1
00:00:04,120 --> 00:00:08,880
You must've known you were
destined to end up here, right? Me?

2
00:00:08,920 --> 00:00:12,240
I always knew this day would come.
But I must admit,

3
00:00:12,280 --> 00:00:16,160
I didn't think it would be
on the scale of this.

4
00:00:16,200 --> 00:00:18,800
I didn't think you had it in you.

5
00:00:23,560 --> 00:00:27,280
Looking at you now,
I take no pleasure

6
00:00:27,320 --> 00:00:31,240
in seeing you this vulnerable.
I really don't.

7
00:00:31,280 --> 00:00:35,360
I want to be a friend to you.
And you're going to need a friend
like me.

8
00:00:36,880 --> 00:00:39,000
But for me to be your friend,

9
00:00:39,040 --> 00:00:41,120
I'm going to need something
in return.

10
00:00:43,720 --> 00:00:46,400
This is Detective Carl Slater
of Hawley CID.

11
00:00:46,440 --> 00:00:51,800
Interview with Erin Croft
at 10.05 a. m. on 11th November.

12
00:00:51,840 --> 00:00:56,000
# FLYING LIZARDS: Money
# The best things in life are free

13
00:00:56,040 --> 00:00:59,560
# But you can give them
to the birds and bees... #

14
00:00:59,600 --> 00:01:01,600
(SIGHS)

15
00:01:02,680 --> 00:01:05,200
Y’alright?
(VINNIE) 'Yeah, we're doing good.'

16
00:01:05,240 --> 00:01:07,840
'We're having a good time,
aren’t we? Are you having
a good time?'

17
00:01:07,880 --> 00:01:12,200
Oh, I'm having such a laugh.
Sugar and Carol are on form tonight.

18
00:01:12,240 --> 00:01:14,040
'(CHUCKLES)'
Is Tyler still up?

19
00:01:14,080 --> 00:01:17,640
Yeah, yeah, yeah. We're outside
the shack, having a bit of a fire,
aren’t we?

20
00:01:17,680 --> 00:01:22,840
Aw, go on, put him on the phone
so I can say 'night to him.' Here.'
'Hiyah, Mum.' 'OK? Is Vin.

21
00:01:22,880 --> 00:01:25,280
Is your dad looking after you
alright?

22
00:01:25,320 --> 00:01:26,960
Yeah, fine.

23
00:01:27,000 --> 00:01:30,320
Alright, well, I just wanted to say
'night‐night, I love you.
Love you too.

24
00:01:30,360 --> 00:01:33,480
Alright, darling, 'night‐night.
Love you. 'Have a good time now.'

25
00:01:33,520 --> 00:01:37,240
'Just enjoy yourself.'
You don’t have to rush back.
Planning a party or something? 'No,

26
00:01:37,280 --> 00:01:42,000
no, we're having an early night
tonight, aren’t we? Just take
your time, enjoy yourself.

27
00:01:42,040 --> 00:01:44,480
Alright, then. 'Bye‐bye.
'Bye, love.'

28
00:01:46,640 --> 00:01:50,800
Where are we going, then?
Glad you asked. It's a surprise.

29
00:01:50,840 --> 00:01:53,880
My dad took me when I was little.

30
00:01:53,920 --> 00:01:56,080
And his dad took him
when he was little.

31
00:01:56,120 --> 00:01:59,440
We are going ‐
Sheep rustling! God, dude!

32
00:01:59,480 --> 00:02:02,040
I was going to say that bit!
Well, go on then.

33
00:02:02,080 --> 00:02:04,560
Sheep rust... Sheep rustl...
You've said it now...

34
00:02:04,600 --> 00:02:09,600
It's bloody ruined.
Sheep wrestling?
Not wrestling sheep, rustling.

35
00:02:09,640 --> 00:02:12,520
It’s like when you round up sheep,
like what cowboys do,

36
00:02:12,560 --> 00:02:14,760
but with sheep, not cows.

37
00:02:14,800 --> 00:02:19,240
So we're not cowboys, then?
No, cowboys are useless,

38
00:02:19,280 --> 00:02:23,560
they're lame. We're sheepboys,
brethren. Woo‐hoo! Sheepboys!

39
00:02:27,760 --> 00:02:31,760
I'm starving and I've had about 12
vodkas. Come on. (PHONE RINGING)

40
00:02:31,800 --> 00:02:35,160
Hello?
(MAN) 'Good evening Miss Croft,
this is Tuma

41
00:02:35,200 --> 00:02:40,400
calling from your alarm company.'
Who? 'Tuma.' Wrong person, mate,
I haven’t got an alarm.

42
00:02:42,600 --> 00:02:43,680
Oh, hang on.

43
00:02:43,720 --> 00:02:45,720
# MABLE JOHN: Your Good Thing
(Is About To End)

44
00:02:47,840 --> 00:02:49,840
I had it all.

45
00:02:50,960 --> 00:02:55,600
Fucking Stringfellow
level of success.

46
00:02:56,640 --> 00:02:59,520
Top of the world. (SNIFFS)

47
00:02:59,560 --> 00:03:03,560
Then she came along.
She swooped down,

48
00:03:03,600 --> 00:03:07,280
with her nasty acrylic talons
and she dug 'em in. # (SONG FADES)

49
00:03:07,320 --> 00:03:11,160
She dug 'em into this empire
which I raised from the dirt

50
00:03:11,200 --> 00:03:14,000
and she fucking tore the arse
right out of my heart.

51
00:03:15,440 --> 00:03:18,560
Oh dear.
Oh, shock, he's here again.

52
00:03:18,600 --> 00:03:22,080
Ah, Miss Croft. Yeah.
What's he...what are doing here?

53
00:03:22,120 --> 00:03:24,600
It’s my fucking club.
No, it’s not. It seems,

54
00:03:24,640 --> 00:03:28,280
although the emergency contact
details have been updated
with your number,

55
00:03:28,320 --> 00:03:33,360
Mr Tom is still on the system too.
Alright, so what’s the score?

56
00:03:34,560 --> 00:03:39,960
As you can see,
the safe...is no longer here.

57
00:03:40,000 --> 00:03:42,560
Holy fucking shit!

58
00:03:43,920 --> 00:03:47,440
Fuck! Shit! Shit!

59
00:03:47,480 --> 00:03:49,920
Fuck! Fuck!

60
00:03:49,960 --> 00:03:52,760
This is you, this, isn’t it?
This is you!
I’ve been in the pub all night.

61
00:03:52,800 --> 00:03:56,520
Why would I steal the safe
from me own club?
Cos it’s not your club anymore

62
00:03:56,560 --> 00:04:00,320
and you’re a spiteful,
vindictive little shit!
Perhaps we should call the police.

63
00:04:00,360 --> 00:04:02,600
No. No police.

64
00:04:04,080 --> 00:04:07,320
The interesting thing is that
whoever came in,

65
00:04:07,360 --> 00:04:08,800
had keys.

66
00:04:11,880 --> 00:04:13,480
Weren't fucking me!

67
00:04:13,520 --> 00:04:17,360
This guy is clearly
the brains of the operation.

68
00:04:17,400 --> 00:04:20,960
He’s wearing the quality tights,
obviously a high denier,

69
00:04:21,000 --> 00:04:24,520
anything below a 40 denier
and you’re risking being recognised.

70
00:04:24,560 --> 00:04:28,040
I’d say these are an 80, maybe 100.

71
00:04:28,080 --> 00:04:32,080
However, his friend isn’t as clever,
in fact I’d go as far as to say

72
00:04:32,120 --> 00:04:38,120
he has a brain deficiency,
because he’s chosen to wear
fishnet stockings over his head.

73
00:04:38,160 --> 00:04:40,280
Fucking hell.

74
00:04:40,320 --> 00:04:43,160
Ronnie.
On the telly?!

75
00:04:43,200 --> 00:04:45,720
Ronnie? Your Ronnie?

76
00:04:45,760 --> 00:04:49,640
I told you it weren’t me.
Told you. It's your fucking Ronnie.

77
00:04:49,680 --> 00:04:53,080
Do you know this person?
That there is her brother.

78
00:04:53,120 --> 00:04:55,120
# UNLOVED: Love

79
00:04:55,160 --> 00:04:56,160
Oh dear.

80
00:04:57,200 --> 00:05:00,840
Ronnie! Ronnie!

81
00:05:00,880 --> 00:05:01,960
Erin.

82
00:05:03,840 --> 00:05:07,280
I can see the curtains twitching,
you stupid twat!

83
00:05:07,320 --> 00:05:10,840
Get down here now
and open the fucking door!

84
00:05:10,880 --> 00:05:14,080
Here we are. Oh, fuck!

85
00:05:14,120 --> 00:05:16,120
Ronnie?
# (MUSIC CONTINUING)

86
00:05:17,960 --> 00:05:21,680
Get the fuck up! You shitbag.

87
00:05:21,720 --> 00:05:25,360
You went ABOVE my dick. Right up.
Don't do that, OK?

88
00:05:25,400 --> 00:05:28,320
It wasn’t me. I was set up.
What wasn’t you, Ronnie?

89
00:05:28,360 --> 00:05:31,680
Ah... Good work, Columbo.
Where’s the fucking safe?

90
00:05:31,720 --> 00:05:33,720
Sorry , it’s just, erm... I was
forced into it.

91
00:05:33,760 --> 00:05:39,760
He said, you’ll do it
otherwise I will hurt your sister.

92
00:05:39,800 --> 00:05:44,240
I said no! I said, no,
I don’t want to do that!

93
00:05:44,280 --> 00:05:48,720
But he forced me... And I said,
I just want to be good.

94
00:05:48,760 --> 00:05:53,320
And do things that’s legal.
And all I said was... Oh! Who?

95
00:05:53,360 --> 00:05:55,960
Fuck!
Who...are you talking about?

96
00:05:56,000 --> 00:05:58,000
It’s Keithy, OK?
Who?

97
00:05:58,040 --> 00:06:01,640
Keithy McBride. The Special K.
The Big Mac. McDaddy.
Mac and cheese. No?

98
00:06:01,680 --> 00:06:05,280
We were cellmates in Grantham
for bar time.

99
00:06:05,320 --> 00:06:07,920
The next thing you know,
we started overtaking the joint.

100
00:06:07,960 --> 00:06:10,800
Special K and the Ronnie C
going live and loud.

101
00:06:10,840 --> 00:06:13,160
And large. Just running
every little gaff,

102
00:06:13,200 --> 00:06:15,400
every little set‐up,
every little scam,

103
00:06:15,440 --> 00:06:20,320
every little scheme. We were like,
right let’s get out there. We became
partners... I fucking te

104
00:06:20,360 --> 00:06:23,720
Erin, he is good at stuff.
I want that safe. OK. Alright.

105
00:06:23,760 --> 00:06:26,760
I get it. I'll get it for ya.
I'm being serious.
I promise I’ll get it for yer,

106
00:06:26,800 --> 00:06:30,480
it’s just gonna have to be
in the morning. For fuck's sake...
It's just, time‐wise,

107
00:06:30,520 --> 00:06:34,200
getting over there ‐
No. No. Not tomorrow. Now!

108
00:06:34,240 --> 00:06:38,320
Where the fuck do we find him?
He’s like a fucking master criminal.

109
00:06:38,360 --> 00:06:42,200
He just...he just moves like that,
like a ghoul.

110
00:06:42,240 --> 00:06:45,640
Like a fucking spectre.
And the next thing you know, he does
a job

111
00:06:45,680 --> 00:06:47,880
and like a fucking puff of smoke,
mate, he is just gone.

112
00:06:47,920 --> 00:06:50,440
And he is right
into the fucking clouds
or something.

113
00:06:50,480 --> 00:06:54,040
Then it starts raining,
you're like, is that fucking Keithy?
Where the fuck do I find him,

114
00:06:54,080 --> 00:06:57,440
eh? Alright, Erin,
I’ll tell yer. I’ll tell yer.

115
00:06:59,600 --> 00:07:03,080
Mr McBride? Mr Keith McBride?

116
00:07:03,120 --> 00:07:05,520
It’s Hawley Police here, sir.

117
00:07:05,560 --> 00:07:07,720
I’m afraid a vehicle
has collided with yours

118
00:07:07,760 --> 00:07:11,240
on Mayfield Street. We have
an officer down there at the moment.

119
00:07:11,280 --> 00:07:12,320
Yeah.

120
00:07:18,840 --> 00:07:21,440
Keithy?
Who’s asking?

121
00:07:21,480 --> 00:07:24,960
Where’s the fucking cops?
My name is Erin,

122
00:07:25,000 --> 00:07:28,920
I’m Ronnie Croft’s sister. The safe
that you stole belonged to me.

123
00:07:28,960 --> 00:07:33,360
Eh? I don’t know
what you’re fucking talking about.
That wasn’t my fucking money!

124
00:07:33,400 --> 00:07:36,480
Right? So... Right.
...what’s your problem, then?

125
00:07:36,520 --> 00:07:40,520
The guy that money belongs to
is called Terence McCann.

126
00:07:40,560 --> 00:07:42,640
He’s my fucking problem.

127
00:07:42,680 --> 00:07:44,880
Get it down!

128
00:07:44,920 --> 00:07:49,720
If I tell him what’s gone on,
he will be your fucking problem
as well, alright?

129
00:07:49,760 --> 00:07:52,960
And despite our Ronnie
being a fucking half‐wit,

130
00:07:53,000 --> 00:07:56,680
I don’t want to see him get hurt,
alright? Right.

131
00:07:56,720 --> 00:08:00,120
Fuck your Ronnie,
fuck Terence McCann

132
00:08:00,160 --> 00:08:02,520
and fuck you too. (LAUGHS)

133
00:08:13,840 --> 00:08:15,840
I'm getting it back. Right?

134
00:08:15,880 --> 00:08:17,400
Yeah?
Yeah.

135
00:08:19,280 --> 00:08:22,480
You fucking prick!
Oh my God! Get in the car!

136
00:08:24,480 --> 00:08:28,000
(COMMOTION)

137
00:08:29,160 --> 00:08:31,160
Come here!

138
00:08:34,920 --> 00:08:37,080
You’re smashing your own car up,
you fucking lunatic.

139
00:08:52,720 --> 00:08:55,520
Sugar, get in the fucking car.

140
00:09:05,120 --> 00:09:09,600
Jesus Christ, he is a fucking loon,
that one. And what the fuck is
going on, like?

141
00:09:09,640 --> 00:09:12,160
What are you doing mixed up with
Terence McCann’s money?

142
00:09:12,200 --> 00:09:14,840
I’m laundering it for him, alright?
Through the club.

143
00:09:14,880 --> 00:09:17,120
You can’t tell a soul, Carol, OK?

144
00:09:17,160 --> 00:09:21,120
You’re off your fucking head
getting involved with him.
I didn’t have a choice, did I?

145
00:09:21,160 --> 00:09:23,080
No‐one can know, right?

146
00:09:23,120 --> 00:09:25,960
How much did he get away with?
30 grand was McCann's,

147
00:09:26,000 --> 00:09:29,080
then there was a stack of cash
belonged to Vinnie’s from the cars.
Oh, shit...

148
00:09:29,120 --> 00:09:32,640
How’s Vinnie not going to find
out about this, like? And what’s
McCann gonna do

149
00:09:32,680 --> 00:09:36,920
when he hears his 30 grand
is missing?
He’s not gonna find out.

150
00:09:36,960 --> 00:09:38,960
Cos I’m getting it the fuck back.

151
00:09:44,920 --> 00:09:48,520
Wait a minute. (VOMITS)

152
00:09:48,560 --> 00:09:53,560
We haven’t got time for this.
It’s alright, I feel better now,
actually.

153
00:09:53,600 --> 00:09:55,760
OK. Let’s go get him.

154
00:09:55,800 --> 00:09:59,280
Am I right? I’m fucking right.

155
00:10:00,760 --> 00:10:03,880
Fucking right, let’s go get him.
Come on!

156
00:10:06,520 --> 00:10:08,520
(ALL YELL)

157
00:10:13,720 --> 00:10:16,440
Oh!

158
00:10:16,480 --> 00:10:18,480
Oh, fuck!

159
00:10:22,120 --> 00:10:24,120
# LITTLE WILLIE JOHN: No Regrets

160
00:10:28,160 --> 00:10:31,400
Oh my God.
Oh, God. Oh, Jesus!

161
00:10:34,120 --> 00:10:36,360
Oh!
(VOMITS) # (MUSIC ENDS)

162
00:10:38,480 --> 00:10:40,560
Erin!
Shit!

163
00:10:46,560 --> 00:10:48,080
Oh!

164
00:10:49,880 --> 00:10:54,560
Please, please tell me
I didn’t just ‐ Yeah... you just
ran over his fucking head.

165
00:10:54,600 --> 00:10:58,080
Oh my God,
he’s right under your seat! Oh, God!

166
00:10:58,120 --> 00:11:01,720
He's proper stuck under there, like.
Is he alive? Fuck knows.

167
00:11:01,760 --> 00:11:06,520
You’ll have to pull forwards
or backwards till we get him out.
What?! Let's phone an ambulance.

168
00:11:06,560 --> 00:11:10,880
we have no time for that, we just
got to get him out of there fast.
Oh shit, oh shit!

169
00:11:10,920 --> 00:11:14,000
Erin.
OK, I’m doing it. I’m doing it.

170
00:11:17,160 --> 00:11:22,680
(STRAINS, YELLS)
That’s it, that’s it, you’re doing
great. Yes! I can see his head!

171
00:11:22,720 --> 00:11:28,080
That’s it. We can see the head.
We can see the head. That’s it.
That’s it. That’s it.

172
00:11:39,560 --> 00:11:42,120
Er, can I get an ambulance, please?
There’s been an accident.

173
00:11:43,240 --> 00:11:45,480
What are you doing?
What the fuck are you doing?

174
00:11:45,520 --> 00:11:48,320
Apart from fucking knocking him
down. He’s dead
as a fucking doornail.

175
00:11:48,360 --> 00:11:54,160
Give me that fucking phone.
Oh, Jesus. This can’t be happening.
This can’t be happening.

176
00:11:54,200 --> 00:11:58,800
Are you sure he’s not asleep?
Yeah. Just because he’s got
no pulse, doesn’t mean he’s dead.

177
00:11:58,840 --> 00:12:03,000
Sugar, I was a nurse.
A nurse in a porno, Carol,
for 20 minutes.

178
00:12:03,040 --> 00:12:07,800
Not exactly qualified, are yer?!
No, look, there's pulse,
no breathing, no nothing.

179
00:12:07,840 --> 00:12:13,800
Tyre tracks across the face.
He’s fucking toast. Now, listen,
I don't want to say too much,

180
00:12:13,840 --> 00:12:19,720
but I might have been in a situation
very similar to this one
a while back in Rhyl.

181
00:12:19,760 --> 00:12:24,560
OK? Jesus Christ. Let’s just phone
the police and let’s just tell them

182
00:12:24,600 --> 00:12:26,920
what happened.
No. No. No. No. No police. No.

183
00:12:26,960 --> 00:12:31,520
You’ve got a little boy to think of.
That’s precisely who I am thinking
about, Carol. We’ll just

184
00:12:31,560 --> 00:12:34,120
it was just an unfortunate,
freak accident. Yes.

185
00:12:34,160 --> 00:12:38,040
Freak accident?
What? That he accidentally ran over
his own fucking head, twice?

186
00:12:38,080 --> 00:12:40,000
Girls! Think!

187
00:12:40,040 --> 00:12:44,760
We’ve got to make this problem
disappear, just like that thing
in Rhyl that never happened.

188
00:12:44,800 --> 00:12:48,000
Jesus Christ, what the fuck
am I even doing?

189
00:12:48,040 --> 00:12:51,200
I didn’t even want to come out
tonight. My fucking life is ruined

190
00:12:51,240 --> 00:12:53,440
in the space of
five fucking minutes.

191
00:12:56,960 --> 00:12:59,120
OK. Alright.

192
00:13:01,040 --> 00:13:07,000
No‐one knows we were ever here,
yeah? And this prick
spent the majority of his life

193
00:13:07,040 --> 00:13:12,320
robbing people and disappearing.
So no one’s gonna bat an eyelid
if he disappears again.

194
00:13:12,360 --> 00:13:16,040
What are you saying, Erin?
Ah, right.

195
00:13:16,080 --> 00:13:20,240
I think what she’s saying is,
we take nobbo here

196
00:13:20,280 --> 00:13:24,600
off for a farewell lap
in his own car up into the moors,

197
00:13:24,640 --> 00:13:27,720
bury him
and we never speak of this again.

198
00:13:27,760 --> 00:13:31,080
But we need to act now
and everyone needs to be on board.

199
00:13:31,120 --> 00:13:34,400
OK.
No bother, c’mon. Let’s do it.

200
00:13:34,440 --> 00:13:36,600
Come on. Let's go. OK.
You get his hands.

201
00:13:38,400 --> 00:13:41,680
Whaaayyyyy! Someone’s
had a good night!

202
00:13:44,080 --> 00:13:46,240
I mean, the smell! Piss and shit.

203
00:13:46,280 --> 00:13:50,160
(SHEEP BAAING)
You've got to remember
that sheep are like people.

204
00:13:50,200 --> 00:13:53,080
A bit thick.
If one of them does summat,

205
00:13:53,120 --> 00:13:57,200
all the others do the same.
So it’s like a game of tig?

206
00:13:57,240 --> 00:14:01,880
And the sheep like it? Yeah. Oh,
yeah, they fucking love it! Yeah!

207
00:14:01,920 --> 00:14:04,120
Remember playing here
when we were kids?

208
00:14:07,200 --> 00:14:08,960
I miss it, man.

209
00:14:09,000 --> 00:14:12,800
We've grown up now. Got busy.

210
00:14:12,840 --> 00:14:14,840
(PHONE RINGING)

211
00:14:19,120 --> 00:14:22,400
Fuck.
Is that Sam?

212
00:14:24,720 --> 00:14:26,720
What are you doing?

213
00:14:26,760 --> 00:14:29,200
Dude, she's incredible!

214
00:14:29,240 --> 00:14:32,080
I tell you what,
you are going to wreck that

215
00:14:32,120 --> 00:14:35,080
and then you are going to
fucking come moaning to me.
Fuck.

216
00:14:37,320 --> 00:14:41,520
I’m terrified,
to be honest with you.
Dude, she’s nice. She’s smart.

217
00:14:41,560 --> 00:14:43,880
She’s funny. The only thing
wrong with Sam

218
00:14:43,920 --> 00:14:46,680
is that she’s got an unhealthy
attraction to pikey‐looking fuckers

219
00:14:46,720 --> 00:14:50,280
like you. (LAUGHS)

220
00:14:50,320 --> 00:14:54,360
Dude, you’re waiting for a bus
that is just never going to turn up.

221
00:14:54,400 --> 00:14:58,240
Whereas Sam likes you. And if
you keep dragging your heels,

222
00:14:58,280 --> 00:15:01,640
you’re going to fuck everything up.
It’s not her that terrifies me,

223
00:15:01,680 --> 00:15:04,760
it’s the relationship bit,
y’know? I’ll tell yer,

224
00:15:04,800 --> 00:15:09,000
she’s only gonna end up working out
why no‐one should ever be with me
in a relationship.

225
00:15:09,040 --> 00:15:13,480
She’ll end up fucking off
like the rest of them.
So you're gonna pre‐empt that

226
00:15:13,520 --> 00:15:16,320
by just never going
out with her in the first place.
Is that it?

227
00:15:18,600 --> 00:15:20,880
Yes.
Ach, I mean...

228
00:15:21,800 --> 00:15:27,360
Do you know what, in fairness,
sounds like a pretty sound approach
to finding happiness, so fair

229
00:15:27,400 --> 00:15:30,320
What are you two sheepboys doing?
Just cotching.

230
00:15:30,360 --> 00:15:32,960
Argh! Shit! Shit!

231
00:15:33,000 --> 00:15:35,000
Oi!
Shit! Shit!

232
00:15:35,040 --> 00:15:40,400
Fucking language! What's going on?
Shit! What? I fucking fell in shit!

233
00:15:40,440 --> 00:15:42,440
(LAUGHS)

234
00:15:43,440 --> 00:15:47,840
It's what God does to dickheads.
Come on. Get down that end of
t'field, they've all gone. Come on.

235
00:15:54,520 --> 00:15:58,520
I can't get it shut!
It's his hand! It's poking out.

236
00:16:01,400 --> 00:16:04,680
No, the fucker's too big.
Carol, stop, stop, stop, stop.

237
00:16:04,720 --> 00:16:07,440
He's not gonna fit, is he?
Shit!

238
00:16:08,560 --> 00:16:10,560
What the fuck are we gonna do, like?

239
00:16:21,520 --> 00:16:23,520
This is creepy as fuck.

240
00:16:24,440 --> 00:16:26,880
Not too slow, Erin. We don't want
to be conspicuously slow.

241
00:16:26,920 --> 00:16:31,040
All the windows are smashed in,
Carol. I don't speed's the issue.

242
00:16:31,080 --> 00:16:32,560
Whoa, watch out!

243
00:16:33,440 --> 00:16:35,440
Round them up!

244
00:16:35,480 --> 00:16:37,480
# MINISTRY OF SOUND: Let's All Chant

245
00:16:40,120 --> 00:16:42,920
Get him off! Get him off!

246
00:16:42,960 --> 00:16:47,320
He likes you, doesn't he?
Why didn't you put a seatbelt
on him?

247
00:16:47,360 --> 00:16:49,840
What would I do that for?
He's fucking dead.

248
00:16:49,880 --> 00:16:51,880
# (MUSIC ENDS)

249
00:17:01,200 --> 00:17:03,800
That's perfect, Erin.
There’s hundreds of cars down there.

250
00:17:03,840 --> 00:17:06,760
They’ll never find him. Jesus,
he is an awful fucking prick anyway.

251
00:17:06,800 --> 00:17:11,040
He got put ‐
Shut...up...Carol.
I'm only trying to help.

252
00:17:15,440 --> 00:17:17,520
Right, then.

253
00:17:17,560 --> 00:17:19,560
Let’s do it. (CLEARS THROAT)

254
00:17:24,040 --> 00:17:26,120
You get his legs. Jesus, he is
a big one. Fucking huge.

255
00:17:33,280 --> 00:17:35,280
(STRAINS) Come on, you big fucker!

256
00:17:36,160 --> 00:17:40,560
We need to get him so it looks like
he’s been driving. Shut up, Sugar!
You're not fucking helpi

257
00:17:40,600 --> 00:17:45,400
I am just saying. Shut the fuck up!
Shut the fuck up! Yeah, you just
stand there, Sugar, for fu

258
00:17:45,440 --> 00:17:51,440
# HADDAWAY: What Is Love?
So much for being discreet, Carol.
For fuck's sake...

259
00:17:52,960 --> 00:17:58,600
Get off, you!
No, no, no, hang on,

260
00:17:58,640 --> 00:18:02,480
what’s he caught on?
Ah, it’s this stick.

261
00:18:02,520 --> 00:18:06,360
Woah. Shit! Shit!
Aw, fucking dog shit!

262
00:18:08,200 --> 00:18:10,520
Fucking shit.
Ah well, that’s him off so.

263
00:18:10,560 --> 00:18:13,680
# (HADDAWAY SONG CONTINUING)

264
00:18:28,960 --> 00:18:33,040
Oh...!
Wha'?! You’ve got to be kidding me.

265
00:18:33,080 --> 00:18:36,200
That’s meant to be
a bottomless lake.

266
00:18:36,240 --> 00:18:38,240
# (SONG ENDS)
# NICK WATERHOUSE: Song For Winners

267
00:18:46,840 --> 00:18:48,160
We did it! We won!!
Yay!

268
00:18:50,280 --> 00:18:56,120
Dude, your pants stink of shite!
Just throw them out the window!
A few years left in them yet.

269
00:18:56,160 --> 00:19:00,040
Leave them. What was the point
in taking them off and then
just leaving them in here?!

270
00:19:00,080 --> 00:19:05,120
Where are we taking the sheep now?
Where do you think we’re taking 'em?
On holiday?

271
00:19:05,160 --> 00:19:07,160
Blackpool?

272
00:19:08,080 --> 00:19:13,760
Have you ever had a doner kebab?
Hey, Jim ‐ S’alright, let me
handle this. Gentle. Right,

273
00:19:13,800 --> 00:19:19,160
you know what an abattoir is?
That's worse, you dickhead!
What are you doing?

274
00:19:20,600 --> 00:19:23,320
Well, where are we going, then?

275
00:19:23,360 --> 00:19:26,360
I thought they just wanted to have
a ride in the lorry. Like us.

276
00:19:26,400 --> 00:19:30,120
They do.
They do. They do.

277
00:19:30,160 --> 00:19:34,400
They do. No. He's right. They do.
Yeah, they do.

278
00:19:34,440 --> 00:19:38,560
Every now and again we will drive up
to the fields, y’know.

279
00:19:38,600 --> 00:19:42,600
Game of tig. Bit of hide and seek.
Take their minds of being sheep
for a bit.

280
00:19:42,640 --> 00:19:47,560
And they we just...
After that we just...

281
00:19:48,520 --> 00:19:53,080
And then what?
Take them home and put them in bed.

282
00:19:53,120 --> 00:19:57,240
So am I...!
Just turn it round.

283
00:19:57,280 --> 00:20:01,480
We could take them down Steep Lane,
that’s like
going down a rollercoaster.

284
00:20:01,520 --> 00:20:05,200
We should take them down Steep Lane.
That is the sickest of ideas!

285
00:20:05,240 --> 00:20:08,280
Wait till you see it
with the lights out. (ALL SCREAM)

286
00:20:08,320 --> 00:20:10,680
Jesus Jim, put the lights back on!

287
00:20:10,720 --> 00:20:12,960
Whaa‐haaaay!

288
00:20:14,960 --> 00:20:17,120
That was close.

289
00:20:17,160 --> 00:20:19,160
Let’s move the fucker.

290
00:20:23,640 --> 00:20:28,600
Sugar, slow it down.
What do you mean? It's not me!

291
00:20:48,000 --> 00:20:53,760
Jesus!
Fucking hell. This is insane!

292
00:20:53,800 --> 00:20:56,880
What are we gonna do, wheel him
around till we get caught?!

293
00:20:56,920 --> 00:20:59,040
It was your idea to put him
in a wheelie bin.

294
00:20:59,080 --> 00:21:03,760
Yes, I know, but what are we doing
now with him?
Why don’t we just fucking, like,

295
00:21:03,800 --> 00:21:06,680
just cremate him there in the bin?

296
00:21:06,720 --> 00:21:12,160
With that, yeah?
I know, or just fucking, like,
bury him like?

297
00:21:12,200 --> 00:21:15,400
I mean no one ever goes in there,
I bet yer.

298
00:21:15,440 --> 00:21:17,880
In there, like. No‐one ever goes
in there.

299
00:21:19,680 --> 00:21:24,040
Soft ground. Like Rhyl. Come on.
I’ve just done my nails!

300
00:21:24,080 --> 00:21:27,840
C’mon. We’re running out of options
here, it’ll be light
before we know it.

301
00:21:27,880 --> 00:21:30,920
There’s the path, OK? Back it in.
Back it in.

302
00:21:30,960 --> 00:21:33,960
That’s it. Straight up.
Straighten her up. Straight up.

303
00:21:45,560 --> 00:21:48,080
Here’s a car. Just get him out.
Get him out.

304
00:22:11,560 --> 00:22:14,360
What are the fucking chances?!

305
00:22:14,400 --> 00:22:16,840
Dirty fucker's doing a pish.

306
00:22:16,880 --> 00:22:19,320
What?
He's draining his spuds, like.

307
00:22:19,360 --> 00:22:21,360
Jesus Christ...

308
00:22:27,600 --> 00:22:33,200
# THE CREATURES: Right Now
For fuck sake, I can’t do it.

309
00:22:33,240 --> 00:22:39,240
That's it. In here. Pull fast! Pull!

310
00:22:39,280 --> 00:22:42,960
That's it. Fucking hell.

311
00:23:01,760 --> 00:23:04,440
# (MUSIC ENDS)
My fucking wedding ring! What?

312
00:23:04,480 --> 00:23:08,600
My wedding ring. I’m after losing
it. It’s buried in there with him.

313
00:23:08,640 --> 00:23:11,800
Oh, fuck. Ah, fuck!

314
00:23:11,840 --> 00:23:14,600
Oh Jesus Christ. Come on.

315
00:23:14,640 --> 00:23:16,640
Right.

316
00:23:17,560 --> 00:23:19,560
Oh, fuck.

317
00:23:33,000 --> 00:23:36,480
Fucking watch out.
Fucking stupid place

318
00:23:36,480 --> 00:23:41,360
to put a fucking sign anyway.
Let’s just go home and pretend
tonight never happened.

319
00:23:41,400 --> 00:24:27,520
Get on with our lives.

320
00:24:27,560 --> 00:24:29,560
Vin.
Mm‐hm?

321
00:24:30,200 --> 00:24:32,840
I’ve got something
I need to tell you.

322
00:24:34,840 --> 00:24:38,200
What do you mean, 'dead?' What do
you mean, 'dead?' Properly dead?

323
00:24:38,240 --> 00:24:39,760
Yes. Shush!

324
00:24:39,800 --> 00:24:42,200
Who’s dead?
No‐one. Never you mind.

325
00:24:42,240 --> 00:24:45,480
You know, I am beginning to wish
I hadn’t told you about any of this.
Same.

326
00:24:45,520 --> 00:24:48,800
But it doesn’t make any sense.
I'm the dickhead. I'm the idiot,

327
00:24:48,840 --> 00:24:51,320
you’re supposed to be
the sensible one.

328
00:24:51,360 --> 00:24:53,360
What about the gang’s money?
Was that in the ‐

329
00:24:53,400 --> 00:24:56,000
I am working on it.
It’s gone! Shush!

330
00:24:58,280 --> 00:25:00,760
Morning.
Morning. Morning.

331
00:25:00,800 --> 00:25:03,400
Morning.

332
00:25:07,080 --> 00:25:10,600
It’s the morning time.
So you told him, then?

333
00:25:10,640 --> 00:25:15,040
Sugar, I'm sorry. You two, I lay
awake all night, it was in my head ‐
I can’t fucking believe t

334
00:25:15,080 --> 00:25:17,080
# IRMA THOMAS: It's Raining

335
00:25:19,440 --> 00:25:22,640
Thomas?
Vincent? Can I help you? Yeah,

336
00:25:22,680 --> 00:25:27,960
you can help me actually, Erin.
By stopping leaving
snide little notes for me

337
00:25:28,000 --> 00:25:32,520
around my club. How about that?
Well, you are not my priority
right now. First of all,

338
00:25:32,560 --> 00:25:37,000
it’s not your club, Tommo. And they
are not snide little notes. They are
chores for you to do

339
00:25:37,040 --> 00:25:41,600
around the place. I know you like
to think of yourself
as some little emperor

340
00:25:41,640 --> 00:25:45,800
lording it around, giving it
the big 'un, but it doesn’t wash
with me Tommo. Either do it

341
00:25:45,840 --> 00:25:48,280
or fuck off. How's about this,
then?

342
00:25:48,320 --> 00:25:52,440
I’m not fucking doing it!
I don’t give a shit either way, Tom.

343
00:25:52,480 --> 00:25:56,040
Either you do it or you won’t.
And if you won’t, I’ll fire you

344
00:25:56,080 --> 00:25:59,000
and I’ll get someone else to do it.
Either way,

345
00:25:59,040 --> 00:26:03,320
someone is picking the chewing gum
and the pubes out of them urinals,
right?!

346
00:26:08,000 --> 00:26:10,400
Fine. I’ll do it.

347
00:26:10,440 --> 00:26:12,840
But not because you want me to,
cos I want to do it.

348
00:26:12,880 --> 00:26:14,960
Hah! Who’s won that one, then? Me.

349
00:26:17,360 --> 00:26:20,440
You guys are not going to believe
what happened to me last night.

350
00:26:20,480 --> 00:26:23,720
My God, you gotta check this out.
Fuck sake, what now?

351
00:26:23,760 --> 00:26:27,840
'Hello and welcome to another
episode of Fishing with JJ.'

352
00:26:27,880 --> 00:26:30,600
'Tonight we’re on the hunt for perch
and I am also going to be talking

353
00:26:30,640 --> 00:26:34,560
about hair‐rigging your worms.'
Who cares about worms and fish?
Let me spin it forward,

354
00:26:34,600 --> 00:26:35,920
it’s worth it. I promise.

355
00:26:35,960 --> 00:26:40,680
What lake is that? Demdike Quarry.
Who cares what fucking lake it is?

356
00:26:40,720 --> 00:26:46,160
Here you go. 'That’s right, you sexy
little perch you. You know
you want it. Stop teasing, come

357
00:26:46,200 --> 00:26:49,040
What’s wrong with yer?
'Don't be shy.'

358
00:26:49,080 --> 00:26:53,600
Holy fuck! 'Flipping hell! Did you
guys see that?! A flipping car

359
00:26:53,640 --> 00:26:58,520
just fell out the bastard sky,
bruv!' Police are down there now.
They have got fucking divers

360
00:26:58,560 --> 00:27:02,000
and everything. But get this, yeah?
There’s absolutely
no trace of the driver.

361
00:27:02,040 --> 00:27:07,440
(PHONE RINGS) Fuck sake...
Ash? Yes, mate, did you watch it?

362
00:27:07,480 --> 00:27:10,600
It’s gonna go fucking viral, innit?!
I’m round at Sugar’s. Come over.

363
00:27:12,800 --> 00:27:14,240
Have you heard?

364
00:27:16,920 --> 00:27:19,280
The word is out all over town.
Police are down at the quarry.

365
00:27:19,320 --> 00:27:23,680
Keithy McBride is on the missing
persons list. Oh fuck me, no.
I feel sick.

366
00:27:23,720 --> 00:27:28,080
I can’t believe we've been
that stupid? Carol, you were
the one saying it was a good idea!

367
00:27:28,120 --> 00:27:30,600
(KNOCKING) This is a ladies‐only
conversation.

368
00:27:30,640 --> 00:27:33,160
The fuck it is! Let me in.
What you gonna do,

369
00:27:33,200 --> 00:27:38,520
bury me in a shallow grave
in the fucking woods, dickheads?
Erin, I can’t believe you told him.

370
00:27:38,560 --> 00:27:40,600
Listen to me. You gave me
such a bollocking

371
00:27:40,640 --> 00:27:43,520
for bringing Cardi home
with his arse out
and you’ve killed a man!

372
00:27:43,560 --> 00:27:47,080
Erin, you were meant to keep that
quiet, like that thing
that happened in Rhyl.

373
00:27:47,120 --> 00:27:49,560
What happened in Rhyl?
Nothing.

374
00:27:49,600 --> 00:27:52,800
Exactly. Right.
Fuck me, this is getting serious.

375
00:27:52,840 --> 00:27:55,080
Who else knows about it?
No‐one. No‐one.

376
00:27:55,120 --> 00:27:59,720
Good. I...had to offload it
to someone. The burden
was too strong.

377
00:27:59,760 --> 00:28:01,760
Cardi?
Aye. What?! Fucking hell.

378
00:28:01,800 --> 00:28:03,800
Carol...
Did anyone see you?

379
00:28:03,840 --> 00:28:08,520
No.
No‐one. No‐one. Thank fuck.
Except...except for that hen party

380
00:28:08,560 --> 00:28:11,480
that walked past.
A group... of people.

381
00:28:11,520 --> 00:28:17,520
And the police officer when we were
wheeling him down the hill.
What, a policeman saw you?!

382
00:28:17,560 --> 00:28:22,200
He waved at us.
He fucking waved at you?!
What, he saw you with the body?! No,

383
00:28:22,240 --> 00:28:26,720
no, the body was in a...a bin.
Why was he in a fucking wheelie bin?
It was easier to manoeuvre.

384
00:28:26,760 --> 00:28:32,640
Of course. What did you do with
his stuff? The things he had on him.
His wallet. His phone.

385
00:28:32,680 --> 00:28:36,360
His keys? Anything that might...
Honest to fucking God...

386
00:28:36,400 --> 00:28:39,240
There is a body now
in a shallow grave

387
00:28:39,280 --> 00:28:43,160
and he has got his fucking phone
on him?! What if
a fucking dog walker hears it

388
00:28:43,200 --> 00:28:46,160
and answers the fucking thing?
Oh, the fucking documentaries,

389
00:28:46,200 --> 00:28:49,200
the murder documentaries are sick.
They fucking track your phones

390
00:28:49,240 --> 00:28:52,040
and that how they find...that’s how
they find...criminals.

391
00:28:52,080 --> 00:28:56,000
Sounds really bad when you say it
like that. Really frigging bad.
Frightening. I mean, honestl

392
00:28:56,040 --> 00:28:59,520
the police could be banging
on that fucking door any second.
(KNOCKING) (THEY YELL)

393
00:29:05,240 --> 00:29:08,280
Can someone take me to school now?
Absoshagginglutely...

394
00:29:08,320 --> 00:29:09,440
Get down them stairs.

395
00:29:09,480 --> 00:29:15,120
A fucking dead body.
What the bloody hell is he
talking to me about a dead body for?

396
00:29:15,160 --> 00:29:17,960
Guys, what is going on?!
Hi. Alright?

397
00:29:18,000 --> 00:29:22,760
Oh! Here he is, Mr Worldwide
internet star, Jehan Javani
in the flesh.

398
00:29:22,800 --> 00:29:25,000
(CHUCKLES)

399
00:29:25,040 --> 00:29:28,680
Faces like slapped arses. Who died?

400
00:29:28,720 --> 00:29:30,720
(LAUGHS)

401
00:29:35,840 --> 00:29:41,200
Right, you have a good day, yeah?
Yeah. Give me a cuddle.
See you later. Love you, Mum.

402
00:29:41,240 --> 00:29:42,640
Love you.
(PHONE RINGS)

403
00:29:45,920 --> 00:29:51,520
Hello? (MAN) 'Hello, Erin.
Wondered if we could have a chat.'
Who is this?

404
00:29:55,080 --> 00:29:58,560
Hang on a minute, this is
a fucking...this is a murder!

405
00:29:58,600 --> 00:30:02,200
All I’m saying is...
All I am saying is...

406
00:30:02,240 --> 00:30:05,960
If it were Erin’s fault then
we should shop her in to the police.

407
00:30:06,000 --> 00:30:09,880
(PHONE RINGS) She’s killed once ‐
she’s got a taste for it now,
none of us are safe. Fuck me.

408
00:30:09,920 --> 00:30:12,200
Erin? Erin! Clip him, dickhead.

409
00:30:12,240 --> 00:30:14,640
Erin, where are you, love?

410
00:30:14,680 --> 00:30:18,400
I've been brought in
for questioning. What?!
What the fuck?!

411
00:30:18,440 --> 00:30:23,240
Hang on a minute... Just say...
No... No comment to everything.

412
00:30:23,280 --> 00:30:26,160
Stay calm and promise me
you’ll look after Tyler for me.

413
00:30:26,200 --> 00:30:29,040
Stop it, this is fucking ridiculous!

414
00:30:29,080 --> 00:30:32,000
What are they... What fucking
questions are they asking you?

415
00:30:32,040 --> 00:30:35,520
Something to do with
the disappearance of someone

416
00:30:35,560 --> 00:30:38,680
called Keith McBride. I don’t know,
I don’t anything yet.

417
00:30:40,600 --> 00:30:45,720
Listen to me, cos this is important.
I need you to look after Tyler

418
00:30:45,760 --> 00:30:48,720
for me if need be.
Tell me you can do that, Vin?!

419
00:30:48,760 --> 00:30:52,520
Erin... Sweetheart ‐
Vin. Tell me.
Of course I'll look after him,

420
00:30:52,560 --> 00:30:54,880
I’m his fucking dad! Sweetheart,
please!

421
00:30:56,280 --> 00:31:01,400
I've gotta go.
No! Erin! Fuck! Fuck!

422
00:31:01,440 --> 00:31:02,680
What?

423
00:31:06,280 --> 00:31:08,360
They can’t charge her
without a body. Can they?

424
00:31:08,400 --> 00:31:11,240
Right, we need to find this body
fast.

425
00:31:11,280 --> 00:31:13,360
Right. This is Corby Woods. Pull in.

426
00:31:17,160 --> 00:31:20,880
Jesus wept...
What is all this shit?

427
00:31:20,920 --> 00:31:24,200
Carol said there was a sign
or summat.

428
00:31:24,240 --> 00:31:26,280
Was it that sign there maybe?

429
00:31:26,320 --> 00:31:30,120
Come on. We don’t have much time.

430
00:31:30,160 --> 00:31:32,960
Oh, nice. Yeah man. Chop some trees
innit.

431
00:31:33,000 --> 00:31:36,600
That looks about right.
Oh, yeah, check me out, dude!

432
00:31:36,640 --> 00:31:40,760
Be careful, Cardi.
Oh yeah Cardi, look at my one?

433
00:31:40,800 --> 00:31:44,320
Like a tomahawk,
from a lovely native American boy,

434
00:31:44,360 --> 00:31:47,560
maybe you want to...
Maybe I could have a loan of ‐
No, you’re alright. Just hold it

435
00:31:47,600 --> 00:31:51,400
for a second and have a go on it ‐
Ashley. Ashley, listen.
We are going to go out in them woods

436
00:31:51,440 --> 00:31:55,040
and spread out yeah? We are
looking for a knobhead
in a shallow grave.

437
00:31:55,080 --> 00:31:57,080
Let’s go. Let’s do it.

438
00:31:59,080 --> 00:32:02,360
Yeah, now...
Where do we start?

439
00:32:02,400 --> 00:32:05,800
I mean, look at the fucking size
of it.
Listen, don’t panic,

440
00:32:05,840 --> 00:32:09,160
Cardi is on the phone to Carol now,
should give us an idea
where the fucker is lying.

441
00:32:09,200 --> 00:32:13,080
Yeah, thanks. Alright.
See you later, yeah. Love you.
Love you too, bye.

442
00:32:13,120 --> 00:32:17,520
OK. So she says it was pretty dark
last night,

443
00:32:17,560 --> 00:32:21,160
but she’s pretty certain

444
00:32:21,200 --> 00:32:23,960
he’s over near... 'the big tree.'

445
00:32:27,480 --> 00:32:30,960
Just to fuck me in the arse.
Shall I call her back? No.

446
00:32:32,320 --> 00:32:35,640
So the disappearance
of Keithy McBride.

447
00:32:35,680 --> 00:32:39,800
Kind of had this foisted upon us,
what with that video of his
motor in the quarry,

448
00:32:39,840 --> 00:32:43,400
public interest and what‐have‐you.
People love a mystery.

449
00:32:43,440 --> 00:32:47,480
Me, I couldn’t give a rat’s piss
about Keithy McBride.

450
00:32:47,520 --> 00:32:51,080
But unfortunately, since foul play
is suspected,

451
00:32:51,120 --> 00:32:53,240
it’s kind of my responsibility.

452
00:32:53,280 --> 00:32:55,840
So let me start at the beginning.

453
00:32:55,880 --> 00:32:59,960
For the benefit of the tape,
do you know Keithy McBride?

454
00:33:01,160 --> 00:33:02,320
No.

455
00:33:03,480 --> 00:33:07,720
For the benefit of the tape,
I told you, I don’t know him.

456
00:33:07,760 --> 00:33:11,360
Never heard of him
until you asked me about him.

457
00:33:11,400 --> 00:33:14,880
So I don't understand why I’m here.
OK.

458
00:33:16,320 --> 00:33:18,040
OK.

459
00:33:18,080 --> 00:33:22,840
So the next question would be,

460
00:33:22,880 --> 00:33:27,440
why do you suppose that, according
to Keithy McBride’s phone records,

461
00:33:27,480 --> 00:33:30,240
the last person to call him
was...you?

462
00:33:31,480 --> 00:33:33,720
At 11.36 last night.

463
00:33:35,920 --> 00:33:38,920
# NICK WATERHOUSE feat LEON BRIDGES:
Katchi

464
00:33:38,960 --> 00:33:39,960
No comment.

465
00:33:50,640 --> 00:33:53,880
This is a lot harder than it looks
and it’s heavy.

466
00:33:53,920 --> 00:33:56,880
OK. How’s it going?
On the job are yer?

467
00:33:56,920 --> 00:34:00,000
Eh? Oh. Yeah.

468
00:34:00,040 --> 00:34:02,560
You know how to use that thing?
Yeah, yeah. Reckon I do, yeah.

469
00:34:02,600 --> 00:34:06,040
Well, if you need a hand,
you be sure to let me know.

470
00:34:06,080 --> 00:34:08,320
Well, maybe I will.

471
00:34:08,360 --> 00:34:11,400
You could do a lot more damage
than his tiny chopper. (LAUGHS)

472
00:34:15,360 --> 00:34:16,800
The fuck was all that?
What?

473
00:34:17,840 --> 00:34:21,360
Just a bit of banter.
That wasn’t just banter.

474
00:34:21,400 --> 00:34:24,240
Get back to work, skiver.
No. You get back to work, you.

475
00:34:24,280 --> 00:34:26,960
Go on, sod off.
Cheeky.

476
00:34:27,000 --> 00:34:29,920
What’s the fucking deal here?
All lumberjacks gay or something?

477
00:34:29,960 --> 00:34:33,080
Am I invisible? They’re not gay.
Why do you think everyone’s gay?

478
00:34:33,120 --> 00:34:35,280
You with that chainsaw.

479
00:34:35,320 --> 00:34:39,200
That’s the only reason
they’re paying you any attention.
It’s like a gay bat signal.

480
00:34:39,240 --> 00:34:42,200
Pass it over. Careful now.
Swap it now. No. It’s mine.

481
00:34:42,240 --> 00:34:44,520
Swap it Cardi. No, I want the
chainsaw. Hand it over.

482
00:34:44,560 --> 00:34:46,560
# (MUSIC ENDS)

483
00:34:58,560 --> 00:34:59,960
See this necklace?

484
00:35:01,840 --> 00:35:05,280
On a scale of one to ten, how
surprised do you reckon I’m gonna be

485
00:35:05,320 --> 00:35:07,400
if we find your prints all over it?

486
00:35:07,440 --> 00:35:12,560
11.42pm, a phone call is made
to emergency services
from your phone.

487
00:35:12,600 --> 00:35:18,120
'Can we get an ambulance, please?
There’s been an accident...
What are you doing?!'

488
00:35:18,160 --> 00:35:22,080
'What the fuck are you doing?
Apart from us knocking him down.
He’s dead as a fucking doornail.'

489
00:35:22,120 --> 00:35:24,520
'Give me that fucking phone back.'

490
00:35:24,560 --> 00:35:27,800
Pretty damning that.
Do you know, Erin,

491
00:35:27,840 --> 00:35:31,560
what cellphone triangulation is?
It’s how we locate a mobile phone,

492
00:35:31,600 --> 00:35:35,720
or a person’s whereabouts.
These are Keithy McBride's

493
00:35:35,760 --> 00:35:38,240
mobile phone's movements
over the past 24 hours.

494
00:35:38,280 --> 00:35:40,920
And these...are yours.

495
00:35:40,960 --> 00:35:45,200
And, amazingly, you appear
to have been

496
00:35:45,240 --> 00:35:48,520
in exactly the same places
as our missing Keithy

497
00:35:48,560 --> 00:35:51,960
for much of last night. Until,

498
00:35:52,000 --> 00:35:55,080
that is, you returned home

499
00:35:55,120 --> 00:35:58,760
and he...he remained behind.

500
00:35:58,800 --> 00:36:00,800
Right here.

501
00:36:04,000 --> 00:36:06,720
In what appears to be these woods
just outside of town.

502
00:36:13,760 --> 00:36:16,640
There’s a SOCO team
on the way to the woods right now.

503
00:36:16,680 --> 00:36:20,560
Do you think they’re going to
find Mr McBride there?

504
00:36:26,840 --> 00:36:29,360
Give me Vinnie
and I’ll see you walk.

505
00:36:30,240 --> 00:36:34,400
Name Vinnie and you’ll go home
to your kid tonight.

506
00:36:37,520 --> 00:36:40,920
Has anyone seen anything?
No, Vincent,
we haven’t seen anything,

507
00:36:40,960 --> 00:36:45,840
cos it’s a fucking wasting of time.
Stop being so grumpy, Willow.

508
00:36:45,880 --> 00:36:50,280
You're just coming down, you!
I am not on a fucking come‐down,
Vincent.

509
00:37:03,040 --> 00:37:05,240
Knobhead... I am not on a come‐down,
mate.

510
00:37:15,720 --> 00:37:17,880
(SCREAMS)

511
00:37:17,920 --> 00:37:20,520
Shut up, you dickhead!
Keep your fucking voice down.

512
00:37:20,560 --> 00:37:23,960
Fuck!
Fucking hell. Fuck me. Shit.

513
00:37:24,000 --> 00:37:29,920
Get down. Fucking hell. Shush.
Is that it, then, yeah? That’s
gonna be the dead body, right?

514
00:37:29,960 --> 00:37:33,080
If it isn’t, it’ll do
till the right one gets here,
won’t it, you fucking idiot?

515
00:37:33,120 --> 00:37:38,080
What the fuck are you doing?
I am trying to pull him out
of the fucking ground.

516
00:37:38,120 --> 00:37:41,080
We need a distraction or summat.
(COMMOTION)

517
00:37:41,120 --> 00:37:43,240
What the fuck is that?
I think it's Cardi.

518
00:37:43,280 --> 00:37:45,600
A convenient distraction.

519
00:37:45,640 --> 00:37:47,640
# PEACHES: Boys Wanna Be Her

520
00:37:52,480 --> 00:37:55,640
Boys, it's the bossman.

521
00:37:55,680 --> 00:37:58,640
Hey! Who are you lot with?

522
00:37:58,680 --> 00:38:02,840
We're with the crew
for the chopping down of the woods
and shit innit sir.

523
00:38:02,880 --> 00:38:07,280
You’ll have to cover him back up
and we’ll get him later.
We take him now. Get his ankles.

524
00:38:09,240 --> 00:38:14,440
(WOMAN OVER MEGAPHONE)
Your attention, please. All work

525
00:38:14,480 --> 00:38:17,360
is to be suspended
with immediate effect.

526
00:38:17,400 --> 00:38:21,280
These woods have been designated
a crime scene. Fucking leave him!

527
00:38:26,240 --> 00:38:28,240
# (MUSIC ENDS)

528
00:38:36,440 --> 00:38:39,000
(SOMEONE GRUNTS)

529
00:38:39,040 --> 00:38:43,160
Cardi, stop doing that
grunty thing. I didn’t say anything.
You did, you said "eurgh"

530
00:38:43,200 --> 00:38:45,800
and then you grunted.
It wasn’t me.

531
00:38:45,840 --> 00:38:47,240
What the fuck?!

532
00:38:48,520 --> 00:38:52,280
How the fuck is he alive?!
He was. Did you just
fucking knock him out?

533
00:38:52,320 --> 00:38:57,360
Well, he shouldn’t have sneaked up
on us like that. He's been through
enough.

534
00:38:57,400 --> 00:38:59,360
Fucking knocked him out, poor cunt.

535
00:38:59,400 --> 00:39:03,560
Keithy. Keithy, love?
Did nobody check his pulse?
Keithy?

536
00:39:09,000 --> 00:39:13,440
Jesus! For fuck's sake!
Ashley, that's twice!

537
00:39:13,480 --> 00:39:15,880
(SIGHS) Thank fuck he's alive.
# PRIMAL SCREAM: Loaded

538
00:39:21,920 --> 00:39:24,840
Alright, Carl?
No. I’m pretty fucking not.

539
00:39:24,880 --> 00:39:29,440
Keithy McBride was admitted
to St Margaret’s A & E
half an hour ago.

540
00:39:29,480 --> 00:39:31,480
Alive?!
Yeah. It would seem so.

541
00:39:33,800 --> 00:39:36,000
Keithy McBride is alive?

542
00:39:36,040 --> 00:39:39,240
A few witnesses reported seeing him
drinking heavily last night.

543
00:39:39,280 --> 00:39:43,200
Two women found him staggering
along the road, disorientated,
this morning.

544
00:39:43,240 --> 00:39:46,960
Looks like he fell asleep
in some woods. Is that right?

545
00:39:50,240 --> 00:39:51,440
Wow.

546
00:39:55,440 --> 00:39:59,920
Shit! Oh, hi. Yeah, nice to see you
too! I didn’t mean like that,

547
00:39:59,960 --> 00:40:03,200
I just...it’s nice to see you.
# (MUSIC FADES)

548
00:40:03,240 --> 00:40:05,240
So, you handing yourself in?

549
00:40:06,800 --> 00:40:10,440
No, one of the boys...
Just picking up one of the lads
who got in trouble.

550
00:40:10,480 --> 00:40:13,160
Where are you going?
Off to work at the Crow. You know,

551
00:40:13,200 --> 00:40:15,360
that place you’re avoiding
in case you run into me.

552
00:40:15,400 --> 00:40:20,000
For fuck's sake. I'm not avoiding...
I’ve just been busy.

553
00:40:20,040 --> 00:40:23,320
I’ve not told you
because I worry about you...

554
00:40:24,840 --> 00:40:27,720
OK. Shut up. That’s enough
of that... Alright, then.

555
00:40:36,280 --> 00:40:42,280
Get me the fuck out of here.
# DJ FORMAT: 2,3.Scrape

556
00:40:50,720 --> 00:40:52,720
Wait!
I need to talk to Keithy McBride.
Now.

557
00:41:03,360 --> 00:41:08,680
Fucking hell... Yessss! Keithy!
(GROANS) Stop saying "eurgh"
and fucking help.

558
00:41:08,720 --> 00:41:10,720
Quick. Move, you fuck.

559
00:41:15,080 --> 00:41:16,680
Let’s fucking go!
# (MUSIC ENDS)

560
00:41:17,960 --> 00:41:23,560
I really need to get hold of Keithy.
No. just stay clear of
the whole thing.

561
00:41:23,600 --> 00:41:26,800
What if he talks, Vin?
Don’t matter.

562
00:41:26,840 --> 00:41:29,560
No‐ones gonna believe him
if he does. Fuck him.

563
00:41:29,600 --> 00:41:33,120
I need to get to him, I need
to get that money back.
Listen to me, you.

564
00:41:33,160 --> 00:41:37,240
If it’s the difference between him
getting away with a load of money

565
00:41:37,280 --> 00:41:41,000
and you taking a murder charge,
I'd rather take the hit
on the dough,

566
00:41:41,040 --> 00:41:43,800
y’know? It’s only cash.

567
00:41:48,040 --> 00:41:50,040
# HYPNOTIC BRASS ENSEMBLE: Sankofa

568
00:41:52,720 --> 00:41:54,440
Is that our Ronnie?

569
00:41:59,720 --> 00:42:02,360
Come on!
Pull over!

570
00:42:07,680 --> 00:42:09,680
Oi! Ronnie!

571
00:42:12,880 --> 00:42:15,000
Ronnie!
Ronnie, you bell end!

572
00:42:15,040 --> 00:42:17,520
Ronnie, I want
my fucking money back!

573
00:42:22,480 --> 00:42:26,600
We can't hear you,
you fucking idiot!

574
00:42:26,640 --> 00:42:30,760
We can’t hear you Ronnie!
Just give me the money!

575
00:42:30,800 --> 00:42:33,400
I'm saying, I'm fucking wicked
at everything!

576
00:42:33,440 --> 00:42:36,200
We can’t hear what you're saying!

577
00:42:36,240 --> 00:42:37,640
Wait!

578
00:42:37,680 --> 00:42:42,600
I'm getting a fucking sore throat
here! (PHONE RINGS)
Fucking calling me. Right, go on.

579
00:42:42,640 --> 00:42:45,640
Alright, Erin, it’s Ronnie here.
I was saying,

580
00:42:45,680 --> 00:42:48,040
every fucking time
you underestimate me

581
00:42:48,080 --> 00:42:52,080
and you, Vinnie, you skinny twat.
I am an inspiration to many,
Jar told me that, man.

582
00:42:52,120 --> 00:42:55,280
(HORN BLARES)
# (MUSIC ENDS)

583
00:42:57,400 --> 00:42:59,400
# OS TINCOAS: CORDEIRO DE NANA

584
00:43:08,120 --> 00:43:11,800
(PHONE RINGS) Now, let's just...
That's really bad. We should leave.

585
00:43:11,840 --> 00:43:13,040
We should.
(PHONE RINGING)

586
00:43:13,080 --> 00:43:16,040
Oh, fuck, fuck, fuck, fuck, fuck!

587
00:43:21,120 --> 00:43:23,080
# (MUSIC ENDS)

588
00:43:23,120 --> 00:43:24,640
(PHONE RINGING)

589
00:43:24,680 --> 00:43:26,680
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