1 00:00:02,567 --> 00:00:04,819 HOLLIS: What's in the dark is also in the light. 2 00:00:04,819 --> 00:00:07,072 It's just your perception that changes. 3 00:00:08,865 --> 00:00:10,200 See? 4 00:00:10,200 --> 00:00:14,037 Good night, Bobby. ‐ Good night, Uncle Hollis. 5 00:00:14,037 --> 00:00:16,706 ‐ That verse was crazy! 6 00:00:16,706 --> 00:00:18,583 Go ahead and hit me with that next verse, nigga. 7 00:00:18,583 --> 00:00:21,336 ‐ ♪ This is real street G rap shit, road to riches ♪ 8 00:00:21,336 --> 00:00:24,047 ♪ Hunting niggas that starting head‐butting their bitches ♪ 9 00:00:24,047 --> 00:00:26,466 ♪ ♪ 10 00:00:26,466 --> 00:00:28,718 ‐ Hey, yo, D. Yo, I'm in the studio. 11 00:00:28,718 --> 00:00:31,554 And it‐‐it don't feel right without you, man. 12 00:00:31,554 --> 00:00:32,889 [machine beeps] 13 00:00:32,889 --> 00:00:34,558 SHURRIE: Go to New York and get with Bobby. 14 00:00:34,558 --> 00:00:35,934 Now is the time for you to see 15 00:00:35,934 --> 00:00:38,228 if you could really make this music thing work. 16 00:00:38,228 --> 00:00:40,647 ‐ You know how many rappers is out there? 17 00:00:40,647 --> 00:00:42,232 ‐ Better than you? 18 00:00:42,232 --> 00:00:44,109 ‐ The single‐‐it's not moving like they hoped it would. 19 00:00:44,109 --> 00:00:46,570 BOBBY: I mean, people are over that corny poppy shit. 20 00:00:46,570 --> 00:00:47,737 People want that real shit. 21 00:00:47,737 --> 00:00:49,030 PRODUCER: There's not gonna be an album. 22 00:00:49,030 --> 00:00:50,282 It's over. 23 00:00:50,282 --> 00:00:52,242 ‐ I tried to do this shit by myself, and I failed. 24 00:00:52,242 --> 00:00:54,077 If we want to checkmate this industry, 25 00:00:54,077 --> 00:00:55,578 we need all the pieces. 26 00:00:55,578 --> 00:00:59,374 Once we get all them pieces, the whole industry will know. 27 00:01:01,376 --> 00:01:03,420 ANDRE: You don't get an album if you don't have a single‐‐ 28 00:01:03,420 --> 00:01:06,590 something that distinguishes you. 29 00:01:06,590 --> 00:01:08,300 DIVINE: That's self‐distribution. 30 00:01:08,300 --> 00:01:10,594 If we want to get the DJs and the local spots 31 00:01:10,594 --> 00:01:12,012 to put it on the shelves, 32 00:01:12,012 --> 00:01:14,681 we're gonna need, like, 5,000 vinyls and 5,000 tapes. 33 00:01:14,681 --> 00:01:16,266 POWER: For one single? DIVINE: Yeah. 34 00:01:16,266 --> 00:01:18,810 But if we move fast and wide, then that single‐‐ 35 00:01:18,810 --> 00:01:20,604 [clicks tongue] That's gonna get us our record deal, huh? 36 00:01:20,604 --> 00:01:22,105 ‐ Right, if it's the right one. 37 00:01:22,105 --> 00:01:23,315 DIVINE: What are you talking about‐‐ 38 00:01:23,315 --> 00:01:24,816 all the tracks that we recorded? 39 00:01:24,816 --> 00:01:27,068 ‐ Right now, "Method Man" is killing in the streets. 40 00:01:27,068 --> 00:01:28,486 That's the one, son. 41 00:01:28,486 --> 00:01:30,030 DIVINE: It's a banger for sure, but‐‐ 42 00:01:30,030 --> 00:01:33,283 ‐ Right‐‐exact‐‐Yo, the ladies is fucking with it, too, son. 43 00:01:33,283 --> 00:01:34,701 Meth is a star. You know that. 44 00:01:34,701 --> 00:01:36,870 ‐ But, see, that's the problem. 45 00:01:36,870 --> 00:01:38,705 Meth's the only one who's rhyming on it. 46 00:01:38,705 --> 00:01:41,082 No, people need to know the Wu‐Tang is a group. 47 00:01:41,082 --> 00:01:44,627 So I'm thinking‐‐you know, I'm thinking we do, uh... 48 00:01:44,627 --> 00:01:46,046 we do "Tearz." 49 00:01:46,046 --> 00:01:47,756 ‐ [scoffs] "Tearz," nigga? DIVINE: Mm‐hmm. 50 00:01:47,756 --> 00:01:49,007 ‐ "Tearz"? 51 00:01:49,007 --> 00:01:51,051 "Tearz" only got two people on that shit. 52 00:01:51,051 --> 00:01:52,552 That's not a group track, nigga. 53 00:01:52,552 --> 00:01:54,387 DIVINE: Yeah, but it's Ghostface, and it's the RZA. 54 00:01:54,387 --> 00:01:56,681 That's the heart, and that's the brain right there. 55 00:01:56,681 --> 00:01:57,932 You know what I mean? 56 00:01:57,932 --> 00:01:59,309 ‐ Yeah, "Tearz" is my shit. 57 00:01:59,309 --> 00:02:01,353 But that shit ain't gonna go in the club, son. 58 00:02:01,353 --> 00:02:02,937 ‐ This is what I'm thinking about "Tearz," right? 59 00:02:02,937 --> 00:02:04,481 It's got a bomb‐ass‐‐ 60 00:02:04,481 --> 00:02:07,817 ‐ Yo, it ain't "Tearz," and it's not "Method Man." 61 00:02:10,111 --> 00:02:12,697 ‐ All right, so‐‐so what you thinking, huh? 62 00:02:12,697 --> 00:02:15,075 You thinking about‐‐oh, you thinking about that track 63 00:02:15,075 --> 00:02:17,577 that you and Rae were working on? 64 00:02:17,577 --> 00:02:20,413 ‐ It ain't that one either. 65 00:02:20,413 --> 00:02:22,624 No, we don't got that shit. 66 00:02:22,624 --> 00:02:25,043 ‐ Then what? 67 00:02:25,043 --> 00:02:27,462 ‐ Gonna have to start from scratch. 68 00:02:27,462 --> 00:02:29,547 [sighs] 69 00:02:29,547 --> 00:02:30,715 ‐ What the fu‐‐ 70 00:02:30,715 --> 00:02:31,716 [hip‐hop music] 71 00:02:31,716 --> 00:02:33,468 [men grunting] 72 00:02:33,468 --> 00:02:34,469 [blade resounds] 73 00:02:38,264 --> 00:02:42,268 ♪ ♪ 74 00:02:47,023 --> 00:02:48,983 [gun cocks] 75 00:02:56,324 --> 00:03:01,162 ♪ ♪ 76 00:03:01,162 --> 00:03:03,832 [dice thud] 77 00:03:08,503 --> 00:03:15,552 ♪ ♪ 78 00:03:30,316 --> 00:03:31,317 [blade resounds] 79 00:03:31,317 --> 00:03:32,694 ‐ Yo, Bobby. 80 00:03:32,694 --> 00:03:34,821 Yo, son, you got floppy disks full of tracks, son. 81 00:03:34,821 --> 00:03:36,656 Yo, all of these shits is bangin', come on. 82 00:03:36,656 --> 00:03:39,075 ‐ We're introducing the Wu‐Tang Clan 83 00:03:39,075 --> 00:03:41,661 to the entire world with this single. 84 00:03:41,661 --> 00:03:43,913 It's like making a first impression with a chick. 85 00:03:43,913 --> 00:03:45,707 If you don't do it right, 86 00:03:45,707 --> 00:03:47,167 she ain't gonna let you in her crib. 87 00:03:47,167 --> 00:03:49,252 ‐ Boom, see, if it's about the chicks, then let's go 88 00:03:49,252 --> 00:03:51,129 with "Method Man," just like I said. 89 00:03:51,129 --> 00:03:52,714 ‐ It's not about chicks, yo. 90 00:03:52,714 --> 00:03:54,716 ‐ So then what it is about, Bobby? 91 00:03:54,716 --> 00:03:59,137 Explain it to us. ‐ [sighing] 92 00:03:59,137 --> 00:04:01,556 It's got to be... 93 00:04:01,556 --> 00:04:05,185 Wu‐Tang rugged, you dig? 94 00:04:05,185 --> 00:04:07,479 Grimy as shit, 95 00:04:07,479 --> 00:04:11,858 but like Power said, it's got to play in the clubs. 96 00:04:11,858 --> 00:04:15,361 And like you said, it's got to have the entire Clan on it. 97 00:04:15,361 --> 00:04:17,655 DIVINE: Mm‐hmm. ‐ [sighs] 98 00:04:17,655 --> 00:04:20,325 We got to do a posse cut. 99 00:04:20,325 --> 00:04:23,745 ‐ Hey, yo, I, uh‐‐ I hear you, Bobby. 100 00:04:23,745 --> 00:04:25,789 I hear you, but we don't got any time 101 00:04:25,789 --> 00:04:28,333 to be‐‐to be making new tracks, man. 102 00:04:28,333 --> 00:04:29,959 ‐ Yeah, and we ain't got money either. 103 00:04:29,959 --> 00:04:31,419 ‐ Mm‐hmm. ‐ You know what I'm saying? 104 00:04:31,419 --> 00:04:33,213 We got enough to pay for two days in the studio 105 00:04:33,213 --> 00:04:35,006 to mix and master, you know what I'm saying? 106 00:04:35,006 --> 00:04:37,258 And the rest of the cream is for pressing up wax and tape. 107 00:04:37,258 --> 00:04:38,426 DIVINE: Just trust what you already have. 108 00:04:38,426 --> 00:04:39,677 ‐ No, yo‐‐ 109 00:04:39,677 --> 00:04:41,095 We got to come through chopping heads, yo. 110 00:04:41,095 --> 00:04:44,390 We got to have high BPM and high energy, 111 00:04:44,390 --> 00:04:47,894 not just one animal roaring. 112 00:04:47,894 --> 00:04:49,813 We got to have the entire fucking soundtrack 113 00:04:49,813 --> 00:04:51,606 of the jungle, yo. 114 00:04:51,606 --> 00:04:53,608 And we ain't got that shit. 115 00:04:53,608 --> 00:04:56,194 ‐ Bobby, look, what do you mean we ain't got that shit? 116 00:04:56,194 --> 00:04:58,238 Look at all the damn floppy tapes. 117 00:04:58,238 --> 00:05:00,114 ‐ Yo, let me have a couple more days to figure this out, 118 00:05:00,114 --> 00:05:01,783 and if I don't, 119 00:05:01,783 --> 00:05:04,869 we can pick something else for the single, all right? 120 00:05:04,869 --> 00:05:07,956 DIVINE: Okay. Bobby, I hear what you're saying. 121 00:05:07,956 --> 00:05:09,207 We do not have a couple‐‐ 122 00:05:09,207 --> 00:05:11,709 [hip‐hop music playing] 123 00:05:11,709 --> 00:05:14,420 ‐ Oh. All right, I guess we leaving then. 124 00:05:14,420 --> 00:05:16,840 [chuckles] ‐ Mm‐hmm. 125 00:05:16,840 --> 00:05:23,847 ♪ ♪ 126 00:05:36,651 --> 00:05:38,778 [ceiling fan thumping] 127 00:05:42,031 --> 00:05:44,492 ‐ [exhales sharply] 128 00:05:45,577 --> 00:05:46,953 [records flipping] 129 00:05:49,664 --> 00:05:51,875 [thumping continues] 130 00:05:55,128 --> 00:05:56,880 [Isaac Hayes & The Bar Keys' "Do Your Thing" plays] 131 00:05:56,880 --> 00:05:59,674 SINGER: ♪ If the music make you move ♪ 132 00:05:59,674 --> 00:06:02,635 ♪ 'Cause you can dig the groove ♪ 133 00:06:02,635 --> 00:06:05,054 ♪ Then groove on ♪ 134 00:06:05,054 --> 00:06:06,514 ♪ ♪ 135 00:06:06,514 --> 00:06:08,057 ♪ Groove on ♪ 136 00:06:08,057 --> 00:06:10,143 ♪ ♪ 137 00:06:12,186 --> 00:06:15,231 [Funkadelic's "Hit It and Quit It" plays] 138 00:06:15,231 --> 00:06:16,566 SINGER: ♪ I want you to hit it ♪ 139 00:06:16,566 --> 00:06:18,443 ♪ ♪ 140 00:06:18,443 --> 00:06:19,652 ♪ Hit it and quit it ♪ 141 00:06:19,652 --> 00:06:21,654 ♪ ♪ 142 00:06:21,654 --> 00:06:24,324 ♪ I want you to, ooh ♪ 143 00:06:24,324 --> 00:06:27,660 [jazz music playing] 144 00:06:27,660 --> 00:06:34,667 ♪ ♪ 145 00:06:34,667 --> 00:06:38,630 [piano notes playing] 146 00:06:38,630 --> 00:06:41,633 [jazz music resumes] 147 00:06:41,633 --> 00:06:47,847 ♪ ♪ 148 00:06:47,847 --> 00:06:49,724 ‐ Shit. 149 00:06:49,724 --> 00:06:52,143 PERSON: Didn't you hear what he said? 150 00:06:52,143 --> 00:06:55,146 [hip‐hop music playing] 151 00:06:55,146 --> 00:06:58,941 ♪ ♪ 152 00:06:58,941 --> 00:07:01,152 PERSON ON TV: I see that you know how to fight. 153 00:07:01,152 --> 00:07:06,115 BOTH: Well, today you are up against the Ting brothers. 154 00:07:06,115 --> 00:07:08,951 [telephone ringing] 155 00:07:08,951 --> 00:07:11,329 ♪ ♪ 156 00:07:11,329 --> 00:07:12,914 [indistinct chatter on TV] 157 00:07:12,914 --> 00:07:14,916 ‐ [sighs] What? 158 00:07:14,916 --> 00:07:17,085 POWER: Ain't you supposed to answer "Wu‐Tang Productions"? 159 00:07:17,085 --> 00:07:18,503 BOBBY: Yeah, my bad. 160 00:07:18,503 --> 00:07:20,546 POWER: Studio's booked for tomorrow. 161 00:07:20,546 --> 00:07:22,048 ‐ For tomorrow? POWER: Tomorrow. 162 00:07:22,048 --> 00:07:23,466 It's the only time I could get. 163 00:07:23,466 --> 00:07:24,884 They're booked for the rest of the month. 164 00:07:24,884 --> 00:07:26,344 Know what I mean? We got it for two days, kid. 165 00:07:26,344 --> 00:07:29,263 That's it. You're gonna be ready, right? 166 00:07:29,263 --> 00:07:30,264 ‐ Yeah. 167 00:07:30,264 --> 00:07:32,725 [door buzzing] 168 00:07:32,725 --> 00:07:34,560 [bell dings] 169 00:07:34,560 --> 00:07:36,562 [guitar music playing] 170 00:07:36,562 --> 00:07:38,981 What's up, man? ‐ What you looking for? 171 00:07:38,981 --> 00:07:40,566 ‐ I have no idea. 172 00:07:40,566 --> 00:07:44,362 ♪ ♪ 173 00:07:44,362 --> 00:07:46,155 What's up, man? 174 00:07:46,155 --> 00:07:50,159 ♪ ♪ 175 00:07:50,159 --> 00:07:53,538 [records flipping] 176 00:07:53,538 --> 00:07:56,541 [music fades] 177 00:07:56,541 --> 00:07:58,751 ♪ ♪ 178 00:07:58,751 --> 00:08:01,796 [reggae music playing] 179 00:08:01,796 --> 00:08:08,678 ♪ ♪ 180 00:08:17,228 --> 00:08:19,605 SINGER: ♪ When you're down and out ♪ 181 00:08:19,605 --> 00:08:22,525 ♪ In New York City ♪ 182 00:08:22,525 --> 00:08:26,654 ♪ I'm never, never, never gonna get that way again ♪ 183 00:08:26,654 --> 00:08:28,573 ♪ Whoo! ♪ 184 00:08:28,573 --> 00:08:31,784 [percussion playing] 185 00:08:31,784 --> 00:08:38,791 ♪ ♪ 186 00:08:38,791 --> 00:08:41,794 [L7's "Pretend We're Dead" plays] 187 00:08:41,794 --> 00:08:46,049 ♪ ♪ 188 00:08:46,049 --> 00:08:48,301 [bell dinging] 189 00:08:48,301 --> 00:08:51,429 ♪ ♪ 190 00:08:51,429 --> 00:08:52,805 ‐ What's up? 191 00:08:52,805 --> 00:08:54,265 ‐ What's up, yo? [sighs] 192 00:08:54,265 --> 00:08:56,267 ♪ ♪ 193 00:08:56,267 --> 00:08:59,937 SINGER: ♪ Turn the tables with our unity ♪ 194 00:08:59,937 --> 00:09:01,481 ‐ Yo, what up with Dennis? 195 00:09:01,481 --> 00:09:03,274 I heard about him and Shurrie. 196 00:09:03,274 --> 00:09:05,693 ♪ ♪ 197 00:09:05,693 --> 00:09:09,238 ‐ Yeah. Yeah, he's‐‐he's cool. 198 00:09:09,238 --> 00:09:11,157 It's all in the family. 199 00:09:11,157 --> 00:09:13,618 ‐ Cool, cool. 200 00:09:13,618 --> 00:09:15,453 Yeah, man. 201 00:09:15,453 --> 00:09:17,580 Tell D‐Lover I said what up. 202 00:09:17,580 --> 00:09:19,248 Heads been wanting to hear more from us 203 00:09:19,248 --> 00:09:22,168 ever since we did that "No More Mr. Nice Guy" track. 204 00:09:22,168 --> 00:09:24,462 ‐ That shit was cool... 205 00:09:24,462 --> 00:09:27,507 you know, for the‐‐ for the neighborhood. 206 00:09:27,507 --> 00:09:30,009 Oh, by the way, he's going by, uh, Ghostface Killah now. 207 00:09:30,009 --> 00:09:34,097 ‐ [laughs] Oh, yeah, I forgot. Y'all be on that kung fu shit. 208 00:09:35,681 --> 00:09:36,974 ‐ [softly] Yes. 209 00:09:36,974 --> 00:09:41,896 ♪ ♪ 210 00:09:41,896 --> 00:09:43,773 ‐ So, uh, you working on anything new? 211 00:09:43,773 --> 00:09:45,274 ‐ Always, yo. 212 00:09:45,274 --> 00:09:48,820 ♪ ♪ 213 00:09:48,820 --> 00:09:51,906 Oh, shit, I was just there... 214 00:09:51,906 --> 00:09:54,909 [scoffs] A couple of hours ago. 215 00:09:54,909 --> 00:09:57,578 That shit was kind of dry, though, a little stale. 216 00:09:57,578 --> 00:09:59,122 ‐ I mean, I guess it's easy to miss shit 217 00:09:59,122 --> 00:10:00,873 when you don't know what you looking for. 218 00:10:00,873 --> 00:10:02,291 [chuckles] 219 00:10:02,291 --> 00:10:05,711 ♪ ♪ 220 00:10:05,711 --> 00:10:09,423 Oh, I was looking for this! Deep cut. 221 00:10:09,423 --> 00:10:12,635 Yo, Puba and his people gonna love what I do with this shit. 222 00:10:12,635 --> 00:10:14,720 I got a session with them next week. 223 00:10:14,720 --> 00:10:16,681 ♪ ♪ 224 00:10:16,681 --> 00:10:18,141 ‐ Word. 225 00:10:18,141 --> 00:10:22,562 ♪ ♪ 226 00:10:22,562 --> 00:10:25,565 [sweeping music] 227 00:10:25,565 --> 00:10:32,530 ♪ ♪ 228 00:10:33,948 --> 00:10:37,076 ["Pretend We're Dead" resumes] 229 00:10:37,076 --> 00:10:44,083 ♪ ♪ 230 00:10:44,083 --> 00:10:45,918 SINGER: ♪ Pretend we're dead ♪ 231 00:10:45,918 --> 00:10:50,173 ♪ Dead ♪ 232 00:10:50,173 --> 00:10:52,300 ♪ Dead ♪ 233 00:10:52,300 --> 00:10:54,594 ♪ Pretend we're dead ♪ 234 00:10:55,803 --> 00:10:59,182 ‐ Hey, yo, yo, yo, what he just cop? 235 00:10:59,182 --> 00:11:00,183 Man‐‐ 236 00:11:00,183 --> 00:11:05,396 ♪ ♪ 237 00:11:17,366 --> 00:11:20,369 [The Main Ingredient's "Something 'Bout Love" plays] 238 00:11:20,369 --> 00:11:25,291 ♪ ♪ 239 00:11:25,291 --> 00:11:27,376 ‐ [softly] Almost. 240 00:11:27,376 --> 00:11:34,425 ♪ ♪ 241 00:11:43,017 --> 00:11:47,563 ALL: ♪ Something about love ♪ 242 00:11:47,563 --> 00:11:52,568 ‐ ♪ That makes me crazy ♪ 243 00:11:52,568 --> 00:11:53,861 BOTH: ♪ Crazy ♪ 244 00:11:53,861 --> 00:11:57,198 ‐ ♪ Your love is for me ♪ 245 00:11:57,198 --> 00:11:59,617 ♪ ♪ 246 00:11:59,617 --> 00:12:04,789 ♪ Don't take it away ♪ 247 00:12:04,789 --> 00:12:08,251 ♪ No, no ♪ 248 00:12:08,251 --> 00:12:12,713 ALL: ♪ Something about love ♪ 249 00:12:12,713 --> 00:12:17,677 ‐ ♪ That drives men crazy ♪ 250 00:12:17,677 --> 00:12:22,265 BOTH: ♪ Crazy ♪ ‐ ♪ You'd be my only love ♪ 251 00:12:22,265 --> 00:12:29,272 ♪ ♪ 252 00:12:40,032 --> 00:12:43,035 [volume shifting as all sing] 253 00:12:43,035 --> 00:12:45,037 ♪ ♪ 254 00:12:45,037 --> 00:12:49,041 ♪ The one you love ♪ 255 00:12:49,041 --> 00:12:53,879 ♪ Even if it means I can't stay ♪ 256 00:12:53,879 --> 00:12:57,174 ♪ Oh ♪ 257 00:12:57,174 --> 00:13:00,094 ‐ You know Stevie Wonder wrote this, right? 258 00:13:00,094 --> 00:13:02,096 [chuckles] You should know. 259 00:13:02,096 --> 00:13:05,433 I only played these boys for you 10, 20 times. 260 00:13:05,433 --> 00:13:07,810 BOBBY: I do remember, Uncle Hollis. 261 00:13:07,810 --> 00:13:09,729 That's why I had to pick them up. 262 00:13:09,729 --> 00:13:11,731 [clears throat] 263 00:13:11,731 --> 00:13:13,482 ‐ Good man. 264 00:13:13,482 --> 00:13:15,693 [chuckles] 265 00:13:15,693 --> 00:13:18,696 ‐ ♪ You change your ways ♪ 266 00:13:18,696 --> 00:13:22,700 ♪ ♪ 267 00:13:22,700 --> 00:13:26,704 ALL: ♪ And something 'bout love ♪ 268 00:13:26,704 --> 00:13:32,585 ♪ That drives me crazy ♪ 269 00:13:32,585 --> 00:13:39,550 ♪ You'd be my only love ♪ 270 00:13:39,550 --> 00:13:42,887 ♪ I love you today ♪ 271 00:13:42,887 --> 00:13:46,766 ‐ So this is what goes on in your head? 272 00:13:46,766 --> 00:13:49,143 It's like Radio City. 273 00:13:49,143 --> 00:13:56,108 ♪ ♪ 274 00:13:56,108 --> 00:14:00,196 [record whirring] 275 00:14:00,196 --> 00:14:03,741 ‐ [giggling] 276 00:14:03,741 --> 00:14:07,244 ALL: ♪ And something 'bout love ♪ 277 00:14:07,244 --> 00:14:10,372 ♪ And something 'bout love ♪ 278 00:14:10,372 --> 00:14:13,125 [sped up] ♪ And something 'bout love ♪ 279 00:14:13,125 --> 00:14:16,629 ♪ That drives me crazy ♪ 280 00:14:16,629 --> 00:14:19,590 ‐ Bobby, they don't like that. 281 00:14:19,590 --> 00:14:22,218 What you doing to them? 282 00:14:22,218 --> 00:14:26,055 ‐ It wasn't‐‐it wasn't what I needed it to be. 283 00:14:26,055 --> 00:14:28,599 So I had to‐‐I had to pick them up. 284 00:14:28,599 --> 00:14:32,686 ALL: ♪ And something 'bout love ♪ 285 00:14:32,686 --> 00:14:36,065 ‐ Oh, damn, Bobby. 286 00:14:36,065 --> 00:14:38,109 [electric sitar playing prominently] 287 00:14:38,109 --> 00:14:45,116 ♪ ♪ 288 00:14:47,118 --> 00:14:50,830 [drums playing steadily] 289 00:14:50,830 --> 00:14:53,457 I still don't see why you want to use this music 290 00:14:53,457 --> 00:14:55,668 if you just gonna tear it up. 291 00:14:55,668 --> 00:14:59,421 ‐ That's just your perception. ‐ My perception? 292 00:14:59,421 --> 00:15:03,175 ♪ ♪ 293 00:15:03,175 --> 00:15:07,721 ‐ Do you remember when I was‐‐ I was afraid of the dark? 294 00:15:07,721 --> 00:15:09,640 ‐ Oh, I remember very well. 295 00:15:09,640 --> 00:15:11,559 ‐ Well, you told me not to be scared. 296 00:15:11,559 --> 00:15:13,227 You told me that‐‐ 297 00:15:13,227 --> 00:15:16,522 that everything in the dark exists... 298 00:15:16,522 --> 00:15:18,107 in the light. 299 00:15:18,107 --> 00:15:19,733 It's a change in your perception. 300 00:15:19,733 --> 00:15:21,527 It's the same with this music. 301 00:15:21,527 --> 00:15:23,404 I can't change exactly what's‐‐ 302 00:15:23,404 --> 00:15:24,864 what they're playing with the notes, 303 00:15:24,864 --> 00:15:27,324 but I can‐‐I can shape it. 304 00:15:27,324 --> 00:15:29,827 I can... 305 00:15:29,827 --> 00:15:32,413 I can push it from... 306 00:15:32,413 --> 00:15:35,207 from dark to light, 307 00:15:35,207 --> 00:15:38,085 make it whatever I need it to be. 308 00:15:38,085 --> 00:15:40,045 ‐ Whatever you can imagine. 309 00:15:40,045 --> 00:15:41,547 ‐ [chuckles] Yeah. 310 00:15:41,547 --> 00:15:46,010 [sped‐up percussion playing] 311 00:15:46,010 --> 00:15:48,053 ‐ Make up your mind already! 312 00:15:48,053 --> 00:15:51,098 ‐ I told you your imagination can turn on you. 313 00:15:51,098 --> 00:15:53,434 ‐ See, that's exactly why, uh‐‐ 314 00:15:53,434 --> 00:15:57,313 [percussion continues at normal speed] 315 00:16:00,566 --> 00:16:03,527 [electric sitar notes playing] 316 00:16:03,527 --> 00:16:09,241 ♪ ♪ 317 00:16:09,241 --> 00:16:11,660 [exhales deeply] 318 00:16:11,660 --> 00:16:18,667 ♪ ♪ 319 00:16:20,961 --> 00:16:23,505 ‐ Hey, man, what the hell? 320 00:16:23,505 --> 00:16:26,300 ‐ Keep that shit going. 321 00:16:26,300 --> 00:16:28,177 That shit's good. 322 00:16:28,177 --> 00:16:30,304 Yeah. Yeah, yeah. 323 00:16:30,304 --> 00:16:37,311 ♪ ♪ 324 00:16:42,107 --> 00:16:44,276 Bong, bong. 325 00:16:44,276 --> 00:16:46,278 Yeah, yeah, yeah. 326 00:16:46,278 --> 00:16:50,032 ♪ ♪ 327 00:16:50,032 --> 00:16:52,159 [muttering] Wu‐Tang city. 328 00:16:52,159 --> 00:16:57,289 ♪ ♪ 329 00:16:59,083 --> 00:17:02,086 [percussion plays] 330 00:17:02,086 --> 00:17:03,879 ♪ ♪ 331 00:17:03,879 --> 00:17:05,339 ‐ Ladies and gentlemen, 332 00:17:05,339 --> 00:17:07,424 we have the Honey Drippers in the house tonight. 333 00:17:07,424 --> 00:17:09,843 And they just got back from Washington, D. C. 334 00:17:09,843 --> 00:17:11,887 And I think they got something they want to say. 335 00:17:11,887 --> 00:17:14,765 ♪ ♪ 336 00:17:14,765 --> 00:17:16,809 ALL: ♪ Impeach the president ♪ 337 00:17:16,809 --> 00:17:21,397 ♪ Impeach the president, impeach the president ♪ 338 00:17:21,397 --> 00:17:24,483 ‐ Hey, man, look, we know you ain't gonna use us. 339 00:17:24,483 --> 00:17:26,277 All y'all ever want is Phil. 340 00:17:26,277 --> 00:17:29,822 ‐ Oh, you know what? You're right. 341 00:17:29,822 --> 00:17:32,241 ‐ Oh, whoa, brother, brother, 342 00:17:32,241 --> 00:17:35,494 brother, you know Phil wasn't shit when I found him. 343 00:17:35,494 --> 00:17:36,662 I had to drill his ass! 344 00:17:36,662 --> 00:17:39,790 Oh, shit! PHIL: [chuckles] 345 00:17:39,790 --> 00:17:42,418 Thanks. He always riding me. 346 00:17:42,418 --> 00:17:44,295 ‐ Hey, that motherfucker talks too much. 347 00:17:44,295 --> 00:17:46,547 I ain't got time for none of that shit. 348 00:17:46,547 --> 00:17:49,341 ‐ So now that Hammond's out, how you want me to play it? 349 00:17:49,341 --> 00:17:51,343 Most of y'all like it like how Marley Marl has it. 350 00:17:51,343 --> 00:17:52,595 ‐ Let me hear that. 351 00:17:52,595 --> 00:17:54,847 ‐ This is Hammond's version. 352 00:17:54,847 --> 00:17:58,434 ♪ ♪ 353 00:17:58,434 --> 00:18:00,936 But Marley Marl love that kick. 354 00:18:00,936 --> 00:18:03,939 ♪ ♪ 355 00:18:03,939 --> 00:18:06,567 ‐ Yo, uh, let's, uh‐‐ 356 00:18:06,567 --> 00:18:10,487 Let's try it out my way. ‐ Whatever you say, I'm down. 357 00:18:10,487 --> 00:18:12,156 ♪ ♪ 358 00:18:12,156 --> 00:18:13,949 ‐ Sick. 359 00:18:13,949 --> 00:18:20,956 ♪ ♪ 360 00:18:24,168 --> 00:18:26,003 ‐ I can dig that. 361 00:18:26,003 --> 00:18:29,173 ♪ ♪ 362 00:18:29,173 --> 00:18:31,842 ‐ It's feeling kind of‐‐ kind of thin. 363 00:18:31,842 --> 00:18:38,849 ♪ ♪ 364 00:18:53,614 --> 00:18:54,865 Yeah, yeah, yeah, yeah. 365 00:18:54,865 --> 00:18:57,743 Hey, Phil, let me‐‐let me get you on that snare. 366 00:18:57,743 --> 00:18:59,036 Lean into it. 367 00:18:59,036 --> 00:19:02,831 ♪ ♪ 368 00:19:02,831 --> 00:19:06,085 Yeah. [chuckles] 369 00:19:06,085 --> 00:19:09,296 And, yo, uh, what's your name? 370 00:19:09,296 --> 00:19:11,215 ‐ Alex. 371 00:19:11,215 --> 00:19:14,343 ‐ Let me get that shit more, uh‐‐more frantic. 372 00:19:14,343 --> 00:19:16,261 ‐ Frantic? 373 00:19:16,261 --> 00:19:21,016 ♪ ♪ 374 00:19:21,016 --> 00:19:24,895 ‐ Hey, you, uh, on the left, let me get that, uh‐‐ 375 00:19:24,895 --> 00:19:27,898 the... [imitates guitar playing] 376 00:19:27,898 --> 00:19:33,070 ♪ ♪ 377 00:19:33,070 --> 00:19:36,240 ‐ No, you can't. But you can get it like this. 378 00:19:36,240 --> 00:19:39,243 [legato string notes playing] 379 00:19:39,243 --> 00:19:46,250 ♪ ♪ 380 00:20:00,723 --> 00:20:02,933 ‐ Yo, keep that shit going, huh? 381 00:20:02,933 --> 00:20:09,940 ♪ ♪ 382 00:20:12,901 --> 00:20:15,696 [music stops] 383 00:20:15,696 --> 00:20:17,698 [sighs] 384 00:20:24,580 --> 00:20:26,081 [hip‐hop beat playing] 385 00:20:26,081 --> 00:20:27,624 SINGER: ♪ Your love is... ♪ 386 00:20:27,624 --> 00:20:30,919 ‐ Yo, I need more drums, yo. Make that shit big. 387 00:20:30,919 --> 00:20:35,549 Give me‐‐give me, uh, 4 dB on the bass. 388 00:20:35,549 --> 00:20:38,886 ETHAN: Okay, like that? 389 00:20:38,886 --> 00:20:40,763 How does that sound? 390 00:20:40,763 --> 00:20:42,848 ♪ ♪ 391 00:20:42,848 --> 00:20:44,349 ‐ Yeah. 392 00:20:44,349 --> 00:20:46,560 Yeah, right? 393 00:20:46,560 --> 00:20:49,646 That shit's hard, right? ‐ Very hard, bro. 394 00:20:49,646 --> 00:20:52,274 ‐ Hey, yo, pause. ‐ Watch your mouth, son. 395 00:20:52,274 --> 00:20:53,942 ‐ You heard this nigga? [music stops] 396 00:20:53,942 --> 00:20:56,236 ‐ Hey, yo, what's up, man? [indistinct shouting] 397 00:20:56,236 --> 00:20:58,489 ‐ Thought you said to pause. ‐ Turn that shit back on. 398 00:20:58,489 --> 00:21:00,157 ‐ Hey, watch the board, man! [shouting continues] 399 00:21:00,157 --> 00:21:01,700 ‐ Play the music. 400 00:21:01,700 --> 00:21:04,244 ‐ Hey, yo, just‐‐ Never mind them, all right? 401 00:21:04,244 --> 00:21:07,164 Let's‐‐let's stay focused here. 402 00:21:07,164 --> 00:21:10,334 ‐ All right, my bad. I thought it was hard, man, but... 403 00:21:10,334 --> 00:21:11,960 ‐ [chuckles] 404 00:21:11,960 --> 00:21:14,296 Yo, I'm done with my shit, son. ‐ Me too. 405 00:21:14,296 --> 00:21:16,340 ‐ Yo, how you even read that shit, son? 406 00:21:16,340 --> 00:21:19,009 ‐ I'ma show you. ‐ Nah, nah, nah, hold on. 407 00:21:19,009 --> 00:21:20,761 ‐ What you mean? ‐ I'm getting on the mic first. 408 00:21:20,761 --> 00:21:22,179 ‐ You wilin'. 409 00:21:22,179 --> 00:21:24,306 ‐ Yo, ain't nobody going in the booth, all right? 410 00:21:24,306 --> 00:21:25,599 Until I say so. 411 00:21:25,599 --> 00:21:27,476 This shit is like a fucking symphony, all right? 412 00:21:27,476 --> 00:21:30,938 Everybody's voice is an instrument, all right? 413 00:21:30,938 --> 00:21:32,397 ‐ What you mean? 414 00:21:32,397 --> 00:21:34,900 ‐ Deck, you first. 415 00:21:34,900 --> 00:21:38,987 ‐ Come on, man. ‐ The RZA chooses wisely. 416 00:21:38,987 --> 00:21:40,823 [person scoffs] SHOTGUN: Yo, wack, son. 417 00:21:40,823 --> 00:21:43,408 DECK: 'Cause I'm going first, y'all better get to re‐writing. 418 00:21:43,408 --> 00:21:44,493 SHOTGUN: Whatever, yo. 419 00:21:44,493 --> 00:21:45,619 METH: What are you talking about? 420 00:21:45,619 --> 00:21:47,830 ‐ And my nigga, GZA... GZA: Yo. 421 00:21:47,830 --> 00:21:49,206 ‐ You last, yo. All right? 422 00:21:49,206 --> 00:21:51,792 ‐ Ah, yeah, save the best for last. 423 00:21:51,792 --> 00:21:53,210 I'll be right back, matter of fact. 424 00:21:53,210 --> 00:21:54,753 You better have some shit ready. 425 00:21:54,753 --> 00:21:57,506 ‐ What up, dog? ‐ Peace, dog. 426 00:21:57,506 --> 00:21:58,966 ‐ You out already? 427 00:21:58,966 --> 00:22:00,425 ‐ Yeah, I'm about to go contemplate my verse. 428 00:22:00,425 --> 00:22:01,760 Know what I mean? 429 00:22:01,760 --> 00:22:03,637 Might watch a phat karate flick or something. 430 00:22:03,637 --> 00:22:05,764 You feel me? You good? 431 00:22:05,764 --> 00:22:07,266 ‐ Yeah, son, I'm chillin'. 432 00:22:07,266 --> 00:22:08,684 I just ain't realize 433 00:22:08,684 --> 00:22:11,228 we was rolling this deep in the studio and shit. 434 00:22:11,228 --> 00:22:12,729 GZA: Oh, yeah, the RZA wants this record 435 00:22:12,729 --> 00:22:15,274 to feel like a live show, know what I mean? 436 00:22:15,274 --> 00:22:16,400 Yo, kill that shit. 437 00:22:16,400 --> 00:22:19,236 We gon' take care of it. Peace, cuz. 438 00:22:19,236 --> 00:22:22,364 ♪ ♪ 439 00:22:22,364 --> 00:22:25,117 BOBBY: Oh, yeah, make sure the kick is stand, uh... 440 00:22:25,117 --> 00:22:26,493 ETHAN: Okay. 441 00:22:26,493 --> 00:22:28,662 BOBBY: And the weight of all that shit is just... 442 00:22:28,662 --> 00:22:31,248 ETHAN: You rock, man. And we're out... 443 00:22:31,248 --> 00:22:33,041 BOBBY: So we got Inspectah. 444 00:22:33,041 --> 00:22:34,751 ♪ ♪ 445 00:22:34,751 --> 00:22:36,169 What you think? 446 00:22:36,169 --> 00:22:39,464 ♪ ♪ 447 00:22:39,464 --> 00:22:42,467 ‐ Hey, yo, this spot mad different than yours, son. 448 00:22:42,467 --> 00:22:44,636 ♪ ♪ 449 00:22:44,636 --> 00:22:46,430 ‐ I'm talking about this beat, yo. 450 00:22:46,430 --> 00:22:49,474 ‐ Oh, yeah, this shit phat. 451 00:22:49,474 --> 00:22:52,019 You know, always is, though. 452 00:22:52,019 --> 00:22:53,395 ‐ Hey, what's up, man? I'm Ethan. 453 00:22:53,395 --> 00:22:56,481 ‐ What up? D‐Lov‐‐ 454 00:22:56,481 --> 00:22:58,692 Ghostface. 455 00:22:58,692 --> 00:23:01,153 ‐ Oh, he's the one you've been talking about? 456 00:23:01,153 --> 00:23:02,905 BOBBY: Yeah, yeah. ETHAN: Okay, sick. 457 00:23:02,905 --> 00:23:06,283 ‐ Yeah, so what you do, Ethan? ‐ Uh, I'm the engineer. 458 00:23:06,283 --> 00:23:08,076 ♪ ♪ 459 00:23:08,076 --> 00:23:11,163 ‐ Oh, word, word. 460 00:23:11,163 --> 00:23:13,874 ‐ You're after Deck, yo, all right? 461 00:23:13,874 --> 00:23:15,542 ♪ ♪ 462 00:23:15,542 --> 00:23:17,461 ‐ Damn. So that's mad soon, son. 463 00:23:17,461 --> 00:23:19,129 ‐ Better get that shit cracking. 464 00:23:19,129 --> 00:23:20,380 [chuckles] 465 00:23:20,380 --> 00:23:23,133 [indistinct chatter] 466 00:23:23,133 --> 00:23:24,927 GHOSTFACE: Peace, peace. 467 00:23:24,927 --> 00:23:26,720 ♪ ♪ 468 00:23:26,720 --> 00:23:28,722 PERSON: Imagine that. PERSON 2: I know, right? 469 00:23:28,722 --> 00:23:32,225 ♪ ♪ 470 00:23:35,729 --> 00:23:42,694 ♪ ♪ 471 00:23:48,909 --> 00:23:51,703 [music stops] 472 00:23:56,333 --> 00:23:59,336 [can rattling] 473 00:24:00,963 --> 00:24:03,715 [can hissing] 474 00:24:10,764 --> 00:24:12,474 ‐ ♪ Jam on the mic ♪ 475 00:24:12,474 --> 00:24:14,184 [clicks tongue] Nah. 476 00:24:16,770 --> 00:24:19,773 [can hissing] 477 00:24:22,943 --> 00:24:24,945 ♪ I smoke on the mic ♪ 478 00:24:24,945 --> 00:24:26,363 [chuckles] 479 00:24:26,363 --> 00:24:27,948 ♪ I smoke on the mic ♪ 480 00:24:27,948 --> 00:24:31,493 ♪ Like Smokin' Joe Frazier ♪ 481 00:24:31,493 --> 00:24:35,455 [can hissing] 482 00:24:35,455 --> 00:24:39,209 ♪ Swing into your town like your neighborhood Spider‐Man ♪ 483 00:24:39,209 --> 00:24:42,421 Yo. ♪ Swinging through your town ♪ 484 00:24:42,421 --> 00:24:45,799 ♪ ♪ 485 00:24:45,799 --> 00:24:47,801 [chuckles] 486 00:24:49,428 --> 00:24:50,721 ♪ Swinging through your town ♪ 487 00:24:50,721 --> 00:24:52,431 ♪ Like the neighborhood Spider‐Man ♪ 488 00:24:52,431 --> 00:24:54,599 ♪ So, uh, ticktock, keep tickin' ♪ 489 00:24:54,599 --> 00:24:57,227 ♪ While I get ya flippin' off the shit I'm kickin' ♪ 490 00:24:57,227 --> 00:24:59,646 ♪ The Lone Ranger, code red, danger ♪ 491 00:24:59,646 --> 00:25:02,691 ♪ Deep in the dark with the art to rip the charts apart ♪ 492 00:25:02,691 --> 00:25:04,317 ♪ The vandal, too hot to handle ♪ 493 00:25:04,317 --> 00:25:07,029 ♪ Ya battle, you're saying "goodbye" like Tevin Campbell ♪ 494 00:25:07,029 --> 00:25:09,281 ♪ Roughneck, Inspectah Deck's on the set ♪ 495 00:25:09,281 --> 00:25:12,284 ♪ The Rebel, I make more noise than heavy metal ♪ 496 00:25:12,284 --> 00:25:14,828 ‐ Shoo! PERSON: You hear that shit? 497 00:25:14,828 --> 00:25:16,747 PERSON 2: Yeah, he did, son. He did. 498 00:25:16,747 --> 00:25:20,125 ‐ Hey, Ghost, you up next, yo. 499 00:25:20,125 --> 00:25:22,002 You ready? 500 00:25:22,002 --> 00:25:23,962 ‐ Nah, nah, nah. Let‐‐let one of them go first. 501 00:25:23,962 --> 00:25:25,839 PERSON: I'm out here right now. Hold my quarter. 502 00:25:25,839 --> 00:25:27,674 ‐ All right, Rae? 503 00:25:27,674 --> 00:25:30,552 ‐ Like you even have to fucking ask, yo. 504 00:25:30,552 --> 00:25:32,054 BOBBY: All right. ‐ Word, word. 505 00:25:32,054 --> 00:25:33,055 BOBBY: Let's get that fucking shit. 506 00:25:33,055 --> 00:25:34,598 ‐ Yeah, yeah. Watch and learn. 507 00:25:34,598 --> 00:25:37,017 Come on, God, you already know. 508 00:25:37,017 --> 00:25:40,479 ♪ ♪ 509 00:25:40,479 --> 00:25:42,606 ♪ The way I make the crowd go wild ♪ 510 00:25:42,606 --> 00:25:44,524 ♪ Sit back, relax, won't smile ♪ 511 00:25:44,524 --> 00:25:46,568 ♪ Rae got it going on, pal ♪ 512 00:25:46,568 --> 00:25:48,445 ♪ Call me the rap assassinator ♪ 513 00:25:48,445 --> 00:25:50,822 ♪ Rhymes rugged and built like Schwarzenegger ♪ 514 00:25:50,822 --> 00:25:52,991 ♪ And I'ma get mad deep like a threat ♪ 515 00:25:52,991 --> 00:25:56,286 ♪ Blow up your project, then take all your assets ♪ 516 00:25:56,286 --> 00:25:58,288 ♪ 'Cause I came to shake the frame in half ♪ 517 00:25:58,288 --> 00:26:00,791 ♪ With the thoughts that bomb shit like math ♪ 518 00:26:00,791 --> 00:26:03,543 ♪ So if you want to try to flip, go flip on the next man ♪ 519 00:26:03,543 --> 00:26:05,253 ♪ 'Cause I grab the clip and ♪ 520 00:26:05,253 --> 00:26:07,839 ♪ Hit you with 16 shots and more I got ♪ 521 00:26:07,839 --> 00:26:10,759 ♪ Goin' to war with the melting' pot, ah ♪ 522 00:26:10,759 --> 00:26:13,178 ALL: Ah! 523 00:26:13,178 --> 00:26:14,888 ‐ Yo, play that shit again. ‐ Yeah, yeah. 524 00:26:14,888 --> 00:26:17,140 ‐ Yeah, play that shit, again and again, guy. 525 00:26:17,140 --> 00:26:18,850 DECK: ♪ So, uh, ticktock, keep tickin' ♪ 526 00:26:18,850 --> 00:26:20,102 ♪ While I get you flippin'‐‐ ♪ 527 00:26:20,102 --> 00:26:22,521 ‐ Raise it up just a little bit. 528 00:26:22,521 --> 00:26:23,897 DECK: ♪ Code red, danger ♪ 529 00:26:23,897 --> 00:26:25,690 ♪ Deep in the dark with the art ♪ 530 00:26:25,690 --> 00:26:27,067 ♪ To rip the charts apart ♪ 531 00:26:27,067 --> 00:26:28,652 ♪ The vandal, too hot to handle ♪ 532 00:26:28,652 --> 00:26:31,279 ♪ Ya battle, you're sayin' "goodbye" like Tevin Campbell ♪ 533 00:26:31,279 --> 00:26:33,490 ♪ Roughneck, Inspectah Deck's on the set ♪ 534 00:26:33,490 --> 00:26:36,076 ♪ The rebel, I make more noise than heavy metal ♪ 535 00:26:36,076 --> 00:26:38,078 RAE: ♪ The way I make the crowd go wild ♪ 536 00:26:38,078 --> 00:26:39,871 ♪ Sit back, relax, won't smile ♪ 537 00:26:39,871 --> 00:26:41,498 ♪ Rae got it going on, pal ♪ 538 00:26:41,498 --> 00:26:43,667 ♪ Call me the rap assassinator ♪ 539 00:26:43,667 --> 00:26:46,086 ♪ Rhymes rugged and built like Schwarzenegger ♪ 540 00:26:46,086 --> 00:26:47,879 ♪ And I'm gonna get mad deep like a threat ♪ 541 00:26:47,879 --> 00:26:50,173 ‐ What's up? 542 00:26:50,173 --> 00:26:52,884 ‐ I don't know, yo. It's‐‐it's not lining up. 543 00:26:52,884 --> 00:26:54,219 ‐ Really? 544 00:26:54,219 --> 00:26:57,472 ‐ It's like the mix is off or something. 545 00:26:57,472 --> 00:26:58,890 ‐ I don't hear it. 546 00:26:58,890 --> 00:26:59,891 ‐ No? 547 00:26:59,891 --> 00:27:02,561 Everything's how you wanted it. 548 00:27:02,561 --> 00:27:04,688 ♪ ♪ 549 00:27:04,688 --> 00:27:06,356 ‐ All right, fuck it. 550 00:27:06,356 --> 00:27:08,692 Let's just lay down everything else, 551 00:27:08,692 --> 00:27:09,901 and we can figure it out later. 552 00:27:09,901 --> 00:27:11,111 ETHAN: Okay. ‐ Right? 553 00:27:11,111 --> 00:27:12,654 ETHAN: Yeah, that works. 554 00:27:12,654 --> 00:27:14,656 ‐ Hey, yo, Ghost, you ready yet? 555 00:27:14,656 --> 00:27:15,740 ‐ Nah, son. 556 00:27:15,740 --> 00:27:18,535 Nah, nah. I'm still working on it. 557 00:27:18,535 --> 00:27:21,037 ‐ All right. Dirty, what's up with you? 558 00:27:21,037 --> 00:27:23,415 ‐ Sure, I been ready, son! What's up? 559 00:27:23,415 --> 00:27:26,251 ‐ Hey, yo, let me see this shit, man. 560 00:27:26,251 --> 00:27:28,545 ‐ Yeah, you might learn something, yeah. 561 00:27:28,545 --> 00:27:29,671 Mm‐hmm. 562 00:27:29,671 --> 00:27:31,172 ‐ Hey, yo, this nigga clowning, son. 563 00:27:31,172 --> 00:27:32,883 Look at that shit, son. 564 00:27:32,883 --> 00:27:34,175 ‐ Look at it. 565 00:27:35,969 --> 00:27:37,637 ‐ Yo, cuz, for real, yo? 566 00:27:37,637 --> 00:27:39,222 ‐ For real, son. 567 00:27:39,222 --> 00:27:42,267 ‐ Yo, this nigga‐‐you wrote this shit when you was 13, yo. 568 00:27:42,267 --> 00:27:44,185 [laughter] 569 00:27:44,185 --> 00:27:46,062 ‐ How am I supposed to help if I'm a prodigy, man? 570 00:27:46,062 --> 00:27:49,399 I can't help that, son. Give me my shit, man. 571 00:27:49,399 --> 00:27:51,818 Hey, son, gold is gold. 572 00:27:51,818 --> 00:27:53,570 Man, I don't know why y'all niggas is hating on me. 573 00:27:53,570 --> 00:27:55,363 ‐ We got this studio so we can record some new shit, 574 00:27:55,363 --> 00:27:56,948 not come up in here with old bars, all right? 575 00:27:56,948 --> 00:27:59,159 Yo, take this shit serious. 576 00:27:59,159 --> 00:28:00,869 Go and write some new shit. 577 00:28:00,869 --> 00:28:02,954 An original verse, all right? 578 00:28:02,954 --> 00:28:04,456 ‐ Man, listen, 579 00:28:04,456 --> 00:28:07,584 I can't even write under these circumstances anyway, man. 580 00:28:07,584 --> 00:28:10,587 Don't oppress me, man. The Black man is God. 581 00:28:10,587 --> 00:28:12,672 [laughter] 582 00:28:12,672 --> 00:28:13,924 BOBBY: Yeah. Whatever, nigga. 583 00:28:13,924 --> 00:28:16,426 Yo, come back with a new verse, all right? 584 00:28:16,426 --> 00:28:19,429 ♪ ♪ 585 00:28:19,429 --> 00:28:21,389 [music fades] 586 00:28:21,389 --> 00:28:23,642 [ominous music] 587 00:28:23,642 --> 00:28:26,645 [whispering chorus repeating "Wu Tang"] 588 00:28:26,645 --> 00:28:33,610 ♪ ♪ 589 00:29:07,686 --> 00:29:09,479 ‐ You ain't shit. 590 00:29:10,522 --> 00:29:11,982 ‐ What? 591 00:29:11,982 --> 00:29:13,650 BOBBY: [echoing] Yo. 592 00:29:13,650 --> 00:29:17,153 [normal voice] Yo, you hear me? 593 00:29:17,153 --> 00:29:18,238 You ready yet? 594 00:29:18,238 --> 00:29:19,239 ‐ Hey, yo, I‐I got to go 595 00:29:19,239 --> 00:29:21,032 take a leak, son. 596 00:29:22,993 --> 00:29:24,661 ‐ Well, hurry your ass up, nigga. 597 00:29:24,661 --> 00:29:27,038 We have one more day left in the studio, all right? 598 00:29:27,038 --> 00:29:28,456 ‐ Hey, yo, so then don't put me on the song then. 599 00:29:28,456 --> 00:29:29,958 ‐ Everybody has to be on the song. 600 00:29:29,958 --> 00:29:31,710 Yo, you know, everybody has to be on the track. 601 00:29:31,710 --> 00:29:34,129 ‐ All right, all right, I heard you, I heard you, all right? 602 00:29:34,129 --> 00:29:36,131 ‐ [sighs] 603 00:29:36,131 --> 00:29:38,883 ♪ ♪ 604 00:29:38,883 --> 00:29:41,678 ‐ Meth, you're up. 605 00:29:41,678 --> 00:29:43,054 ‐ Finally, son. 606 00:29:43,054 --> 00:29:45,515 Damn, how long you's gonna take? 607 00:29:45,515 --> 00:29:47,892 BOBBY: It's on you. ‐ [scoffs] Symphony, right? 608 00:29:49,728 --> 00:29:52,313 METH: ♪ I mean, oh, yo, check out the flow ♪ 609 00:29:52,313 --> 00:29:55,066 ♪ Like the Hudson or PCP when I'm dustin' ♪ 610 00:29:55,066 --> 00:29:57,277 ♪ Niggas off 'cause I'm hot like sauce ♪ 611 00:29:57,277 --> 00:29:59,779 ♪ Smoke from the lyrical blunt makes me [coughs] ♪ 612 00:29:59,779 --> 00:30:01,865 U‐GOD: ♪ Ooh, grab my nut, get screwed ♪ 613 00:30:01,865 --> 00:30:04,242 ♪ Ow, here comes my Shaolin style ♪ 614 00:30:04,242 --> 00:30:08,997 ♪ To my crew with the ♪ ‐ ♪ Sooh ♪ 615 00:30:08,997 --> 00:30:10,290 METH: ♪ It's the Method Man ♪ 616 00:30:10,290 --> 00:30:11,624 ♪ For short, Mr. Meth ♪ 617 00:30:11,624 --> 00:30:13,710 ♪ Movin' on your left ♪ 618 00:30:13,710 --> 00:30:16,546 ♪ Ah, and set it off, get it off, let it off ♪ 619 00:30:16,546 --> 00:30:18,298 ♪ Like a gat, I want to break full‐‐ ♪ 620 00:30:20,925 --> 00:30:23,011 ‐ Fuck, yo. 621 00:30:23,011 --> 00:30:24,262 ‐ We've been at it for a while. 622 00:30:24,262 --> 00:30:27,307 Maybe we should re‐do some verses. 623 00:30:27,307 --> 00:30:30,685 ‐ It's not the verses. It's the beat. 624 00:30:30,685 --> 00:30:33,688 This beat is soulful, but I need something... 625 00:30:33,688 --> 00:30:35,899 more original. 626 00:30:35,899 --> 00:30:38,234 I need something unpredictable. 627 00:30:38,234 --> 00:30:41,696 ‐ I‐I feel you. I just‐‐I think you're burning out, man. 628 00:30:41,696 --> 00:30:45,325 I love this beat, and these guys do, too. 629 00:30:45,325 --> 00:30:47,327 ‐ Every verse... 630 00:30:47,327 --> 00:30:49,537 needs to hit hard... 631 00:30:49,537 --> 00:30:51,372 every verse. 632 00:30:51,372 --> 00:30:52,791 ‐ It's just, if we can't mix with four, 633 00:30:52,791 --> 00:30:54,501 it's gonna be crazy with seven. 634 00:30:54,501 --> 00:30:56,586 ‐ Yo, I'm not taking anybody off of the single, all right? 635 00:30:56,586 --> 00:30:59,214 Everybody will stay on the song. 636 00:30:59,214 --> 00:31:01,800 ‐ All right. 637 00:31:01,800 --> 00:31:03,968 ‐ I just need to‐‐ I need to think. 638 00:31:03,968 --> 00:31:05,261 [sighs] 639 00:31:05,261 --> 00:31:07,222 ‐ Atención, por favor. 640 00:31:07,222 --> 00:31:08,723 ‐ This nigga here, man. 641 00:31:08,723 --> 00:31:12,060 [laughter, chatter] 642 00:31:12,060 --> 00:31:15,396 RAE: Yeah, that shit better be hard. 643 00:31:15,396 --> 00:31:16,981 ‐ You just wrote this shit right now? 644 00:31:16,981 --> 00:31:18,483 ‐ Yeah, son. 645 00:31:18,483 --> 00:31:20,151 What you thought I was doing on the roof the whole time? 646 00:31:20,151 --> 00:31:21,986 ‐ Not supposed to go on the roof. 647 00:31:21,986 --> 00:31:23,571 ‐ Yo, if he keeps writing like this, 648 00:31:23,571 --> 00:31:25,615 he can climb to the top of the Empire State Building. 649 00:31:25,615 --> 00:31:26,783 ‐ Word. 650 00:31:26,783 --> 00:31:29,619 ‐ Yo, this shit is fucking hard, son. 651 00:31:29,619 --> 00:31:31,579 ‐ King Kong, motherfucker! 652 00:31:31,579 --> 00:31:33,706 ♪ Baby, baby, come on home ♪ 653 00:31:33,706 --> 00:31:35,875 ♪ First things first, man, you're fuckin' with the worst ♪ 654 00:31:35,875 --> 00:31:38,670 ♪ I'll be sticking pins in your head like a fuckin' nurse ♪ 655 00:31:38,670 --> 00:31:41,548 ♪ I'll attack any nigga who's slack in his mack ♪ 656 00:31:41,548 --> 00:31:43,800 ♪ Come fully packed with a fat rugged stack ♪ 657 00:31:43,800 --> 00:31:45,885 ♪ Shame on you when you step through to ♪ 658 00:31:45,885 --> 00:31:47,428 ♪ The Ol' Dirty Bastard ♪ 659 00:31:47,428 --> 00:31:49,055 ♪ Straight from the Brooklyn Zoo ♪ 660 00:31:49,055 --> 00:31:51,015 ♪ And I'll be damned if I let any man ♪ 661 00:31:51,015 --> 00:31:52,100 ♪ Come to my center ♪ 662 00:31:52,100 --> 00:31:53,560 ♪ You enter the winter ♪ 663 00:31:53,560 --> 00:31:55,436 ♪ Straight up and down, that shit is packed jam ♪ 664 00:31:55,436 --> 00:31:58,189 ♪ You can't slam, don't let me get fool on him, man ♪ 665 00:31:58,189 --> 00:32:00,775 ‐ Whoo! ‐ That's original right there. 666 00:32:00,775 --> 00:32:03,111 ‐ Word! ‐ Rhymes is phat. 667 00:32:03,111 --> 00:32:06,614 ‐ Hey, Ghost, well, after that, you got to be motiva‐‐ 668 00:32:06,614 --> 00:32:08,366 Yo, what the fuck? 669 00:32:08,366 --> 00:32:11,119 Yo, where this nigga Ghost at? 670 00:32:11,119 --> 00:32:12,662 RAE: Disappearing. I'm not gonna hold you. 671 00:32:12,662 --> 00:32:15,665 Ghostface Killah for real. You know what I mean? 672 00:32:15,665 --> 00:32:17,167 METH: Word. 673 00:32:23,047 --> 00:32:24,674 GHOSTFACE: ♪ My pen, my pen that‐‐ ♪ 674 00:32:24,674 --> 00:32:27,886 ♪ My pen that slays for minutes and days ♪ 675 00:32:31,055 --> 00:32:32,682 ♪ As I lounge‐‐ ♪ 676 00:32:32,682 --> 00:32:34,642 ♪ I lunge at your throat ♪ 677 00:32:34,642 --> 00:32:38,938 ♪ Shaolin wooden men, we coming for your‐‐ ♪ 678 00:32:38,938 --> 00:32:40,857 ♪ Shaolin wooden men ♪ 679 00:32:40,857 --> 00:32:42,233 ♪ We coming for your throat ♪ 680 00:32:42,233 --> 00:32:44,652 ♪ I got the goons born un‐‐ ♪ 681 00:32:44,652 --> 00:32:46,112 ♪ And the crew ♪ 682 00:32:46,112 --> 00:32:49,240 ♪ Fuck around, get your skull split in two ♪ 683 00:32:49,240 --> 00:32:52,118 [baby crying] Shh, shh, shh. 684 00:32:52,118 --> 00:32:53,745 ♪ As I slice‐‐as I‐‐ ♪ 685 00:32:53,745 --> 00:32:55,830 No, as I‐‐ 686 00:32:55,830 --> 00:32:58,458 ♪ As I slice just‐‐ ♪ 687 00:32:58,458 --> 00:33:00,877 [baby crying] 688 00:33:00,877 --> 00:33:03,713 ‐ Wait. Shh, shh, shh. 689 00:33:03,713 --> 00:33:05,256 Oh, come here. 690 00:33:05,256 --> 00:33:06,716 Ooh. 691 00:33:06,716 --> 00:33:10,094 Oh, I got you. I got you. 692 00:33:10,094 --> 00:33:12,722 Mommy's little alarm clock. 693 00:33:12,722 --> 00:33:14,724 ‐ Yo, I'm sorry. I woke him up by accident. 694 00:33:14,724 --> 00:33:16,184 ‐ It's okay. 695 00:33:16,184 --> 00:33:17,894 ‐ Just go back in there and go back to sleep. Give me‐‐ 696 00:33:17,894 --> 00:33:22,106 ‐ No, no, no, it's okay. He's probably just hungry. 697 00:33:22,106 --> 00:33:24,108 How about you‐‐you go in the bedroom, 698 00:33:24,108 --> 00:33:27,070 and, yeah, I'll stay out here with him? 699 00:33:30,490 --> 00:33:31,908 [chuckles] ‐ Thank you. 700 00:33:31,908 --> 00:33:35,536 ‐ Mm‐hmm. [baby continues crying] 701 00:33:35,536 --> 00:33:37,914 Can you make a bottle first, though? 702 00:33:37,914 --> 00:33:40,917 ‐ ♪ And I'll put your skull in two ♪ 703 00:33:40,917 --> 00:33:44,337 ♪ As I come through with the sword ♪ 704 00:33:44,337 --> 00:33:46,965 ♪ As I come through with the sword ♪ 705 00:33:46,965 --> 00:33:49,717 [baby wailing] [sighs] 706 00:33:49,717 --> 00:33:52,136 ♪ Come through with the sword ♪ 707 00:33:52,136 --> 00:33:55,265 [baby continues wailing] 708 00:33:56,975 --> 00:33:58,351 All right. All right, baby. 709 00:33:58,351 --> 00:34:01,813 All right, all right, I'm coming, I'm coming. 710 00:34:01,813 --> 00:34:04,357 METH: ♪ It's the Method Man, for short Mr. Meth ♪ 711 00:34:04,357 --> 00:34:06,317 ♪ Movin' on your left ♪ 712 00:34:06,317 --> 00:34:08,736 ♪ Ah, and set it off, get it off, let it off ♪ 713 00:34:08,736 --> 00:34:09,946 ♪ Like a gat‐‐ ♪ 714 00:34:09,946 --> 00:34:12,156 [tape whirring] 715 00:34:12,156 --> 00:34:13,700 DECK: ♪ Ticktock, keep ticking ♪ 716 00:34:13,700 --> 00:34:15,743 ♪ While I get you flippin' off the shit I'm kickin' ♪ 717 00:34:15,743 --> 00:34:18,329 ♪ The Lone Ranger, code red, danger ♪ 718 00:34:18,329 --> 00:34:20,039 ♪ Deep in the dark with the art ♪ 719 00:34:20,039 --> 00:34:21,749 [tape whirring] 720 00:34:21,749 --> 00:34:23,126 DIRTY: ♪ First things first, man ♪ 721 00:34:23,126 --> 00:34:24,585 ♪ You're fuckin' with the worst ♪ 722 00:34:24,585 --> 00:34:26,170 ♪ I'll be stickin' pins in your head ♪ 723 00:34:26,170 --> 00:34:27,630 ♪ Like a fucking nurse ♪ 724 00:34:27,630 --> 00:34:29,924 ♪ I'll attack any nigga who slack in his mack ♪ 725 00:34:29,924 --> 00:34:31,134 ♪ Come fully packed ♪ 726 00:34:31,134 --> 00:34:32,593 BOTH: ♪ With a fat rugged stack ♪ 727 00:34:32,593 --> 00:34:35,179 [tape whirring] 728 00:34:35,179 --> 00:34:37,473 ‐ ♪ It's the Method Man, for short, Mr. Meth ♪ 729 00:34:37,473 --> 00:34:39,600 ♪ Movin' on your left ♪ 730 00:34:39,600 --> 00:34:43,187 ♪ Ah, and set it off, get it off, let it off like a gat ♪ 731 00:34:43,187 --> 00:34:45,648 ♪ I wanna break full, cock me back ♪ 732 00:34:45,648 --> 00:34:47,358 DECK: ♪ Joe Frazier, the hellraiser ♪ 733 00:34:47,358 --> 00:34:48,776 ♪ Raisin' hell with the flavor ♪ 734 00:34:48,776 --> 00:34:51,154 ♪ Terrorize a jam like troops in Pakistan ♪ 735 00:34:51,154 --> 00:34:52,363 ♪ Swingin' through your town ♪ 736 00:34:52,363 --> 00:34:53,781 ♪ Like your neighborhood Spider‐Man ♪ 737 00:34:53,781 --> 00:34:55,992 ♪ So, uh, ticktock, keep tickin' ♪ 738 00:34:55,992 --> 00:34:58,369 ♪ While I get you flippin' off the shit I'm kickin' ♪ 739 00:34:58,369 --> 00:35:01,164 ♪ The Lone Ranger, code red, danger ♪ 740 00:35:01,164 --> 00:35:02,582 ♪ Deep in the dark with the art ♪ 741 00:35:02,582 --> 00:35:04,000 ♪ To rip the charts apart ♪ 742 00:35:04,000 --> 00:35:05,627 ♪ The vandal, too hot to handle ♪ 743 00:35:05,627 --> 00:35:08,504 ♪ Ya battle, you're saying "goodbye" like Tevin Campbell ♪ 744 00:35:08,504 --> 00:35:11,174 ♪ Roughneck, Inspectah Deck's on the set, the rebel‐‐ ♪ 745 00:35:11,174 --> 00:35:13,718 ‐ ♪ It's the Method Man, for short, Mr. Meth. ♪ 746 00:35:13,718 --> 00:35:15,053 ♪ Movin' on your left ♪ 747 00:35:15,053 --> 00:35:16,471 ♪ Ah ♪ 748 00:35:16,471 --> 00:35:23,144 ♪ ♪ 749 00:35:27,774 --> 00:35:31,444 ♪ And set it off, get it off, let it off like a gat ♪ 750 00:35:31,444 --> 00:35:35,615 ♪ ♪ 751 00:35:35,615 --> 00:35:38,034 Yo, son, you gonna keep me like this? 752 00:35:38,034 --> 00:35:42,789 ♪ ♪ 753 00:35:42,789 --> 00:35:44,457 Gonna let me get through my whole verse this time? 754 00:35:44,457 --> 00:35:46,084 ‐ I don't fucking know yet. 755 00:35:46,084 --> 00:35:47,585 ‐ Yo, I ain't doing this shit all night, son. 756 00:35:47,585 --> 00:35:49,921 ‐ Hey, man, cool out. Give the man his space. 757 00:35:49,921 --> 00:35:52,131 ‐ Yo, drummer boy, check this out. 758 00:35:52,131 --> 00:35:53,883 You don't know me, son. 759 00:35:53,883 --> 00:35:58,346 ♪ ♪ 760 00:35:58,346 --> 00:36:02,016 [cymbal crashes, music stops] 761 00:36:02,016 --> 00:36:03,434 PERSON: What's up? PERSON 2: Come on. 762 00:36:03,434 --> 00:36:05,269 PERSON 3: Yeah, motherfucker! Jamaica Queens, baby! 763 00:36:05,269 --> 00:36:06,479 PERSON: You jive turkey motherfucker! 764 00:36:09,482 --> 00:36:12,276 ‐ Damn, son, Honey Drippers ain't no joke. 765 00:36:12,276 --> 00:36:15,446 ‐ [sighs] 766 00:36:15,446 --> 00:36:18,074 All right, let's get back to work. 767 00:36:18,074 --> 00:36:22,036 ♪ ♪ 768 00:36:22,036 --> 00:36:25,456 Yo, let me‐‐let me get something‐‐ 769 00:36:25,456 --> 00:36:29,252 something a little more like... 770 00:36:29,252 --> 00:36:31,129 this. 771 00:36:31,129 --> 00:36:34,132 [percussion plays] 772 00:36:34,132 --> 00:36:38,594 ♪ ♪ 773 00:36:38,594 --> 00:36:40,722 ‐ That's a totally different beat. 774 00:36:40,722 --> 00:36:42,056 ‐ Yeah, yeah, I know. 775 00:36:42,056 --> 00:36:45,685 I know, but it just might work, all right? 776 00:36:47,103 --> 00:36:49,480 ‐ ♪ Small change, they putting shame in the game ♪ 777 00:36:49,480 --> 00:36:53,192 ♪ I take aim and blow a nigga out the frame ♪ 778 00:36:53,192 --> 00:37:00,199 ♪ ♪ 779 00:37:06,247 --> 00:37:08,916 ♪ And like "Fame," my style'll live forever ♪ 780 00:37:08,916 --> 00:37:11,294 ♪ Niggas crossing over, but they don't know no better ♪ 781 00:37:11,294 --> 00:37:13,755 ♪ But I do, true, Can I get a "sooh"? ♪ 782 00:37:13,755 --> 00:37:16,924 ♪ Enough respect due to the one‐six‐ooh‐‐ ♪ 783 00:37:16,924 --> 00:37:19,302 ♪ ♪ 784 00:37:19,302 --> 00:37:22,221 GHOSTFACE: Why you messing with the beat, son? 785 00:37:22,221 --> 00:37:24,849 We already wrote to the other one, and now you changing it? 786 00:37:24,849 --> 00:37:28,227 ‐ Yo, why did you bail on the studio session earlier? 787 00:37:28,227 --> 00:37:29,479 You know that shit cost money. 788 00:37:29,479 --> 00:37:31,314 ‐ Hey, yo, I ain't bail on that shit, son. 789 00:37:31,314 --> 00:37:32,899 It was just too crowded in there. 790 00:37:32,899 --> 00:37:36,527 It wasn't really my style, know what I mean? 791 00:37:36,527 --> 00:37:40,281 ‐ All right, but we got a day to get that single, so... 792 00:37:40,281 --> 00:37:42,325 ‐ I know. So why you fucking with the beat, son? 793 00:37:42,325 --> 00:37:43,618 ‐ Yo, where the fuck is your verse at? 794 00:37:43,618 --> 00:37:44,827 ‐ Man, I already told you 795 00:37:44,827 --> 00:37:48,331 I need space to hear myself, son. 796 00:37:48,331 --> 00:37:50,666 ‐ Is that not why we got the studio space 797 00:37:50,666 --> 00:37:52,168 in the first place, for us to‐‐ 798 00:37:52,168 --> 00:37:53,961 ‐ Yeah, and then you filled it up 799 00:37:53,961 --> 00:37:56,130 with a bunch of random dudes. 800 00:37:56,130 --> 00:37:58,132 ‐ Random? 801 00:37:58,132 --> 00:37:59,926 Who is you talking about‐‐ Ethan? 802 00:37:59,926 --> 00:38:02,345 ‐ Hey, yo, fuck Ethan. ‐ [chuckles] 803 00:38:03,971 --> 00:38:07,225 Yo! I'ma tell Ethan exactly how the fuck you feel 804 00:38:07,225 --> 00:38:08,476 about his ass, man. 805 00:38:08,476 --> 00:38:10,102 ‐ Yeah, whatever, son. Whatever. 806 00:38:10,102 --> 00:38:12,104 And I don't mean to be wasting studio time and shit. 807 00:38:12,104 --> 00:38:14,565 I just... 808 00:38:14,565 --> 00:38:16,359 nothing's sticking right now, you know. 809 00:38:16,359 --> 00:38:18,736 I ain't flowing. It don't sound right. 810 00:38:18,736 --> 00:38:21,906 ‐ [sighs] Yeah, I feel that. 811 00:38:21,906 --> 00:38:25,993 I have not been able to get this shit together. 812 00:38:28,496 --> 00:38:31,123 My beats are cool, 813 00:38:31,123 --> 00:38:33,835 but the shit just sounds like it's clashing, yo. 814 00:38:33,835 --> 00:38:37,630 ‐ Hmm. Hey, yo, push through all of that shit. 815 00:38:39,257 --> 00:38:40,716 You always find it. 816 00:38:42,343 --> 00:38:44,637 ‐ I know. 817 00:38:44,637 --> 00:38:46,514 I know. 818 00:38:46,514 --> 00:38:49,058 That's why I changed up the drums on this motherfucker, 819 00:38:49,058 --> 00:38:50,643 so... 820 00:38:50,643 --> 00:38:51,853 ‐ Yeah, well, 821 00:38:51,853 --> 00:38:54,272 play that shit again. Let me hear it. 822 00:38:56,440 --> 00:39:03,406 ♪ ♪ 823 00:39:05,074 --> 00:39:07,410 Let me hear U‐God on top. 824 00:39:07,410 --> 00:39:10,413 ♪ ♪ 825 00:39:10,413 --> 00:39:12,915 ‐ ♪ Ooh, what, grab my nut, get screwed ♪ 826 00:39:12,915 --> 00:39:15,334 ♪ Oww, here comes the Shaolin style ♪ 827 00:39:15,334 --> 00:39:20,381 ♪ True B‐A‐ba‐B‐Y‐U, to my crew with the sooh ♪ 828 00:39:20,381 --> 00:39:24,260 ‐ Yeah, see, when I‐‐when I try to mix in Rae and Meth's verse 829 00:39:24,260 --> 00:39:25,678 over this, 830 00:39:25,678 --> 00:39:29,682 it just‐‐it doesn't mix, you know? 831 00:39:29,682 --> 00:39:33,311 ‐ Yeah, I think I hear what you talking about, son. 832 00:39:33,311 --> 00:39:36,314 ‐ [sighs] 833 00:39:36,314 --> 00:39:41,277 ♪ ♪ 834 00:39:41,277 --> 00:39:43,279 ALEX: Hey, y'all sure y'all want him back, man? 835 00:39:43,279 --> 00:39:45,281 I like having more room. 836 00:39:45,281 --> 00:39:48,242 ♪ ♪ 837 00:39:48,242 --> 00:39:51,245 [drumming adding quick flourishes] 838 00:39:51,245 --> 00:39:56,751 ♪ ♪ 839 00:39:56,751 --> 00:39:59,462 ‐ Hey, yo, shut the fuck up, son! 840 00:40:02,506 --> 00:40:04,133 Go ahead. 841 00:40:04,133 --> 00:40:07,345 ♪ ♪ 842 00:40:07,345 --> 00:40:09,722 [sighs] 843 00:40:09,722 --> 00:40:12,308 ♪ ♪ 844 00:40:12,308 --> 00:40:13,726 Nah, nah, son. 845 00:40:13,726 --> 00:40:16,020 Yeah, t‐this the one right here. 846 00:40:16,020 --> 00:40:17,730 ‐ This one right here? 847 00:40:19,357 --> 00:40:22,568 [sighs] Okay. Okay. 848 00:40:22,568 --> 00:40:25,363 ♪ ♪ 849 00:40:25,363 --> 00:40:27,740 ‐ It's easier to think and shit when we back home. 850 00:40:27,740 --> 00:40:29,742 ‐ Well, this is cool to be trying shit out. 851 00:40:29,742 --> 00:40:34,413 No, but if you want to take that sound to that next level, 852 00:40:34,413 --> 00:40:36,165 we got to record at Firehouse Studio. 853 00:40:36,165 --> 00:40:37,708 ‐ It's just‐‐you know, when we here, 854 00:40:37,708 --> 00:40:39,335 shit could just flow when it flows. 855 00:40:39,335 --> 00:40:43,130 You know what I am saying? Back at the studio‐‐ 856 00:40:43,130 --> 00:40:46,550 ‐ Yeah, it feels like you got to force yourself sometimes. 857 00:40:48,177 --> 00:40:49,553 Yeah. 858 00:40:51,347 --> 00:40:52,890 ‐ Hey, yo, let me‐‐let me hear 859 00:40:52,890 --> 00:40:55,518 that thing you was trying with the keyboard, though. 860 00:40:55,518 --> 00:40:58,521 ‐ [sighs] 861 00:40:58,521 --> 00:41:03,859 ♪ ♪ 862 00:41:03,859 --> 00:41:05,945 Check this out. 863 00:41:05,945 --> 00:41:08,948 [keyboard notes playing] 864 00:41:08,948 --> 00:41:15,955 ♪ ♪ 865 00:41:22,044 --> 00:41:23,796 Yo, what? What? 866 00:41:23,796 --> 00:41:26,549 What, you're not fucking with it? 867 00:41:26,549 --> 00:41:29,260 ‐ Nah, son. I'm just‐‐I'm just wild hungry. 868 00:41:29,260 --> 00:41:30,428 [chuckles] ‐ Oh, shit. 869 00:41:30,428 --> 00:41:31,721 ‐ You trying to eat? 870 00:41:37,768 --> 00:41:40,229 ‐ [laughing] 871 00:41:40,229 --> 00:41:43,357 Oh, shit. Yo! Yo, yo, yo, yo! 872 00:41:43,357 --> 00:41:46,652 GHOSTFACE: "And now I will kill you 873 00:41:46,652 --> 00:41:51,407 "not because you killed my family, 874 00:41:51,407 --> 00:41:56,412 but because you are an ugly motherfucker." 875 00:41:56,412 --> 00:41:58,998 [laughs] ‐ Oh, man, yo. 876 00:42:01,417 --> 00:42:04,170 ‐ ♪ For crying out loud, my style is wild, so book me ♪ 877 00:42:04,170 --> 00:42:06,589 ♪ My pen's been graded like a Jordan rookie ♪ 878 00:42:06,589 --> 00:42:08,883 ♪ No cookie, crumbles, rap flows, or mumbles ♪ 879 00:42:08,883 --> 00:42:11,719 ♪ In the field with the mic, tight grip, no fumbles ♪ 880 00:42:11,719 --> 00:42:13,387 ♪ Killer bee bumbles ♪ 881 00:42:13,387 --> 00:42:15,514 [fighter grunting] 882 00:42:15,514 --> 00:42:18,267 ‐ Whoa! 883 00:42:18,267 --> 00:42:19,560 ‐ ♪ You fucking with the worst ♪ 884 00:42:19,560 --> 00:42:20,853 ♪ I'll be sticking pins in your head 885 00:42:20,853 --> 00:42:21,937 ♪ Like a fucking nurse... ♪ 886 00:42:21,937 --> 00:42:23,647 ‐ Whoa, shit! 887 00:42:23,647 --> 00:42:26,442 ‐ What the fuck is going on, dog? 888 00:42:26,442 --> 00:42:28,527 This shit's fucking crazy right here. 889 00:42:28,527 --> 00:42:30,029 Yo, Dirty! Is it just‐‐ 890 00:42:30,029 --> 00:42:32,364 can y'all hear me? 891 00:42:32,364 --> 00:42:34,241 Where are we? 892 00:42:34,241 --> 00:42:35,826 [verses all overlapping] 893 00:42:35,826 --> 00:42:37,203 ‐ How you feeling about this? 894 00:42:37,203 --> 00:42:38,829 What you think? 895 00:42:38,829 --> 00:42:40,873 ‐ ♪ Point‐blank as I kick the square biz ♪ 896 00:42:40,873 --> 00:42:42,208 ♪ There it is ♪ 897 00:42:42,208 --> 00:42:43,667 ♪ You fucking with pros and there it goes ♪ 898 00:42:43,667 --> 00:42:45,628 ‐ Hey, yo. Yo. [claps hands] 899 00:42:45,628 --> 00:42:48,672 Yo, check this. 900 00:42:48,672 --> 00:42:49,882 All right. 901 00:42:49,882 --> 00:42:52,301 Oh, shit. 902 00:42:52,301 --> 00:42:54,678 [music stops] 903 00:42:54,678 --> 00:42:56,097 Okay. 904 00:42:56,097 --> 00:42:59,100 [keyboard playing] 905 00:42:59,100 --> 00:43:02,895 ♪ ♪ 906 00:43:02,895 --> 00:43:05,106 ‐ Ooh! [chuckles] 907 00:43:05,106 --> 00:43:08,150 Yo, that's‐‐that's the sound. That's it right there, B. 908 00:43:08,150 --> 00:43:09,777 That's it. That's the sound, B. 909 00:43:09,777 --> 00:43:13,489 ♪ ♪ 910 00:43:18,035 --> 00:43:21,288 BOBBY: Yeah. Yeah, baby. 911 00:43:21,288 --> 00:43:22,373 ‐ Hey, yo. 912 00:43:22,373 --> 00:43:25,376 [hip‐hop music playing] 913 00:43:25,376 --> 00:43:32,424 ♪ ♪ 914 00:43:33,801 --> 00:43:35,427 ‐ It's about fucking time, nigga. 915 00:43:35,427 --> 00:43:36,846 [scoffs] 916 00:43:36,846 --> 00:43:40,432 It's about fucking time, yo. I was waiting for this. 917 00:43:40,432 --> 00:43:44,145 ♪ ♪ 918 00:43:44,145 --> 00:43:46,772 ‐ ♪ For crying out loud, my style is wild, so book me ♪ 919 00:43:46,772 --> 00:43:48,983 ♪ Not long is how long that this rhyme took me ♪ 920 00:43:48,983 --> 00:43:51,360 ♪ Ejectin' styles from my lethal weapon ♪ 921 00:43:51,360 --> 00:43:53,612 ♪ My pen that rocks from here to Oregon ♪ 922 00:43:53,612 --> 00:43:55,823 ♪ Here's more again, catch it like a psycho flashback ♪ 923 00:43:55,823 --> 00:43:57,116 ♪ I love gats ♪ 924 00:43:57,116 --> 00:43:58,868 ♪ If rap was a gun, you wouldn't bust back ♪ 925 00:43:58,868 --> 00:44:01,287 ♪ I come with shit in all types of shapes and sounds ♪ 926 00:44:01,287 --> 00:44:03,497 ♪ And where I lounge is my stomping grounds ♪ 927 00:44:03,497 --> 00:44:05,624 ♪ I give an order to my peeps across the water ♪ 928 00:44:05,624 --> 00:44:08,210 ♪ To go and snatch up props all around the border ♪ 929 00:44:08,210 --> 00:44:09,962 ♪ And get far like a shooting star ♪ 930 00:44:09,962 --> 00:44:13,007 ♪ 'Cause who I are is living the life of Pablo Escobar ♪ 931 00:44:13,007 --> 00:44:14,925 ♪ Point‐blank as I kick the square biz ♪ 932 00:44:14,925 --> 00:44:19,138 ♪ There it is, you're fuckin' with pros, and there it goes ♪ 933 00:44:19,138 --> 00:44:20,306 BOBBY: Whoo! 934 00:44:20,306 --> 00:44:21,599 ‐ ♪ I love gats ♪ 935 00:44:21,599 --> 00:44:23,559 ♪ If rap was a gun, you wouldn't bust back ♪ 936 00:44:23,559 --> 00:44:25,060 ♪ You wouldn't bust back, Ethan ♪ 937 00:44:25,060 --> 00:44:26,770 [laughter] 938 00:44:26,770 --> 00:44:30,941 ♪ ♪ 939 00:44:30,941 --> 00:44:32,526 ‐ ♪ Yo, chill with the feedback ♪ 940 00:44:32,526 --> 00:44:33,986 ♪ Black, we don't need that ♪ 941 00:44:33,986 --> 00:44:35,988 ♪ It's 10:00, ho, where the fuck is your seed at? ♪ 942 00:44:35,988 --> 00:44:37,448 ♪ Feeling mad hostile ♪ 943 00:44:37,448 --> 00:44:39,366 ♪ Wearing Aeropostale, flowing like Christ ♪ 944 00:44:39,366 --> 00:44:40,868 ♪ When I speaks the Gospel ♪ 945 00:44:40,868 --> 00:44:43,454 ♪ Stroll with the holy roll then attack the globe ♪ 946 00:44:43,454 --> 00:44:45,497 ♪ With the buckus style, the ruckus ♪ 947 00:44:45,497 --> 00:44:47,583 ♪ Ten times ten men committing mad sin ♪ 948 00:44:47,583 --> 00:44:49,793 ♪ Turn the other cheek, and I'll break your fucking chin ♪ 949 00:44:49,793 --> 00:44:52,046 ♪ Slaying boom‐bangs like African drums ♪ 950 00:44:52,046 --> 00:44:55,007 ♪ We'll be coming around the mountain when I come ♪ 951 00:44:55,007 --> 00:44:56,300 ‐ Hey, yo, what's this beat, son? 952 00:44:56,300 --> 00:44:57,801 This ain't the shit we spit over. 953 00:44:57,801 --> 00:45:00,930 ‐ It's better now, nigga. This that Wu‐Tang shit. 954 00:45:00,930 --> 00:45:02,431 ALL: Yeah, word. 955 00:45:02,431 --> 00:45:04,141 ‐ Yo, this shit gonna tear the club up. 956 00:45:04,141 --> 00:45:07,228 ♪ ♪ 957 00:45:07,228 --> 00:45:09,271 ‐ Yo, yo, yo. ‐ Hey, what up? 958 00:45:09,271 --> 00:45:10,981 ‐ Whoo! ‐ What up? 959 00:45:10,981 --> 00:45:13,067 ‐ It is, bro. 960 00:45:13,067 --> 00:45:14,944 ‐ I like your handshake. DIVINE: There you go. 961 00:45:14,944 --> 00:45:17,905 ‐ Yo, son, I ain't never heard no shit like this before, yo. 962 00:45:17,905 --> 00:45:19,823 I ain't never heard no shit like this. 963 00:45:19,823 --> 00:45:21,617 ‐ Nah, nah, no one has. 964 00:45:21,617 --> 00:45:23,619 ‐ Peace, peace, peace! 965 00:45:23,619 --> 00:45:25,371 Peace, peace, peace. ‐ Hey, yo. 966 00:45:25,371 --> 00:45:26,497 ‐ You went to the movies 967 00:45:26,497 --> 00:45:28,457 and dipped off for, like, two days, son. 968 00:45:28,457 --> 00:45:31,585 ‐ Yo, son, they was playing the whole Dragon marathon. 969 00:45:31,585 --> 00:45:33,796 Dragon Fist, Dragon Lord, what's the shit? 970 00:45:33,796 --> 00:45:36,048 The Dragon Forever shit. ‐ Oh, yeah. 971 00:45:36,048 --> 00:45:38,175 ‐ The whole shit had me spent on Dragons now. 972 00:45:38,175 --> 00:45:39,426 I need to chill out. 973 00:45:41,929 --> 00:45:44,265 ♪ The Wu is too slamming for these cold‐killing labels ♪ 974 00:45:44,265 --> 00:45:46,684 ♪ Who ain't had hits since I seen Aunt Mabel ♪ 975 00:45:46,684 --> 00:45:48,769 ♪ Been doing artists in like Cain did Abel ♪ 976 00:45:48,769 --> 00:45:50,104 ♪ Now they money's getting stuck ♪ 977 00:45:50,104 --> 00:45:51,605 ♪ To the gum under the table ♪ 978 00:45:51,605 --> 00:45:54,316 ♪ That's what you get when you misuse what I invent ♪ 979 00:45:54,316 --> 00:45:56,735 ♪ Your empire falls, and you lose every cent ♪ 980 00:45:56,735 --> 00:45:58,404 ♪ For tryin' to blow up a scrub ♪ 981 00:45:58,404 --> 00:46:00,406 ♪ Now that thought was just as bright as a 20‐watt lightbulb ♪ 982 00:46:00,406 --> 00:46:03,450 ‐ What you think? 983 00:46:03,450 --> 00:46:05,661 ‐ I think‐‐ 984 00:46:05,661 --> 00:46:08,664 I think we getting this pressed up tomorrow, right? 985 00:46:08,664 --> 00:46:10,791 [laughter] BOBBY: Yo. Yo. 986 00:46:10,791 --> 00:46:12,334 ‐ ♪ First of all, who's your A&R? ♪ 987 00:46:12,334 --> 00:46:14,962 ♪ A mountain climber who plays an electric guitar? ♪ 988 00:46:14,962 --> 00:46:16,588 ♪ But he don't know the meaning of dope ♪ 989 00:46:16,588 --> 00:46:18,382 ♪ When he's looking for a suit‐and‐tie rap ♪ 990 00:46:18,382 --> 00:46:20,050 ♪ That's cleaner than a bar of soap ♪ 991 00:46:20,050 --> 00:46:21,802 ♪ And I'm the dirtiest thing in sight ♪ 992 00:46:21,802 --> 00:46:23,262 ♪ Matter of fact, bring out the girls ♪ 993 00:46:23,262 --> 00:46:24,847 ♪ And let's have a mud fight ♪ 994 00:46:24,847 --> 00:46:26,223 [air horn blows] 995 00:46:26,223 --> 00:46:27,933 Sooh! 996 00:46:27,933 --> 00:46:34,898 ♪ ♪ 997 00:46:37,818 --> 00:46:40,404 ‐ ♪ Ya best protect ya neck ♪ 998 00:46:40,404 --> 00:46:47,411 ♪ ♪ 999 00:46:51,623 --> 00:46:55,794 ALL: Wu‐Tang! Wu‐Tang! Wu‐Tang! Wu‐Tang! 1000 00:46:55,794 --> 00:46:58,672 Watch your step, kid! Watch your step, kid! 1001 00:46:58,672 --> 00:47:01,133 ‐ ♪ First things first, man, you're fuckin' with the worst ♪ 1002 00:47:01,133 --> 00:47:03,552 ♪ I'll be sticking pins in your head like a fuckin' nurse ♪ 1003 00:47:03,552 --> 00:47:06,138 ♪ I'll attack any nigga who's slack in his mack ♪ 1004 00:47:06,138 --> 00:47:08,515 ♪ Come fully packed with a fat rugged stack ♪ 1005 00:47:08,515 --> 00:47:09,808 ♪ Shame on you when you step through ♪ 1006 00:47:09,808 --> 00:47:11,810 ALL: ♪ To The Ol' Dirty Bastard ♪ 1007 00:47:11,810 --> 00:47:13,145 ♪ Straight from the Brooklyn Zoo ♪ 1008 00:47:13,145 --> 00:47:14,855 ‐ ♪ And I'll be damned if I let any man ♪ 1009 00:47:14,855 --> 00:47:17,733 ♪ Come to my center, you enter the winter ♪ 1010 00:47:17,733 --> 00:47:19,443 ♪ Straight up and down that shit is packed jam ♪ 1011 00:47:19,443 --> 00:47:22,071 ♪ You can't slam, don't let me get fool on him, man ♪ 1012 00:47:22,071 --> 00:47:24,239 ♪ The Ol' Dirty Bastard is dirty and stinking ♪ 1013 00:47:24,239 --> 00:47:27,242 ♪ Ason Unique rolling with the night of the creeps ♪ 1014 00:47:27,242 --> 00:47:30,120 ♪ Niggas be rolling ♪ [laughter] 1015 00:47:30,120 --> 00:47:31,622 ALL: Whoo! 1016 00:47:31,622 --> 00:47:33,957 ‐ ♪ For crying out loud, my style is wild, so book me ♪ 1017 00:47:33,957 --> 00:47:36,418 ♪ Not long is how long that this rhyme took me ♪ 1018 00:47:36,418 --> 00:47:38,420 ♪ Ejecting styles from my lethal weapon ♪ 1019 00:47:38,420 --> 00:47:40,297 ♪ My pen that rocks from here to ♪ 1020 00:47:40,297 --> 00:47:41,757 ALL: ♪ Oregon ♪ 1021 00:47:41,757 --> 00:47:43,884 ‐ ♪ Catch it like a psycho flashback, I love gats ♪ 1022 00:47:43,884 --> 00:47:45,928 ♪ If rap was a gun, you wouldn't bust back ♪ 1023 00:47:45,928 --> 00:47:48,680 ♪ I come with shit in all types of shapes and sounds ♪ 1024 00:47:48,680 --> 00:47:50,724 ♪ And where I lounge is my stomping grounds ♪ 1025 00:47:50,724 --> 00:47:53,352 ♪ I give an order to my peeps across the water to go ♪ 1026 00:47:53,352 --> 00:47:55,562 ♪ And snatch up props all around the border ♪ 1027 00:47:55,562 --> 00:47:57,147 ♪ And get far like a shooting star ♪ 1028 00:47:57,147 --> 00:47:58,982 ♪ 'Cause who I are is living the life of ♪ 1029 00:47:58,982 --> 00:48:00,317 ALL: ♪ Pablo Escobar ♪ 1030 00:48:00,317 --> 00:48:02,111 ‐ ♪ Point‐blank as I kick the square biz ♪ 1031 00:48:02,111 --> 00:48:04,113 ♪ There it is, you're fuckin' with pros and there it goes ♪ 1032 00:48:04,113 --> 00:48:05,697 ‐ ♪ Yo, chill with the feedback ♪ 1033 00:48:05,697 --> 00:48:07,199 ♪ Black, we don't need that ♪ 1034 00:48:07,199 --> 00:48:09,410 ♪ It's 10:00, ho, where the fuck is your seed at? ♪ 1035 00:48:09,410 --> 00:48:10,744 ♪ Feeling mad hostile ♪ 1036 00:48:10,744 --> 00:48:12,413 ♪ Wearing Aeropostale flowing like Christ ♪ 1037 00:48:12,413 --> 00:48:13,747 ♪ When I speaks the Gospel ♪ 1038 00:48:15,374 --> 00:48:16,875 PERSON: Get on the line.