1
00:00:44,708 --> 00:00:50,208
♪ In spite of all the danger ♪
2
00:00:50,291 --> 00:00:53,500
♪ In spite of all that may be ♪
3
00:00:53,583 --> 00:00:58,958
♪ I'll do anything for you ♪
4
00:00:59,041 --> 00:01:01,833
♪ Anything you want me to ♪
5
00:01:01,916 --> 00:01:04,833
♪ If you'll be true to me ♪
6
00:01:07,708 --> 00:01:13,208
♪ In spite of all the heartache ♪
7
00:01:13,291 --> 00:01:16,458
♪ That you may cause me ♪
8
00:01:16,541 --> 00:01:21,750
♪ I'll do anything for you ♪
9
00:01:21,833 --> 00:01:24,708
♪ Anything you want me to ♪
10
00:01:24,791 --> 00:01:28,333
♪ If you'll be true to me ♪
11
00:01:53,500 --> 00:01:56,416
♪ Some other guy now
Has taken my love away from me ♪
12
00:01:56,500 --> 00:01:59,708
I was immediately struck by their music,
their beat
13
00:01:59,791 --> 00:02:02,708
and their sense of humor,
actually, onstage.
14
00:02:02,791 --> 00:02:05,500
And it was there that, really,
it all started.
15
00:02:05,583 --> 00:02:07,708
♪ Love, love me do ♪
16
00:02:07,791 --> 00:02:10,708
♪ You know I love you ♪
17
00:02:10,791 --> 00:02:14,541
The Beatles--
George Harrison, Ringo Starr,
18
00:02:14,625 --> 00:02:17,000
John Lennon, Paul McCartney.
19
00:02:24,208 --> 00:02:25,583
-♪ Come on ♪
-♪ Come on ♪
20
00:02:25,666 --> 00:02:28,708
♪ Please please me, whoa yeah
Like I please you ♪
21
00:02:31,291 --> 00:02:33,916
George, you think all this
success is just a one-night stand?
22
00:02:34,000 --> 00:02:36,750
I mean,
it can't go on the way it has been going.
23
00:02:39,375 --> 00:02:40,625
♪ Ooh ♪
24
00:02:40,708 --> 00:02:43,000
♪ She loves you yeah, yeah, yeah ♪
25
00:02:43,083 --> 00:02:45,583
This is no ordinary departure
from London Airport.
26
00:02:45,666 --> 00:02:48,000
The Beatles are on their way to America.
27
00:02:48,083 --> 00:02:51,500
Paul McCartney may have been wondering
how the songs he and John write
28
00:02:51,583 --> 00:02:52,875
will go over in the States.
29
00:02:52,958 --> 00:02:57,416
♪ Listen, do you want to know a secret? ♪
30
00:02:58,333 --> 00:03:00,208
This rock and roll group has taken over
31
00:03:00,291 --> 00:03:02,208
as the kingpins of musical appreciation.
32
00:03:02,291 --> 00:03:04,791
- Do you hope to get a haircut at all--
- No!
33
00:03:04,875 --> 00:03:07,041
- No, thanks.
- I had one yesterday.
34
00:03:11,458 --> 00:03:14,458
Ladies and gentlemen, The Beatles!
35
00:03:14,541 --> 00:03:18,041
♪ Close your eyes and I'll kiss you ♪
36
00:03:18,125 --> 00:03:20,375
♪ Tomorrow I'll miss you ♪
37
00:03:20,458 --> 00:03:24,375
The Beatles, who originated
as a small-time act out of Liverpool,
38
00:03:24,458 --> 00:03:27,375
now have no rivals
as the kingpins of the teenage set.
39
00:03:27,458 --> 00:03:33,000
♪ Hope you need my love, babe
Just like I need you ♪
40
00:03:33,083 --> 00:03:34,583
♪ Oh, hold me ♪
41
00:03:34,666 --> 00:03:36,708
Did you enjoy it?
- Yeah, it was marvelous.
42
00:03:36,791 --> 00:03:37,916
I just loved all of it.
43
00:03:38,500 --> 00:03:41,750
The Beatles are the top
pop music phenomenon of the century.
44
00:03:41,833 --> 00:03:44,583
Did you have a chance to get
away from anybody at anytime on the trip?
45
00:03:44,666 --> 00:03:47,083
- Yeah.
- He got away from me twice.
46
00:03:50,750 --> 00:03:54,041
♪ It's been a hard day's night ♪
47
00:03:54,125 --> 00:03:57,708
And here with The Beatles was
Brian Epstein, their famous manager.
48
00:03:57,791 --> 00:04:00,250
♪ 'Cause I don't care too much for money ♪
49
00:04:00,333 --> 00:04:01,708
♪ Money can't buy me love ♪
50
00:04:01,791 --> 00:04:04,500
♪ Can't buy me love ♪
51
00:04:04,583 --> 00:04:05,916
♪ And I do ♪
52
00:04:06,000 --> 00:04:09,291
♪ And I do, hey, hey, hey ♪
53
00:04:09,375 --> 00:04:11,166
♪ And I do ♪
54
00:04:13,416 --> 00:04:15,916
Hey, pardon me for asking,
but who's that little old man?
55
00:04:16,000 --> 00:04:19,625
Oh, that's my grandfather.
He's very clean.
56
00:04:19,708 --> 00:04:23,791
♪ Help me if you can ♪
I'm feeling down ♪
57
00:04:23,875 --> 00:04:29,333
♪ And I do appreciate you being 'round ♪
58
00:04:29,416 --> 00:04:31,500
Has any of you any ambitions left at all?
59
00:04:31,583 --> 00:04:33,875
Yeah. I want to be an astronaut.
60
00:04:33,958 --> 00:04:37,000
♪ They're gonna put me in the movies ♪
61
00:04:38,333 --> 00:04:41,708
♪ They're gonna make a big star
Out of me ♪
62
00:04:43,250 --> 00:04:45,708
Says Paul, "We've had so much success,
63
00:04:45,791 --> 00:04:47,583
we don't care if it fades tomorrow.
64
00:04:47,666 --> 00:04:50,250
We've reached the point
where we don't have worries anymore."
65
00:04:50,333 --> 00:04:52,583
♪ Yesterday ♪
66
00:04:53,666 --> 00:04:57,041
♪ All my troubles seemed so far away ♪
67
00:04:57,125 --> 00:04:59,583
♪ Baby, you can drive my car ♪
68
00:05:01,125 --> 00:05:03,583
♪ Yes, I'm gonna be a star ♪
69
00:05:05,041 --> 00:05:07,583
♪ Baby, you can drive my car ♪
70
00:05:07,666 --> 00:05:09,916
♪ And maybe I'll love you ♪
71
00:05:11,166 --> 00:05:13,666
♪ Beep, beep, beep, beep, yeah! ♪
72
00:05:13,750 --> 00:05:18,083
♪ We all live in a yellow submarine ♪
73
00:05:18,166 --> 00:05:21,458
♪ Yellow submarine, yellow submarine ♪
74
00:05:23,583 --> 00:05:26,833
With Manila, some of the fans
have broken off diplomatic relations.
75
00:05:26,916 --> 00:05:31,041
♪ Yeah, I'm the Taxman ♪
76
00:05:31,125 --> 00:05:32,708
John,
what exactly happened at Manila Airport?
77
00:05:32,791 --> 00:05:34,875
You're treated like an ordinary passenger.
Ordinary passenger!
78
00:05:34,958 --> 00:05:37,416
An ordinary passenger,
he doesn't get kicked, does he?
79
00:05:37,500 --> 00:05:41,333
- Would you go to Manila again, George?
- No. I didn't even want to go that time.
80
00:05:41,416 --> 00:05:45,833
Do you consider that this religious issue
is answered once and for all?
81
00:05:45,916 --> 00:05:51,708
The quote which John Lennon made has
been represented entirely out of context.
82
00:05:51,791 --> 00:05:54,500
But I'm not saying
that we're better or greater
83
00:05:54,583 --> 00:05:57,250
or comparing us
with Jesus Christ as a person.
84
00:05:57,333 --> 00:06:00,250
You tell me what you think I meant,
and I'll tell you whether I agree.
85
00:06:00,333 --> 00:06:03,458
What difference has all
this row made to this tour, do you think?
86
00:06:03,541 --> 00:06:04,875
It's made it more hectic.
87
00:06:04,958 --> 00:06:07,666
Well, I've clarified it about 800 times,
you know.
88
00:06:07,750 --> 00:06:11,500
People said to us last time we came
all our answers were a bit flippant.
89
00:06:12,166 --> 00:06:13,666
They said, "Why isn't it this time?"
90
00:06:13,750 --> 00:06:16,291
And the thing is, the questions
are a bit more serious this time.
91
00:06:16,375 --> 00:06:20,500
♪ Turn off your mind, relax
And float down-stream ♪
92
00:06:20,583 --> 00:06:23,583
The Ku Klux Klan
is going to stop this performance.
93
00:06:23,666 --> 00:06:25,375
Apart from that, it's great.
94
00:06:25,875 --> 00:06:26,916
Having a swinging tour.
95
00:06:31,083 --> 00:06:33,708
♪ Let me take you down ♪
96
00:06:33,791 --> 00:06:39,416
♪'Cause I'm going to Strawberry Fields ♪
97
00:06:40,916 --> 00:06:46,958
♪ Penny Lane is in my ears
And in my eyes ♪
98
00:06:47,875 --> 00:06:51,875
♪ Sergeant Pepper's
Lonely Hearts Club Band ♪
99
00:06:51,958 --> 00:06:53,083
Everything's all right.
100
00:06:53,166 --> 00:06:57,041
♪ Oh, I get by with a little help
From my friends ♪
101
00:06:59,916 --> 00:07:04,333
♪ Lucy in the sky with diamonds ♪
102
00:07:05,666 --> 00:07:08,666
♪ All you need is love ♪
103
00:07:10,583 --> 00:07:14,625
♪ I read the news today, oh boy ♪
104
00:07:27,750 --> 00:07:30,583
♪ Roll up for the mystery tour ♪
105
00:07:30,666 --> 00:07:33,375
♪ Roll up, we've got everything you need ♪
106
00:07:33,458 --> 00:07:35,291
♪ Roll up for the mystery tour ♪
107
00:07:36,458 --> 00:07:38,666
Roll up, satisfaction guaranteed ♪
108
00:07:38,750 --> 00:07:41,291
♪ Roll up for the mystery tour ♪
109
00:07:41,375 --> 00:07:43,708
Yes, Mr. Bloodvessel.
110
00:07:43,791 --> 00:07:47,125
♪ I am the walrus
Goo goo g'joob ♪
111
00:07:48,916 --> 00:07:51,166
Far from the noise and pace of city life
112
00:07:51,250 --> 00:07:54,375
in the cool, clear air
of Rishikesh, North India,
113
00:07:54,458 --> 00:07:58,041
the world-famous quartet stroll quietly
in the lovely meditation retreat
114
00:07:58,125 --> 00:08:00,041
of Maharishi Mahesh Yogi.
115
00:08:00,125 --> 00:08:03,666
Flower-loving Yogi told reporters
that his brand of peace of mind
116
00:08:03,750 --> 00:08:06,791
could only be truly appreciated
by intelligent men of the world.
117
00:08:06,875 --> 00:08:10,791
♪ The Ukraine girls really knock me out ♪
118
00:08:10,875 --> 00:08:13,041
♪ They leave the West behind ♪
119
00:08:13,916 --> 00:08:18,958
♪ While my guitar gently weeps ♪
120
00:08:21,750 --> 00:08:25,000
♪ Blackbird singing
In the dead of night ♪
121
00:08:25,083 --> 00:08:27,416
- We don't get on at all.
- There are so many father figures.
122
00:08:30,625 --> 00:08:31,625
Oh, I see.
123
00:08:31,708 --> 00:08:33,041
What is Apple, John?
124
00:08:33,125 --> 00:08:37,416
It's a company we're setting up
which involves records,
125
00:08:37,500 --> 00:08:41,791
films, electronics,
which make records and films work,
126
00:08:41,875 --> 00:08:45,083
- and, what's it called? Manufacturing?
- Yeah, it does a few things, you know?
127
00:08:46,291 --> 00:08:51,791
♪ Hey Jude, don't be afraid ♪
128
00:08:52,791 --> 00:08:58,250
♪ You were made to go out and get her ♪
129
00:08:59,750 --> 00:09:04,875
♪ Remember to let her into your heart ♪
130
00:09:04,958 --> 00:09:10,791
♪Then you can start to make it better ♪
131
00:09:10,875 --> 00:09:16,250
♪ Better, better, better
Better, better, oh ♪
132
00:09:16,333 --> 00:09:17,333
♪ Yeah ♪
133
00:09:17,416 --> 00:09:22,833
-♪ Yeah, yeah, yeah ♪
-♪ Na, na, na, na, na, na, na ♪
134
00:09:22,916 --> 00:09:26,875
♪ Na, na, na, na, hey, Jude ♪
135
00:09:29,708 --> 00:09:36,000
♪ Na, na, na, na, na, na, na ♪
136
00:09:36,083 --> 00:09:40,416
♪ Na, na, na, na, hey, Jude ♪
137
00:09:43,041 --> 00:09:48,458
♪ Na, na, na, na, na, na, na ♪
138
00:09:49,458 --> 00:09:54,500
♪ Na, na, na, na, hey, Jude ♪
139
00:09:56,166 --> 00:10:01,750
♪ Na, na, na, na, na, na, na ♪
140
00:10:02,750 --> 00:10:07,916
♪ Na, na, na, na, hey, Jude ♪
141
00:10:09,375 --> 00:10:15,041
♪ Na, na, na, na, na, na, na ♪
142
00:10:16,041 --> 00:10:19,666
♪ Na, na, na, na, hey, Jude ♪
143
00:10:19,750 --> 00:10:22,500
♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪
144
00:10:22,583 --> 00:10:28,416
♪ Na, na, na, na, na, na, na ♪
145
00:10:29,250 --> 00:10:33,250
♪ Na, na, na, na, hey, Jude ♪
146
00:10:35,666 --> 00:10:41,000
♪ Na, na, na, na, na, na, na ♪
147
00:10:42,000 --> 00:10:46,125
♪ Na, na, na, na, hey, Jude ♪
148
00:10:48,500 --> 00:10:53,625
♪ Na, na, na, na, na, na, na ♪
149
00:10:55,041 --> 00:10:57,541
♪ Na, na, na, na, hey, Jude ♪
150
00:11:09,833 --> 00:11:11,458
Two, take one. Silent turn over.
151
00:11:11,541 --> 00:11:12,541
Running.
152
00:11:17,500 --> 00:11:21,083
♪ As I leave the desert skies ♪
153
00:11:23,916 --> 00:11:27,750
♪ And my thoughts return to home ♪
154
00:11:30,333 --> 00:11:34,375
♪ Yes, my thoughts return to home ♪
155
00:11:36,125 --> 00:11:40,041
♪ I'm just a child of nature ♪
156
00:11:43,166 --> 00:11:47,416
♪ I don't need much to set me free ♪
157
00:11:49,708 --> 00:11:53,250
♪ I'm just a child of nature ♪
158
00:11:56,708 --> 00:11:59,125
♪ I'm one of nature's children ♪
159
00:12:01,666 --> 00:12:05,208
Where's the what?
- The mixer and the 8-tracks and all them.
160
00:12:10,333 --> 00:12:11,583
- Hi, Ringo.
- Hi, George.
161
00:12:11,666 --> 00:12:13,791
- Happy New Year.
- Happy New Year.
162
00:12:15,666 --> 00:12:19,125
♪ Everybody got a piece of toast
To chew on ♪
163
00:12:22,500 --> 00:12:24,916
♪ Everybody's got soul ♪
164
00:12:25,750 --> 00:12:28,000
♪ Everybody's got soul ♪
165
00:12:29,041 --> 00:12:32,708
♪ Everybody got to feel
This all alone ♪
166
00:12:34,500 --> 00:12:36,583
♪ Don't let me down ♪
167
00:12:39,916 --> 00:12:43,000
♪ Don't let me down ♪
168
00:12:46,333 --> 00:12:49,750
♪ Don't let me down ♪
169
00:12:52,666 --> 00:12:55,250
♪ Don't let me down ♪
170
00:12:58,708 --> 00:13:01,000
♪ Don't let me down ♪
171
00:13:04,791 --> 00:13:08,583
♪ Don't let me down ♪
172
00:13:10,166 --> 00:13:13,666
♪ I'm in love for the first time ♪
173
00:13:14,458 --> 00:13:17,666
I don't think this is
a very acoustically good place.
174
00:13:19,166 --> 00:13:20,291
Who's that little old man?
175
00:13:20,875 --> 00:13:22,958
Oh, is he one of the Hare Krishnas
or something?
176
00:13:31,666 --> 00:13:33,791
'Cause they won't be rehearsing
shots for three weeks.
177
00:13:33,875 --> 00:13:37,208
As I was saying to Mal,
keep all the audience out, you know...
178
00:13:41,291 --> 00:13:42,416
If you can think of a--
179
00:13:45,000 --> 00:13:46,875
One of those Binson Echorec things.
180
00:13:46,958 --> 00:13:48,416
Have a little one of them.
181
00:13:58,541 --> 00:14:01,333
Oh, are you recording our conversation?
182
00:14:03,958 --> 00:14:05,583
We should have a bass--
183
00:14:05,666 --> 00:14:08,125
a bass and guitar all in one.
184
00:14:08,208 --> 00:14:09,416
- Yeah.
- Be great, wouldn't it?
185
00:14:10,000 --> 00:14:12,333
Well, two people
should have bass and guitar.
186
00:14:12,416 --> 00:14:15,416
Maybe we should learn
a few songs first.
187
00:14:15,500 --> 00:14:16,500
Great.
188
00:14:18,083 --> 00:14:21,166
♪ Oh, no, ah ♪
189
00:14:21,958 --> 00:14:23,750
One, two, three.
190
00:14:23,833 --> 00:14:26,041
♪ Yeah, I've got a feeling ♪
191
00:14:31,458 --> 00:14:34,041
-♪ Oh, please believe me ♪
♪ Yes, I will ♪
192
00:14:34,125 --> 00:14:37,708
♪ I'd hate to miss the train
Oh, yeah ♪
193
00:14:39,500 --> 00:14:40,958
♪ Oh, yeah ♪
194
00:14:43,500 --> 00:14:48,458
♪ And if you leave me
I won't be late again ♪
195
00:14:48,541 --> 00:14:49,541
♪ No, no ♪
196
00:14:49,625 --> 00:14:53,041
♪ Oh, no, oh, no ♪
197
00:14:54,208 --> 00:14:58,083
♪ No, no, yeah ♪
198
00:14:58,166 --> 00:15:00,458
♪ One, two, three ♪
199
00:15:00,541 --> 00:15:02,250
♪ I've got a feeling ♪
200
00:15:05,000 --> 00:15:06,333
Then it goes to E.
201
00:15:07,250 --> 00:15:09,083
♪ All these years I've been wandering ♪
202
00:15:09,166 --> 00:15:10,166
G.
203
00:15:10,250 --> 00:15:11,875
♪ Wondering how come nobody ♪
204
00:15:11,958 --> 00:15:12,958
E.
205
00:15:13,041 --> 00:15:15,833
♪ All that I've been looking for
Was somebody who looked like ♪
206
00:15:15,916 --> 00:15:16,916
Stop.
207
00:15:21,875 --> 00:15:24,208
I just gotta see which should come where.
208
00:15:29,125 --> 00:15:30,541
Everybody had a hard on.
209
00:15:31,458 --> 00:15:32,750
♪ Everybody had a hard on ♪
210
00:15:32,833 --> 00:15:34,250
Except for me and my monkey.
211
00:15:35,208 --> 00:15:37,291
♪ Everybody been... ♪
212
00:15:37,875 --> 00:15:39,791
♪ Oh, yeah! ♪
213
00:15:42,500 --> 00:15:44,291
♪ Oh, no ♪
214
00:15:44,375 --> 00:15:45,791
♪ Oh ♪
215
00:15:45,875 --> 00:15:48,416
♪ Yeah, yeah ♪
216
00:15:48,500 --> 00:15:49,708
♪ I've got a feeling ♪
217
00:15:49,791 --> 00:15:52,958
-♪ Everybody had a hard year ♪
-♪ Whoo, yeah, yeah ♪
218
00:15:53,041 --> 00:15:55,125
♪ Everybody had a good time ♪
219
00:15:56,000 --> 00:15:58,875
♪ Everybody had a wet dream ♪
220
00:15:58,958 --> 00:16:00,958
♪ Everybody saw the sun shine ♪
221
00:16:01,041 --> 00:16:02,666
-♪ Oh, yeah ♪
-♪ Yeah ♪
222
00:16:02,750 --> 00:16:05,250
-♪ Oh, yeah, oh, yeah ♪
-♪ Oh, oh, yeah ♪
223
00:16:05,333 --> 00:16:08,791
♪ Oh, oh ♪
224
00:16:09,708 --> 00:16:11,458
-♪ No, no ♪
♪ No, no ♪
225
00:16:11,541 --> 00:16:13,208
-♪ Yeah ♪
-♪ No, no ♪
226
00:16:13,291 --> 00:16:14,625
♪ I've got a feeling ♪
227
00:16:17,750 --> 00:16:19,791
♪ I've got a feeling ♪
228
00:16:23,791 --> 00:16:25,125
Which this isn't.
229
00:16:25,791 --> 00:16:27,375
Um, um, we--
230
00:17:01,208 --> 00:17:02,333
- December 25th.
231
00:17:08,250 --> 00:17:09,791
Yeah.
232
00:17:18,791 --> 00:17:20,208
When you're ready. That's right.
233
00:17:20,708 --> 00:17:22,250
We could do-- Yeah.
234
00:17:23,333 --> 00:17:25,208
♪ Go, go ♪
235
00:17:25,291 --> 00:17:26,916
♪ Go, Johnny, go, go ♪
236
00:17:27,625 --> 00:17:29,958
♪ Go, Johnny, go, go ♪
237
00:17:30,041 --> 00:17:34,791
♪ Come all without
Come all within ♪
238
00:17:35,583 --> 00:17:40,000
♪ You'll not see nothing
Like the Mighty-- ♪
239
00:17:40,083 --> 00:17:41,416
All of us just...
240
00:17:41,500 --> 00:17:43,833
♪ They say everything can be replaced ♪
241
00:17:46,833 --> 00:17:49,791
♪ Every distance is not near ♪
242
00:17:54,541 --> 00:17:58,333
♪ Yeah, I've got a feeling ♪
243
00:18:05,458 --> 00:18:07,083
John is just finishing it up.
244
00:18:12,250 --> 00:18:14,416
I'll take you up in the Art Department
when you get a moment.
245
00:18:14,500 --> 00:18:17,083
You can see some of the designs
and all that, 'cause it's well under way.
246
00:18:17,166 --> 00:18:18,291
Is it still the 17th?
247
00:18:18,375 --> 00:18:19,958
No, 24th now, because of this.
248
00:18:20,041 --> 00:18:22,250
Why? This is only going to take two weeks.
249
00:18:22,333 --> 00:18:24,208
Well, we don't know yet, do we?
250
00:18:24,291 --> 00:18:27,791
♪ It's a love that lasts forever ♪
251
00:18:29,875 --> 00:18:33,000
♪ It's a love that has no past ♪
252
00:18:36,416 --> 00:18:39,916
-♪ Don't let me ♪
-♪ Down ♪
253
00:18:40,958 --> 00:18:42,708
That's all the bits you've got?
254
00:18:42,791 --> 00:18:44,208
♪ Don't let me... ♪
255
00:18:44,291 --> 00:18:46,500
All right. If you had,
"Don't let me down,"
256
00:18:46,583 --> 00:18:48,500
say twice at the beginning...
257
00:18:49,083 --> 00:18:52,500
But you know when you bring that,
"'Cause I'm in love for the first time"?
258
00:18:53,500 --> 00:18:56,416
- I don't dig that. Sounds like a middle 8.
Oh, yeah. Okay.
259
00:18:56,500 --> 00:18:58,750
It doesn't sound like-- But I--
Some of it.
260
00:18:58,833 --> 00:19:01,083
Scrap that,
except use that somewhere near the end.
261
00:19:01,166 --> 00:19:03,083
That one used to go after the...
262
00:19:03,166 --> 00:19:05,333
♪ Love that-- A love that had no past ♪
263
00:19:05,416 --> 00:19:08,250
Yeah, 'cause that's where--
-"Nobody ever loved me like she do me."
264
00:19:08,333 --> 00:19:10,291
No harm just having a break in that bit.
265
00:19:10,375 --> 00:19:12,041
Yeah, except just skip that little...
266
00:19:12,125 --> 00:19:13,500
Yes.
-...interlude.
267
00:19:13,583 --> 00:19:15,750
- Put the interlude right somewhere.
In the beginning.
268
00:19:15,833 --> 00:19:17,208
I'll do one set of "don't let me down."
269
00:19:18,166 --> 00:19:22,000
Uh-- "Like she do me. Ooh, she do me.
Yes, she do me."
270
00:19:22,083 --> 00:19:24,250
I didn't quite get around to making sense,
you see?
271
00:19:24,333 --> 00:19:25,666
So we'll see what happens.
272
00:19:25,750 --> 00:19:27,208
Do you want some sandwiches?
273
00:19:27,291 --> 00:19:29,916
We don't eat these.
Paul, do you want some sandwiches?
274
00:19:30,000 --> 00:19:31,250
- Hang on.
Ray.
275
00:19:31,333 --> 00:19:34,000
Do you want a dry bun?
A dry bun? Yeah.
276
00:19:34,083 --> 00:19:36,666
It's like a rock cake
but needs butter or something.
277
00:19:36,750 --> 00:19:40,291
The thing I don't want is,
like, a TV show sound.
278
00:19:40,375 --> 00:19:43,625
They always seem to have that
sort of farty, little sound on TV shows.
279
00:19:43,708 --> 00:19:46,166
Well, don't forget,
you're hearing it on a TV speaker,
280
00:19:46,250 --> 00:19:47,458
which is a grotty speaker.
281
00:19:47,541 --> 00:19:51,125
But see, this place sounds terrible now.
It may just be great.
282
00:19:51,208 --> 00:19:53,166
You can never tell
with these places though.
283
00:19:53,250 --> 00:19:56,083
We did "Yer Blues"
in a little room like a bog.
284
00:19:56,166 --> 00:19:57,791
Yeah.
- And...
285
00:19:57,875 --> 00:19:59,625
No separation in there, you know?
286
00:19:59,708 --> 00:20:01,666
- We really got good separation.
Yeah.
287
00:20:02,458 --> 00:20:06,000
The thing is,
that an open-air sound is fantastic.
288
00:20:06,083 --> 00:20:09,208
I've always wanted to do something
in the open air.
289
00:20:09,291 --> 00:20:12,708
It'd be nice to try and find some way
to do it out of doors.
290
00:20:12,791 --> 00:20:13,791
It's so bloody cold.
291
00:20:13,875 --> 00:20:16,625
It's your English rain which is
worrying about outdoors in this country.
292
00:20:16,708 --> 00:20:19,041
Yeah, right.
- Snow or rain will do me.
293
00:20:19,125 --> 00:20:21,291
You know, wind and anything.
Make all that...
294
00:20:21,375 --> 00:20:23,750
- It's just a frozen hand trying to...
Yes, you could.
295
00:20:23,833 --> 00:20:24,833
...play those notes.
296
00:20:24,916 --> 00:20:26,791
Trying to get your E-seventh
when your little finger's frozen...
297
00:20:26,875 --> 00:20:27,875
The snow and rain.
298
00:20:27,958 --> 00:20:31,333
It's all right. You might just
have a few deaths on the set
299
00:20:31,416 --> 00:20:32,666
due to electric shocks.
300
00:20:33,666 --> 00:20:36,375
I was very taken by the place
Denis talked about.
301
00:20:36,458 --> 00:20:38,291
Yeah. That was...
302
00:20:38,375 --> 00:20:40,833
Because I could see it outside torch-lit.
303
00:20:41,708 --> 00:20:43,375
2,000 Arabs and friends around.
304
00:20:43,458 --> 00:20:45,625
No, I think we won't be.
305
00:20:45,708 --> 00:20:47,708
I think you'll find
we're not going abroad.
306
00:20:47,791 --> 00:20:48,791
Hmm.
307
00:20:50,416 --> 00:20:52,625
'Cause Ringo just said
he doesn't wanna go abroad.
308
00:20:52,708 --> 00:20:54,541
No, and he put his foot down.
309
00:20:55,541 --> 00:20:57,208
- So...
- Yeah?
310
00:20:57,291 --> 00:20:59,291
Us and Jimmie Nicol might go abroad.
311
00:21:01,333 --> 00:21:04,083
I think the thing to do
is just be very flexible still
312
00:21:04,166 --> 00:21:06,375
about every aspect of the enterprise.
313
00:21:06,458 --> 00:21:11,000
I think-- Well, I think, you know--
Michael, I think you're pretty right.
314
00:21:11,083 --> 00:21:12,541
He won't give up.
315
00:21:12,625 --> 00:21:14,583
- Pretty fair comment.
You're pretty right, Mike.
316
00:21:14,666 --> 00:21:15,916
Are you gonna keep the beard?
317
00:21:16,000 --> 00:21:16,833
I don't know.
318
00:21:16,916 --> 00:21:18,916
You ought to get one
of those big-brimmed hats
319
00:21:19,000 --> 00:21:20,458
with those ringlets down the ears.
320
00:21:20,541 --> 00:21:22,333
Yes. Yes, I saw that
on telly the other night.
321
00:21:22,416 --> 00:21:24,166
That'd be good.
Then we could do it in Israel.
322
00:21:24,750 --> 00:21:27,041
♪ We're on our way home ♪
323
00:21:27,833 --> 00:21:29,791
♪ We're on our way home ♪
324
00:21:30,875 --> 00:21:32,125
♪ We're going home ♪
325
00:21:32,208 --> 00:21:33,708
Middle eight, B flat.
326
00:21:33,791 --> 00:21:37,125
♪ You and I made memories ♪
327
00:21:37,875 --> 00:21:43,708
♪ Longer than the road
That stretches out ahead ♪
328
00:21:46,125 --> 00:21:49,083
♪ Two of us wearing raincoats ♪
329
00:21:49,166 --> 00:21:54,083
♪ Standing solo in the sun ♪
330
00:21:56,083 --> 00:21:57,375
I'll do a verse. Just...
331
00:22:02,791 --> 00:22:03,791
No, I think it goes...
332
00:22:03,875 --> 00:22:08,666
♪ We're on our way back home ♪
333
00:22:08,750 --> 00:22:09,750
♪ Ba-bam, ba-ba ♪
334
00:22:09,833 --> 00:22:10,833
Three, four...
335
00:22:10,916 --> 00:22:12,458
It's like...
336
00:22:12,541 --> 00:22:16,541
♪ On our way back ♪
337
00:22:16,625 --> 00:22:18,875
♪ Ba-da, da-da, da-da ♪
338
00:22:18,958 --> 00:22:20,375
♪ We're on our way home ♪
339
00:22:20,458 --> 00:22:21,916
Two, three.
340
00:22:22,000 --> 00:22:23,750
♪ We're on our way home ♪
341
00:22:23,833 --> 00:22:25,000
Two, three.
342
00:22:25,083 --> 00:22:26,166
♪ We're going home ♪
343
00:22:26,250 --> 00:22:27,250
- Two.
- After three.
344
00:22:27,333 --> 00:22:29,458
It goes into waltz.
It goes into three.
345
00:22:30,791 --> 00:22:32,166
♪ We're on our way home ♪
346
00:22:32,250 --> 00:22:33,791
♪ Ch-cha-cha, cha ♪
347
00:22:33,875 --> 00:22:35,666
♪ We're going home ♪
348
00:22:37,375 --> 00:22:38,375
Yeah.
349
00:22:38,458 --> 00:22:39,500
♪ We're on our way home ♪
350
00:22:39,583 --> 00:22:41,083
Repeat now.
351
00:22:41,166 --> 00:22:42,958
♪ We're on our way home ♪
352
00:22:43,041 --> 00:22:44,125
Then short.
353
00:22:44,208 --> 00:22:45,708
♪ We're going home ♪
354
00:22:45,791 --> 00:22:47,791
And that's like a break. Ch-cha.
355
00:22:47,875 --> 00:22:48,875
♪ Two of us ♪
356
00:22:48,958 --> 00:22:50,166
I'll go from the beginning.
357
00:22:50,250 --> 00:22:52,166
♪ Chu-chu-chu-chu-chu-chu, ooh ♪
358
00:22:52,250 --> 00:22:53,500
♪ We're on our way home ♪
359
00:22:53,583 --> 00:22:55,208
♪ Ch-cha-cha, cha, ooh ♪
360
00:22:55,291 --> 00:22:56,583
We're on our way home ♪
361
00:22:56,666 --> 00:22:58,208
♪ Ch-cha-cha, cha, ooh ♪
362
00:22:58,291 --> 00:23:00,291
♪ We're going home ♪
363
00:23:01,000 --> 00:23:05,958
♪ You and me, Henry Cooper
Henry Cooper ♪
364
00:23:06,041 --> 00:23:09,458
♪ Henry Coop ♪
365
00:23:10,125 --> 00:23:12,958
♪ You and me, Henry Cooper ♪
366
00:23:13,041 --> 00:23:14,250
It's not-- It's not--
367
00:23:14,333 --> 00:23:17,000
That was 23, take one. End announcement.
368
00:23:17,083 --> 00:23:18,791
♪ Wearing raincoats ♪
369
00:23:39,458 --> 00:23:40,625
Nice, that purple.
370
00:23:47,958 --> 00:23:51,000
"What do you think
of George's pseudo tie sweatshirt?"
371
00:23:51,083 --> 00:23:52,583
I think it's terrible.
372
00:23:55,250 --> 00:23:59,291
"The True Story of The Beatles.
You can still get it direct."
373
00:24:00,333 --> 00:24:04,333
"Accompanied by his current steady,
American photographer Linda Eastman,
374
00:24:04,416 --> 00:24:06,375
Paul spent a December week in Portugal
375
00:24:06,458 --> 00:24:09,166
visiting The Beatles' biographer,
Hunter Davis."
376
00:24:10,333 --> 00:24:12,166
It's just so sort of daft.
377
00:24:17,916 --> 00:24:20,125
"...send a big 'Hi'
to all the Bertle Persons."
378
00:24:23,666 --> 00:24:25,416
"It's fab in here!"
379
00:24:27,125 --> 00:24:29,166
I think your beard suits you, man.
380
00:24:29,250 --> 00:24:30,208
- Mmm.
381
00:24:30,291 --> 00:24:32,625
I've been thinking
of all the tunes I've got.
382
00:24:32,708 --> 00:24:35,541
And they're all, uh, they're all slowish.
383
00:24:35,625 --> 00:24:37,416
- I seem to be--
Yeah, most of mine are.
384
00:24:37,500 --> 00:24:42,041
See, so far, there's a couple
I know I could do live with no backing.
385
00:24:42,125 --> 00:24:45,125
Just with the guitar and singing.
Well, you know...
386
00:24:45,208 --> 00:24:49,208
- I've got "Taking a Trip to Carolina."
387
00:24:49,291 --> 00:24:50,750
In the same...
388
00:24:50,833 --> 00:24:52,000
In his mind.
389
00:24:52,083 --> 00:24:52,916
♪ Taking-- ♪
390
00:24:53,000 --> 00:24:53,916
Oh, no.
391
00:24:54,000 --> 00:24:55,750
♪ Taking a trip on a ocean liner ♪
392
00:24:55,833 --> 00:24:58,041
♪ I gotta get to Carolina ♪
393
00:24:58,125 --> 00:25:00,333
♪ Taking a trip on an ocean liner ♪
394
00:25:00,416 --> 00:25:02,625
♪ I gotta get to Carolina ♪
395
00:25:04,666 --> 00:25:05,791
♪ Oh, baby ♪
396
00:25:09,500 --> 00:25:11,041
♪ I've been-- ♪
397
00:25:11,125 --> 00:25:12,125
I had-- It's on there.
398
00:25:12,208 --> 00:25:15,916
I've got it on the little tape, singing
"I've been to LA and New York too."
399
00:25:16,000 --> 00:25:17,750
So, they're not very nice.
400
00:25:17,833 --> 00:25:20,208
You know, the words,
I mean, they're not very good.
401
00:25:20,291 --> 00:25:22,916
- Uh-huh.
-"Carolina," it's, "Oh, baby."
402
00:25:24,250 --> 00:25:25,916
Just get me back there.
403
00:25:32,041 --> 00:25:33,416
But it's good.
404
00:25:37,583 --> 00:25:39,375
But they'll have all this sort of...
405
00:25:41,166 --> 00:25:45,208
Yeah. If you wanted to get 8-track stuff
to record all this,
406
00:25:45,291 --> 00:25:47,875
where would we get it?
'Cause, apparently, it hasn't been--
407
00:25:47,958 --> 00:25:50,666
We'll lend it to ourselves,
but EMI should do it.
408
00:25:50,750 --> 00:25:53,500
You know, it's like if Benjamin Britten
wants to do an album...
409
00:25:53,583 --> 00:25:54,750
- Right.
-...in Paris,
410
00:25:54,833 --> 00:25:57,375
EMI have got to fucking get
all that shit over to him.
411
00:25:57,458 --> 00:25:59,000
And they do, of course.
412
00:25:59,083 --> 00:26:01,666
We subsidize EMI, then get it out there.
413
00:26:01,750 --> 00:26:03,958
- Get an 8-track mixer--
-'Cause they just told Glyn and Mal--
414
00:26:04,041 --> 00:26:06,833
They just told them
that they've only got 4-track.
415
00:26:06,916 --> 00:26:09,791
But I know for a fact that they got
8-track out for The Beach Boys.
416
00:26:09,875 --> 00:26:11,833
But The Beach Boys are American.
417
00:26:17,791 --> 00:26:19,375
'Cause I really never thought of that.
418
00:26:19,458 --> 00:26:22,125
It's just we all used to sag off
every school day.
419
00:26:22,208 --> 00:26:23,958
You know, and go back to my house,
420
00:26:24,041 --> 00:26:26,458
and the two of us
would just sit there and write.
421
00:26:26,541 --> 00:26:28,500
There's a lot from then, you know?
422
00:26:28,583 --> 00:26:32,041
There's about 100 songs from then
that we never reckoned,
423
00:26:32,125 --> 00:26:34,541
'cause they were all
very unsophisticated songs.
424
00:26:35,166 --> 00:26:37,833
"They said our love was just fun,
425
00:26:37,916 --> 00:26:39,791
the day that our friendship begun."
426
00:26:39,875 --> 00:26:43,750
♪ They said our love was just fun ♪
427
00:26:44,375 --> 00:26:45,500
♪ Oh, oh, oh ♪
428
00:26:45,583 --> 00:26:47,125
♪ The day that... ♪
429
00:26:48,333 --> 00:26:49,333
♪ Begun... ♪
430
00:26:52,666 --> 00:26:56,250
♪ Because I know you love me so ♪
431
00:26:58,916 --> 00:27:03,250
♪ Wake up in the morning
I don't feel blue ♪
432
00:27:04,291 --> 00:27:09,125
♪ 'Cause I know I've got you ♪
433
00:27:09,708 --> 00:27:13,750
♪ Get a funny feeling
All day and night ♪
434
00:27:15,000 --> 00:27:17,583
♪ Get the funny feeling ♪
435
00:27:17,666 --> 00:27:20,208
♪ You don't treat me right ♪
436
00:27:20,291 --> 00:27:22,875
♪ Should have read your letter ♪
437
00:27:22,958 --> 00:27:24,666
♪ And then I'd know ♪
438
00:27:25,541 --> 00:27:27,875
♪ I would have felt much better ♪
439
00:27:27,958 --> 00:27:31,541
♪ Because I know you love me so ♪
440
00:27:34,500 --> 00:27:36,375
Don't think that ever got there, did it?
441
00:27:37,416 --> 00:27:38,541
♪ Well, I've been thinking... ♪
442
00:27:39,708 --> 00:27:41,333
♪ ...love me ♪
443
00:27:42,500 --> 00:27:43,791
♪ Tell me that ♪
444
00:27:45,666 --> 00:27:47,708
♪ Won't you please ♪
445
00:27:48,333 --> 00:27:50,000
♪ Say goodbye? ♪
446
00:27:51,291 --> 00:27:54,750
♪ This love has long since grown cold ♪
447
00:27:54,833 --> 00:27:59,083
♪ Yeah, won't you please say goodbye? ♪
448
00:28:00,625 --> 00:28:04,333
♪ How many times must you be told? ♪
449
00:28:06,125 --> 00:28:08,458
♪ Won't you please say goodbye? ♪
450
00:28:09,125 --> 00:28:11,083
- That sounded like...
451
00:28:12,375 --> 00:28:13,500
♪ Pick up my bags ♪
452
00:28:14,958 --> 00:28:17,500
♪ Run to the station ♪
453
00:28:17,583 --> 00:28:18,833
♪ Railman said ♪
454
00:28:19,875 --> 00:28:21,708
♪ "You've got the wrong location" ♪
455
00:28:23,125 --> 00:28:25,333
-♪ Pick up my bag ♪
-♪ Pick up my bag, yeah, yeah ♪
456
00:28:25,416 --> 00:28:27,291
-♪ Run right home ♪
-♪ Run home ♪
457
00:28:28,250 --> 00:28:30,333
-♪ Then I find ♪
-♪ Then I find that ♪
458
00:28:30,416 --> 00:28:33,833
-♪ I got the number wrong, yeah ♪
-♪ I got the number wrong, yes ♪
459
00:28:33,916 --> 00:28:36,583
♪ She said she's travelin'
On the one after 909 ♪
460
00:28:38,958 --> 00:28:42,166
♪ Move over, honey
I'm travelin' on that line ♪
461
00:28:44,458 --> 00:28:47,083
♪ Said Move over once
Move over twice ♪
462
00:28:47,166 --> 00:28:49,291
♪ Come on, baby
Don't be cold as ice ♪
463
00:28:50,000 --> 00:28:52,666
♪ She said she's travelin'
On the one after 909 ♪
464
00:28:52,750 --> 00:28:55,125
♪ She said she's travelin'
On the one after 909 ♪
465
00:28:55,208 --> 00:28:58,750
♪ She said she's travelin'
On the one after 909 ♪
466
00:29:02,166 --> 00:29:04,125
Okay. All right.
467
00:29:05,375 --> 00:29:07,708
Really, that's out of the past, that.
468
00:29:09,916 --> 00:29:12,666
I always meant to just change the words
a bit and do something.
469
00:29:12,750 --> 00:29:14,083
But no, it's so great.
470
00:29:16,916 --> 00:29:19,833
"Said, 'Move over, honey,
I'm traveling on that line.'"
471
00:29:19,916 --> 00:29:23,416
"Move over once, move over twice.
Come on, baby. Don't be cold as ice."
472
00:29:23,500 --> 00:29:24,833
"You're only fooling around."
473
00:29:24,916 --> 00:29:26,833
"You're only fooling around with me."
474
00:29:27,458 --> 00:29:29,916
I never sort of knew
what it was about before.
475
00:29:30,000 --> 00:29:31,958
- I mean, so she's on a train.
Yes.
476
00:29:32,041 --> 00:29:35,041
- And he sort of--
Goes to the station and misses it.
477
00:29:35,125 --> 00:29:38,666
But he goes back and finds
it was the wrong number, so...
478
00:29:38,750 --> 00:29:40,666
"Wrong location."
479
00:29:40,750 --> 00:29:42,791
To rhyme with "station," you know?
480
00:29:42,875 --> 00:29:44,250
That's great.
481
00:29:44,333 --> 00:29:47,083
"Railman said you got the wrong location."
482
00:29:49,458 --> 00:29:52,833
Hi, Paul. It's simply great
for you to turn up this evening.
483
00:29:52,916 --> 00:29:55,291
- The Animals reunited.
484
00:29:55,875 --> 00:29:59,250
♪ Desmond had a barrow
In the market place ♪
485
00:29:59,333 --> 00:30:01,708
♪ Doris had another in the bog ♪
486
00:30:03,000 --> 00:30:05,875
♪ Charlie has another
In the back of town ♪
487
00:30:05,958 --> 00:30:08,250
♪ And, Lordy, Lordy
Did they have a bag of fun ♪
488
00:30:09,166 --> 00:30:11,583
♪ Oh, my God, oh, my God
Oh, my... ♪
489
00:30:15,833 --> 00:30:17,666
♪ Tell it to the captain ♪
490
00:30:18,833 --> 00:30:20,458
♪ Get in trouble with the man ♪
491
00:30:20,541 --> 00:30:22,958
♪ Let the Midnight Special ♪
492
00:30:23,750 --> 00:30:25,291
♪ Shine its light on me ♪
493
00:30:26,500 --> 00:30:28,833
♪ Let the Midnight Special ♪
494
00:30:29,833 --> 00:30:32,333
♪ Shine its ever-lovin' light on me ♪
495
00:30:33,166 --> 00:30:37,416
♪ What do you want
To make those eyes at me for? ♪
496
00:30:38,041 --> 00:30:41,791
-♪ If they don't mean what they say? ♪
-♪ When you're out with someone new ♪
497
00:30:43,750 --> 00:30:47,583
[George, Paul] ♪ You made me glad
You made me sad ♪
498
00:30:47,666 --> 00:30:50,000
♪ You make me want a lot of things ♪
499
00:30:50,083 --> 00:30:51,666
-♪ That I never had ♪
-♪ Bundle of dynamite ♪
500
00:31:46,416 --> 00:31:48,416
- Ah! Fucking hell.
501
00:31:48,500 --> 00:31:50,416
I just got shocked.
- Just got a belt, man.
502
00:31:51,000 --> 00:31:52,791
I really-- I got an electric shock.
503
00:31:52,875 --> 00:31:54,416
Gonna be in trouble over this.
504
00:31:54,500 --> 00:31:56,208
If this boy dies, you're gonna cop it.
505
00:31:57,291 --> 00:32:00,333
Hold that one as well
at the same time and see what happens.
506
00:32:00,416 --> 00:32:02,041
Let me see it again.
507
00:32:02,125 --> 00:32:03,208
Let's try it.
508
00:32:03,291 --> 00:32:05,458
You get feedback.
It's the feedback, yeah.
509
00:32:05,541 --> 00:32:06,833
The feedback going into the, uh--
510
00:32:06,916 --> 00:32:08,000
- There, it's not--
511
00:32:08,083 --> 00:32:10,000
That's it.
Put your hand on that bit.
512
00:32:10,083 --> 00:32:11,750
It might be
the playing the guitar as well.
513
00:32:11,833 --> 00:32:15,041
It should be where you're here
rather than all this...
514
00:32:15,125 --> 00:32:16,583
- You know, all this thing.
Yeah.
515
00:32:16,666 --> 00:32:18,166
When was it when you touched it?
516
00:32:18,250 --> 00:32:19,833
I gripped hold of two of them together.
517
00:32:19,916 --> 00:32:22,375
The feedback going into the...
Just grip it tight.
518
00:32:22,458 --> 00:32:24,708
- Put the palm of your hand on that bit.
519
00:32:28,500 --> 00:32:30,541
The bit that I find the weakest now is...
520
00:32:30,625 --> 00:32:32,208
♪ All these years
I've been wandering around ♪
521
00:32:32,291 --> 00:32:33,916
Yeah, that's just power, you know?
522
00:32:34,000 --> 00:32:36,208
♪ Wondering how come nobody told me ♪
523
00:32:37,791 --> 00:32:39,958
Maybe harmonies.
- Just sing your one.
524
00:32:40,041 --> 00:32:43,625
♪ All these years
I've been wandering around ♪
525
00:32:43,708 --> 00:32:46,250
♪ Wondering how come nobody told me ♪
526
00:32:46,333 --> 00:32:49,750
♪ All that I've been looking for
Was somebody who looked like you ♪
527
00:32:51,083 --> 00:32:52,291
You're singing B.
528
00:32:52,833 --> 00:32:55,708
Yeah, just sing the next harmony down
so it's not too low for you.
529
00:32:55,791 --> 00:32:58,125
♪ All these years ♪
530
00:32:58,208 --> 00:33:00,291
♪ All these years I've been-- ♪
-♪ All-- ♪
531
00:33:00,375 --> 00:33:02,166
- That's very high for me.
Don't shout. It's power.
532
00:33:02,250 --> 00:33:03,083
♪ All these-- ♪
533
00:33:03,166 --> 00:33:04,125
Oh, it's terribly high.
534
00:33:04,208 --> 00:33:06,416
♪ Been wandering around ♪
-♪ All these days ♪
535
00:33:08,416 --> 00:33:09,708
♪ Wondering how come-- ♪
536
00:33:09,791 --> 00:33:11,208
Down on the one note, is it?
537
00:33:12,125 --> 00:33:13,833
♪ All these years
I've been wandering around ♪
538
00:33:13,916 --> 00:33:16,333
♪ Wondering how come nobody told me
All that I've-- ♪
539
00:33:20,625 --> 00:33:22,375
♪ All these years I've been wandering ♪
540
00:33:27,250 --> 00:33:28,291
Fuck it!
541
00:33:29,666 --> 00:33:31,208
One, two, three, four.
542
00:33:31,291 --> 00:33:33,458
♪ All these years I've been wondering-- ♪
543
00:33:40,125 --> 00:33:41,125
♪ You! ♪
544
00:33:42,458 --> 00:33:44,250
- It's a bit early for that, isn't it?
- Yeah.
545
00:33:47,125 --> 00:33:49,708
Early in the morning, you know?
I'm not 18 anymore.
546
00:34:16,000 --> 00:34:17,625
♪ Everybody had a hard-- ♪
547
00:34:18,875 --> 00:34:19,875
♪ Everybody-- ♪
548
00:34:21,791 --> 00:34:23,875
Uh-- Hair down.
549
00:34:25,541 --> 00:34:27,166
Socks up. Foot down.
550
00:34:28,000 --> 00:34:30,666
"Everybody pulled their socks up"?
Yeah. Yeah.
551
00:34:30,750 --> 00:34:32,416
♪ Everybody pulled their socks up ♪
552
00:34:32,500 --> 00:34:35,375
-"Foot down." Okay, that's it.
- Right.
553
00:34:35,458 --> 00:34:36,458
Yeah.
554
00:34:37,125 --> 00:34:38,250
Bit of power there.
555
00:34:38,333 --> 00:34:40,333
I don't want every time
we're doing "Don't Let Me Down,"
556
00:34:40,416 --> 00:34:42,500
that it hurts just to rehearse it.
557
00:34:42,583 --> 00:34:45,541
I wonder how long it is.
Do you want to time it, Mal?
558
00:34:45,625 --> 00:34:47,958
'Cause it's probably
only about half a minute long.
559
00:34:48,875 --> 00:34:51,916
♪ Desmond had a sparrow
In his parking lot ♪
560
00:34:52,000 --> 00:34:55,666
One, two, three...
561
00:34:55,750 --> 00:34:58,458
♪ Don't let me down ♪
562
00:35:01,458 --> 00:35:03,750
♪ Don't let me down ♪
563
00:35:06,458 --> 00:35:09,208
♪ Don't let me down ♪
564
00:35:11,791 --> 00:35:14,458
♪ Don't let me down ♪
565
00:35:18,291 --> 00:35:19,791
- Three minutes!
- What?
566
00:35:19,875 --> 00:35:21,875
Three minutes, 40 seconds.
- That's fine.
567
00:35:21,958 --> 00:35:24,000
- Three minutes, 40 seconds.
Yeah.
568
00:35:24,083 --> 00:35:25,666
This is incredible.
569
00:35:25,750 --> 00:35:29,166
- It's long. It sounded just like...
- Half a minute.
570
00:35:29,250 --> 00:35:30,250
Okay.
571
00:35:31,041 --> 00:35:32,583
Uh, I've got one.
572
00:35:32,666 --> 00:35:36,750
- Uh, "Gimme Some Truth" or something.
Something like that.
573
00:35:36,833 --> 00:35:39,375
-"Gimme Some Truth."
- We could finish that.
574
00:35:39,458 --> 00:35:42,458
- Remember your hangman bit?
Yeah.
575
00:35:42,541 --> 00:35:43,958
It was all right.
No.
576
00:35:44,041 --> 00:35:48,666
"No, no freaked-out...
yellow-bellied son of Gary Cooper gonna..."
577
00:35:48,750 --> 00:35:50,666
♪ Freaked out... ♪
578
00:35:50,750 --> 00:35:52,416
- It started in D, didn't it?
- Yeah.
579
00:35:53,208 --> 00:35:54,500
♪ Some... ♪
580
00:35:54,583 --> 00:35:55,958
That was-- That was my bit.
581
00:35:56,041 --> 00:35:57,541
♪ Freaked out, yellow-bellied... ♪
582
00:35:57,625 --> 00:35:59,333
♪ Sick and tired of hearing words ♪
583
00:35:59,416 --> 00:36:01,500
Yours was in E, wasn't it?
- No, it was in D.
584
00:36:06,833 --> 00:36:09,041
♪ Hope ♪
585
00:36:09,125 --> 00:36:11,333
♪ Money for rope ♪
586
00:36:11,416 --> 00:36:12,416
If we add a--
587
00:36:12,500 --> 00:36:13,541
♪ Money for rope ♪
588
00:36:15,333 --> 00:36:19,166
♪ No freaked out, yellow-bellied
Son of Gary Cooper gonna tell him... ♪
589
00:36:21,125 --> 00:36:22,750
♪ For dope ♪
590
00:36:23,583 --> 00:36:25,250
♪ Money for rope ♪
591
00:36:26,125 --> 00:36:27,958
♪ Just money for rope ♪
592
00:36:33,166 --> 00:36:35,666
♪ I'm sick and tired of hearing lies ♪
593
00:36:35,750 --> 00:36:39,375
♪ By seasick, narrow-minded
Shortsighted hypocrites ♪
594
00:36:39,458 --> 00:36:41,333
♪ All I want is the truth ♪
595
00:36:41,416 --> 00:36:42,458
We should change the--
596
00:36:42,541 --> 00:36:44,166
♪ Just gimme some truth ♪
597
00:36:45,333 --> 00:36:47,666
♪ I've had enough of readin' lines ♪
598
00:36:47,750 --> 00:36:51,375
♪ By some sicked out
Hard-sided politicians ♪
599
00:36:51,458 --> 00:36:53,208
♪ All I want is the truth ♪
600
00:36:54,333 --> 00:36:55,416
♪ Just gimme some truth ♪
601
00:36:55,500 --> 00:36:57,291
No, it was in D and E.
602
00:36:57,375 --> 00:36:58,666
- Oh, okay.
Yeah. Right.
603
00:37:05,958 --> 00:37:07,916
Perhaps if you stuck it
over that side--
604
00:37:08,000 --> 00:37:09,250
How's that for your show?
605
00:37:11,666 --> 00:37:12,666
Okay, yeah.
606
00:37:16,583 --> 00:37:17,583
Bottoms up.
607
00:37:17,666 --> 00:37:19,916
If you'll all turn now to "Sunrise,"
608
00:37:20,000 --> 00:37:22,000
I would very much appreciate it.
609
00:37:24,791 --> 00:37:27,250
"All Things Must Pass."
610
00:37:29,083 --> 00:37:32,000
There's no solo
or anything complicated.
611
00:37:32,083 --> 00:37:34,833
It's purely just rhythmical and vocal.
612
00:37:34,916 --> 00:37:37,708
And if we suddenly add a Lowrey organ...
613
00:37:40,666 --> 00:37:43,250
Also, the chords really are E.
614
00:37:43,916 --> 00:37:49,083
To F-sharp minor, to E, to A.
615
00:37:50,083 --> 00:37:52,791
E to F-sharp minor.
616
00:37:53,791 --> 00:37:56,208
E, A.
617
00:37:58,041 --> 00:38:04,791
♪ All things must pass ♪
618
00:38:05,541 --> 00:38:09,291
♪ All things must pass away ♪
619
00:38:16,041 --> 00:38:21,208
♪ Sunset doesn't last all evening ♪
620
00:38:21,291 --> 00:38:23,166
♪ Doesn't last ♪
621
00:38:23,250 --> 00:38:28,333
♪ A wind can blow those clouds away ♪
622
00:38:28,416 --> 00:38:31,750
♪ Wind can blow those clouds away ♪
623
00:38:33,708 --> 00:38:35,041
♪ After all this ♪
624
00:38:35,125 --> 00:38:39,458
♪ My love is up and must be leaving ♪
625
00:38:41,000 --> 00:38:47,250
♪ It's not always been this grey ♪
626
00:38:48,791 --> 00:38:55,458
♪ All things must pass ♪
627
00:38:56,083 --> 00:39:00,250
♪ All things must pass away ♪
628
00:39:02,291 --> 00:39:06,333
But the middle bit,
because it says the same word first...
629
00:39:07,375 --> 00:39:09,250
Like "All things must pass away," then...
630
00:39:09,833 --> 00:39:13,375
♪ All things must pass ♪
631
00:39:13,458 --> 00:39:15,875
Something there, you know,
is where we'd overdub something
632
00:39:15,958 --> 00:39:18,416
or add voices, or I'd track it, or--
633
00:39:18,500 --> 00:39:21,125
Maybe it would be better
if we just did it straight, first of all.
634
00:39:21,208 --> 00:39:22,333
♪ All things must pass ♪
635
00:39:22,416 --> 00:39:23,625
Okay.
636
00:39:23,708 --> 00:39:25,791
Just to do everything
just really mechanical
637
00:39:25,875 --> 00:39:28,750
and then we can sort of
get it all good after that.
638
00:39:29,708 --> 00:39:33,583
♪ Macrobiotic pills are good at arriving ♪
639
00:39:33,666 --> 00:39:35,416
♪ At the right time ♪
640
00:39:37,875 --> 00:39:42,291
♪ A wind can blow those clouds away ♪
641
00:39:47,958 --> 00:39:49,416
Yeah, okay.
642
00:39:54,083 --> 00:39:55,750
It looks like it on the paper.
643
00:39:55,833 --> 00:39:57,708
"A miner can blow these clouds away."
644
00:39:57,791 --> 00:40:00,333
Mal's writing.
- What are they all having? Pale ale.
645
00:40:00,416 --> 00:40:03,375
- Pale ale. Anyone else want a drink?
- Yeah. Anybody else want a drink?
646
00:40:03,458 --> 00:40:04,666
Yes, please.
Yes.
647
00:40:04,750 --> 00:40:07,583
I'll have a glass of white wine.
I'll have a beer.
648
00:40:07,666 --> 00:40:10,208
You know, man,
the idea of doing this thing
649
00:40:10,291 --> 00:40:11,833
so that it's just us doing it
650
00:40:11,916 --> 00:40:14,541
and there's no overdubs
or you can't get out of it
651
00:40:14,625 --> 00:40:16,291
is much better really.
652
00:40:16,375 --> 00:40:18,833
Because, you know, all the time recording,
653
00:40:18,916 --> 00:40:21,583
you're thinking,
"It's all right. We can do that later."
654
00:40:21,666 --> 00:40:22,666
Hmm.
655
00:40:22,750 --> 00:40:25,875
People are doing live shows now,
656
00:40:25,958 --> 00:40:29,875
they do their overdubs
'cause they're phased and echoed live.
657
00:40:29,958 --> 00:40:33,583
But we're still thinking of it in terms of
the four guys and four amps in The Cavern.
658
00:40:33,666 --> 00:40:35,041
Yeah.
659
00:40:35,125 --> 00:40:36,458
Yeah, I'd like phasing.
660
00:40:36,541 --> 00:40:39,750
But the phasing is Alex,
and he's building the studio
661
00:40:39,833 --> 00:40:41,791
and putting it in this week.
662
00:40:59,125 --> 00:41:00,333
Yeah.
663
00:41:32,666 --> 00:41:35,916
♪ When I'm walking beside her ♪
664
00:41:49,625 --> 00:41:52,125
Not bad though. Good try that, Johnny.
665
00:41:52,208 --> 00:41:54,375
Yeah, but you know, John,
666
00:41:54,458 --> 00:41:57,541
the difference between me and, say, Eric,
667
00:41:57,625 --> 00:41:59,416
I'm just another guitar,
668
00:41:59,500 --> 00:42:02,500
sometimes playing bits
and sometimes singing.
669
00:42:04,000 --> 00:42:07,125
But he's the only guitar to play lead.
670
00:42:07,208 --> 00:42:08,750
And so he's, like, playing.
671
00:42:08,833 --> 00:42:11,208
That's how he can keep it going
all the time.
672
00:42:12,083 --> 00:42:13,750
Yeah.
So...
673
00:42:13,833 --> 00:42:16,041
I feel now I can play things.
674
00:42:16,125 --> 00:42:19,291
I can learn things that will sound okay,
675
00:42:19,375 --> 00:42:21,625
especially fast fingering like that.
676
00:42:22,625 --> 00:42:23,833
It's jazz, man.
677
00:42:31,833 --> 00:42:34,541
You know, like, a lot of guitarists
can sustain even,
678
00:42:34,625 --> 00:42:36,083
but they play it like a lot of shit.
679
00:42:36,166 --> 00:42:38,041
But his thing takes on a pattern
680
00:42:38,125 --> 00:42:41,166
and gets somewhere and resolves itself,
681
00:42:41,250 --> 00:42:42,541
which is very hard.
682
00:42:58,583 --> 00:43:01,083
Yeah, I'm sure you'll dig it when you see.
683
00:43:21,250 --> 00:43:22,666
And what shall we do, then?
684
00:43:22,750 --> 00:43:26,166
♪ I'm so tired ♪
685
00:43:26,250 --> 00:43:28,500
♪ I haven't slept a wink ♪
686
00:43:31,250 --> 00:43:33,500
♪ I'm so tired ♪
687
00:43:34,458 --> 00:43:36,791
♪ My mind is on the blink ♪
688
00:43:37,750 --> 00:43:39,958
♪ I wonder should I call you ♪
689
00:43:41,541 --> 00:43:43,250
♪ And get myself a drink ♪
690
00:43:43,333 --> 00:43:45,125
♪ No, no, no ♪
691
00:43:45,750 --> 00:43:47,500
No. Lay off the booze, boy.
692
00:43:48,458 --> 00:43:51,291
♪ 'Cause I'm so tired ♪
693
00:43:52,541 --> 00:43:55,333
♪ I don't know what to do
Don't know what to do ♪
694
00:43:57,041 --> 00:43:59,000
♪ I'm so tired ♪
695
00:44:00,250 --> 00:44:02,166
♪ My mind is set on you ♪
696
00:44:03,291 --> 00:44:04,458
♪ Ah ♪
697
00:44:04,541 --> 00:44:07,166
♪ I wonder should I call you ♪
698
00:44:07,250 --> 00:44:11,041
♪ But I know what you'd do ♪
699
00:44:11,541 --> 00:44:12,541
♪ Oh, no, no ♪
700
00:44:13,125 --> 00:44:14,208
♪ You'd say ♪
701
00:44:15,250 --> 00:44:17,833
♪ I'm putting you on
But it's no joke ♪
702
00:44:18,375 --> 00:44:19,625
Uh, John?
703
00:44:25,708 --> 00:44:28,666
How near are we
to getting the stuff in?
704
00:44:28,750 --> 00:44:32,208
Should be in today with any luck.
I've got bits and pieces coming from IBC.
705
00:44:33,166 --> 00:44:37,125
And George's 8-track coming and EMI's gear
should be here either today or tomorrow.
706
00:44:37,208 --> 00:44:39,041
I haven't thought of it like a record yet.
707
00:44:39,125 --> 00:44:41,541
I think the idea of the record
should be a live performance.
708
00:44:41,625 --> 00:44:43,291
The fact it's being recorded
is something--
709
00:44:43,375 --> 00:44:45,958
It's like when I heard
Sgt. Pepper last night.
710
00:44:46,833 --> 00:44:50,375
I thought, "Oh, that-- So that's
what live performances could be like."
711
00:44:51,541 --> 00:44:54,500
You know, even though that was a lash-up
that wasn't a live performance there.
712
00:44:55,166 --> 00:44:56,541
Good morning.
713
00:44:57,416 --> 00:44:58,416
Hi.
714
00:45:00,333 --> 00:45:02,166
I won't lie. I'm not too good.
715
00:45:04,666 --> 00:45:06,375
Morning.
How are you?
716
00:45:06,458 --> 00:45:08,291
Hiya. Good morning.
717
00:45:08,375 --> 00:45:10,541
We ought to think this week
sometime about the show.
718
00:45:10,625 --> 00:45:14,000
We are thinking about the show.
We never stop thinking about it.
719
00:45:14,083 --> 00:45:16,125
Good morning, George.
- Morning, all.
720
00:45:16,208 --> 00:45:19,666
- It's just a funny day again.
Again?
721
00:45:19,750 --> 00:45:22,750
Wouldn't it be nice if
we did this show with a big audience?
722
00:45:22,833 --> 00:45:23,833
Yes.
723
00:45:23,916 --> 00:45:26,583
I think we should forget
the whole idea of this show.
724
00:45:26,666 --> 00:45:28,291
Yeah, just, that's it. Okay.
725
00:45:29,208 --> 00:45:30,375
I'll go along with that.
726
00:45:31,291 --> 00:45:33,416
We're back--
We're back to square one.
727
00:45:37,958 --> 00:45:40,291
Here comes my recording studio.
728
00:45:42,458 --> 00:45:44,375
Who's gonna
look after all this equipment?
729
00:45:44,458 --> 00:45:47,791
'Cause the only thing is,
it is, like, 10,000 quid.
730
00:45:47,875 --> 00:45:50,125
And is Alex going to plug all that up?
731
00:45:50,208 --> 00:45:51,375
Supposedly.
732
00:45:51,458 --> 00:45:53,458
Now, Alex rang me yesterday, George,
733
00:45:53,541 --> 00:45:56,916
and said that he didn't think
that you needed an 8-track console.
734
00:45:57,000 --> 00:45:58,291
Alex said he can build one.
735
00:45:58,375 --> 00:46:01,166
- Now, the thing is that it might go wrong.
Yes.
736
00:46:03,333 --> 00:46:04,708
Where did you get Alexis from?
737
00:46:04,791 --> 00:46:07,041
He worked for Pye Color Television...
738
00:46:07,125 --> 00:46:09,708
No, he was in England
and John Dunbar asked him
739
00:46:09,791 --> 00:46:12,416
if he'd stay and build a light machine
for The Stones' tour.
740
00:46:12,500 --> 00:46:13,500
Yeah.
741
00:46:13,583 --> 00:46:15,083
So he stayed and did that.
742
00:46:15,166 --> 00:46:17,833
Then he met John, and then he met us.
743
00:46:17,916 --> 00:46:19,833
Hmm.
- And he's been there ever since.
744
00:46:19,916 --> 00:46:20,916
Hmm. Hmm.
745
00:46:21,000 --> 00:46:24,666
Yeah, I'm not going to tell you the
story about Alex and his foot pedal am I?
746
00:46:24,750 --> 00:46:26,000
Have you actually tried it out or--
747
00:46:26,083 --> 00:46:29,000
You see, the thing is
he just comes across things
748
00:46:29,083 --> 00:46:32,833
and then he says,
"Oh, yeah, I've done this."
749
00:46:32,916 --> 00:46:34,500
But he hasn't actually made it
750
00:46:34,583 --> 00:46:37,791
because he's busy building
recording studios.
751
00:46:37,875 --> 00:46:40,125
I don't think we should
have Alex build one
752
00:46:40,208 --> 00:46:43,875
because it's better to have something
that we know we can use and is reliable.
753
00:46:50,375 --> 00:46:52,458
♪ Yeah, you wear out your women ♪
754
00:46:52,541 --> 00:46:54,791
♪ Well, you wear them high ♪
755
00:46:57,333 --> 00:46:58,708
♪ They do my woman ♪
756
00:46:58,791 --> 00:47:01,875
♪ Why, why, why, why, why? ♪
757
00:47:01,958 --> 00:47:05,250
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
758
00:47:06,833 --> 00:47:10,208
♪ It took me by surprise
In the middle of my conversation ♪
759
00:47:12,416 --> 00:47:15,458
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
760
00:47:18,416 --> 00:47:19,625
♪ Conversation... ♪
761
00:47:20,208 --> 00:47:21,541
Something like-- The words, like,
762
00:47:21,625 --> 00:47:25,250
"Love for the first time in my life,
so don't you let it get away."
763
00:47:25,333 --> 00:47:26,791
Uh...
764
00:47:26,875 --> 00:47:29,333
What are the words?
-"It lasts forever and a day."
765
00:47:30,041 --> 00:47:32,583
Uh, no. "Love for the first time
in my life." Here you go.
766
00:47:32,666 --> 00:47:35,375
♪ I'm in love for the first ♪
767
00:47:35,458 --> 00:47:38,708
♪ Love for the first time in my life ♪
768
00:47:38,791 --> 00:47:40,250
♪ Don't you know it's gonna last ♪
769
00:47:40,333 --> 00:47:41,500
It's nice though. I mean, it's--
770
00:47:41,583 --> 00:47:43,416
What can we do to that bit then, you know?
771
00:47:43,500 --> 00:47:45,083
♪ A dah dah ♪
772
00:47:52,291 --> 00:47:55,708
♪ I'm in love for the first time ♪
773
00:48:01,125 --> 00:48:03,125
♪ In love for the first time ♪
774
00:48:09,375 --> 00:48:11,666
Yeah, it's really like
that's where the piano would come in.
775
00:48:11,750 --> 00:48:13,833
See, would you have piano on it?
776
00:48:13,916 --> 00:48:16,583
Yeah, I like the idea of piano.
But how do we do that?
777
00:48:16,666 --> 00:48:19,583
One of us play bass. George play the bass.
778
00:48:19,666 --> 00:48:21,166
But then there's no guitars.
779
00:48:21,250 --> 00:48:23,083
Well, it's either you or him.
780
00:48:23,166 --> 00:48:25,750
Or a bass player or a pianist. You know?
781
00:48:25,833 --> 00:48:27,958
If we need somebody else...
Yes.
782
00:48:28,041 --> 00:48:31,000
...probably be like a guy
that plays piano all the time.
783
00:48:31,083 --> 00:48:33,458
Somebody like Nicky Hopkins.
Or anybody. Yeah.
784
00:48:33,958 --> 00:48:38,041
Or if it develops that nothing
need be done on guitar except for rhythm,
785
00:48:38,125 --> 00:48:41,458
then we say, "Well, fuck that.
Two rhythms. We'll have one piano."
786
00:48:41,541 --> 00:48:44,666
Okay, well, we'll play the rhythms
with the guitars anyway.
787
00:48:46,791 --> 00:48:49,708
I was thinking
about this whole three mics bit.
788
00:48:49,791 --> 00:48:51,041
Do you think we should?
789
00:48:53,083 --> 00:48:57,875
I was watching that pop show on BBC2.
The Move were on.
790
00:48:57,958 --> 00:49:01,583
You know that one little voice there
doing harmony, one little voice there.
791
00:49:01,666 --> 00:49:04,375
They never joined into a group.
792
00:49:04,958 --> 00:49:09,291
♪ Nobody ever loved me
Like she do me ♪
793
00:49:10,750 --> 00:49:12,875
♪ Ooh, she does me ♪
794
00:49:13,666 --> 00:49:15,416
♪ Yes, she does ♪
795
00:49:18,000 --> 00:49:23,458
♪ And if somebody ever loved me
Like she do me ♪
796
00:49:24,083 --> 00:49:26,250
♪ Oh ♪
-♪ Yes, she do me ♪
797
00:49:27,875 --> 00:49:29,416
♪ Yes, she does ♪
798
00:49:32,416 --> 00:49:34,625
It should be, like,
a sustained thing over that.
799
00:49:34,708 --> 00:49:37,916
♪ Nobody ever loved me like she ♪
800
00:49:44,291 --> 00:49:46,750
So, George, so that we can split up,
801
00:49:46,833 --> 00:49:51,541
so that you're, like, doing the chords,
like a "Ave Maria" thing.
802
00:49:51,625 --> 00:49:52,750
Yeah.
803
00:49:54,583 --> 00:49:55,583
♪ Yes, she does ♪
804
00:49:55,666 --> 00:49:57,750
- Tell me--
805
00:50:00,958 --> 00:50:02,250
Like on the tom-toms--
806
00:50:11,083 --> 00:50:12,166
You know what I mean?
807
00:50:13,208 --> 00:50:14,208
Yeah, so it goes--
808
00:50:14,291 --> 00:50:17,833
There's a point where we'll have to
concentrate on the guitar
809
00:50:17,916 --> 00:50:20,458
for each song, you know, where,
if it's going to play anything.
810
00:50:20,541 --> 00:50:22,958
But if it's
"I'm in love for the first time."
811
00:50:23,041 --> 00:50:24,666
And I'm doing, uh...
812
00:50:26,000 --> 00:50:29,791
♪ I'm in love for the first time ♪
813
00:50:29,875 --> 00:50:32,416
♪ For the first time in my life ♪
814
00:50:32,500 --> 00:50:34,375
♪ And you know it's gonna last ♪
815
00:50:34,458 --> 00:50:36,916
It's nice though.
I mean, corny's all right in this one.
816
00:50:37,000 --> 00:50:38,541
'Cause what he's doing is corny.
817
00:50:38,625 --> 00:50:41,166
But it-- See, that's the thing
that will make it not corny,
818
00:50:41,250 --> 00:50:43,625
if we sing different words. So, you say...
819
00:50:43,708 --> 00:50:45,291
♪ I'm in love for the first time ♪
820
00:50:45,375 --> 00:50:48,500
♪ Love for the first time in my life ♪
821
00:50:48,583 --> 00:50:50,583
Wait, okay. But roughly...
822
00:50:50,666 --> 00:50:53,458
Okay, well, we'll do that.
That comes later. So...
823
00:50:53,541 --> 00:50:55,541
- Just start off with a corny one.
Yeah.
824
00:50:55,625 --> 00:50:57,333
'Cause the words aren't that good.
So it goes...
825
00:50:57,416 --> 00:50:59,208
♪ I'm in love for the first ♪
826
00:50:59,291 --> 00:51:01,791
♪ Love for the first time... ♪
827
00:51:01,875 --> 00:51:05,291
I think the words should be corny
'cause there's no clever words in it.
828
00:51:08,583 --> 00:51:11,291
♪ I'm in love for the first time ♪
829
00:51:11,375 --> 00:51:14,375
♪ La la la la la la la ♪
830
00:51:14,458 --> 00:51:16,125
♪ Don't you know it's... ♪
831
00:51:16,208 --> 00:51:18,083
You see, we should--
Yeah, change the beat.
832
00:51:18,166 --> 00:51:21,333
Should be different beat
and all on to light things and cymbals.
833
00:51:21,416 --> 00:51:25,625
Yeah.
834
00:51:31,083 --> 00:51:32,458
Arthur Alexander then?
835
00:51:32,541 --> 00:51:34,291
Okay, do it from the beginning.
836
00:51:34,375 --> 00:51:37,166
♪ I'm in love for the first time ♪
837
00:51:37,250 --> 00:51:40,666
♪ Love for the first time in my life ♪
838
00:51:40,750 --> 00:51:43,833
♪ Don't you know it's gonna last ♪
839
00:51:43,916 --> 00:51:46,833
♪ Don't you know it's gonna last ♪
840
00:51:46,916 --> 00:51:49,666
♪ It's a love that lasts forever ♪
841
00:51:50,416 --> 00:51:53,666
♪ It's a love that lasts forever ♪
842
00:51:53,750 --> 00:51:56,291
♪ It's a love that has no past ♪
843
00:51:59,833 --> 00:52:02,291
It sounds like the same old shit.
844
00:52:02,375 --> 00:52:05,208
Well, I like the same old shit
if it's just clear, you know?
845
00:52:07,791 --> 00:52:12,125
Okay, so how about-- how about
changing around these two?
846
00:52:12,208 --> 00:52:14,541
And when you sing,
"Don't you know it's gonna last,"
847
00:52:14,625 --> 00:52:16,250
we sing, "It's a love that has no past."
848
00:52:16,333 --> 00:52:20,708
Then he sings it, and then we repeat,
"It's a love that lasts forever," exactly.
849
00:52:20,791 --> 00:52:22,541
When you sing,
"It's a love that has no past,"
850
00:52:22,625 --> 00:52:24,416
we sing, "It's a love that's gonna last."
851
00:52:24,500 --> 00:52:27,500
- Yes. I agree.
- Okay, so...
852
00:52:27,583 --> 00:52:28,708
♪ I'm in love for the-- ♪
853
00:52:28,791 --> 00:52:30,583
"Love for the first time in my life."
854
00:52:31,250 --> 00:52:33,708
"It's a love that has no past."
855
00:52:33,791 --> 00:52:35,166
Swap that one for the other,
856
00:52:35,250 --> 00:52:37,500
so that when he's singing that,
we're singing the other.
857
00:52:37,583 --> 00:52:39,166
Then, "It's a love that lasts forever."
858
00:52:39,250 --> 00:52:41,791
Repeat that, even though
it sounds funny. It'll be all right.
859
00:52:41,875 --> 00:52:43,708
And then,
"Don't you know it's gonna last."
860
00:52:43,791 --> 00:52:45,500
Just try it through roughly.
861
00:52:46,458 --> 00:52:48,666
-♪ I'm in love ♪
-♪ Dah dah ♪
862
00:52:49,250 --> 00:52:50,250
♪ Don't-- ♪
863
00:52:50,833 --> 00:52:52,750
♪ I'm in love for the first time ♪
864
00:52:52,833 --> 00:52:56,041
♪ Love for the first time in my life ♪
865
00:52:56,125 --> 00:52:59,166
♪ Don't you know it's gonna last ♪
866
00:52:59,250 --> 00:53:02,166
♪ It's a love that has no past ♪
867
00:53:02,250 --> 00:53:05,041
♪ It's a love that lasts forever ♪
868
00:53:06,541 --> 00:53:08,333
Yeah, well, that time it was just silly.
869
00:53:08,416 --> 00:53:09,708
What's the bones of the part?
870
00:53:09,791 --> 00:53:11,375
We don't really know
what we're saying now.
871
00:53:11,458 --> 00:53:12,375
♪ Love for the first... ♪
872
00:53:12,458 --> 00:53:14,666
It was always weak on your guitar...
- Yeah, sure.
873
00:53:14,750 --> 00:53:16,250
...'cause that's a weak bit
of the song, that.
874
00:53:16,333 --> 00:53:19,541
- But you see, nothing has to happen...
- Yeah, it's the same bit.
875
00:53:19,625 --> 00:53:20,875
...in those things.
876
00:53:22,166 --> 00:53:24,833
- If you listen to the words and things...
- Yeah, right, nothing does.
877
00:53:24,916 --> 00:53:27,208
...all that's going on
is the bass, guitar and drums doing...
878
00:53:27,291 --> 00:53:28,583
♪ I'm in love for the... ♪
879
00:53:28,666 --> 00:53:30,875
It doesn't really make that much odds--
No, but--
880
00:53:38,291 --> 00:53:39,916
♪ Love for the first time ♪
881
00:53:43,375 --> 00:53:47,125
♪ Don't you know it's gonna last ♪
882
00:53:49,666 --> 00:53:52,333
♪ It's a love that lasts forever ♪
883
00:53:55,750 --> 00:53:59,250
♪ It's a love that has no past ♪
884
00:54:03,375 --> 00:54:06,083
Yeah. All right?
- Yeah.
885
00:54:06,166 --> 00:54:09,125
That's the only time that works, really,
is on the last line.
886
00:54:09,208 --> 00:54:11,625
- Paul, forget the last line.
- I'm just trying to get a bit--
887
00:54:11,708 --> 00:54:13,958
We'll try to sort of go right through.
We keep talking about it.
888
00:54:14,041 --> 00:54:16,333
It seems we're saying...
- Okay, girls.
889
00:54:19,000 --> 00:54:21,333
- Give in. I give in.
- You're right that it's wrong on that bit.
890
00:54:21,416 --> 00:54:23,208
You see, the first song is not bad.
891
00:54:23,291 --> 00:54:26,583
Okay. Okay, we'll just repeat
exactly what you say.
892
00:54:26,666 --> 00:54:29,083
One, two, three.
893
00:54:29,166 --> 00:54:32,250
♪ I'm in love for the first time ♪
894
00:54:32,333 --> 00:54:35,375
♪ For the first time in my life ♪
895
00:54:35,458 --> 00:54:38,416
♪ Don't you know it's gonna last ♪
896
00:54:38,500 --> 00:54:41,583
♪ Don't you know it's gonna last ♪
897
00:54:41,666 --> 00:54:44,833
♪ It's a love that lasts forever ♪
898
00:54:44,916 --> 00:54:47,916
♪ It's a love that lasts forever ♪
899
00:54:48,000 --> 00:54:51,166
♪ It's a love that has no past ♪
900
00:54:51,250 --> 00:54:54,541
♪ It's a love that has no past ♪
901
00:54:55,083 --> 00:54:57,291
♪ Don't let me down ♪
902
00:54:57,375 --> 00:55:01,375
Okay. Okay, that's-- that's all right.
That's--
903
00:55:01,458 --> 00:55:03,500
Yes, I can't hear you.
Right.
904
00:55:03,583 --> 00:55:04,708
No.
905
00:55:04,791 --> 00:55:07,166
I think it's awful, actually.
906
00:55:07,250 --> 00:55:08,500
We're gonna improve on that--
907
00:55:08,583 --> 00:55:11,500
If we had a tape recorder now and then
just taped that and played it back,
908
00:55:11,583 --> 00:55:13,708
- you'd throw that out straightaway.
Yeah, right, but--
909
00:55:13,791 --> 00:55:15,666
Yeah.
- No, really.
910
00:55:15,750 --> 00:55:17,833
- You'd throw it out, right? I mean...
- Yeah, sure. Okay.
911
00:55:21,166 --> 00:55:22,875
Well, for a start
it would be better to sing...
912
00:55:22,958 --> 00:55:24,916
- Instead of...
913
00:55:25,500 --> 00:55:26,500
♪ Ah ♪
914
00:55:26,583 --> 00:55:29,708
Yeah, see, but in a way,
that's even cornier, I think.
915
00:55:29,791 --> 00:55:32,041
That little harmony bit.
It's just too pretty.
916
00:55:32,125 --> 00:55:34,750
♪ It's a love that lasts forever ♪
917
00:55:35,333 --> 00:55:37,791
- Just anything would be--
- Yeah, well, that's-- It's the--
918
00:55:37,875 --> 00:55:40,291
I think you should
just get a corny one first
919
00:55:40,375 --> 00:55:42,500
and then start doing roundups.
920
00:55:42,583 --> 00:55:45,625
You know, you'll start getting
the rhythm to it, something, or change it.
921
00:55:45,708 --> 00:55:49,166
♪ Don't you know it's gonna last ♪
922
00:55:50,708 --> 00:55:54,375
You know, we've just gone round, like,
for an hour with nothing in our heads.
923
00:55:54,458 --> 00:55:58,250
- Just... And we're back, so let's--
- We've been through a lot of permutations.
924
00:55:58,333 --> 00:56:00,458
Yeah, I know,
but let's move-- sort of move on now.
925
00:56:01,750 --> 00:56:02,916
Today's the sixth.
926
00:56:03,000 --> 00:56:04,125
- What is it?
Yeah.
927
00:56:07,458 --> 00:56:09,000
We haven't done many yet.
928
00:56:15,458 --> 00:56:16,583
Yeah.
929
00:56:16,666 --> 00:56:19,083
♪ Two of us riding nowhere ♪
930
00:56:19,166 --> 00:56:20,166
Okay, now...
931
00:56:20,250 --> 00:56:22,458
- Am I singing on this or what?
- I don't know, really.
932
00:56:23,875 --> 00:56:26,333
"Two Of Us"?
You have to remember the words too.
933
00:56:26,416 --> 00:56:28,208
Yes, I've got 'em here.
934
00:56:28,291 --> 00:56:29,333
But learn 'em.
935
00:56:30,541 --> 00:56:31,750
I almost know 'em.
936
00:56:32,333 --> 00:56:36,750
♪ On our way back ♪
937
00:56:37,833 --> 00:56:39,583
♪ On our way home ♪
938
00:56:40,333 --> 00:56:41,333
See, look.
939
00:56:41,416 --> 00:56:42,500
♪ On our way home ♪
940
00:56:42,583 --> 00:56:43,750
Listen, now.
941
00:56:43,833 --> 00:56:46,708
See, we're gonna have to sort of bring it
together, 'cause we're all at odds.
942
00:56:46,791 --> 00:56:48,666
We're doing that thing
we did on The Beatles.
943
00:56:48,750 --> 00:56:52,208
Like, in this verse, it's two harmonies
singing, trying to say some words, right?
944
00:56:54,250 --> 00:56:55,958
It's not sounding together.
945
00:56:57,708 --> 00:57:00,125
Or we can stop and say it's not together.
946
00:57:06,541 --> 00:57:07,625
When you just get them?
947
00:57:07,708 --> 00:57:11,125
No, not really, it's just--
We've got to be imaginative.
948
00:57:11,208 --> 00:57:15,125
You know, like--
It's like-- It's complicated now, so it...
949
00:57:16,083 --> 00:57:19,208
See, if we can get it simpler
and then complicate it
950
00:57:19,291 --> 00:57:22,583
where it needs complications,
but it's complicated in the bit--
951
00:57:34,500 --> 00:57:36,208
But you know what I mean?
952
00:57:36,291 --> 00:57:39,625
Well, you know, we do this then.
Then we-- And then, I don't know.
953
00:57:41,250 --> 00:57:42,250
Yeah.
954
00:57:43,250 --> 00:57:44,833
I can't do it on film either.
955
00:57:45,750 --> 00:57:48,041
Can't frickin' do it on camera.
956
00:57:49,541 --> 00:57:50,750
Yeah.
957
00:57:51,583 --> 00:57:53,500
Forget about Candid Camera.
958
00:57:58,958 --> 00:58:01,250
And I have been for,
like, a couple of years.
959
00:58:01,333 --> 00:58:02,708
It's like I always sound--
960
00:58:02,791 --> 00:58:06,416
I always feel as though I'm trying
to put you down and stop you playing.
961
00:58:06,500 --> 00:58:09,541
But I'm not.
I'm trying to stop us all playing
962
00:58:09,625 --> 00:58:11,416
until we know what we're playing.
963
00:58:11,500 --> 00:58:14,708
But you've got to play in order
to find which fits and which doesn't.
964
00:58:14,791 --> 00:58:17,125
Mmm.
You see that's all we can do.
965
00:58:17,208 --> 00:58:19,458
I don't wanna say it,
'cause I really just hear myself
966
00:58:19,541 --> 00:58:22,041
as being the only one saying it, always.
967
00:58:22,125 --> 00:58:24,333
And like, the three of you
just sort of sit there, like...
968
00:58:24,416 --> 00:58:26,875
"Oh, he's saying that one again is he?"
969
00:58:26,958 --> 00:58:29,416
And I never get any support, or anything.
970
00:58:29,500 --> 00:58:31,541
So I just think, "Oh, well. Fuck it."
971
00:58:31,625 --> 00:58:34,583
And I know it's right,
and you know it's right.
972
00:58:34,666 --> 00:58:36,958
Yes, all right.
I just don't know what to do about it.
973
00:58:37,041 --> 00:58:40,666
But doesn't everyone agree
that it's confused at the moment.
974
00:58:40,750 --> 00:58:43,583
So, all I'm trying to say is,
we've only got 12 more days,
975
00:58:43,666 --> 00:58:47,291
so, like, you know, we've really got to
do this methodically, this one.
976
00:58:47,375 --> 00:58:48,625
Well, it's annoying, you know?
977
00:58:56,291 --> 00:58:58,500
It's like a matter of
working it out with you
978
00:58:58,583 --> 00:59:00,458
while you're working your bit out.
979
00:59:00,541 --> 00:59:02,708
You know, have you got your bass bit?
980
00:59:02,791 --> 00:59:04,791
Look. You know, you--
981
00:59:04,875 --> 00:59:07,250
You're doing it again
as though I'm trying to say that.
982
00:59:07,333 --> 00:59:09,958
And what we said the other day,
you know I'm not trying to get you.
983
00:59:10,041 --> 00:59:13,791
What I really am trying to just say,
"Look lads, the band,
984
00:59:13,875 --> 00:59:18,375
shall we try it like this, you know?"
985
00:59:18,458 --> 00:59:21,083
It's funny though
how it only occurs when the--
986
00:59:21,166 --> 00:59:23,500
It's like, "Shall we play guitar
all through 'Hey Jude'?"
987
00:59:23,583 --> 00:59:25,833
- Well, I don't think we should.
- Yeah. Okay, well, I don't mind.
988
00:59:25,916 --> 00:59:28,541
I'll-- I'll play, you know,
whatever you want me to play.
989
00:59:28,625 --> 00:59:31,041
Or I won't play at all
if you don't want me to play.
990
00:59:31,125 --> 00:59:34,625
Now, whatever it is that will please you,
I'll do it.
991
00:59:46,583 --> 00:59:48,500
- But do you wanna take the gallop?
- No, okay, but don't--
992
00:59:48,583 --> 00:59:49,583
Now come on. Look--
993
00:59:49,666 --> 00:59:52,166
We've gotta do this.
We've really gotta sort out this,
994
00:59:52,250 --> 00:59:56,125
'cause we're rehearsing, and we're trying
to, like, get it together for the TV show.
995
00:59:56,208 --> 00:59:59,500
So we really-- Like you said,
we've only been through four numbers.
996
01:00:00,708 --> 01:00:04,416
So we probably gotta get some system
to get through, like, 20 or 30,
997
01:00:04,500 --> 01:00:06,166
and know them all and have learnt them.
998
01:00:06,250 --> 01:00:08,125
So that we get all the chords.
999
01:00:08,208 --> 01:00:10,666
- So we can all vamp them all.
- Yeah.
1000
01:00:10,750 --> 01:00:13,375
Then we can, like,
all play every solo we need.
1001
01:00:13,458 --> 01:00:16,208
But, like,
it's gotta sound as though it's improving.
1002
01:00:25,500 --> 01:00:27,541
Yeah, I know what you mean.
1003
01:00:27,625 --> 01:00:31,375
It's just that that way of doing it
puts me off the way I'm trying to do it.
1004
01:00:39,000 --> 01:00:40,000
Yeah.
1005
01:00:40,708 --> 01:00:42,083
Let's do another song.
1006
01:00:47,000 --> 01:00:48,583
This is why we take so long.
1007
01:00:49,750 --> 01:00:53,458
I think we play it shitty ten times,
and so it's sort of in there.
1008
01:00:53,541 --> 01:00:56,125
And then I think we could come
and play it quite good then.
1009
01:01:07,875 --> 01:01:12,541
♪ On our way back home ♪
1010
01:01:15,875 --> 01:01:17,833
♪ On our way back... ♪
1011
01:01:17,916 --> 01:01:19,666
I'll have to tune my guitar.
1012
01:01:23,083 --> 01:01:26,708
It's got to just drive along like a car.
So how do we do that?
1013
01:01:27,625 --> 01:01:32,291
It was turning heavier.
Do you want it more countryish or more...
1014
01:01:34,875 --> 01:01:37,166
I can't talk anymore, I really can't.
1015
01:01:41,208 --> 01:01:45,708
♪ On our way back home ♪
1016
01:01:45,791 --> 01:01:48,833
Two, three, four, five, six, seven, eight.
1017
01:01:48,916 --> 01:01:53,750
♪ On our way back home ♪
1018
01:01:56,458 --> 01:02:00,333
♪ On our way back home ♪
1019
01:02:07,666 --> 01:02:09,291
But it comes--
Then just end on D.
1020
01:02:09,375 --> 01:02:11,583
It could end on G for that one.
G.
1021
01:02:23,125 --> 01:02:24,833
♪ Mondays on the road ♪
1022
01:02:24,916 --> 01:02:27,458
It's like Lyme Street Station.
What?
1023
01:02:27,541 --> 01:02:29,875
It reminds me a bit
of Lyme Street Station.
1024
01:02:38,083 --> 01:02:40,333
Between 10:00 and 11:00 is the time.
1025
01:02:40,416 --> 01:02:42,125
Thinking of getting rid of him.
1026
01:02:42,208 --> 01:02:43,708
I'm never late.
1027
01:02:43,791 --> 01:02:46,041
He's never late.
He's a bloody pro, is Ringo.
1028
01:02:48,208 --> 01:02:51,625
You're playing that bass again.
1029
01:02:51,708 --> 01:02:55,291
Peter, can we have a Binson echo unit
for these microphones, please?
1030
01:02:55,375 --> 01:02:57,083
I think we could have better mics.
1031
01:02:57,166 --> 01:02:58,958
We could have better mics too, Peter.
1032
01:02:59,041 --> 01:03:00,708
- You know, those big Neumanns.
Yeah.
1033
01:03:03,750 --> 01:03:06,333
- Yes.
- We might, Michael. That's quite true.
1034
01:03:10,958 --> 01:03:16,958
♪ Ooh, ooh, ooh ♪
1035
01:03:21,083 --> 01:03:25,458
♪ Ooh, ooh, ooh ♪
1036
01:03:29,375 --> 01:03:32,958
♪ Ooh, ooh, ooh ♪
1037
01:03:36,875 --> 01:03:38,166
♪ Ooh, ooh ♪
1038
01:04:19,041 --> 01:04:22,041
♪ Don't you know it's gonna last? ♪
1039
01:04:52,625 --> 01:04:56,416
Yeah. It's good-- It's,
you know-- Musically and that, it's great.
1040
01:05:06,125 --> 01:05:09,666
♪ Get back, get back ♪
1041
01:05:09,750 --> 01:05:12,583
♪ Get back to where you once belonged ♪
1042
01:05:13,708 --> 01:05:17,500
♪ Get back, get back ♪
1043
01:05:17,583 --> 01:05:20,375
♪ Get back to where you once belonged ♪
1044
01:05:23,583 --> 01:05:25,625
♪ He thought she was a woman ♪
1045
01:05:25,708 --> 01:05:27,958
♪ But she was another man ♪
1046
01:05:29,416 --> 01:05:33,208
♪ All the folks around
Thought she had it coming ♪
1047
01:05:33,291 --> 01:05:36,541
♪ But she gets it while she can, oh ♪
1048
01:05:36,625 --> 01:05:39,708
♪ Get back, get back ♪
1049
01:05:41,041 --> 01:05:43,583
♪ Back to where you once belonged ♪
1050
01:05:44,708 --> 01:05:47,250
♪ Get back, get back ♪
1051
01:05:48,333 --> 01:05:51,208
♪ Get back to where you once belonged ♪
1052
01:05:54,250 --> 01:05:56,458
♪ Yeah, she thought she was a woman ♪
1053
01:05:56,541 --> 01:05:59,041
♪ But she was another man ♪
1054
01:06:00,375 --> 01:06:04,250
♪ All the folk around said
"She thought she had it coming" ♪
1055
01:06:04,333 --> 01:06:07,958
♪ But she gets it while she can, oh ♪
1056
01:06:08,041 --> 01:06:10,666
♪ Get back, hey, get back ♪
1057
01:06:12,000 --> 01:06:14,625
♪ Get back to where you once belonged ♪
1058
01:06:15,791 --> 01:06:18,916
♪ Get back, get back ♪
1059
01:06:19,750 --> 01:06:22,958
♪ Get back to where you once belonged ♪
1060
01:06:23,750 --> 01:06:26,583
♪ Get back, get back ♪
1061
01:06:27,833 --> 01:06:30,791
♪ Get back to where you once belonged ♪
1062
01:06:31,625 --> 01:06:34,625
♪ Get back, get back ♪
1063
01:06:35,625 --> 01:06:38,458
♪ Get back to where you once belonged ♪
1064
01:06:39,375 --> 01:06:40,625
♪ Oh ♪
1065
01:06:45,625 --> 01:06:48,583
I mean, at the moment, we're just
rehearsing the numbers for the show.
1066
01:06:48,666 --> 01:06:51,666
None of us has had the idea
of what the show is gonna be yet.
1067
01:07:00,791 --> 01:07:01,958
Yeah. Right. Yeah.
1068
01:07:02,041 --> 01:07:04,375
And that's why, uh...
1069
01:07:05,375 --> 01:07:07,708
I think if you all have decided
to do a show,
1070
01:07:07,791 --> 01:07:09,208
then it should be the best show.
1071
01:07:12,750 --> 01:07:13,750
Know what I mean?
1072
01:07:13,833 --> 01:07:16,458
The only thing
about that though, is that, uh,
1073
01:07:17,291 --> 01:07:18,416
we don't want to go away.
1074
01:07:18,500 --> 01:07:20,166
Think of the lights in the water.
1075
01:07:20,250 --> 01:07:22,750
Torch-lit. 2,000 Arabs.
1076
01:07:22,833 --> 01:07:25,250
- I mean, visually, it is fantastic.
But we're not going away.
1077
01:07:25,333 --> 01:07:27,166
My trouble is...
1078
01:07:34,666 --> 01:07:36,041
We could make it like requests.
1079
01:07:36,125 --> 01:07:38,708
We should do the show
in a place we're not allowed to do it.
1080
01:07:38,791 --> 01:07:41,125
You know, like, we should trespass,
go in, set up,
1081
01:07:41,208 --> 01:07:43,666
and then get moved,
and that should be the show.
1082
01:07:43,750 --> 01:07:47,083
I mean, you know,
if you put us in the Houses of Parliament,
1083
01:07:47,166 --> 01:07:49,625
playing in the main gallery
at the Houses of Parliament,
1084
01:07:49,708 --> 01:07:51,375
and getting forcibly ejected,
1085
01:07:51,458 --> 01:07:53,875
still trying to play numbers,
and the police lifting you...
1086
01:07:53,958 --> 01:07:55,625
I think that's too much of an obstacle.
1087
01:07:55,708 --> 01:07:57,375
♪ She came in
Through the bathroom window ♪
1088
01:08:00,041 --> 01:08:03,583
Scuffling with the coppers,
boots and truncheons and all that.
1089
01:08:03,666 --> 01:08:05,583
You have to take a bit of violence.
1090
01:08:05,666 --> 01:08:06,958
I think that's too dangerous.
1091
01:08:15,833 --> 01:08:17,541
But I don't mean for really sick kids.
1092
01:08:17,625 --> 01:08:19,708
I mean for kids with broken legs.
1093
01:08:19,791 --> 01:08:23,458
I mean, really, kind of,
1944 Hollywood musical Bing Crosby kids.
1094
01:08:27,291 --> 01:08:29,166
Except for the finale.
1095
01:08:29,250 --> 01:08:30,291
Oh, yes!
1096
01:08:30,375 --> 01:08:33,541
When John walks up to
the little girl and says, "Come here."
1097
01:08:33,625 --> 01:08:35,208
And she gets up and walks.
1098
01:08:35,291 --> 01:08:37,875
Or maybe an orphans' home?
An orphans' home.
1099
01:08:37,958 --> 01:08:40,125
Children are the hope
of the future department.
1100
01:08:40,791 --> 01:08:42,958
What about an orphanage?
1101
01:08:43,041 --> 01:08:44,416
How does that grab you guys?
1102
01:08:44,500 --> 01:08:47,750
It's like, "Going once, going twice,
going three times and that's it."
1103
01:08:47,833 --> 01:08:48,833
No.
1104
01:08:50,041 --> 01:08:52,291
Orphanage--
Orphanage going downhill.
1105
01:08:57,375 --> 01:08:59,208
What's the biggest charity in the world?
1106
01:08:59,291 --> 01:09:00,416
I don't mean in terms of polio,
1107
01:09:00,500 --> 01:09:02,583
but what's the most charitable thing
anybody could do?
1108
01:09:02,666 --> 01:09:03,666
They say--
1109
01:09:03,750 --> 01:09:07,000
Don't they say, "Charity begins at home"?
1110
01:09:07,083 --> 01:09:09,083
We'll do it at George's house.
1111
01:09:13,833 --> 01:09:17,875
We gotta have some serious reason
for doing this or else we won't.
1112
01:09:19,416 --> 01:09:20,583
What's it for?
1113
01:09:20,666 --> 01:09:22,416
Can't be for the money.
1114
01:09:22,500 --> 01:09:25,875
I've decided the whole point of it
is communication.
1115
01:09:25,958 --> 01:09:28,333
And to be on TV is communication.
1116
01:09:28,416 --> 01:09:31,958
We've got a chance to smile at people,
like "All You Need Is Love."
1117
01:09:32,041 --> 01:09:34,958
But-- So that's me incentive for doing it.
1118
01:09:42,375 --> 01:09:46,625
The worst that we have is
a documentary of us making an LP
1119
01:09:46,708 --> 01:09:48,083
if we don't get into a show.
1120
01:09:48,166 --> 01:09:49,833
But we haven't played together, you see.
1121
01:09:49,916 --> 01:09:51,208
That's the fucking thing.
1122
01:09:51,291 --> 01:09:53,125
But when we do come together to play,
1123
01:09:53,208 --> 01:09:55,500
we all just sort of talk
about the fucking past!
1124
01:09:55,583 --> 01:09:57,333
We're like old age pensioners.
1125
01:09:57,416 --> 01:09:59,541
"Remember the days when we used to rock?"
1126
01:09:59,625 --> 01:10:02,750
You know, but we're here now,
and we can do it, you know?
1127
01:10:02,833 --> 01:10:05,958
But, I mean, all I want to see
is enthusiasm!
1128
01:10:07,291 --> 01:10:11,541
See, the thing is also I get to a bit
where I just sort of push all my ideas.
1129
01:10:11,625 --> 01:10:16,541
You know, I mean, a lot will come out
of it if we could get the enthusiasm.
1130
01:10:16,625 --> 01:10:20,916
I mean, why are you here?
I'm here 'cause I wanna do a show.
1131
01:10:21,000 --> 01:10:24,000
But I really don't feel
an awful lot of support.
1132
01:10:24,083 --> 01:10:27,500
We keep coming up against that one,
and I keep saying,
1133
01:10:27,583 --> 01:10:29,625
"Yeah well,
I'd like to do this, this and that."
1134
01:10:29,708 --> 01:10:33,833
And we end up doing something again
that nobody really wants to do.
1135
01:10:33,916 --> 01:10:35,833
If this one turns into that,
1136
01:10:35,916 --> 01:10:38,083
it should definitely be
the last for all of us.
1137
01:10:38,166 --> 01:10:39,750
Because there just isn't any point.
1138
01:10:39,833 --> 01:10:42,458
I think that'd be sad.
I mean, as an audience. That'd be sad.
1139
01:10:42,541 --> 01:10:44,958
Course it is!
It's stupid. It is just stupid.
1140
01:10:45,916 --> 01:10:49,208
You see, the people who are being stupid
are the four of us.
1141
01:10:53,625 --> 01:10:55,083
...which it always is.
1142
01:10:55,166 --> 01:11:00,166
The Beatles have been in doldrums
for at least a year.
1143
01:11:01,041 --> 01:11:05,125
Ever since Mr. Epstein passed away,
it's never been the same.
1144
01:11:05,208 --> 01:11:07,875
I mean, we've been very negative
since Mr. Epstein passed away.
1145
01:11:07,958 --> 01:11:11,958
And that's why all of us, in turn,
have been sick of the group.
1146
01:11:12,041 --> 01:11:13,666
It's discipline we lack.
1147
01:11:13,750 --> 01:11:14,791
We've never had discipline.
1148
01:11:14,875 --> 01:11:17,625
We had a sort of slight,
symbolic discipline.
1149
01:11:17,708 --> 01:11:19,166
Like Mr. Epstein.
1150
01:11:19,250 --> 01:11:22,416
You know, and he sort of said,
"Get suits on," and we did.
1151
01:11:22,500 --> 01:11:25,916
You know, and so we were always fighting
that discipline a bit.
1152
01:11:27,125 --> 01:11:31,250
There really is no one there now
to say, "Do it."
1153
01:11:31,333 --> 01:11:32,958
Whereas there always used to be.
1154
01:11:33,041 --> 01:11:37,708
Daddy's gone away now,
and we're on our own at the holiday camp.
1155
01:11:37,791 --> 01:11:41,958
I think we either go home or we do it.
1156
01:11:46,875 --> 01:11:49,416
I think we've got a bit shy, you know?
1157
01:11:49,500 --> 01:11:53,791
I think I've got a bit shy
of certain things, you know?
1158
01:11:53,875 --> 01:11:56,541
'Cause you know how often, like, on albums
we sometimes blow one of your songs,
1159
01:11:56,625 --> 01:11:58,333
'cause we come in in the wrong mood.
1160
01:11:58,416 --> 01:12:01,250
And you say,
"This is how it goes. I'll be back."
1161
01:12:01,333 --> 01:12:04,291
And we're all just,
"Oh, well you..."
1162
01:12:04,375 --> 01:12:07,333
That's why we're wrong
to throw away the show.
1163
01:12:07,416 --> 01:12:08,958
Because there's no desire.
1164
01:12:09,666 --> 01:12:12,250
So it's like,
if we're doing the show,
1165
01:12:12,333 --> 01:12:14,000
we're gonna have to work hard.
1166
01:12:14,791 --> 01:12:17,458
And that means
by the time a week from now comes
1167
01:12:17,541 --> 01:12:20,541
all these songs we've got,
we've gotta know perfectly.
1168
01:12:23,541 --> 01:12:24,958
Because they just turn out shitty--
1169
01:12:25,041 --> 01:12:28,416
No, but this-- Thinking it's not gonna
come out great won't help.
1170
01:12:28,500 --> 01:12:32,125
If we cancel the show now,
we'll be throwing it away.
1171
01:12:32,208 --> 01:12:34,166
But equally,
at the moment we haven't got a show
1172
01:12:34,250 --> 01:12:35,791
and so none of us really want to do it.
1173
01:12:35,875 --> 01:12:36,875
I'll do it.
1174
01:12:36,958 --> 01:12:41,166
I'm not interested, you know, to spend
my fucking days farting around here,
1175
01:12:41,250 --> 01:12:44,541
while everyone makes up their minds
whether they want to do it or not.
1176
01:12:44,625 --> 01:12:47,541
It's like Mal said last night,
"If you're gonna do the show here,
1177
01:12:47,625 --> 01:12:50,041
you've gotta decide today."
1178
01:12:50,125 --> 01:12:52,125
And as far as I can see,
there's only two ways.
1179
01:12:52,208 --> 01:12:54,125
We're gonna do it,
or we're not gonna do it.
1180
01:12:54,208 --> 01:12:56,500
And I want a decision!
1181
01:12:56,583 --> 01:12:58,166
Maybe we should have a divorce.
1182
01:12:58,250 --> 01:13:00,375
Well, I said that at the last meeting.
1183
01:13:01,833 --> 01:13:03,458
But it's getting nearer, you know?
1184
01:13:04,916 --> 01:13:06,375
Who'd have the children?
1185
01:13:07,541 --> 01:13:08,583
Dick James.
1186
01:13:08,666 --> 01:13:09,750
Oh, yeah.
1187
01:13:11,458 --> 01:13:12,958
We all need you.
1188
01:13:13,541 --> 01:13:16,333
And, you know,
if you all can't get it together,
1189
01:13:16,416 --> 01:13:18,458
that's really very sad.
1190
01:13:18,541 --> 01:13:21,958
So, I think what we should do now
is let you play a little
1191
01:13:22,041 --> 01:13:24,291
and then you all have lunch together.
1192
01:13:25,166 --> 01:13:28,375
And I can give you
some more fennel, maybe?
1193
01:13:29,083 --> 01:13:30,166
- Yes.
1194
01:13:30,250 --> 01:13:32,916
So shall we leave you for a while?
1195
01:13:33,000 --> 01:13:34,958
- Yes. Yeah.
Yeah.
1196
01:13:35,875 --> 01:13:37,291
"If I'd been out...
1197
01:13:39,333 --> 01:13:41,208
till quarter to three."
1198
01:13:45,833 --> 01:13:48,041
♪ Will you still be there? ♪
1199
01:13:48,125 --> 01:13:49,541
And then twice...
1200
01:13:49,625 --> 01:13:52,416
♪ Maxwell's silver hammer made sure that ♪
1201
01:13:53,041 --> 01:13:54,083
Minor.
1202
01:13:54,166 --> 01:13:56,041
♪ Sure that she was dead ♪
1203
01:13:57,416 --> 01:13:58,875
♪ Solo ♪
1204
01:13:58,958 --> 01:14:00,458
That's the second lot.
1205
01:14:06,375 --> 01:14:08,083
Like a ukulele solo.
1206
01:14:16,500 --> 01:14:17,500
Uh--
1207
01:14:19,416 --> 01:14:20,666
Who was that?
1208
01:14:20,750 --> 01:14:21,750
Was that you?
1209
01:14:22,333 --> 01:14:24,000
It's all right.
1210
01:14:24,083 --> 01:14:25,083
Keep it in.
1211
01:14:26,583 --> 01:14:28,583
Just stand near the mic on the night.
1212
01:14:34,666 --> 01:14:35,666
Okay.
1213
01:14:35,750 --> 01:14:37,000
Uh, John?
1214
01:14:37,083 --> 01:14:38,708
They're like a D, D.
1215
01:14:40,000 --> 01:14:42,333
D, F-sharp minor, G to A.
1216
01:14:48,458 --> 01:14:50,291
Are you just doing it all in D?
1217
01:14:51,041 --> 01:14:52,791
Yeah. Should we go and have lunch?
1218
01:14:52,875 --> 01:14:56,500
Take this guitar
I offer you in all humility.
1219
01:14:56,583 --> 01:14:57,666
Thank you.
1220
01:14:58,875 --> 01:15:00,458
Thanks a lot, Jim.
1221
01:15:00,541 --> 01:15:03,166
♪ Oh, Jim Grey ♪
1222
01:15:03,750 --> 01:15:07,416
♪ Where is your mother these days? ♪
1223
01:15:08,125 --> 01:15:10,250
Mal, we should get a hammer.
1224
01:15:11,541 --> 01:15:12,833
And an anvil.
1225
01:15:13,583 --> 01:15:14,583
See you later.
1226
01:15:18,708 --> 01:15:19,708
♪ Go ♪
1227
01:15:19,791 --> 01:15:26,791
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1228
01:15:26,875 --> 01:15:32,916
♪ Clang, clang, Maxwell's silver hammer
Made sure that Joan was dead ♪
1229
01:15:33,000 --> 01:15:34,458
Whistle.
1230
01:15:39,916 --> 01:15:41,458
That's nice, fellas.
1231
01:15:41,541 --> 01:15:45,041
♪ Back in school again
Maxwell is a fool again ♪
1232
01:15:45,125 --> 01:15:47,666
♪ Teacher gets annoyed ♪
1233
01:15:48,875 --> 01:15:54,791
♪ Wishing to avoid an unpleasant scene ♪
1234
01:15:55,750 --> 01:15:59,541
♪ She tells Max to stay
When the class has gone away ♪
1235
01:15:59,625 --> 01:16:02,583
♪ And he stays behind ♪
1236
01:16:03,208 --> 01:16:09,375
♪ Writing thousand lines that say
"I fool, Maxwell fool" ♪
1237
01:16:09,458 --> 01:16:11,375
Like that?
Yeah, E minor to A.
1238
01:16:11,458 --> 01:16:12,458
Same as before.
1239
01:16:14,833 --> 01:16:16,750
So there's two choruses there. Solo.
1240
01:16:19,166 --> 01:16:20,416
Then the quick end now.
1241
01:16:23,625 --> 01:16:25,500
That's okay as long-- He's in the space.
1242
01:16:25,583 --> 01:16:28,500
Yeah, if you do it in the space.
You know, it's gonna go...
1243
01:16:34,708 --> 01:16:36,791
- That's the...
That's the one.
1244
01:16:41,000 --> 01:16:43,416
♪ He creeps up from behind ♪
1245
01:16:43,500 --> 01:16:44,833
Hee-hoo!
1246
01:16:44,916 --> 01:16:50,500
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1247
01:16:51,916 --> 01:16:57,708
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1248
01:16:57,791 --> 01:16:58,958
Take it away, Johnny.
1249
01:17:16,166 --> 01:17:17,458
Well done, boys.
1250
01:17:24,791 --> 01:17:25,916
Okay, that's "Maxwell's."
1251
01:17:26,666 --> 01:17:28,833
Mal, did you get the words
to "Across the Universe"?
1252
01:17:28,916 --> 01:17:31,708
- They'll send them up this afternoon.
Has Dick James got the words?
1253
01:17:31,791 --> 01:17:33,333
- No!
I don't think so.
1254
01:17:36,125 --> 01:17:41,458
♪ Words are flowing out
Like endless rain into a paper cup ♪
1255
01:17:41,541 --> 01:17:48,333
♪ They slither wildly
As they slip away across the universe ♪
1256
01:17:48,416 --> 01:17:54,291
♪ Pools of sorrow, waves of joy
Are drifting through my opened mind ♪
1257
01:17:54,375 --> 01:17:57,666
♪ Possessing and caressing me ♪
1258
01:17:58,791 --> 01:18:04,250
♪ Jai guru deva ♪
1259
01:18:05,000 --> 01:18:06,625
♪ Om ♪
1260
01:18:14,125 --> 01:18:17,833
He's trying to get a balance in there,
and you've got the words all in front.
1261
01:18:17,916 --> 01:18:19,458
- You got the balance, Glyn?
- Yes.
1262
01:18:20,458 --> 01:18:21,916
Getting it all right, are you?
1263
01:18:22,000 --> 01:18:23,916
Can't you get a music stand?
We had some the other day.
1264
01:18:24,000 --> 01:18:25,125
- Yeah, Mal--
There's one over there.
1265
01:18:25,208 --> 01:18:26,791
- Do you want a music stand?
- Yes, please.
1266
01:18:29,500 --> 01:18:30,958
It goes...
1267
01:18:45,666 --> 01:18:51,708
♪ Jai guru deva ♪
1268
01:18:52,333 --> 01:18:53,833
♪ Om ♪
1269
01:18:55,750 --> 01:18:58,958
♪ Nothing's gonna change my world ♪
1270
01:18:59,041 --> 01:19:00,625
I wish it fucking would.
1271
01:19:02,250 --> 01:19:06,291
♪ Nothing's gonna change my world ♪
1272
01:19:08,791 --> 01:19:11,750
♪ Images of broken light ♪
1273
01:19:11,833 --> 01:19:15,916
♪ Which dance before me
Like a million eyes ♪
1274
01:19:16,000 --> 01:19:20,666
♪ They call me on and on
Across the universe ♪
1275
01:19:20,750 --> 01:19:21,750
It's 'cause I'm down.
1276
01:19:22,333 --> 01:19:28,916
♪ Thoughts meander
Like a restless wind inside a letter box ♪
1277
01:19:29,000 --> 01:19:35,958
♪ They tumble blindly as they make
Their way across the universe ♪
1278
01:19:37,333 --> 01:19:42,666
♪ Jai guru deva ♪
1279
01:19:44,000 --> 01:19:46,500
♪ Om ♪
1280
01:19:47,375 --> 01:19:51,250
♪ Nothing's gonna change my world ♪
1281
01:19:53,708 --> 01:19:57,583
♪ Nothing's gonna change my world ♪
1282
01:20:00,500 --> 01:20:02,208
♪ Sounds of laughter, shades-- ♪
1283
01:20:02,291 --> 01:20:04,125
I think you better take control, John!
1284
01:20:05,625 --> 01:20:08,458
♪ Let me hear
Some of that rock and roll music ♪
1285
01:20:09,333 --> 01:20:11,083
♪ Any old way you choose it ♪
1286
01:20:11,875 --> 01:20:14,333
♪ It's got a back beat you can't lose it ♪
1287
01:20:15,000 --> 01:20:17,000
♪ Any old time you use it ♪
1288
01:20:17,833 --> 01:20:19,625
♪ Gotta be rock and roll music ♪
1289
01:20:20,791 --> 01:20:22,708
♪ If you wanna dance with me ♪
1290
01:20:23,708 --> 01:20:25,666
♪ If you wanna dance with me ♪
1291
01:20:25,750 --> 01:20:28,166
♪ Way down South they have a tango ♪
1292
01:20:28,250 --> 01:20:30,916
♪ And then it turned into a mambo ♪
1293
01:20:31,541 --> 01:20:34,500
♪ Another dancer had a lamba ♪
1294
01:20:34,583 --> 01:20:37,416
♪ I started doing another samba ♪
1295
01:20:37,500 --> 01:20:41,000
♪ And started playing
That rock and roll music ♪
1296
01:20:41,583 --> 01:20:43,833
♪ Any old way you choose it ♪
1297
01:20:43,916 --> 01:20:47,291
♪ It's got a back beat you can't lose it ♪
1298
01:20:47,375 --> 01:20:49,625
♪ Any old time you use it ♪
1299
01:20:50,625 --> 01:20:52,708
♪ Gotta be rock and roll music ♪
1300
01:20:53,583 --> 01:20:55,833
♪ If you wanna dance with me ♪
1301
01:20:56,625 --> 01:20:58,625
♪ If you wanna dance with me ♪
1302
01:20:58,708 --> 01:21:00,500
♪ Way down South they have a tango ♪
1303
01:21:01,291 --> 01:21:03,541
♪ And then it turned into a mambo ♪
1304
01:21:04,291 --> 01:21:06,666
♪ Another dancer had a lamba ♪
1305
01:21:06,750 --> 01:21:09,458
♪ I started doing another samba ♪
1306
01:21:10,208 --> 01:21:13,750
♪ And started playing
That rock and roll music ♪
1307
01:21:13,833 --> 01:21:16,791
♪ Any old way you choose it ♪
1308
01:21:16,875 --> 01:21:19,708
♪ It's got a back beat you can't lose it ♪
1309
01:21:19,791 --> 01:21:23,208
♪ Any old time you use it ♪
1310
01:21:23,291 --> 01:21:25,583
♪ Gotta be rock and roll music ♪
1311
01:21:26,166 --> 01:21:28,291
♪ If you wanna dance with me ♪
1312
01:21:29,125 --> 01:21:31,125
♪ If you wanna dance with me ♪
1313
01:21:45,666 --> 01:21:48,375
You know where they dropped
all the bombs on Germany,
1314
01:21:48,458 --> 01:21:52,791
- they killed more people than...
Than the H-bomb in Hiroshima.
1315
01:21:52,875 --> 01:21:53,875
Yeah.
1316
01:21:53,958 --> 01:21:56,375
And all civilians.
Fucking terrible.
1317
01:21:56,458 --> 01:22:00,791
And did you see when they flew over,
it looked like Hamburg. Just bombed out.
1318
01:22:00,875 --> 01:22:02,500
- Nothing. Just dead.
- Mmm.
1319
01:22:02,583 --> 01:22:04,791
- Did you watch the BBC2 thing?
- And, uh--
1320
01:22:04,875 --> 01:22:06,583
Yeah,
there was that science fiction thing.
1321
01:22:06,666 --> 01:22:08,791
Was the science fiction any good?
1322
01:22:08,875 --> 01:22:12,916
- It was amazing. Did you see any of it?
- I only saw the last five-- Three minutes.
1323
01:22:13,000 --> 01:22:15,333
It started very strange,
where they brought--
1324
01:22:15,416 --> 01:22:17,833
They had a fellow on a trolley,
and they pushed him in,
1325
01:22:17,916 --> 01:22:20,625
- like, a cupboard or a fridge.
- He was the body, wasn't he?
1326
01:22:20,708 --> 01:22:23,500
He was just, like, a body, yeah,
that they were gonna use.
1327
01:22:23,583 --> 01:22:25,375
Mmm.
- And they did something.
1328
01:22:25,458 --> 01:22:28,916
They were supposed to be
in the year 2100 and something.
1329
01:22:29,000 --> 01:22:32,375
- And they went back to 1969, January.
Mmm.
1330
01:22:32,458 --> 01:22:37,125
Focused in on the M1 on this car.
1331
01:22:37,208 --> 01:22:39,958
- And made him crash, so that he'd--
Mmm.
1332
01:22:40,041 --> 01:22:44,708
And then they somehow take his mind
or whatever it is
1333
01:22:44,791 --> 01:22:47,791
and transplant it into this new...
1334
01:22:48,666 --> 01:22:50,875
- Uh, new body.
- Into the body that he put in.
1335
01:22:50,958 --> 01:22:52,750
Rex Industries, they were called.
1336
01:22:54,625 --> 01:23:00,250
And, uh, then suddenly it turned into
all that crap about medals and things.
1337
01:23:00,333 --> 01:23:03,625
That's what gave me the idea,
'cause suddenly it was the bit
1338
01:23:03,708 --> 01:23:06,291
where they were all coming into the ball,
I think it was Austria,
1339
01:23:06,375 --> 01:23:07,750
and they all had their medals.
1340
01:23:07,833 --> 01:23:11,375
Oh, I didn't watch that.
And some music was just playing.
1341
01:23:11,458 --> 01:23:13,958
- Music, like a 3/4 thing.
Mmm.
1342
01:23:14,041 --> 01:23:16,875
And so I just had that
in me head, just the waltz thing,
1343
01:23:16,958 --> 01:23:18,541
and it was fitting "I Me Mine."
1344
01:23:18,625 --> 01:23:20,750
- There was no words to it, I just...
Yeah.
1345
01:23:20,833 --> 01:23:21,833
Hello.
1346
01:23:22,541 --> 01:23:23,875
How are you?
1347
01:23:23,958 --> 01:23:26,000
- Morning.
Good morning.
1348
01:23:27,750 --> 01:23:30,625
Do you want to hear a song
I wrote last night?
1349
01:23:32,791 --> 01:23:35,791
It's just a very short one.
It's called "I Me Mine."
1350
01:23:39,083 --> 01:23:42,083
♪ All through the day ♪
1351
01:23:43,208 --> 01:23:47,000
♪ I me mine, I me mine, I me mine ♪
1352
01:23:48,833 --> 01:23:51,833
♪ All through the night ♪
1353
01:23:52,833 --> 01:23:56,583
♪ I me mine, I me mine, I me mine ♪
1354
01:23:57,625 --> 01:24:00,708
♪ No one's frightened of playing it ♪
1355
01:24:00,791 --> 01:24:03,000
♪ Everyone's saying it ♪
1356
01:24:03,083 --> 01:24:06,000
♪ Flowing more freely than wine ♪
1357
01:24:07,833 --> 01:24:11,125
♪ All through your life ♪
1358
01:24:11,916 --> 01:24:14,500
♪ I me mine ♪
1359
01:24:16,583 --> 01:24:17,708
It's lovely.
1360
01:24:21,208 --> 01:24:22,666
What's, uh--
1361
01:24:22,750 --> 01:24:26,291
Is that grammatical?
"Flowing more freely than wine."
1362
01:24:26,375 --> 01:24:27,458
Yeah.
1363
01:24:27,541 --> 01:24:28,833
All right.
1364
01:24:28,916 --> 01:24:31,166
-"Flowing much freer"?
- You know what would be fantastic, Paul?
1365
01:24:31,250 --> 01:24:33,250
More freely.
-"Freer." It's funny when--
1366
01:24:33,333 --> 01:24:35,416
If you're writing, yeah,
thinking of how you say it.
1367
01:24:35,500 --> 01:24:36,500
-"Freer."
- But I got--
1368
01:24:36,583 --> 01:24:38,166
- For it's sticky out here.
- I was thinking...
1369
01:24:38,250 --> 01:24:40,750
- Yeah, yeah.
1370
01:24:41,250 --> 01:24:44,750
♪ All I can hear ♪
1371
01:24:44,833 --> 01:24:46,291
♪ I me mine, I me mine, I me mine ♪
1372
01:24:46,375 --> 01:24:48,291
All the girls come on then, dancing.
1373
01:24:49,041 --> 01:24:52,000
Harrison's fisherwife,
and dwarves and hunchbacks...
1374
01:24:52,958 --> 01:24:55,833
♪ I me mine, I me mine, I me mine ♪
1375
01:24:57,875 --> 01:24:59,833
♪ No one's frightened of playing it ♪
1376
01:24:59,916 --> 01:25:00,916
Run along, son.
1377
01:25:01,000 --> 01:25:01,875
♪ Everyone's saying it ♪
1378
01:25:01,958 --> 01:25:04,208
We'll see you later.
We're a rock and roll band, you know?
1379
01:25:04,291 --> 01:25:05,750
♪ Flowing more freely than wine ♪
1380
01:25:09,291 --> 01:25:12,833
♪ All through your life ♪
1381
01:25:13,333 --> 01:25:14,416
♪ I me mine ♪
1382
01:25:14,500 --> 01:25:16,916
Mine.
Mine. I like mine.
1383
01:25:19,166 --> 01:25:21,750
Well, I'll get on the barrel organ.
1384
01:25:22,916 --> 01:25:26,833
I don't-- I don't care
if you don't want it. I don't give a fuck.
1385
01:25:26,916 --> 01:25:28,375
It can go in me musical.
1386
01:25:29,791 --> 01:25:32,541
George,
have you any idea what we play?
1387
01:25:32,625 --> 01:25:33,625
George?
1388
01:25:33,708 --> 01:25:36,416
- Can we just borrow that copy?
1389
01:25:40,875 --> 01:25:42,833
His amp needs to be on.
1390
01:25:44,291 --> 01:25:46,000
Why? Have you got something there?
1391
01:25:48,291 --> 01:25:49,958
- No.
Hello.
1392
01:25:50,458 --> 01:25:52,375
[Ringo, incomprehensible, echoing] Hello?
1393
01:25:54,041 --> 01:25:56,416
- More volume.
This is diarrhea.
1394
01:25:56,500 --> 01:26:00,166
When I'm up against the wall, Paul,
you'll find I'm at my best.
1395
01:26:00,250 --> 01:26:01,416
That's good echo.
1396
01:26:02,708 --> 01:26:04,291
But I wish you'd come up with the goods.
1397
01:26:04,375 --> 01:26:06,500
- Look, I think I've got Sunday off.
Hello?
1398
01:26:06,583 --> 01:26:08,291
- Well, I hope you can deliver.
Hello.
1399
01:26:08,375 --> 01:26:10,375
I'm hoping for a little rock and roller.
1400
01:26:10,458 --> 01:26:12,291
Yeah, I was hoping
for the same thing myself.
1401
01:26:12,375 --> 01:26:14,416
Sammy loved his mammy.
She hammy dammy dammy.
1402
01:26:14,500 --> 01:26:15,791
Paul, Paul, Paul.
1403
01:26:15,875 --> 01:26:18,708
- Stop that goddamn feedback!
1404
01:26:19,333 --> 01:26:21,458
And you then being presented onstage,
1405
01:26:21,541 --> 01:26:23,708
you should be sitting there
when they are coming in.
1406
01:26:23,791 --> 01:26:27,041
And then you open the doors
and we're in the middle of a number.
1407
01:26:27,125 --> 01:26:30,666
Or you're just sitting, waiting, and then
when everybody's there, then you start.
1408
01:26:30,750 --> 01:26:34,208
As opposed to you coming on
as The Beatles, it's much more intimate.
1409
01:26:34,916 --> 01:26:37,833
Well, we're doing it anyway,
while they come in before we start it.
1410
01:26:37,916 --> 01:26:39,416
Yeah.
- Like we did on "Jude."
1411
01:26:42,208 --> 01:26:46,875
Well, let's-- We keep 'em a
bit more disciplined than they were then.
1412
01:26:51,208 --> 01:26:52,708
Yeah.
1413
01:26:52,791 --> 01:26:55,583
So, the main thing is,
are we going to do it here?
1414
01:26:55,666 --> 01:26:57,041
'Cause they've got to build
a control room.
1415
01:26:57,125 --> 01:26:59,791
What are the alternatives
to where you want to go?
1416
01:26:59,875 --> 01:27:02,208
It's really anywhere
as long as we can get it there.
1417
01:27:02,291 --> 01:27:04,250
Are there definite places?
1418
01:27:04,333 --> 01:27:05,500
No, I don't know anywhere.
1419
01:27:05,583 --> 01:27:06,833
That's why we came here.
1420
01:27:06,916 --> 01:27:07,916
Where do you think?
1421
01:27:08,000 --> 01:27:09,875
I think you might as well
do it right here.
1422
01:27:09,958 --> 01:27:12,458
But, acoustically,
it's not very good here, is it?
1423
01:27:12,541 --> 01:27:15,083
It's not as good
as it could be elsewhere, you know?
1424
01:27:15,166 --> 01:27:16,666
Now what would make it?
1425
01:27:16,750 --> 01:27:18,916
- A lower ceiling?
Deaden it right down.
1426
01:27:19,000 --> 01:27:21,666
Yeah,
a false ceiling above where you are.
1427
01:27:21,750 --> 01:27:24,125
Now John'd like to say
a few words on the subject.
1428
01:27:24,208 --> 01:27:28,125
♪ I'd like to say
That I like the intimate idea ♪
1429
01:27:28,833 --> 01:27:30,791
♪ Rather than a large one ♪
1430
01:27:30,875 --> 01:27:32,041
Yeah?
1431
01:27:32,541 --> 01:27:36,375
♪ Simply because
We should concentrate on the sound ♪
1432
01:27:39,041 --> 01:27:42,833
♪ Simply because
We should concentrate on the sound ♪
1433
01:27:45,500 --> 01:27:46,583
Thank you very much.
1434
01:27:46,666 --> 01:27:49,125
♪ You and I have memories ♪
1435
01:27:49,958 --> 01:27:54,708
♪ Longer than the road
That stretches out ahead ♪
1436
01:27:57,458 --> 01:28:00,250
♪ Two of us wearing raincoats ♪
1437
01:28:00,333 --> 01:28:04,541
♪ Standing solo in the sun ♪
1438
01:28:04,625 --> 01:28:07,083
♪ Don't let me down ♪
1439
01:28:10,541 --> 01:28:13,208
♪ Don't let me down ♪
1440
01:28:15,916 --> 01:28:18,000
♪ I've got a feeling ♪
1441
01:28:18,583 --> 01:28:21,541
♪ A feeling I can't hide
Oh, no ♪
1442
01:28:23,416 --> 01:28:25,250
♪ Oh, no ♪
1443
01:28:30,916 --> 01:28:32,875
Uh, Mal?
1444
01:28:37,916 --> 01:28:41,583
♪ No, I won't shed a tear ♪
1445
01:28:42,541 --> 01:28:43,708
♪ Just as long ♪
1446
01:28:44,791 --> 01:28:47,125
♪ As you stand ♪
1447
01:28:47,208 --> 01:28:50,125
♪ Stand by me, stand by me
Stand by me, stand by me ♪
1448
01:28:50,208 --> 01:28:52,000
♪ You got me going ♪
1449
01:28:53,000 --> 01:28:54,500
♪ Like a spinning top ♪
1450
01:28:54,583 --> 01:28:58,291
♪ Baa-ba-ba-ba-baa
Baa-ba-ba-ba-baa ♪
1451
01:28:58,375 --> 01:28:59,625
Legalize pot.
1452
01:28:59,708 --> 01:29:02,708
Queen says "no"
to pot-smoking FBI members.
1453
01:29:03,958 --> 01:29:04,958
It doesn't--
1454
01:29:05,041 --> 01:29:07,208
Hey, hey. It doesn't stop there actually.
1455
01:29:07,291 --> 01:29:11,875
♪ Baa, baa, black sheep
Have you any wool ♪
1456
01:29:11,958 --> 01:29:18,250
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1457
01:29:20,583 --> 01:29:22,916
A guitar fell over, Paul.
A guitar fell over.
1458
01:29:23,000 --> 01:29:25,500
♪ The news is out ♪
1459
01:29:28,375 --> 01:29:31,000
♪ All over town ♪
1460
01:29:34,333 --> 01:29:37,625
♪ That you've been seen ♪
1461
01:29:40,041 --> 01:29:43,916
♪ Out and around ♪
1462
01:29:46,500 --> 01:29:49,333
♪ I know that I ♪
1463
01:29:52,875 --> 01:29:55,375
♪ Can't win, but then ♪
1464
01:29:58,958 --> 01:30:01,916
♪ What can I do? ♪
1465
01:30:05,333 --> 01:30:08,125
♪ You win again ♪
1466
01:30:14,708 --> 01:30:17,958
♪ All I can hear ♪
1467
01:30:18,041 --> 01:30:20,833
♪ I me mine, I me mine, I me mine ♪
1468
01:30:22,666 --> 01:30:26,000
♪ Even your tears ♪
1469
01:30:26,083 --> 01:30:29,458
♪ I me mine, I me mine, I me mine ♪
1470
01:30:30,916 --> 01:30:32,791
♪ Everyone's playing it ♪
1471
01:30:32,875 --> 01:30:34,666
♪ Everyone's saying it ♪
1472
01:30:35,166 --> 01:30:37,833
♪ Flowing more freely than wine ♪
1473
01:30:39,250 --> 01:30:42,333
♪ All through your life ♪
1474
01:30:42,833 --> 01:30:45,375
♪ I me mine ♪
1475
01:30:48,291 --> 01:30:50,875
You can keep going now.
Do you dig it, man?
1476
01:30:52,041 --> 01:30:53,083
- I like that one.
- Yeah.
1477
01:30:53,166 --> 01:30:55,166
Do you want to do that waltz on the show?
1478
01:30:55,250 --> 01:30:57,250
That'd be great,
'cause it's so simple to do.
1479
01:31:08,416 --> 01:31:11,541
Every song has got a character.
That's the character of that one.
1480
01:31:11,625 --> 01:31:14,166
And we can find each number--
how they fit theatrically,
1481
01:31:14,250 --> 01:31:17,375
like your dance for that one,
like the song that you cry in,
1482
01:31:17,458 --> 01:31:19,750
and the song you do
that brings tears to everybody's eyes.
1483
01:31:19,833 --> 01:31:22,000
Yes, all right. Just sod off!
1484
01:31:23,750 --> 01:31:25,666
I mean, you see,
build any set you want.
1485
01:31:25,750 --> 01:31:29,000
Maybe not scaffolding--
Not obvious scaffolding.
1486
01:31:29,083 --> 01:31:31,125
Maybe we can put people up on them.
1487
01:31:31,625 --> 01:31:33,041
Think it could hold people?
1488
01:31:33,541 --> 01:31:35,666
It could hold--
I guess that'd be a bit limited.
1489
01:31:43,750 --> 01:31:46,875
♪ Come on, come on
Come on, come on ♪
1490
01:31:46,958 --> 01:31:48,583
♪ Come on, come on
Come on, come on ♪
1491
01:31:48,666 --> 01:31:51,000
Yeah. Well...
1492
01:31:51,083 --> 01:31:54,250
See, this is Around The Beatles,
and that is better, but--
1493
01:31:54,333 --> 01:31:56,041
Show it to John.
John will tell you about that.
1494
01:31:56,125 --> 01:31:58,125
John and Yoko know about that.
They're artists.
1495
01:31:59,625 --> 01:32:01,458
It's Around The Beatles '69.
1496
01:32:01,541 --> 01:32:02,875
Yeah, that's what Paul said.
1497
01:32:03,583 --> 01:32:06,375
That's what Paul said. He said have
a word with you and see what you thought.
1498
01:32:06,458 --> 01:32:07,583
Whether we could vary it.
1499
01:32:07,666 --> 01:32:11,875
In terms of... see-through things,
'cause I don't think we're ever gonna--
1500
01:32:11,958 --> 01:32:14,166
If you wanna see through 'em, use plastic.
1501
01:32:15,708 --> 01:32:16,708
Plastic...
1502
01:32:16,791 --> 01:32:19,125
But don't have scaffolding.
They do it every show.
1503
01:32:19,208 --> 01:32:21,958
- Yeah. Use a different material?
- Just use solid plastic.
1504
01:32:22,041 --> 01:32:24,583
- Solid plastic.
- For, you know, to see through 'em.
1505
01:32:26,166 --> 01:32:29,041
I like the idea of a see-through thing,
I think.
1506
01:32:29,125 --> 01:32:31,750
If you had 'em above our heads,
you could have plastic and see up--
1507
01:32:31,833 --> 01:32:34,125
That's right. That's great.
That's a good thought.
1508
01:32:34,208 --> 01:32:35,625
That's a good thought, all that.
1509
01:32:35,708 --> 01:32:38,416
Think of a helicopter shot
over the amphitheater--
1510
01:32:38,500 --> 01:32:41,416
Yes, but that's the only argument
you're giving to me is the...
1511
01:32:41,500 --> 01:32:43,291
- Is the helicopter shot.
- The helicopter shot.
1512
01:32:43,375 --> 01:32:45,291
And you'll see the sea
and you'll be in a theater.
1513
01:32:45,375 --> 01:32:48,875
And that is-- For one, two minutes,
say, of that shot
1514
01:32:48,958 --> 01:32:51,000
isn't worth me going out there.
1515
01:32:51,083 --> 01:32:53,291
When I really prefer to do it here.
1516
01:32:53,375 --> 01:32:58,166
Just big blocks, so you could put blocks
of plastic in any shape you wanted.
1517
01:32:58,250 --> 01:32:59,791
We could move the audience round.
1518
01:32:59,875 --> 01:33:02,541
Yeah. Now that would mean
casting the plastic, wouldn't it?
1519
01:33:02,625 --> 01:33:05,666
- It's just boxes, you know?
- Might be a material we don't know about.
1520
01:33:05,750 --> 01:33:07,625
There will be some kind of new stuff,
1521
01:33:07,708 --> 01:33:09,500
you know, like Bakelite or some plastic.
1522
01:33:09,583 --> 01:33:13,083
But the thing is,
everything you do has got to be good,
1523
01:33:13,166 --> 01:33:14,291
'cause all your albums are good.
1524
01:33:14,375 --> 01:33:15,958
I mean, there's not a duff album.
1525
01:33:16,041 --> 01:33:18,916
But see,
it is kind of like four years ago.
1526
01:33:19,000 --> 01:33:20,541
And there's nothing wrong
with four years ago,
1527
01:33:20,625 --> 01:33:22,208
except we're all 28 now as opposed--
1528
01:33:22,291 --> 01:33:25,583
- I don't mean that...
- We're all... Yes, we are.
1529
01:33:25,666 --> 01:33:30,000
We're all 28, or whatever we are
in the group. Baby George there.
1530
01:33:30,708 --> 01:33:33,958
I mean, it's not only you as the band
and it's not only them as songwriters.
1531
01:33:34,041 --> 01:33:35,250
It is the four of you.
1532
01:33:35,333 --> 01:33:38,208
If you got a lot of blocks made,
you could build any formation you want.
1533
01:33:38,291 --> 01:33:41,166
Fit in like a Meccano.
- If you've got box-shaped plastic,
1534
01:33:41,250 --> 01:33:44,291
you can build it that long if you want,
or just have it that short.
1535
01:33:44,375 --> 01:33:45,958
Like Kubrick would do.
1536
01:33:46,041 --> 01:33:48,041
And it's got to be the best.
1537
01:33:48,125 --> 01:33:49,250
Because...
1538
01:33:50,166 --> 01:33:52,625
I mean, the hearts of millions
are with you, you know what I mean?
1539
01:33:52,708 --> 01:33:54,166
It's got to be the best. It can't--
1540
01:33:56,541 --> 01:33:59,041
I'm not saying you owe it to the world
or anything like that.
1541
01:33:59,125 --> 01:34:01,250
But if it is going to be
your last TV show--
1542
01:34:08,458 --> 01:34:10,791
But I don't want you
to be unhappy 'cause, like...
1543
01:34:10,875 --> 01:34:12,916
I love you
like I love your three colleagues.
1544
01:34:13,000 --> 01:34:15,833
You see, then it's nice to have
the levels where they can dance
1545
01:34:15,916 --> 01:34:17,958
and, you know,
whatever they wanna do, you see?
1546
01:34:18,041 --> 01:34:20,333
Look, you could have
our thing plastic too.
1547
01:34:20,416 --> 01:34:22,375
Yeah, that would be knockout to do that.
1548
01:34:22,458 --> 01:34:26,125
And then we could do what we like
with the backing, have it go black or...
1549
01:34:26,208 --> 01:34:27,208
Yeah, yeah.
Black.
1550
01:34:27,291 --> 01:34:28,916
Or stark or something, you know?
1551
01:34:29,000 --> 01:34:31,750
See, I'd watch an hour of him
just playing the piano.
1552
01:34:31,833 --> 01:34:33,208
Me too. Uh...
1553
01:34:33,291 --> 01:34:34,541
'Cause he's so great.
1554
01:34:35,250 --> 01:34:36,333
But, like, I think--
1555
01:34:36,416 --> 01:34:39,708
See, I think we gotta find a place
which would complement it.
1556
01:34:39,791 --> 01:34:43,583
And I don't see it being here on a stage
with tubular scaffolding around it.
1557
01:34:43,666 --> 01:34:46,500
Then we can control all our lights
from a panel.
1558
01:34:46,583 --> 01:34:48,250
And we can have what colors you like.
1559
01:34:48,333 --> 01:34:50,750
Yes. You'll always be able
to see us through everything.
1560
01:34:50,833 --> 01:34:51,833
That's right.
1561
01:34:51,916 --> 01:34:54,208
I'll have the plastic
when you're finished with it.
1562
01:34:54,291 --> 01:34:57,416
Well, can we all talk about it?
1563
01:34:57,500 --> 01:35:00,125
If-- You will take the veto off
1564
01:35:00,208 --> 01:35:05,291
if you can be convinced
that we can get an audience out there.
1565
01:35:06,916 --> 01:35:09,208
Okay, I love you. That's fine.
1566
01:35:12,958 --> 01:35:13,791
Okay, thanks.
1567
01:35:13,875 --> 01:35:17,333
I just do think,
like, this is unique in that...
1568
01:35:56,250 --> 01:35:57,333
No, I think it's...
1569
01:36:01,208 --> 01:36:02,250
Yeah.
1570
01:36:02,333 --> 01:36:03,708
That's what I was thinking.
1571
01:36:07,958 --> 01:36:09,750
The box thing, right?
1572
01:36:22,708 --> 01:36:25,500
I don't think it's practical
to do it in England. It's too bloody cold.
1573
01:36:25,583 --> 01:36:28,458
Yes, that was one of the reasons
we started veering off on these ideas
1574
01:36:28,541 --> 01:36:31,208
was when we were looking at locations
that Friday after Christmas.
1575
01:36:31,291 --> 01:36:32,708
We are in a film studio.
1576
01:36:32,791 --> 01:36:35,958
We're going to build something so that...
1577
01:36:36,041 --> 01:36:38,208
We shouldn't just try and build
something like the Tower Ballroom
1578
01:36:38,291 --> 01:36:39,750
'cause we could go to the Tower Ballroom.
1579
01:36:39,833 --> 01:36:43,416
But, once you get on a stage,
you are performers
1580
01:36:43,500 --> 01:36:45,583
and you gotta have someone to do it to.
1581
01:36:45,666 --> 01:36:47,375
Either the camera or real people, I think.
1582
01:36:47,458 --> 01:36:48,458
Yeah, we haven't--
1583
01:36:48,541 --> 01:36:50,791
Any number we've done at the moment,
if we've noticed the camera on us
1584
01:36:50,875 --> 01:36:52,250
we've tried to ignore it.
1585
01:36:52,333 --> 01:36:55,708
But you've either got to be
performing directly to the people at home
1586
01:36:55,791 --> 01:36:57,166
or to an audience.
1587
01:36:57,250 --> 01:36:59,208
See that's why I thought like a ballroom.
1588
01:36:59,291 --> 01:37:00,750
If we did go right back.
1589
01:37:00,833 --> 01:37:03,666
Like, "Come to the Tower Ballroom.
There's a dance on."
1590
01:37:03,750 --> 01:37:06,708
You know?
Oh, incidentally, we'll be the band there.
1591
01:37:06,791 --> 01:37:08,500
And then we go on
and we play all the numbers.
1592
01:37:08,583 --> 01:37:11,166
But you're just not the local dance band.
1593
01:37:11,250 --> 01:37:12,541
I don't think it's quite enough scope.
1594
01:37:12,625 --> 01:37:14,541
I also think that
people are very interested
1595
01:37:14,625 --> 01:37:16,250
in seeing how an audience would react.
1596
01:37:16,333 --> 01:37:20,125
Because the audience is so much
part of the first half of you, musically.
1597
01:37:20,916 --> 01:37:24,833
Okay, so we're all prepared
to do it with an audience.
1598
01:37:24,916 --> 01:37:26,958
But you can't just have
the same old audience.
1599
01:37:27,041 --> 01:37:28,416
What can you do that's new with them?
1600
01:37:28,500 --> 01:37:31,208
If we can just think of an image,
how we'd like to be,
1601
01:37:31,291 --> 01:37:35,000
which could be like a nightclub act.
1602
01:37:35,083 --> 01:37:39,333
Just the smoochy low lights
and about ten people.
1603
01:37:39,416 --> 01:37:42,750
What's the point, when you could be
giving people happiness with a full house?
1604
01:37:42,833 --> 01:37:44,250
Whatever kind of full house we decided.
1605
01:37:44,333 --> 01:37:46,416
I mean, we have to think
about the audience.
1606
01:37:46,500 --> 01:37:48,208
It really ought to be the whole world.
1607
01:37:48,291 --> 01:37:52,000
That's where-- Now we're going
right-- the whole circle back to Sabratha.
1608
01:37:52,083 --> 01:37:55,791
It is a location
which is marvelous in itself, by the sea.
1609
01:37:55,875 --> 01:37:57,541
What he's saying is right.
1610
01:37:57,625 --> 01:37:58,625
It's the background.
1611
01:37:59,500 --> 01:38:01,791
I don't think anything is gonna beat
1612
01:38:01,875 --> 01:38:04,666
a perfect acoustic place
by the water, out of doors.
1613
01:38:04,750 --> 01:38:06,166
For a rock and roll group?
1614
01:38:17,916 --> 01:38:21,625
Yes, I think we're gonna do
rock and roll at dawn or at night.
1615
01:38:21,708 --> 01:38:23,958
I'm sure we can do rock and roll there
if we get the right audience.
1616
01:38:24,041 --> 01:38:26,208
- George, come here.
I just wanna get it over with.
1617
01:38:26,291 --> 01:38:28,416
Yeah.
1618
01:38:29,416 --> 01:38:30,416
- Hiya.
- Come on.
1619
01:38:31,500 --> 01:38:33,541
- We're going to Africa.
1620
01:38:33,625 --> 01:38:36,500
We're off.
No, we're not. Not necessarily.
1621
01:38:38,458 --> 01:38:39,458
Where to?
1622
01:38:53,041 --> 01:38:55,416
See, it's like having
the most fantastic set on Earth,
1623
01:38:55,500 --> 01:38:57,125
but we haven't made a set, you know?
1624
01:38:57,208 --> 01:38:59,916
How many are gonna be looking
at the set besides us and him?
1625
01:39:00,000 --> 01:39:03,208
Every time we've done an album,
we've said, "Why are we stuck in EMI?"
1626
01:39:03,291 --> 01:39:06,500
We could be doing it in LA.
We could be in France.
1627
01:39:06,583 --> 01:39:08,583
And every time we do it,
and here we are again,
1628
01:39:08,666 --> 01:39:10,625
building another bloody castle around us.
1629
01:39:11,375 --> 01:39:13,500
Well said, John. Well said!
And this time we do it there.
1630
01:39:13,583 --> 01:39:15,291
I'd be thrilled to do it.
1631
01:39:15,375 --> 01:39:19,125
Just timing it so as the sun came up
just on the middle eight.
1632
01:39:23,208 --> 01:39:24,666
I think we've got to get--
1633
01:39:33,000 --> 01:39:35,625
Look, we were gonna
give tickets away at this door here.
1634
01:39:35,708 --> 01:39:38,208
We'd given out those tickets,
but they include a boat ride as well.
1635
01:39:40,291 --> 01:39:43,208
Okay, yeah.
We're doing a live show.
1636
01:39:43,291 --> 01:39:45,375
And we're doing it in Arabia.
1637
01:39:45,458 --> 01:39:46,750
And it's like...
1638
01:39:46,833 --> 01:39:49,541
Whoever has been waiting
to see the lads rocking again.
1639
01:39:49,625 --> 01:39:51,625
It's just impractical to try
and get all those--
1640
01:39:51,708 --> 01:39:52,708
But it's not, you see--
1641
01:39:52,791 --> 01:39:55,875
Lug all them people there
and try and get all that equipment.
1642
01:39:55,958 --> 01:39:57,583
But then if it was their problem--
1643
01:39:57,666 --> 01:40:00,208
But if you say, "That's
what I want," that's what has to happen.
1644
01:40:00,291 --> 01:40:02,625
That's not our problem.
Of course it's our problem.
1645
01:40:02,708 --> 01:40:04,208
Tell you what I'll offer you.
1646
01:40:04,291 --> 01:40:08,375
If we're going away and we hire a boat
to take the audience with you...
1647
01:40:08,458 --> 01:40:11,375
- That would be knockout.
-...we'll do a bloody show on a boat.
1648
01:40:16,625 --> 01:40:17,833
That's your code name.
1649
01:40:17,916 --> 01:40:19,750
No, he smoked some garlic once.
1650
01:40:22,750 --> 01:40:24,791
So, like, I'll come in with you,
1651
01:40:24,875 --> 01:40:27,625
as long as you can get a couple of boats.
1652
01:40:27,708 --> 01:40:29,708
- The QE 2.
And then we're stuck
1653
01:40:29,791 --> 01:40:32,333
with a bloody big boatload of people
for two weeks.
1654
01:40:32,416 --> 01:40:36,416
At least you can go home from here.
You can get away from it all.
1655
01:40:38,041 --> 01:40:42,666
I think the idea of the boat
is completely insane.
1656
01:40:42,750 --> 01:40:45,833
It's very expensive and insane, and...
1657
01:40:46,750 --> 01:40:48,916
I think it should be
the least of our worries.
1658
01:40:49,000 --> 01:40:50,250
Money. I really do.
1659
01:40:51,708 --> 01:40:54,458
If P&O will do a deal with Storm,
they'll do one with us.
1660
01:40:59,208 --> 01:41:02,625
We should be able to get the boat
for the publicity they get from it.
1661
01:41:05,833 --> 01:41:08,375
It's gonna be great.
You'd love the place.
1662
01:41:10,875 --> 01:41:15,833
I may love the place, but I'd rather
do the show, then go and love the place.
1663
01:41:17,208 --> 01:41:19,500
How're you gonna get a ship
in a couple of days?
1664
01:41:20,833 --> 01:41:22,541
I was there. Yes, I know.
1665
01:41:22,625 --> 01:41:25,833
But they were passing by
and you only used them for a few hours.
1666
01:41:25,916 --> 01:41:28,500
I've seen it, John.
I went to the premiere.
1667
01:41:28,583 --> 01:41:30,583
Did you enjoy it?
I thought you were great.
1668
01:41:43,333 --> 01:41:44,708
Still not the same.
1669
01:41:44,791 --> 01:41:48,583
If you'll say yes, and if we get it
together, then will you go?
1670
01:41:52,041 --> 01:41:56,625
Well, I feel, as the trade says,
"The vibes are very good at the moment."
1671
01:41:56,708 --> 01:41:59,375
But we can all say yes now
and somebody can decide no tomorrow.
1672
01:41:59,458 --> 01:42:01,708
- It's not gonna make any odds.
- Yeah.
1673
01:42:01,791 --> 01:42:04,000
Good night, everybody!
Good night, Russia.
1674
01:42:04,083 --> 01:42:05,916
That's a wrap.
I'll see you in Sabratha!
1675
01:42:06,000 --> 01:42:07,958
Let's pretend I wasn't here again.
1676
01:42:17,125 --> 01:42:19,333
This is the...
Here, I'll take you to...
1677
01:42:20,125 --> 01:42:22,041
- Do you know Michael Lindsay-Hogg?
- No.
1678
01:42:25,291 --> 01:42:26,583
Tony's a cameraman.
1679
01:42:42,416 --> 01:42:43,250
Yeah.
1680
01:42:48,041 --> 01:42:49,916
I better go
and put in some piano practice.
1681
01:42:53,750 --> 01:42:54,750
No.
1682
01:42:55,250 --> 01:42:57,416
Yeah.
1683
01:42:57,500 --> 01:42:59,583
Gatwick Friday, Monday, Tuesday...
1684
01:42:59,666 --> 01:43:01,833
- Isn't Tripoli in Libya? Yeah.
- That's right. Yeah.
1685
01:43:01,916 --> 01:43:05,250
That flight departs every day 3:05
and arrives 9:10.
1686
01:43:05,333 --> 01:43:06,666
3:05 p.m. at night?
- Yes.
1687
01:43:06,750 --> 01:43:08,666
- That's a long trip!
- That's what he told me.
1688
01:43:08,750 --> 01:43:10,666
Six hours? Can't be that long?
1689
01:43:16,208 --> 01:43:20,750
♪ Every day she takes a morning bath
She wets her hair ♪
1690
01:43:21,250 --> 01:43:26,083
♪ Wraps a towel around her
As she's walking to the bedroom chair ♪
1691
01:43:26,166 --> 01:43:29,000
♪ It's just another day ♪
1692
01:43:29,875 --> 01:43:32,250
♪ Steppin' into stockings ♪
1693
01:43:38,250 --> 01:43:40,333
- Yeah.
1694
01:43:42,125 --> 01:43:43,666
Now, what was it? Uh--
1695
01:43:43,750 --> 01:43:46,458
I'll give you Mother Mary,
"The Long and Winding Road."
1696
01:43:57,958 --> 01:44:00,500
The only thing is, it's, um...
1697
01:44:00,583 --> 01:44:03,333
I think-- I really do think
it's gonna be for the world.
1698
01:44:08,333 --> 01:44:11,166
Yes, but they do think of you as
for everybody in the world.
1699
01:44:11,250 --> 01:44:13,750
That's one of the things I thought was
good about "Jude," the guy in the turban.
1700
01:44:13,833 --> 01:44:14,833
Yeah.
1701
01:44:15,708 --> 01:44:20,375
♪ Lead me to your door ♪
1702
01:44:20,958 --> 01:44:22,500
♪ Second verse ♪
1703
01:44:22,583 --> 01:44:24,875
...that I haven't got yet.
1704
01:44:25,708 --> 01:44:28,833
♪ Leave a space for the same thing ♪
1705
01:44:28,916 --> 01:44:31,916
♪ La, la, la ♪
1706
01:44:54,750 --> 01:44:58,041
I think it's down to
if we're going to do it in this country,
1707
01:44:58,125 --> 01:44:59,625
we might as well do it here.
1708
01:45:05,166 --> 01:45:06,166
Yugoslavia.
1709
01:45:21,916 --> 01:45:23,083
Yeah.
1710
01:45:24,083 --> 01:45:25,583
Then something about pleasure...
1711
01:45:28,083 --> 01:45:29,083
From...
1712
01:45:29,166 --> 01:45:30,750
♪ The many ways I've tried ♪
1713
01:45:30,833 --> 01:45:31,833
Yeah.
1714
01:45:32,458 --> 01:45:37,875
♪ Gathered all the pleasure
From the many ways I've tried ♪
1715
01:45:38,458 --> 01:45:39,708
♪ But still they-- ♪
1716
01:45:39,791 --> 01:45:42,250
I've had lots of pleasure,
but said better.
1717
01:45:42,333 --> 01:45:43,333
- You know?
- Yeah.
1718
01:45:43,416 --> 01:45:46,333
I've had many pleasure.
I've had much, much...
1719
01:45:47,750 --> 01:45:51,250
♪ You left me waiting here ♪
1720
01:45:53,625 --> 01:45:56,958
♪ A long, long time ago ♪
1721
01:46:02,500 --> 01:46:06,333
♪ You left me waiting here ♪
1722
01:46:08,166 --> 01:46:12,333
♪ A long, long time ago ♪
1723
01:46:14,750 --> 01:46:18,666
♪ Don't leave me standing here ♪
1724
01:46:20,750 --> 01:46:23,625
♪ Lead me to your door ♪
1725
01:46:34,583 --> 01:46:36,083
There's no more to that yet.
1726
01:46:36,166 --> 01:46:37,333
Just call that "middle."
1727
01:46:42,708 --> 01:46:45,625
♪ The many ways I've tried ♪
1728
01:46:45,708 --> 01:46:48,666
That's all right.
"The many ways I've tried" is all right.
1729
01:46:48,750 --> 01:46:51,375
But have you got any idea
for the second verse?
1730
01:46:51,458 --> 01:46:56,458
See, I was thinking of having another,
like, the weather obstacle in that one.
1731
01:46:56,541 --> 01:47:00,416
♪ The storm clouds and the rain ♪
1732
01:47:02,291 --> 01:47:08,708
♪ Break upon the winding road ♪
1733
01:47:13,375 --> 01:47:15,625
I suppose it should
still be about that.
1734
01:47:15,708 --> 01:47:17,416
The, sort of, winding road because...
1735
01:47:21,000 --> 01:47:24,625
♪ The thing that's up ahead ♪
1736
01:47:28,708 --> 01:47:29,791
No, I think the...
1737
01:47:33,833 --> 01:47:38,875
♪ Golden slumbers ♪
1738
01:47:38,958 --> 01:47:41,125
♪ Fill your eyes ♪
1739
01:47:41,208 --> 01:47:44,416
It's an old English folk--
the words, these.
1740
01:47:46,375 --> 01:47:51,416
♪ Smiles await you ♪
1741
01:47:51,500 --> 01:47:54,583
♪ When you rise ♪
1742
01:47:56,041 --> 01:48:01,583
♪ Sleep, pretty darling
Do not cry ♪
1743
01:48:02,541 --> 01:48:07,458
♪ And I will sing a lullaby ♪
1744
01:48:09,166 --> 01:48:11,541
♪ Once there was a way ♪
1745
01:48:11,625 --> 01:48:13,208
♪ Once upon a time ♪
1746
01:48:14,083 --> 01:48:17,208
♪ There lived a... ♪
1747
01:48:17,291 --> 01:48:19,208
That really should be
like a fairy tale, though.
1748
01:48:19,791 --> 01:48:22,250
- Once upon a time there lived a princess.
1749
01:48:22,333 --> 01:48:26,250
♪ Once upon a time ♪
1750
01:48:26,333 --> 01:48:29,916
♪ There lived a king ♪
1751
01:48:30,000 --> 01:48:35,500
♪ Sleep, pretty darling
Do not cry ♪
1752
01:48:36,791 --> 01:48:40,208
♪ And I will sing a lullaby ♪
1753
01:48:40,291 --> 01:48:42,541
And the king will sing a lullaby.
1754
01:48:43,333 --> 01:48:45,708
♪ La, la, la, la, la ♪
1755
01:48:50,291 --> 01:48:52,416
No, it's one you'd know,
the original one.
1756
01:48:52,500 --> 01:48:54,000
But just at the end of it, it goes...
1757
01:48:54,083 --> 01:48:59,541
♪ And I will sing a lullaby ♪
1758
01:49:02,500 --> 01:49:05,541
Should be ready for
a Songs for Swingin' Lovers album soon.
1759
01:49:13,166 --> 01:49:17,250
I was just so hungry today,
I had to be late just to eat me breakfast.
1760
01:49:24,125 --> 01:49:26,208
I have a bit which might interest you.
1761
01:49:26,291 --> 01:49:28,458
I was thinking for a song for Ringo.
1762
01:49:28,541 --> 01:49:31,333
Like... Like a story.
1763
01:49:31,416 --> 01:49:33,958
A bit like "Act Naturally"
where you sort of--
1764
01:49:34,041 --> 01:49:36,958
But all they said was, well,
you've got to act naturally.
1765
01:49:37,041 --> 01:49:40,750
So... it was like a comedy when I heard it,
you know? It was like...
1766
01:49:40,833 --> 01:49:45,250
♪ Boy, you're gonna carry that weight ♪
1767
01:49:45,333 --> 01:49:49,166
♪ Carry that weight a long time ♪
1768
01:49:49,250 --> 01:49:53,125
♪ Boy, you're gonna carry that weight ♪
1769
01:49:53,208 --> 01:49:56,583
♪ Carry that weight a long time ♪
1770
01:49:56,666 --> 01:49:58,958
♪ Well, I get drunk tonight... ♪
1771
01:50:00,833 --> 01:50:04,666
♪ She said...
You do my fricking head ♪
1772
01:50:04,750 --> 01:50:08,583
♪ I said...
Been telling on and on ♪
1773
01:50:08,666 --> 01:50:12,666
♪ But every time I try to do it
No, it don't take long ♪
1774
01:50:12,750 --> 01:50:16,625
♪ Boy, you're gonna carry that weight ♪
1775
01:50:16,708 --> 01:50:19,875
♪ Carry that weight a long time ♪
1776
01:50:20,625 --> 01:50:24,250
♪ Boy, you're gonna carry that weight ♪
1777
01:50:24,333 --> 01:50:27,583
♪ Carry that weight a long time ♪
1778
01:50:40,458 --> 01:50:43,833
♪ Boy, you're gonna carry that weight ♪
1779
01:50:43,916 --> 01:50:47,208
♪ Carry that weight a long time ♪
1780
01:50:47,291 --> 01:50:48,875
♪ Yeah, boy ♪
1781
01:51:25,625 --> 01:51:29,833
♪ Well, I love you in the morning
Girl ♪
1782
01:51:29,916 --> 01:51:31,666
♪ I love you ♪
1783
01:51:31,750 --> 01:51:33,583
♪ Ooh ♪
1784
01:51:33,666 --> 01:51:37,458
♪ And I love you in the morning
Girl ♪
1785
01:51:37,541 --> 01:51:39,208
♪ I do ♪
1786
01:51:41,541 --> 01:51:46,125
♪ I love you every minute
Girl, I do ♪
1787
01:52:04,041 --> 01:52:05,125
Yes.
1788
01:52:11,916 --> 01:52:15,375
Kevin? Kevin, can we have
some toast and tea, please?
1789
01:52:15,458 --> 01:52:17,041
It's tea time now, man.
1790
01:52:17,625 --> 01:52:19,250
Can we have some more tea, Kevin?
1791
01:52:19,333 --> 01:52:21,416
I need sort of, like,
a gallon in the morning.
1792
01:52:21,958 --> 01:52:25,166
Do you have access to real tea?
I've got nice tea with us.
1793
01:52:25,250 --> 01:52:27,708
- Not that piss posh stuff.
1794
01:52:28,375 --> 01:52:33,416
♪ I love more than ever
Girl, I do ♪
1795
01:52:46,416 --> 01:52:47,750
Yeah.
1796
01:52:47,833 --> 01:52:50,750
And a little blues folk song.
1797
01:52:50,833 --> 01:52:52,541
Jimmy, stick 'em up.
- Oh.
1798
01:52:52,625 --> 01:52:54,916
When we was just acoustics or something.
1799
01:52:55,000 --> 01:52:56,916
There's more skiffling on it,
and it's great,
1800
01:52:57,000 --> 01:52:58,625
'cause they don't need any backing,
really.
1801
01:52:58,708 --> 01:53:00,166
So, "Get back, get back..."
1802
01:53:00,250 --> 01:53:02,250
"Get back to where you once belonged."
1803
01:53:03,625 --> 01:53:05,541
Think of some words if you can.
1804
01:53:05,625 --> 01:53:08,041
I don't know what it's about.
It's about going away.
1805
01:53:08,125 --> 01:53:09,708
And then the chorus is "Get back."
1806
01:53:09,791 --> 01:53:10,791
Uh...
1807
01:53:10,875 --> 01:53:14,125
So, I just--
Actually, it's not about anything.
1808
01:53:14,208 --> 01:53:15,791
You know...
1809
01:53:16,375 --> 01:53:17,958
Yeah, we'll just have those words.
1810
01:53:18,041 --> 01:53:22,583
Just words that-- They're just nothing
about anything. It's just, like, rubbish.
1811
01:53:31,250 --> 01:53:35,791
The Black man will have the whip hand
over the white man.
1812
01:53:35,875 --> 01:53:37,375
♪ Get back to where you once belonged ♪
1813
01:53:37,958 --> 01:53:39,666
♪ Get back ♪
1814
01:53:39,750 --> 01:53:41,125
♪ Get back ♪
1815
01:53:41,666 --> 01:53:44,666
♪ Get back to where you once belonged ♪
1816
01:53:46,000 --> 01:53:49,750
♪ Sidi Abdul Rami was a Pakistani ♪
1817
01:53:49,833 --> 01:53:52,583
♪ But he didn't live at home ♪
1818
01:53:54,125 --> 01:53:57,625
♪ Worried people said
"We don't need Pakistanis ♪
1819
01:53:57,708 --> 01:54:00,125
♪ Boy, you better travel home" ♪
1820
01:54:00,916 --> 01:54:02,750
♪ Yeah
Get back ♪
1821
01:54:03,750 --> 01:54:04,750
♪ Get back ♪
1822
01:54:05,916 --> 01:54:08,625
♪ Back to where you once belonged ♪
1823
01:54:09,333 --> 01:54:10,750
♪ Get back ♪
1824
01:54:10,833 --> 01:54:12,333
♪ Get back ♪
1825
01:54:13,208 --> 01:54:16,000
♪ Get back to where you once belonged ♪
1826
01:54:17,458 --> 01:54:21,166
♪ Alberto Marin was a Puerto Rican ♪
1827
01:54:21,250 --> 01:54:22,250
♪ But he... ♪
1828
01:54:25,458 --> 01:54:29,083
♪ Born in...
Don't dig no Puerto Ricans ♪
1829
01:54:29,166 --> 01:54:32,000
♪ Living in the USA ♪
1830
01:54:32,083 --> 01:54:34,166
♪ Oh, get back ♪
1831
01:54:34,791 --> 01:54:36,333
♪ Get back ♪
1832
01:54:36,833 --> 01:54:39,333
♪ Get back to where you once belonged ♪
1833
01:54:39,416 --> 01:54:41,916
Just playing more on these...
1834
01:54:44,875 --> 01:54:45,875
It just fades back.
1835
01:54:47,000 --> 01:54:49,166
- Play some piano with it.
Folk blues.
1836
01:54:51,250 --> 01:54:54,625
♪ Tonight Enoch Powell said
Get out, immigrants ♪
1837
01:54:54,708 --> 01:54:56,666
♪ Immigrants a-better go home ♪
1838
01:54:57,541 --> 01:55:00,750
♪ Tonight Harold Wilson
Said to the immigrants ♪
1839
01:55:00,833 --> 01:55:03,666
♪ You better get back
To your Commonwealth homes ♪
1840
01:55:03,750 --> 01:55:08,250
♪ Yeah, yeah, yeah
They said you better get back home ♪
1841
01:55:10,166 --> 01:55:13,125
♪ Enoch Powell said to the folks ♪
1842
01:55:13,208 --> 01:55:15,458
♪ He said you wear
The color of your skin ♪
1843
01:55:16,291 --> 01:55:19,625
♪ He said he don't care what it's
All about ♪
1844
01:55:22,333 --> 01:55:25,583
♪ So Ted Heath said to Enoch Powell ♪
1845
01:55:25,666 --> 01:55:29,000
♪ He said you better get out
Or else you'll go to trial ♪
1846
01:55:29,083 --> 01:55:32,291
♪ Enoch Powell
Enoch, you better go home ♪
1847
01:55:35,375 --> 01:55:36,583
♪ Commonwealth ♪
1848
01:55:36,666 --> 01:55:38,000
♪ Yes ♪
1849
01:55:38,083 --> 01:55:39,916
♪ Commonwealth ♪
1850
01:55:40,000 --> 01:55:40,958
♪ Yes ♪
1851
01:55:41,750 --> 01:55:43,083
♪ Commonwealth ♪
1852
01:55:43,166 --> 01:55:44,500
♪ Yes ♪
1853
01:55:45,083 --> 01:55:46,291
♪ Commonwealth ♪
1854
01:55:46,375 --> 01:55:47,791
♪ Yes ♪
1855
01:55:47,875 --> 01:55:51,666
♪ If you don't want trouble
Then you better go back to home ♪
1856
01:55:54,166 --> 01:55:57,458
♪ So I went to Pakistani
I went to India ♪
1857
01:55:57,541 --> 01:56:00,458
♪ I've been to old Calcutta
And I've had enough of that ♪
1858
01:56:00,541 --> 01:56:02,791
-♪ I'm coming back ♪
-♪ Yes ♪
1859
01:56:02,875 --> 01:56:06,000
♪ To England town ♪
-♪ Yes, welcome ♪
1860
01:56:07,125 --> 01:56:10,875
♪ And dirty Enoch Powell
And he's had enough of Parliament ♪
1861
01:56:13,500 --> 01:56:16,916
♪ Well, I trekked down to Australia
And said to New Zealand ♪
1862
01:56:17,000 --> 01:56:20,083
♪ You better come live with us
We're gonna have some fun ♪
1863
01:56:20,166 --> 01:56:23,208
♪ We're going up to India
We'll go to Pakistan ♪
1864
01:56:23,291 --> 01:56:24,958
♪ We're coming up to Europe and... ♪
1865
01:56:26,875 --> 01:56:30,000
♪ And dirty Enoch Powell and his... ♪
1866
01:56:32,458 --> 01:56:34,625
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
1867
01:56:36,333 --> 01:56:38,250
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
1868
01:56:39,166 --> 01:56:41,166
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
1869
01:56:42,041 --> 01:56:44,000
♪ Oh, hear me talking
Commonwealth ♪
1870
01:56:46,791 --> 01:56:50,333
♪ Yeah, the Commonwealth
But it's much too wealthy for me ♪
1871
01:56:50,416 --> 01:56:54,166
Much too common for me.
Much too common for me.
1872
01:56:54,250 --> 01:56:55,541
♪ Too common for me ♪
1873
01:56:55,625 --> 01:56:56,625
Oh, yeah.
1874
01:56:56,708 --> 01:57:00,083
♪ I ambled to Australia
And New Zealand too ♪
1875
01:57:00,166 --> 01:57:03,208
♪ I went up to Pakistan
And India too ♪
1876
01:57:03,291 --> 01:57:06,458
♪ I came back to West Indies
And I had a cricket match ♪
1877
01:57:06,541 --> 01:57:09,750
♪ I went into South Africa
And told them to get back ♪
1878
01:57:09,833 --> 01:57:13,958
♪ Oh, Commonwealth
I said you're much too common for me ♪
1879
01:57:15,083 --> 01:57:16,083
Everybody sing!
1880
01:57:16,166 --> 01:57:18,083
-♪ Hey, Commonwealth ♪
-♪ Yes ♪
1881
01:57:19,333 --> 01:57:21,333
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
1882
01:57:22,000 --> 01:57:24,750
-♪ Enoch Powell, Commonwealth ♪
-♪ Yes ♪
1883
01:57:25,458 --> 01:57:27,708
-♪ Immigrants, Commonwealth ♪
-♪ Yes ♪
1884
01:57:29,625 --> 01:57:33,875
♪ Well, I would join the Common Market
But it's much too common for me ♪
1885
01:57:33,958 --> 01:57:34,958
♪ Yes ♪
1886
01:57:39,291 --> 01:57:42,708
♪ Oh, Enoch Powell ♪
1887
01:57:52,125 --> 01:57:54,541
♪ Oh, Enoch Powell ♪
1888
01:58:04,250 --> 01:58:07,291
- I'll be taking me shirt off.
Do it in D. I'll play with you.
1889
01:58:07,375 --> 01:58:08,791
Do you have a tattoo?
1890
01:58:12,333 --> 01:58:14,833
First chance we've had...
So, do you want to try the--
1891
01:58:14,916 --> 01:58:16,250
- Once more.
1892
01:58:16,333 --> 01:58:18,291
Get it over here,
that's where we're playing...
1893
01:58:18,375 --> 01:58:21,833
- With feeling. With Felix.
- With Felix.
1894
01:58:21,916 --> 01:58:24,791
One, two, three, four.
1895
01:58:28,250 --> 01:58:31,250
And this is something that happened to me
quite recently.
1896
01:58:32,375 --> 01:58:35,958
♪ She came in through
The bathroom window ♪
1897
01:58:38,958 --> 01:58:42,583
♪ Protected by a silver spoon ♪
1898
01:58:45,125 --> 01:58:48,125
♪ But now she sucks her thumb
And wonders ♪
1899
01:58:48,208 --> 01:58:49,708
Get off!
1900
01:58:49,791 --> 01:58:54,208
♪ By the banks of her own lagoon ♪
1901
01:58:54,291 --> 01:58:57,708
♪ Didn't anybody tell her? ♪
1902
01:59:00,458 --> 01:59:03,458
♪ Didn't anybody see? ♪
1903
01:59:06,000 --> 01:59:10,166
♪ Sunday's on the phone to Monday ♪
1904
01:59:12,125 --> 01:59:15,916
♪ Tuesday's on the phone to me ♪
1905
01:59:17,166 --> 01:59:20,833
♪ She said she'd always been a dancer ♪
1906
01:59:23,500 --> 01:59:26,500
♪ She worked at 15 clubs a day ♪
1907
01:59:26,583 --> 01:59:28,583
Worked in 15 clubs a day?
1908
01:59:28,666 --> 01:59:29,833
Yeah!
1909
01:59:29,916 --> 01:59:32,333
♪ And though she thought
I had the answer ♪
1910
01:59:36,000 --> 01:59:38,750
♪ I just had to sail away ♪
1911
01:59:38,833 --> 01:59:42,458
♪ Didn't anybody tell her? ♪
1912
01:59:43,500 --> 01:59:44,958
♪ No, no, no, no ♪
1913
01:59:45,041 --> 01:59:48,291
♪ Didn't anybody see? ♪
1914
01:59:50,708 --> 01:59:54,625
♪ Sunday's on the phone to Monday ♪
1915
01:59:56,791 --> 02:00:00,000
♪ Tuesday's on the phone to me ♪
1916
02:00:00,083 --> 02:00:01,416
Yeah, she is.
1917
02:00:02,375 --> 02:00:05,291
♪ And so I quit the police department ♪
1918
02:00:05,375 --> 02:00:06,416
Get a job, cop!
1919
02:00:08,458 --> 02:00:10,916
♪ And got myself a proper job ♪
1920
02:00:11,000 --> 02:00:13,791
Bloody about time, too, if you ask me!
1921
02:00:14,583 --> 02:00:17,875
♪ And though she tried her best
To help me ♪
1922
02:00:17,958 --> 02:00:19,791
He bloody need it too.
1923
02:00:19,875 --> 02:00:23,750
♪ She could steal
But she could not rob ♪
1924
02:00:23,833 --> 02:00:27,208
♪ Didn't anybody tell her? ♪
1925
02:00:29,958 --> 02:00:33,291
♪ Didn't anybody see? ♪
1926
02:00:33,375 --> 02:00:34,833
♪ Whoa ♪
1927
02:00:35,625 --> 02:00:39,875
♪ Sunday's on the phone to Monday ♪
1928
02:00:42,000 --> 02:00:45,500
♪ Tuesday's on the phone to me ♪
1929
02:00:48,083 --> 02:00:51,708
Hello. This is Tuesday speaking.
1930
02:00:53,166 --> 02:00:54,541
Is that Paul?
1931
02:00:54,625 --> 02:00:57,375
- I'd like to have a word with you.
1932
02:00:57,458 --> 02:00:59,625
I've got something of his in the garden.
1933
02:00:59,708 --> 02:01:02,375
- I have something of interest for you.
1934
02:01:02,916 --> 02:01:04,916
♪ Well, any old time of day ♪
1935
02:01:05,000 --> 02:01:06,333
♪ All you wanna hear me say ♪
1936
02:01:06,416 --> 02:01:09,333
♪ It's crazy, baby
It's crazy, yeah ♪
1937
02:01:14,083 --> 02:01:16,208
♪ God bless our gracious king ♪
1938
02:01:18,541 --> 02:01:21,250
If we are in a groovy location place,
1939
02:01:21,333 --> 02:01:25,416
we can make the show about different bits
and pieces of what we've done.
1940
02:01:25,500 --> 02:01:28,791
Or we have to do it
in one consecutive piece.
1941
02:01:29,875 --> 02:01:32,833
I think we could do both, you see?
We should do it about three times.
1942
02:01:32,916 --> 02:01:35,291
We'd settle on one day when we say,
"This is the show."
1943
02:01:35,375 --> 02:01:37,833
But we'd do a, like, dress rehearsal.
1944
02:01:37,916 --> 02:01:40,666
Okay. Shall we do
some other people's tunes as well?
1945
02:01:40,750 --> 02:01:42,708
- That'd be nice.
I don't know any.
1946
02:01:42,791 --> 02:01:44,625
I can only just bear doing
your lot's songs.
1947
02:02:03,916 --> 02:02:08,583
♪ I love you more each day
Girl, I do ♪
1948
02:02:12,250 --> 02:02:16,166
♪ So I got me a lorry
And I took a ride ♪
1949
02:02:16,250 --> 02:02:18,166
This isn't Daddy's tea, is it?
No.
1950
02:02:18,250 --> 02:02:20,625
Daddy doesn't like
this chemical tea, you know?
1951
02:02:20,708 --> 02:02:24,458
It turns me off but blows my mind
and floats me upstream.
1952
02:02:24,541 --> 02:02:28,458
♪ Baa, baa, baa
Baa, baa, baa ♪
1953
02:02:28,541 --> 02:02:32,208
♪ Black sheep
Have you any wool? ♪
1954
02:02:32,291 --> 02:02:33,500
♪ Come on, Suzy Parker ♪
1955
02:02:33,583 --> 02:02:37,958
♪ I said, come on, Suzy Parker
Everybody's welcome to come ♪
1956
02:02:38,041 --> 02:02:40,833
♪ Suzy Parker
Come on, Suzy Parker ♪
1957
02:02:40,916 --> 02:02:44,875
♪ Yeah, you come to Suzy Parker
Everybody gets well done ♪
1958
02:02:44,958 --> 02:02:46,250
♪ Come on, Suzy Parker ♪
1959
02:03:00,083 --> 02:03:03,000
♪ Well, cheers, babycake
Baby, please don't lose... ♪
1960
02:03:13,750 --> 02:03:17,708
♪ I know I'm one ♪
1961
02:03:17,791 --> 02:03:19,125
- He's one, all right.
1962
02:03:24,875 --> 02:03:27,583
If we can just have a sort of
permanent mic on the piano,
1963
02:03:27,666 --> 02:03:29,000
and a permanent mic for me.
1964
02:03:29,083 --> 02:03:31,041
So we can hear
both of them, you see, Glyn?
1965
02:03:31,125 --> 02:03:32,958
Great.
- Hah.
1966
02:03:40,250 --> 02:03:44,750
♪ Perhaps it's the color
Of the sun cut flat ♪
1967
02:03:44,833 --> 02:03:50,166
♪ And covering the crossroads
I'm standing at ♪
1968
02:03:52,166 --> 02:03:56,500
♪ Or maybe it's the weather
Or something like that ♪
1969
02:03:57,500 --> 02:04:00,791
♪ Mama, you're just on my mind ♪
1970
02:04:05,041 --> 02:04:08,250
Words are flowing out
like endless rain into a paper cup.
1971
02:04:08,333 --> 02:04:09,791
Dear Apple.
1972
02:04:09,875 --> 02:04:13,166
They slither wildly as they slip away
across the universe.
1973
02:04:13,250 --> 02:04:17,375
♪ Words are flowing out
Like endless rain into a paper cup ♪
1974
02:04:17,458 --> 02:04:22,041
♪ They slither wildly
As they slip away across the universe ♪
1975
02:04:22,125 --> 02:04:23,833
"Shakin' in the Sixties!"
1976
02:04:24,958 --> 02:04:28,041
♪ Shakin' in the '60s
With a book bought by Dick James ♪
1977
02:04:29,083 --> 02:04:32,416
♪ Shakin' in the '60s
With a book bought by Dick James ♪
1978
02:04:35,000 --> 02:04:37,333
Leave the group then if you don't like it.
1979
02:04:37,416 --> 02:04:39,500
- Come on. I've done all mine.
1980
02:04:40,375 --> 02:04:41,541
Both of mine.
1981
02:04:41,625 --> 02:04:45,125
So, we'll go through it once
and just roughly get it in our heads.
1982
02:04:45,208 --> 02:04:47,000
Do you want the bass in for the riff?
1983
02:04:48,166 --> 02:04:49,916
Do you want the bass in with the riff?
1984
02:04:50,500 --> 02:04:51,750
- Don't know.
Okay.
1985
02:04:51,833 --> 02:04:54,166
Well, I'll just play it by ear then.
1986
02:04:54,250 --> 02:04:55,625
So then it goes...
1987
02:04:55,708 --> 02:04:59,250
♪ When I find myself in times of trouble ♪
1988
02:04:59,333 --> 02:05:02,541
♪ Mother Mary comes to me ♪
1989
02:05:02,625 --> 02:05:07,333
♪ Speaking words of wisdom
Let it be ♪
1990
02:05:08,958 --> 02:05:14,291
♪ And in my hour of darkness
She is standing right in front of me ♪
1991
02:05:15,083 --> 02:05:19,416
♪ Speaking words of wisdom
Let it be ♪
1992
02:05:20,708 --> 02:05:23,541
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
1993
02:05:23,625 --> 02:05:26,583
-♪ Let it be, let it be ♪
-♪ Oh ♪
1994
02:05:27,666 --> 02:05:32,000
♪ Whisper words of wisdom
Let it be ♪
1995
02:05:32,083 --> 02:05:33,875
♪ Let it be ♪
1996
02:05:33,958 --> 02:05:37,000
♪ And all the broken-hearted people ♪
1997
02:05:42,916 --> 02:05:45,458
♪ Let it be ♪
1998
02:05:46,750 --> 02:05:48,291
♪ Whenever I'm in... ♪
1999
02:05:49,458 --> 02:05:52,666
♪ Brother Malcolm, Mary
Na, na, na ♪
2000
02:05:56,166 --> 02:05:57,875
♪ Let it be ♪
2001
02:05:57,958 --> 02:06:00,500
The rhythm of that bit.
2002
02:06:00,583 --> 02:06:02,958
I just feel it needs
something really sustained.
2003
02:06:06,041 --> 02:06:07,000
Thanks.
2004
02:06:12,875 --> 02:06:14,958
♪ Let it be ♪
2005
02:06:19,375 --> 02:06:20,791
♪ Words of wisdom... ♪
2006
02:06:25,000 --> 02:06:26,166
♪ Let it be ♪
2007
02:06:26,250 --> 02:06:27,833
- Yeah?
Yeah. Like...
2008
02:06:27,916 --> 02:06:32,083
♪ Words of wisdom
Let it be ♪
2009
02:06:39,083 --> 02:06:41,875
- The way I was playing, was starting on F.
G.
2010
02:06:41,958 --> 02:06:44,666
"Whisper words of wisdom,
let it be, let it be."
2011
02:06:44,750 --> 02:06:47,375
-♪ Down to C, down to... ♪
2012
02:06:47,458 --> 02:06:50,500
But I end up on the wrong one
when you're all moving on to F.
2013
02:06:50,583 --> 02:06:53,041
-♪ Whisper words of wisdom ♪
-♪ Words of G ♪
2014
02:06:53,125 --> 02:06:54,291
♪ Let it be, let it be ♪
2015
02:06:54,375 --> 02:06:57,541
F, C, G.
2016
02:06:57,625 --> 02:07:00,583
- Oh, miss the F?
- C, G, to C.
2017
02:07:00,666 --> 02:07:03,208
So, yes. So then, you see, you get this...
2018
02:07:03,291 --> 02:07:06,583
"Whisper words of wisdom,
let it be, let it be..."
2019
02:07:08,625 --> 02:07:09,625
You play that.
2020
02:07:09,708 --> 02:07:13,791
♪ Whisper words of wisdom
Let it be ♪
2021
02:07:18,333 --> 02:07:20,833
It seems that it's all happening
2022
02:07:21,416 --> 02:07:23,916
a little bit too quickly
with them both coming in at the same time.
2023
02:07:24,000 --> 02:07:25,375
Yeah.
- That's all.
2024
02:07:25,458 --> 02:07:28,291
When do the drums first come in,
guitar, and all that?
2025
02:07:28,375 --> 02:07:30,833
Well, Glyn's saying
first time they come in...
2026
02:07:30,916 --> 02:07:32,791
- He seems to be arranging this. Come on.
2027
02:07:32,875 --> 02:07:34,208
- Go on.
2028
02:07:43,125 --> 02:07:43,958
♪ Let it... ♪
2029
02:07:44,041 --> 02:07:46,875
Could have bass there with a...
Only if you ask nicely.
2030
02:07:51,208 --> 02:07:53,666
You want me on the verse?
Yeah. Come in, bass.
2031
02:07:53,750 --> 02:07:55,666
On the verse when he comes chapping...
2032
02:07:55,750 --> 02:07:57,583
Well, I was thinking of it, yeah.
Yeah.
2033
02:07:57,666 --> 02:07:59,375
- Glyn and I have thought...
Glyn and...
2034
02:07:59,458 --> 02:08:01,166
♪ Let it be
Let it be ♪
2035
02:08:01,250 --> 02:08:03,291
One, two, three.
2036
02:08:03,375 --> 02:08:07,000
♪ When I find myself in times of trouble ♪
2037
02:08:07,083 --> 02:08:09,541
♪ Mother Mary comes to me ♪
2038
02:08:10,333 --> 02:08:14,291
♪ Speaking words of wisdom
Let it be ♪
2039
02:08:16,583 --> 02:08:22,833
♪ And in my hour of darkness
She is standing right in front of me ♪
2040
02:08:22,916 --> 02:08:27,333
♪ Speaking words of wisdom
Let it be ♪
2041
02:08:28,500 --> 02:08:31,958
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2042
02:08:32,041 --> 02:08:35,041
-♪ Let it be, let it be ♪
-♪ Oh ♪
2043
02:08:35,750 --> 02:08:39,708
♪ Whisper words of wisdom
Let it be ♪
2044
02:08:39,791 --> 02:08:41,625
♪ Let it be ♪
2045
02:08:42,208 --> 02:08:48,000
♪ For all the broken-hearted people
Heaven above must agree ♪
2046
02:09:04,541 --> 02:09:06,125
♪ Let it be ♪
2047
02:09:07,583 --> 02:09:10,916
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2048
02:09:11,000 --> 02:09:14,458
-♪ Let it be, let it be ♪
-♪ Oh ♪
2049
02:09:14,541 --> 02:09:18,791
♪ Read the Record Mirror
Let it be ♪
2050
02:09:39,833 --> 02:09:42,375
Forty million Churchills can't be wrong.
2051
02:09:44,333 --> 02:09:46,916
Forty million Churchills can't be wrong,
but one de Gaulle can.
2052
02:09:47,000 --> 02:09:48,583
We've got a charming one here.
2053
02:09:48,666 --> 02:09:50,708
"I Wish I Had Died in My Cradle."
2054
02:09:53,041 --> 02:09:54,458
I don't know.
2055
02:09:56,291 --> 02:09:58,125
"Lisp Of A Baby's Prayer."
2056
02:09:59,291 --> 02:10:01,125
"Alphabet Song." What's that one?
2057
02:10:01,208 --> 02:10:03,750
Oh, Christ,
I don't know the whole catalog yet.
2058
02:10:03,833 --> 02:10:06,458
4,000 songs is a lot to absorb.
2059
02:10:06,541 --> 02:10:08,708
- In the morning?
- Perhaps.
2060
02:10:08,791 --> 02:10:12,083
-"Nobody Loves a Fairy When She's Forty."
2061
02:10:13,708 --> 02:10:15,458
This is it? This is the lot?
2062
02:10:15,541 --> 02:10:19,583
This is a very good list.
That's the entire catalog up to '65.
2063
02:10:20,416 --> 02:10:21,416
Yeah. Yeah.
2064
02:10:21,500 --> 02:10:23,541
Is this the catalog
that's just gone on sale?
2065
02:10:23,625 --> 02:10:25,625
- It's the one we just bought.
- You bought it. Oh, great.
2066
02:10:31,083 --> 02:10:34,833
- Which includes Paul and John. And--
- Just about.
2067
02:10:34,916 --> 02:10:37,541
- What are you talking about, "Just about"?
- Nothing. Uh, no comment.
2068
02:10:38,291 --> 02:10:39,875
Very substantially, sir.
2069
02:10:39,958 --> 02:10:41,166
Yes, right. Okay.
2070
02:10:45,083 --> 02:10:48,333
Mm-hmm. Marvelous catalog.
Oh, it's an incredible catalog.
2071
02:10:48,416 --> 02:10:51,916
And we'll start on reprinting
a great deal of this music,
2072
02:10:52,000 --> 02:10:55,958
because sheet music and song albums
is an expanding market now.
2073
02:10:56,041 --> 02:10:57,666
Right, right. Yeah, yeah.
2074
02:10:57,750 --> 02:11:01,541
You know, 12 songs for five bob
is more than ample. That's good value.
2075
02:11:06,875 --> 02:11:08,041
Yeah.
- Great.
2076
02:11:18,000 --> 02:11:19,041
Yeah.
2077
02:11:19,125 --> 02:11:21,958
-"Carolina Moon," my Uncle Ron's favorite.
Well.
2078
02:11:22,041 --> 02:11:24,375
He sings it at all the parties.
All right!
2079
02:11:24,458 --> 02:11:27,916
♪ Carolina Moon ♪
2080
02:11:28,000 --> 02:11:29,041
Come on, Paul.
2081
02:11:29,125 --> 02:11:30,208
The Copyright Act
2082
02:11:30,291 --> 02:11:34,250
and the payment for a performance
of a fee didn't start until 1911.
2083
02:11:34,333 --> 02:11:36,083
But who buys sheet music?
2084
02:11:36,166 --> 02:11:37,708
Is it mainly piano people?
2085
02:11:37,791 --> 02:11:39,500
No. Guitar people.
2086
02:11:47,333 --> 02:11:48,333
Yeah.
2087
02:11:50,625 --> 02:11:53,916
Well, a lot of our stuff,
I don't know whether it does any more,
2088
02:11:54,000 --> 02:11:57,000
because we always publish our lyrics now,
you know?
2089
02:11:57,083 --> 02:12:00,083
But you see,
particularly where the boys are concerned,
2090
02:12:00,166 --> 02:12:01,750
they create the song, right?
2091
02:12:01,833 --> 02:12:04,875
And I give it to my music scribe
and he has to take it down.
2092
02:12:04,958 --> 02:12:06,708
And he's a very good man,
very experienced.
2093
02:12:08,125 --> 02:12:11,666
He can make mistakes,
but in an effort to eliminate this now
2094
02:12:11,750 --> 02:12:14,875
we check the lyrics with John and Paul,
they okay the lyric...
2095
02:12:19,166 --> 02:12:20,916
- Hi.
2096
02:12:25,208 --> 02:12:26,291
- Hi, George.
Hi, man.
2097
02:12:30,916 --> 02:12:32,916
I'm well aware.
You're very welcome.
2098
02:12:36,166 --> 02:12:39,500
Something to drink out of
or the wife can throw?
2099
02:12:41,375 --> 02:12:43,041
Which I sang in my heyday.
2100
02:12:44,750 --> 02:12:45,916
- Hi, Georgie.
- Hi, Mike.
2101
02:12:46,000 --> 02:12:47,291
Hi, George. How are you?
2102
02:12:52,958 --> 02:12:54,708
It doesn't even seem high to me.
2103
02:12:54,791 --> 02:12:57,166
- Well, these are gilt-edged songs.
2104
02:12:58,875 --> 02:13:00,166
-Morgen.
- Morning.
2105
02:13:00,250 --> 02:13:02,833
Didn't Neil ring you last night?
- No.
2106
02:13:11,583 --> 02:13:12,583
Take hold of this.
2107
02:13:12,666 --> 02:13:14,500
If anybody says
anything interesting, remember it.
2108
02:13:18,541 --> 02:13:23,083
Uh... Neil would like us to have a meeting.
2109
02:13:23,166 --> 02:13:24,708
Saturday?
Yes.
2110
02:13:24,791 --> 02:13:26,625
He was very excited and--
2111
02:13:26,708 --> 02:13:28,708
- Was he? Good news or--
- Yes. Very.
2112
02:13:28,791 --> 02:13:30,625
Oh, all right, I'll come for good news.
2113
02:13:33,375 --> 02:13:34,541
You watching?
2114
02:13:34,625 --> 02:13:35,666
Yeah.
2115
02:13:39,000 --> 02:13:41,541
Yeah, I think it's gonna be
a double-sider.
2116
02:13:41,625 --> 02:13:45,666
And, uh, we've set it for release--
We've set it for release in the States.
2117
02:13:45,750 --> 02:13:47,958
She's doing it on The Rolf Harris Show
tomorrow night.
2118
02:13:48,041 --> 02:13:50,666
Is she one of your artists?
- She's an EMI artist.
2119
02:13:50,750 --> 02:13:53,708
And we have some territories,
2120
02:13:53,791 --> 02:13:56,041
then EMI puts them out in other places.
2121
02:13:56,541 --> 02:13:58,500
Okay, shall we start?
- Yeah.
2122
02:13:59,916 --> 02:14:01,125
I'll send some, um...
2123
02:14:01,875 --> 02:14:03,583
I'll send some discs down, Paul.
2124
02:14:04,166 --> 02:14:05,125
Okay.
2125
02:14:05,208 --> 02:14:06,916
Should have pressings up, um...
2126
02:14:07,000 --> 02:14:10,625
Well, I think they were up last night, but
they were up too late for me to get them.
2127
02:14:19,875 --> 02:14:21,416
That was a nice start.
2128
02:14:30,500 --> 02:14:34,291
♪ Put on your hi-heel sneakers ♪
2129
02:14:34,916 --> 02:14:35,916
Bye, Dick.
2130
02:14:36,000 --> 02:14:38,708
♪ Cause we're goin' out tonight ♪
2131
02:14:43,833 --> 02:14:47,166
♪ Put on your hi-heel sneakers ♪
2132
02:14:48,875 --> 02:14:51,958
♪ Cause we're goin' out tonight ♪
2133
02:14:52,041 --> 02:14:53,125
♪ We are ♪
2134
02:14:57,708 --> 02:15:00,625
♪ And bring along some boxin' gloves ♪
2135
02:15:01,875 --> 02:15:05,416
♪ In case some fool might wanna fight ♪
2136
02:15:10,375 --> 02:15:11,375
♪ Get back ♪
2137
02:15:12,458 --> 02:15:13,916
♪ Back ♪
2138
02:15:14,000 --> 02:15:16,875
♪ Back to where you once belonged ♪
2139
02:15:18,041 --> 02:15:19,166
I dig this. I do.
2140
02:15:38,708 --> 02:15:41,750
♪ Get back, get back ♪
2141
02:15:53,166 --> 02:15:54,458
Yes.
2142
02:15:55,666 --> 02:15:56,666
Yes, yes!
2143
02:16:08,833 --> 02:16:11,958
We've never learned
so many new numbers at once. Have we?
2144
02:16:12,041 --> 02:16:13,208
Yeah.
2145
02:16:13,291 --> 02:16:15,500
- That's it. It will be better, that.
- Yeah.
2146
02:16:17,500 --> 02:16:18,916
Well, should we just redo this one?
2147
02:16:19,000 --> 02:16:21,041
- I still haven't got words on this.
Yes.
2148
02:16:29,458 --> 02:16:32,333
Yeah, let's have it like that.
Just have a big, held chord.
2149
02:16:32,416 --> 02:16:34,916
All of us just hold a chord of, like, A.
2150
02:16:35,000 --> 02:16:38,875
But you creep up with drumming.
So it goes, "One, two, three, four."
2151
02:16:43,291 --> 02:16:45,041
Only even more like, sort of...
2152
02:16:48,708 --> 02:16:49,833
So you...
2153
02:16:49,916 --> 02:16:53,708
You'll have to do something like lead to...
2154
02:16:53,791 --> 02:16:57,416
What was the record?
2155
02:16:59,458 --> 02:17:01,541
- There's one record of ours.
Should be more like...
2156
02:17:07,083 --> 02:17:08,291
But even in the--
2157
02:17:09,208 --> 02:17:11,583
That suggests something to me. That chord.
2158
02:17:11,666 --> 02:17:13,083
- Yeah.
2159
02:17:13,166 --> 02:17:14,458
And also, that's why I like--
2160
02:17:14,541 --> 02:17:18,333
That's why "Get Back" suggests
any old number like this.
2161
02:17:18,416 --> 02:17:21,166
So if we have harmony on it
and try and make it--
2162
02:17:21,250 --> 02:17:22,250
Yes?
2163
02:17:22,750 --> 02:17:25,458
-'Cause it's a bit ordinary, isn't it?
- So-- So you don't want that?
2164
02:17:25,541 --> 02:17:28,083
The "Get Back" bit's the ordinary bit.
2165
02:17:28,166 --> 02:17:30,208
Yeah, but it's all right.
I mean, but we should--
2166
02:17:30,291 --> 02:17:32,750
We should try and get away from...
2167
02:17:32,833 --> 02:17:33,916
♪ Get back ♪
2168
02:17:34,625 --> 02:17:36,541
♪ Get back, yeah ♪
2169
02:17:36,625 --> 02:17:38,125
- Get away from that?
- Uh, no--
2170
02:17:39,166 --> 02:17:41,250
Yeah, but I know.
I mean, just get away from the way...
2171
02:17:44,041 --> 02:17:47,583
Where did we get that chord? You know?
There was a song we got that chord from.
2172
02:17:48,875 --> 02:17:51,583
- There was one where we sort of--
Booker T. and the MG's.
2173
02:17:51,666 --> 02:17:54,125
Booker T. Yeah.
But there's lots...
2174
02:17:55,291 --> 02:17:58,833
But it's passé, you know?
It's like-- It was a couple of years ago.
2175
02:17:58,916 --> 02:18:00,708
No, it wasn't. That's just a chord.
2176
02:18:00,791 --> 02:18:02,041
I know, but, you know. Yeah, but--
2177
02:18:02,125 --> 02:18:04,958
- Chords like fashions and stuff...
- And some chords fit things.
2178
02:18:05,041 --> 02:18:06,166
But it's like drainies.
2179
02:18:06,250 --> 02:18:08,583
- Yeah, but some drainies...
- They're still drainies, but...
2180
02:18:08,666 --> 02:18:12,083
...suit different occasions
and Oxford bags--
2181
02:18:12,166 --> 02:18:16,291
The thing is, that's good enough
for the rock and roll thing, but--
2182
02:18:17,166 --> 02:18:19,708
- No, you don't. You need, like--
- You need George Harrison.
2183
02:18:19,791 --> 02:18:21,250
You need George Harrison. Yeah.
- Mmm.
2184
02:18:21,333 --> 02:18:24,916
But just doing simple things
until it's your go.
2185
02:18:25,000 --> 02:18:27,583
Because I'm trying to sing louder
to get over the guitar.
2186
02:18:30,500 --> 02:18:34,416
Yeah. But--
but if you do the offbeat with Ringo.
2187
02:18:34,500 --> 02:18:37,250
♪ Get back, get back ♪
2188
02:18:39,500 --> 02:18:40,500
♪ Get back ♪
2189
02:18:41,250 --> 02:18:42,250
♪ Get back ♪
2190
02:18:42,791 --> 02:18:43,791
♪ Get back ♪
2191
02:18:44,333 --> 02:18:45,750
♪ Get back ♪
2192
02:18:46,500 --> 02:18:49,250
♪ Get back to where you once belonged ♪
2193
02:18:50,000 --> 02:18:51,000
♪ Get back ♪
2194
02:18:52,041 --> 02:18:53,208
♪ Get back ♪
2195
02:18:53,833 --> 02:18:56,666
♪ Get back to where you once belonged ♪
2196
02:18:58,583 --> 02:18:59,583
See, but don't--
2197
02:18:59,666 --> 02:19:03,541
If you vamp, then it--
then it takes away from his vamping.
2198
02:19:03,625 --> 02:19:04,833
I think, you know?
2199
02:19:04,916 --> 02:19:06,958
But it's like that. It is like that.
2200
02:19:07,041 --> 02:19:10,833
It's like the big, soft lead guitarist,
you know, who just stands there and just--
2201
02:19:10,916 --> 02:19:12,500
- Little, soft lead guitarist.
- Well, you know--
2202
02:19:12,583 --> 02:19:15,333
No, but the big one in my head,
where he just sort of goes...
2203
02:19:18,000 --> 02:19:20,458
But you can either do that soft
or good, you know?
2204
02:19:20,541 --> 02:19:21,916
You don't...
2205
02:19:22,000 --> 02:19:23,208
It's that thing, you know?
2206
02:19:24,791 --> 02:19:27,041
- I mean, "She's a Woman."
- Yeah.
2207
02:19:27,125 --> 02:19:30,458
That was just a better rhythm
than we have, you know, because--
2208
02:19:30,541 --> 02:19:32,750
And "Sgt. Pepper" on the organ. It's just...
2209
02:19:39,875 --> 02:19:41,416
None of you are trying to do any of it.
2210
02:19:41,500 --> 02:19:43,583
Okay. I'll just write it down then.
2211
02:19:47,000 --> 02:19:48,750
- Yeah, and the Puerto Ricans.
- Yeah.
2212
02:19:52,416 --> 02:19:54,083
She thought she was a woman.
2213
02:19:54,166 --> 02:19:55,875
♪ Jo Jo went and left his-- ♪
2214
02:19:55,958 --> 02:19:56,958
Jo Jo.
2215
02:19:58,166 --> 02:20:00,500
♪ Jo Jo left his home in-- ♪
2216
02:20:02,083 --> 02:20:04,041
- What's a Western name?
- Jo Jo went and left--
2217
02:20:04,125 --> 02:20:07,208
- A Western name? Jo Jo...
2218
02:20:07,291 --> 02:20:08,875
- Go on.
- Perkins.
2219
02:20:08,958 --> 02:20:10,708
♪ Jo Jo Perkins left-- ♪
2220
02:20:10,791 --> 02:20:12,166
♪ Jo Jo Lemon-- ♪
2221
02:20:12,875 --> 02:20:13,875
Jo Jo Carter?
2222
02:20:13,958 --> 02:20:14,958
Jo Jo Williams?
2223
02:20:15,041 --> 02:20:18,166
Jo Jo Braxton. Jo Jo Pepper. Brennan.
2224
02:20:18,250 --> 02:20:19,250
♪ Jo Jo-- ♪
2225
02:20:20,833 --> 02:20:22,875
♪ Jo Jo Daphne left his home-- ♪
2226
02:20:24,000 --> 02:20:25,000
Yeah.
2227
02:20:25,083 --> 02:20:28,666
♪ Jo Jo Jackson left his home in Arizona ♪
2228
02:20:38,750 --> 02:20:40,833
♪ Don't dig no Pakistanis ♪
2229
02:20:40,916 --> 02:20:43,916
♪ Living in a council flat ♪
2230
02:20:52,666 --> 02:20:54,000
♪ Oh, get back ♪
2231
02:20:54,958 --> 02:20:56,333
♪ Get back ♪
2232
02:20:57,291 --> 02:21:00,208
♪ Back to where you once belonged ♪
2233
02:21:02,583 --> 02:21:05,125
♪ Two of us wearing raincoats ♪
2234
02:21:05,208 --> 02:21:10,125
♪ Standing solo in the sun ♪
2235
02:21:11,041 --> 02:21:13,791
♪ You and me chasing paper ♪
2236
02:21:13,875 --> 02:21:15,833
♪ Getting nowhere ♪
2237
02:21:15,916 --> 02:21:20,708
♪ On our way back home ♪
2238
02:21:21,416 --> 02:21:23,291
♪ We're on our way home ♪
2239
02:21:24,208 --> 02:21:26,083
♪ We're on our way home ♪
2240
02:21:27,000 --> 02:21:28,250
♪ We're going home ♪
2241
02:21:31,625 --> 02:21:36,083
♪ On our way back home ♪
2242
02:21:39,083 --> 02:21:43,375
♪ On our way back home ♪
2243
02:21:46,875 --> 02:21:52,333
♪ On our way back home ♪
2244
02:21:52,416 --> 02:21:54,666
That's it. You know, it'll go--
2245
02:21:54,750 --> 02:21:55,750
Well, you know.
2246
02:21:56,916 --> 02:21:59,583
I think it needs
a bit more of that, this one.
2247
02:21:59,666 --> 02:22:01,291
Needs a bit more of that.
2248
02:22:02,500 --> 02:22:05,041
In fact, maybe you shouldn't both do that.
2249
02:22:05,125 --> 02:22:07,250
- Could you stop playing for a minute?
- Yes, all right, Paul.
2250
02:22:07,333 --> 02:22:09,916
...while I'm trying to talk to you
about this arrangement. Thank you.
2251
02:22:11,125 --> 02:22:13,625
- Could we go for lunch?
Is it lunch already?
2252
02:22:13,708 --> 02:22:14,708
Yes.
2253
02:22:39,666 --> 02:22:40,541
Yeah.
2254
02:22:40,625 --> 02:22:42,666
- We aim to please.
I rang Chris and--
2255
02:22:44,333 --> 02:22:45,333
Mmm?
2256
02:23:14,416 --> 02:23:16,625
Oh. So pissed.
2257
02:23:22,916 --> 02:23:23,750
Yeah.
2258
02:23:29,791 --> 02:23:30,791
Stop it! Stop it!
2259
02:23:33,458 --> 02:23:35,458
- Ooh. What a buzz.
2260
02:23:35,541 --> 02:23:36,666
What a buzz.
2261
02:23:36,750 --> 02:23:39,833
"I've Got a Feeling."
Okay, George. Take it.
2262
02:23:45,166 --> 02:23:48,041
♪ I've got a feeling ♪
2263
02:23:48,875 --> 02:23:51,333
♪ A feeling deep inside
Oh, yeah ♪
2264
02:23:53,416 --> 02:23:54,583
♪ Oh, no ♪
2265
02:23:56,625 --> 02:23:58,958
♪ Yeah! ♪
2266
02:23:59,041 --> 02:24:03,625
♪ Whoa, I've got a feeling, yeah ♪
2267
02:24:04,750 --> 02:24:07,833
♪ Don't let me down ♪
2268
02:24:11,083 --> 02:24:14,083
♪ Don't let me down ♪
2269
02:24:17,833 --> 02:24:20,375
♪ Don't let me down ♪
2270
02:25:27,166 --> 02:25:28,291
♪ John! ♪
2271
02:25:29,125 --> 02:25:30,625
Yeah, rock it to me, baby.
2272
02:25:31,791 --> 02:25:33,166
That's what I like.
2273
02:25:33,875 --> 02:25:37,000
You may think this is a full orchestra,
but if you look closely,
2274
02:25:37,083 --> 02:25:40,333
you can see there's only two people
playing and one person singing.
2275
02:25:41,000 --> 02:25:43,375
I know it sounds like Benny Goodman,
but don't worry.
2276
02:25:43,458 --> 02:25:46,916
It's the big sound of 1969.
2277
02:25:47,000 --> 02:25:50,916
♪ Bang! Bang!
Maxwell's silver hammer ♪
2278
02:25:51,000 --> 02:25:54,500
♪ Came down upon his head ♪
2279
02:25:56,083 --> 02:25:57,333
♪ Clang! Clang! ♪
2280
02:25:57,416 --> 02:26:03,916
♪ Maxwell's silver hammer
Made sure that Joan was dead ♪
2281
02:26:06,166 --> 02:26:09,291
Maybe for the show, I mean,
you could just say George was sick.
2282
02:26:09,791 --> 02:26:11,916
No. I mean, if he leaves, he leaves.
2283
02:26:23,791 --> 02:26:27,416
♪ John, John, John, John ♪
2284
02:26:35,916 --> 02:26:37,166
♪ John... ♪
2285
02:26:37,250 --> 02:26:39,000
Anything you say, dear!
2286
02:26:39,083 --> 02:26:41,791
- John, John!
- I've brought the tea.
2287
02:26:41,875 --> 02:26:43,541
John!
2288
02:26:43,625 --> 02:26:45,625
[John, high-pitched voice] Yes?
2289
02:26:48,125 --> 02:26:49,125
I saw him!
2290
02:26:49,208 --> 02:26:50,791
Terrible!
Shit!
2291
02:27:06,000 --> 02:27:07,000
Yeah.
2292
02:27:27,416 --> 02:27:30,958
- So cats and kittens, what we gonna do?
2293
02:27:44,750 --> 02:27:46,541
The thing about Orson is he's very funny.
2294
02:27:46,625 --> 02:27:47,750
We were in Belfast,
2295
02:27:47,833 --> 02:27:49,833
rehearsing the stage version
of Chimes of Midnight.
2296
02:27:49,916 --> 02:27:51,458
And one day he walked off the stage.
2297
02:27:58,166 --> 02:28:00,583
Get in your bag!
2298
02:28:00,666 --> 02:28:02,750
Get in your-- Get in your bloody bag!
2299
02:28:02,833 --> 02:28:04,625
Not again!
Go on!
2300
02:28:05,583 --> 02:28:09,083
The Mersey Beat Awards
for the Best Couple of the Year...
2301
02:28:11,083 --> 02:28:12,791
...goes to John and Yoko.
2302
02:28:34,166 --> 02:28:36,458
♪ Isn't it a pity ♪
2303
02:28:41,291 --> 02:28:43,208
♪ Isn't it a shame ♪
2304
02:28:46,416 --> 02:28:49,666
♪ How we break each other's hearts ♪
2305
02:28:53,333 --> 02:28:55,791
♪ And cause each other pain ♪
2306
02:28:59,250 --> 02:29:02,666
♪ How we take each other's love ♪
2307
02:29:06,000 --> 02:29:08,458
♪ Without thinking anymore ♪
2308
02:29:12,666 --> 02:29:15,333
♪ Forgetting to give back ♪
2309
02:29:19,166 --> 02:29:21,458
♪ Isn't it a pity ♪
2310
02:29:25,708 --> 02:29:28,333
♪ Some things take so long ♪
2311
02:29:31,833 --> 02:29:34,666
♪ But how do I explain? ♪
2312
02:29:38,375 --> 02:29:41,583
♪ When not too many people ♪
2313
02:29:44,833 --> 02:29:47,625
♪ Can see we're all the same? ♪
2314
02:29:51,333 --> 02:29:54,458
♪ Because of all their tears ♪
2315
02:29:57,916 --> 02:30:00,750
♪ Their eyes can't hope to see ♪
2316
02:30:04,500 --> 02:30:07,708
♪ The beauty that surrounds them ♪
2317
02:30:10,958 --> 02:30:13,375
♪ Oh, isn't it a pity? ♪
2318
02:30:42,958 --> 02:30:46,208
♪ And because of all their tears ♪
2319
02:30:49,583 --> 02:30:52,291
♪ Their eyes don't hope to see ♪
2320
02:30:56,000 --> 02:30:59,125
♪ The beauty that surrounds them ♪
2321
02:31:02,583 --> 02:31:05,083
♪ Oh, isn't it a pity? ♪