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Matthew: PREVIOUSLY ON

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"LOVE ISLAND."

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HI BOYS.

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Matthew: THE NEW ARRIVALS
MAKE QUITE THE IMPRESSION.

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SO AM I YOUR NUMBER ONE.

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MAYBE.

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REALLY?

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E-W, THRER'S SO HAPPY.

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Matthew: AND RELATIONSHIPS
WERE ON THE ROCKS.

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DID YOU MAKE ME DINNER
TONIGHT?

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I GOT YOU.

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I'M LIKE SHUTTING DOWN AND
I'M PULLING MYSELF AWAY.

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DON'T.

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IT'S A LOT.

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HOPEFULLY YOU KNOW, I DIDN'T
DISAPPOINT.

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YOU DEFINITELY DIDN'T
DISAPPOINT.

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HE DIDN'T WANT TO KISS ME,
ACTING SO WEIRD, I'M NOT-- SHE

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IS PUTTING HERSELF OUT THERE FOR
A GUY THAT IS NOT GIVING

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ANYTHING BACK.

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I'M NOT DOING THAT.

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Matthew: TONIGHT THERE'S
HEARTBREAK.

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I'M NOT SURE I WANT TO
CONTINUE TO MOVE FORWARD.

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I DON'T THINK I WANT TO
CONTINUE WITH YOU.

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I'M INTO YOU LIKE 100
PERCENT.

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I'M INTO YOU TOO, OBVIOUSLY.

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WE DESERVE BETTER THAN THESE
GUYS KEEPING US AS AN OPTION.

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Matthew: ONE BOY GOES FOR
BROKE.

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I HAVE A QUESTION TO ASK YOU.

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AND TWO NEW BOYS GET COZY IN
THE VILLA.

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DRONE SHOT, WATERFALL, POOL,
AT $20 BUCK SAY THIS IS LOVE

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ISLANDER, THE ISLANDSERS ARE
STILL ASKING WHO LIKES WHO AND I

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AM STILL ASKING ISN'T THAT WHO
LIKES WHOM.

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CURRENTLY OUR OFFICIALS COUPLES
ARE SHANNON AND JOSH.

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KYRA AND WILL,-- AND THE SINGLES
WHO STILL KEEP THE HOPE OF LOVE

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ALIVE.

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I USED TO DO THAT.

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NOW I MAKE SCULPTURES OUT OF CAT
HAIR.

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ROOF ROOF.

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WHAT IS UP.

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BASICALLY ALANA I THINK SHE
IS KIND OF INTERESTED IN HIM, SO

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HE DID TELL ME THEY HAD A GOOD
CONVERSATION AND THEIR

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CONVERSATION FLOWED AND IT WAS A
GREAT CONVERSATION BUT HE WAS

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LIKE IT'S NOT THAT INITIAL SPARK
THAT YOU AND I HAD.

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HI, OLIVIA.

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HI.

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SHOULD I PUT KOREY.

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THAT IS NOT COOL, YOU SAYING
ONE THING AND TELLING SOMEONE

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ELSE ANOTHER THING.

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HIM HAVING THAT CONVERSATION
DOESN'T MEAN HE WILL CHOOSE HER.

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IF HE KNOWS HER ANDS HAD SEX
WITH HER AND STILL CHOOSES YOU,

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THAT IS AMAZING, I'M NOT SAYING
THAT IS RESPECTING YOU BUT THAT

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IS DIFFERENT.

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I'M WONDERING WHAT IS THE
DISRESPECT.

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KISSING, LYING.

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HE'S NOT GOING TO LIE.

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HE WOULD NEVER KISS AND
NEVER.

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THAT IS WHAT I AM SAYING, HE
WANTS TO GET TO KNOW HER BUT HE

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DOESN'T WANT TO GET TO KNOW HER.

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LET HIM GET TO KNOW HER.

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THIS IS THE BIGGEST RULE IN
THE HANDBOOK, DON'T CALL OUT A

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GUY ON HIS BS.

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JUST WATCH IT, THAT'S IT THE
MOMENT YOU CALL IT ON HIS BS YOU

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GIVE UP YOUR POWER.

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WE AIN'T GIVEN -- GIVING UP
POWER YET.

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NOPE, NOT AGAIN.

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Matthew: AND THE SECOND
BIGGEST RULE IN CASHAY'S

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HANDBOOK IS DON'T EVER CHECK THE
FOOTAGE FROM THE PAST FIVE WEEKS

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TO SEE WHETHER I FOLLOW MY OWN
RULES.

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I THINK THAT'S THE BEST
PICTURE WE'VE EVER TAKEN,

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HONESTLY.

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I GOT A TEXT!

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HEY!

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HERE WE GO.

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GATHER AROUND.

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THE CAMPFIRE.

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SHANNON AND JOSH, GET READY
TO LEAVE THE VILLA.

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YOU'RE GOING ON YOUR FIRST DATE,
HASHTAG.

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WHAT?

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OH MY GOSH.

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HASHTAGATE LAST, HASHTAG YOU
HAD ME AT ALOHA.

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AHH.

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YOU'RE GOING ON A DATE, DATE
GIRL.

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OH MY GOSH, FINALLY.

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WELL, IT IS A BIG OCCASION.

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SHANNON'S FINALLY GOING TO PUT
ON CLOTHES.

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AND AS HER NARRATOR I COULDN'T
BE PROUDER, THEY GROW UP SO

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FAST.

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THEY GROW UP SO FAST.

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SHE GOING ON A DATE.

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GOING ON A DATE.

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HEY.

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SHE GOING ON A DATE.

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OKAY.

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SHE GOING ON A DATE.

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WITH WHO?

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WEDNESDAY SHE GOING ON A DATE,
WITH JOSH.

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OH YEAH, SHE'S HYPED, YOU ARE
GOING TO CRUSH IT, IT IS GOING

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TO BE SO MUCH FUN, WHATEVER YOU
DO.

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IT IS PROBABLY GOING TO BE
REALLY BIG, TOO.

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ISN'T IT CRAZY WE HAVE BEEN
TOGETHER SINCE THE VERY FIRST

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DAY AND EVERY TIME I SEE HIM
IT'S LIKE THE FIRST TIME AGAIN.

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I AM GOING TO CRY RIGHT HERE.

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IT SOUNDS SO CORNY.

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COME IN.

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HEY.

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HOW SUPER OPTIMISTIC COMING
TOO THIS EXPERIENCE BUT I REALLY

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DIDN'T THINK THAT I WOULD FALL
FOR SOMEONE LIKE I'M FALLING FOR

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SHANNON.

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IT MAKES ME SMILE.

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I REALLY CAN'T EVEN PUT IT INTO
WORDS.

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BUT MI FALLING FOR HER, HONESTLY
AND I THINK THAT THIS DAY IS

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DEFINITELY GOING TO HELP.

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ISN'T THIS CRAZY?

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DO YOU BELIEVE THIS IS OUR
FIRST DATE.

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I WOULD NEVER IMAGINE THIS IN A
MILLION YEARS, LIKE WE ARE

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LITERALLY IN HAWAII RIGHT NOW.

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I'M GLADS I'M NOT DOING THIS
WITH ANYONE BUT YOU.

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ARE YOU NOT NERVOUS AT ALL.

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I'M A LITTLE NERVOUS, I AM
AFRAID OF HEIGHTS BUT I GOT YOU.

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YEAH.

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THREE, TWO, ONE.

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LET'S GO.

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WHOOO.

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CRAZY!

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OH MY GOD!

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WHOW!

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HOW WAS THAT.

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THAT WATERFALL SNEAKS UP ON
YOU.

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OH MY GOD, THAT WAS GOR GUS.

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YOU MAKE ME WANT TO DO BETTER
THAN I AM.

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♪ LOOK AT THIS.

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OH MY GOSH.

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THIS IS SO CUTE.

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THIS IS CRAZY.

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CHEERS TO OUR OFFICIAL FIRST
DATE.

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THERE'S NO ONE ELSE I WANT TO
HONESTLY SPEND THIS JOURNEY

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WITH.

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I COULDN'T BE HAPPIER RIGHT NOW.

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ME TOO, BABY.

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CHEESIER TO US.

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HMMMM.

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I'M SO HAPPY THAT IT.

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THAT WAS ABSOLUTELY
INCREDIBLE.

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I KNOW, I'M PETRIFIED OF
HEIGHTS, YOU KNOW THAT.

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HOW DID YOU DO OUT THERE.

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I WAS SHAKING A LITTLE BIT
BUT WHEN YOU GET UP THERE, I

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JUST WAS LOOKING AT YOU, SAW
YOUR FACE, YOU SEE THE

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WATERFALL.

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OH MY GOD.

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HONESTLY I THOUGHT WERE YOU
GOING TO GET STUCK HALFWAY

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THROUGH, I LEFT NEW THE DUST, I
WAS LOOKING BACK, SHE'S SLOWING

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DOWN, OH, CRAP.

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I KNOW, I WOULDN'T EVEN BE
MAD, YOU KNOW.

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YOU WOULDN'T BE MAD GETTING
STUCK 300 FEET IN THE AIR.

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WELL, LOOK AT THE VIEW.

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TRUE WITH.

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THE ONLY THING THAT WOULD BE
BETTER IS WAS IF I GOT STUCK

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THERE WITH YOU.

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Matthew: AS JOSH AND
SHANNON'S FOUNDATIONS GROW

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STRONGER, OLIVIA LAYS OUT THE
BLUE PRINT FOR THE FLU WALL SHE

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PLANS ON BUILDING.

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UNLESS I KNOW FOR SURE WHAT
IS HAPPENING, I DON'T WANT TO

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OPEN MYSELF UP ANY MORE AND
SHARE ANY MORE ABOUT MYSELF.

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I THOUGHT KOREY HAS BEEN
REASSURING YOU TIME AND TIME

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AGAIN OR DO YOU THINK HE IS NOT
REALLY MAKING AN EFFORT.

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I SAW HOW HE WAS WITH
FLORITA, MORE OF A KID, JUMPING

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AROUND, HAVING A GOOD TIME AND
LOOKED ECSTATIC-- AND.

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I THINK YOU ARE FINDING EVERY
EXCUSE NOT TO BE WITH THIS GUY

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TO PROTECT YOUR FRICKING HEART.

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OH MY GOD, THAT IS ALL OUT.

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I'M JUST SAYING.

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I FEEL LIKE I'M ON CLOUD
NINE.

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LIKE I FEEL LIKE I COULD TOTALLY
SEE MYSELF DOING THIS WITH YOU

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ON THE OUTSIDE.

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I MEAN I DID THINK I WAS GOING
TO FIND SOMEBODY LIKE YOU ON

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LOVE ISLAND, HUH-UH, NO, I
DIDN'T.

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NO, I FEEL THE SAME WAY.

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IT'S LIKE THE MOMENT THAT I
WALKED DOWN I LITERALLY COULDN'T

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KEEP MY EYES OFF YOU.

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YOU KNOW, THAT I WAS STAIRING
RIGHT AT YOU.

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I NEVER THOUGHT THAT I WOULD
STEP FORWARD FOR THE FIRST, YOU

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KNOW, MAN THAT CAME OUT.

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AND WHEN I SAW YOU I WAS LIKE NO
SHOT, A BIG STEP FORWARD FOR

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YOU.

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LEAP, SHE LEAPED.

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THEY WERE LIKE STAND BACK AND
I JUST NEVER LOOKED BACK.

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YOU KNOW, I STEPPED FORWARD FOR
YOU AND YOU OWN ME AND I DON'T

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KNOW, I'M A GOOD JUDGER OF
CHARACTER.

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AND I JUST FEEL LIKE I KNOW YOU.

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THAT CONNECTION DOESN'T COME
AROUND OFTEN.

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00:08:51,497 --> 00:08:53,232
AND I FEEL THAT WITH YOU.

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LIKE I HONESTLY THINK I FOUND
MY PERSON.

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AND IT'S SUCH A GREAT FEELING.

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CRAZY TO THINK ABOUT.

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00:09:02,208 --> 00:09:04,043
♪ I CAN'T BELIEVE IT IT'S TRUE.

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00:09:04,110 --> 00:09:05,278
♪.

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00:09:05,344 --> 00:09:08,614
THIS MOMENT HERE, YOU KNOW,
ZIPLINING AND HAVING THAT RUSH

198
00:09:08,681 --> 00:09:14,587
OF EMOTION, WATCHING YOU AND
THIS WATERFALL, IT'S HONESTLY A

199
00:09:14,654 --> 00:09:18,491
PER EFFECT FALL AND I FEEL WE
ALREADY ARE BUT I HAVE A

200
00:09:18,557 --> 00:09:19,191
QUESTION TO ASK YOU.

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DO YOU WANT TO BE MY GIRLFRIEND?

202
00:09:23,863 --> 00:09:24,764
JOSH!

203
00:09:24,830 --> 00:09:26,532
YOU'RE JUST GOING TO SLAM THIS
ON ME RIGHT NOW?

204
00:09:26,599 --> 00:09:30,036
YEAH, YOU HAVE TWO SECONDS,
QUICK.

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YES!

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00:09:30,569 --> 00:09:33,072
I WOULD LOVE TO.

207
00:09:33,139 --> 00:09:37,276
I GET TO LOVE YOU!

208
00:09:37,343 --> 00:09:41,280
I WAS NOT EXPECTING THAT.

209
00:09:41,347 --> 00:09:44,016
BUT IT ALREADY FELT LIKE WE
WERE.

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00:09:44,083 --> 00:09:45,151
I KNOW.

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00:09:45,217 --> 00:09:50,623
IT'S TRUE, IT IS AN AMAZING
FEELING.

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00:09:50,690 --> 00:09:55,361
OH MY GOD, MY BABY.

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00:09:55,428 --> 00:09:57,530
HERE'S TO US.

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00:09:57,596 --> 00:09:59,899
CHEESIER, BOYFRIEND AND
GIRLFRIEND.

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DAMN.

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00:10:00,633 --> 00:10:02,468
THAT HAS A NICE RING TO IT.

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00:10:02,535 --> 00:10:04,203
IT REALLY DOES.

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00:10:18,784 --> 00:10:24,890
♪
♪ THIS EVERYTHING I EVER WANTED.

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00:10:24,957 --> 00:10:28,060
Matthew: WELCOME BACK TO
WHAT CAN ONLY BE DESCRIBED AS

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00:10:28,127 --> 00:10:29,295
"LOVE ISLAND."

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00:10:29,362 --> 00:10:32,565
IT IS A SPECIAL DAY BECAUSE THE
ISLANDERS ARE TRYING-- -- FOR

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00:10:32,631 --> 00:10:38,304
THE FIRST TIME.

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00:10:38,371 --> 00:10:41,440
CHEESIER TO THE BIRTHDAY
BABY.

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00:10:41,507 --> 00:10:42,942
CHEESIER!

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00:10:43,009 --> 00:10:47,079
Matthew: BUT ALSO SPECIAL
BECAUSE JOSH AND SHANNON ARE NOW

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00:10:47,146 --> 00:10:50,483
MYSPACE OFFICIAL.

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IT'S TERRIBLE, ALANA.

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00:10:53,552 --> 00:10:55,421
TELL US EVERYTHING.

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00:10:55,488 --> 00:10:56,622
WHAT AM I LOOKING AT.

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00:10:56,689 --> 00:10:59,458
LONG TIME NO SEE.

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00:10:59,525 --> 00:11:04,030
I ASKED HER TO BE MY
GIRLFRIEND.

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00:11:04,096 --> 00:11:04,964
JOSH!

233
00:11:05,031 --> 00:11:08,701
FIRST GIRLFRIEND, BOYFRIEND
IN THE VILLA.

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00:11:08,768 --> 00:11:09,802
NO, IT WAS SLEULLY
UNBELIEVABLE.

235
00:11:09,869 --> 00:11:14,507
IT WAS SO FUN, WE DID A
ZIPLINING OVER A WATERFALL.

236
00:11:14,573 --> 00:11:16,108
IT WAS ACTUALLY UNBELIEVABLE.

237
00:11:16,175 --> 00:11:17,810
CAN'T EVEN DESCRIBE IT.

238
00:11:17,877 --> 00:11:20,946
PROBABLY ONE OF THE BEST DAYS
IN MY ENTIRE LIFE.

239
00:11:21,013 --> 00:11:22,014
A-W-W-W.

240
00:11:22,081 --> 00:11:26,452
CONGRATULATIONS, GUYS,
SHANNON AND JOSH, OFF THE

241
00:11:26,519 --> 00:11:26,952
MARKET.

242
00:11:27,019 --> 00:11:27,953
OH.

243
00:11:28,020 --> 00:11:29,922
COME ON, EVERYBODY, JUST THE
GIRLS.

244
00:11:29,989 --> 00:11:32,491
LOVE ISLAND PRODUCING
GENUINELY HAPPY COUPLES.

245
00:11:32,558 --> 00:11:37,396
SO WE CLEARLY SCREWED UP
SOMEWHERE ON BEHALF OF CBS I

246
00:11:37,463 --> 00:11:40,332
APOLOGIZE, WE'LL GET BACK TO THE
DRAMA ASAP, FOR NOW LET'S TRY

247
00:11:40,399 --> 00:11:44,670
AND TOLERATE JOSH AND SHANNON
HAPPINESS.

248
00:11:44,737 --> 00:11:48,040
HOW WAS IT TO KISS YOUR
BOYFRIEND FOR THE FIRST TIME.

249
00:11:48,107 --> 00:11:49,408
OH MY GOSH.

250
00:11:49,475 --> 00:11:51,277
WHERE IS YOUR BOYFRIEND RIGHT
NOW.

251
00:11:51,343 --> 00:11:54,146
ARE YOU GOING TO BE SO
ANNOYING FOR THE NEXT THREE

252
00:11:54,213 --> 00:11:55,014
DAYS.

253
00:11:55,081 --> 00:11:56,682
COULDN'T HAVE BEEN A MORE
PERFECT DAY.

254
00:11:56,749 --> 00:11:59,518
I AM EXCITED WE HAD OUR FIRST
DATE NOW THAN IF WE HAD WEEKS

255
00:11:59,585 --> 00:12:02,021
AGO, IT MEANS WAY MORE RIGHT
NOW.

256
00:12:02,088 --> 00:12:06,358
IT DIDN'T EVEN SEEM LIKE A FIRST
DATE, IT FELT LIKE WE HAVE KNOWN

257
00:12:06,425 --> 00:12:08,060
EACH OTHER FOR SO LONG.

258
00:12:08,127 --> 00:12:09,829
WAY TO GO BUDDY.

259
00:12:09,895 --> 00:12:12,865
HELL YAYANCE IT WAS PROBABLY
ONE OF THE BEST DAYS OF MY

260
00:12:12,932 --> 00:12:13,966
ENTIRE LIFE.

261
00:12:14,033 --> 00:12:17,236
I WAS NOT EXPECTING HIM TO ASK
ME THAT HE WAS GLOWING.

262
00:12:17,303 --> 00:12:18,471
LIKE HE WAS SO NERVOUS TOO.

263
00:12:18,537 --> 00:12:20,706
AND IT WAS SO CUTE.

264
00:12:20,773 --> 00:12:24,043
HAVE YOU GUYED TALKED ABOUT
THE OUTSIDE WORLD OR NOT.

265
00:12:24,110 --> 00:12:26,445
WE ARE NOT TIED DOWN TO A
LOCATION OR NOT.

266
00:12:26,512 --> 00:12:28,080
IT ST VERY EARLY, OBVIOUSLY.

267
00:12:28,147 --> 00:12:30,216
NO, I MEAN BUT
HYPOTHETICALLY.

268
00:12:30,282 --> 00:12:34,787
I MEAN I KIND OF GET A TASTE
OF LIVING WITH EACH OTHER NOW.

269
00:12:34,854 --> 00:12:37,022
AND I UNDERSTAND THAT LONG
DISTANCE IS LONG DISTANCE NO

270
00:12:37,089 --> 00:12:39,658
MATTER HOW LONG IT IS, WE ARE
BOTH AT A POINT RIGHT NOW WHERE

271
00:12:39,725 --> 00:12:44,096
WE HAVE THE TIME TO LIKE EACH
OTHER.

272
00:12:44,163 --> 00:12:45,297
SUPER HAPPY.

273
00:12:45,364 --> 00:12:51,203
IF I DON'T GET INVITED TO
SHOSHS WEDDINGK I WILL GO CRAZY.

274
00:12:51,270 --> 00:12:52,538
IT IS JANNON.

275
00:12:52,605 --> 00:12:55,975
I FEEL LIKE WE ARE BE O THE
SAME PAGE.

276
00:12:56,041 --> 00:12:56,842
YEAH.

277
00:12:56,909 --> 00:12:58,010
I FEEL LIKE I FOUND MY PERSON
IN HERE.

278
00:12:58,077 --> 00:13:04,083
ST A LOVE ISLAND FAIRY TALE.

279
00:13:04,150 --> 00:13:07,586
DOES THIS-- THIS DOESN'T
USUALLY HAPPEN, THOUGH.

280
00:13:07,653 --> 00:13:09,221
EMBRACE IT.

281
00:13:09,288 --> 00:13:12,691
CRAZY HE IS CRAZY BUT, IT
IS UNDENIABLE.

282
00:13:12,758 --> 00:13:16,562
HE CARES ABOUT YOU ON A LEVEL
THAT WE ALL WANT.

283
00:13:16,629 --> 00:13:29,642
I AM VERY---- ON THREE.

284
00:13:29,708 --> 00:13:31,210
Matthew: GIRLFRIEND!

285
00:13:31,277 --> 00:13:32,378
I DIDN'T MISS IT, DID I.

286
00:13:32,444 --> 00:13:34,480
OH, I MISSED IT, OKAY.

287
00:13:34,547 --> 00:13:41,187
WHAT NOW, I'M GUESSING A IT IS
THE VILLA FOR I'M GUESSING

288
00:13:41,253 --> 00:13:46,692
CHARLIE CATCHING FEELS FOR
SOMEONE WHOSE NAME SS ALSO A

289
00:13:46,759 --> 00:13:47,560
FORM OF CURRENCY.

290
00:13:47,626 --> 00:13:48,694
ALANA IS BEAUTIFUL.

291
00:13:48,761 --> 00:13:51,497
DO YOU THINK ALANA WOULD BE
ENOUGH TO TURN YOUR HEAD.

292
00:13:51,564 --> 00:13:53,065
OH, THIS IS TOUGH.

293
00:13:53,132 --> 00:13:56,035
I'M TIRED OF BEING SECOND
OPTION WITH KOREY, I KNOW IT IS

294
00:13:56,101 --> 00:13:59,905
NOT HIS FAULT, BUT WHEN AM I
GOING TO BE ENOUGH TO BE

295
00:13:59,972 --> 00:14:06,378
ACTUALLY EXPLORE A CONNECTION
INSTEAD OF BEING ON THE BACK

296
00:14:06,445 --> 00:14:06,946
BURNER.

297
00:14:07,012 --> 00:14:10,916
OH MY GOD, SO PRETTY.

298
00:14:10,983 --> 00:14:21,927
DON'T LOOK AT ME LIKE THAT.

299
00:14:21,994 --> 00:14:23,062
HI GUYS.

300
00:14:23,128 --> 00:14:25,431
LET'S CHEERS TO THESE THREE
BEAUTIFUL NEW LADIES WHO HAD

301
00:14:25,497 --> 00:14:27,366
THEIR FIRST DAY.

302
00:14:27,433 --> 00:14:32,104
LET'S LIVE EVERY DAY LIKE IT'S
OUR LAST AND HAVE THE SUMMER OF

303
00:14:32,171 --> 00:14:36,108
OUR LIVES.

304
00:14:36,175 --> 00:14:37,209
ALL THE WAY.

305
00:14:37,276 --> 00:14:41,146
NOW THAT JOSH HAS COME OF AGE
AND CROSSED THE MYTHIC

306
00:14:41,213 --> 00:14:44,617
THRESHHOLD FROM BOY TO BOY WAY
GIRLFRIEND, HE GIVES LOVE ADVICE

307
00:14:44,683 --> 00:14:49,488
TO KOREY WHO FACES A CHOICE THAT
FOR ONCE DOESN'T INVOLVE WHICH

308
00:14:49,555 --> 00:14:50,689
BANDANA TO WEAR.

309
00:14:50,756 --> 00:14:55,561
I JUST WANT TO TALK BECAUSE
OBVIOUSLY I KNOW THAT BAYLEY,

310
00:14:55,628 --> 00:14:56,895
THAT IS-- BAILEY, THAT IS YOUR
NUMBER ONE.

311
00:14:56,962 --> 00:15:00,099
I'M DEFINITELY TRYING TO TALK
TO HER, I STILL HAVE THIS THING

312
00:15:00,165 --> 00:15:02,801
WITH OLIVIA, HONESTLY, I DON'T
KNOW WHAT TO DO.

313
00:15:02,868 --> 00:15:06,138
GIVE BAILEY A CHANCE AND GET
TO KNOW HER WITH AN OPEN MIND

314
00:15:06,205 --> 00:15:08,540
WHILE ALSO LET OG LIVIA KNOW
THAT YOU ARE THERE FOR HER.

315
00:15:08,607 --> 00:15:11,076
I REALLY DO CARE ABOUT
OLIVIA, LIKE A LOT.

316
00:15:11,143 --> 00:15:14,380
AND I THINK I REALIZED THAT WHEN
I LEFT FOR CASA AMOR.

317
00:15:14,446 --> 00:15:16,949
THAT SULT MATILY WHAT ATTRACTED
ME TO HER MORE.

318
00:15:17,016 --> 00:15:22,921
AND KIND OF LIKE SEES HER BE
OKAY WITH ME TALKING TO BAILEY

319
00:15:22,988 --> 00:15:25,824
MADE ME MORE ATTRACTED TO HER,
YOU KNOW, BUT IT IS WEIRD, I'M

320
00:15:25,891 --> 00:15:28,761
AN AFFECTIONATE PERSON, I WANT
TO BE FLIRTING AND STUFF LIKE

321
00:15:28,827 --> 00:15:29,595
THAT.

322
00:15:29,662 --> 00:15:30,929
BUT YOU ALSO DON'T WANT TO BE
RUDE.

323
00:15:30,996 --> 00:15:33,599
I'M TRYING TO BE RESPECTFUL
AND NT DO IT IN FRONT OF ONE OR

324
00:15:33,666 --> 00:15:34,400
THE OTHER.

325
00:15:34,466 --> 00:15:38,971
SO SUPER WEIRD SITUATION, MAN,
DUDE.

326
00:15:39,038 --> 00:15:41,040
IT'S NOT A GOOD FEELING, TO
BE HONEST.

327
00:15:41,106 --> 00:15:44,643
BECAUSE SOMEONE, YOU ARE GOING
TO HAVE TO END UP MAKE SOMEONE

328
00:15:44,710 --> 00:15:45,511
SAD.

329
00:15:45,577 --> 00:15:47,079
AND I HATE BEING THAT PERSON,
YOU KNOW.

330
00:15:47,146 --> 00:15:50,783
I WOULD JUST SAY REALLY TRY
AND GET TO KNOW HER AND THEN

331
00:15:50,849 --> 00:15:52,584
KNOW LET THE CARDS FALL WHERE
THEY MAY.

332
00:15:52,651 --> 00:15:55,154
YOU HAVE TO DO WHAT IS BEST FOR
YOURSELF.

333
00:15:55,220 --> 00:15:58,524
DON'T THINK WHEN ARE YOU TALKING
TO BAILEY, OH OH WHAT IS OLIVIA

334
00:15:58,590 --> 00:16:02,528
THINKING AND VICE VERSA WHEN
TALKING TO OLIVIA, JUST DIVE

335
00:16:02,594 --> 00:16:08,967
INTO THAT CONVERSATION, BE IN
THE MOMENT.

336
00:16:09,034 --> 00:16:14,573
.

337
00:16:14,640 --> 00:16:19,812
THIS ONE IS-- NO, I USED TO
DO THAT YOU I FEEL LIKE IT

338
00:16:19,878 --> 00:16:20,946
DOESN'T WORK.

339
00:16:21,013 --> 00:16:23,282
I DON'T KNOW, I ALWAYS
THOUGHT IT MADE THEM GO AWAY.

340
00:16:23,349 --> 00:16:29,855
SOMEONE TOLD ME, MY MOM, YOU PUT
XS ON THEM, THEY WILL GO AWAY.

341
00:16:29,922 --> 00:16:32,091
YEAH, SO WHAT IS YOUR GOAL.

342
00:16:32,157 --> 00:16:36,095
IF I DID FIND SOMEONE.

343
00:16:36,161 --> 00:16:38,230
UH-HUH.

344
00:16:38,297 --> 00:16:41,166
TO HAVE SOMEONE OUT OF HERE
WOULD BE AMAZING.

345
00:16:41,233 --> 00:16:48,107
I THINK I ALREADY TOLD YOU, YOU
ARE MY NUMBER ONE.

346
00:16:48,173 --> 00:16:56,615
AND I FEEL LIKE THE ONLY THING
THAT IS STOPPING ME FROM LIKE

347
00:16:56,682 --> 00:16:58,183
REALLY-- .

348
00:16:58,250 --> 00:16:58,684
OLIVIA.

349
00:16:58,751 --> 00:16:59,918
YEAH, YEAH.

350
00:16:59,985 --> 00:17:02,988
I GET IT, IT PUTS YOU IN AN
AWKWARD POSITION BUT AT THE SAME

351
00:17:03,055 --> 00:17:04,256
TIME.

352
00:17:04,323 --> 00:17:06,792
AND I DON'T KNOW HOW MUCH YOU
LIKE HER, LIKE I KNOW YOU GUYS.

353
00:17:06,859 --> 00:17:12,765
I AM TRYING TO WING IT DAY BY
DAY BECAUSE I AM-- LIKE ARE YOU

354
00:17:12,831 --> 00:17:16,168
MY TYPE TO A T100 PERCENTNESS
WITH.

355
00:17:16,235 --> 00:17:16,969
REALLY.

356
00:17:17,035 --> 00:17:18,737
WHAT WOULD YOU SAY YOUR TYPE
IS.

357
00:17:18,804 --> 00:17:19,304
YOU.

358
00:17:19,371 --> 00:17:20,506
JUST.

359
00:17:20,572 --> 00:17:24,710
I DON'T KNOW, JUST LIKE I
FEEL LIKE YOU HAVE A REALLY GOOD

360
00:17:24,777 --> 00:17:25,477
DEMEANOR.

361
00:17:25,544 --> 00:17:26,478
KIND OF INNOCENT, MAYBE.

362
00:17:26,545 --> 00:17:27,980
OH, THAT'S SWEET, THANK YOU.

363
00:17:28,046 --> 00:17:29,748
I KNOW ARE YOU NOT INNOCENT.

364
00:17:29,815 --> 00:17:31,517
I KNOW IT IS ALL A FRONT.

365
00:17:31,583 --> 00:17:36,288
NOW I'M LIKE GROWING MORE
TOWARDS BAILEY.

366
00:17:36,355 --> 00:17:42,494
I STILL GOT ALL THE FEELINGS FOR
OLIVIA, SO LIKE, WHAT DO I DO.

367
00:17:42,561 --> 00:17:46,765
OBVIOUSLY I AM INTO YOU 100
PERCENT.

368
00:17:46,832 --> 00:17:51,303
I MEAN I'M INTO YOU TOO,
OBVIOUSLY.

369
00:17:51,370 --> 00:17:52,671
TRUST ME, I KNOW.

370
00:17:52,738 --> 00:17:55,674
I WOULD NEVER BE LIKE
VULNERABLE.

371
00:17:55,741 --> 00:18:02,848
NO, I HATE BEING VULNERABLE.

372
00:18:02,915 --> 00:18:05,884
I'M NOT GOING TO LIE T
DOESN'T LOOK GOOD.

373
00:18:05,951 --> 00:18:07,085
NO, I-- THAI.

374
00:18:07,152 --> 00:18:11,890
THERE IS A DIFFERENCE BETWEEN
BEING TOO FRIENDLY, MEANING

375
00:18:11,957 --> 00:18:14,259
SPENDING TWO HOURS HAVING
CONVERSATIONS WITH ANOTHER GIRL

376
00:18:14,326 --> 00:18:17,095
WHEN ARE YOU SAYING THAT YOU ARE
100 PERCENT IN ON ME.

377
00:18:17,162 --> 00:18:18,230
KIND OF FRUSTRATING.

378
00:18:18,297 --> 00:18:21,834
BECAUSE I'M LIKE FINALLY I'M
LIKE GETTING VULNERABLE AND

379
00:18:21,900 --> 00:18:23,035
FINALLY LIKE LIKING SOMEONE.

380
00:18:23,101 --> 00:18:26,205
AND I FEEL LIKE IT IS GETTING
THROWN BACK IN MY FACE.

381
00:18:26,271 --> 00:18:28,540
I'M JUST NOT HAPPY WITH THE
SITUATION, TO BE HONEST.

382
00:18:28,607 --> 00:18:29,808
I MEAN, SHE'S LIKE ALL IN.

383
00:18:29,875 --> 00:18:30,709
YEAH.

384
00:18:47,926 --> 00:18:52,598
Matthew: WELCOME BACK, LIKE
A MIME ON STEROIDS, CHARLIE IS

385
00:18:52,664 --> 00:18:59,638
THE STRONG SILENT TYPE BUT
AFTER-- HE FORMS A PERSONAL BEST

386
00:18:59,705 --> 00:19:02,975
FOUR WORD SENTENCE TO VIBE WITH
ALANA.

387
00:19:03,041 --> 00:19:04,543
DO YOU WANT TO GO TALK.

388
00:19:04,610 --> 00:19:05,310
YEAH.

389
00:19:05,377 --> 00:19:11,316
A MAN WHO PULLS ME, I LIKE
IT.

390
00:19:11,383 --> 00:19:14,653
SO HOW WAS GETTING TO KNOW
EVERYBODY TODAY.

391
00:19:14,720 --> 00:19:19,057
IT WAS GOOD, I'M GLAD I GOT
TO KNOW PEOPLE.

392
00:19:19,124 --> 00:19:21,627
THERE AREN'T THAT MANY OPTIONS
FOR ME.

393
00:19:21,693 --> 00:19:23,395
YEAH, I HEAR YOU.

394
00:19:23,462 --> 00:19:24,930
YOU'RE WITH CASH.

395
00:19:24,997 --> 00:19:27,232
I'M NOT GOING TO LIE.

396
00:19:27,299 --> 00:19:31,303
IF CERTAIN THINGS THAT ARE
PREVENTING ME FROM REALLY JUST

397
00:19:31,370 --> 00:19:32,204
MOVING COMPLETELY FORWARD WITH
HER.

398
00:19:32,271 --> 00:19:33,272
RIGHT.

399
00:19:33,338 --> 00:19:36,174
BUT AT THE SAME TIME I CAME
HERE TO TAKE CHANCES.

400
00:19:36,241 --> 00:19:39,211
I'M HERE FOR A REASON, YOU KNOW
WHAT I AM SAYING, I WOULD KIND

401
00:19:39,278 --> 00:19:45,250
OF BE DOING MYSELF A DISSERVICE
IF I DIDN'T REALLY GET TO

402
00:19:45,317 --> 00:19:46,418
EXPLORE, YOU KNOW.

403
00:19:46,485 --> 00:19:50,222
I FIND YOU ATTRACTIVE AND I
DON'T WANT TO WASTE MY TIME SO

404
00:19:50,289 --> 00:19:55,561
THAT IS A CONVERSATION THAT I'M
GOING TO HAVE TO HAVE WITH HER.

405
00:19:55,627 --> 00:19:57,195
WHAT ARE YOU DOING RIGHT NOW?

406
00:19:57,262 --> 00:20:01,867
WE'RE ON THE COUCH CHILLING.

407
00:20:01,934 --> 00:20:03,969
CHARLIE IS IN THERE RIGHT NOW.

408
00:20:04,036 --> 00:20:04,636
WITH ALANA.

409
00:20:04,703 --> 00:20:05,771
THEY'RE CHATTING RIGHT NOW.

410
00:20:05,837 --> 00:20:09,441
I DON'T UNDERSTAND WHY SHE
KEEPS CHATTING WITH HIM.

411
00:20:09,508 --> 00:20:10,909
HAS SHE TOLD YOU ANYTHING.

412
00:20:10,976 --> 00:20:15,314
NO, THIS IS THE SECOND CHAT,
ST SO WEIRD RIGHT NOW.

413
00:20:15,380 --> 00:20:17,115
I AM DEFINITELY INTERESTED IN
YOU, AND I HAVE BEEN.

414
00:20:17,182 --> 00:20:20,919
I THINK THAT THE ONLY WAY I
COULD MOVE FORWARD IS IF YOU

415
00:20:20,986 --> 00:20:25,390
KIND OF LIKE FIGURE OUT WHAT IS
GOING ON BETWEEN YOU AND HER.

416
00:20:25,457 --> 00:20:27,225
BECAUSE I LIKE HER A LOT.

417
00:20:27,292 --> 00:20:28,493
YEAH, I RESPECT HER.

418
00:20:28,560 --> 00:20:31,563
AND EVERYBODY LOVES HER, THAT
IS THE THING.

419
00:20:31,630 --> 00:20:34,666
THERE IS REALLY NO EASY WAY TO
KIND OF GO ABOUT IT.

420
00:20:34,733 --> 00:20:38,770
COME SIT OVER HERE,
GIRLFRIEND.

421
00:20:38,837 --> 00:20:42,441
ALANA AND CHARLIE ARE TALKING
AGAIN, WHY.

422
00:20:42,507 --> 00:20:44,242
>>-- CHARLIE HAS NEVER TALKED
ONCE ABOUT ANOTHER GIRL.

423
00:20:44,309 --> 00:20:47,980
MAYBE SHE CAUGHT MY EYE, NOT
ONCE.

424
00:20:48,046 --> 00:20:50,115
SO WHAT DO YOU THINK YOU'RE
GOING TO DO.

425
00:20:50,182 --> 00:20:52,150
I'M GOING TO HAVE A TALK WITH
HER.

426
00:20:52,217 --> 00:20:56,688
I JUST KNOW ME, AND I KNOW ONCE
SOMETHING TURNS ME OFF, IT AIN'T

427
00:20:56,755 --> 00:20:58,323
REALLY NO COMING BACK.

428
00:20:58,390 --> 00:20:59,124
YEAH.

429
00:20:59,191 --> 00:20:59,992
NO MATTER HOW MUCH.

430
00:21:00,058 --> 00:21:03,061
I AM KIND OF THE SAME WAY,
HONESTLY.

431
00:21:03,128 --> 00:21:11,003
LET ME KNOW HOW IT GOES, WHEN
IT DOES HAPPEN.

432
00:21:11,069 --> 00:21:12,537
GUYS, SOMETHING BAD IS ABOUT
TO HAPPEN.

433
00:21:12,604 --> 00:21:18,644
WHAT DO YOU MEAN.

434
00:21:18,710 --> 00:21:23,915
I'M OVER THIS.

435
00:21:23,982 --> 00:21:24,883
I'M TIRED.

436
00:21:24,950 --> 00:21:27,486
ST LITERALLY NOT YOUR FAULT,
IT'S NOT YOU.

437
00:21:27,552 --> 00:21:41,033
THEY JUST DON'T KNOW WHAT
THEY WANT.

438
00:21:41,099 --> 00:21:42,701
IT STOPPED RAINING, LUCKY.

439
00:21:42,768 --> 00:21:44,336
WHY WOULD YOU WANT TO BE IN
THAT RAIN.

440
00:21:44,403 --> 00:21:45,637
IT IS MY FAVORITE THING.

441
00:21:45,704 --> 00:21:47,973
WHO WANTS TO BE WET?

442
00:21:48,040 --> 00:21:53,478
I DO.

443
00:21:53,545 --> 00:21:53,812
RAIN.

444
00:21:53,879 --> 00:21:54,880
YOU OKAY?

445
00:21:54,946 --> 00:21:55,647
YEAH.

446
00:21:55,714 --> 00:21:58,183
YOU LOOK STRESSED.

447
00:21:58,250 --> 00:22:03,955
A LITTLE BIT.

448
00:22:04,022 --> 00:22:08,660
ALL RIGHT, MY GUY, COME
CLOSER, WHAT'S UP?

449
00:22:08,727 --> 00:22:14,266
SO I KNOW ME AND OBVIOUSLY IT
IS A CONVERSATION THAT WE COULD

450
00:22:14,332 --> 00:22:15,500
HAVE AT A LATER TIME.

451
00:22:15,567 --> 00:22:16,802
WHAT'S GOING ON.

452
00:22:16,868 --> 00:22:22,274
NO, I JUST, I WANT TO JUST
COME OUT AND TELL YOU THAT I AM

453
00:22:22,340 --> 00:22:25,410
UNSURE IF I WANT TO CONTINUE TO
MOVE FORWARD IT HAS NOTHING TO

454
00:22:25,477 --> 00:22:28,513
DO WITH NOBODY ELSE.

455
00:22:28,580 --> 00:22:30,882
BUT AGAIN, THIS IS SOMETHING
THAT.

456
00:22:30,949 --> 00:22:33,452
I DON'T KNOW, YOU JUST HAD A
CONVERSATION WITH ALANA AND ALL

457
00:22:33,518 --> 00:22:35,754
OF A SUDDEN YOU DON'T WANT TO
MOVE FORWARD.

458
00:22:35,821 --> 00:22:38,090
CAN I ONLY HOLD-- FOR SO
LONG.

459
00:22:38,156 --> 00:22:43,528
OKAY, WELL, WE DON'T HAVE TO,
THAT'S GOOD.

460
00:22:43,595 --> 00:22:45,097
I'M COOL.

461
00:22:45,163 --> 00:22:47,132
YOU SET THE HIGHEST BAR.

462
00:22:47,199 --> 00:22:49,267
THE HOLY MECCA.

463
00:22:49,334 --> 00:22:51,103
♪ YOU WERE STRONG, WERE YOU
SWEET.

464
00:22:51,169 --> 00:22:52,637
♪ THE WHOLE TRIFECTA.

465
00:22:52,704 --> 00:22:54,372
♪ YOU WENT AND LEAD ME ON.

466
00:22:54,439 --> 00:22:56,441
♪ AND I LET YA.

467
00:22:56,508 --> 00:23:01,780
♪ TILL I REALIZED IT WAS TIME TO
FORGET YA.

468
00:23:01,847 --> 00:23:03,115
♪ YEAH.

469
00:23:03,181 --> 00:23:03,982
♪ I WAS ALL ABOUT YOU.

470
00:23:04,049 --> 00:23:09,121
♪ NOW YOU'RE ALL ABOUT SOMEBODY
ELSE.

471
00:23:09,187 --> 00:23:16,161
♪ OH WITHOUT YOU.

472
00:23:16,228 --> 00:23:19,531
♪ LOOK AT ME NOW.

473
00:23:19,598 --> 00:23:19,998
♪.

474
00:23:20,065 --> 00:23:23,969
I'M HOLDING ON.

475
00:23:24,035 --> 00:23:25,203
♪.

476
00:23:25,270 --> 00:23:27,305
HE LITERALLY JUST PULLED ME
INSIDE, I DON'T WANT TO CONTINUE

477
00:23:27,372 --> 00:23:28,206
WITH YOU.

478
00:23:28,273 --> 00:23:28,740
WHAT?

479
00:23:28,807 --> 00:23:31,209
ARE YOU KIDDING ME.

480
00:23:31,276 --> 00:23:31,743
OH MAN.

481
00:23:31,810 --> 00:23:34,513
I DON'T WANT DRAMA.

482
00:23:34,579 --> 00:23:38,250
HE LITERALLY SAID DON'T FREAK
OUT, I JUST WALKED AWAY, I'M NOT

483
00:23:38,316 --> 00:23:39,451
HAVING THIS CONVERSATION RIGHT
NOW.

484
00:23:39,518 --> 00:23:42,387
YOU HAD A CONVERSATION WITH
ALANA AND ALL OF A SUDDEN YOU

485
00:23:42,454 --> 00:23:43,722
DON'T WANT TO CONTINUE WITH ME
ANY MORE.

486
00:23:43,789 --> 00:23:47,959
HE SAID IS IT IS NOTHING TO
DO WITH HER, REALLY, THEN WHY

487
00:23:48,026 --> 00:23:51,096
DID YOU NEED TO TELL ME THAT.

488
00:23:51,163 --> 00:24:03,508
I LITERALLY THREW OUT MY LIFE
FOR THIS PERSON.

489
00:24:03,575 --> 00:24:04,810
♪ I WAS ALL BUT.

490
00:24:04,876 --> 00:24:09,080
♪ AND YOU'RE ALL ABOUT SOMEBODY
ELSE.

491
00:24:09,147 --> 00:24:10,148
♪ OH.

492
00:24:10,215 --> 00:24:13,385
UP ALL NIGHT WITHOUT YOU.

493
00:24:13,451 --> 00:24:14,052
♪ BUT.

494
00:24:14,119 --> 00:24:15,320
NO, THIS IS LIKE NOT COOL.

495
00:24:15,387 --> 00:24:20,759
CAN I JUST-- IT JUST BLEW UP, IT
SHOULDN'T HAVE AND I DON'T EVEN

496
00:24:20,826 --> 00:24:21,960
KNOW WHAT TO DO.

497
00:24:22,027 --> 00:24:24,596
LIKE DO I SIT BACK AND TRY TO
JUST MAKE EVERYTHING CALM AND

498
00:24:24,663 --> 00:24:25,630
CALM HER DOWN.

499
00:24:25,697 --> 00:24:28,166
OR DO I GO IN ATTACK MODE AND
TELL HIM WHAT'S UP?

500
00:24:28,233 --> 00:24:31,970
I AM LITERALLY SHOOK RIGHT NOW.

501
00:24:32,037 --> 00:24:32,938
WHAT THE HELL.

502
00:24:33,004 --> 00:24:35,640
ARE YOU GOOD WITH TALKING
ABOUT IT PUBLICLY.

503
00:24:35,707 --> 00:24:37,409
I DON'T HAVE TO TALK TO
NOBODY.

504
00:24:37,475 --> 00:24:38,109
I'M COOL.

505
00:24:38,176 --> 00:24:39,177
SOMETHING IS UP WITH CHARLIE.

506
00:24:39,244 --> 00:24:42,747
AND I DONE KNOW, I THINK IT SAY
BIG RED FLAG.

507
00:24:42,814 --> 00:24:46,218
IF SOMEONE DID THAT TO ME, I
WAS BALLING MY EYES OUT AFTER I

508
00:24:46,284 --> 00:24:48,954
WAS FALLING FOR SOMEBODY AND
SENT SOMEBODY I CARED ABOUT

509
00:24:49,020 --> 00:24:51,489
HOME, YOU LITERALLY KIND OF OWE
HER AN EXPLANATION.

510
00:24:51,556 --> 00:24:54,326
AND HAVE I NO ISSUE OF GIVING
HER AN EXPLANATION.

511
00:24:54,392 --> 00:24:57,829
THAT'S NOT A CONVERSATION I'M
GOING TO HAVE RIGHT HERE.

512
00:24:57,896 --> 00:24:59,998
THESE GUYS, I SWEAR, IT'S NOT
THAT HARD.

513
00:25:00,065 --> 00:25:01,900
YOU SHOULD KNOW WHAT YOU WANT BY
NOW.

514
00:25:01,967 --> 00:25:03,001
WE DO.

515
00:25:03,068 --> 00:25:07,072
LIKE WE DESERVE BETTER THAN
THESE GUYS.

516
00:25:07,138 --> 00:25:09,107
KEEPING US AS AN OPTION.

517
00:25:09,174 --> 00:25:14,779
I LITERALLY TOLD-- THAT HE IS
A FRIEND.

518
00:25:14,846 --> 00:25:17,515
YOU'RE ALL ABOUT SOMEBODY
ELSE.

519
00:25:33,498 --> 00:25:36,234
I'M FEELING BAILEY THE MOST,
MAYBE IT WORKS OUT BUT HER AND

520
00:25:36,301 --> 00:25:39,404
KOREY HAVE BEEN TALKING FOR WHAT
FEELS LIKE TWO AND A HALF HOURS,

521
00:25:39,471 --> 00:25:42,107
SO CLEARLY THEY'RE VIBING.

522
00:25:42,173 --> 00:25:46,778
IT IS OBVIOUSLY AN ISSUE.

523
00:25:46,845 --> 00:25:51,049
I MISS ALL THE-- SO I'M GOOD,
EVERYONE ELSE IS FREAKING OUT,

524
00:25:51,116 --> 00:25:55,820
I'M CHILLIN.

525
00:25:55,887 --> 00:25:57,722
SHE AND BAILEY TALKED FOR
THREE HOURS.

526
00:25:57,789 --> 00:25:58,957
WAS IT.

527
00:25:59,024 --> 00:25:59,357
YEAH.

528
00:25:59,424 --> 00:26:00,358
I FELT BAD.

529
00:26:00,425 --> 00:26:08,833
I WANT WHAT IS BEST FOR YOU
BUT I THOUGHT-- .

530
00:26:08,900 --> 00:26:10,568
OH, GOD.

531
00:26:10,635 --> 00:26:12,404
CAN I SLEEP IN BED WITH YOU
AND JOSH TONIGHT.

532
00:26:12,470 --> 00:26:13,571
YEAH.

533
00:26:13,638 --> 00:26:16,908
IT IS CRAZY THAT HIM AND I
WENT FROM BEING THE WILL AND

534
00:26:16,975 --> 00:26:20,378
KYRA OF CASA AMOR INTO THIS.

535
00:26:20,445 --> 00:26:26,952
I WANT TO BE-- .

536
00:26:27,018 --> 00:26:29,220
♪ YOU AIN'T NO LIE.

537
00:26:29,287 --> 00:26:36,895
♪ SO BYE BYE BYE.

538
00:26:36,962 --> 00:26:38,863
♪ I MUST CONFESS.

539
00:26:38,930 --> 00:26:43,735
♪ I STILL BELIEVE, STILL
BELIEVE.

540
00:26:43,802 --> 00:26:44,869
♪ I'M NOT WITH YOU.

541
00:26:44,936 --> 00:26:46,805
♪ I LOSE MY MIND.

542
00:26:46,871 --> 00:26:50,875
♪ GIVE ME A SIGN.

543
00:26:50,942 --> 00:26:56,881
♪ GIVE ME, BABY, ONE MORE TIME.

544
00:26:56,948 --> 00:27:00,552
♪
♪ I'M ON AN ISLAND.

545
00:27:00,618 --> 00:27:03,355
♪ EVEN WHEN YOU'RE CLOSE.

546
00:27:03,421 --> 00:27:06,291
Matthew: A COCK A DOODLE
ADO.

547
00:27:06,358 --> 00:27:08,893
TIME FOR THE ISLANDERS TO WAKE
UP TO REMEMBER THE MESS THEY

548
00:27:08,960 --> 00:27:09,594
CREATED THE DAY BEFORE.

549
00:27:09,661 --> 00:27:13,031
JUST LIKE I DO, EVERY AFTERNOON.

550
00:27:13,098 --> 00:27:16,868
SO THREE NEW GIRLS, CHECK.

551
00:27:16,935 --> 00:27:20,438
A FULL CASH OF GIRL FROM CHARLIE
BECAUSE OF ALANA.

552
00:27:20,505 --> 00:27:21,406
CHECK.

553
00:27:21,473 --> 00:27:23,308
OLIVIA SPIRALING OVER KOREY AND
BAILEY, CHECK.

554
00:27:23,375 --> 00:27:29,748
ME NEEDING TO STOP DOING THIS
LIST AND GET ON WITH THE SHOW.

555
00:27:29,814 --> 00:27:33,752
CHECK.

556
00:27:33,818 --> 00:27:39,391
♪
♪.

557
00:27:39,457 --> 00:27:40,325
LAST NIGHT WAS WILD.

558
00:27:40,392 --> 00:27:42,394
IT WAS WILD.

559
00:27:42,460 --> 00:27:44,896
HE CREATED DRAMA FOR ME LAST
NIGHT.

560
00:27:44,963 --> 00:27:49,401
I JUST DON'T KNOW WHY I HAD
TO BE PULLED INTO THAT.

561
00:27:49,467 --> 00:27:59,044
BUT ALL COULD HAVE BEEN AVOIDED.

562
00:27:59,110 --> 00:28:00,812
OLIVIA,-- MAKING IT HARD ON
YOU TO DECIDE.

563
00:28:00,879 --> 00:28:02,580
HOW WAS YOUR FIRST NIGHT AS
GIRLFRIEND.

564
00:28:02,647 --> 00:28:05,650
IT WAS HOT.

565
00:28:05,717 --> 00:28:06,551
YOU WERE TWICHING.

566
00:28:06,618 --> 00:28:09,521
YOU HAVE TO STOP STRESSING.

567
00:28:09,587 --> 00:28:14,859
IMPOSSIBLE IN HERE.

568
00:28:14,926 --> 00:28:18,797
.

569
00:28:18,863 --> 00:28:22,867
CASH GIVES CHARLIE THE SILENT
TREATMENT WHICH IS LIKE TRYING

570
00:28:22,934 --> 00:28:28,006
TO-- A BALD GUY BY SHAVING HIS
HEAD, NOW LOVE RIVALS BANDANA

571
00:28:28,073 --> 00:28:31,242
AND WHITE HAT MAY HAVE DIFFERENT
THINGS ON THEIR HEAD BUT BOTH

572
00:28:31,309 --> 00:28:33,578
HAVE NEW GIRL BAILEY IN THEIR
HEAD.

573
00:28:33,645 --> 00:28:35,613
WHAT'S UP, DOG.

574
00:28:35,680 --> 00:28:36,981
HOW ARE YOU FEELING.

575
00:28:37,048 --> 00:28:38,283
CONFUSED, IF I'M BEING
HONEST.

576
00:28:38,349 --> 00:28:38,917
YEAH.

577
00:28:38,983 --> 00:28:40,218
I DON'T KNOW WHAT TO DO.

578
00:28:40,285 --> 00:28:43,822
MY CONNECTION WITH OLIVIA IS
OBVIOUSLY DEERP, YOU KNOW.

579
00:28:43,888 --> 00:28:45,023
YEAH.

580
00:28:45,090 --> 00:28:46,224
AND I FEEL LIKE WE COULD
ACTUALLIEDLIED WHETHER SOMETHING

581
00:28:46,291 --> 00:28:49,928
I DON'T KNOW IF THAT IS JUST
BECAUSE OF THE TIME THAT I HAVE

582
00:28:49,994 --> 00:28:54,866
KNOWN HER AN GROWN THIS BOND OR
IF IT IS TRULY BECAUSE WE HAVE A

583
00:28:54,933 --> 00:28:56,034
STRONGER CONNECTION.

584
00:28:56,101 --> 00:28:57,268
BOTH, I DON'T KNOW.

585
00:28:57,335 --> 00:28:57,969
HARD TO SAY, RIGHT.

586
00:28:58,036 --> 00:28:59,104
YEAH, LIKE I DON'T KNOW.

587
00:28:59,170 --> 00:29:02,607
THAT IS WHAT I WAS TRYING TO
TALK TO BAILEY FOR SO LONG.

588
00:29:02,674 --> 00:29:04,876
TO CATCH UP A LITTLE BIT.

589
00:29:04,943 --> 00:29:08,113
BAILEY IS THE OTHER ONE
YOU'RE GOING FOR AND EVERYTHING.

590
00:29:08,179 --> 00:29:11,382
YEAH, I WAS JUST SEEING HOW
YOU ARE, BECAUSE I'M NOT TRYING

591
00:29:11,449 --> 00:29:12,183
TO.

592
00:29:12,250 --> 00:29:14,919
YEAH, I DON'T LOOK AT IT THAT
WAY.

593
00:29:14,986 --> 00:29:17,822
LIKE THERE ARE TWO DAYS THAT I
WAS LIKE, THAT IS PART OF THE

594
00:29:17,889 --> 00:29:19,424
PROCESS IN HERE.

595
00:29:19,491 --> 00:29:20,692
I GET IT.

596
00:29:20,758 --> 00:29:22,760
OBVIOUSLY BAILEY IS THE ONLY
ONE I'M INTERESTED IN RIGHT NOW.

597
00:29:22,827 --> 00:29:25,997
I'M NOT AN INSTIGATOR AT ALL,
SHE IS GOING TO HAVE TO MAKE HER

598
00:29:26,064 --> 00:29:28,600
DECISION, KOREY WILL HAVE TO
MAKE HIS DECISION, WHO

599
00:29:28,666 --> 00:29:30,635
APPROXIMATE AM I TO SAY WHOSE
QUETION IS STRONGER WITH

600
00:29:30,702 --> 00:29:32,137
SOMEONE, ONLY THAT PERSON CAN
KNOW.

601
00:29:32,203 --> 00:29:35,373
I'M SURE YOU FEEL THE SAME
WAY, I LOOK AT BAILEY AND I'M

602
00:29:35,440 --> 00:29:41,713
JUST LIKE DAMN, Y'ALL, I
SEE-- STUCK IN HER EYES.

603
00:29:41,779 --> 00:29:44,616
SUPER ATTRACTIVE.

604
00:29:44,682 --> 00:29:45,817
YEAH.

605
00:29:45,884 --> 00:29:49,721
WITH LIVE, SO CONFIDENT, A
DIFFERENT, THAT ATTRACTS ME TO

606
00:29:49,787 --> 00:29:51,689
HER AS WELL.

607
00:29:51,756 --> 00:29:57,262
DANG, I'M STUCK IN A POSITION
WHERE I'M NOT EVEN TRYING TO

608
00:29:57,328 --> 00:29:58,730
SHOW ONE OR ANOTHER AFFECTION.

609
00:29:58,796 --> 00:30:02,233
I KNOW I DO HAVE TO MAKE
DECISION SOON BECAUSE I'M

610
00:30:02,300 --> 00:30:05,737
KEEPING BOTH OF THEM IN LIMBO
RIGHT NOW WHICH ISN'T A GOOD

611
00:30:05,803 --> 00:30:07,071
FEELING EITHER.

612
00:30:07,138 --> 00:30:08,940
DO YOU WANT TO GO HAVE A
TALK.

613
00:30:09,007 --> 00:30:09,407
YES.

614
00:30:09,474 --> 00:30:11,042
ON THE BALCONY.

615
00:30:11,109 --> 00:30:13,678
OF COURSE.

616
00:30:13,745 --> 00:30:14,679
OKAY.

617
00:30:14,746 --> 00:30:16,548
I CAN BE IN THE SUN, YOU WANT TO
BE IN THE SHADE.

618
00:30:16,614 --> 00:30:17,715
THANK YOU.

619
00:30:17,782 --> 00:30:19,784
YOU'RE WELCOME.

620
00:30:19,851 --> 00:30:20,952
OH, GIRLIE.

621
00:30:21,019 --> 00:30:24,789
HI.

622
00:30:24,856 --> 00:30:26,224
SO LAST NIGHT WAS CRAZY.

623
00:30:26,291 --> 00:30:27,492
YEAH.

624
00:30:27,559 --> 00:30:28,726
THERE ARE A LOT OF DIFFERENT
THINGS I WANT TO SAY TO YOU, FOR

625
00:30:28,793 --> 00:30:32,430
ME WHAT MAINLY SET ME OFF IN MY
CONVERSATION WITH CHARLIE WAS

626
00:30:32,497 --> 00:30:35,433
THAT HE DID THE SAME THING TO ME
THAT CINCO DID.

627
00:30:35,500 --> 00:30:36,367
RIGHT.

628
00:30:36,434 --> 00:30:37,735
THEN ALSO HE JUST WASN'T
SAYING ANYTHING.

629
00:30:37,802 --> 00:30:40,705
SO I JUST GOT UPSET AND I WALKED
AWAY.

630
00:30:40,772 --> 00:30:43,007
I'M LIKE YOU'RE NOT SPEAKING,
YOU'RE NOT SAYING ANYTHING, IT

631
00:30:43,074 --> 00:30:46,010
WAS A BUNCH OF DIFFERENT THINGS,
BUT NONE OF THOSE THINGS HADTO

632
00:30:46,077 --> 00:30:47,011
DO WITH YOU.

633
00:30:47,078 --> 00:30:48,246
I LIKE YOU AND I RESPECT YOU.

634
00:30:48,313 --> 00:30:49,314
RIGHT.

635
00:30:49,380 --> 00:30:52,150
AND I WOULDN'T WANT TO CREATE
DRAMA IN YOUR LIFE.

636
00:30:52,217 --> 00:30:53,184
RIGHT.

637
00:30:53,251 --> 00:30:54,953
BECAUSE I ALREADY KNOW THAT
YOU HAVE BEEN HURT.

638
00:30:55,019 --> 00:30:57,989
BUT IT WOULDN'T BE YOU
CREATING THE DRAMA.

639
00:30:58,056 --> 00:31:00,291
I THOUGHT LAST NIGHT BECAUSE
NO ONE TOLD ME WHAT WAS GOING

640
00:31:00,358 --> 00:31:01,893
ON, I THOUGHT I WAS BEING
BLAMED.

641
00:31:01,960 --> 00:31:04,596
SO I JUST FELT OUT OF THE LOOP.

642
00:31:04,662 --> 00:31:07,365
I AS LIKE DAMN, I THOUGHT WE
WERE.

643
00:31:07,432 --> 00:31:08,366
YEAH.

644
00:31:08,433 --> 00:31:10,001
BEYOND THE BLAMING GIRLS FOR
MEN'S PROBLEMS.

645
00:31:10,068 --> 00:31:11,269
AND WE ARE.

646
00:31:11,336 --> 00:31:13,471
AND I WANT YOU TO KNOW THAT NONE
OF THE GIRLS THINK ANYTHING LIKE

647
00:31:13,538 --> 00:31:16,741
THAT WE ARE JUST MAD AT HIM, YOU
KNOW WHAT I MEAN, AND THAT'S IT

648
00:31:16,808 --> 00:31:17,942
AND IT WASN'T ANYTHING TO DO
WITH YOU.

649
00:31:18,009 --> 00:31:21,212
IT IS JUST LIKE HOW HE WAS
HANDLING THE SITUATION.

650
00:31:21,279 --> 00:31:23,848
BUT FOR ME LIKE THE REASON I WAS
SO EMOTIONAL WAS BECAUSE HE

651
00:31:23,915 --> 00:31:26,918
DIDN'T TELL ME THAT HE WAS
INTERESTED IN YOU IN THAT WAY.

652
00:31:26,985 --> 00:31:29,554
AND I UNDERSTAND HOW
UNCOMFORTABLE IT IS FOR YOU.

653
00:31:29,621 --> 00:31:32,657
CAN I TELL THERE IS AN
ATTRACTION WITH YOU AND CHARLIE.

654
00:31:32,724 --> 00:31:36,194
I CAN SEE, I'M NOT BLIND, I'M
NOT DUMB, BUT FOR ME I'M

655
00:31:36,261 --> 00:31:37,929
CONFIDENT IN WHO I AM AS A
WOMAN.

656
00:31:37,996 --> 00:31:39,097
I THINK ARE YOU STUNNING.

657
00:31:39,163 --> 00:31:40,999
IF HE ENDS UP HAVING A BETTER
CONNECTION WITH YOU, I WOULD

658
00:31:41,065 --> 00:31:41,899
NEVER BLAME YOU.

659
00:31:41,966 --> 00:31:44,202
IT WOULD SUCK, BUT I WOULD NEVER
BLAME YOU.

660
00:31:44,269 --> 00:31:47,538
THERE IS NO REASON TO BE SHADY
OR DISRESPECTFUL OR PETTY.

661
00:31:47,605 --> 00:31:49,207
WE ARE ALL HERE FOR THE SAME
REASON.

662
00:31:49,274 --> 00:31:51,709
I WOULD LOVE TO FIND A
CONNECTION HERE, YOU KNOW, LIKE

663
00:31:51,776 --> 00:31:56,347
I JUST DON'T KNOW, AND YOU KNOW,
IT MAY NOT HAPPEN.

664
00:31:56,414 --> 00:31:57,148
YEAH.

665
00:31:57,215 --> 00:31:59,083
WELL, THANKS FOR CHATTING
WITH ME.

666
00:31:59,150 --> 00:32:00,018
I APPRECIATE IT.

667
00:32:00,084 --> 00:32:00,351
OF COURSE.

668
00:32:00,418 --> 00:32:01,019
I.

669
00:32:01,085 --> 00:32:04,389
WE ARE GOOD, GIVE ME A HUG.

670
00:32:04,455 --> 00:32:05,890
>>
Matthew: A-W, SO GLAD THERE

671
00:32:05,957 --> 00:32:07,191
WON'T BE ANY PETTY CASH.

672
00:32:07,258 --> 00:32:10,962
HAVE I BEEN WAITING FOUR WEEKS
TO SAY THAT.

673
00:32:11,029 --> 00:32:16,801
COMING UP, SURPRISE, SURPRISE,
IT'S DOUBLE TROUBLE.

674
00:32:16,868 --> 00:32:17,869
WHAT'S GOING ON!

675
00:32:32,984 --> 00:32:34,118
CAN I CHAT WITH YOU.

676
00:32:34,185 --> 00:32:36,521
NO, JEREMY.

677
00:32:36,587 --> 00:32:37,689
OBVIOUSLY, YOU.

678
00:32:37,755 --> 00:32:40,124
IT'S LOVE ISLAND, WHEN
CHARLIE OPENLY COMMUNICATED HIS

679
00:32:40,191 --> 00:32:44,062
INTENTIONS TO MOVE ON, CASH
STORMED OFF AND FROZE HIM OUT

680
00:32:44,128 --> 00:32:45,330
FOR THE NIGHT.

681
00:32:45,396 --> 00:32:50,335
BUT NOW SHE'S REGAINED HER COME
POSE SURE TO LET HIM KNOW HE HAS

682
00:32:50,401 --> 00:32:51,703
COMMUNICATION ISSUES.

683
00:32:51,769 --> 00:32:56,641
LET'S CHAT, I WANT TO DO A
LITTLE SEE WHERE YOUR MIND IS

684
00:32:56,708 --> 00:32:57,542
AT.

685
00:32:57,608 --> 00:33:00,578
WHAT THE HECK IS THAT STH DOES
THAT STING?

686
00:33:00,645 --> 00:33:03,448
N AH, THAT'S A DRAGON FLY.

687
00:33:03,514 --> 00:33:05,883
I'M GLAD I TALKED TO ALANA
BECAUSE SHE TOLD ME THAT YOU

688
00:33:05,950 --> 00:33:09,220
TOLD HER THAT YOU WERE
INTERESTED IN HER.

689
00:33:09,287 --> 00:33:10,888
AND THEN YOU PULLED ME.

690
00:33:10,955 --> 00:33:14,359
AND THEN SO IT MADE IT LOOK LIKE
IT WAS ON HER.

691
00:33:14,425 --> 00:33:15,193
YOU KNOW WHAT I MEAN.

692
00:33:15,259 --> 00:33:16,060
YEAH.

693
00:33:16,127 --> 00:33:17,729
AND THAT MAKES HER FEEL
UNCOMFORTABLE.

694
00:33:17,795 --> 00:33:21,799
I ALSO WANT TO SAY TO YOU IF YOU
ARE INTERESTED IN HER I'M A BIG

695
00:33:21,866 --> 00:33:24,135
GIRL AND YOU CAN TELL ME THAT
AND I FEEL LIKE YESTERDAY COULD

696
00:33:24,202 --> 00:33:25,737
HAVE BEEN AVOIDED WITH JUST LIKE
COMMUNICATION.

697
00:33:25,803 --> 00:33:29,941
YOU KNOW, WE ALWAYS SAY
COMMUNICATE, COMMUNICATE, BUT I

698
00:33:30,007 --> 00:33:34,078
CAN'T HELP IT, AS SOON AS SCG
HAPPENED, YOU, LIKE, LITERALLY

699
00:33:34,145 --> 00:33:36,681
SAID A FEW WORDS AND YOU GOT UP
AND WALKED OFF.

700
00:33:36,748 --> 00:33:41,319
AND IT IS JUST LIKE.

701
00:33:41,386 --> 00:33:43,388
ME LIKE CRYING LAST NIGHT WAS
JUST A LOT OF DIFFERENT LEVELS

702
00:33:43,454 --> 00:33:44,389
OF THINGS.

703
00:33:44,455 --> 00:33:45,089
YEAH.

704
00:33:45,156 --> 00:33:46,257
YOU JUST KIND OF SET IT OFF.

705
00:33:46,324 --> 00:33:49,494
I KIND OF FELT LIKE YOU WERE
DOING THE SAME THING CINCO DID

706
00:33:49,560 --> 00:33:52,663
AND FOR ONE NIGHT I JUST WANTED
TO BE ABLE TO HAVE A LITTLE BIT

707
00:33:52,730 --> 00:33:56,267
OF A BI BISH SERB.

708
00:33:56,334 --> 00:33:58,736
YOU WERE OPEN TO COME BACK
AND COMMUNICATE.

709
00:33:58,803 --> 00:34:02,340
YOU KNOW, SO LIKE I APPRECIATE
YOU FOR THAT.

710
00:34:02,407 --> 00:34:06,144
I CAN'T EXPRESS ENOUGH, I
WILL SAY IT, PROBABLY FOUR MORE

711
00:34:06,210 --> 00:34:07,612
TIMES TO YOU.

712
00:34:07,678 --> 00:34:09,914
YOU CAN TELL ME ANYTHING.

713
00:34:09,981 --> 00:34:11,149
YEAH.

714
00:34:11,215 --> 00:34:13,384
IF YOU WANT TO GET TO KNOW
ALANA, AND YOU ARE INTERESTED IN

715
00:34:13,451 --> 00:34:15,720
HER, YOU NEED TO VOICE THAT TO
ME.

716
00:34:15,787 --> 00:34:16,854
YEAH.

717
00:34:16,921 --> 00:34:20,625
I DO WANT SOMEONE WHO IS ABLE
TO HAVE THOSE DIFFICULT

718
00:34:20,691 --> 00:34:21,759
CONVERSATIONS.

719
00:34:21,826 --> 00:34:23,361
I FEEL LIKE PEOPLE ARE
NERVOUS TO TELL ME THINGSK BUT

720
00:34:23,428 --> 00:34:26,063
I'M REALLY FRICKING
UNDERSTANDING.

721
00:34:26,130 --> 00:34:28,032
AS WELL AS YOU ARE UP FRONT
THERE IS NO WAY I CAN BE UPSET

722
00:34:28,099 --> 00:34:32,837
ABOUT THAT, OF COURSE I CAN BE
HURT, I CAN BE GOBSMACKED.

723
00:34:32,904 --> 00:34:34,005
BUT I AM REALLY UNDERSTANDING.

724
00:34:34,071 --> 00:34:38,109
LIKE I DON'T KNOW WHY ALL THE
OTHER STUFF NEEDS TO HAPPEN.

725
00:34:38,176 --> 00:34:39,310
SO WHAT NOW.

726
00:34:39,377 --> 00:34:42,180
WELL, NOTHING FOR ME HAS
CHANGED.

727
00:34:42,246 --> 00:34:45,383
I STILL CARE ABOUT YOU THE SAME
EXACT WAY.

728
00:34:45,450 --> 00:34:46,617
NOW YOU ANSWER THE QUESTION,
WHAT NOW FOR YOU.

729
00:34:46,684 --> 00:34:50,922
I MEAN NOW THAT WE KIND OF
GOT THAT OUT IN THE OPEN, YOU

730
00:34:50,988 --> 00:34:57,595
KNOW WHAT I AM SAYING, WE CAN
MOVE FORWARD FROM IT AT SOME

731
00:34:57,662 --> 00:35:03,734
POINT, WHENEVER-- .

732
00:35:03,801 --> 00:35:04,368
WHENEVER.

733
00:35:04,435 --> 00:35:07,171
NO PAIN, NO GAIN, RIGHT.

734
00:35:07,238 --> 00:35:08,206
IT KEEPS IT INTERESTING.

735
00:35:08,272 --> 00:35:11,509
I LIKE IT A LITTLE SPICY, YOU
KNOW WHAT I MEAN.

736
00:35:11,576 --> 00:35:17,415
RIGHT, LIKE I'M-- WHAT DO YOU
WANT, JUST PLAIN RICE, THAT'S

737
00:35:17,482 --> 00:35:18,149
GROSS.

738
00:35:18,216 --> 00:35:26,791
Matthew: WELL, THAT WAS
EASY.

739
00:35:26,858 --> 00:35:27,892
.

740
00:35:27,959 --> 00:35:30,862
I DON'T HAVE ANY MAKEUP ON MY
FACE RIGHT NOW.

741
00:35:30,928 --> 00:35:34,098
I LOVE T GORGEOUS.

742
00:35:34,165 --> 00:35:38,069
I GOT A TEXT!

743
00:35:38,135 --> 00:35:40,137
I GOT AYE TEXT.

744
00:35:40,204 --> 00:35:41,772
ALL RIGHT.

745
00:35:41,839 --> 00:35:48,012
ISLANDERS, GET READY FOR A
SLUMBER PARTY FASHION NOVA

746
00:35:48,079 --> 00:35:49,180
STYLE.

747
00:35:49,247 --> 00:35:57,855
HASHTAG FEATHER WEATHER, HASHTAG
PAJAMAS, HASHTAG SLEEPING

748
00:35:57,922 --> 00:35:58,122
BEAUTIES.

749
00:35:58,189 --> 00:35:59,223
WHOOO!

750
00:35:59,290 --> 00:36:02,727
OKAY, LET'S GET READY.

751
00:36:02,793 --> 00:36:08,432
Matthew: WHAT'S GOING ON
HERE, THE SEXY FASHION NOVA

752
00:36:08,499 --> 00:36:11,669
LINGERIE, FASHION NOVA SCIENS,
SCRIPT WITH THE WORDS FASHION

753
00:36:11,736 --> 00:36:13,237
NOVA THREE TIMES IN ONE
STATEMENT ALONE.

754
00:36:13,304 --> 00:36:20,177
I THINK WE MAY HAVE SEAMLESSLY
WOVEN IN A PROMOTION

755
00:36:20,244 --> 00:36:20,912
FOR-- FASHION NOVA!

756
00:36:20,978 --> 00:36:30,388
OH, THAT FELT GOOD SLASM.

757
00:36:30,454 --> 00:36:35,493
WAIT, STOP, GUYS.

758
00:36:35,560 --> 00:36:40,031
WE HAVE SLIPPERS, LOTS OF
BLING.

759
00:36:40,097 --> 00:36:42,099
THIS LOOKS GOOD.

760
00:36:42,166 --> 00:36:44,035
OH, THOSE ARE RAW.

761
00:36:44,101 --> 00:36:44,969
WE GOT SHIRTS.

762
00:36:45,036 --> 00:36:50,107
WE GOT MASKS.

763
00:36:50,174 --> 00:36:50,775
LOOK.

764
00:36:50,841 --> 00:36:52,276
I LOVE THIS TWO PIECE SET.

765
00:36:52,343 --> 00:36:54,946
GIRLS ARE PROBABLY GETTING
SEXY LINGERIE.

766
00:36:55,012 --> 00:36:58,115
I DIDN'T KNOW THEY WERE GOING
TO HAVE LINGERIE.

767
00:36:58,182 --> 00:37:01,752
LOOK AT THE BATHING SUIT.

768
00:37:01,819 --> 00:37:05,923
THANK YOU, FASHION NOVA.

769
00:37:05,990 --> 00:37:06,891
FASHION NOVA.

770
00:37:06,958 --> 00:37:10,528
I DON'T THINK I'M GOING TO
TAKE THESE OFF.

771
00:37:10,595 --> 00:37:12,396
I LOVE THAT.

772
00:37:12,463 --> 00:37:13,164
ISN'T THAT CUTE.

773
00:37:13,230 --> 00:37:14,098
OH LORD.

774
00:37:14,165 --> 00:37:16,200
CHEESIER, HOW ABOUT THAT.

775
00:37:16,267 --> 00:37:19,136
CHEESIER TO FASHION NOVA!

776
00:37:19,203 --> 00:37:26,110
THANK YOU FASHION NOVA!

777
00:37:26,177 --> 00:37:34,118
FASHION NOVA!

778
00:37:34,185 --> 00:37:44,895
♪
Matthew: THE SLILA IS ABOUT

779
00:37:44,962 --> 00:37:48,532
TO BE HIT BRI A SEXY SUPERNOVA!

780
00:37:48,599 --> 00:37:50,067
♪ YOU KNOW I'M TROUBLE.

781
00:37:50,134 --> 00:37:51,235
♪.

782
00:37:51,302 --> 00:37:55,006
TWO OF THE BEST LOOKING
THINGS YOU HAVE EVER SEEN AND IN

783
00:37:55,072 --> 00:38:01,278
ADDITION TO THE FASHION NOVA
ROBES WE HAVE TWO NEW CASA NOVAS

784
00:38:01,345 --> 00:38:02,480
WEARING THEM.

785
00:38:02,546 --> 00:38:08,219
MY NAME IS CASEY, 27 FROM
ATLANTA GEORGIA AND I'M A BARBER

786
00:38:08,285 --> 00:38:12,456
I'VE BEEN SINGLE FOR ALMOST
TWO YEARS NOW.

787
00:38:12,523 --> 00:38:13,891
WHAT DO THEY KNOW.

788
00:38:13,958 --> 00:38:16,527
THE TYPE OF WOMAN I'M
ATTRACTED TO IS A WOMAN THAT IS

789
00:38:16,594 --> 00:38:21,766
CONFIDENT IN HERSELF, KNOWS WHAT
SHE WANTS, FAMILY ORIENTED IS

790
00:38:21,832 --> 00:38:22,900
BIG.

791
00:38:22,967 --> 00:38:26,404
I'M VERY KFER DEBT, I'M
COMPETITIVE, SO I DO NOT CARE IF

792
00:38:26,470 --> 00:38:30,107
SHE IS COUPLED UP WITH ANYONE, I
HAVE NO PROBLEM SHOOTING MY

793
00:38:30,174 --> 00:38:31,042
SHOT.

794
00:38:31,108 --> 00:38:32,043
♪ I'M TROUBLE.

795
00:38:32,109 --> 00:38:33,010
I'M TROUBLE.

796
00:38:33,077 --> 00:38:35,546
♪ I'M A WHOLE LOT OF TROUBLE.

797
00:38:35,613 --> 00:38:36,881
♪ YOU KNOW I'M TROUBLE.

798
00:38:36,947 --> 00:38:38,049
♪.

799
00:38:38,115 --> 00:38:42,553
MY NAME IS ANDRE, I'M 28
YEARS OLD, I'M ORIGINALLY FROM

800
00:38:42,620 --> 00:38:43,421
BRAZIL.

801
00:38:43,487 --> 00:38:47,692
AND I'M AN E-PROFESSIONAL SOCCER
PLAYER.

802
00:38:47,758 --> 00:38:50,428
OLIVIA IS THE GIRL THAT I
WOULD FIRST LIKE TO APPROACH.

803
00:38:50,494 --> 00:38:54,098
FOR ME MATURITY IN THE
RELATIONSHIP IS CRITICAL.

804
00:38:54,165 --> 00:38:57,835
I'M LOOKING FOR A PARTNER THAT
HAS THOSE LIFE EXPERIENCES.

805
00:38:57,902 --> 00:38:59,670
I'M COMING TO LOVE ISLAND.

806
00:38:59,737 --> 00:39:05,910
I'M READY TO TURN SOME HEADS AND
LIKE WE SAY IN BRAZIL-- .

807
00:39:05,976 --> 00:39:10,114
♪ YOU KNOW I'M TROUBLE, TROUBLE.

808
00:39:10,181 --> 00:39:13,417
♪ TROUBLE.

809
00:39:13,484 --> 00:39:15,486
♪

810
00:39:28,199 --> 00:39:31,001
ACCORDING TO THE ANCIENT
SCROLLS OF THE KNIGHTS OF THE

811
00:39:31,068 --> 00:39:33,270
CROSS PROMOTION THERE AIN'T NO
PARTY LIKE A FASHION NOVA PARTY

812
00:39:33,337 --> 00:39:35,206
BECAUSE A FASHION NOVA PARTY
DON'T STOP.

813
00:39:35,272 --> 00:39:39,410
THEY ALSO FORE TOLD A TIME IN
WHEN NEW-- WOULD HIDE IN BED,

814
00:39:39,477 --> 00:39:45,483
THRILLED TO SEE THAT TIME IS
UPON US.

815
00:39:45,549 --> 00:39:49,553
♪ OUT OF THIS WORLD.

816
00:39:49,620 --> 00:39:55,426
♪ KEEPS ON DRUMMING.

817
00:39:55,493 --> 00:39:57,495
♪ OUT OF CONTROL.

818
00:39:57,561 --> 00:40:02,199
♪ I FEEL THE ENERGY.

819
00:40:02,266 --> 00:40:07,037
♪ ON THE BEAT.

820
00:40:07,104 --> 00:40:07,438
♪.

821
00:40:07,505 --> 00:40:10,975
WHOA.

822
00:40:11,041 --> 00:40:13,544
THANK YOU.

823
00:40:13,611 --> 00:40:19,416
.

824
00:40:19,483 --> 00:40:24,221
THANK YOU.

825
00:40:24,288 --> 00:40:31,428
HERE'S THE TO THE BEST SLUMBER
PARTY EVER.

826
00:40:31,495 --> 00:40:36,467
FASHION NOVA!

827
00:40:36,534 --> 00:40:38,369
♪ TAKING OVER THE SKY.

828
00:40:38,435 --> 00:40:42,439
♪ I'M TAKING OVER THE SKY.

829
00:40:42,506 --> 00:40:47,478
♪ I'M TAKING OVER THE SKY.

830
00:40:47,545 --> 00:40:55,419
♪ MAGIC KEEPS ON.

831
00:40:55,486 --> 00:40:59,123
♪.

832
00:40:59,190 --> 00:41:00,391
.

833
00:41:00,457 --> 00:41:03,427
I GO OFF AND SAY YOU SWEATY
PEOPLE MUST BE TIRED FROM ALL

834
00:41:03,494 --> 00:41:04,595
THAT DANCING.

835
00:41:04,662 --> 00:41:11,335
WHY NOT RELAX ON THESE CHEESE
CAKE FILLED BEDS HAVE I HAD

836
00:41:11,402 --> 00:41:12,670
CONVENIENTLY SET UP.

837
00:41:12,736 --> 00:41:14,238
WORK IT, BABY.

838
00:41:14,305 --> 00:41:15,372
OH MY GOSH.

839
00:41:15,439 --> 00:41:17,908
SO TONIGHT WE'RE HAVING A
SLUMBER PARTY AND WE HAVE NO

840
00:41:17,975 --> 00:41:22,046
IDEA WHERE TONIGHT'S GOING TO
TAKE US BUT LOOKING THIS GOOD,

841
00:41:22,112 --> 00:41:30,654
IT IS BOUND TO TURN SOME HEADS.

842
00:41:30,721 --> 00:41:32,590
OH MY GOD.

843
00:41:32,656 --> 00:41:34,792
THE GUYS ARE LOOKING REAL
GOOD.

844
00:41:34,859 --> 00:41:41,432
AND THIS TINY LITTLE BOXER
SHORTS.

845
00:41:41,498 --> 00:41:43,434
WILLEMLY.

846
00:41:43,500 --> 00:41:46,403
WHAT'S GOING ON?

847
00:41:46,470 --> 00:41:51,408
IS STH THE SLEEP OVER OR
WHAT?

848
00:41:51,475 --> 00:41:55,379
NOT NEW BOYS, WHAT?

849
00:41:55,446 --> 00:42:01,151
Matthew: TOMORROW NIGHT,
THE NEW BOYS CAME TO PLAY.

850
00:42:01,218 --> 00:42:03,520
SO WHO'S SINGLE?

851
00:42:03,587 --> 00:42:04,488
THEY'RE HIT.

852
00:42:04,555 --> 00:42:07,057
THEY ARE HOT.

853
00:42:07,124 --> 00:42:09,426
MY JAW-- LIKE YOU MEAN IT.

854
00:42:09,493 --> 00:42:11,428
THAT'S HOT.

855
00:42:11,495 --> 00:42:12,296
WE'RE GOING TO TIE IT UP.

856
00:42:12,363 --> 00:42:13,464
LET'S GO.

857
00:42:13,530 --> 00:42:15,532
LET'S GO, BROTHA.

858
00:42:18,235 --> 00:42:19,904
Captioned by
Media Access Group at WGBH
access.wgbh.org