1 00:00:11,034 --> 00:00:17,448 ♪ PREVIOUSLY ON LOVE ISLAND. 2 00:00:17,482 --> 00:00:18,551 FIRST DATE, LET'S GO. 3 00:00:18,586 --> 00:00:25,793 I ACTUALLY ENJOYEDEVERYTHING. 4 00:00:25,827 --> 00:00:26,931 THE RELATIONSHIPS. 5 00:00:26,965 --> 00:00:30,586 I JUST NEED TO KNOW WHETHER INEED TO BE CONCERNED. 6 00:00:30,620 --> 00:00:34,724 NO, HUH-UH. 7 00:00:34,758 --> 00:00:35,896 >>. 8 00:00:35,931 --> 00:00:40,000 YOU WILL BE BOBBING ANDWEAVING SOCIAL MEDIA PUNCHES. 9 00:00:40,034 --> 00:00:42,586 WHAT HE SAID WAS NOT EVENHALF OF WHAT REALLY HAPPENED. 10 00:00:42,620 --> 00:00:48,586 WHAT AM I MISSING, HOW MUCHIS OKAY TO PUT UP WITH. 11 00:00:48,620 --> 00:00:52,413 LAUREL IS GOING TO REALIZECARRINGTON IS AS DEEP AS A 12 00:00:52,448 --> 00:00:53,310 PUDDLE. 13 00:00:53,344 --> 00:00:54,344 WILL WE BE BOYFRIEND ANDGIRLFRIEND? 14 00:00:54,379 --> 00:00:58,655 NO, TONIGHT. 15 00:00:58,689 --> 00:01:01,448 I'M QUESTIONING SO MUCH. 16 00:01:01,482 --> 00:01:06,482 I TOLD YOU THE TRUTH. WITH THE RECOUPLING 17 00:01:06,517 --> 00:01:08,724 LOOMING. 18 00:01:08,758 --> 00:01:13,551 DOUBT IS IN THE AIR. 19 00:01:13,586 --> 00:01:15,344 I DON'T WANT TO LET THIS GOBUT I FEEL LIKE HAVE I TO I'M 20 00:01:15,379 --> 00:01:18,379 HERE WHEN ARE YOU READY TO TALK. 21 00:01:36,034 --> 00:01:42,793 ♪ YEP, IT'S STILL THE SAME TIMEIT WAS WHEN WE LEFT TO DAYS AGO 22 00:01:42,827 --> 00:01:47,034 BECAUSE IT TAKES TIME TOMENTALLY PREPARE FOR THIS SCENE. 23 00:01:47,068 --> 00:01:53,482 CELY HAS NO WAY TO CARRYJOHNNY'S EXCUSES ANY MORE. 24 00:01:53,517 --> 00:01:55,965 I WANT TO HEAR YOUR THOUGHTSRIGHT NOW. 25 00:01:56,000 --> 00:02:03,137 I'M FIRED UP, I AM FEELING AWHOLE LOT. 26 00:02:03,172 --> 00:02:07,034 FOR NEW INFORMATION TO COME OUTAFTER THE FACT IS NOT A GOOD 27 00:02:07,068 --> 00:02:08,241 LOOK. 28 00:02:08,275 --> 00:02:13,068 AND IT'S LIKE HOW DO I TRUSTSOMEONE WHEN YOU OMITTED STUFF 29 00:02:13,103 --> 00:02:15,413 FROM THE BEGINNING. 30 00:02:15,448 --> 00:02:18,793 THAT YOU DID THAT, THAT IS LIKEKIND OF LYING ALREADY IN AND OF 31 00:02:18,827 --> 00:02:19,965 ITSELF. 32 00:02:20,000 --> 00:02:22,655 AND NOW I KNOW YOU'RE GOING TOASK ME TO TRUST YOU ABOUT 33 00:02:22,689 --> 00:02:24,137 WHATEVER HAPPENED UNDER THECOVERS. 34 00:02:24,172 --> 00:02:27,620 IT FEELS LIKE THERE IS A LEVELOF MANIPULATION NOW LOOKING BACK 35 00:02:27,655 --> 00:02:31,000 AT EVERYTHING, AND LOOKING ATTHE WAY THAT YOU WORDED IT, 36 00:02:31,034 --> 00:02:35,310 LOOKING AT THE WAY THAT YOUPREFACE CASA AMOR SAYING IT IS 37 00:02:35,344 --> 00:02:36,620 NOTHING, BABY, IT IS NOTHING. 38 00:02:36,655 --> 00:02:39,689 YOU ALSO SAID IT IS NOTHING THATYOU DIDN'T DO, REALLY, CUZ THAT 39 00:02:39,724 --> 00:02:41,344 WAS A WHOLE LOT THAT I DIDN'TDO. 40 00:02:41,379 --> 00:02:44,827 AND FOR ME TO STILL FEEL LIKE IDID SOMETHING WRONG AFTER GOING 41 00:02:44,862 --> 00:02:47,965 ON A DATE WITH BENNY IS JUSTLIKE, ARE YOU KIDDING ME? 42 00:02:48,000 --> 00:02:49,758 ARE YOU KIDDING ME, JOHNNY. 43 00:02:49,793 --> 00:02:52,724 IT MAKES ME FEEL LIKE ARE YOUTRYING TO COVER YOUR OWN ASS. 44 00:02:52,758 --> 00:02:54,655 MI NOT COVERING MY OWN ASS. 45 00:02:54,689 --> 00:02:56,724 CAN I JUST FINISH. 46 00:02:56,758 --> 00:02:59,965 I'M SORRY, I AM GETTINGRAMPED UP TOO, BUT YOU HAVE TO 47 00:03:00,000 --> 00:03:01,137 UNDERSTAND. 48 00:03:01,172 --> 00:03:03,275 DON'T TELL ME HAVE I TOUNDERSTAND ANYTHING RIGHT NOW. 49 00:03:03,310 --> 00:03:04,413 LIKE I'M THE ONE. 50 00:03:04,448 --> 00:03:06,758 I'M NOT TRYING TO PUTANYTHING ON YOU CELY, I REALLY 51 00:03:06,793 --> 00:03:10,310 UNDERSTAND THAT YOU ARE THE ONEIN THE BAD SITUATION, I GET 52 00:03:10,344 --> 00:03:10,689 THAT. 53 00:03:10,724 --> 00:03:11,275 I GET THAT. 54 00:03:11,310 --> 00:03:12,000 I AM AT FAULT FOR THIS. 55 00:03:12,034 --> 00:03:13,689 I AM THE ROOT OF THE PROBLEM. 56 00:03:13,724 --> 00:03:16,827 DO YOU WANT ME TO SAY IT TENTIMES FAST. 57 00:03:16,862 --> 00:03:19,034 MI THE ROOT OF THE PROBLEM, I AMTHE ONE. 58 00:03:19,068 --> 00:03:22,241 I GET THAT, JOHNNY, WHAT I AMTELLING DU. 59 00:03:22,275 --> 00:03:25,000 DID YOU WANT ME TO GO INTODETAIL ABOUT HOW I KISSED HER 60 00:03:25,034 --> 00:03:26,241 AND HOW I CUDDLED HER? 61 00:03:26,275 --> 00:03:28,965 IS THAT WHAT YOU BE WHATTED METO DO IN THAT MOMENT. 62 00:03:29,000 --> 00:03:30,034 I TOLD YOU THE TRUTH. 63 00:03:30,068 --> 00:03:32,620 IT IS JUST, THAT IS NOT LIKETHE POINT, JOHNNY. 64 00:03:32,655 --> 00:03:33,172 WHAT IS THE POINT? 65 00:03:33,206 --> 00:03:34,344 WHAT DID I LEAVE OUT. 66 00:03:34,379 --> 00:03:35,724 I JUST EXPLAINED IT. 67 00:03:35,758 --> 00:03:38,586 THE WHOLE COVER THING, LIKEIF YOU FEEL THAT COMFORTABLE 68 00:03:38,620 --> 00:03:43,034 MAKING OUT WITH HER ABOVE THECOVERS, IN FRONT OF EVERYONE, IN 69 00:03:43,068 --> 00:03:47,724 PLAIN SIGHT, YOU PULL COVERS,FOR WHAT, TO MAKE OUT MORE. 70 00:03:47,758 --> 00:03:50,034 NOTHING MORE WENT ONUNDERNEATH THOSE COVERS. 71 00:03:50,068 --> 00:03:51,241 BUT I CAN'T MAKE A DEFENSE. 72 00:03:51,275 --> 00:03:53,034 BECAUSE I UNDERSTAND WHERE YOUARE COMING FROM. 73 00:03:53,068 --> 00:03:56,000 THE WAY THAT YOU HAVE BEENACTING FOR THE PAST FEW DAYS, 74 00:03:56,034 --> 00:04:01,068 THE GUILT, IS LIKE WELL, WHATMORE HAPPENED. 75 00:04:01,103 --> 00:04:02,827 LIKE-- . 76 00:04:02,862 --> 00:04:03,448 ♪. 77 00:04:03,482 --> 00:04:09,034 AND IT IS JUST LIKE-- . 78 00:04:09,068 --> 00:04:09,758 CELY. 79 00:04:09,793 --> 00:04:12,379 LIKE I'M QUESTIONING SO MUCH. 80 00:04:12,413 --> 00:04:15,517 THERE'S THINGS THAT I CAN'TDO TO GET YOU TO MAKE THIS 81 00:04:15,551 --> 00:04:17,586 DECISION TO TRUST ME AGAIN. 82 00:04:17,620 --> 00:04:21,413 AND THAT SUCKS SO BAD. 83 00:04:21,448 --> 00:04:22,103 BECAUSE I WAS HONEST. 84 00:04:22,137 --> 00:04:24,862 I AM TELLING YOU THE TRUTH. 85 00:04:24,896 --> 00:04:27,379 SO DO YOU SEE HOW THIS ISEXHAUSTING FOR ME. 86 00:04:27,413 --> 00:04:30,517 DO YOU SEE HOW ST EXHAUSTINGFOR ME AS WELL. 87 00:04:30,551 --> 00:04:31,448 LISTEN. 88 00:04:31,482 --> 00:04:33,241 I'M EXHAUSTED, YEAH, WELL I'MEXHAUSTED. 89 00:04:33,275 --> 00:04:34,448 IT'S ALL MY FAULT. 90 00:04:34,482 --> 00:04:37,344 HOW MANY TIMES DO YOU WANT ME TOSAY THAT, IT IS MY FAULT, 91 00:04:37,379 --> 00:04:39,620 EVERYTHING THAT IS HAPPENINGRIGHT NOW, ALL THE PROBLEMS WE 92 00:04:39,655 --> 00:04:40,724 HAVE IS ROOTED IN WHAT I DID. 93 00:04:40,758 --> 00:04:43,965 I JUST DON'T KNOW WHERE TO GOFROM HERE. 94 00:04:44,000 --> 00:04:47,034 I'M BEING ASKED TO TRUST YOU ANDIT'S LIKE, HOW CAN I TRUST YOU. 95 00:04:47,068 --> 00:04:51,896 AND THE FACT THAT YOU KEEPSAYING IS ALL I CAN DO IS BE 96 00:04:51,931 --> 00:04:53,655 HONEST, I'M SORRY BUT THAT ISNOT ENOUGH. 97 00:04:53,689 --> 00:04:59,310 AS MUCH AS THAT HURT, IT'S NOTENOUGH. 98 00:04:59,344 --> 00:05:01,068 HONESTLY, LIKE. 99 00:05:01,103 --> 00:05:03,206 I'M AT A CROSSROADS. 100 00:05:03,241 --> 00:05:04,655 AND I AM BEING ASKED TO TRUSTYOU. 101 00:05:04,689 --> 00:05:06,482 AND IT IS LIKE, HOW CAN I TRUSTYOU. 102 00:05:06,517 --> 00:05:09,448 I DON'T WANT TO LET THIS GO BUTI'M GETTING TO THE POINT WHERE I 103 00:05:09,482 --> 00:05:11,586 FEEL LIKE I HAVE TO. 104 00:05:11,620 --> 00:05:13,413 LISTEN, I'M SORRY, I'M SORRYFOR PUTTING YOU IN THIS 105 00:05:13,448 --> 00:05:14,655 SITUATION 106 00:05:14,689 --> 00:05:18,068 WHENEVER YOU FEEL LIKE YOU WANTTO TALK TO ME YOU CAN, AND I 107 00:05:18,103 --> 00:05:19,034 WILL BE HERE. 108 00:05:19,068 --> 00:05:23,931 I WILL BE HERE. 109 00:05:44,931 --> 00:05:48,034 SHE'S SAYING THAT SHE DOESN'TKNOW HOW SHE'S GOING TO LEARN TO 110 00:05:48,068 --> 00:05:51,000 TRUST ME AGAIN AND THAT SHE'SBEEN-- SHE DOESN'T DESERVE TO BE 111 00:05:51,034 --> 00:05:53,000 IN THIS POSITION, WHICH SHEDOESN'T. 112 00:05:53,034 --> 00:05:55,448 THE REALITY OF THE SITUATION IS,BRO, I DID WHAT I DID. 113 00:05:55,482 --> 00:05:56,344 YEAH. 114 00:05:56,379 --> 00:05:59,482 I CAME BACK AND I WAS HONESTTO HER. 115 00:05:59,517 --> 00:06:02,758 MY CON VOW WITH JOHNNYLITERALLY WENT NOWHERE. 116 00:06:02,793 --> 00:06:05,620 ST JUST A LOT OF HE SAID, SHESAID. 117 00:06:05,655 --> 00:06:09,413 IT WAS LIKE A-- . 118 00:06:09,448 --> 00:06:13,310 SHE IS SO THROWN RIGHT NOWTHAT IT IS ACTUALLY RIDICULOUS. 119 00:06:13,344 --> 00:06:16,965 AND WHY WOULD YOU LIE ABOUTSOMETHING YOU ALREADY ARE CAUGHT 120 00:06:17,000 --> 00:06:20,137 FOR, IF THE WORLD HAS SEEN ITCUZ YOU DID OWN IT, THAT IS THE 121 00:06:20,172 --> 00:06:22,172 POINT WHERE IT JUST DOESN'T MAKESENSE TO ME. 122 00:06:22,206 --> 00:06:25,827 I GUESS SHE HAS HER EMOTIONS AMI'M NOT GOING TO GIVE YOU 123 00:06:25,862 --> 00:06:28,103 ADVICE, LET HER DEAL WITH THEM,NEVER BRING IT UP. 124 00:06:28,137 --> 00:06:31,620 WE ARE IN THE POSITION NOWWHERE HE MADE NO PROGRESS, SHE 125 00:06:31,655 --> 00:06:33,413 IS SO LIVID RIGHT NOW. 126 00:06:33,448 --> 00:06:37,965 ALLOW YOURSELF TO HAVE YOURFEELINGS, FOR REAL. 127 00:06:38,000 --> 00:06:45,931 KEEP DEFENDING IT, JUST ALLOWYOURSELF TO FEEL AND EXPRESS IT. 128 00:06:45,965 --> 00:06:47,241 THANK YOU. 129 00:06:47,275 --> 00:06:56,620 AS CELY CONSIDERS WITH BENNY,CONNOR CONSIDERS CHOOSING MOIRA 130 00:06:56,655 --> 00:07:00,103 OVER EX-MACKENZIE SAND IS SECONDGUESSING EVERY SECOND. 131 00:07:00,137 --> 00:07:05,344 REAL QUICK, AND JUST LET YOUKNOW, YOU KNOW, EXACTLY WHERE MY 132 00:07:05,379 --> 00:07:07,551 HEAD IS AT RIGHT NOW. 133 00:07:07,586 --> 00:07:08,827 UH-HUH. 134 00:07:08,862 --> 00:07:13,793 HAVING JUST BEEN FRIENDS ANDCOMING IN HERE FOR SO LONG AND 135 00:07:13,827 --> 00:07:18,068 EXPERIENCING GETTING COUPLED UPAND BEING VERY OPEN TO SEEING IF 136 00:07:18,103 --> 00:07:23,931 THAT COULD BECOME MORE THAN JUSTFRIENDS. 137 00:07:23,965 --> 00:07:25,206 UH-HUH. 138 00:07:25,241 --> 00:07:29,034 I HAVE, I THINK, COME TO APOINT WHERE I DO JUST WANT TO BE 139 00:07:29,068 --> 00:07:29,758 FRIENDS. 140 00:07:29,793 --> 00:07:32,034 LIKE DO YOU KNOW WHY THAT IS. 141 00:07:32,068 --> 00:07:37,793 I VERY MUCH THOUGHT I WOULDBE WITH MACKENZIE FOR THE ENTIRE 142 00:07:37,827 --> 00:07:38,137 TIME. 143 00:07:38,172 --> 00:07:39,275 UH-HUH. 144 00:07:39,310 --> 00:07:41,689 I WAS WHOLLY WILLING ANDREADY TO GIVE HER A SECOND 145 00:07:41,724 --> 00:07:42,620 CHANCE. 146 00:07:42,655 --> 00:07:45,344 IT WAS JUST UNEXPECTED IN SEEINGHER LEAVE. 147 00:07:45,379 --> 00:07:50,068 I WANT YOU TO KNOW THAT THIS WASIN NO WAY YOUR FAULT. 148 00:07:50,103 --> 00:07:51,827 THIS WAS MY ACTIONS. 149 00:07:51,862 --> 00:07:57,655 AND YOU DON'T HAVE TO TELL ME TOYOU KNOW, WHERE YOU ARE AT RIGHT 150 00:07:57,689 --> 00:07:58,896 NOW. 151 00:07:58,931 --> 00:08:05,275 I'M TRYING TO WORK ON HOW IFEEL MORE THAN WHAT THE OTHER 152 00:08:05,310 --> 00:08:06,379 PERSON FEELS. 153 00:08:06,413 --> 00:08:11,034 THAT BEING SAID, JUST GOING TOTRY AND MOVE FORWARD. 154 00:08:11,068 --> 00:08:16,827 I MEAN LIKE TO HAVE YOU HERE ANDLIKE LOOK ME IN THE EYES AS A 155 00:08:16,862 --> 00:08:21,862 BEST FRIEND AND TELL ME IT'SOKAY, IT'S REALLY ALL CAN I ASK 156 00:08:21,896 --> 00:08:39,034 FOR RIGHT NOW. 157 00:08:39,068 --> 00:08:46,517 ♪ YOU'VE BEEN THE SWEETEST PARTOF MY LIFE. 158 00:08:46,551 --> 00:08:47,310 ♪. 159 00:08:47,344 --> 00:08:51,000 I DON'T EVEN KNOW HOW TOMOVE. 160 00:08:51,034 --> 00:08:52,413 IT'S LIKE. 161 00:08:52,448 --> 00:08:54,724 YOU'RE UNDER THE MICROSCOPERIGHT NOW. 162 00:08:54,758 --> 00:08:55,965 THAT'S WHAT I AM SAYING. 163 00:08:56,000 --> 00:09:00,137 WHY IS HE BEING SO QUIET, IS HEGUILTY, WHY IS HE ACTING SO 164 00:09:00,172 --> 00:09:01,275 NORMAL, IS HE GUILTY? 165 00:09:01,310 --> 00:09:02,310 I'M STRUGGLING. 166 00:09:02,344 --> 00:09:05,034 BUT I KNOW YOU'RE NOT READYTO GIVE UP ON HIM. 167 00:09:05,068 --> 00:09:09,344 HONESTLY, I JUST DON'T KNOWWHERE TO GO FROM HERE BNS SAY 168 00:09:09,379 --> 00:09:14,000 LESS, DO YOURSELF A FAVOR. 169 00:09:14,034 --> 00:09:16,379 HE IS THINKING ABOUT YOU. 170 00:09:16,413 --> 00:09:20,275 AN ANOTHER TWEET AMERICA SAWSPARKS BETWEEN LAUREL AND 171 00:09:20,310 --> 00:09:23,655 CALVIN, MOIRA STOKES THE FIRE. 172 00:09:23,689 --> 00:09:26,655 I LOVED THAT TWEET BUT ANDCALVIN. 173 00:09:26,689 --> 00:09:28,310 I CAN'T GET OVER THAT. 174 00:09:28,344 --> 00:09:28,586 REALLY? 175 00:09:28,620 --> 00:09:29,758 WHY? 176 00:09:29,793 --> 00:09:35,034 I JUST FEEL LIKE YOURPERSONALITIES MIGHT CLICK MORE, 177 00:09:35,068 --> 00:09:36,931 COMPATIBILITYWISE. 178 00:09:36,965 --> 00:09:41,137 I DID COME IN HAVING ANINTEREST IN CALVIN AND ALSO I 179 00:09:41,172 --> 00:09:45,137 DON'T WANT TO CUT MY EXPERIENCESHORT AND CUT MYSELF OFF BY NOT 180 00:09:45,172 --> 00:09:47,413 EXPLORING OTHER OPTIONS. 181 00:09:47,448 --> 00:09:49,724 IS THERE SOMEONE HERE THATYOU CAN GROW WITH ON THE OUTSIDE 182 00:09:49,758 --> 00:09:57,655 SO I THINK THESE QUESTIONS AREHONESTLY ONLY VALID. 183 00:09:57,689 --> 00:10:03,000 YEAH. 184 00:10:03,034 --> 00:10:18,275 ♪♪ DON'T SAY WHAT YOU ARE ABOUT 185 00:10:18,310 --> 00:10:19,793 TO SAY. 186 00:10:19,827 --> 00:10:25,620 ♪ LOOK BACK BEFORE YOU LEAVE. 187 00:10:25,655 --> 00:10:34,965 ♪ AND BE SURE BEFORE YOU CLOSEDOOR. 188 00:10:35,000 --> 00:10:44,827 ♪ BEFORE YOU LOSE. 189 00:10:44,862 --> 00:10:52,241 ♪ BEFORE YOU. 190 00:10:52,275 --> 00:10:58,965 ♪ BABY THINK TWICE. 191 00:10:59,000 --> 00:11:00,000 ♪ 192 00:11:12,034 --> 00:11:14,448 WELCOME BACK TO LOVE ISLANDWHERE IT MAY BE A NEW DAY BUT 193 00:11:14,482 --> 00:11:17,793 OLD DRAMAS LOOM LARGE. 194 00:11:17,827 --> 00:11:26,310 IT TAKES ALL THE SANITIZER INVEGAS TO WIPE THIS SLATE A CLEAN 195 00:11:26,344 --> 00:11:31,206 ♪ WOULD WE CRASH AND BURN LIKEEVERY TIME BEFORE. 196 00:11:31,241 --> 00:11:33,344 ♪ I WILL TELL YOU ALL MYSECRETS. 197 00:11:33,379 --> 00:11:35,482 ♪ WRAP MY ARMS AROUND MYWEAKNESS. 198 00:11:35,517 --> 00:11:42,310 ♪ TO SEE ONLY EVER AFTER. 199 00:11:42,344 --> 00:11:51,103 ♪. 200 00:11:51,137 --> 00:11:54,275 RIGHT NOW WAKING UP, I DON'TREALLY KNOW HOW TO GO ABOUT 201 00:11:54,310 --> 00:11:57,620 INTERACTING WITH CELY BECAUSE IJUST WANT TO GIVE H.E.R. SPACE. 202 00:11:57,655 --> 00:11:58,793 OH GOD. 203 00:11:58,827 --> 00:12:02,620 SHE HAS SOME DECISIONS TOMAKE AND I JUST WANT TO MAKE 204 00:12:02,655 --> 00:12:10,931 THAT AS EASY FOR HER AS I CAN. 205 00:12:10,965 --> 00:12:14,482 HOW WAS THE-- LAST NIGHT,STILL THE SAME? 206 00:12:14,517 --> 00:12:15,034 YEAH. 207 00:12:15,068 --> 00:12:16,620 I'M NOT PRESSING HER. 208 00:12:16,655 --> 00:12:18,344 GOOD. 209 00:12:18,379 --> 00:12:24,137 I'M JUST NOT, IT IS THE POINTWHERE IF ARE YOU TO LISTEN, IT 210 00:12:24,172 --> 00:12:27,241 IS OBVIOUSLY AN UPHILL BATTLEFOR ME. 211 00:12:27,275 --> 00:12:31,241 FOR SURE. 212 00:12:31,275 --> 00:12:38,068 CALVIN AND KIERSTAN HAVELESS-- THAM PERFORMING A ARTS IN 213 00:12:38,103 --> 00:12:42,310 HIGH SCHOOL, SO HE TRIES TO HEATHIM UP TO 375 CALVIN, THAT IS A 214 00:12:42,344 --> 00:12:45,034 HOT PEOPLE CHEMISTRY JOKE. 215 00:12:45,068 --> 00:12:47,034 HELLO LADIES. 216 00:12:47,068 --> 00:12:49,551 LAUREL CAN I PLEASE CHAT. 217 00:12:49,586 --> 00:12:51,206 YEAH, SURE. 218 00:12:51,241 --> 00:12:52,172 AMERICA HAS SPOKEN. 219 00:12:52,206 --> 00:12:53,310 > HA HA. 220 00:12:53,344 --> 00:12:58,241 ENJOY YOUR CHAT YOU TWO. 221 00:12:58,275 --> 00:12:59,758 MAKE SURE YOU. 222 00:12:59,793 --> 00:13:06,379 THANK YOU CELY, THANK YOU,CELY. 223 00:13:06,413 --> 00:13:09,310 HOW ARE YOU FEELING ABOUT THEWHOLE CHALLENGE AND EVERYTHING. 224 00:13:09,344 --> 00:13:13,482 I FEEL LIKE THE ONE THINGTHAT BOTHERED ME MOST IS THE 225 00:13:13,517 --> 00:13:18,379 SHALLOW COMMENT TOWARDS HIM,LIKE LAUREL REALIZED HOW-- THE 226 00:13:18,413 --> 00:13:21,000 PUDDLE OR WHATEVER BECAUSE IFEEL LIKE IN MY OWN MIND, WILL 227 00:13:21,034 --> 00:13:23,965 WE EVER BE DEEPER AND STUFF LIKETHAT BECAUSE IF HE DOESN'T FEEL 228 00:13:24,000 --> 00:13:26,862 LIKE HE CAN OPEN UP TO ME, THENWHAT ARE WE DOING. 229 00:13:26,896 --> 00:13:30,103 AT THE SAME TIME I FEEL LIKEWHAT WE HAVE IS REAL AND 230 00:13:30,137 --> 00:13:34,724 AUTHENTIC AND IT WAS-- IT CAMENATURALLY SO, I DON'T KNOW. 231 00:13:34,758 --> 00:13:40,034 I'M JUST KIND OF ALL IN MY HEADABOUT THE DEPTH OF WHAT WE COULD 232 00:13:40,068 --> 00:13:41,551 HAVE, I GUESS. 233 00:13:41,586 --> 00:13:42,896 I DID HEAR SOMETHING. 234 00:13:42,931 --> 00:13:44,137 WHAT DID YOU HEAR. 235 00:13:44,172 --> 00:13:49,655 I DID HEAR WHEN YOU CAME INYOU WERE INTERESTED IN GETTING 236 00:13:49,689 --> 00:13:51,103 TO KNOW ME. 237 00:13:51,137 --> 00:13:54,586 YEAH, LIKE WATCHING YOU FROMTHE OUTSIDE, YOU SEEM SO GENUINE 238 00:13:54,620 --> 00:13:57,206 AND REAL AND DOWN TO EARTH ANDTHAT IS KIND OF HOW I AM. 239 00:13:57,241 --> 00:14:00,344 AND THAT IS WHERE YOU ARE SUPERCONTRAST AGAINST CARRINGTON IN 240 00:14:00,379 --> 00:14:04,827 THE FACT THAT I THOUGHT HE WASLIKE SUPERARROGANT. 241 00:14:04,862 --> 00:14:06,827 NO, I'M NOT TALKING TO HIM. 242 00:14:06,862 --> 00:14:09,655 I WANTED TO ASK YOU, WHAT AREKIND OF THE THINGS THAT YOU LOOK 243 00:14:09,689 --> 00:14:11,413 FOR IN A RELATIONSHIP. 244 00:14:11,448 --> 00:14:15,620 DEFINITELY LIKE LOYALTY,COMMUNICATION. 245 00:14:15,655 --> 00:14:19,241 CUZ I CANNOT STAND FEELING LIKEI AM THE ONE PUTTING ALL THE 246 00:14:19,275 --> 00:14:24,379 EFFORT INTO A CONVERSATION ANDGETTING NOWHERE. 247 00:14:24,413 --> 00:14:26,034 WHAT ABOUT YOURS? 248 00:14:26,068 --> 00:14:29,379 SOMEONE THAT IS KIND TOPEOPLE IN GENERAL, THAT IS A 249 00:14:29,413 --> 00:14:30,896 HUGE, HUGE THING FOR ME. 250 00:14:30,931 --> 00:14:32,103 I'M THE SAME WAY TOO. 251 00:14:32,137 --> 00:14:34,206 I DON'T KNOW, YOU SEEM PRETTYMEAN, LAUREL. 252 00:14:34,241 --> 00:14:36,931 DO I SEEM MEAN, I AM NOTMEAN, ONLY TO YOU. 253 00:14:36,965 --> 00:14:40,172 I FEEL LIKE I AM OPEN TOGETTING TO KNOW CALVIN. 254 00:14:40,206 --> 00:14:42,379 WE CONNECT ON A LOT MORE THANCARRINGTON AND I DO. 255 00:14:42,413 --> 00:14:45,620 BUT CARRINGTON AND I HAVE THATAFFECTIONATE AND ROMANTIC SIDE 256 00:14:45,655 --> 00:14:46,517 TO OUR RELATIONSHIP. 257 00:14:46,551 --> 00:14:50,689 SO IT IS JUST LIKE TWO DIFFERENTWORLDS. 258 00:14:50,724 --> 00:14:54,379 AND IT IS JUST LIKE WHAT DO YOUWANT MORE, HONESTLY. 259 00:14:54,413 --> 00:14:59,206 SO I DON'T KNOW. 260 00:14:59,241 --> 00:15:03,344 YEAH, I'M DOWN, WITH THECHAT, CHEESIER TO THAT. 261 00:15:03,379 --> 00:15:05,448 APPRECIATE IT. 262 00:15:05,482 --> 00:15:09,517 CELY IS WEARING SHADESINDOORS AND HIDING UNDER THE 263 00:15:09,551 --> 00:15:16,862 COVERS WHICH JOHNNY INTERPRETSAS A CLEAR INVITATION TO TALK. 264 00:15:16,896 --> 00:15:21,655 HEY, JUST WANTED TO LET YOUKNOW THAT I AM HERE WHEN ARE YOU 265 00:15:21,689 --> 00:15:26,206 READY TO TALK AND I'M NOT TRYINGTO COME UP IN ANYWAY. 266 00:15:26,241 --> 00:15:29,482 I'M JUST TRYING TO GIVE YOU YOURSPACE RIGHT NOW. 267 00:15:29,517 --> 00:15:30,206 UH-HUH. 268 00:15:30,241 --> 00:15:31,275 THAT'S ALL. 269 00:15:31,310 --> 00:15:43,965 JUST LETTING LET ME KNOWWHEN ARE YOU READY. 270 00:15:44,000 --> 00:15:47,034 WOULD YOU LIKE TO GO FOR ACHAT. 271 00:15:47,068 --> 00:15:47,551 YEAH, OF COURSE. 272 00:15:47,586 --> 00:15:50,620 LITTLE CHITCHAT. 273 00:15:50,655 --> 00:15:54,241 INCREDIBLY SUCK AFTER BEINGFRIEND ZONED BY CONNOR, MOIRA 274 00:15:54,275 --> 00:15:57,827 DEVELOPED A SUDDEN INTEREST INBENNETT, TOTALLY UNRELATED 275 00:15:57,862 --> 00:15:59,241 EVENT, WHAT A COINCIDENCE. 276 00:15:59,275 --> 00:16:01,965 HOW ARE YOU FEELING WITHEVERYTHING? 277 00:16:02,000 --> 00:16:04,482 AFTER YESTERDAY IT HAS BEENPRETTY ROUGH. 278 00:16:04,517 --> 00:16:09,068 YOU KNOW I THOUGHT HIM AND MAKENZIE WERE DONE DONE BUT TO 279 00:16:09,103 --> 00:16:12,310 FIND OUT THAT HE JUST WANTS TOBE FRIENDS BECAUSE HE CAN'T GET 280 00:16:12,344 --> 00:16:14,862 OVER HER YET, I WAS LIKE, IDON'T WANT TO BE A PART OF THIS 281 00:16:14,896 --> 00:16:16,896 SITUATION ANY MORE. 282 00:16:16,931 --> 00:16:19,620 WAS IT KIND OF LIKE A BOMBDROPPED ON YOU WHEN HE SAID 283 00:16:19,655 --> 00:16:19,965 THAT. 284 00:16:20,000 --> 00:16:21,241 I DID. 285 00:16:21,275 --> 00:16:23,827 I THOUGHT THAT WHEN HE PICKED MEFOR RECOUPLING I WAS LIKE JUST 286 00:16:23,862 --> 00:16:26,413 THINKING TO MYSELF, LIKE MAYBEWE COULD ONE DAY. 287 00:16:26,448 --> 00:16:27,586 DEFINITELY. 288 00:16:27,620 --> 00:16:30,758 BUT THEN HE JUST LIKE I CAN'TCUZ OF MACKENZIE. 289 00:16:30,793 --> 00:16:33,241 AND I TOTALLY GET THAT, BUT IWASN'T AWARE OF THAT. 290 00:16:33,275 --> 00:16:35,551 SO THAT IS DEFINITELY WHAT MADEME UPSET. 291 00:16:35,586 --> 00:16:38,103 AND I CRIED A A LOT. 292 00:16:38,137 --> 00:16:39,379 SURE. 293 00:16:39,413 --> 00:16:40,793 HOW DO YOU FEEL LIKE WITH MEAND THE OTHER GUYS COMING IN. 294 00:16:40,827 --> 00:16:43,827 WHEN YOU GUYS CAME IN IDEFINITELY WANTED TO GET TO KNOW 295 00:16:43,862 --> 00:16:44,448 YOU MORE. 296 00:16:44,482 --> 00:16:45,689 HOW ARE YOU WITH KIERSTAN. 297 00:16:45,724 --> 00:16:46,896 WE'RE GOOD. 298 00:16:46,931 --> 00:16:48,896 SHE IS STILL GOING STUFF WITHCARING TOB. 299 00:16:48,931 --> 00:16:52,000 SHE STILL HAS THAT PHYSICALATTRACTION, OBVIOUSLY. 300 00:16:52,034 --> 00:16:54,379 BUT I THINK THERE IS STILLEMOTIONAL STUFF GOING ON THERE. 301 00:16:54,413 --> 00:16:55,862 OKAY. 302 00:16:55,896 --> 00:16:56,620 WITH HIM. 303 00:16:56,655 --> 00:17:00,896 I WAS ALSO VERY ATTRACTED TOYOU. 304 00:17:00,931 --> 00:17:01,379 WOW, THANK YOU. 305 00:17:01,413 --> 00:17:02,482 NO, OF COURSE. 306 00:17:02,517 --> 00:17:04,344 IT IS GOOD TO TALK TO YOU ANDGETTING TO KNOW YOU. 307 00:17:04,379 --> 00:17:06,931 I SEE POTENTIAL IN BOTHKIERSTAN AND MOIRA. 308 00:17:06,965 --> 00:17:10,137 KIERSTAN IS MY NUMBER ONECHOICE, I AM HOPING IT WORKS OUT 309 00:17:10,172 --> 00:17:13,827 WITH HER, SHE ALSO MAKES IT SEEMMORE UP IN THE AIR, MOIRA SEEMS 310 00:17:13,862 --> 00:17:17,241 PRETTY OPEN AFTER EVERYTHINGTHAT HAPPENED WITH CONNOR, SHE 311 00:17:17,275 --> 00:17:20,241 SEEMED TO BE HAPPY TO BE TALKINGWITH ME, THERE WAS SMILING, IT 312 00:17:20,275 --> 00:17:22,482 FLOWED REALLY WELL, IT WASSMOOTH, I WOULD DEFINITELY LIKE 313 00:17:22,517 --> 00:17:26,689 TO SEE WHERE THIS COULD LEAD I'MREALLY GLAD YOU PULLED ME. 314 00:17:26,724 --> 00:17:32,448 THE MORE I TALK TO YOU THE MOREI FEEL AT HOME HERE WHICH IS 315 00:17:32,482 --> 00:17:33,275 NICE. 316 00:17:33,310 --> 00:17:33,896 >>. 317 00:17:33,931 --> 00:17:38,413 OH MY GOD. 318 00:17:38,448 --> 00:17:41,172 E MY GOD! 319 00:17:41,206 --> 00:17:46,344 I GOT A TEXT! 320 00:17:46,379 --> 00:17:51,344 GIRLS, GET READY TO LEAVE THEVILLA AND GET YOUR FRENCH ON, 321 00:17:51,379 --> 00:17:57,241 HASHTAG GIRL TALK HASHTAG NO BOYAS LAKED. 322 00:17:57,275 --> 00:17:58,586 -- ALLOWED. 323 00:17:58,620 --> 00:18:00,310 HOUSE AMOR NUMBER TWO. 324 00:18:01,344 --> 00:18:02,103 I'M TRIGGERED. 325 00:18:02,137 --> 00:18:08,448 LET'S GO GET READY. 326 00:18:08,482 --> 00:18:09,896 WHOOO. 327 00:18:09,931 --> 00:18:11,068 WE LOOK SO GOOD. 328 00:18:11,103 --> 00:18:13,310 THE LADIES ARE GO TO GO TALKABOUT THEM. 329 00:18:13,344 --> 00:18:15,758 THEY SHOULD BE A LITTLE MORESCARED. 330 00:18:15,793 --> 00:18:18,862 I'M GOING TO WALK OUT THERERIGHT NOW, AND BE LIKE HI 331 00:18:18,896 --> 00:18:19,448 JOHNNY. 332 00:18:19,482 --> 00:18:24,241 YOU EVIL, EVIL GIRL. 333 00:18:24,275 --> 00:18:28,275 LADIES WHO BRUNCH, NO BOYSALLOWED, BABY. 334 00:18:28,310 --> 00:18:28,965 BYE BOYS. 335 00:18:29,000 --> 00:18:31,206 ALL RIGHT LADIES, HAVE FUN. 336 00:18:31,241 --> 00:18:37,206 THEY COME RIGHT BY YOU 337 00:18:52,034 --> 00:18:53,310 >>♪ AIN'T OUT THERE SWIFT LIKE 338 00:18:53,344 --> 00:18:55,724 THIS ALL I HEAR IS THIS. 339 00:18:55,758 --> 00:18:56,448 ♪. 340 00:18:56,482 --> 00:18:59,000 WELCOME BACK TO LOVE ISLAND. 341 00:18:59,034 --> 00:19:11,344 THE FUTURE IS FEMALE AND SO ISTODAY'S GIRL'S ONLY BRUNCH. 342 00:19:11,379 --> 00:19:12,137 ♪. 343 00:19:12,172 --> 00:19:17,344 LOOK AT THIS, THIS IS SOCUTE. 344 00:19:20,689 --> 00:19:26,172 IT ISN'T A EITHER WAY STOP USMID MORNING FOR THEM. 345 00:19:26,206 --> 00:19:30,172 CHEERS YOU GUYS, TO OUR FIRSTBRUNCH DATE. 346 00:19:30,206 --> 00:19:32,413 HAPPY TO LEAVE THE VILLA ANDTHE BOYS BEHIND. 347 00:19:32,448 --> 00:19:33,862 WE NEEDED THAT. 348 00:19:33,896 --> 00:19:36,310 OH MY GOD, THIS IS SO NICE. 349 00:19:36,344 --> 00:19:37,586 YUM. 350 00:19:37,620 --> 00:19:40,827 YOU GUYS, HAVE I TO SAY, I'MSO HAPPY TO GET AWAY AND JUST 351 00:19:40,862 --> 00:19:45,275 LIKE NOT SEE JOHNNY STOMPINGAROUND. 352 00:19:45,310 --> 00:19:48,034 WE HAVEN'T TALKED TODAY ATALL, OBVIOUSLY SO THIS IS REALLY 353 00:19:48,068 --> 00:19:51,620 NICE TO HAVE MY GIRL CHAT WITHYOU GUYS BECAUSE I FEEL LIKE I'M 354 00:19:51,655 --> 00:19:55,068 IN A GOOD PLACE NOW IN TERMS OFWHAT I HAVE TO DO AND THE 355 00:19:55,103 --> 00:19:57,413 CONVERSATION I HAVE TO HAVE WITHHIM, AT THE END OF THE DAY HAVE 356 00:19:57,448 --> 00:20:02,586 I TO DO WHAT IS BEST WITH FOR MEAND I WOULD DO MYSELF A 357 00:20:02,620 --> 00:20:04,931 DISSERVICE IF I DO ANYTHING LESSTHAN WHAT I WANT. 358 00:20:04,965 --> 00:20:06,862 WHAT DO YOU THINK IS GOING ONWITH THE GIRLS. 359 00:20:06,896 --> 00:20:11,137 I BETS THEY'RE ENJOYING SIMEMIMOSAS, ESPECIALLY AFTER THE 360 00:20:11,172 --> 00:20:14,034 LAST CHALLENGE, I FEEL LIKE YOUARE DEFINITELY A TOPIC OF THE 361 00:20:14,068 --> 00:20:14,931 CONVERSATION OVER THERE. 362 00:20:14,965 --> 00:20:16,655 DON'T LET HIM GET AWAY WITHTOO MANY. 363 00:20:16,689 --> 00:20:19,034 PUT YOUR FOOT DOWN AND JUST BELIKE THAT WASN'T OKAY. 364 00:20:19,068 --> 00:20:21,931 LIKE YOU NEED TO PUT IN WORK TOGAIN MY TRUST BACK. 365 00:20:21,965 --> 00:20:24,379 GIRL, YOU GOT THAT BACKBONE,LET ME SEE IT. 366 00:20:24,413 --> 00:20:28,172 AND I WILL SAY LIKEYESTERDAY, I WAS DAMN PROUD OF 367 00:20:28,206 --> 00:20:28,689 MYSELF. 368 00:20:28,724 --> 00:20:29,620 HELL YA. 369 00:20:29,655 --> 00:20:30,965 I FEEL LIKE I FOUND MY VOICEYESTERDAY. 370 00:20:31,000 --> 00:20:32,482 YOU WERE SO SPHRONG. 371 00:20:32,517 --> 00:20:35,275 I'M HAPPY I HAD YOU GUYS, IDON'T THINK I WOULD HAVE EVER 372 00:20:35,310 --> 00:20:38,344 BEEN ABLE TO DO ANY OF THATWITHOUT YOUR GUY'S GUIDANCE SO I 373 00:20:38,379 --> 00:20:40,241 LOVE Y'ALL SO MUCH. 374 00:20:40,275 --> 00:20:41,034 WE LOVE YOU. 375 00:20:41,068 --> 00:20:42,896 BUT ENOUGH ABOUT ME, YOUGUYS. 376 00:20:42,931 --> 00:20:44,689 WHERE ARE YOU GUYS AT. 377 00:20:44,724 --> 00:20:46,068 LIKE WHAT IS GOING ON? 378 00:20:46,103 --> 00:20:50,068 WELL, CALVIN PULLED ME FOR ACHAT TODAY. 379 00:20:50,103 --> 00:20:51,206 OH REALLY. 380 00:20:51,241 --> 00:20:52,482 WHAT? 381 00:20:52,517 --> 00:20:57,862 SO I THINK IT WAS LIKE BASEDOFF OF THE COMMENTS YESTERDAY. 382 00:20:57,896 --> 00:21:00,586 THE SAID SOMETHING LIKEROMANTIC VIBE OR SOMETHING. 383 00:21:00,620 --> 00:21:04,172 BUT IT WAS PRETTY WELL, LIKEWE WERE ABLE TO CONNECT ON 384 00:21:04,206 --> 00:21:07,206 THINGS LIKE ON A DEEPER LEVELTHAN CARRINGTON AND I DO. 385 00:21:07,241 --> 00:21:09,551 WHICH IS KIND OF STRANGE TO ME. 386 00:21:09,586 --> 00:21:12,068 WE HAVE A LOT IN COMMON. 387 00:21:12,103 --> 00:21:14,137 MY HEAD IS KIND OF SCRAMBLEDHONESTLY. 388 00:21:14,172 --> 00:21:17,137 I THINK IF YOU DO HAVE MIXEDEMOTIONS ABOUT IT, THAT IS A 389 00:21:17,172 --> 00:21:19,241 SIGN THAT YOU SHOULD TAKE THETIME TO GET TO KNOW CALVIN 390 00:21:19,275 --> 00:21:22,103 BECAUSE YOU NEVER KNOW WHATCOULD COME FROM IT. 391 00:21:22,137 --> 00:21:26,689 I WOULD HIGHLY DOUBT-- I IFCALVIN WAS SEEING HER I WOULD 392 00:21:26,724 --> 00:21:28,068 LITERALLY TURN MY FLAG ON. 393 00:21:28,103 --> 00:21:30,103 > I THINK STHE IS INTERESTED INHIM. 394 00:21:30,137 --> 00:21:33,655 I DIDN'T, I COULDN'T SEETHAT. 395 00:21:33,689 --> 00:21:35,344 ANYBODY HERE EYEING CALVIN. 396 00:21:35,379 --> 00:21:38,862 HE SWOOPED HER OFF HER FEET,SHE NEVER REALLY GOT HER CHANCE, 397 00:21:38,896 --> 00:21:41,965 HER LOVE ISLAND OPPORTUNITY. 398 00:21:42,000 --> 00:21:43,103 YEAH. 399 00:21:43,137 --> 00:21:45,551 OUR RELATIONSHIP RIGHT NOW ISVERY-- SURFACE LEVEL. 400 00:21:45,586 --> 00:21:49,034 BUT WE ARE SUPER NEW, SO THATMAKES IT HARD TO GET SUPER DEEP 401 00:21:49,068 --> 00:21:50,551 WITH HIM AND THINGS LIKE THAT. 402 00:21:50,586 --> 00:21:53,482 I DON'T WANT TO MAKE HIM FEELPRESSURE THAT HE HAS TO OPEN UP 403 00:21:53,517 --> 00:21:56,586 TO ME, I THINK YOU SHARED ASIMILAR EXPERIENCE, THAT YOU 404 00:21:56,620 --> 00:21:58,103 TOLD ME HE IS HARD TO GET TOKNOW. 405 00:21:58,137 --> 00:22:01,827 HE IS VERY RESERVED, I WASNOT LYING, VERY RESERVED. 406 00:22:01,862 --> 00:22:05,172 I WOULD LIKE TO THANK THELOVE ISLAND GODS FOR THIS GIRL 407 00:22:05,206 --> 00:22:07,241 TIME CUZ WE NEEDED IT. 408 00:22:07,275 --> 00:22:11,517 YOU ARE STRONGER NOW, THANKSTO TEARS. 409 00:22:11,551 --> 00:22:14,827 CHEERS TO GIRL'S TIME. 410 00:22:14,862 --> 00:22:17,068 NO BOYS ALLOWED. 411 00:22:17,103 --> 00:22:19,275 CAMERAMAN TOM, BE A LAMB ANDTAKE US BACK TO THE CROMWELL 412 00:22:19,310 --> 00:22:23,896 WITH THE DRONE SHOTS. 413 00:22:23,931 --> 00:22:26,103 FLAWLESS, DOG. 414 00:22:26,137 --> 00:22:28,931 WE'RE BACK! 415 00:22:28,965 --> 00:22:30,551 WAS' UP, WHAT'S UP? 416 00:22:30,586 --> 00:22:36,896 CAN WE JUST TALK ABOUT THEMALE STRIPPERS THAT THAT WE SAW? 417 00:22:36,931 --> 00:22:39,241 THE BOOTY IN OUR FACES. 418 00:22:39,275 --> 00:22:41,275 HOW WAS IT, WHAT DID Y'ALLDO. 419 00:22:41,310 --> 00:22:42,068 WE WENT TO THE NEON MUSEUM. 420 00:22:42,103 --> 00:22:43,724 IT WAS SO DOPE. 421 00:22:43,758 --> 00:22:45,034 DID YOU MISS US AT ALL. 422 00:22:45,068 --> 00:22:48,034 WE MISSED YOU THE WHOLE TIME,WE KEPT TALKING ABOUT YOU. 423 00:22:48,068 --> 00:22:51,344 GIRL'S DAY WAS SO VERY, VERY,VERY, VERY MUCH NEEDED. 424 00:22:51,379 --> 00:22:54,137 IT WAS JUST NICE TO GET AWAY,HAVE GIRL CHAT. 425 00:22:54,172 --> 00:22:59,275 I DID MISS CALEB JUST A LITTLEBIT OF TIME AWAY WAS NICE. 426 00:22:59,310 --> 00:23:05,344 GLAD YOU HAD FUN. 427 00:23:05,379 --> 00:23:10,137 HOWE ARE YOU. 428 00:23:10,172 --> 00:23:12,551 OKAY. 429 00:23:12,586 --> 00:23:16,344 I HAVEN'T REALLY LIKE THOUGHTABOUT WHAT I WANTED TO SAY, LIKE 430 00:23:16,379 --> 00:23:19,862 IT REALLY IS HARD FOR ME TO BEVULNERABLE AN TO REALLY VOICE 431 00:23:19,896 --> 00:23:23,172 HOW I FEEL AND YOU NEED TO KNOWTHAT LIKE WHEN I'M SPEAKING TO 432 00:23:23,206 --> 00:23:27,482 YOU, THE EYE ROLLS, THE SMIRKS,ALL THAT STUFF, THAT CAN'T 433 00:23:27,517 --> 00:23:28,724 HAPPEN. 434 00:23:28,758 --> 00:23:31,620 YOU KNOW HOW HARD IT IS FOR METO LIKE EVEN TELL YOU HOW I'M 435 00:23:31,655 --> 00:23:32,896 FEELING. 436 00:23:32,931 --> 00:23:34,103 AND THE FACT THAT YOU DIDN'T LETME HAVE THAT, THAT IS WHERE I 437 00:23:34,137 --> 00:23:35,896 WAS LIKE, WHAT THE HELL. 438 00:23:35,931 --> 00:23:41,275 I FORGET THAT YOU ARE 22 BECAUSEARE YOU SO MATURE BUT LIKE I 439 00:23:41,310 --> 00:23:43,275 NEED TO YOU DO BETTER. 440 00:23:43,310 --> 00:23:44,724 YEAH, AND A HUNDRED PERCENT,I HEAR YOU. 441 00:23:44,758 --> 00:23:47,275 AND IT'S LIKE THEN IT IS AQUESTION IS DO I WANT TO PUT 442 00:23:47,310 --> 00:23:48,379 MYSELF THROUGH THAT. 443 00:23:48,413 --> 00:23:51,137 I DON'T WANT YOU FEELING LIKETHIS. 444 00:23:51,172 --> 00:23:54,034 YOU KNOW, I WANT INTO TODAYKNOWING I HAVE TO CHANGE, I HAVE 445 00:23:54,068 --> 00:23:55,620 TO BE MORE OF A LISTENER. 446 00:23:55,655 --> 00:23:57,241 I CAN'T BE SO DEFENSIVE. 447 00:23:57,275 --> 00:23:58,724 WE HAVE A LOT GOING FOR US. 448 00:23:58,758 --> 00:24:00,551 SHE IS SO IMPORTANT TO ME. 449 00:24:00,586 --> 00:24:02,172 SHE BRINGS A LOT TO THE TABLE. 450 00:24:02,206 --> 00:24:04,758 I DON'T WANT TO JEOPARDIZE OURRELATIONSHIP EVER AGAIN. 451 00:24:04,793 --> 00:24:06,034 I AM STILL UPSET. 452 00:24:06,068 --> 00:24:08,034 THAT DOESN'T JUST GO AWAY. 453 00:24:08,068 --> 00:24:11,000 AND I'M NOT GOING TO TELL YOUTHAT THINGS ARE OKAY IF THEY'RE 454 00:24:11,034 --> 00:24:14,137 NOT OKAY, BECAUSE I'M NOT OKAY,YOU NEED TO DO BETTER AND WORK 455 00:24:14,172 --> 00:24:16,344 HARD BECAUSE I HAVE BEEN PUTTHROUGH TOO MUCH. 456 00:24:16,379 --> 00:24:17,241 I UNDERSTAND. 457 00:24:25,034 --> 00:24:33,724 CESARS VILLA, AS MOTHER SAID,PRIMPING AIN'T EASY BUT AMERICA 458 00:24:33,758 --> 00:24:38,241 IS WATCHING AND SO IS THEISLANDER U LOVE. 459 00:24:38,275 --> 00:24:42,620 DO YOU GUYS THINK I'M NEXT TOGO. 460 00:24:42,655 --> 00:24:43,620 MOIRA! 461 00:24:43,655 --> 00:24:45,310 MOIRA NEGATIVE THOUGHTS STAYON THE INSIDE. 462 00:24:45,344 --> 00:24:47,241 YOU'RE GOING TO MAKE OUT WITHBOYS. 463 00:24:47,275 --> 00:24:48,862 GET YOUR LIPSTICK READY. 464 00:24:48,896 --> 00:24:51,275 I GOT TO MAKEOUT WITH SOMEONETONIGHT. 465 00:24:51,310 --> 00:24:56,827 I THROW MY HANDS UP IN THEAIR. 466 00:24:56,862 --> 00:25:03,241 ♪ I THROW MY HANDS UP IN THEAIR. 467 00:25:03,275 --> 00:25:04,482 ♪. 468 00:25:04,517 --> 00:25:07,034 CHEERS TO ANOTHER NIGHT INTHE VILLA WITH YOU GUYS, IT IS 469 00:25:07,068 --> 00:25:12,655 LOT OF FUN SO FAR AND I HOPE THEFUN KEEPS ON GOING WITH ALL OF 470 00:25:12,689 --> 00:25:18,413 YOU. 471 00:25:18,448 --> 00:25:19,655 CHEESIER! 472 00:25:19,689 --> 00:25:22,275 A SWEET GAVE LAUREL SOMEDOUBTS ABOUT CARRINGTON BUT NOW 473 00:25:22,310 --> 00:25:24,137 HE'S STEPPING IN TO GIVE HEREVEN MORE. 474 00:25:24,172 --> 00:25:25,551 WHAT IS LAUREL'S FAVORITECOLOR. 475 00:25:25,586 --> 00:25:30,620 WHAT IS LAUREL'S COLOR OF HEREYES. 476 00:25:30,655 --> 00:25:33,103 THEY ARE BRUNETTE. 477 00:25:33,137 --> 00:25:35,931 DARK, DARKER EYES. 478 00:25:35,965 --> 00:25:39,275 REVEAL LAUREL, REVEAL YOUREYE COLOR. 479 00:25:39,310 --> 00:25:39,689 THEY'RE GREEN. 480 00:25:39,724 --> 00:25:40,172 THAT'S. 481 00:25:40,206 --> 00:25:40,862 THEY'RE GREEN. 482 00:25:40,896 --> 00:25:42,517 >>ER IN'S LIKE MY, LIKE HAZEL. 483 00:25:42,551 --> 00:25:44,862 NO, THEY'RE NOT, THEY'REGREEN. 484 00:25:44,896 --> 00:25:46,586 HOW OLD IS LAUREL. 485 00:25:46,620 --> 00:25:50,137 SHE IS MY AGE, 23. 486 00:25:50,172 --> 00:25:50,827 NO, I'M NOT. 487 00:25:50,862 --> 00:25:54,620 YES, YOU ARE, OH WAIT, 22. 488 00:25:54,655 --> 00:25:56,620 ARE YOU 22. 489 00:25:56,655 --> 00:25:59,379 HOW MANY SIBLINGS AND WHATGENDER. 490 00:25:59,413 --> 00:26:01,137 YOU HAVE SUKS AND YOU GOT. 491 00:26:01,172 --> 00:26:02,793 NO. 492 00:26:02,827 --> 00:26:03,241 YES. 493 00:26:03,275 --> 00:26:04,482 NO, I DON'T. 494 00:26:04,517 --> 00:26:07,034 THEY'RE ALL GIRLS BESIDESONE, ONE IS A BOY. 495 00:26:07,068 --> 00:26:11,206 I HAVE THREE SISTERS AND TWOBROTHERS. 496 00:26:11,241 --> 00:26:11,758 BARELY OFF. 497 00:26:11,793 --> 00:26:12,931 HOW MANY DO I HAVE? 498 00:26:12,965 --> 00:26:16,172 YOU HAVE A SISTER AND ABROTHER AND YOUR DAD'S NAME IS 499 00:26:16,206 --> 00:26:18,551 JOSE AND YOUR MOM'S NAME ISSTEPHANIE. 500 00:26:18,586 --> 00:26:21,896 AND YOUR FAVORITE COLOR ISSPOARTS, YOU HAVE 23 YEARS OLD, 501 00:26:21,931 --> 00:26:23,482 YOU HAVE BROWN EYES. 502 00:26:23,517 --> 00:26:26,344 I'M SO INVESTED IN CARRINGTONBUT AT THE SAWM TIME I FEEL LIKE 503 00:26:26,379 --> 00:26:30,241 I'VE BEEN THROUGH SO MANY RUPSIN THE PAST THAT HAVE AFFECTED 504 00:26:30,275 --> 00:26:33,413 ME AND I CAN RECOGNIZE THESESIGNS FROM PAST RELATIONSHIPS 505 00:26:33,448 --> 00:26:38,586 THAT I AM SEEING IN HIM RIGHTNOW THAT ALMOST MAKE ME A LITTLE 506 00:26:38,620 --> 00:26:46,379 BIT NERVOUS FOR OUR FUTURE. 507 00:26:46,413 --> 00:26:47,965 HOW ARE YOU AND CARRINGTON? 508 00:26:48,000 --> 00:26:49,551 DID Y'ALL HAVE A GOOD DAY? 509 00:26:49,586 --> 00:26:52,896 WE HAD A GOOD DAY BUT I STILLHAVEN'T TACKED TO HIM ABOUT 510 00:26:52,931 --> 00:26:57,172 TRYING TO MAKE IT CLEAR THAT IAM GOING TO GET TO KNOW CALVIN. 511 00:26:57,206 --> 00:26:59,413 ARE YOU GOING TO GET TO KNOWCALVIN ON A DEEPER LEVEL. 512 00:26:59,448 --> 00:27:02,034 I DON'T KNOW WHAT TO DO. 513 00:27:02,068 --> 00:27:03,310 I DON'T KNOW. 514 00:27:03,344 --> 00:27:06,689 NO, CUZ AFTER LIKE TALKING TOALL THE GIRLS, I DON'T WANT TO 515 00:27:06,724 --> 00:27:07,862 SELL MYSELF SHORT. 516 00:27:07,896 --> 00:27:10,793 WE CAN TALK ABOUT A LOT OFDEEPER THINGS THAT CARRINGTON 517 00:27:10,827 --> 00:27:12,655 AND I DON'T REALLY CONNECT ON. 518 00:27:12,689 --> 00:27:16,517 BUT IF I AM GOING TO CONTINUE TOTALK TO HIM AND STILL PURSUE 519 00:27:16,551 --> 00:27:18,793 THINGS WITH CARRINGTON, SHOULD ISAY SOMETHING TO CARRINGTON. 520 00:27:18,827 --> 00:27:21,344 YOU KNOW HOW HE IS, HE IS JUSTGOING TO FLIP OUT. 521 00:27:21,379 --> 00:27:23,344 I FEEL LIKE IF YOU LAYEVERYTHING ON THE TABLE, THERE 522 00:27:23,379 --> 00:27:26,275 IS NO WAY YOU CAN COME BACK ANDBE LIKE WELL HERE'S THIS. 523 00:27:26,310 --> 00:27:30,655 AND DID YOU THIS. 524 00:27:30,689 --> 00:27:31,517 YEAH. 525 00:27:31,551 --> 00:27:36,344 YOU DON'T HAVE THAT MUCH TIMELEFT. 526 00:27:36,379 --> 00:27:38,517 I CAME HERE FOR A REASON. 527 00:27:38,551 --> 00:27:42,620 I WANT TO LEAVE HERE WITHSOMEBODY AND IF CARRINGTON IS 528 00:27:42,655 --> 00:27:45,103 NOT FEELING THE SAME WAY, THENWHAT'S THE POINT. 529 00:27:45,137 --> 00:27:48,482 WHAT IS THE POINT? 530 00:27:48,517 --> 00:27:53,586 LIKE WOUNDED SEALS, JOHNNYAND CELY ARE ON THE ROCKS. 531 00:27:53,620 --> 00:27:56,413 CELY-- SORRY, CELY CHECKS INWITH SINGLE BOY BENNY AND 532 00:27:56,448 --> 00:28:00,689 DESPITE THE WHITE LINEN PANTS,JOHNNY IS STILL THREATENED BY 533 00:28:00,724 --> 00:28:01,275 HIM. 534 00:28:01,310 --> 00:28:02,344 HOW ARE YOU FEELING? 535 00:28:02,379 --> 00:28:02,724 I'M GOOD. 536 00:28:02,758 --> 00:28:03,482 HOW ARE YOU? 537 00:28:03,517 --> 00:28:05,000 I'M GOOD, YOU KNOW. 538 00:28:05,034 --> 00:28:07,482 I REALLY WANTED TO TALK TO YOUTHOUGH, I WANTED TO SEE HOW YOU 539 00:28:07,517 --> 00:28:08,620 ARE DOING. 540 00:28:08,655 --> 00:28:10,827 IT IS PRETTY CRAZY, I FEELLIKE. 541 00:28:10,862 --> 00:28:13,931 IT'S BEEN LIKE AN EMOTIONAL FEWDAYS FOR ME. 542 00:28:13,965 --> 00:28:15,137 FOR SURE. 543 00:28:15,172 --> 00:28:18,689 BUT HONESTLY I JUST WANT TOSAY I'M SORRY BECAUSE I FEEL 544 00:28:18,724 --> 00:28:22,586 LIKE MINE AND JOHNNY'S DRAMA HASBEEN THE FOKAL POINT OF THE 545 00:28:22,620 --> 00:28:23,896 VILLA. 546 00:28:23,931 --> 00:28:26,931 AND IT'S JUST NOT FUN FOR ME TOKNOW THAT LIKE EVERYBODY IN HERE 547 00:28:26,965 --> 00:28:28,172 HAD TO SUFFER FROM THAT. 548 00:28:28,206 --> 00:28:31,448 YOU KNOW WHAT I MEAN, SO I WANTTO APOLOGIZE FOR THAT. 549 00:28:31,482 --> 00:28:33,448 DON'T APOLOGIZE FOR IT YOUDIDN'T DO ANYTHING WRONG. 550 00:28:33,482 --> 00:28:34,517 YEAH. 551 00:28:34,551 --> 00:28:36,241 YOU KNOW, SO THERE IS NOTHINGTO APOLOGIZE FOR. 552 00:28:36,275 --> 00:28:42,275 I MEAN WHATEVER IS HAPPENING ISNOT BECAUSE OF YOU. 553 00:28:42,310 --> 00:28:42,724 YEAH. 554 00:28:42,758 --> 00:28:43,448 I FEEL THAT. 555 00:28:43,482 --> 00:28:44,172 HOW ARE YOU? 556 00:28:44,206 --> 00:28:47,034 I MEAN I THOUGHT I WAS GOOD. 557 00:28:47,068 --> 00:28:48,827 JOHNNY, NOTHING BAD'S GOINGTO HAPPEN. 558 00:28:48,862 --> 00:28:51,482 THIS HAS BEEN STRESSFUL. 559 00:28:51,517 --> 00:28:53,137 BEYOND COMPARE TO BE REAL. 560 00:28:53,172 --> 00:28:57,137 ANY TIME I SEE MY GIRL TALKINGTO ANOTHER GUY, OF COURSE MY 561 00:28:57,172 --> 00:29:00,275 FIRST REACTION IS TO GET SOMEWHAT PROTECTIVE. 562 00:29:00,310 --> 00:29:05,310 I CAN'T IMAGINE ANYTHINGBEING MORE EVER A TEST THAN THIS 563 00:29:05,344 --> 00:29:06,172 IS. 564 00:29:06,206 --> 00:29:07,758 IT'S JUST LUKE REALLY, REALLYHARD. 565 00:29:07,793 --> 00:29:11,172 LIKE BEING PUT IN A POSITIONLIKE WHERE I WAS AT AND THEN 566 00:29:11,206 --> 00:29:15,827 WITH YOU WALKING IN, OBVIOUSLYWE HAD AN AMAZING FIRST DATE. 567 00:29:15,862 --> 00:29:16,793 FOR SURE. 568 00:29:16,827 --> 00:29:20,000 LITERALLY I ENJOYED EVERYSECOND OF THAT. 569 00:29:20,034 --> 00:29:21,448 NO, FOR SURE, LIKEWISE. 570 00:29:21,482 --> 00:29:22,931 IT WAS SO, SO GOOD. 571 00:29:22,965 --> 00:29:26,206 AND BEING AWARE OF ALL THAT YOUARE AS A MAN. 572 00:29:26,241 --> 00:29:26,862 SURE. 573 00:29:26,896 --> 00:29:28,206 IT JUST GIVES ME CLARITY. 574 00:29:28,241 --> 00:29:28,793 UH-HUH. 575 00:29:28,827 --> 00:29:30,103 YOU KNOW WHAT I MEAN. 576 00:29:30,137 --> 00:29:33,206 EVERY TIME I TALK TO BENEE THEREIS A PART OF ME THAT IS THINKING 577 00:29:33,241 --> 00:29:36,034 ABOUT IS ME CONTINUING WITHJOHNNY IS THE RIGHT DECISION AND 578 00:29:36,068 --> 00:29:37,172 THINK BEING BENNY IN OTHER WAYS. 579 00:29:37,206 --> 00:29:42,655 BECAUSE HE HAS DONE NOTHINGBUT JUST BE OUTSTANDING. 580 00:29:42,689 --> 00:29:43,896 I APPRECIATE REALNESS. 581 00:29:43,931 --> 00:29:47,034 I TOLD YOU ON THE FIRST DATE I'MA GENUINE DUDE, A REAL DUDE. 582 00:29:47,068 --> 00:29:48,241 I KNOW YOU ARE. 583 00:29:48,275 --> 00:29:51,103 AT THE END OF THE DAY, BEREAL TO ME, BE TRANSPARENT AND 584 00:29:51,137 --> 00:29:51,896 WE'RE GOOD. 585 00:29:51,931 --> 00:29:52,482 LIKE I SAID. 586 00:29:52,517 --> 00:29:54,241 I MEAN HERE FOR YOU. 587 00:29:54,275 --> 00:29:56,931 I SUPPORT YOU A THOUSAND PERSZ. 588 00:29:56,965 --> 00:29:59,379 AND THAT'S THE ENERGY THAT IGOT FROM YOU RIGHT AWAY. 589 00:29:59,413 --> 00:30:00,689 YES. 590 00:30:00,724 --> 00:30:03,379 AND THAT IS WHAT ATTRACTED METO YOU SO MUCH, DO YOU KNOW WHAT 591 00:30:03,413 --> 00:30:03,862 I MEAN. 592 00:30:03,896 --> 00:30:04,344 YEAH, FOR SURE. 593 00:30:04,379 --> 00:30:06,620 GIVE ME A HUG. 594 00:30:06,655 --> 00:30:20,068 YOU ALREADY KNOW. 595 00:30:20,103 --> 00:30:23,413 I'M TAKING A MOMENT. 596 00:30:23,448 --> 00:30:27,379 ♪ I'M JUST A LITTLE CONFUSED. 597 00:30:27,413 --> 00:30:29,724 ABOUT? 598 00:30:29,758 --> 00:30:30,034 CARRINGTON? 599 00:30:30,068 --> 00:30:30,931 YEAH. 600 00:30:30,965 --> 00:30:32,655 I MEAN WELL I KNOW HOW I FEELABOUT HIM. 601 00:30:32,689 --> 00:30:36,586 I JUST, I KNOW THAT WE NEED TOHAVE A CONVERSATION TOMORROW. 602 00:30:36,620 --> 00:30:37,413 YEAH. 603 00:30:37,448 --> 00:30:41,931 A HARD CONVERSATION. 604 00:30:41,965 --> 00:30:43,241 YEAH. 605 00:30:43,275 --> 00:30:51,413 ARE YOU INTERESTED IN TALKINGAT ALL OR DID YOU WANT TO PURSUE 606 00:30:51,448 --> 00:30:52,724 HIM? 607 00:30:52,758 --> 00:30:56,827 I WANT TO GET TO KNOW HIM BUTNOT PURSUE HIM LIKE IN THAT WAY. 608 00:30:56,862 --> 00:31:00,655 BUT YOU DO WANT TO GET TOKNOW HIM. 609 00:31:00,689 --> 00:31:02,689 DON'T GET MAD AT ME, I'M JUSTASKING. 610 00:31:02,724 --> 00:31:05,482 I WAS REALLY CAUGHT OFF GUARDWITH THE CONVERSATION. 611 00:31:05,517 --> 00:31:08,724 I WASN'T REALLY READY TO HAVETHAT, I WANTED TO SLEEP ON IT 612 00:31:08,758 --> 00:31:14,517 AND HAVE TIME TO THINK. 613 00:31:14,551 --> 00:31:21,275 OH NO MORE I LOVE YOU. 614 00:31:21,310 --> 00:31:27,413 ♪ IT'S TOO EASY. 615 00:31:27,448 --> 00:31:31,068 BLAME IT ON THE WORLD. 616 00:31:31,103 --> 00:31:33,241 ♪ TELL ME BEFORE IT'S TOO LATE. 617 00:31:33,275 --> 00:31:39,379 ♪ NO MORE I LOVE YOU. 618 00:31:39,413 --> 00:31:46,413 ♪♪ 619 00:31:58,034 --> 00:31:59,275 WELCOME BACK TO LOVE ISLAND. 620 00:31:59,310 --> 00:32:02,896 NEW BOY NOAH LEFT THE VILLA LASTNIGHT BUT IT'S A NEW DAY WHICH 621 00:32:02,931 --> 00:32:05,448 MEANS NEW DRAMA. 622 00:32:05,482 --> 00:32:07,034 AND OLD DRAMA. 623 00:32:07,068 --> 00:32:09,655 BASICALLY THERE'S LOTS OF DRAMACOMING. 624 00:32:09,689 --> 00:32:10,310 YUMMY. 625 00:32:10,344 --> 00:32:13,586 GOOD MORNING, ISLANDERS. 626 00:32:13,620 --> 00:32:18,827 LET'S GET IT PEOPLE, WAKEYWAKEY EGGS AND BACY. 627 00:32:18,862 --> 00:32:30,137 GOOD MORNING, BUDDY. 628 00:32:30,172 --> 00:32:32,034 MOIRA VIN DIESEL OR JOHNNY. 629 00:32:32,068 --> 00:32:33,034 VIN DIESEL. 630 00:32:33,068 --> 00:32:35,551 NOT KNOWING JOHNNY IS THEFIRST RECOUPLING. 631 00:32:35,586 --> 00:32:40,482 IF I DIDN'T KNOW YOU GUYSWERE AND I KNEW WHO VIN DIESEL 632 00:32:40,517 --> 00:32:41,724 WAS. 633 00:32:41,758 --> 00:32:43,689 IF VIN DIESEL WAS A NORMALPERSON AND YOU SAW HIM ON THE 634 00:32:43,724 --> 00:32:46,793 STREET NEXT TO ME, WHO ARE YOUPICKING. 635 00:32:46,827 --> 00:32:47,965 VUN DIESEL. 636 00:32:48,000 --> 00:32:51,379 THIS CHAT REALLY PUTS THE PASTHETIC IN HYPOTHETICAL. 637 00:32:51,413 --> 00:32:54,517 I THINK IT NEEDS A LITTLESEND. 638 00:32:54,551 --> 00:32:57,724 I GOT A TEXT! 639 00:32:57,758 --> 00:33:02,172 WHO GOT A TEXT, YOU GOT A TEXT,WHO, WHO GOT A TEXT, YOU YOU GOT 640 00:33:02,206 --> 00:33:03,241 A TEXT. 641 00:33:03,275 --> 00:33:05,551 SHOUT OUT, VIN DIESEL. 642 00:33:05,586 --> 00:33:08,448 SHOUT OUT VIN DIESEL. 643 00:33:08,482 --> 00:33:11,758 ISLANDERS, TONIGHT THERE WILLBE A RECOUPLING. 644 00:33:11,793 --> 00:33:15,965 THE ILGOS HAVE THE POWER AND THEBOYS NOT PICKED WILL BE DUMPED 645 00:33:16,000 --> 00:33:25,000 FROM THE VILLA, HASHTAG WORK FORT HASHTAG DUECES. 646 00:33:25,034 --> 00:33:34,862 PLAYING GAMES. 647 00:33:34,896 --> 00:33:39,862 I WOULD JUST LIKE TO TALK ANDSEE WHAT IS GOING ON. 648 00:33:39,896 --> 00:33:40,758 WELL. 649 00:33:40,793 --> 00:33:44,034 IEMG'S SURE THERE IS A LOTGOING ON. 650 00:33:44,068 --> 00:33:45,344 YEAH. 651 00:33:45,379 --> 00:33:48,034 YOU KNOW I HAD A CHAT AND I FEELLIKE, YOU KNOW, OUR CHAT AND OUR 652 00:33:48,068 --> 00:33:51,413 CONVERSATION, LIKE ALLOWED ME TOREALIZE THAT I AM ABLE TO HAVE 653 00:33:51,448 --> 00:33:56,137 DEEPER CONVERSATIONS WITH PEOPLEAND MAYBE THAT THEIR 654 00:33:56,172 --> 00:33:58,689 RELATIONSHIP WITH CARRINGTON ANDI, WHAT WE HAVE LACKS IN THAT 655 00:33:58,724 --> 00:33:59,965 AREA. 656 00:34:00,000 --> 00:34:01,862 THAT I KNOW THAT CONVERSATIONOPENED THE DOOR FOR ME TO THINK 657 00:34:01,896 --> 00:34:02,586 ABOUT THINGS. 658 00:34:02,620 --> 00:34:04,344 I THINK YOU ARE A GREAT GIRL. 659 00:34:04,379 --> 00:34:07,310 I THINK THAT WE HAD SOME GOODCONVERSATIONS. 660 00:34:07,344 --> 00:34:10,137 I DO LOOK FORWARD TO HAVING MORECONVERSATIONS WITH YOU. 661 00:34:10,172 --> 00:34:11,241 YEAH. 662 00:34:11,275 --> 00:34:14,068 AND HE DID TELL ME LIKEBECAUSE LAST NIGHT HE WAS 663 00:34:14,103 --> 00:34:15,344 GETTING FRUSTRATED. 664 00:34:15,379 --> 00:34:18,137 SO HE WAS KIND OF LIKE TALKINGAT ME AND NOT REALLY ALLOWING ME 665 00:34:18,172 --> 00:34:19,379 TO SAY MY PEACE. 666 00:34:19,413 --> 00:34:23,965 AND WE GOT IN A LITTLE ARGUMENTABOUT IT AND I AM TO GET UP 667 00:34:24,000 --> 00:34:25,000 BECAUSE I WAS GETTING EMOTIONAL. 668 00:34:25,034 --> 00:34:25,965 SO I LEFT. 669 00:34:26,000 --> 00:34:27,655 THAT IS KIND OF WHERE WE ARE ATRIGHT KNOW. 670 00:34:27,689 --> 00:34:28,965 I HEAR YOU. 671 00:34:29,000 --> 00:34:32,758 SO I DO FEEL LIKE YOU ARE AGREAT GUY AND YOU ARE SO EASY TO 672 00:34:32,793 --> 00:34:35,551 TALK TO, AND THAT IS WHAT MAKESIF SO HARD, BECAUSE YOU HAVE A 673 00:34:35,586 --> 00:34:37,482 LOT OF DEPTD TO YOU AS A PERSON. 674 00:34:37,517 --> 00:34:39,034 AND THAT IS WHAT I AM LOOKINGFOR. 675 00:34:39,068 --> 00:34:42,206 I AM A STRONG BELIEVER THAT THEGRASS GROWS WHERE YOU WATER IT. 676 00:34:42,241 --> 00:34:46,896 SO THAT IS-- I THINK THAT IS WHYIT SCREWED WITH MY MIND. 677 00:34:46,931 --> 00:34:48,310 GOOD DEAL. 678 00:34:48,344 --> 00:34:56,517 I WAS KIND OF NERVOUS READINGIT, TO BE HONEST. 679 00:34:56,551 --> 00:35:01,620 I THINK THAT WE HAVE HADGREAT CHATS AND THINGS HAVE 680 00:35:01,655 --> 00:35:03,034 PROGRESSED A LITTLE BIT. 681 00:35:03,068 --> 00:35:08,965 BUT I MEAN GOING INTO THIS IT ISJUST, YEAH, I MEAN I USUALLY 682 00:35:09,000 --> 00:35:10,137 TAKE THE DAY. 683 00:35:10,172 --> 00:35:14,827 I AM SO FRUSTRATED BECAUSE ICAME TO LOVE ISLAND FOR A 684 00:35:14,862 --> 00:35:17,586 GENUINE CONNECTION WITH SOMEONEBUT I REALIZED THAT IT IS HARD 685 00:35:17,620 --> 00:35:20,206 FOR ME TO GO DEEP WITH SOMEONEAND OPEN UP. 686 00:35:20,241 --> 00:35:23,206 AND TONIGHT AT THE RECOUPLING IAM GOING TO PICK THE BEST FIT 687 00:35:23,241 --> 00:35:28,034 FOR ME TO PUSH MYSELF AND MAKEMYSELF OPEN UP. 688 00:35:28,068 --> 00:35:31,448 DEPENDING ON WHAT YOU DECIDETO DO TONIGHT, I WANT YOU TO 689 00:35:31,482 --> 00:35:35,034 FEEL COMFORTABLE, LIKE A NEWDECISION MOVING FORWARD. 690 00:35:35,068 --> 00:35:36,344 YEAH, OF COURSE. 691 00:35:36,379 --> 00:35:39,551 I JUST WANT TO MAKE SURE YOUASK ME WHATEVER YOU WANT TO ASK 692 00:35:39,586 --> 00:35:40,827 ME FOR TONIGHT. 693 00:35:40,862 --> 00:35:43,000 I DON'T THINK I REALLY HAVEANY QUESTIONS THAT WOULD SWAY A 694 00:35:43,034 --> 00:35:44,034 DECISION OR ANYTHING. 695 00:35:44,068 --> 00:35:45,758 I THINK IT IS JUST US HAVINGMORE CONVERSATIONS. 696 00:35:45,793 --> 00:35:47,034 FOR SURE. 697 00:35:47,068 --> 00:35:52,275 WITH THE RECOUPLING IMMINENT,CONNOR IS A DRIFT IN THE GULF OF 698 00:35:52,310 --> 00:35:53,413 EXICO. 699 00:35:53,448 --> 00:35:56,172 SO HE SWINGS TO MOIRA, THEPOTENTIAL LIFE PRESERVER HE 700 00:35:56,206 --> 00:35:56,965 FRIEND ZONED. 701 00:35:57,000 --> 00:35:58,965 MOIRA. 702 00:35:59,000 --> 00:35:59,620 YEAH. 703 00:35:59,655 --> 00:36:02,241 WHAT IS GOING ON, CONNOR? 704 00:36:02,275 --> 00:36:05,034 NOTHING MUCH. 705 00:36:05,068 --> 00:36:10,620 FIGURING OUT ABOUT TODAY,LEADING INTO TONIGHT. 706 00:36:10,655 --> 00:36:13,034 DID YOU WANT TO TALK ABOUT THAT? 707 00:36:13,068 --> 00:36:16,689 YEAH, I'M DOWN, I'M DOWN TOSTAY HERE. 708 00:36:16,724 --> 00:36:17,965 OKAY. 709 00:36:18,000 --> 00:36:22,586 I THINK AT LEAST AFTER TONIGHTTHERE WILL BE ONE COUPLE THAT IS 710 00:36:22,620 --> 00:36:25,034 BASED OFF OF A FRIENDSHIP. 711 00:36:25,068 --> 00:36:28,586 I JUST WANTED TO SEE WHAT YOUARE THINKING RIGHT NOW. 712 00:36:28,620 --> 00:36:32,172 I'M KIND OF REALLY UP IN THEAIR AT THE MOMENT. 713 00:36:32,206 --> 00:36:35,172 AND ALL OF YOU GUYS DESERVE TOBE HERE. 714 00:36:35,206 --> 00:36:41,034 AND I REALLY DO LOVE ALL OF YOUGUYS WITHIN THANK YOU FOR BEING 715 00:36:41,068 --> 00:36:43,482 HONEST AND TRANSPARENT BECAUSEWE HAVE ALWAYS BEEN THAT WAY 716 00:36:43,517 --> 00:36:44,689 WITH EACH OTHER. 717 00:36:44,724 --> 00:36:49,000 AND I DO UNDERSTAND HOW, YOUKNOW, DIFFICULT THIS DECISION 718 00:36:49,034 --> 00:36:52,965 MAY BE. 719 00:36:53,000 --> 00:36:58,793 NOW CALVIN MAKES HIS PITCHFOR THE SAFE HARBOR OF THE ONE 720 00:36:58,827 --> 00:37:02,241 HE FRIEND GLOINED, ALSO MOIRA. 721 00:37:02,275 --> 00:37:03,034 NOW ARE YOU DOING? 722 00:37:03,068 --> 00:37:07,586 I AM A DECISION TO MAKETONIGHT. 723 00:37:07,620 --> 00:37:08,793 YOU DO. 724 00:37:08,827 --> 00:37:11,965 I HONESTLY HAVE NO IDEA BUTLIKE WHERE IS YOUR HEAD AT? 725 00:37:12,000 --> 00:37:14,655 BASICALLY I'M JUST LOOKINGFOR THE RIGHT PERSON, THE RIGHT 726 00:37:14,689 --> 00:37:17,758 OPPORTUNITY TO REALLY CONTINUETO BUILD THAT CONNECTION WITH. 727 00:37:17,793 --> 00:37:21,344 BUT I DO FEEL LIKE OBVIOUSLY THELONGEST CONNECTION CONNECTION I 728 00:37:21,379 --> 00:37:22,758 HAVE HAD HERE IS YOU. 729 00:37:22,793 --> 00:37:26,206 I'M STILL RIDING THE POSITIVETRAIN BUT I'M IN A VERY GOOD 730 00:37:26,241 --> 00:37:28,034 SPACE MENTALLY AND EMOTIONALLY. 731 00:37:28,068 --> 00:37:32,206 AND I AM READY TO FIND SOMEONEAND CONTINUE TO CONNECT. 732 00:37:32,241 --> 00:37:37,344 IT SOWJS LIKE-- SOUNDS LIKEIF YOU HAD MORE TIME YOU WOULD 733 00:37:37,379 --> 00:37:41,931 DEFINITELY BE UTILIZING IT ANDYOU WOULDN'T BE SHUTTING PEOPLE 734 00:37:41,965 --> 00:37:42,551 OFF. 735 00:37:42,586 --> 00:37:43,379 100 PERCENT. 736 00:37:43,413 --> 00:37:45,758 OH MAN, THEY ARE SUCH GREATGUYS. 737 00:37:45,793 --> 00:37:48,655 SO IT'S NOT GOING TO BE EASY. 738 00:37:48,689 --> 00:37:51,689 WELL, THAT GAVE ME A LOT TOTHINK ABOUT. 739 00:38:00,034 --> 00:38:03,448 IT'S RECOUPLING NIGHT AT THEVILLA AND THE LADIES HAVE TO 740 00:38:03,482 --> 00:38:05,241 PICK THE ISLANDER OF THEIRCHOICE. 741 00:38:05,275 --> 00:38:09,655 WHO WILL STAY AND WHO WILL GO. 742 00:38:09,689 --> 00:38:12,827 I'M DONE WITH THE DRINGINGI'M DONE WITH THE SMOKING, I'M 743 00:38:12,862 --> 00:38:15,620 DONE WITH THE PLAY, I'M DONEWITH THE JOKING, I'M DONE WITH 744 00:38:15,655 --> 00:38:17,448 THE LADIESK I'M DONE WITH THEFELLAS. 745 00:38:17,482 --> 00:38:22,379 ♪ JUST SAYING. 746 00:38:22,413 --> 00:38:24,068 I'M SO NERVOUS THOUSAND. 747 00:38:24,103 --> 00:38:27,068 TONIGHT'S DECISION IS GOINGIT TO BE ONE OF MY HARDEST 748 00:38:27,103 --> 00:38:28,310 DECISIONS. 749 00:38:28,344 --> 00:38:31,931 I HAVE AMAZING GUYS IN FRONTOF ME WHO DESERVE TH WORLD, 750 00:38:31,965 --> 00:38:34,310 WITHOUT DESERVE TO FIND LOVEHERE. 751 00:38:34,344 --> 00:38:37,724 I WANT TO JUST DO MY BEST ATPICKING THE PERSON I THINK 752 00:38:37,758 --> 00:38:39,034 DESERVES IT THE MOST. 753 00:38:39,068 --> 00:38:41,482 I'M REALLY NOT THAT GREATUNDER PRESSURE. 754 00:38:41,517 --> 00:38:43,103 I'M SCARED ABOUT THIS. 755 00:38:43,137 --> 00:38:46,310 I'M FEELING LIKE WHATEVERHAPPENS, I'M OKAY WITH. 756 00:38:46,344 --> 00:38:48,793 IT'S BEEN A CRAZY COUPLE OFDAYS. 757 00:38:48,827 --> 00:38:52,206 THE FIRST DAY WAS DEFINITELY ANUTTY DAY. 758 00:38:52,241 --> 00:38:54,896 YEAH, HOPE SNREE THE CARDSFALL IN OUR FAVOR, YOU KNOW? 759 00:38:54,931 --> 00:38:57,793 I HAVE PUT ALL OF MYSELF OUTTHERE. 760 00:38:57,827 --> 00:38:58,827 I'M NOT READY TO GO HOME. 761 00:38:58,862 --> 00:38:59,586 I DON'T KNOW. 762 00:38:59,620 --> 00:39:02,344 IT'S GOING TO BE A WEIRD NIGHT. 763 00:39:02,379 --> 00:39:04,517 YOU WILL SEE HOW IT GOES. 764 00:39:04,551 --> 00:39:06,206 ARE YOU FEELING LOVE? 765 00:39:06,241 --> 00:39:08,551 I'M FEELING VERY OVERWHELMED. 766 00:39:08,586 --> 00:39:09,206 YEAH? 767 00:39:09,241 --> 00:39:09,862 YEAH. 768 00:39:09,896 --> 00:39:11,758 I'M RIGHT THERE WITH YOU. 769 00:39:11,793 --> 00:39:19,620 THIS IS MY LAST HURA. 770 00:39:19,655 --> 00:39:25,103 ♪. 771 00:39:25,137 --> 00:39:26,275 HOW DO YOU FEEL. 772 00:39:26,310 --> 00:39:30,862 I FEEL LIKE WE'VE HAD A VERYEVENTSFUL PAST 24 HOURS. 773 00:39:30,896 --> 00:39:32,896 IN A GOOD WAY N A BAD WAY. 774 00:39:32,931 --> 00:39:34,379 IN A GOOD WAY AND BAD WAY. 775 00:39:34,413 --> 00:39:40,827 SO I MEAN PICK WHO YOU WANTTONIGHT BUT I DEFINITELY THINK 776 00:39:40,862 --> 00:39:44,344 THAT WE ARE SOLID AS CAN BEMENTWE HAVE HAD GREAT DAYS. 777 00:39:44,379 --> 00:39:46,965 WE HAD ONE BAD DAY, ONE BADNIGHT. 778 00:39:47,000 --> 00:39:51,586 AND HONESTLY IT WAS LUKE AN HOURAND THEN I FELL ASLEEP. 779 00:39:51,620 --> 00:39:53,310 OH MY GOSH. 780 00:39:53,344 --> 00:39:54,965 YOU DON'T EVEN CARE. 781 00:39:55,000 --> 00:39:56,206 I CARE. 782 00:39:56,241 --> 00:39:59,241 TONIGHT WAS SUPPOSED TO BELIKE AN EASY DECISION FOR ME. 783 00:39:59,275 --> 00:40:04,517 BUT I JUST FEEL LIKE THE PAST 24HOURS HAVE MADE IT SUPER HARD. 784 00:40:04,551 --> 00:40:06,965 CARRINGTON AND I HAVE BEENHAVING OUR ISSUES AND YOU KNOW, 785 00:40:07,000 --> 00:40:10,793 I HAVE ALSO BEEN HAVINGCONVERSATIONS WITH CALVIN. 786 00:40:10,827 --> 00:40:12,034 SO I DON'T KNOW. 787 00:40:12,068 --> 00:40:16,931 I GUESS MY HEAD IS KIND OF ALLOVER THE PLACE. 788 00:40:16,965 --> 00:40:18,758 DO WHAT YOUR HEART SAYS. 789 00:40:18,793 --> 00:40:22,758 TAKE THE BETTER OPTION AND ALLWILL BE WELL. 790 00:40:22,793 --> 00:40:27,379 EVERYTHING WILL WORK OUT FORITSELF. 791 00:40:27,413 --> 00:40:41,551 WELL, JUST SAY-- WE'LL JUSTSEE THEN. 792 00:40:41,586 --> 00:40:43,620 IS. 793 00:40:43,655 --> 00:40:46,344 RIGHT NOW WITH TONIGHTEMOTIONS ARE HIGH, THE BALL IS 794 00:40:46,379 --> 00:40:50,137 IN HER COURT AS FAR AS WHETHERSHE WANTS TO CHOOSE ME OR NOT. 795 00:40:50,172 --> 00:40:57,068 SHE'S GOT TO MAKE A DECISION. 796 00:40:57,103 --> 00:41:00,827 KNOWING HOW AMAZING BENNY IS,KNOWING WHAT I WENT THROUGH WITH 797 00:41:00,862 --> 00:41:01,862 JOHNNY. 798 00:41:01,896 --> 00:41:04,413 I WISH I KNEW WHAT IS THE RIGHTTHING TO DO IS. 799 00:41:04,448 --> 00:41:05,586 I JUST DON'T. 800 00:41:05,620 --> 00:41:08,275 AND IT SUCKS. 801 00:41:08,310 --> 00:41:09,655 AIN'T NO MOUNTAIN HIGH. 802 00:41:09,689 --> 00:41:11,827 ♪ AIN'T NO VALLEY LOW. 803 00:41:11,862 --> 00:41:14,482 ♪ ANY NO RIVER WIDE ENOUGH BABY. 804 00:41:14,517 --> 00:41:16,448 ♪ IF YOU NEED ME CALL ME. 805 00:41:16,482 --> 00:41:18,827 ♪ NO MATTER WHERE YOU ARE. 806 00:41:18,862 --> 00:41:24,793 ♪ NO MATTER HOW FAR. 807 00:41:24,827 --> 00:41:39,586 ♪ I WOULD LIKE TO COUPLE UP WITHTHIS BOY BECAUSE HE'S NOT ONLY 808 00:41:39,620 --> 00:41:44,034 BEEN THE REASON FOR ALL THEHIGHS AND ALL MY BEST MOMENTS IN 809 00:41:44,068 --> 00:41:48,517 HERE BUT HE'S ALSO BEEN THEREASON WHY I CAN ACTUALLY LOOK 810 00:41:48,551 --> 00:41:52,413 BACK ON THE LOWS AND ACTUALLYAPPRECIATE THENL BECAUSE THEY 811 00:41:52,448 --> 00:41:59,655 HAVE MADE HAVING HIM NOW EVENMORE WORTH IT. 812 00:41:59,689 --> 00:42:05,620 AND I THINK THAT AT THIS MOMENTIN TIME I CAN GENUINELY SAY THAT 813 00:42:05,655 --> 00:42:12,517 I HAVE 100% FOUND THE JOHNLEGEND TO MY CHRISSY TEIGEN. 814 00:42:12,551 --> 00:42:27,827 SO WITH THAT BEING SAID, THE BOYI WANT TO COUPLE UP WITH IS 815 00:42:27,862 --> 00:42:30,655 CALEB. 816 00:42:30,689 --> 00:42:32,655 ♪ THERE AIPT NO MOUNTAIN HIGHENOUGH. 817 00:42:32,689 --> 00:42:34,482 ♪ AIN'T NO RIVER LOW ENOUGH. 818 00:42:34,517 --> 00:42:36,586 ♪ AIN'T NO RIVER WIDE ENOUGH. 819 00:42:36,620 --> 00:42:44,551 ♪ TO KEEP ME FROM CHOOSING YOU. 820 00:42:44,586 --> 00:42:47,586 ♪. 821 00:42:47,620 --> 00:42:50,724 I WOULD LIKE TO COUPLE UPWITH THIS BOY BECAUSE-- . 822 00:42:50,758 --> 00:42:56,034 ♪ CUZ BABY THERE AIN'T NOMOUNTAIN HIGH ENOUGH. 823 00:42:56,068 --> 00:43:03,000 ♪ AIN'T NO RIVER WIDE ENOUGH. 824 00:43:03,034 --> 00:43:03,896 ♪. 825 00:43:03,931 --> 00:43:08,482 TOMORROW NIGHT, THE THRILLINGCLIMAX. 826 00:43:08,517 --> 00:43:10,517 THIS IS THE HARDEST DECISIONI'VE HAD TO MAKE HERE IN THE 827 00:43:10,551 --> 00:43:11,586 VILLA. 828 00:43:11,620 --> 00:43:21,827 AND IT IS TWO ISLANDERS OUT,TWO NEW GIRLS IN. 829 00:43:21,862 --> 00:43:23,620 Captioning funded by CBS Captioned by 830 00:43:23,655 --> 00:43:26,655 Media Access Group at WGBH access.wgbh.org