1 00:00:02,602 --> 00:00:04,304 >> Announcer: PREVIOUSLY ON "LOVE ISLAND"... 2 00:00:04,371 --> 00:00:05,872 [YELLING] >> IT'S ARIELLE! 3 00:00:05,939 --> 00:00:06,906 OH, MY GOSH. 4 00:00:06,973 --> 00:00:09,409 >> THE PUBLIC HAVE BEEN VOTING FOR THEIR FAVORITE 5 00:00:09,476 --> 00:00:12,045 GIRL AND BOY ISLANDERS. 6 00:00:12,112 --> 00:00:15,115 >> Announcer: YOUR VOTE LEFT FOUR ISLANDERS 7 00:00:15,181 --> 00:00:16,116 VULNERABLE. 8 00:00:16,182 --> 00:00:19,786 >> Arielle: ONE GIRL AND ONE BOY WILL BE LEAVING 9 00:00:19,853 --> 00:00:20,487 THE VILLA IMMEDIATELY. 10 00:00:20,553 --> 00:00:23,323 WHO HAVE YOU DECIDED TO SAVE? 11 00:00:23,390 --> 00:00:25,258 >> WILL. 12 00:00:25,325 --> 00:00:30,797 ♪♪ >> KYRA. 13 00:00:30,864 --> 00:00:34,701 >> Announcer: CINCO AND GENEVIEVE WERE DUMPED FROM 14 00:00:34,768 --> 00:00:37,170 THE ISLAND. 15 00:00:37,237 --> 00:00:39,272 [WHISPERING] >> I ALWAYS THINK ABOUT 16 00:00:39,339 --> 00:00:40,740 THE POSSIBILITY WITH CINCO. 17 00:00:40,807 --> 00:00:42,409 >> I DON'T WANT HIM. 18 00:00:42,475 --> 00:00:43,243 I WANT YOU. 19 00:00:43,309 --> 00:00:44,344 >> Announcer: EMOTIONS RAN HIGH? 20 00:00:44,411 --> 00:00:48,415 >> WHY DO YOU THINK KYRA WAS IN THE BOTTOM THREE? 21 00:00:48,481 --> 00:00:51,217 BECAUSE THEY JUST WATCHED YOUR CASA AMOR. 22 00:00:51,284 --> 00:00:53,286 AMERICA PUT YOU THERE. 23 00:00:53,353 --> 00:00:57,056 >> Announcer: AND THREE NEW GIRLS JOIN THE FUN. 24 00:00:57,123 --> 00:00:59,292 [YELLING] >> HI, GUYS! 25 00:00:59,359 --> 00:01:00,660 >> OH, MY GOODNESS. 26 00:01:00,727 --> 00:01:04,597 >> WOW! 27 00:01:04,664 --> 00:01:05,465 >> Announcer: TONIGHT... 28 00:01:05,532 --> 00:01:07,534 >> AM I YOUR NUMBER ONE COMING IN HERE? 29 00:01:07,600 --> 00:01:08,701 >> MAYBE. 30 00:01:08,768 --> 00:01:09,969 MAYBE. 31 00:01:10,036 --> 00:01:11,037 >> WHAT? 32 00:01:11,104 --> 00:01:16,176 >> ARE YOU LOOKING TO GET INTRODUCED TO MORE PEOPLE 33 00:01:16,242 --> 00:01:17,143 OR ARE YOU MARRIED? 34 00:01:17,210 --> 00:01:19,813 >> I'M DEFINITELY NOT MARRIED. 35 00:01:19,879 --> 00:01:21,781 >> Announcer: RELATIONSHIPS ARE 36 00:01:21,848 --> 00:01:23,049 CRACKING. 37 00:01:23,116 --> 00:01:25,218 >> I'M SHUTTING DOWN AND PULLING MYSELF AWAY. 38 00:01:25,285 --> 00:01:28,688 >> HE DIDN'T CALL ME THIS MORNING, DIDN'T WANT TO 39 00:01:28,755 --> 00:01:31,157 KISS ME. 40 00:01:31,224 --> 00:01:34,360 I'M NOT GOING TO BE THE GIRL WHO KEEPS PUTTING 41 00:01:34,427 --> 00:01:36,696 HERSELF OUT THERE FOR A GUY WHO GIVES NOTHING 42 00:01:36,763 --> 00:01:37,464 BACK. 43 00:01:37,530 --> 00:01:40,700 I'M NOT GOING TO KEEP DOING THAT. 44 00:01:40,767 --> 00:01:50,076 ♪♪ >> Anno♪ SO YOU WANT TO PLAY WIH 45 00:01:50,143 --> 00:01:52,912 MAGIC ♪ ♪ BOY, YOU SHOULD KNOW 46 00:01:52,979 --> 00:01:54,881 WHAT YOU'RE DOING ♪ >> Announcer: WELCOME TO 47 00:01:54,948 --> 00:01:59,052 "LOVE ISLAND," YOUR GO-TO SOURCE FOR LOVE ON AN 48 00:01:59,118 --> 00:02:04,190 ISLAND, OR TROPICAL POSSE JUST LEARNED THREE HOT NEW 49 00:02:04,257 --> 00:02:05,692 GIRLS WERE INCOMING. 50 00:02:05,758 --> 00:02:09,562 JEREMY, CHARLIE, WILL, AND KOREY WERE ASKED TO PLAY 51 00:02:09,629 --> 00:02:13,566 CHEF AND PREPARE DINNER OR DESSERT TO MAKE THE NEW 52 00:02:13,633 --> 00:02:14,100 LADIES FEEL WELCOME. 53 00:02:14,167 --> 00:02:15,768 >> THERE YOU GO, GUYS. 54 00:02:15,835 --> 00:02:17,337 >> TWO MINUTES IN THE KITCHEN. 55 00:02:17,403 --> 00:02:17,971 WHAT DO YOU THINK? 56 00:02:18,037 --> 00:02:18,938 >> I LIKE IT. 57 00:02:19,005 --> 00:02:23,676 >> Announcer: AS THE BOYS AWAIT THEIR DATES, 58 00:02:23,743 --> 00:02:28,214 THE VETERAN GIRLS AND ONLY GUY NOT PICKED, JOSH, SPY 59 00:02:28,281 --> 00:02:33,019 FROM THE BALCONY, SEETHING WITH JEALOUSY -- I MEAN 60 00:02:33,086 --> 00:02:36,723 SEETHING WITH GRACIOUSNESS. 61 00:02:36,789 --> 00:02:41,628 HELLO, ELLY, ALANA, AND BAILEY. 62 00:02:41,694 --> 00:02:44,731 >> OH, MY GOSH, THEY SOUND BEAUTIFUL. 63 00:02:44,797 --> 00:02:45,932 >> THEY SOUND SEXY. 64 00:02:45,999 --> 00:02:49,235 >> WHY DO YOU ALL LOOK SO GOOD. 65 00:02:49,302 --> 00:02:49,869 HOLY CRAP. 66 00:02:49,936 --> 00:02:51,571 >> NICE TO MEET YOU. 67 00:02:51,638 --> 00:02:54,774 >> I'M ALANA. 68 00:02:54,841 --> 00:02:55,775 >> ALANA? 69 00:02:55,842 --> 00:03:07,220 >> IT'S ACTUALLY ALANA [DIFFERENT PRONUNCIATION] 70 00:03:07,287 --> 00:03:11,257 >> YOU SAYING HELLO? 71 00:03:11,324 --> 00:03:13,493 >> LET'S SHOW THE LADIES WHERE WE HAVE TO WORK. 72 00:03:13,560 --> 00:03:15,762 >> GUYS, THIS IS GORGEOUS. 73 00:03:15,828 --> 00:03:19,198 >> HAVE YOU MET ALL OF THEM YET, THE GIRLS? 74 00:03:19,265 --> 00:03:23,236 >> HI! 75 00:03:23,303 --> 00:03:27,574 >> ALL THESE GIRLS LOOK LIKE THEY'LL GO AFTER WHAT 76 00:03:27,640 --> 00:03:28,541 THEY WANT. 77 00:03:28,608 --> 00:03:29,142 THEY'RE ALL GORGEOUS. 78 00:03:29,208 --> 00:03:32,712 >> THAT'S BAILEY'S CHAIR. 79 00:03:32,779 --> 00:03:34,647 ALANA -- >> ALANA. 80 00:03:34,714 --> 00:03:36,683 >> -- AND THEN ELLY. 81 00:03:36,749 --> 00:03:39,319 >> THE GUYS WERE ANIMATED AND USING THEIR HANDS AND 82 00:03:39,385 --> 00:03:40,820 POINTING OVER HERE AND THERE. 83 00:03:40,887 --> 00:03:44,424 AND WE'RE, LIKE, THESE GUYS LOOK WAY TOO EXCITED. 84 00:03:44,490 --> 00:03:45,458 WHAT'S HAPPENING? 85 00:03:45,525 --> 00:03:47,560 THE WAY I HAVE TO THINK ABOUT IT IS WHAT IS MEANT 86 00:03:47,627 --> 00:03:51,898 TO BE WILL BE, AND IF KOREY FINDS A BETTER 87 00:03:51,965 --> 00:03:54,100 CONNECTION WITH SOMEONE ELSE, I HAVE TO RESPECT 88 00:03:54,167 --> 00:03:56,135 THAT, BUT I WOULDN'T LIKE IT. 89 00:03:56,202 --> 00:04:00,673 >> WE'VE GOT TO GET YOU GUYS ALL SEATED. 90 00:04:00,740 --> 00:04:01,975 WE'LL BE RIGHT BACK. 91 00:04:02,041 --> 00:04:04,711 >> THIS IS BAILEY'S. 92 00:04:04,777 --> 00:04:08,581 >> THEY'RE SO MUCH CUTER IN PERSON. 93 00:04:08,648 --> 00:04:09,849 >> THEY'RE SO MUCH CUTER IN PERSON. 94 00:04:09,916 --> 00:04:13,219 >> THEY LOOK GOOD, LITERALLY ALL OF THEM. 95 00:04:13,286 --> 00:04:16,723 >> THEY'RE WAY HOTTER. 96 00:04:16,789 --> 00:04:17,523 >> WHOA! 97 00:04:17,590 --> 00:04:19,258 >> I'M ALL OVER THAT. 98 00:04:19,325 --> 00:04:22,595 >> JOSH, WHAT THE HELL IS 42. 99 00:04:22,662 --> 00:04:24,697 >> 42 MEANS THEY'RE BEAUTIFUL. 100 00:04:24,764 --> 00:04:29,936 >> KOREY SAYS WHEN HE GOES TO THE BAR AND THEY SEE A 101 00:04:30,003 --> 00:04:32,438 CUTE GIRL, THEY'LL BE, LIKE, 42. 102 00:04:32,505 --> 00:04:37,243 >> I HAVE A BIG QUESTION FOR YOU: DO YOU LIKE 103 00:04:37,310 --> 00:04:37,810 CURRIE? 104 00:04:37,877 --> 00:04:40,713 >> YEAH, I LOVE CURRIE. 105 00:04:40,780 --> 00:04:42,649 >> SALUD. 106 00:04:42,715 --> 00:04:43,616 >> SALUD. 107 00:04:43,683 --> 00:04:44,651 CHEERS. 108 00:04:44,717 --> 00:04:46,819 >> I THINK HE IS JUST IN HIS HEAD ABOUT STUFF THAT 109 00:04:46,886 --> 00:04:47,353 HAPPENED TODAY. 110 00:04:47,420 --> 00:04:48,621 >> I WOULD LOVE THAT. 111 00:04:48,688 --> 00:04:51,290 >> SO TELL ME A LITTLE BIT. 112 00:04:51,357 --> 00:04:52,558 LIKE WHERE ARE YOU FROM? 113 00:04:52,625 --> 00:04:54,060 >> I'M FROM PORTLAND. 114 00:04:54,127 --> 00:04:56,396 >> DO YOU STILL LIVE THERE? 115 00:04:56,462 --> 00:04:57,063 >> UH-HUH. 116 00:04:57,130 --> 00:04:59,198 I'M A MARKET INTERN. 117 00:04:59,265 --> 00:05:00,466 >> THAT'S COOL. 118 00:05:00,533 --> 00:05:04,003 WHAT IS YOUR FAVORITE TYPE OF VACATION, LIKE TRAVEL? 119 00:05:04,070 --> 00:05:04,737 >> HERE. 120 00:05:04,804 --> 00:05:05,204 IT'S AMAZING. 121 00:05:05,271 --> 00:05:07,006 >> IT'S AMAZING. 122 00:05:07,073 --> 00:05:08,908 I WANT TO TRAVEL AFTER THIS AND EXPLORE. 123 00:05:08,975 --> 00:05:12,478 >> CHEERS TO YOU COMING INTO THE VILLA AND YOU ALL 124 00:05:12,545 --> 00:05:13,246 HAVE A BLAST. 125 00:05:13,312 --> 00:05:16,716 >> KOREY IS SMILING. 126 00:05:16,783 --> 00:05:20,720 >> I COOK A LOT AT HOME. 127 00:05:20,787 --> 00:05:21,821 >> I DON'T. 128 00:05:21,888 --> 00:05:24,424 >> DO YOU LIKE TO COOK? 129 00:05:24,490 --> 00:05:25,491 >> I DON'T. 130 00:05:25,558 --> 00:05:28,227 >> I'M LOOKING FOR MY BEST FRIEND, PARTNER IN CRIME. 131 00:05:28,294 --> 00:05:28,995 WHAT IS YOUR TYPE? 132 00:05:29,062 --> 00:05:33,066 >> JUST GOOFY TYPES. 133 00:05:33,132 --> 00:05:34,400 ONES THAT DO WHATEVER THEY WANT. 134 00:05:34,467 --> 00:05:39,672 IF YOU WAKE UP, JUST JUMP ACROSS THE BED. 135 00:05:39,739 --> 00:05:43,242 THAT'S FUNNY. 136 00:05:43,309 --> 00:05:46,779 [INAUDIBLE] >> KOREY LOOKS LIKE THE 137 00:05:46,846 --> 00:05:48,314 ONLY ONE WHO IS HAVING A GOOD TIME. 138 00:05:48,381 --> 00:05:50,483 >> DON'T SAY THAT! 139 00:05:50,550 --> 00:05:54,287 >> HE CAN MAKE IT LOOK LIKE HE IS HAVING A GOOD 140 00:05:54,353 --> 00:05:58,224 TIME, AND HE ISN'T. 141 00:05:58,291 --> 00:06:00,059 >> WHAT MADE YOU CHOOSE ME? 142 00:06:00,126 --> 00:06:02,695 >> I LIKE YOUR ENERGY. 143 00:06:02,762 --> 00:06:04,931 I WAS CURIOUS, WHAT IS UNDER THERE. 144 00:06:04,997 --> 00:06:05,932 I WANTED TO SEE. 145 00:06:05,998 --> 00:06:07,934 I KNOW YOU'RE IN A RELATIONSHIP -- 146 00:06:08,000 --> 00:06:08,668 >> A RELATIONSHIP. 147 00:06:08,735 --> 00:06:11,204 >> ARE YOU OPEN TO OTHER THINGS? 148 00:06:11,270 --> 00:06:16,709 >> I FEEL I CLOSED IT WHEN I WAS WITH FLO. 149 00:06:16,776 --> 00:06:19,946 I DON'T NEED TO TRY OR TO TEST MY RELATIONSHIP 150 00:06:20,012 --> 00:06:20,379 ANYMORE. 151 00:06:20,446 --> 00:06:20,880 >> I UNDERSTAND. 152 00:06:20,947 --> 00:06:23,716 >> I'M PRETTY LUCKY. 153 00:06:23,783 --> 00:06:24,717 I FEEL LUCKY HERE. 154 00:06:24,784 --> 00:06:27,487 >> YOU FOUND HER REALLY QUICK? 155 00:06:27,553 --> 00:06:28,721 >> REALLY LUCKY. 156 00:06:28,788 --> 00:06:31,524 >> SHE SEEMS SWEET AND BEAUTIFUL? 157 00:06:31,591 --> 00:06:32,892 >> I KNOW. 158 00:06:32,959 --> 00:06:34,393 SHE IS REALLY COOL. 159 00:06:34,460 --> 00:06:36,095 I WISH YOU THE BEST. 160 00:06:36,162 --> 00:06:37,096 >> SHALL WE HUG? 161 00:06:37,163 --> 00:06:38,564 >> YES. 162 00:06:38,631 --> 00:06:41,334 I APPRECIATE IT, AND I NEED NEW FRIENDS. 163 00:06:41,400 --> 00:06:43,236 >> THANK YOU FOR THE MEAL. 164 00:06:43,302 --> 00:06:44,537 IT WAS GREAT. 165 00:06:44,604 --> 00:06:46,372 >> YOU'RE WELCOME, ELLY. 166 00:06:46,439 --> 00:06:48,074 >> I FINISHED EVERY LAST THING. 167 00:06:48,141 --> 00:06:50,676 >> WE'VE GOT A LITTLE BIT OF EXTRA HERE, BUT I THINK 168 00:06:50,743 --> 00:06:56,716 WE CAN D GIVE IT TO THE DOLPHINS HERE. 169 00:06:56,783 --> 00:07:00,453 [DOLPHIN SOUNDS] >> I THINK I GOT SPIT ON, 170 00:07:00,520 --> 00:07:01,087 NICE. 171 00:07:01,154 --> 00:07:03,990 >> IT WAS NICE MEETING YOU. 172 00:07:04,056 --> 00:07:06,559 DEFINITELY DO MORE CONVERSATIONS, FOR SURE. 173 00:07:06,626 --> 00:07:08,461 >> WELL, THANK YOU FOR DINNER. 174 00:07:08,528 --> 00:07:10,630 IT WAS NICE TO GET TO KNOW YOU A LITTLE BIT. 175 00:07:10,696 --> 00:07:11,764 I APPRECIATE IT. 176 00:07:11,831 --> 00:07:14,567 YEAH, WE'LL TALK SOME MORE. 177 00:07:14,634 --> 00:07:16,702 >> Announcer: OOH, GREAT DATE. 178 00:07:16,769 --> 00:07:23,209 THE ELLY/KOREY DATE HAD BRITISH ACCENTS AND 179 00:07:23,276 --> 00:07:24,243 DOLPHINS. 180 00:07:24,310 --> 00:07:30,316 AND JEREMY HAD BEAUTIFUL FLOWING HAIR, AND KOREY'S 181 00:07:30,383 --> 00:07:32,518 CURRIE IS BEST TO LEAVE ALONE. 182 00:07:32,585 --> 00:07:37,490 >> SHE DIDN'T EVEN FINNISH FINIH MY PLATE. 183 00:07:37,557 --> 00:07:39,559 >> CAN WE ALL SIT TOGETHER. 184 00:07:39,625 --> 00:07:42,128 >> I WAS, LIKE, WHAT DO I DO WITH MY HANDS. 185 00:07:42,195 --> 00:07:44,030 >> SHE IS SO BEAUTIFUL AND SO HOT. 186 00:07:44,096 --> 00:07:47,166 >> YEAH. 187 00:07:47,233 --> 00:07:48,467 NO, SHE'S LIKE... 188 00:07:48,534 --> 00:07:50,369 >> KOREY WAS SO SWEET. 189 00:07:50,436 --> 00:07:51,871 >> DO YOU LIKE HIM? 190 00:07:51,938 --> 00:07:53,005 >> YEAH, I DO. 191 00:07:53,072 --> 00:07:53,706 I DO. 192 00:07:53,773 --> 00:07:55,208 >> ELLY, SHE IS COOL? 193 00:07:55,274 --> 00:07:57,109 >> YEAH. 194 00:07:57,176 --> 00:07:58,411 YOU'LL LIKE HER FOR SURE. 195 00:07:58,477 --> 00:08:02,381 >> AS OF RIGHT NOW, SHE IS A SOLID 42. 196 00:08:02,448 --> 00:08:03,883 >> WHO DO YOU LIKE? 197 00:08:03,950 --> 00:08:04,951 >> CHARLIE. 198 00:08:05,017 --> 00:08:08,721 >> THE FACT THAT CHARLIE'S SHIRT IS OPEN WHEN ALL OF 199 00:08:08,788 --> 00:08:10,857 THE GUYS' SHIRTS ARE CLOSED -- 200 00:08:10,923 --> 00:08:11,891 >> HE IS REALLY TRYING. 201 00:08:11,958 --> 00:08:16,729 >> HE IS PROBABLY TRYING TO MAKE YOU JEALOUS AND IT 202 00:08:16,796 --> 00:08:17,730 IS WORKING. 203 00:08:17,797 --> 00:08:21,834 >> YO, I'M SUPER PUMPED ON THIS. 204 00:08:21,901 --> 00:08:22,802 >> THAT'S GREAT. 205 00:08:22,869 --> 00:08:24,937 >> YOU LOOK REALLY GOOD, BY THE WAY. 206 00:08:25,004 --> 00:08:25,638 >> THANK YOU SO MUCH. 207 00:08:25,705 --> 00:08:28,808 >> I HOPE YOU LIKE FRIED OREOS. 208 00:08:28,875 --> 00:08:30,676 >> FRIED OREOS? 209 00:08:30,743 --> 00:08:33,312 I NEVER HAD A FRIED OREO BEFORE. 210 00:08:33,379 --> 00:08:35,348 >> THERE IS A FIRST TIME FOR EVERYTHING. 211 00:08:35,414 --> 00:08:36,682 >> WHAT IS THIS? 212 00:08:36,749 --> 00:08:40,720 >> ICED CREAM SANDWICHES. 213 00:08:40,786 --> 00:08:43,256 >> THEY'RE GOOD. 214 00:08:43,322 --> 00:08:44,724 I LIKE IT. 215 00:08:44,790 --> 00:08:50,229 >> I GRADUATED MAY 2020 -- >> WHAT WAS YOUR MAJOR? 216 00:08:50,296 --> 00:08:51,163 >> NEUROSCIENCE. 217 00:08:51,230 --> 00:08:52,632 >> BEAUTIFUL AND SMART. 218 00:08:52,698 --> 00:08:58,237 >> THANK YOU. 219 00:08:58,304 --> 00:09:01,173 WOW, I'M, LIKE, WHAT WAS I TALKING ABOUT? 220 00:09:01,240 --> 00:09:06,412 >> I WAS, LIKE, TIGER WITH TOYINGWITH A NINE TO FIVE,,. 221 00:09:06,479 --> 00:09:08,014 >> I KNOW. 222 00:09:08,080 --> 00:09:08,414 I KNOW. 223 00:09:08,481 --> 00:09:09,415 I'VE DONE IT. 224 00:09:09,482 --> 00:09:14,353 >> I WANT THE SECURITY AT THIS POINT SOMETIMES. 225 00:09:14,420 --> 00:09:20,693 I HAVE A DEGREE IN PHYSICAL TRAINING, SO A 226 00:09:20,760 --> 00:09:22,395 SCHOOL TEACHER. 227 00:09:22,461 --> 00:09:24,764 >> HOW OLD WOULD YOU WANT TO TEACH? 228 00:09:24,830 --> 00:09:28,701 >> I TAUGHT KIDS SUPER YOUNG, LIKE FOUR, FIVE 229 00:09:28,768 --> 00:09:33,072 YEARS OLD, SO -- I'M PRETTY GOOD WITH KIDS. 230 00:09:33,139 --> 00:09:37,276 >> THE LAST I SAW WAS YOU MAKING OUT WITH OLIVIA. 231 00:09:37,343 --> 00:09:39,245 >> REALLY? 232 00:09:39,312 --> 00:09:41,547 >> THAT WAS THE LAST PART OF THAT. 233 00:09:41,614 --> 00:09:44,717 >> KOREY IS PROBABLY SAYING RIGHT NOW, I DON'T 234 00:09:44,784 --> 00:09:45,484 LIKE YOU. 235 00:09:45,551 --> 00:09:48,521 >> HE'S SAYING, I'M DATING OLIVIA. 236 00:09:48,587 --> 00:09:51,657 >> YOU HAVEN'T HAD A GIRL COME IN WITH YOU AS HER 237 00:09:51,724 --> 00:09:56,128 NUMBER ONE, AND I THINK THAT IS SO WEIRD. 238 00:09:56,195 --> 00:09:59,332 BECAUSE TO ME IT SEEMS REALLY OBVIOUS. 239 00:09:59,398 --> 00:10:00,199 HELLO? 240 00:10:00,266 --> 00:10:01,534 >> AM I YOUR NUMBER ONE COMING IN HERE? 241 00:10:01,600 --> 00:10:07,206 >> I DON'T WANT TO PUMP UP YOUR EGO, BUT MAYBE. 242 00:10:07,273 --> 00:10:11,143 >> ARE YOU GETTING TO KNOW NEW PEOPLE OR YOU'RE 243 00:10:11,210 --> 00:10:11,844 MARRIED? 244 00:10:11,911 --> 00:10:13,412 >> I'M DEFINITELY NOT MARRIED. 245 00:10:13,479 --> 00:10:15,247 ALTHOUGH I AM COUPLED UP WITH CASHAY. 246 00:10:15,314 --> 00:10:19,251 WE HAD A FEW ROUGH PATCHES -- >> REALLY? 247 00:10:19,318 --> 00:10:19,752 ALREADY? 248 00:10:19,819 --> 00:10:21,654 >> SO FAR, YOU KNOW. 249 00:10:21,721 --> 00:10:23,856 I THINK YOU'RE VERY ATTRACTIVE. 250 00:10:23,923 --> 00:10:25,524 >> YOU'RE NOT TOO BAD YOURSELF. 251 00:10:25,591 --> 00:10:26,158 >> THANK YOU. 252 00:10:26,225 --> 00:10:26,826 THANK YOU. 253 00:10:26,892 --> 00:10:28,427 >> DID YOU ENJOY THE DESSERT? 254 00:10:28,494 --> 00:10:29,695 >> THIS IS AMAZING. 255 00:10:29,762 --> 00:10:30,129 THANK YOU. 256 00:10:30,196 --> 00:10:31,564 >> I ENJOYED IT. 257 00:10:31,630 --> 00:10:34,033 WE ALL HAD A GOOD TALK. 258 00:10:34,100 --> 00:10:35,334 WE'LL DO MORE. 259 00:10:35,401 --> 00:10:36,702 >> YEAH, WE WILL. 260 00:10:36,769 --> 00:10:40,206 >> DEFINITELY TOMORROW, WE'LL FINISH THIS 261 00:10:40,272 --> 00:10:40,539 CONVERSATION. 262 00:10:40,606 --> 00:10:41,540 >> YEAH. 263 00:10:41,607 --> 00:10:46,145 >> WE HAD, LIKE, FIVE UNFINISHED CONVERSATIONS. 264 00:10:46,212 --> 00:10:48,714 >> HOPEFULLY WE GET A BIT OF TIME TO GET TO KNOW 265 00:10:48,781 --> 00:10:49,515 EACH OTHER. 266 00:10:49,582 --> 00:10:52,184 >> IS THAT SOMETHING YOU'RE OPEN TO? 267 00:10:52,251 --> 00:10:53,085 >> DEFINITELY. 268 00:10:53,152 --> 00:10:54,186 I DON'T CLOSE ANY DOORS. 269 00:10:54,253 --> 00:10:55,488 >> THANK YOU FOR THE DESSERT. 270 00:10:55,554 --> 00:10:57,757 >> THANK YOU AGAIN. 271 00:10:57,823 --> 00:11:00,659 >> WHAT'S UP, LADIES? 272 00:11:00,726 --> 00:11:03,729 >> ARE THERE ACTIONS? 273 00:11:03,796 --> 00:11:05,664 >> KOREY IS, LIKE, PERFECT. 274 00:11:05,731 --> 00:11:06,265 DO YOU LOVE HIM? 275 00:11:06,332 --> 00:11:08,634 >> OKAY, MAYBE. 276 00:11:08,701 --> 00:11:09,902 HOW WAS JEREMY? 277 00:11:09,969 --> 00:11:11,470 >> HE IS AWESOME. 278 00:11:11,537 --> 00:11:12,171 THAT WAS GREAT. 279 00:11:12,238 --> 00:11:14,507 >> AND HE IS SINGLE NOW, RIGHT? 280 00:11:14,573 --> 00:11:14,874 >> APPARENTLY. 281 00:11:14,940 --> 00:11:16,709 >> PERFECT. 282 00:11:16,776 --> 00:11:20,679 >> ALANA, HER PERSONALITY IS CRAZY DOPE. 283 00:11:20,746 --> 00:11:21,914 SHE IS OBVIOUSLY ATTRACTIVE. 284 00:11:21,981 --> 00:11:27,953 I DON'T KNOW, BUT I'M REALLY ATTRACTED TO 285 00:11:28,020 --> 00:11:28,821 BAILEY. 286 00:11:28,888 --> 00:11:32,391 >> JEREMY AND I ARE SECOND FOR BAILEY -- 287 00:11:32,458 --> 00:11:35,761 >> DO YOU THINK THE GUYS ARE GOING TO BE SWAYED? 288 00:11:35,828 --> 00:11:38,431 >> DID YOU SEE THOSE GIRLS? 289 00:11:38,497 --> 00:11:41,801 >> IF ANYONE TOOK A TURN, ARE WE GOING TO BE HAPPY 290 00:11:41,867 --> 00:11:42,068 ABOUT IT? 291 00:11:42,134 --> 00:11:42,735 >> NO! 292 00:11:42,802 --> 00:11:44,904 >> ARE WE GOING TO BE OPEN? 293 00:11:44,970 --> 00:11:46,038 >> NO! 294 00:11:56,549 --> 00:11:58,084 ♪♪ >> Announcer: WELCOME 295 00:11:58,150 --> 00:11:59,118 BACK. 296 00:11:59,185 --> 00:12:01,854 TIME FOR THE ALREADY-HERE GIRLS TO MEET AND SQUEAL 297 00:12:01,921 --> 00:12:05,458 AT THE JUST-GOT-HERE GIRLS THEY'VE BEEN JUDGING. 298 00:12:05,524 --> 00:12:07,493 >> HI! 299 00:12:07,560 --> 00:12:08,461 >> HI! 300 00:12:08,527 --> 00:12:10,229 >> Announcer: FOR THE MEET AND GREET, THEY'LL 301 00:12:10,296 --> 00:12:14,867 USE THE NEW "LOVE ISLAND" YACHT, 120 FEET OF 302 00:12:14,934 --> 00:12:18,604 LUXURY -- OOPS, THEY CUT THE YACHT BUDGET? 303 00:12:18,671 --> 00:12:19,572 FIRE PIT IT IS. 304 00:12:19,638 --> 00:12:21,507 >> WHAT DO YOU WANT TO GET OUT EF COMING HERE? 305 00:12:21,574 --> 00:12:23,676 >> I CAME HERE FOR THE EXPERIENCE, AND OBVIOUSLY 306 00:12:23,742 --> 00:12:25,678 IT WOULD BE GREAT TO MEET SOMEONE SPECIAL. 307 00:12:25,744 --> 00:12:26,412 >> WHAT'S YOUR TYPE? 308 00:12:26,479 --> 00:12:28,914 >> I DON'T HAVE A PHYSICAL TYPE. 309 00:12:28,981 --> 00:12:31,016 I'M GOOFY, SO TO KIND OF HAVE FUN WITH SOMEONE. 310 00:12:31,083 --> 00:12:33,185 >> MY TYPE IS ANYTHING AND EVERYTHING. 311 00:12:33,252 --> 00:12:35,921 IF YOU LOOK AT MY PAST, IT MAKES NO SENSE. 312 00:12:35,988 --> 00:12:37,423 I'M ALL OVER THE PLACE. 313 00:12:37,490 --> 00:12:39,992 IT JUST MATTER FACILITY YOU'RE GENUINE AND FUN. 314 00:12:40,059 --> 00:12:42,995 AND IF WE CAN LAUGH, THEN I GUESS THAT IS MY TYPE. 315 00:12:43,062 --> 00:12:45,831 >> MY TYPE IS, HONESTLY, IF YOU JUST LINE UP ALL OF 316 00:12:45,898 --> 00:12:50,336 MY PAST GUYS, IT LOOKS LIKE A CIRCUS, CLOWN, 317 00:12:50,402 --> 00:12:53,105 CLOWN, CLOWN, CLOWN. 318 00:12:53,172 --> 00:12:55,174 [LAUGHTER] >> CAN WE ASK YOU GUYS 319 00:12:55,241 --> 00:12:55,574 QUESTIONS? 320 00:12:55,641 --> 00:12:56,408 >> OF COURSE. 321 00:12:56,475 --> 00:12:57,443 >> HOW HAS YOUR EXPERIENCE BEEN SO FAR? 322 00:12:57,510 --> 00:13:02,148 >> BEFORE COMING HERE, I WAS SCARED OF THE LANGUAGE 323 00:13:02,214 --> 00:13:04,350 BARRIER, BEING IN SITUATIONS WHERE YOU DON'T 324 00:13:04,416 --> 00:13:07,753 KNOW HOW TO EXPRESS YOURSELF, WHERE 325 00:13:07,820 --> 00:13:09,255 COMMUNICATION IS SOMETIMES HARD. 326 00:13:09,321 --> 00:13:11,690 OF COURSE WE WENT THROUGH PERSONAL THINGS AT THE 327 00:13:11,757 --> 00:13:14,493 TIME HERE, BUT WE HAVE BEEN GROWING WITH EACH 328 00:13:14,560 --> 00:13:15,628 OTHER, LIKE, EVERY DAY. 329 00:13:15,694 --> 00:13:21,800 SOMEDAY.WE HAVE A REALLY GOOD CONNECTION AND I'M HAPPY I 330 00:13:21,867 --> 00:13:22,768 FOUND IT. 331 00:13:22,835 --> 00:13:24,770 >> FOR ME, I HAVE TAKEN MORE RISKS HERE THAN I 332 00:13:24,837 --> 00:13:26,839 WOULD IN THE REAL WORLD. 333 00:13:26,906 --> 00:13:29,508 JUST FOLLOWING MY HEART, WHICH IS CRAZY BECAUSE I 334 00:13:29,575 --> 00:13:30,609 THOUGHT I DIDN'T HAVE ONE. 335 00:13:30,676 --> 00:13:34,246 AND I MET THIS ONE AND THIS ONE AND EVERYONE. 336 00:13:34,313 --> 00:13:37,082 >> WE'RE LIKE A LITTLE FAMILY NOW. 337 00:13:37,149 --> 00:13:38,317 >> THAT'S SO NICE. 338 00:13:38,384 --> 00:13:39,251 I LOVE THAT. 339 00:13:39,318 --> 00:13:40,519 >> CHEERS TO THAT. 340 00:13:40,586 --> 00:13:41,887 YOUR GLASS TO THAT ONE. 341 00:13:41,954 --> 00:13:43,389 >> WELCOME BACK. 342 00:13:43,455 --> 00:13:45,457 >> Announcer: OH, THEY'RE A FAMILY, BUT 343 00:13:45,524 --> 00:13:47,092 THEY'VE ALL MADE OUT WITH EACH OTHER. 344 00:13:47,159 --> 00:13:49,395 LET'S NOT CALL EACH OTHER A FAMILY. 345 00:13:49,461 --> 00:13:51,697 THEY'RE ADVENTUROUS FANS WHO LOVE EACH OTHER, AND 346 00:13:51,764 --> 00:13:54,567 ALSO YELL AT EACH OTHER, DON'T TRUST EACH OTHER, 347 00:13:54,633 --> 00:13:55,701 AND MAKE EACH OTHER CRY. 348 00:13:55,768 --> 00:13:56,835 I GUESS THEY ARE A FAMILY. 349 00:13:56,902 --> 00:13:59,705 >> WHAT YOU'RE DEALING WITH IS SHANNON. 350 00:13:59,772 --> 00:14:02,608 >> DID YOU GUYS RESOLVE EVERYTHING? 351 00:14:02,675 --> 00:14:03,475 IS EVERYTHING RESOLVED? 352 00:14:03,542 --> 00:14:06,111 >> I DON'T WANT TO TALK ABOUT BAD VIBES. 353 00:14:06,178 --> 00:14:07,413 >> YEAH. 354 00:14:07,479 --> 00:14:08,747 >> I DON'T KNOW. 355 00:14:08,814 --> 00:14:12,685 I FEEL LIKE LATER I CAN TALK TO HER TO MOVE ON. 356 00:14:12,751 --> 00:14:15,888 I'M NOT A PROUD PERSON, BUT, I DON'T KNOW, IT IS 357 00:14:15,955 --> 00:14:16,822 REALLY HARD FOR ME. 358 00:14:16,889 --> 00:14:18,891 >> YOU REACTED IN THE MOMENT. 359 00:14:18,958 --> 00:14:21,126 YOU WERE HURT, YOU WERE FRUSTRATED. 360 00:14:21,193 --> 00:14:23,195 I'M NOT TRYING TO JUSTIFY WHAT YOU SAID. 361 00:14:23,262 --> 00:14:27,299 I KNOW BOTH OF YOU GUYS WERE THROWING NAMES BACK 362 00:14:27,366 --> 00:14:28,267 AND FORTH. 363 00:14:28,334 --> 00:14:31,604 BUT I THINK THE FOCUS SHOULD BE MORE ON KYRA, 364 00:14:31,670 --> 00:14:33,138 YOU KNOW WHAT I MEAN? 365 00:14:33,205 --> 00:14:34,106 >> 100%. 366 00:14:34,173 --> 00:14:38,377 >> WE DON'T WANT HER TO GET TAKEN ADVANTAGE OF 367 00:14:38,444 --> 00:14:39,345 ANYMORE. 368 00:14:39,411 --> 00:14:44,750 >> WHAT DO YOU THINK HAPPENED IN IN CASA AMOR? 369 00:14:44,817 --> 00:14:47,486 >> I DON'T KNOW WHAT HAPPENED -- 370 00:14:47,553 --> 00:14:52,224 >> THIS GIRL JUMPED ON ME, SAID SHE WANTED ME,AND SHE 371 00:14:52,291 --> 00:14:54,493 JUMPED IN THE BED WITH ME. 372 00:14:54,560 --> 00:14:55,961 I PUT THE PILLOW IN THE MIDDLE. 373 00:14:56,028 --> 00:14:59,498 >> DID YOU GUYS GET INTIMATE AT ALL? 374 00:14:59,565 --> 00:15:01,433 >> NO INTIMATE. 375 00:15:01,500 --> 00:15:03,836 AND I EXPLAINED TO KYRA. 376 00:15:03,902 --> 00:15:07,373 BUT NOW I SEE MY NAME IS IN -- LIKE -- 377 00:15:07,439 --> 00:15:09,808 >> IN OTHER PEOPLE'S MOUTHS. 378 00:15:09,875 --> 00:15:11,810 >> IN OTHER PEOPLE'S MOUTHS. 379 00:15:11,877 --> 00:15:14,380 I'M NOT A PERSON WHO TALKS ONE WAY AND ACTS IN A 380 00:15:14,446 --> 00:15:15,881 DIFFERENT WAY. 381 00:15:15,948 --> 00:15:18,684 THIS PERSON COMES HERE AND DOESN'T KNOW ANYTHING, AND 382 00:15:18,751 --> 00:15:22,054 HOW DARE YOU SAY I'M NOT MEANT TO BE WITH KYRA. 383 00:15:22,121 --> 00:15:24,890 IF YOU ASK ME, I'M GOING TO BE OPEN, LIKE YOU'RE 384 00:15:24,957 --> 00:15:26,558 DOING. 385 00:15:26,625 --> 00:15:31,030 I REALLY FEEL LIKE HUMILIATED. 386 00:15:31,096 --> 00:15:31,764 >> OH, NO. 387 00:15:31,830 --> 00:15:32,731 I GET IT. 388 00:15:32,798 --> 00:15:34,466 >> I REALLY FEEL IT. 389 00:15:34,533 --> 00:15:37,436 SHE DOESN'T KNOW WHAT I WENT THROUGH TO BE HERE, 390 00:15:37,503 --> 00:15:37,836 YOU KNOW? 391 00:15:37,903 --> 00:15:41,907 >> YEAH. 392 00:15:41,974 --> 00:15:43,475 I'M SORRY YOU'RE FEELING THAT WAY. 393 00:15:43,542 --> 00:15:45,377 SHE HAS NO RIGHT TO SAY HURTFUL THINGS TO YOU -- 394 00:15:45,444 --> 00:15:48,981 >> I KNOW BOTH THINGS -- >> SHE IS NOT BEING 395 00:15:49,048 --> 00:15:51,250 CONSIDERATE OF YOUR FEELINGS, AND SHE DOESN'T 396 00:15:51,317 --> 00:15:57,890 HAVE ANY RIGHT TO TELL YOU HOW SHE FEELS BO ABOUT YOU 397 00:15:57,956 --> 00:15:59,992 GUYS' RELATIONSHIP, BECAUSE THAT IS FOR YOU 398 00:16:00,059 --> 00:16:02,695 TWO TO DETERMINE. 399 00:16:02,761 --> 00:16:04,897 MY HEART HURTS FOR HIM. 400 00:16:04,963 --> 00:16:07,433 I GET WHERE HE IS COMING FROM. 401 00:16:07,499 --> 00:16:11,136 SHANNON HAS A BIG PERSONALITY, AND I RESPECT 402 00:16:11,203 --> 00:16:14,306 HER, BUT I THINK WHAT SHE SAID TO HIM WAS VERY 403 00:16:14,373 --> 00:16:15,307 HURTFUL. 404 00:16:15,374 --> 00:16:18,043 HE WAS ON THE SAME PAGE AS KYRA THE ENTIRE TIME. 405 00:16:18,110 --> 00:16:21,246 AS LONG AS KYRA IS FINE, US GIRLS SHOULD BE FINE, 406 00:16:21,313 --> 00:16:22,214 TOO. 407 00:16:22,281 --> 00:16:25,417 >> I JUST WANT YOU ALL TO UNDERSTAND WHAT I'M 408 00:16:25,484 --> 00:16:26,418 FEELING, RESPECT THAT. 409 00:16:26,485 --> 00:16:30,289 AND I NEED YOU GUYS TO HEAR ME, MY POINT OF VIEW, 410 00:16:30,356 --> 00:16:32,291 AND RESPECT MY RELATIONSHIP AS IT IS. 411 00:16:32,358 --> 00:16:34,927 >> IF THAT'S THE KIND OF PERSON THAT YOU WANT TO BE 412 00:16:34,993 --> 00:16:36,028 WITH, THAT IS ALL YOU. 413 00:16:36,095 --> 00:16:37,930 I'M STEPPING OUT 100%. 414 00:16:37,996 --> 00:16:41,867 >> THE WAY YOU'RE SPEAKING TO ME NOW, AND BASICALLY 415 00:16:41,934 --> 00:16:44,036 SAYING I'M NOT RESPECTFUL OF WHAT HAPPENED TO YOU -- 416 00:16:44,103 --> 00:16:47,473 >> YES, WHAT HE SAID WAS WRONG, BUT YOU ALSO SAID 417 00:16:47,539 --> 00:16:49,608 THINGS THAT WERE WRONG TO HIM. 418 00:16:49,675 --> 00:16:51,744 BOTH WERE SPOKEN OUT OF ANGER -- 419 00:16:51,810 --> 00:16:54,847 >> I DIDN'T SAY ANYTHING WRONG -- 420 00:16:54,913 --> 00:16:58,550 >> I TRUST AND BELIEVE HIM JUST AS MUCH AS I TRUST 421 00:16:58,617 --> 00:16:59,585 AND BELIEVE YOU. 422 00:16:59,651 --> 00:17:02,688 >> THE WAY HE TALKED TO ME, I WOULD NEVER WANT HIM 423 00:17:02,755 --> 00:17:05,824 TO TALK TO ANOTHER WOMAN, AND I JUST SPOKE MY PIECE. 424 00:17:05,891 --> 00:17:08,026 >> I'M GOING TO SPEAK ON IT. 425 00:17:08,093 --> 00:17:12,030 >> I JUST DON'T HAVE THE ENERGY TO TALK ABOUT THIS 426 00:17:12,097 --> 00:17:12,865 ANYMORE. 427 00:17:12,931 --> 00:17:16,802 ♪ I'M NOT SAYING THAT I AM PERFECT ♪ 428 00:17:16,869 --> 00:17:23,275 ♪ I'VE MADE MISTAKES ♪ >> QUICKLY, KOREY -- 429 00:17:23,342 --> 00:17:27,479 ♪ JUST BECAUSE WE'RE MAD TOGETHER DOESN'T MEAN WOOR 430 00:17:27,546 --> 00:17:33,085 WE'RE BAD TOGETHER ♪ ♪ AT LEAST ON THAT WE CAN 431 00:17:33,152 --> 00:17:34,920 AGREE ♪ >> HOW ARE YOU FEELING? 432 00:17:34,987 --> 00:17:39,258 >> I DON'T KNOW. 433 00:17:39,324 --> 00:17:42,027 ♪♪ >> ARE YOU HAPPY? 434 00:17:42,094 --> 00:17:47,466 ♪ I'M NOT THE ONLY ONE TO BLAME ♪ 435 00:17:47,533 --> 00:17:53,839 >> WITH BAILEY, I WOULD LITERALLY BE GOING DUMB. 436 00:17:53,906 --> 00:17:59,478 >> YOU'VE GOT TO GET TO KNOW BAILEY. 437 00:17:59,545 --> 00:18:00,579 >> GOOD NIGHT! 438 00:18:00,646 --> 00:18:03,949 >> GOOD NIGHT, ISLANDERS! 439 00:18:04,016 --> 00:18:08,053 ♪ NO MATTER WHAT I SAY, SAY, SAY, SAY, SAY ♪ 440 00:18:08,120 --> 00:18:10,722 ♪ IT'S THE SAME OLD COMPETITION ♪ 441 00:18:10,789 --> 00:18:14,092 ♪ AND I DON'T HAVE THE PATIENCE FOR ALL THESE 442 00:18:14,159 --> 00:18:15,227 ACCUSATIONS THROWN MY WAY ♪ 443 00:18:15,294 --> 00:18:23,702 ♪ BECAUSE YOU KNOW I KNOW WE'RE BOTH OUT OF PLAY ♪ 444 00:18:37,115 --> 00:18:38,851 ♪ TURN IT UP ♪ >> Announcer: GOOD 445 00:18:38,917 --> 00:18:43,222 MORNING BLEARY-EYED PEOPLE. 446 00:18:43,288 --> 00:18:45,424 IT IS A BEAUTIFUL DAY IN A BEAUTIFUL PLACE. 447 00:18:45,491 --> 00:18:51,997 TIME TO CREATE BEAUTIFUL MEMORIES OR REGRET. 448 00:18:52,064 --> 00:18:53,866 >> OH, MY GOSH, YOU'RE UP. 449 00:18:53,932 --> 00:18:55,000 >> HAPPY BIRTHDAY. 450 00:18:55,067 --> 00:18:57,603 >> HAPPY BIRTHDAY. 451 00:18:57,669 --> 00:19:03,642 ♪ WELCOME TO MY HOUSE ♪ ♪ BABY IS IN CONTROL NOW ♪ 452 00:19:03,709 --> 00:19:06,712 ♪ WE CAN'T EVEN SLOW DOWN ♪ 453 00:19:06,778 --> 00:19:10,516 >> CHARLIE... 454 00:19:10,582 --> 00:19:12,684 >> OH, MY GOSH. 455 00:19:12,751 --> 00:19:15,621 THAT'S NICE. 456 00:19:15,687 --> 00:19:18,657 >> THAT'S SO PRETTY! 457 00:19:18,724 --> 00:19:22,561 >> WOW! 458 00:19:22,628 --> 00:19:24,663 [LAUGHTER] >> I'M CLEANING UP THE 459 00:19:24,730 --> 00:19:27,199 BEARD. 460 00:19:27,266 --> 00:19:30,669 >> I HAVE A FEELING THAT -- 461 00:19:30,736 --> 00:19:32,070 >> YEAH, BRO. 462 00:19:32,137 --> 00:19:35,507 >> THE ONE YOU HAD DINNER WITH -- 463 00:19:35,574 --> 00:19:37,910 >> SHE GONNA BE A PROBLEM. 464 00:19:37,976 --> 00:19:40,112 I ALREADY KNOW. 465 00:19:40,178 --> 00:19:42,014 >> ALANA. 466 00:19:42,080 --> 00:19:43,982 >> HE DIDN'T KISS ME OR ANYTHING. 467 00:19:44,049 --> 00:19:45,617 IT WAS WEIRD. 468 00:19:45,684 --> 00:19:48,053 >> KOREY WAS REALLY FRIENDLY TO HER. 469 00:19:48,120 --> 00:19:51,957 >> I THINK IT IS GOING TO BE REALLY HARD. 470 00:19:52,024 --> 00:19:54,893 >> FEEL TOTALLY COMFORTABLE. 471 00:19:54,960 --> 00:19:56,094 >> I'M GOING CRAZY. 472 00:19:56,161 --> 00:19:58,163 >> WHAT IS THAT? 473 00:19:58,230 --> 00:20:04,503 >> IT'S, LIKE, YOU'RE IN INTUITION. 474 00:20:04,570 --> 00:20:08,040 >> I'M GOING TO MAKE HIM BREAKFAST. 475 00:20:08,106 --> 00:20:11,944 ♪ WELCOME TO MY HOUSE, MY HOUSE ♪ 476 00:20:12,010 --> 00:20:15,981 ♪ WELCOME TO MY HOUSE ♪ ♪ IT'S MY HOUSE ♪ 477 00:20:16,048 --> 00:20:20,052 >> USUALLY BY NOW I WOULD HAVE TEA IN MY HANDS. 478 00:20:20,118 --> 00:20:23,388 >> WHY IS HE BEING SO WEIRD TODAY? 479 00:20:23,455 --> 00:20:25,290 >> I TOTAL THE WANT TO MAKE HIM BREAKFAST RIGHT 480 00:20:25,357 --> 00:20:25,824 NOW. 481 00:20:25,891 --> 00:20:27,025 IT IS SO WEIRD TO ME. 482 00:20:27,092 --> 00:20:28,493 HE DIDN'T EVEN TALK TO ME. 483 00:20:28,560 --> 00:20:31,129 HE GOES, I'M REALLY TIRED. 484 00:20:31,196 --> 00:20:32,598 I'M, LIKE, YOU'RE NEVER TIRED. 485 00:20:32,664 --> 00:20:34,333 HE DIDN'T KISS ME. 486 00:20:34,399 --> 00:20:38,236 HE DIDN'T WANT ME NEAR HIM, LITERALLY. 487 00:20:38,303 --> 00:20:38,804 HE'S ACTING SO WEIRD. 488 00:20:38,870 --> 00:20:40,672 >> THAT IS WEIRD. 489 00:20:40,739 --> 00:20:42,207 >> LOOK AT YOU, WIFEY. 490 00:20:42,274 --> 00:20:45,978 >> I WANT TO BE WIFEY WHERE I'M APPRECIATED. 491 00:20:46,044 --> 00:20:51,383 >> Announcer: CAISSE DE CASHAY T SOME MORNING DRAMA. 492 00:20:51,450 --> 00:20:53,986 AND, WILL, WHAT'S THE LEAST INTERESTING THING TO 493 00:20:54,052 --> 00:20:55,120 WATCH PEOPLE DO. 494 00:20:55,187 --> 00:20:58,290 >> GUYS, THANK YOU FOR COMING TODAY. 495 00:20:58,357 --> 00:21:00,726 MEDITATION CLASS IS JUST TIME FOR RELAXING. 496 00:21:00,792 --> 00:21:06,198 IT IS SUPER SIMPLE, BUT AT THE SAME TIME IT IS 497 00:21:06,264 --> 00:21:06,898 COMPLICATED. 498 00:21:06,965 --> 00:21:07,666 GET IN A COMFORTABLE POSITION. 499 00:21:07,733 --> 00:21:09,701 HE IS GOING TO FALL ASLEEP. 500 00:21:09,768 --> 00:21:10,636 ARE YOU GUYS READY? 501 00:21:10,702 --> 00:21:11,103 >> YEAH. 502 00:21:11,169 --> 00:21:14,439 >> LET'S GO. 503 00:21:14,506 --> 00:21:17,242 >> CLEAR YOUR MIND. 504 00:21:17,309 --> 00:21:23,382 HEAR THE WATER, THE OCEAN... 505 00:21:23,448 --> 00:21:27,252 >> I'M GOING TO FALL ASLEEP. 506 00:21:27,319 --> 00:21:31,089 ♪♪ >> IT FEELS LIKE ALANA IS, 507 00:21:31,156 --> 00:21:32,224 LIKE, INTO ME. 508 00:21:32,290 --> 00:21:35,427 SHE KIND OF VOICED THAT AT THE DATE LAST NIGHT, BUT I 509 00:21:35,494 --> 00:21:37,262 FEEL LIKE BAILEY IS MORE MY VIBE. 510 00:21:37,329 --> 00:21:38,330 >> YEAH? 511 00:21:38,397 --> 00:21:41,566 >> ALL THAT ASIDE, ARE YOU STILL -- ARE YOU TOTALLY, 512 00:21:41,633 --> 00:21:45,003 LIKE, ON HER INSTEAD OF OLIVIA? 513 00:21:45,070 --> 00:21:48,740 >> ME AND OLIVIA JUST RECENTLY HAVE BEEN 514 00:21:48,807 --> 00:21:52,878 PROGRESSING INTO SOMETHING ROMANTICALLY, YOU KNOW. 515 00:21:52,944 --> 00:21:56,014 AND OBVIOUSLY BAILEY COMES IN AND KIND OF TURNS MY 516 00:21:56,081 --> 00:21:56,815 HEAD. 517 00:21:56,882 --> 00:21:59,151 NOW I REALLY DON'T KNOW WHAT TO DO. 518 00:21:59,217 --> 00:22:02,754 >> GUYS, KOREY LIKES THESE GIRLS. 519 00:22:02,821 --> 00:22:06,491 >> OH, MY GOSH, YOU'RE FREAKING OUT. 520 00:22:06,558 --> 00:22:07,626 >> I'M HALF FREAKED OUT. 521 00:22:07,693 --> 00:22:09,127 >> YOU ARE FREAKING OUT. 522 00:22:09,194 --> 00:22:12,864 >> I GUESS I'M JUST, LIKE, WAITING FOR SOMEONE TO BE, 523 00:22:12,931 --> 00:22:13,799 LIKE, YES. 524 00:22:13,865 --> 00:22:15,701 >> UNTIL YOU SEE THEM HAVE MULTIPLE, MULTIPLE 525 00:22:15,767 --> 00:22:17,202 CONVERSATIONS, THERE IS NO REASON TO FREAK OUT. 526 00:22:17,269 --> 00:22:19,438 >> I HAVE TO HAVE MORE CONVERSATIONS WITH BAILEY 527 00:22:19,504 --> 00:22:21,506 AND SEE WHERE HER HEAD IS AT. 528 00:22:21,573 --> 00:22:22,841 >> OF COURSE. 529 00:22:22,908 --> 00:22:23,842 OF COURSE. 530 00:22:23,909 --> 00:22:26,611 LIKE YOU SAID, YOU DID GET CLOSE WITH OLIVIA THE 531 00:22:26,678 --> 00:22:28,580 PAST, WHAT, WEEK, MAYBE? 532 00:22:28,647 --> 00:22:33,452 >> JEREMY IS TRYING TO PUSH ME ON OLIVIA -- 533 00:22:33,518 --> 00:22:35,887 >> THAT'S NOT WHAT I WAS DOING. 534 00:22:35,954 --> 00:22:41,693 >> THIS GUY NEVER TALKS, BUT HE ALWAYS KNOWS. 535 00:22:41,760 --> 00:22:45,664 >> I ALREADY SAID -- >> ANOTHER CLASSIC COUPLE. 536 00:22:45,731 --> 00:22:48,100 >> ANOTHER CLASSIC COUPLE IN THE VILLA. 537 00:22:48,166 --> 00:22:49,067 >> SO... 538 00:22:49,134 --> 00:22:53,572 >> SO I JUST WANTED TO GET TO KNOW YOU A LITTLE 539 00:22:53,638 --> 00:22:54,039 BETTER, OBVIOUSLY. 540 00:22:54,106 --> 00:22:54,840 >> YEAH. 541 00:22:54,906 --> 00:22:56,775 >> AND I WAS JUST CURIOUS ABOUT YOU? 542 00:22:56,842 --> 00:22:59,911 >> HOPEFULLY, YOU KNOW, I DIDN'T DISAPPOINT. 543 00:22:59,978 --> 00:23:02,781 >> YOU DEFINITELY DIDN'T DISAPPOINT. 544 00:23:02,848 --> 00:23:03,582 DID I? 545 00:23:03,648 --> 00:23:06,651 >> YOU DEFINITELY DIDN'T DISAPPOINT. 546 00:23:06,718 --> 00:23:11,323 YOU ARE VERY BEAUTIFUL -- >> WITH CASH, I WANTED TO 547 00:23:11,389 --> 00:23:14,693 SEE HOW THAT WAS GOING OR IF YOU WERE STILL OPEN OR 548 00:23:14,760 --> 00:23:16,428 IF YOU GUYS ARE IN A GOOD PLACE. 549 00:23:16,495 --> 00:23:18,463 I DIDN'T KNOW BECAUSE I HAVEN'T SEEN YOU GUYS 550 00:23:18,530 --> 00:23:19,397 TOGETHER THAT MUCH. 551 00:23:19,464 --> 00:23:22,768 >> IT HAS BEEN WEIRD, DEFINITELY BEEN WEIRD. 552 00:23:22,834 --> 00:23:26,271 >> HOW YOU DOING? 553 00:23:26,338 --> 00:23:30,242 >> I LIKE CHARLIE, BUT I MIGHT AS WELL JUST BE WITH 554 00:23:30,308 --> 00:23:33,044 SOMEONE WHO, LIKE, DOESN'T MAKE ME FEEL WANTED. 555 00:23:33,111 --> 00:23:38,150 >> I LIKE A LITTLE P.D.A., AND I LIKE BEING LIFTED 556 00:23:38,216 --> 00:23:43,121 AND TOUCHED, AND HE DOESN'T DOE DO ANY OF THAT. 557 00:23:43,188 --> 00:23:47,726 >> SOMETIMES MEN NEED IT SPELLED OUT. 558 00:23:47,793 --> 00:23:53,498 >> EVEN TODAY, HE SEEMS LIKE HE IS MAKING MORE 559 00:23:53,565 --> 00:23:56,101 EFFORT WITH HER THAN WITH ME. 560 00:23:56,168 --> 00:23:59,137 >> WE STILL HAVE TO HAVE A TALK TODAY BECAUSE WE 561 00:23:59,204 --> 00:24:00,438 HAVEN'T REALLY TALKED. 562 00:24:00,505 --> 00:24:05,143 I THINK IF THINGS WEREN'T SO COMPLICATEDTO ME AND 563 00:24:05,210 --> 00:24:08,113 CASHAY, I WOULD BE MORE OPEN TO GETTING TO KNOW 564 00:24:08,180 --> 00:24:09,114 ALANA. 565 00:24:09,181 --> 00:24:12,617 >> GOOD LUCK WITH CASH, AND LET ME KNOW HOW THAT 566 00:24:12,684 --> 00:24:15,086 GOES, EVEN IF YOU JUST WANT TO TALK ABOUT IT. 567 00:24:15,153 --> 00:24:17,289 I'M WISHING YOU THE BEST. 568 00:24:17,355 --> 00:24:19,124 HOPEFULLY IT GOES HOW IT IS MEANT TO. 569 00:24:19,191 --> 00:24:22,727 >> HEY, GUYS. 570 00:24:22,794 --> 00:24:23,728 >> HI! 571 00:24:23,795 --> 00:24:26,631 >> WE'RE JUST FEELING GOOD ABOUT, LIKE, THE GUYS. 572 00:24:26,698 --> 00:24:30,502 A GUY THAT IS INTO YOU SHOULD GIVE YOU A LITTLE 573 00:24:30,569 --> 00:24:31,570 MORE REASSURANCE. 574 00:24:31,636 --> 00:24:35,473 >> YOU FEEL LIKE KOREY IS NOT GOING TO GIVE YOU MORE 575 00:24:35,540 --> 00:24:36,441 ASSURANCE? 576 00:24:36,508 --> 00:24:39,811 >> I FEEL LIKE EVERY DAY YOU SHOULD PROGRESS IN 577 00:24:39,878 --> 00:24:42,981 SOME WAY, EVEN IF IT IS JUST KISSING OR HUGGING. 578 00:24:43,048 --> 00:24:43,915 LOOK AT HIM RIGHT NOW. 579 00:24:43,982 --> 00:24:45,517 >> ARE YOU GOING TO MAKE ME LUNCH? 580 00:24:45,584 --> 00:24:46,885 >> I'LL MAKE YOU LUNCH. 581 00:24:46,952 --> 00:24:51,156 >> ARE YOU GOING TO MAKE ME DINNER TONIGHT? 582 00:24:51,223 --> 00:24:55,360 >> I WILL. 583 00:24:55,427 --> 00:24:58,897 ♪ YOU TREAT ME LIKE YOU DON'T EVEN KNOW ME ♪ 584 00:24:58,964 --> 00:25:03,134 >> I ACTUALLY HAVE GENUINE, REAL FEELINGS FOR 585 00:25:03,201 --> 00:25:04,169 KOREY NOW. 586 00:25:04,236 --> 00:25:08,673 I COULD POTENTIALLY GET HURT. 587 00:25:08,740 --> 00:25:10,909 ♪♪ ♪ I HOPE YOU THINK OF ME ♪ 588 00:25:10,976 --> 00:25:15,046 ♪ I HOPE YOU THINK OF ME ♪ >> I THINK HE REALLY LIKES 589 00:25:15,113 --> 00:25:15,914 HER. 590 00:25:15,981 --> 00:25:19,417 >> I THINK YOU SHOULD TALK TO HIM TODAY. 591 00:25:19,484 --> 00:25:23,421 >> I THINK YOU'RE SO USED TO PULLING BACK AND BEING 592 00:25:23,488 --> 00:25:25,457 DISTANT, YOU SHOULD ACTUALLY TALK TO HIM. 593 00:25:25,523 --> 00:25:27,192 >> THAT ACTUALLY MIGHT BE BETTER. 594 00:25:27,259 --> 00:25:30,795 ♪ I HOPE YOU THINK OF ME ♪ 595 00:25:42,974 --> 00:25:44,075 ♪♪ >> Announcer: IT'S "LOVE 596 00:25:44,142 --> 00:25:48,380 ISLAND," LIKE MOST OF US, OLIVIA TOTALLY NUMBED OUT 597 00:25:48,446 --> 00:25:51,383 HER FEELINGS IN ORDER TO SURVIVE A COLD AND 598 00:25:51,449 --> 00:25:53,318 INDIFFERENT UNIVERSE. 599 00:25:53,385 --> 00:25:55,921 BUT WITH KOREY, IT IS GETTING HARDER NOT TO FEEL 600 00:25:55,987 --> 00:25:56,988 THE FEELINGS SHE FEELS. 601 00:25:57,055 --> 00:25:59,291 >> WHY AM I DOUBTING EVERYTHING IN LIFE? 602 00:25:59,357 --> 00:26:01,459 >> I DON'T KNOW, BUT I DON'T WANT YOU TO. 603 00:26:01,526 --> 00:26:04,095 >> THE FACT IS I'M ACTUALLY GETTING REAL 604 00:26:04,162 --> 00:26:06,698 FEELINGS FOR HIM, WHICH IS CRAZY, AND I'M SHUTTING 605 00:26:06,765 --> 00:26:08,133 DOWN AND PULLING MYSELF AWAY. 606 00:26:08,199 --> 00:26:09,334 >> DON'T. 607 00:26:09,401 --> 00:26:10,702 PLEASE DON'T. 608 00:26:10,769 --> 00:26:13,838 >> PLEASE DO NOT SELF-SABOTAGE THIS FOR 609 00:26:13,905 --> 00:26:14,839 YOU. 610 00:26:14,906 --> 00:26:17,208 >> JUST KEEP DOING WHAT YOU'RE DOING, GIVING HIM 611 00:26:17,275 --> 00:26:19,945 ATTENTION, LET HIM KNOW YOU'RE HERE, BECAUSE HE IS 612 00:26:20,011 --> 00:26:20,946 SO INTO YOU. 613 00:26:21,012 --> 00:26:23,214 >> IS HE? 614 00:26:23,281 --> 00:26:24,983 MAYBE KOREY DOESN'T MOVE THAT FAST. 615 00:26:25,050 --> 00:26:28,853 WHEN I LIKE SOMEONE, I MOVE PRETTY FAST. 616 00:26:28,920 --> 00:26:32,023 LITTLE KISSES, AND THE NEXT DAY, I FIGURE IT 617 00:26:32,090 --> 00:26:33,558 SHOULD BE TWICE AS INTENSE. 618 00:26:33,625 --> 00:26:36,127 I DON'T WANT TO LET HIM KNOW I'M INSECURE ABOUT 619 00:26:36,194 --> 00:26:36,494 IT. 620 00:26:36,561 --> 00:26:40,832 >> EXACTLY. 621 00:26:40,899 --> 00:26:42,667 ♪♪ >> WHAT'S UP? 622 00:26:42,734 --> 00:26:44,936 >> HOW ARE YOU DOING? 623 00:26:45,003 --> 00:26:46,071 >> I'M OKAY. 624 00:26:46,137 --> 00:26:47,639 I WAS SO NERVOUS ON OUR DATE. 625 00:26:47,706 --> 00:26:49,307 >> REALLY? 626 00:26:49,374 --> 00:26:53,311 >> I REMEMBER, LIKE, PROBABLY A TENTH OF IT. 627 00:26:53,378 --> 00:26:57,315 >> I WAS NERVOUS BEFORE THE DATE BECAUSE I DNTSD DIDN'T 628 00:26:57,382 --> 00:27:00,919 KNOW, LIKE, WHAT YOUR PERSONALITY WAS, AND IT'S 629 00:27:00,986 --> 00:27:05,023 A BLIND DATE, AND COOKING, AND I HOPE SHE LIKES IT. 630 00:27:05,090 --> 00:27:07,826 >> I LIKED IT, BUT I DIDN'T GET TO EAT MUCH OF 631 00:27:07,892 --> 00:27:08,593 IT. 632 00:27:08,660 --> 00:27:10,829 >> I KNOW, BECAUSE WE WERE TALKING. 633 00:27:10,895 --> 00:27:12,530 BUT THE CONVERSATION FLOWED REALLY WELL. 634 00:27:12,597 --> 00:27:13,498 I HAD, LIKE, A GREAT TIME. 635 00:27:13,565 --> 00:27:14,566 >> THANK YOU. 636 00:27:14,632 --> 00:27:15,467 I'M GLAD. 637 00:27:15,533 --> 00:27:18,336 >> I DIDN'T BLANK OUT TOO MUCH? 638 00:27:18,403 --> 00:27:20,939 >> YOU ARE SO MUCH MORE EASY GOING THAN I THOUGHT 639 00:27:21,006 --> 00:27:21,706 YOU WOULD BE. 640 00:27:21,773 --> 00:27:23,875 WHAT IS YOUR SITUATION HERE? 641 00:27:23,942 --> 00:27:29,014 >> OBVIOUSLY, OUT OF THESE THREE GIRLS, I'M 642 00:27:29,080 --> 00:27:29,514 GRAVITATING TOWARDS YOU. 643 00:27:29,581 --> 00:27:30,682 I LIKE YOU, SO... 644 00:27:30,749 --> 00:27:31,816 >> YEAH. 645 00:27:31,883 --> 00:27:35,220 >> BUT, YOU KNOW, I KNOW YOU'RE INTERESTED IN 646 00:27:35,286 --> 00:27:40,291 KOREY, SO I'M NOT, LIKE, GOING TO TRY TO DO 647 00:27:40,358 --> 00:27:41,292 ANYTHING. 648 00:27:41,359 --> 00:27:43,628 I WANT YOU TO FEEL OUT WHO YOU WANT TO FEEL OUT. 649 00:27:43,695 --> 00:27:47,766 >> OUT OF ALL OF THE GIRLS HERE, I'M INTO BAILEY. 650 00:27:47,832 --> 00:27:50,568 I GUESS KOREY AND I ALWAYS HAVE THE SAME TASTE OR GO 651 00:27:50,635 --> 00:27:51,903 FOR THE SAME GIRLS. 652 00:27:51,970 --> 00:27:55,306 I DON'T NECESSARILY WANT TO GET MIXED UP IN ALL OF 653 00:27:55,373 --> 00:27:57,876 THAT SITUATION AGAIN, BUT IF I'M INTERESTED IN 654 00:27:57,942 --> 00:28:01,446 SOMEONE, THERE IS USUALLY NOT SOMEONE ELSE ON MY 655 00:28:01,513 --> 00:28:03,882 RADAR, LIKE A BACKUP. 656 00:28:03,948 --> 00:28:06,851 I FOCUS MY ENERGY ON THAT ONE PERSON. 657 00:28:06,918 --> 00:28:08,753 HOPEFULLY WE'RE ON THE SAME PAGE AND YOU KNOW HOW 658 00:28:08,820 --> 00:28:10,255 I FEEL AND EVERYTHING? 659 00:28:10,321 --> 00:28:11,256 >> UH-HUH. 660 00:28:11,322 --> 00:28:14,192 IT TOOK A WHILE TO FALL ASLEEP, BUT I FEEL LIKE 661 00:28:14,259 --> 00:28:19,230 THERE IS SO MUCH EMOTIONS HERE, AND, LIKE, I'M 662 00:28:19,297 --> 00:28:19,664 TIRED. 663 00:28:19,731 --> 00:28:21,132 >> SO WHAT'S UP? 664 00:28:21,199 --> 00:28:22,133 WHAT'S ON YOUR MIND? 665 00:28:22,200 --> 00:28:28,440 >> UM, A LOT IS ON MY MIND, ACTUALLY, BUT...I 666 00:28:28,506 --> 00:28:31,443 DON'T EVER TALK ABOUT FEELINGS THAT ARE DEEP, 667 00:28:31,509 --> 00:28:32,377 THAT'S JUST NOT ME. 668 00:28:32,444 --> 00:28:33,978 >> YOU'VE GOT TO TALK ABOUT THEM. 669 00:28:34,045 --> 00:28:35,747 >> NOW I'M REALIZING THAT. 670 00:28:35,814 --> 00:28:39,117 I GUESS I'M WONDERING IF IT IS, LIKE, TOO LATE. 671 00:28:39,184 --> 00:28:40,685 EVERYBODY IS BEING SURPRISED ABOUT HOW I FEEL 672 00:28:40,752 --> 00:28:43,855 ABOUT YOU, AND I THINK I'M EVEN A LITTLE SURPRISED 673 00:28:43,922 --> 00:28:46,324 BECAUSE I WASN'T EVEN LETTING MYSELF FEEL 674 00:28:46,391 --> 00:28:47,425 ANYTHING, IF THAT MAKES SENSE. 675 00:28:47,492 --> 00:28:49,194 >> WELL, HOW DO YOU FEEL ABOUT ME? 676 00:28:49,260 --> 00:28:52,764 >> UM, LIKE, I REALLY DO LIKE YOU A LOT. 677 00:28:52,831 --> 00:28:56,668 AND I THINK THAT WE DO VIBE, LIKE, WELL. 678 00:28:56,734 --> 00:28:58,169 WHERE ARE YOU AT? 679 00:28:58,236 --> 00:29:00,805 AS FAR AS BAILEY, ARE YOU WANTING TO KEEP THAT OPEN 680 00:29:00,872 --> 00:29:02,874 AND PURSUE IT? 681 00:29:02,941 --> 00:29:05,677 >> HONESTLY, I LITERALLY HAD ONE CONVERSATION WITH 682 00:29:05,743 --> 00:29:07,912 HER, THAT TIME WE WENT TO DINNER. 683 00:29:07,979 --> 00:29:10,615 I WOULD SAY THAT ONE TALK WE HAD WAS REALLY GOOD. 684 00:29:10,682 --> 00:29:13,218 I REALLY DON'T KNOW. 685 00:29:13,284 --> 00:29:19,491 I'M STUCK BECAUSE I LIKE YOU -- LIKE I DON'T LIKE 686 00:29:19,557 --> 00:29:21,226 GOING BETWEEN TWO DIFFERENT GIRLS. 687 00:29:21,292 --> 00:29:22,727 I DON'T LIKE DOING THAT. 688 00:29:22,794 --> 00:29:25,730 I FEEL LIKE YOU SHOULD BE ALL 100% IN ONE. 689 00:29:25,797 --> 00:29:26,297 SO I DON'T KNOW. 690 00:29:26,364 --> 00:29:30,068 I DON'T KNOW WHAT TO DO. 691 00:29:30,135 --> 00:29:32,470 IF I SHOULD EVEN TRY TO GET TO KNOW HER OR SEE 692 00:29:32,537 --> 00:29:33,204 WHAT SHE IS ABOUT? 693 00:29:33,271 --> 00:29:34,906 >> WHAT DO YOU WANT TO DO? 694 00:29:34,973 --> 00:29:35,940 >> I DON'T KNOW. 695 00:29:36,007 --> 00:29:38,843 >> I REALLY WANT YOU TO DO WHAT IS BEST FOR YOU, TO 696 00:29:38,910 --> 00:29:39,777 BE HONEST. 697 00:29:39,844 --> 00:29:42,247 BUT I ALSO DON'T WANT TO BE OVER HERE, LIKE, 698 00:29:42,313 --> 00:29:45,250 LOOKING STUPID AND GET BLINDSIDED BY IT. 699 00:29:45,316 --> 00:29:46,351 >> I DON'T KNOW, MAN. 700 00:29:46,417 --> 00:29:47,118 I DON'T LIKE THIS. 701 00:29:47,185 --> 00:29:48,052 >> YEAH. 702 00:29:48,119 --> 00:29:51,990 >> KNOW THAT I DO CARE ABOUT YOU A LOT. 703 00:29:52,056 --> 00:29:52,790 >> OH! 704 00:29:52,857 --> 00:29:55,460 THANK YOU. 705 00:29:55,527 --> 00:29:58,963 ♪♪ ♪ THE MORNING YOU WENT 706 00:29:59,030 --> 00:30:03,067 AWAY ♪ ♪ I WAS THINKING ABOUT 707 00:30:03,134 --> 00:30:05,236 YOU ♪ >> NORMALLY IT IS SUNNY. 708 00:30:05,303 --> 00:30:06,604 >> IS IT, THOUGH? 709 00:30:06,671 --> 00:30:08,540 I FEEL LIKE IT HAS BEEN RAINING. 710 00:30:08,606 --> 00:30:09,607 >> IT'S FITTING. 711 00:30:09,674 --> 00:30:11,109 THE WEATHER IS FITTING FOR THE MOOD TODAY. 712 00:30:11,176 --> 00:30:13,077 >> EVERYBODY IS KIND OF LIKE WHATEVER. 713 00:30:13,144 --> 00:30:15,947 >> ALL OF THE GIRLS AND GUYS ARE SO NICE HERE. 714 00:30:16,014 --> 00:30:19,450 HOW IS YOUR SITUATION WITH CASH RIGHT NOW? 715 00:30:19,517 --> 00:30:21,953 >> UM...IT HAS BEEN A LITTLE ROCKY. 716 00:30:22,020 --> 00:30:24,822 THERE ARE SOME ISSUES AND CONCERNS THAT WE NEED TO 717 00:30:24,889 --> 00:30:25,490 ADDRESS WITH EACH OTHER. 718 00:30:25,557 --> 00:30:26,858 WE STARTED OFF REALLY GOOD. 719 00:30:26,925 --> 00:30:28,159 >> YEAH. 720 00:30:28,226 --> 00:30:31,162 >> WE STARTED OFF STRONG. 721 00:30:31,229 --> 00:30:37,669 >> THERE IS A THING, THE FLAME DOES NOT BURN THE 722 00:30:37,735 --> 00:30:38,670 BRIGHTEST -- SOMETHING LIKE THAT. 723 00:30:38,736 --> 00:30:42,440 >> I'M JUST IN A PLACE WITH CASH THAT I JUST, YOU 724 00:30:42,507 --> 00:30:44,075 KNOW -- IT'S KIND OF CONFUSING RIGHT NOW. 725 00:30:44,142 --> 00:30:46,544 I HAVE BEEN HOLDING BACK BECAUSE OF EVERYTHING THAT 726 00:30:46,611 --> 00:30:49,480 HAPPENED WITH THAT WHOLE CINCO SITUATION. 727 00:30:49,547 --> 00:30:53,918 I'M TRYING TO GET BACK TO THAT POINT WHERE WE WERE 728 00:30:53,985 --> 00:30:54,385 AT CASA AMOR. 729 00:30:54,452 --> 00:30:55,286 I'M TRYING. 730 00:30:55,353 --> 00:30:57,388 I DON'T JUST GIVE UP ON SOMETHING SO EASY. 731 00:30:57,455 --> 00:31:00,191 IF I WANT SOMETHING, I'M GONNA GET IT AND PURSUE 732 00:31:00,258 --> 00:31:01,259 IT. 733 00:31:01,326 --> 00:31:03,428 >> WE HAVEN'T REALLY HAD A CONVERSATION THAT NEEDS TO 734 00:31:03,494 --> 00:31:04,729 BE HAD TODAY. 735 00:31:04,796 --> 00:31:08,800 IF SOMETHING IS BOTHERING ME, I LIKE TO THINK ABOUT 736 00:31:08,866 --> 00:31:09,734 IT FIRST. 737 00:31:09,801 --> 00:31:11,936 ONCE IT IS OUT -- >> YOU CAN'T TAKE IT BACK. 738 00:31:12,003 --> 00:31:14,772 >> -- YOU CAN'T TAKE IT BACK. 739 00:31:14,839 --> 00:31:16,808 >> I'M THE SAME WAY. 740 00:31:16,874 --> 00:31:18,710 >> Announcer: CHARLIE NEEDS TIME TO FIGURE 741 00:31:18,776 --> 00:31:22,580 THINGS OUT, WHICH IS WHAT CASHAY ONCE ASKED OF HIM. 742 00:31:22,647 --> 00:31:26,084 AND NOW CASHAY IS, I DON'T REALLY BELIEVE IN TABLES. 743 00:31:26,150 --> 00:31:30,255 >> I AM NOT REALLY THE JEALOUS TYPE WHEN I'M IN 744 00:31:30,321 --> 00:31:31,222 SOMETHING. 745 00:31:31,289 --> 00:31:32,924 BUT I DON'T REALLY FEEL LIKE I'M IN ANYTHING. 746 00:31:32,991 --> 00:31:34,926 I'M IN THE GRAY ZONE. 747 00:31:34,993 --> 00:31:37,729 >> AND I UNDERSTAND IT IS BECAUSE THE NEW GIRLS GOT 748 00:31:37,795 --> 00:31:38,763 HERE. 749 00:31:38,830 --> 00:31:40,732 >> FLIRTING HERE AND THERE WITH THEM, AND FLIRTING 750 00:31:40,798 --> 00:31:44,702 HERE AND THERE WITH ME, I FEEL CRAZY. 751 00:31:44,769 --> 00:31:48,239 WHAT ACTUALLY DO YOU WANT? 752 00:31:48,306 --> 00:31:52,010 CHARLIE WAS 100% WHEN HE WALKED INTO CASA AMOR. 753 00:31:52,076 --> 00:31:56,114 AS HE'S GOTTEN BACK HERE, I CAN LITERALLY SEE HIM 754 00:31:56,180 --> 00:31:57,081 PULLING BACK. 755 00:31:57,148 --> 00:31:58,516 YES, THE CINCO THING WAS HARD AND I UNDERSTAND 756 00:31:58,583 --> 00:32:01,519 THAT, BUT I DON'T THINK HE IS REALIZING EVERYTHING I 757 00:32:01,586 --> 00:32:10,161 GAVE UP TO BE WITH HIM. 758 00:32:10,228 --> 00:32:13,097 IF THIS IS SOMETHING HE CAN'T GET OVER, I'M NOT 759 00:32:13,164 --> 00:32:14,232 GOING TO STICK AROUND. 760 00:32:14,299 --> 00:32:17,435 I'M NOT GOING TO STICK WITH SOMEONE AND I DON'T 761 00:32:17,502 --> 00:32:21,272 FEEL DESIRED, I DON'T FEEL WANTED. 762 00:32:21,339 --> 00:32:24,509 I GAVE UP SO MUCH FOR HIM. 763 00:32:24,575 --> 00:32:28,079 >> IF YOU KEPT CINCO, YOU AND HIM WOULD HAVE BEEN 764 00:32:28,146 --> 00:32:29,047 STRONG. 765 00:32:29,113 --> 00:32:31,849 >> FOR ME, I'M NOT GOING TO BE WITH A MAN THAT 766 00:32:31,916 --> 00:32:34,852 PULLS BACK EVERY TIME THINGS GET HARD. 767 00:32:34,919 --> 00:32:37,322 THAT'S ANOTHER REASON I DID NOT CHOOSE CINCO. 768 00:32:37,388 --> 00:32:40,491 WHEN THINGS GOT TOUGH, AND I WASN'T ABLE TO OPEN UP 769 00:32:40,558 --> 00:32:44,429 RIGHT AWAY, HE PULLED BACK AND CHOSE SOMEONE ELSE. 770 00:32:44,495 --> 00:32:48,166 I WANT A MAN WHO SAYS, I GET YOU, I LIKE YOU, AND 771 00:32:48,232 --> 00:32:49,267 I'M NOT GOING ANYWHERE. 772 00:32:49,334 --> 00:32:58,076 THAT'S THE KIND OF MAN I WANT TO BE WITH. 773 00:32:58,142 --> 00:33:00,011 >> A DAY IN THE LIFE, BABY. 774 00:33:00,078 --> 00:33:03,147 A DAY IN THE LIFE. 775 00:33:03,214 --> 00:33:05,316 >> IT'S IN MY MOUTH WITHOUT THE ORANGE JUICE. 776 00:33:05,383 --> 00:33:06,718 >> THAT'S WHAT I WOULD SAY. 777 00:33:18,663 --> 00:33:20,865 >> Announcer: THAT CLIP WAS LEAKING. 778 00:33:20,932 --> 00:33:25,336 IT SEEMS KOREY'S DESSERT, CHOCOLATE SYRUP ON A PAPER 779 00:33:25,403 --> 00:33:30,408 PLATE, DID THE TRICK. 780 00:33:30,475 --> 00:33:35,079 KOREY SITS DOWN WITH BAILEY TO MARVEL AT THE 781 00:33:35,146 --> 00:33:36,881 NATURAL BEAUTY AND TO LOOK AT THE CLIFFS, TOO. 782 00:33:36,948 --> 00:33:40,118 >> THIS IS UNREAL. 783 00:33:40,184 --> 00:33:42,186 >> SO WHAT'S UP WITH YOU? 784 00:33:42,253 --> 00:33:46,524 >> COMING IN, I WAS TOTALLY TEAM KOREY. 785 00:33:46,591 --> 00:33:48,760 BUT I HAVE THIS HORRIBLE FEAR OF REJECTION. 786 00:33:48,826 --> 00:33:52,130 SO I DON'T WANT TO COME IN AND BE, LIKE, I'M ALL IN 787 00:33:52,196 --> 00:33:56,434 ON YOU, AND YOU'RE, LIKE, ACTUALLY, I LIKE OLIVIA. 788 00:33:56,501 --> 00:33:57,335 OKAY. 789 00:33:57,402 --> 00:34:00,037 >> WITH THAT, WE'VE NEVER BEEN COUPLED UP. 790 00:34:00,104 --> 00:34:01,773 WE NEVER SHARED A BED OR ANYTHING. 791 00:34:01,839 --> 00:34:05,843 THE DAY YOU CAME IN IS I THINK THE DAY THAT 792 00:34:05,910 --> 00:34:07,712 SOMETHING STARTED TO FORM THERE, YOU KNOW? 793 00:34:07,779 --> 00:34:10,114 BECAUSE I'VE KNOWN HER SINCE DAY ONE, AND WE 794 00:34:10,181 --> 00:34:10,882 STARTED OFF AS FRIENDS. 795 00:34:10,948 --> 00:34:11,849 >> YEAH. 796 00:34:11,916 --> 00:34:14,218 >> WE DON'T KNOW WHERE IT IS GOING, YOU KNOW? 797 00:34:14,285 --> 00:34:15,386 >> YEAH. 798 00:34:15,453 --> 00:34:21,526 >> BUT, LIKE, THEN YOU CAME IN AND IT'S, LIKE, 799 00:34:21,592 --> 00:34:23,628 CHAICHANGED MY MIND. 800 00:34:23,694 --> 00:34:25,630 I DEFINITELY WANT TO KEEP TALKING TO YOU BECAUSE I 801 00:34:25,696 --> 00:34:27,565 WANT SOMETHING TO BE THERE, YOU KNOW? 802 00:34:27,632 --> 00:34:29,267 >> YEAH. 803 00:34:29,333 --> 00:34:30,368 >> I DON'T KNOW. 804 00:34:30,435 --> 00:34:32,069 >> I DEFINITELY THINK THERE COULD BE. 805 00:34:32,136 --> 00:34:35,640 >> THE PERSON I HAVE STRONGER FEELINGS FOR IN 806 00:34:35,706 --> 00:34:40,144 THIS EXACT MOMENT IS OLIVIA, BUT IF I DID GET 807 00:34:40,211 --> 00:34:44,882 TO KNOW BAILEY MORE, YEAH, 100%, LIKE, THAT 808 00:34:44,949 --> 00:34:46,284 CONNECTION COULD BE STRONGER. 809 00:34:46,350 --> 00:34:48,586 >> I NEED ADVICE. 810 00:34:48,653 --> 00:34:49,320 >> SHOOT. 811 00:34:49,387 --> 00:34:50,288 WE'RE HERE FOR YOU. 812 00:34:50,354 --> 00:34:53,958 >> I'M VERY DIRECT, AND, LIKE, I DO KNOW WHAT I 813 00:34:54,025 --> 00:34:57,595 WANT WHEN I LIKE SOMEONE. 814 00:34:57,662 --> 00:35:00,765 HE OBVIOUSLY HAS AN EYE FOR BAILEY, AND BAILEY IS 815 00:35:00,832 --> 00:35:01,899 PURSUING HIM. 816 00:35:01,966 --> 00:35:04,869 I'M HONESTLY NOT TRYING TO BE GIRLFRIEND NUMBER TWO 817 00:35:04,936 --> 00:35:05,636 SITUATION. 818 00:35:05,703 --> 00:35:07,705 WHY AM I ALWAYS ON THE BACK BURNER. 819 00:35:07,772 --> 00:35:08,773 I'M BETTER THAN THAT. 820 00:35:08,840 --> 00:35:14,445 I WANT SOMEONE TO LOOK AT ME AND BE, LIKE, DUDE YOUR 821 00:35:14,512 --> 00:35:17,482 FRICKIN' AWESOME AND I DON'T WANT TO GET TO KNOW 822 00:35:17,548 --> 00:35:19,083 ANYONE ELSE BECAUSE I WOULD BE DISTURBED IF YOU 823 00:35:19,150 --> 00:35:20,885 WERE NOT IN MY LIFE. 824 00:35:20,952 --> 00:35:23,621 I KNOW THAT'S CRAZY -- >> THAT'S MY CRAZY. 825 00:35:23,688 --> 00:35:27,358 >> WOULD YOU MISS WHO I AM IF YOU WERE TO PICK 826 00:35:27,425 --> 00:35:28,326 SOMEONE ELSE? 827 00:35:28,392 --> 00:35:30,361 BECAUSE I'M ALWAYS THE COOL GIRL, AND I'M TIRED 828 00:35:30,428 --> 00:35:32,063 OF BEING, LIKE, THE COOL GIRL. 829 00:35:32,129 --> 00:35:35,466 >> THE DOOR IS OPEN WITH BAILEY AND KOREY, BUT HOW 830 00:35:35,533 --> 00:35:39,003 CAN YOU DECIDE IF YOU WANT TO BE WITH A GIRL IN A 831 00:35:39,070 --> 00:35:41,606 COUPLE OF DAYS, WHEN YOU'VE BEEN IN THE VILLA 832 00:35:41,672 --> 00:35:44,609 WITH ME FOR A COUPLE OF DAYS AND YOU KNOW ME. 833 00:35:44,675 --> 00:35:47,211 >> YOU HAVE YOUR ONE-ON-ONE TIME, YOU CAN 834 00:35:47,278 --> 00:35:49,680 HANG OUT AS A GROUP, AND LET HIM DO HIS THING AND 835 00:35:49,747 --> 00:35:52,683 GET TO KNOW BAILEY A LITLE BETTER. 836 00:35:52,750 --> 00:35:55,520 AND AT THE END OF THE NIGHT, YOU GUYS KISS AND 837 00:35:55,586 --> 00:35:56,621 HUG -- >> BUT THINGS CAN CHANGE 838 00:35:56,687 --> 00:35:58,990 SO FAST, LITERALLY IN ONE CONVERSATION. 839 00:35:59,056 --> 00:35:59,624 >> I KNOW. 840 00:35:59,690 --> 00:36:00,725 WE ALL KNOW THAT. 841 00:36:00,791 --> 00:36:03,160 AT THE SAME TIME, YOU HAVE TO TRUST WHAT HE IS SAYING 842 00:36:03,227 --> 00:36:04,662 BECAUSE HE SAID THE SAME THING TO US. 843 00:36:04,729 --> 00:36:05,496 YOU KNOW WHAT I MEAN? 844 00:36:05,563 --> 00:36:09,166 >> ALSO, I NEVER OPEN UP TO ANYONE. 845 00:36:09,233 --> 00:36:11,602 SO I THINK FINALLY BE VULNERABLE, I'M SO 846 00:36:11,669 --> 00:36:12,203 UNCOMFORTABLE. 847 00:36:12,270 --> 00:36:14,505 >> THIS IS AWKWARD FOR ME. 848 00:36:14,572 --> 00:36:16,274 >> Announcer: VULNERABILITY MIGHT BE 849 00:36:16,340 --> 00:36:19,510 AWKWARD, BUT IT IS THE ONLY WAY YOUR 850 00:36:19,577 --> 00:36:23,781 WHOLE-HEARTED, AUTHENTIC SELF CAN EVER TRULY BE 851 00:36:23,848 --> 00:36:24,515 REJECTED. 852 00:36:24,582 --> 00:36:28,119 NOW ALANA AND ELLY COMPARE BROS. 853 00:36:28,185 --> 00:36:30,221 >> DID YOU TALK TO CHARLIE? 854 00:36:30,288 --> 00:36:31,122 >> I TALKED TO CHARLIE. 855 00:36:31,188 --> 00:36:32,156 HE IS ACTUALLY SO NICE. 856 00:36:32,223 --> 00:36:33,090 >> HE IS SO CHILL. 857 00:36:33,157 --> 00:36:34,225 >> I LIKE HIM. 858 00:36:34,292 --> 00:36:38,329 I WOULD GET TO KNOW HIM BETTER, BUT HE NEEDS TO 859 00:36:38,396 --> 00:36:41,165 SEE WHAT IS GOING ON WITH CASH. 860 00:36:41,232 --> 00:36:43,668 >> THERE IS SOMETHING GOING ON. 861 00:36:43,734 --> 00:36:45,336 >> HE SAID HE WASN'T SURE. 862 00:36:45,403 --> 00:36:48,039 >> WHO DID YOU TALK TO SO FAR? 863 00:36:48,105 --> 00:36:49,106 >> CHARLIE. 864 00:36:49,173 --> 00:36:51,275 I KIND OF WANTED TO SEE IF THERE WAS SOMETHING THERE. 865 00:36:51,342 --> 00:36:55,012 I KNOW IT HAS ONLY BEEN ONE CHAT, BUT HIS ENERGY 866 00:36:55,079 --> 00:36:56,847 IS VERY CALMING TO BE AROUND. 867 00:36:56,914 --> 00:37:00,518 >> OH, YES, LOOK WHO IS COMING THROUGH. 868 00:37:00,585 --> 00:37:04,422 LET'S PULL BAILEY AND SEE HOW HER CONVERSATION WENT. 869 00:37:04,488 --> 00:37:07,191 UNLESS HE WAS, LIKE, I'M GOING TO OLIVIA ONLY. 870 00:37:07,258 --> 00:37:10,227 >> I KEEP FORGETTING ABOUT THE OLIVIA SITUATION. 871 00:37:10,294 --> 00:37:11,729 >> YEAH. 872 00:37:11,796 --> 00:37:12,296 >> HEY! 873 00:37:12,363 --> 00:37:13,731 >> WHAT'S UP? 874 00:37:13,798 --> 00:37:16,400 >> WE SAW YOU WERE TALKING. 875 00:37:16,467 --> 00:37:18,235 >> WE DIDN'T GET TO TALK FOR THAT LONG. 876 00:37:18,302 --> 00:37:21,305 >> I THOUGHT YOU GUYS WERE OVER THERE FOR A MINUTE. 877 00:37:21,372 --> 00:37:24,642 >> WE WERE KIND OF JUST BOUNCING AROUND, TALKING 878 00:37:24,709 --> 00:37:27,278 ABOUT, LIKE, A BUNCH OF DIFFERENT THINGS. 879 00:37:27,345 --> 00:37:31,215 WE STARTED OUT TALIBANING TALK E ABOUT OLIVIA, WHICH I 880 00:37:31,282 --> 00:37:34,986 NEEDED TO TALK TO HIM ABOUT, SO IT WAS GOOD. 881 00:37:35,052 --> 00:37:38,155 BUT, ALSO, I WANT TO TALK ABOUT YOU. 882 00:37:38,222 --> 00:37:41,492 HE WAS, LIKE, I'M STILL INTERESTED IN YOU AND I'M 883 00:37:41,559 --> 00:37:43,861 NOT SET ON OLIVIA YET. 884 00:37:43,928 --> 00:37:44,695 IT WAS GOOD. 885 00:37:44,762 --> 00:37:45,496 IT WAS GOOD. 886 00:37:45,563 --> 00:37:47,665 >> ARE YOU INTERESTED IN ANYONE ELSE? 887 00:37:47,732 --> 00:37:51,035 >> I'M DEFINITELY INTERESTED IN JEREMY. 888 00:37:51,102 --> 00:37:54,805 >> IF KOREY AND JEREMY BOTH WERE, LIKE, I'M 889 00:37:54,872 --> 00:37:58,376 REALLY INTO YOU AND NO ONE ELSE, I WOULD, LIKE, KOREY 890 00:37:58,442 --> 00:37:59,343 BETTER. 891 00:37:59,410 --> 00:38:02,713 IF KOREY WAS NO, I'M REALLY INTERESTED IN YOU, 892 00:38:02,780 --> 00:38:04,548 THAT WOULD, LIKE, MAKE MY DAY. 893 00:38:04,615 --> 00:38:05,583 I WOULD BE SO EXCITED. 894 00:38:05,650 --> 00:38:09,020 >> I DON'T KNOW WHO I WOULD PICK. 895 00:38:09,086 --> 00:38:11,856 >> I WOULD PICK KOREY. 896 00:38:11,922 --> 00:38:14,291 >> YOU NEED TO STOP DOING THAT. 897 00:38:14,358 --> 00:38:15,459 >> YOU'RE SO RIGHT. 898 00:38:15,526 --> 00:38:18,963 >> BECAUSE YOU DESERVE HIS ATTENTION AS MUCH AS SHE 899 00:38:19,030 --> 00:38:19,363 DOES. 900 00:38:19,430 --> 00:38:20,197 >> YEAH. 901 00:38:42,820 --> 00:38:43,954 >> Announcer: OKAY. 902 00:38:44,021 --> 00:38:48,392 "LOVE ISLAND" FANS, IT IS THE TIME YOU HAVE ALL BEEN 903 00:38:48,459 --> 00:38:54,231 WAITING FOR, TIME THAT CASH MOVES EVERYTHING 904 00:38:54,298 --> 00:38:55,933 AROUND US REGARDING WHAT ISN'T GOING ON. 905 00:38:56,000 --> 00:38:57,802 >> FINALLY. 906 00:38:57,868 --> 00:38:58,803 >> FINALLY. 907 00:38:58,869 --> 00:39:01,872 WHY DON'T YOU JUST TELL ME ABOUT HOW, LIKE, YOUR 908 00:39:01,939 --> 00:39:02,473 FEELING. 909 00:39:02,540 --> 00:39:03,374 >> THINGS HAVE BEEN WEIRD. 910 00:39:03,441 --> 00:39:05,976 I KIND OF HAD TO TAKE A STEP BACK BECAUSE 911 00:39:06,043 --> 00:39:10,114 OBVIOUSLY WE WERE ON CLOUD NINE, WHEN WE WERE INCAS 912 00:39:10,181 --> 00:39:14,652 IN CASAAMOR, AT LEAST I WAS. 913 00:39:14,719 --> 00:39:15,920 >> I WAS, TOO. 914 00:39:15,986 --> 00:39:20,958 >> I CAME BACK TO REALITY AND I DON I DON'T WANT TO LEAVE 915 00:39:21,025 --> 00:39:23,260 MYSELF TOO OPEN BECAUSE THA'S HOW YOU GET YOUR 916 00:39:23,327 --> 00:39:24,295 FEELINGS HURT. 917 00:39:24,361 --> 00:39:28,499 >> DO YOU FEEL LIKE YOU'RE GUARDING YOURSELF SO YOU 918 00:39:28,566 --> 00:39:30,334 DON'T GET HURT BY ME? 919 00:39:30,401 --> 00:39:31,936 >> YEAH. 920 00:39:32,002 --> 00:39:32,970 >> YEAH? 921 00:39:33,037 --> 00:39:36,173 I THINK BEING GUARDED IS NO WAY TO BE IF YOU 922 00:39:36,240 --> 00:39:38,642 ACTUALLY WANT TO BUILD SOMETHING WITH SOMEONE. 923 00:39:38,709 --> 00:39:41,645 YOU SAW A GLIMPSE OF SOMETHING THAT COULD 924 00:39:41,712 --> 00:39:46,317 POSSIBLY HURT YOU, SO YOU SHUT DOWN. 925 00:39:46,383 --> 00:39:53,324 YOU'RE NOT APPRECIATING MY SITUATION WITH CINCO. 926 00:39:53,390 --> 00:39:57,495 I COULD HAVE KEPT HIM HERE -- >> IF YOU HAD KEPT HIM 927 00:39:57,561 --> 00:39:59,764 HERE, I WOULD I CUT IT. 928 00:39:59,830 --> 00:40:01,065 I'M TIRED OF TALKING ABOUT IT. 929 00:40:01,132 --> 00:40:04,835 >> BUT YOU'RE NOT OVER IT, CHARLIE, BECAUSE IF WE 930 00:40:04,902 --> 00:40:07,304 WERE, YOU WOULD BE MOVING OVER, AND WE'RE NOT. 931 00:40:07,371 --> 00:40:09,940 >> EVERYTHING THAT HAPPENED WITH THAT WHOLE 932 00:40:10,007 --> 00:40:12,343 CINCO SITUATION, THE AMOUNT OF TIME I HAVE 933 00:40:12,409 --> 00:40:14,411 KNOWN HER, I NEED TO BE ABLE TO TRUST HER WITH ALL 934 00:40:14,478 --> 00:40:16,213 OF MY FEELINGS AND MY EMOTIONS. 935 00:40:16,280 --> 00:40:16,981 THAT'S A LOT. 936 00:40:17,047 --> 00:40:20,217 >> WE'RE STILL IN SUCH A GRAY ZONE. 937 00:40:20,284 --> 00:40:23,320 HE STILL HASN'T SAID I WANT THIS, I WANT TO WORK 938 00:40:23,387 --> 00:40:24,555 ON THIS. 939 00:40:24,622 --> 00:40:26,223 SO I DON'T KNOW. 940 00:40:26,290 --> 00:40:28,859 I DON'T WANT A GUY WHO DOESN'T KNOW. 941 00:40:28,926 --> 00:40:31,829 IF YOU DON'T KNOW WHAT YOU WANT, THEN FIGURE IT OUT. 942 00:40:31,896 --> 00:40:33,531 I'M NOT GOING TO DO THIS. 943 00:40:33,597 --> 00:40:36,867 I'M NOT GOING TO BE THE GIRL -- I DON'T WANT TO BE 944 00:40:36,934 --> 00:40:39,904 EMOTIONAL, BUT I'M NOT GOING TO BE THE GIRL THAT 945 00:40:39,970 --> 00:40:42,973 KEEPS PUTTING HERSELF OUT THERE FOR A GUY THAT GIVES 946 00:40:43,040 --> 00:40:43,574 NOTHING BACK. 947 00:40:43,641 --> 00:40:45,509 I'M NOT GOING TO DO THAT. 948 00:40:45,576 --> 00:40:51,715 ♪ SHOW ME MONTHS AGO ♪ SOMETHING ♪>> I'M AT THE POINT I 949 00:40:51,782 --> 00:40:52,817 DON'T KNOW WHAT TO DO. 950 00:40:52,883 --> 00:40:56,220 I WANT TO TALK TO YOU, I WANT TO BE NEAR YOU, AND I 951 00:40:56,287 --> 00:41:00,024 WANT TO GRAB YOU, BUT IT ALWAYS FEELS LIKE IT IS 952 00:41:00,090 --> 00:41:01,458 NOT RECIPROCATED BY YOU. 953 00:41:01,525 --> 00:41:04,261 ♪ ROUND AND ROUND AND ROUND WE GO ♪ 954 00:41:04,328 --> 00:41:06,730 >> THAT'S WHAT WE DON'T WANT IN A RELATIONSHIP. 955 00:41:06,797 --> 00:41:10,067 >> EVERYBODY DEALS WITH STUFF DIFFERENTLY. 956 00:41:10,134 --> 00:41:12,970 YOU FEEL WHEN SOMETHING IS OFF. 957 00:41:13,037 --> 00:41:14,271 >> YEAH. 958 00:41:14,338 --> 00:41:18,309 ♪ I'M NOT REALLY SURE HOW I FEEL ABOUT IT ♪ 959 00:41:18,375 --> 00:41:20,578 ♪ SOMETHING IN THE WAY YOU MOVE ♪ 960 00:41:20,644 --> 00:41:25,983 ♪ MAKES ME FEEL... ♪ >> I DON'T KNOW HOW ELSE I 961 00:41:26,050 --> 00:41:32,923 CAN SHOW HIM THAT, LIKE, HE IS WHO I WANT. 962 00:41:32,990 --> 00:41:36,994 I REALLY DO LIKE HIM AND I REALLY DO CARE ABOUT HIM. 963 00:41:37,061 --> 00:41:40,197 BUT FOR ME, AT SOME POINT AS A WOMAN, I NEED TO SAY, 964 00:41:40,264 --> 00:41:44,134 THIS IS WHAT I DESERVE, AND IF YOU CAN'T GIVE THAT 965 00:41:44,201 --> 00:41:47,338 TO ME, THEN I CAN'T BE WITH YOU. 966 00:41:47,404 --> 00:41:52,209 I ALSO FEEL LIKE IT IS REALLY EARLY TO BE HAVING 967 00:41:52,276 --> 00:41:53,544 A CONVERSATION LIKE THIS. 968 00:41:53,611 --> 00:41:54,511 >> FOR SURE. 969 00:41:54,578 --> 00:42:01,952 ♪ I WANT YOU TO STAY ♪ >> Announcer: TOMORROW 970 00:42:02,019 --> 00:42:05,656 NIGHT...CASHAY AND CHARLIE REACH A BREAKING POINT. 971 00:42:05,723 --> 00:42:08,759 >> WE DON'T HAVE TO CONTINUE THIS 972 00:42:08,826 --> 00:42:09,860 CONVERSATION. 973 00:42:09,927 --> 00:42:12,096 >> YOU TALK ABOUT BEING MATURE, BUT YOU DON'T WANT -- 974 00:42:12,162 --> 00:42:14,331 >> I DON'T WANT TO CONTINUE WITH THIS. 975 00:42:14,398 --> 00:42:16,533 >> Announcer: AND HERE COMES TWO NEW BOYS!