1 00:00:02,205 --> 00:00:08,310 >> Announcer: PREVIOUSLY ON "LOVE ISLAND"... 2 00:00:08,343 --> 00:00:09,172 ♪♪ >> Announcer: ...THINGS 3 00:00:09,205 --> 00:00:10,516 GOT COMPLICATED FOR SOME. 4 00:00:10,551 --> 00:00:12,378 >> I'M STILL TRYING TO NOT SEE YOU. 5 00:00:12,413 --> 00:00:17,103 >> THAT'S ALL I'VE BEEN DOING, PROVING THAT TO YOU 6 00:00:17,137 --> 00:00:17,792 THROUGH MY ACTIONS. 7 00:00:17,827 --> 00:00:19,379 >> YOU AND I COULD BE FIRE. 8 00:00:19,413 --> 00:00:20,137 AND YOU KNOW THAT. 9 00:00:20,172 --> 00:00:22,550 >> I DON'T WANT TO HURT NOBODY. 10 00:00:22,585 --> 00:00:24,757 THE WAY I WAS WITH CASH, IT WAS BETTER FOR ME. 11 00:00:24,792 --> 00:00:28,033 >> IF YOU'RE FEELING THESE FEELINGS, YOU NEED TO TALK 12 00:00:28,068 --> 00:00:29,033 ABOUT IT. 13 00:00:29,068 --> 00:00:29,620 >> Announcer: AND THAT WAS ONLY THE BEGINNING. 14 00:00:29,655 --> 00:00:32,171 >> WELCOME TO CASA AMOR. 15 00:00:32,206 --> 00:00:36,826 >> Announcer: FIVE NEW BOYS. 16 00:00:36,862 --> 00:00:38,792 ♪♪ >> Announcer: FIVE NEW 17 00:00:38,826 --> 00:00:41,412 GIRLS. 18 00:00:41,448 --> 00:00:44,378 [YELLING] >> Announcer: DOUBLE 19 00:00:44,412 --> 00:00:45,033 TROUBLE. 20 00:00:45,067 --> 00:00:48,792 ♪♪ >> IT'S INCREDIBLE. 21 00:00:48,826 --> 00:00:49,619 YOU'RE INCREDIBLE. 22 00:00:49,655 --> 00:00:51,033 AND I'M EXCITED TO GET TO KNOW YOU. 23 00:00:51,067 --> 00:00:54,103 ♪♪ >> I REALLY MISS WILL SO 24 00:00:54,137 --> 00:00:54,792 MUCH. 25 00:00:54,826 --> 00:01:02,826 >> I'M IN LOVE WITH JOSH. 26 00:01:02,862 --> 00:01:05,757 >> Announcer: TONIGHT... 27 00:01:05,793 --> 00:01:07,826 >> OH, MY GOSH. 28 00:01:07,861 --> 00:01:09,793 >> Announcer: IS THE TEMPTATION TOO MUCH? 29 00:01:09,826 --> 00:01:12,516 >> IT IS HARD TO THINK ABOUT, YOU KNOW, WHAT 30 00:01:12,551 --> 00:01:14,861 MIGHT BE HAPPENING BACK AT THE VILLA. 31 00:01:14,896 --> 00:01:21,688 ♪ NOBODY GONNA BREAK ME >> SHE CAME IN AND MADE ME 32 00:01:21,724 --> 00:01:26,379 OVERTHINK MY SITUATION WITH KYRA. 33 00:01:26,412 --> 00:01:26,793 >> YES! 34 00:01:26,826 --> 00:01:28,965 >> BUY, KYRA! 35 00:01:29,000 --> 00:01:31,343 >> YOU SHOULD KNOW YOUR WORTH. 36 00:01:31,379 --> 00:01:35,171 >> I'M REAL MESSED UP IN THE HEAD RIGHT NOW. 37 00:01:35,206 --> 00:01:42,481 I JUST DON'T WANT TO HURT ANYONE. 38 00:01:42,516 --> 00:01:46,793 ♪♪ ♪♪ 39 00:01:46,826 --> 00:01:54,793 >> Ann♪♪ ♪ I WANT TO HAVE MY LIFE 40 00:01:54,826 --> 00:02:00,240 >> Announcer: IT IS NIGHT TWO OF THE OLD CASA 41 00:02:00,275 --> 00:02:02,655 AMOR SWITCHEROO. 42 00:02:02,688 --> 00:02:06,516 10 NEW ISLANDERS SNUCK TEMPTATION WITH GAMES THAT 43 00:02:06,551 --> 00:02:10,033 ARE USUALLY PAID WITH A BOWL FULL OF KEY RINGS, 44 00:02:10,068 --> 00:02:13,343 AND CASHAY AND CHARLIE HAVE DEVELOPED A 45 00:02:13,378 --> 00:02:22,826 CONNECTION, MOSTLY BETWEEN THEIR PELVISES. 46 00:02:22,861 --> 00:02:34,826 >> THIS IS WEIRD. 47 00:02:34,861 --> 00:02:39,240 [INAUDIBLE] ♪ BREAK IT UP 48 00:02:39,275 --> 00:02:41,861 [YELLING] >> CHARLIE IS A GOOD GUY. 49 00:02:41,896 --> 00:02:46,033 HE IS VERY DIFFERENT FROM ANYONE WHO I EVER KISSED. 50 00:02:46,067 --> 00:02:49,103 HE DIDN'T FEEL LIKE ANYONE I'VE EVER KISSED. 51 00:02:49,137 --> 00:02:52,723 >> HE IS DEFINITELY HOT. 52 00:02:52,758 --> 00:02:55,310 >> I'M, LIKE, GUYS, GET A ROOM. 53 00:02:55,343 --> 00:02:57,965 >> NOT ME. 54 00:02:58,000 --> 00:03:01,378 >> Announcer: AS CASH CONTINUES USING CHARLIE AS 55 00:03:01,413 --> 00:03:05,895 AN ERGONOMIC CHAIR, BACK AT THE VILLA, ISABEL IS 56 00:03:05,931 --> 00:03:08,826 TRYING TO SEE IF KOREY IS INTERESTED. 57 00:03:08,861 --> 00:03:11,965 >> I WANTED TO TALK TO YOU BECAUSE I LITERALLY 58 00:03:12,000 --> 00:03:14,516 HAVEN'T TALKED TO YOU AT ALL, I FEEL LIKE. 59 00:03:14,550 --> 00:03:17,896 WE DID HAVE A GOOD CONNECTION, AT LEAST I 60 00:03:17,931 --> 00:03:18,965 THINK SO. 61 00:03:19,000 --> 00:03:21,826 >> OBVIOUSLY, I HAVE THREE PEOPLE I KIND OF CONNECT 62 00:03:21,861 --> 00:03:22,171 WITH. 63 00:03:22,205 --> 00:03:23,000 >> UH-HUH. 64 00:03:23,033 --> 00:03:27,793 >> YOU OBVIOUSLY, LESLIE, AN GENIE. 65 00:03:27,826 --> 00:03:30,826 >> I WANTED TO MAKE IT KNOWN HOW MANY I'M 66 00:03:30,861 --> 00:03:31,448 FEELING. 67 00:03:31,481 --> 00:03:33,240 I'M A VERY FORWARD PERSON. 68 00:03:33,275 --> 00:03:36,655 >> THAT'S GOOD, REALLY GOOD, ESPECIALLY IN HERE. 69 00:03:36,688 --> 00:03:38,137 >> Announcer: FORWARD, HUH? 70 00:03:38,171 --> 00:03:42,826 IT LOOKED LIKE IT MOVED BACKWARDS TO ME. 71 00:03:42,861 --> 00:03:45,793 IN THE BEDROOM, LESLIE TRIED CHATTING WITH JOSH, 72 00:03:45,826 --> 00:03:48,826 MAKING ONE THING ABSOLUTELY CLEAR: SHE HAS 73 00:03:48,861 --> 00:03:49,826 NEVER MET SHANNON. 74 00:03:49,861 --> 00:03:52,896 >> I FEEL LIKE ALL OF US GIRLS HAVE YOU ON OUR 75 00:03:52,930 --> 00:03:54,586 MIND. 76 00:03:54,620 --> 00:03:55,137 >> REALLY? 77 00:03:55,171 --> 00:03:56,240 >> YEAH. 78 00:03:56,275 --> 00:03:58,343 >> IT DOESN'T SEEM LIKE THAT? 79 00:03:58,378 --> 00:04:01,241 >> I KNOW IT DOESN'T SEEM LIKE THAT BECAUSE TALKING 80 00:04:01,275 --> 00:04:06,895 ABOUT SHANNON, YOU SET THE TONE TALKING FROM A "WE" 81 00:04:06,931 --> 00:04:10,240 STANDPOINT, INSTEAD OF WHAT I, MYSELF, JOSH, WANT 82 00:04:10,275 --> 00:04:11,343 TO DO. 83 00:04:11,378 --> 00:04:12,931 IT SEEMS LIKE JOSH IS OFF THE TABLE BECAUSE IT SEEMS 84 00:04:12,965 --> 00:04:14,793 LIKE HE IS NOT INTERESTED IN ANYBODY. 85 00:04:14,826 --> 00:04:18,206 I THINK YOU SHOULD KEEP IN MIND THAT THE GIRLS ARE 86 00:04:18,240 --> 00:04:23,240 PROBABLY GOING HOG WILD IN CASA AMOR. 87 00:04:23,274 --> 00:04:25,206 >> I'M TRYING NOT TO THINK ABOUT THAT. 88 00:04:25,240 --> 00:04:28,067 >> I DON'T WANT TO HURT YOU, SAYING THAT SHANNON 89 00:04:28,103 --> 00:04:30,723 IS DOING THIS AND THAT, BUT I WANT TO LET YOU 90 00:04:30,757 --> 00:04:31,723 KNOW, LIKE, I'M INTERESTED. 91 00:04:31,757 --> 00:04:34,826 >> RIGHT, I GOTCHA. 92 00:04:34,862 --> 00:04:38,206 I WANT TO HAVE FUN WITH YOU GUYS, BUT AT THE SAME 93 00:04:38,240 --> 00:04:42,862 TIME, I'M TRYING NOT TO DO SOMETHING -- 94 00:04:42,896 --> 00:04:44,033 >> YOU'RE GOING TO REGRET? 95 00:04:44,067 --> 00:04:45,137 >> EXACTLY. 96 00:04:45,172 --> 00:04:47,447 IT TOOK ME A WHILE TO GET TO THE POINT I'M AT RIGHT 97 00:04:47,481 --> 00:04:48,550 NOW WITH SHANNON. 98 00:04:48,586 --> 00:04:54,689 AND I'M CAUGHT IN A SPOT NEVER BEEN IN BEFORE, BUT OR 99 00:04:54,723 --> 00:04:58,310 HAVE IN BEFORE BUT TRYING TO DO THE RIGHT THING. 100 00:04:58,343 --> 00:05:00,964 I'M GENUINELY HAPPY, AND THERE IS NOTHING WRONG 101 00:05:01,000 --> 00:05:01,964 WITH THAT. 102 00:05:02,000 --> 00:05:05,274 MY CHAT WITH LESLIE, HONESTLY, WAS MUCH-NEEDED. 103 00:05:05,310 --> 00:05:07,654 THIS PROCESS HAS SHOWN ME A LOT ABOUT MYSELF, AND 104 00:05:07,689 --> 00:05:11,033 THE NEW GIRLS COMING IN JUST REASSURED THE 105 00:05:11,067 --> 00:05:13,033 STRENGTH I HAVE WITH SHANNON. 106 00:05:13,067 --> 00:05:14,447 WE HAVE A GREAT RELATIONSHIP. 107 00:05:14,481 --> 00:05:17,620 I FEEL CONFIDENT ABOUT IT. 108 00:05:17,654 --> 00:05:22,862 ♪ TIME MOVES SLOWLY >> I'M REALLY MISSING 109 00:05:22,896 --> 00:05:23,826 JOSH. 110 00:05:23,862 --> 00:05:26,826 I WANT TO GET TO KNOW THESE GUYS AND SEE IF 111 00:05:26,862 --> 00:05:31,516 THERE IS A SPARK OF ROMANCE, THE MORE I TALK 112 00:05:31,550 --> 00:05:33,137 TO THEM, THEY'RE NOT WILL. 113 00:05:33,172 --> 00:05:37,481 I KNEW I LIKED HIM, LIKE, LIKE, LIKED HIM, BUT NOW 114 00:05:37,516 --> 00:05:40,067 IT REALLY SOLIDIFIED EVERYTHING. 115 00:05:40,103 --> 00:05:40,896 OKAY, THIS IS REAL. 116 00:05:40,930 --> 00:05:41,550 >> EXACTLY. 117 00:05:41,586 --> 00:05:44,965 >> MY HEART IS WITH JOSH. 118 00:05:45,000 --> 00:05:46,481 YOUR HEART IS WITH WILL. 119 00:05:46,516 --> 00:05:50,206 >> RIGHT NOW IT IS HARD TO THINK ABOUT WHAT MIGHT BE 120 00:05:50,240 --> 00:05:51,137 HAPPENING BACK AT THE VILLA. 121 00:05:51,172 --> 00:05:53,033 >> WE JUST HAVE TO TRUST. 122 00:05:53,067 --> 00:05:55,620 >> I'M JUST TRUSTING THAT THERE IS NO -- THAT THAT 123 00:05:55,654 --> 00:06:00,033 ENERGY THAT WE FELT WITH OUR MEN ISN'T SOMETHING -- 124 00:06:00,067 --> 00:06:02,620 >> SOMETHING THEY CAN FIND WITH SOMEBODY ELSE? 125 00:06:02,654 --> 00:06:03,206 >> YEAH. 126 00:06:03,240 --> 00:06:06,550 >> Announcer: IT'S COOL. 127 00:06:06,586 --> 00:06:10,862 JUST TWO PERFECTLY SYMMETRICAL HUMANS GETTING 128 00:06:10,896 --> 00:06:14,862 SOME ALONE TIME ON A PORCH SWING IN FRONT OF A 129 00:06:14,896 --> 00:06:18,862 WATERFALL, POSSIBLY GOING TO TALK ABOUT TAXES 130 00:06:18,896 --> 00:06:19,896 [laughing]. 131 00:06:19,930 --> 00:06:21,379 >> I CAN'T EXPLAIN IT. 132 00:06:21,413 --> 00:06:24,620 >> I THINK AT THIS POINT -- 133 00:06:24,654 --> 00:06:25,862 >> YOU'RE TAKING A RISK? 134 00:06:25,896 --> 00:06:28,550 >> YEAH, I'M TAKING A RISK. 135 00:06:28,586 --> 00:06:30,862 AND USUALLY WITH ME, THAT IS A REALLY HARD 136 00:06:30,896 --> 00:06:31,654 SITUATION. 137 00:06:31,689 --> 00:06:33,930 YOU ACTUALLY MADE ME CONFUSED. 138 00:06:33,965 --> 00:06:35,826 YOU'RE BEAUTIFUL AND YOU KNOW THAT, AND YOU'RE 139 00:06:35,862 --> 00:06:38,826 BEAUTIFUL INSIDE, TOO, AND ALL OF THE GUYS WERE 140 00:06:38,862 --> 00:06:42,826 INTERESTED, LIKE ME, TOO. 141 00:06:42,862 --> 00:06:46,033 BUT AT THE SAME TIME, I BUILT SOMETHING WITH KYRA, 142 00:06:46,067 --> 00:06:47,103 TOO. 143 00:06:47,137 --> 00:06:51,550 >> I COULDN'T GONE FOR ANY GUY, BUT I KNEW YOU WERE 144 00:06:51,586 --> 00:06:53,550 THE PERFECT TARGET, AND I STILL WENT FOR YOU BECAUSE 145 00:06:53,586 --> 00:06:55,240 I GO FOR WHAT I WANT. 146 00:06:55,274 --> 00:06:59,413 I UNDERSTAND IF YOU DON'T WANT TO HURT KYRA'S 147 00:06:59,447 --> 00:07:04,516 FEELINGS, BUT YOU'RE MY NUMBER ONE. 148 00:07:04,550 --> 00:07:06,896 >> NUMERO UNO. 149 00:07:06,930 --> 00:07:09,172 [LAUGHTER] >> FOR ME, IT IS LIKE AN 150 00:07:09,206 --> 00:07:10,172 HONOR. 151 00:07:10,206 --> 00:07:13,654 I FELT GOOD, LIKE SHE IS BEAUTIFUL, AND SHE IS 152 00:07:13,689 --> 00:07:14,586 SMART. 153 00:07:14,620 --> 00:07:17,413 AND MY MIND IS STILL THINKING OF KYRA IN SO 154 00:07:17,447 --> 00:07:18,862 MANY WAYS. 155 00:07:18,896 --> 00:07:21,930 IT IS JUST SUCH A COMPLICATED SITUATION THAT 156 00:07:21,964 --> 00:07:23,206 I'VE NEVER BEEN IN IN MY LIFE. 157 00:07:23,240 --> 00:07:26,033 >> I JUST, LIKE, WANT TO GET TO KNOW YOU. 158 00:07:26,067 --> 00:07:32,586 >> MAYBE WE CAN MAKE MORE GAMES, YOU NEVER KNOW. 159 00:07:32,620 --> 00:07:34,274 >> I WANT TO PLAY GAMES. 160 00:07:34,310 --> 00:07:35,033 >> OKAY. 161 00:07:35,067 --> 00:07:38,067 TELL ME THE GAME. 162 00:07:38,103 --> 00:07:39,930 IT HAS TO BE WHAT YOU WANT. 163 00:07:39,965 --> 00:07:41,067 >> LET'S PLAY GAMES. 164 00:07:41,103 --> 00:07:42,826 >> I'M IN THE GAME. 165 00:07:42,862 --> 00:07:45,000 >> TRUE OR -- >> VERY TRUE. 166 00:07:45,033 --> 00:07:45,930 >> OKAY. 167 00:07:45,965 --> 00:07:47,826 LET'S PLAY A GAME. 168 00:07:47,862 --> 00:07:50,620 YOU HAVE ONE THERE AND ONE THERE, AND I HAVE ONE 169 00:07:50,654 --> 00:07:52,310 THERE AND ONE THERE. 170 00:07:52,343 --> 00:07:59,240 >> JUST ASK ME FOR A DARE. 171 00:07:59,274 --> 00:08:01,550 ♪♪ ♪ ON A SUMMER EVENING 172 00:08:01,586 --> 00:08:06,413 >> I DON'T KNOW WHAT TO ASK YOU. 173 00:08:06,447 --> 00:08:14,689 I FEEL, LIKE -- >> EMBARRASSED? 174 00:08:14,723 --> 00:08:20,896 ♪♪ ♪ I DON'T KNOW IF I COULD 175 00:08:20,930 --> 00:08:27,826 EVER GO ♪ ♪♪ 176 00:08:27,862 --> 00:08:34,861 ♪ I DON'T KNOW IF I CAN EVER FALL IN LOVE ♪ 177 00:08:34,895 --> 00:08:39,793 ♪♪ ♪ WHAT AM I TRYING TO 178 00:08:39,826 --> 00:08:42,379 HIDE ♪ >> THAT WAS NICE. 179 00:08:42,413 --> 00:08:50,826 [LAUGHTER] >> YOU MAKE ME CRAZY. 180 00:08:50,861 --> 00:08:57,931 >> I THOUGHT IT WAS A DARE. 181 00:08:57,965 --> 00:09:02,309 >> HE IS DEFINITELY A GOOD KISSER. 182 00:09:02,344 --> 00:09:05,274 I WOULDN'T BE INTERESTED IN HIM IF HE WASN'T. 183 00:09:05,309 --> 00:09:08,654 I DEFINITELY WANT TO KISS HIM SO MORE. 184 00:09:08,688 --> 00:09:14,895 >> YOU READY TO EAT SOME CHOCOLATE? 185 00:09:14,931 --> 00:09:21,067 ♪♪ ♪ I JUST WANT TO SAY 186 00:09:21,102 --> 00:09:25,724 ♪♪ >> WE'VE GOT A LITTLE 187 00:09:25,758 --> 00:09:26,654 KISSING WITH HIM. 188 00:09:26,688 --> 00:09:30,344 >> HEY, HEY, HEY, HEY, HEY! 189 00:09:30,379 --> 00:09:33,102 >> FLO AND WILL. 190 00:09:33,136 --> 00:09:34,861 >> NO! 191 00:09:34,895 --> 00:09:38,826 >> WHAT'S HAPPENING? 192 00:09:38,861 --> 00:09:45,172 >> NO. 193 00:09:45,206 --> 00:09:48,793 ♪♪ ♪♪ 194 00:10:01,344 --> 00:10:02,344 ♪♪ >> Announcer: IT'S "LOVE 195 00:10:02,379 --> 00:10:06,000 ISLAND," WHERE, IF YOU'RE LIKE ME, YOU HAVE SEEN 196 00:10:06,033 --> 00:10:07,620 THROUGH THAT ENTIRE COMMERCIAL BREAK. 197 00:10:07,654 --> 00:10:10,793 KOREY ASKS FOR DETAILS ABOUT WILL'S KISS IN A 198 00:10:10,826 --> 00:10:14,344 BRITISH ACCENT SO GOOD, IT COMBINES ALL REGIONS INTO 199 00:10:14,379 --> 00:10:19,826 A SINGLE, SONIC CASTLE CASSEROL. 200 00:10:19,861 --> 00:10:23,067 >> I KNOW I SAID EARLIER, WE SAID WE'RE GOING TO 201 00:10:23,102 --> 00:10:24,172 PUSH IT UP TONIGHT. 202 00:10:24,206 --> 00:10:26,861 WE'RE GOING TO GIVE YOU A PAT ON THE CHEST. 203 00:10:26,895 --> 00:10:29,033 WHY DON'T YOU TELL THE BOYS WHAT YOU DID TODAY? 204 00:10:29,067 --> 00:10:34,172 >> I HAD THIS CONVERSATION WITH FLO, ACTUALLY. 205 00:10:34,206 --> 00:10:36,240 >> NO, WE STARTED PLAYING A GAME. 206 00:10:36,274 --> 00:10:40,517 >> YOU'RE GOING TO TRY TO PASS IT OFF AS A 207 00:10:40,551 --> 00:10:41,551 CHALLENGE, MAN. 208 00:10:41,586 --> 00:10:43,517 >> I DON'T KNOW WHAT YOU GUYS ARE TALKING ABOUT. 209 00:10:43,551 --> 00:10:46,481 >> HOW DO YOU PLAY TRUTH OR DARE WITH TWO PEOPLE. 210 00:10:46,517 --> 00:10:49,172 YOU WANT TO PLAY TRUTH OR DARE? 211 00:10:49,206 --> 00:10:50,240 KISS ME. 212 00:10:50,274 --> 00:10:52,895 >> IT IS BAD BECAUSE YOU NORMALLY DON'T DO THIS IN 213 00:10:52,931 --> 00:10:56,102 THE NORMAL LIFE, BUT I DON'T WANT TO FEEL BAD OR 214 00:10:56,136 --> 00:10:57,447 HURT ANYONE'S FEELINGS, YOU KNOW? 215 00:10:57,481 --> 00:11:02,102 >> DON'T FEEL BAD BECAUSE YOU NEED TO TALK TO OTHER 216 00:11:02,136 --> 00:11:02,931 PEOPLE. 217 00:11:02,965 --> 00:11:04,240 IF YOU'RE ACTUALLY FEELING SOMETHING. 218 00:11:04,274 --> 00:11:09,274 I'M NOT ENCOURAGING EVERYONE TO GO FREAKING 219 00:11:09,309 --> 00:11:10,551 FLIRT WITH EVERYONE. 220 00:11:10,586 --> 00:11:13,965 BUT WITH YOU, YOU'RE VERY ATTRACTED TO FLO AND YOUR 221 00:11:14,000 --> 00:11:14,965 VIBING WITH HER? 222 00:11:15,000 --> 00:11:16,895 >> YEAH, I'M HAVING THESE VIBING CONNECTIONS. 223 00:11:16,931 --> 00:11:18,000 >> DO YOU FEEL GUILTY? 224 00:11:18,033 --> 00:11:21,413 >> NOT GUILTY, BUT A LITTLE BIT OF PRESSURE. 225 00:11:21,447 --> 00:11:26,136 I WAS WITH KYRA ALMOST 24/7 -- 226 00:11:26,172 --> 00:11:28,379 >> YOU DON'T WANT TO DISRESPECT YOUR 227 00:11:28,413 --> 00:11:29,102 SIGNIFICANT OTHER. 228 00:11:29,136 --> 00:11:31,413 >> I FEEL PRESSURE KISSING FLO. 229 00:11:31,447 --> 00:11:36,240 I'M NOT GOING TO LIE. 230 00:11:36,274 --> 00:11:40,895 ♪♪ ♪ WE LIKE TO PARTY 231 00:11:40,931 --> 00:11:44,654 >> ANY ONE OF US, IF THEY'RE ALREADY COUPLED UP 232 00:11:44,688 --> 00:11:47,620 AND REASONABLY STRONG, IT IS A BIG RISK. 233 00:11:47,654 --> 00:11:51,172 IN MY OPINION, CASH, SHE IS THE MOST OPEN TO IT. 234 00:11:51,206 --> 00:11:52,102 >> I LOVE HIM. 235 00:11:52,136 --> 00:11:54,551 >> I LOVE HIM FOR YOU. 236 00:11:54,586 --> 00:11:58,861 >> OH, MY GOSH! 237 00:11:58,895 --> 00:11:59,931 [YELLING] [SCREAMING] 238 00:11:59,965 --> 00:12:03,688 >> HAVE YOU TALKED TO ANY OF THE BOYS, FLO? 239 00:12:03,724 --> 00:12:05,067 >> YEAH. 240 00:12:05,102 --> 00:12:08,102 >> I DON'T WANT TO BREAK THE HEART OF KYRA. 241 00:12:08,136 --> 00:12:10,758 >> YOU DON'T WANT TO BREAK THE HEART OF ANYONE, 242 00:12:10,793 --> 00:12:12,654 HONESTLY, BUT THIS IS YOUR LIFE. 243 00:12:12,688 --> 00:12:15,033 ♪ NO ONE CARES >> YOU NEED TO GET TO KNOW 244 00:12:15,067 --> 00:12:18,413 THAT GIRL AND FIGURING OUT IF SHE IS BETTER THAN KYRA 245 00:12:18,447 --> 00:12:26,447 FOR YOU. 246 00:12:26,481 --> 00:12:28,517 >> OH, SO POLITE. 247 00:12:28,551 --> 00:12:31,724 >> WHEN YOU'RE MAKING LOVE WITH SOMEONE, IT IS THE 248 00:12:31,758 --> 00:12:33,172 BEST THING EVER. 249 00:12:33,206 --> 00:12:35,067 >> I CAN'T SEE YOU. 250 00:12:35,102 --> 00:12:35,931 ARE YOU STILL THERE? 251 00:12:35,965 --> 00:12:38,481 >> YEAH. 252 00:12:38,517 --> 00:12:43,240 ♪♪ ♪ WE LIKE TO PARTY 253 00:12:43,274 --> 00:12:50,654 ♪ BUT DON'T FORGET, SHE WANTS ME ♪ 254 00:12:50,688 --> 00:13:05,688 ♪ DON'T FORGET ♪♪ 255 00:13:05,688 --> 00:13:11,274 ♪ DON'T FORGET ♪♪ 256 00:13:11,309 --> 00:13:16,758 [WHISPERING] >> THANK YOU. 257 00:13:16,793 --> 00:13:22,724 >> LESLIE IS RIGHT, I FEEL LIKE, I DON'T KNOW, I WAS 258 00:13:22,758 --> 00:13:25,102 CLICKING WITH HER THE MOST. 259 00:13:25,136 --> 00:13:30,793 >> I FEEL LIKE THIS IS MY FAVORITE FOOD GROWING UP, 260 00:13:30,826 --> 00:13:31,551 CEREAL. 261 00:13:31,586 --> 00:13:34,688 >> THIS IS ALL I ATE GROWING UP. 262 00:13:34,724 --> 00:13:39,240 >> AND, UM, TOOTSIE ROLLS. 263 00:13:39,274 --> 00:13:41,586 >> AND BEGO BITES? 264 00:13:41,620 --> 00:13:42,586 >> ALSO DOWN. 265 00:13:42,620 --> 00:13:46,344 >> SHE IS SUPER GENUINE AND DOWN TO EARTH AND 266 00:13:46,379 --> 00:13:47,344 EVERYTHING. 267 00:13:47,379 --> 00:13:49,136 >> THIS IS THE LONGEST I'VE EVER STAYED UP AND 268 00:13:49,172 --> 00:13:50,965 TALKED TO SOMEONE, LIKE, AT NIGHT. 269 00:13:51,000 --> 00:13:51,931 >> GOOD. 270 00:13:51,965 --> 00:13:56,033 >> I WOULD RATHER HAVE THAT THAN BEING MAKING 271 00:13:56,067 --> 00:13:56,654 OUT? 272 00:13:56,688 --> 00:13:58,654 >> WITH THE LITTLE CEREAL. 273 00:13:58,688 --> 00:14:02,586 >> WE STAYED UP THREE OR FOUR HOURS AFTER EVERYONE 274 00:14:02,620 --> 00:14:03,517 WENT TO SLEEP. 275 00:14:03,551 --> 00:14:05,861 AD IT IS CRAZY BECAUSE EVERYTHING WE TALKED 276 00:14:05,895 --> 00:14:12,000 ABOUT, NOTHING WERE YOU SEXUAL. WAS SEXUAL 277 00:14:12,033 --> 00:14:13,067 OR ANYTHING. 278 00:14:13,102 --> 00:14:17,620 THAT'S CROSSED MY MIND, BUT THAT IS WHO I'M VIBING 279 00:14:17,654 --> 00:14:21,481 WITH THE MOST OUT OF EVERYONE HERE. 280 00:14:21,517 --> 00:14:29,931 >> GOOD NIGHT. 281 00:14:31,033 --> 00:14:42,965 ♪♪ >> I FORGOT CINCO INSTEAD 282 00:14:43,000 --> 00:14:46,861 OF THINKING OF CINCO ALL OF THE TIME. 283 00:14:46,895 --> 00:14:48,688 I'M WITH CHARLIE, AND I HAVE THE DECISION OF WHAT 284 00:14:48,724 --> 00:14:52,620 DO I WANT MY LIFE TO LOOK LIKE. 285 00:14:52,654 --> 00:14:55,793 ♪ IT'S GOING TO BE A WILD ONE ♪ 286 00:14:55,826 --> 00:15:00,758 >> YOU WERE SLEEPING AND THEN YOU GUYS WERE, WHAT, 287 00:15:00,793 --> 00:15:01,447 TALKING AND TALKING? 288 00:15:01,481 --> 00:15:02,206 >> YEAH. 289 00:15:02,240 --> 00:15:06,000 >> SO HOW WAS YOUR NIGHT? 290 00:15:06,033 --> 00:15:08,102 >> MEANWHILE, WE TALKED A LOT AGAIN. 291 00:15:08,136 --> 00:15:11,033 A LOT OF LAUGHING WAS GOING ON, WHICH WAS NICE. 292 00:15:11,067 --> 00:15:16,654 WE KISSED A LITTLE BIT. 293 00:15:16,688 --> 00:15:19,240 [YELLING] >> BUY, KYRA. 294 00:15:19,274 --> 00:15:25,033 >> I TOLD HER YESTERDAY I WANT IT TO BE SLOW. 295 00:15:25,067 --> 00:15:27,861 EVERY MOMENT I HAVE, I WANT TO TALK TO HER. 296 00:15:27,895 --> 00:15:29,033 SHE MAKES ME CONFUSED. 297 00:15:29,067 --> 00:15:29,965 BUT IT IS REAL. 298 00:15:30,000 --> 00:15:33,274 >> DO YOU THINK YOU'RE TURNING WILL'S HEAD? 299 00:15:33,309 --> 00:15:35,240 >> FOR SURE. 300 00:15:35,274 --> 00:15:39,136 >> Announcer: BACK AT CASA AMOR, TRINA AND CASH, 301 00:15:39,172 --> 00:15:42,895 TOO GORGEOUS, STRONG, INDEPENDENT WOMEN, DISCUSS 302 00:15:42,931 --> 00:15:46,965 LIFE, WORLD EVENTS, AND CAREER ASPIRATIONS, AND 303 00:15:47,000 --> 00:15:47,931 CINCO CAME UP, TOO. 304 00:15:47,965 --> 00:15:52,206 >> THE NIGHT BEFORE WE LEFT FOR CASA AMOR, HE 305 00:15:52,240 --> 00:15:54,861 SAID HE NEEDS TO MAKE A DECISION AGAIN. 306 00:15:54,895 --> 00:15:56,724 >> BASICALLY THE CONVERSATION ENDED AND HE 307 00:15:56,758 --> 00:15:59,206 SAID, I'M REALLY, REALLY CONFUSED. 308 00:15:59,240 --> 00:16:03,172 HE SAID, YOU JUST MADE THIS 100 TIMES HARDER. 309 00:16:03,206 --> 00:16:06,344 >> I DON'T KNOW WHAT TO DO WITH THIS MAN. 310 00:16:06,379 --> 00:16:08,344 I'M REALLY FED UP AND TIRED OF HAVING A MAN 311 00:16:08,379 --> 00:16:10,688 DECIDE WHAT HE WANTS, YOU KNOW? 312 00:16:10,724 --> 00:16:11,758 >> RIGHT. 313 00:16:11,793 --> 00:16:13,758 I DON'T WANT YOU TO THINK THAT JUST BECAUSE I HAD 314 00:16:13,793 --> 00:16:15,586 THAT CONVERSATION WITH HIM I'M ALL OF A SUDDEN IN THE 315 00:16:15,620 --> 00:16:18,826 CLEAR AND I FEEL GOOD BECAUSE, LIKE, I DON'T. 316 00:16:18,861 --> 00:16:22,344 BECAUSE IT IS, LIKE, HOW I FEEL IS IF HE REALLY 317 00:16:22,379 --> 00:16:25,102 WANTED ME, THEN WE'D BE TOGETHER. 318 00:16:25,136 --> 00:16:26,861 I DON'T KNOW BECAUSE I DO HAVE SUCH STRONG FEELINGS 319 00:16:26,895 --> 00:16:28,000 FOR HIM. 320 00:16:28,033 --> 00:16:31,136 BU I ALSO THINK THAT WE'RE NOT THINKING OF THE 321 00:16:31,172 --> 00:16:37,965 FACT HE COULD TOTALLY BE IN THEIR WITH SOMEONE 322 00:16:38,000 --> 00:16:43,033 OTHER, THERE IS NO BACK AND FORTH, CASH AND TRINA, 323 00:16:43,067 --> 00:16:45,413 THIS IS LITERALLY A FRESH START. 324 00:16:45,447 --> 00:16:48,895 THAT'S WHAT I'M THINKING OF WITH CHARLIE. 325 00:16:48,931 --> 00:16:51,861 HE LITERALLY ONLY HAS EYES FOR ME, AND WE ARE 326 00:16:51,895 --> 00:16:54,274 CONNECTING AND IT IS BEAUTIFUL. 327 00:16:54,309 --> 00:16:56,309 CINCO COULD LITERALLY BEING FEELING THE SAME 328 00:16:56,344 --> 00:16:56,931 THING. 329 00:16:56,965 --> 00:16:59,654 >> WHAT ARE YOU THINKING? 330 00:16:59,688 --> 00:17:04,067 >> IF I SHOULD GO BACK SINGLE AND REALLY GIVE 331 00:17:04,103 --> 00:17:10,481 CHARLIE A CHANCE. 332 00:17:10,517 --> 00:17:14,344 [Speaking Spanish] >> OH, MAN, THINKING, BRO. 333 00:17:14,378 --> 00:17:17,758 OVERTHINKING A LITTLE BIT. 334 00:17:17,792 --> 00:17:19,240 >> WHATCHA THINKING ABOUT? 335 00:17:19,275 --> 00:17:23,517 >> ABOUT FLO, KYRA, AND WHERE I AM AT THE MOMENT. 336 00:17:23,550 --> 00:17:26,758 FLO CAME IN AND MADE ME OVERTHINK ABOUT MY 337 00:17:26,792 --> 00:17:27,654 SITUATION WITH KYRA. 338 00:17:27,689 --> 00:17:29,136 FLO MADE ME HAPPY. 339 00:17:29,172 --> 00:17:31,034 THE CONVERSATIONS WITH HER ARE SO EASY. 340 00:17:31,067 --> 00:17:35,275 I'M NOT GOING TO LIE, THE KISS WAS GOOD. 341 00:17:35,309 --> 00:17:38,895 >> IT MADE YOU FEEL KIND OF GUILTY ABOUT IT -- 342 00:17:38,931 --> 00:17:42,067 >> I KIND OF FELT LIKE GUILTY, AND I FELT LIKE 343 00:17:42,103 --> 00:17:44,000 I'M DOING SOMETHING HORRIBLE TO MYSELF AND TO 344 00:17:44,034 --> 00:17:44,964 OTHER PEOPLE, TOO. 345 00:17:45,000 --> 00:17:47,136 >> DON'T BE GUILTY ABOUT ANYTHING YOU'VE DONE 346 00:17:47,172 --> 00:17:51,034 BECAUSE YOU'RE NOT DOING ANYTHING WRONG. 347 00:17:51,067 --> 00:17:56,862 >> I FEEL LIKE FLO LET'S WILL BE WILL. 348 00:17:56,895 --> 00:18:01,034 AND ALSO I FEEL LIKE KYRA IS JUST, LIKE, TRYING TO 349 00:18:01,067 --> 00:18:04,550 FIT THE MOLD, AND FLO IS THE MOLD. 350 00:18:04,586 --> 00:18:07,240 >> I HAVEN'T TALKED TO YOU ABOUT WHERE YOU ARE. 351 00:18:07,275 --> 00:18:09,378 YOU'RE COOL WITH ALL OF THE GIRLS. 352 00:18:09,413 --> 00:18:13,862 >> THEY'RE ALL COOL, BUT THE ONLY ONE WOULD TURN MY 353 00:18:13,895 --> 00:18:16,448 HEAD WOULD BE LESLIE OR FLO. 354 00:18:16,481 --> 00:18:21,931 FLO WOULD BE FOR YOU, BUT LESLIE, I FEEL LIKE I HAVE 355 00:18:21,964 --> 00:18:23,136 A BETTER CONNECTION. 356 00:18:23,172 --> 00:18:26,309 HONESTLY, IF THEY PICK SOMEBODY ELSE -- EVEN IF 357 00:18:26,344 --> 00:18:28,378 THEY FIND A BETTER CONNECTION, I JUST WANT 358 00:18:28,413 --> 00:18:29,792 THEM TO BE HAPPY, LIKE, HONESTLY. 359 00:18:29,826 --> 00:18:32,309 YOU KNOW WHAT I MEAN? 360 00:18:44,067 --> 00:18:45,481 ♪ RIGHT WHERE WE BELONG >> Announcer: IT'S "LOVE 361 00:18:45,517 --> 00:18:48,136 ISLAND," HALF THE QUARTER OF HAWAII'S NEON SIGN 362 00:18:48,172 --> 00:18:49,172 INDUSTRY. 363 00:18:49,205 --> 00:18:51,931 AFTER TWO CRAZY NIGHTS, CHARLIE'S CASH ADVANCES 364 00:18:51,964 --> 00:18:54,792 SEEM TO BE PAYING DIVIDENDS. 365 00:18:54,826 --> 00:18:59,654 COULD IT BE THAT CASH HAS FORGOTTEN HOW TO COUNT TO 366 00:18:59,689 --> 00:19:00,517 CINCO? 367 00:19:00,550 --> 00:19:03,034 >> LAST NIGHT WAS REAL IMPORTANT TO ME. 368 00:19:03,067 --> 00:19:07,275 >> GOING TO GET CRAZY, WE GET CRAZY TOGETHER ON THIS 369 00:19:07,309 --> 00:19:08,275 DANCE FLOOR. 370 00:19:08,309 --> 00:19:16,654 >> I ALSO WANT SOME KIND OF VIBE WITH SOMEONE. 371 00:19:16,689 --> 00:19:20,067 THE GIRLS WERE, LIKE, CASH, REALLY? 372 00:19:20,103 --> 00:19:22,275 HE CAN MATCH YOUR ENERGY, THE WAY YOU MOVE. 373 00:19:22,309 --> 00:19:23,309 >> YEAH. 374 00:19:23,344 --> 00:19:26,034 >> I KNOW YOU'RE PROVING TO BE REALLY AUTHENTIC. 375 00:19:26,067 --> 00:19:26,792 >> YEAH. 376 00:19:26,826 --> 00:19:27,826 >> EXACTLY WHO YOU ARE. 377 00:19:27,862 --> 00:19:30,550 >> I THINK AT THE END OF THE DAY, I THINK THAT'S 378 00:19:30,586 --> 00:19:33,723 WHAT WE'RE SUPPOSED TO BE HERE FOR. 379 00:19:33,758 --> 00:19:34,758 AT YOUR SERVICE. 380 00:19:34,792 --> 00:19:38,550 >> I FEEL LIKE I ALMOST MANIFESTED CHARLIE, AND 381 00:19:38,586 --> 00:19:41,309 NOW THAT HE HAS MY HEART BECAUSE IT IS TORN BECAUSE 382 00:19:41,344 --> 00:19:43,862 I DO REALLY CARE ABOUT CINCO. 383 00:19:43,895 --> 00:19:47,723 AND MEETING CHARLIE, LIKE, I DON'T WANT HIM TO BE 384 00:19:47,758 --> 00:19:50,723 NAIVE TO MY SITUATION, AND I DON'T WANT TO MAKE HIM 385 00:19:50,758 --> 00:19:52,862 FEEL THE WAY I FELT IN THE VILLA. 386 00:19:52,895 --> 00:19:54,275 THANK YOU FOR TALKING TO ME. 387 00:19:54,309 --> 00:20:02,723 >> YEAH. 388 00:20:02,758 --> 00:20:06,448 ♪♪ >> CINCO, WANT TO COME 389 00:20:06,481 --> 00:20:06,862 TALK WITH ME? 390 00:20:06,895 --> 00:20:08,205 >> OF COURSE. 391 00:20:08,240 --> 00:20:08,931 I'VE BEEN WAITING FOR YOU. 392 00:20:08,964 --> 00:20:10,792 >> HEY, IT IS TOO HOT. 393 00:20:10,826 --> 00:20:13,758 I DON'T WANT TO BURN MY ASS. 394 00:20:13,792 --> 00:20:17,000 >> NOT THOSE CUTE LITTLE ASS CHEEKS, YOU DON'T WANT 395 00:20:17,034 --> 00:20:18,067 TO BURN THEM. 396 00:20:18,103 --> 00:20:21,862 >> THOSE CUTE LITTLE ASS CHEEKS. 397 00:20:21,895 --> 00:20:23,792 >> HOW ARE YOU DOING? 398 00:20:23,826 --> 00:20:24,826 >> GOOD. 399 00:20:24,862 --> 00:20:27,000 I'VE BEEN TRYING TO TALK TO YOU, BUT I FEEL LIKE 400 00:20:27,034 --> 00:20:28,517 WE'RE RUNNING IN CIRCLES. 401 00:20:28,550 --> 00:20:31,481 I'M, LIKE, I NEED TO SHOW HIM SOME ATTENTION. 402 00:20:31,517 --> 00:20:33,586 >> LOOK AT YOU, YOU SHOWED ME SOME ATTENTION. 403 00:20:33,619 --> 00:20:34,862 >> YEAH. 404 00:20:34,895 --> 00:20:36,895 CAN I HAVE A KISS? 405 00:20:36,931 --> 00:20:39,344 >> YEAH. 406 00:20:39,378 --> 00:20:41,448 >> WHOA, CAME AND GOT YOUR MAN. 407 00:20:41,481 --> 00:20:42,517 I LOVE THE CONFIDENCE. 408 00:20:42,550 --> 00:20:43,862 HOW YOU FEELING? 409 00:20:43,895 --> 00:20:44,240 ARE YOU GOOD? 410 00:20:44,275 --> 00:20:46,034 >> I'M GOOD. 411 00:20:46,067 --> 00:20:49,654 I SHARED A BED WITH KOREY, AND I DEFINITELY WANT TO 412 00:20:49,689 --> 00:20:53,758 KEEP TALKING TO HIM, BUT I WAS, LIKE, I WANT TO TALK 413 00:20:53,792 --> 00:20:54,758 TO YOU. 414 00:20:54,792 --> 00:20:57,103 >> I'M GLAD WE'RE FINALLY GETTING THIS CHANCE. 415 00:20:57,136 --> 00:21:00,964 I LOVE YOUR VIBES, AND THE WAY YOU'RE OPEN. 416 00:21:01,000 --> 00:21:04,309 I'M GOING TO BE HONEST, I STILL HAVE CASH AND TRINA 417 00:21:04,344 --> 00:21:06,172 IN THE BACK OF MY HEAD. 418 00:21:06,205 --> 00:21:08,517 THAT'S A SUPER STICKY SITUATION. 419 00:21:08,550 --> 00:21:10,481 I WOULD DEFINITELY BE AROUND YOU BECAUSE I 420 00:21:10,517 --> 00:21:12,758 DEFINITELY WANT TO GET TO KNOW YOU MORE. 421 00:21:12,792 --> 00:21:15,240 YOU'VE BEEN VERY INTRIGUING TO ME AND 422 00:21:15,275 --> 00:21:16,205 REFRESHING. 423 00:21:16,240 --> 00:21:19,378 WHEN LESLIE FIRST CAME INTO THE VILLA, I WAS 424 00:21:19,413 --> 00:21:23,136 INTRIGUED, NOT JUST HER LOOKS, BUT HOW OPEN SHE 425 00:21:23,172 --> 00:21:24,172 IS. 426 00:21:24,205 --> 00:21:27,413 AND THE KISSES HAVE BEEN FREE AND PHENOMENAL, I'M 427 00:21:27,448 --> 00:21:28,723 NOT GOING TO LIE. 428 00:21:28,758 --> 00:21:31,344 THERE IS DEFINITELY SEXUAL TENSION THERE. 429 00:21:31,378 --> 00:21:39,034 ♪ I HAVE THIS WEAKNESS, CAN'T HELP MYSELF ♪ 430 00:21:39,067 --> 00:21:43,344 ♪♪ >> I MEAN, WHERE DO YOU 431 00:21:43,378 --> 00:21:45,240 STAND WITH CINCO? 432 00:21:45,275 --> 00:21:49,895 >> THERE ARE JUST ONGOING ISSUES WITH CASH AND I AND 433 00:21:49,931 --> 00:21:53,481 CINCO, AND THEN HE TELLS ME HE IS 100% COMMITTED 434 00:21:53,517 --> 00:21:54,586 INTO PURSUING ME. 435 00:21:54,619 --> 00:21:57,275 I FEEL LIKE I'VE PUT SO MUCH INTO THIS 436 00:21:57,309 --> 00:21:59,309 RELATIONSHIP AND I'M AN OPTION. 437 00:21:59,344 --> 00:22:02,309 AND IT SUCKS BECAUSE I TOOK SO LONG TO ACTUALLY 438 00:22:02,344 --> 00:22:06,275 REALIZE MY SELF-WORTH, AND OVER HERE IT'S LIKE I'M 439 00:22:06,309 --> 00:22:07,205 DETERIORATING. 440 00:22:07,240 --> 00:22:09,240 SO MY HEART DOES REMAIN WITH HIM, BUT I'M 441 00:22:09,275 --> 00:22:13,413 WONDERING HOW HE IS DOING WITH THE OTHER GIRLS BACK 442 00:22:13,448 --> 00:22:16,000 AT CASA AMOR, AND IF HE IS GOING TO BRING SOMEBODY 443 00:22:16,034 --> 00:22:19,517 BACK BECAUSE MAYBE HE WANTS A FRESH START WITH 444 00:22:19,550 --> 00:22:29,067 SOMEBODY ELSE. 445 00:22:29,103 --> 00:22:31,517 >> I THOUGHT THIS EXPERIENCE WAS GOING TO 446 00:22:31,550 --> 00:22:36,034 GIVE ME CLARITY, BUT I'M CONFUSED WITH WHAT I WANT. 447 00:22:36,067 --> 00:22:39,034 CINCO IS ALL I WANT, BUT IT IS SO HARD TO BE WITH 448 00:22:39,067 --> 00:22:43,103 SOMEBODY WHEN THEY'RE THINKING OF ANOTHER WOMAN. 449 00:22:43,136 --> 00:22:44,862 ♪♪ >> I LIKE PEOPLE LOOKING 450 00:22:44,895 --> 00:22:45,205 AT ME. 451 00:22:45,240 --> 00:22:45,964 I DO. 452 00:22:46,000 --> 00:22:47,067 IT IS FUN. 453 00:22:47,103 --> 00:22:48,586 >> I'LL LOOK AT YOU. 454 00:22:48,619 --> 00:22:50,413 DOES THAT HELP A LITTLE? 455 00:22:50,448 --> 00:22:51,517 >> YEAH. 456 00:22:51,550 --> 00:22:53,862 I SEE YOU DOING IT. 457 00:22:53,895 --> 00:22:54,931 HEY, CINCO, I SEE YOU. 458 00:22:54,964 --> 00:22:59,481 >> I SEE YOU, TOO. 459 00:22:59,517 --> 00:23:03,550 ♪♪ ♪♪ 460 00:23:10,034 --> 00:23:15,067 >> I'M SO SCARED WHAT IS GOING TO COME OUT OF HIS 461 00:23:15,103 --> 00:23:15,931 MOUTH. 462 00:23:15,964 --> 00:23:20,481 I JUST KNOW IT IS NOT GOING TO BE ME. 463 00:23:20,517 --> 00:23:28,654 I'M GOING TO BE SO HURT. 464 00:23:28,689 --> 00:23:32,172 ♪♪ >> Announcer: COMING UP 465 00:23:34,689 --> 00:23:39,309 UP... 466 00:23:39,344 --> 00:23:43,309 [YELLING] 467 00:23:52,931 --> 00:23:54,275 ♪♪ >> Announcer: IT'S "LOVE 468 00:23:54,309 --> 00:24:02,792 ISLAND," AFTER TWO DAYS OF A BRIDAL DEBAUCHRY, AND IT 469 00:24:02,826 --> 00:24:07,448 IS TIME FOR MY FINGERS TO SPICE THINGS UP. 470 00:24:07,481 --> 00:24:11,034 >> HEY, I GOT A TEXT! 471 00:24:11,067 --> 00:24:15,309 [YELLING] >> I GOT A TEXT! 472 00:24:15,344 --> 00:24:19,275 [YELLING] >> TEXT, TEXT, TEXT, TEXT, 473 00:24:19,309 --> 00:24:20,309 TEXT! 474 00:24:20,344 --> 00:24:23,136 >> ISLANDERS, TODAY THE VILLA CASA AMOR WILL BE 475 00:24:23,172 --> 00:24:26,517 GOING HEAD TO HEAD IN A GAME OF RANKY RACES. 476 00:24:26,550 --> 00:24:32,517 >> THE WINNING VILLA WILL WIN A PARTY. 477 00:24:32,550 --> 00:24:34,689 #finishfast. 478 00:24:34,723 --> 00:24:36,172 #inittowinit. 479 00:24:36,205 --> 00:24:37,000 . 480 00:24:37,034 --> 00:24:38,481 >> GUYS, WE HAVE TO WIN THIS PARTY. 481 00:24:38,517 --> 00:24:40,275 >> WINNING. 482 00:24:40,309 --> 00:24:42,895 >> Announcer: EACH VILLA WILL GET A TEXT AT THE 483 00:24:42,931 --> 00:24:48,550 SAME TIME, AND THE FIRST TO COMPLETE THESE 484 00:24:48,586 --> 00:24:49,550 SCANDALOUS TASKS WINS A POINT. 485 00:24:49,586 --> 00:24:55,067 >> THE GIRL MUST RUN INSIDE AND GRAB LIPSTICK, 486 00:24:55,103 --> 00:24:59,378 AND PLANT LIPSTICK KISSES ALL OVER THE BOYS OF HER 487 00:24:59,413 --> 00:24:59,792 CHOICE. 488 00:24:59,826 --> 00:25:06,723 >> GO, GO, GO! 489 00:25:06,758 --> 00:25:13,309 [YELLING] >> IT'S BRUTAL OUT HERE. 490 00:25:13,344 --> 00:25:16,205 >> WAIT A SEC. 491 00:25:16,240 --> 00:25:18,309 HUBI>> HURRY! 492 00:25:18,344 --> 00:25:22,689 >> ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, 493 00:25:22,723 --> 00:25:23,758 NINE, TEN! 494 00:25:23,792 --> 00:25:28,654 >> ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, 495 00:25:28,689 --> 00:25:30,689 NINE, TEN! 496 00:25:30,723 --> 00:25:36,136 [YELLING] [Simultaneous talking] 497 00:25:36,172 --> 00:25:38,654 >> CASA AMOR! 498 00:25:38,689 --> 00:25:41,378 [YELLING] >> I'M SO COMPETITIVE. 499 00:25:41,413 --> 00:25:43,619 LIKE I RAN LIGHTNING SPEED. 500 00:25:43,654 --> 00:25:47,586 >> CASA AMOR HAS WON THE POINT. 501 00:25:47,619 --> 00:25:50,654 >> IT IS BRUTAL OUT HERE. 502 00:25:50,689 --> 00:26:05,689 >> THE GIRL WHOSE MAN COMES FIRST ALPHABETICALLY 503 00:26:05,689 --> 00:26:06,723 >> THE GIRL WHOSE MAN COMES FIRST ALPHABETICALLY 504 00:26:06,758 --> 00:26:12,654 MUST KISS. 505 00:26:12,689 --> 00:26:25,862 >> GO, GO, GO! 506 00:26:25,895 --> 00:26:27,895 [YELLING] >> I DO THINK WE COULD 507 00:26:27,931 --> 00:26:31,034 HAVE TURNED IT UP A LITTLE BIT MORE, BUT THERE WILL 508 00:26:31,067 --> 00:26:37,964 BE LOT MORE KISSES TO COME. 509 00:26:38,000 --> 00:26:41,895 >> I DON'T WANT TO THINK ABOUT HIM MAKING OUT WITH 510 00:26:41,931 --> 00:26:42,758 SOMEONE ELSE. 511 00:26:42,792 --> 00:26:46,034 I KNOW HE HAS TO B BECAUSE OF THE GAME. 512 00:26:46,067 --> 00:26:47,550 I JUST DON'T WANT TO THINK ABOUT IT. 513 00:26:47,586 --> 00:26:49,000 >> IT IS BRUTAL OUT HERE. 514 00:26:49,034 --> 00:26:50,689 >> CASA AMOR HAS WON THE POINT. 515 00:26:50,723 --> 00:26:53,689 >> CASA AMOR HAS WON THE POINT. 516 00:26:53,723 --> 00:27:00,275 >> WE WERE REALLY TRYING TO FIGURE OUT THE 517 00:27:00,309 --> 00:27:01,309 ALPHABET. 518 00:27:01,344 --> 00:27:05,550 >> THE ISLANDER THAT HAS BEEN IN A COUPLE OF THE 519 00:27:05,586 --> 00:27:11,344 LONGEST MUST SHARE A KISS WITH THE ISLANDER THAT HAS 520 00:27:11,378 --> 00:27:11,895 THE LONGEST NAME. 521 00:27:11,931 --> 00:27:14,723 >> IT WOULD BE ME! 522 00:27:14,758 --> 00:27:18,723 [YELLING] >> THIS WAS MY FIRST TIME 523 00:27:18,758 --> 00:27:20,723 KISSING JOSH. 524 00:27:20,758 --> 00:27:23,517 AND IT WAS HOT. 525 00:27:23,550 --> 00:27:24,240 [YELLING] >> LET'S GO. 526 00:27:24,275 --> 00:27:26,723 WE GOT THAT ONE, BABY! 527 00:27:26,758 --> 00:27:30,034 >> HONESTLY, I THOUGHT THAT WAS A HOT KISS. 528 00:27:30,067 --> 00:27:32,481 >> THAT WAS SEXY, THAT WAS HOT. 529 00:27:32,517 --> 00:27:41,758 >> GO, GO, GO, GO, GO, GO! 530 00:27:41,792 --> 00:27:46,689 >> POSITIVITY, WE'RE GOING TO WIN THIS. 531 00:27:46,723 --> 00:27:53,000 CASA AMOR! 532 00:27:53,034 --> 00:27:54,619 [YELLING] >> WE'RE CASA AMOR. 533 00:27:54,654 --> 00:27:55,931 >> WE'RE NOT THE VILLA. 534 00:27:55,964 --> 00:27:56,931 SIT DOWN, HONEY. 535 00:27:56,964 --> 00:28:00,826 >> I THINK SHANNON IS GOING TO BE A LITTLE -- 536 00:28:00,862 --> 00:28:04,413 >> SHANNON DOESN'T KNOW I'M HERE. 537 00:28:04,448 --> 00:28:07,034 >> SHE HAS NO IDEA I KISSED YOU, TOO. 538 00:28:07,067 --> 00:28:12,103 LET'S LEAVE THAT ONE OUT. 539 00:28:12,136 --> 00:28:16,792 >> THAT'S CRAZY. 540 00:28:16,826 --> 00:28:19,758 MY BOY BETTER BE BEHAVING OVER THERE. 541 00:28:19,792 --> 00:28:21,448 HE BETTER NOT GET THOSE POINTS. 542 00:28:21,481 --> 00:28:26,136 >> I'M GOING TO PRESENT MY OUTFIT FOR THE PARTY. 543 00:28:26,172 --> 00:28:27,448 WE'RE WINNING THIS. 544 00:28:27,481 --> 00:28:39,448 >> BOY MUST MAKEOUT. 545 00:28:39,481 --> 00:28:42,205 [YELLING] >> GO! 546 00:28:42,240 --> 00:28:48,205 >> GO, GO, GO, GO, GO, GO, GO! 547 00:28:48,240 --> 00:28:51,826 [YELLING] ♪♪ 548 00:28:51,862 --> 00:28:54,964 >> THERE IS NO WAY THOSE GUYS WERE TURNING IT UP 549 00:28:55,000 --> 00:28:57,205 LIKE WE WERE, I CAN TELL YOU THAT MUCH. 550 00:28:57,240 --> 00:29:00,862 >> WE GOT A LOT OF ACTION. 551 00:29:00,895 --> 00:29:04,413 >> NOW, JOSH IS, LIKE, GO TO THE MIDDLE. 552 00:29:04,448 --> 00:29:09,448 NOW THAT MAN IS FINALLY HAPPY HE SURVIVED, TOO. 553 00:29:09,481 --> 00:29:16,205 [LAUGHTER] >> CASA AMOR! 554 00:29:16,240 --> 00:29:20,689 >> CASA AMOR HAS WON THE POINTS. 555 00:29:20,723 --> 00:29:22,792 [Simultaneous talking] >> YOU GUYS KILLED THAT. 556 00:29:22,826 --> 00:29:26,309 >> WE NEED TO TURN UP THE HEAT. 557 00:29:26,344 --> 00:29:28,586 ANYTHING, LIKE, GET OUT OF YOUR MIND AND THINK WITH 558 00:29:28,619 --> 00:29:29,689 YOUR OTHER HEAD RIGHT NOW. 559 00:29:29,723 --> 00:29:34,964 >> ALL ISLANDERS MUST PAIR UP AND SHARE A PASSIONATE 560 00:29:35,000 --> 00:29:36,067 KISS. 561 00:29:36,103 --> 00:29:40,862 >> ALL ISLANDERS MUST PAIR UP AND SHARE A PASSIONATE 562 00:29:40,895 --> 00:29:43,067 KISS. 563 00:29:43,103 --> 00:29:54,931 ♪♪ ♪♪ 564 00:29:56,964 --> 00:30:01,826 >> THE MORE RAUNCHIER, WE WOULD HAVE BEEN BUTT 565 00:30:01,862 --> 00:30:06,931 NAKED, JUST MAKING OUT WITH EACH OTHER. 566 00:30:06,964 --> 00:30:08,172 >> ALL RIGHT. 567 00:30:08,205 --> 00:30:12,792 WE DEFINITELY WON THAT. 568 00:30:12,826 --> 00:30:17,067 >> CASA AMOR! 569 00:30:17,103 --> 00:30:22,000 >> AS THE QUEEN OF A PASSIONATE KISS, I KNEW 570 00:30:22,034 --> 00:30:24,792 THAT THEY DID NOT WIN. 571 00:30:24,826 --> 00:30:27,034 >> WAIT, WAIT, WAIT! 572 00:30:27,067 --> 00:30:28,758 >> CASA AMOR WON. 573 00:30:28,792 --> 00:30:30,758 >> I DON'T KNOW HOW THEY DID THAT. 574 00:30:30,792 --> 00:30:33,792 >> THERE IS JUST NO SHOT THAT THOSE GIRLS AND GUYS 575 00:30:33,826 --> 00:30:36,034 OVER THERE DID A BETTER JOB THAN US. 576 00:30:36,067 --> 00:30:39,205 >> WE KNOW WE GOT IT OVER HERE. 577 00:30:39,240 --> 00:30:44,758 >> ALL ON, JUMP INTO THE POOL! 578 00:30:44,792 --> 00:30:48,172 [YELLING] ♪♪ 579 00:30:48,205 --> 00:30:55,344 >> OH, MY GOSH, LET'S JUMP IN THE POOL. 580 00:30:55,378 --> 00:31:04,034 ♪♪ [YELLING] 581 00:31:04,067 --> 00:31:06,619 ♪♪ >> IT WENT DOWN TO THE 582 00:31:06,654 --> 00:31:07,448 WIRE. 583 00:31:07,481 --> 00:31:12,792 >> CONGRATULATIONS! 584 00:31:12,826 --> 00:31:15,205 [YELLING] >> CONGRATULATIONS, CASA 585 00:31:15,240 --> 00:31:19,172 AMOR, YOU ARE THE WINNERS! 586 00:31:19,205 --> 00:31:24,413 [YELLING] >> CASA AMOR! 587 00:31:24,448 --> 00:31:28,550 >> VILLA, YOU HAVE LOST RAUNCHY RACES AND WILL NOT 588 00:31:28,586 --> 00:31:30,826 BE AWARDED WITH A PARTY. 589 00:31:30,862 --> 00:31:36,000 #yousuck. 590 00:31:55,205 --> 00:31:57,309 >> Announcer: WELCOME BACK, THINGS I AVOID IN 591 00:31:57,344 --> 00:32:01,619 MAKEOUT COMPETITION, A DESK LAMP, A TUB OF POTATO 592 00:32:01,654 --> 00:32:03,172 SALAD, AND EARLY PAROLE. 593 00:32:03,205 --> 00:32:10,205 THE CASA AMOR KIDS WON THEMSELVES A PARTY. 594 00:32:10,240 --> 00:32:17,034 >> THE CONVERSATION I HAD WITH CINCO BEFORE I LEFT, 595 00:32:17,067 --> 00:32:21,862 I WOULD LOOK LIKE SUCH A SQUEEZE IF I BROUGHT 596 00:32:21,895 --> 00:32:22,758 SOMEONE BACK. 597 00:32:22,792 --> 00:32:25,550 I DON'T KNOW, I CAN'T PREDICT ANYTHING. 598 00:32:25,586 --> 00:32:29,205 ♪ LOOK AT ME, I'M FALLING, FALLING ♪ 599 00:32:29,240 --> 00:32:31,723 >> YOU HAVE A LITTLE BIT OF RED LIPS. 600 00:32:31,758 --> 00:32:35,034 ♪ LOOK AT ME, I'M FALLING, FALLING ♪ 601 00:32:35,067 --> 00:32:41,034 >> WE'RE ALSO SURPRISED HE WAS A GOOD KISSER. 602 00:32:41,067 --> 00:32:45,964 >> I WASN'T SURPRISED HE IS A GOOD KISSER. 603 00:32:46,000 --> 00:32:47,550 I'M JUST SURPRISED HE WENT FOR IT. 604 00:32:47,586 --> 00:32:48,792 >> HOW ARE YOU AND WILL? 605 00:32:48,826 --> 00:32:50,205 >> IT'S GOOD. 606 00:32:50,240 --> 00:32:53,378 ♪ LOOK AT ME, I'M FALLING, FALLING ♪ 607 00:32:53,413 --> 00:32:57,931 >> I DON'T KNOW WHAT TO DO. 608 00:32:57,964 --> 00:33:03,136 >> IF YOU HAD TO CHOICE RIGHT NOW? 609 00:33:03,172 --> 00:33:06,826 >> RIGHT NOW IT WOULD BE... 610 00:33:06,862 --> 00:33:07,240 >> REALLY? 611 00:33:07,275 --> 00:33:08,895 >> IT'S CRAZY. 612 00:33:08,931 --> 00:33:18,413 ♪ LOOK AT ME, I'M FALLING, FALLING ♪ 613 00:33:18,448 --> 00:33:22,034 >> I'M SO CONFIDENT. 614 00:33:22,067 --> 00:33:25,172 >> THERE IS ALWAYS THE FEAR OF THE UNKNOWN. 615 00:33:25,205 --> 00:33:29,067 >> AND I'M, LIKE, WHAT IF HE HOOKS UP WITH SOMEONE. 616 00:33:29,103 --> 00:33:41,103 >> IF I'M BEING HONEST, I DON'T SEE WILL DOING THAT. 617 00:33:41,136 --> 00:33:50,619 ♪♪ >> LET'S GO TALK. 618 00:33:50,654 --> 00:33:50,826 ♪♪ ♪♪ 619 00:33:51,758 --> 00:33:56,619 ♪ BUT HE AIN'T GOT TIME ♪ >> MY OH, MY GOSH, HOW 620 00:33:56,654 --> 00:33:57,758 CUTE. 621 00:33:57,792 --> 00:34:05,275 >> I JUST WANT WANTED TO SAY, WE WON AND LET'S PARTY! 622 00:34:05,309 --> 00:34:06,723 [YELLING] [CHEERING] 623 00:34:06,758 --> 00:34:11,068 >> CASA AMOR, WE WON! 624 00:34:11,103 --> 00:34:18,965 CASA AMOR! 625 00:34:19,000 --> 00:34:22,172 ♪♪ ♪ WITH A LOVE THAT CAN'T 626 00:34:22,206 --> 00:34:37,137 BE BROKEN ♪ >> AT LEAST IT'S NOT 627 00:34:37,137 --> 00:34:39,034 BE BROKEN ♪ >> AT LEAST IT'S NOT 628 00:34:39,068 --> 00:34:39,896 RAINING. 629 00:34:39,931 --> 00:34:43,034 I HOPE THEY'RE HAVING FUN OVER THERE. 630 00:34:43,068 --> 00:34:45,172 ♪♪ >> I MEAN, THE PARTY 631 00:34:45,206 --> 00:34:51,378 TONIGHT WAS FRIGGIN' FABULOUS. 632 00:34:51,413 --> 00:34:53,103 WHICH WE REALLY NEEDED. 633 00:34:53,137 --> 00:34:56,619 >> I COULD DEFINITELY GET USED TO WINNING. 634 00:34:56,655 --> 00:34:58,827 ♪♪ >> GIVE IT YOUR BEST SHOT. 635 00:34:58,862 --> 00:35:00,793 >> IT'S NOT THAT HARD. 636 00:35:00,827 --> 00:35:01,931 I THINK WE CAN DO IT. 637 00:35:01,965 --> 00:35:03,240 >> I DON'T THINK ANYONE IS GOING TO WIN THIS WIN. 638 00:35:03,275 --> 00:35:05,516 >> Announcer: I HAVEN'T SEEN A PARTY THAT BAD 639 00:35:05,550 --> 00:35:11,931 SINCE THE REPUBLICANS GOT THEIR BUTTS KICKED IN 640 00:35:11,965 --> 00:35:13,000 1976. 641 00:35:13,034 --> 00:35:18,034 AND WE'RE THINKING ABOUT THE FUTURE, AND DO OLIVIA 642 00:35:18,068 --> 00:35:19,344 AND KAM HAVE ONE? 643 00:35:19,378 --> 00:35:21,619 >> HOW ARE YOU DOING? 644 00:35:21,655 --> 00:35:22,757 I'M HAVING FUN. 645 00:35:22,793 --> 00:35:26,275 >> THERE HAS DEFINITELY BEEN, I FEEL, LIKE A 646 00:35:26,309 --> 00:35:27,931 BUILD-UP WITH US. 647 00:35:27,965 --> 00:35:32,516 I'M TRYING TO SEE WHERE YOUR HEAD IS AT. 648 00:35:32,550 --> 00:35:36,481 >> YEAH, I THINK WE VIBED WELL. 649 00:35:36,516 --> 00:35:38,862 I FEEL COMFORTABLE WITH US, AND I FEEL LIKE I HAVE 650 00:35:38,896 --> 00:35:43,000 AT LEAST A GOOD FOUNDATION WITH YOU, COMPARED TO GUYS 651 00:35:43,034 --> 00:35:44,068 I'VE HAD AT THE VILLA. 652 00:35:44,103 --> 00:35:46,344 I WOULD HAVE TO KIND OF WEIGH MY OPTIONS. 653 00:35:46,378 --> 00:35:48,793 I MEAN, I REALLY LIKE YOU. 654 00:35:48,827 --> 00:35:51,862 I THINK YOU'RE AWESOME, AND, ALSO, YOU'RE VERY 655 00:35:51,896 --> 00:35:53,068 CUTE AND ATTRACTIVE. 656 00:35:53,103 --> 00:35:55,481 AND YOU'RE BOLD, AND YOU GO AFTER WHAT YOU WANT? 657 00:35:55,516 --> 00:36:00,206 >> I DO THAT. 658 00:36:00,240 --> 00:36:02,655 NOW WHAT DO YOU THINK? 659 00:36:02,688 --> 00:36:03,619 >> YOU'RE BOLD. 660 00:36:03,655 --> 00:36:07,068 I LIKE IT. 661 00:36:07,103 --> 00:36:09,550 ♪♪ >> Announcer: AT THE 662 00:36:09,585 --> 00:36:11,034 VILLA, WILL IS CONFUSED. 663 00:36:11,068 --> 00:36:12,724 I DON'T KNOW WHAT ABOUT. 664 00:36:12,757 --> 00:36:15,931 HE IS WITH KYRA, AND HE MADE OUT WITH FLO. 665 00:36:15,965 --> 00:36:16,862 SIMPLE, REALLY. 666 00:36:16,896 --> 00:36:22,275 >> I'LL BE RIGHT BACK. 667 00:36:22,688 --> 00:36:24,137 >> I HAVE TO TALK TO YOU. 668 00:36:24,172 --> 00:36:26,585 >> OKAY. 669 00:36:26,619 --> 00:36:32,965 >> I'M NOT GOING TO LIE, YOU MAKE -- WHEN YOU WALK 670 00:36:33,000 --> 00:36:36,172 IN, I WAS, LIKE, LOOKING AT YOU, AND FOR SURE, 671 00:36:36,206 --> 00:36:37,447 YOU'RE SUPER ATTRACTIVE AND BEAUTIFUL. 672 00:36:37,481 --> 00:36:41,034 AND THEN YOU COME TO ME AND SAY ALL OF THESE 673 00:36:41,068 --> 00:36:43,896 THINGS, SUPER SECURE ABOUT ME, AND I LOVE THE 674 00:36:43,931 --> 00:36:45,516 CONVERSATION WE HAVE. 675 00:36:45,550 --> 00:36:47,172 IT HAS BEEN AMAZING. 676 00:36:47,206 --> 00:36:51,862 BUT I -- I MEAN, I DON'T KNOW ABOUT -- 677 00:36:51,896 --> 00:36:56,344 >> YOU'RE KILLING ME OVER HERE. 678 00:36:56,378 --> 00:36:59,931 >> IT IS HARD FOR ME BECAUSE I BUILT SO MANY 679 00:36:59,965 --> 00:37:01,309 THINGS WITH KYRA. 680 00:37:01,344 --> 00:37:04,965 AT THE SAME TIME, I WISH I HAD AN OPPORTUNITY TO TALK 681 00:37:05,000 --> 00:37:06,034 TO YOU. 682 00:37:06,068 --> 00:37:10,862 I'M NOT GOING TO LIE TO YOU, I FEEL VERY ATTRACTED 683 00:37:10,896 --> 00:37:13,206 TO YOU, PHYSICALLY, MENTALLY, AND EMOTIONALLY. 684 00:37:13,240 --> 00:37:17,206 >> I'M IN A WEIRD POSITION BECAUSE I DO LIKE YOU. 685 00:37:17,240 --> 00:37:20,619 IT PUTS ME IN A HARD POSITION BECAUSE I DO WANT 686 00:37:20,655 --> 00:37:23,550 TO PURSUE YOU -- >> BUT IN THE SHORT TIME, 687 00:37:23,585 --> 00:37:29,550 I HAVE A REAL CONNECTION WITH YOU, LIKE, I FEEL, 688 00:37:29,585 --> 00:37:34,447 LIKE, I HAVE THAT... 689 00:37:34,481 --> 00:37:37,447 [Speaking Spanish] >> I THINK WILL IS IN A 690 00:37:37,481 --> 00:37:39,655 SITUATION WHERE HIM AND KYRA ARE VERY CLOSE. 691 00:37:39,688 --> 00:37:42,688 I DO HAVE FEELINGS FOR HIM AND HE HAS FEELINGS FOR 692 00:37:42,724 --> 00:37:46,240 ME, AND THERE IS A CONNECTION, SO IT IS A 693 00:37:46,275 --> 00:37:49,481 COMPLETE RISK THAT HE IS TAKING, BUT IT IS A RISK 694 00:37:49,516 --> 00:37:50,378 WORTH TAKING. 695 00:37:50,413 --> 00:37:52,827 >> LET'S HUG IT OUT. 696 00:37:52,862 --> 00:37:54,655 >> YEAH, LET'S HUG IT OUT. 697 00:37:54,688 --> 00:37:58,688 >> I APPRECIATE YOU. 698 00:37:58,724 --> 00:38:01,172 >> THANK YOU. 699 00:38:01,206 --> 00:38:01,378 ♪♪ 700 00:38:13,550 --> 00:38:14,585 ♪♪ >> Announcer: WELCOME 701 00:38:14,619 --> 00:38:18,000 BACK TO CASA AMOR, WHERE CHARLIE KNOWS NOTHING SAYS 702 00:38:18,034 --> 00:38:21,931 ROMANCE QUITE LIKE A CHAT ON A WET BEANBAG. 703 00:38:21,965 --> 00:38:23,344 >> WHAT'S ON YOUR MIND? 704 00:38:23,378 --> 00:38:26,827 >> I HAVEN'T REALLY BEEN GOOD EXPRESSING, YOU KNOW, 705 00:38:26,862 --> 00:38:27,931 MYSELF WITH WORDS. 706 00:38:27,965 --> 00:38:32,034 BUT I THINK YOU'RE BEAUTIFUL, YOU'RE BOLD, 707 00:38:32,068 --> 00:38:33,103 YOU'RE ENERGETIC. 708 00:38:33,137 --> 00:38:35,034 I JUST WANT TO REASSURE YOU THAT THIS IS SOMETHING 709 00:38:35,068 --> 00:38:35,757 THAT I WANT. 710 00:38:35,793 --> 00:38:38,344 >> YOU'RE GOING TO MAKE ME CRY. 711 00:38:38,378 --> 00:38:40,447 >> I DON'T WANT YOU TO CRY. 712 00:38:40,481 --> 00:38:41,481 >> YOU'RE SO SWEET. 713 00:38:41,516 --> 00:38:43,585 >> I ALWAYS APPRECIATE YOU, THE GREAT PERSON THAT 714 00:38:43,619 --> 00:38:45,034 YOU ARE, AND THIS EXPERIENCE. 715 00:38:45,068 --> 00:38:48,655 >> YOU HAVE MADE ME FEEL SEEN AND ACCEPTED. 716 00:38:48,688 --> 00:38:50,896 I AM A LITTLE WORRIED. 717 00:38:50,931 --> 00:38:55,413 HOW DO YOU FEEL GOING INTO THE VILLA WITH ME, KNOWING 718 00:38:55,447 --> 00:38:58,619 THAT SOMETHING IS OPEN-ENDED WITH CINCO? 719 00:38:58,655 --> 00:39:01,309 DO YOU THINK THAT YOU WOULD FEEL STRONG ENOUGH 720 00:39:01,344 --> 00:39:03,413 WHILE I FIGURE OUT WHAT IS GOING ON WITH HIM? 721 00:39:03,447 --> 00:39:06,344 >> I'M SECURE ENOUGH WITHIN MYSELF. 722 00:39:06,378 --> 00:39:08,034 I KNOW WHAT I BRING TO THE TABLE. 723 00:39:08,068 --> 00:39:10,034 I KNOW HOW GOOD OF A PERSON I AM. 724 00:39:10,068 --> 00:39:12,344 I KNOW HOW I CAN MAKE YOU FEEL. 725 00:39:12,378 --> 00:39:15,724 I'M NOT REALLY WORRIED ABOUT HE IS DOING. 726 00:39:15,757 --> 00:39:18,516 >> YOU'VE MADE THINGS, LIKE, DIFFICULT BUT IN A 727 00:39:18,550 --> 00:39:19,516 BEAUTIFUL WAY. 728 00:39:19,550 --> 00:39:23,206 ALL I WANTED WAS FOR A GUY LIKE YOU TO COME IN. 729 00:39:23,240 --> 00:39:25,068 I'M REAL MESSED UP IN THE HEAD RIGHT NOW. 730 00:39:25,103 --> 00:39:29,516 I JUST DON'T WANT TO HURT ANYONE. 731 00:39:29,550 --> 00:39:33,793 ESPECIALLY NOT CHARLIE. 732 00:39:33,827 --> 00:39:37,585 BUT I ALSO DON'T WANT TO BE NAIVE TO THE SITUATION 733 00:39:37,619 --> 00:39:38,585 WITH CINCO. 734 00:39:38,619 --> 00:39:42,344 WITH CINCO AND I IT IS UNDENIABLE, AND EVERYONE 735 00:39:42,378 --> 00:39:44,275 CAN SEE IT. 736 00:39:44,309 --> 00:39:45,827 GOSH, IT IS JUST SO HARD. 737 00:39:45,862 --> 00:39:48,240 I CAN SEE YOU WEAR YOUR HEART ON YOUR SLEEVE. 738 00:39:48,275 --> 00:39:50,034 I WOULD NEVER WANT YOU TO FEEL LIKE A SECOND OPTION, 739 00:39:50,068 --> 00:39:51,757 BECAUSE THAT'S NOT WHAT YOU ARE TO ME. 740 00:39:51,793 --> 00:39:53,309 IF LIFE WAS JUST YOU AND I,,. 741 00:39:53,344 --> 00:39:56,655 -->> WE DON'T LIVE IN A PERFECT WORLD. 742 00:39:56,688 --> 00:40:01,275 >> Announcer: I THINK CASH LIKES CINCO, BUT IF 743 00:40:01,309 --> 00:40:04,378 HE LIKES LESLIE IT WOULD MAKE THINGS A LOT EASIER. 744 00:40:04,413 --> 00:40:07,413 >> I GOT HERE AND I WAS, LIKE, I DON'T KNOW IF I 745 00:40:07,447 --> 00:40:12,757 WAS INTERESTED IN ANYBODY. 746 00:40:12,793 --> 00:40:16,206 AND THEN I BECAME MORE ATTRACTED TO YOU THAN 747 00:40:16,240 --> 00:40:18,619 ANYBODY HERE BECAUSE I FEEL LIKE ON A MENTAL 748 00:40:18,655 --> 00:40:21,034 LEVEL, YOU AND I HAVE REALLY GOOD CONVERSATION. 749 00:40:21,068 --> 00:40:25,550 I FEEL LIKE WITH YOU THERE IS SEXUAL CHEMISTRY. 750 00:40:25,585 --> 00:40:26,655 YOUR MY FAVORITE KID. 751 00:40:26,688 --> 00:40:30,447 WE HAVE THE BEST -- OUT OF EVERYBODY IN THE VILLA, 752 00:40:30,481 --> 00:40:33,827 OUR SEXUAL CHEMISTRY IS KIND OF SPOT-ON. 753 00:40:33,862 --> 00:40:35,378 >> I'M TRYING TO BE REAL WITH YOU. 754 00:40:35,413 --> 00:40:37,206 WHAT DO YOU THINK ABOUT THAT? 755 00:40:37,240 --> 00:40:39,516 >> I HONESTLY FEEL THE SAME WAY. 756 00:40:39,550 --> 00:40:43,516 OUT OF OUT OF ALL OF THE CONNECTIONS HERE, I FEEL 757 00:40:43,550 --> 00:40:47,240 LIKE YOU AND ME HAVE MADE THE BEST ONE. 758 00:40:47,275 --> 00:40:50,447 YEAH, SO RIGHT NOW I CAN DEFINITELY SEE POTENTIAL, 759 00:40:50,481 --> 00:40:51,516 A LOT OF POTENTIAL. 760 00:40:51,550 --> 00:40:55,724 I FEEL LIKE YOU WOULD REALLY BE THAT RESET, OR 761 00:40:55,757 --> 00:41:02,309 THAT FRESH START THAT I NEED TO -- I CAN BE VERY 762 00:41:02,344 --> 00:41:05,309 GENUINE AND START OFF FRESH AND PUT MY WHOLE 763 00:41:05,344 --> 00:41:08,137 ENERGY INTO THIS GIRL, AND KNOW I'M GOING TO GET 764 00:41:08,172 --> 00:41:09,206 SOMETHING OUT OF THIS. 765 00:41:09,240 --> 00:41:12,275 LESLIE AND I HAVE JUST BEEN VIBING AND CLICKING, 766 00:41:12,309 --> 00:41:14,309 AND THE CHEMISTRY HAS BEEN THERE, LIKE SEXUALLY. 767 00:41:14,344 --> 00:41:19,172 I WAS NOT EXPECTING ANY OF THAT COMING INTO CASA 768 00:41:19,206 --> 00:41:20,172 AMOR. 769 00:41:20,206 --> 00:41:22,172 I DIDN'T WANT TO FURTHER CONFUSE MY SITUATION. 770 00:41:22,206 --> 00:41:24,793 BUT LESLIE DEFINITELY SURPRISED ME A LOT. 771 00:41:24,827 --> 00:41:30,034 AND SHE ENDED UP CONFUSING ME MORE ANYWAY. 772 00:41:30,068 --> 00:41:33,137 PLEASE BE IN MY BED TONIGHT? 773 00:41:33,172 --> 00:41:35,550 >> I WANT TO. 774 00:41:35,585 --> 00:41:50,516 ♪ SAY YOU LOVE ME NOW >> Announcer: TOMORROW 775 00:41:50,516 --> 00:41:55,481 ♪ SAY YOU LOVE ME NOW >> Announcer: TOMORROW 776 00:41:55,516 --> 00:41:58,896 NIGHT, EVERYONE IS BACK UNDER ONE ROOF, AND 777 00:41:58,931 --> 00:42:05,655 ARIELLE RETURNS WITH THE BIGGEST RECOUPLING YET. 778 00:42:05,688 --> 00:42:08,413 >> REMEMBER, CASA AMOR IS THE ULTIMATE RELATIONSHIP 779 00:42:08,447 --> 00:42:09,827 TEST. 780 00:42:09,862 --> 00:42:13,550 >> I KNOW EXACTLY WHERE MY HEART IS. 781 00:42:13,585 --> 00:42:16,206 >> SO WHAT ARE YOU GOING TO DO?