1 00:00:05,000 --> 00:00:09,970 >> Matthew: PREVIOUSLY ON "LOVE ISLAND": 2 00:00:10,000 --> 00:00:12,970 ♪ ♪ ♪ ROMANCE IN THE VILLA BLOSSOMED. 3 00:00:13,000 --> 00:00:15,970 >> I'M GROWING TO BE SO FOND OF HIM. 4 00:00:16,000 --> 00:00:17,770 >> Matthew: AS COUPLES MADE THEIR MOVES. 5 00:00:17,800 --> 00:00:26,100 >> IT'S JUST, LIKE, ALL AROUND, SO GOOD. 6 00:00:26,133 --> 00:00:28,303 GOOD. 7 00:00:28,333 --> 00:00:31,103 >> GETTING DOWN TO IT! 8 00:00:31,133 --> 00:00:32,903 >> Matthew: BUT ONE BOY. 9 00:00:32,933 --> 00:00:33,533 >> THERE IT IS. 10 00:00:33,566 --> 00:00:35,696 >> HE KNOWS WHAT HE'S DOING. 11 00:00:35,733 --> 00:00:38,073 >> Matthew: ...WAS STUCK IN THE MIDDLE. 12 00:00:38,100 --> 00:00:39,830 >> JUSTINE OR KAITLYNN. 13 00:00:39,866 --> 00:00:40,466 THIS IS TOUGH. 14 00:00:40,500 --> 00:00:44,830 YOU KNOW, IT'S REALLY TOUGH. 15 00:00:44,866 --> 00:00:48,966 >> Matthew: TONIGHT... 16 00:00:49,000 --> 00:00:49,730 NEW ISLANDERS. 17 00:00:49,766 --> 00:00:51,026 >> YOU ARE SO CUTE. 18 00:00:51,066 --> 00:00:52,896 >> LAY IT ON ME. 19 00:00:52,933 --> 00:00:53,933 >> Matthew: ...CAUSE A STIR. 20 00:00:53,966 --> 00:00:57,966 >> I'M ABOUT TO STEP ON SOME TOES. 21 00:00:58,000 --> 00:01:00,930 >> Matthew: AND AS THE FIRST COUPLE LING LOOMS. 22 00:01:00,966 --> 00:01:02,966 >> SOMEBODY IS IT GOING TO GO HOME TONIGHT. 23 00:01:03,000 --> 00:01:04,670 >> Matthew: THE PRESSURE BUILDS. 24 00:01:04,700 --> 00:01:08,370 >> MY GUST TELLS ME I'M GETTING CHOSEN BUT THEN AGAIN YOU HAVE 25 00:01:08,400 --> 00:01:09,400 NO IDEA. 26 00:01:09,433 --> 00:01:11,973 >> I HAVE TO PICK WHOEVER I THINK IS BEST WITH ME. 27 00:01:12,000 --> 00:01:16,970 THE GIRL I WANT TO COUPLE UP WITH IS... 28 00:01:17,000 --> 00:01:18,970 >> THIS IS TOO MUCH. 29 00:01:19,000 --> 00:01:21,000 >> OOOOH! 30 00:01:38,000 --> 00:01:38,500 ♪ ♪ ♪ >> Matthew: IT'S ANOTHER 31 00:01:39,166 --> 00:01:41,966 SCORCHER IN VEGAS, BUT OUR HOTTIES AREN'T FEELING TOO HOT 32 00:01:42,000 --> 00:01:45,970 AT ALL, BECAUSE WE SENT A DIGITAL RAVEN WITH A PARCHMENT 33 00:01:46,000 --> 00:01:48,730 DECLARING THERE WILL BE A RECOUPLING UNDER TONIGHT'S MOON. 34 00:01:48,766 --> 00:01:52,966 THE GIRL LEFT SINGLE WILL BE SENT HOME WITH ALL 73 OF HER 35 00:01:53,000 --> 00:01:54,970 BIKINIS. 36 00:01:55,000 --> 00:01:58,970 BOTO THE WHO. 37 00:01:59,000 --> 00:02:00,970 >> I'M TRYING TO PREDICT THE FUTURE TONIGHT, THE REASONS YOU 38 00:02:01,000 --> 00:02:03,600 GIVE WHY YOU'RE PICKING THE GIRL WILL BE BECAUSE OF THE TALKS YOU 39 00:02:03,633 --> 00:02:04,603 HAD TODAY. 40 00:02:04,633 --> 00:02:05,403 >> EXACTLY. 41 00:02:05,433 --> 00:02:08,403 >> YOU KNOW >> I'M KIND OF NERVOUS. 42 00:02:08,433 --> 00:02:09,973 >> Matthew: JEREMIAH IS CURRENTLY COUPLED UP WITH 43 00:02:10,000 --> 00:02:12,870 JUSTINE, BUT HE'S MOVED ON WITH RACHEL. 44 00:02:12,900 --> 00:02:18,030 TRE HAD BEEN SHOWING INTEREST IN JUSTINE, UNTIL KAITLYNN FLOODED 45 00:02:18,066 --> 00:02:23,966 HER 24‐KARAT SAPPHIRE HIS WAY IN A GAME OF TRUTH OR LET'S PLAY 46 00:02:24,000 --> 00:02:26,970 TONSIL HOCKEY. 47 00:02:27,000 --> 00:02:30,500 NOW JUSTINE IS WORRIED AND SITTING DOWN TO FIGURE OUT WHERE 48 00:02:30,533 --> 00:02:31,673 SHE STANDS. 49 00:02:31,700 --> 00:02:35,970 ♪ WALKING AWAY FROM YOU ♪ >> TRE, WHEN THEY WERE READING 50 00:02:36,000 --> 00:02:37,600 THE TEXT MADE NO EYE CONTACT WITH ME. 51 00:02:37,633 --> 00:02:41,373 >> I FEEL LIKE THE FACT HE'S POTENTIALLY GOING TO HURT 52 00:02:41,400 --> 00:02:43,330 SOMEONE I THINK IS WEIGHING HEAVY ON HIM. 53 00:02:43,366 --> 00:02:44,266 HE IS A REALLY GOOD GUY. 54 00:02:44,300 --> 00:02:45,330 >> YEAH. 55 00:02:45,366 --> 00:02:47,926 >> AND I THINK THAT IS WHAT IS MESSING WITH HIS HEAD. 56 00:02:47,966 --> 00:02:52,666 AND I'M BEING COMPLETELY HONEST, I FEEL LIKE HE WAS DEFINITELY 57 00:02:52,700 --> 00:02:55,000 LEANING TOWARDS BUT, AND I THINK HE STILL IS, BUT I THINK HE 58 00:02:55,033 --> 00:02:58,873 WANTS TO GIVE KAITLYNN A FAIR CHANCE BECAUSE SHE HAS... 59 00:02:58,900 --> 00:03:01,030 I DON'T FEEL‐‐ I FEEL BAD. 60 00:03:01,066 --> 00:03:03,166 SHE JUST HASN'T HAD ‐‐ >> THE EASIEST TIME. 61 00:03:03,200 --> 00:03:05,130 >> THE EASIEST TIME IN HERE. 62 00:03:05,166 --> 00:03:09,966 >> I'M STRESSING OUT AFTER THAT TEXT. 63 00:03:10,000 --> 00:03:12,700 AS SOON AS HE READ IT, MY HEART JUST STARTED... 64 00:03:12,733 --> 00:03:14,373 GOING SO FAST. 65 00:03:14,400 --> 00:03:17,230 I'M, LIKE, SO NERVOUS. 66 00:03:17,266 --> 00:03:20,526 BECAUSE, OBVIOUSLY, KAITLYNN AND I ARE, LIKE, THE ONLY, LIKE, NOT 67 00:03:20,566 --> 00:03:24,066 COUPLED UP, LIKE, SINGLE PEOPLE IN HERE AT THE MOMENT. 68 00:03:24,100 --> 00:03:27,670 AND I THINK IT'S ALL IN TRE'S HANDS AT THIS POINT. 69 00:03:27,700 --> 00:03:31,100 BUT, LIKE, MY HEART IS GOING SO FAST BECAUSE, LIKE, I KNOW I 70 00:03:31,133 --> 00:03:33,573 HAVE A CONNECTION WITH TRE AT THIS POINT. 71 00:03:33,600 --> 00:03:36,500 HE HE HAS, LIKE, A REALLY STRONG PHYSICAL ATTRACTION TO KAITLYNN, 72 00:03:36,533 --> 00:03:42,003 AND I KNOW THEY'VE, LIKE, SHARED A KISS AND EVERYTHING SO YOU 73 00:03:42,033 --> 00:03:44,903 JUST NEVER KNOW IN HERE. 74 00:03:44,933 --> 00:03:46,133 OOOO"H." 75 00:03:46,166 --> 00:03:49,826 >> I WOULD DEFINITELY STILL DO WHAT YOU NORMALLY ARE COULD GO, 76 00:03:49,866 --> 00:03:52,626 MAYBE BE GREATEST TODAY AS FAR AS MAKING THE TIME TO CHAT. 77 00:03:52,666 --> 00:03:55,726 BUT I WOULDN'T FEEL LIKE IT'S ANYTHING THAT YOU DID AT ALL. 78 00:03:55,766 --> 00:03:56,266 >> YEAH. 79 00:03:56,300 --> 00:03:57,200 ALL RIGHT. 80 00:03:57,233 --> 00:03:59,333 >> I FEEL LIKE YOU SHOULD FEEL GOOD ABOUT IT. 81 00:03:59,366 --> 00:04:00,326 >> THANKS, MOM. 82 00:04:00,366 --> 00:04:00,996 >> OF COURSE! 83 00:04:01,033 --> 00:04:02,733 >> YOU'RE THE BEST. 84 00:04:02,766 --> 00:04:06,726 I LOVE YOU. 85 00:04:06,766 --> 00:04:09,066 ♪ ♪ ♪ >> Matthew: TRE DEALS WITH THE 86 00:04:09,100 --> 00:04:10,970 WEIGHT OF CHOOSING BETWEEN TWO GIRLS BOY DEALING WITH THE 87 00:04:11,000 --> 00:04:13,970 WEIGHT OF TWO GIRLS. 88 00:04:14,000 --> 00:04:17,370 >> YOU THINK WOULD BE ABLE TO LIFT THIS WITH A GIRL ON EACH 89 00:04:17,400 --> 00:04:17,730 SIDE? 90 00:04:17,766 --> 00:04:19,296 >> HELL NO. 91 00:04:19,333 --> 00:04:20,433 I MEAN, NOT ME. 92 00:04:20,466 --> 00:04:23,166 >> I THINK I COULD, HONESTLY, WITH A GIRL ON EACH SIDE. 93 00:04:23,200 --> 00:04:24,400 I THINK I COULD. 94 00:04:24,433 --> 00:04:27,933 >> WAIT, SAY‐‐ 130 POUNDS EACH SIDE. 95 00:04:27,966 --> 00:04:30,026 >> IT WOULD BE SO HARD TO BALANCE. 96 00:04:30,066 --> 00:04:31,396 >> YEAH, BRO. 97 00:04:31,433 --> 00:04:33,203 IT WOULD JUST BE HARD TO BALANCE. 98 00:04:33,233 --> 00:04:34,403 YOU WANT TO TRY IT. 99 00:04:34,433 --> 00:04:36,333 >> COME HERE, HELP US WITH SOMETHING. 100 00:04:36,366 --> 00:04:36,866 COME HERE. 101 00:04:36,900 --> 00:04:38,600 >> I'M SORRY, HOLD ON. 102 00:04:38,633 --> 00:04:41,403 >> ME AND JOHNNY NEED YOU ALL FOR OUR NEXT SET. 103 00:04:41,433 --> 00:04:43,303 >> ARE WE SITTING ON THEM? 104 00:04:43,333 --> 00:04:43,903 >> YUP. 105 00:04:43,933 --> 00:04:44,403 JUST TRUST ME. 106 00:04:44,433 --> 00:04:45,173 >> I DON'T KNOW. 107 00:04:45,200 --> 00:04:47,370 >> YOU CAN DO IT. 108 00:04:47,400 --> 00:04:50,800 >> HIS ASS IS FAT, BOY. 109 00:04:50,833 --> 00:04:53,073 >> YOU'LL SEE. 110 00:04:53,100 --> 00:04:54,930 >> WE NEED TO GET ON AT THE SAME TIME. 111 00:04:54,966 --> 00:04:55,496 >> YEAH. 112 00:04:55,533 --> 00:04:56,733 >> I'M HOLDING IT DOWN. 113 00:04:56,766 --> 00:05:00,696 >> ARE YOU GOING TO PICK ME UP? 114 00:05:00,733 --> 00:05:01,003 OKAY. 115 00:05:01,033 --> 00:05:01,473 >> AAAH! 116 00:05:01,500 --> 00:05:02,370 THE BATTERY PACK. 117 00:05:02,400 --> 00:05:07,400 >> MAKE SURE YOU ALL HOLD IN PLACE, READY? 118 00:05:07,433 --> 00:05:08,873 3, 2... 119 00:05:08,900 --> 00:05:10,630 >> LET'S GO, LET'S GO, LET'S GO. 120 00:05:10,666 --> 00:05:17,966 >> NO WAY! 121 00:05:18,000 --> 00:05:21,970 >> ONE SIDE IS HEAVIER THAN THE OTHER ONE. 122 00:05:22,000 --> 00:05:23,100 >> YEAH, I KNOW. 123 00:05:23,133 --> 00:05:24,273 >> Matthew: IF YOU THINK CARRYING THE WEIGHT OF TWO WOMEN 124 00:05:24,300 --> 00:05:27,700 IS IMPRESSIVE, YOU'VE NEVER BEEN TO MY SUNDAY BOOK CLEANUP. 125 00:05:27,733 --> 00:05:39,973 IF YOU'RE NOT GOING TO READ, WHY EVEN COME. 126 00:05:40,000 --> 00:05:41,970 >>kCaIF SOMETHING WOULD HAVE HAP TISSUE WOULD HAVE BEEN DEATH BY 127 00:05:42,000 --> 00:05:42,300 HOT GIRLS. 128 00:05:42,333 --> 00:05:43,373 >> RIGHT. 129 00:05:43,400 --> 00:05:43,970 >> SO IT'S NOT, LIKE, THE WORST THING IN THE WORLD. 130 00:05:44,000 --> 00:05:45,900 >> HELL, NO, IT'S NOT. 131 00:05:45,933 --> 00:05:47,103 >> WE'LL REMEMBER IT. 132 00:05:47,133 --> 00:05:49,073 >> Matthew: LIKE A SUPER‐RICH FRIEND WHO DOESN'T UNDERSTAND 133 00:05:49,100 --> 00:05:54,970 WHY YOU CAN'T GO TO SPRING BREAK IN THE BAHAMAS CELY CAN'T FATHOM 134 00:05:55,000 --> 00:05:58,970 THE TOLL OF THE RECOUPLING BECAUSE EVERYTHING IS SO PERFECT 135 00:05:59,000 --> 00:06:00,970 WITH JOHNNY! 136 00:06:01,000 --> 00:06:03,670 >> LIKE WHAT IS, LIKE, DIFFERENT ABOUT JOHNNY? 137 00:06:03,700 --> 00:06:08,530 >> IT'S LIKE, LIKE BEFORE, I FEEL LIKE IN MY RELATIONSHIPS 138 00:06:08,566 --> 00:06:10,966 THERE WAS SO MUCH CONFLICT BECAUSE‐‐ I WAS DOING MORE OF, 139 00:06:11,000 --> 00:06:12,230 LIEB, THE OPPOSITES ATTRACT THING 140 00:06:12,266 --> 00:06:13,866 >> AND NOW JOHNNY CAN KIND OF MEET YOU. 141 00:06:13,900 --> 00:06:15,100 >> YES. 142 00:06:15,133 --> 00:06:18,133 AND I'VE NEVER HAD THAT TO WHERE WE COULD BOTH BE COMPLETE GOOF 143 00:06:18,166 --> 00:06:21,696 BALLS AND JUST LIKE‐‐ YOU KNOW WHAT I MEAN, JUST BE SILLY AND 144 00:06:21,733 --> 00:06:22,203 CRAZY TOGETHER. 145 00:06:22,233 --> 00:06:24,133 I'VE NEVER HAD THAT. 146 00:06:24,166 --> 00:06:27,626 USUALLY IT'S JUST ME HIGH ENERGY READY TO GO AND MY MAN SITTING 147 00:06:27,666 --> 00:06:30,226 BACK AND LETTING ME DO MY THING. 148 00:06:30,266 --> 00:06:32,126 >> LIKE WHAT IS SHE DOING NOW? 149 00:06:32,166 --> 00:06:33,296 >> YEAH. 150 00:06:33,333 --> 00:06:36,033 THAT'S WHAT I LIKED BUT IT ALWAYS BROUGHT CONFLICT BECAUSE 151 00:06:36,066 --> 00:06:37,896 THEY'RE LIKE, "YOU NEED TO CHILL." 152 00:06:37,933 --> 00:06:38,873 >> BRING IT DOWN A NOTCH. 153 00:06:38,900 --> 00:06:39,900 >> YEAH. 154 00:06:39,933 --> 00:06:42,303 >> MEANWHILE, JOHNNY IS RUNNING AHEAD, CATCH UP. 155 00:06:42,333 --> 00:06:42,803 >> YES. 156 00:06:42,833 --> 00:06:44,103 >> OH, MY GOD! 157 00:06:44,133 --> 00:06:47,403 >> LIKE, I'VE LITERALLY MET MY MATCH AND IT'S THE GREATEST 158 00:06:47,433 --> 00:06:47,873 THING EVER. 159 00:06:47,900 --> 00:06:50,100 >> YOU'RE SO CUTE. 160 00:06:50,133 --> 00:06:56,103 >> Matt>> Matthew: CUTE. 161 00:06:56,133 --> 00:06:58,373 AND NOW IT'S GETTING BETTER. 162 00:06:58,400 --> 00:07:04,330 JOHNNY IS PUTTING HIS FEEL INTOINGS AN R&B DOING. 163 00:07:04,366 --> 00:07:06,626 EITHER RHYTHM AND BLUES OR REALLY BAD. 164 00:07:06,666 --> 00:07:07,966 >> ONE, TWO, THREE, GO. 165 00:07:08,000 --> 00:07:11,970 ♪ LOVE, BABY, WON'T YOU MEET ME BY WILL POOL. 166 00:07:12,000 --> 00:07:19,970 ♪ LOVE ISLAND I NEVER THOUGHT I WOULD BE HERE WITH YOU. 167 00:07:20,000 --> 00:07:23,970 ♪ WHEN YOU'RE WITH ME IT'S ALL ABOUT A FEELING, OH,. 168 00:07:24,000 --> 00:07:26,970 ♪ I'M HERE WHAT YOU NEED, WHENEVER YOU NEED. 169 00:07:27,000 --> 00:07:28,970 ♪ I'LL HOLD YOU TIGHT WHEN YOU'RE KISSING ME IT FEELS 170 00:07:29,000 --> 00:07:29,800 SO RIGHT. 171 00:07:29,833 --> 00:07:32,803 ♪ WHEN YOU KISS ME IT FEELS SO RIGHT. 172 00:07:32,833 --> 00:07:37,973 >> Matthew: AND AFTER THAT SONG, "LOVE ISLAND" WOULD LIKE 173 00:07:38,000 --> 00:07:40,970 TO SINCERELY APOLOGIZE TO ANY DOGS WATCHES. 174 00:07:41,000 --> 00:07:43,130 >> THAT'S, LIKE, WHAT, 10 SECONDS? 175 00:07:43,166 --> 00:07:45,466 >> IT'S OKAY, IT'S OKAY. 176 00:07:45,500 --> 00:07:48,600 >> IT'S SHORT AND SWEET, BRO. 177 00:07:48,633 --> 00:07:50,833 IT'S SHORT AND SWEET. 178 00:07:50,866 --> 00:07:56,626 ♪ YOU WANT TO BE LOVED ♪ >> Matthew: NOW JAMES CONNECTS 179 00:07:56,666 --> 00:08:02,266 WITH CONNECTEE MOIRA OVER THEIR CONNECTION WHILE PLAYING SPLISH 180 00:08:02,300 --> 00:08:02,770 SPLASH. 181 00:08:02,800 --> 00:08:05,100 >> I FEEL REAL GOOD. 182 00:08:05,133 --> 00:08:07,973 I KNOW IT'S EARLY BUT I DO CARE FOR YOU A LOT. 183 00:08:08,000 --> 00:08:11,070 RIGHT NOW I'M HERE FOR YOU, YOU KNOW? 184 00:08:11,100 --> 00:08:12,230 >> I KNOW. 185 00:08:12,266 --> 00:08:15,496 IF YOU CAN GET TO KNOW SOMEONE MENTALLY AND EMOTIONALLY, IT 186 00:08:15,533 --> 00:08:19,333 FEELS A LOT BETTER, AND YOU FEEL A LOT MORE COMFORTABLE BY BEING 187 00:08:19,366 --> 00:08:20,326 WITH THEM. 188 00:08:20,366 --> 00:08:22,866 AND I DO THINK JAMES IS MOVING A LITTLE TOO FAST. 189 00:08:22,900 --> 00:08:26,000 I WOULD LIKE TO SLOW THINGS DOWN WITH HIM, FOR SURE. 190 00:08:26,033 --> 00:08:29,273 >> DIDN'T YOU SAY YOU DIDN'T MOVE SLOW IN REAL LIFE? 191 00:08:29,300 --> 00:08:33,070 LIKE, THE WHOLE BEING INTIMATE PART MAKES ME SWRIIOUS. 192 00:08:33,100 --> 00:08:36,600 >> SO SEX IS, LIKE, A BIG PART FOR YOU? 193 00:08:36,633 --> 00:08:40,603 >> NOT REALLY, BUT IF I REALLY LIKE SOMEONE I SHOW THAT SIDE OF 194 00:08:40,633 --> 00:08:41,803 ME. 195 00:08:41,833 --> 00:08:44,303 I FEEL LIKE IF IT WAS IN THE REAL WORLD, WE WOULD HAVE BEEN‐‐ 196 00:08:44,333 --> 00:08:45,303 WOULD HAVE BEEN INTIMATE. 197 00:08:45,333 --> 00:08:47,403 >> YEAH, I THINK IT'S JUST STILL TOO SOON FOR ME. 198 00:08:47,433 --> 00:08:49,303 >> BUT YOU STILL WANT TO GET THERE, RIGHT? 199 00:08:49,333 --> 00:08:52,303 >> I DON'T KNOW. 200 00:08:52,333 --> 00:08:54,533 >> I'M PRETTY FAST. 201 00:08:54,566 --> 00:08:58,366 I CAN CAN GO, YOU KNOW, PEDAL TO THE METAL. 202 00:08:58,400 --> 00:09:02,500 BUT IF SHE WANTS TO HANG ON THE A LITTLE BIT I CAN PUMP MY 203 00:09:02,533 --> 00:09:03,203 BRAKES. 204 00:09:03,233 --> 00:09:04,033 I DON'T WANT TO SCARE HER AWAY. 205 00:09:04,066 --> 00:09:06,666 >> I ALSO DON'T WANT TO FEEL PRESSURED. 206 00:09:06,700 --> 00:09:07,900 THAT GIVES ME ANXIETY. 207 00:09:07,933 --> 00:09:10,273 >> AND YOU‐‐ IF YOU'RE FEELING PRESSURED, I MEAN, YOU WOULDN'T 208 00:09:10,300 --> 00:09:11,830 BE HAVING A GOOD TIME. 209 00:09:11,866 --> 00:09:12,596 >> YEAH. 210 00:09:12,633 --> 00:09:14,973 >> I WANT YOU TO FEEL COMFORTABLE. 211 00:09:15,000 --> 00:09:15,830 YOU KNOW WHAT I MEAN? 212 00:09:15,866 --> 00:09:18,296 >> WELL, THAT MAKES ME FEEL REALLY GOOD. 213 00:09:18,333 --> 00:09:21,973 AND I'M GLAD YOU KNOW NOW, LIKE, HOW I FEEL. 214 00:09:22,000 --> 00:09:24,970 IT'S, LIKE, LIKE I JUST WANT TO BE REAL WITH YOU. 215 00:09:25,000 --> 00:09:25,730 >> YEAH, I KNOW. 216 00:09:25,766 --> 00:09:27,766 >> YOU KNOW? 217 00:09:31,066 --> 00:09:34,196 ♪ ♪ ♪ >> SO HOT. 218 00:09:34,233 --> 00:09:35,433 >> I JUST CHATTED WITH JAMES. 219 00:09:35,466 --> 00:09:36,526 >> OH, GOOD. 220 00:09:36,566 --> 00:09:38,466 HOW DID THAT GO? 221 00:09:38,500 --> 00:09:45,800 >> YOU KNOW, HE, LIKE, MENTIONED HE IS SUPER OPEN, THAT SEX IS 222 00:09:45,833 --> 00:09:57,803 PART OF GETTING TO KNOW ONE ANOTHER. 223 00:09:57,833 --> 00:10:00,633 >> I STILL FEEL LIKE IT'S SO EARLY, THOUGH. 224 00:10:00,666 --> 00:10:01,566 LIKE‐‐ >> SO EARLY. 225 00:10:01,600 --> 00:10:10,970 >> LIKE, YEAH, HE COULDN'T‐‐ YOU KNOW, WAIT? 226 00:10:11,000 --> 00:10:12,200 >> THAT'S UNFORTUNATE. 227 00:10:12,233 --> 00:10:14,003 SO WHAT DO YOU THINK, THEN? 228 00:10:14,033 --> 00:10:15,603 LIKE WHAT, DO YOU THINK RIGHT NOW? 229 00:10:15,633 --> 00:10:20,433 >> I MEAN, YOU KNOW, WE ENDED WITH HOW MUCH WE REALLY LIKE 230 00:10:20,466 --> 00:10:21,426 EACH OTHER. 231 00:10:21,466 --> 00:10:22,626 I LIKE HIM SO MUCH. 232 00:10:22,666 --> 00:10:25,696 >> LIKE, DOES IT EVER BOTHER YOU THAT SOMETIMES YOU FEEL LIKE 233 00:10:25,733 --> 00:10:28,473 WHEN YOU HAVE THESE CONVERSATIONS YOU'RE NOT GETTING 234 00:10:28,500 --> 00:10:29,900 MUCH RESOLUTION? 235 00:10:29,933 --> 00:10:35,573 LIKE‐‐ >> YEAH. 236 00:10:35,600 --> 00:10:38,900 IT ADDS A LITTLE WEIGHT TO WHERE WE STAND. 237 00:10:38,933 --> 00:10:43,273 IT'S THE FRUSTRATION OF, LIKE... 238 00:10:43,300 --> 00:10:47,070 US NOT BEING ABLE TO SEE EYE TO EYE WITH THINGS LIKE THAT. 239 00:10:47,100 --> 00:10:50,700 >> HE ALSO NEEDS TO HEAR YOU AS WELL AND WHERE YOU STAND. 240 00:10:50,733 --> 00:10:52,273 >> YEAH. 241 00:10:52,300 --> 00:10:55,970 >> SO IT CAN'T JUST BE, LIKE, IT'S ON YOU NOW. 242 00:10:56,000 --> 00:10:58,930 >> I DON'T WANT THE PRESSURE, AND I DON'T WANT THE ANXIETY. 243 00:10:58,966 --> 00:11:00,066 >> OH, YEAH. 244 00:11:00,100 --> 00:11:02,430 AND DON'T EVEN FEEL THAT, FOR SURE. 245 00:11:02,466 --> 00:11:05,566 >> YOU SHOULD NEVER FEEL THAT WAY AT ALL. 246 00:11:05,600 --> 00:11:07,870 >> MOIRA AND JAMES ARE DEFINITELY ON DIFFERENT PAGES. 247 00:11:07,900 --> 00:11:11,870 I THINK THAT JAMES IS ALREADY AT THE END OF THE BOOK, AND MOIRA 248 00:11:11,900 --> 00:11:18,130 IS JUST IN THE OPENING CHAPTERS. 249 00:11:18,166 --> 00:11:19,426 >> GOT A BIG NIGHT TONIGHT. 250 00:11:19,466 --> 00:11:20,426 >> I KNOW. 251 00:11:20,466 --> 00:11:21,866 DO YOU KNOW WHAT YOU'RE GOING TO DO? 252 00:11:21,900 --> 00:11:23,970 >> I KNOW WHAT I'M GOING TO DO. 253 00:11:24,000 --> 00:11:26,630 OF COURSE I KNOW WHAT I'M GOING TO DO. 254 00:11:26,666 --> 00:11:28,126 JUST COME HERE LOOKING PRETTY. 255 00:11:28,166 --> 00:11:30,296 >> SO TECHNICALLY I AM STILL SINGLE. 256 00:11:30,333 --> 00:11:32,473 I HAVE AN IDEA OF HOW THINGS ARE GOING TO GO. 257 00:11:32,500 --> 00:11:36,630 BUT YOU NEVER REALLY KNOW GOING INTO A RECOUPLING CEREMONY. 258 00:11:36,666 --> 00:11:39,226 >> I'M WORRIED ABOUT WHO TRE WILL PICK TONIGHT. 259 00:11:39,266 --> 00:11:41,326 >> OH, YEAH. 260 00:11:41,366 --> 00:11:44,226 HIM AND JUSTINE HAVE MORE TIME TO TALK? 261 00:11:44,266 --> 00:11:45,796 >> I HAVE NO IDEA. 262 00:11:45,833 --> 00:11:47,003 SOY I DON'T KNOW. 263 00:11:47,033 --> 00:11:54,903 I REALLY DON'T KNOW. 264 00:12:06,900 --> 00:12:10,100 >> Matthew: COMING UP, THE RECOUPLING WE'VE BEEN PROMOTING 265 00:12:10,133 --> 00:12:14,403 SINCE EPISODE ONE. 266 00:12:14,433 --> 00:12:16,403 >> IT'S GOING TO GET REAL TONIGHT. 267 00:12:16,433 --> 00:12:18,433 LIKE, SOMEBODY'S GOING TO GO HOME TONIGHT. 268 00:12:36,000 --> 00:12:37,170 "LOVE ISLAND." 269 00:12:37,200 --> 00:12:39,970 STILL NOT AN ISLAND BUT THE "ACROSS THE STREET FROM CAESAR'S 270 00:12:40,000 --> 00:12:41,170 PALACE" EDITION. 271 00:12:41,200 --> 00:12:46,970 THE RECOUPLING IS AROUND THE CORNER, AND LIKE A TODDLER PLAY 272 00:12:47,000 --> 00:12:49,970 DATE THAT LEADS TO A BROKEN BOSS, SOMEONE IS BEING SENT 273 00:12:50,000 --> 00:12:50,530 HOME. 274 00:12:50,566 --> 00:12:51,396 >> WHERE IS THIS BOY AT? 275 00:12:51,433 --> 00:12:56,973 >> GO GET YOUR MAN, GIRL. 276 00:12:57,000 --> 00:12:57,970 >> JUSTINE. 277 00:12:58,000 --> 00:13:02,170 >> THERE YOU ARE! 278 00:13:02,200 --> 00:13:02,770 >> HOARE YOU? 279 00:13:02,800 --> 00:13:03,970 >> GOOD. 280 00:13:04,000 --> 00:13:04,270 STRESSED. 281 00:13:04,300 --> 00:13:05,570 >> YEAH. 282 00:13:05,600 --> 00:13:10,270 UH, SO, LIKE, HOW WOULD YOU FEEL IF WE WERE COUPLED UP? 283 00:13:10,300 --> 00:13:12,230 >> I WOULD FEEL SO EXCITED. 284 00:13:12,266 --> 00:13:15,296 I'D BE DEVASTATED IF, LIKE, THE MOMENT I STARTED TO HAVE, LIKE, 285 00:13:15,333 --> 00:13:18,903 A CONNECTION WITH SOMEBODY IF I, LIKE, WENT HOME, YOU KNOW. 286 00:13:18,933 --> 00:13:22,103 AND WE CAPTAIN, LIKE, START ON THE BEST, LIKE, TERMS. 287 00:13:22,133 --> 00:13:25,573 BUT THEN I THINK WHEN WE HAD OUR FIRST CONVERSATION, BUT I DON'T 288 00:13:25,600 --> 00:13:27,900 KNOW ABOUT YOU, BUT YOU SHOCKED ME. 289 00:13:27,933 --> 00:13:31,273 I WAS LIKE OKAY, HE'S, REALLY, LIKE, DOWN TO EARTH. 290 00:13:31,300 --> 00:13:34,970 I FEEL LIKE OUR GENUINE CONNECTION IS JUST, LIKE, THERE. 291 00:13:35,000 --> 00:13:37,200 YOU KNOW WHAT I MEAN? 292 00:13:37,233 --> 00:13:41,473 >> WHATEVER DIRECTION IT GOES, LIKE, WHETHER IT'S YOU OR 293 00:13:41,500 --> 00:13:44,370 KAITLYNN, IT WOULD BE, LIKE, A DECISION THAT I, LIKE, FEEL LIKE 294 00:13:44,400 --> 00:13:46,470 WOULD BE BETTER FOR THE LONG RUN. 295 00:13:46,500 --> 00:13:47,100 >> YEAH. 296 00:13:47,133 --> 00:13:48,633 >> YOU HEAR WHAT I'M SAYING? 297 00:13:48,666 --> 00:13:49,866 >> UH‐HUH. 298 00:13:49,900 --> 00:13:51,930 >> OBVIOUSLY I WANT TO BE WITH SOMEBODY WHO, LIKE, THERE WOULD 299 00:13:51,966 --> 00:13:56,666 BE A POTENTIAL THAT WEEKEND GO LIKE, REALLY, REALLY FAR. 300 00:13:56,700 --> 00:13:57,500 >> OF COURSE. 301 00:13:57,533 --> 00:13:59,803 I FEEL THE SAME WAY, YOU KNOW. 302 00:13:59,833 --> 00:14:02,573 BECAUE, LIKE, I'M, LIKE, I WOULD DEFINITELY BE EXCITED TO 303 00:14:02,600 --> 00:14:03,770 COUPLE UP WITH YOU. 304 00:14:03,800 --> 00:14:06,900 BUT THEN AGAIN YOU JUST NEVER KNOW WHAT HAPPENS AND YOU'RE 305 00:14:06,933 --> 00:14:10,533 MOVING FORWARD AND LIME HOPING I COULD TRUST YOU, TOO, YOU KNOW. 306 00:14:10,566 --> 00:14:15,166 >> I SAY, IF I DO GO WITH YOU, THEN YOU WOULDN'T HAVE TO WORRY, 307 00:14:15,200 --> 00:14:19,270 LIKE, ABOUT THINGS GETTING WEIRD TOO FAST. 308 00:14:19,300 --> 00:14:19,730 >> YEAH? 309 00:14:19,766 --> 00:14:21,166 DO YOU MEAN THAT? 310 00:14:21,200 --> 00:14:21,700 >> YEAH. 311 00:14:21,733 --> 00:14:22,203 >> YES? 312 00:14:22,233 --> 00:14:22,903 >> YEAH. 313 00:14:22,933 --> 00:14:23,933 >> OKAY. 314 00:14:23,966 --> 00:14:31,566 >> THAT'S WHAT THEY SAY IN NEW YORK, DA US. 315 00:14:31,600 --> 00:14:33,100 >> THANK YOU FOR THE TALK. 316 00:14:33,133 --> 00:14:36,433 >> I DON'T WANT TO, LIKE, SHOOT MYSELF IN THE FOOT OR, LIKE, 317 00:14:36,466 --> 00:14:40,326 SPEAK TOO SOON, BUT I FEEL LIKE TRE'S HEAD IS WHERE MY HEAD'S 318 00:14:40,366 --> 00:14:41,166 AT. 319 00:14:41,200 --> 00:14:43,700 I THINK WE'RE KIND OF ON THE SAME PAGE. 320 00:14:43,733 --> 00:14:47,903 BUT I STILL DON'T WANT TO, LIKE, SAY IT'S 100% BECAUSE YOU REALLY 321 00:14:47,933 --> 00:14:49,133 DON'T KNOW. 322 00:14:49,166 --> 00:14:53,566 BUT I'M HOPING THAT, LIKE, HE'S SMART ENOUGH TO REALIZE THAT, 323 00:14:53,600 --> 00:14:56,070 LIKE, YOU KNOW, OUR CONNECTION IS A LITTLE BIT STRONGER THAN 324 00:14:56,100 --> 00:14:58,400 HIS ATTRACTION TO KAITLYNN. 325 00:14:58,433 --> 00:14:59,873 ( LAUGHS ) I DON'T KNOW. 326 00:14:59,900 --> 00:15:05,170 >> SO HOW WOULD YOU FEEL IF I WAS TO COUPLE UP WITH YOU? 327 00:15:05,200 --> 00:15:06,600 WOULD YOU BE COOL WITH THAT? 328 00:15:06,633 --> 00:15:07,473 >> YES, OF COURSE. 329 00:15:07,500 --> 00:15:08,670 WHAT DO YOU MEAN? 330 00:15:08,700 --> 00:15:12,630 >> I MEAN, I HAVE REALLY, REALLY GOOD CONVERSATIONS WITH YOU. 331 00:15:12,666 --> 00:15:17,226 AND IT'S, LIKE OBVIOUSLY, I COULD LOOK AT YOU ALL DAY. 332 00:15:17,266 --> 00:15:18,426 I MEAN, LOOK AT YOU. 333 00:15:18,466 --> 00:15:19,066 YOU KNOW IT. 334 00:15:19,100 --> 00:15:20,030 >> THANK YOU! 335 00:15:20,066 --> 00:15:22,026 AND LOOK AT THOSE SMILES AND THOSE EYE LASHES. 336 00:15:22,066 --> 00:15:23,066 >> THE EYE LASHES. 337 00:15:23,100 --> 00:15:25,670 >> YOU HAVE THE PRETTIEST EYE LASHES IN THE WORLD. 338 00:15:25,700 --> 00:15:29,130 >> I THINK IF ME AND YOU WERE TO COUPLE UP I WANT TO WANT TO AT 339 00:15:29,166 --> 00:15:31,696 LEAST TRY AND GET TO THAT POINT WITH YOU. 340 00:15:31,733 --> 00:15:32,873 >> 100%. 341 00:15:32,900 --> 00:15:37,130 IF WE COUPLE UP TOGETHER I'M NOT, NOT GOING TO GET TO KNOW 342 00:15:37,166 --> 00:15:38,396 TRE. 343 00:15:38,433 --> 00:15:42,003 I FEEL LIKE, YOU KNOW, I CAN BE OH, THIS IS WHAT THIS WILL LEAD 344 00:15:42,033 --> 00:15:42,833 TO. 345 00:15:42,866 --> 00:15:44,096 OR THIS IS WHAT THIS WILL NOT LEAD TO. 346 00:15:44,133 --> 00:15:45,303 WE CAN'T THINK THAT FAR YET. 347 00:15:45,333 --> 00:15:49,103 >> BUT MY BIGGEST THING IS, LIKE, OKAY, ME AND KAITLYNN ARE 348 00:15:49,133 --> 00:15:51,603 COUPLED UP, AND, LIKE, WE'RE SHARING A BED TONIGHT. 349 00:15:51,633 --> 00:15:53,903 AND THE NEXT NIGHT, WHO KNOWS? 350 00:15:53,933 --> 00:15:57,473 LIKE WHO GUYS COME IN, AND THEN WHOOPS! 351 00:15:57,500 --> 00:15:59,530 THERE GOES KAITLYNN, OUT. 352 00:15:59,566 --> 00:16:01,966 I WILL BE LIKE, DAMN, I LEFT MYSELF REALLY VULNERABLE FOR 353 00:16:02,000 --> 00:16:02,630 THIS GIRL. 354 00:16:02,666 --> 00:16:03,696 >> LISTEN, THIS IS THE THING. 355 00:16:03,733 --> 00:16:06,573 LET ME STOP YOU THERE AND BE VERY HONEST WITH YOU. 356 00:16:06,600 --> 00:16:09,270 DO I KNOW WHAT'S GOING TO HAPPEN IN THE FUTURE? 357 00:16:09,300 --> 00:16:10,430 NO, I DON'T. 358 00:16:10,466 --> 00:16:13,326 IF OTHER PEOPLE COME IN HERE, ARE WE GOING TO GET TO KNOW 359 00:16:13,366 --> 00:16:13,826 THEM? 360 00:16:13,866 --> 00:16:15,026 YES, I ASSUME THAT. 361 00:16:15,066 --> 00:16:18,596 IF YOU AND JUSTINE ARE COUPLED UP TOGETHER, WILL EACH OF YOU 362 00:16:18,633 --> 00:16:20,033 GET TO KNOW OTHER PEOPLE? 363 00:16:20,066 --> 00:16:20,966 YES. 364 00:16:21,000 --> 00:16:23,470 SO IT'S KIND OF THE SAME SITUATION WITH THAT. 365 00:16:23,500 --> 00:16:26,330 YOU KNOW, MAYBE WE WILL END UP‐‐ BECAUSE YOU ARE INTERESTED IN 366 00:16:26,366 --> 00:16:27,826 ME, AND I LOVE THAT. 367 00:16:27,866 --> 00:16:33,826 BUT I CAN ALWAYS PROMISE YOU THAT I WILL BE LOYAL TO YOU. 368 00:16:33,866 --> 00:16:35,626 >> THAT'S ALL I COULD ASK FOR. 369 00:16:35,666 --> 00:16:36,096 >> YEAH. 370 00:16:36,133 --> 00:16:36,573 >> THANK YOU. 371 00:16:36,600 --> 00:16:39,130 >> GIVE ME A HUG. 372 00:16:39,166 --> 00:16:42,796 I REALLY WANT TRE TO PICK ME BECAUSE I ABSOLUTELY ADORE HIM. 373 00:16:42,833 --> 00:16:43,803 I THINK HE'S A GREAT PERSON. 374 00:16:43,833 --> 00:16:47,703 AND I WOULD THEREOF CONTINUE GETTING TO KNOW HIM. 375 00:16:47,733 --> 00:16:49,573 WE WOULD HAVE TONS OF FUN TOGETHER. 376 00:16:49,600 --> 00:16:52,300 WE WOULD HAVE SO MUCH FUN WITH CHALLENGES. 377 00:16:52,333 --> 00:16:53,973 LIKE‐‐ ( SIGHS ) 378 00:16:54,000 --> 00:16:54,730 YEAH. 379 00:16:54,766 --> 00:16:57,396 SO I JUST REALLY HOPE I'M PICKED. 380 00:16:57,433 --> 00:17:01,303 DID YOU KNOW THAT IN THE PAVEMENT IN VEGAS YOU CAN CRACK 381 00:17:01,333 --> 00:17:02,303 AN EGG AND IT WILL COOK? 382 00:17:02,333 --> 00:17:03,233 >> ARE YOU SERIOUS? 383 00:17:03,266 --> 00:17:03,766 >> YEAH. 384 00:17:03,800 --> 00:17:04,730 >> I DIDN'T KNOW THAT. 385 00:17:04,766 --> 00:17:06,226 >> I NEVER TRIED IT, BUT THAT'S WHAT I HEARD. 386 00:17:06,266 --> 00:17:09,726 >> I MIGHT HAVE TO TRY IT THEN. 387 00:17:09,766 --> 00:17:11,496 >> YEAH. 388 00:17:11,533 --> 00:17:16,133 >> Matthew: FEELS LIKE A SALMONELLA RISK, CHEF KAITLYNN. 389 00:17:16,166 --> 00:17:18,796 >> THAT MADE THINGS 10 TIMES HARDER. 390 00:17:18,833 --> 00:17:21,403 >> I WAS WAITING TO TALK TO YOU. 391 00:17:21,433 --> 00:17:25,373 >> I HAD TO TALK TO THE VOICE IN MY HEAD TRYING TO TELL MYSELF 392 00:17:25,400 --> 00:17:26,370 WHO YOU WOULD PICK. 393 00:17:26,400 --> 00:17:27,230 WHAT DO YOU THINK? 394 00:17:27,266 --> 00:17:29,266 >> I KNOW YOU'RE COOL WITH BOTH OF THEM. 395 00:17:29,300 --> 00:17:30,970 YOU HAVE TO MAKE A DECISION BASED ON, IF SOMEONE COMES IN 396 00:17:31,000 --> 00:17:34,070 AND SHOWS THAT GIRL THAT YOU PICK A LITTLE BIT OF ATTENTION, 397 00:17:34,100 --> 00:17:38,130 IF THEY'RE JUST GOING TO JUMP SHIP JUST BECAUSE THEY'RE 398 00:17:38,166 --> 00:17:38,896 GETTING ATTENTION. 399 00:17:38,933 --> 00:17:39,973 WHO DO I THINK WOULD DO THAT FIRST? 400 00:17:40,000 --> 00:17:40,600 >> KAITLYNN. 401 00:17:40,633 --> 00:17:45,973 .IT'S MORE OF A TRUST THING. 402 00:17:46,000 --> 00:17:50,370 IT'S LIKE, ALL RIGHT, IF I GOT JUSTINE BEHIND ME, AND I FALL, I 403 00:17:50,400 --> 00:17:52,970 FEEL LIKE JUSTINE WILL HONESTLY CATCH ME, EVEN IF SOMEBODY DID 404 00:17:53,000 --> 00:17:55,730 COME IN, I FOOL LIKE IT WOULD STILL BE A FAIR CHANCE. 405 00:17:55,766 --> 00:17:57,226 >> AND SHE'S REALLY COOL. 406 00:17:57,266 --> 00:18:00,166 >> BUT I FEEL LIKE KAITLYNN HAS BEEN, LIKE, THE OUTSIDER. 407 00:18:00,200 --> 00:18:03,900 SO MAYBE IF ME AND KAITLYNN DO GET A CHANCE TO TALK MORE AND WE 408 00:18:03,933 --> 00:18:06,873 SPEND MORE TIME IN THE BED TOGETHER, AND THEN, LIKE, MAYBE 409 00:18:06,900 --> 00:18:11,970 I'VE BEEN NOT REALLY‐‐ NOT REALLY GIVING HER A CHANCE TO 410 00:18:12,000 --> 00:18:13,230 OPEN UP. 411 00:18:13,266 --> 00:18:16,966 >> WHAT I DON'T WANT TO HAPPEN, YOU HAVE JUSTINE AND JEREMIAH IN 412 00:18:17,000 --> 00:18:19,730 BED, THEY'RE SHARING A BED, BUT THAT'S ALL THEY'RE DOING. 413 00:18:19,766 --> 00:18:20,966 THEY'RE SHARING A BED. 414 00:18:21,000 --> 00:18:23,970 >> YOU WANT TO SHARE A BED WITH SOMEONE YOU CAN, LIKE, CUDDLE 415 00:18:24,000 --> 00:18:25,470 >> EXACTLY. 416 00:18:25,500 --> 00:18:27,330 >> AS FAR AS MORE TIME WITH HER. 417 00:18:27,366 --> 00:18:30,966 KAITLYNN, YOU'RE GOING TO GET IN BED WITH HER AND BE LIKE I WANT 418 00:18:31,000 --> 00:18:31,970 TO TOUCH YOU. 419 00:18:32,000 --> 00:18:32,870 YOU KNOW WHAT I'M SAYING? 420 00:18:32,900 --> 00:18:34,770 I WANT TO KISS YOU SOME MORE. 421 00:18:34,800 --> 00:18:36,430 MORE THAN THAT, I DON'T SEE IT. 422 00:18:36,466 --> 00:18:36,866 DO YOU? 423 00:18:36,900 --> 00:18:38,370 >> I DON'T KNOW. 424 00:18:38,400 --> 00:18:40,370 I DON'T KNOW, BRO. 425 00:18:40,400 --> 00:18:42,800 >> IT AIN'T NO GUARANTEE WITH EACH ONE. 426 00:18:42,833 --> 00:18:43,973 >> EXACTLY. 427 00:18:44,000 --> 00:18:46,800 >> IT PUTS ME IN A TOUGH PLACE BECAUSE I'M DEALING WITH TWO 428 00:18:46,833 --> 00:18:47,933 AMAZING GIRLS. 429 00:18:47,966 --> 00:18:50,166 I'M NOT GOING TO LIE, ME AND KAITLYNN'S CONVERSATION WAS 430 00:18:50,200 --> 00:18:51,230 GOOD. 431 00:18:51,266 --> 00:18:53,766 AND IT JUST MAKES THINGS, LIKE, REALLY, REALLY HARD. 432 00:18:53,800 --> 00:19:02,770 >> YOU GOT SOME THINGS TO DO. 433 00:19:02,800 --> 00:19:04,830 ♪ ♪ ♪ >> LOOKING GOOD, BABE! 434 00:19:04,866 --> 00:19:06,796 >> TONIGHT'S THE NIGHT FOR BOTH OF UMAN. 435 00:19:06,833 --> 00:19:07,973 >> OH, YEAH, MAN. 436 00:19:08,000 --> 00:19:09,470 >> I'M GETTING NERVOUS. 437 00:19:09,500 --> 00:19:13,070 >> WHY ARE YOU NERVOUS? 438 00:19:13,100 --> 00:19:14,300 FOR WHAT JAMES IS GOING TO SAY? 439 00:19:14,333 --> 00:19:15,003 >> YEAH. 440 00:19:15,033 --> 00:19:16,633 >> LIKE BUTTERFLIES NERVOUS? 441 00:19:16,666 --> 00:19:17,366 >> YES. 442 00:19:17,400 --> 00:19:19,530 >> MY HEAD IS ALL OVER THE PLACE. 443 00:19:19,566 --> 00:19:24,196 LIKE, I DEFINITELY HAVE BUBBLE GUTS TONIGHT BECAUSE I'M SO 444 00:19:24,233 --> 00:19:24,673 NERVOUS! 445 00:19:24,700 --> 00:19:25,930 THIS IS TOO MUCH! 446 00:19:25,966 --> 00:19:29,966 I WANT TO FEEL CONFIDENT IN WHAT TRE IS GOING TO DECIDE TONIGHT, 447 00:19:30,000 --> 00:19:32,970 BUT, LIKE, YOU REALLY DON'T KNOW. 448 00:19:33,000 --> 00:19:34,970 OOOOH! 449 00:19:35,000 --> 00:19:40,100 ♪ SUNSHINE ♪ >> I JUST DON'T WANT TO GET TOO 450 00:19:40,133 --> 00:19:40,933 NERVOUS. 451 00:19:40,966 --> 00:19:43,266 MY GUT'S TELLING ME TO JUST STAY CALM. 452 00:19:43,300 --> 00:19:46,400 I FEEL AS THOUGH I'M GETTING CHOSEN, BUT THEN AGAIN, YOU 453 00:19:46,433 --> 00:19:48,433 ABSOLUTELY HAVE NO IDEA. 454 00:19:54,800 --> 00:19:57,070 >> IT'S GOING TO GET REAL TONIGHT. 455 00:19:57,100 --> 00:20:00,770 LIKE, SOMEBODY'S GOING TO GO HOME TONIGHT. 456 00:20:00,800 --> 00:20:03,970 ♪ ♪ ♪ ♪ ♪ ♪ 457 00:20:04,000 --> 00:20:07,730 PARADISE LIVE LIKE NO TOMORROW. 458 00:20:07,766 --> 00:20:12,026 LIVE LIKE NO TOMORROW. 459 00:20:28,000 --> 00:20:28,970 ♪ ♪ ♪ >> Matthew: TONIGHT, IT'S THE 460 00:20:29,000 --> 00:20:30,830 VERY FIRST RECOUPLING. 461 00:20:30,866 --> 00:20:35,966 ♪ I GOTTA KEEP THE CALM BEFORE THE STORM. 462 00:20:36,000 --> 00:20:37,970 >> Matthew: EACH BOY WILL CHOOSE THE GIRL THEY WANT TO 463 00:20:38,000 --> 00:20:39,130 COUPLE UP WITH. 464 00:20:39,166 --> 00:20:43,526 ♪ I DON'T WANT LESS I DON'T WANT MORE. 465 00:20:43,566 --> 00:20:46,966 >> Matthew: BUT THE ONE GIRL LEFT SINGLE WILL LEAVE THE VILLA 466 00:20:47,000 --> 00:20:49,970 TONIGHT. 467 00:20:50,000 --> 00:20:54,330 ♪ MY LIFE IS WHAT I'M FIGHTING FOR. 468 00:20:54,366 --> 00:20:57,666 >> Matthew: THE FIRST BOY TO MAKE HIS PICK IS CONNOR, WHO IS 469 00:20:57,700 --> 00:21:02,900 CURRENTLY COUPLED UP WITH MACKENZIE. 470 00:21:02,933 --> 00:21:08,973 >> I WANT TO COUPLE UP WITH THIS GIRL BECAUSE SHE IS COMPLETELY 471 00:21:09,000 --> 00:21:10,200 SELFLESS. 472 00:21:10,233 --> 00:21:14,103 SHE PUTS EVERYBODY ELSE'S NEEDS AND WANTS BEFORE HER OWN. 473 00:21:14,133 --> 00:21:17,233 AND SHE MAKES ME FEEL COMFORTABLE ENOUGH TO KNOW THAT 474 00:21:17,266 --> 00:21:22,966 I DON'T HAVE TO BE ANYONE ELSE BUT MYSELF WHEN I'M WITH HER. 475 00:21:23,000 --> 00:21:27,330 SHE MAKES ME FEEL WARMED IN AND THAT EVERYTHING IS EASY AND I 476 00:21:27,366 --> 00:21:30,296 DON'T HAVE TO OVERTHINK EVERYTHING THAT'S GOING ON WITH 477 00:21:30,333 --> 00:21:31,473 HER. 478 00:21:31,500 --> 00:21:35,470 I KNOW THERE'S NO OTHER TEDDY BEAR I WANT TO TUCK INTO BED 479 00:21:35,500 --> 00:21:40,230 EACH NIGHT, OTHER THAN THIS GIRL. 480 00:21:40,266 --> 00:21:47,966 SO, THE GIRL I WANT TO COUPLE UP WITH IS... 481 00:21:48,000 --> 00:21:48,730 MACKENZIE. 482 00:21:48,766 --> 00:21:50,796 ♪ GOT TO KEEP MY HEAD ABOVE WATER 483 00:21:50,833 --> 00:21:54,903 DON'T LET ME DROWN. 484 00:21:54,933 --> 00:21:58,303 >> OH! 485 00:21:58,333 --> 00:22:00,333 ♪ AND TO FALL DOWN TO MY KNEES ♪ 486 00:22:07,000 --> 00:22:09,530 >> I WOULD LIKE TO COUPLE UP WITH THIS GIRL BECAUSE OVER THE 487 00:22:09,566 --> 00:22:13,966 PAST COUPLE OF DAYS, SHE'S MADE ME REALIZE HOW MUCH ALIKE WE 488 00:22:14,000 --> 00:22:15,230 REALLY ARE. 489 00:22:15,266 --> 00:22:18,466 SHE MAKES ME WANT TO BE A BETTER MAN, NOT ONLY FOR MYSELF BUT FOR 490 00:22:18,500 --> 00:22:19,030 HER. 491 00:22:19,066 --> 00:22:22,966 THIS GIRL IS BEAUTIFUL. 492 00:22:23,000 --> 00:22:24,970 EVERY TIME SHE SMILES, I SMILE. 493 00:22:25,000 --> 00:22:27,970 EVERY TIME SHE LAUGHS, I LAUGH. 494 00:22:28,000 --> 00:22:30,970 ANDIVE TIME I'M NOT AROUND HER, I RUN AROUND THE VILLAGE TRYING 495 00:22:31,000 --> 00:22:33,530 TO FIND HER SO WE CAN HAVE ANOTHER CONVERSATION. 496 00:22:33,566 --> 00:22:41,966 SO THE GIRL I WOULD LIKE TO COUPLE UP WITH IS CELY. 497 00:22:42,000 --> 00:22:46,470 ♪ ♪ ♪ HEAD ABOVE WATER 498 00:22:46,500 --> 00:22:57,970 DON'T LET ME DROWN AND KEEP MY HEAD ABOVE WATER, ABOVE WATER 499 00:22:58,000 --> 00:23:02,930 ♪ I'M ALWAYS WONDERING IF IT'S EVER GONNA END ♪ 500 00:23:02,966 --> 00:23:07,296 >> I WOULD LIKE TO COUPLE UP WITH THIS GIRL BECAUSE SHE IS 501 00:23:07,333 --> 00:23:11,973 GORGEOUS, CONFIDENT, AND MOTIVATED IN EVERY ASPECT OF HER 502 00:23:12,000 --> 00:23:14,970 LIFE. 503 00:23:15,000 --> 00:23:17,970 SHE'S KIND OF OPENED UP A LOT OF SOFT SPOTS WHICH I DIDN'T THINK 504 00:23:18,000 --> 00:23:18,730 I REALLY HAD. 505 00:23:18,766 --> 00:23:19,766 SHE'S JUST THE FULL PACKAGE. 506 00:23:19,800 --> 00:23:22,270 I MEAN, SHE'S BEAUTIFUL. 507 00:23:22,300 --> 00:23:23,500 SHE'S SMART. 508 00:23:23,533 --> 00:23:26,903 SHE'S FUNNY, AND THERE'S REALLY NO OTHER GIRL I WOULD HONESTLY 509 00:23:26,933 --> 00:23:28,733 WANT TO TALK TO. 510 00:23:28,766 --> 00:23:29,966 SO... 511 00:23:30,000 --> 00:23:32,700 I'M JUST EXCITED TO PICK HER AND SEE WHAT THE FUTURE HOLDS FOR 512 00:23:32,733 --> 00:23:35,433 US, BECAUSE IT'S DEFINITELY SOMETHING GOOD. 513 00:23:35,466 --> 00:23:40,696 SO THE GIRL I WANT TO COUPLE UP WITH IS... 514 00:23:40,733 --> 00:23:44,733 ♪ DO WE THROW IT ALL AWAY ♪ >> KIRSTIN. 515 00:23:53,233 --> 00:23:54,503 >> HOLY HELL. 516 00:23:54,533 --> 00:23:56,973 THAT WAS NERVE‐RACKING. 517 00:23:57,000 --> 00:23:59,000 ♪ TRY TO UNDERSTAND HOW WE'RE HERE AGAIN. 518 00:24:09,000 --> 00:24:12,670 >> I WANT TO COUPLE UP WITH THIS GIRL BECAUSE FROM THE FIRST 519 00:24:12,700 --> 00:24:16,970 MOMENT I MET HER, I FELT LIKE WE HAD AN INSTANT CONNECTION. 520 00:24:17,000 --> 00:24:21,970 SHE'S SO EASY TO TALK TO, AND WE HAVE SO MUCH IN COMMON. 521 00:24:22,000 --> 00:24:25,300 SHE'S BEAUTIFUL, BRILLIANT, AND SHE'S FUNNY. 522 00:24:25,333 --> 00:24:29,103 AND I FIND MYSELF WANTING TO BE AROUND HER ALL THE TIME. 523 00:24:29,133 --> 00:24:32,673 AND EVERY MOMENT WITH HER IS A MOMENT WELL SPENT. 524 00:24:32,700 --> 00:24:36,170 AND I CAN'T WAIT TO SEE WHERE THE JOURNEY TAKES US. 525 00:24:36,200 --> 00:24:44,970 SO THE GIRL I WOULD LIKE TO COUPLE UP WITH IS... 526 00:24:45,000 --> 00:24:49,030 RACHEL, COME HERE, GIRL. 527 00:24:49,066 --> 00:24:51,066 ( APPLAUSE ) ♪ WE WALKED THROUGH THE FIRE 528 00:25:01,533 --> 00:25:06,833 >> I WANT TO COUPLE UP WITH THIS GIRL BECAUSE SHE'S SO PRETTY, SO 529 00:25:06,866 --> 00:25:09,526 FUN, SO LOVING, SO CARING ALREADY. 530 00:25:09,566 --> 00:25:11,796 THE FIRST TIME I SAW HER, I JUST COULDN'T GET ENOUGH OF HER. 531 00:25:11,833 --> 00:25:15,033 I WANT TO KEEP TALKING TO HER AND JUST GETTIN TO KNOW MORE 532 00:25:15,066 --> 00:25:17,026 AND MORE OF YOU. 533 00:25:17,066 --> 00:25:20,696 AND I HOPE YOU CAN GET TO BE OPEN WITH ME, AND THAT WE'LL 534 00:25:20,733 --> 00:25:21,703 TAKE OUR TIME. 535 00:25:21,733 --> 00:25:23,703 BUT I'M EXCITED TO WHERE THIS WILL GO. 536 00:25:23,733 --> 00:25:33,933 THE GIRL I WANT TO COUPLE UP WITH IS... 537 00:25:33,966 --> 00:25:34,596 MOIRA. 538 00:25:34,633 --> 00:25:36,633 ( APPLAUSE ) ♪ ♪ ♪ 539 00:25:48,000 --> 00:25:54,570 ♪ I CAN FEEL IT COMING IN THE AIR TONIGHT 540 00:25:54,600 --> 00:25:59,970 HOLD ON ♪ >> I'M GOING TO BE SICK. 541 00:26:00,000 --> 00:26:07,970 ♪ I CAN FEEL IT COMING IN THE AIR TONIGHT 542 00:26:08,000 --> 00:26:10,030 HOLD ON. 543 00:26:10,066 --> 00:26:17,066 ♪ I CAN FEEL IT COMING IN THE AIR TONIGHT 544 00:26:17,100 --> 00:26:19,200 HOLD ON. 545 00:26:19,233 --> 00:26:23,703 >> YOU BOTH LOOK AMAZING. 546 00:26:23,733 --> 00:26:35,403 I WANT TO COUPLE UP WITH THIS GIRL BECAUSE SHE'S BEAUTIFUL. 547 00:26:35,433 --> 00:26:44,533 AND I KNOW THAT WE DIDN'T HAVE MANY CONVERSATIONS, BUT I DON'T 548 00:26:44,566 --> 00:26:47,526 OPEN UP TO PEOPLE OFTEN. 549 00:26:47,566 --> 00:26:53,066 I FEEL LIKE IF I OPEN UP, I LEAVE MYSELF VULNERABLE. 550 00:26:53,100 --> 00:26:58,970 AND THE CONVERSATIONS THAT WE DID HAVE EACH TIME, I LEFT WITH 551 00:26:59,000 --> 00:26:59,870 SOMETHING. 552 00:26:59,900 --> 00:27:05,670 SOY THE GIRL I WANT TO COUPLE UP WITH IS... 553 00:27:05,700 --> 00:27:13,200 ♪ I'VE BEEN WAITING FOR THIS MOMENT FOR ALL MY LIFE 554 00:27:13,233 --> 00:27:14,233 HOLD ON 555 00:27:30,000 --> 00:27:36,230 THE AIR TONIGHT. 556 00:27:36,266 --> 00:27:38,966 >> Matthew: TRE MUST NOW CHOOSE WHAT GIRL HE WANTS TO 557 00:27:39,000 --> 00:27:40,370 COUPLE UP WITH. 558 00:27:40,400 --> 00:27:43,370 WILL IT BE JUSTINE OR KAITLYNN? 559 00:27:43,400 --> 00:27:49,200 >> I WANT TO COUPLE UP WITH THIS GIRL BECAUSE... 560 00:27:49,233 --> 00:27:57,303 ♪ HOLD ON ♪ >> SHE'S BEAUTIFUL AND I KNOW 561 00:27:57,333 --> 00:28:03,603 THAT WE DIDN'T HAVE AS MANY CONVERSATIONS, BUT I DON'T OPEN 562 00:28:03,633 --> 00:28:09,973 UP TO PEOPLE OFTEN. 563 00:28:10,000 --> 00:28:14,970 I FEEL LIKE IF I OPEN UP, I LEAVE MYSELF VULNERABLE. 564 00:28:15,000 --> 00:28:18,970 THE CONVERSATIONS THAT WE DID HAVE EACH TIME I LEFT WITH 565 00:28:19,000 --> 00:28:24,100 SOMETHING. 566 00:28:24,133 --> 00:28:29,803 ♪ WELL I REMEMBER, I REMEMBER ♪ 567 00:28:29,833 --> 00:28:36,733 >> SO THE GIRL I WANT TO COUPLE UP WITH IS... 568 00:28:36,766 --> 00:28:47,966 ♪ FOR ALL MY LIFE HOLD ON ♪ 569 00:28:48,000 --> 00:28:50,000 >> JUSTINE. 570 00:29:11,000 --> 00:29:13,000 ♪ ♪ ♪ >> THIS ISN'T AWKWARD AT ALL. 571 00:29:19,000 --> 00:29:21,970 >> I GOT A TEXT! 572 00:29:22,000 --> 00:29:26,970 "KAITLYNN, YOU ARE THE ONLY SINGLE ISLANDER AND, THEREFORE, 573 00:29:27,000 --> 00:29:29,370 YOU HAVE BEEN DUMPED FROM THE VILLA. 574 00:29:29,400 --> 00:29:34,970 YOU HAVE 30 MINUTES TO PACK YOUR THINGS AND SAY YOUR GOOD‐BYES. 575 00:29:35,000 --> 00:29:36,970 #LOVE'SA GAMBLE. 576 00:29:37,000 --> 00:29:39,000 #BACKTOREALITY. 577 00:29:45,000 --> 00:29:47,000 >> DON'T CRY. 578 00:30:01,000 --> 00:30:02,200 >> I WILL MISS HER A LOT. 579 00:30:02,233 --> 00:30:05,973 I THINK THAT SHE REALLY IMPACTED ALL OF US GIRLS, AND I WANTED 580 00:30:06,000 --> 00:30:07,600 HER TO FIND SOMEONE IN HERE. 581 00:30:07,633 --> 00:30:11,733 AND IT BREAKS MY HEART THAT SHE HAD TO GO THIS SOON. 582 00:30:11,766 --> 00:30:12,966 >> I'M JUST A BLUBBERING BABY. 583 00:30:13,000 --> 00:30:13,900 DON'T MIND ME. 584 00:30:13,933 --> 00:30:16,503 >> NO, YOU'RE FINE. 585 00:30:16,533 --> 00:30:19,033 YOU DID WHAT YOU HAD TO DO. 586 00:30:19,066 --> 00:30:19,666 I'LL BE OKAY. 587 00:30:19,700 --> 00:30:20,870 >> OH, MY GOD. 588 00:30:20,900 --> 00:30:23,830 >> I WAS REALLY HAPPY, BUT, LIKE, AT THE SAME TIME, THAT'S 589 00:30:23,866 --> 00:30:24,966 MY GIRL. 590 00:30:25,000 --> 00:30:29,830 I CAME IN HERE WITH HER, AND I FELT FOR HER SO HARD. 591 00:30:29,866 --> 00:30:37,026 >> YOU'RE SO FREAKING STRONG! 592 00:30:37,066 --> 00:30:37,396 >> BYE! 593 00:30:37,433 --> 00:30:38,703 >> LOVE YOU! 594 00:30:38,733 --> 00:30:39,933 >> LOVE YOU! 595 00:30:39,966 --> 00:30:41,966 >> BYE! 596 00:30:46,800 --> 00:30:50,500 >> I REALLY LEARNED TO BE OPTIMISTIC AND GET TO KNOW 597 00:30:50,533 --> 00:30:53,203 PEOPLE A LITTLE BIT MORE BECAUSE, I DON'T KNOW, I COULD 598 00:30:53,233 --> 00:30:57,373 BE SURPRISED. 599 00:30:57,400 --> 00:31:00,900 >> Matthew: GEEZ, NEON HEART. 600 00:31:00,933 --> 00:31:02,203 YOU'RE HEARTLESS. 601 00:31:02,233 --> 00:31:05,273 AFTER A BUSY NIGHT SPENT DESTROYING THE HOPES AND DREAMS 602 00:31:05,300 --> 00:31:09,400 OF KAITLYNN, TRE WINDS DOWN WITH A LITTLE ONE‐ON‐ONE TIME WITH 603 00:31:09,433 --> 00:31:10,903 NEW PARTNER JUSTINE. 604 00:31:10,933 --> 00:31:14,533 >> I FEEL REALLY GOOD. 605 00:31:14,566 --> 00:31:18,096 NOW I DON'T HAVE TO SNEAK OVER THERE AND BE LIKE‐‐ 606 00:31:18,133 --> 00:31:19,573 >> I KNOW. 607 00:31:19,600 --> 00:31:22,830 I'M GLAD‐‐ I'M GLAD YOU'LL BE IN MY BED NOW. 608 00:31:22,866 --> 00:31:24,796 SO HAPPY THAT THAT'S OVER. 609 00:31:24,833 --> 00:31:28,303 AND I'M EVEN HAPPIER THAT I'M FINALLY COUPLED UP WITH TRE 610 00:31:28,333 --> 00:31:31,333 BECAUSE, LIKE, I THINK WE BOTH KIND OF WANTED IT FOR THE PAST 611 00:31:31,366 --> 00:31:32,596 COUPLE OF DAYS NOW. 612 00:31:32,633 --> 00:31:36,933 SO I'M SO HAPPY IN HIS SPEECH. 613 00:31:36,966 --> 00:31:38,396 I WAS LIKE, "WOW! 614 00:31:38,433 --> 00:31:42,433 WHERE DID THIS COME FROM?" >> I FEEL LIKE ME AND YOU 615 00:31:42,466 --> 00:31:44,166 CONNECT BETTER THAN ME AND HER DID. 616 00:31:44,200 --> 00:31:44,630 >> I THINK SO, TOO. 617 00:31:44,666 --> 00:31:45,326 >> OH, REALLY? 618 00:31:45,366 --> 00:31:45,996 >> YEAH. 619 00:31:46,033 --> 00:31:49,233 .YEAH. 620 00:31:49,266 --> 00:31:50,666 I'M NOT EVEN THINKING ABOUT IT. 621 00:31:50,700 --> 00:31:53,170 >> REALLY? 622 00:31:53,200 --> 00:31:54,100 >> YEAH. 623 00:31:54,133 --> 00:31:55,403 >> I'M HAPPY, TOO. 624 00:31:55,433 --> 00:31:56,773 >> YEAH, SAME. 625 00:31:56,800 --> 00:31:59,470 I'M EXCITED ABOUT A LOT OF THINGS. 626 00:31:59,500 --> 00:32:02,400 I THINK WE'RE, LIKE, AT THIS POINT PRETTY WELL SUITED FOR 627 00:32:02,433 --> 00:32:03,603 EACH OTHER. 628 00:32:03,633 --> 00:32:04,803 AND SOY I CAN'T WAIT TO SEE, LIKE, HOW THAT GROWS EVEN MORE. 629 00:32:18,000 --> 00:32:18,500 > >> SOMEBODY GOT A TEXT. 630 00:32:19,000 --> 00:32:20,330 >> UH‐OH! 631 00:32:20,366 --> 00:32:22,966 >> I GOT A TEXT! 632 00:32:23,000 --> 00:32:25,970 >> UH‐OH! 633 00:32:26,000 --> 00:32:28,970 >> KIRSTIN AND MOIRA, TWO NEW GUYS ARE WAITING TO TAKE YOU ON 634 00:32:29,000 --> 00:32:30,030 DATES TONIGHT. 635 00:32:39,000 --> 00:32:41,200 >> Matthew: AN EPIIB RECOUPLING. 636 00:32:41,233 --> 00:32:41,773 TWO NEW BOYS? 637 00:32:41,800 --> 00:32:42,770 AND IT'S FRIDAY! 638 00:32:42,800 --> 00:32:44,000 I HAVE TO REST. 639 00:32:44,033 --> 00:32:48,533 I WANT TO SEAMLESS TRANSITION INTO DEEP SLEEP, MUCH LIKE THIS 640 00:32:48,566 --> 00:32:52,666 TRANSITION INTO TALKING ABOUT TEASERS, THE GORGEOUS PEOPLE WHO 641 00:32:52,700 --> 00:32:54,770 OFFERED ME A COMPLEMENTARY PILLOW. 642 00:32:54,800 --> 00:32:56,970 AND HAVE I MENTIONED THEY HAVE THE MOST COMFORTABLE BEDS IN 643 00:32:57,000 --> 00:32:58,130 VEGAS. 644 00:32:58,166 --> 00:33:02,926 FOR YOUR NEXT BED IN VEGAS, GO TO CAESARS. 645 00:33:02,966 --> 00:33:03,966 I WOULD LIKE FOUR EXTRA PILLOWS. 646 00:33:14,000 --> 00:33:15,970 ♪ ♪ ♪ ♪ WHERE THERE'S SMOKE, THERE'S 647 00:33:16,000 --> 00:33:21,000 FIRE ♪ >> I GOT A TEXT! 648 00:33:34,533 --> 00:33:39,603 >> OH, MY GOD! 649 00:33:43,000 --> 00:33:43,970 >> I'M, LIKE, SPEECHLESS. 650 00:33:44,000 --> 00:33:44,970 TWO NEW BOYS. 651 00:33:45,000 --> 00:33:46,300 THAT'S DEFINITELY GOING TO SHAKE SOME THINGS UP. 652 00:33:46,333 --> 00:33:47,273 >> OH, YEAH. 653 00:33:47,300 --> 00:33:51,700 >> AND SEE HOW THE WHOLE ENTIRE VILLA REACTS. 654 00:33:51,733 --> 00:33:52,703 >> I MEAN, I'M READY. 655 00:33:52,733 --> 00:33:54,603 >> I'M, LIKE, ACTUALLY SHAKING. 656 00:33:54,633 --> 00:33:57,403 >> I HAVE TO PUT MAKEUP ON AND SEE SOMEONE? 657 00:33:57,433 --> 00:33:59,373 I'M, LIKE, ACTUALLY GOING TO PASS OUT. 658 00:33:59,400 --> 00:34:00,200 >> OH, MY GOD! 659 00:34:00,233 --> 00:34:02,833 >> I WORKED SO HARD FOR HER TO LIKE ME. 660 00:34:02,866 --> 00:34:05,366 I CAN'T WAIT UNTIL THIS DUDE, WHAT HE SAYS. 661 00:34:05,400 --> 00:34:07,430 >> HOW WOULD YOU FEEL IF SHE ENTERTAINED HIM? 662 00:34:07,466 --> 00:34:11,426 >> I MEAN, IT WOULD LITERALLY CHANGE MY GAME INTO A WHOLE 663 00:34:11,466 --> 00:34:12,126 OTHER ROUND. 664 00:34:12,166 --> 00:34:13,096 IT WOULD BE A SLAP IN THE FACE. 665 00:34:13,133 --> 00:34:15,533 >> WOULD YOU LOOK AT HER DIFFERENT? 666 00:34:15,566 --> 00:34:15,966 >> YEAH! 667 00:34:16,000 --> 00:34:17,070 100%! 668 00:34:17,100 --> 00:34:19,000 BECAUSE EVERYTHING SHE WOULD SAY TO ME WOULD BE A LIE. 669 00:34:19,033 --> 00:34:22,603 THE INITIAL IDEA OF IT HURT ME WITH THAT NERVOUS FEELING, LIKE 670 00:34:22,633 --> 00:34:25,133 RIGHT BEFORE YOU GO ON A ROLLER COASTER OR BEFORE SOMETHING BAD 671 00:34:25,166 --> 00:34:26,396 IS GOING TO HAPPEN. 672 00:34:26,433 --> 00:34:29,733 FROM DAY ONE SINCE I MET HER, I POURED EVERYTHING I GOT INTO 673 00:34:29,766 --> 00:34:33,326 HER, AND SHE'S GOING TO THROW THAT OUT FOR A DUDE FOR A DAY OR 674 00:34:33,366 --> 00:34:34,026 WHATEVER. 675 00:34:34,066 --> 00:34:35,026 NO, I HOPE THAT DOESN'T HAPPEN. 676 00:34:35,066 --> 00:34:37,996 >> ARE YOU, LIKE, A LITTLE BIT EXCITED? 677 00:34:38,033 --> 00:34:40,773 >> I'M, LIKE, FREAKING OUT. 678 00:34:40,800 --> 00:34:42,970 I'M ALSO LIKE, WHY DID HE PICK ME? 679 00:34:43,000 --> 00:34:43,670 >> BECAUSE YOU'RE HOT. 680 00:34:43,700 --> 00:34:44,900 >> IS THAT A REAL QUESTION? 681 00:34:44,933 --> 00:34:49,103 >> I FEEL LIKE THE INDICATE WE HAD WAS SO GOOD, THAT IF SHE HAD 682 00:34:49,133 --> 00:34:52,133 A BOMB‐ASS DATE, I STILL HAVE THE ADVANTAGE. 683 00:34:52,166 --> 00:34:53,166 WE'RE INSTILL BED TOGETHER. 684 00:34:53,200 --> 00:34:55,030 I HAVE PLENTY OF TIME. 685 00:34:55,066 --> 00:34:56,426 >> IT'S THE FIRST TIME TONIGHT. 686 00:34:56,466 --> 00:34:58,366 >> I THINK WHEA KNOW WHAT'S GOING TO HAPPEN. 687 00:34:58,400 --> 00:35:01,970 >> I THINK THAT'S REAL, TOO, BECAUSE YOU ALL JUST FRESHLY 688 00:35:02,000 --> 00:35:03,800 GOT‐‐ >> SHE'S VERY EXCITED TO BE WITH 689 00:35:03,833 --> 00:35:05,033 ME. 690 00:35:05,066 --> 00:35:06,966 BUT I THINK IT'S KIND OF ALSO SHE'S GOING TO BE SCARED TO EVEN 691 00:35:07,000 --> 00:35:09,630 COME BACK AND TALK WITH ME ABOUT IT. 692 00:35:09,666 --> 00:35:10,426 IT WILL BE AWKWARD. 693 00:35:10,466 --> 00:35:11,666 I'M NOT HAPPY. 694 00:35:11,700 --> 00:35:16,070 OUR FIRST NIGHT AS A COUPLE, I KNOW KIERSTAN IS SO INTO ME, SHE 695 00:35:16,100 --> 00:35:18,500 WILL GIVE HIM A LITTLE BIT OF TIME. 696 00:35:18,533 --> 00:35:20,973 >> HOLY CRAP! 697 00:35:21,000 --> 00:35:24,400 >> CARRINGTON, GET YOUR ASS OVER HERE. 698 00:35:24,433 --> 00:35:25,673 >> DON'T YOU NERVOUS? 699 00:35:25,700 --> 00:35:26,870 >> DON'T ARE NERVOUS? 700 00:35:26,900 --> 00:35:27,970 I'M A LITTLE NERVOUS. 701 00:35:28,000 --> 00:35:30,830 >> HE'S GOING TO BE OUR BEST FRIEND IN THE VILLA. 702 00:35:30,866 --> 00:35:32,896 >> HE CAN TAKE KAITLYNN'S SPOT. 703 00:35:32,933 --> 00:35:41,073 >> WE'RE SLEEPING TOGETHER TONIGHT SO IT WILL BE FUN. 704 00:35:41,100 --> 00:35:48,100 ♪ ♪ ♪ >> OH, I'M NERVOUS! 705 00:35:48,133 --> 00:35:50,333 >> WHAT IF WE'RE DOING SOMETHING CRAZY. 706 00:35:50,366 --> 00:35:51,526 >> I KNOW. 707 00:35:51,566 --> 00:35:54,066 >> OH, MAYBE WE'RE EVEN JUST SITTING DOWN AND HAVING A CHAT. 708 00:35:54,100 --> 00:35:56,570 BUT, I MEAN, IT'S VEGAS. 709 00:35:56,600 --> 00:35:57,370 ANYTHING CAN HAPPEN. 710 00:35:57,400 --> 00:36:02,230 >> BRING ON THE BOYS! 711 00:36:02,266 --> 00:36:12,966 ♪ SON OF A GUN I'M LIKE A TITAN THAT'S RISING ♪ 712 00:36:13,000 --> 00:36:15,970 >> I'LL 24 YEARS OLD, ORIGINALLY FROM OKLAHOMA CITY. 713 00:36:16,000 --> 00:36:18,000 WITH ALL CONFIDENCE, I FEEL LIKE I'M THE FULL PACKAGE. 714 00:36:23,000 --> 00:36:24,770 I'M FUN, I'M PLAYFUL. 715 00:36:24,800 --> 00:36:26,130 I HAVE THIS GEEKY SIDE. 716 00:36:26,166 --> 00:36:28,966 BUT I LOOK GOOD, TOO. 717 00:36:29,000 --> 00:36:35,030 ♪ THIS IS HOW LEGENDS ARE MADE. 718 00:36:35,066 --> 00:36:37,466 >> I'M CALVIN, I'M 25 YEARS OLD. 719 00:36:37,500 --> 00:36:42,030 I'M FROM HOUSTON, TEXAS, AND I JUST LEFT MY JOB AS A BUG SPRAY 720 00:36:42,066 --> 00:36:42,796 SALESMAN. 721 00:36:42,833 --> 00:36:45,733 ♪ I'M CRANKING UP ON THE THROTTLE 722 00:36:45,766 --> 00:36:48,926 VICTORY IS MINE ♪ >> I RATE MYSELF NINE OUT OF 10. 723 00:36:48,966 --> 00:36:51,926 I HAVE THE LOOKS, I HAVE THE ABS, I HAVE THE SMILE. 724 00:36:51,966 --> 00:36:53,126 I HAVE THE PERSONALITY. 725 00:36:53,166 --> 00:36:53,966 IFYOU'RE COMING MY WAY, YOU BETTER BE HUNGRY, BECAUSE I'M A 726 00:36:54,000 --> 00:36:55,700 FULL SIX‐COURSE MEAL, BABY. 727 00:36:55,733 --> 00:36:57,733 ♪ THIS IS HOW LEGENDS ARE MADE ♪ 728 00:37:08,000 --> 00:37:09,970 ♪ ♪ ♪ >> Matthew: MOVE OVER, PARIS. 729 00:37:10,000 --> 00:37:13,970 VEGAS IS THE NEW ROMANCE CAPITAL, AND OUR EIFFEL TOWER IS 730 00:37:14,000 --> 00:37:15,200 WAY NEWER THAN YOURS. 731 00:37:15,233 --> 00:37:17,003 NEW ISLANDERS ARE GOING TO SEE IF THEY CAN CAN CHARM THEM OVER. 732 00:37:23,000 --> 00:37:24,070 >> I'M CALEB. 733 00:37:24,100 --> 00:37:25,070 >> I'M KIERSTAN. 734 00:37:25,100 --> 00:37:25,530 BUT YOU KNOW THAT. 735 00:37:25,566 --> 00:37:26,266 >> I DID. 736 00:37:26,300 --> 00:37:27,470 >> THIS IS CRAZE. 737 00:37:27,500 --> 00:37:32,970 I DID NOT EXPECT TO BE ON ANOTHER DATE ALREADY. 738 00:37:33,000 --> 00:37:34,400 >> I'VE SEEN YOU ON TV. 739 00:37:34,433 --> 00:37:34,933 >> CRINGE. 740 00:37:34,966 --> 00:37:37,226 >> YOU'RE KILLING IT. 741 00:37:37,266 --> 00:37:37,666 YOU'RE BEAUTIFUL. 742 00:37:37,700 --> 00:37:38,270 ARE YOU EXCITED? 743 00:37:38,300 --> 00:37:39,670 >> I'M EXCITED TO BE HERE. 744 00:37:39,700 --> 00:37:44,130 I'M GLAD THAT YOU PICKED ME. 745 00:37:44,166 --> 00:37:47,496 YOU'RE‐‐ I'M TELLING YOU, YOU'RE SHAKING THINGS UP. 746 00:37:47,533 --> 00:37:52,703 TONIGHT WAS A RECOUPLING. 747 00:37:52,733 --> 00:37:55,233 >> IT'S ALREADY‐‐ IT'S ALREADY IN THE PAST. 748 00:37:55,266 --> 00:37:55,926 WE'RE TONIGHT NOW. 749 00:37:55,966 --> 00:37:57,226 >> OKAY, I LOVE THE CONFIDENCE. 750 00:37:57,266 --> 00:37:59,696 >> WE'RE LOOKING FORWARD. 751 00:37:59,733 --> 00:38:01,303 >> OH, MY GOD! 752 00:38:01,333 --> 00:38:03,333 I EED A DRINK AFTER THAT. 753 00:38:03,366 --> 00:38:04,626 WOW, I LOVE THE CONFIDENCE. 754 00:38:04,666 --> 00:38:06,826 OH, MY GOD, YOU GOT ME A LITTLE HOT. 755 00:38:06,866 --> 00:38:07,596 WHERE ARE YOU FROM? 756 00:38:07,633 --> 00:38:09,173 >> I'M FROM HOUSTON, TEXAS. 757 00:38:09,200 --> 00:38:10,370 >> OKAY. 758 00:38:10,400 --> 00:38:14,470 >> HOUSTON, YEAH, I'M LIVING CURRENTLY IN UTAH AT THE MOMENT, 759 00:38:14,500 --> 00:38:14,970 BUT. 760 00:38:15,000 --> 00:38:15,530 >> HOW OLD ARE YOU? 761 00:38:15,566 --> 00:38:17,466 >> I'M 25 YEARS OLD. 762 00:38:17,500 --> 00:38:17,970 >> OKAY. 763 00:38:18,000 --> 00:38:18,330 HOW ABOUT YOURSELF? 764 00:38:18,366 --> 00:38:21,466 >> I'M 28. 765 00:38:21,500 --> 00:38:22,130 >> OKAY. 766 00:38:22,166 --> 00:38:23,526 >> HAVE YOU EVER DATED OLDER? 767 00:38:23,566 --> 00:38:24,596 >> I HAVE? 768 00:38:24,633 --> 00:38:25,933 >> REALLY. 769 00:38:25,966 --> 00:38:27,996 >> LIKE FINE WINE. 770 00:38:28,033 --> 00:38:28,533 OH, MY GOODNESS. 771 00:38:28,566 --> 00:38:29,726 YOU'RE NOT THAT OLD. 772 00:38:29,766 --> 00:38:33,466 I HAVE DATED OLDER. 773 00:38:33,500 --> 00:38:35,900 >> I'M SORRY. 774 00:38:35,933 --> 00:38:39,103 I AM VERY, VERY, VERY, VERY HAPPY WITH HIM. 775 00:38:39,133 --> 00:38:42,233 BUT THIS IS "LOVE ISLAND," AND YOU HAVE TO KEEP YOUR OPTIONS 776 00:38:42,266 --> 00:38:43,196 OPEN. 777 00:38:43,233 --> 00:38:45,303 >> I'M ABOUT TO STEP ON SOME TOES, PRETTY SURE. 778 00:38:45,333 --> 00:38:45,733 >> YOU ARE. 779 00:38:45,766 --> 00:38:47,296 OH, MY GOD. 780 00:38:47,333 --> 00:38:48,573 LIKE, THEY ARE LOSING THEIR MINDS RIGHT NOW. 781 00:38:48,600 --> 00:38:50,770 >> I DON'T CARE, HONESTLY. 782 00:38:50,800 --> 00:38:53,070 >> YOU ARE VERY‐‐ >> I WANT TO BE COOL. 783 00:38:53,100 --> 00:38:54,400 >> NO, I LIKE IT. 784 00:38:54,433 --> 00:38:56,473 I'M JUST SAYING YOU'RE GOING TO, LIKE, KILL IT. 785 00:38:56,500 --> 00:38:59,670 >> WE'RE GOING TO KILL IT. 786 00:38:59,700 --> 00:39:01,230 I KNOW, YEAH, YEAH. 787 00:39:01,266 --> 00:39:02,266 >> OH, OKAY. 788 00:39:02,300 --> 00:39:03,800 >> THAT'S WHERE I'M COMING FROM. 789 00:39:03,833 --> 00:39:05,933 >> I SHOULD BE MORE UNCOMFORTABLE BECAUSE I HAVE 790 00:39:05,966 --> 00:39:11,926 KNOWN MY GIRL WAY LESS THAN YOU HAVE KNOWN YOURS. 791 00:39:11,966 --> 00:39:13,226 HONESTLY, I THINK MOYERA IS WAITING FOR YOU. 792 00:39:13,266 --> 00:39:16,366 >> I STILL DON'T KNOW. 793 00:39:16,400 --> 00:39:18,970 I'M BEING NICE, COZY ON THE OUTSIDE, BUT I WANT MY GIRL. 794 00:39:19,000 --> 00:39:20,970 >> IF IT COMES DOWN BETWEEN ME AND HIM, THE WOLF IS GOING TO 795 00:39:21,000 --> 00:39:21,570 COME OUT. 796 00:39:21,600 --> 00:39:22,830 >> IT SHOULD BE ALL RIGHT. 797 00:39:22,866 --> 00:39:26,966 IT DEPENDS‐‐ >> I'VE KNOWN MINE FOR LESS. 798 00:39:27,000 --> 00:39:28,130 AND I'M PRETTY COMFORTABLE. 799 00:39:28,166 --> 00:39:34,166 SO YOU SHOULD BE‐‐ >> I BUILT, LITERALLY‐‐ YEAH, I 800 00:39:34,200 --> 00:39:34,570 AM. 801 00:39:34,600 --> 00:39:36,100 >> SO, MOIRA. 802 00:39:36,133 --> 00:39:37,333 >> YES. 803 00:39:37,366 --> 00:39:39,796 >> WHAT'S THE SITUATION LOOKING LIKE WITH JAMES AT THE MOMENT? 804 00:39:39,833 --> 00:39:43,033 >> SO JAMES AND I HAVE ALREADY DISCUSSED AND TALKED ABOUT, 805 00:39:43,066 --> 00:39:50,426 LIKE, OUR HEADS WON'T TURN FOR NEWER PEOPLE IN THE VILLA. 806 00:39:50,466 --> 00:39:50,966 GOSH. 807 00:39:51,000 --> 00:39:52,030 I AM NOT GOOD AT THIS. 808 00:39:52,066 --> 00:39:53,526 BECAUSE YOU ARE SO CUTE. 809 00:39:53,566 --> 00:39:55,426 >> LAY IT ON ME. 810 00:39:55,466 --> 00:39:56,626 IT'S ALL GOOD. 811 00:39:56,666 --> 00:39:59,366 >> AND, YOU KNOW, ALL I WANT TO DO IS BE HONEST WITH MYSELF. 812 00:39:59,400 --> 00:40:02,130 AND I WOULD LOVE TO GET TO KNOW YOU BETTER. 813 00:40:02,166 --> 00:40:05,096 LIKE, I'LL JUST HAVE MY EYE, LIKE, SLIGHTLY ON YOU. 814 00:40:05,133 --> 00:40:07,033 >> HEY, THERE ARE SO MANY GIRLS IN THE VILLA. 815 00:40:07,066 --> 00:40:10,396 BUT I‐‐ I DID CHOOSE YOU AS ONE‐‐ 816 00:40:10,433 --> 00:40:14,973 >> I REALLY, HONESTLY‐‐ >> IF THAT CONNECTION WAS 817 00:40:15,000 --> 00:40:17,100 STRONGER, IN YOUR OPINION‐‐ >> 100%. 818 00:40:17,133 --> 00:40:21,003 >> YOU WOULD BE OPEN TO IT? 819 00:40:21,033 --> 00:40:25,573 >> YES, IT WOULD BE SOMETHING I WOULD BE OPEN TO. 820 00:40:25,600 --> 00:40:26,800 LOVE TRIANGLES. 821 00:40:26,833 --> 00:40:29,603 >> HEY, I'M THE MIDDLE MAN MP I'M JUST SAYING, I WOULD LOVE TO 822 00:40:29,633 --> 00:40:30,503 GET TO KNOW YOU FURTHER. 823 00:40:30,533 --> 00:40:32,233 >> YOU HAVE A BIG PERSONALITY. 824 00:40:32,266 --> 00:40:32,796 >> UH‐HUH. 825 00:40:32,833 --> 00:40:34,703 >> YOU NEED A GROWN MAN. 826 00:40:34,733 --> 00:40:36,473 >> THAT CAN HANDLE IT. 827 00:40:36,500 --> 00:40:37,570 YEAH. 828 00:40:37,600 --> 00:40:39,530 I DID SAY THAT HE DOESN'T HAVE ANYTHING TO WORRY ABOUT. 829 00:40:39,566 --> 00:40:41,026 BUT I AM VERY INVESTED IN THAT. 830 00:40:41,066 --> 00:40:44,066 >> I DON'T EVEN WANT TO‐‐ HONESTLY, I RESPECT THAT. 831 00:40:44,100 --> 00:40:46,370 >> BUT I‐‐ >> I DON'T WANT TO TALK ABOUT 832 00:40:46,400 --> 00:40:46,970 THAT. 833 00:40:47,000 --> 00:40:48,070 >> OH, MY GOD, OKAY, OKAY. 834 00:40:48,100 --> 00:40:50,370 >> WE HAVE PLENTY OF TIME TO CHAT. 835 00:40:50,400 --> 00:40:52,170 I JUST GOT A TEXT. 836 00:40:52,200 --> 00:40:56,230 I'M HOPING IT SAYS YOU HAVE ANOTHER HOUR TO SPEND ON YOUR 837 00:40:56,266 --> 00:40:56,696 DATE. 838 00:40:56,733 --> 00:40:57,373 >> OH, ALL RIGHT. 839 00:40:57,400 --> 00:40:57,800 WHAT? 840 00:40:57,833 --> 00:40:59,403 >> I GOT A TEXT. 841 00:40:59,433 --> 00:41:01,433 >> WHAT DOES IT SAY? 842 00:41:27,700 --> 00:41:30,730 >> I GOT A TEXT! 843 00:41:42,233 --> 00:41:42,633 >> OH! 844 00:41:42,666 --> 00:41:44,326 >> OH, MY GOD! 845 00:41:44,366 --> 00:41:46,296 >> LORD HAVE MERCY. 846 00:41:46,333 --> 00:41:48,103 >> THAT WAS SO DISRESPECTFUL. 847 00:41:48,133 --> 00:41:49,633 THAT WAS SO KISS RESPECTFUL. 848 00:41:49,666 --> 00:41:50,896 >> HONESTLY, TONIGHT WAS A LOT. 849 00:41:50,933 --> 00:41:55,133 I WAS, LIKE, REALLY EXCITED JUST, LIKE, RECOUPLE, CHILL, 850 00:41:55,166 --> 00:41:56,126 LIKE, CALL IT A NIGHT. 851 00:41:56,166 --> 00:42:00,526 AND NOW I'M GOING ON A DATE. 852 00:42:00,566 --> 00:42:03,126 >> I GOT A TEXT! 853 00:42:03,166 --> 00:42:04,066 >> NO, YOU DIDN'T. 854 00:42:04,100 --> 00:42:06,730 >> NO, YOU DIDN'T, YOU LIAR. 855 00:42:10,933 --> 00:42:13,073 >> WAIT, WHAT? 856 00:42:13,100 --> 00:42:14,570 SHE'S GOING ON TWO DATES! 857 00:42:14,600 --> 00:42:16,570 >> OH, MY GOD! 858 00:42:16,600 --> 00:42:21,670 "NO NEED TO WAIT UP!" >> SHE'S GOING ON TWO DATES, THE 859 00:42:21,700 --> 00:42:23,870 DAY THAT WE'RE MATCHED UP. 860 00:42:23,900 --> 00:42:26,830 >> AT THIS POINT, BRING IT ON. 861 00:42:26,866 --> 00:42:28,226 YOU KNOW WHAT? 862 00:42:28,266 --> 00:42:30,796 HAVE FUN WASTING YOUR TIME BECAUSE SHE'S COMING BACK HOME 863 00:42:30,833 --> 00:42:31,233 TO ME. 864 00:42:31,266 --> 00:42:33,026 >> EXCUSE ME. 865 00:42:33,066 --> 00:42:35,796 IS THERE ANY WAY I CAN STEAL YOU AWAY? 866 00:42:35,833 --> 00:42:40,533 >> HE JUST DECLARED WAR, BRO. 867 00:42:40,566 --> 00:42:46,666 >> Matthew: TOMORROW NIGHT, IT'S "LOVE ISLAND," MORE TO 868 00:42:46,700 --> 00:42:47,700 LOVE. 869 00:42:47,733 --> 00:42:49,973 CATCH UP ON THE ISLANDER'S FIRST WEEK IN THE VILLA. 870 00:42:50,000 --> 00:42:56,630 PLUS YOU'LL SEE EXCLUSIVE UNSEEN MOMENTS. 871 00:42:56,666 --> 00:42:57,896 THEN, SUNDAY NIGHT. 872 00:42:57,933 --> 00:43:01,003 ALL'S FAIR‐‐ >> HAVE FUN WASTE ARE YOUR TIME 873 00:43:01,033 --> 00:43:01,973 BECAUSE SHE'S COMING BACK HOME TO ME. 874 00:43:02,000 --> 00:43:04,030 >> Matthew: ...IN LOVE AND WAR. 875 00:43:04,066 --> 00:43:05,266 >> JUST STAY COOL. 876 00:43:05,300 --> 00:43:07,830 >> IS THIS GOING TO BE YOUR NEW FRIEND? 877 00:43:07,866 --> 00:43:09,626 ARE YOU GOING TO LIKE BOTH OF US? 878 00:43:09,666 --> 00:43:11,666 OR ARE YOU GOING TO START BEING ALL, LIKE, LOVEY‐DOVEY.