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♪ ♪

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EMBRY: ♪ Oh, the raven's song
is short ♪

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♪ But it's strong ♪

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♪ Like the mind ♪

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MARKER: You don't really
want to be known

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as the guy who draws
boring breakfast food.

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You can't go out like that,
because I won't let you!

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‐ We have got to tear
the entire system to shreds!

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MARKER:
Broke rhymes with woke.

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‐

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‐ Psst.
Hey, hey. Psst.

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Hey. Hey, hey.
That's right.

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That shit really happened.

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‐ Oh, shit.

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MARKER: Haven't you heard,
Black man?

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The revolution is nigh.

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‐ Can you give me a second?
MARKER: Fine, you got one.

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‐ I'm not dreaming.

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I thought I was dreaming,
but I'm not dreaming.

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This is not going on
right now.

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You know what to do.

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I'm not doing this.

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So you, unfortunately,
have to go.

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‐ I'm not going anywhere,
brother.

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I like fucking with you.

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‐ Well, you can like it
on your way out the door

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because last time I saw you,
you fucked my life up,

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and because of you,
I have to get it back.

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I am putting the genie
back in the bottle

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and the marker in the trash.

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MARKER:
This is not the last of me.

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You hear me, Keef Knight?

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I will not be ignored!

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KEEF:
MARKER: Motherfucker!

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Ow!

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GUNTHER:
Damn, man,
I hope he likes this.

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I bought star fruit.

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Should I have made toast?

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I mean, I don't know.

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Would that be,
like, triggering?

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‐ Man, the last thing he needs
is to be coddled.

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GUNTHER: Okay, I don't see why
you have to be so harsh.

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He just got beat down
by the cops

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and shitcanned from his job.

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‐ Yeah, yeah.
That's like, what, a Tuesday
for black people?

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‐ Okay.
Hey.

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Keef.

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‐ What up, bro?
GUNTHER: H‐how you doin',
bud, hmm?

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Uh, we made you breakfast.

50
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‐ Why?

51
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‐ Why?
Well, uh, because...

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because we love you.

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Okay.
I'll take that.

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Thumbs up‐‐you see that?

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It's a step
in the right direction.

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Oh, what‐‐is that Trina?
She actually texted me.

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‐ Talk to your woman, dawg.
She worried about you.

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‐ Yeah.
I'm going to, okay?

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I'm just gonna hit her back

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as soon as I get all this stuff
straightened out, you know?

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GUNTHER: Yeah, yeah.
‐ Straightened out?

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What plan you got
to un‐shit this bed?

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‐ That's very funny.

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I'll have you know
I'm on my way

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to Bloom & Hill as we speak.

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I am not gonna let my life
get destroyed

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over one unfortunate episode.

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‐
Episode?

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Oh, you‐‐you think
that was an episode?

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Shit, that was more like
the series finale.

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You went full‐blown crazy.
You lost your damn mind.

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KEEF: Guys, guys, look at me!

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Don't I look fine?

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Don't I look stress‐free
and carefree?

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I got my eight hours of sleep,
all right?

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It is a new day.

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It is a new attitude.

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‐ Hey, hey, hey, hey, hey.

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When you go in there,
don't apologize.

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Pretend that shit
didn't happen, all right?

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I'm just saying.
Look, if you pretend
it didn't happen,

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eventually maybe
they'll start to think,

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"Maybe that shit
didn't happen."

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‐ Like the prequels.

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‐ What prequels?

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Jar Jar who?

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‐ No ho ho, okay?

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Jar Jar happened.

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Meesa thinks
you need to deal with it.

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‐ Let me tell you something,
it's like that time

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when my dad
got that lady pregnant

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and he had that kid.

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He just pretended
that shit didn't happen

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and eventually, my mom...

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my mom forgot
all about that kid.

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What kid? Hmm?

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‐ Okay, but you definitely
still have a sister.

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‐  No.
‐ So all I have to do

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is pretend
that Golden Con never happened.

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I think I can do‐‐I mean,
I'm pretty good at improv.

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‐ No, you're not.

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You need to stay home
and self‐medicate.

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Dude, you went toastal.

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You were kickboxing
a cardboard cutout.

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You remember.
‐ Hold on, hold on.

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‐ Huh?

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‐ What cardboard cutout?

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‐ Mm.
I didn't see it.

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‐ At the Q and A.
‐ What Q and A?

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‐ What is a Q and A?

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‐ Okay, it happened.

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I was there.

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‐ You were where?

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‐ The Q and A.

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‐ What Q and A?

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‐ The one
where you were kickboxing

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the cardboard cutout!

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‐ What cardboard cutout?

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‐ No, you can't just repeat
everything I say!

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That's not improv!
God damn it.

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♪ ♪

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♪ ♪

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‐ Hey.
How you doing, my man?

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‐ What's up, Mr. Knight?

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‐ Thanks, man.
Uh, need me to sign in?

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‐ Nah, you're good, man.
Go ahead.

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‐ Cool, cool, cool.
‐ It's all good.

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‐ Ah.
Oh, well, if you insist.

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Okay.
Thank you.

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Thank you.
Oh.

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Margaret, it is so good
to see you.

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You get the flowers I sent you?
They must be lost in the mail.

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Uh, I'm here for a meeting
with Phil and Cindy.

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‐ Is Cindy expecting you?

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‐ Yeah, I think‐‐
yes, she possibly might be.

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I think yes, she is, so...

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Mm‐hmm.
‐ Yeah.

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Let me just check real quick.

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‐ Yeah, yeah, she‐‐yeah.

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'Cause you can call her.
She knows who I am, so...

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Love the sweater, by the way.

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It's very Michelle O.

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The double bow?
Girl, you better stop.

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‐ I have Keef Knight
in the lobby.

145
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No, he‐‐

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I'm serious.
He's here.

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In person.

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Okay.

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Okay.

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♪ ♪

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‐ Keef!
‐ Cindy.

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CINDY: What a surprise.

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‐ Hey.
Um...

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‐ Hi.

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KEEF: Come and sit‐‐
‐ No, no, no.

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Stay there.
Stay there.

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‐ I can sit there‐‐okay.

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CINDY:

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I assumed you would start.

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‐ Yeah.
Oh, no.

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Of course I'm gonna‐‐
I'm gonna start.

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So excited, you know,

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to really just get the ball
rolling on syndication.

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You know what I mean?
Um, looking forward to it.

165
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So many deadlines, right?

166
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What to do?
That's the question.

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‐ So we're just gonna pretend
Golden Con never happened?

168
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‐ Golden what?

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‐ You're not serious, are you?

170
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‐ Serious about what?
‐ Golden Con.

171
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‐ Golden who?
‐ It happened.

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‐ What happened?
‐ Golden Con.

173
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‐ What about it?
‐ It happened!

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‐ Okay! Okay, it happened!
Jesus!

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I'm sorry, okay?
I don't‐‐

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I don't know
what came over me, all right?

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But let me assure you,

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my actions do not express,
in any way,

179
00:07:01,671 --> 00:07:04,758
how I feel
about you fine people.

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CINDY: Look, Bloom & Hill‐‐

181
00:07:06,426 --> 00:07:09,888
well, we're not sure
we're the right fit

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00:07:09,888 --> 00:07:11,931
for this new direction
you've taken.

183
00:07:11,931 --> 00:07:14,768
It's‐‐it's not you, it's us.

184
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‐ Cindy, Cindy, listen to me.

185
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Please don't do this, okay?

186
00:07:17,646 --> 00:07:20,273
I have not taken
a new direction.

187
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My coordinates are...

188
00:07:22,734 --> 00:07:24,778
I mean, you get it, right?

189
00:07:24,778 --> 00:07:27,989
Growing up as a...

190
00:07:27,989 --> 00:07:30,492
Asian...woman?

191
00:07:30,492 --> 00:07:31,951
As an Asian or something?

192
00:07:31,951 --> 00:07:33,495
Growing up as an Asian
or something woman‐‐

193
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‐ I'm gonna let
that Asian comment slide.

194
00:07:38,375 --> 00:07:40,335
You really think
you can get up on that stage

195
00:07:40,335 --> 00:07:42,212
and pop off like that
and recover?

196
00:07:42,212 --> 00:07:43,922
‐ To be honest,
I thought maybe‐‐

197
00:07:43,922 --> 00:07:46,841
‐ It doesn't work that way
for people like us.

198
00:07:46,841 --> 00:07:48,885
You think I don't ever
wanna throw an iPad

199
00:07:48,885 --> 00:07:50,679
out of one of these
stuffy‐ass windows,

200
00:07:50,679 --> 00:07:54,474
watch the glass pour down,
pick up a piece, and...

201
00:07:54,474 --> 00:07:56,142
slit an executive's throat?

202
00:07:56,142 --> 00:07:57,894
But I follow the rules.

203
00:07:57,894 --> 00:08:00,647
I read the fine print.
You didn't.

204
00:08:00,647 --> 00:08:02,565
‐ No, no, I have.
I definitely have, I know‐‐

205
00:08:02,565 --> 00:08:04,693
‐ Oh, you could've been
a legend!

206
00:08:06,820 --> 00:08:08,655
John Legend.
‐  John Legend.

207
00:08:08,655 --> 00:08:10,156
CINDY: He did it the right way.

208
00:08:10,156 --> 00:08:11,783
First he got the money,

209
00:08:11,783 --> 00:08:14,119
then he got the woke.

210
00:08:14,119 --> 00:08:16,329
You think he could've released
"Preach" right out of the gate?

211
00:08:16,329 --> 00:08:17,747
No.

212
00:08:17,747 --> 00:08:21,835
He had to do at least ten years
of "Ordinary People"

213
00:08:21,835 --> 00:08:23,837
before he could take that risk.

214
00:08:23,837 --> 00:08:27,048
That's what we have to be
to come up in this world.

215
00:08:27,048 --> 00:08:29,217
Ordinary.

216
00:08:31,052 --> 00:08:33,096
‐
I get it.

217
00:08:33,096 --> 00:08:36,099
And I'm so glad you said that,
because now...

218
00:08:36,099 --> 00:08:38,810
now it's confirmed that
we're on the exact same page.

219
00:08:38,810 --> 00:08:41,604
Look!
I'm Toast‐N‐Butter man!

220
00:08:41,604 --> 00:08:43,898
Gentle laughs,
sweet observations.

221
00:08:43,898 --> 00:08:46,484
I'm the exact same guy.
Nothing has changed.

222
00:08:47,360 --> 00:08:50,113
‐ Well, according to
The Bay Arean...

223
00:08:52,115 --> 00:08:53,533
Everything's changed.

224
00:08:55,076 --> 00:08:57,662
‐ Fuck Toast!
Fuck Butter!

225
00:08:57,662 --> 00:08:58,663
Yeah!

226
00:08:58,663 --> 00:09:00,749
Oh.
Okay.

227
00:09:00,749 --> 00:09:04,002
CINDY:
That was like the world's
worst TED Talk.

228
00:09:04,002 --> 00:09:05,378
‐
Yeah, definitely, um...

229
00:09:07,839 --> 00:09:09,299
I can‐‐I can fix that.

230
00:09:14,721 --> 00:09:16,681
♪ ♪

231
00:09:25,482 --> 00:09:27,776
Ayana.

232
00:09:27,776 --> 00:09:31,112
‐ Oh, shit!
Keef X in the flesh!

233
00:09:31,112 --> 00:09:33,531
Yes!

234
00:09:33,531 --> 00:09:35,283
Yes.

235
00:09:36,993 --> 00:09:38,661
‐ You have to take
that video down.

236
00:09:38,661 --> 00:09:40,872
‐ Uh...no.

237
00:09:40,872 --> 00:09:41,998
‐ No?

238
00:09:41,998 --> 00:09:43,416
‐ No.

239
00:09:44,542 --> 00:09:47,170
You told off a piece of toast
in blackface.

240
00:09:47,170 --> 00:09:48,421
That shit stays up.

241
00:09:48,421 --> 00:09:50,715
‐ Okay, look,
I was not in my right mind.

242
00:09:50,715 --> 00:09:53,051
I was distressed.
Things happened.

243
00:09:53,051 --> 00:09:54,803
‐ What things?
KEEF: I don't know, things.

244
00:09:54,803 --> 00:09:56,262
Doesn't matter.

245
00:09:56,262 --> 00:09:58,515
What matters is that I had
a momentary lapse in reason.

246
00:09:58,515 --> 00:10:01,184
‐ You sounded reasonable to me.
‐ Yes, because
I sounded like you.

247
00:10:01,184 --> 00:10:03,019
‐ Hmm, yeah.

248
00:10:03,019 --> 00:10:05,230
But you had
a "come to Black Jesus" moment.

249
00:10:05,230 --> 00:10:06,606
Now you wanna walk it back?

250
00:10:06,606 --> 00:10:08,358
I was proud of you.

251
00:10:13,154 --> 00:10:14,823
‐ Look,

252
00:10:14,823 --> 00:10:16,783
I'm not sure
who you think I am,

253
00:10:16,783 --> 00:10:18,451
but I'm not that guy.

254
00:10:18,451 --> 00:10:21,121
I'm just a guy who wants
to get his life back, okay?

255
00:10:21,121 --> 00:10:23,873
‐ I hate to say it,
but once your eyes are open,

256
00:10:23,873 --> 00:10:25,542
you can't unsee.

257
00:10:25,542 --> 00:10:27,293
‐ Yeah, but it doesn't mean
I can't try.

258
00:10:27,293 --> 00:10:29,170
And the longer
that video stays up,

259
00:10:29,170 --> 00:10:30,588
the harder it gets.

260
00:10:30,588 --> 00:10:33,633
‐ You think you can scrub
the Internet clean?

261
00:10:35,343 --> 00:10:36,636
KEEF:
Wait, what?
What are you doing?

262
00:10:36,636 --> 00:10:39,139
AYANA:
You're a meme now.

263
00:10:39,139 --> 00:10:41,099
KEEF:
Oh, my God.
I'm a meme.

264
00:10:41,099 --> 00:10:43,685
Fuck‐‐fuck‐‐fuck‐‐
fuck Toast‐N‐Butter!

265
00:10:43,685 --> 00:10:46,146
Fuck you.

266
00:10:46,146 --> 00:10:49,190
I am‐‐I am‐‐I am the sausage!

267
00:10:51,901 --> 00:10:53,987
Oh, my God.
Just shoot me in the face.

268
00:10:53,987 --> 00:10:55,697
Jamal!

269
00:10:55,697 --> 00:10:56,948
Fuck Toast‐N‐Butter!

270
00:10:56,948 --> 00:10:58,241
Fuck
Toast‐N‐Butter!

271
00:10:58,241 --> 00:11:00,160
Fuck Toast‐N‐Butter!

272
00:11:00,160 --> 00:11:01,661
Aw, shit.

273
00:11:01,661 --> 00:11:04,289
‐ I like it.
You have stage presence.

274
00:11:04,289 --> 00:11:05,957
‐ I feel like you enjoy
watching me suffer.

275
00:11:05,957 --> 00:11:07,959
‐ I barely know you.

276
00:11:07,959 --> 00:11:09,002
But yes.
KEEF: Okay.

277
00:11:09,002 --> 00:11:10,837
Okay.

278
00:11:10,837 --> 00:11:12,589
If you were me,
what would you do?

279
00:11:12,589 --> 00:11:14,549
‐ Honestly?
‐ Honestly, if you were me.

280
00:11:15,550 --> 00:11:16,759
‐ Buckle up.

281
00:11:31,107 --> 00:11:32,692
SINGER:
♪ Talking to myself ♪

282
00:11:34,235 --> 00:11:38,865
SINGER: ♪ And feeling old ♪

283
00:11:38,865 --> 00:11:42,785
♪ Sometimes I'd like to quit ♪

284
00:11:42,785 --> 00:11:46,789
♪ Nothin' ever seems to fit ♪

285
00:11:46,789 --> 00:11:51,419
♪ Rainy days and Mondays
always get me down ♪

286
00:11:51,419 --> 00:11:53,213
‐ Sir?

287
00:11:53,213 --> 00:11:54,464
Sir.

288
00:11:54,464 --> 00:11:57,258
SINGERS:
♪ Rainy days and Mondays ♪

289
00:11:57,258 --> 00:11:59,135
‐ Do you mind turning that off?

290
00:11:59,135 --> 00:12:02,555
I've had a very shitty day.

291
00:12:02,555 --> 00:12:05,058
♪ ♪

292
00:12:10,230 --> 00:12:15,193
Let's be honest‐‐
you were never that talented
in the first place.

293
00:12:15,193 --> 00:12:17,904
And now that everyone thinks
you guzzle seawater,

294
00:12:17,904 --> 00:12:20,406
you've probably drawn
your last cartoon.

295
00:12:20,406 --> 00:12:23,826
What are we gonna do for money?

296
00:12:23,826 --> 00:12:28,456
Oh, and if you have no money,
what are you gonna live on?

297
00:12:28,456 --> 00:12:29,874
San Francisco is so...

298
00:12:29,874 --> 00:12:31,459
‐ Actually, sir,
you can turn that back up.

299
00:12:31,459 --> 00:12:33,211
SAD FACE: You know what
the rent costs out here.

300
00:12:34,420 --> 00:12:36,089
You're gonna get kicked
to the curb!

301
00:12:36,089 --> 00:12:38,883
You're gonna be turning tricks
in the hay for vegan sliders.

302
00:12:38,883 --> 00:12:40,301
‐ You can turn it up, sir.

303
00:12:40,301 --> 00:12:41,552
SAD FACE:
Stay away from bridges.

304
00:12:41,552 --> 00:12:43,429
‐ Louder.
SAD FACE:
Golden Gate Bridges...

305
00:12:43,429 --> 00:12:45,473
‐ Louder, louder, sir.
SAD FACE: Bay bridges,
Nash Bridges, tall bridges!

306
00:12:48,476 --> 00:12:53,022
♪ ♪

307
00:12:53,022 --> 00:12:56,401
‐ You know they always hiring
at the post office.

308
00:12:56,401 --> 00:12:58,778
VOICE 1: Post office don't pay
Toast‐N‐Butter money.

309
00:12:58,778 --> 00:13:01,030
‐ He could rob a bank.
‐ He might get shot.

310
00:13:01,030 --> 00:13:03,199
VOICE 2: At this point,
it's worth the risk.

311
00:13:03,199 --> 00:13:06,411
‐ Hear, hear, motherfucker!
Read all about your broke ass.

312
00:13:06,411 --> 00:13:08,413
VOICE 3: You gotta fix this.
VOICE 4: He can't fix shit.

313
00:13:08,413 --> 00:13:09,914
VOICE 5: What's the plan,
Keef Knight?

314
00:13:09,914 --> 00:13:11,708
VOICE 6: Join a cult?
VOICE 7: Sell a kidney
for cash?

315
00:13:11,708 --> 00:13:13,751
VOICE 8:
Find your safe place!
VOICE 9: Tell us, Keef.

316
00:13:13,751 --> 00:13:14,752
ALL: Tell us.

317
00:13:14,752 --> 00:13:19,924
♪ ♪

318
00:13:19,924 --> 00:13:22,927
‐

319
00:13:34,105 --> 00:13:35,648
‐ Hey, Keef.

320
00:13:36,941 --> 00:13:38,276
‐ Hey, Nancy.

321
00:13:47,869 --> 00:13:49,495
Hey, um, do you mind

322
00:13:49,495 --> 00:13:52,832
if I hang out here
for a second?

323
00:13:52,832 --> 00:13:55,626
I promise not to kickbox
any cardboard cutouts.

324
00:13:55,626 --> 00:13:57,962
NANCY: Okay.
I really mean this.

325
00:13:57,962 --> 00:13:59,922
Are you going crazy?

326
00:13:59,922 --> 00:14:01,758
‐ What‐‐who told you that?
Who said‐‐who said that?

327
00:14:01,758 --> 00:14:03,676
‐ Mm, I just‐‐
I watched the video.

328
00:14:03,676 --> 00:14:05,845
I didn't‐‐no one really
needed to tell me.

329
00:14:05,845 --> 00:14:07,972
‐ Oh.
‐ So...

330
00:14:07,972 --> 00:14:09,474
‐ I was just kinda going
through somethin'...

331
00:14:09,474 --> 00:14:10,600
‐ Yeah.
‐ At the moment.

332
00:14:10,600 --> 00:14:12,060
‐ Okay.
‐ Currently.

333
00:14:12,060 --> 00:14:13,895
‐ Have you gone through it?

334
00:14:15,605 --> 00:14:18,274
Look, we were with you
in the beginning,

335
00:14:18,274 --> 00:14:20,568
and we will be with you
at the end.

336
00:14:20,568 --> 00:14:22,779
Not that this is the end.

337
00:14:22,779 --> 00:14:24,447
But if it is,

338
00:14:24,447 --> 00:14:26,866
don't get anything
on the comics.

339
00:14:29,577 --> 00:14:31,204
‐ Okay.
‐ Okay?

340
00:14:31,204 --> 00:14:37,668
♪ ♪

341
00:14:46,177 --> 00:14:47,386
‐

342
00:14:59,065 --> 00:15:05,738
♪ ♪

343
00:15:05,738 --> 00:15:09,408
‐ Hey, Keef!
That's right, it's me, Toast!

344
00:15:09,408 --> 00:15:12,036
You know how to fix this mess.
Draw us!

345
00:15:12,036 --> 00:15:13,412
‐

346
00:15:13,412 --> 00:15:14,789
If you draw the best
Toast‐N‐Butter strip

347
00:15:14,789 --> 00:15:17,583
you've ever done, they're
gonna have to take you back.

348
00:15:17,583 --> 00:15:24,549
♪ ♪

349
00:15:30,138 --> 00:15:31,806
MARKER: Oh, hell, no.

350
00:15:31,806 --> 00:15:34,934
You're not drawing anymore of
that Toast‐N‐Butter nonsense.

351
00:15:34,934 --> 00:15:36,561
‐ Are you every marker now?

352
00:15:36,561 --> 00:15:38,521
‐ Yup.
'Cause you cannot be trusted.

353
00:15:38,521 --> 00:15:40,064
From now on,
you're gonna use me

354
00:15:40,064 --> 00:15:41,816
to draw comics
that mean something‐‐

355
00:15:41,816 --> 00:15:43,985
comics that are powerful,
comics that are real.

356
00:15:43,985 --> 00:15:46,654
I can go on and on.
‐ Shh. No.

357
00:15:46,654 --> 00:15:49,824
You will draw
what I tell you to draw, okay?

358
00:15:49,824 --> 00:15:54,537
And today, kids, we are drawing
Toast‐N‐Butter.

359
00:15:54,537 --> 00:15:55,955
Jeez.

360
00:15:55,955 --> 00:15:58,166
‐ No means no, motherfucker!

361
00:15:58,166 --> 00:15:59,542
Didn't they teach you that
in high school?

362
00:15:59,542 --> 00:16:02,378
‐
You are not a person.

363
00:16:02,378 --> 00:16:03,963
You are a marker.

364
00:16:03,963 --> 00:16:06,465
Now do what I say!

365
00:16:06,465 --> 00:16:07,800
That's a good boy.

366
00:16:07,800 --> 00:16:09,635
MARKER: No, Keef.
I said no.

367
00:16:09,635 --> 00:16:11,554
No means no!
‐

368
00:16:11,554 --> 00:16:12,763
MARKER:

369
00:16:12,763 --> 00:16:14,015
‐ Bitch, I will uncap you

370
00:16:14,015 --> 00:16:16,350
and leave you hanging out
in the sun for days

371
00:16:16,350 --> 00:16:19,312
where you will die
a slow and dry death.

372
00:16:24,859 --> 00:16:27,069
This is good.

373
00:16:27,069 --> 00:16:29,363
This is very good.

374
00:16:30,615 --> 00:16:32,074
What do you think?

375
00:16:32,074 --> 00:16:34,118
‐ Oh, buddy.

376
00:16:34,118 --> 00:16:35,536
W‐wow.

377
00:16:35,536 --> 00:16:36,579
‐ Yeah.
NANCY: Yeah, yeah.

378
00:16:38,206 --> 00:16:39,415
‐ I'm back.

379
00:16:39,415 --> 00:16:41,042
Time to get my job back.
‐ Yeah.

380
00:16:41,042 --> 00:16:42,210
Okay.

381
00:16:45,379 --> 00:16:46,631
♪ ♪

382
00:16:46,631 --> 00:16:47,882
‐ Hey, my man.

383
00:16:47,882 --> 00:16:49,967
Uh, I can't sign in right now.
I just gotta go‐‐

384
00:16:49,967 --> 00:16:51,552
‐ Can't come in.

385
00:16:51,552 --> 00:16:53,221
‐ What are you talking about?
I was just in here.

386
00:16:53,221 --> 00:16:54,388
You saw me leave!

387
00:16:54,388 --> 00:16:56,098
I have to, um,
I have to show them this.

388
00:16:56,098 --> 00:16:57,099
I just finished it.

389
00:16:57,099 --> 00:16:58,184
I have to let 'em know

390
00:16:58,184 --> 00:17:00,019
that I can still do this,
obviously.

391
00:17:00,019 --> 00:17:02,939
I know what you're thinking.
It looks a little shaky,
but that was on purpose.

392
00:17:02,939 --> 00:17:05,858
I did this intentionally.
So I'm gonna go in the‐‐

393
00:17:05,858 --> 00:17:07,401
‐ I can't let you in.

394
00:17:08,694 --> 00:17:10,947
‐ Come on, man.
You know me.

395
00:17:10,947 --> 00:17:12,782
What are you talking about,
like...

396
00:17:18,120 --> 00:17:19,747
"No entry"?

397
00:17:21,832 --> 00:17:23,960
Did they darken my photo?

398
00:17:23,960 --> 00:17:25,920
‐ Does it matter?

399
00:17:27,380 --> 00:17:30,007
SINGER: ♪ Swing low ♪

400
00:17:30,007 --> 00:17:33,386
♪ Sweet chariot ♪

401
00:17:33,386 --> 00:17:36,681
CHOIR:
♪ Coming for to carry me home ♪

402
00:17:45,815 --> 00:17:48,192
SINGER: ♪ Sleeve ♪

403
00:17:48,192 --> 00:17:52,405
♪ Cut just off the shoulder ♪

404
00:17:52,405 --> 00:17:54,907
♪ ♪

405
00:17:54,907 --> 00:17:56,909
♪ You ♪

406
00:17:56,909 --> 00:18:00,830
♪ Are christening the shape ♪

407
00:18:00,830 --> 00:18:03,749
♪ ♪

408
00:18:03,749 --> 00:18:06,210
♪ They'll talk ♪

409
00:18:06,210 --> 00:18:07,628
♪ Give them every reason ♪

410
00:18:07,628 --> 00:18:09,171
KEEF:  Trina.

411
00:18:09,171 --> 00:18:12,341
♪ ♪

412
00:18:12,341 --> 00:18:13,551
SINGER: ♪ For child ♪

413
00:18:13,551 --> 00:18:15,886
‐ Two days, Keef.

414
00:18:15,886 --> 00:18:18,347
Two.
‐ Yeah.

415
00:18:18,347 --> 00:18:20,725
‐ How do you think
that makes me feel?

416
00:18:20,725 --> 00:18:23,853
‐ Yeah, I know.
I just, um...

417
00:18:23,853 --> 00:18:25,563
if it's any consolation,

418
00:18:25,563 --> 00:18:27,481
you know,
I‐I wasn't ignoring you.

419
00:18:27,481 --> 00:18:29,817
I just‐‐you know,
I just been running around

420
00:18:29,817 --> 00:18:33,070
like a crazy person trying
to put my life back together.

421
00:18:33,070 --> 00:18:34,530
I thought I had it figured out.

422
00:18:34,530 --> 00:18:37,325
Fun fact:
I did not have it figured out.

423
00:18:38,868 --> 00:18:40,202
We'll‐‐I'll tell you
about it later.

424
00:18:40,202 --> 00:18:43,080
We'll have a giggle.
It'll be fun.

425
00:18:43,080 --> 00:18:45,082
Can we do this...inside?

426
00:18:45,082 --> 00:18:47,501
I mean, uh,
I'm sure the neighbors
don't really wanna

427
00:18:47,501 --> 00:18:49,045
hear about
what's going on out here,

428
00:18:49,045 --> 00:18:50,463
and I know for a fact

429
00:18:50,463 --> 00:18:52,923
Clovis and Gunther wanna know
about what's going on.

430
00:18:52,923 --> 00:18:54,592
CLOVIS: Oh, nah, we can
hear you just fine, dawg.

431
00:18:54,592 --> 00:18:55,801
‐ They can hear.
Okay.

432
00:18:55,801 --> 00:18:58,054
‐ You left these at my house.

433
00:18:58,054 --> 00:19:00,348
‐ Trina.

434
00:19:00,348 --> 00:19:01,557
Look...

435
00:19:04,393 --> 00:19:06,228
We are Trina and Keef.

436
00:19:08,689 --> 00:19:10,024
Treef.

437
00:19:10,024 --> 00:19:11,859
‐ Yeah. Yeah, yeah, yeah.
Trina and Keef.

438
00:19:11,859 --> 00:19:14,278
I‐‐that is not enough.

439
00:19:14,278 --> 00:19:15,988
‐ I need you.

440
00:19:15,988 --> 00:19:17,990
‐ You haven't spoken to me
in two days!

441
00:19:17,990 --> 00:19:20,493
‐ Not in words or anything
fancy like that, but, like‐‐

442
00:19:20,493 --> 00:19:22,161
TRINA: So done.

443
00:19:22,161 --> 00:19:23,788
‐ You wouldn't have gotten it.

444
00:19:28,376 --> 00:19:30,252
The reason why
I didn't come to you.

445
00:19:30,252 --> 00:19:31,379
Because I know for a fact

446
00:19:31,379 --> 00:19:34,173
that you would not
have gotten it.

447
00:19:34,173 --> 00:19:36,884
‐ So you ignore me for two days

448
00:19:36,884 --> 00:19:40,471
because you already know
how I'm gonna react

449
00:19:40,471 --> 00:19:43,015
to this horrible thing
that happened to you?

450
00:19:43,015 --> 00:19:44,350
‐ Yes.

451
00:19:44,350 --> 00:19:47,186
‐ So rather than give me
the chance to let you down,

452
00:19:47,186 --> 00:19:49,188
you just assume
that I'm gonna do it,

453
00:19:49,188 --> 00:19:50,731
so why bother?

454
00:19:50,731 --> 00:19:53,150
‐ Well...yes.

455
00:19:55,403 --> 00:19:58,531
‐ I am sorry about
what happened to you, Keef.

456
00:19:58,531 --> 00:20:01,242
I am.

457
00:20:01,242 --> 00:20:02,451
But...

458
00:20:06,330 --> 00:20:07,581
You know what?

459
00:20:07,581 --> 00:20:09,792
I hope you find
what you're looking for,

460
00:20:09,792 --> 00:20:11,210
but honestly, Keef,

461
00:20:11,210 --> 00:20:13,045
I don't think you even know
what that is.

462
00:20:13,045 --> 00:20:16,298
‐ But‐‐look, we can finish
talking about this

463
00:20:16,298 --> 00:20:18,718
and then‐‐can we just go insi‐‐

464
00:20:28,602 --> 00:20:35,651
♪ ♪

465
00:20:46,036 --> 00:20:47,955
BOTH: Hey, Keef.

466
00:20:47,955 --> 00:20:49,623
‐

467
00:20:49,623 --> 00:20:51,500
Man, I don't even know.

468
00:20:51,500 --> 00:20:53,252
‐ I know what you need.

469
00:20:53,252 --> 00:20:54,670
I always know what you need.

470
00:20:54,670 --> 00:20:57,131
Come over here
and have a drink.

471
00:20:57,131 --> 00:20:58,507
‐ Surprise, nigga!

472
00:20:58,507 --> 00:21:01,051
You didn't forget about me,
did you?

473
00:21:01,051 --> 00:21:02,470
‐ Nope.

474
00:21:02,470 --> 00:21:04,096
‐ You can't run from this.

475
00:21:05,723 --> 00:21:09,185
SINGER: ♪ Ooh, ooh ♪

476
00:21:11,187 --> 00:21:17,067
♪ Ooh, ooh ♪

477
00:21:22,156 --> 00:21:23,365
‐
'Sup?

478
00:21:25,826 --> 00:21:27,620
You should be looking up.

479
00:21:30,331 --> 00:21:33,250
At the stars, man.

480
00:21:33,250 --> 00:21:36,337
Do you even realize
the Newtonian mechanics

481
00:21:36,337 --> 00:21:40,257
that went into you, me,
and Clovis meeting each other

482
00:21:40,257 --> 00:21:43,427
at this particular time
in life?

483
00:21:43,427 --> 00:21:45,596
That's the thing, bro.

484
00:21:45,596 --> 00:21:47,389
We could've existed

485
00:21:47,389 --> 00:21:52,269
or never crossed each other
in the space‐time continuum,

486
00:21:52,269 --> 00:21:55,356
but we're right here,
right now.

487
00:21:55,356 --> 00:21:57,107
Together.

488
00:22:02,530 --> 00:22:03,656
♪ ♪

489
00:22:03,656 --> 00:22:06,826
You know,
it's all gonna work out.

490
00:22:06,826 --> 00:22:08,410
You just...

491
00:22:08,410 --> 00:22:11,664
can't fight the wave.

492
00:22:11,664 --> 00:22:14,124
It's the thing that carries you

493
00:22:14,124 --> 00:22:16,710
from who you are now

494
00:22:16,710 --> 00:22:19,338
to who you're going to be.

495
00:22:19,338 --> 00:22:26,345
♪ ♪

496
00:22:29,557 --> 00:22:31,725
That's the thing.

497
00:22:31,725 --> 00:22:38,774
♪ ♪

498
00:22:42,862 --> 00:22:45,364
‐ I'm seeing things.

499
00:22:47,908 --> 00:22:50,327
‐ I figured.

500
00:22:50,327 --> 00:22:52,496
‐ No, I mean
I'm really seeing things.

501
00:22:52,496 --> 00:22:54,164
‐ Shh.
‐ I‐‐

502
00:22:56,709 --> 00:22:59,712
‐
Just listen to the wave.

503
00:23:08,429 --> 00:23:15,436
♪ ♪

504
00:23:24,069 --> 00:23:25,279
‐ Ah.

505
00:23:27,489 --> 00:23:30,200
Aw, that's disgusting.

506
00:23:33,579 --> 00:23:34,997
Hm.

507
00:23:34,997 --> 00:23:36,457
‐ Are you done running around

508
00:23:36,457 --> 00:23:38,334
with your little
existential crisis?

509
00:23:38,334 --> 00:23:40,210
We got work to do.

510
00:23:40,210 --> 00:23:41,670
SINGER:
♪ Mm ♪

511
00:23:44,673 --> 00:23:46,707
♪ ♪

512
00:24:02,650 --> 00:24:03,943
SINGER:
♪ Mm ♪

513
00:24:03,943 --> 00:24:08,405
♪ You done living in misery
there ♪

514
00:24:08,405 --> 00:24:10,324
SINGERS: ♪ Ah, ah ♪

515
00:24:10,324 --> 00:24:15,079
SINGER:
♪ You done living in misery ♪

516
00:24:15,079 --> 00:24:17,581
SINGERS: ♪ Ah, ah ♪

517
00:24:17,581 --> 00:24:21,585
SINGER:
♪ Eyes, eyes, eyes,
eyes, arise ♪

518
00:24:21,585 --> 00:24:24,171
SINGERS: ♪ Still arise ♪

519
00:24:24,171 --> 00:24:31,011
♪ Eyes, eyes, eyes,
eyes, arise ♪

520
00:24:31,011 --> 00:24:34,932
♪ Eyes, eyes, eyes,
eyes, arise ♪

521
00:24:34,932 --> 00:24:37,518
♪ Still arise ♪

522
00:24:37,518 --> 00:24:41,313
♪ Eyes, eyes, eyes,
eyes, eyes ♪

523
00:24:41,313 --> 00:24:44,274
♪ ♪

524
00:24:44,274 --> 00:24:47,611
♪ My, my, my, my, my,
my, my, my eyes ♪

525
00:24:47,611 --> 00:24:49,863
♪ My, my, my, my, my,
my, my, my, my, my ♪

526
00:24:49,863 --> 00:24:51,115
SINGER: ♪ Mm, mm ♪

527
00:24:51,115 --> 00:24:53,617
SINGERS:
♪ My, my, my, my, my ♪