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Bring her in.
Good morning.
Is this it?
Yes.
Do you need anything?
Isn't there a room with more light?
Mr. Porter wants you to carry out your work here.
Is he coming?
No, he's busy.
Isn't it strange to take a wedding picture without the groom?
Can you come here, please?
To check the light.
Thank you.
Here?
Perfect.
Can you stand here, please?
Excuse me... Here.
A little more to your left.
There, now one step towards me, towards me.
Perfect.
Can you look this way?
Relax your shoulders a bit.
Very good.
Is this OK?
Very good. Thank you.
Breathe.
You look very pretty.
We're going to take your portrait.
Turn...
to your left.
Relax...
Nothing is going to happen.
Leave the bouquet on the table.
Turn her towards the table.
Like this?
Look at me.
At me. Here.
Rest your cheek on your arm.
On the table.
That's it.
Put your hand on the table.
So your fingers are showing, yes.
With your right hand, lift your dress up a little, like that.
A bit more, so I can see your leg.
Lean on the table.
Is this good for you?
Yes, thank you.
This dress is very tight.
You're going to look pretty.
Very pretty.
That's it.
He'll like it better this way.
Lean here.
That's it, softly.
Beautiful.
Mr. Porter will like it.
Smile.
Stay like that.
Perfect.
We're going to take the picture.
Don't move, don't breathe.
Let's go.
And...
101, 102, 103,
104, 105, 106,
107, 108, 109,
110, 111, 112,
113, 114, 115...
Perfect.
Make yourself comfortable.
However you wish.
Ah, that's pretty! Very good.
Rest your little head there, beautiful.
That's it. Gorgeous, beautiful.
What's wrong?
Aren't you feeling well?
Relax.
Are you feeling OK?
Help her.
Relax.
Everything will be alright.
Are you OK?
Do you want to leave?
Hello?
Is anybody there?
It's Pedro.
John.
Mr. Porter couldn't be here with you today,
but he's happy.
He really liked the photograph of Señorita Sara.
Tell Mr. Porter that I could take his picture as well.
I will tell him.
He is busy now, as you know, preparing for the wedding.
What are you doing with the cabin?
I need total darkness for my work.
Remember that it is Mr. Porter's property.
Half.
You'll be paid the other half after the wedding.
Sorry, but do you know when the wedding will take place?
Soon.
Open the door!
What is this?
It is my mother's hair.
Do you like it?
Could you give it to her?
To who?
To Sara.
It's for her.
Your mother's hair?
For a girl who is about to be married?
Do you want to scare her?
Will you give it to her?
What would Mr. Porter think?
Arturo, you'll guide the group.
The savages are in the south.
Bring many ears for Mr. Porter.
He'll be happy.
Pedro, are you coming with us?
No, I'm going to stay.
Leave Pedro alone.
Señorita Aurora, excuse me if this letter seems indiscreet.
How have you been feeling?
I haven't seen you leave the mansion in days.
Know that I remember you and still think about you.
I hope that Señorita Sara's company
helps to alleviate your loneliness.
How is she?
Is she still nervous about the wedding?
I have yet to be informed of the date of the celebration.
Why has it been delayed?
It is strange that I have been unable to meet Mr. Porter.
I think I have the right to know when I will finish my work here.
In the meantime, there's something I wanted to ask you.
I would like to take a portrait of Señorita Sara.
An artistic portrait.
She is very special.
It could be a beautiful image.
My cabin would be an appropriate place,
at the break of dawn.
It is preferable that we are discreet,
so as not to make Mr. Porter uncomfortable.
Do you think you can help me?
I would be deeply grateful.
Yours sincerely, Pedro.
Take off your dress.
Do as he says.
I can't. Help me.
Sit down.
Lay down.
Close your eyes.
Bend your leg.
Like that.
Turn onto your side. Like that.
Perfect.
Like that... turn your hand.
Beautiful!
Rest.
Go to sleep.
Get dressed.
We have to leave.
Get dressed, Sara.
Pedro!
John told me to come.
How many?
Two ears.
Put those clothes on.
What we need now is for you to take a photograph...
of the workers carrying out their duties of...
security and exploitation.
We want a record,
because we are making history here...
Carving out a homeland.
And your work...
Think of it as humanitarian work.
We must do what must be done, and that's that.
Here you are.
Thank you.
Pedro!
Good evening gentlemen.
Mr. Porter is very pleased with the well-wishes he has received
on this important day.
Unfortunately, he will not be joining us as expected.
Nor will he be able to share with you the image of his beautiful wife.
However...
He wanted... to share his joy,
By transforming...
this ceremony into a party.
For all of you who work for him day after day.
A toast to Mr. Porter.
To Mr. Porter!
Gentlemen, I leave you in good company.
They're over there.
No women, no children!
Put them here... Here.
There.
Go find their weapons.
Bring the Indian girl. Bring her here.
Here.
With the feet facing that way.
Here, here. Bring their weapons.
On your knees. Here.
Arturo! Schmidt! Come here.
Quickly! The light is going!
Bring him here.
Here.
Put him over there. Up.
Here.
Over here.
Here.
Step on her.
Step on her and take aim.
On your knees. There.
Over there, over there.
Aim your weapon.
Don't move!
What are you doing? Shit!
Keep still!
This has to look beautiful!
Here. Step on him!
Don't move.
One moment.
Son of a bitch!
Over here. Stand over here.
Now aim over there.
Higher, higher.
Don't move.
Take a step forward. Step forward... There.
Higher, higher.
That's it.
Don't move.
Good!
Don't move.
Aim over there.
Over there.
Lower them, slowly.
Here, here.
On your knees.
Now, up. Up!
Hey! Aim there!
Don't move.
Up, up! Over there!
Over there!
Over there! Up!
Don't move.
Good!
101, 102, 103,
104, 105, 106,
107, 108, 109, 110...
It's over.