1
00:00:06,986 --> 00:00:09,989
[line trilling]

2
00:00:13,159 --> 00:00:14,327
NICK: Hey.

3
00:00:14,327 --> 00:00:16,120
‐ Hi, Nick.
Can you hear me?

4
00:00:16,120 --> 00:00:18,373
‐ Yeah.
Where are you?

5
00:00:18,373 --> 00:00:21,459
‐ Um, I'm, like, 200 miles
east of Portland,

6
00:00:21,459 --> 00:00:22,961
and I just drove past a boulder

7
00:00:22,961 --> 00:00:25,255
with a dick spray
painted on it, so...

8
00:00:25,255 --> 00:00:27,382
NICK: Right.
Yeah, no, I know that spot.

9
00:00:27,382 --> 00:00:28,925
‐ Yeah.
[chuckles]

10
00:00:28,925 --> 00:00:30,760
Um, well, I'm probably
not gonna have service

11
00:00:30,760 --> 00:00:31,970
for the rest of the day,

12
00:00:31,970 --> 00:00:33,471
so I just wanted
to double‐check

13
00:00:33,471 --> 00:00:35,098
that we were on
for dinner tonight.

14
00:00:35,098 --> 00:00:37,308
‐ Yeah.
And hey, this time,

15
00:00:37,308 --> 00:00:38,935
I'm gonna pass out
on your couch.

16
00:00:38,935 --> 00:00:41,020
‐ Yeah, very humiliating
for me.

17
00:00:41,020 --> 00:00:42,605
Thank you.
Um...

18
00:00:42,605 --> 00:00:44,065
[phone beeping]
Oh, shit.

19
00:00:44,065 --> 00:00:46,192
I'm... I'm getting
a work call, actually.

20
00:00:46,192 --> 00:00:48,278
I‐I'll see you tonight, though.
Bye.

21
00:00:48,278 --> 00:00:49,279
NICK: All right.

22
00:00:49,279 --> 00:00:50,655
‐ Andy?
ANDY: Annie?

23
00:00:50,655 --> 00:00:52,282
Are you there?
How is it?

24
00:00:52,282 --> 00:00:54,701
‐ Um, well, I'm almost
to the Picket Ranch,

25
00:00:54,701 --> 00:00:58,288
and... I‐I would say the vibe
is kind of intense.

26
00:00:58,288 --> 00:01:02,583
Um, yeah, do you have any tips
for not getting murdered?

27
00:01:02,583 --> 00:01:04,877
‐ Annie, the Pickets
aren't serial killers.

28
00:01:04,877 --> 00:01:06,004
They're separatists.

29
00:01:06,004 --> 00:01:07,505
They just want
to be left alone.

30
00:01:07,505 --> 00:01:08,715
ANNIE: Yeah, I know,

31
00:01:08,715 --> 00:01:10,008
but I'm not leaving
them alone.

32
00:01:10,008 --> 00:01:11,926
I'm, like, driving
onto their property,

33
00:01:11,926 --> 00:01:13,845
and I'm gonna write
an article about them.

34
00:01:13,845 --> 00:01:16,764
‐ So, uh... what's your angle?

35
00:01:16,764 --> 00:01:18,850
‐ Um, well, I think, you know,

36
00:01:18,850 --> 00:01:21,227
everybody always talks
about the dad, Gus,

37
00:01:21,227 --> 00:01:23,938
but now that he's in prison,
it's actually the mom, Clara,

38
00:01:23,938 --> 00:01:25,315
who's, like,
running everything.

39
00:01:25,315 --> 00:01:27,150
‐ Ooh, spicy.

40
00:01:27,150 --> 00:01:29,193
‐ Oh, damn.
Oh, boy.

41
00:01:29,193 --> 00:01:30,987
Oh, okay.
I think I'm here.

42
00:01:30,987 --> 00:01:33,698
ANDY: Okay.
Stay neutral.

43
00:01:33,698 --> 00:01:36,576
Then they won't get defensive.
They'll open up.

44
00:01:36,576 --> 00:01:38,578
That's when
you'll get your best quotes.

45
00:01:38,578 --> 00:01:41,164
‐ Yeah.
Yeah, I can do that, right?

46
00:01:41,789 --> 00:01:43,750
Oh, god.
ANDY: Annie?

47
00:01:43,750 --> 00:01:46,044
I think‐‐I think the road
just kind of stops.

48
00:01:46,044 --> 00:01:48,421
ANDY: [garbled]
Annie, are you there?

49
00:01:48,421 --> 00:01:49,672
‐ Andy?

50
00:01:49,672 --> 00:01:51,507
[phone beeping]
Andy?

51
00:01:53,092 --> 00:01:55,303
Shit.

52
00:02:00,558 --> 00:02:02,018
[sighs]

53
00:02:02,018 --> 00:02:04,604
[motor running]

54
00:02:32,131 --> 00:02:35,176
Hi.

55
00:02:35,176 --> 00:02:38,346
Uh, I'm here to meet
Clara Picket.

56
00:02:42,600 --> 00:02:44,560
Okay.

57
00:02:44,560 --> 00:02:48,064
Sorry. I've never been
on one of these.

58
00:02:48,064 --> 00:02:50,817
So I'm gonna grab on there.

59
00:02:50,817 --> 00:02:52,151
Okay.

60
00:02:52,151 --> 00:02:54,946
And just give me
one of these.

61
00:02:56,239 --> 00:02:58,616
Okay. Okay.

62
00:02:58,616 --> 00:03:02,912
Um... is it okay if I put
my hands on your back here?

63
00:03:02,912 --> 00:03:05,915
Little support from a child.

64
00:03:05,915 --> 00:03:07,291
Okay.

65
00:03:07,291 --> 00:03:08,835
Whoa.

66
00:03:08,835 --> 00:03:10,753
["Widow Jones" playing]

67
00:03:10,753 --> 00:03:12,588
All right.

68
00:03:12,588 --> 00:03:14,966
So I'm good to leave
my car there?

69
00:03:14,966 --> 00:03:16,801
I will.
Okay.

70
00:03:16,801 --> 00:03:18,761
SINGER: ♪ ...who is over 13 ♪

71
00:03:18,761 --> 00:03:21,514
♪ ♪

72
00:03:21,514 --> 00:03:26,436
♪ To tell you about the things
and places he's seen ♪

73
00:03:26,436 --> 00:03:28,771
♪ ♪

74
00:03:28,771 --> 00:03:32,066
♪ If he tell you something
about women ♪

75
00:03:32,066 --> 00:03:34,485
♪ You haven't known ♪

76
00:03:34,485 --> 00:03:36,028
♪ ♪

77
00:03:36,028 --> 00:03:37,321
♪ You can attribute... ♪

78
00:03:37,321 --> 00:03:39,866
‐ Howdy, ma'am.
‐ Hi.

79
00:03:39,866 --> 00:03:42,910
Okay.
Wow.

80
00:03:42,910 --> 00:03:45,621
[laughs nervously]

81
00:03:47,331 --> 00:03:51,419
Thank you.

82
00:03:51,419 --> 00:03:54,046
Hello.
[laughs]

83
00:03:54,046 --> 00:03:57,133
I'm Annie Easton,
from The Thorn.

84
00:03:57,133 --> 00:03:59,760
‐ The reporter, huh?
What do you think, Gus?

85
00:03:59,760 --> 00:04:01,345
‐ Doesn't look like a reporter
to me.

86
00:04:01,345 --> 00:04:02,722
Looks more like FBI.

87
00:04:02,722 --> 00:04:04,474
‐ Could be.

88
00:04:04,474 --> 00:04:06,058
You FBI, little lady?

89
00:04:09,604 --> 00:04:11,397
We're just fucking with you.

90
00:04:11,397 --> 00:04:13,608
[laughter]

91
00:04:13,608 --> 00:04:15,067
ANNIE: Okay.
Good.

92
00:04:15,067 --> 00:04:17,236
‐ When you asked to come here,
we read all your articles.

93
00:04:17,236 --> 00:04:18,654
What was that one
we really liked?

94
00:04:18,654 --> 00:04:21,199
‐ Um... Hey, I'm A Fatty.

95
00:04:21,199 --> 00:04:22,575
‐ Yeah, that was real good.

96
00:04:22,575 --> 00:04:24,786
My wife was getting fat
for a little while,

97
00:04:24,786 --> 00:04:26,204
and turns out she was
just pregnant.

98
00:04:26,204 --> 00:04:27,705
‐ [chuckles] Oh.

99
00:04:27,705 --> 00:04:30,124
Well, uh, congrats.

100
00:04:30,124 --> 00:04:31,375
‐ Come on inside.

101
00:04:31,375 --> 00:04:33,294
We'll introduce you to Mama.
ANNIE: Okay.

102
00:04:39,884 --> 00:04:42,720
Oh, congratulations.

103
00:04:44,305 --> 00:04:46,933
GIRLS: ♪ Let this blessed ♪

104
00:04:46,933 --> 00:04:51,771
♪ Assurance control ♪

105
00:04:52,438 --> 00:04:56,859
‐ ♪ It is well ♪
‐ ♪ It is well ♪

106
00:04:56,859 --> 00:05:01,364
GIRL: ♪ With my soul ♪
GIRL: ♪ With my soul ♪

107
00:05:01,364 --> 00:05:03,741
GIRLS: ♪ It is well ♪

108
00:05:03,741 --> 00:05:09,914
♪ It is well with my soul ♪

109
00:05:09,914 --> 00:05:12,124
‐ [clapping]

110
00:05:12,124 --> 00:05:14,126
Okay. Yes.

111
00:05:14,126 --> 00:05:18,631
Wow, very good singing,
and very fun to have a twin

112
00:05:18,631 --> 00:05:20,675
that you can sing with as well.

113
00:05:20,675 --> 00:05:22,552
‐ Thank you, girls.
You're dismissed.

114
00:05:30,810 --> 00:05:33,604
We've had some problems
with reporters in the past.

115
00:05:34,230 --> 00:05:35,606
They take one look at us

116
00:05:35,606 --> 00:05:37,608
and think they know
what we're all about.

117
00:05:38,860 --> 00:05:41,612
‐ Yeah, well,
I'm not like that.

118
00:05:41,612 --> 00:05:44,824
I‐I really, um... I understand
what it feels like

119
00:05:44,824 --> 00:05:47,702
to be judged
by appearances, so...

120
00:05:47,702 --> 00:05:50,246
‐ Hmm.

121
00:05:50,246 --> 00:05:52,456
Well, then maybe
you'll give us a fair shake.

122
00:05:54,083 --> 00:05:55,710
We just want to tell our story,

123
00:05:55,710 --> 00:05:58,838
and it's a shame that Gus
isn't here to tell his.

124
00:05:58,838 --> 00:06:00,172
‐ Yes, it is.

125
00:06:00,172 --> 00:06:05,761
Um... well, maybe that's
a good place to start.

126
00:06:05,761 --> 00:06:10,558
I know that your husband
was involved in a standoff

127
00:06:10,558 --> 00:06:12,518
with federal agents
near the Idaho border.

128
00:06:12,518 --> 00:06:15,438
‐ Why don't you let me
show you around first?

129
00:06:15,438 --> 00:06:17,523
You know, Gus always says
you can't really know a man

130
00:06:17,523 --> 00:06:19,650
until you see
where he hangs his jeans.

131
00:06:19,650 --> 00:06:20,985
ANNIE: Yeah.
That's, um...

132
00:06:20,985 --> 00:06:24,947
that's a new‐‐
new‐‐new phrase for me,

133
00:06:24,947 --> 00:06:26,991
but lots of new stuff
is happening.

134
00:06:26,991 --> 00:06:29,869
So good.

135
00:06:29,869 --> 00:06:32,830
‐ So you've never made
a fuck tape,

136
00:06:32,830 --> 00:06:34,790
like, not even just yourself
jerking off?

137
00:06:34,790 --> 00:06:37,668
‐ It's honestly
never appealed to me before,

138
00:06:37,668 --> 00:06:40,046
but we have been operating
at such a sexual peak recently

139
00:06:40,046 --> 00:06:41,213
that I kind of want to see

140
00:06:41,213 --> 00:06:42,798
if it looks as good
as it feels.

141
00:06:42,798 --> 00:06:45,134
‐ Yeah, like, for posterity.

142
00:06:45,134 --> 00:06:47,970
I mean, our grandchildren
could watch this one day.

143
00:06:47,970 --> 00:06:49,430
‐ Okay.

144
00:06:49,430 --> 00:06:54,685
So what kind of pre‐production
will this entail?

145
00:06:55,603 --> 00:06:57,355
‐ I'm glad you asked.

146
00:06:57,938 --> 00:07:01,651
So, first, we're gonna
take off our pants.

147
00:07:01,651 --> 00:07:03,069
FRAN: Oh.
‐ Okay?

148
00:07:03,069 --> 00:07:05,446
Then we're gonna go down
into the basement.

149
00:07:05,446 --> 00:07:08,616
And we're gonna get
Fernando's strobe light.

150
00:07:08,616 --> 00:07:10,618
‐ I don't think
that I want my landlord

151
00:07:10,618 --> 00:07:13,788
involved in our pornography.
‐ Why?

152
00:07:13,788 --> 00:07:16,499
I have a feeling that we
fulfill his greatest dreams.

153
00:07:16,499 --> 00:07:18,250
‐ Tough luck, Fernando.

154
00:07:20,961 --> 00:07:22,588
So when are we doing this?

155
00:07:24,507 --> 00:07:26,801
‐ You free right now?
‐ I'm actually busy right now,

156
00:07:26,801 --> 00:07:29,053
but I could pencil you in
next week.

157
00:07:29,053 --> 00:07:30,513
‐ Okay.

158
00:07:30,513 --> 00:07:32,723
‐ Oh, something just opened up,
like, actually right now.

159
00:07:32,723 --> 00:07:34,141
‐ Right now?
‐ Yeah.

160
00:07:34,141 --> 00:07:35,184
‐ Okay.
‐ Good.

161
00:07:37,728 --> 00:07:39,814
[country music playing]

162
00:07:39,814 --> 00:07:42,566
‐ I met Gus at
a penny slot machine in Reno.

163
00:07:42,566 --> 00:07:45,194
To this day, I keep
those pennies in my purse.

164
00:07:45,194 --> 00:07:47,446
‐ Aww...

165
00:07:47,446 --> 00:07:50,199
‐ Well, Gus is a real man.
When you find a real man,

166
00:07:50,199 --> 00:07:52,493
you have to follow him
to the ends of the Earth.

167
00:07:53,244 --> 00:07:56,706
‐ Yeah, well, it's taken me
28 years to find a man

168
00:07:56,706 --> 00:07:58,874
that'll just take me
to Seattle.

169
00:07:58,874 --> 00:08:01,043
‐ You're funny, huh?

170
00:08:01,043 --> 00:08:03,421
‐ No. No.

171
00:08:03,421 --> 00:08:04,880
‐ I like funny people.

172
00:08:06,590 --> 00:08:08,217
‐ Yeah, I'm a clown.

173
00:08:08,217 --> 00:08:10,094
‐ That man is hilarious.

174
00:08:10,886 --> 00:08:14,098
‐ I can see that.
It's... yeah.

175
00:08:15,266 --> 00:08:17,226
I'm getting the giggles

176
00:08:17,226 --> 00:08:20,563
from his... face
and, um, energy.

177
00:08:22,857 --> 00:08:25,317
‐ This is our little
mom‐and‐pop shop.

178
00:08:25,317 --> 00:08:26,318
ANNIE: Wow.

179
00:08:26,318 --> 00:08:28,070
Everybody's in here.
Hello.

180
00:08:28,070 --> 00:08:30,239
CLARA: After Gus Senior
got arrested,

181
00:08:30,239 --> 00:08:33,159
I started selling a few items
online to pay the legal fees.

182
00:08:33,868 --> 00:08:37,204
ANNIE: Oh.
"Free Big Daddy," huh?

183
00:08:37,204 --> 00:08:38,831
‐ He is one big old daddy.

184
00:08:42,042 --> 00:08:45,171
‐ Hi.
You want to show me something?

185
00:08:48,299 --> 00:08:51,302
Oh...
[laughs weakly]

186
00:08:51,302 --> 00:08:53,054
So the guns.

187
00:08:53,054 --> 00:08:54,764
♪ ♪

188
00:08:54,764 --> 00:08:56,140
Okay.

189
00:08:56,140 --> 00:08:58,392
Thank you.

190
00:08:58,392 --> 00:09:01,062
[country music]

191
00:09:01,062 --> 00:09:06,776
[gun firing]

192
00:09:06,776 --> 00:09:10,279
CLARA: Yeah, Junior,
you show that lying media.

193
00:09:10,279 --> 00:09:12,615
Does your husband ever take you
out shooting, Ms. Easton?

194
00:09:12,615 --> 00:09:15,659
‐ Oh, I‐I don't have a husband.
Um...

195
00:09:15,659 --> 00:09:17,578
I have‐‐there's this guy Nick.

196
00:09:17,578 --> 00:09:20,414
And we‐‐I don't know,
we like each other,

197
00:09:20,414 --> 00:09:22,291
but we're taking it slow, so...

198
00:09:22,291 --> 00:09:23,959
‐ How slow?

199
00:09:23,959 --> 00:09:26,796
‐ Um, just like...
I don't know.

200
00:09:26,796 --> 00:09:28,130
I think it was gonna happen.

201
00:09:28,130 --> 00:09:30,174
And then I got wasted.

202
00:09:30,174 --> 00:09:31,884
BUDDY: [chuckles] Nice.

203
00:09:31,884 --> 00:09:34,386
‐ Yes.
And, um, I don't know.

204
00:09:34,386 --> 00:09:36,305
We just haven't had, like,
the right moment,

205
00:09:36,305 --> 00:09:38,849
and we're... you know,
the timing hasn't been right.

206
00:09:39,850 --> 00:09:43,020
‐ Junior, get our friend Annie
here set up with the Luger.

207
00:09:43,020 --> 00:09:44,897
‐ Oh, no thank you.
I'm‐‐

208
00:09:44,897 --> 00:09:46,649
BUDDY: It's all right.
Junior will be next to you

209
00:09:46,649 --> 00:09:47,650
the whole time.

210
00:09:48,609 --> 00:09:53,948
‐ Um... okay.
[laughs]

211
00:09:53,948 --> 00:09:55,783
‐ Arms straight.

212
00:09:55,783 --> 00:09:57,743
Feet apart.
‐ Okay.

213
00:09:58,577 --> 00:10:01,038
‐ Good stance.

214
00:10:01,038 --> 00:10:04,333
See the target.
‐ Mm‐hmm.

215
00:10:04,333 --> 00:10:06,752
‐ Pull the trigger.

216
00:10:06,752 --> 00:10:09,505
[upbeat music]

217
00:10:09,505 --> 00:10:12,133
‐ [exhales raggedly]

218
00:10:12,133 --> 00:10:15,594
Sorry.
I'm really scared.

219
00:10:15,594 --> 00:10:17,304
CLARA: There are two kinds
of people in the world,

220
00:10:17,304 --> 00:10:19,682
Ms. Easton, those who talk
a big game

221
00:10:19,682 --> 00:10:22,184
and those who get it done.
Now which are you?

222
00:10:22,184 --> 00:10:24,478
♪ ♪

223
00:10:24,478 --> 00:10:27,857
One... two... three.

224
00:10:29,608 --> 00:10:31,235
ANNIE: Oh, holy shit!
[laughter]

225
00:10:34,655 --> 00:10:36,574
Oh, my God!

226
00:10:36,574 --> 00:10:38,868
This feels fucking amazing!

227
00:10:40,202 --> 00:10:43,372
I love this!
‐ Oh! Whoa! Hey! ‐ Sorry!

228
00:10:43,372 --> 00:10:46,458
I'm sorry! I don't know.

229
00:10:46,458 --> 00:10:49,461
Mmm... mmm.

230
00:10:49,461 --> 00:10:51,463
Oh, my gosh.

231
00:10:51,463 --> 00:10:53,215
This corn salad is amazing.

232
00:10:53,215 --> 00:10:55,259
It's, like, making me
believe in God.

233
00:10:55,259 --> 00:10:59,722
[chuckles]

234
00:11:01,098 --> 00:11:05,519
Um... well, not
to ruin our afternoon,

235
00:11:05,519 --> 00:11:08,731
but could I maybe ask you
some questions now?

236
00:11:08,731 --> 00:11:10,149
‐ Uh‐oh.
Here we go.

237
00:11:10,149 --> 00:11:12,193
Okay.
Give me everything you got.

238
00:11:12,193 --> 00:11:14,820
‐ Okay.

239
00:11:14,820 --> 00:11:16,488
All right.

240
00:11:16,488 --> 00:11:19,116
So let's start
with the standoff.

241
00:11:19,116 --> 00:11:21,076
Um,

242
00:11:21,076 --> 00:11:23,704
when Gus Senior was on
that bridge,

243
00:11:23,704 --> 00:11:26,165
what were you feeling?

244
00:11:26,165 --> 00:11:29,960
‐ Scared.
But he had to do it.

245
00:11:29,960 --> 00:11:31,879
He was standing up
to tyrannical forces,

246
00:11:31,879 --> 00:11:35,883
so I also felt... grateful.

247
00:11:35,883 --> 00:11:37,509
‐ But now he's in prison,

248
00:11:37,509 --> 00:11:39,386
potentially
for a very long time.

249
00:11:39,386 --> 00:11:41,597
‐ Yes, in prison
for his beliefs.

250
00:11:41,597 --> 00:11:43,557
Same thing they did
to Martin Luther King,

251
00:11:43,557 --> 00:11:44,642
but for some reason,

252
00:11:44,642 --> 00:11:46,727
we don't get
the same press coverage.

253
00:11:47,228 --> 00:11:49,605
‐ I don't know if it was
exactly the same thing,

254
00:11:49,605 --> 00:11:51,690
but it's interesting
that you bring up race,

255
00:11:51,690 --> 00:11:53,400
because I know Mr. Picket

256
00:11:53,400 --> 00:11:55,110
gave a statement
about Black Lives Matter.

257
00:11:55,110 --> 00:11:57,446
‐ Do you want more corn salad?
‐ No, I'm done.

258
00:11:57,446 --> 00:11:59,949
Um... I think he said, uh,

259
00:11:59,949 --> 00:12:01,825
Black people have had
more freedom

260
00:12:01,825 --> 00:12:03,827
under slavery than they do now.

261
00:12:07,039 --> 00:12:10,209
‐ I believe he was exaggerating
to make a point.

262
00:12:10,209 --> 00:12:11,961
‐ So you don't agree
with Gus's statement,

263
00:12:11,961 --> 00:12:14,964
or you do?

264
00:12:14,964 --> 00:12:17,383
Okay.
[clears throat]

265
00:12:17,383 --> 00:12:20,094
Let's talk about
the larger separatist movement,

266
00:12:20,094 --> 00:12:23,555
which is ultimately filled
with nationalists,

267
00:12:23,555 --> 00:12:26,600
alt‐right,
and even white supremacists.

268
00:12:27,434 --> 00:12:29,937
Would you and your husband
ever consider

269
00:12:29,937 --> 00:12:32,106
condemning something
like that publicly?

270
00:12:32,106 --> 00:12:35,067
‐ Move on,
or we can end this right now.

271
00:12:35,067 --> 00:12:36,986
‐ Then let's talk
about you, Clara.

272
00:12:36,986 --> 00:12:41,448
You're clearly
a very capable person.

273
00:12:41,448 --> 00:12:44,118
So why is it that Gus Senior
gets all the credit

274
00:12:44,118 --> 00:12:46,495
when you clearly do
a lot of the work

275
00:12:46,495 --> 00:12:49,331
and have a lot of the ideas?

276
00:12:51,750 --> 00:12:54,086
‐ That is my choice.

277
00:12:54,086 --> 00:12:57,047
And it is really none
of your business.

278
00:12:58,924 --> 00:13:00,801
‐ Okay.
‐ What about you, Annie?

279
00:13:00,801 --> 00:13:02,177
Are you free?

280
00:13:02,177 --> 00:13:04,555
Almost 30, alone,

281
00:13:04,555 --> 00:13:06,974
sitting around
waiting for some boy to call.

282
00:13:06,974 --> 00:13:10,311
‐ Well, thankfully,
this piece isn't about me.

283
00:13:10,311 --> 00:13:13,439
‐ You call yourself a feminist,
but you can't accept

284
00:13:13,439 --> 00:13:16,191
that most women
don't want what you're selling.

285
00:13:16,191 --> 00:13:20,237
I have a family.
I have love, a purpose.

286
00:13:20,863 --> 00:13:22,614
What do you have, Annie?

287
00:13:23,240 --> 00:13:25,868
Ah, maybe someday
you'll figure it all out,

288
00:13:25,868 --> 00:13:29,496
find something to be proud of
besides your abortion.

289
00:13:32,166 --> 00:13:35,961
‐ Um... all right.
Well, my next question‐‐

290
00:13:35,961 --> 00:13:37,880
‐ No more questions.
We're done.

291
00:13:37,880 --> 00:13:39,048
Sonya!

292
00:13:42,342 --> 00:13:46,597
Here, for taking the time
to drive all the way out here.

293
00:13:49,975 --> 00:13:51,852
Just eat around the arsenic.

294
00:13:54,104 --> 00:13:58,817
‐ Well, I choose to take
this pie home with me

295
00:13:58,817 --> 00:14:02,237
just like I choose
what I do to my body,

296
00:14:02,237 --> 00:14:05,657
which may or may not be
to eat this pie later.

297
00:14:05,657 --> 00:14:08,160
So...
‐ Okay.

298
00:14:08,160 --> 00:14:10,621
‐ Thank you.
‐ I'll get you a ride.

299
00:14:11,997 --> 00:14:14,124
[rock music]

300
00:14:14,124 --> 00:14:16,126
‐ [breathlessly] Holy shit.

301
00:14:16,126 --> 00:14:19,254
Holy shit.
Oh...

302
00:14:19,254 --> 00:14:21,090
Whoo!

303
00:14:21,090 --> 00:14:24,259
Oh, you want
to talk shit about me?

304
00:14:24,259 --> 00:14:25,344
[chuckles]

305
00:14:25,344 --> 00:14:26,804
Oh, bad news, bitch!

306
00:14:26,804 --> 00:14:29,264
I'm a huge fucking bitch too!

307
00:14:29,264 --> 00:14:31,558
Okay?
And I don't give a fuck!

308
00:14:31,558 --> 00:14:32,976
Whoo!
[honks horn]

309
00:14:32,976 --> 00:14:36,647
SINGER: ♪ What?
You said it was mine ♪

310
00:14:36,647 --> 00:14:38,899
♪ What?
You said it was mine ♪

311
00:14:38,899 --> 00:14:41,652
♪ Oh, what?
You said it was mine ♪

312
00:14:41,652 --> 00:14:44,279
♪ What?
You said it was mine ♪

313
00:14:44,279 --> 00:14:46,573
♪ ♪

314
00:14:52,329 --> 00:14:54,540
‐ Oh, you're home.
‐ Yeah.

315
00:14:54,540 --> 00:14:56,208
I was running late
because I had to interview

316
00:14:56,208 --> 00:14:57,793
this very scary ranch woman,

317
00:14:57,793 --> 00:15:00,671
and now Nick is gonna be here
in 20 minutes.

318
00:15:00,671 --> 00:15:03,507
‐ Oh, my, so this is
a sexual pasta?

319
00:15:03,507 --> 00:15:06,218
‐ Mm, yeah, I mean,
I'm still pumping

320
00:15:06,218 --> 00:15:08,178
all the adrenaline
from earlier today,

321
00:15:08,178 --> 00:15:10,848
so... I don't know.
I think tonight is the night.

322
00:15:10,848 --> 00:15:12,975
You know, I'm gonna
pull the trigger

323
00:15:12,975 --> 00:15:14,852
and Second Amendment my putty.

324
00:15:14,852 --> 00:15:16,353
‐ Second Amendment.
That's the one

325
00:15:16,353 --> 00:15:19,273
where the army can't
set up shop in your house?

326
00:15:20,440 --> 00:15:22,985
‐ Honey, read a book.
FRAN: I refuse.

327
00:15:22,985 --> 00:15:24,653
‐ Okay.
I think the sauce is done.

328
00:15:24,653 --> 00:15:26,613
So that gives me
exactly 20 minutes

329
00:15:26,613 --> 00:15:29,366
to shave my pubes into,
like, a little triangle.

330
00:15:29,366 --> 00:15:30,826
‐ Oh, cute.

331
00:15:30,826 --> 00:15:32,286
Well, I will stay
out of your way.

332
00:15:32,286 --> 00:15:33,912
We're having a little
viewing party upstairs.

333
00:15:33,912 --> 00:15:37,040
‐ Yeah, what are you watching?
‐ Films.

334
00:15:37,040 --> 00:15:39,251
‐ With a lot of Gatorade?

335
00:15:39,251 --> 00:15:40,919
‐ Hell yeah.

336
00:15:40,919 --> 00:15:42,838
‐ I know that
that's your horny fuel.

337
00:15:43,839 --> 00:15:46,341
‐ Is it? Yeah.

338
00:15:48,844 --> 00:15:51,263
Wait a minute.
[chuckles]

339
00:15:51,263 --> 00:15:53,265
‐ Thirsty.

340
00:15:53,265 --> 00:15:54,391
‐ This was incredible.

341
00:15:54,391 --> 00:15:56,143
‐ Well, I don't know
about incredible.

342
00:15:56,143 --> 00:15:59,730
‐ I mean,
it was amazing, at least.

343
00:15:59,730 --> 00:16:01,440
Uh... can I clear the plates?

344
00:16:01,440 --> 00:16:03,066
‐ No!
No, no, no.

345
00:16:03,066 --> 00:16:06,570
You... you just relax.
You're the guest.

346
00:16:07,321 --> 00:16:10,157
And I have to take the plates.
That's 'cause I'm the woman.

347
00:16:10,157 --> 00:16:12,284
You know, that's what
I learned on the ranch.

348
00:16:12,284 --> 00:16:13,952
‐ Sounds like they got it
figured out.

349
00:16:13,952 --> 00:16:16,163
‐ I don't know about that.
‐ So I'm kind of...

350
00:16:16,163 --> 00:16:18,498
So I'm kind of feeling like
maybe we should start a ranch?

351
00:16:18,498 --> 00:16:20,083
‐ Us? Yeah.
‐ Yeah.

352
00:16:20,083 --> 00:16:22,294
‐ No, that's
why I brought you here.

353
00:16:22,294 --> 00:16:24,922
‐ Okay. So we'll invest
in some animals.

354
00:16:24,922 --> 00:16:26,590
We got to get
a bunch of stuff.

355
00:16:26,590 --> 00:16:28,050
We're gonna have to have
a whole shed

356
00:16:28,050 --> 00:16:29,384
just to keep all our stuff.

357
00:16:29,384 --> 00:16:31,511
‐ Mm‐hmm.
‐ And, of course, for us,

358
00:16:31,511 --> 00:16:34,473
I mean, we gotta have
a... log cabin.

359
00:16:34,473 --> 00:16:36,558
‐ Okay, but you have to be

360
00:16:36,558 --> 00:16:37,726
the one who, like, builds it,

361
00:16:37,726 --> 00:16:39,853
because I'm...
‐ Of course.

362
00:16:39,853 --> 00:16:42,606
‐ I'm pregnant
with triplets, I think.

363
00:16:42,606 --> 00:16:43,607
NICK: Ooh...

364
00:16:43,607 --> 00:16:45,025
‐ That you just, like,

365
00:16:45,025 --> 00:16:47,611
blasted
right off into me, you know?

366
00:16:47,611 --> 00:16:49,905
‐ Okay.
Okay.

367
00:16:50,822 --> 00:16:52,699
I mean, you kind of
made it nasty, but...

368
00:16:52,699 --> 00:16:56,370
‐ Well, this is a nasty‐
positive space, I think.

369
00:16:56,370 --> 00:16:58,330
‐ Okay. All right.

370
00:16:58,330 --> 00:17:00,415
ANNIE: I, um...

371
00:17:04,920 --> 00:17:06,088
[laughs]
Sorry.

372
00:17:08,465 --> 00:17:09,633
‐ What?

373
00:17:11,677 --> 00:17:13,387
‐ I... nothing.

374
00:17:13,387 --> 00:17:15,097
NICK: What?
‐ No, nothing.

375
00:17:15,097 --> 00:17:18,350
Um... here, I'll...
I'll take our plates.

376
00:17:19,184 --> 00:17:23,730
And I'll get you some
of that racist rancher's pie.

377
00:17:23,730 --> 00:17:26,275
NICK: All right. I'll think of
something else nasty to say.

378
00:17:26,275 --> 00:17:28,902
‐ Okay.

379
00:17:28,902 --> 00:17:30,946
‐ Okay.

380
00:17:30,946 --> 00:17:33,740
Are you ready
to watch our masterpiece?

381
00:17:33,740 --> 00:17:34,783
‐ Yeah, I'm ready.

382
00:17:34,783 --> 00:17:35,993
‐ Okay.
‐ I'm scared.

383
00:17:35,993 --> 00:17:37,911
‐ Don't be scared.
It's gonna be good.

384
00:17:56,763 --> 00:17:59,057
‐ Hmm...

385
00:17:59,057 --> 00:18:01,310
‐ Why do our faces
look like that?

386
00:18:01,310 --> 00:18:03,103
‐ I don't know.

387
00:18:03,103 --> 00:18:04,730
‐ Look how fucking mad I look.

388
00:18:04,730 --> 00:18:06,857
What's wrong with me?
What's my problem?

389
00:18:06,857 --> 00:18:08,734
‐ I think... I think skip
this bit, maybe.

390
00:18:08,734 --> 00:18:10,193
‐ Yeah, I feel like
there's a lot of...

391
00:18:10,193 --> 00:18:11,570
FRAN: There's other bits.

392
00:18:11,570 --> 00:18:12,654
[heavy groaning]

393
00:18:12,654 --> 00:18:14,698
EMILY: Okay. Okay.

394
00:18:14,698 --> 00:18:16,033
Can we switch?
‐ Yeah.

395
00:18:16,033 --> 00:18:17,075
EMILY: Okay, yeah.

396
00:18:17,075 --> 00:18:18,076
‐ Thanks, mate.

397
00:18:18,076 --> 00:18:19,870
‐ Thank you.
You're welcome.

398
00:18:19,870 --> 00:18:20,871
FRAN: I just, like...

399
00:18:20,871 --> 00:18:23,790
EMILY: Okay, okay.

400
00:18:23,790 --> 00:18:29,254
‐ [nasally] Oh... yeah.

401
00:18:29,254 --> 00:18:30,922
Yes, ma'am.

402
00:18:30,922 --> 00:18:32,633
‐ Did you say, "Yes, ma'am"?

403
00:18:32,633 --> 00:18:36,136
‐ No, I said, yes... mmm.

404
00:18:36,136 --> 00:18:38,347
FRAN : Yes, ma'am.

405
00:18:38,347 --> 00:18:40,265
I... I heard it again,

406
00:18:40,265 --> 00:18:42,517
and it sounds like I said,
"Yes, ma'am."

407
00:18:42,517 --> 00:18:47,105
Oh, no!
Oh, no!

408
00:18:47,105 --> 00:18:49,691
[both laughing]
EMILY: Oh, my God!

409
00:18:49,691 --> 00:18:51,777
‐ This is the worst thing
I've ever seen.

410
00:18:51,777 --> 00:18:53,153
‐ I was under the impression

411
00:18:53,153 --> 00:18:56,114
we were the two hottest people
on the planet.

412
00:18:56,114 --> 00:18:57,949
And this is the worst!

413
00:18:58,700 --> 00:19:00,452
[chuckles]
‐ That's what I sound like.

414
00:19:00,452 --> 00:19:02,788
‐ And I'm, like, you do that,
and I'm still attracted.

415
00:19:02,788 --> 00:19:04,289
‐ You're enjoying it.
‐ I'm horny for it.

416
00:19:04,289 --> 00:19:05,957
‐ Which is disgusting.

417
00:19:05,957 --> 00:19:09,753
‐ You can tell I'm horny
for it, little freak.

418
00:19:09,753 --> 00:19:12,756
[gentle music]

419
00:19:12,756 --> 00:19:14,424
♪ ♪

420
00:19:14,424 --> 00:19:16,593
‐ Emily, I love you.

421
00:19:16,593 --> 00:19:20,222
♪ ♪

422
00:19:20,222 --> 00:19:24,101
‐ I love you too.

423
00:19:24,101 --> 00:19:25,811
I love you a lot.

424
00:19:25,811 --> 00:19:30,941
SOKO: ♪ I can save
myself myself ♪

425
00:19:30,941 --> 00:19:33,777
♪ ♪

426
00:19:33,777 --> 00:19:38,949
♪ I don't need
your company, baby ♪

427
00:19:38,949 --> 00:19:43,370
♪ But I could really
use it now ♪

428
00:19:45,956 --> 00:19:47,207
‐ [rustic accent] The apples...

429
00:19:47,207 --> 00:19:48,291
Mmm, the apples
is ripe this time of year.

430
00:19:48,291 --> 00:19:49,835
‐ Oh, my God.
‐ Whoa.

431
00:19:49,835 --> 00:19:52,963
We made a good pie this year.
Thank you, Annie Easton,

432
00:19:52,963 --> 00:19:54,089
for teaching us
so many lessons...

433
00:19:54,089 --> 00:19:56,133
‐ No.
‐ About liberal culture.

434
00:19:56,133 --> 00:19:58,760
‐ You gotta stop.
‐ You g‐‐okay.

435
00:19:58,760 --> 00:20:00,762
‐ [laughs]

436
00:20:00,762 --> 00:20:03,974
Um... this is so nice.

437
00:20:06,017 --> 00:20:09,354
And, you know, I was thinking
the other day, like,

438
00:20:09,354 --> 00:20:12,482
I realized every guy
that I've ever hung out with

439
00:20:12,482 --> 00:20:15,694
in, like,
any extended period of time

440
00:20:15,694 --> 00:20:19,030
has always been very...

441
00:20:19,030 --> 00:20:22,033
like, stupid, I guess.
Um...

442
00:20:23,118 --> 00:20:26,663
And I can proudly say
that you're not stupid.

443
00:20:26,663 --> 00:20:32,502
You're‐‐you're actually great.

444
00:20:32,502 --> 00:20:33,795
‐ That's good.

445
00:20:33,795 --> 00:20:35,255
Yeah, I'm into that.
‐ Yeah. Yeah, no, it is.

446
00:20:35,255 --> 00:20:37,549
It's good. It's good.

447
00:20:37,549 --> 00:20:42,095
Um, and I think...

448
00:20:42,095 --> 00:20:43,221
I don't know.
I'll just say

449
00:20:43,221 --> 00:20:44,598
what I'm actually
trying to say,

450
00:20:44,598 --> 00:20:50,353
which is, um...

451
00:20:50,353 --> 00:20:51,980
I like you.

452
00:20:51,980 --> 00:20:53,398
And I think you're good,

453
00:20:53,398 --> 00:20:59,196
like, very good,
and smart and funny.

454
00:20:59,196 --> 00:21:03,658
And I um...

455
00:21:03,658 --> 00:21:07,871
I don't know.
I would like to be with you,

456
00:21:07,871 --> 00:21:09,998
if you wanted
to try being with me.

457
00:21:09,998 --> 00:21:14,294
And, you know, we could
just see what would happen,

458
00:21:14,294 --> 00:21:16,254
but it's also...

459
00:21:16,254 --> 00:21:18,131
You know, I understand.

460
00:21:18,131 --> 00:21:20,592
So, I guess, anyway,

461
00:21:20,592 --> 00:21:23,136
I've said this
in the most backwards way,

462
00:21:23,136 --> 00:21:24,554
but there it is.

463
00:21:33,355 --> 00:21:36,066
‐ Very flattering, Annie.
‐ Oh...

464
00:21:36,066 --> 00:21:41,029
‐ And, I mean, you are awesome.
I just don't see you that way.

465
00:21:41,029 --> 00:21:43,532
‐ Okay. ‐ Yeah.

466
00:21:43,532 --> 00:21:47,118
I'm sorry.
‐ No, I'm so sorry.

467
00:21:47,118 --> 00:21:48,453
I...

468
00:21:48,453 --> 00:21:50,288
I'm so, so sorry.

469
00:21:50,288 --> 00:21:52,791
‐ No, no.
It's okay. It's fine.

470
00:21:52,791 --> 00:21:57,546
‐ I, uh... so okay.

471
00:21:57,546 --> 00:22:00,590
Then...then why did you invite
me over on Saturday

472
00:22:00,590 --> 00:22:02,384
at one o'clock in the morning?

473
00:22:02,384 --> 00:22:03,677
‐ Right.

474
00:22:03,677 --> 00:22:05,095
‐ You know?
‐ Yeah, right.

475
00:22:05,095 --> 00:22:08,348
I don't know is the thing.

476
00:22:08,348 --> 00:22:11,226
I‐I don't have a good reason.

477
00:22:11,226 --> 00:22:14,062
‐ What did you think
was gonna happen?

478
00:22:14,062 --> 00:22:18,942
‐ Uh... I don't know.

479
00:22:18,942 --> 00:22:21,403
Do I have to think
something's gonna happen?

480
00:22:21,403 --> 00:22:25,282
‐ I don't know.

481
00:22:25,282 --> 00:22:27,951
‐ You, for real, are, like,
my favorite person

482
00:22:27,951 --> 00:22:29,411
that I've met in a long time.

483
00:22:29,411 --> 00:22:31,788
And this is great.

484
00:22:35,750 --> 00:22:36,918
Are you mad at me?

485
00:22:36,918 --> 00:22:40,547
‐ No. I'm not mad, um...

486
00:22:40,547 --> 00:22:43,675
but what
the fuck is wrong with you?

487
00:22:44,843 --> 00:22:48,138
Like, you put out a vibe.
You have to admit that.

488
00:22:48,138 --> 00:22:51,474
‐ I put out a vibe?
‐ Yes, you do.

489
00:22:52,851 --> 00:22:55,186
You, like, ask me to breakfast.

490
00:22:55,186 --> 00:22:58,106
You text me
all the fucking time,

491
00:22:58,106 --> 00:23:00,984
including little, like,
heart emojis and shit.

492
00:23:00,984 --> 00:23:02,736
‐ I send those to everyone.

493
00:23:03,737 --> 00:23:05,864
You know,
I send my mom heart emojis.

494
00:23:05,864 --> 00:23:07,282
‐ Okay.
Well, then your mom

495
00:23:07,282 --> 00:23:09,492
probably thinks
that you want to fuck her too.

496
00:23:09,993 --> 00:23:13,079
‐ Okay.

497
00:23:13,079 --> 00:23:14,372
You're upset.

498
00:23:14,372 --> 00:23:16,917
‐ No. I'm actually not upset.

499
00:23:16,917 --> 00:23:19,044
I just wish that you would be
honest about that, like,

500
00:23:19,044 --> 00:23:20,962
you were part of this too.

501
00:23:23,256 --> 00:23:25,675
‐ I think it's possible
that you've infused a lot

502
00:23:25,675 --> 00:23:28,470
of meaning
into everything we've done.

503
00:23:28,470 --> 00:23:29,721
‐ Okay, thank you.
NICK: I've thought about it.

504
00:23:29,721 --> 00:23:31,514
‐ I really don't need
to hear anything else.

505
00:23:31,514 --> 00:23:34,017
Please get the fuck out.

506
00:23:54,162 --> 00:23:57,165
[somber music]

507
00:23:57,165 --> 00:23:59,167
‐ [laughs]
[knock at door]

508
00:23:59,167 --> 00:24:02,170
‐ Come in.
‐ [sobbing]

509
00:24:02,170 --> 00:24:04,714
Can I just be in here
with you guys?

510
00:24:04,714 --> 00:24:06,466
BOTH: Baby...

511
00:24:06,466 --> 00:24:08,176
‐ He said no.

512
00:24:08,176 --> 00:24:09,970
FRAN: Oh...

513
00:24:11,680 --> 00:24:14,349
‐ [crying] I'm so humiliated.

514
00:24:19,270 --> 00:24:21,398
I know that
I'm interrupting something.

515
00:24:21,398 --> 00:24:22,732
I'm sorry.

516
00:24:25,443 --> 00:24:27,237
‐ We just said I love you.

517
00:24:27,237 --> 00:24:30,782
‐ That's so good.

518
00:24:30,782 --> 00:24:32,492
I love you guys.

519
00:24:32,492 --> 00:24:34,160
‐ Aww.
‐ Oh.

520
00:24:34,160 --> 00:24:38,581
‐ [crying]

521
00:24:41,084 --> 00:24:43,003
I think I'm in a wet spot.

522
00:24:43,003 --> 00:24:44,170
‐ Oh, yeah.
‐ Yeah.

523
00:24:44,170 --> 00:24:45,630
‐ Don't... don't worry
about that.

524
00:24:45,630 --> 00:24:48,550
‐ I love you guys.

525
00:24:48,550 --> 00:24:53,263
EMILY: I love you too.

526
00:24:53,263 --> 00:24:57,058
["New Love Cassette" playing]

527
00:24:57,058 --> 00:25:00,061
ANGEL OLSEN: ♪ I'm gonna help
you see ♪

528
00:25:00,061 --> 00:25:03,314
♪ When you're hard to find ♪

529
00:25:03,314 --> 00:25:08,862
♪ Gonna gather strength
give you all my mind ♪

530
00:25:09,446 --> 00:25:15,076
♪ Wanna show my love
all the time ♪

531
00:25:15,076 --> 00:25:20,874
♪ Wanna hold you close
and let you lie ♪

532
00:25:21,666 --> 00:25:27,172
♪ Gonna love you... ♪

533
00:25:27,672 --> 00:25:34,054
♪ You ♪

534
00:25:34,054 --> 00:25:40,310
♪ True ♪

535
00:25:40,310 --> 00:25:46,399
♪ You ♪

536
00:25:51,071 --> 00:25:54,074
[fanfare]

537
00:25:54,074 --> 00:25:56,910
[high clear tones]