1
00:00:16,640 --> 00:00:18,800
MARIANNE:
I thought your story was beautiful.
2
00:00:23,560 --> 00:00:28,240
Like I'm hearing your most
private, most intimate thoughts.
3
00:00:30,040 --> 00:00:32,200
This wonderful hidden life
you have access to.
4
00:00:32,200 --> 00:00:33,840
[Connell laughs softly]
5
00:00:35,160 --> 00:00:36,640
I'm completely jealous.
6
00:00:40,120 --> 00:00:41,200
‐ Thanks.
7
00:00:43,080 --> 00:00:44,160
For reading it.
8
00:00:48,360 --> 00:00:50,080
‐ What will you do with it?
9
00:00:50,480 --> 00:00:51,840
‐ Don't know.
10
00:00:54,080 --> 00:00:57,880
‐ You should submit it
to the magazine.
11
00:00:59,240 --> 00:01:01,040
They liked the last one.
‐ I don't know.
12
00:01:02,720 --> 00:01:04,440
Don't know if it's good enough.
13
00:01:05,520 --> 00:01:06,920
‐ Ah, you're just fishing now.
14
00:01:07,840 --> 00:01:09,000
It's brilliant.
15
00:01:09,000 --> 00:01:11,040
♪ dramatic music playing ♪
16
00:01:11,040 --> 00:01:13,040
♪
17
00:01:25,880 --> 00:01:29,200
ALL:
♪ Happy birthday to you ♪
18
00:01:29,520 --> 00:01:32,800
♪ Happy birthday to you ♪
19
00:01:32,800 --> 00:01:36,440
♪ Happy birthday dear Marianne ♪
20
00:01:37,000 --> 00:01:40,160
♪ Happy birthday to you ♪
21
00:01:40,160 --> 00:01:41,720
[cheers and applause]
22
00:01:45,600 --> 00:01:46,840
WOMAN: Right, make a wish.
23
00:01:46,840 --> 00:01:48,080
[laughter]
24
00:01:49,800 --> 00:01:52,520
ELAINE: This looks so yummy.
I can't believe you made this.
25
00:01:52,640 --> 00:01:54,160
‐ It's a perfect essay distraction.
26
00:01:54,160 --> 00:01:55,640
[chuckling]
27
00:01:55,640 --> 00:01:57,880
‐ It's very sweet.
Totally unnecessary.
28
00:01:57,880 --> 00:01:59,560
‐ Shut your face.
You have to have a cake.
29
00:01:59,560 --> 00:02:01,080
NIALL:
Did you get good presents, Marianne?
30
00:02:01,080 --> 00:02:02,680
‐ Lovely presents.
Thank you, Niall.
31
00:02:02,680 --> 00:02:04,200
WOMAN:
And what did you get her, Connell?
32
00:02:04,520 --> 00:02:06,360
‐ Uh, a book.
33
00:02:06,720 --> 00:02:08,320
Some Frank O'Hara poems.
34
00:02:10,040 --> 00:02:11,720
[scoffs]
Anyway...
35
00:02:11,720 --> 00:02:12,680
[laughter]
36
00:02:12,680 --> 00:02:13,880
‐ I love it.
37
00:02:14,520 --> 00:02:16,640
NIALL: And what about your family?
They get you anything nice?
38
00:02:16,640 --> 00:02:18,640
A sports car or a pony?
39
00:02:18,640 --> 00:02:20,160
JOANNA:
[giggling] What are you implying?
40
00:02:20,160 --> 00:02:21,840
‐ Well, I'm just going off
my own birthday list.
41
00:02:21,840 --> 00:02:24,120
‐ [scoffs] Mm, they don't really
go in for birthdays.
42
00:02:24,120 --> 00:02:25,440
NIALL: Oh, fair enough.
43
00:02:26,480 --> 00:02:29,120
Mm, this cake's fuckin' delicious.
44
00:02:29,120 --> 00:02:30,560
[laughter]
45
00:02:34,800 --> 00:02:35,880
[phone buzzes]
46
00:02:44,080 --> 00:02:45,320
‐ Birthday message?
47
00:02:47,040 --> 00:02:48,080
‐ Yeah.
48
00:02:48,720 --> 00:02:49,800
My mother.
49
00:02:58,400 --> 00:02:59,920
Not exactly "happy birthday."
50
00:03:00,920 --> 00:03:02,120
‐ What does it say?
51
00:03:04,040 --> 00:03:07,120
‐ "Send me back the keys
to the Dublin flat as soon as possible."
52
00:03:07,560 --> 00:03:08,600
So...
53
00:03:22,680 --> 00:03:23,760
‐ I'm sorry.
54
00:03:25,120 --> 00:03:26,240
‐ It's okay.
55
00:03:27,440 --> 00:03:28,400
I'm okay.
56
00:03:40,960 --> 00:03:43,000
♪ "Dogwood Blossom" by Fionn Regan ♪
57
00:03:43,000 --> 00:03:45,000
♪
58
00:03:52,080 --> 00:03:56,720
‐ ♪ Keep climbing into my head
without knocking ♪
59
00:03:58,720 --> 00:04:03,200
♪ And you fix yourself there
like a map pin ♪
60
00:04:04,640 --> 00:04:09,640
♪ Darling, darling,
that dam's gonna give ♪
61
00:04:12,960 --> 00:04:14,640
♪ It's inevitable... ♪
62
00:04:14,640 --> 00:04:15,800
‐ Did you like that?
63
00:04:17,960 --> 00:04:18,960
‐ Yeah.
64
00:04:20,320 --> 00:04:21,400
Very much.
65
00:04:23,360 --> 00:04:24,600
‐ Good.
66
00:04:25,440 --> 00:04:28,160
‐ ♪ And a mouth that slurs ♪
67
00:04:28,160 --> 00:04:31,560
♪ All the shit that it stirs ♪
68
00:04:31,560 --> 00:04:36,600
♪ Let that dogwood blossom ♪
69
00:04:39,320 --> 00:04:44,240
♪ Darling, darling,
that dam's gonna give ♪
70
00:04:47,680 --> 00:04:53,600
♪ It's inevitable, the way that you live ♪
71
00:04:57,560 --> 00:05:00,120
♪ Bottles in brown paper ♪
72
00:05:00,280 --> 00:05:02,920
♪ And a mouth that slurs ♪
73
00:05:02,920 --> 00:05:06,080
♪ All the shit that it stirs ♪
74
00:05:06,080 --> 00:05:10,520
♪ Let that dogwood blossom ♪
75
00:05:10,520 --> 00:05:11,960
INSTRUCTOR: ...could be described
as bureaucratic inertia.
76
00:05:12,200 --> 00:05:14,040
‐ Who? Connell?
77
00:05:14,040 --> 00:05:15,600
‐ Yeah, all right, well,
you're getting better.
78
00:05:20,560 --> 00:05:22,400
‐ What do you fancy doing tonight?
79
00:05:22,400 --> 00:05:24,480
‐ Watch a film.
‐ Sounds good.
80
00:05:24,680 --> 00:05:27,320
‐ Oh, I might go for a swim.
Another one.
81
00:05:27,720 --> 00:05:30,000
But I, I could pick up some food
and come to you after.
82
00:05:30,000 --> 00:05:31,160
‐ Great.
83
00:05:32,720 --> 00:05:35,560
Did we get married and become
50 years old without noticing?
84
00:05:35,560 --> 00:05:36,640
‐ Maybe.
85
00:05:37,640 --> 00:05:39,240
I actually love it.
86
00:05:40,200 --> 00:05:42,560
‐ Do you think our first‐year selves
would hate what we've become?
87
00:05:43,240 --> 00:05:44,680
I should have known, to be fair.
88
00:05:44,680 --> 00:05:47,320
‐ I think first‐year me
would have been amazed.
89
00:05:48,400 --> 00:05:50,760
"Look at her, she's actually content."
90
00:05:51,520 --> 00:05:52,400
Wow.
91
00:06:00,000 --> 00:06:02,160
You all right?
‐ Mm‐hmm, yeah.
92
00:06:02,560 --> 00:06:05,120
I just got this email.
‐ From who?
93
00:06:10,160 --> 00:06:11,760
Connell, from who?
94
00:06:12,000 --> 00:06:13,360
‐ It's, uh...
95
00:06:14,640 --> 00:06:16,560
it's, it's from
this university in New York.
96
00:06:18,160 --> 00:06:21,200
They're offering me a place in their
MFA creative writing program.
97
00:06:22,200 --> 00:06:23,120
‐ Oh.
98
00:06:24,960 --> 00:06:26,680
I didn't even know you'd applied.
99
00:06:28,520 --> 00:06:32,480
I mean, congratulations.
I'm, I'm not surprised
100
00:06:32,480 --> 00:06:33,600
they've offered you a place.
101
00:06:33,600 --> 00:06:36,760
I'm just a bit surprised
you didn't mention it.
102
00:06:37,000 --> 00:06:39,440
‐ Well, it was such a long shot.
103
00:06:42,040 --> 00:06:44,360
I, um, I‐I was embarrassed.
104
00:06:46,280 --> 00:06:47,440
To be honest, I, uh...
105
00:06:48,640 --> 00:06:51,160
I still look up to you a lot, and I, uh...
106
00:06:52,880 --> 00:06:55,280
I wouldn't want you to see me as like,
I don't know what, deluded, or...
107
00:06:55,280 --> 00:06:57,160
‐ Connell.
‐ And I,
108
00:06:57,160 --> 00:06:59,400
I don't even know why I applied.
It wasn't even my idea.
109
00:07:00,720 --> 00:07:03,000
‐ Whose idea was it?
‐ Uh, one‐‐ one of my tutors.
110
00:07:06,680 --> 00:07:08,880
‐ It's really brilliant, Connell.
111
00:07:08,880 --> 00:07:10,800
‐ You can see me in New York, can you?
112
00:07:12,320 --> 00:07:14,400
‐ Yeah, actually.
113
00:07:15,680 --> 00:07:17,480
I can.
‐ I can't even...
114
00:07:18,480 --> 00:07:21,560
[scoffs]
It's making me feel...
115
00:07:22,560 --> 00:07:23,800
[exhales]
116
00:07:25,200 --> 00:07:28,080
Now is not the time for me to go
halfway across the world
117
00:07:28,080 --> 00:07:30,240
and live in a city
where I don't know anyone.
118
00:07:32,240 --> 00:07:34,000
Like...
119
00:07:34,000 --> 00:07:35,680
I could barely walk down the street
in Dublin
120
00:07:35,680 --> 00:07:37,680
a couple of months ago
without having a panic attack.
121
00:07:38,160 --> 00:07:39,560
How's that gonna work in New York?
122
00:07:43,920 --> 00:07:45,480
‐ Put it away for a bit.
123
00:07:46,920 --> 00:07:49,880
It, it's brilliant
they offered you a place.
124
00:07:50,840 --> 00:07:52,520
Don't think about
what to do with it for now.
125
00:07:57,160 --> 00:07:58,200
‐ I'm not going.
126
00:08:00,600 --> 00:08:01,560
‐ Okay.
127
00:08:16,960 --> 00:08:18,520
[applause]
128
00:08:19,440 --> 00:08:23,080
‐ And of course,
we have to thank Connell.
129
00:08:23,080 --> 00:08:25,200
[cheers and applause]
130
00:08:25,840 --> 00:08:28,960
For stepping up and turning out to be
131
00:08:28,960 --> 00:08:34,200
the most naturally fucking
gifted editor of all times.
132
00:08:34,200 --> 00:08:36,080
[cheering and applause]
133
00:08:37,480 --> 00:08:42,320
Leading me to announce that
our latest brilliant issue
134
00:08:42,320 --> 00:08:45,520
launches tomorrow,
and we could not be prouder.
135
00:08:47,680 --> 00:08:49,920
And I made punch,
and it's fucking delicious.
136
00:08:49,920 --> 00:08:52,920
WOMAN: And it's fucking lethal.
SOPHIE: Drink up!
137
00:08:52,920 --> 00:08:56,520
[scattered cheers and applause]
138
00:08:56,520 --> 00:08:59,680
[indistinct chatter]
139
00:09:08,080 --> 00:09:09,120
‐ Marianne.
140
00:09:10,520 --> 00:09:11,840
‐ Yeah?
141
00:09:11,840 --> 00:09:12,920
‐ Can I ask you something?
142
00:09:13,440 --> 00:09:14,480
‐ Mm‐hmm.
143
00:09:17,040 --> 00:09:18,120
‐ Christmas.
144
00:09:20,040 --> 00:09:21,360
‐ What about it?
145
00:09:23,720 --> 00:09:25,080
‐ Would you like to come to ours?
146
00:09:27,640 --> 00:09:29,240
‐ I don't know, Connell.
147
00:09:30,760 --> 00:09:33,640
That's kind.
‐ Lorraine would love to have you.
148
00:09:36,200 --> 00:09:37,640
‐ You don't know that.
149
00:09:42,600 --> 00:09:44,480
What?
‐ I think I do know that.
150
00:09:45,080 --> 00:09:46,360
It's her idea.
151
00:09:47,800 --> 00:09:49,840
‐ That's kind of her.
‐ Mm‐hmm.
152
00:09:55,800 --> 00:09:57,080
So?
153
00:09:58,880 --> 00:10:00,720
‐ [laughs softly] So...
154
00:10:00,720 --> 00:10:02,760
♪ "You're All I Want For Christmas"
by Al Martino playing on radio ♪
155
00:10:02,760 --> 00:10:04,760
♪
156
00:10:05,040 --> 00:10:09,400
‐ ♪ You're all I want ♪
157
00:10:10,400 --> 00:10:12,240
[laughter]
158
00:10:12,240 --> 00:10:14,360
‐ Stop.
‐ Oh, Connell.
159
00:10:14,360 --> 00:10:16,240
‐ Yeah?
‐ It's not funny.
160
00:10:16,240 --> 00:10:18,520
‐ ♪ All I want ♪
161
00:10:19,240 --> 00:10:24,160
♪ My whole life through ♪
162
00:10:27,120 --> 00:10:32,240
♪ Each day is just ♪
163
00:10:32,880 --> 00:10:35,920
♪ Like Christmas ♪
164
00:10:38,280 --> 00:10:42,800
♪ Anytime that I'm ♪
165
00:10:43,560 --> 00:10:46,040
♪ With you ♪
166
00:10:46,040 --> 00:10:48,520
‐ There they are.
Aw, look at the two of you.
167
00:10:48,520 --> 00:10:50,400
A little Christmas miracle.
168
00:10:51,160 --> 00:10:53,520
Been cooking for weeks.
Get in here.
169
00:10:53,520 --> 00:10:55,080
MARIANNE: Hi.
‐ Hello, sweetheart.
170
00:10:55,640 --> 00:10:56,800
Oh.
171
00:10:59,400 --> 00:11:00,760
‐ Thanks for having me.
172
00:11:01,440 --> 00:11:02,840
[Lorraine laughs softly, kisses]
173
00:11:05,560 --> 00:11:07,960
Where should I put these, where?
CONNELL: I'll take them off ya.
174
00:11:07,960 --> 00:11:10,280
[indistinct chatter]
175
00:11:11,920 --> 00:11:13,760
WOMAN: Editor.
Well, that's impressive.
176
00:11:13,760 --> 00:11:15,880
‐ No, well, I'm just really doing it
as a favor.
177
00:11:15,880 --> 00:11:18,080
‐ I'm sure people edit newspapers
as a favor.
178
00:11:18,080 --> 00:11:19,400
‐ He's doing brilliantly.
179
00:11:19,400 --> 00:11:22,000
CONNELL: It's a literary magazine.
It's absolutely not a newspaper.
180
00:11:22,000 --> 00:11:23,840
[indistinct chatter]
181
00:11:28,120 --> 00:11:30,200
‐ Am I, am I involved in politics?
182
00:11:30,200 --> 00:11:31,480
[laughter]
183
00:11:31,480 --> 00:11:32,720
What?
184
00:11:33,280 --> 00:11:34,600
Why is that funny?
185
00:11:34,600 --> 00:11:35,800
‐ Am I Dobby?
186
00:11:35,800 --> 00:11:37,320
[cheering]
187
00:11:37,880 --> 00:11:39,680
BERNIE: Do I like me?
CHILD: Oh, no.
188
00:11:39,680 --> 00:11:41,000
WOMAN: No...
189
00:11:45,480 --> 00:11:46,800
CONNELL: You all right?
190
00:11:47,400 --> 00:11:48,760
‐ Yeah.
191
00:11:50,200 --> 00:11:52,840
‐ Is it too much?
‐ No.
192
00:11:54,280 --> 00:11:55,360
It's so nice.
193
00:11:56,920 --> 00:11:58,280
Proper Christmas.
194
00:11:59,800 --> 00:12:01,160
It's lovely.
195
00:12:07,040 --> 00:12:10,200
LORRAINE: Well, you have to do something.
What are your school friends up to?
196
00:12:10,520 --> 00:12:12,640
CONNELL:
Brennan's, like every year.
197
00:12:13,120 --> 00:12:15,800
MARIANNE: I'm just not sure I could
see a New Year's in a Brennan's.
198
00:12:15,800 --> 00:12:17,840
[Connell laughs softly]
199
00:12:17,840 --> 00:12:19,720
♪ soft music playing ♪
200
00:12:19,720 --> 00:12:21,960
♪
201
00:12:26,800 --> 00:12:28,400
LORRAINE: Hello, Denise.
Happy New Year.
202
00:13:07,040 --> 00:13:09,120
‐ [car door closes]
‐ [keys jangle]
203
00:13:12,800 --> 00:13:14,880
‐ What do people in town think of her?
204
00:13:27,960 --> 00:13:29,440
‐ I suppose...
205
00:13:33,840 --> 00:13:36,920
I suppose she'd be considered a bit odd.
206
00:13:43,600 --> 00:13:44,600
‐ Oh.
207
00:13:52,960 --> 00:13:55,280
[waves crashing]
208
00:14:53,320 --> 00:14:54,720
CONNELL:
Your cheeks are red.
209
00:14:55,560 --> 00:14:56,720
‐ It's cold.
210
00:14:57,680 --> 00:14:59,560
‐ Will you come tonight?
211
00:15:02,640 --> 00:15:03,720
You should.
212
00:15:05,600 --> 00:15:07,720
‐ Far be it from me to disobey an order.
213
00:15:14,760 --> 00:15:16,400
[indistinct chatter]
214
00:15:19,840 --> 00:15:21,680
‐ All right, hey, hey, you!
215
00:15:21,680 --> 00:15:23,200
‐ How's it going, Gary?
‐ Good to see you.
216
00:15:23,200 --> 00:15:25,080
‐ Good to see you, too.
Happy New Year to you.
217
00:15:25,960 --> 00:15:28,200
[indistinct chatter]
218
00:15:28,200 --> 00:15:29,480
‐ Hey!
‐ Hey!
219
00:15:29,480 --> 00:15:30,640
RACHEL:
So nice to see you.
220
00:15:32,960 --> 00:15:34,800
KAREN: You look amazing.
MARIANNE: So do you.
221
00:15:34,800 --> 00:15:36,080
LISA: You look gorgeous.
222
00:15:36,400 --> 00:15:38,480
Marianne, how are you getting on?
223
00:15:38,480 --> 00:15:40,080
‐ Happy New Year, how are you?
224
00:15:40,080 --> 00:15:42,760
Good to see ya. Good, good.
Get you a drink?
225
00:15:42,760 --> 00:15:45,240
‐ Yes, please. Would you like one?
LISA: No, no, no.
226
00:15:45,240 --> 00:15:47,160
‐ See you in a second.
One second.
227
00:15:48,400 --> 00:15:51,200
‐ Marianne Sheridan.
MARIANNE: Hi.
228
00:15:51,600 --> 00:15:53,320
[cheers and applause]
229
00:16:01,600 --> 00:16:03,640
♪ soft music playing ♪
230
00:16:03,640 --> 00:16:05,640
♪
231
00:16:11,680 --> 00:16:14,080
[voices fade]
232
00:16:25,240 --> 00:16:26,480
‐ I love you.
233
00:16:29,800 --> 00:16:31,120
‐ I love you, too.
234
00:16:54,840 --> 00:16:57,080
♪
235
00:17:26,280 --> 00:17:27,520
‐ You all right?
236
00:17:29,120 --> 00:17:30,960
‐ Yeah, I am.
237
00:17:32,920 --> 00:17:34,800
Just never felt like home.
238
00:17:36,600 --> 00:17:38,440
Didn't feel right to be here
to be honest.
239
00:17:44,240 --> 00:17:45,360
‐ What?
240
00:17:49,560 --> 00:17:51,520
‐ I've been thinking about New York.
241
00:17:52,960 --> 00:17:54,440
The offer.
242
00:17:55,360 --> 00:17:56,480
‐ What about it?
243
00:17:57,640 --> 00:17:59,080
‐ I don't know, I just...
244
00:18:00,920 --> 00:18:04,080
I keep imagining you being there.
245
00:18:05,520 --> 00:18:06,520
Writing.
246
00:18:11,160 --> 00:18:12,440
‐ Right.
247
00:18:15,320 --> 00:18:17,240
‐ You've been thinking about it.
‐ Yeah.
248
00:18:17,880 --> 00:18:19,640
Yeah. A bit.
249
00:18:19,640 --> 00:18:22,160
Like, obviously, I‐
I've thought about it a bit,
250
00:18:22,160 --> 00:18:23,720
but that doesn't mean that...
251
00:18:26,080 --> 00:18:27,400
Uh...
252
00:18:27,400 --> 00:18:29,320
it just feels too hard.
253
00:18:32,160 --> 00:18:35,640
Everything recently has been hard
or it's been an effort
254
00:18:35,640 --> 00:18:39,040
and maybe this year just needs to be
straightforward, you know?
255
00:18:39,040 --> 00:18:42,760
‐ There's, there's been a lot of stuff
that's been difficult.
256
00:18:43,360 --> 00:18:44,760
And painful.
257
00:18:45,840 --> 00:18:48,360
And this would be difficult and amazing.
258
00:18:48,360 --> 00:18:50,480
‐ Potentially, yes.
‐ It's New York.
259
00:18:52,040 --> 00:18:53,320
It's writing.
260
00:18:54,920 --> 00:18:58,480
It'd be fucking amazing, Connell.
261
00:19:00,800 --> 00:19:01,800
‐ Yeah.
262
00:19:03,360 --> 00:19:04,400
Yeah, maybe.
263
00:19:06,320 --> 00:19:07,640
Would you come with me?
264
00:19:09,360 --> 00:19:14,600
We could be there together, and,
and you could study or work, and...
265
00:19:20,080 --> 00:19:21,120
Why?
266
00:19:24,080 --> 00:19:25,760
‐ I want to stay here.
267
00:19:29,200 --> 00:19:31,240
I want to live the life I'm living.
268
00:19:33,480 --> 00:19:35,240
It's quite a thing.
269
00:19:36,400 --> 00:19:38,560
[exhales]
And I'm getting better at it.
270
00:19:38,560 --> 00:19:39,400
‐ Yeah.
271
00:19:55,520 --> 00:19:57,120
I'd miss you too much.
272
00:19:58,440 --> 00:19:59,920
I'd be sick.
273
00:20:01,600 --> 00:20:02,720
‐ At first.
274
00:20:04,080 --> 00:20:05,480
But it would get better.
275
00:20:07,560 --> 00:20:09,600
‐ Mm‐hmm, yeah.
276
00:20:09,600 --> 00:20:12,880
Yeah, and it's only a year,
and then I'll be back.
277
00:20:20,240 --> 00:20:21,680
‐ Don't promise that.
278
00:20:24,840 --> 00:20:26,280
You don't know...
279
00:20:27,400 --> 00:20:29,080
where either of us will be.
280
00:20:30,720 --> 00:20:32,200
Or what will happen.
281
00:20:36,040 --> 00:20:38,080
♪ soft music playing ♪
282
00:20:38,080 --> 00:20:39,400
♪
283
00:20:39,400 --> 00:20:40,760
[Connell exhales shakily]
284
00:20:45,320 --> 00:20:48,040
‐ I wouldn't be here if it wasn't for you.
285
00:20:48,960 --> 00:20:50,760
‐ No.
286
00:20:51,360 --> 00:20:52,720
That's true.
287
00:20:53,920 --> 00:20:57,920
I mean, you'd be somewhere else entirely.
288
00:20:58,640 --> 00:21:00,960
You'd be a different person.
289
00:21:02,240 --> 00:21:03,960
And me, too.
290
00:21:08,800 --> 00:21:14,480
But we have done so much good
for one another.
291
00:21:18,880 --> 00:21:20,920
‐ You know I love you.
292
00:21:23,560 --> 00:21:26,640
And I'm never gonna feel
the same way for anyone else.
293
00:21:29,240 --> 00:21:30,520
‐ I know.
294
00:21:34,560 --> 00:21:35,880
[exhales]
295
00:21:40,120 --> 00:21:41,240
[laughs softly]
296
00:21:44,400 --> 00:21:45,880
‐ I'll go.
297
00:21:49,240 --> 00:21:50,960
‐ And I'll stay.
298
00:21:53,680 --> 00:21:55,040
And we'll be okay.
299
00:22:11,760 --> 00:22:14,360
♪