03:38,166
♪ Ooh, ooh ♪
1115
01:03:38,250 --> 01:03:41,708
[vocalizing to "Get Back"]
1116
01:03:57,625 --> 01:04:00,791
[vocalizing continues]
1117
01:04:19,041 --> 01:04:22,041
♪ Don't you know it's gonna last? ♪
1118
01:04:23,833 --> 01:04:26,833
[vocalizing continues]
1119
01:04:48,625 --> 01:04:52,541
[vocalizing continues]
1120
01:04:52,625 --> 01:04:56,416
[George] Yeah. It's good-- It's,
you know-- Musically and that, it's great.
1121
01:04:57,625 --> 01:04:58,750
[clapping rhythmically]
1122
01:05:02,791 --> 01:05:04,500
[vocalizes]
1123
01:05:06,125 --> 01:05:09,666
♪ Get back, get back ♪
1124
01:05:09,750 --> 01:05:12,583
♪ Get back to where you once belonged ♪
1125
01:05:13,708 --> 01:05:17,500
♪ Get back, get back ♪
1126
01:05:17,583 --> 01:05:20,375
♪ Get back to where you once belonged ♪
1127
01:05:21,416 --> 01:05:22,916
[vocalizes]
1128
01:05:23,583 --> 01:05:25,625
♪ He thought she was a woman ♪
1129
01:05:25,708 --> 01:05:27,958
♪ But she was another man ♪
1130
01:05:29,416 --> 01:05:33,208
♪ All the folks around
Thought she had it coming ♪
1131
01:05:33,291 --> 01:05:36,541
♪ But she gets it while she can, oh ♪
1132
01:05:36,625 --> 01:05:39,708
♪ Get back, get back ♪
1133
01:05:41,041 --> 01:05:43,583
♪ Back to where you once belonged ♪
1134
01:05:44,708 --> 01:05:47,250
♪ Get back, get back ♪
1135
01:05:48,333 --> 01:05:51,208
♪ Get back to where you once belonged ♪
1136
01:05:52,500 --> 01:05:54,166
[vocalizes]
1137
01:05:54,250 --> 01:05:56,458
♪ Yeah, she thought she was a woman ♪
1138
01:05:56,541 --> 01:05:59,041
♪ But she was another man ♪
1139
01:06:00,375 --> 01:06:04,250
♪ All the folk around said
"She thought she had it coming" ♪
1140
01:06:04,333 --> 01:06:07,958
♪ But she gets it while she can, oh ♪
1141
01:06:08,041 --> 01:06:10,666
♪ Get back, hey, get back ♪
1142
01:06:12,000 --> 01:06:14,625
♪ Get back to where you once belonged ♪
1143
01:06:15,791 --> 01:06:18,916
♪ Get back, get back ♪
1144
01:06:19,750 --> 01:06:22,958
♪ Get back to where you once belonged ♪
1145
01:06:23,750 --> 01:06:26,583
♪ Get back, get back ♪
1146
01:06:27,833 --> 01:06:30,791
♪ Get back to where you once belonged ♪
1147
01:06:31,625 --> 01:06:34,625
♪ Get back, get back ♪
1148
01:06:35,625 --> 01:06:38,458
♪ Get back to where you once belonged ♪
1149
01:06:39,375 --> 01:06:40,625
♪ Oh ♪
1150
01:06:45,625 --> 01:06:48,583
I mean, at the moment, we're just
rehearsing the numbers for the show.
1151
01:06:48,666 --> 01:06:51,666
None of us has had the idea
of what the show is gonna be yet.
1152
01:07:00,791 --> 01:07:01,958
Yeah. Right. Yeah.
1153
01:07:02,041 --> 01:07:04,375
[Michael] And that's why, uh...
1154
01:07:05,375 --> 01:07:07,708
I think if you all have decided
to do a show,
1155
01:07:07,791 --> 01:07:09,208
then it should be the best show.
1156
01:07:12,750 --> 01:07:13,750
Know what I mean?
1157
01:07:13,833 --> 01:07:16,458
[Paul] The only thing
about that though, is that, uh,
1158
01:07:17,291 --> 01:07:18,416
we don't want to go away.
1159
01:07:18,500 --> 01:07:20,166
[Michael]
Think of the lights in the water.
1160
01:07:20,250 --> 01:07:22,750
Torch-lit. 2,000 Arabs.
1161
01:07:22,833 --> 01:07:25,250
- I mean, visually, it is fantastic.
-[Paul] But we're not going away.
1162
01:07:25,333 --> 01:07:27,166
[Michael] My trouble is...
1163
01:07:34,666 --> 01:07:36,041
We could make it like requests.
1164
01:07:36,125 --> 01:07:38,708
[Paul] We should do the show
in a place we're not allowed to do it.
1165
01:07:38,791 --> 01:07:41,125
You know, like, we should trespass,
go in, set up,
1166
01:07:41,208 --> 01:07:43,666
and then get moved,
and that should be the show.
1167
01:07:43,750 --> 01:07:47,083
I mean, you know,
if you put us in the Houses of Parliament,
1168
01:07:47,166 --> 01:07:49,625
playing in the main gallery
at the Houses of Parliament,
1169
01:07:49,708 --> 01:07:51,375
and getting forcibly ejected,
1170
01:07:51,458 --> 01:07:53,875
still trying to play numbers,
and the police lifting you...
1171
01:07:53,958 --> 01:07:55,625
[Michael]
I think that's too much of an obstacle.
1172
01:07:55,708 --> 01:07:57,375
♪ She came in
Through the bathroom window ♪
1173
01:08:00,041 --> 01:08:03,583
[laughs] Scuffling with the coppers,
boots and truncheons and all that.
1174
01:08:03,666 --> 01:08:05,583
You have to take a bit of violence.
1175
01:08:05,666 --> 01:08:06,958
I think that's too dangerous.
1176
01:08:15,833 --> 01:08:17,541
But I don't mean for really sick kids.
1177
01:08:17,625 --> 01:08:19,708
I mean for kids with broken legs.
1178
01:08:19,791 --> 01:08:23,458
I mean, really, kind of,
1944 Hollywood musical Bing Crosby kids.
1179
01:08:23,541 --> 01:08:27,208
[Paul] Or in a hospital,
they can't all get up and walk. [laughs]
1180
01:08:27,291 --> 01:08:29,166
Except for the finale.
1181
01:08:29,250 --> 01:08:30,291
[Michael] Oh, yes!
1182
01:08:30,375 --> 01:08:33,541
[Paul] When John walks up to
the little girl and says, "Come here."
1183
01:08:33,625 --> 01:08:35,208
And she gets up and walks.
1184
01:08:35,291 --> 01:08:37,875
[Michael] Or maybe an orphans' home?
An orphans' home.
1185
01:08:37,958 --> 01:08:40,125
Children are the hope
of the future department.
1186
01:08:40,791 --> 01:08:42,958
What about an orphanage?
1187
01:08:43,041 --> 01:08:44,416
How does that grab you guys?
1188
01:08:44,500 --> 01:08:47,750
It's like, "Going once, going twice,
going three times and that's it."
1189
01:08:47,833 --> 01:08:48,833
[Paul] No.
1190
01:08:50,041 --> 01:08:52,291
[Michael] Orphanage--
Orphanage going downhill.
1191
01:08:57,375 --> 01:08:59,208
What's the biggest charity in the world?
1192
01:08:59,291 --> 01:09:00,416
I don't mean in terms of polio,
1193
01:09:00,500 --> 01:09:02,583
but what's the most charitable thing
anybody could do?
1194
01:09:02,666 --> 01:09:03,666
[George] They say--
1195
01:09:03,750 --> 01:09:07,000
Don't they say, "Charity begins at home"?
1196
01:09:07,083 --> 01:09:09,083
-[all laugh]
-[Paul] We'll do it at George's house.
1197
01:09:09,166 --> 01:09:11,208
[all laugh]
1198
01:09:13,833 --> 01:09:17,875
[Paul] We gotta have some serious reason
for doing this or else we won't.
1199
01:09:19,416 --> 01:09:20,583
What's it for?
1200
01:09:20,666 --> 01:09:22,416
Can't be for the money.
1201
01:09:22,500 --> 01:09:25,875
I've decided the whole point of it
is communication.
1202
01:09:25,958 --> 01:09:28,333
And to be on TV is communication.
1203
01:09:28,416 --> 01:09:31,958
We've got a chance to smile at people,
like "All You Need Is Love."
1204
01:09:32,041 --> 01:09:34,958
But-- So that's me incentive for doing it.
1205
01:09:42,375 --> 01:09:46,625
The worst that we have is
a documentary of us making an LP
1206
01:09:46,708 --> 01:09:48,083
if we don't get into a show.
1207
01:09:48,166 --> 01:09:49,833
But we haven't played together, you see.
1208
01:09:49,916 --> 01:09:51,208
That's the fucking thing.
1209
01:09:51,291 --> 01:09:53,125
But when we do come together to play,
1210
01:09:53,208 --> 01:09:55,500
we all just sort of talk
about the fucking past!
1211
01:09:55,583 --> 01:09:57,333
We're like old age pensioners.
1212
01:09:57,416 --> 01:09:59,541
"Remember the days when we used to rock?"
1213
01:09:59,625 --> 01:10:02,750
You know, but we're here now,
and we can do it, you know?
1214
01:10:02,833 --> 01:10:05,958
But, I mean, all I want to see
is enthusiasm!
1215
01:10:07,291 --> 01:10:11,541
See, the thing is also I get to a bit
where I just sort of push all my ideas.
1216
01:10:11,625 --> 01:10:16,541
You know, I mean, a lot will come out
of it if we could get the enthusiasm.
1217
01:10:16,625 --> 01:10:20,916
I mean, why are you here?
I'm here 'cause I wanna do a show.
1218
01:10:21,000 --> 01:10:24,000
But I really don't feel
an awful lot of support.
1219
01:10:24,083 --> 01:10:27,500
We keep coming up against that one,
and I keep saying,
1220
01:10:27,583 --> 01:10:29,625
"Yeah well,
I'd like to do this, this and that."
1221
01:10:29,708 --> 01:10:33,833
And we end up doing something again
that nobody really wants to do.
1222
01:10:33,916 --> 01:10:35,833
If this one turns into that,
1223
01:10:35,916 --> 01:10:38,083
it should definitely be
the last for all of us.
1224
01:10:38,166 --> 01:10:39,750
Because there just isn't any point.
1225
01:10:39,833 --> 01:10:42,458
[Michael] I think that'd be sad.
I mean, as an audience. That'd be sad.
1226
01:10:42,541 --> 01:10:44,958
Course it is!
It's stupid. It is just stupid.
1227
01:10:45,916 --> 01:10:49,208
You see, the people who are being stupid
are the four of us.
1228
01:10:53,625 --> 01:10:55,083
...which it always is.
1229
01:10:55,166 --> 01:11:00,166
The Beatles have been in doldrums
for at least a year.
1230
01:11:01,041 --> 01:11:05,125
Ever since Mr. Epstein passed away,
it's never been the same.
1231
01:11:05,208 --> 01:11:07,875
I mean, we've been very negative
since Mr. Epstein passed away.
1232
01:11:07,958 --> 01:11:11,958
And that's why all of us, in turn,
have been sick of the group.
1233
01:11:12,041 --> 01:11:13,666
It's discipline we lack.
1234
01:11:13,750 --> 01:11:14,791
We've never had discipline.
1235
01:11:14,875 --> 01:11:17,625
We had a sort of slight,
symbolic discipline.
1236
01:11:17,708 --> 01:11:19,166
Like Mr. Epstein.
1237
01:11:19,250 --> 01:11:22,416
You know, and he sort of said,
"Get suits on," and we did.
1238
01:11:22,500 --> 01:11:25,916
You know, and so we were always fighting
that discipline a bit.
1239
01:11:26,000 --> 01:11:27,041
[all chuckle]
1240
01:11:27,125 --> 01:11:31,250
There really is no one there now
to say, "Do it."
1241
01:11:31,333 --> 01:11:32,958
Whereas there always used to be.
1242
01:11:33,041 --> 01:11:37,708
Daddy's gone away now,
and we're on our own at the holiday camp.
1243
01:11:37,791 --> 01:11:41,958
I think we either go home or we do it.
1244
01:11:46,875 --> 01:11:49,416
I think we've got a bit shy, you know?
1245
01:11:49,500 --> 01:11:53,791
I think I've got a bit shy
of certain things, you know?
1246
01:11:53,875 --> 01:11:56,541
'Cause you know how often, like, on albums
we sometimes blow one of your songs,
1247
01:11:56,625 --> 01:11:58,333
'cause we come in in the wrong mood.
1248
01:11:58,416 --> 01:12:01,250
And you say,
"This is how it goes. I'll be back."
1249
01:12:01,333 --> 01:12:04,291
And we're all just,
"Oh, well you..." [scats]
1250
01:12:04,375 --> 01:12:07,333
[Michael] That's why we're wrong
to throw away the show.
1251
01:12:07,416 --> 01:12:08,958
Because there's no desire.
1252
01:12:09,666 --> 01:12:12,250
[Paul] So it's like,
if we're doing the show,
1253
01:12:12,333 --> 01:12:14,000
we're gonna have to work hard.
1254
01:12:14,791 --> 01:12:17,458
And that means
by the time a week from now comes
1255
01:12:17,541 --> 01:12:20,541
all these songs we've got,
we've gotta know perfectly.
1256
01:12:23,541 --> 01:12:24,958
Because they just turn out shitty--
1257
01:12:25,041 --> 01:12:28,416
No, but this-- Thinking it's not gonna
come out great won't help.
1258
01:12:28,500 --> 01:12:32,125
If we cancel the show now,
we'll be throwing it away.
1259
01:12:32,208 --> 01:12:34,166
[Michael] But equally,
at the moment we haven't got a show
1260
01:12:34,250 --> 01:12:35,791
and so none of us really want to do it.
1261
01:12:35,875 --> 01:12:36,875
[Paul] I'll do it.
1262
01:12:36,958 --> 01:12:41,166
I'm not interested, you know, to spend
my fucking days farting around here,
1263
01:12:41,250 --> 01:12:44,541
while everyone makes up their minds
whether they want to do it or not.
1264
01:12:44,625 --> 01:12:47,541
It's like Mal said last night,
"If you're gonna do the show here,
1265
01:12:47,625 --> 01:12:50,041
you've gotta decide today."
1266
01:12:50,125 --> 01:12:52,125
And as far as I can see,
there's only two ways.
1267
01:12:52,208 --> 01:12:54,125
We're gonna do it,
or we're not gonna do it.
1268
01:12:54,208 --> 01:12:56,500
And I want a decision!
1269
01:12:56,583 --> 01:12:58,166
[George] Maybe we should have a divorce.
1270
01:12:58,250 --> 01:13:00,375
[Paul]
Well, I said that at the last meeting.
1271
01:13:01,833 --> 01:13:03,458
But it's getting nearer, you know?
1272
01:13:04,916 --> 01:13:06,375
[John] Who'd have the children?
1273
01:13:07,541 --> 01:13:08,583
[Paul] Dick James.
1274
01:13:08,666 --> 01:13:09,750
[John] Oh, yeah.
1275
01:13:11,458 --> 01:13:12,958
We all need you.
1276
01:13:13,541 --> 01:13:16,333
And, you know,
if you all can't get it together,
1277
01:13:16,416 --> 01:13:18,458
that's really very sad.
1278
01:13:18,541 --> 01:13:21,958
So, I think what we should do now
is let you play a little
1279
01:13:22,041 --> 01:13:24,291
and then you all have lunch together.
1280
01:13:25,166 --> 01:13:28,375
[chuckles] And I can give you
some more fennel, maybe?
1281
01:13:29,083 --> 01:13:30,166
-[chuckles]
- Yes.
1282
01:13:30,250 --> 01:13:32,916
[Michael]
So shall we leave you for a while?
1283
01:13:33,000 --> 01:13:34,958
- Yes. Yeah.
-[John] Yeah.
1284
01:13:35,875 --> 01:13:37,291
"If I'd been out...
1285
01:13:39,333 --> 01:13:41,208
till quarter to three."
1286
01:13:45,833 --> 01:13:48,041
♪ Will you still be there? ♪
1287
01:13:48,125 --> 01:13:49,541
And then twice...
1288
01:13:49,625 --> 01:13:52,416
♪ Maxwell's silver hammer made sure that ♪
1289
01:13:53,041 --> 01:13:54,083
Minor.
1290
01:13:54,166 --> 01:13:56,041
♪ Sure that she was dead ♪
1291
01:13:57,416 --> 01:13:58,875
♪ Solo ♪
1292
01:13:58,958 --> 01:14:00,458
That's the second lot.
1293
01:14:01,041 --> 01:14:03,250
[vocalizes]
1294
01:14:06,375 --> 01:14:08,083
Like a ukulele solo.
1295
01:14:09,833 --> 01:14:11,583
[vocalizes]
1296
01:14:11,666 --> 01:14:13,750
-[John whistling]
-[tongue clicking]
1297
01:14:13,833 --> 01:14:16,416
[whistles]
1298
01:14:16,500 --> 01:14:17,500
Uh--
1299
01:14:19,416 --> 01:14:20,666
Who was that? [clicks tongue]
1300
01:14:20,750 --> 01:14:21,750
Was that you?
1301
01:14:22,333 --> 01:14:24,000
[chuckles] It's all right.
1302
01:14:24,083 --> 01:14:25,083
Keep it in.
1303
01:14:25,166 --> 01:14:26,500
[John continues whistling]
1304
01:14:26,583 --> 01:14:28,583
Just stand near the mic on the night.
1305
01:14:29,375 --> 01:14:32,375
[clicking tongue rhythmically]
1306
01:14:34,666 --> 01:14:35,666
Okay.
1307
01:14:35,750 --> 01:14:37,000
Uh, John?
1308
01:14:37,083 --> 01:14:38,708
They're like a D, D.
1309
01:14:40,000 --> 01:14:42,333
D, F-sharp minor, G to A.
1310
01:14:44,375 --> 01:14:48,375
[both vocalizing]
1311
01:14:48,458 --> 01:14:50,291
[George] Are you just doing it all in D?
1312
01:14:51,041 --> 01:14:52,791
[Paul] Yeah. Should we go and have lunch?
1313
01:14:52,875 --> 01:14:56,500
Take this guitar
I offer you in all humility.
1314
01:14:56,583 --> 01:14:57,666
Thank you.
1315
01:14:57,750 --> 01:14:58,791
[John laughs]
1316
01:14:58,875 --> 01:15:00,458
[Paul] Thanks a lot, Jim.
1317
01:15:00,541 --> 01:15:03,166
♪ Oh, Jim Grey ♪
1318
01:15:03,750 --> 01:15:07,416
♪ Where is your mother these days? ♪
1319
01:15:08,125 --> 01:15:10,250
Mal, we should get a hammer.
1320
01:15:11,541 --> 01:15:12,833
And an anvil.
1321
01:15:13,583 --> 01:15:14,583
See you later.
1322
01:15:17,041 --> 01:15:18,625
[vocalizes]
1323
01:15:18,708 --> 01:15:19,708
♪ Go ♪
1324
01:15:19,791 --> 01:15:26,791
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1325
01:15:26,875 --> 01:15:32,916
♪ Clang, clang, Maxwell's silver hammer
Made sure that Joan was dead ♪
1326
01:15:33,000 --> 01:15:34,458
Whistle.
1327
01:15:34,541 --> 01:15:37,375
[all whistling]
1328
01:15:39,916 --> 01:15:41,458
That's nice, fellas.
1329
01:15:41,541 --> 01:15:45,041
♪ Back in school again
Maxwell is a fool again ♪
1330
01:15:45,125 --> 01:15:47,666
♪ Teacher gets annoyed ♪
1331
01:15:48,875 --> 01:15:54,791
♪ Wishing to avoid an unpleasant scene ♪
1332
01:15:55,750 --> 01:15:59,541
♪ She tells Max to stay
When the class has gone away ♪
1333
01:15:59,625 --> 01:16:02,583
♪ And he stays behind ♪
1334
01:16:03,208 --> 01:16:09,375
♪ Writing thousand lines that say
"I fool, Maxwell fool" ♪
1335
01:16:09,458 --> 01:16:11,375
-[John] Like that?
-[Paul] Yeah, E minor to A.
1336
01:16:11,458 --> 01:16:12,458
Same as before.
1337
01:16:12,541 --> 01:16:14,750
[vocalizes]
1338
01:16:14,833 --> 01:16:16,750
So there's two choruses there. Solo.
1339
01:16:16,833 --> 01:16:19,083
[vocalizes]
1340
01:16:19,166 --> 01:16:20,416
Then the quick end now.
1341
01:16:20,500 --> 01:16:23,541
[vocalizes]
1342
01:16:23,625 --> 01:16:25,500
That's okay as long-- He's in the space.
1343
01:16:25,583 --> 01:16:28,500
Yeah, if you do it in the space.
You know, it's gonna go...
1344
01:16:28,583 --> 01:16:32,625
[vocalizes]
1345
01:16:33,416 --> 01:16:34,625
[vocalizes]
1346
01:16:34,708 --> 01:16:36,791
- That's the...
-[Paul] That's the one.
1347
01:16:36,875 --> 01:16:40,916
[Paul vocalizing]
1348
01:16:41,000 --> 01:16:43,416
♪ He creeps up from behind ♪
1349
01:16:43,500 --> 01:16:44,833
Hee-hoo!
1350
01:16:44,916 --> 01:16:50,500
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1351
01:16:51,916 --> 01:16:57,708
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1352
01:16:57,791 --> 01:16:58,958
Take it away, Johnny.
1353
01:16:59,041 --> 01:17:01,666
[whistling]
1354
01:17:06,250 --> 01:17:08,458
[whistling continues]
1355
01:17:16,166 --> 01:17:17,458
Well done, boys.
1356
01:17:17,541 --> 01:17:20,791
[whistling]
1357
01:17:24,791 --> 01:17:25,916
Okay, that's "Maxwell's."
1358
01:17:26,666 --> 01:17:28,833
[John] Mal, did you get the words
to "Across the Universe"?
1359
01:17:28,916 --> 01:17:31,708
- They'll send them up this afternoon.
-[John] Has Dick James got the words?
1360
01:17:31,791 --> 01:17:33,333
- No!
-[Paul] I don't think so.
1361
01:17:33,416 --> 01:17:36,041
["Across the Universe" playing]
1362
01:17:36,125 --> 01:17:41,458
♪ Words are flowing out
Like endless rain into a paper cup ♪
1363
01:17:41,541 --> 01:17:48,333
♪ They slither wildly
As they slip away across the universe ♪
1364
01:17:48,416 --> 01:17:54,291
♪ Pools of sorrow, waves of joy
Are drifting through my opened mind ♪
1365
01:17:54,375 --> 01:17:57,666
♪ Possessing and caressing me ♪
1366
01:17:58,791 --> 01:18:04,250
♪ Jai guru deva ♪
1367
01:18:05,000 --> 01:18:06,625
♪ Om ♪
1368
01:18:06,708 --> 01:18:08,333
[indistinct]
1369
01:18:11,125 --> 01:18:14,041
[vocalizes]
1370
01:18:14,125 --> 01:18:17,833
He's trying to get a balance in there,
and you've got the words all in front.
1371
01:18:17,916 --> 01:18:19,458
- You got the balance, Glyn?
- Yes.
1372
01:18:20,458 --> 01:18:21,916
Getting it all right, are you?
1373
01:18:22,000 --> 01:18:23,916
[Glyn] Can't you get a music stand?
We had some the other day.
1374
01:18:24,000 --> 01:18:25,125
- Yeah, Mal--
-[Glyn] There's one over there.
1375
01:18:25,208 --> 01:18:26,791
- Do you want a music stand?
- Yes, please.
1376
01:18:29,500 --> 01:18:30,958
It goes...
1377
01:18:31,041 --> 01:18:34,958
[vocalizes]
1378
01:18:40,083 --> 01:18:43,458
[imitates electric warp]
1379
01:18:45,666 --> 01:18:51,708
♪ Jai guru deva ♪
1380
01:18:52,333 --> 01:18:53,833
♪ Om ♪
1381
01:18:55,750 --> 01:18:58,958
♪ Nothing's gonna change my world ♪
1382
01:18:59,041 --> 01:19:00,625
[John] I wish it fucking would.
1383
01:19:02,250 --> 01:19:06,291
♪ Nothing's gonna change my world ♪
1384
01:19:08,791 --> 01:19:11,750
♪ Images of broken light ♪
1385
01:19:11,833 --> 01:19:15,916
♪ Which dance before me
Like a million eyes ♪
1386
01:19:16,000 --> 01:19:20,666
♪ They call me on and on
Across the universe ♪
1387
01:19:20,750 --> 01:19:21,750
It's 'cause I'm down.
1388
01:19:22,333 --> 01:19:28,916
♪ Thoughts meander
Like a restless wind inside a letter box ♪
1389
01:19:29,000 --> 01:19:35,958
♪ They tumble blindly as they make
Their way across the universe ♪
1390
01:19:37,333 --> 01:19:42,666
♪ Jai guru deva ♪
1391
01:19:44,000 --> 01:19:46,500
♪ Om ♪
1392
01:19:47,375 --> 01:19:51,250
♪ Nothing's gonna change my world ♪
1393
01:19:53,708 --> 01:19:57,583
♪ Nothing's gonna change my world ♪
1394
01:20:00,500 --> 01:20:02,208
♪ Sounds of laughter, shades-- ♪
1395
01:20:02,291 --> 01:20:04,125
[Paul]
I think you better take control, John!
1396
01:20:05,625 --> 01:20:08,458
♪ Let me hear
Some of that rock and roll music ♪
1397
01:20:09,333 --> 01:20:11,083
♪ Any old way you choose it ♪
1398
01:20:11,875 --> 01:20:14,333
♪ It's got a back beat you can't lose it ♪
1399
01:20:15,000 --> 01:20:17,000
♪ Any old time you use it ♪
1400
01:20:17,833 --> 01:20:19,625
♪ Gotta be rock and roll music ♪
1401
01:20:19,708 --> 01:20:20,708
[crowd cheering]
1402
01:20:20,791 --> 01:20:22,708
♪ If you wanna dance with me ♪
1403
01:20:23,708 --> 01:20:25,666
♪ If you wanna dance with me ♪
1404
01:20:25,750 --> 01:20:28,166
♪ Way down South they have a tango ♪
1405
01:20:28,250 --> 01:20:30,916
♪ And then it turned into a mambo ♪
1406
01:20:31,541 --> 01:20:34,500
♪ Another dancer had a lamba ♪
1407
01:20:34,583 --> 01:20:37,416
♪ I started doing another samba ♪
1408
01:20:37,500 --> 01:20:41,000
♪ And started playing
That rock and roll music ♪
1409
01:20:41,583 --> 01:20:43,833
♪ Any old way you choose it ♪
1410
01:20:43,916 --> 01:20:47,291
♪ It's got a back beat you can't lose it ♪
1411
01:20:47,375 --> 01:20:49,625
♪ Any old time you use it ♪
1412
01:20:50,625 --> 01:20:52,708
♪ Gotta be rock and roll music ♪
1413
01:20:53,583 --> 01:20:55,833
♪ If you wanna dance with me ♪
1414
01:20:56,625 --> 01:20:58,625
♪ If you wanna dance with me ♪
1415
01:20:58,708 --> 01:21:00,500
♪ Way down South they have a tango ♪
1416
01:21:01,291 --> 01:21:03,541
♪ And then it turned into a mambo ♪
1417
01:21:04,291 --> 01:21:06,666
♪ Another dancer had a lamba ♪
1418
01:21:06,750 --> 01:21:09,458
♪ I started doing another samba ♪
1419
01:21:10,208 --> 01:21:13,750
♪ And started playing
That rock and roll music ♪
1420
01:21:13,833 --> 01:21:16,791
♪ Any old way you choose it ♪
1421
01:21:16,875 --> 01:21:19,708
♪ It's got a back beat you can't lose it ♪
1422
01:21:19,791 --> 01:21:23,208
♪ Any old time you use it ♪
1423
01:21:23,291 --> 01:21:25,583
♪ Gotta be rock and roll music ♪
1424
01:21:26,166 --> 01:21:28,291
♪ If you wanna dance with me ♪
1425
01:21:29,125 --> 01:21:31,125
♪ If you wanna dance with me ♪
1426
01:21:31,208 --> 01:21:32,666
[music stops]
1427
01:21:32,750 --> 01:21:35,375
[crowd cheering]
1428
01:21:37,291 --> 01:21:39,458
[cheering fades]
1429
01:21:45,666 --> 01:21:48,375
[George] You know where they dropped
all the bombs on Germany,
1430
01:21:48,458 --> 01:21:52,791
- they killed more people than...
-[Ringo] Than the H-bomb in Hiroshima.
1431
01:21:52,875 --> 01:21:53,875
[Tony] Yeah.
1432
01:21:53,958 --> 01:21:56,375
-[Ringo] And all civilians.
-[George] Fucking terrible.
1433
01:21:56,458 --> 01:22:00,791
And did you see when they flew over,
it looked like Hamburg. Just bombed out.
1434
01:22:00,875 --> 01:22:02,500
- Nothing. Just dead.
- Mmm.
1435
01:22:02,583 --> 01:22:04,791
- Did you watch the BBC2 thing?
- And, uh--
1436
01:22:04,875 --> 01:22:06,583
[George] Yeah,
there was that science fiction thing.
1437
01:22:06,666 --> 01:22:08,791
[Michael]
Was the science fiction any good?
1438
01:22:08,875 --> 01:22:12,916
- It was amazing. Did you see any of it?
- I only saw the last five-- Three minutes.
1439
01:22:13,000 --> 01:22:15,333
It started very strange,
where they brought--
1440
01:22:15,416 --> 01:22:17,833
They had a fellow on a trolley,
and they pushed him in,
1441
01:22:17,916 --> 01:22:20,625
- like, a cupboard or a fridge.
- He was the body, wasn't he?
1442
01:22:20,708 --> 01:22:23,500
He was just, like, a body, yeah,
that they were gonna use.
1443
01:22:23,583 --> 01:22:25,375
-[Michael] Mmm.
- And they did something.
1444
01:22:25,458 --> 01:22:28,916
They were supposed to be
in the year 2100 and something.
1445
01:22:29,000 --> 01:22:32,375
- And they went back to 1969, January.
-[Michael] Mmm.
1446
01:22:32,458 --> 01:22:37,125
[George] Focused in on the M1 on this car.
1447
01:22:37,208 --> 01:22:39,958
- And made him crash, so that he'd--
-[Michael] Mmm.
1448
01:22:40,041 --> 01:22:44,708
And then they somehow take his mind
or whatever it is
1449
01:22:44,791 --> 01:22:47,791
and transplant it into this new...
1450
01:22:48,666 --> 01:22:50,875
- Uh, new body.
- Into the body that he put in.
1451
01:22:50,958 --> 01:22:52,750
Rex Industries, they were called.
1452
01:22:52,833 --> 01:22:54,541
[all chuckling]
1453
01:22:54,625 --> 01:23:00,250
And, uh, then suddenly it turned into
all that crap about medals and things.
1454
01:23:00,333 --> 01:23:03,625
That's what gave me the idea,
'cause suddenly it was the bit
1455
01:23:03,708 --> 01:23:06,291
where they were all coming into the ball,
I think it was Austria,
1456
01:23:06,375 --> 01:23:07,750
and they all had their medals.
1457
01:23:07,833 --> 01:23:11,375
-[Ringo] Oh, I didn't watch that.
-[George] And some music was just playing.
1458
01:23:11,458 --> 01:23:13,958
- Music, like a 3/4 thing.
-[Michael] Mmm.
1459
01:23:14,041 --> 01:23:16,875
[George] And so I just had that
in me head, just the waltz thing,
1460
01:23:16,958 --> 01:23:18,541
and it was fitting "I Me Mine."
1461
01:23:18,625 --> 01:23:20,750
- There was no words to it, I just...
-[Ringo] Yeah.
1462
01:23:20,833 --> 01:23:21,833
[Michael] Hello.
1463
01:23:22,541 --> 01:23:23,875
How are you?
1464
01:23:23,958 --> 01:23:26,000
- Morning.
-[Paul] Good morning.
1465
01:23:27,750 --> 01:23:30,625
Do you want to hear a song
I wrote last night?
1466
01:23:30,708 --> 01:23:32,708
[Glyn speaking indistinctly].
1467
01:23:32,791 --> 01:23:35,791
[George] It's just a very short one.
It's called "I Me Mine."
1468
01:23:39,083 --> 01:23:42,083
♪ All through the day ♪
1469
01:23:43,208 --> 01:23:47,000
♪ I me mine, I me mine, I me mine ♪
1470
01:23:48,833 --> 01:23:51,833
♪ All through the night ♪
1471
01:23:52,833 --> 01:23:56,583
♪ I me mine, I me mine, I me mine ♪
1472
01:23:57,625 --> 01:24:00,708
♪ No one's frightened of playing it ♪
1473
01:24:00,791 --> 01:24:03,000
♪ Everyone's saying it ♪
1474
01:24:03,083 --> 01:24:06,000
♪ Flowing more freely than wine ♪
1475
01:24:07,833 --> 01:24:11,125
♪ All through your life ♪
1476
01:24:11,916 --> 01:24:14,500
♪ I me mine ♪
1477
01:24:16,583 --> 01:24:17,708
[Michael] It's lovely.
1478
01:24:21,208 --> 01:24:22,666
[George] What's, uh--
1479
01:24:22,750 --> 01:24:26,291
Is that grammatical?
"Flowing more freely than wine."
1480
01:24:26,375 --> 01:24:27,458
[Michael] Yeah.
1481
01:24:27,541 --> 01:24:28,833
[Paul] All right.
1482
01:24:28,916 --> 01:24:31,166
-"Flowing much freer"?
- You know what would be fantastic, Paul?
1483
01:24:31,250 --> 01:24:33,250
-[Michael] More freely.
-"Freer." It's funny when--
1484
01:24:33,333 --> 01:24:35,416
If you're writing, yeah,
thinking of how you say it.
1485
01:24:35,500 --> 01:24:36,500
-"Freer."
- But I got--
1486
01:24:36,583 --> 01:24:38,166
- For it's sticky out here.
- I was thinking...
1487
01:24:38,250 --> 01:24:40,750
-[all chuckling]
- Yeah, yeah.
1488
01:24:41,250 --> 01:24:44,750
♪ All I can hear ♪
1489
01:24:44,833 --> 01:24:46,291
♪ I me mine, I me mine, I me mine ♪
1490
01:24:46,375 --> 01:24:48,291
[John]
All the girls come on then, dancing.
1491
01:24:49,041 --> 01:24:52,000
Harrison's fisherwife,
and dwarves and hunchbacks...
1492
01:24:52,958 --> 01:24:55,833
♪ I me mine, I me mine, I me mine ♪
1493
01:24:57,875 --> 01:24:59,833
♪ No one's frightened of playing it ♪
1494
01:24:59,916 --> 01:25:00,916
[John] Run along, son.
1495
01:25:01,000 --> 01:25:01,875
♪ Everyone's saying it ♪
1496
01:25:01,958 --> 01:25:04,208
[John] We'll see you later.
We're a rock and roll band, you know?
1497
01:25:04,291 --> 01:25:05,750
♪ Flowing more freely than wine ♪
1498
01:25:05,833 --> 01:25:08,625
[John scatting]
1499
01:25:09,291 --> 01:25:12,833
♪ All through your life ♪
1500
01:25:13,333 --> 01:25:14,416
♪ I me mine ♪
1501
01:25:14,500 --> 01:25:16,916
-[John] Mine.
-[Paul] Mine. I like mine.
1502
01:25:19,166 --> 01:25:21,750
[John] Well, I'll get on the barrel organ.
1503
01:25:21,833 --> 01:25:22,833
[chuckling]
1504
01:25:22,916 --> 01:25:26,833
[George] I don't-- I don't care
if you don't want it. I don't give a fuck.
1505
01:25:26,916 --> 01:25:28,375
It can go in me musical.
1506
01:25:29,791 --> 01:25:32,541
[John] George,
have you any idea what we play?
1507
01:25:32,625 --> 01:25:33,625
[crew] George?
1508
01:25:33,708 --> 01:25:36,416
-[microphone feedback]
- Can we just borrow that copy?
1509
01:25:40,875 --> 01:25:42,833
[John] His amp needs to be on.
1510
01:25:44,291 --> 01:25:46,000
[Ringo] Why? Have you got something there?
1511
01:25:48,291 --> 01:25:49,958
- No.
-[Ringo] Hello.
1512
01:25:50,458 --> 01:25:52,375
[Ringo, incomprehensible, echoing] Hello?
1513
01:25:54,041 --> 01:25:56,416
- More volume.
-[crew] This is diarrhea.
1514
01:25:56,500 --> 01:26:00,166
When I'm up against the wall, Paul,
you'll find I'm at my best.
1515
01:26:00,250 --> 01:26:01,416
[echoing] That's good echo.
1516
01:26:02,708 --> 01:26:04,291
But I wish you'd come up with the goods.
1517
01:26:04,375 --> 01:26:06,500
- Look, I think I've got Sunday off.
-[echoing] Hello?
1518
01:26:06,583 --> 01:26:08,291
- Well, I hope you can deliver.
-[echoing] Hello.
1519
01:26:08,375 --> 01:26:10,375
I'm hoping for a little rock and roller.
1520
01:26:10,458 --> 01:26:12,291
Yeah, I was hoping
for the same thing myself.
1521
01:26:12,375 --> 01:26:14,416
Sammy loved his mammy.
She hammy dammy dammy.
1522
01:26:14,500 --> 01:26:15,791
[echoing] Paul, Paul, Paul.
1523
01:26:15,875 --> 01:26:18,708
- Stop that goddamn feedback!
-[laughing]
1524
01:26:19,333 --> 01:26:21,458
And you then being presented onstage,
1525
01:26:21,541 --> 01:26:23,708
you should be sitting there
when they are coming in.
1526
01:26:23,791 --> 01:26:27,041
[Paul] And then you open the doors
and we're in the middle of a number.
1527
01:26:27,125 --> 01:26:30,666
Or you're just sitting, waiting, and then
when everybody's there, then you start.
1528
01:26:30,750 --> 01:26:34,208
As opposed to you coming on
as The Beatles, it's much more intimate.
1529
01:26:34,916 --> 01:26:37,833
Well, we're doing it anyway,
while they come in before we start it.
1530
01:26:37,916 --> 01:26:39,416
-[Michael] Yeah.
- Like we did on "Jude."
1531
01:26:42,208 --> 01:26:46,875
[George] Well, let's-- We keep 'em a
bit more disciplined than they were then.
1532
01:26:51,208 --> 01:26:52,708
[chuckling] Yeah.
1533
01:26:52,791 --> 01:26:55,583
[Paul] So, the main thing is,
are we going to do it here?
1534
01:26:55,666 --> 01:26:57,041
'Cause they've got to build
a control room.
1535
01:26:57,125 --> 01:26:59,791
[George Martin] What are the alternatives
to where you want to go?
1536
01:26:59,875 --> 01:27:02,208
It's really anywhere
as long as we can get it there.
1537
01:27:02,291 --> 01:27:04,250
[George Martin] Are there definite places?
1538
01:27:04,333 --> 01:27:05,500
No, I don't know anywhere.
1539
01:27:05,583 --> 01:27:06,833
That's why we came here.
1540
01:27:06,916 --> 01:27:07,916
Where do you think?
1541
01:27:08,000 --> 01:27:09,875
[George Martin] I think you might as well
do it right here.
1542
01:27:09,958 --> 01:27:12,458
[Paul] But, acoustically,
it's not very good here, is it?
1543
01:27:12,541 --> 01:27:15,083
[George Martin] It's not as good
as it could be elsewhere, you know?
1544
01:27:15,166 --> 01:27:16,666
[Paul] Now what would make it?
1545
01:27:16,750 --> 01:27:18,916
- A lower ceiling?
-[George Martin] Deaden it right down.
1546
01:27:19,000 --> 01:27:21,666
[Glyn] Yeah,
a false ceiling above where you are.
1547
01:27:21,750 --> 01:27:24,125
[Paul] Now John'd like to say
a few words on the subject.
1548
01:27:24,208 --> 01:27:28,125
[John] ♪ I'd like to say
That I like the intimate idea ♪
1549
01:27:28,833 --> 01:27:30,791
♪ Rather than a large one ♪
1550
01:27:30,875 --> 01:27:32,041
[Paul] Yeah?
1551
01:27:32,541 --> 01:27:36,375
[John] ♪ Simply because
We should concentrate on the sound ♪
1552
01:27:39,041 --> 01:27:42,833
[all] ♪ Simply because
We should concentrate on the sound ♪
1553
01:27:45,500 --> 01:27:46,583
[Paul] Thank you very much.
1554
01:27:46,666 --> 01:27:49,125
♪ You and I have memories ♪
1555
01:27:49,958 --> 01:27:54,708
♪ Longer than the road
That stretches out ahead ♪
1556
01:27:55,208 --> 01:27:56,208
[screams]
1557
01:27:57,458 --> 01:28:00,250
♪ Two of us wearing raincoats ♪
1558
01:28:00,333 --> 01:28:04,541
♪ Standing solo in the sun ♪
1559
01:28:04,625 --> 01:28:07,083
♪ Don't let me down ♪
1560
01:28:10,541 --> 01:28:13,208
♪ Don't let me down ♪
1561
01:28:15,916 --> 01:28:18,000
♪ I've got a feeling ♪
1562
01:28:18,583 --> 01:28:21,541
♪ A feeling I can't hide
Oh, no ♪
1563
01:28:23,416 --> 01:28:25,250
♪ Oh, no ♪
1564
01:28:30,916 --> 01:28:32,875
[George] Uh, Mal?
1565
01:28:35,666 --> 01:28:37,083
[chuckling]
1566
01:28:37,916 --> 01:28:41,583
[Paul]
♪ No, I won't shed a tear ♪
1567
01:28:42,541 --> 01:28:43,708
♪ Just as long ♪
1568
01:28:44,791 --> 01:28:47,125
♪ As you stand ♪
1569
01:28:47,208 --> 01:28:50,125
♪ Stand by me, stand by me
Stand by me, stand by me ♪
1570
01:28:50,208 --> 01:28:52,000
♪ You got me going ♪
1571
01:28:53,000 --> 01:28:54,500
♪ Like a spinning top ♪
1572
01:28:54,583 --> 01:28:58,291
♪ Baa-ba-ba-ba-baa
Baa-ba-ba-ba-baa ♪
1573
01:28:58,375 --> 01:28:59,625
Legalize pot.
1574
01:28:59,708 --> 01:29:02,708
Queen says "no"
to pot-smoking FBI members.
1575
01:29:03,958 --> 01:29:04,958
It doesn't--
1576
01:29:05,041 --> 01:29:07,208
Hey, hey. It doesn't stop there actually.
1577
01:29:07,291 --> 01:29:11,875
♪ Baa, baa, black sheep
Have you any wool ♪
1578
01:29:11,958 --> 01:29:18,250
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1579
01:29:18,333 --> 01:29:20,500
[cymbal crashes]
1580
01:29:20,583 --> 01:29:22,916
A guitar fell over, Paul.
A guitar fell over.
1581
01:29:23,000 --> 01:29:25,500
[John] ♪ The news is out ♪
1582
01:29:28,375 --> 01:29:31,000
♪ All over town ♪
1583
01:29:34,333 --> 01:29:37,625
♪ That you've been seen ♪
1584
01:29:40,041 --> 01:29:43,916
♪ Out and around ♪
1585
01:29:46,500 --> 01:29:49,333
♪ I know that I ♪
1586
01:29:52,875 --> 01:29:55,375
♪ Can't win, but then ♪
1587
01:29:58,958 --> 01:30:01,916
♪ What can I do? ♪
1588
01:30:05,333 --> 01:30:08,125
♪ You win again ♪
1589
01:30:14,708 --> 01:30:17,958
♪ All I can hear ♪
1590
01:30:18,041 --> 01:30:20,833
♪ I me mine, I me mine, I me mine ♪
1591
01:30:22,666 --> 01:30:26,000
♪ Even your tears ♪
1592
01:30:26,083 --> 01:30:29,458
♪ I me mine, I me mine, I me mine ♪
1593
01:30:30,916 --> 01:30:32,791
♪ Everyone's playing it ♪
1594
01:30:32,875 --> 01:30:34,666
♪ Everyone's saying it ♪
1595
01:30:35,166 --> 01:30:37,833
♪ Flowing more freely than wine ♪
1596
01:30:39,250 --> 01:30:42,333
♪ All through your life ♪
1597
01:30:42,833 --> 01:30:45,375
♪ I me mine ♪
1598
01:30:45,458 --> 01:30:46,750
[song ends]
1599
01:30:46,833 --> 01:30:48,208
[scatting]
1600
01:30:48,291 --> 01:30:50,875
-[Yoko] You can keep going now.
-[George] Do you dig it, man?
1601
01:30:50,958 --> 01:30:51,958
[chuckles]
1602
01:30:52,041 --> 01:30:53,083
- I like that one.
- Yeah.
1603
01:30:53,166 --> 01:30:55,166
[George]
Do you want to do that waltz on the show?
1604
01:30:55,250 --> 01:30:57,250
That'd be great,
'cause it's so simple to do.
1605
01:30:57,333 --> 01:31:01,291
[fast dance music playing]
1606
01:31:07,375 --> 01:31:08,333
[music stops]
1607
01:31:08,416 --> 01:31:11,541
[Michael] Every song has got a character.
That's the character of that one.
1608
01:31:11,625 --> 01:31:14,166
And we can find each number--
how they fit theatrically,
1609
01:31:14,250 --> 01:31:17,375
like your dance for that one,
like the song that you cry in,
1610
01:31:17,458 --> 01:31:19,750
and the song you do
that brings tears to everybody's eyes.
1611
01:31:19,833 --> 01:31:22,000
[John] Yes, all right. Just sod off!
1612
01:31:22,083 --> 01:31:23,666
[all chuckling]
1613
01:31:23,750 --> 01:31:25,666
[Denis] I mean, you see,
build any set you want.
1614
01:31:25,750 --> 01:31:29,000
Maybe not scaffolding--
Not obvious scaffolding.
1615
01:31:29,083 --> 01:31:31,125
Maybe we can put people up on them.
1616
01:31:31,625 --> 01:31:33,041
Think it could hold people?
1617
01:31:33,541 --> 01:31:35,666
It could hold--
I guess that'd be a bit limited.
1618
01:31:40,500 --> 01:31:43,666
-["Please Please Me" playing]
-[crowd cheering]
1619
01:31:43,750 --> 01:31:46,875
♪ Come on, come on
Come on, come on ♪
1620
01:31:46,958 --> 01:31:48,583
♪ Come on, come on
Come on, come on ♪
1621
01:31:48,666 --> 01:31:51,000
-[song fades out]
-[Michael] Yeah. Well...
1622
01:31:51,083 --> 01:31:54,250
See, this is Around The Beatles,
and that is better, but--
1623
01:31:54,333 --> 01:31:56,041
Show it to John.
John will tell you about that.
1624
01:31:56,125 --> 01:31:58,125
John and Yoko know about that.
They're artists.
1625
01:31:58,208 --> 01:31:59,541
[chattering]
1626
01:31:59,625 --> 01:32:01,458
It's Around The Beatles '69.
1627
01:32:01,541 --> 01:32:02,875
Yeah, that's what Paul said.
1628
01:32:03,583 --> 01:32:06,375
That's what Paul said. He said have
a word with you and see what you thought.
1629
01:32:06,458 --> 01:32:07,583
Whether we could vary it.
1630
01:32:07,666 --> 01:32:11,875
In terms of... see-through things,
'cause I don't think we're ever gonna--
1631
01:32:11,958 --> 01:32:14,166
If you wanna see through 'em, use plastic.
1632
01:32:15,708 --> 01:32:16,708
Plastic...
1633
01:32:16,791 --> 01:32:19,125
But don't have scaffolding.
They do it every show.
1634
01:32:19,208 --> 01:32:21,958
- Yeah. Use a different material?
- Just use solid plastic.
1635
01:32:22,041 --> 01:32:24,583
- Solid plastic.
- For, you know, to see through 'em.
1636
01:32:24,666 --> 01:32:26,083
["Let It Be" playing on piano]
1637
01:32:26,166 --> 01:32:29,041
I like the idea of a see-through thing,
I think.
1638
01:32:29,125 --> 01:32:31,750
[John] If you had 'em above our heads,
you could have plastic and see up--
1639
01:32:31,833 --> 01:32:34,125
[Denis] That's right. That's great.
That's a good thought.
1640
01:32:34,208 --> 01:32:35,625
That's a good thought, all that.
1641
01:32:35,708 --> 01:32:38,416
[Michael] Think of a helicopter shot
over the amphitheater--
1642
01:32:38,500 --> 01:32:41,416
Yes, but that's the only argument
you're giving to me is the...
1643
01:32:41,500 --> 01:32:43,291
- Is the helicopter shot.
- The helicopter shot.
1644
01:32:43,375 --> 01:32:45,291
And you'll see the sea
and you'll be in a theater.
1645
01:32:45,375 --> 01:32:48,875
And that is-- For one, two minutes,
say, of that shot
1646
01:32:48,958 --> 01:32:51,000
isn't worth me going out there.
1647
01:32:51,083 --> 01:32:53,291
When I really prefer to do it here.
1648
01:32:53,375 --> 01:32:58,166
Just big blocks, so you could put blocks
of plastic in any shape you wanted.
1649
01:32:58,250 --> 01:32:59,791
We could move the audience round.
1650
01:32:59,875 --> 01:33:02,541
Yeah. Now that would mean
casting the plastic, wouldn't it?
1651
01:33:02,625 --> 01:33:05,666
- It's just boxes, you know?
- Might be a material we don't know about.
1652
01:33:05,750 --> 01:33:07,625
[John]
There will be some kind of new stuff,
1653
01:33:07,708 --> 01:33:09,500
you know, like Bakelite or some plastic.
1654
01:33:09,583 --> 01:33:13,083
But the thing is,
everything you do has got to be good,
1655
01:33:13,166 --> 01:33:14,291
'cause all your albums are good.
1656
01:33:14,375 --> 01:33:15,958
I mean, there's not a duff album.
1657
01:33:16,041 --> 01:33:18,916
But see,
it is kind of like four years ago.
1658
01:33:19,000 --> 01:33:20,541
And there's nothing wrong
with four years ago,
1659
01:33:20,625 --> 01:33:22,208
except we're all 28 now as opposed--
1660
01:33:22,291 --> 01:33:25,583
- I don't mean that...
- We're all... Yes, we are.
1661
01:33:25,666 --> 01:33:30,000
We're all 28, or whatever we are
in the group. Baby George there.
1662
01:33:30,708 --> 01:33:33,958
I mean, it's not only you as the band
and it's not only them as songwriters.
1663
01:33:34,041 --> 01:33:35,250
It is the four of you.
1664
01:33:35,333 --> 01:33:38,208
[John] If you got a lot of blocks made,
you could build any formation you want.
1665
01:33:38,291 --> 01:33:41,166
-[Denis] Fit in like a Meccano.
- If you've got box-shaped plastic,
1666
01:33:41,250 --> 01:33:44,291
you can build it that long if you want,
or just have it that short.
1667
01:33:44,375 --> 01:33:45,958
[Denis] Like Kubrick would do.
1668
01:33:46,041 --> 01:33:48,041
And it's got to be the best.
1669
01:33:48,125 --> 01:33:49,250
Because...
1670
01:33:50,166 --> 01:33:52,625
I mean, the hearts of millions
are with you, you know what I mean?
1671
01:33:52,708 --> 01:33:54,166
It's got to be the best. It can't--
1672
01:33:56,541 --> 01:33:59,041
I'm not saying you owe it to the world
or anything like that.
1673
01:33:59,125 --> 01:34:01,250
But if it is going to be
your last TV show--
1674
01:34:08,458 --> 01:34:10,791
But I don't want you
to be unhappy 'cause, like...
1675
01:34:10,875 --> 01:34:12,916
I love you
like I love your three colleagues.
1676
01:34:13,000 --> 01:34:15,833
[Denis] You see, then it's nice to have
the levels where they can dance
1677
01:34:15,916 --> 01:34:17,958
and, you know,
whatever they wanna do, you see?
1678
01:34:18,041 --> 01:34:20,333
[John] Look, you could have
our thing plastic too.
1679
01:34:20,416 --> 01:34:22,375
[Denis]
Yeah, that would be knockout to do that.
1680
01:34:22,458 --> 01:34:26,125
And then we could do what we like
with the backing, have it go black or...
1681
01:34:26,208 --> 01:34:27,208
-[John] Yeah, yeah.
-[Denis] Black.
1682
01:34:27,291 --> 01:34:28,916
Or stark or something, you know?
1683
01:34:29,000 --> 01:34:31,750
See, I'd watch an hour of him
just playing the piano.
1684
01:34:31,833 --> 01:34:33,208
Me too. Uh...
1685
01:34:33,291 --> 01:34:34,541
'Cause he's so great.
1686
01:34:35,250 --> 01:34:36,333
But, like, I think--
1687
01:34:36,416 --> 01:34:39,708
See, I think we gotta find a place
which would complement it.
1688
01:34:39,791 --> 01:34:43,583
And I don't see it being here on a stage
with tubular scaffolding around it.
1689
01:34:43,666 --> 01:34:46,500
Then we can control all our lights
from a panel.
1690
01:34:46,583 --> 01:34:48,250
And we can have what colors you like.
1691
01:34:48,333 --> 01:34:50,750
[John] Yes. You'll always be able
to see us through everything.
1692
01:34:50,833 --> 01:34:51,833
[Denis] That's right.
1693
01:34:51,916 --> 01:34:54,208
[John] I'll have the plastic
when you're finished with it.
1694
01:34:54,291 --> 01:34:57,416
Well, can we all talk about it?
1695
01:34:57,500 --> 01:35:00,125
If-- You will take the veto off
1696
01:35:00,208 --> 01:35:05,291
if you can be convinced
that we can get an audience out there.
1697
01:35:06,916 --> 01:35:09,208
Okay, I love you. That's fine.
1698
01:35:12,958 --> 01:35:13,791
Okay, thanks.
1699
01:35:13,875 --> 01:35:17,333
I just do think,
like, this is unique in that...
1700
01:35:27,750 --> 01:35:29,583
-[Michael] Well, I don't know.
-[all chuckling]
1701
01:35:31,083 --> 01:35:32,833
-[Michael] I know, I left out George.
-[laughs]
1702
01:35:56,250 --> 01:35:57,333
No, I think it's...
1703
01:36:01,208 --> 01:36:02,250
Yeah.
1704
01:36:02,333 --> 01:36:03,708
That's what I was thinking.
1705
01:36:03,791 --> 01:36:05,208
[Denis chuckles]
1706
01:36:07,958 --> 01:36:09,750
[Michael] The box thing, right?
1707
01:36:11,250 --> 01:36:12,625
[Denis] Yeah. [chuckles]
1708
01:36:17,833 --> 01:36:19,416
[Denis] Yeah. [chuckles]
1709
01:36:22,708 --> 01:36:25,500
[Denis] I don't think it's practical
to do it in England. It's too bloody cold.
1710
01:36:25,583 --> 01:36:28,458
[Michael] Yes, that was one of the reasons
we started veering off on these ideas
1711
01:36:28,541 --> 01:36:31,208
was when we were looking at locations
that Friday after Christmas.
1712
01:36:31,291 --> 01:36:32,708
We are in a film studio.
1713
01:36:32,791 --> 01:36:35,958
We're going to build something so that...
1714
01:36:36,041 --> 01:36:38,208
We shouldn't just try and build
something like the Tower Ballroom
1715
01:36:38,291 --> 01:36:39,750
'cause we could go to the Tower Ballroom.
1716
01:36:39,833 --> 01:36:43,416
But, once you get on a stage,
you are performers
1717
01:36:43,500 --> 01:36:45,583
and you gotta have someone to do it to.
1718
01:36:45,666 --> 01:36:47,375
Either the camera or real people, I think.
1719
01:36:47,458 --> 01:36:48,458
[Paul] Yeah, we haven't--
1720
01:36:48,541 --> 01:36:50,791
Any number we've done at the moment,
if we've noticed the camera on us
1721
01:36:50,875 --> 01:36:52,250
we've tried to ignore it.
1722
01:36:52,333 --> 01:36:55,708
[Michael] But you've either got to be
performing directly to the people at home
1723
01:36:55,791 --> 01:36:57,166
or to an audience.
1724
01:36:57,250 --> 01:36:59,208
[Paul]
See that's why I thought like a ballroom.
1725
01:36:59,291 --> 01:37:00,750
If we did go right back.
1726
01:37:00,833 --> 01:37:03,666
Like, "Come to the Tower Ballroom.
There's a dance on."
1727
01:37:03,750 --> 01:37:06,708
You know?
Oh, incidentally, we'll be the band there.
1728
01:37:06,791 --> 01:37:08,500
And then we go on
and we play all the numbers.
1729
01:37:08,583 --> 01:37:11,166
[Michael]
But you're just not the local dance band.
1730
01:37:11,250 --> 01:37:12,541
I don't think it's quite enough scope.
1731
01:37:12,625 --> 01:37:14,541
[Glyn] I also think that
people are very interested
1732
01:37:14,625 --> 01:37:16,250
in seeing how an audience would react.
1733
01:37:16,333 --> 01:37:20,125
[Michael] Because the audience is so much
part of the first half of you, musically.
1734
01:37:20,916 --> 01:37:24,833
[Paul] Okay, so we're all prepared
to do it with an audience.
1735
01:37:24,916 --> 01:37:26,958
But you can't just have
the same old audience.
1736
01:37:27,041 --> 01:37:28,416
[Denis]
What can you do that's new with them?
1737
01:37:28,500 --> 01:37:31,208
[George] If we can just think of an image,
how we'd like to be,
1738
01:37:31,291 --> 01:37:35,000
which could be like a nightclub act.
1739
01:37:35,083 --> 01:37:39,333
Just the smoochy low lights
and about ten people.
1740
01:37:39,416 --> 01:37:42,750
What's the point, when you could be
giving people happiness with a full house?
1741
01:37:42,833 --> 01:37:44,250
Whatever kind of full house we decided.
1742
01:37:44,333 --> 01:37:46,416
I mean, we have to think
about the audience.
1743
01:37:46,500 --> 01:37:48,208
It really ought to be the whole world.
1744
01:37:48,291 --> 01:37:52,000
[Denis] That's where-- Now we're going
right-- the whole circle back to Sabratha.
1745
01:37:52,083 --> 01:37:55,791
[Michael] It is a location
which is marvelous in itself, by the sea.
1746
01:37:55,875 --> 01:37:57,541
[Denis] What he's saying is right.
1747
01:37:57,625 --> 01:37:58,625
It's the background.
1748
01:37:59,500 --> 01:38:01,791
[Michael]
I don't think anything is gonna beat
1749
01:38:01,875 --> 01:38:04,666
a perfect acoustic place
by the water, out of doors.
1750
01:38:04,750 --> 01:38:06,166
[Ringo] For a rock and roll group?
1751
01:38:17,916 --> 01:38:21,625
[Michael] Yes, I think we're gonna do
rock and roll at dawn or at night.
1752
01:38:21,708 --> 01:38:23,958
I'm sure we can do rock and roll there
if we get the right audience.
1753
01:38:24,041 --> 01:38:26,208
- George, come here.
-[George] I just wanna get it over with.
1754
01:38:26,291 --> 01:38:28,416
-[chattering]
-[George] Yeah.
1755
01:38:29,416 --> 01:38:30,416
- Hiya.
- Come on.
1756
01:38:30,500 --> 01:38:31,416
[chuckling]
1757
01:38:31,500 --> 01:38:33,541
- We're going to Africa.
-[Denis] We're off.
1758
01:38:33,625 --> 01:38:36,500
-[Michael] We're off.
-[Paul] No, we're not. Not necessarily.
1759
01:38:38,458 --> 01:38:39,458
[George] Where to?
1760
01:38:40,583 --> 01:38:42,041
[all laughing]
1761
01:38:53,041 --> 01:38:55,416
[John] See, it's like having
the most fantastic set on Earth,
1762
01:38:55,500 --> 01:38:57,125
but we haven't made a set, you know?
1763
01:38:57,208 --> 01:38:59,916
[Ringo] How many are gonna be looking
at the set besides us and him?
1764
01:39:00,000 --> 01:39:03,208
[John] Every time we've done an album,
we've said, "Why are we stuck in EMI?"
1765
01:39:03,291 --> 01:39:06,500
We could be doing it in LA.
We could be in France.
1766
01:39:06,583 --> 01:39:08,583
And every time we do it,
and here we are again,
1767
01:39:08,666 --> 01:39:10,625
building another bloody castle around us.
1768
01:39:11,375 --> 01:39:13,500
-[Paul] Well said, John. Well said!
-[John] And this time we do it there.
1769
01:39:13,583 --> 01:39:15,291
I'd be thrilled to do it.
1770
01:39:15,375 --> 01:39:19,125
Just timing it so as the sun came up
just on the middle eight.
1771
01:39:23,208 --> 01:39:24,666
[Michael] I think we've got to get--
1772
01:39:33,000 --> 01:39:35,625
[Paul] Look, we were gonna
give tickets away at this door here.
1773
01:39:35,708 --> 01:39:38,208
We'd given out those tickets,
but they include a boat ride as well.
1774
01:39:40,291 --> 01:39:43,208
[Paul] Okay, yeah.
We're doing a live show.
1775
01:39:43,291 --> 01:39:45,375
And we're doing it in Arabia.
1776
01:39:45,458 --> 01:39:46,750
[chuckles] And it's like...
1777
01:39:46,833 --> 01:39:49,541
Whoever has been waiting
to see the lads rocking again.
1778
01:39:49,625 --> 01:39:51,625
[George] It's just impractical to try
and get all those--
1779
01:39:51,708 --> 01:39:52,708
But it's not, you see--
1780
01:39:52,791 --> 01:39:55,875
Lug all them people there
and try and get all that equipment.
1781
01:39:55,958 --> 01:39:57,583
[Paul] But then if it was their problem--
1782
01:39:57,666 --> 01:40:00,208
[Denis] But if you say, "That's
what I want," that's what has to happen.
1783
01:40:00,291 --> 01:40:02,625
-[John] That's not our problem.
-[George] Of course it's our problem.
1784
01:40:02,708 --> 01:40:04,208
[Paul] Tell you what I'll offer you.
1785
01:40:04,291 --> 01:40:08,375
If we're going away and we hire a boat
to take the audience with you...
1786
01:40:08,458 --> 01:40:11,375
- That would be knockout.
-...we'll do a bloody show on a boat.
1787
01:40:16,625 --> 01:40:17,833
[Michael] That's your code name.
1788
01:40:17,916 --> 01:40:19,750
[Paul] No, he smoked some garlic once.
1789
01:40:19,833 --> 01:40:22,666
[laughing]
1790
01:40:22,750 --> 01:40:24,791
[Paul] So, like, I'll come in with you,
1791
01:40:24,875 --> 01:40:27,625
as long as you can get a couple of boats.
1792
01:40:27,708 --> 01:40:29,708
- The QE 2.
-[George] And then we're stuck
1793
01:40:29,791 --> 01:40:32,333
with a bloody big boatload of people
for two weeks.
1794
01:40:32,416 --> 01:40:36,416
At least you can go home from here.
You can get away from it all.
1795
01:40:38,041 --> 01:40:42,666
[George] I think the idea of the boat
is completely insane.
1796
01:40:42,750 --> 01:40:45,833
It's very expensive and insane, and...
1797
01:40:46,750 --> 01:40:48,916
[Denis] I think it should be
the least of our worries.
1798
01:40:49,000 --> 01:40:50,250
Money. I really do.
1799
01:40:51,708 --> 01:40:54,458
[John] If P&O will do a deal with Storm,
they'll do one with us.
1800
01:40:59,208 --> 01:41:02,625
We should be able to get the boat
for the publicity they get from it.
1801
01:41:05,833 --> 01:41:08,375
[Denis] It's gonna be great.
You'd love the place.
1802
01:41:08,458 --> 01:41:10,791
[Ringo] I've moved to Yugoslavia!
[chuckles]
1803
01:41:10,875 --> 01:41:15,833
I may love the place, but I'd rather
do the show, then go and love the place.
1804
01:41:15,916 --> 01:41:17,125
[laughing]
1805
01:41:17,208 --> 01:41:19,500
[Ringo] How're you gonna get a ship
in a couple of days?
1806
01:41:20,833 --> 01:41:22,541
[Ringo] I was there. Yes, I know.
1807
01:41:22,625 --> 01:41:25,833
But they were passing by
and you only used them for a few hours.
1808
01:41:25,916 --> 01:41:28,500
I've seen it, John.
I went to the premiere.
1809
01:41:28,583 --> 01:41:30,583
-[John] Did you enjoy it?
-[Ringo] I thought you were great.
1810
01:41:30,666 --> 01:41:32,541
-[John] Thanks a lot, Ringo.
-[laughing]
1811
01:41:43,333 --> 01:41:44,708
[Ringo] Still not the same.
1812
01:41:44,791 --> 01:41:48,583
If you'll say yes, and if we get it
together, then will you go?
1813
01:41:52,041 --> 01:41:56,625
[Michael] Well, I feel, as the trade says,
"The vibes are very good at the moment."
1814
01:41:56,708 --> 01:41:59,375
But we can all say yes now
and somebody can decide no tomorrow.
1815
01:41:59,458 --> 01:42:01,708
- It's not gonna make any odds.
- Yeah.
1816
01:42:01,791 --> 01:42:04,000
-[Ringo] Good night, everybody!
-[Michael] Good night, Russia.
1817
01:42:04,083 --> 01:42:05,916
-[Ringo] That's a wrap.
-[Denis] I'll see you in Sabratha!
1818
01:42:06,000 --> 01:42:07,958
[John] Let's pretend I wasn't here again.
1819
01:42:12,750 --> 01:42:14,750
[chattering]
1820
01:42:17,125 --> 01:42:19,333
[Paul] This is the...
Here, I'll take you to...
1821
01:42:20,125 --> 01:42:22,041
- Do you know Michael Lindsay-Hogg?
- No.
1822
01:42:23,458 --> 01:42:25,208
[Michael speaks indistinctly]
1823
01:42:25,291 --> 01:42:26,583
Tony's a cameraman.
1824
01:42:32,000 --> 01:42:33,291
[laughing]
1825
01:42:42,416 --> 01:42:43,250
Yeah.
1826
01:42:45,750 --> 01:42:47,083
[Paul chuckles]
1827
01:42:48,041 --> 01:42:49,916
I better go
and put in some piano practice.
1828
01:42:53,750 --> 01:42:54,750
[Michael] No.
1829
01:42:55,250 --> 01:42:57,416
-[chattering]
-[Linda] Yeah.
1830
01:42:57,500 --> 01:42:59,583
Gatwick Friday, Monday, Tuesday...
1831
01:42:59,666 --> 01:43:01,833
- Isn't Tripoli in Libya? Yeah.
- That's right. Yeah.
1832
01:43:01,916 --> 01:43:05,250
[David] That flight departs every day 3:05
and arrives 9:10.
1833
01:43:05,333 --> 01:43:06,666
-[Denis] 3:05 p.m. at night?
- Yes.
1834
01:43:06,750 --> 01:43:08,666
- That's a long trip!
- That's what he told me.
1835
01:43:08,750 --> 01:43:10,666
Six hours? Can't be that long?
1836
01:43:10,750 --> 01:43:12,750
["Another Day" playing]
1837
01:43:16,208 --> 01:43:20,750
♪ Every day she takes a morning bath
She wets her hair ♪
1838
01:43:21,250 --> 01:43:26,083
♪ Wraps a towel around her
As she's walking to the bedroom chair ♪
1839
01:43:26,166 --> 01:43:29,000
♪ It's just another day ♪
1840
01:43:29,875 --> 01:43:32,250
♪ Steppin' into stockings ♪
1841
01:43:38,250 --> 01:43:40,333
-["The Long and Winding Road" playing]
- Yeah.
1842
01:43:42,125 --> 01:43:43,666
Now, what was it? Uh--
1843
01:43:43,750 --> 01:43:46,458
I'll give you Mother Mary,
"The Long and Winding Road."
1844
01:43:57,958 --> 01:44:00,500
[Michael] The only thing is, it's, um...
1845
01:44:00,583 --> 01:44:03,333
I think-- I really do think
it's gonna be for the world.
1846
01:44:08,333 --> 01:44:11,166
[Michael] Yes, but they do think of you as
for everybody in the world.
1847
01:44:11,250 --> 01:44:13,750
That's one of the things I thought was
good about "Jude," the guy in the turban.
1848
01:44:13,833 --> 01:44:14,833
Yeah.
1849
01:44:15,708 --> 01:44:20,375
♪ Lead me to your door ♪
1850
01:44:20,958 --> 01:44:22,500
♪ Second verse ♪
1851
01:44:22,583 --> 01:44:24,875
...that I haven't got yet. [vocalizes]
1852
01:44:25,708 --> 01:44:28,833
♪ Leave a space for the same thing ♪
1853
01:44:28,916 --> 01:44:31,916
♪ La, la, la ♪
1854
01:44:54,750 --> 01:44:58,041
[Mal] I think it's down to
if we're going to do it in this country,
1855
01:44:58,125 --> 01:44:59,625
we might as well do it here.
1856
01:44:59,708 --> 01:45:01,291
-[Paul] But actually...
-[humming]
1857
01:45:05,166 --> 01:45:06,166
[Paul] Yugoslavia.
1858
01:45:21,916 --> 01:45:23,083
[Paul] Yeah.
1859
01:45:24,083 --> 01:45:25,583
Then something about pleasure...
1860
01:45:25,666 --> 01:45:28,000
[vocalizes]
1861
01:45:28,083 --> 01:45:29,083
From...
1862
01:45:29,166 --> 01:45:30,750
♪ The many ways I've tried ♪
1863
01:45:30,833 --> 01:45:31,833
Yeah.
1864
01:45:32,458 --> 01:45:37,875
♪ Gathered all the pleasure
From the many ways I've tried ♪
1865
01:45:38,458 --> 01:45:39,708
♪ But still they-- ♪
1866
01:45:39,791 --> 01:45:42,250
I've had lots of pleasure,
but said better.
1867
01:45:42,333 --> 01:45:43,333
- You know?
- Yeah.
1868
01:45:43,416 --> 01:45:46,333
[Paul] I've had many pleasure.
I've had much, much...
1869
01:45:47,750 --> 01:45:51,250
♪ You left me waiting here ♪
1870
01:45:53,625 --> 01:45:56,958
♪ A long, long time ago ♪
1871
01:46:02,500 --> 01:46:06,333
♪ You left me waiting here ♪
1872
01:46:08,166 --> 01:46:12,333
♪ A long, long time ago ♪
1873
01:46:12,416 --> 01:46:14,041
[vocalizes]
1874
01:46:14,750 --> 01:46:18,666
♪ Don't leave me standing here ♪
1875
01:46:20,750 --> 01:46:23,625
♪ Lead me to your door ♪
1876
01:46:34,583 --> 01:46:36,083
There's no more to that yet.
1877
01:46:36,166 --> 01:46:37,333
Just call that "middle."
1878
01:46:39,250 --> 01:46:41,791
[Paul vocalizing, humming]
1879
01:46:42,708 --> 01:46:45,625
♪ The many ways I've tried ♪
1880
01:46:45,708 --> 01:46:48,666
That's all right.
"The many ways I've tried" is all right.
1881
01:46:48,750 --> 01:46:51,375
[Mal] But have you got any idea
for the second verse?
1882
01:46:51,458 --> 01:46:56,458
See, I was thinking of having another,
like, the weather obstacle in that one.
1883
01:46:56,541 --> 01:47:00,416
♪ The storm clouds and the rain ♪
1884
01:47:02,291 --> 01:47:08,708
♪ Break upon the winding road ♪
1885
01:47:13,375 --> 01:47:15,625
[Paul] I suppose it should
still be about that.
1886
01:47:15,708 --> 01:47:17,416
The, sort of, winding road because...
1887
01:47:21,000 --> 01:47:24,625
♪ The thing that's up ahead ♪
1888
01:47:28,708 --> 01:47:29,791
No, I think the...
1889
01:47:32,750 --> 01:47:33,750
[chuckling]
1890
01:47:33,833 --> 01:47:38,875
♪ Golden slumbers ♪
1891
01:47:38,958 --> 01:47:41,125
♪ Fill your eyes ♪
1892
01:47:41,208 --> 01:47:44,416
It's an old English folk--
the words, these.
1893
01:47:46,375 --> 01:47:51,416
♪ Smiles await you ♪
1894
01:47:51,500 --> 01:47:54,583
♪ When you rise ♪
1895
01:47:56,041 --> 01:48:01,583
♪ Sleep, pretty darling
Do not cry ♪
1896
01:48:02,541 --> 01:48:07,458
♪ And I will sing a lullaby ♪
1897
01:48:07,541 --> 01:48:08,541
[shutter clicks]
1898
01:48:09,166 --> 01:48:11,541
♪ Once there was a way ♪
1899
01:48:11,625 --> 01:48:13,208
♪ Once upon a time ♪
1900
01:48:14,083 --> 01:48:17,208
♪ There lived a... ♪
1901
01:48:17,291 --> 01:48:19,208
That really should be
like a fairy tale, though.
1902
01:48:19,791 --> 01:48:22,250
- Once upon a time there lived a princess.
-[shutter clicks]
1903
01:48:22,333 --> 01:48:26,250
♪ Once upon a time ♪
1904
01:48:26,333 --> 01:48:29,916
♪ There lived a king ♪
1905
01:48:30,000 --> 01:48:35,500
♪ Sleep, pretty darling
Do not cry ♪
1906
01:48:36,791 --> 01:48:40,208
♪ And I will sing a lullaby ♪
1907
01:48:40,291 --> 01:48:42,541
And the king will sing a lullaby.
[chuckles]
1908
01:48:43,333 --> 01:48:45,708
♪ La, la, la, la, la ♪
1909
01:48:47,958 --> 01:48:49,666
[vocalizing]
1910
01:48:50,291 --> 01:48:52,416
[Paul] No, it's one you'd know,
the original one.
1911
01:48:52,500 --> 01:48:54,000
But just at the end of it, it goes...
1912
01:48:54,083 --> 01:48:59,541
♪ And I will sing a lullaby ♪
1913
01:49:02,500 --> 01:49:05,541
Should be ready for
a Songs for Swingin' Lovers album soon.
1914
01:49:05,625 --> 01:49:07,500
[laughing]
1915
01:49:13,166 --> 01:49:17,250
I was just so hungry today,
I had to be late just to eat me breakfast.
1916
01:49:17,333 --> 01:49:18,625
[shutter clicks]
1917
01:49:20,666 --> 01:49:21,666
[all laugh]
1918
01:49:22,375 --> 01:49:24,041
[shutter clicks]
1919
01:49:24,125 --> 01:49:26,208
[Paul]
I have a bit which might interest you.
1920
01:49:26,291 --> 01:49:28,458
I was thinking for a song for Ringo.
1921
01:49:28,541 --> 01:49:31,333
Like... Like a story.
1922
01:49:31,416 --> 01:49:33,958
A bit like "Act Naturally"
where you sort of-- [vocalizes]
1923
01:49:34,041 --> 01:49:36,958
But all they said was, well,
you've got to act naturally.
1924
01:49:37,041 --> 01:49:40,750
So... it was like a comedy when I heard it,
you know? It was like...
1925
01:49:40,833 --> 01:49:45,250
♪ Boy, you're gonna carry that weight ♪
1926
01:49:45,333 --> 01:49:49,166
♪ Carry that weight a long time ♪
1927
01:49:49,250 --> 01:49:53,125
♪ Boy, you're gonna carry that weight ♪
1928
01:49:53,208 --> 01:49:56,583
♪ Carry that weight a long time ♪
1929
01:49:56,666 --> 01:49:58,958
♪ Well, I get drunk tonight... ♪
1930
01:49:59,041 --> 01:50:00,750
[sings indistinctly]
1931
01:50:00,833 --> 01:50:04,666
♪ She said... [indistinct]
You do my fricking head ♪
1932
01:50:04,750 --> 01:50:08,583
♪ I said... [indistinct]
Been telling on and on ♪
1933
01:50:08,666 --> 01:50:12,666
♪ But every time I try to do it
No, it don't take long ♪
1934
01:50:12,750 --> 01:50:16,625
♪ Boy, you're gonna carry that weight ♪
1935
01:50:16,708 --> 01:50:19,875
♪ Carry that weight a long time ♪
1936
01:50:20,625 --> 01:50:24,250
♪ Boy, you're gonna carry that weight ♪
1937
01:50:24,333 --> 01:50:27,583
♪ Carry that weight a long time ♪
1938
01:50:34,125 --> 01:50:35,375
[shutter clicks]
1939
01:50:39,083 --> 01:50:40,375
[chuckling]
1940
01:50:40,458 --> 01:50:43,833
♪ Boy, you're gonna carry that weight ♪
1941
01:50:43,916 --> 01:50:47,208
♪ Carry that weight a long time ♪
1942
01:50:47,291 --> 01:50:48,875
♪ Yeah, boy ♪
1943
01:50:52,458 --> 01:50:55,375
["The Castle Of The King
Of The Birds" playing]
1944
01:51:25,625 --> 01:51:29,833
♪ Well, I love you in the morning
Girl ♪
1945
01:51:29,916 --> 01:51:31,666
♪ I love you ♪
1946
01:51:31,750 --> 01:51:33,583
♪ Ooh ♪
1947
01:51:33,666 --> 01:51:37,458
♪ And I love you in the morning
Girl ♪
1948
01:51:37,541 --> 01:51:39,208
♪ I do ♪
1949
01:51:41,541 --> 01:51:46,125
♪ I love you every minute
Girl, I do ♪
1950
01:52:04,041 --> 01:52:05,125
-[laughs]
-[George] Yes.
1951
01:52:11,916 --> 01:52:15,375
[Mal] Kevin? Kevin, can we have
some toast and tea, please?
1952
01:52:15,458 --> 01:52:17,041
It's tea time now, man.
1953
01:52:17,625 --> 01:52:19,250
[John] Can we have some more tea, Kevin?
1954
01:52:19,333 --> 01:52:21,416
I need sort of, like,
a gallon in the morning.
1955
01:52:21,958 --> 01:52:25,166
-[George] Do you have access to real tea?
-[John] I've got nice tea with us.
1956
01:52:25,250 --> 01:52:27,708
- Not that piss posh stuff.
-[Yoko laughs]
1957
01:52:28,375 --> 01:52:33,416
♪ I love more than ever
Girl, I do ♪
1958
01:52:44,041 --> 01:52:44,958
[whistles]
1959
01:52:46,416 --> 01:52:47,750
Yeah.
1960
01:52:47,833 --> 01:52:50,750
And a little blues folk song.
1961
01:52:50,833 --> 01:52:52,541
-[crew] Jimmy, stick 'em up.
- Oh.
1962
01:52:52,625 --> 01:52:54,916
When we was just acoustics or something.
1963
01:52:55,000 --> 01:52:56,916
There's more skiffling on it,
and it's great,
1964
01:52:57,000 --> 01:52:58,625
'cause they don't need any backing,
really.
1965
01:52:58,708 --> 01:53:00,166
So, "Get back, get back..."
1966
01:53:00,250 --> 01:53:02,250
[Paul]
"Get back to where you once belonged."
1967
01:53:03,625 --> 01:53:05,541
Think of some words if you can.
1968
01:53:05,625 --> 01:53:08,041
I don't know what it's about.
It's about going away.
1969
01:53:08,125 --> 01:53:09,708
And then the chorus is "Get back."
1970
01:53:09,791 --> 01:53:10,791
[George] Uh...
1971
01:53:10,875 --> 01:53:14,125
[Paul] So, I just--
Actually, it's not about anything.
1972
01:53:14,208 --> 01:53:15,791
-[all laugh]
-[Paul] You know...
1973
01:53:16,375 --> 01:53:17,958
[George]
Yeah, we'll just have those words.
1974
01:53:18,041 --> 01:53:22,583
Just words that-- They're just nothing
about anything. It's just, like, rubbish.
1975
01:53:22,666 --> 01:53:26,041
[protesters chanting]
1976
01:53:28,750 --> 01:53:31,166
["Get Back" playing]
1977
01:53:31,250 --> 01:53:35,791
The Black man will have the whip hand
over the white man.
1978
01:53:35,875 --> 01:53:37,375
♪ Get back to where you once belonged ♪
1979
01:53:37,958 --> 01:53:39,666
♪ Get back ♪
1980
01:53:39,750 --> 01:53:41,125
♪ Get back ♪
1981
01:53:41,666 --> 01:53:44,666
♪ Get back to where you once belonged ♪
1982
01:53:46,000 --> 01:53:49,750
♪ Sidi Abdul Rami was a Pakistani ♪
1983
01:53:49,833 --> 01:53:52,583
♪ But he didn't live at home ♪
1984
01:53:54,125 --> 01:53:57,625
♪ Worried people said
"We don't need Pakistanis ♪
1985
01:53:57,708 --> 01:54:00,125
♪ Boy, you better travel home" ♪
1986
01:54:00,916 --> 01:54:02,750
♪ Yeah
Get back ♪
1987
01:54:03,750 --> 01:54:04,750
♪ Get back ♪
1988
01:54:05,916 --> 01:54:08,625
♪ Back to where you once belonged ♪
1989
01:54:09,333 --> 01:54:10,750
♪ Get back ♪
1990
01:54:10,833 --> 01:54:12,333
♪ Get back ♪
1991
01:54:13,208 --> 01:54:16,000
♪ Get back to where you once belonged ♪
1992
01:54:17,458 --> 01:54:21,166
♪ Alberto Marin was a Puerto Rican ♪
1993
01:54:21,250 --> 01:54:22,250
♪ But he... ♪
1994
01:54:22,333 --> 01:54:24,583
[singing continues, indistinct]
1995
01:54:25,458 --> 01:54:29,083
♪ Born in... [scats]
Don't dig no Puerto Ricans ♪
1996
01:54:29,166 --> 01:54:32,000
♪ Living in the USA ♪
1997
01:54:32,083 --> 01:54:34,166
♪ Oh, get back ♪
1998
01:54:34,791 --> 01:54:36,333
♪ Get back ♪
1999
01:54:36,833 --> 01:54:39,333
♪ Get back to where you once belonged ♪
2000
01:54:39,416 --> 01:54:41,916
-[chattering]
-[George] Just playing more on these...
2001
01:54:44,875 --> 01:54:45,875
[Glyn] It just fades back.
2002
01:54:47,000 --> 01:54:49,166
- Play some piano with it.
-[George] Folk blues.
2003
01:54:51,250 --> 01:54:54,625
♪ Tonight Enoch Powell said
Get out, immigrants ♪
2004
01:54:54,708 --> 01:54:56,666
♪ Immigrants a-better go home ♪
2005
01:54:57,541 --> 01:55:00,750
♪ Tonight Harold Wilson
Said to the immigrants ♪
2006
01:55:00,833 --> 01:55:03,666
♪ You better get back
To your Commonwealth homes ♪
2007
01:55:03,750 --> 01:55:08,250
♪ Yeah, yeah, yeah
They said you better get back home ♪
2008
01:55:10,166 --> 01:55:13,125
♪ Enoch Powell said to the folks ♪
2009
01:55:13,208 --> 01:55:15,458
♪ He said you wear
The color of your skin ♪
2010
01:55:16,291 --> 01:55:19,625
♪ He said he don't care what it's
All about ♪
2011
01:55:19,708 --> 01:55:20,916
[mumbling]
2012
01:55:22,333 --> 01:55:25,583
♪ So Ted Heath said to Enoch Powell ♪
2013
01:55:25,666 --> 01:55:29,000
♪ He said you better get out
Or else you'll go to trial ♪
2014
01:55:29,083 --> 01:55:32,291
♪ Enoch Powell
Enoch, you better go home ♪
2015
01:55:35,375 --> 01:55:36,583
♪ Commonwealth ♪
2016
01:55:36,666 --> 01:55:38,000
♪ Yes ♪
2017
01:55:38,083 --> 01:55:39,916
♪ Commonwealth ♪
2018
01:55:40,000 --> 01:55:40,958
♪ Yes ♪
2019
01:55:41,750 --> 01:55:43,083
♪ Commonwealth ♪
2020
01:55:43,166 --> 01:55:44,500
♪ Yes ♪
2021
01:55:45,083 --> 01:55:46,291
♪ Commonwealth ♪
2022
01:55:46,375 --> 01:55:47,791
♪ Yes ♪
2023
01:55:47,875 --> 01:55:51,666
[Paul] ♪ If you don't want trouble
Then you better go back to home ♪
2024
01:55:54,166 --> 01:55:57,458
♪ So I went to Pakistani
I went to India ♪
2025
01:55:57,541 --> 01:56:00,458
♪ I've been to old Calcutta
And I've had enough of that ♪
2026
01:56:00,541 --> 01:56:02,791
-♪ I'm coming back ♪
-♪ Yes ♪
2027
01:56:02,875 --> 01:56:06,000
-[Paul] ♪ To England town ♪
-♪ Yes, welcome ♪
2028
01:56:07,125 --> 01:56:10,875
♪ And dirty Enoch Powell
And he's had enough of Parliament ♪
2029
01:56:13,500 --> 01:56:16,916
♪ Well, I trekked down to Australia
And said to New Zealand ♪
2030
01:56:17,000 --> 01:56:20,083
♪ You better come live with us
We're gonna have some fun ♪
2031
01:56:20,166 --> 01:56:23,208
♪ We're going up to India
We'll go to Pakistan ♪
2032
01:56:23,291 --> 01:56:24,958
♪ We're coming up to Europe and... ♪
2033
01:56:25,041 --> 01:56:26,791
[singing, indistinct]
2034
01:56:26,875 --> 01:56:30,000
♪ And dirty Enoch Powell and his... ♪
2035
01:56:30,083 --> 01:56:32,375
[singing, indistinct]
2036
01:56:32,458 --> 01:56:34,625
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2037
01:56:36,333 --> 01:56:38,250
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2038
01:56:39,166 --> 01:56:41,166
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2039
01:56:42,041 --> 01:56:44,000
♪ Oh, hear me talking
Commonwealth ♪
2040
01:56:46,791 --> 01:56:50,333
♪ Yeah, the Commonwealth
But it's much too wealthy for me ♪
2041
01:56:50,416 --> 01:56:54,166
Much too common for me.
Much too common for me.
2042
01:56:54,250 --> 01:56:55,541
♪ Too common for me ♪
2043
01:56:55,625 --> 01:56:56,625
[John] Oh, yeah.
2044
01:56:56,708 --> 01:57:00,083
♪ I ambled to Australia
And New Zealand too ♪
2045
01:57:00,166 --> 01:57:03,208
♪ I went up to Pakistan
And India too ♪
2046
01:57:03,291 --> 01:57:06,458
♪ I came back to West Indies
And I had a cricket match ♪
2047
01:57:06,541 --> 01:57:09,750
♪ I went into South Africa
And told them to get back ♪
2048
01:57:09,833 --> 01:57:13,958
♪ Oh, Commonwealth
I said you're much too common for me ♪
2049
01:57:15,083 --> 01:57:16,083
Everybody sing!
2050
01:57:16,166 --> 01:57:18,083
-♪ Hey, Commonwealth ♪
-♪ Yes ♪
2051
01:57:19,333 --> 01:57:21,333
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2052
01:57:22,000 --> 01:57:24,750
-♪ Enoch Powell, Commonwealth ♪
-♪ Yes ♪
2053
01:57:25,458 --> 01:57:27,708
-♪ Immigrants, Commonwealth ♪
-♪ Yes ♪
2054
01:57:29,625 --> 01:57:33,875
♪ Well, I would join the Common Market
But it's much too common for me ♪
2055
01:57:33,958 --> 01:57:34,958
♪ Yes ♪
2056
01:57:39,291 --> 01:57:42,708
♪ Oh, Enoch Powell ♪
2057
01:57:42,791 --> 01:57:45,791
[slow music playing]
2058
01:57:52,125 --> 01:57:54,541
♪ Oh, Enoch Powell ♪
2059
01:58:04,250 --> 01:58:07,291
- I'll be taking me shirt off.
-[George] Do it in D. I'll play with you.
2060
01:58:07,375 --> 01:58:08,791
[Michael] Do you have a tattoo?
2061
01:58:09,916 --> 01:58:12,250
[chattering]
2062
01:58:12,333 --> 01:58:14,833
-[crew] First chance we've had...
-[Paul] So, do you want to try the--
2063
01:58:14,916 --> 01:58:16,250
- Once more.
-[laughs]
2064
01:58:16,333 --> 01:58:18,291
Get it over here,
that's where we're playing...
2065
01:58:18,375 --> 01:58:21,833
- With feeling. With Felix.
- With Felix. [laughing]
2066
01:58:21,916 --> 01:58:24,791
One, two, three, four.
2067
01:58:24,875 --> 01:58:27,291
["She Came In
Through The Bathroom Window" playing]
2068
01:58:28,250 --> 01:58:31,250
And this is something that happened to me
quite recently.
2069
01:58:32,375 --> 01:58:35,958
♪ She came in through
The bathroom window ♪
2070
01:58:38,958 --> 01:58:42,583
♪ Protected by a silver spoon ♪
2071
01:58:45,125 --> 01:58:48,125
♪ But now she sucks her thumb
And wonders ♪
2072
01:58:48,208 --> 01:58:49,708
[John] Get off!
2073
01:58:49,791 --> 01:58:54,208
[Paul] ♪ By the banks of her own lagoon ♪
2074
01:58:54,291 --> 01:58:57,708
♪ Didn't anybody tell her? ♪
2075
01:59:00,458 --> 01:59:03,458
♪ Didn't anybody see? ♪
2076
01:59:06,000 --> 01:59:10,166
♪ Sunday's on the phone to Monday ♪
2077
01:59:12,125 --> 01:59:15,916
♪ Tuesday's on the phone to me ♪
2078
01:59:17,166 --> 01:59:20,833
♪ She said she'd always been a dancer ♪
2079
01:59:23,500 --> 01:59:26,500
♪ She worked at 15 clubs a day ♪
2080
01:59:26,583 --> 01:59:28,583
[John] Worked in 15 clubs a day?
2081
01:59:28,666 --> 01:59:29,833
[Paul] Yeah!
2082
01:59:29,916 --> 01:59:32,333
♪ And though she thought
I had the answer ♪
2083
01:59:36,000 --> 01:59:38,750
♪ I just had to sail away ♪
2084
01:59:38,833 --> 01:59:42,458
♪ Didn't anybody tell her? ♪
2085
01:59:43,500 --> 01:59:44,958
♪ No, no, no, no ♪
2086
01:59:45,041 --> 01:59:48,291
♪ Didn't anybody see? ♪
2087
01:59:49,375 --> 01:59:50,625
[indistinct]
2088
01:59:50,708 --> 01:59:54,625
♪ Sunday's on the phone to Monday ♪
2089
01:59:56,791 --> 02:00:00,000
♪ Tuesday's on the phone to me ♪
2090
02:00:00,083 --> 02:00:01,416
Yeah, she is.
2091
02:00:02,375 --> 02:00:05,291
♪ And so I quit the police department ♪
2092
02:00:05,375 --> 02:00:06,416
Get a job, cop!
2093
02:00:08,458 --> 02:00:10,916
♪ And got myself a proper job ♪
2094
02:00:11,000 --> 02:00:13,791
Bloody about time, too, if you ask me!
2095
02:00:14,583 --> 02:00:17,875
♪ And though she tried her best
To help me ♪
2096
02:00:17,958 --> 02:00:19,791
He bloody need it too.
2097
02:00:19,875 --> 02:00:23,750
♪ She could steal
But she could not rob ♪
2098
02:00:23,833 --> 02:00:27,208
♪ Didn't anybody tell her? ♪
2099
02:00:29,958 --> 02:00:33,291
♪ Didn't anybody see? ♪
2100
02:00:33,375 --> 02:00:34,833
♪ Whoa ♪
2101
02:00:35,625 --> 02:00:39,875
♪ Sunday's on the phone to Monday ♪
2102
02:00:42,000 --> 02:00:45,500
♪ Tuesday's on the phone to me ♪
2103
02:00:48,083 --> 02:00:51,708
Hello. This is Tuesday speaking.
2104
02:00:51,791 --> 02:00:53,083
[chuckles]
2105
02:00:53,166 --> 02:00:54,541
Is that Paul?
2106
02:00:54,625 --> 02:00:57,375
-[chuckles]
- I'd like to have a word with you.
2107
02:00:57,458 --> 02:00:59,625
I've got something of his in the garden.
2108
02:00:59,708 --> 02:01:02,375
- I have something of interest for you.
-[laughs]
2109
02:01:02,916 --> 02:01:04,916
[imitating Elvis]
♪ Well, any old time of day ♪
2110
02:01:05,000 --> 02:01:06,333
♪ All you wanna hear me say ♪
2111
02:01:06,416 --> 02:01:09,333
♪ It's crazy, baby
It's crazy, yeah ♪
2112
02:01:14,083 --> 02:01:16,208
♪ God bless our gracious king ♪
2113
02:01:16,958 --> 02:01:17,958
[all laugh]
2114
02:01:18,541 --> 02:01:21,250
[George]
If we are in a groovy location place,
2115
02:01:21,333 --> 02:01:25,416
we can make the show about different bits
and pieces of what we've done.
2116
02:01:25,500 --> 02:01:28,791
Or we have to do it
in one consecutive piece.
2117
02:01:29,875 --> 02:01:32,833
[John] I think we could do both, you see?
We should do it about three times.
2118
02:01:32,916 --> 02:01:35,291
We'd settle on one day when we say,
"This is the show."
2119
02:01:35,375 --> 02:01:37,833
But we'd do a, like, dress rehearsal.
2120
02:01:37,916 --> 02:01:40,666
[George] Okay. Shall we do
some other people's tunes as well?
2121
02:01:40,750 --> 02:01:42,708
- That'd be nice.
-[John] I don't know any.
2122
02:01:42,791 --> 02:01:44,625
I can only just bear doing
your lot's songs.
2123
02:01:44,708 --> 02:01:45,750
[chuckles]
2124
02:01:51,958 --> 02:01:55,375
["Honey Hush" playing]
2125
02:02:03,916 --> 02:02:08,583
♪ I love you more each day
Girl, I do ♪
2126
02:02:12,250 --> 02:02:16,166
♪ So I got me a lorry
And I took a ride ♪
2127
02:02:16,250 --> 02:02:18,166
-[John] This isn't Daddy's tea, is it?
-[Yoko] No.
2128
02:02:18,250 --> 02:02:20,625
[John] Daddy doesn't like
this chemical tea, you know?
2129
02:02:20,708 --> 02:02:24,458
It turns me off but blows my mind
and floats me upstream.
2130
02:02:24,541 --> 02:02:28,458
♪ Baa, baa, baa
Baa, baa, baa ♪
2131
02:02:28,541 --> 02:02:32,208
♪ Black sheep
Have you any wool? ♪
2132
02:02:32,291 --> 02:02:33,500
[Paul] ♪ Come on, Suzy Parker ♪
2133
02:02:33,583 --> 02:02:37,958
[John] ♪ I said, come on, Suzy Parker
Everybody's welcome to come ♪
2134
02:02:38,041 --> 02:02:40,833
[Paul] ♪ Suzy Parker
Come on, Suzy Parker ♪
2135
02:02:40,916 --> 02:02:44,875
♪ Yeah, you come to Suzy Parker
Everybody gets well done ♪
2136
02:02:44,958 --> 02:02:46,250
♪ Come on, Suzy Parker ♪
2137
02:02:46,333 --> 02:02:49,416
[vocalizing]
2138
02:03:00,083 --> 02:03:03,000
♪ Well, cheers, babycake
Baby, please don't lose... ♪
2139
02:03:03,083 --> 02:03:06,916
-["House of the Rising Sun" playing]
-[both groaning]
2140
02:03:11,458 --> 02:03:13,666
[Paul screeches]
2141
02:03:13,750 --> 02:03:17,708
♪ I know I'm one ♪
2142
02:03:17,791 --> 02:03:19,125
-[laughs]
- He's one, all right.
2143
02:03:21,375 --> 02:03:24,791
[vocalizes]
2144
02:03:24,875 --> 02:03:27,583
[John] If we can just have a sort of
permanent mic on the piano,
2145
02:03:27,666 --> 02:03:29,000
and a permanent mic for me.
2146
02:03:29,083 --> 02:03:31,041
[Paul] So we can hear
both of them, you see, Glyn?
2147
02:03:31,125 --> 02:03:32,958
-[Glyn] Great.
- Hah.
2148
02:03:33,041 --> 02:03:36,041
["Mama, You Been on My Mind" playing]
2149
02:03:40,250 --> 02:03:44,750
♪ Perhaps it's the color
Of the sun cut flat ♪
2150
02:03:44,833 --> 02:03:50,166
♪ And covering the crossroads
I'm standing at ♪
2151
02:03:52,166 --> 02:03:56,500
♪ Or maybe it's the weather
Or something like that ♪
2152
02:03:57,500 --> 02:04:00,791
♪ Mama, you're just on my mind ♪
2153
02:04:05,041 --> 02:04:08,250
Words are flowing out
like endless rain into a paper cup.
2154
02:04:08,333 --> 02:04:09,791
Dear Apple. [chuckles]
2155
02:04:09,875 --> 02:04:13,166
They slither wildly as they slip away
across the universe.
2156
02:04:13,250 --> 02:04:17,375
♪ Words are flowing out
Like endless rain into a paper cup ♪
2157
02:04:17,458 --> 02:04:22,041
♪ They slither wildly
As they slip away across the universe ♪
2158
02:04:22,125 --> 02:04:23,833
[John] "Shakin' in the Sixties!"
2159
02:04:24,958 --> 02:04:28,041
♪ Shakin' in the '60s
With a book bought by Dick James ♪
2160
02:04:29,083 --> 02:04:32,416
♪ Shakin' in the '60s
With a book bought by Dick James ♪
2161
02:04:32,500 --> 02:04:34,916
[Paul] The noise is a little too loud
for me. [chuckles]
2162
02:04:35,000 --> 02:04:37,333
[John]
Leave the group then if you don't like it.
2163
02:04:37,416 --> 02:04:39,500
-[chuckling]
- Come on. I've done all mine.
2164
02:04:40,375 --> 02:04:41,541
Both of mine.
2165
02:04:41,625 --> 02:04:45,125
So, we'll go through it once
and just roughly get it in our heads.
2166
02:04:45,208 --> 02:04:47,000
Do you want the bass in for the riff?
2167
02:04:47,083 --> 02:04:48,083
[singing, indistinct]
2168
02:04:48,166 --> 02:04:49,916
Do you want the bass in with the riff?
2169
02:04:50,500 --> 02:04:51,750
- Don't know.
-[John] Okay.
2170
02:04:51,833 --> 02:04:54,166
Well, I'll just play it by ear then.
2171
02:04:54,250 --> 02:04:55,625
So then it goes...
2172
02:04:55,708 --> 02:04:59,250
♪ When I find myself in times of trouble ♪
2173
02:04:59,333 --> 02:05:02,541
♪ Mother Mary comes to me ♪
2174
02:05:02,625 --> 02:05:07,333
♪ Speaking words of wisdom
Let it be ♪
2175
02:05:08,958 --> 02:05:14,291
♪ And in my hour of darkness
She is standing right in front of me ♪
2176
02:05:15,083 --> 02:05:19,416
♪ Speaking words of wisdom
Let it be ♪
2177
02:05:20,708 --> 02:05:23,541
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2178
02:05:23,625 --> 02:05:26,583
-♪ Let it be, let it be ♪
-♪ Oh ♪
2179
02:05:27,666 --> 02:05:32,000
♪ Whisper words of wisdom
Let it be ♪
2180
02:05:32,083 --> 02:05:33,875
[John] ♪ Let it be ♪
2181
02:05:33,958 --> 02:05:37,000
♪ And all the broken-hearted people ♪
2182
02:05:37,083 --> 02:05:40,250
[vocalizing]
2183
02:05:42,916 --> 02:05:45,458
♪ Let it be ♪
2184
02:05:46,750 --> 02:05:48,291
♪ Whenever I'm in... ♪
2185
02:05:48,375 --> 02:05:49,375
[vocalizing]
2186
02:05:49,458 --> 02:05:52,666
♪ Brother Malcolm, Mary
Na, na, na ♪
2187
02:05:53,541 --> 02:05:55,500
[vocalizing continues]
2188
02:05:56,166 --> 02:05:57,875
♪ Let it be ♪
2189
02:05:57,958 --> 02:06:00,500
[Paul] No, keep that. [vocalizes]
The rhythm of that bit.
2190
02:06:00,583 --> 02:06:02,958
[George] I just feel it needs
something really sustained.
2191
02:06:03,041 --> 02:06:04,708
-[John] Yeah, how about some words?
-[chuckles]
2192
02:06:04,791 --> 02:06:05,958
-[laughing]
-[Paul vocalizes]
2193
02:06:06,041 --> 02:06:07,000
[George] Thanks.
2194
02:06:07,083 --> 02:06:09,458
["Let It Be" playing]
2195
02:06:10,750 --> 02:06:12,791
[Paul vocalizing]
2196
02:06:12,875 --> 02:06:14,958
♪ Let it be ♪
2197
02:06:16,041 --> 02:06:19,291
[vocalizing]
2198
02:06:19,375 --> 02:06:20,791
♪ Words of wisdom... ♪
2199
02:06:20,875 --> 02:06:24,916
[vocalizing]
2200
02:06:25,000 --> 02:06:26,166
♪ Let it be ♪
2201
02:06:26,250 --> 02:06:27,833
- Yeah?
-[George] Yeah. Like...
2202
02:06:27,916 --> 02:06:32,083
♪ Words of wisdom
Let it be ♪
2203
02:06:33,291 --> 02:06:36,625
[vocalizing]
2204
02:06:39,083 --> 02:06:41,875
- The way I was playing, was starting on F.
-[Paul] G.
2205
02:06:41,958 --> 02:06:44,666
"Whisper words of wisdom,
let it be, let it be."
2206
02:06:44,750 --> 02:06:47,375
-[vocalizes]
-♪ Down to C, down to... ♪
2207
02:06:47,458 --> 02:06:50,500
But I end up on the wrong one
when you're all moving on to F.
2208
02:06:50,583 --> 02:06:53,041
-♪ Whisper words of wisdom ♪
-♪ Words of G ♪
2209
02:06:53,125 --> 02:06:54,291
♪ Let it be, let it be ♪
2210
02:06:54,375 --> 02:06:57,541
F, C, G.
2211
02:06:57,625 --> 02:07:00,583
- Oh, miss the F?
- C, G, to C.
2212
02:07:00,666 --> 02:07:03,208
So, yes. So then, you see, you get this...
2213
02:07:03,291 --> 02:07:06,583
"Whisper words of wisdom,
let it be, let it be..."
2214
02:07:06,666 --> 02:07:08,541
[vocalizing]
2215
02:07:08,625 --> 02:07:09,625
You play that.
2216
02:07:09,708 --> 02:07:13,791
♪ Whisper words of wisdom
Let it be ♪
2217
02:07:18,333 --> 02:07:20,833
It seems that it's all happening
2218
02:07:21,416 --> 02:07:23,916
a little bit too quickly
with them both coming in at the same time.
2219
02:07:24,000 --> 02:07:25,375
-[Paul] Yeah.
- That's all.
2220
02:07:25,458 --> 02:07:28,291
[John] When do the drums first come in,
guitar, and all that?
2221
02:07:28,375 --> 02:07:30,833
Well, Glyn's saying
first time they come in...
2222
02:07:30,916 --> 02:07:32,791
- He seems to be arranging this. Come on.
-[laughs]
2223
02:07:32,875 --> 02:07:34,208
- Go on.
-[piano playing]
2224
02:07:34,291 --> 02:07:36,500
[Paul vocalizing]
2225
02:07:40,333 --> 02:07:43,041
[vocalizing continues]
2226
02:07:43,125 --> 02:07:43,958
♪ Let it... ♪
2227
02:07:44,041 --> 02:07:46,875
-[Paul] Could have bass there with a...
-[John] Only if you ask nicely.
2228
02:07:46,958 --> 02:07:51,125
-[piano playing]
-[Paul vocalizes]
2229
02:07:51,208 --> 02:07:53,666
-[John] You want me on the verse?
-[Paul] Yeah. Come in, bass.
2230
02:07:53,750 --> 02:07:55,666
[John]
On the verse when he comes chapping...
2231
02:07:55,750 --> 02:07:57,583
-[Paul] Well, I was thinking of it, yeah.
-[John] Yeah.
2232
02:07:57,666 --> 02:07:59,375
- Glyn and I have thought...
-[Paul] Glyn and...
2233
02:07:59,458 --> 02:08:01,166
[John] ♪ Let it be
Let it be ♪
2234
02:08:01,250 --> 02:08:03,291
One, two, three.
2235
02:08:03,375 --> 02:08:07,000
♪ When I find myself in times of trouble ♪
2236
02:08:07,083 --> 02:08:09,541
♪ Mother Mary comes to me ♪
2237
02:08:10,333 --> 02:08:14,291
♪ Speaking words of wisdom
Let it be ♪
2238
02:08:14,375 --> 02:08:16,500
[no audible dialogue]
2239
02:08:16,583 --> 02:08:22,833
♪ And in my hour of darkness
She is standing right in front of me ♪
2240
02:08:22,916 --> 02:08:27,333
[Paul] ♪ Speaking words of wisdom
Let it be ♪
2241
02:08:28,500 --> 02:08:31,958
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2242
02:08:32,041 --> 02:08:35,041
-♪ Let it be, let it be ♪
-♪ Oh ♪
2243
02:08:35,750 --> 02:08:39,708
♪ Whisper words of wisdom
Let it be ♪
2244
02:08:39,791 --> 02:08:41,625
♪ Let it be ♪
2245
02:08:42,208 --> 02:08:48,000
♪ For all the broken-hearted people
Heaven above must agree ♪
2246
02:08:49,125 --> 02:08:53,208
[vocalizing]
2247
02:08:55,208 --> 02:08:58,208
[vocalizing continues]
2248
02:09:04,541 --> 02:09:06,125
♪ Let it be ♪
2249
02:09:07,583 --> 02:09:10,916
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2250
02:09:11,000 --> 02:09:14,458
-♪ Let it be, let it be ♪
-♪ Oh ♪
2251
02:09:14,541 --> 02:09:18,791
♪ Read the Record Mirror
Let it be ♪
2252
02:09:20,291 --> 02:09:22,000
[vocalizing]
2253
02:09:37,750 --> 02:09:39,750
[music fades, stops]
2254
02:09:39,833 --> 02:09:42,375
[Ringo]
Forty million Churchills can't be wrong.
2255
02:09:44,333 --> 02:09:46,916
Forty million Churchills can't be wrong,
but one de Gaulle can.
2256
02:09:47,000 --> 02:09:48,583
-[laughs]
-[Paul] We've got a charming one here.
2257
02:09:48,666 --> 02:09:50,708
"I Wish I Had Died in My Cradle."
2258
02:09:50,791 --> 02:09:52,958
[all laugh]
2259
02:09:53,041 --> 02:09:54,458
[Ringo] I don't know.
2260
02:09:56,291 --> 02:09:58,125
"Lisp Of A Baby's Prayer."
2261
02:09:58,208 --> 02:09:59,208
[chuckles]
2262
02:09:59,291 --> 02:10:01,125
[Paul] "Alphabet Song." What's that one?
2263
02:10:01,208 --> 02:10:03,750
Oh, Christ,
I don't know the whole catalog yet.
2264
02:10:03,833 --> 02:10:06,458
4,000 songs is a lot to absorb.
2265
02:10:06,541 --> 02:10:08,708
- In the morning?
- Perhaps.
2266
02:10:08,791 --> 02:10:12,083
-"Nobody Loves a Fairy When She's Forty."
-[laughs]
2267
02:10:13,708 --> 02:10:15,458
[Paul] This is it? This is the lot?
2268
02:10:15,541 --> 02:10:19,583
This is a very good list.
That's the entire catalog up to '65.
2269
02:10:20,416 --> 02:10:21,416
Yeah. Yeah.
2270
02:10:21,500 --> 02:10:23,541
Is this the catalog
that's just gone on sale?
2271
02:10:23,625 --> 02:10:25,625
- It's the one we just bought.
- You bought it. Oh, great.
2272
02:10:27,000 --> 02:10:29,000
[whistling]
2273
02:10:31,083 --> 02:10:34,833
- Which includes Paul and John. And--
- Just about.
2274
02:10:34,916 --> 02:10:37,541
- What are you talking about, "Just about"?
- Nothing. Uh, no comment.
2275
02:10:38,291 --> 02:10:39,875
Very substantially, sir.
2276
02:10:39,958 --> 02:10:41,166
Yes, right. Okay.
2277
02:10:45,083 --> 02:10:48,333
-[Michael] Mm-hmm. Marvelous catalog.
-[Dick] Oh, it's an incredible catalog.
2278
02:10:48,416 --> 02:10:51,916
And we'll start on reprinting
a great deal of this music,
2279
02:10:52,000 --> 02:10:55,958
because sheet music and song albums
is an expanding market now.
2280
02:10:56,041 --> 02:10:57,666
Right, right. [chuckles] Yeah, yeah.
2281
02:10:57,750 --> 02:11:01,541
You know, 12 songs for five bob
is more than ample. That's good value.
2282
02:11:06,875 --> 02:11:08,041
-[Dick] Yeah.
- Great.
2283
02:11:18,000 --> 02:11:19,041
[Dick] Yeah.
2284
02:11:19,125 --> 02:11:21,958
-"Carolina Moon," my Uncle Ron's favorite.
-[Dick] Well.
2285
02:11:22,041 --> 02:11:24,375
He sings it at all the parties.
[imitating uncle] All right!
2286
02:11:24,458 --> 02:11:27,916
♪ Carolina Moon ♪
2287
02:11:28,000 --> 02:11:29,041
Come on, Paul.
2288
02:11:29,125 --> 02:11:30,208
The Copyright Act
2289
02:11:30,291 --> 02:11:34,250
and the payment for a performance
of a fee didn't start until 1911.
2290
02:11:34,333 --> 02:11:36,083
But who buys sheet music?
2291
02:11:36,166 --> 02:11:37,708
Is it mainly piano people?
2292
02:11:37,791 --> 02:11:39,500
[Dick] No. Guitar people.
2293
02:11:47,333 --> 02:11:48,333
[Paul] Yeah.
2294
02:11:50,625 --> 02:11:53,916
[Paul] Well, a lot of our stuff,
I don't know whether it does any more,
2295
02:11:54,000 --> 02:11:57,000
because we always publish our lyrics now,
you know?
2296
02:11:57,083 --> 02:12:00,083
But you see,
particularly where the boys are concerned,
2297
02:12:00,166 --> 02:12:01,750
they create the song, right?
2298
02:12:01,833 --> 02:12:04,875
And I give it to my music scribe
and he has to take it down.
2299
02:12:04,958 --> 02:12:06,708
And he's a very good man,
very experienced.
2300
02:12:08,125 --> 02:12:11,666
He can make mistakes,
but in an effort to eliminate this now
2301
02:12:11,750 --> 02:12:14,875
we check the lyrics with John and Paul,
they okay the lyric...
2302
02:12:19,166 --> 02:12:20,916
- Hi.
2303
02:12:25,208 --> 02:12:26,291
- Hi, George.
-[Michael] Hi, man.
2304
02:12:30,916 --> 02:12:32,916
[Dick] I'm well aware.
You're very welcome.
2305
02:12:36,166 --> 02:12:39,500
Something to drink out of
or the wife can throw?
2306
02:12:41,375 --> 02:12:43,041
Which I sang in my heyday.
2307
02:12:43,125 --> 02:12:44,666
[chattering]
2308
02:12:44,750 --> 02:12:45,916
- Hi, Georgie.
- Hi, Mike.
2309
02:12:46,000 --> 02:12:47,291
[Michael] Hi, George. How are you?
2310
02:12:52,958 --> 02:12:54,708
It doesn't even seem high to me.
2311
02:12:54,791 --> 02:12:57,166
- Well, these are gilt-edged songs.
-[piano music playing]
2312
02:12:57,250 --> 02:12:58,791
[Paul singing]
2313
02:12:58,875 --> 02:13:00,166
-Morgen.
- Morning.
2314
02:13:00,250 --> 02:13:02,833
-[George] Didn't Neil ring you last night?
- No.
2315
02:13:11,583 --> 02:13:12,583
[Michael] Take hold of this.
2316
02:13:12,666 --> 02:13:14,500
If anybody says
anything interesting, remember it.
2317
02:13:14,583 --> 02:13:16,625
-[Ringo] Not really.
-[all laugh]
2318
02:13:18,541 --> 02:13:23,083
Uh... Neil would like us to have a meeting.
2319
02:13:23,166 --> 02:13:24,708
-[John] Saturday?
-[George] Yes.
2320
02:13:24,791 --> 02:13:26,625
He was very excited and--
2321
02:13:26,708 --> 02:13:28,708
- Was he? Good news or--
- Yes. Very.
2322
02:13:28,791 --> 02:13:30,625
Oh, all right, I'll come for good news.
[chuckles]
2323
02:13:30,708 --> 02:13:31,708
[indistinct]
2324
02:13:33,375 --> 02:13:34,541
You watching?
2325
02:13:34,625 --> 02:13:35,666
Yeah.
2326
02:13:39,000 --> 02:13:41,541
Yeah, I think it's gonna be
a double-sider.
2327
02:13:41,625 --> 02:13:45,666
And, uh, we've set it for release--
We've set it for release in the States.
2328
02:13:45,750 --> 02:13:47,958
She's doing it on The Rolf Harris Show
tomorrow night.
2329
02:13:48,041 --> 02:13:50,666
-[Paul] Is she one of your artists?
- She's an EMI artist.
2330
02:13:50,750 --> 02:13:53,708
And we have some territories,
2331
02:13:53,791 --> 02:13:56,041
then EMI puts them out in other places.
2332
02:13:56,541 --> 02:13:58,500
-[Paul] Okay, shall we start?
- Yeah.
2333
02:13:58,583 --> 02:13:59,833
[chattering]
2334
02:13:59,916 --> 02:14:01,125
I'll send some, um...
2335
02:14:01,875 --> 02:14:03,583
I'll send some discs down, Paul.
2336
02:14:04,166 --> 02:14:05,125
[Paul] Okay.
2337
02:14:05,208 --> 02:14:06,916
[Dick] Should have pressings up, um...
2338
02:14:07,000 --> 02:14:10,625
Well, I think they were up last night, but
they were up too late for me to get them.
2339
02:14:11,875 --> 02:14:13,708
["Get Back" playing]
2340
02:14:13,791 --> 02:14:17,083
[vocalizing]
2341
02:14:19,875 --> 02:14:21,416
[laughs] That was a nice start.
2342
02:14:30,500 --> 02:14:34,291
[John] ♪ Put on your hi-heel sneakers ♪
2343
02:14:34,916 --> 02:14:35,916
[Ringo] Bye, Dick.
2344
02:14:36,000 --> 02:14:38,708
♪ Cause we're goin' out tonight ♪
2345
02:14:43,833 --> 02:14:47,166
♪ Put on your hi-heel sneakers ♪
2346
02:14:48,875 --> 02:14:51,958
♪ Cause we're goin' out tonight ♪
2347
02:14:52,041 --> 02:14:53,125
♪ We are ♪
2348
02:14:57,708 --> 02:15:00,625
♪ And bring along some boxin' gloves ♪
2349
02:15:01,875 --> 02:15:05,416
♪ In case some fool might wanna fight ♪
2350
02:15:10,375 --> 02:15:11,375
[Paul]
♪ Get back ♪
2351
02:15:12,458 --> 02:15:13,916
♪ Back ♪
2352
02:15:14,000 --> 02:15:16,875
♪ Back to where you once belonged ♪
2353
02:15:18,041 --> 02:15:19,166
I dig this. I do.
2354
02:15:21,416 --> 02:15:22,875
[no audible dialogue]
2355
02:15:26,291 --> 02:15:27,500
[no audible dialogue]
2356
02:15:27,583 --> 02:15:31,208
[chords playing]
2357
02:15:31,291 --> 02:15:33,833
[chattering]
2358
02:15:38,708 --> 02:15:41,750
♪ Get back, get back ♪
2359
02:15:53,166 --> 02:15:54,458
[Paul] Yes.
2360
02:15:55,666 --> 02:15:56,666
[John] Yes, yes!
2361
02:16:07,416 --> 02:16:08,750
[music fades]
2362
02:16:08,833 --> 02:16:11,958
[John] We've never learned
so many new numbers at once. Have we?
2363
02:16:12,041 --> 02:16:13,208
[Paul] Yeah.
2364
02:16:13,291 --> 02:16:15,500
- That's it. It will be better, that.
- Yeah.
2365
02:16:17,500 --> 02:16:18,916
[Paul] Well, should we just redo this one?
2366
02:16:19,000 --> 02:16:21,041
- I still haven't got words on this.
-[John] Yes.
2367
02:16:23,875 --> 02:16:26,458
-[singing note]
-[guitar matches note]
2368
02:16:26,541 --> 02:16:28,375
[playing instruments]
2369
02:16:29,458 --> 02:16:32,333
[Paul] Yeah, let's have it like that.
Just have a big, held chord.
2370
02:16:32,416 --> 02:16:34,916
All of us just hold a chord of, like, A.
2371
02:16:35,000 --> 02:16:38,875
But you creep up with drumming.
So it goes, "One, two, three, four."
2372
02:16:38,958 --> 02:16:40,208
[instruments hold note]
2373
02:16:40,291 --> 02:16:43,208
[plays drums]
2374
02:16:43,291 --> 02:16:45,041
Only even more like, sort of...
2375
02:16:45,125 --> 02:16:48,625
[imitates guitar, drums]
2376
02:16:48,708 --> 02:16:49,833
So you...
2377
02:16:49,916 --> 02:16:53,708
You'll have to do something like lead to...
2378
02:16:53,791 --> 02:16:57,416
[sings note] What was the record?
2379
02:16:59,458 --> 02:17:01,541
- There's one record of ours.
-[John] Should be more like...
2380
02:17:01,625 --> 02:17:03,916
[vocalizing to "Get Back"]
2381
02:17:07,083 --> 02:17:08,291
[Paul] But even in the--
2382
02:17:09,208 --> 02:17:11,583
That suggests something to me. That chord.
2383
02:17:11,666 --> 02:17:13,083
- Yeah.
-[both vocalize]
2384
02:17:13,166 --> 02:17:14,458
And also, that's why I like--
2385
02:17:14,541 --> 02:17:18,333
That's why "Get Back" suggests
any old number like this.
2386
02:17:18,416 --> 02:17:21,166
So if we have harmony on it
and try and make it--
2387
02:17:21,250 --> 02:17:22,250
[John] Yes?
2388
02:17:22,750 --> 02:17:25,458
-'Cause it's a bit ordinary, isn't it?
- So-- So you don't want that?
2389
02:17:25,541 --> 02:17:28,083
The "Get Back" bit's the ordinary bit.
2390
02:17:28,166 --> 02:17:30,208
Yeah, but it's all right.
I mean, but we should--
2391
02:17:30,291 --> 02:17:32,750
We should try and get away from...
2392
02:17:32,833 --> 02:17:33,916
♪ Get back ♪
2393
02:17:34,625 --> 02:17:36,541
♪ Get back, yeah ♪
2394
02:17:36,625 --> 02:17:38,125
- Get away from that?
- Uh, no--
2395
02:17:39,166 --> 02:17:41,250
Yeah, but I know.
I mean, just get away from the way...
2396
02:17:42,416 --> 02:17:43,958
[Paul stammers]
2397
02:17:44,041 --> 02:17:47,583
Where did we get that chord? You know?
There was a song we got that chord from.
2398
02:17:48,875 --> 02:17:51,583
- There was one where we sort of--
-[John] Booker T. and the MG's.
2399
02:17:51,666 --> 02:17:54,125
-[Paul] Booker T. Yeah.
-[George] But there's lots...
2400
02:17:55,291 --> 02:17:58,833
But it's passé, you know?
It's like-- It was a couple of years ago.
2401
02:17:58,916 --> 02:18:00,708
No, it wasn't. That's just a chord.
2402
02:18:00,791 --> 02:18:02,041
I know, but, you know. Yeah, but--
2403
02:18:02,125 --> 02:18:04,958
- Chords like fashions and stuff...
- And some chords fit things.
2404
02:18:05,041 --> 02:18:06,166
But it's like drainies.
2405
02:18:06,250 --> 02:18:08,583
- Yeah, but some drainies...
- They're still drainies, but...
2406
02:18:08,666 --> 02:18:12,083
...suit different occasions
and Oxford bags--
2407
02:18:12,166 --> 02:18:16,291
[Paul] The thing is, that's good enough
for the rock and roll thing, but--
2408
02:18:17,166 --> 02:18:19,708
- No, you don't. You need, like--
- You need George Harrison.
2409
02:18:19,791 --> 02:18:21,250
-[Paul] You need George Harrison. Yeah.
- Mmm.
2410
02:18:21,333 --> 02:18:24,916
But just doing simple things
until it's your go.
2411
02:18:25,000 --> 02:18:27,583
Because I'm trying to sing louder
to get over the guitar.
2412
02:18:30,500 --> 02:18:34,416
Yeah. But--
but if you do the offbeat with Ringo.
2413
02:18:34,500 --> 02:18:37,250
♪ Get back, get back ♪
2414
02:18:39,500 --> 02:18:40,500
♪ Get back ♪
2415
02:18:41,250 --> 02:18:42,250
♪ Get back ♪
2416
02:18:42,791 --> 02:18:43,791
♪ Get back ♪
2417
02:18:44,333 --> 02:18:45,750
♪ Get back ♪
2418
02:18:46,500 --> 02:18:49,250
♪ Get back to where you once belonged ♪
2419
02:18:50,000 --> 02:18:51,000
♪ Get back ♪
2420
02:18:52,041 --> 02:18:53,208
♪ Get back ♪
2421
02:18:53,833 --> 02:18:56,666
♪ Get back to where you once belonged ♪
2422
02:18:58,583 --> 02:18:59,583
See, but don't--
2423
02:18:59,666 --> 02:19:03,541
If you vamp, then it--
then it takes away from his vamping.
2424
02:19:03,625 --> 02:19:04,833
I think, you know?
2425
02:19:04,916 --> 02:19:06,958
But it's like that. It is like that.
2426
02:19:07,041 --> 02:19:10,833
It's like the big, soft lead guitarist,
you know, who just stands there and just--
2427
02:19:10,916 --> 02:19:12,500
- Little, soft lead guitarist.
- Well, you know--
2428
02:19:12,583 --> 02:19:15,333
No, but the big one in my head,
where he just sort of goes...
2429
02:19:15,416 --> 02:19:17,916
[heavy strumming]
2430
02:19:18,000 --> 02:19:20,458
But you can either do that soft
or good, you know?
2431
02:19:20,541 --> 02:19:21,916
You don't...
2432
02:19:22,000 --> 02:19:23,208
It's that thing, you know?
2433
02:19:24,791 --> 02:19:27,041
- I mean, "She's a Woman."
- Yeah.
2434
02:19:27,125 --> 02:19:30,458
That was just a better rhythm
than we have, you know, because--
2435
02:19:30,541 --> 02:19:32,750
And "Sgt. Pepper" on the organ. It's just...
2436
02:19:32,833 --> 02:19:34,708
-[song playing]
-[scatting]
2437
02:19:39,875 --> 02:19:41,416
None of you are trying to do any of it.
2438
02:19:41,500 --> 02:19:43,583
[John] Okay. I'll just write it down then.
2439
02:19:43,666 --> 02:19:44,750
[chattering]
2440
02:19:47,000 --> 02:19:48,750
- Yeah, and the Puerto Ricans.
- Yeah.
2441
02:19:49,250 --> 02:19:50,375
[chattering]
2442
02:19:52,416 --> 02:19:54,083
[Paul] She thought she was a woman.
2443
02:19:54,166 --> 02:19:55,875
♪ Jo Jo went and left his-- ♪
2444
02:19:55,958 --> 02:19:56,958
Jo Jo.
2445
02:19:58,166 --> 02:20:00,500
♪ Jo Jo left his home in-- ♪
2446
02:20:02,083 --> 02:20:04,041
- What's a Western name?
- Jo Jo went and left--
2447
02:20:04,125 --> 02:20:07,208
- A Western name? Jo Jo...
-[John sighs]
2448
02:20:07,291 --> 02:20:08,875
- Go on.
- Perkins.
2449
02:20:08,958 --> 02:20:10,708
♪ Jo Jo Perkins left-- ♪
2450
02:20:10,791 --> 02:20:12,166
♪ Jo Jo Lemon-- ♪
2451
02:20:12,875 --> 02:20:13,875
Jo Jo Carter?
2452
02:20:13,958 --> 02:20:14,958
Jo Jo Williams?
2453
02:20:15,041 --> 02:20:18,166
Jo Jo Braxton. Jo Jo Pepper. Brennan.
2454
02:20:18,250 --> 02:20:19,250
♪ Jo Jo-- ♪
2455
02:20:20,833 --> 02:20:22,875
♪ Jo Jo Daphne left his home-- ♪
2456
02:20:24,000 --> 02:20:25,000
[John] Yeah.
2457
02:20:25,083 --> 02:20:28,666
♪ Jo Jo Jackson left his home in Arizona ♪
2458
02:20:28,750 --> 02:20:31,166
[vocalizing]
2459
02:20:37,416 --> 02:20:38,666
[indistinct]
2460
02:20:38,750 --> 02:20:40,833
♪ Don't dig no Pakistanis ♪
2461
02:20:40,916 --> 02:20:43,916
♪ Living in a council flat ♪
2462
02:20:45,000 --> 02:20:51,958
[indistinct]
2463
02:20:52,666 --> 02:20:54,000
[both] ♪ Oh, get back ♪
2464
02:20:54,958 --> 02:20:56,333
♪ Get back ♪
2465
02:20:57,291 --> 02:21:00,208
♪ Back to where you once belonged ♪
2466
02:21:02,583 --> 02:21:05,125
♪ Two of us wearing raincoats ♪
2467
02:21:05,208 --> 02:21:10,125
♪ Standing solo in the sun ♪
2468
02:21:11,041 --> 02:21:13,791
♪ You and me chasing paper ♪
2469
02:21:13,875 --> 02:21:15,833
♪ Getting nowhere ♪
2470
02:21:15,916 --> 02:21:20,708
♪ On our way back home ♪
2471
02:21:21,416 --> 02:21:23,291
♪ We're on our way home ♪
2472
02:21:24,208 --> 02:21:26,083
♪ We're on our way home ♪
2473
02:21:27,000 --> 02:21:28,250
♪ We're going home ♪
2474
02:21:31,625 --> 02:21:36,083
♪ On our way back home ♪
2475
02:21:39,083 --> 02:21:43,375
♪ On our way back home ♪
2476
02:21:46,875 --> 02:21:52,333
♪ On our way back home ♪
2477
02:21:52,416 --> 02:21:54,666
[Paul] That's it. You know, it'll go--
2478
02:21:54,750 --> 02:21:55,750
[John] Well, you know.
2479
02:21:55,833 --> 02:21:56,833
[guitar plays]
2480
02:21:56,916 --> 02:21:59,583
[Paul] I think it needs
a bit more of that, this one.
2481
02:21:59,666 --> 02:22:01,291
Needs a bit more of that.
2482
02:22:02,500 --> 02:22:05,041
In fact, maybe you shouldn't both do that.
2483
02:22:05,125 --> 02:22:07,250
- Could you stop playing for a minute?
- Yes, all right, Paul.
2484
02:22:07,333 --> 02:22:09,916
...while I'm trying to talk to you
about this arrangement. Thank you.
2485
02:22:11,125 --> 02:22:13,625
- Could we go for lunch?
-[John] Is it lunch already?
2486
02:22:13,708 --> 02:22:14,708
[Paul] Yes.
2487
02:22:14,791 --> 02:22:16,125
[guitar continues]
2488
02:22:39,666 --> 02:22:40,541
Yeah.
2489
02:22:40,625 --> 02:22:42,666
- We aim to please.
-[Mal] I rang Chris and--
2490
02:22:44,333 --> 02:22:45,333
Mmm?
2491
02:23:11,750 --> 02:23:14,333
-[Paul chuckles]
-[guitar plays]
2492
02:23:14,416 --> 02:23:16,625
[John] Oh. So pissed.
2493
02:23:19,750 --> 02:23:21,333
-[John] No.
-[all chuckle]
2494
02:23:22,916 --> 02:23:23,750
[Paul] Yeah.
2495
02:23:29,791 --> 02:23:30,791
Stop it! Stop it!
2496
02:23:33,458 --> 02:23:35,458
- Ooh. What a buzz.
-[laughs]
2497
02:23:35,541 --> 02:23:36,666
What a buzz.
2498
02:23:36,750 --> 02:23:39,833
[John] "I've Got a Feeling."
Okay, George. Take it.
2499
02:23:39,916 --> 02:23:42,875
["I've Got a Feeling" playing]
2500
02:23:45,166 --> 02:23:48,041
♪ I've got a feeling ♪
2501
02:23:48,875 --> 02:23:51,333
♪ A feeling deep inside
Oh, yeah ♪
2502
02:23:53,416 --> 02:23:54,583
♪ Oh, no ♪
2503
02:23:56,625 --> 02:23:58,958
♪ Yeah! ♪
2504
02:23:59,041 --> 02:24:03,625
♪ Whoa, I've got a feeling, yeah ♪
2505
02:24:04,750 --> 02:24:07,833
♪ Don't let me down ♪
2506
02:24:11,083 --> 02:24:14,083
♪ Don't let me down ♪
2507
02:24:17,833 --> 02:24:20,375
♪ Don't let me down ♪
2508
02:24:28,458 --> 02:24:33,625
[wailing]
2509
02:24:51,083 --> 02:24:54,791
[continues wailing]
2510
02:25:09,583 --> 02:25:13,500
[grunting]
2511
02:25:16,708 --> 02:25:20,458
[wailing]
2512
02:25:27,166 --> 02:25:28,291
♪ John! ♪
2513
02:25:29,125 --> 02:25:30,625
[Ringo] Yeah, rock it to me, baby.
2514
02:25:31,791 --> 02:25:33,166
That's what I like.
2515
02:25:33,875 --> 02:25:37,000
You may think this is a full orchestra,
but if you look closely,
2516
02:25:37,083 --> 02:25:40,333
you can see there's only two people
playing and one person singing.
2517
02:25:41,000 --> 02:25:43,375
I know it sounds like Benny Goodman,
but don't worry.
2518
02:25:43,458 --> 02:25:46,916
It's the big sound of 1969.
2519
02:25:47,000 --> 02:25:50,916
[high-pitched voice] ♪ Bang! Bang!
Maxwell's silver hammer ♪
2520
02:25:51,000 --> 02:25:54,500
♪ Came down upon his head ♪
2521
02:25:56,083 --> 02:25:57,333
♪ Clang! Clang! ♪
2522
02:25:57,416 --> 02:26:03,916
♪ Maxwell's silver hammer
Made sure that Joan was dead ♪
2523
02:26:06,166 --> 02:26:09,291
[Michael] Maybe for the show, I mean,
you could just say George was sick.
2524
02:26:09,791 --> 02:26:11,916
[John]
No. I mean, if he leaves, he leaves.
2525
02:26:20,000 --> 02:26:23,708
-[chattering]
-[Yoko vocalizing]
2526
02:26:23,791 --> 02:26:27,416
♪ John, John, John, John ♪
2527
02:26:35,916 --> 02:26:37,166
♪ John... ♪
2528
02:26:37,250 --> 02:26:39,000
[John] Anything you say, dear!
2529
02:26:39,083 --> 02:26:41,791
- John, John!
- I've brought the tea.
2530
02:26:41,875 --> 02:26:43,541
John!
2531
02:26:43,625 --> 02:26:45,625
[John, high-pitched voice] Yes?
2532
02:26:46,375 --> 02:26:48,041
[slow-tempo music playing]
2533
02:26:48,125 --> 02:26:49,125
[John] I saw him!
2534
02:26:49,208 --> 02:26:50,791
-[Ringo] Terrible!
-[John] Shit!
2535
02:26:52,958 --> 02:26:55,958
[Paul singing indistinctly]
2536
02:27:06,000 --> 02:27:07,000
[Michael] Yeah.
2537
02:27:27,416 --> 02:27:30,958
- So cats and kittens, what we gonna do?
-[laughs]
2538
02:27:32,625 --> 02:27:34,208
[chattering]
2539
02:27:39,208 --> 02:27:40,375
[laughs]
2540
02:27:43,333 --> 02:27:44,666
[John] Orson Welles. [chuckles]
2541
02:27:44,750 --> 02:27:46,541
[Michael]
The thing about Orson is he's very funny.
2542
02:27:46,625 --> 02:27:47,750
We were in Belfast,
2543
02:27:47,833 --> 02:27:49,833
rehearsing the stage version
of Chimes of Midnight.
2544
02:27:49,916 --> 02:27:51,458
And one day he walked off the stage.
2545
02:27:52,541 --> 02:27:54,208
-[Michael] "See you round the clubs."
-[Glyn laughs]
2546
02:27:54,291 --> 02:27:57,125
-[Michael] He came back an hour later.
-[laughing]
2547
02:27:58,166 --> 02:28:00,583
Get in your bag! [laughs]
2548
02:28:00,666 --> 02:28:02,750
Get in your-- Get in your bloody bag!
2549
02:28:02,833 --> 02:28:04,625
-[Yoko] Not again!
-[Paul] Go on!
2550
02:28:05,583 --> 02:28:09,083
The Mersey Beat Awards
for the Best Couple of the Year...
2551
02:28:09,583 --> 02:28:11,000
[Michael coughs]
2552
02:28:11,083 --> 02:28:12,791
...goes to John and Yoko.
2553
02:28:13,416 --> 02:28:14,583
[laughs]
2554
02:28:25,625 --> 02:28:26,875
[laughs]
2555
02:28:26,958 --> 02:28:29,958
["Isn't It A Pity" playing]
2556
02:28:34,166 --> 02:28:36,458
[George] ♪ Isn't it a pity ♪
2557
02:28:41,291 --> 02:28:43,208
♪ Isn't it a shame ♪
2558
02:28:46,416 --> 02:28:49,666
♪ How we break each other's hearts ♪
2559
02:28:53,333 --> 02:28:55,791
♪ And cause each other pain ♪
2560
02:28:59,250 --> 02:29:02,666
♪ How we take each other's love ♪
2561
02:29:06,000 --> 02:29:08,458
♪ Without thinking anymore ♪
2562
02:29:12,666 --> 02:29:15,333
♪ Forgetting to give back ♪
2563
02:29:19,166 --> 02:29:21,458
♪ Isn't it a pity ♪
2564
02:29:25,708 --> 02:29:28,333
♪ Some things take so long ♪
2565
02:29:31,833 --> 02:29:34,666
♪ But how do I explain? ♪
2566
02:29:38,375 --> 02:29:41,583
♪ When not too many people ♪
2567
02:29:44,833 --> 02:29:47,625
♪ Can see we're all the same? ♪
2568
02:29:51,333 --> 02:29:54,458
♪ Because of all their tears ♪
2569
02:29:57,916 --> 02:30:00,750
♪ Their eyes can't hope to see ♪
2570
02:30:04,500 --> 02:30:07,708
♪ The beauty that surrounds them ♪
2571
02:30:10,958 --> 02:30:13,375
♪ Oh, isn't it a pity? ♪
2572
02:30:17,083 --> 02:30:22,458
[vocalizes]
2573
02:30:24,625 --> 02:30:27,625
[vocalizing]
2574
02:30:42,958 --> 02:30:46,208
♪ And because of all their tears ♪
2575
02:30:49,583 --> 02:30:52,291
♪ Their eyes don't hope to see ♪
2576
02:30:56,000 --> 02:30:59,125
♪ The beauty that surrounds them ♪
2577
02:31:02,583 --> 02:31:05,083
♪ Oh, isn't it a pity? ♪