1
00:00:02,000 --> 00:00:04,970
♪ I DON'T WANT TO WAIT FOR
MORE ♪

2
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>> Narrator: PREVIOUSLY
ON LOVE ISLAND...

3
00:00:12,000 --> 00:00:12,970
♪♪♪
>> Narrator: 10 SEXY

4
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SINGLES COUPLED UP.

5
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>> THE GI GIRL I WOULD LIKE
TO COUPLE UP WITH

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IS...CELY.

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>> Narrator: JOHNNY
CHOSE CELY.

8
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AND THEN...TWO NEW GIRLS
CAUSED A STIR.

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>> HERE IS TO US.

10
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>> I'M NOT HERE TO, LIKE,
WASTE TIME.

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>> IT
IS A DIFFERENT
ENVIRONMENT.

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>> IT IS A SHAME IT WASN'T
SUPPOSED TO WORK OUT WITH

13
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WHO EYE PICKED AND THINGS
WEREN'T SUPPOSED TO WORK

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OUT WITH WHO YOU PICKED.

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>> Narrator: TONIGHT...

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>> THIS IS, LIKE, A
HEARTBREAK.

17
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>> BUT I CAN'T HELP THE
VIBES.

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>> Narrator: THE BATTLE
FOR ONE KISSER IS ON.

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>> YOU'RE A GOOD KISSER.

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>> JUSTINE ‐‐ I REALLY
DON'T KNOW.

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♪♪♪
♪ AIN'T MY FAULT ♪

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♪♪♪
♪ GOT TO BLAME IT ON MY

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JUICE ♪
>> Narrator: 2,080

24
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MINUTES SINCE WE LAST SAW
EACH OTHER.

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SO LET'S DIG IN.

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>> ALL YOU BEAUTIFUL
PEOPLE, LET'S CELEBRATE

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TONIGHT.

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>> BEER PONG, WHAT IS
THIS, THE FRATERNITY OF

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VILLA‐CRAP‐IDEA.

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WHAT IS THAT, TRUTH OR
DARE?

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>> OF COURSE.

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>> DO YOU DARE LICK
SOMEONE SOMEWHERE FROM THE

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NECK UP.

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[YELLING]
>> STOP.

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OH, MY GOSH.

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>> OKAY, JUSTINE, TRUTH OR
DARE?

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>> I'LL DO DARE.

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>> OOH.

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JUST DO IT REAL QUICK.

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[LAUGHTER]
>> JUST A LITTLE PECK.

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[LAUGHTER]
>> KAITLYN, TRUTH OR DARE?

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>> TRUTH.

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>> H'MMM...IF YOU COULD
PICK ANY OTHER GUY TO

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COUPLE UP WITH THAT IS NOT
YOUR PARTNER, WHO WOULD IT

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BE?

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>> OH, GETTING DOWN TO IT?

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>> WELL, NOW IT WOULD BE
TRE.

48
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>> I LOVE THIS.

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[LAUGHTER]
>> MAN, I'M NOT GOING TO

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LIE.

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KAITLYN DEFINITELY THREW
ME FOR A LOOP WHEN SHE

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SAID SHE WOULD COUPLE UP
WITH ME.

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>> TRE, TRUTH OR DARE?

54
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>> DARE.

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>> I DARE YOU TO KISS
KAITLYN FOR FIVE SECONDS.

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>> THAT'S A LONG TIME.

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>> C'MON!

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>> FIVE, FOUR, THREE, TWO,
ONE!

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[LAUGHTER]
>> THAT WAS A FAST FIVE

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SECONDS, BUT IT WAS FUN.

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>> IT WAS.

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>> LET IT KEEP GOING.

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>> I NEED TO ASK SOMEONE,
TRUTH OR DARE?

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>> DARE.

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>> LICK MACKENZIE FROM HER
FOOT UP TO HER THIGH.

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>> NO, THAT'S NOT EVEN
NICE TO HIM BECAUSE I

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HAVEN'T SHOWERED YET.

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[LAUGHTER]
>> GET IN THERE!

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>> THAT'S DOING THE SEXY.

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[LAUGHTER]
>> JUST DO IT!

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>> OH, MY GOSH!

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>> OKAY, THAT'S ALL GOOD.

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>> OH!

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>> MAN!

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>> ONE MORE TIME FOR THE
PEOPLE IN THE BACK.

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[LAUGHTER]
>> KAITLYN'S TRUTH OR DARE

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REVELATION HAS TRE SEEING
HER IN A NEW LIGHT, A

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GIANT, GREEN, $20,000 AN
HOUR NEON LOVE HARSH

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LIGHT.

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>> IN THE TRUTH OR DARE
GAME, THEY ASKED YOU ON

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YOUR TRUTH, AS FAR AS,
LIKE, PAIRING UP ‐‐

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>> YEAH.

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>> WHY DID YOU SAY ME?

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>> THE REASON WHY I PICKED
YOU IS BECAUSE I THINK

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YOU'RE ABSOLUTELY AMAZING.

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YOU'RE REALLY SWEET AND
YOU'RE KIND, AND YOU'VE

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ALWAYS MADE ME FEEL VERY
COMFORTABLE AND SAFE, LIKE

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THAT YOU'RE ACTUALLY,
GENUINELY INTERESTED IN,

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LIKE, HEY, WHAT'S UP?

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YOU KNOW WHAT I MEAN?

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00:04:50,000 --> 00:04:51,600
THAT'S REALLY IMPORTANT TO
ME.

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>> I'M NOT GOING TO LIE,
IT LOOKED LIKE YOU WERE

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EXPECTING MORE THAN WHAT I
GAVE YOU OVER THERE.

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>> I WAS OH, MY GOSH, HE
IS A NICE KISSER.

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HE HAS DEFINITELY NICE
LIPS.

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>> I WOULD DEFINITELY LIKE
TO KISS YOU MORE?

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>> WELL, WE'LL SEE WHAT
THE FUTURE HOLDS.

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00:05:07,700 --> 00:05:10,430
>> TRE EXPRESSED A LITTLE
BIT OF INTEREST IN ME, SO

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WE'LL SEE WHERE THAT GOES.

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YOU NEVER KNOW WHAT COULD
HAPPEN IN HERE.

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>> YOU'VE GOT TO GO BACK
TO THE SPOT.

102
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>> THAT WAS OUR SPOT.

103
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>> THAT IS THE MAIN SPOT.

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>> THIS IS OUR SPOT.

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>> SO, MR. POPULAR RIGHT
NOW.

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>> STOP.

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STOP.

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I WANT TO TALK TO YOU
BECAUSE THIS IS, LIKE, A

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TALK THAT WE OBVIOUSLY
NEED TO HAVE.

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>> THE WAY YOU'RE SETTING
THIS UP RIGHT NOW, SHOULD

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I BE NERVOUS?

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>> NO.

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NO.

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DON'T BE NERVOUS.

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IT IS JUST LIKE I WANT TO
CLEAR UP SOME THINGS.

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>> YES.

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>> OBVIOUSLY, THE GAME
THAT WE WERE JUST PLAYING,

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THE TRUTH OR DARE, WITH
EVERYBODY THERE, IT'S JUST

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LIKE THINGS HAPPENED AND
SOME THINGS WERE SAID THAT

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INVOLVED KAITLYN, AS FAR
AS HER TALKING ABOUT HOW

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SHE WOULD PAIR UP WITH ME,
AND I GOT A DARE TO KISS

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HER.

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>> YES.

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>> I FEEL LIKE I STILL
VIBE WITH YOU MORE NATURAL

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THAN I VIBE WITH KAITLYN.

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>> YES.

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>> I WOULD BE A LIAR IF I
SAT HERE AND TOLD YOU THAT

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I'M NOT ATTRACTED TO
KAITLYN ‐‐

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>> ‐‐ BECAUSE EVERYBODY
HERE ‐‐ SHE'S AN

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ATTRACTIVE GIRL.

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SO JUSTINE'S PERSONALITY
IS VERY, VERY COOL.

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WE'VE GOT A COMFORT LEVEL
THAT IS, LIKE, ALL THE WAY

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UP THERE.

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I HONESTLY FEEL A LOT MORE
COMFORTABLE OPENING UP TO

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JUSTINE VERSUS OPENING UP
MYSELF TO KAITLYN.

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LIKE WITH ME OPENING UP, I
FEEL LIKE MAYBE I HAVE

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BEEN A LITTLE BIT
RESERVED, AND CLOSED

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OFF ‐‐
>> YES.

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>> AND MAYBE I COULD OPEN
UP?

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>> YEAH!

141
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I WAS TELLING YOU THAT.

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>> I DON'T WANT TO GET
HURT.

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>> I DON'T WANT TO GET
HURT.

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TRE, YOU ARE A
HEARTBREAKER.

145
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I SEE IT IN YOUR EYES.

146
00:07:04,066 --> 00:07:06,366
>> I'M A HEARTBREAKER?

147
00:07:06,400 --> 00:07:09,270
>> YOU SEEM LIKE A
HEARTBREAKER, AND THAT'S

148
00:07:09,300 --> 00:07:11,600
WHY I'VE NERVOUS AND
SKEPTICAL IS LITTLE BIT.

149
00:07:11,633 --> 00:07:15,503
BUT I CAN'T HELP THE
VIBES, I CAN'T HELP THE

150
00:07:15,533 --> 00:07:17,203
GENUINE, LIKE, CONNECTION
THAT WE HAVE.

151
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AT THE MOMENT I'M COUPLED
UP WITH JEREMIAH, BUT TRE

152
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IS CUTE, AND DEFINITELY
CHARMING.

153
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HE KNOWS HOW TO, LIKE,
REALLY WOO A GIRL.

154
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IF SOMEONE SHOWS ME
ATTENTION, AND I'M,

155
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LIKE ‐‐ I KNOW YOU HAVE A
HEART.

156
00:07:37,033 --> 00:07:38,333
>> YES, I HAVE A HEART.

157
00:07:38,366 --> 00:07:44,226
>> YOU'LL HAVE A GIRL,
LIKE, WOW, WOW, WOW.

158
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THERE IT IS, THERE IS THAT
SOFT TRE.

159
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I'M A SUCKER FOR FOREHEAD
KISSES, YOU KNOW THAT?

160
00:07:52,533 --> 00:07:53,103
>> ARE YOU?

161
00:07:53,133 --> 00:07:54,103
>> YES.

162
00:07:54,133 --> 00:08:00,133
>> I FELT LIKE I GOT A
BETTER UNDERSTANDING ON ME

163
00:08:00,166 --> 00:08:01,266
AND KAITLYN'S
RELATIONSHIP.

164
00:08:01,300 --> 00:08:05,400
I'M JUST READY TO FIND
SOMEBODY THAT I CAN SHARE

165
00:08:05,433 --> 00:08:08,403
MY HAPPY MOMENTS WITH.

166
00:08:08,433 --> 00:08:12,473
>> Narrator: THE
JEREMIAH CHECK‐LIST,

167
00:08:12,500 --> 00:08:13,870
FRIEND‐ZONE JUSTINE,
CHECK.

168
00:08:13,900 --> 00:08:17,230
MAKE OUT WITH RACHEL IN
TRUTH OR DARE?

169
00:08:17,266 --> 00:08:18,766
CHECK.

170
00:08:18,800 --> 00:08:23,470
GET RACHEL ALONE?

171
00:08:23,500 --> 00:08:24,630
CHECK...IT OUT.

172
00:08:24,666 --> 00:08:27,926
>> THIS DAY WAS DEFINITELY ‐‐ LI
GOOD TO HAVE A FULL DAY IN

173
00:08:27,966 --> 00:08:30,466
THE VILLA AND REALLY HANG
OUT WITH EVERYONE.

174
00:08:30,500 --> 00:08:37,170
>> IS THAT HOW YOU FEEL
ABOUT TAKING IT HOME?

175
00:08:37,200 --> 00:08:39,100
YEAH.

176
00:08:39,133 --> 00:08:40,203
>> LET'S JUMP IN.

177
00:08:40,233 --> 00:08:43,973
>> YOU SEEM LIKE YOU KNOW
WHAT YOU WANT.

178
00:08:44,000 --> 00:08:48,570
>> IF I HAD 10 EGGS, EIGHT
EGGS ARE, LIKE, IN YOUR

179
00:08:48,600 --> 00:08:49,430
BASKET.

180
00:08:49,466 --> 00:08:54,696
SO THEY'RE YOUR EGGS TO
LOSE, BASICALLY.

181
00:08:54,733 --> 00:08:57,273
BUT YOU STILL HAVE TO GAIN
TWO MORE.

182
00:08:57,300 --> 00:08:59,600
YOU'VE GOT TO WORK A
LITTLE BIT.

183
00:08:59,633 --> 00:09:01,773
>> I LIKE TO WORK.

184
00:09:01,800 --> 00:09:05,200
I'M GONNA EARN THEM.

185
00:09:05,233 --> 00:09:07,003
YEAH.

186
00:09:07,033 --> 00:09:09,173
♪♪♪
>> JEREMIAH IS VERY

187
00:09:09,200 --> 00:09:12,230
ATTRACTIVE AND REALLY
COOL.

188
00:09:12,266 --> 00:09:17,166
WE REALLY, REALLY GET
ALONG, AND REALLY, REALLY

189
00:09:17,200 --> 00:09:18,970
CONNECT.

190
00:09:19,000 --> 00:09:21,700
I'M REALLY, REALLY EXCITED
FOR WHAT IS TO COME.

191
00:09:21,733 --> 00:09:26,973
>> WE BE VIBEING, MAN, SO
WE CLICK PRETTY WELL.

192
00:09:27,000 --> 00:09:32,670
YOU KNOW WHAT I'M SAYING?

193
00:09:32,700 --> 00:09:36,670
I'VE BEEN TEASING ALL DAY.

194
00:09:36,700 --> 00:09:38,970
>> Narrator: CARRINGTON
AND KAITLYN'S RELATIONSHIP

195
00:09:39,000 --> 00:09:42,930
HAS BEEN HELD TOGETHER BY
THE UNBREAKABLE GLUE OF A

196
00:09:42,966 --> 00:09:45,066
REALITY TV FORMAT.

197
00:09:45,100 --> 00:09:49,270
BUT CARRINGTON IS HOPING
TO MOVE ON WITH INTO GIRL

198
00:09:49,300 --> 00:09:54,400
KIERSTAN OVER SOMETHING
FAR MORE SUBSTANTIAL: HIS

199
00:09:54,433 --> 00:09:55,433
BICEPS.

200
00:09:55,466 --> 00:09:57,466
>> AND THEN THE ARM ‐‐ I'M
NOT GOING TO TRY ALL OF

201
00:09:57,500 --> 00:10:02,270
THAT.

202
00:10:02,300 --> 00:10:04,070
NOW I'M REALLY GLAD I MET
YOU.

203
00:10:04,100 --> 00:10:08,070
>> KIERSTAN IS VERY SEXY,
THE WAY SHE WALKS, TALKS,

204
00:10:08,100 --> 00:10:09,100
AND ACTS.

205
00:10:09,133 --> 00:10:12,033
SHE LOOKS LIKE SHE WOULD
BE A FLIGHT ATTENDANT ON A

206
00:10:12,066 --> 00:10:13,066
PRIVATE DUBAI AIRPLANE.

207
00:10:13,100 --> 00:10:19,300
THAT IS HOW SHE LOOKED
TODAY, ONE OF THE SEXIEST

208
00:10:19,333 --> 00:10:20,273
GIRLS I'VE EVER SEEN.

209
00:10:20,300 --> 00:10:24,000
EVERYONE HERE WAS SO
STOKED WHEN I MET YOU

210
00:10:24,033 --> 00:10:27,973
BECAUSE I WASN'T GETTING
ALONG WITH HER, AND I WAS,

211
00:10:28,000 --> 00:10:30,500
LIKE, MISERABLE, AND I
WAS, LIKE, THIS SUCKS, AND

212
00:10:30,533 --> 00:10:33,573
I MET YOU, AND BOOM,
PERFECT.

213
00:10:33,600 --> 00:10:34,270
THERE YOU GO.

214
00:10:34,300 --> 00:10:35,230
I'M PERFECT.

215
00:10:35,266 --> 00:10:40,196
I FOUND A GIRL WHO I'M
DYING TO GET TO KNOW AND

216
00:10:40,233 --> 00:10:41,073
HAVE FUN WITH.

217
00:10:41,100 --> 00:10:43,100
>> IT HAS DEFINITELY BEEN
FUN.

218
00:10:43,133 --> 00:10:47,533
>> AND MAYBE WE WILL KISS
TO THAT?

219
00:10:47,566 --> 00:10:52,066
>> UH‐HUH.

220
00:10:54,900 --> 00:10:56,770
>> I'LL GIVE YOU MORE
LATER.

221
00:10:56,800 --> 00:10:57,370
>> OKAY.

222
00:10:57,400 --> 00:11:00,030
>> I'M JUST KIDDING.

223
00:11:00,066 --> 00:11:02,726
[LAUGHTER]
♪♪♪

224
00:11:02,766 --> 00:11:05,966
>> Narrator: DURING THE
EXCESS BAGGAGE CHALLENGE

225
00:11:06,000 --> 00:11:10,970
IT WAS REVEALED MOIRA ONCE
USED A SIDEWALK AS A

226
00:11:11,000 --> 00:11:13,570
RESTROOM, AND SHE WAS
CONCERNED IT MIGHT MAKE

227
00:11:13,600 --> 00:11:15,070
HER NUMBER TWO IN JAMES'
EYES.

228
00:11:15,100 --> 00:11:17,970
>> WHEN YOU SAID THAT,
EVERYONE WAS, LIKE, OH, MY

229
00:11:18,000 --> 00:11:18,670
GOSH, GROSS.

230
00:11:18,700 --> 00:11:21,970
TO BE HONEST, I WAS, LIKE,
YES!

231
00:11:22,000 --> 00:11:23,830
BECAUSE I SWEAR THAT
HAPPENED TO ME.

232
00:11:23,866 --> 00:11:26,966
YOU'RE SO DISGUSTING A
LITTLE BIT.

233
00:11:27,000 --> 00:11:27,700
>> I KNOW.

234
00:11:27,733 --> 00:11:28,733
>> IT'S OKAY.

235
00:11:28,766 --> 00:11:31,666
>> THIS IS THE REASON I'M
GROWING TO BE SO FOND OF

236
00:11:31,700 --> 00:11:33,870
HIM, IS BECAUSE WITHOUT
ANY QUESTION OR

237
00:11:33,900 --> 00:11:36,800
HESITATION, HE WAS THERE
FOR ME AND HAD MY BACK.

238
00:11:36,833 --> 00:11:39,873
I FEEL LIKE WE RELATE
TOGETHER SO MUCH.

239
00:11:39,900 --> 00:11:42,970
SOMETIMES I FEEL LIKE HE
IS READING MY MIND.

240
00:11:43,000 --> 00:11:44,200
I'M, LIKE, GETTING
EXCITED.

241
00:11:44,233 --> 00:11:47,533
I HAVE, LIKE, BUTTERFLIES
FOR THIS WHOLE THING.

242
00:11:47,566 --> 00:11:49,726
>> HOW DO YOU FEEL ABOUT
US RIGHT NOW?

243
00:11:49,766 --> 00:11:50,596
>> I LIKE US.

244
00:11:50,633 --> 00:11:53,303
>> I'M DROPPING THE BOMB.

245
00:11:53,333 --> 00:11:56,103
>> WHEN I THINK ABOUT US,
IT MAKES ME EXCITED FOR

246
00:11:56,133 --> 00:11:58,273
MORE US, IF THAT MAKES
SENSE.

247
00:11:58,300 --> 00:12:05,330
♪ THE FIRST TIME ♪
♪ YOU'RE THE LIGHT IN MY

248
00:12:05,366 --> 00:12:13,496
EYE ♪
♪ THE FIRST TIME ♪

249
00:12:13,533 --> 00:12:17,633
♪ I DON'T CARE ♪
>> OH!

250
00:12:17,666 --> 00:12:20,196
>> STOCK FOOTAGE.

251
00:12:20,233 --> 00:12:25,333
♪ WHAT YOU SAY, AS LONG AS
YOU LOVE ME ♪

252
00:12:25,366 --> 00:12:28,896
>> YOU'RE SO GIDDY, AND
I'M LOVING EVERY SECOND OF

253
00:12:28,933 --> 00:12:29,733
THIS.

254
00:12:29,766 --> 00:12:31,396
>> ARE YOU GOING TO SECOND
BASE TODAY?

255
00:12:31,433 --> 00:12:34,333
>> HE TOLD ME HE IS GOING
TO PUT HIS ARM AROUND

256
00:12:34,366 --> 00:12:36,426
ME ‐‐
>> ARE YOU GOING TO TOUCH

257
00:12:36,466 --> 00:12:42,066
ON HIM AND CUDDLE, YOUR
BACK WITH YOUR BUTT.

258
00:12:42,100 --> 00:12:43,730
>> OH!

259
00:12:43,766 --> 00:12:44,966
>> GET AWAY.

260
00:12:45,000 --> 00:12:48,730
>> YOU CAN ACCIDENTALLY
ACT LIKE YOU'RE RUBBING

261
00:12:48,766 --> 00:12:51,766
THE BLANKET ‐‐
>> AND YOU'RE, LIKE, OH,

262
00:12:51,800 --> 00:12:52,230
SORRY.

263
00:12:52,266 --> 00:12:55,066
I GRABBED MY LEG.

264
00:12:55,100 --> 00:13:04,670
♪ I WAS HIDING ♪
♪ BUT I GUESS IT SHOWS ♪

265
00:13:04,700 --> 00:13:13,270
>> THERE WE GO.

266
00:13:13,300 --> 00:13:23,200
♪ AS LONG AS YOU LOVE ME ♪
♪ I DON'T CARE YOU ARE ♪

267
00:13:23,233 --> 00:13:27,973
♪ WHERE YOU'RE FROM ♪
♪ WHAT YOU SAY ♪

268
00:13:28,000 --> 00:13:30,000
♪ AS LONG AS YOU LOVE ME ♪
♪♪♪

269
00:13:41,700 --> 00:13:43,700
♪ AS YOU LOVE ME ♪

270
00:13:58,000 --> 00:13:58,970
♪♪♪
>> Narrator: RISE AND

271
00:13:59,000 --> 00:14:01,970
SHINE, ISLANDERS, MINTAFY
THOSE PEARLIE WHITES.

272
00:14:02,000 --> 00:14:04,470
THERE IS A DAY OF MAKING
OUT WITH SOMEONE ELSE'S

273
00:14:04,500 --> 00:14:07,970
PARTNER.

274
00:14:08,000 --> 00:14:09,870
>> WAKE UP, PEOPLE.

275
00:14:09,900 --> 00:14:12,370
TODAY WAITS FOR NO ONE.

276
00:14:12,400 --> 00:14:15,970
♪ I'M NO LONGER
BROKENHEARTED ♪

277
00:14:16,000 --> 00:14:17,870
♪ SO GLAD I CAME HERE
TONIGHT ♪

278
00:14:17,900 --> 00:14:20,630
>> YOU WERE SNORING FOR SO
LONG.

279
00:14:20,666 --> 00:14:21,266
>> REALLY?

280
00:14:21,300 --> 00:14:22,200
>> YEAH.

281
00:14:22,233 --> 00:14:24,233
[LAUGHTER]
>> IT'S FUNNY.

282
00:14:27,000 --> 00:14:31,030
>♪ I'M SO READY TO GET ON
IT ♪

283
00:14:31,066 --> 00:14:32,226
>> HOW WAS LAST NIGHT?

284
00:14:32,266 --> 00:14:36,226
>> WE MADE OUT SO MUCH.

285
00:14:36,266 --> 00:14:36,826
[LAUGHTER]
>> WHAT?

286
00:14:36,866 --> 00:14:38,826
DID YOU GO TO SECOND BASE?

287
00:14:38,866 --> 00:14:41,296
>> OH, YEAH, DID YOU?

288
00:14:41,333 --> 00:14:42,273
>> YEAH.

289
00:14:42,300 --> 00:14:46,970
>> I KEEP TRYING TO FIGURE
OUT JOHNNY'S SIDES.

290
00:14:47,000 --> 00:14:49,770
>> I'M DEAD.

291
00:14:49,800 --> 00:14:55,130
[LAUGHTER]
>> WE GOT, LIKE, PRETTY

292
00:14:55,166 --> 00:14:55,426
CLOSE.

293
00:14:55,466 --> 00:14:56,426
>> NICE.

294
00:14:56,466 --> 00:14:58,826
>> DO IT, MAN.

295
00:14:58,866 --> 00:15:01,926
♪♪♪
♪ I CAME HERE FOR LOVE ♪

296
00:15:01,966 --> 00:15:08,926
♪ I CAME HERE FOR LOVE ♪
♪ I CAME HERE FOR LOVE ♪

297
00:15:08,966 --> 00:15:14,196
>> OH!

298
00:15:14,233 --> 00:15:16,973
♪♪♪
>> WHAT ARE YOU GRUNTING

299
00:15:17,000 --> 00:15:17,430
FOR?

300
00:15:17,466 --> 00:15:18,966
IT'S FIVE POUNDS.

301
00:15:19,000 --> 00:15:21,770
[LAUGHTER]
>> IT'S LIGHT WORK

302
00:15:21,800 --> 00:15:22,630
(laughing).

303
00:15:22,666 --> 00:15:23,626
[LAUGHTER]
>> Narrator: TURN THIS

304
00:15:23,666 --> 00:15:28,496
WAY, TURN THAT WAY, TURN
THIS WAY, TURN THAT WAY,

305
00:15:28,533 --> 00:15:34,903
TURN THIS WAY, TURN THAT
WAY ‐‐ EXIT!

306
00:15:34,933 --> 00:15:37,773
>> ARMS DOWN.

307
00:15:37,800 --> 00:15:42,370
THANK YOU.

308
00:15:42,400 --> 00:15:46,730
>> I GOT A MOUTHFUL OF
SWEAT.

309
00:15:46,766 --> 00:15:48,126
>> I SAW THAT.

310
00:15:48,166 --> 00:15:51,166
>> I LIKE A LOT OF THINGS
ABOUT KIERSTAN.

311
00:15:51,200 --> 00:15:54,230
I THINK SHE IS SO SIMILAR
TO ME, THE THINGS SHE

312
00:15:54,266 --> 00:15:56,666
LAUGHS AT, THAT SHE LIKES
TO JOKE ABOUT.

313
00:15:56,700 --> 00:16:02,270
WE BOTH HAVE A SIMILAR
LOOK, IT IS ALMOST LIKE

314
00:16:02,300 --> 00:16:03,170
EXOTIC.

315
00:16:03,200 --> 00:16:04,970
WE JUST KIND OF ON ALL
LEVELS ARE MATCHING.

316
00:16:05,000 --> 00:16:07,530
IT IS DEFINITELY SOMETHING
THAT ‐‐ THIS IS WILD YOU

317
00:16:07,566 --> 00:16:08,796
CAME IN HERE.

318
00:16:08,833 --> 00:16:09,373
I'M SO GLAD.

319
00:16:09,400 --> 00:16:10,970
>> IS IT BECAUSE OF ME?

320
00:16:11,000 --> 00:16:13,970
YESTERDAY YOU WERE, LIKE,
YEAH, IT'S NICE TO HAVE

321
00:16:14,000 --> 00:16:17,130
IS IT NICE TO HAVE ME OR
SOMEONE?

322
00:16:17,166 --> 00:16:17,896
>> NO.

323
00:16:17,933 --> 00:16:18,733
IT'S YOU.

324
00:16:18,766 --> 00:16:19,496
SOMEONE LIKE YOU.

325
00:16:19,533 --> 00:16:24,973
>> I FEEL THE SAME WAY.

326
00:16:25,000 --> 00:16:26,970
>> SHOULD I BE LETTING
THIS OUT AFTER A DAY?

327
00:16:27,000 --> 00:16:28,830
SHOULD I BEEN SAYING THIS
OUT LOUD?

328
00:16:28,866 --> 00:16:29,726
>> YEAH.

329
00:16:29,766 --> 00:16:32,366
>> I HAVE TO WARM UP TO
PEOPLE SOME TIMES.

330
00:16:32,400 --> 00:16:35,900
BUT I'M WARMING UP TO YOU
PRETTY BAD.

331
00:16:35,933 --> 00:16:37,433
>> OH, MY GOSH.

332
00:16:37,466 --> 00:16:40,196
AM I KEEPING YOU FROM
ANYTHING?

333
00:16:40,233 --> 00:16:41,173
>> NO.

334
00:16:41,200 --> 00:16:42,670
I HAVE NOTHING TO DO
TODAY, BESIDES GET TO KNOW

335
00:16:42,700 --> 00:16:43,100
YOU MORE.

336
00:16:43,133 --> 00:16:48,803
>> GOOD ANSWER.

337
00:16:48,833 --> 00:16:52,173
>> I LIKE A LOT OF THINGS
ABOUT CARRINGTON.

338
00:16:52,200 --> 00:16:55,700
HE IS JUST VERY TOUCHY,
AND I LOVE THAT.

339
00:16:55,733 --> 00:17:00,603
I DON'T KNOW, HE IS JUST
VERY GENUINE, TOO.

340
00:17:00,633 --> 00:17:02,073
>> SO I SWEAT.

341
00:17:02,100 --> 00:17:05,630
>> UH‐HUH.

342
00:17:05,666 --> 00:17:08,026
>> SO TODAY WE'RE LIKE
CROSSING.

343
00:17:08,066 --> 00:17:09,596
>> THIS THING,,.

344
00:17:09,633 --> 00:17:12,973
>> WE'RE, LIKE...

345
00:17:13,000 --> 00:17:15,630
>> HOW DO YOU KNOW WHAT I
WAS GOING TO DO?

346
00:17:15,666 --> 00:17:16,966
>> Narrator: I THINK
THEY'RE MOVING TO SECOND

347
00:17:17,000 --> 00:17:18,230
AND A HALF BASE.

348
00:17:18,266 --> 00:17:21,996
HE IS TEACHING HER THE
OFFICIAL BROKERING.

349
00:17:22,033 --> 00:17:23,733
NO, THEY'RE SWING DANCING.

350
00:17:23,766 --> 00:17:26,566
WELL, IT IS THE ROARING
'20s.

351
00:17:26,600 --> 00:17:28,970
>> THAT'S GOOD.

352
00:17:29,000 --> 00:17:31,730
>> OKAY.

353
00:17:31,766 --> 00:17:36,326
OKAY.

354
00:17:36,366 --> 00:17:37,366
H'MMM...

355
00:17:37,400 --> 00:17:39,000
>> ALL OF THE FEELINGS I'M
HAVING WITH JOHNNY IS SO

356
00:17:39,033 --> 00:17:40,003
EXCITING.

357
00:17:40,033 --> 00:17:43,333
JUST SEEING WE CAN BE
GOOFY TOGETHER LIKE THAT,

358
00:17:43,366 --> 00:17:47,696
THAT'S ALL I COULD EVER
WANT IN SOMEONE.

359
00:17:47,733 --> 00:17:49,533
>> C'MON!

360
00:17:49,566 --> 00:17:50,826
THERE ARE TWO KEYS.

361
00:17:50,866 --> 00:17:54,896
>> ASIDE FROM BEING, LIKE,
SUPER ATTRACTED TO HIM,

362
00:17:54,933 --> 00:17:56,603
LIKE, PHYSICALLY AND
HAVING A DEEP CONNECTION

363
00:17:56,633 --> 00:18:01,033
WITH HIM, WE HAVE THAT
SILLY AND GOOFY

364
00:18:01,066 --> 00:18:02,526
FRIENDSHIP, ALSO.

365
00:18:02,566 --> 00:18:07,766
SO ALL AROUND, IT IS AN 11
OUT OF 10.

366
00:18:07,800 --> 00:18:10,870
IT'S SO GOOD.

367
00:18:10,900 --> 00:18:15,700
♪♪♪
♪ SO SWEET ♪

368
00:18:15,733 --> 00:18:20,533
[LUGHTER]
>> WE CAN JUST...

369
00:18:20,566 --> 00:18:22,696
[LAUGHTER]
♪♪♪

370
00:18:22,733 --> 00:18:25,833
>> ARE YOU ALREADY WARMED
UP AND EVERYTHING?

371
00:18:25,866 --> 00:18:28,566
>> I WAKE UP WARM.

372
00:18:28,600 --> 00:18:32,530
>> Narrator: JUSTINE IS
FINALLY RETALIATING ‐‐ GET

373
00:18:32,566 --> 00:18:33,896
'EM, GIRL!

374
00:18:33,933 --> 00:18:36,633
WAIT, TRE IS TRAINING HER.

375
00:18:36,666 --> 00:18:37,826
♪♪♪
>> Narrator: I WONDER IF

376
00:18:37,866 --> 00:18:43,626
ALL OF THE WORKOUTS HE HAS
VOLVE GROIN‐THRUSTING

377
00:18:43,666 --> 00:18:44,066
MOTION?

378
00:18:44,100 --> 00:18:44,470
H'MMM...

379
00:18:44,500 --> 00:18:46,170
>> WHAT'S UP?

380
00:18:46,200 --> 00:18:50,500
>> Narrator: IF THAT
WORKOUT GETS YOU JACKED, I

381
00:18:50,533 --> 00:18:52,803
SHOULD BE THE INCREDIBLE
HULK.

382
00:18:52,833 --> 00:18:54,403
>> TRE IS SMART.

383
00:18:54,433 --> 00:18:56,473
HE WAS, LIKE, YOU WANT TO
WORK OUT.

384
00:18:56,500 --> 00:18:59,370
AND HE WAS LIKE HIP
THRUSTS.

385
00:18:59,400 --> 00:19:03,630
I WAS, LIKE, I HAVE TO
WORK THIS BUTT.

386
00:19:03,666 --> 00:19:06,726
>> I DIDN'T WANT THE BAR
TO HURT HER HIPS.

387
00:19:06,766 --> 00:19:12,426
SO I PUT MY HANDS THERE TO
GIVE HER SOME LEVITY.

388
00:19:12,466 --> 00:19:16,566
♪♪♪
>> IT WAS DEFINITELY NOT

389
00:19:16,600 --> 00:19:18,800
JUST A WORKOUT FOR EITHER
OF US.

390
00:19:18,833 --> 00:19:21,003
IT IS DEFINITELY SOMETHING
MORE.

391
00:19:21,033 --> 00:19:22,073
I'M LIVING FOR IT.

392
00:19:22,100 --> 00:19:25,930
THEY'RE BOTH SO GOOD AND I
THINK THEY WOULD BE BETTER

393
00:19:25,966 --> 00:19:26,666
TOGETHER.

394
00:19:26,700 --> 00:19:28,830
>> WHY ARE YOU ACTING
SURPRISED?

395
00:19:28,866 --> 00:19:29,866
WHY SHOULD I TELL YOU?

396
00:19:29,900 --> 00:19:32,430
>> Narrator: WHILE I'VE
BEEN CUTTING MY OWN HAIR,

397
00:19:32,466 --> 00:19:43,596
LIKE SOME QUARANTINE
FONTEEN, THE BOYS ARE

398
00:19:43,633 --> 00:19:44,633
TREATED.

399
00:19:44,666 --> 00:19:50,966
THE TOPIC IN QUESTION: THE
HAIRY SITUATION BETWEEN

400
00:19:51,000 --> 00:19:51,970
CARRINGTON AND KAITLYN.

401
00:19:52,000 --> 00:19:55,570
>> I FELT LIKE EVERYBODY
GOT THEIR PERSON FIGURED

402
00:19:55,600 --> 00:20:03,300
OUT, AND THEN THIS ‐‐
>> LIKE, WHATCHA DOING?

403
00:20:03,333 --> 00:20:06,773
ARE YOU MORE SEXUALLY
ATTRACTED TO KAITLYN?

404
00:20:06,800 --> 00:20:08,730
>> EVERY GIRL HERE IS
ATTRACTIVE.

405
00:20:08,766 --> 00:20:11,166
>> SO HOW DO YOU FEEL,
LIKE, ABOUT TRE?

406
00:20:11,200 --> 00:20:12,670
>> HE REALLY SHOCKED ME.

407
00:20:12,700 --> 00:20:14,100
WE HAVE SO MUCH IN COMMON.

408
00:20:14,133 --> 00:20:15,773
HE WAS SO EASY TO TALK TO.

409
00:20:15,800 --> 00:20:18,800
AND THEN, LIKE, AFTER
THAT, I WAS, LIKE, OKAY, I

410
00:20:18,833 --> 00:20:21,233
CAN SEE SOMETHING WITH
TRE.

411
00:20:21,266 --> 00:20:25,196
LIKE I STILL HAVE ‐‐ I WAS
A LITTLE STILL SKEPTICAL

412
00:20:25,233 --> 00:20:28,973
BECAUSE HE SEEMED A LITTLE
RESERVE, AND I WOULD LOVE

413
00:20:29,000 --> 00:20:31,470
FOR HIM TO OPEN UP A
LITTLE BIT.

414
00:20:31,500 --> 00:20:34,430
>> I DEFINITELY FEEL LIKE
HE HAS THAT.

415
00:20:34,466 --> 00:20:37,126
I FEEL LIKE THE MORE YOU
TALK, HE'LL OPEN UP.

416
00:20:37,166 --> 00:20:39,966
>> DON'T GET ME WRONG, I
LIKE KISSING KAITLYN, AND

417
00:20:40,000 --> 00:20:42,830
KAITLYN IS REALLY, REALLY
GOOD TO LOOK AT.

418
00:20:42,866 --> 00:20:44,366
I COULD LOOK AT KAITLYN
ALL DAY.

419
00:20:44,400 --> 00:20:47,570
>> WHEN I WAS TALKING TO
HIM, TOO, I FEEL LIKE IT

420
00:20:47,600 --> 00:20:51,970
WAS A VERY GENUINE
CONVERSATION.

421
00:20:52,000 --> 00:20:55,030
OBVIOUSLY THE INTEREST FOR
ME WASN'T THERE, AND I

422
00:20:55,066 --> 00:20:59,966
DON'T WANT TO COME IN HERE
AND FAKE IT.

423
00:21:00,000 --> 00:21:01,970
>> IT IS HARD WHEN YOU'RE
NOT IN, LIKE, A SECURE

424
00:21:02,000 --> 00:21:02,870
COUPLE LIKE EVERYBODY
ELSE.

425
00:21:02,900 --> 00:21:03,730
>> RIGHT.

426
00:21:03,766 --> 00:21:06,396
>> YOU NEVER KNOW WHAT
COULD COME OUT OF

427
00:21:06,433 --> 00:21:07,073
ANYTHING.

428
00:21:07,100 --> 00:21:08,970
SO GIVE EVERYBODY A
CHANCE.

429
00:21:09,000 --> 00:21:11,570
HAVE CONVERSATIONS WITH
EVERYONE, YOU KNOW?

430
00:21:11,600 --> 00:21:12,600
>> YEAH.

431
00:21:12,633 --> 00:21:17,033
>> I'VE BEEN HOLDING BACK,
TO BE HONEST, BECAUSE IF

432
00:21:17,066 --> 00:21:20,266
NOBODY WANTED ME IN A
VULNERABLE SITUATION.

433
00:21:20,300 --> 00:21:22,900
I TALKED TO HER, AND
JUSTINE SAID SHE IS

434
00:21:22,933 --> 00:21:24,273
WILLING TO OPEN UP FOR ME.

435
00:21:24,300 --> 00:21:28,000
AND IF SHE IS WILLING TO
OPEN UP FOR ME, I'LL BE

436
00:21:28,033 --> 00:21:29,703
WILLING TO OPEN UP FOR
HER.

437
00:21:29,733 --> 00:21:32,473
OBVIOUSLY I HAVE TO MAKE A
DECISION ON, LIKE, WHAT IS

438
00:21:32,500 --> 00:21:33,470
THE BEST MATCH FOR ME.

439
00:21:33,500 --> 00:21:36,370
>> I THINK YOU SHOULD
DEFINITELY FOCUS ON HAVING

440
00:21:36,400 --> 00:21:37,970
MORE CONVERSATIONS WITH
THEM.

441
00:21:38,000 --> 00:21:39,300
YOU KNOW WHAT I MEAN?

442
00:21:39,333 --> 00:21:41,833
TRY TO GET DEEP WITH THE
BOTH OF THEM, SEE WHERE

443
00:21:41,866 --> 00:21:43,426
THEIR HEARTS ARE AT.

444
00:21:43,466 --> 00:21:47,396
>> BASICALLY WHAT Y'ALL
ARE SAYING IS I NEED TO

445
00:21:47,433 --> 00:21:49,533
TEST DRIVE BEFORE I DRIVE
OFF THE LOT.

446
00:21:49,566 --> 00:21:56,826
>> I KNOW MY BOY TRE, HE
IS DECIDING.

447
00:21:56,866 --> 00:21:58,096
JUSTINE IS REAL.

448
00:21:58,133 --> 00:22:00,973
SHE IS A GOOD GIRL.

449
00:22:01,000 --> 00:22:02,030
IT GOES BEYOND LOOKS.

450
00:22:02,066 --> 00:22:04,826
I FEEL LIKE JUSTINE HAS
THE SUBSTANCE.

451
00:22:04,866 --> 00:22:07,296
I FEEL LIKE THEY CLICK
TOGETHER REALLY WELL.

452
00:22:07,333 --> 00:22:09,073
I FEEL LIKE THAT IS A GOOD
THING.

453
00:22:09,100 --> 00:22:10,100
>> IT WILL BE A FUN NIGHT,

454
00:22:25,000 --> 00:22:27,970
♪ THE BEAT GOES ON AND ON
AND ON ♪

455
00:22:28,000 --> 00:22:30,070
>> Narrator: WELCOME TO
LOVE ISLAND.

456
00:22:30,100 --> 00:22:32,970
WE HAVE A PERM, REPEAT, WE
HAVE A PERM.

457
00:22:33,000 --> 00:22:36,970
LET'S RIDE THOSE
PLATINUM‐HEATED WAVES INTO

458
00:22:37,000 --> 00:22:39,370
A GIRL CHAT ABOUT BOYS.

459
00:22:39,400 --> 00:22:39,870
>> HELLO.

460
00:22:39,900 --> 00:22:41,430
>> HOW IS IT GOING?

461
00:22:41,466 --> 00:22:43,896
>> YOU GUYS LOOK SO
BEAUTIFUL SITTING HERE.

462
00:22:43,933 --> 00:22:46,533
>> YOU LOOK SO BEAUTIFUL.

463
00:22:46,566 --> 00:22:47,526
>> THANK YOU.

464
00:22:47,566 --> 00:22:51,796
>> SO HOW IS EVERYONE
FEELING ABOUT THEIR GUYS?

465
00:22:51,833 --> 00:22:53,633
>> WELL...

466
00:22:53,666 --> 00:22:59,966
>> WE KNOW SHE'S ALREADY
IN LOVE, MARRIED, ABOUT TO

467
00:23:00,000 --> 00:23:04,230
HAVE A KID.

468
00:23:04,266 --> 00:23:05,966
[LAUGHTER]
>> ISN'T IT SURPRISING HOW

469
00:23:06,000 --> 00:23:08,030
WELL WE GOT ALONG.

470
00:23:08,066 --> 00:23:10,866
>> I NEVER HAVE DATED
ANYONE LIKE HIM IN THE

471
00:23:10,900 --> 00:23:11,700
PAST.

472
00:23:11,733 --> 00:23:14,133
AND I FEEL LIKE I'M HAVING
SO MUCH FUN.

473
00:23:14,166 --> 00:23:18,066
>> HOW ARE YOU AND
CARRINGTON DOING?

474
00:23:18,100 --> 00:23:20,870
>> I'M READY TO JUMP IN
THAT BED, LET'S GO.

475
00:23:20,900 --> 00:23:22,600
YEAH, NO, I REALLY LIKE
HIM.

476
00:23:22,633 --> 00:23:26,603
BUT I DON'T KNOW WHAT GOES
THROUGH THAT GUY'S HEAD OR

477
00:23:26,633 --> 00:23:28,503
WHAT IS GOING TO COME OUT
OF HIS MOUTH.

478
00:23:28,533 --> 00:23:30,603
I'M ALWAYS ON MY TOES.

479
00:23:30,633 --> 00:23:35,733
>> YOU DO GRAVITATE
TOWARDS SLIGHTLY MATURE ‐‐

480
00:23:35,766 --> 00:23:38,226
>> AND OLDER GUYS, BUT I
THINK HE IS GREAT.

481
00:23:38,266 --> 00:23:40,296
I CAN'T STOP SMILING.

482
00:23:40,333 --> 00:23:43,603
>> KIERSTAN HAS MENTIONED
SHE USUALLY GOES FOR,

483
00:23:43,633 --> 00:23:48,533
LIKE, OLDER GUYS BECAUSE
OF, LIKE, MA MATURITY, AND I

484
00:23:48,566 --> 00:23:52,326
KIND OF GET A LITTLE BIT
OF A YOUTHFUL VIBE FROM

485
00:23:52,366 --> 00:23:53,266
CARRINGTON.

486
00:23:53,300 --> 00:23:55,200
I FEEL THAT IS KIND OF A
REASON WHY I WASN'T

487
00:23:55,233 --> 00:23:56,233
INTERESTED IN HIM.

488
00:23:56,266 --> 00:23:59,196
>> IT IS LOVE ISLAND, AND
YOU WANT TO TRY OUT NEW

489
00:23:59,233 --> 00:24:00,073
THINGS.

490
00:24:00,100 --> 00:24:01,470
>> BASICALLY OUR
CONVERSATION WIN THE HOT

491
00:24:01,500 --> 00:24:04,300
TUB WAS SO ELECTRIC.

492
00:24:04,333 --> 00:24:08,433
IT WAS, LIKE, I'M SO INTO,
I WANT TO GET TO KNOW YOU.

493
00:24:08,466 --> 00:24:12,366
IT IS ALMOST LIKE SHE
CAUGHT THAT CUPID ARROW.

494
00:24:12,400 --> 00:24:12,970
AND I KIND OF DID, TOO.

495
00:24:13,000 --> 00:24:14,930
>> WE'LL SEE WHAT HAPPENS.

496
00:24:14,966 --> 00:24:16,866
IT IS STILL, LIKE, REALLY
EARLY.

497
00:24:16,900 --> 00:24:20,330
BUT I'M REALLY HAPPY RIGHT
NOW.

498
00:24:20,366 --> 00:24:24,366
>> Narrator: THE GIRLS
ARE HAPPILY ENJOYING EACH

499
00:24:24,400 --> 00:24:27,000
OTHER'S COMPANY, BUT JAMES
HAD NO CHOICE BUT TO STEP

500
00:24:27,033 --> 00:24:28,803
IN AND REMEDY THE
SITUATION.

501
00:24:28,833 --> 00:24:30,933
>> WHAT ARE YOU GUYS
DOING?

502
00:24:30,966 --> 00:24:31,926
>> TALKING.

503
00:24:31,966 --> 00:24:33,996
>> CAN I COME AND JOIN?

504
00:24:34,033 --> 00:24:38,033
WE MISSED YOU GUYS SO MUCH ‐‐ GI
HERE.

505
00:24:38,066 --> 00:24:39,796
THANK YOU.

506
00:24:39,833 --> 00:24:40,373
>> AH!

507
00:24:40,400 --> 00:24:41,830
>> YOU GUYS ARE SO CUTE.

508
00:24:41,866 --> 00:24:44,926
>> WE DID SOMETHING FOR
YOU GUYS TODAY.

509
00:24:44,966 --> 00:24:47,096
YOU KNOW JOHNNY IS A
BARBER, RIGHT?

510
00:24:47,133 --> 00:24:47,803
>> YEAH.

511
00:24:47,833 --> 00:24:50,733
>> SO HE CUT EVERYBODY'S
HAIR.

512
00:24:50,766 --> 00:24:52,866
YOUR BOY HAS A BALD HEAD
NOW.

513
00:24:52,900 --> 00:24:56,330
WILL YOU STILL LIKE HIM ‐‐
>> ARE YOU BEING SERIOUS?

514
00:24:56,366 --> 00:24:59,326
>> YOUR BOY HAS A MOHAWK.

515
00:24:59,366 --> 00:25:00,826
>> THAT FIGURES.

516
00:25:00,866 --> 00:25:02,566
IT MAKES SENSE.

517
00:25:02,600 --> 00:25:04,970
>> INTRODUCING JEREMIAH.

518
00:25:05,000 --> 00:25:09,770
COME ON OUT!

519
00:25:09,800 --> 00:25:18,630
6' 3, JEREMIAH.

520
00:25:18,666 --> 00:25:21,966
>> Narrator: LET'S SEE
THE NEW LOOK.

521
00:25:22,000 --> 00:25:24,970
WHOA, LITERALLY NO
DIFFERENCE.

522
00:25:25,000 --> 00:25:27,100
>> NEXT COMING OUT, WE
HAVE TRE.

523
00:25:27,133 --> 00:25:32,033
COME ON, TRE, BRING IT
DOWN, STRUT IT.

524
00:25:32,066 --> 00:25:35,426
[APPLAUSE AND CHEERING]
>> COMING IN FROM OHIO

525
00:25:35,466 --> 00:25:38,726
STATE, MR. BUCKEYE
HIMSELF.

526
00:25:38,766 --> 00:25:40,166
>> LOOKING GOOD, TRE.

527
00:25:40,200 --> 00:25:43,600
>> AND NOW FOR THE MAIN,
THE MAIN EVENT HIMSELF,

528
00:25:43,633 --> 00:25:51,503
THE ONE WHO CUTS THE HAIR,
CELY'S BOY, IT IS JOHNNY!

529
00:25:51,533 --> 00:25:54,373
[APPLAUSE]
>> JOHNNY WILL LINE

530
00:25:54,400 --> 00:25:56,100
HIMSELF UP TO TAKE A LOOK.

531
00:25:56,133 --> 00:25:57,573
>> OKAY.

532
00:25:57,600 --> 00:25:58,500
>> LEGENDARY.

533
00:25:58,533 --> 00:26:03,203
>> I WAS A PRE‐HEIGHT MAN.

534
00:26:03,233 --> 00:26:05,373
>> WELL DONE.

535
00:26:05,400 --> 00:26:09,700
>> Narrator: THAT
EVENING CELY IS HAVING

536
00:26:09,733 --> 00:26:11,973
THOUGHTS ABOUT JOHNNY THAT
WOULD MAKE OUR SPONSORS

537
00:26:12,000 --> 00:26:14,000
DELIGHTED AND OUR CENSORS
WEAK.

538
00:26:14,033 --> 00:26:17,973
>> CELY IS READY TO TAKE
HER MAN DOWN TONIGHT.

539
00:26:18,000 --> 00:26:19,700
>> UNLEASH HER.

540
00:26:19,733 --> 00:26:24,133
>> I FEEL LIKE YOUR MOOD
IS A MIX BETWEEN A

541
00:26:24,166 --> 00:26:31,966
14‐YEAR‐OLD BOY AND A GIRL
IN LOVE.

542
00:26:32,000 --> 00:26:32,970
A 14‐YEAR‐OLD BOY?

543
00:26:33,000 --> 00:26:37,330
>> IT'S LIKE A LITTLE BIT
HORNY, LET'S ADMIT IT.

544
00:26:37,366 --> 00:26:38,196
>> WELL, YOU'RE NOT WRONG.

545
00:26:38,233 --> 00:26:38,973
>> YOU'RE NOT WRONG
BECAUSE YOU'RE LIKE

546
00:26:39,000 --> 00:26:39,970
UNLEASH ME.

547
00:26:40,000 --> 00:26:43,970
>> I NEVER HAVE HAD THIS
MUCH FUN WITH A GUY EVER

548
00:26:44,000 --> 00:26:44,470
IN MY LIFE.

549
00:26:44,500 --> 00:26:45,800
>> THAT IS SO SWEET.

550
00:26:45,833 --> 00:26:48,703
>> I DON'T GO FOR GUYS
LIKE HIM.

551
00:26:48,733 --> 00:26:51,533
AND I'M, LIKE, MAYBE I'VE
BEEN DOING IT ALL WRONG

552
00:26:51,566 --> 00:26:53,966
THIS WHOLE TIME.

553
00:26:54,000 --> 00:26:54,970
>> IT IS KIND OF THE SAME
WITH ME AND CONNOR.

554
00:26:55,000 --> 00:26:57,970
HE IS NOT A GUY I WOULD
TYPICALLY GO FOR.

555
00:26:58,000 --> 00:27:00,730
AND I THINK THE SAME FOR
MOIRA AND JAMES.

556
00:27:00,766 --> 00:27:03,996
BUT TYPICALLY WHEN PEOPLE
ARE GETTING ON THIS WELL,

557
00:27:04,033 --> 00:27:06,673
THEY'RE NORMAL TYPES, AND
THAT IS NOT THE CASE FOR

558
00:27:06,700 --> 00:27:07,270
ANY OF US.

559
00:27:07,300 --> 00:27:10,300
>> YEAH.

560
00:27:10,333 --> 00:27:13,833
♪ WHEN THAT MOON IS BIG
AND BRIGHT ♪

561
00:27:13,866 --> 00:27:24,896
♪ IT'S A SUPER NATURAL
NIGHT ♪

562
00:27:24,933 --> 00:27:30,233
♪ DANCING IN THE
MOONLIGHT ♪

563
00:27:30,266 --> 00:27:34,366
♪ EVERYBODY IS FEELING
WARM AND LIGHT ♪

564
00:27:34,400 --> 00:27:39,100
♪ EVERYBODY IS DANCING IN
THE MOONLIGHT ♪

565
00:27:39,133 --> 00:27:48,533
>> WE'RE HOT TOGETHER.

566
00:27:48,566 --> 00:27:55,726
♪♪♪
♪ EVERYBODY IS DANCING IN

567
00:27:55,766 --> 00:28:02,266
THE MOONLIGHT ♪
>> THEY'RE GETTING

568
00:28:02,300 --> 00:28:03,070
CUDDLED.

569
00:28:03,100 --> 00:28:05,570
♪ EVERYBODY HERE IS OUT OF
SIGHT ♪

570
00:28:05,600 --> 00:28:11,970
♪ THEY DON'T BARK AND THEY
DON'T BITE ♪

571
00:28:12,000 --> 00:28:17,770
♪ THEY KEEP THINGS LOOSE,
THEY KEEP THEM TIGHT ♪

572
00:28:17,800 --> 00:28:21,500
♪ EVERYBODY'S DANCING IN
THE MOONLIGHT ♪

573
00:28:21,533 --> 00:28:24,373
♪ DANCING IN THE
MOONLIGHT ♪

574
00:28:24,400 --> 00:28:29,130
♪ EVERYBODY'S FEELING WARM
AND BRIGHT ♪

575
00:28:29,166 --> 00:28:33,526
♪ IT'S SUCH A BRIGHT AND
NATURAL LIGHT ♪

576
00:28:33,566 --> 00:28:39,166
♪ EVERYBODY'S DANCING IN
THE MOONLIGHT ♪

577
00:28:39,200 --> 00:28:41,930
>> Narrator: IF I HAD TO
SLEEP IN A BED LIKE THAT,

578
00:28:41,966 --> 00:28:44,096
I WOULD NEED A SPA TO
RECOVER.

579
00:28:44,133 --> 00:28:46,973
NO WAY, I JUST REMEMBER
HOW AMAZING THE SPA IS AT

580
00:28:47,000 --> 00:28:47,970
CAESAR'S PALACE, RIGHT AT
THE MOMENT I'M

581
00:28:48,000 --> 00:28:49,270
CONTRACTUALLY OBLIGATED TO
MENTION IT.

582
00:28:49,300 --> 00:28:55,970
YOU HIT THE SPA AND THEN
YOU GO TO AN AWARD‐WINNING

583
00:28:56,000 --> 00:28:56,930
RESTAURANT.

584
00:28:56,966 --> 00:28:58,966
GO

585
00:29:19,000 --> 00:29:19,970
>> Narrator: DOWN FROM
MY FAVORITE LOVE LANGUAGE,

586
00:29:20,000 --> 00:29:23,900
SOMEONE WITH A PERFECT
BODY COOKING ME FOOD, LIKE

587
00:29:23,933 --> 00:29:26,073
JEREMIAH IS DOING FOR
RACHEL, AND SHE IS NOT

588
00:29:26,100 --> 00:29:27,130
EVEN HIS PARTNER.

589
00:29:27,166 --> 00:29:31,326
I HOPE FOR HER SAKE, HE
DOESN'T USE HIS FINGERS IN

590
00:29:31,366 --> 00:29:32,066
A QUESTIONABLE WAY.

591
00:29:32,100 --> 00:29:36,630
WELL, BEGGERS CAN'T BE
CHOOSERS.

592
00:29:36,666 --> 00:29:39,596
>> I TOOK A BREAK.

593
00:29:39,633 --> 00:29:42,273
>> ME AND RACHEL ARE IN A
GOOD PLACE.

594
00:29:42,300 --> 00:29:46,900
I COULDN'T ASK FOR IT TO
GO NO SMOOTHER, YOU KNOW

595
00:29:46,933 --> 00:29:47,603
WHAT I'M SAYING?

596
00:29:47,633 --> 00:29:50,233
WE'RE TAKING OUR TIME WITH
IT.

597
00:29:50,266 --> 00:29:52,626
THAT'S HOW IT GONNA GO
RIGHT NOW.

598
00:29:52,666 --> 00:29:54,826
>> OH, MY GOSH!

599
00:29:54,866 --> 00:29:59,266
>> OH, MY GOSH.

600
00:29:59,300 --> 00:30:03,330
>> JEREMIAH MADE ME
BREAKFAST THIS MORNING,

601
00:30:03,366 --> 00:30:05,296
WHICH WAS REALLY, REALLY
NICE.

602
00:30:05,333 --> 00:30:11,333
IT IS DEFINITELY OFF TO A
GOOD START.

603
00:30:11,366 --> 00:30:11,966
JEREMIAH!

604
00:30:12,000 --> 00:30:15,000
[LAUGHTER]
>> NICE OUTFIT.

605
00:30:15,033 --> 00:30:19,073
>> Narrator: WHILE
JUSTINE'S ROMANCE WITH TRE

606
00:30:19,100 --> 00:30:19,970
SEEMS TO BE TRAILING OFF,
AND CARRINGTON GETS INTO A

607
00:30:20,000 --> 00:30:24,170
LITTLE, MAYBE I'LL SIT,
MAYBE I'LL STAND.

608
00:30:24,200 --> 00:30:25,130
>> WHATCHA UP TO?

609
00:30:25,166 --> 00:30:28,096
>> I HAVE A LOT OF ENERGY
TODAY.

610
00:30:28,133 --> 00:30:29,133
SO WE'LL TALK.

611
00:30:29,166 --> 00:30:31,966
WE'LL CHITCHAT.

612
00:30:32,000 --> 00:30:33,530
YOU OKAY?

613
00:30:33,566 --> 00:30:34,466
YOU SEEM DOWN?

614
00:30:34,500 --> 00:30:35,030
>> I'M GOOD.

615
00:30:35,066 --> 00:30:37,966
I JUST NEED TO WORK OUT.

616
00:30:38,000 --> 00:30:38,900
>> WE'LL TALK.

617
00:30:38,933 --> 00:30:39,703
I'LL SEE YOU.

618
00:30:39,733 --> 00:30:41,103
>> ALL RIGHT.

619
00:30:41,133 --> 00:30:42,103
FOR SURE.

620
00:30:42,133 --> 00:30:45,803
>> I WOKE UP THIS MORNING
FEELING CONFIDENT AND

621
00:30:45,833 --> 00:30:48,633
CONVERSATIONS THAT I'VE
HAD WITH TRE YESTERDAY AND

622
00:30:48,666 --> 00:30:52,766
THE DAY BEFORE ‐‐ AND HE
EVEN CAME OVER AND SAID

623
00:30:52,800 --> 00:30:55,600
GOOD NIGHT TO ME, AND THEN
I WAKE UP THIS MORNING AND

624
00:30:55,633 --> 00:30:58,703
HE IS NOT BEING HIMSELF AT
ALL.

625
00:30:58,733 --> 00:31:03,333
MAYBE HE HAD A REALLY BAD
DREAM ABOUT ME AND WAS,

626
00:31:03,366 --> 00:31:07,196
LIKE, UGH, I HATE HER.

627
00:31:07,233 --> 00:31:10,203
>> Narrator: HASHTAG,
MOIRA HAS BEEN DOING LOTS

628
00:31:10,233 --> 00:31:13,333
OF SPOONING, BUT SHE IS
CONCERNED IT MAY TOO

629
00:31:13,366 --> 00:31:14,396
QUICKLY TURN INTO A FORK.

630
00:31:14,433 --> 00:31:19,033
>> WHAT DO YOU THINK ABOUT
THE PACE WE'RE GOING AT?

631
00:31:19,066 --> 00:31:23,696
>> I JUST HOPE YOU'RE
READY TO REALLY GET

632
00:31:23,733 --> 00:31:29,173
INVOLVED IN SOMETHING THAT
COULD REALLY BE FUN.

633
00:31:29,200 --> 00:31:30,630
>> SEXUALLY?

634
00:31:30,666 --> 00:31:31,596
>> YEAH.

635
00:31:31,633 --> 00:31:32,973
>> IT IS HARD TO DO
ANYTHING WHEN THERE ARE SO

636
00:31:33,000 --> 00:31:35,770
MANY OTHER PEOPLE LOOKING
AT US.

637
00:31:35,800 --> 00:31:38,130
I DEFINITELY TOLD THE
GIRLS YOU HAVE A BIG

638
00:31:38,166 --> 00:31:39,126
PERSONALITY.

639
00:31:39,166 --> 00:31:41,166
AND THEY WERE, LIKE, WE
SAW YOU MAKING OUT LAST

640
00:31:41,200 --> 00:31:41,970
NIGHT.

641
00:31:42,000 --> 00:31:45,530
THEY WERE, LIKE, HOW FAR
DID YOU GO?

642
00:31:45,566 --> 00:31:49,196
AND I WAS, LIKE, SECOND
BASE, AND WALKED OUT THE

643
00:31:49,233 --> 00:31:49,903
ROOM.

644
00:31:49,933 --> 00:31:51,733
>> I LIKE MOIRA, SHE IS
GREAT.

645
00:31:51,766 --> 00:31:53,296
IT IS NOT JUST ALL ABOUT
ME.

646
00:31:53,333 --> 00:31:55,333
IT IS ABOUT THE PERSON,
TOO.

647
00:31:55,366 --> 00:31:58,166
AND WE'RE STILL LEARNING
ABOUT EACH OTHER.

648
00:31:58,200 --> 00:32:01,530
I HOPE SHE KNOWS I'M
ACCEPTING IT AND I'M

649
00:32:01,566 --> 00:32:02,966
ENJOYING IT, AND HOPEFULLY
SHE THINKS THE SAME WAY.

650
00:32:03,000 --> 00:32:07,970
>> I FEEL LIKE I WANT TO
TAKE IT SLOWER.

651
00:32:08,000 --> 00:32:11,730
>> YOU MEAN GETTING TO
KNOW MORE OF MY

652
00:32:11,766 --> 00:32:13,196
PERSONALITY, EVEN THOUGH
YOU WANT THIS?

653
00:32:13,233 --> 00:32:14,703
>> YES.

654
00:32:14,733 --> 00:32:15,933
>> YOU WANT THIS?

655
00:32:15,966 --> 00:32:22,326
>> I DO KNOW WHAT I WANT,
BUT I DON'T WANT TO GET ‐‐

656
00:32:22,366 --> 00:32:27,966
DON'T WANT MY HEART TO GET
BROKEN.

657
00:32:28,000 --> 00:32:31,800
> WELL, THANKS FOR
FIGURING IT OUT.

658
00:32:31,833 --> 00:32:35,633
>> I KNOW.

659
00:32:37,266 --> 00:32:38,466
>> H'MMM...

660
00:32:38,500 --> 00:32:40,970
>> RIGHT?

661
00:32:41,000 --> 00:32:43,400
>> UH‐HUH.

662
00:32:43,433 --> 00:32:45,573
I'M DOING LITTLE MANNERS
LIKE YOU.

663
00:32:45,600 --> 00:32:46,200
YOU FEEL IT NOW?

664
00:32:46,233 --> 00:32:47,933
>> I FEEL IT.

665
00:32:47,966 --> 00:32:51,566
>> Narrator: SHE DOESN'T
WANT TO SEE HIS BIG

666
00:32:51,600 --> 00:32:52,130
PERSONALITY?

667
00:32:52,166 --> 00:33:00,296
WHY NOT ‐‐ OH, I GET IT!

668
00:33:00,333 --> 00:33:02,903
♪♪♪
>> UH‐OH!

669
00:33:02,933 --> 00:33:04,633
I GOT A TEXT!

670
00:33:04,666 --> 00:33:08,626
>> HEY, HEY, HEY.

671
00:33:08,666 --> 00:33:12,996
>> WHO GOT A TEXT?

672
00:33:13,033 --> 00:33:15,633
>> ISLANDERS, TONIGHT
THERE WILL BE A

673
00:33:15,666 --> 00:33:16,666
RECOUPLING.

674
00:33:16,700 --> 00:33:21,230
THE BOYS WILL CHOICE AND
THE GIRL NOT PICKED RISKS

675
00:33:21,266 --> 00:33:24,196
BEING DUMPED FROM THE
ISLAND.

676
00:33:24,233 --> 00:33:26,873
GET PICKED OR GET PACKING.

677
00:33:26,900 --> 00:33:28,970
HASHTAG OVER BEFORE IT
BEGAN.

678
00:33:29,000 --> 00:33:32,470
HASHTAG WHAT ARE YOU
WAITING FOR.

679
00:33:32,500 --> 00:33:37,230
>> I OBVIOUSLY FEEL, LIKE,
A LITTLE NERVOUS FOR THE

680
00:33:37,266 --> 00:33:38,896
RECOUPLING TONIGHT BECAUSE
THERE IS THE POSSIBILITY

681
00:33:38,933 --> 00:33:41,003
OF ME OR JUSTINE GOING
HOME.

682
00:33:41,033 --> 00:33:44,833
I THINK BOTH OF US WANT TO
BE HERE, AND BOTH OF US

683
00:33:44,866 --> 00:33:45,866
DESERVE TO BE HERE.

684
00:33:45,900 --> 00:33:48,300
BUT I STILL NEED TO HAVE A
CONVERSATION WITH TRE TO

685
00:33:48,333 --> 00:33:50,633
SEE WHERE HIS HEAD'S AT.

686
00:33:50,666 --> 00:33:55,626
YEAH, IT IS A LITTLE
NERVE‐WRACKING.

687
00:33:55,666 --> 00:33:58,366
>> I WONDER WHO CHANGED?

688
00:33:58,400 --> 00:34:01,600
>> THERE IS A 50% CHANCE
THAT I'M GOING HOME.

689
00:34:01,633 --> 00:34:04,333
THAT HAS JUST BEEN MY LUCK
IN HERE.

690
00:34:04,366 --> 00:34:07,766
AS SOON AS I LIKE
SOMEBODY, THEY'RE I DON'T

691
00:34:07,800 --> 00:34:09,170
LIKE YOU BACK.

692
00:34:09,200 --> 00:34:13,200
AS SOON AS THEY START TO
LIKE ME BACK, OH, THERE IS

693
00:34:13,233 --> 00:34:14,233
A RECOUPLING.

694
00:34:14,266 --> 00:34:19,826
I WOULD BE JUST SO BUMMED
IF AS SOON AS IT STARTED

695
00:34:19,866 --> 00:34:23,326
TO HAPPEN FOR ME IT'S,
LIKE, PACK YOUR BAGS,

696
00:34:23,366 --> 00:34:24,896
GIRL, YOU'RE GOING HOME.

697
00:34:24,933 --> 00:34:27,133
THAT WOULD JUST BE THE
WORST.

698
00:34:27,166 --> 00:34:33,966
♪♪♪
>> I (indescernable) I

699
00:34:34,000 --> 00:34:36,000
FEEL LIKE IT'S GONNA BE
KAITLYN.

700
00:34:48,000 --> 00:34:54,970
RECOUPLING IS HAPPENING
VERY SOONISH, LOVE

701
00:34:55,000 --> 00:34:56,970
ISLAND'S SOCIAL
SCIENTISTS, JOHNNY AND

702
00:34:57,000 --> 00:34:59,570
CARRINGTON ARE
STATISTICALLY LIKELY TO BE

703
00:34:59,600 --> 00:35:01,600
DUMPED.

704
00:35:05,000 --> 00:35:07,970
>> TRE DEFINITELY HAS A
TOUGH DECISION TO MAKE,

705
00:35:08,000 --> 00:35:11,200
JUST BECAUSE HE IS FRIENDS
WITH KAITLYN AND HE IS

706
00:35:11,233 --> 00:35:12,233
FRIENDS WITH JUSTINE.

707
00:35:12,266 --> 00:35:15,066
I THINK THE BEST WAY TO
LOOK AT IT IS, WHO IS HERE

708
00:35:15,100 --> 00:35:17,830
FOR THE RIGHT REASONS,
MORE SO THAN WHO WOULD

709
00:35:17,866 --> 00:35:18,866
HAVE MY BACK.

710
00:35:18,900 --> 00:35:20,900
BECAUSE WHO WOULD HAVE MY
BACK, YOU'RE KIND OF

711
00:35:20,933 --> 00:35:21,833
LOOKING OUT FOR YOURSELF.

712
00:35:21,866 --> 00:35:24,296
>> THEY'RE BOTH DEFINITELY
HERE FOR THE RIGHT

713
00:35:24,333 --> 00:35:25,203
REASONS.

714
00:35:25,233 --> 00:35:27,803
YOU NEVER KNOW, BUT ‐‐
>> IT'S TOUGH, BRO.

715
00:35:27,833 --> 00:35:31,603
>> IF I HAD TO PUT MY
MONEY ON IT, I WOULD

716
00:35:31,633 --> 00:35:33,033
PROBABLY HAVE TO SAY
JUSTINE.

717
00:35:33,066 --> 00:35:34,326
I WANT TO SEE HER STAY.

718
00:35:34,366 --> 00:35:37,796
BUT IF SHE STAYS, I DON'T
WANT TO SEE HER FACE

719
00:35:37,833 --> 00:35:40,433
REJECTION AGAIN AND FEEL
THE WAY SHE HAS BEEN

720
00:35:40,466 --> 00:35:41,396
FEELING.

721
00:35:41,433 --> 00:35:43,133
>> Narrator: JAMES AND
CONNOR, WHO DON'T SHAVE

722
00:35:43,166 --> 00:35:46,266
THEIR FACES BUT SHAVE
THEIR CHESTS, TALK ABOUT

723
00:35:46,300 --> 00:35:49,130
HOW PERFECT THEIR LIVES
ARE.

724
00:35:49,166 --> 00:35:51,866
LET'S SEE IF THE PLANS
COME TO LIFE.

725
00:35:51,900 --> 00:35:56,530
>> MY GUYS, HAS THE DAY
BEEN GOING WELL FOR YOU?

726
00:35:56,566 --> 00:35:59,626
>> OH, BOY, MOIRA AND I
ARE AMAZING.

727
00:35:59,666 --> 00:36:01,196
WE'RE COOL.

728
00:36:01,233 --> 00:36:03,233
LITERALLY EVERY HOUR I
SPEND WITH HER, I LIKE HER

729
00:36:03,266 --> 00:36:04,196
MORE AND MORE.

730
00:36:04,233 --> 00:36:06,733
I'M PUTTING MYSELF OUT
THERE, AND SHE KNOWS HOW

731
00:36:06,766 --> 00:36:07,796
OPEN I AM.

732
00:36:07,833 --> 00:36:09,473
AND I'M SO APPRECIATE THAT
SHE IS BEING OPEN BECAUSE

733
00:36:09,500 --> 00:36:11,730
SHE IS RESERVED, SHE IS
SHY.

734
00:36:11,766 --> 00:36:14,926
SHE EVEN TOLD ME TODAY IT
IS HARD FOR HER TO TRUST

735
00:36:14,966 --> 00:36:17,166
SOMEONE, AND SHE WANTS TO
SO BAD.

736
00:36:17,200 --> 00:36:22,430
AND WHEN SHE IS WILLING TO
DO IT WITH ME, I AM JUST

737
00:36:22,466 --> 00:36:24,726
SO HAPPY SHE IS DOING
THAT.

738
00:36:24,766 --> 00:36:27,526
OBVIOUSLY, YEAH, SHE IS MY
NUMBER ONE.

739
00:36:27,566 --> 00:36:31,796
>> THAT'S AWESOME, MAN.

740
00:36:31,833 --> 00:36:36,073
FOR ME, MACKENZIE IS SO
EXTREMELY SELFLESS, AND

741
00:36:36,100 --> 00:36:40,130
SHE MAKES YOU FEEL
COMFORTABLE BEING

742
00:36:40,166 --> 00:36:40,866
YOURSELF.

743
00:36:40,900 --> 00:36:43,170
I FELT THAT IN MY HEART
TODAY ‐‐

744
00:36:43,200 --> 00:36:44,030
>> THAT'S THE STUFF.

745
00:36:44,066 --> 00:36:44,926
THAT'S THE STUFF.

746
00:36:44,966 --> 00:36:47,366
>> I FEEL LIKE I'M
DEFINITELY GOING ALL IN

747
00:36:47,400 --> 00:36:48,430
WITH MACKENZIE.

748
00:36:48,466 --> 00:36:51,366
I COULDN'T BE HAPPIER, AND
I'M SUPER HAPPY JUST TO GO

749
00:36:51,400 --> 00:36:55,100
TO SLEEP WITH HER BY MY
SIDE.

750
00:36:55,133 --> 00:36:58,873
AND I LOOK JUST AS MUCH TO
WAKE UP IN THE MORNING

751
00:36:58,900 --> 00:37:03,830
NEXT TO HER EACH AND EVERY
SINGLE DAY.

752
00:37:03,866 --> 00:37:06,196
>> OBVIOUSLY, WE KNOW
WHERE YOU'RE AT.

753
00:37:06,233 --> 00:37:08,703
ME AND YOU HAVE BEEN
STEADY WITH OUR GIRLS.

754
00:37:08,733 --> 00:37:12,303
IT IS NICE TO SEE ‐‐ I'M
SO HAPPY WE'RE IN THE SAME

755
00:37:12,333 --> 00:37:15,273
BOAT BECAUSE I WANT TO
PROGRESS THIS WITH YOU,

756
00:37:15,300 --> 00:37:15,770
BRO.

757
00:37:15,800 --> 00:37:16,800
LIKE, YOU'RE MY GUY.

758
00:37:16,833 --> 00:37:20,603
>> IT IS SO CRAZY HOW IT
IS SO COOL TO THINK ABOUT

759
00:37:20,633 --> 00:37:23,373
THE DYNAMIC THAT WE'VE GOT
IN EACH OTHER.

760
00:37:23,400 --> 00:37:25,970
>> Narrator: ON THE
VIRGE OF POSSIBLY BEING

761
00:37:26,000 --> 00:37:27,970
KICKED OFF THE SHOW,
KAITLYN SEEKS THE FOUR

762
00:37:28,000 --> 00:37:33,400
SYMPATHETIC EARS OF JAMES
AND MOIRA.

763
00:37:33,433 --> 00:37:37,373
>> JAMES IS GOING TO MAKE
A DECISION, AND HE BETTER

764
00:37:37,400 --> 00:37:41,970
THINK IT THROUGH.

765
00:37:42,000 --> 00:37:45,030
>> BEING THE NOT CHOSEN
ONE SEEMS TO BE THE THEME

766
00:37:45,066 --> 00:37:47,266
OF MY LIFE, ACTUALLY.

767
00:37:47,300 --> 00:37:51,200
SO I WOULDN'T BE SURPRISED
IF I WASN'T.

768
00:37:51,233 --> 00:37:55,033
♪ WHY DO I FEEL LIKE I'M
DROWNING ♪

769
00:37:55,066 --> 00:37:59,226
>> I FEEL AS THOUGH PEOPLE
MIGHT BE MORE TEAM

770
00:37:59,266 --> 00:38:04,926
JUSTINE, WHICH I LOVE HER,
THEY SHOULD BE, BUT I AM

771
00:38:04,966 --> 00:38:06,026
ALSO WANTING KAITLYN.

772
00:38:06,066 --> 00:38:10,826
>> WE SHOULD ALL WEAR PINK
TONIGHT.

773
00:38:10,866 --> 00:38:14,966
>> I'M GLAD I HAVE MY GIRL
MOIRA AND MY MAN JAMES

774
00:38:15,000 --> 00:38:18,130
BECAUSE I DEFINITELY KNOW
THEY'LL PUT IN A GOOD WORD

775
00:38:18,166 --> 00:38:20,066
FOR ME.

776
00:38:20,100 --> 00:38:21,170
♪♪♪
>> THERE ARE GOING TO BE

777
00:38:21,200 --> 00:38:23,170
PEOPLE WALKING THROUGH
THAT DOOR, AND WE DON'T

778
00:38:23,200 --> 00:38:26,300
KNOW WHO THOSE PEOPLE ARE,
AND THAT'S WHY I NEED TO

779
00:38:26,333 --> 00:38:27,203
STAY.

780
00:38:27,233 --> 00:38:29,133
>> HOPEFULLY NOTHING BAD
HAPPENS, YOU KNOW.

781
00:38:29,166 --> 00:38:31,826
>> A. K. A., ME LEAVING.

782
00:38:31,866 --> 00:38:32,696
>> YOU'RE NOT LEAVING.

783
00:38:32,733 --> 00:38:34,733
>> THAT WOULD BE THE BAD
THING.

784
00:38:49,000 --> 00:38:49,970
♪♪♪
>> Narrator: AND WE'RE

785
00:38:50,000 --> 00:38:53,970
BACK AT THE LOVE ISLAND
VEGAS ROOF‐TOP ISLAND.

786
00:38:54,000 --> 00:38:56,470
BUTTER ON AVOCADO TOAST.

787
00:38:56,500 --> 00:38:59,000
LET'S SEE IF MOIRA
RELATIONSHIP ADVICE IS

788
00:38:59,033 --> 00:39:00,403
ALSO AGAINST THE WHOLE
GRAIN.

789
00:39:00,433 --> 00:39:02,903
>> IT SEEMS LIKE IT COULD
BE A PRETTY BIG DAY FOR

790
00:39:02,933 --> 00:39:03,503
YOU.

791
00:39:03,533 --> 00:39:04,373
>> WHY DO YOU SAY FOR ME?

792
00:39:04,400 --> 00:39:07,700
>> BECAUSE OF THE
SITUATION AT HAND, YOU

793
00:39:07,733 --> 00:39:08,133
KNOW?

794
00:39:08,166 --> 00:39:08,726
TWO EXTRA GIRLS.

795
00:39:08,766 --> 00:39:09,896
>> WHAT DO YOU THINK?

796
00:39:09,933 --> 00:39:13,873
>> YOU KNOW, I DON'T WANT
TO PUSH YOU IN ANY

797
00:39:13,900 --> 00:39:17,470
DIRECTION, OBVIOUSLY, BUT
ARE YOU THAT CLOSE WITH

798
00:39:17,500 --> 00:39:18,730
JUSTINE RIGHT NOW?

799
00:39:18,766 --> 00:39:25,626
>> LIKE, I MEAN, I'VE
TALKED TO JUSTINE, AND

800
00:39:25,666 --> 00:39:28,096
WE'RE JIVING AND VIBING
AND I'M STARTING TO OPEN

801
00:39:28,133 --> 00:39:32,003
UP A LITTLE BIT AND
GETTING TO KNOW HER MORE.

802
00:39:32,033 --> 00:39:37,803
AND THINGS ARE GOING COOL,
BUT I'M VERY ATTRACTED TO

803
00:39:37,833 --> 00:39:38,903
KAITLYN.

804
00:39:38,933 --> 00:39:41,933
OBVIOUSLY, LIKE, WE...I
HONESTLY JUST DON'T KNOW

805
00:39:41,966 --> 00:39:43,726
WHERE KAITLYN'S HEAD IS.

806
00:39:43,766 --> 00:39:49,496
>> YOU KNOW, I CAN'T
OBVIOUSLY BECUSE SHE IS

807
00:39:49,533 --> 00:39:50,003
MY GIRL.

808
00:39:50,033 --> 00:39:51,473
AND SHE SHOULD STAY.

809
00:39:51,500 --> 00:39:54,570
>> I THINK BOTH OF YOU
DESERVE TO FIND LOVE.

810
00:39:54,600 --> 00:39:58,100
>> I'M TRYING TO KEEP MY
GIRL KAITLYN HERE.

811
00:39:58,133 --> 00:40:01,603
SHE IS MY ROCK IN THIS
VILLA.

812
00:40:01,633 --> 00:40:03,573
WE JUST CLICK ON THE NEXT
LEVEL, YOU KNOW?

813
00:40:03,600 --> 00:40:05,170
>> WHAT DO YOU THINK?

814
00:40:05,200 --> 00:40:09,370
>> I DON'T THINK THAT IS
GOING TO MAKE IT ANY

815
00:40:09,400 --> 00:40:10,370
EASIER.

816
00:40:10,400 --> 00:40:18,730
>> AFTER MOIRA PLED THE
CASE OF KAITLYN, CONNOR

817
00:40:18,766 --> 00:40:22,596
AND MACKENZIE LOBBIED
THEIR GIRL, JUSTINE.

818
00:40:22,633 --> 00:40:25,603
>> I THINK KAITLYN ENJOYED
THE TALK.

819
00:40:25,633 --> 00:40:29,173
AND SHE ENJOYED THE KISS,
BUT HONESTLY, LIKE,

820
00:40:29,200 --> 00:40:31,670
EVERYONE IS SEEING YOU
WITH JUSTINE AND THE WAY

821
00:40:31,700 --> 00:40:32,700
YOU'VE BEEN WITH HER.

822
00:40:32,733 --> 00:40:36,033
YOU HAVEN'T TRIED TO BE AS
FORWARD WITH HER, LIKE,

823
00:40:36,066 --> 00:40:37,826
PHYSICALLY, WHICH WE'RE
ALL SEEING A DIFFERENT

824
00:40:37,866 --> 00:40:41,026
SIDE OF YOU FROM THAT, AND
THAT IS, LIKE, REFRESHING.

825
00:40:41,066 --> 00:40:45,066
I KNOW THAT KAITLYN AND
JUSTINE ARE STILL VERY

826
00:40:45,100 --> 00:40:46,130
OPEN TO GETTING TO KNOW
YOU.

827
00:40:46,166 --> 00:40:48,566
>> IN HERE, YOU'RE
DEFINITELY LOOKING FOR

828
00:40:48,600 --> 00:40:50,900
THAT PERSON WHO JUST MAKES
YOUFEEL COMFORTABLE.

829
00:40:50,933 --> 00:40:53,633
AND I THINK THAT TRE AND
JUSTINE ARE THAT FOR ONE

830
00:40:53,666 --> 00:40:54,626
ANOTHER.

831
00:40:54,666 --> 00:40:57,366
>> IT IS GOOD TO TALK TO A
GIRL AND GET A GIRL'S

832
00:40:57,400 --> 00:41:00,770
PERSPECTIVE BECAUSE, LIKE,
YOU'RE SITTING HERE AND

833
00:41:00,800 --> 00:41:01,770
THINKING ABOUT IT.

834
00:41:01,800 --> 00:41:03,630
>> I WOULD SAY IN THE
FUTURE, ESPECIALLY IF YOU

835
00:41:03,666 --> 00:41:09,896
DO GET RECOUPLED, AND
YOU'RE PURSUING OTHER

836
00:41:09,933 --> 00:41:11,773
THINGS, MAYBE JUST THINK
ABOUT THAT.

837
00:41:11,800 --> 00:41:12,800
DOES THAT HELP?

838
00:41:12,833 --> 00:41:15,433
>> IT MAKES THINGS MORE
COMPLICATED, BUT IT HELPS.

839
00:41:15,466 --> 00:41:16,326
>> FOLLOW YOUR HEART.

840
00:41:16,366 --> 00:41:17,566
>> THANK YOU.

841
00:41:17,600 --> 00:41:18,970
>> YOU'RE WELCOME.

842
00:41:19,000 --> 00:41:20,200
>> I APPRECIATE YOU.

843
00:41:20,233 --> 00:41:21,173
>> OF COURSE.

844
00:41:21,200 --> 00:41:26,970
>> I'LL LET YOU TWO
LOVEBIRDS GET BACK TO YOUR

845
00:41:27,000 --> 00:41:28,070
TIME.

846
00:41:28,100 --> 00:41:32,130
>> YOU GIVE SUPER GOOD
ADVICE.

847
00:41:32,166 --> 00:41:34,426
>> AH, SO DO YOU.

848
00:41:34,466 --> 00:41:36,196
7♪
>> WE'RE GOOD?

849
00:41:36,233 --> 00:41:37,103
>> YEAH.

850
00:41:37,133 --> 00:41:39,033
>> WHAT'S WRONG?

851
00:41:39,066 --> 00:41:42,226
>> NOTHING.

852
00:41:42,266 --> 00:41:43,026
>> IT'S COOL.

853
00:41:43,066 --> 00:41:44,296
>> YEAH?

854
00:41:44,333 --> 00:41:46,903
>> YEAH.

855
00:41:46,933 --> 00:41:49,433
♪♪♪
♪ IT'S BEEN A LONG DAY ♪

856
00:41:49,466 --> 00:41:52,066
♪
AND I'M TRYING TO FIGURE

857
00:41:52,100 --> 00:41:59,900
IT OUT ♪
♪ THE WAY THOSE WORDS LEFT

858
00:41:59,933 --> 00:42:02,203
YOUR MOUTH ♪
>> OH!

859
00:42:02,233 --> 00:42:06,573
♪ I FEEL BROKEN, SHATTERED
AND BLUE ♪

860
00:42:06,600 --> 00:42:09,500
♪ AND IT'S ALL BECAUSE OF
YOU ♪

861
00:42:09,533 --> 00:42:14,933
>> IT'S JUST ‐‐ IT'S A
TOUGH SITUATION, MAN.

862
00:42:14,966 --> 00:42:17,226
LIKE, I DON'T KNOW.

863
00:42:17,266 --> 00:42:20,866
TO BE HONEST, I WOULD BE
HAPPY TO BE PAIRED UP WITH

864
00:42:20,900 --> 00:42:23,370
EITHER ONE, JUSTINE OR
KAITLYN.

865
00:42:23,400 --> 00:42:24,900
THIS IS TOUGH.

866
00:42:24,933 --> 00:42:25,903
IT'S REALLY TOUGH.

867
00:42:25,933 --> 00:42:30,003
♪ IT'S BEEN A LONG TIME
SINCE I'VE FELT THE WAY

868
00:42:30,033 --> 00:42:35,503
THAT I DO ♪
>> TRE IS TORN, AND, YES,

869
00:42:35,533 --> 00:42:40,033
I AM TRYING TO KEEP MY
GIRL KAITLYN HERE.

870
00:42:40,066 --> 00:42:42,626
♪♪♪
>> I'M JUST FOR TEAM

871
00:42:42,666 --> 00:42:44,526
JUSTINE, THAT'S MY GIRL.

872
00:42:44,566 --> 00:42:50,166
>> I LITERALLY WOULD BE
DEVASTATED TO SEE HER GO.

873
00:42:50,200 --> 00:42:54,070
♪♪♪
♪ IT TEARS ME APART ♪

874
00:42:54,100 --> 00:42:57,500
>> Narrator: TOMORROW
NIGHT...SOMEONE IS GETTING

875
00:42:57,533 --> 00:43:01,203
DUMPED IN OUR FIRST THREE
COUPLINGS.

876
00:43:01,233 --> 00:43:02,233
AND TWO NEW BOYS ‐‐
>> I'M KAYLIN, AND I'M 24