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[magic chimes]
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[Leomie] It's time to Glow Up.
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{\an8}[upbeat music playing]
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[Wezley] Guys, what's going on?
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[Leomie] For their second
industry assignment,
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the MUAs are
at a photographic studio in London.
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[Taisha] I love it.
I love it. I love it. Great.
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Oh my God, look who it is!
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Hey, MUAs. What's going on?
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-How are you feeling?
-[Wezley] Excited.
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-Good.
-[Leomie] Yeah?
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So, today's assignment focuses
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on one of the most competitive areas
of the makeup industry,
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a beauty campaign.
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[Leomie] Mm-hmm.
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So, please let me introduce you
to your boss for today,
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Ms. Arieta Mujay...
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-[cheers]
...the Brand Director of Sephora UK.
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-What?
-[Howard] Oh my...
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-[screams]
-[Wezley] Oh my God.
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Hello, hello, lovely to meet you.
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[Leomie] With thousands of stores
across the globe
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stocking a multitude of brands,
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Sephora is one
of the world's biggest beauty retailers.
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{\an8}We like to describe ourselves
as a playground of discovery,
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and we believe in a world that's open
to championing all kinds of beauty.
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[Leomie] As part of their UK launch,
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the beauty retailer is rolling out
a major nationwide campaign,
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"Express All of You,"
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and our MUAs will be working
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{\an8}on the digital looks.
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{\an8}[music peaks, fades]
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It is important for us
to use real people in our campaigns,
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and this assignment has to connect
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with the hearts and minds
of the British public.
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The client wants makeup
that resonates with your model.
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This is about the model
and what they want.
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We all know that Sephora stocks
some incredible brands,
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from Burberry, my auntie Pat McGrath...
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Mm.
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And have you guys ever heard of, um...
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Patrick Ta?
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[music builds up]
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-[Sarah] Oh my God!
-Hi, everyone.
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[On-May] Oh my God.
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Oh! Oh!
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{\an8}Patrick Ta is here,
in real life, in the flesh.
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[music fades]
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Hi, everyone.
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[camera shutters click]
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[Leomie] Working with many A-listers,
from Gigi Hadid to Camila Cabello,
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Patrick Ta is one
of Hollywood's hottest makeup artists
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with a sell-out makeup range
in global demand.
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[upbeat music playing]
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The look that you guys create today
needs to appeal to a wide audience
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and allow the consumer to feel
just as empowered as the models do.
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-Oh my God.
-[Axel chuckles]
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[Leomie] Sephora will choose
multiple looks
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by our MUAs for the campaign,
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and one standout MUA
will create two extra looks.
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{\an8}Knowing the fact
that I might have the slightest chance
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{\an8}to create looks for this campaign
is absolutely huge.
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Makeup artists, you have 90 minutes
to create the amazing looks.
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Let's go.
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[funky music plays]
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[Wezley] This way, oh my God.
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{\an8}In the competition,
there are makeup artists
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{\an8}who are specialized in beauty.
We have Howard, we have Sarah.
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{\an8}Your skin is... ah! You look like porcelain.
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[Taisha] We have Wez.
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{\an8}So, it's time to go in and smash
this challenge, and take the win.
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{\an8}Fingers crossed.
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The key to this assignment
is getting to know your model.
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I would consider myself to be quite loud.
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Yeah, I... I feel, I feel your energy.
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Discovering what their personality is
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and then being able
to relay that in the makeup.
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[Keiran] What do you like doing
in your spare time?
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I love vintage shopping.
I go to lots of antique markets.
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-Mm. Yes, I love that. Ace.
-[laughs]
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[Roo] So, you're creative.
What kind of creative?
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I'm a graphic designer.
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So I assume you like colors
and shapes, and graphic things, yeah?
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{\an8}It's not about you as the artist,
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{\an8}it's about having
your model feel as empowered
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and confident in their look,
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because they are the ones
that are going to be wearing the makeup.
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[music fades]
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So, give me a wee insight
of you as a person.
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[Adele] I'd say I'm quite delicate,
a delicate personality.
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I'm quite sensitive.
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I'm thinking of something really soft.
Maybe adding, like, a little bit of fun.
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Yeah.
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{\an8}Hey, Axel, how are you doing?
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{\an8}Yeah, I'm okay.
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{\an8}It's not my type of makeup,
but I am trying my best. [chuckles]
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[Leomie] Twenty-seven-year-old Axel
started experimenting with makeup
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when in their late teens.
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When it comes to my style of makeup,
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{\an8}it's heavily influenced
by creature and character design.
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How I got my start in makeup
was really my introduction to drag.
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My parents have always been
very supportive of me,
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but I did grow up
in a religious household,
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so I kept it hidden.
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But that was very awkward.
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One day when I came home,
and my mum showed me my social media,
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she was just like,
"So, Axel, what's this?"
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[chuckles] I was like, "Uhm..."
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[laughs] But they were fine with it.
They're chilled.
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They're super excited that I'm here.
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[music peaks, fades]
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[Sarah] My model likes
to allow her skin to breathe,
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{\an8}so we haven't gone
for any full coverage, um, look.
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Plus, have you seen her gorgeous freckles?
I want that to show through.
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Sarah's definitely an artist
you want to have on set with you.
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Have a look in the mirror.
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What I'm seeing right now
is a really beautiful interaction.
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I think the model feels
really comfortable.
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I'm really excited
to see what the outcome is.
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I think she's going to come up
with something quite creative and cool
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that fits the brief.
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As long as my model's happy, I'm happy.
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Makeup artists, you've had half an hour.
You all have one hour left.
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Ooh!
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[music intensifies]
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{\an8}I do think it's important,
like, to pay attention
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{\an8}to whether your model has
warm or cool undertones,
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{\an8}whether they're more red or yellow,
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{\an8}and then match
different areas of the face.
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I know you don't like a lot of foundation,
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so instead I'm just putting
color correctors around your under eye.
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Did you know that with Howard,
he attended one of your master classes?
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-Oh my God, did he?
-Yes.
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That's why the skin prep is so familiar.
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-That's why it's so good and juicy.
-[chuckles]
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-The fact he's left the freckles out...
-[Patrick] She loves the freckles.
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Yeah, I do, because that's her superpower,
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{\an8}and the campaign
is about expressing all of you.
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{\an8}What I'm most worried about is the fact
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{\an8}that Howard is really, really, really good
at what he's able to do,
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{\an8}and he is currently standing
just a meter away from me. [chuckles]
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-[music fades]
-Hey, guys.
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[Howard] Hello.
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So, how are you feeling
about this week's guest judge?
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-[gentle rhythmic music plays]
-[chuckles]
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[softly] Sto... Honestly, stop it.
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You guys are...
Are you guys saying that Patrick Ta...
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-Are you joking?
-[Leomie chuckles]
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You kept it quite composed, though.
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Because, I mean, I'm Asian,
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and there's a handful
of Asian makeup artists, you know.
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I see Patrick as a role model.
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[Leonie] Moving to London ten years ago
allowed Howard to chase his makeup dreams.
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[upbeat music playing]
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So, I'm from Sarawak.
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Most of you know it as Borneo, Malaysia.
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My first memories of makeup
is definitely from my mum and her sisters.
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You know, that bit of liner at the corner,
that bit of lipstick on the lips.
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{\an8}I specialize in more red carpet glam.
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{\an8}And I want to be
a celebrity makeup artist.
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I see myself doing makeup
for the world's most renowned supermodels.
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And I'm ready.
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That's why I'm here.
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[music fades]
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Yes, sir.
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-I'm living, I'm living for this.
-You're living.
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{\an8}We're still kind of figuring things out,
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but I'm trying
to make subtle makeup slightly edgier.
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[upbeat electronic music playing]
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Becky loves vintage.
Her favorite color's lilac.
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{\an8}I'm going to go for a lilac under eye,
a Marilyn Monroe type of pullout.
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{\an8}I'm covering but not covering too much.
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[Leomie] Last week's winner
Saphron has discovered
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that both she and her model
suffer with similar skin blemishes.
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I've got acne and the way, kind of,
you know, the post-blemish marks,
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it can obviously really affect
your confidence.
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[Saphron] Yes. I'm using
the struggles with my own skin
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to help me with this brief.
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I like to draw on the flaws
that people see in themselves
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and make it into something beautiful
by not covering scars
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or by making, for instance,
like, spots more prominent.
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[Victoria] Mm-hmm.
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I love that we're moving towards
real skin being in. I'm here for it.
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Amen. [chuckles]
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Guys, it's been one hour.
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We have 30 minutes
before we need your models on set.
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[Leomie] As well as perfecting the skin,
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the MUAs also need to make sure
the eyes and lips are on point.
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-What colors are you like, "That's me"?
-Yeah, aqua chromes.
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Yeah, I like a strong eye,
if you couldn't tell,
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{\an8}so I want to bring out a beautiful feature
that my model has, which is her eyes.
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{\an8}And kind of emphasize
that kind of cattiness, which I love.
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Right now I'm doing a smoky liner.
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{\an8}I'm building up that color first
before smoking it up.
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{\an8}I want this to look
as natural as possible,
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{\an8}so I'm going to mix gloss
and try and make some form of lip stain.
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[Leomie] We've got Axel here.
Do you feel they've gone bold enough?
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I feel like it's a bit odd
for the model's eye shape.
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[Leomie] Yeah.
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-Nothing exciting is happening right now.
-Mmm.
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The skin needs to be, like, woken up.
It seems quite flat.
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There is a wee part of me
that does think, "Hmm..."
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"Did you not go far enough?"
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I added eyeliner
because she doesn't really wear eyeliner,
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{\an8}but I've tried to keep the look, like,
as soft and fun as well, if possible.
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Right, this might be very risky,
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but I'm going to add
some blue to your lips as well.
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I guess for Roo,
I think they've gone way too far now
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and need to rein it back in.
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Oh, this is nice.
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[engaging music playing]
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I feel like this is giving the vintage,
and the eye is just, like, radiant.
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That doesn't say vintage to me.
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[Patrick] A good beauty campaign
consists of a look that is aspirational,
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but it's a bit pedestrian.
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-[music stops]
-Yeah.
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Makeup artists, you have 15 minutes left.
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Come on.
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The campaign's about expressing
all of you. Let's be bold.
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-What do you think of the lip line?
-I really like it.
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-Do you?
-Yeah, I really like it.
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I feel like, when you wear red lipstick,
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you just feel like,
"Hm, I'm ready to take on the world."
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[intriguing music playing]
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[Sarah gasps]
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[Saphron] Victoria has
quite a bubbly personality,
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{\an8}and I just wanted to do,
like, a bold lip just to match.
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-What're you thinking about the lips?
-I think the shape's cool.
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When I look around the room, I think
my look is worthy of being on the shoot.
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[music fades]
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MUAs, you have two minutes left.
Come on, let's do this.
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[upbeat electronic music playing]
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Concentration.
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[music continues to play]
235
00:11:18,920 --> 00:11:19,760
[music fades]
236
00:11:19,840 --> 00:11:22,160
MUAs, time's up.
237
00:11:22,240 --> 00:11:23,120
[sighs]
238
00:11:23,640 --> 00:11:26,000
[Arieta] Models, follow me next door
to get photographed.
239
00:11:26,080 --> 00:11:28,400
-[Victoria] Thank you.
-Do me proud. [chuckles]
240
00:11:29,000 --> 00:11:31,600
I'd like the models
to leave the chair feeling empowered.
241
00:11:31,680 --> 00:11:35,320
And that they felt like they've been
at a place where they felt celebrated.
242
00:11:36,680 --> 00:11:40,160
[Leomie] While the MUAs wait next door,
their looks are photographed.
243
00:11:40,760 --> 00:11:42,840
[photographer] Oh, that's so beautiful.
244
00:11:42,920 --> 00:11:43,920
{\an8}Really lovely.
245
00:11:44,000 --> 00:11:47,760
{\an8}I've always got my eye on winning.
I want to do the best at everything.
246
00:11:47,840 --> 00:11:50,200
{\an8}[Sarah] I will be shocked
if I get bad feedback.
247
00:11:50,280 --> 00:11:54,320
{\an8}I'll be like, "You lost your glasses?"
Like, she looks beautiful.
248
00:11:54,400 --> 00:11:56,080
{\an8}[photographer] That's the magic.
249
00:11:56,160 --> 00:11:57,640
{\an8}[Wezley] I'm not worried whatsoever.
250
00:11:57,720 --> 00:12:00,720
I think that mine
was one of the strongest looks.
251
00:12:02,000 --> 00:12:04,680
[Leomie] Time to see
if the models like their makeup.
252
00:12:04,760 --> 00:12:09,040
And whether their looks are up to scratch
to be included in the campaign.
253
00:12:09,560 --> 00:12:13,440
[Arieta] So this is Georgie,
and Howard was her makeup artist.
254
00:12:13,520 --> 00:12:16,120
It's smokier than I'd usually go for,
but I quite like that.
255
00:12:16,200 --> 00:12:19,880
It makes me feel a bit more like womanly,
which is quite nice.
256
00:12:19,960 --> 00:12:22,040
[Arieta] He's done
really a great job with the eye.
257
00:12:22,120 --> 00:12:24,360
It plays well with her hair color.
258
00:12:24,440 --> 00:12:29,080
I can see the freckling coming through.
This feels fresh.
259
00:12:29,920 --> 00:12:31,920
Can we have the next model, please?
260
00:12:33,000 --> 00:12:35,800
So this is Hayley,
and she was Axel's model.
261
00:12:35,880 --> 00:12:38,880
[Hayley] Maybe it's a bit too subtle
for me on the skin.
262
00:12:38,960 --> 00:12:40,880
And I would've liked
some more on the lips.
263
00:12:41,760 --> 00:12:45,520
I think those were my thoughts exactly.
I want it to be a bit more expressive.
264
00:12:45,600 --> 00:12:48,160
-Where's the lip, the gloss?
-Oh, where's the glamour?
265
00:12:48,240 --> 00:12:49,320
Oh.
266
00:12:50,480 --> 00:12:52,760
[Arieta] So, this is Roo's model, Lana.
267
00:12:53,360 --> 00:12:56,000
I love the blue graphic eyeliner.
268
00:12:56,080 --> 00:12:58,880
I said I'm quietly confident,
not just confident... [chuckles]
269
00:12:58,960 --> 00:13:02,920
...and I feel this is a little... [chuckles]
...a little much for my personality, anyway.
270
00:13:03,600 --> 00:13:09,360
The way that they did your eyes
resembles you as a graphic designer,
271
00:13:09,440 --> 00:13:13,520
but I do not love
the blue line on your cupid's bow.
272
00:13:13,600 --> 00:13:15,640
Can we have the next model, please?
273
00:13:16,480 --> 00:13:19,360
So, Victoria, do you think
Saphron captured the brief?
274
00:13:19,440 --> 00:13:22,320
Definitely, because I feel like
there were parts of my acne
275
00:13:22,400 --> 00:13:24,320
she covered but also let shine through.
276
00:13:24,400 --> 00:13:26,280
[gentle piano music playing]
277
00:13:26,360 --> 00:13:31,320
It screams beauty,
but it also screams believability.
278
00:13:31,400 --> 00:13:36,280
The lips really bring this photo to life,
and it gives you personality.
279
00:13:36,880 --> 00:13:37,960
Good job, Saphron.
280
00:13:38,720 --> 00:13:41,040
[Arieta] So this is On-May's model, Adele.
281
00:13:41,120 --> 00:13:44,680
So, we had a chat at the beginning
where we got a bit into my personality,
282
00:13:44,760 --> 00:13:46,840
which I described
as being a bit fun and wild
283
00:13:46,920 --> 00:13:48,960
but also calm and quiet when I want to be.
284
00:13:49,040 --> 00:13:52,440
With the precision,
with that flick, I'm here for it.
285
00:13:52,960 --> 00:13:57,360
I could see a lot of people seeing that
and wanting to recreate it.
286
00:13:58,200 --> 00:14:00,800
[Arieta] So this is Becky.
She's Keiran's model,
287
00:14:00,880 --> 00:14:04,680
and they have taken on Becky's theme,
which I believe was vintage?
288
00:14:05,720 --> 00:14:08,720
For me, this doesn't say vintage.
289
00:14:08,800 --> 00:14:12,120
They took it in a different place
to where I would take vintage.
290
00:14:13,000 --> 00:14:14,760
[Val] What about a red mouth?
291
00:14:14,840 --> 00:14:19,160
I would like to have seen a bit more
of a sort of like Marilyn Monroe there.
292
00:14:19,800 --> 00:14:22,680
-[camera shutters click]
-[Arieta] This is Wezley's model, Letitia.
293
00:14:23,200 --> 00:14:26,120
I really like it.
I think it really accentuates my eyes.
294
00:14:26,200 --> 00:14:29,920
I see a girl
that is confident and empowered.
295
00:14:30,520 --> 00:14:33,560
I think this is a great makeup.
296
00:14:34,080 --> 00:14:36,880
[Arieta] So this is Saoirse.
She's Taisha's model.
297
00:14:36,960 --> 00:14:39,800
[Saoirse] It's more bold
than I would probably go for normally.
298
00:14:39,880 --> 00:14:43,120
[Val] I think Taisha missed a trick.
299
00:14:43,200 --> 00:14:48,040
Pink is always going to look raw or sore
300
00:14:48,120 --> 00:14:50,520
unless it's a bright vibrant pink.
301
00:14:51,160 --> 00:14:54,720
It's just lacking fun.
There's nothing inspiring about it.
302
00:14:56,440 --> 00:14:59,440
[Arieta] So next we have Liberty,
and she's Sarah's model.
303
00:15:00,240 --> 00:15:04,400
She definitely took into consideration,
like, my facial features and everything.
304
00:15:04,480 --> 00:15:05,560
Did a really good job.
305
00:15:05,640 --> 00:15:10,360
This is the mono look I'm loving.
It's red on red on red.
306
00:15:10,440 --> 00:15:14,000
She really allowed the lips
to be the star of the photo,
307
00:15:14,080 --> 00:15:17,080
and I am super happy
with how it turned out.
308
00:15:17,160 --> 00:15:20,360
Arieta, you have
some promising looks for your campaign.
309
00:15:20,440 --> 00:15:21,560
[Arieta] Definitely.
310
00:15:22,360 --> 00:15:26,360
[Leomie] Before they announce the winners,
the judges must decide who least impressed
311
00:15:26,440 --> 00:15:29,240
and will start tomorrow
in the red face-off chairs.
312
00:15:29,320 --> 00:15:32,200
I would like to discuss Axel's model.
313
00:15:32,720 --> 00:15:34,080
[Val] It just looks flat.
314
00:15:34,600 --> 00:15:38,720
There's nothing exciting
to capture the consumer's imagination,
315
00:15:38,800 --> 00:15:41,440
{\an8}so it hasn't delivered what we needed.
316
00:15:42,120 --> 00:15:45,600
I would love to talk about Taisha's model.
317
00:15:45,680 --> 00:15:49,120
{\an8}I see something very ordinary.
318
00:15:49,200 --> 00:15:50,520
I'm getting basic.
319
00:15:51,120 --> 00:15:53,960
The MUA I think
we should consider is Keiran.
320
00:15:54,040 --> 00:15:55,920
{\an8}Where is the makeup?
321
00:15:56,000 --> 00:15:58,320
The model did say she liked vintage glam.
322
00:15:58,400 --> 00:16:01,400
I don't get vintage or glam from this.
323
00:16:02,000 --> 00:16:03,400
{\an8}With Roo,
324
00:16:03,480 --> 00:16:06,640
{\an8}they took it a step too far.
325
00:16:06,720 --> 00:16:09,320
Blue on the eye, great.
326
00:16:09,400 --> 00:16:12,920
Blue on the cupid's bow, I don't think so.
327
00:16:13,440 --> 00:16:16,200
The finish is not quite there.
328
00:16:16,960 --> 00:16:19,920
By the sounds of things, I think
we need to order more red chairs.
329
00:16:20,000 --> 00:16:22,000
[suspenseful music playing]
330
00:16:23,600 --> 00:16:24,680
[music fades]
331
00:16:24,760 --> 00:16:27,920
[Leomie] It's time to announce
the MUAs who'll have their looks featured.
332
00:16:28,000 --> 00:16:32,000
As well as the standout MUA
who'll create two more looks for Sephora.
333
00:16:32,640 --> 00:16:34,640
[suspenseful music continues]
334
00:16:35,440 --> 00:16:37,720
-Hello.
-[Howard] Hi.
335
00:16:38,600 --> 00:16:43,000
Some of you really delivered
exceptional makeup looks today
336
00:16:43,080 --> 00:16:46,360
and created
brilliant moments for this campaign.
337
00:16:47,600 --> 00:16:51,600
The people that impressed me
and whose looks will be featured
338
00:16:51,680 --> 00:16:55,520
in the "Express All of You"
digital launch campaign are...
339
00:16:55,600 --> 00:16:57,640
[suspenseful music continues to play]
340
00:16:59,240 --> 00:17:00,080
Wezley.
341
00:17:00,160 --> 00:17:01,880
[gasps] Oh my God.
342
00:17:01,960 --> 00:17:02,880
Sarah.
343
00:17:02,960 --> 00:17:03,800
[gasps]
344
00:17:03,880 --> 00:17:04,760
[music builds up]
345
00:17:05,360 --> 00:17:06,240
Saphron.
346
00:17:06,320 --> 00:17:07,720
[muffled chuckle]
347
00:17:08,240 --> 00:17:09,200
And Howard.
348
00:17:09,280 --> 00:17:10,200
[gasps]
349
00:17:10,280 --> 00:17:11,400
[upbeat music playing]
350
00:17:11,480 --> 00:17:12,320
Yes.
351
00:17:13,600 --> 00:17:16,040
I feel so good.
352
00:17:16,120 --> 00:17:19,280
Because my work
is going to be on a campaign!
353
00:17:21,840 --> 00:17:25,280
Commiserations everybody else
whose look didn't get chosen.
354
00:17:25,360 --> 00:17:28,240
Unfortunately, some of you
didn't quite hit the brief.
355
00:17:28,320 --> 00:17:29,720
[suspenseful music plays]
356
00:17:29,800 --> 00:17:31,480
But one of you is going to join me
357
00:17:31,560 --> 00:17:33,960
in creating two further looks
for the campaign.
358
00:17:36,480 --> 00:17:37,880
And that person is...
359
00:17:38,360 --> 00:17:40,400
[suspenseful music intensifies]
360
00:17:40,480 --> 00:17:42,640
-Saphron.
-Oh my God! [chuckles]
361
00:17:42,720 --> 00:17:44,440
[music peaks]
362
00:17:44,520 --> 00:17:45,600
[screams]
363
00:17:45,680 --> 00:17:47,040
[laughs]
364
00:17:48,520 --> 00:17:51,640
[Saphron] I didn't believe
that I would win again.
365
00:17:51,720 --> 00:17:55,240
{\an8}I'm ecstatic. I just... I can't believe it.
366
00:17:55,840 --> 00:17:56,800
Ah, amazing.
367
00:17:56,880 --> 00:17:58,080
It looks great.
368
00:17:58,160 --> 00:17:59,800
[Saphron] I loved this campaign.
369
00:17:59,880 --> 00:18:02,880
It's all about
what I strive for with my art.
370
00:18:02,960 --> 00:18:04,440
[woman] That looks beautiful.
371
00:18:05,600 --> 00:18:08,080
I'm excited to tell my mom about this.
372
00:18:08,160 --> 00:18:09,360
[camera shutters click]
373
00:18:09,440 --> 00:18:11,440
[upbeat music peaks, fades]
374
00:18:16,440 --> 00:18:18,840
[Leomie] The next day at Glow Up studios,
375
00:18:18,920 --> 00:18:22,480
the MUAs are about to find out
which of them failed to deliver,
376
00:18:22,560 --> 00:18:25,320
landing themselves in the red chairs,
377
00:18:25,400 --> 00:18:28,080
and first in line
for the face-off elimination
378
00:18:28,160 --> 00:18:29,320
at the end of the day.
379
00:18:29,400 --> 00:18:31,320
[suspenseful music playing]
380
00:18:39,040 --> 00:18:39,880
[Leomie] Axel,
381
00:18:39,960 --> 00:18:41,080
Keiran,
382
00:18:41,160 --> 00:18:43,720
your names are on the red face-off chairs,
383
00:18:43,800 --> 00:18:47,520
meaning you will have 15 minutes less
to complete your creative brief.
384
00:18:48,240 --> 00:18:51,560
Axel, you didn't capture
your model's personality,
385
00:18:51,640 --> 00:18:53,640
and, technically, your look fell flat.
386
00:18:54,280 --> 00:18:59,000
Keiran, your makeup look
was just too simple for a beauty campaign,
387
00:18:59,080 --> 00:19:00,320
and you just didn't deliver.
388
00:19:01,560 --> 00:19:07,080
Yesterday, the brief was about connecting
with the British public.
389
00:19:07,600 --> 00:19:13,040
Now, today, we want you
to celebrate your hometown
390
00:19:13,120 --> 00:19:14,960
and all its glory.
391
00:19:15,040 --> 00:19:17,000
[Dominic] Your look
should take inspiration
392
00:19:17,080 --> 00:19:19,200
from the place that you call home.
393
00:19:19,280 --> 00:19:20,400
So sell it.
394
00:19:21,720 --> 00:19:24,720
We thought we should welcome someone
who knows about finding
395
00:19:24,800 --> 00:19:28,080
the perfect place to call home
to judge your looks today.
396
00:19:28,160 --> 00:19:31,920
Please welcome the star of Selling Sunset,
397
00:19:32,000 --> 00:19:32,840
[gasps]
398
00:19:33,960 --> 00:19:37,280
Chelsea Lazkani.
399
00:19:37,360 --> 00:19:38,280
[all cheer]
400
00:19:40,720 --> 00:19:42,640
[On-May] Oh my God.
401
00:19:44,960 --> 00:19:48,120
[Leomie] From humble London roots
to living the glam life in LA,
402
00:19:48,200 --> 00:19:50,840
Chelsea Lazkani
is a real estate agent icon
403
00:19:50,920 --> 00:19:53,600
on the hit Netflix series Selling Sunset.
404
00:19:54,120 --> 00:19:55,520
This is LA at its finest.
405
00:19:56,120 --> 00:19:58,400
[Leomie] With a portfolio
of megabucks properties
406
00:19:58,480 --> 00:20:01,560
to sell to the super rich,
she knows what it takes to succeed.
407
00:20:02,160 --> 00:20:03,560
[music peaks, fades]
408
00:20:03,640 --> 00:20:06,280
Hi, everyone, it's so amazing to be here.
409
00:20:06,360 --> 00:20:08,080
-Stop it. Sorry.
-[all laugh]
410
00:20:08,160 --> 00:20:10,480
One thing my job has shown me
411
00:20:11,000 --> 00:20:14,720
is that selling a concept is more
than picking out its important features.
412
00:20:14,800 --> 00:20:19,040
Let's see how creative you can get.
I can't wait to get to know you more.
413
00:20:20,240 --> 00:20:21,680
Are you ready?
414
00:20:21,760 --> 00:20:22,880
[all] Yes!
415
00:20:22,960 --> 00:20:24,400
Let's bring in the models!
416
00:20:24,480 --> 00:20:25,760
[all cheer]
417
00:20:25,840 --> 00:20:27,680
[upbeat music playing]
418
00:20:29,200 --> 00:20:31,160
Hi, have a seat here.
419
00:20:31,240 --> 00:20:32,760
-What's your name?
-Kyle.
420
00:20:32,840 --> 00:20:34,240
-Faz.
-Faz? I'm Wez.
421
00:20:34,320 --> 00:20:36,280
-Okay, Wez.
-Faz and Wez, I love it.
422
00:20:36,360 --> 00:20:39,960
[Leomie] Axel, Keiran,
I'm going to let you know when to start.
423
00:20:40,040 --> 00:20:42,040
The rest of you have two and a half hours,
424
00:20:42,120 --> 00:20:45,240
and your time starts now.
425
00:20:46,560 --> 00:20:47,840
[Howard] Wish me luck.
426
00:20:47,920 --> 00:20:50,160
[upbeat suspenseful music playing]
427
00:20:52,320 --> 00:20:53,720
How are you feeling right now?
428
00:20:53,800 --> 00:20:55,920
{\an8}It's embarrassing
to fall flat on your face,
429
00:20:56,000 --> 00:20:58,040
{\an8}but, meh, it happens
to the best of us, so...
430
00:20:58,640 --> 00:21:00,880
But now do you feel like
you're in your comfort zone?
431
00:21:00,960 --> 00:21:04,320
Because this is looking like
a signature Axel look.
432
00:21:04,400 --> 00:21:06,400
Techniques I'm using today are theatrical,
433
00:21:06,480 --> 00:21:08,480
which I think
is where I am the strongest in.
434
00:21:08,560 --> 00:21:11,360
So, this is a good look
to be in the bottom two for.
435
00:21:11,440 --> 00:21:13,720
[Leomie] Having grown up
in Ayrshire in Scotland,
436
00:21:13,800 --> 00:21:16,960
Axel has based their look on characters
from the "Tam O'Shanter" poem
437
00:21:17,040 --> 00:21:19,160
by local legend Robert Burns.
438
00:21:20,160 --> 00:21:23,120
If you were to do me, would you do me
as the witch or the old man?
439
00:21:23,200 --> 00:21:25,960
That's just sacrilege.
Why would I do that to that face?
440
00:21:26,800 --> 00:21:27,840
He's fine, like...
441
00:21:27,920 --> 00:21:29,080
[both laugh]
442
00:21:29,160 --> 00:21:31,080
[upbeat electronic music playing]
443
00:21:33,200 --> 00:21:36,400
{\an8}I've got a nose, a chin,
and a forehead prosthetic.
444
00:21:36,480 --> 00:21:37,480
Wow, okay.
445
00:21:37,560 --> 00:21:41,360
[Leomie] Wezley's also creating a witch
using homemade prosthetics.
446
00:21:41,440 --> 00:21:43,480
The hardest element of this
is to make sure
447
00:21:43,560 --> 00:21:46,200
these prosthetics
are kind of laid flat and smoothly.
448
00:21:46,280 --> 00:21:48,000
[Leomie] He's inspired
by a childhood memory,
449
00:21:48,080 --> 00:21:51,080
going to the Sand Sculpture Festival
with his gran.
450
00:21:52,680 --> 00:21:55,640
-Hello, hello, hello, Wezley.
-Hey, you, how are you?
451
00:21:55,720 --> 00:21:57,160
I'm doing wonderful.
452
00:21:57,240 --> 00:22:00,360
I can't believe you're here.
Honestly, I was like, "Oh my God."
453
00:22:00,440 --> 00:22:02,760
I was like, "No way. Come on, budge up."
454
00:22:02,840 --> 00:22:04,720
-You see how I am... Ooh!
-Oh, no, oh!
455
00:22:04,800 --> 00:22:06,720
-You say that, so...
-[Chelsea] I love that.
456
00:22:06,800 --> 00:22:09,480
-So tell me where you're from.
-I'm from Weston-super-Mare.
457
00:22:09,560 --> 00:22:11,080
-It's a seaside town?
-It is indeed.
458
00:22:11,160 --> 00:22:12,280
Like Malibu, right?
459
00:22:12,360 --> 00:22:13,520
[scoffs, chuckles]
460
00:22:13,600 --> 00:22:14,800
Not quite Malibu.
461
00:22:14,880 --> 00:22:17,600
Listen, baby, if they look like you
in Weston-super-Mare...
462
00:22:17,680 --> 00:22:19,800
-Oh my God, stop.
-Then it can't be that bad.
463
00:22:19,880 --> 00:22:21,840
-Not many do.
-[both laugh]
464
00:22:22,960 --> 00:22:24,960
[gentle suspenseful music playing]
465
00:22:25,680 --> 00:22:27,760
How're you feeling
about being in the red chair?
466
00:22:27,840 --> 00:22:29,720
{\an8}Uhm, I expected
to be in the red chair today,
467
00:22:29,800 --> 00:22:32,840
{\an8}but I just need to go
really loud with this look.
468
00:22:32,920 --> 00:22:35,000
Tell me
about your hometown glory look, babes.
469
00:22:35,080 --> 00:22:37,160
-Winsford has got salt mines.
-Okay.
470
00:22:37,240 --> 00:22:39,800
{\an8}So I want to be able
to incorporate salt crystals
471
00:22:39,880 --> 00:22:42,000
{\an8}and a sort of coal miner look.
472
00:22:42,080 --> 00:22:43,960
He's got such an easy face
to paint as well.
473
00:22:44,040 --> 00:22:47,760
-So it's going to be really easy. [laughs]
-Yeah, not too bad, I must say.
474
00:22:47,840 --> 00:22:50,160
-[Dominic] Okay.
-[Val] Oh, so On-May.
475
00:22:50,960 --> 00:22:55,040
-Stained glass window. It's interesting.
-It could be like broken pottery?
476
00:22:55,560 --> 00:22:57,160
[Leomie] Raised in Glasgow, Scotland,
477
00:22:57,240 --> 00:22:59,640
{\an8}On-May has based her look
on the stained glass windows
478
00:22:59,720 --> 00:23:03,800
{\an8}created by Glaswegian artist,
Charles Rennie Mackintosh.
479
00:23:03,880 --> 00:23:05,280
{\an8}The bit I'm worried about
480
00:23:05,360 --> 00:23:08,440
{\an8}is trying to make the skin
actually look like an actual glass,
481
00:23:08,520 --> 00:23:11,360
{\an8}uh, rather than it all being flat colored.
482
00:23:11,440 --> 00:23:14,440
Axel, Keiran, your time starts now.
483
00:23:14,520 --> 00:23:15,560
Let's go!
484
00:23:15,640 --> 00:23:17,280
[upbeat music plays, fades]
485
00:23:17,360 --> 00:23:18,640
[object smashes, rolls]
486
00:23:21,000 --> 00:23:22,640
[Keiran] I already broke something.
487
00:23:22,720 --> 00:23:23,880
[upbeat music resumes]
488
00:23:27,360 --> 00:23:30,040
{\an8}I'm doing an expressive painting
on the face
489
00:23:30,120 --> 00:23:35,000
{\an8}using some spatula work and techniques
that I used to do when I studied art.
490
00:23:35,680 --> 00:23:38,240
[Leomie] Living with a family of seven
in Essex, UK,
491
00:23:38,320 --> 00:23:41,480
Saphron's abstract look
will highlight a chaotic home life,
492
00:23:41,560 --> 00:23:45,640
contrasted with the rural tranquility
of the surrounding countryside.
493
00:23:46,240 --> 00:23:48,000
So the light's gonna be here.
494
00:23:48,080 --> 00:23:50,680
And this is all the shading.
That's why I'm at this level.
495
00:23:50,760 --> 00:23:54,080
I'm forcing perspective
and doing it with my eyes.
496
00:23:55,000 --> 00:23:57,360
That is very, very clever.
497
00:23:58,840 --> 00:24:03,040
Hey, Howard. Can you tell me
a little bit about your hometown glory?
498
00:24:03,120 --> 00:24:04,760
[Howard] I am from Malaysia,
499
00:24:04,840 --> 00:24:09,160
{\an8}and I've sort of taken inspiration
from the traditional aboriginal shield.
500
00:24:09,720 --> 00:24:12,720
It was meant to be used
as a protection for their family.
501
00:24:12,800 --> 00:24:14,680
Hence, they have this demon face.
502
00:24:14,760 --> 00:24:18,240
I know that you are more skilled
in doing beauty work.
503
00:24:18,320 --> 00:24:21,640
So this is going to be something
that is out of the box for you.
504
00:24:21,720 --> 00:24:23,200
[Howard] The judges told me
505
00:24:23,280 --> 00:24:26,600
that I need to really step out
of my comfort zone.
506
00:24:26,680 --> 00:24:31,360
And today I'm trying to copy
the exact same symmetry
507
00:24:31,440 --> 00:24:32,800
onto the other face,
508
00:24:32,880 --> 00:24:35,480
but I want to make sure
it doesn't go wrong.
509
00:24:36,080 --> 00:24:38,360
You've a lot of work to do.
I'll leave you to it.
510
00:24:38,440 --> 00:24:39,640
[Howard] Thank you.
511
00:24:40,200 --> 00:24:41,920
[mellow music playing]
512
00:24:43,520 --> 00:24:45,240
[Axel] It'll go over your eyes,
bit by bit.
513
00:24:46,120 --> 00:24:50,800
As soon as you put a bald cap on,
you've got so much more surface to cover.
514
00:24:50,880 --> 00:24:53,200
If you've got 15 minutes
less than everyone else already...
515
00:24:53,280 --> 00:24:55,080
Well, that's ambitious.
516
00:24:55,160 --> 00:24:59,640
I need to prove myself a little bit more
now that I'm in the face-off chair,
517
00:24:59,720 --> 00:25:02,640
so I need to show them
why I should still be here.
518
00:25:05,560 --> 00:25:07,080
-Taisha.
-[Taisha] Hey, girl.
519
00:25:07,160 --> 00:25:11,800
What's going on? We haven't started,
and we're 45 minutes in, girl.
520
00:25:11,880 --> 00:25:15,360
[Taisha] I've literally had to paint
my flower petals.
521
00:25:15,440 --> 00:25:18,960
The petals are made of tissue roll
and cardboard.
522
00:25:19,040 --> 00:25:19,960
Okay.
523
00:25:20,040 --> 00:25:22,280
[Leomie] Growing up in Croydon,
{\an8}South London,
524
00:25:22,360 --> 00:25:25,280
{\an8}Taisha's creating a 3D crocus flower,
525
00:25:25,360 --> 00:25:28,160
{\an8}as it's believed
the town's name originates from this.
526
00:25:28,840 --> 00:25:31,560
It's quite a difficult look.
I've never done anything like this before.
527
00:25:31,640 --> 00:25:33,400
Well, I wish you the best of luck, girl,
528
00:25:33,480 --> 00:25:37,160
'cause time is ticking, and we've got
a beautiful flower to blossom.
529
00:25:37,240 --> 00:25:39,160
Thank you so much. See you.
530
00:25:40,400 --> 00:25:42,600
[sighs, chuckles]
531
00:25:42,680 --> 00:25:46,080
This is what happens when I freak out.
I just become a mess.
532
00:25:46,160 --> 00:25:47,840
[music builds up]
533
00:25:57,560 --> 00:26:00,840
[Leomie] Nigeria born,
but raised in Manchester, UK,
534
00:26:00,920 --> 00:26:03,800
Sarah's celebrating
both places she calls home
535
00:26:03,880 --> 00:26:08,320
by combining the Nigerian eagle
and Manchester bee emblems in her design.
536
00:26:08,400 --> 00:26:11,560
I don't just wanna go in with a brush.
The edges might be too smooth,
537
00:26:11,640 --> 00:26:13,560
and I want this bee to look fuzzy.
538
00:26:13,640 --> 00:26:17,120
Her precision with the bee is mwah,
chef's kiss.
539
00:26:17,200 --> 00:26:19,160
{\an8}-Mwah, mwah, mwah!
-[Dominic] Yes!
540
00:26:19,680 --> 00:26:23,560
One hour has gone, you have one hour
and 30 minutes remaining.
541
00:26:24,560 --> 00:26:26,560
Hold that for me. Perfect.
542
00:26:26,640 --> 00:26:28,400
[upbeat music playing]
543
00:26:28,480 --> 00:26:30,200
I should've just shaved them off.
544
00:26:30,280 --> 00:26:32,120
[chuckles]
545
00:26:32,200 --> 00:26:33,680
-[Chelsea] Hey, Roo.
-Hiya.
546
00:26:33,760 --> 00:26:36,400
I can see that you have
quite a complicated look.
547
00:26:36,480 --> 00:26:37,640
What is it inspired by?
548
00:26:37,720 --> 00:26:40,640
[Roo] I took inspiration
from the London Underground.
549
00:26:40,720 --> 00:26:44,800
I'm going to recreate the texture
of the tube seats with flocking.
550
00:26:44,880 --> 00:26:46,360
What is flocking?
551
00:26:46,440 --> 00:26:49,680
Little fibers. I'll be tapping them
on top of the makeup...
552
00:26:49,760 --> 00:26:52,680
-[Chelsea] Okay.
-...to give it like a fuzzy textile finish.
553
00:26:52,760 --> 00:26:54,520
[gentle inspirational music playing]
554
00:26:54,600 --> 00:26:55,920
Look in the mirror.
555
00:26:56,760 --> 00:26:59,520
[Val] I believe that Howard
556
00:26:59,600 --> 00:27:03,720
wanted that white detailing
to be a lot thinner.
557
00:27:04,320 --> 00:27:08,400
And because it started going wrong,
it got thicker and thicker and thicker.
558
00:27:08,480 --> 00:27:10,560
[Saphron] All right, time to get messy.
559
00:27:10,640 --> 00:27:12,480
[roars] Yeah.
560
00:27:12,560 --> 00:27:15,160
[Keiran] I'll be putting sugar crystals
onto the face,
561
00:27:15,240 --> 00:27:16,800
almost like a mineresque look.
562
00:27:16,880 --> 00:27:21,200
{\an8}It does sound tricky,
but I'm hoping that I can pull this off.
563
00:27:21,280 --> 00:27:23,280
[engaging music playing]
564
00:27:26,400 --> 00:27:27,240
Smile for me.
565
00:27:28,320 --> 00:27:30,560
Yeah, there we go. Get these lines in.
566
00:27:31,640 --> 00:27:34,560
[Val] What would be your hometown glory?
567
00:27:35,080 --> 00:27:38,240
Something that's very reminiscent
of my childhood
568
00:27:38,320 --> 00:27:41,600
is going to my local fish and chip shop.
569
00:27:41,680 --> 00:27:43,720
Oh my gosh, with extra vinegar.
570
00:27:43,800 --> 00:27:45,520
I have never had fish and chips.
571
00:27:45,600 --> 00:27:46,560
-Have you not?
-No.
572
00:27:46,640 --> 00:27:48,200
You have to give it a try.
573
00:27:48,280 --> 00:27:50,800
Excuse me,
can I have some fish and chips, please?
574
00:27:53,400 --> 00:27:57,000
MUAs, an hour and a half gone.
One hour left.
575
00:27:59,640 --> 00:28:02,840
I need to get a bigger brush
and just whack this on the face.
576
00:28:02,920 --> 00:28:05,960
[Roo] It's getting a bit tricky because
there's a lot of detailed work.
577
00:28:06,040 --> 00:28:08,760
{\an8}It's going to take a bit of time
to get this bit right.
578
00:28:08,840 --> 00:28:12,000
[Val exclaiming]
579
00:28:12,080 --> 00:28:13,120
Oh my God.
580
00:28:13,200 --> 00:28:15,400
-Oh my goodness.
-Go on, get a whiff, get a whiff.
581
00:28:15,480 --> 00:28:16,560
[gasps]
582
00:28:17,200 --> 00:28:18,680
They're getting fish and chips.
583
00:28:19,280 --> 00:28:20,520
I do not love this.
584
00:28:20,600 --> 00:28:22,760
Look, what you don't eat, I will.
585
00:28:24,160 --> 00:28:25,600
[upbeat electronic music playing]
586
00:28:26,680 --> 00:28:28,040
Okay, that's not shabby.
587
00:28:30,600 --> 00:28:32,080
[exhales sharply]
588
00:28:33,280 --> 00:28:35,960
I'm a little bit worried
about time at the moment,
589
00:28:36,040 --> 00:28:37,760
{\an8}but I'm trying not to panic.
590
00:28:37,840 --> 00:28:39,800
[music continues to play]
591
00:28:41,520 --> 00:28:45,160
I just need to make sure
that I don't lose my cool at any point.
592
00:28:48,000 --> 00:28:50,720
[Axel] The red chair is making me realize
how much I want this,
593
00:28:50,800 --> 00:28:54,800
and how much I want my family to be proud,
as well as doing myself proud.
594
00:28:54,880 --> 00:28:55,720
[exhales]
595
00:28:56,440 --> 00:28:57,520
{\an8}Oh gosh.
596
00:28:58,200 --> 00:29:00,040
{\an8}[gentle piano music playing]
597
00:29:02,120 --> 00:29:03,000
Bitch.
598
00:29:03,800 --> 00:29:05,000
[breathes in]
599
00:29:05,720 --> 00:29:06,600
[exhales]
600
00:29:07,320 --> 00:29:09,640
My mum and dad've
always supported me in this.
601
00:29:09,720 --> 00:29:11,120
They've always believed.
602
00:29:11,640 --> 00:29:13,640
[sobbing] I just can't fail them.
603
00:29:16,000 --> 00:29:18,200
It's okay. I'll be okay. [chuckles]
604
00:29:19,800 --> 00:29:23,520
MUAs, there is 15 minutes left.
605
00:29:23,600 --> 00:29:25,600
[gentle suspenseful music playing]
606
00:29:27,680 --> 00:29:29,880
[Taisha] This is stressing me out.
I'm not gonna lie.
607
00:29:30,480 --> 00:29:32,640
[Val] One word, sand.
608
00:29:32,720 --> 00:29:35,480
Ooh! Okay.
609
00:29:36,080 --> 00:29:37,920
Whoo! [grunts]
610
00:29:40,320 --> 00:29:42,480
[exhaling intermittently]
611
00:29:42,560 --> 00:29:44,520
[Saphron] It's given me exactly
what I wanted.
612
00:29:44,600 --> 00:29:48,800
It's tying in nature
to the craziness of my home.
613
00:29:50,320 --> 00:29:52,000
[Dominic] I don't think
Roo's gonna finish.
614
00:29:52,080 --> 00:29:54,560
Which is a shame because it could be good.
615
00:29:55,240 --> 00:29:57,600
[Chelsea] Oh my God,
I'm on the edge of my seat right now.
616
00:29:58,240 --> 00:30:00,440
[music continues to play]
617
00:30:03,920 --> 00:30:06,480
MUAs, two minutes.
618
00:30:07,920 --> 00:30:10,160
Mmm. Exfoliation. [chuckles]
619
00:30:10,240 --> 00:30:12,160
[woman vocalizing, gentle music playing]
620
00:30:12,240 --> 00:30:13,120
[blows out]
621
00:30:14,320 --> 00:30:15,640
-[Kyle] Do this.
-Let's see.
622
00:30:16,160 --> 00:30:17,320
[music continues]
623
00:30:18,040 --> 00:30:19,240
[Taisha] Will it stick?
624
00:30:19,760 --> 00:30:21,120
I'm feeling this one.
625
00:30:22,760 --> 00:30:24,120
[music fading]
626
00:30:24,200 --> 00:30:27,560
MUAs, your time is up. Brushes down.
627
00:30:28,840 --> 00:30:31,440
Please take your models next door
to be photographed.
628
00:30:31,520 --> 00:30:33,560
That was intense as hell.
629
00:30:33,640 --> 00:30:35,400
I'm feeling pretty frustrated with myself.
630
00:30:35,480 --> 00:30:37,360
I just didn't get it finished in time.
631
00:30:38,040 --> 00:30:39,640
[dramatic music playing]
632
00:30:45,320 --> 00:30:46,240
[music fades]
633
00:30:50,400 --> 00:30:52,080
Hi, Sarah, please step forward.
634
00:30:52,160 --> 00:30:54,080
[suspenseful music playing]
635
00:30:56,120 --> 00:31:00,760
My hometown glory look is based
on the two places I like to call home.
636
00:31:00,840 --> 00:31:03,040
The bee represents Manchester,
637
00:31:03,120 --> 00:31:06,560
whereas the animal linking Nigeria
is the eagle.
638
00:31:07,840 --> 00:31:11,680
I'm really appreciative
of how you had a clear vision for the bee.
639
00:31:12,360 --> 00:31:14,560
[Val] The bee is fuzzy.
640
00:31:15,080 --> 00:31:19,320
You've created movement
through texture in makeup.
641
00:31:19,400 --> 00:31:21,640
I love it.
642
00:31:21,720 --> 00:31:23,600
-[Dominic] Well done.
-[Sarah] Thank you.
643
00:31:27,560 --> 00:31:28,400
Axel.
644
00:31:29,640 --> 00:31:30,720
Please come forward.
645
00:31:31,440 --> 00:31:33,000
[gentle engaging music playing]
646
00:31:33,520 --> 00:31:35,680
[Axel] One of the most notable things
about Ayrshire
647
00:31:35,760 --> 00:31:39,760
is the birth
of the famous Scottish poet Robert Burns,
648
00:31:39,840 --> 00:31:43,400
and he created a poem
called "Tam O'Shanter."
649
00:31:43,480 --> 00:31:44,960
One side Tam himself,
650
00:31:45,040 --> 00:31:48,360
and on the other side, the witch
slash warlock that chased him home.
651
00:31:50,320 --> 00:31:52,000
[Dominic] You've created character.
652
00:31:52,080 --> 00:31:56,880
Contouring is the use of light and dark
to create folds and shape
653
00:31:56,960 --> 00:31:59,720
and three-dimensional volume
within a face.
654
00:31:59,800 --> 00:32:01,560
And I think it's really well done.
655
00:32:01,640 --> 00:32:02,480
Thank you.
656
00:32:03,080 --> 00:32:07,840
Axel, I fell in love with your shadowing.
I found it so believable.
657
00:32:08,600 --> 00:32:12,560
This is one
of the most outstanding makeups today.
658
00:32:12,640 --> 00:32:14,400
-Wow.
-So, thank you.
659
00:32:14,480 --> 00:32:15,800
Thank you. [chuckles]
660
00:32:15,880 --> 00:32:17,440
[applause]
661
00:32:17,520 --> 00:32:18,360
[exhales]
662
00:32:20,400 --> 00:32:22,080
[sighs, chuckles]
663
00:32:23,400 --> 00:32:25,120
Wezley, please step forward.
664
00:32:27,480 --> 00:32:30,360
[Wezley] My hometown is Weston-super-Mare,
665
00:32:30,440 --> 00:32:33,280
so the sand represents
the Sand Sculpture Festival,
666
00:32:33,360 --> 00:32:35,400
which gets held every year
on Weston beach,
667
00:32:35,480 --> 00:32:38,800
and the witch represents
a memory I have with my gran.
668
00:32:39,320 --> 00:32:41,360
I don't think you needed the prosthetics.
669
00:32:41,440 --> 00:32:44,640
I don't think you needed the forehead
because I don't see a prosthetic.
670
00:32:44,720 --> 00:32:48,040
What I see is actually contour
that could have been done with paint.
671
00:32:48,120 --> 00:32:54,520
It's great that you've made them,
but the application is not great.
672
00:32:54,600 --> 00:32:57,160
[Chelsea] Contrary to what Dom said,
673
00:32:57,240 --> 00:32:59,880
I think that the imperfections
actually make the witch.
674
00:32:59,960 --> 00:33:02,360
So thank you for taking me
to your hometown.
675
00:33:02,440 --> 00:33:03,400
Thank you.
676
00:33:03,480 --> 00:33:04,360
[Dominic] Roo.
677
00:33:05,160 --> 00:33:07,160
[music continues to play]
678
00:33:07,240 --> 00:33:08,640
[Roo] I'm a Londoner.
679
00:33:08,720 --> 00:33:11,960
The main focus of the look
is a textile pattern
680
00:33:12,040 --> 00:33:13,960
used on the seats of the Piccadilly line.
681
00:33:14,480 --> 00:33:16,000
I didn't finish the look.
682
00:33:16,560 --> 00:33:18,080
And I'm not happy with it.
683
00:33:18,160 --> 00:33:21,800
I spent a lot of time blocking the brows.
684
00:33:22,600 --> 00:33:24,840
That was a lot of time wasted.
685
00:33:24,920 --> 00:33:28,200
This look at this point,
is about a 20-minute look.
686
00:33:28,800 --> 00:33:30,600
[Val] You didn't have time
for the flocking,
687
00:33:30,680 --> 00:33:35,000
but if you had given us sharp edges
688
00:33:35,080 --> 00:33:37,560
around the framework,
689
00:33:37,640 --> 00:33:39,840
it might have sold your story more.
690
00:33:39,920 --> 00:33:41,320
-[Roo] Thank you.
-Thank you, Roo.
691
00:33:41,400 --> 00:33:43,920
[applause]
692
00:33:45,720 --> 00:33:48,520
Saphron, may you step forward, please?
693
00:33:49,760 --> 00:33:51,480
[gentle engaging music playing]
694
00:33:52,160 --> 00:33:55,880
I come from Essex,
and I live with seven people.
695
00:33:56,600 --> 00:34:00,960
This shows the contrast
between the manic life at home
696
00:34:01,040 --> 00:34:04,040
and the peacefulness
of the nature around us.
697
00:34:05,920 --> 00:34:08,720
[Chelsea] One of my favorite things
when looking at makeup
698
00:34:08,800 --> 00:34:11,800
is different textures
in different compositions.
699
00:34:11,880 --> 00:34:14,400
I think
they work together really, really well.
700
00:34:15,080 --> 00:34:17,440
-Wow. Well done.
-Thank you.
701
00:34:18,040 --> 00:34:19,280
[whispering] Go, girl.
702
00:34:19,360 --> 00:34:20,680
This is outstanding.
703
00:34:20,760 --> 00:34:27,000
This looks like you've moved that light
to over here so that direction comes down.
704
00:34:27,080 --> 00:34:30,000
It physically feels
like the light has changed.
705
00:34:30,080 --> 00:34:31,680
That is... I love that.
706
00:34:32,440 --> 00:34:35,680
[Val] This is sculpture.
This is craftsmanship.
707
00:34:35,760 --> 00:34:38,480
And this is a ding-dong delicious.
708
00:34:38,560 --> 00:34:40,320
[applause]
709
00:34:40,400 --> 00:34:41,640
[Dominic] Thank you. Well done.
710
00:34:43,040 --> 00:34:44,080
Thank you.
711
00:34:46,560 --> 00:34:48,200
[Saphron chuckles happily]
712
00:34:48,280 --> 00:34:49,560
[exhales]
713
00:34:50,960 --> 00:34:51,960
[chuckles]
714
00:34:52,040 --> 00:34:53,640
Keiran, please step forward.
715
00:34:53,720 --> 00:34:55,160
[softly] Yes.
716
00:34:55,240 --> 00:34:57,560
[music continues]
717
00:34:57,640 --> 00:34:59,360
[Keiran] So, in my small town of Winsford,
718
00:34:59,440 --> 00:35:03,000
I walk past a salt mine
every day on the way to work.
719
00:35:03,080 --> 00:35:05,200
So I wanted to create a salt mine monster
720
00:35:05,280 --> 00:35:08,640
that embodied the gritty beauty
of the town and the people.
721
00:35:09,480 --> 00:35:14,200
What I love about this makeup
is you have retained the beauty.
722
00:35:14,760 --> 00:35:17,560
[Patrick] The area
that you placed the crystals,
723
00:35:17,640 --> 00:35:20,800
you really accentuated
your model's features,
724
00:35:21,320 --> 00:35:24,320
and you brought this look to life.
725
00:35:24,400 --> 00:35:26,800
Thank you so much, guys.
Thank you for that.
726
00:35:27,560 --> 00:35:28,600
[cheering]
727
00:35:31,320 --> 00:35:33,320
On-May, can you step forward, please?
728
00:35:35,960 --> 00:35:37,800
[On-May] The art style was inspired
729
00:35:37,880 --> 00:35:41,320
from a famous artist
called Charles Rennie Mackintosh,
730
00:35:41,400 --> 00:35:43,760
and he designed
quite a lot of the stained glass
731
00:35:43,840 --> 00:35:47,320
and buildings
all around my hometown of Glasgow.
732
00:35:48,680 --> 00:35:52,520
For me, there's not enough highlight
and contrast
733
00:35:52,600 --> 00:35:56,000
to create the feeling of glass.
734
00:35:56,600 --> 00:36:00,560
And that's what didn't work.
735
00:36:01,160 --> 00:36:05,240
Tish tosh, mish mosh,
don't listen to them.
736
00:36:05,320 --> 00:36:06,680
[all chuckle]
737
00:36:06,760 --> 00:36:10,880
As soon as you put your first color down,
738
00:36:10,960 --> 00:36:12,640
I was like, "This is stained glass."
739
00:36:13,640 --> 00:36:17,560
Because there was a transparency
in that watercolor.
740
00:36:18,160 --> 00:36:20,920
It's not this one tone, flat color.
741
00:36:21,000 --> 00:36:23,360
It is mottled, and it's light,
742
00:36:23,440 --> 00:36:28,000
and it's dark, and it was beautiful.
743
00:36:28,880 --> 00:36:30,920
Taisha, step forward, please.
744
00:36:33,600 --> 00:36:37,960
I chose this look because the name Croydon
derives from the crocus flower.
745
00:36:38,480 --> 00:36:41,240
So, I used the beauty of my town,
746
00:36:41,320 --> 00:36:45,720
and I honestly just wanted
to make my model really beautiful.
747
00:36:47,160 --> 00:36:48,640
Taisha... [sighs]
748
00:36:48,720 --> 00:36:50,040
...this let me down.
749
00:36:51,360 --> 00:36:54,320
This, to me, doesn't symbolize beautiful.
750
00:36:55,440 --> 00:36:58,200
[Val] It's all about placement.
751
00:36:58,280 --> 00:37:02,680
Because the petals
were placed so low down on the face,
752
00:37:02,760 --> 00:37:06,240
you've actually given
your model a hooded eye.
753
00:37:06,320 --> 00:37:08,520
-Thank you, guys.
-Good. Thank you.
754
00:37:14,320 --> 00:37:16,000
Howard, please step up.
755
00:37:17,560 --> 00:37:19,520
[gentle music playing]
756
00:37:19,600 --> 00:37:22,040
[Howard] I came from Malaysia,
757
00:37:22,120 --> 00:37:27,080
and my look, in particular,
was inspired by a shield
758
00:37:27,160 --> 00:37:29,520
that was held by the aboriginal people.
759
00:37:29,600 --> 00:37:32,880
I know that you are a beauty artist,
760
00:37:32,960 --> 00:37:38,560
so with that I would expect you
to pay a little bit more attention
761
00:37:38,640 --> 00:37:40,480
to the fine lines.
762
00:37:41,080 --> 00:37:42,880
The shape just isn't there.
763
00:37:43,760 --> 00:37:47,800
[Val] Craftsmanship is off.
Symmetry is off.
764
00:37:48,480 --> 00:37:51,080
I don't think this was your finest moment.
765
00:37:51,760 --> 00:37:53,040
-But thank you.
-Thank you.
766
00:37:53,120 --> 00:37:54,200
[Dominic] Thank you.
767
00:37:58,600 --> 00:38:00,400
MUAs, thank you.
768
00:38:00,480 --> 00:38:02,560
Please take yourselves next door
769
00:38:02,640 --> 00:38:09,240
whilst we decide who will be going
into the face-off elimination.
770
00:38:09,760 --> 00:38:12,240
[music intensifies]
771
00:38:16,520 --> 00:38:17,800
[Dominic] It's really clever.
772
00:38:17,880 --> 00:38:23,400
It's just the way that Axel's used makeup
to carve and sculpt.
773
00:38:23,960 --> 00:38:27,000
They made sure they were going to be
out of the red face-off chairs.
774
00:38:28,000 --> 00:38:29,720
[Val] What about Keiran?
775
00:38:30,480 --> 00:38:32,720
[Chelsea] To think that they were
at a slight disadvantage
776
00:38:32,800 --> 00:38:37,520
having 15 minutes less
than the other MUAs is unbelievable.
777
00:38:37,600 --> 00:38:41,800
I totally agree.
This is a big look with lots of detail,
778
00:38:41,880 --> 00:38:44,920
but it's really beautiful
at the same time.
779
00:38:45,920 --> 00:38:48,440
So it sounds like
we've got two seats to fill.
780
00:38:48,520 --> 00:38:50,520
So, whose look didn't deliver?
781
00:38:50,600 --> 00:38:53,080
[clicks tongue] Well, I want
to talk about Roo.
782
00:38:54,280 --> 00:38:56,400
They ran out of time.
783
00:38:56,480 --> 00:38:58,520
[Dominic] This was
such a missed opportunity.
784
00:38:58,600 --> 00:39:00,800
Because the concept,
I thought, was brilliant.
785
00:39:01,840 --> 00:39:04,640
Is an incomplete look better
786
00:39:04,720 --> 00:39:07,760
than a completed look
that misses the mark?
787
00:39:07,840 --> 00:39:09,360
You know, like Taisha.
788
00:39:11,040 --> 00:39:12,480
I'm just a little bit emotional
789
00:39:12,560 --> 00:39:16,040
because I don't want to be
in those face-off chairs.
790
00:39:16,120 --> 00:39:21,480
I'm going to fight to make sure,
if I am, I'm not going home.
791
00:39:21,560 --> 00:39:22,400
I know you.
792
00:39:23,000 --> 00:39:26,080
It's a complete makeup,
but it does not sing to me.
793
00:39:26,160 --> 00:39:30,240
It was just her applying these petals
to the face, and that's all we saw.
794
00:39:31,360 --> 00:39:37,000
The only way Howard's makeup
looks attractive
795
00:39:37,080 --> 00:39:38,680
is in the profile.
796
00:39:38,760 --> 00:39:41,600
-That is not enough.
-[Dominic] No.
797
00:39:41,680 --> 00:39:45,600
Honestly, I can't get past
the smudging of the eyelids.
798
00:39:47,600 --> 00:39:48,680
{\an8}So, guys.
799
00:39:49,240 --> 00:39:50,360
It's a toss-up.
800
00:39:51,520 --> 00:39:55,680
Is it a great idea that's unfinished,
801
00:39:56,400 --> 00:40:01,200
or is it a finished makeup
that underwhelms?
802
00:40:02,800 --> 00:40:04,800
[suspenseful music playing]
803
00:40:10,760 --> 00:40:12,320
Axel, Keiran,
804
00:40:13,160 --> 00:40:16,040
you started off today
in the face-off chairs,
805
00:40:17,360 --> 00:40:20,600
you made your hometowns proud,
806
00:40:20,680 --> 00:40:23,920
you both fought your way out
of those seats.
807
00:40:24,000 --> 00:40:25,720
Congratulations.
808
00:40:25,800 --> 00:40:27,800
[all cheering]
809
00:40:28,440 --> 00:40:29,280
Yes!
810
00:40:31,200 --> 00:40:32,360
[music fades]
811
00:40:34,120 --> 00:40:35,200
Howard,
812
00:40:35,280 --> 00:40:37,640
we commend that you pushed yourself,
813
00:40:37,720 --> 00:40:40,280
but your attention to detail
was really lacking.
814
00:40:41,000 --> 00:40:44,640
So therefore, you will be the first MUA
going into the face-off elimination.
815
00:40:47,640 --> 00:40:48,640
Roo,
816
00:40:49,800 --> 00:40:53,320
you delivered a great idea,
817
00:40:53,880 --> 00:40:58,400
but your time management
just let you down.
818
00:41:01,440 --> 00:41:02,880
[exhales] I hate doing this.
819
00:41:03,400 --> 00:41:05,520
[gentle suspenseful music playing]
820
00:41:07,840 --> 00:41:14,440
Roo, you will be the second makeup artist
going into the face-off elimination.
821
00:41:14,520 --> 00:41:17,040
You were fine. I told you, you were fine.
822
00:41:19,040 --> 00:41:21,640
Thank you, judges.
I'll bring them through shortly.
823
00:41:22,760 --> 00:41:24,400
[sobbing]
824
00:41:25,600 --> 00:41:29,000
Roo, Howard,
get ready and say your goodbyes
825
00:41:29,520 --> 00:41:31,560
because one of you will not be returning.
826
00:41:33,360 --> 00:41:37,680
I know how it is like to be
in the face-off elimination.
827
00:41:41,040 --> 00:41:43,000
I will put up my best fight.
828
00:41:44,640 --> 00:41:46,440
[Roo] I'm facing off against Howard,
829
00:41:47,600 --> 00:41:52,840
who is known for his technical skill,
but I'm not going to let that affect me.
830
00:41:53,440 --> 00:41:56,360
I need to stay in the competition.
831
00:41:58,280 --> 00:41:59,120
[sniffs]
832
00:41:59,200 --> 00:42:00,080
[tense music playing]
833
00:42:00,160 --> 00:42:01,960
[Leomie] To level the playing field,
834
00:42:02,040 --> 00:42:05,480
the MUAs will face off
over a set of identical twins.
835
00:42:07,280 --> 00:42:10,960
For your face-off today, we want to test
your knowledge of color theory
836
00:42:11,040 --> 00:42:14,000
by asking you
to create a custom-colored eye.
837
00:42:14,600 --> 00:42:16,960
We want you to replicate
838
00:42:17,040 --> 00:42:19,400
the color on the swatch provided
839
00:42:19,480 --> 00:42:23,040
to create a bold eye
840
00:42:23,120 --> 00:42:28,200
with smoked-out edges
on the upper lid and the lower lash line.
841
00:42:28,280 --> 00:42:29,480
-Okay.
-Okay.
842
00:42:29,560 --> 00:42:30,960
For a custom color match,
843
00:42:31,040 --> 00:42:33,600
start by taking the primary base color
844
00:42:33,680 --> 00:42:36,320
and the undertone color
and mixing them together.
845
00:42:36,400 --> 00:42:38,560
Then swatch it against the card.
846
00:42:39,080 --> 00:42:43,200
Keep adding these colors and swatching
until you match up your color exactly.
847
00:42:43,280 --> 00:42:46,400
Use an eye shadow applicator
to apply the color to the eyelid.
848
00:42:47,200 --> 00:42:51,320
Then use a soft, fluffy blending brush
to soften and smoke out the edges.
849
00:42:54,120 --> 00:42:57,240
Not only do we want an eye
that is perfectly color-matched,
850
00:42:58,000 --> 00:43:01,080
but the application
needs to be balanced and seamless.
851
00:43:02,560 --> 00:43:04,760
MUAs, you'll have 15 minutes.
852
00:43:05,360 --> 00:43:06,320
Good luck.
853
00:43:06,400 --> 00:43:09,320
And your time starts now.
854
00:43:09,400 --> 00:43:11,280
[upbeat suspenseful music playing]
855
00:43:29,800 --> 00:43:31,880
MUAs, you have ten minutes left.
856
00:43:37,440 --> 00:43:41,840
[softly] We're halfway through,
and they're still blending the color.
857
00:43:41,920 --> 00:43:44,760
[Dominic softly] What's really interesting
is you've got Howard
858
00:43:44,840 --> 00:43:47,920
that has gone straight in
with more of a basic color theory,
859
00:43:48,000 --> 00:43:53,360
so gone in with the red and the blue
and the black to create his burgundy.
860
00:43:53,920 --> 00:43:56,960
Whereas Roo has gone in
with processed colors.
861
00:43:57,040 --> 00:43:59,320
So, that's the magenta and cyan,
862
00:43:59,880 --> 00:44:01,760
which has created more of a richness.
863
00:44:01,840 --> 00:44:02,880
We'll see.
864
00:44:03,720 --> 00:44:05,160
[Roo] If you close your eyes for me.
865
00:44:06,160 --> 00:44:09,040
[suspenseful rhythmic music playing]
866
00:44:15,200 --> 00:44:17,960
MUAs, you have two minutes left.
867
00:44:26,200 --> 00:44:29,000
Three, two, one.
868
00:44:29,520 --> 00:44:30,840
Brushes down.
869
00:44:30,920 --> 00:44:31,880
[music stops]
870
00:44:32,960 --> 00:44:34,960
[suspenseful tense music playing]
871
00:44:50,640 --> 00:44:52,800
Dom, are you ready for a conflab?
872
00:44:52,880 --> 00:44:54,040
I think so.
873
00:44:58,480 --> 00:45:01,760
[Dominic softly] Howard's color
has got a lot more red in it.
874
00:45:02,280 --> 00:45:04,200
So it's coming out looking pink.
875
00:45:05,200 --> 00:45:11,680
Whereas Roo has delivered
more of a cool, blue, burgundy undertone
876
00:45:11,760 --> 00:45:14,680
that matches this closer.
877
00:45:14,760 --> 00:45:20,200
[softly] Which makeup artist
gave us the best bold smoke?
878
00:45:21,920 --> 00:45:23,040
[both] Howard.
879
00:45:24,240 --> 00:45:26,800
So it's only fair
we go to the creative brief
880
00:45:26,880 --> 00:45:29,520
and work out which artist should stay.
881
00:45:30,800 --> 00:45:32,360
[Val] It's a tough call, isn't it?
882
00:45:32,440 --> 00:45:34,160
[both] It's too close.
883
00:45:34,240 --> 00:45:36,080
Howard's makeup with the creative brief.
884
00:45:36,600 --> 00:45:40,240
He should know that you need
a thinner brush to create finesse.
885
00:45:40,320 --> 00:45:41,320
He does beauty.
886
00:45:41,400 --> 00:45:46,320
[Val] Roo, on the other hand,
it may not have been finished,
887
00:45:46,400 --> 00:45:48,440
but they told a great story.
888
00:45:48,960 --> 00:45:52,800
They also delivered a contemporary,
889
00:45:52,880 --> 00:45:55,800
modern, fresh take on makeup.
890
00:45:55,880 --> 00:45:56,880
-Yeah.
-I liked that.
891
00:45:58,600 --> 00:45:59,720
[music stops]
892
00:46:01,800 --> 00:46:03,800
[suspenseful tense music resumes]
893
00:46:08,520 --> 00:46:09,520
[Leomie] Judges.
894
00:46:10,120 --> 00:46:12,240
-Have you made your decision?
-We have.
895
00:46:13,920 --> 00:46:14,880
Howard,
896
00:46:16,240 --> 00:46:17,600
you gave us
897
00:46:17,680 --> 00:46:23,280
a big, bold, smoked-out eye.
898
00:46:25,040 --> 00:46:29,000
But, Roo, you gave us a perfect match.
899
00:46:30,960 --> 00:46:37,400
So therefore, we've had to refer back
to your creative brief.
900
00:46:37,920 --> 00:46:40,600
[music intensifies, fades]
901
00:46:41,640 --> 00:46:42,480
Howard,
902
00:46:43,320 --> 00:46:45,880
pack your kit, you're going home.
903
00:46:46,560 --> 00:46:47,800
[sad music playing]
904
00:46:47,880 --> 00:46:48,960
[sobbing] Thank you.
905
00:46:49,480 --> 00:46:51,840
-I'm so sorry. [sniffles]
-It's okay.
906
00:46:52,920 --> 00:46:53,800
[Roo] I'm so sorry.
907
00:46:55,480 --> 00:46:57,240
-I think we need a group hug.
-[Roo] Yes.
908
00:46:57,960 --> 00:47:00,920
{\an8}My journey has been amazing.
909
00:47:01,000 --> 00:47:04,480
{\an8}I cannot stress
about how much I've learned.
910
00:47:04,560 --> 00:47:09,840
It was one of my best experiences
in my whole, you know, 30 years of living.
911
00:47:09,920 --> 00:47:11,280
[chuckles]
912
00:47:12,600 --> 00:47:13,920
[all cheering, screaming]
913
00:47:15,520 --> 00:47:17,040
[On-May] Oh my God! Oh my God!
914
00:47:18,200 --> 00:47:20,800
It means so much to still be here
915
00:47:20,880 --> 00:47:23,840
because I know
that I haven't shown my full potential.
916
00:47:26,360 --> 00:47:29,480
I'm really going to learn
from every bit of advice,
917
00:47:29,560 --> 00:47:32,680
um, and just not make any more mistakes.
918
00:47:33,840 --> 00:47:35,840
[upbeat music playing]