1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,844 --> 00:00:12,929 ["Dance of the Sugar Plum Fairy" playing] 4 00:00:22,480 --> 00:00:25,775 It's gotta be perfect today. We only have two more chances. Come on! 5 00:00:25,859 --> 00:00:27,110 Come on! 6 00:00:33,908 --> 00:00:36,202 Two, three, four, run, six, seven, eight. 7 00:00:36,286 --> 00:00:39,664 Two, two, three, four, five, six, seven, and one! 8 00:00:44,961 --> 00:00:46,921 Where is the straight line? Guide left. 9 00:00:47,005 --> 00:00:49,716 The person to your left gets there before you. Nope! 10 00:00:50,467 --> 00:00:53,845 She gets here before you, so you got to line up to her. 11 00:00:59,142 --> 00:01:01,561 Let's do it again. All three groups, come on. 12 00:01:01,644 --> 00:01:04,898 And one, two, three, four, five, six, seven, eight. 13 00:01:04,981 --> 00:01:07,067 Two, two, three, four, five, six. 14 00:01:07,150 --> 00:01:08,359 Here we go, one! 15 00:01:15,116 --> 00:01:17,577 Much better. Okay, okay. Are we okay? 16 00:01:18,453 --> 00:01:20,497 Are y'all gonna remember everything we did? 17 00:01:20,580 --> 00:01:21,414 [kids] Yes! 18 00:01:21,498 --> 00:01:24,501 -Because dancers are what? -[kids] The smartest people on the planet. 19 00:01:24,584 --> 00:01:27,212 [Debbie] The most intelligent people in the planet, 20 00:01:27,295 --> 00:01:29,214 and we remember everything, right? 21 00:01:29,297 --> 00:01:30,131 [kids] Yes. 22 00:01:30,215 --> 00:01:32,258 Okay. Go to makeup. I'll see you in a minute. 23 00:01:32,342 --> 00:01:33,968 [kids chattering] 24 00:01:34,052 --> 00:01:36,763 -[boy] Thank you, Miss Allen. -You're welcome, sweetie. 25 00:01:39,099 --> 00:01:40,266 [sighs] Oh, God. 26 00:01:40,975 --> 00:01:42,352 Okay, what's next? 27 00:01:43,186 --> 00:01:45,647 ["All I Want For Christmas Is You" intro playing] 28 00:01:49,192 --> 00:01:50,777 Anyone else for hair and makeup? 29 00:02:01,496 --> 00:02:03,915 [female crew member] I see why she's ended up using the… 30 00:02:07,794 --> 00:02:10,797 -[Debbie] Come on, everybody here! -[audience cheering] 31 00:02:10,880 --> 00:02:13,007 [female fan] That's Debbie Allen. She's famous! 32 00:02:13,925 --> 00:02:16,553 -[Debbie] Hot Chocolate Nutcracker! -[audience cheers] 33 00:02:18,972 --> 00:02:21,182 -[females fans whoop] -I am Debbie Allen… 34 00:02:21,266 --> 00:02:23,893 -[audience cheering] -…and I'm so ha-- Wow! Ooh! 35 00:02:26,980 --> 00:02:31,401 I am so thrilled and so happy 36 00:02:31,484 --> 00:02:34,070 to welcome you as our very first audience 37 00:02:34,154 --> 00:02:36,698 for the Hot Chocolate Nutcracker this year. 38 00:02:36,781 --> 00:02:37,782 [audience cheering] 39 00:02:39,242 --> 00:02:42,203 [kids singing] ♪ Hey, Mr. Santa Claus ♪ 40 00:02:42,287 --> 00:02:45,290 ♪ Hey, Mr. Santa Claus ♪ 41 00:02:45,373 --> 00:02:48,251 ♪ Hey, Mr. Santa Claus ♪ 42 00:02:48,334 --> 00:02:50,503 ♪ Hey, Mister, er ♪ 43 00:02:50,587 --> 00:02:53,131 [solo kid 1] ♪ Only one more day ♪ 44 00:02:53,214 --> 00:02:55,758 ♪ I wish that I could stay up late ♪ 45 00:02:56,676 --> 00:03:00,597 ♪ Ooh, my mama says I gotta go to bed 'Cause Santa's on his way ♪ 46 00:03:00,680 --> 00:03:02,515 [kids vocalizing] 47 00:03:02,599 --> 00:03:05,435 -[solo kid 2] ♪ I got a list so long ♪ -[kids] ♪ So long ♪ 48 00:03:05,518 --> 00:03:07,270 [solo kid 2] ♪ It just keeps going on and on ♪ 49 00:03:07,353 --> 00:03:11,274 -[kids] ♪ On and on ♪ -♪ Ooh, if he asks me if I was good ♪ 50 00:03:11,357 --> 00:03:15,778 -♪ I know just what to say ♪ -[kids vocalizing] 51 00:03:15,862 --> 00:03:20,700 [kids] ♪ Dear Santa I've been spreading cheer all year ♪ 52 00:03:20,783 --> 00:03:23,536 [female solo kid] ♪ And if you Could grant me this one wish ♪ 53 00:03:23,620 --> 00:03:26,956 -[kids] ♪ One wish ♪ -♪ Then every kid could have one gift ♪ 54 00:03:27,790 --> 00:03:28,708 [Debbie] Shh! 55 00:03:29,167 --> 00:03:33,796 I know some of you still need to learn how to point your toes and your feet, 56 00:03:33,880 --> 00:03:35,298 but none of that will come 57 00:03:35,381 --> 00:03:38,218 if you don't learn how to be quiet and listen! 58 00:03:40,136 --> 00:03:43,264 Welcome to the Hot Chocolate Nutcracker audition. 59 00:03:43,348 --> 00:03:45,475 Um, I'm really happy to see you. 60 00:03:45,558 --> 00:03:49,062 I see a lot of familiar faces. I see some new faces. 61 00:03:49,145 --> 00:03:50,480 I am looking for 62 00:03:50,563 --> 00:03:54,525 young dancers that have life and energy 63 00:03:54,609 --> 00:03:57,862 and want to be on stage, that can become a character, 64 00:03:57,946 --> 00:04:00,990 that can become a doll or a monkey 65 00:04:01,074 --> 00:04:02,951 or a fairy. 66 00:04:03,034 --> 00:04:06,663 So you have to think of yourself not just as a dancer, but as an actor. 67 00:04:06,746 --> 00:04:11,793 There's a lot of opportunity for you to show me where I could use you, 68 00:04:11,876 --> 00:04:14,170 and know that I will do my best to keep you-- 69 00:04:14,254 --> 00:04:16,172 keep you where I think you belong. 70 00:04:16,256 --> 00:04:20,301 And if you're not ready after the end of today, don't feel bad. 71 00:04:20,385 --> 00:04:23,388 Just know that you need to train a little more. Okay? 72 00:04:23,471 --> 00:04:24,931 We did so well last year, 73 00:04:25,014 --> 00:04:27,809 and everyone is just waiting for us to come back. 74 00:04:28,309 --> 00:04:33,064 I'd like to introduce our ballet master, Miss Giana Jigarhan. 75 00:04:33,147 --> 00:04:35,316 -Madame Jigarhan. -[all applauding] 76 00:04:39,320 --> 00:04:41,906 And today, she's gonna put you through some paces. 77 00:04:41,990 --> 00:04:44,492 We may teach you two different combinations, 78 00:04:44,575 --> 00:04:47,537 and then Miss Eartha Robinson is going to give you a jazz. 79 00:04:47,620 --> 00:04:51,874 This is Miss McDonald, the director of the Debbie Allen Dance Academy, 80 00:04:51,958 --> 00:04:54,252 and Miss Cathie Nicholas, of course, 81 00:04:54,335 --> 00:04:56,587 who's my right hand and left foot. Okay. 82 00:04:58,256 --> 00:05:01,092 [Giana in Russian accent] So let me-- Call me the names, échappé. 83 00:05:01,175 --> 00:05:04,262 We'll go, one and two and three and four. 84 00:05:04,345 --> 00:05:05,888 One and two. 85 00:05:05,972 --> 00:05:09,017 And two, one and two, and three, and four. 86 00:05:09,100 --> 00:05:12,395 So some people come into the Hot Chocolate Nutcracker 87 00:05:12,478 --> 00:05:15,064 at age four, five, and… 88 00:05:15,148 --> 00:05:18,818 you know, at 12, they're still here. 89 00:05:18,901 --> 00:05:21,988 They go all the way through the dance academy, 90 00:05:22,071 --> 00:05:24,699 and so some people are actually 91 00:05:24,782 --> 00:05:26,993 on their seventh Hot Chocolate Nutcracker. 92 00:05:27,076 --> 00:05:28,911 And then we have those first-timers. 93 00:05:28,995 --> 00:05:31,122 [Debbie] Hop, hop, hop, hop. 94 00:05:31,205 --> 00:05:32,790 Up, down, pivot. 95 00:05:34,000 --> 00:05:37,712 There's so many people. It was a little overwhelming. [chuckles] 96 00:05:37,795 --> 00:05:39,464 There's a lot going on. 97 00:05:39,547 --> 00:05:41,549 -This is my seventh time. -This is my sixth. 98 00:05:41,632 --> 00:05:44,802 Eight or nine years. Basically half my life. 99 00:05:45,553 --> 00:05:49,974 And one, two, three, four, five, six, seven, eight. 100 00:05:50,641 --> 00:05:52,935 Two, three, four, and that's it. 101 00:05:54,270 --> 00:05:56,773 Will, what makes you think you couldn't do that? 102 00:05:56,856 --> 00:05:57,732 I-- I don't know. 103 00:05:57,815 --> 00:06:00,777 I like-- I like teaching kids. They drive me nuts sometimes, 104 00:06:00,860 --> 00:06:03,196 and they're monsters most of the time. 105 00:06:03,821 --> 00:06:04,697 [Debbie] Careful. 106 00:06:05,198 --> 00:06:06,491 -Oh! -[boy] Whoa! 107 00:06:06,574 --> 00:06:08,826 -Are you auditioning? -[instructor] Eight. Can I watch you? 108 00:06:08,910 --> 00:06:10,703 -Okay. -[girl] I just don't want to. 109 00:06:10,787 --> 00:06:12,038 You don't want to? 110 00:06:12,830 --> 00:06:14,832 Well, then sit down. If you're not gonna audition, 111 00:06:14,916 --> 00:06:16,667 just tell your-- I'll tell your mom, sit down. 112 00:06:18,127 --> 00:06:19,962 [Giana in Russian accent] I love what I'm doing. 113 00:06:21,214 --> 00:06:24,133 And I always wanted teach children. 114 00:06:24,884 --> 00:06:29,764 In a company, dancers already trained, and they know what they doing, 115 00:06:29,847 --> 00:06:34,143 but children, you opening for them, beauty of ballet 116 00:06:34,227 --> 00:06:35,645 and beauty of art, 117 00:06:35,728 --> 00:06:37,480 and through that experience, 118 00:06:37,563 --> 00:06:44,153 I realized they start appreciate, um, beauty of life too. 119 00:06:45,238 --> 00:06:48,116 I'm gonna keep my eye on you, and I'll watch you in class. 120 00:06:48,199 --> 00:06:52,120 If I have an opening, I'll come get you, but now, I think you need to train more. 121 00:06:52,203 --> 00:06:56,582 You just need more class. You just need more class. 122 00:06:56,666 --> 00:06:58,626 -It hurts my feelings too. -[crying] I love you. 123 00:07:02,171 --> 00:07:05,258 [Debbie] I'm very happy. You all did so great. Thank you very much. 124 00:07:05,341 --> 00:07:09,095 -Say, "Thank you, Miss Allen!" -[kids] Thank you, Miss Allen! 125 00:07:09,178 --> 00:07:11,556 I'll see you tomorrow, one o'clock. Go! 126 00:07:11,639 --> 00:07:13,099 -[clapping] -[kids chattering] 127 00:07:14,559 --> 00:07:18,396 [Debbie] As a young girl, The Nutcracker was so important to me. 128 00:07:19,063 --> 00:07:21,107 I was in the flower land. 129 00:07:21,190 --> 00:07:22,066 We sang the… 130 00:07:22,150 --> 00:07:25,945 ♪ Welcome to flower land ♪ 131 00:07:26,028 --> 00:07:29,449 ♪ What tidings have you to bring us? ♪ 132 00:07:29,532 --> 00:07:30,783 ♪ Ta da da da da da da da da ♪ 133 00:07:30,867 --> 00:07:32,869 ["Waltz of the Flowers" playing] 134 00:07:36,289 --> 00:07:38,916 "The Sugar Plum Fairy" was always my dream. 135 00:07:39,709 --> 00:07:42,295 I love "The Sugar Plum," that music. 136 00:07:42,378 --> 00:07:44,464 ["Dance of the Sugar Plum Fairy" playing] 137 00:07:52,597 --> 00:07:56,267 [Giana] The original Nutcracker, Tchaikovsky create the music, 138 00:07:56,350 --> 00:08:02,190 and, uh, Petipa, French choreographer, he create a libretto for ballet. 139 00:08:02,773 --> 00:08:07,069 First, The Nutcracker was performed in, uh, Saint Petersburg, 140 00:08:07,153 --> 00:08:10,448 in the Mariinsky Theatre in 1892. 141 00:08:10,531 --> 00:08:12,909 Critics didn't like that, 142 00:08:12,992 --> 00:08:15,411 but public got crazy. 143 00:08:15,495 --> 00:08:16,746 [applauding] 144 00:08:16,829 --> 00:08:19,665 The Nutcracker brand and name is just so familiar to people, 145 00:08:19,749 --> 00:08:22,335 and then our twist is the Hot Chocolate Nutcracker. 146 00:08:23,961 --> 00:08:26,130 If you go to see New York City Ballet, 147 00:08:26,214 --> 00:08:28,883 they have adults performing all the principal parts, 148 00:08:28,966 --> 00:08:32,220 with kids that would just get up and run across the stage, sit on a tree. 149 00:08:32,303 --> 00:08:33,429 But our Nutcracker, 150 00:08:33,513 --> 00:08:35,681 although we have professionals and teachers 151 00:08:35,765 --> 00:08:37,225 playing some of the roles, 152 00:08:37,308 --> 00:08:38,935 the kids are the stars. 153 00:08:43,147 --> 00:08:48,903 [Debbie] As a young child, I wanted to be a Black fairy queen flying in the air. 154 00:08:48,986 --> 00:08:51,322 I never saw any of that when I was growing up, 155 00:08:51,405 --> 00:08:53,866 but I still knew I wanted to be that. 156 00:08:53,950 --> 00:08:55,576 [classical music playing softly] 157 00:08:55,660 --> 00:08:56,911 [audience murmurs] 158 00:08:58,663 --> 00:09:02,166 [Debbie] There had been a couple of different Chocolate Nutcrackers 159 00:09:02,250 --> 00:09:03,376 all over the country, 160 00:09:03,459 --> 00:09:07,004 but I decided to take it on and make it fun 161 00:09:07,547 --> 00:09:10,383 and have a cultural identity of music 162 00:09:10,466 --> 00:09:13,135 that was not tied to Tchaikovsky. 163 00:09:13,219 --> 00:09:14,387 [hip-hop music playing] 164 00:09:15,513 --> 00:09:18,641 [Debbie] So the Hot Chocolate Nutcracker takes us on a journey 165 00:09:18,724 --> 00:09:21,102 to real and imagined lands, 166 00:09:21,185 --> 00:09:24,480 all done with different styles of dance and music. 167 00:09:24,564 --> 00:09:26,107 [percussive music playing] 168 00:09:26,899 --> 00:09:28,317 [flamenco music playing] 169 00:09:31,279 --> 00:09:33,447 In "Flamenco Fire," I am a roach. 170 00:09:33,531 --> 00:09:36,409 -Yeah, we're fairies. We're Egyptians. -"Egypt." [laughs] 171 00:09:36,492 --> 00:09:37,577 We're "Bollywood." 172 00:09:37,660 --> 00:09:38,661 I do "China." 173 00:09:39,161 --> 00:09:41,622 I'm in "Birdland." I'm in the party scene. 174 00:09:41,706 --> 00:09:43,791 Anything with a guy in it, I'm in it basically. 175 00:09:43,874 --> 00:09:47,378 I'm playing the Hot Chocolate Nutcracker, or you can just call me "HC." 176 00:09:47,461 --> 00:09:50,339 I'm a spider in the rain forest. 177 00:09:53,342 --> 00:09:56,721 [Debbie] In October, we start rehearsing. 178 00:09:57,305 --> 00:09:59,599 Oh, my goodness. 179 00:10:00,099 --> 00:10:00,933 Shh! 180 00:10:01,559 --> 00:10:03,060 You guys have to do your job. 181 00:10:03,603 --> 00:10:05,730 Your job is to come to rehearsal… 182 00:10:05,813 --> 00:10:07,148 prepared. 183 00:10:07,231 --> 00:10:09,775 You also have to be responsible at home too. 184 00:10:09,859 --> 00:10:11,110 Miss Allen doesn't play. 185 00:10:11,193 --> 00:10:13,112 You guys have to be role models. 186 00:10:13,195 --> 00:10:16,240 You have to be model citizens at home, at school. 187 00:10:16,324 --> 00:10:19,035 Is there anybody in here that's three? 188 00:10:20,036 --> 00:10:20,870 No. 189 00:10:20,953 --> 00:10:23,039 -Good. Put your hand down! -[giggles] 190 00:10:23,122 --> 00:10:25,374 [Cathie] Is there anybody in here that's four? 191 00:10:25,458 --> 00:10:26,417 Four years old. 192 00:10:26,917 --> 00:10:27,877 Come here. 193 00:10:27,960 --> 00:10:29,670 Good girl. Come on. 194 00:10:29,795 --> 00:10:30,963 Shh! Quiet! 195 00:10:31,631 --> 00:10:33,591 Are there any five-year-olds? 196 00:10:33,674 --> 00:10:34,925 Come on down. 197 00:10:35,593 --> 00:10:37,178 Shh! Hey! 198 00:10:38,721 --> 00:10:41,766 [whispering] Yes, come on. Spread out. We're gonna be on this line. 199 00:10:41,849 --> 00:10:43,225 Spread out, face the front. 200 00:10:43,309 --> 00:10:44,852 Are you five for real? 201 00:10:44,935 --> 00:10:45,978 You're tall. 202 00:10:46,479 --> 00:10:47,396 Come on. 203 00:10:48,022 --> 00:10:49,523 [Debbie] You need to practice. 204 00:10:49,607 --> 00:10:51,067 You're not gonna get there, 205 00:10:51,150 --> 00:10:54,779 switching and going around to the mall and being cute in heels. 206 00:10:54,862 --> 00:10:59,283 Take those high heels off and get down on the floor and stretch. 207 00:10:59,367 --> 00:11:02,662 [woman] Debbie expects a lot of greatness out of these kids 208 00:11:02,745 --> 00:11:05,539 just on every level, not just one thing, but just everything, 209 00:11:05,623 --> 00:11:10,086 and so, in the world… things are not easy. 210 00:11:10,169 --> 00:11:12,004 Even in this dance floor. 211 00:11:12,088 --> 00:11:14,340 When they come across this floor, some will fall, 212 00:11:14,423 --> 00:11:17,593 but if you don't fall at least once a day, you ain't reachin'. 213 00:11:18,219 --> 00:11:20,805 I need a tilt that goes into six o'clock. 214 00:11:21,472 --> 00:11:22,306 Trust me. 215 00:11:23,265 --> 00:11:25,768 That's what they're gonna see when you leave DADA. 216 00:11:26,268 --> 00:11:28,062 They don't love you like I do. 217 00:11:28,771 --> 00:11:32,024 I met Debbie when I was 16, 218 00:11:32,108 --> 00:11:33,275 about ten years ago. 219 00:11:34,151 --> 00:11:35,403 [laughing] 220 00:11:35,486 --> 00:11:36,821 ["Fame" playing] 221 00:11:36,904 --> 00:11:39,490 So, I did Fame with Debbie. 222 00:11:40,408 --> 00:11:41,909 You've got big dreams. 223 00:11:41,992 --> 00:11:42,952 You want fame? 224 00:11:43,994 --> 00:11:45,538 Well, fame costs, 225 00:11:45,621 --> 00:11:49,500 and right here is where you start paying with sweat. 226 00:11:49,583 --> 00:11:52,837 She's the same right now. It's absolutely brilliant. 227 00:11:52,920 --> 00:11:57,091 I would never walk into a rehearsal without stretching and doing my tendus 228 00:11:57,174 --> 00:11:59,635 and having my legs ready and being ready to go. 229 00:12:00,261 --> 00:12:01,470 It ain't gonna happen. 230 00:12:02,054 --> 00:12:04,807 You won't get to the next level. I'm trying to help you. 231 00:12:05,391 --> 00:12:08,936 Okay, if I'm kicking your ass, it's 'cause I care. Okay? 232 00:12:09,019 --> 00:12:09,895 [woman] My mama? 233 00:12:11,272 --> 00:12:12,106 Tough. 234 00:12:14,024 --> 00:12:15,109 She's tough. 235 00:12:15,192 --> 00:12:16,193 [laughing] 236 00:12:16,277 --> 00:12:19,029 Effervescent, the most talented, 237 00:12:19,113 --> 00:12:21,949 a mother truly to all. 238 00:12:22,032 --> 00:12:24,577 ♪ Fame! I'm gonna live… ♪ 239 00:12:24,660 --> 00:12:26,912 [Vivian] She's a groundbreaker. I mean, this woman 240 00:12:26,996 --> 00:12:29,081 has choreographed the Oscars ten times. 241 00:12:29,165 --> 00:12:30,040 ♪ High! ♪ 242 00:12:30,624 --> 00:12:33,169 ♪ I feel it comin' together ♪ 243 00:12:34,295 --> 00:12:36,464 ♪ People will see me and cry ♪ 244 00:12:36,547 --> 00:12:38,924 Did I ever think I'd be here on this big lot, 245 00:12:39,008 --> 00:12:42,052 a producer, a director, a star, 246 00:12:42,136 --> 00:12:44,764 a choreographer, a mother? 247 00:12:44,847 --> 00:12:45,681 Absolutely! 248 00:12:45,765 --> 00:12:48,851 ♪ Fame! I'm gonna live forever ♪ 249 00:12:48,934 --> 00:12:50,186 [music fades and stops] 250 00:12:51,937 --> 00:12:54,690 [Karen] The pieces that involve more students, 251 00:12:54,774 --> 00:12:58,402 we start with those pieces first, and we only rehearse on the weekends. 252 00:12:58,486 --> 00:13:01,238 [Debbie] All right, let's go right at the top of "Toyland." 253 00:13:01,322 --> 00:13:02,823 Enjoy coming alive. 254 00:13:04,325 --> 00:13:05,993 Dolls, little dolls. 255 00:13:06,076 --> 00:13:07,703 ["Toyland" music playing] 256 00:13:33,395 --> 00:13:35,606 [Cathie] Da, da, da, boom, bop! Okay, okay. 257 00:13:35,689 --> 00:13:37,608 What scene were you guys in? 258 00:13:37,691 --> 00:13:39,568 -"Toyland." -[Cathie] Come on, now. 259 00:13:39,652 --> 00:13:42,196 And what scene are you guys in now? 260 00:13:42,279 --> 00:13:44,698 -[dancers] Well, everything. -[Cathie] All of them? Yeah, see! 261 00:13:44,782 --> 00:13:46,951 See, "Toyland" is a stepping stone. 262 00:13:47,034 --> 00:13:50,704 Everybody who's everybody comes through "Toyland." 263 00:13:50,788 --> 00:13:52,456 You are in "Toyland." 264 00:13:52,540 --> 00:13:54,667 I've never even seen a regular Nutcracker. 265 00:13:55,459 --> 00:13:57,461 The only thing I know is Hot Chocolate. 266 00:13:58,796 --> 00:14:00,422 And I-- I kind of like that. 267 00:14:00,923 --> 00:14:02,091 Kylie Jefferson. 268 00:14:02,758 --> 00:14:05,678 She's the youngest person that I ever put in the Academy. 269 00:14:05,761 --> 00:14:08,389 I remember we walked into… 270 00:14:08,973 --> 00:14:11,016 the Debbie Allen Dance Academy, 271 00:14:11,100 --> 00:14:12,935 in Culver City at the time, 272 00:14:13,018 --> 00:14:16,313 and there were so many people there. 273 00:14:17,523 --> 00:14:20,234 And when we got to the table, I remember them telling my mom 274 00:14:20,317 --> 00:14:21,902 that I could not audition. 275 00:14:21,986 --> 00:14:23,445 They were like, "She is too young." 276 00:14:23,529 --> 00:14:26,824 She came in in first position, hair pulled back… [inhales] 277 00:14:27,491 --> 00:14:29,827 …and just so serious, I'm like, "Oh, yeah." 278 00:14:30,369 --> 00:14:32,830 And Miss Allen said, "Let her audition." 279 00:14:32,913 --> 00:14:36,625 [Debbie] And they all looked at me and said, "Miss Allen, she's too young," 280 00:14:36,709 --> 00:14:39,128 and I said, "I can change the rules." 281 00:14:41,714 --> 00:14:42,590 Perfect. 282 00:14:42,673 --> 00:14:45,801 Most of my students come from LA, 283 00:14:45,885 --> 00:14:48,387 from various economic backgrounds. 284 00:14:48,470 --> 00:14:50,806 Some of them live in Beverly Hills, 285 00:14:50,890 --> 00:14:52,725 some of them live in Compton, 286 00:14:53,309 --> 00:14:56,145 and those that are the most serious about dance, 287 00:14:56,228 --> 00:15:01,692 they come at least five, maybe six days a week, 288 00:15:02,484 --> 00:15:05,696 and they are required to take no less than ten, up-- 289 00:15:05,779 --> 00:15:08,198 Some of them take 15 classes a week. 290 00:15:08,282 --> 00:15:10,910 She wanted to have a place where, regardless of what you look like, 291 00:15:10,993 --> 00:15:13,579 if you want to dance, you can come dance, 292 00:15:13,662 --> 00:15:17,416 which speaks to why we have a large group of people that are on scholarships here. 293 00:15:17,499 --> 00:15:19,293 A lot of our kids can't afford to come. 294 00:15:19,376 --> 00:15:21,545 We find a way to… 295 00:15:22,254 --> 00:15:24,715 get people into the doors who want to be there. 296 00:15:24,798 --> 00:15:26,383 [Debbie] We go, we go, we go. 297 00:15:26,467 --> 00:15:27,718 We've always been raising money. 298 00:15:27,801 --> 00:15:29,595 A lot of my friends stopped taking my calls 299 00:15:29,678 --> 00:15:31,388 after that first year. [laughs] 300 00:15:31,931 --> 00:15:33,807 But no, my friends have all been so cool. 301 00:15:34,475 --> 00:15:37,311 We started thinking about, what brand can we use 302 00:15:37,394 --> 00:15:39,480 that's in our toolbox 303 00:15:39,939 --> 00:15:43,943 that can help generate more income, that would be familiar to people? 304 00:15:44,026 --> 00:15:48,238 When George Balanchine came to New York to start the New York City Ballet, 305 00:15:48,906 --> 00:15:50,866 he had to find something that would raise money, 306 00:15:50,950 --> 00:15:53,452 and The Nutcracker was what did it. 307 00:15:53,953 --> 00:15:57,873 It was The Nutcracker that helped fund the rest of the year 308 00:15:57,957 --> 00:15:59,583 for the New York City Ballet. 309 00:15:59,667 --> 00:16:01,710 [Eartha] The original Nutcracker 310 00:16:01,794 --> 00:16:05,381 is a story told completely-- It's an opera completely in dance. 311 00:16:05,464 --> 00:16:08,258 Our Nutcracker is a narrative. 312 00:16:08,342 --> 00:16:09,843 Hey, Harvey! It's time to go! 313 00:16:09,927 --> 00:16:12,388 The Nutcracker's awake. We gotta go battle. 314 00:16:12,471 --> 00:16:15,599 [Eartha] We have a narrator, or narrators, 315 00:16:15,683 --> 00:16:17,935 who are taking us through the journey, 316 00:16:18,018 --> 00:16:22,982 and it's more-- It's comedy in here that is spoken. 317 00:16:23,065 --> 00:16:24,525 It's not mimed. 318 00:16:24,608 --> 00:16:26,735 -[glass shatters] -[screams] 319 00:16:26,819 --> 00:16:28,904 Ooh! Who turned out the lights? 320 00:16:28,988 --> 00:16:31,407 -Who turned out the lights? -[audience laughs] 321 00:16:31,490 --> 00:16:34,910 It just caught on like wildfire. It's a huge part of our fundraising. 322 00:16:34,994 --> 00:16:36,870 It's probably our largest single fundraiser. 323 00:16:37,788 --> 00:16:40,749 [Debbie] This is gonna tell me who's doing this tilt. Ooh no! 324 00:16:40,833 --> 00:16:42,167 Get the leg up! 325 00:16:42,710 --> 00:16:47,131 You need to sit in that split while you're watching TV, doing homework. 326 00:16:47,214 --> 00:16:48,632 You all don't do that enough. 327 00:16:48,716 --> 00:16:51,927 You all are too busy talking to boys and doing other things. 328 00:16:52,011 --> 00:16:55,222 Get the leg up higher. Come on. I'm gonna get it this time. 329 00:16:55,305 --> 00:16:56,223 Up! 330 00:16:57,141 --> 00:16:58,100 Up! 331 00:16:58,183 --> 00:16:59,601 Tilt over! Bend! 332 00:16:59,685 --> 00:17:01,186 Yes, bend! 333 00:17:01,270 --> 00:17:04,398 Yes, hold yourself and get the leg up! 334 00:17:04,481 --> 00:17:05,315 That! 335 00:17:06,191 --> 00:17:09,403 Well, my first memory of DADA would be when I was 11. 336 00:17:10,988 --> 00:17:14,700 I was so scared 'cause I didn't even know, 337 00:17:14,783 --> 00:17:17,327 like, people could be this, like, good. 338 00:17:17,411 --> 00:17:19,872 'Cause I was, like 11, and I was, like, "I'm the best." 339 00:17:19,955 --> 00:17:21,165 Then I was like, "Nope." 340 00:17:23,542 --> 00:17:27,296 The teachers here, they're hard on you, and they're tough, but they care. 341 00:17:28,630 --> 00:17:30,758 I just feel like it's a family. 342 00:17:30,841 --> 00:17:33,302 Miss Allen cares about every single one of us, 343 00:17:33,385 --> 00:17:35,596 which is, like, really good. 344 00:17:39,600 --> 00:17:41,852 [girl] I've been at DADA for nine years, 345 00:17:41,935 --> 00:17:44,313 since I was five, and I'm 14 now. 346 00:17:44,396 --> 00:17:48,400 So… I've basically grown up in DADA. 347 00:17:51,361 --> 00:17:53,572 When they first told me I was Kara, 348 00:17:53,655 --> 00:17:56,658 I was, like, nervous and happy 349 00:17:56,742 --> 00:18:00,162 because I felt like I had such a big responsibility 350 00:18:00,245 --> 00:18:04,166 to, like, make sure I wouldn't mess up or, like, screw up the entire show. 351 00:18:04,249 --> 00:18:06,001 Everybody wants to be Kara, 352 00:18:06,085 --> 00:18:08,212 which is the lead role. 353 00:18:08,295 --> 00:18:11,173 She's the little girl who goes on an adventure. 354 00:18:11,757 --> 00:18:14,343 And Miss Allen always double casts the show 355 00:18:14,426 --> 00:18:17,221 so that people get to interchange their roles 356 00:18:17,304 --> 00:18:19,640 and have different experiences. 357 00:18:19,723 --> 00:18:20,849 [photographer] Nice. 358 00:18:20,933 --> 00:18:23,811 -♪ Kara, Kara, won't you smile? ♪ -To the camera. 359 00:18:23,894 --> 00:18:27,022 -♪ Take a look, tell me what you think ♪ -Tell me what you think! 360 00:18:27,106 --> 00:18:31,902 I remember Miss Allen, she told me that I was gonna be Kara for three shows, 361 00:18:32,820 --> 00:18:34,488 and I literally freaked out. 362 00:18:34,571 --> 00:18:36,573 ♪ My dear, such a surprise ♪ 363 00:18:36,657 --> 00:18:39,535 ♪ Surprise Surprise, surprise, surprise! ♪ 364 00:18:39,618 --> 00:18:42,663 -[all] ♪ Kara, Kara ♪ -Kara! 365 00:18:42,746 --> 00:18:44,498 ♪ Kara, Kara ♪ 366 00:18:44,581 --> 00:18:46,458 [girl] You know we love you! 367 00:18:46,542 --> 00:18:49,419 It's that feeling when it's like you have a goal, and you reach it, 368 00:18:49,503 --> 00:18:53,549 and you meet it, and it's like, "Yes!" You know? So I was so happy. 369 00:18:53,632 --> 00:18:55,008 [indistinct chattering] 370 00:18:58,137 --> 00:19:01,348 [Debbie] Now, let's talk about the Egyptian Doll. 371 00:19:02,099 --> 00:19:07,020 You wanna get right under her little butt, and you have her hand, if she needs it. 372 00:19:07,104 --> 00:19:09,022 And you press her all the way up. 373 00:19:09,773 --> 00:19:12,860 That is the position, and you're on the other side. 374 00:19:12,943 --> 00:19:16,655 I was the first Egyptian Doll. My mother choreographed that on me. 375 00:19:17,156 --> 00:19:18,490 [solemn music playing] 376 00:19:20,242 --> 00:19:21,076 Boo! 377 00:19:21,535 --> 00:19:23,036 And one and two. 378 00:19:23,120 --> 00:19:25,038 One, two, three. 379 00:19:25,122 --> 00:19:27,875 Single turn, open. Head, head. 380 00:19:28,458 --> 00:19:32,754 [Vivian] I really started training heavily and seriously in dance 381 00:19:32,838 --> 00:19:34,173 at the Kirov Academy of Ballet. 382 00:19:34,256 --> 00:19:37,634 It's about right here that you start. She splits. 383 00:19:38,135 --> 00:19:39,887 [Vivian] My third year there, 384 00:19:39,970 --> 00:19:43,182 my teacher looked at me one day in class, 385 00:19:43,265 --> 00:19:45,517 and goes, "Stop, stop, stop, stop, stop!" 386 00:19:46,852 --> 00:19:48,979 And, um, he looked at me, and he goes, 387 00:19:49,062 --> 00:19:50,647 [in Russian accent] "You never be dancer. 388 00:19:51,148 --> 00:19:52,524 You go Alvin Ailey." 389 00:19:52,608 --> 00:19:54,193 And that was a dig. 390 00:19:54,693 --> 00:19:57,112 [Debbie] Like Alvin Ailey was nothing? 391 00:19:57,196 --> 00:19:59,072 [chuckles] Alvin Ailey's our premier, 392 00:19:59,573 --> 00:20:02,201 you know, contemporary American dance company, 393 00:20:02,826 --> 00:20:05,204 and, yes, it's mostly Black people, but… 394 00:20:06,371 --> 00:20:08,081 that means she can't dance? 395 00:20:08,582 --> 00:20:11,543 Child, I was coming through that phone. I was getting ready-- 396 00:20:11,627 --> 00:20:14,922 I sent my husband because I knew I was not gonna be nice. 397 00:20:15,005 --> 00:20:18,842 For me, having my daughter gone for a coup-- three or four-- three years, 398 00:20:18,926 --> 00:20:21,053 it was time for her to come back home in my eyes anyway. 399 00:20:21,136 --> 00:20:22,763 He pulled me out of the school, 400 00:20:23,305 --> 00:20:26,058 and that's when my mother decided 401 00:20:26,141 --> 00:20:28,518 that she was gonna create the Debbie Allen Dance Academy. 402 00:20:28,602 --> 00:20:32,439 And so I started DADA, and she came home. 403 00:20:32,522 --> 00:20:33,982 She was the inspiration. 404 00:20:34,066 --> 00:20:36,235 She's my muse. She always has been. 405 00:20:37,611 --> 00:20:39,863 [Karen] There's something here for everyone. 406 00:20:39,947 --> 00:20:44,826 You know, every shape, every size, every color, every culture, 407 00:20:44,910 --> 00:20:46,787 and that makes us very unique. 408 00:20:47,287 --> 00:20:51,041 And she's gonna walk over, and then you all recede back. 409 00:20:51,124 --> 00:20:52,209 She is the one. 410 00:20:53,377 --> 00:20:55,420 -She's adorable. -And she's fierce. 411 00:20:55,504 --> 00:20:57,297 -She's fierce. -[instructor laughs] 412 00:21:01,218 --> 00:21:03,011 [Debbie] April is cutting where she has to cut. 413 00:21:03,095 --> 00:21:05,555 You all need to keep coming around. You can do it. 414 00:21:06,974 --> 00:21:10,727 [April] I didn't start actually dancing until I was eight years old. 415 00:21:11,520 --> 00:21:13,397 I came here from North Carolina, 416 00:21:13,480 --> 00:21:17,609 and I-- I received full scholarship by Debbie Allen. 417 00:21:17,693 --> 00:21:24,199 April is one of the most gifted dancers I've ever come into my circle. 418 00:21:24,866 --> 00:21:27,411 And I brought her here so we could nurture her 419 00:21:27,494 --> 00:21:28,620 because she needs it. 420 00:21:28,704 --> 00:21:31,707 [April] I have a part-time job at El Pollo Loco. 421 00:21:31,790 --> 00:21:32,791 I'm a cashier. 422 00:21:33,458 --> 00:21:36,128 So, right now, I'm a cashier. 423 00:21:40,966 --> 00:21:43,844 People usually see me as a quiet person, 424 00:21:43,927 --> 00:21:45,637 and, like, most of the time, 425 00:21:45,721 --> 00:21:48,432 I have a lot to say, or I have a lot on my mind, 426 00:21:48,515 --> 00:21:52,936 but I just don't know how to… you know, I don't know how to say it. 427 00:21:53,020 --> 00:21:57,316 And sometimes, like, I have so much emotions inside of myself, 428 00:21:58,358 --> 00:22:03,488 and the only way I can get my emotions or my fear or my anxiety out 429 00:22:03,572 --> 00:22:05,157 is through dance. 430 00:22:10,078 --> 00:22:11,163 [Giana] Ready? 431 00:22:11,246 --> 00:22:12,956 [Bollywood music playing] 432 00:22:13,040 --> 00:22:13,874 [Debbie] Breathe! 433 00:22:14,791 --> 00:22:15,667 Beautiful! 434 00:22:16,918 --> 00:22:17,753 Beautiful. 435 00:22:18,420 --> 00:22:20,964 You're the most beautiful people on the planet. 436 00:22:21,882 --> 00:22:23,800 [Cathie] Once again, it's about the mirror. 437 00:22:27,679 --> 00:22:30,599 [Debbie] The most beautiful beings on this Earth. 438 00:22:31,475 --> 00:22:32,434 [shouts] Bop! 439 00:22:33,727 --> 00:22:34,561 Bop. 440 00:22:35,645 --> 00:22:36,480 Bop. 441 00:22:37,397 --> 00:22:39,983 -And one. -[Cathie] The head, one person moving. 442 00:22:40,067 --> 00:22:41,485 The whole rhythm, 443 00:22:41,568 --> 00:22:45,405 this whole thing has to feel like one person moving. 444 00:22:46,531 --> 00:22:47,407 [Debbie] Look up! 445 00:22:51,703 --> 00:22:52,537 Down. 446 00:22:55,540 --> 00:22:57,626 [Jalyn] I wanna be in "Bollywood" so bad. 447 00:22:57,709 --> 00:23:00,545 I've been trying to get in "Bollywood" for the longest. 448 00:23:00,629 --> 00:23:04,674 I know every step, but, you know, I'm too young to be in "Bollywood." 449 00:23:04,758 --> 00:23:05,592 [Debbie] Upper body! 450 00:23:05,675 --> 00:23:07,427 [Karen] When we go to a different country, 451 00:23:07,511 --> 00:23:10,389 that allows for new choreography, new costumes. 452 00:23:10,472 --> 00:23:12,599 It allows for a new part of the story. 453 00:23:13,183 --> 00:23:14,017 [Debbie] Back. 454 00:23:14,601 --> 00:23:15,435 Travel. 455 00:23:19,147 --> 00:23:20,148 Wherever you go, 456 00:23:20,232 --> 00:23:25,195 you have an aura of superiority and beauty and power. 457 00:23:25,278 --> 00:23:26,154 Power! 458 00:23:26,238 --> 00:23:28,031 This is about women's power. 459 00:23:28,115 --> 00:23:30,575 Women rule the world! I don't care what they say. 460 00:23:32,828 --> 00:23:33,662 Voom! 461 00:23:34,287 --> 00:23:35,664 Bop. Where am I? 462 00:23:35,747 --> 00:23:36,581 Ta, ta, ta! 463 00:23:37,499 --> 00:23:38,375 Ta, ta! 464 00:23:38,458 --> 00:23:40,168 It's in the eyes, all of it. 465 00:23:42,045 --> 00:23:44,548 "Bollywood," you would think it would be my favorite, 466 00:23:44,631 --> 00:23:45,632 it's everybody's favorite. 467 00:23:45,715 --> 00:23:48,552 It's something you, like, dream about being in until you're in it. 468 00:23:48,635 --> 00:23:51,763 It's five minutes of straight full-out dancing, 469 00:23:51,847 --> 00:23:53,265 and there's no time to breathe. 470 00:23:54,683 --> 00:23:56,309 [Debbie in background] One. One. 471 00:24:01,481 --> 00:24:04,443 -[Cathie clapping rhythm] -[Debbie] And jump! Power! 472 00:24:04,526 --> 00:24:06,111 [vocalizing] 473 00:24:06,194 --> 00:24:07,779 Power! Bop! 474 00:24:12,868 --> 00:24:13,827 [music stops] 475 00:24:13,910 --> 00:24:15,495 [Debbie] And stay forever. 476 00:24:15,579 --> 00:24:18,123 Stay. Stay there. Breathe. Stay. 477 00:24:18,707 --> 00:24:20,000 Practice holding it. 478 00:24:20,083 --> 00:24:21,209 It's good for you. 479 00:24:23,170 --> 00:24:24,963 It's getting better, ladies. 480 00:24:25,964 --> 00:24:27,799 Okay, break. Getting better. 481 00:24:27,883 --> 00:24:28,925 Listen to me. 482 00:24:29,009 --> 00:24:32,721 You're going much wider than you need to. You're killing yourselves. 483 00:24:32,804 --> 00:24:34,514 Okay, breathe, then we're gonna do "Egypt." 484 00:24:34,598 --> 00:24:36,016 Just breathe. Breathe. 485 00:24:36,516 --> 00:24:37,601 You have two minutes. 486 00:24:40,520 --> 00:24:43,148 Okay, so, Miss Nicholas. 487 00:24:46,109 --> 00:24:48,278 Okay, we're really gonna be okay, 488 00:24:48,361 --> 00:24:50,906 but they're just raggedy. Too raggedy for me right-- 489 00:24:50,989 --> 00:24:54,159 I can't-- uh, '"Fairyland," I'm-- I'm not feelin' it. No. 490 00:24:54,701 --> 00:24:58,747 So I'm adding, in yellow, things that we're going to rehearse. 491 00:25:01,333 --> 00:25:04,127 Okay, now, I gotta go terrorize the fairies, I'm sorry. 492 00:25:04,920 --> 00:25:06,463 [piano playing "Fairyland" music] 493 00:25:11,134 --> 00:25:12,677 Because I came from DADA, 494 00:25:12,761 --> 00:25:17,891 I didn't realize how big of a deal that I was a Black girl who does ballet. 495 00:25:17,974 --> 00:25:18,892 [Debbie] Lovely! 496 00:25:20,602 --> 00:25:24,898 [Kylie] Like, the world is so different from DADA. [chuckles] 497 00:25:24,981 --> 00:25:28,652 'Cause, where I come from, we all do it, and we were all good. 498 00:25:32,113 --> 00:25:33,114 [Debbie] Lauren Anderson, 499 00:25:33,198 --> 00:25:38,328 who was the first Black ballerina in a major ballet company, 500 00:25:38,411 --> 00:25:40,121 came here a year ago. 501 00:25:40,205 --> 00:25:43,792 And a one, and two, pas de cheval, enveloppé. 502 00:25:43,875 --> 00:25:47,379 I never thought, "I wanna be a ballet dancer," not at the age of seven. 503 00:25:48,797 --> 00:25:51,132 I just thought it was fun taking the classes. 504 00:25:52,592 --> 00:25:56,638 So I just really didn't realize the impact of being African American 505 00:25:56,721 --> 00:25:57,931 and a principal dancer. 506 00:26:01,142 --> 00:26:06,064 And I found out there weren't very many. There weren't any at that time, really. 507 00:26:06,147 --> 00:26:09,359 Unless you were in Alvin Ailey or Dance Theatre of Harlem. 508 00:26:10,819 --> 00:26:13,572 But I just wanted to dance. That wasn't my big focus, 509 00:26:13,655 --> 00:26:15,365 that I wanted to be the first Black anything. 510 00:26:15,448 --> 00:26:16,783 I just wanted to dance. 511 00:26:16,866 --> 00:26:18,827 Plié, one, and stretch. 512 00:26:22,956 --> 00:26:24,624 [lively ballet music playing] 513 00:26:26,710 --> 00:26:28,295 [Lauren] When I first saw April, 514 00:26:28,920 --> 00:26:32,173 I thought, "Wow! Where did that come from?" 515 00:26:32,257 --> 00:26:34,884 That's somebody that's born with everything. 516 00:26:39,848 --> 00:26:40,974 [Debbie] Yes! 517 00:26:42,017 --> 00:26:42,851 Love it. 518 00:26:46,146 --> 00:26:49,149 What I need is something that sustains. I feel like it's… 519 00:26:49,899 --> 00:26:51,192 I want it to be lighter. 520 00:26:51,276 --> 00:26:52,736 [scats softly] 521 00:26:52,819 --> 00:26:56,656 [April] I don't think I ha-- necessarily have a ballet body right now, 522 00:26:56,740 --> 00:26:58,908 as of this moment… [chuckles] 523 00:26:58,992 --> 00:27:02,746 …because my legs are just a little bit overdeveloped. 524 00:27:02,829 --> 00:27:04,623 [Debbie scats rhythmically] 525 00:27:05,165 --> 00:27:09,127 And when you get really serious, you start looking at yourself in a certain way. 526 00:27:09,210 --> 00:27:12,422 Chaîné, chaîné, chaîné, chaîné, chaîné, chaîné, chaîné. 527 00:27:12,505 --> 00:27:13,923 Stop on a dime. 528 00:27:14,883 --> 00:27:15,759 And stay. 529 00:27:16,343 --> 00:27:21,264 But when I'm in the ballet world, mostly everyone is pretty thin. 530 00:27:21,348 --> 00:27:24,559 In high school, I really had no problem with it, 531 00:27:24,643 --> 00:27:27,479 and then you realize that maybe you should look at it, 532 00:27:27,562 --> 00:27:30,732 because everybody else looks at weight and… 533 00:27:30,815 --> 00:27:34,277 Everything matters. Everything is so particular in ballet. 534 00:27:34,361 --> 00:27:36,696 She might not have the perfect legs and feet. I didn't. 535 00:27:36,780 --> 00:27:38,239 Most people don't. 536 00:27:38,323 --> 00:27:41,034 Most people that do ballet do not have perfect legs and feet. 537 00:27:41,117 --> 00:27:43,536 It's something you've worked for. 538 00:27:43,620 --> 00:27:44,954 Turnout you've worked for. 539 00:27:45,580 --> 00:27:48,208 You don't-- don't just come out going, "Chick-a-bah." 540 00:27:48,291 --> 00:27:49,334 Some people do, 541 00:27:50,418 --> 00:27:51,961 but most of us don't. 542 00:27:52,921 --> 00:27:54,506 [soothing music playing] 543 00:28:07,185 --> 00:28:10,355 There have been times where I was so down on myself 544 00:28:10,438 --> 00:28:13,400 about my body and just, like, so, ugh, 545 00:28:13,483 --> 00:28:16,736 like, negative and insecure about it. 546 00:28:20,865 --> 00:28:21,783 But… [exhales] 547 00:28:24,160 --> 00:28:26,204 I had to stop playing the victim… 548 00:28:27,455 --> 00:28:28,623 towards myself. 549 00:28:29,499 --> 00:28:33,378 There was a moment where I realized, like, "Look, if I wanna do this, 550 00:28:34,045 --> 00:28:36,631 I have to figure out what's gonna work for me." 551 00:28:39,509 --> 00:28:41,261 But what was hard was understanding 552 00:28:41,344 --> 00:28:45,640 that the craft that chose me was not created in my image, 553 00:28:45,724 --> 00:28:48,226 and that was a really hard realization. 554 00:28:49,144 --> 00:28:52,272 But, at the same time, you know, this craft chose me. 555 00:28:52,355 --> 00:28:55,859 I have no choice but to do it and to give it my all. 556 00:28:55,942 --> 00:28:58,903 -[classical music playing] -[Debbie speaking indistinctly] 557 00:29:01,364 --> 00:29:03,116 [Debbie] You know, in Russia, they… 558 00:29:03,199 --> 00:29:07,036 x-ray the children's feet and their backs and their bodies 559 00:29:07,120 --> 00:29:08,413 before they even accept them. 560 00:29:09,038 --> 00:29:11,791 Well, I mean, that's the world of ballet. 561 00:29:11,875 --> 00:29:13,293 [dramatic music playing] 562 00:29:17,630 --> 00:29:22,010 In a opera, uh, they will select only children who have voice. 563 00:29:24,888 --> 00:29:27,348 They cannot make a voice. It is gift. 564 00:29:27,432 --> 00:29:29,642 Same things with a ballet facility. 565 00:29:29,726 --> 00:29:33,271 They have to have certain physiques for that. 566 00:29:34,439 --> 00:29:35,732 You cannot make it. 567 00:29:37,817 --> 00:29:40,904 The Kirov and the Russian method is important. 568 00:29:40,987 --> 00:29:44,240 It is the technique that I love the best to teach. 569 00:29:45,241 --> 00:29:48,620 And that's why we have Madame Giana who's from the Bolshoi. 570 00:29:48,703 --> 00:29:51,664 But the dance world is evolving, 571 00:29:51,748 --> 00:29:56,544 so I'm reinventing a bit, for the teachers, 572 00:29:57,378 --> 00:30:00,256 what their mission is and how they go about it. 573 00:30:00,965 --> 00:30:02,550 I want the spirit of the dance. 574 00:30:02,634 --> 00:30:05,303 That's not something you can take a picture of. 575 00:30:05,386 --> 00:30:07,764 That's something you feel and you see. 576 00:30:07,847 --> 00:30:09,098 You experience. 577 00:30:09,182 --> 00:30:10,975 One, two. Not bad. 578 00:30:11,059 --> 00:30:13,853 One, two. One, two. 579 00:30:13,937 --> 00:30:16,314 Okay, not that bad. Go back. 580 00:30:16,981 --> 00:30:18,233 It actually helped. 581 00:30:18,983 --> 00:30:20,068 It looked better. 582 00:30:20,151 --> 00:30:22,737 I'm sorry, Madame Giana, it looked better. 583 00:30:22,821 --> 00:30:24,030 No, no. I disagree. 584 00:30:24,113 --> 00:30:26,074 -Because they look like this. -I disagree. 585 00:30:26,157 --> 00:30:27,951 -It's okay. It's all right. -It's "Oh! 586 00:30:28,034 --> 00:30:29,452 -[dancers laugh] -Oh!" 587 00:30:29,536 --> 00:30:32,163 It's all right. Five, six. 588 00:30:32,247 --> 00:30:35,583 They're just practicing. Six, seven, eight. 589 00:30:35,667 --> 00:30:38,920 And one, and two, and one, and two, 590 00:30:39,003 --> 00:30:40,547 and one, and two. 591 00:30:40,630 --> 00:30:44,008 Some of you, uh, don't have the timing, and you're a little stiff. 592 00:30:44,592 --> 00:30:45,969 You know, you've gotta relax. 593 00:30:46,052 --> 00:30:48,805 I'm sorry, but I have to just say what I'm seeing right now 594 00:30:48,888 --> 00:30:51,099 because, um, we don't have a lot of time. 595 00:30:51,182 --> 00:30:54,143 And either they're doing it right right now, or they're not. 596 00:30:54,227 --> 00:30:56,563 Even though we're gonna clean it, I know that. 597 00:30:56,646 --> 00:30:59,399 But I know, technically, if somebody's going like this, 598 00:30:59,482 --> 00:31:01,401 that's not gonna change tomorrow. 599 00:31:01,484 --> 00:31:02,652 Go back, ladies. 600 00:31:04,028 --> 00:31:06,781 Five, six, seven, and eight. 601 00:31:06,865 --> 00:31:10,034 And one, and two, and one, and two, 602 00:31:10,118 --> 00:31:13,162 and one, and two, and one, and two. 603 00:31:13,246 --> 00:31:14,205 Much better! 604 00:31:14,289 --> 00:31:16,207 And two, and one, and two. 605 00:31:16,291 --> 00:31:18,793 Much better! Much better! 606 00:31:18,877 --> 00:31:20,628 Sorry, Madame Giana, it's better. 607 00:31:20,712 --> 00:31:22,380 Okay, go back to the beginning. 608 00:31:23,339 --> 00:31:25,592 It's better. You know it is. 609 00:31:25,675 --> 00:31:27,343 [classical musical playing] 610 00:31:35,643 --> 00:31:42,609 [Debbie] The teachers are so vested and so dedicated to these young people. 611 00:31:43,276 --> 00:31:45,486 They go home with them. They give them food. 612 00:31:45,570 --> 00:31:48,781 They'll scold them if they need to pull them together. 613 00:31:49,365 --> 00:31:50,533 You know, we go in. 614 00:31:50,617 --> 00:31:53,453 We're raising-- we're helping to raise these kids. 615 00:32:18,144 --> 00:32:21,064 I grew up in Houston, Texas. Everything was segregated. 616 00:32:21,147 --> 00:32:24,442 You know, white water fountain only, 617 00:32:25,026 --> 00:32:27,403 colored bathroom… We had experienced all that. 618 00:32:28,029 --> 00:32:29,489 There was a great dance school, 619 00:32:29,572 --> 00:32:31,991 but I was not allowed to go because I was Black. 620 00:32:33,326 --> 00:32:36,746 But I was very serious early on. I knew I really wanted it and… 621 00:32:37,246 --> 00:32:40,875 My mom always says that, when I was eight years old, 622 00:32:40,959 --> 00:32:43,711 I said to her, "Mom, I'm trying to be a dancer. 623 00:32:43,795 --> 00:32:45,838 How am I gonna get there if I don't have lessons? 624 00:32:45,922 --> 00:32:48,091 I need real lessons, Mom. 625 00:32:48,174 --> 00:32:49,592 Real lessons." 626 00:32:52,011 --> 00:32:53,888 At 14 years old, 627 00:32:53,972 --> 00:32:57,183 I was recruited by Madame Tatiana Semenova, 628 00:32:57,892 --> 00:32:59,978 who came from the Mariinsky school. 629 00:33:00,603 --> 00:33:04,190 I was so excited, I had to get up, I had to go way across town. 630 00:33:04,273 --> 00:33:07,860 My Uncle Lloyd would take me, and I-- if I had to take a bus back, 631 00:33:07,944 --> 00:33:10,154 it was two or three buses to get back home. 632 00:33:11,364 --> 00:33:15,118 And, uh, Madame Semenova really embraced me in class. 633 00:33:15,201 --> 00:33:19,455 It was a Ford Foundation grant that paid for all of my classes. 634 00:33:19,539 --> 00:33:21,290 I was a full scholarship student. 635 00:33:22,041 --> 00:33:23,543 And when I danced, 636 00:33:24,419 --> 00:33:27,839 it was a big deal because the board didn't know that I was there. 637 00:33:27,922 --> 00:33:31,759 I was there probably six or eight months 638 00:33:32,260 --> 00:33:35,596 before the board knew there was a Black kid in the school, 639 00:33:35,680 --> 00:33:38,516 and some of them did not like it. 640 00:33:39,475 --> 00:33:42,061 But Madame Semenova pushed me, 641 00:33:42,145 --> 00:33:44,731 she scolded me, she humiliated me, 642 00:33:45,481 --> 00:33:46,524 and she loved me. 643 00:33:52,155 --> 00:33:53,531 [classical music playing] 644 00:33:54,657 --> 00:33:58,119 All right, welcome to "the hell that is Chantel." 645 00:33:58,202 --> 00:34:00,079 -Here we go, so… -[kids laughing] 646 00:34:00,163 --> 00:34:01,748 I grew up as a foster kid. 647 00:34:01,831 --> 00:34:04,709 This is the one thing that saves somebody like me. 648 00:34:04,792 --> 00:34:07,462 For somebody else to see and invest in me 649 00:34:07,545 --> 00:34:11,174 and say, "We see what it is that you want. 650 00:34:11,257 --> 00:34:14,260 We're gonna help you do this and get you from point A to point B," 651 00:34:14,343 --> 00:34:18,431 I feel like that, in itself, is the biggest thing that changed my life. 652 00:34:20,016 --> 00:34:21,684 Boom, boom. Sit, sit. Boom, up! 653 00:34:22,977 --> 00:34:23,895 Where you at? 654 00:34:24,562 --> 00:34:25,688 I don't know. 655 00:34:25,772 --> 00:34:28,107 If you do this bang again, I'm about to be… 656 00:34:28,191 --> 00:34:31,652 Elijah, go get me, um, go get me a little rubber band, please? 657 00:34:31,736 --> 00:34:33,613 [chattering] 658 00:34:33,696 --> 00:34:35,156 [Elijah] Looks so cute, though. 659 00:34:35,239 --> 00:34:38,117 [chuckles] Shut up. Shut up, Elijah. Five… 660 00:34:38,659 --> 00:34:41,496 Five, six, seven, cross. 661 00:34:41,579 --> 00:34:43,247 Cross and sit, sit. 662 00:34:43,331 --> 00:34:46,584 -I was an understudy, but I came-- -Yeah, Griffin… 663 00:34:46,667 --> 00:34:48,920 Miss Chantel said I could be in "Candy Cane," so… 664 00:34:49,003 --> 00:34:52,840 Yeah, he was first an understudy, but then he started trying to dance. 665 00:34:52,924 --> 00:34:57,720 He's tr-- trying really, really hard, and then he ended up being in the show. 666 00:34:57,804 --> 00:35:02,433 "Candy Cane" is fun. It's hip-hop, so… you just hype and fun and full out and… 667 00:35:02,517 --> 00:35:04,060 Yeah, "Candy Cane" is really fun. 668 00:35:04,143 --> 00:35:06,312 "Candy Cane," it's an all-boys scene, 669 00:35:06,854 --> 00:35:10,358 and it's hip-hop, and hip-hop's one of my favorite styles, so… 670 00:35:10,858 --> 00:35:13,486 Unfortunately, I can't be in it, but it's my favorite scene. 671 00:35:13,569 --> 00:35:16,447 "Candy Cane" is for the boys. "Fairyland" is the girls. 672 00:35:16,531 --> 00:35:17,573 You gotta have the-- 673 00:35:17,657 --> 00:35:20,785 You know, DADA has always had more boys than any school. 674 00:35:20,868 --> 00:35:23,496 It's because I'm pushing them and I want them. 675 00:35:23,579 --> 00:35:26,124 And I have to-- I have to have something to give them. 676 00:35:26,207 --> 00:35:28,292 [Chantel] Olivia, go in the center. 677 00:35:31,379 --> 00:35:32,755 Scoot back, back up. 678 00:35:32,839 --> 00:35:35,341 [female dancer] My favorite scene would be "Candy Cane." 679 00:35:35,424 --> 00:35:37,218 It's, like, the only hip-hop in the show. 680 00:35:37,301 --> 00:35:38,761 It's all boys. 681 00:35:38,845 --> 00:35:41,639 Six, five, behind him. 682 00:35:41,722 --> 00:35:44,809 Are you going to put the girls in? Going to put the girls in? 683 00:35:44,892 --> 00:35:45,935 Yeah, I'm doing that. 684 00:35:46,018 --> 00:35:48,646 -I'm gonna get in trouble, but whatever. -[chuckles] Okay. 685 00:35:48,729 --> 00:35:51,190 Da, da, da. Cross, cross, up, down. 686 00:35:51,274 --> 00:35:52,316 So I need-- Yes! 687 00:35:52,400 --> 00:35:55,653 I need to see cross, up… That's almost like a élevé. 688 00:35:55,736 --> 00:36:00,158 Over my dead body. No girls in "Candy Cane." [laughs] 689 00:36:00,241 --> 00:36:03,327 -Yeah, that's not happening. No girls. -It got around. 690 00:36:03,411 --> 00:36:05,997 It almost happened, though, but, you know, it's okay. 691 00:36:06,080 --> 00:36:08,332 -I'm in everything else, so… -[laughs] 692 00:36:08,416 --> 00:36:11,961 Sorry, girls. You know, it's only us, you know. [giggles] 693 00:36:12,044 --> 00:36:13,671 -[hip-hop music playing] -[Debbie] Yeah. 694 00:36:14,881 --> 00:36:16,174 Wow! 695 00:36:16,924 --> 00:36:18,092 Wow! 696 00:36:22,930 --> 00:36:25,892 [man] Oh, it's definitely muscle memory. When you have Chantel Heath 697 00:36:25,975 --> 00:36:28,519 taking you to the depths of, like, yourself, 698 00:36:28,603 --> 00:36:30,062 you won't forget it too much. 699 00:36:30,146 --> 00:36:32,273 [laughs, vocalizes] 700 00:36:32,356 --> 00:36:33,482 Now run! [laughs] 701 00:36:33,566 --> 00:36:36,444 And one, and two, down, bring it up. 702 00:36:36,527 --> 00:36:37,570 Yeah. 703 00:36:37,653 --> 00:36:41,616 Slide, one, two. Yup, it's-- The whole thing is still there. 704 00:36:41,699 --> 00:36:45,578 [dancers chant] Who are we? Candy Cane! 705 00:36:45,661 --> 00:36:48,873 [Chantel vocalizing rhythm] 706 00:36:48,956 --> 00:36:52,543 Throw! [vocalizing rhythm] 707 00:36:52,627 --> 00:36:54,003 Turn, and one. 708 00:36:54,837 --> 00:36:56,088 It's no joke, huh? 709 00:36:57,298 --> 00:37:00,468 Some boys fall apart. Some boys don't make it. I mean… 710 00:37:01,052 --> 00:37:03,721 You know, they're like, "Oh, my God. That was hard, that was hard." 711 00:37:03,804 --> 00:37:05,097 I know, sit down. 712 00:37:05,181 --> 00:37:06,265 Just a second. 713 00:37:06,349 --> 00:37:09,393 What I know is, if I was doing it, I'd be… 714 00:37:09,477 --> 00:37:11,854 still dancing right now 'cause the song would still be on. 715 00:37:11,938 --> 00:37:13,648 Let's get it. All right, show's on! Let's go! 716 00:37:13,731 --> 00:37:15,733 But I tell them, "Keep coming back, keep coming back, 717 00:37:15,816 --> 00:37:17,652 because one of these days, you're gonna get it." 718 00:37:17,735 --> 00:37:19,528 I don't know if everyone sticks with it, 719 00:37:19,612 --> 00:37:24,951 but I know for a fact that, if you are here longer than a-- a semester, 720 00:37:25,034 --> 00:37:27,745 me, personally, that it's inside you. 721 00:37:27,828 --> 00:37:29,497 [Chantel] Boom, boom, sit, sit! Boom, boom… 722 00:37:29,580 --> 00:37:31,791 I've been walking through the hall, but actually 723 00:37:31,874 --> 00:37:34,460 in the studio for a class here, it's been a while. 724 00:37:36,629 --> 00:37:40,758 It's like… That was a lot of sweat in these floors. 725 00:37:41,384 --> 00:37:44,095 If somebody like lifted up history out of these floors, 726 00:37:44,178 --> 00:37:46,847 it would be kinda gross, but inspiring. 727 00:37:48,266 --> 00:37:50,226 I played the first Hot Chocolate Nutcracker 728 00:37:50,309 --> 00:37:51,769 in the first production. 729 00:37:53,813 --> 00:37:56,315 I left my biological family behind when I was 13. 730 00:37:56,816 --> 00:37:59,777 My mother and my three sisters moved to Arizona, and I-- 731 00:38:00,278 --> 00:38:03,406 My mom made the conscious decision to allow me to stay here. 732 00:38:04,240 --> 00:38:06,409 So I moved in with Miss Harris, Mama Harris, 733 00:38:07,076 --> 00:38:10,079 and then I got full scholarship in dance here. 734 00:38:10,162 --> 00:38:12,498 The first time I was the Little Nutcracker, it felt like, 735 00:38:12,581 --> 00:38:15,793 "I'm-- I'm one of the principal roles. I-- 736 00:38:16,627 --> 00:38:19,130 Oh, cool!" It was, like, Miss Allen believed in me. 737 00:38:19,213 --> 00:38:21,132 [up-tempo classical music playing] 738 00:38:24,218 --> 00:38:26,804 Now, Ryan Phuong, he's the Little Nutcracker. 739 00:38:40,526 --> 00:38:44,155 Thank God I did it first because I would not wanna follow him. 740 00:38:44,238 --> 00:38:45,281 [chuckles] 741 00:39:01,797 --> 00:39:04,550 [Debbie] I want it to be magical. You can't just go over here 742 00:39:04,633 --> 00:39:07,428 and hit fourth position like a Degas statue, 743 00:39:07,511 --> 00:39:09,013 and go here. 744 00:39:09,096 --> 00:39:10,014 No! 745 00:39:10,097 --> 00:39:12,516 It's the Hot Chocolate Nutcracker, honey. 746 00:39:13,059 --> 00:39:15,811 Alive! It's like, "Oh, my God, look at him!" 747 00:39:15,936 --> 00:39:17,563 [gasps, sighs] Oh! 748 00:39:17,646 --> 00:39:19,023 It's gotta be that. 749 00:39:19,106 --> 00:39:21,150 Look at me. Stop. Look at him! 750 00:39:21,233 --> 00:39:23,402 You're so busy looking at yourselves. 751 00:39:23,486 --> 00:39:25,571 Play the scene. [gasps] 752 00:39:26,155 --> 00:39:28,032 "Oh, my God, he's moving! 753 00:39:28,115 --> 00:39:29,533 Look at him! [gasps] 754 00:39:29,617 --> 00:39:31,786 Oh, my God, I touched him! Oh, my God, he's coming! 755 00:39:31,869 --> 00:39:33,329 Oh, my God! Oh, my God! Okay. 756 00:39:33,829 --> 00:39:35,831 -[giggles] -[all laugh] 757 00:39:35,915 --> 00:39:37,666 Oh, my God! Ah!" 758 00:39:37,750 --> 00:39:39,251 It should be like that. 759 00:39:39,335 --> 00:39:42,254 I came here for, like, an open class, for hip-hop, right? 760 00:39:42,338 --> 00:39:44,590 I think it was Chantel, she was teaching, 761 00:39:44,673 --> 00:39:47,426 and that was the only thing I would ever do is hip-hop. 762 00:39:47,510 --> 00:39:49,345 I did not plan on doing ballet or anything. 763 00:39:49,428 --> 00:39:51,806 This little boy, I couldn't believe what I was seeing. 764 00:39:51,889 --> 00:39:52,890 I was like, "What?" 765 00:39:52,973 --> 00:39:54,392 [hip-hop music playing] 766 00:39:55,434 --> 00:39:58,604 You put that hip-hop music on, you would see like this little tornado, 767 00:39:58,687 --> 00:40:01,357 like the little Tasmanian Devil, you know? [chuckling] 768 00:40:04,485 --> 00:40:06,654 [Debbie] He's been every Nutcracker. 769 00:40:06,737 --> 00:40:10,491 He was the Littlest Nutcracker, and now he's the young prince. 770 00:40:11,617 --> 00:40:14,870 Ryan thought he was trying to just take some hip-hop classes, 771 00:40:14,954 --> 00:40:17,164 and that's how we reeled him in. 772 00:40:17,248 --> 00:40:19,166 We give them something that they want, 773 00:40:19,250 --> 00:40:22,378 but we teach them, in order to do that, you gotta get this first. 774 00:40:22,461 --> 00:40:24,630 Ballet, I… You know, it's… 775 00:40:24,713 --> 00:40:27,508 For me, back then, I thought only girls should do that. 776 00:40:27,591 --> 00:40:28,926 [classical music playing] 777 00:40:29,927 --> 00:40:32,638 I was really terrified to take class. 778 00:40:34,223 --> 00:40:36,725 [Giana] Ballet training, very tough. 779 00:40:36,809 --> 00:40:40,104 Who will go through the ballet training 780 00:40:40,187 --> 00:40:43,399 and finish that ballet training, 781 00:40:43,482 --> 00:40:47,278 they have strong personality to go further. 782 00:40:48,320 --> 00:40:50,197 And Miss Allen told me, 783 00:40:50,948 --> 00:40:52,616 who she is, 784 00:40:52,700 --> 00:40:57,538 it's because she went through th-- that tough, strong ballet training. 785 00:41:00,291 --> 00:41:03,711 [Debbie] I went to the North Carolina School of the Arts to audition, 786 00:41:03,794 --> 00:41:06,964 after I'd been trained by the Houston Ballet Foundation. 787 00:41:07,465 --> 00:41:09,884 I was so hopeful about that, 788 00:41:09,967 --> 00:41:13,554 and they used me in the audition to demonstrate, 789 00:41:13,637 --> 00:41:16,140 and when it was over, I went to the man and said, 790 00:41:16,223 --> 00:41:19,435 "Well, I just wanna know, how-- when would we start? 791 00:41:19,518 --> 00:41:20,978 How is this gonna go?" 792 00:41:21,061 --> 00:41:23,355 And he told me I was not gonna be accepted, 793 00:41:23,439 --> 00:41:25,733 and that I was not right for dance, 794 00:41:25,816 --> 00:41:28,444 and my body wasn't right, and I should do something else. 795 00:41:28,527 --> 00:41:30,321 And It broke her spirit. 796 00:41:30,404 --> 00:41:32,531 And she stopped dancing for a year or two. 797 00:41:33,365 --> 00:41:35,201 [Debbie] It was very discouraging. 798 00:41:35,284 --> 00:41:38,078 He told me, you know, "Definitely don't think about ballet. 799 00:41:38,162 --> 00:41:39,955 Just forget it," and, um… 800 00:41:40,414 --> 00:41:42,082 Wow, that was hard. 801 00:41:43,042 --> 00:41:46,128 So when I came back home and it was time to go to college, 802 00:41:46,837 --> 00:41:48,756 I was accepted to Howard University, 803 00:41:49,381 --> 00:41:53,385 and so I was, like, "Okay. I have to let the dance go. 804 00:41:53,469 --> 00:41:56,305 I love it, but it doesn't love me." 805 00:41:57,056 --> 00:41:58,265 And it was hard. 806 00:41:58,349 --> 00:42:02,937 My mom just was really brokenhearted when I got off that plane. 807 00:42:03,020 --> 00:42:04,688 That was the hardest part. 808 00:42:05,773 --> 00:42:07,900 You know, when I got off that plane, 809 00:42:08,651 --> 00:42:11,862 and she was at the airport, and she met me in tears. 810 00:42:12,571 --> 00:42:14,740 And she said, "Deborah, you failed." 811 00:42:16,909 --> 00:42:18,327 "Deborah, you failed." 812 00:42:23,207 --> 00:42:24,667 [inspirational music playing] 813 00:42:30,965 --> 00:42:34,134 My mom said, "You come home this summer, you don't go and dance. 814 00:42:34,218 --> 00:42:37,137 I'm gonna save the money that I've been putting aside 815 00:42:37,221 --> 00:42:38,847 to send you away to dance 816 00:42:39,431 --> 00:42:40,558 and buy a car." 817 00:42:40,641 --> 00:42:43,018 I'm like, "No! No, Mom, no. No, I want to." 818 00:42:43,561 --> 00:42:46,105 And that was the summer that I met Martha Graham 819 00:42:46,689 --> 00:42:48,274 and Meredith Monk 820 00:42:48,357 --> 00:42:49,817 and Twyla Tharp 821 00:42:49,900 --> 00:42:50,985 and Alvin Ailey. 822 00:42:51,068 --> 00:42:54,947 It was a new wave of dancers who were breaking the traditional mold, 823 00:42:55,030 --> 00:42:57,658 doing something new and exciting. 824 00:42:57,741 --> 00:43:00,202 When I saw Alvin Ailey, it was everything for me. 825 00:43:00,286 --> 00:43:03,664 I was like, "Child, take these snowshoes, honey, put them somewhere else. 826 00:43:03,747 --> 00:43:06,375 I wanna dance about feelings." 827 00:43:13,799 --> 00:43:14,883 [rhythmic tapping] 828 00:43:18,721 --> 00:43:22,266 I've been trying for years to f-- figure out 829 00:43:22,349 --> 00:43:27,104 what-- how could I really use the language of tap in the show. 830 00:43:27,187 --> 00:43:29,231 This year, Savion Glover's coming. 831 00:43:30,858 --> 00:43:33,611 I've asked him to create a piece called "The Train." 832 00:43:33,694 --> 00:43:37,156 [scatting on drumbeat] 833 00:43:37,239 --> 00:43:40,326 [Savion] Miss Debbie Allen had an idea early on, 834 00:43:40,409 --> 00:43:42,620 and then she put that idea 835 00:43:43,287 --> 00:43:45,664 in my thought process, and I was thinking about it 836 00:43:45,748 --> 00:43:47,458 for the whole time, and then I came back, 837 00:43:47,541 --> 00:43:49,877 and, um, I was ready to go. 838 00:43:49,960 --> 00:43:53,589 And her idea was that, you know, to get this train thing moving, 839 00:43:53,672 --> 00:43:55,841 to get us from one scene to the next. 840 00:44:00,387 --> 00:44:02,181 [Debbie] Thank you. Thank you! 841 00:44:02,264 --> 00:44:04,975 Beyond the choreography, I just want them to come out 842 00:44:05,059 --> 00:44:06,518 with a sense of empowerment, 843 00:44:07,603 --> 00:44:10,939 a sense of greatness, a sense of achievement, 844 00:44:11,023 --> 00:44:12,941 a sense of expression! 845 00:44:13,025 --> 00:44:18,072 This ability to think about making someone think differently. 846 00:44:21,617 --> 00:44:23,035 [girl] That was just my style. 847 00:44:23,118 --> 00:44:25,746 He just told me to freestyle at the beginning, 848 00:44:25,829 --> 00:44:30,292 and so I just created my own little thing at the beginning and end. 849 00:44:38,550 --> 00:44:42,388 I wanna be just available as a human being, 850 00:44:42,471 --> 00:44:47,017 and I like that exchange, that allows me to learn from them. 851 00:44:48,352 --> 00:44:51,271 And hopefully, they learn from me. 852 00:44:51,355 --> 00:44:53,482 -[drumming] -[cymbal crashes] 853 00:45:01,281 --> 00:45:02,741 [Debbie] We're gonna have a session-- 854 00:45:02,825 --> 00:45:05,828 We're gonna start having sessions during the week 855 00:45:06,453 --> 00:45:09,832 because, otherwise, I don't think you're gonna get there, 856 00:45:09,915 --> 00:45:13,836 and I-- I need to rearrange some of your places. 857 00:45:16,463 --> 00:45:19,133 And they're just not getting the doll dance, 858 00:45:19,216 --> 00:45:23,429 and I don't want them to be on stage and not look fantastic. 859 00:45:23,512 --> 00:45:26,765 I just got kicked out of "Dolls," like my sister too. 860 00:45:26,849 --> 00:45:31,395 'Cause, um, she wants me to be in the party scene. 861 00:45:34,606 --> 00:45:38,360 [Eartha loudly] So you've gotta be in it from the very top. 862 00:45:38,861 --> 00:45:41,238 I can't be a monkey over here like this. 863 00:45:42,948 --> 00:45:43,907 [man] Ooh. 864 00:45:43,991 --> 00:45:45,659 I'm ready for fairies, 865 00:45:46,618 --> 00:45:49,621 so when y'all in that wings, I want y'all like this. 866 00:45:50,164 --> 00:45:51,749 Ready to go! 867 00:45:52,458 --> 00:45:55,252 I need arms swinging. What happened to that? 868 00:45:55,335 --> 00:45:59,339 [shouting] And a one, two, three, four. 869 00:45:59,423 --> 00:46:02,885 And a up, up, up, up. 870 00:46:02,968 --> 00:46:04,595 Yes, Tobal! 871 00:46:04,678 --> 00:46:05,637 [all cheering] 872 00:46:07,306 --> 00:46:09,850 [Eartha] I need to make her a monkey. [laughs] 873 00:46:13,353 --> 00:46:16,482 -I'm the-- Yes! -[male instructor laughing] 874 00:46:17,357 --> 00:46:20,110 [sighs] Come on, girl, get in there. 875 00:46:20,778 --> 00:46:22,654 -[dancers cheering] -[Eartha laughs] 876 00:46:23,739 --> 00:46:25,991 I got the job of doing "Rainforest," 877 00:46:26,074 --> 00:46:30,204 and "Rainforest" is one of the biggest production numbers 878 00:46:30,287 --> 00:46:31,163 in the show. 879 00:46:31,246 --> 00:46:33,457 [tribal music playing] 880 00:46:33,540 --> 00:46:36,710 [Debbie] "Rainforest" is beautiful. Butterflies, 881 00:46:36,794 --> 00:46:39,087 monkeys, panthers. 882 00:46:39,922 --> 00:46:40,756 [panther roars] 883 00:46:41,673 --> 00:46:45,677 When you think about herds of animals on the plains in Africa, 884 00:46:45,761 --> 00:46:48,597 the migration, everyone's going in the same direction, 885 00:46:49,389 --> 00:46:52,601 and so there is a-- a journey that's taking place. 886 00:46:54,895 --> 00:46:57,439 Oh, my God, how big is the cast? 887 00:46:57,523 --> 00:46:59,691 You know, I don't wanna say it out loud! 888 00:46:59,775 --> 00:47:01,819 Delorse, my costumer, might slap me. 889 00:47:01,902 --> 00:47:03,570 When she saw the cast of people, 890 00:47:03,654 --> 00:47:06,907 she said, "Miss Allen, really?" I'm like, "Yeah, Delorse." 891 00:47:06,990 --> 00:47:08,617 [loud chattering] 892 00:47:09,243 --> 00:47:11,328 Shh. No more talking, please. 893 00:47:11,411 --> 00:47:14,540 Who does not have a costume? Hm? 894 00:47:14,623 --> 00:47:16,959 [Delorse] Well, we have a cast of almost 200. 895 00:47:18,043 --> 00:47:21,964 Each person is wearing, you know, three-- two to three things. 896 00:47:22,047 --> 00:47:23,423 Some kids are wearing five. 897 00:47:24,341 --> 00:47:25,634 Okay, girls. 898 00:47:26,385 --> 00:47:28,095 She went to go get more costumes. 899 00:47:28,178 --> 00:47:31,223 [loudly] I still hear talking. Okay! 900 00:47:31,306 --> 00:47:33,892 We're just… It's a little busy. 901 00:47:33,976 --> 00:47:35,644 Everybody like their costumes? 902 00:47:35,727 --> 00:47:38,522 -[kids] Yes! -Excellent. 903 00:47:38,605 --> 00:47:40,566 [Debbie] That's two people missing. 904 00:47:40,649 --> 00:47:42,317 Oh! One, two. There's two. 905 00:47:42,943 --> 00:47:45,028 -Who's missing? -[costume helper] JoAnn and AuDrya. 906 00:47:45,112 --> 00:47:46,446 [Debbie] And where are they? 907 00:47:46,530 --> 00:47:48,574 Some lady was trying to say JoAnn hit her car, 908 00:47:48,657 --> 00:47:50,784 but she didn't, so they're on their way. [chuckles] 909 00:47:53,495 --> 00:47:56,832 I was eight when I started at DADA. 910 00:47:57,875 --> 00:48:02,296 This year, I've been kinda like getting there when I wanted to, 911 00:48:02,379 --> 00:48:04,923 like, just trying to be a teenager, I guess. 912 00:48:05,007 --> 00:48:06,049 [Debbie shouts] JoAnn! 913 00:48:06,133 --> 00:48:08,176 You don't just walk in my rehearsal. What happened? 914 00:48:08,802 --> 00:48:10,470 -For what? -[JoAnn] Speeding. 915 00:48:10,554 --> 00:48:11,388 Stay here. 916 00:48:14,433 --> 00:48:15,934 One, plié. 917 00:48:16,018 --> 00:48:17,477 Go warm up at the bar. 918 00:48:17,561 --> 00:48:19,021 One, plié. 919 00:48:19,855 --> 00:48:22,566 And down, down… 920 00:48:22,649 --> 00:48:25,944 [JoAnn] Whenever I feel that I let her down, it was very… 921 00:48:26,778 --> 00:48:28,822 [sighs] Like, it got to me every time. 922 00:48:28,906 --> 00:48:31,241 So, I'm like, "Dang, I can't let her down no more. 923 00:48:31,325 --> 00:48:32,618 We can't have these talks. 924 00:48:32,701 --> 00:48:35,787 The next few talks we have to have have to be good talks." 925 00:48:35,871 --> 00:48:40,208 [laughs] Like, instead of just her telling me to get it together. 926 00:48:40,292 --> 00:48:41,668 It takes a lot. 927 00:48:42,294 --> 00:48:45,547 I don't know. I think it comes down to heart and will 928 00:48:45,631 --> 00:48:48,467 and wanting it for yourself, wanting something more. 929 00:48:49,217 --> 00:48:50,052 And… 930 00:48:51,011 --> 00:48:51,845 Yeah. 931 00:48:52,304 --> 00:48:53,805 Working your butt off. 932 00:48:53,889 --> 00:48:58,727 I'm trying to help you learn professional work ethic. 933 00:48:58,810 --> 00:49:00,270 Say "work ethic." 934 00:49:00,354 --> 00:49:01,271 [dancers] Work ethic. 935 00:49:01,355 --> 00:49:02,564 Work ethic. 936 00:49:02,648 --> 00:49:03,732 [dancers] Work ethic. 937 00:49:03,815 --> 00:49:06,193 This should apply to everything you do in life. 938 00:49:06,276 --> 00:49:09,363 Your homework, how you do your work at school, 939 00:49:09,446 --> 00:49:10,405 what other jobs 940 00:49:10,489 --> 00:49:13,617 and other career aspirations that you have. 941 00:49:13,700 --> 00:49:17,329 If you work in the post office, if you are a teacher, 942 00:49:17,412 --> 00:49:20,123 if you are a maintenance person, 943 00:49:20,207 --> 00:49:22,709 if you work in Washington, 944 00:49:22,793 --> 00:49:25,462 your work ethic must be the same. 945 00:49:25,963 --> 00:49:30,133 If you work with children, your work ethic should even be better. 946 00:49:30,217 --> 00:49:32,844 Adolescence is difficult, 947 00:49:33,345 --> 00:49:36,932 and it's sort of like your mind leaves you for a bit 948 00:49:37,015 --> 00:49:39,142 and you're just sort of out in orbit. 949 00:49:39,226 --> 00:49:42,688 You're exploring yourself, you're exploring things around you, 950 00:49:42,771 --> 00:49:47,067 but the fact that you have something to go to three or four times a week 951 00:49:47,693 --> 00:49:49,820 and be responsible to 952 00:49:49,903 --> 00:49:51,446 helps you be responsible 953 00:49:51,530 --> 00:49:54,449 with your school work, your homework, your chores at home, 954 00:49:54,533 --> 00:49:58,370 and it gives you a sense of gratitude. 955 00:49:58,453 --> 00:50:01,081 How do you think you're going to get where we are? 956 00:50:01,164 --> 00:50:03,542 Where are you trying to go in life? 957 00:50:04,042 --> 00:50:07,170 Every day is not just a rehearsal for Nutcracker, 958 00:50:07,254 --> 00:50:09,798 it's a rehearsal for the rest of your life. 959 00:50:09,881 --> 00:50:11,216 You come in here late, 960 00:50:11,299 --> 00:50:14,511 that's where you're gonna be on your next job, and you're fired. 961 00:50:15,012 --> 00:50:18,181 You walk into a Broadway show late, you're fired. 962 00:50:18,682 --> 00:50:22,019 The understudy is on. They don't care how much they like you. 963 00:50:22,102 --> 00:50:24,021 You're not professional. 964 00:50:24,104 --> 00:50:25,814 -Do you understand? -[dancers] Yes. 965 00:50:25,897 --> 00:50:29,651 Every day is your rehearsal for life, not just the Nutcracker. 966 00:50:29,735 --> 00:50:32,070 Take it seriously. Make it into something. 967 00:50:33,113 --> 00:50:35,532 We have a lot of work to do. I wanted to see you… 968 00:50:35,615 --> 00:50:38,869 Look, we're not in a bad place, but we have literally a month, 969 00:50:38,952 --> 00:50:42,205 which means we don't have a month 'cause we don't rehearse every day. 970 00:50:42,289 --> 00:50:44,416 -So this is your homework. -Thank you, Miss Allen. 971 00:50:44,499 --> 00:50:45,834 [dancers] Thank you, Miss Allen. 972 00:50:45,917 --> 00:50:48,003 [Debbie shouts] Don't come to my rehearsal late. 973 00:50:48,545 --> 00:50:51,423 Don't come to any rehearsal late again, and I mean it. 974 00:50:51,506 --> 00:50:52,632 Thank you. Dismissed. 975 00:50:52,716 --> 00:50:55,135 -[dancers] Thank you, Miss Allen. -Thank you, Miss Cathie. 976 00:50:55,218 --> 00:50:56,970 -Thank you. -[Debbie] Yes. 977 00:50:57,054 --> 00:50:58,555 -Thank you. -Yes. 978 00:50:59,264 --> 00:51:00,640 -Yes. -Thank you. 979 00:51:00,724 --> 00:51:02,142 Don't come late, AuDrya. 980 00:51:02,768 --> 00:51:04,394 If you're late, just stay out. 981 00:51:04,478 --> 00:51:05,353 -Thank you. -Yes. 982 00:51:05,437 --> 00:51:06,605 -Thank you, Miss Allen. -Yes. 983 00:51:06,688 --> 00:51:08,273 -Thank you. -Hmm! 984 00:51:08,899 --> 00:51:09,983 Mm-mm. 985 00:51:10,692 --> 00:51:12,277 -Thank you, Miss Allen. -Yes. 986 00:51:12,360 --> 00:51:14,654 -Thank you, Miss Allen. -More joy. You're beautiful. 987 00:51:14,738 --> 00:51:16,698 No, do you know how beautiful you are? 988 00:51:16,782 --> 00:51:18,158 I don't think you do. 989 00:51:18,241 --> 00:51:20,118 You're so beautiful. 990 00:51:20,702 --> 00:51:23,288 Embody that. Embrace that when you dance. 991 00:51:23,371 --> 00:51:24,206 Go away. 992 00:51:24,831 --> 00:51:25,665 Yes. 993 00:51:25,749 --> 00:51:27,667 Thank you. Get rid of those nails. 994 00:51:27,751 --> 00:51:29,628 -Thank you, Miss Allen. -Yes. 995 00:51:29,711 --> 00:51:30,962 Thank you. You'll be doing it. 996 00:51:31,046 --> 00:51:37,469 [Karen] The window of opportunity to enter in the dance world is small. 997 00:51:37,552 --> 00:51:40,097 You have to do it by a certain time. 998 00:51:40,180 --> 00:51:42,599 You have to pull yourself up 999 00:51:42,682 --> 00:51:47,395 in a way that, by the time you definitely are out of high school, 1000 00:51:47,479 --> 00:51:50,065 you have to be able to audition and compete. 1001 00:51:51,066 --> 00:51:55,779 April, you come from this side of stage, and you basically tell them all to come. 1002 00:51:55,862 --> 00:51:58,698 [April] I auditioned for Dance Theatre of Harlem, 1003 00:51:58,782 --> 00:52:01,827 and I wasn't accepted into the company. 1004 00:52:01,910 --> 00:52:03,578 Then I was auditioning for other places, 1005 00:52:03,662 --> 00:52:06,331 thinking that I would get in somewhere else, 1006 00:52:06,414 --> 00:52:07,749 but it just didn't happen. 1007 00:52:09,292 --> 00:52:10,544 Like, as a dancer, 1008 00:52:10,627 --> 00:52:14,339 you're always trying to find the next place to go 1009 00:52:14,422 --> 00:52:15,966 or trying to improve. 1010 00:52:16,049 --> 00:52:19,594 And sometimes, it feels like, you know, you're just stuck auditioning 1011 00:52:19,678 --> 00:52:21,471 and not getting anything. 1012 00:52:21,555 --> 00:52:24,391 So, it's just, like, the life of a dancer is very hard, 1013 00:52:24,474 --> 00:52:27,644 but, like, I can't imagine myself doing anything else. 1014 00:52:29,104 --> 00:52:32,607 [Savoy] I applied to 12 schools. I would always say, when I was younger, 1015 00:52:32,691 --> 00:52:35,402 I was like, "I'm applying for dance. I don't have to do anything. 1016 00:52:35,485 --> 00:52:37,028 My grades don't matter. Nothing matters. 1017 00:52:37,112 --> 00:52:39,823 I'm just gonna dance." And like, no. 1018 00:52:39,906 --> 00:52:41,658 Like, it's honestly, like, worse. 1019 00:52:42,242 --> 00:52:43,869 So, I'm freaking out a little bit. 1020 00:52:43,952 --> 00:52:49,332 It takes so much focus to succeed. 1021 00:52:49,416 --> 00:52:51,585 You can't let things get you down. 1022 00:52:51,668 --> 00:52:53,628 Whether your teacher is too mean, 1023 00:52:53,712 --> 00:52:55,213 or it's too easy, 1024 00:52:55,797 --> 00:52:58,383 you can't let it disturb you. 1025 00:52:58,466 --> 00:53:00,927 [Eartha] Six, hold. Up! 1026 00:53:01,011 --> 00:53:02,387 I need to learn that too… 1027 00:53:03,430 --> 00:53:06,183 because I do the same thing still. You know what I mean? 1028 00:53:06,266 --> 00:53:09,519 I-- I-- I don't get a choreography job, I'm immediately like, 1029 00:53:09,603 --> 00:53:12,314 "I'm not good enough. Forget it," and I quit. 1030 00:53:12,397 --> 00:53:14,274 Up, eight. 1031 00:53:15,108 --> 00:53:18,486 We have to work hard at what we do. I don't care if you're eight years old. 1032 00:53:18,570 --> 00:53:21,114 There's eight-year-old actors and actresses in movies right now 1033 00:53:21,198 --> 00:53:22,741 that are doing huge scenes. 1034 00:53:23,575 --> 00:53:25,702 You have to be engaged, it doesn't matter how young. 1035 00:53:25,785 --> 00:53:27,162 [jazzy music playing] 1036 00:53:29,331 --> 00:53:31,124 [JoAnn] I wanted to be, like, a company dancer, 1037 00:53:31,208 --> 00:53:34,294 so I wanted to go to school, train, train, train, 1038 00:53:34,377 --> 00:53:37,505 graduate, then, hopefully, get into a company like Alvin Ailey. 1039 00:53:39,090 --> 00:53:43,136 Everybody has that dream. Everybody wants to dance professionally. 1040 00:53:44,221 --> 00:53:46,223 You see that in Savoy. 1041 00:53:46,306 --> 00:53:48,391 You see that in April. 1042 00:53:48,475 --> 00:53:50,268 You see that in JoAnn. 1043 00:53:56,524 --> 00:53:58,735 [Eartha] Sometimes, you see it in their eyes, like… 1044 00:53:59,694 --> 00:54:01,529 Are they gonna make it? Are they gonna make it? 1045 00:54:01,613 --> 00:54:04,491 Come on, girl. You can make it! You can make it! 1046 00:54:04,574 --> 00:54:08,536 And, uh, you know, I know a lot of people who don't become dancers, 1047 00:54:08,620 --> 00:54:10,872 who are incredible surgeons, 1048 00:54:10,956 --> 00:54:13,458 but have dance still under their belt. 1049 00:54:16,086 --> 00:54:18,213 [Debbie] Well, Steve Jobs took dance class. 1050 00:54:18,296 --> 00:54:19,339 He did. 1051 00:54:19,881 --> 00:54:23,927 He bailed out of his math class to go and take dance class. 1052 00:54:24,970 --> 00:54:26,680 That says a lot to me. 1053 00:54:30,600 --> 00:54:33,770 Like, I wanna go to New York and go to these schools, 1054 00:54:33,853 --> 00:54:36,273 but I don't think I can do it, then my mom is like, 1055 00:54:36,356 --> 00:54:40,694 "Oh well, this Ailey scholarship audition is coming up in New York, so…" 1056 00:54:41,945 --> 00:54:46,157 And I'm, "Wait, am I going? Are we going?" She's like, "You and Savoy are." 1057 00:54:47,409 --> 00:54:50,704 I'm like, "Oh, wow." So it's just us two, both 17… 1058 00:54:50,787 --> 00:54:52,872 [chuckles] …getting on a plane by ourselves 1059 00:54:52,956 --> 00:54:55,333 and going to New York to audition for this school. 1060 00:54:56,334 --> 00:54:58,003 And then I went to San Francisco 1061 00:54:58,086 --> 00:55:01,339 for LINES. I felt really comfortable there. 1062 00:55:01,423 --> 00:55:03,174 Very comfortable. So after I got a scholarship 1063 00:55:03,258 --> 00:55:04,884 to their summer program, it gave me hope. 1064 00:55:04,968 --> 00:55:06,344 "Maybe I can dance in my future." 1065 00:55:09,556 --> 00:55:11,933 -[instructor] Good job. -[applauding] 1066 00:55:12,017 --> 00:55:16,521 Then after that, they were asking, um, for, like, payment deadlines, 1067 00:55:16,604 --> 00:55:17,939 right after the intensive. 1068 00:55:21,860 --> 00:55:24,988 [woman] Housing for a month in San Francisco is… 1069 00:55:25,071 --> 00:55:27,741 because they don't provide housing at the intensives, 1070 00:55:27,824 --> 00:55:29,492 it's just off the chain. 1071 00:55:29,576 --> 00:55:30,994 And going to Ailey, 1072 00:55:31,077 --> 00:55:33,872 she wasn't awarded any scholarships, 1073 00:55:33,955 --> 00:55:36,833 so just for a summer, to go to Ailey, or… 1074 00:55:37,709 --> 00:55:40,337 It was pretty close to, 1075 00:55:40,420 --> 00:55:42,630 with tuition and housing, 1076 00:55:43,131 --> 00:55:44,716 probably like six, seven grand. 1077 00:55:45,258 --> 00:55:46,426 And that's just not… 1078 00:55:47,677 --> 00:55:50,555 anything, as a single parent, I-- I could ever afford. 1079 00:55:51,806 --> 00:55:55,352 Yeah, that's when I figured out, 1080 00:55:55,435 --> 00:55:57,228 "Okay, maybe dance isn't for me," 1081 00:55:58,229 --> 00:56:00,231 and things went left. 1082 00:56:00,315 --> 00:56:01,858 And then I was just like, 1083 00:56:02,776 --> 00:56:06,112 "Um, I need to find out what I'm about to do 1084 00:56:06,196 --> 00:56:07,947 for the rest of my life." [chuckles] 1085 00:56:21,878 --> 00:56:23,463 [Chantel] See you on Wednesday. 1086 00:56:23,546 --> 00:56:24,422 [soft chattering] 1087 00:56:25,340 --> 00:56:26,174 [shushing] 1088 00:56:31,679 --> 00:56:34,391 [Terry] I started doing aerial a long time ago, and Debbie was like, 1089 00:56:34,474 --> 00:56:36,559 "Okay, how can we put aerial into the show?" 1090 00:56:36,643 --> 00:56:38,603 So, we started flying the Fairy Queen. 1091 00:56:40,772 --> 00:56:44,317 This year, Kylie Jefferson and April were both the Fairy Queen, 1092 00:56:44,401 --> 00:56:47,112 but for my shows, I mostly worked with Kylie. 1093 00:56:47,195 --> 00:56:51,324 Kylie's like a big sister to me. I've always looked up to her. 1094 00:56:51,408 --> 00:56:55,745 She graduated from DADA and went to Complexions, 1095 00:56:55,829 --> 00:56:58,623 one of the best contemporary dance companies. 1096 00:56:58,706 --> 00:57:00,083 [Terry] Okay, boom! Hover. 1097 00:57:00,166 --> 00:57:04,087 I got into my dream company, Complexions Contemporary Ballet. 1098 00:57:04,170 --> 00:57:06,756 [Terry] Down. Now… 1099 00:57:07,590 --> 00:57:11,261 [Kylie] I had been working with the company for a few months. 1100 00:57:11,344 --> 00:57:14,013 I went over my partner's shoulder for a lift, 1101 00:57:14,097 --> 00:57:18,393 and I just remember hearing something, like, pop. 1102 00:57:19,102 --> 00:57:20,270 Crack, something. 1103 00:57:20,353 --> 00:57:23,606 It was a loud noise in my rib, 1104 00:57:23,690 --> 00:57:26,901 and I screamed onstage. 1105 00:57:26,985 --> 00:57:31,573 That was probably the worst injury that I've ever had. 1106 00:57:33,032 --> 00:57:35,618 I came offstage, and I collapsed. 1107 00:57:36,327 --> 00:57:40,748 And I was just bawling and in tears and in so much pain. 1108 00:57:42,584 --> 00:57:44,669 I thought it was over. 1109 00:57:44,752 --> 00:57:48,089 I kinda almost, like, wanted it to be over. 1110 00:57:48,173 --> 00:57:52,343 I was like, "I don't wanna dance anymore." My heart was so broken. 1111 00:57:53,386 --> 00:57:55,889 In this world, there's gonna be a lot of pain. 1112 00:57:56,431 --> 00:58:00,226 Pain to your body, but also it can be to your feelings. 1113 00:58:00,310 --> 00:58:04,397 But you have to pull up, and you have to measure up to that. 1114 00:58:04,481 --> 00:58:07,442 You have to get-- like the athletes, you have to stay in the game. 1115 00:58:07,525 --> 00:58:08,735 Are you gonna stay in the game? 1116 00:58:08,818 --> 00:58:09,777 Okay. 1117 00:58:10,361 --> 00:58:13,573 [shouts] Quiet! Shh. Quiet! We're starting all over. 1118 00:58:14,449 --> 00:58:15,825 Music, go. 1119 00:58:16,618 --> 00:58:17,911 [uplifting music playing] 1120 00:58:18,495 --> 00:58:20,205 Bounce, bounce, bounce. 1121 00:58:20,997 --> 00:58:23,500 Bounce, bounce, bounce, happy. 1122 00:58:23,583 --> 00:58:25,418 Happy, right from the beginning. 1123 00:58:25,502 --> 00:58:27,962 Character's as important as the dancing. 1124 00:58:28,046 --> 00:58:31,216 And that's part of being onstage, that's part of being a professional 1125 00:58:31,299 --> 00:58:33,760 is the entire package 1126 00:58:33,843 --> 00:58:37,680 that I'm trying to help them touch and understand what it is. 1127 00:58:40,433 --> 00:58:44,521 [Karen] The party scene pretty much involves everyone in the cast, 1128 00:58:44,604 --> 00:58:49,067 so rehearsing the party scene is pretty amazing. 1129 00:58:49,150 --> 00:58:52,195 [kids] ♪ This is Christmas, ooh… ♪ 1130 00:58:52,278 --> 00:58:54,113 [Debbie] Yes, Sophia, yes! 1131 00:58:54,197 --> 00:58:55,114 [laughs] 1132 00:58:55,198 --> 00:58:57,325 ♪ We can, can, can… ♪ 1133 00:58:57,408 --> 00:58:59,911 [Debbie] And up! Down! Down! Up! 1134 00:58:59,994 --> 00:59:03,665 [Karen] We don't have enough space here. We need ten studios, really. 1135 00:59:05,250 --> 00:59:08,586 [Debbie shouting] No talking! There's no talking! 1136 00:59:09,504 --> 00:59:11,381 [Karen] We always remind the students 1137 00:59:11,965 --> 00:59:15,760 that it's their dream that we're helping them shape. 1138 00:59:15,843 --> 00:59:19,138 It means nothing if they don't respect it. 1139 00:59:19,222 --> 00:59:20,223 Quiet! 1140 00:59:20,932 --> 00:59:24,435 -[Debbie] You come out… -[Cathie] Shh! Shh! 1141 00:59:24,978 --> 00:59:26,813 Could you all shut up? 1142 00:59:26,896 --> 00:59:28,189 My God. 1143 00:59:28,273 --> 00:59:30,900 I mean, if I could just fire some of you right now, 1144 00:59:30,984 --> 00:59:32,485 it would make my life easier. 1145 00:59:33,111 --> 00:59:35,863 I'm trying to get you ready for the professional world. 1146 00:59:35,947 --> 00:59:39,742 You won't work anywhere the way you act in this room. 1147 00:59:40,743 --> 00:59:44,247 I don't care who you are. I don't care what your role is. 1148 00:59:44,330 --> 00:59:47,250 Talk while I'm working, and you are fired! 1149 00:59:48,209 --> 00:59:50,837 If that doesn't mean anything to you, great. 1150 00:59:51,462 --> 00:59:52,422 We'll find out. 1151 00:59:52,505 --> 00:59:54,090 We're gonna find out right now. 1152 00:59:54,173 --> 00:59:57,176 The rest of this rehearsal, talk one more time. 1153 01:00:00,847 --> 01:00:03,308 You're so disrespectful to all these professionals here 1154 01:00:03,391 --> 01:00:05,226 trying to make this show incredible. 1155 01:00:05,810 --> 01:00:07,437 I'm trying to do your bows. 1156 01:00:07,520 --> 01:00:10,565 [silence] 1157 01:00:10,648 --> 01:00:13,568 This is how it should sound all the time, like this. 1158 01:00:13,651 --> 01:00:16,696 That's how it should sound, like that. 1159 01:00:23,953 --> 01:00:26,581 Miss Allen's nice… to me. 1160 01:00:27,373 --> 01:00:30,335 I don't know about all the rest of them 'cause they bad. 1161 01:00:31,044 --> 01:00:34,297 She don't know I'm bad. She know I got in trouble once. 1162 01:00:34,380 --> 01:00:36,716 She didn't yell at me, though, but she like me. 1163 01:00:36,799 --> 01:00:38,801 I like Miss Allen. She nice. 1164 01:00:39,427 --> 01:00:40,845 [nostalgic music playing] 1165 01:00:42,096 --> 01:00:45,016 [Debbie] When Madame Semenova was teaching me at Houston Ballet, 1166 01:00:45,099 --> 01:00:46,476 do you think we would talk? 1167 01:00:47,101 --> 01:00:52,315 Do you think I would open my mouth to speak when she's talking? 1168 01:00:53,608 --> 01:00:56,611 Oh, my God, she taught with that cane. She would whack you. 1169 01:00:56,694 --> 01:01:01,407 That's why I taught with a cane on Fame, in tribute to Madame Tatiana Semenova. 1170 01:01:02,950 --> 01:01:06,287 You know, she lived long enough to see me become very successful 1171 01:01:06,371 --> 01:01:09,165 on Broadway and television, 1172 01:01:09,707 --> 01:01:12,460 and I remember our last lunch together, 1173 01:01:12,543 --> 01:01:15,004 Madame opened a bottle of champagne… 1174 01:01:16,339 --> 01:01:18,091 and she told me I had to keep the cork 1175 01:01:18,174 --> 01:01:20,385 because that was good luck. I still have the cork. 1176 01:01:21,135 --> 01:01:23,680 We sat, and she pulled out the programs she had saved, 1177 01:01:23,763 --> 01:01:26,933 programs with my name and other students' names 1178 01:01:27,016 --> 01:01:29,102 that she had trained and loved. 1179 01:01:30,520 --> 01:01:33,481 And as we were drinking the champagne and eating, 1180 01:01:33,564 --> 01:01:37,318 she says, "Well, you know, I had to find you-- I had to find you." 1181 01:01:37,402 --> 01:01:39,112 I said, "What do you mean?" She says, 1182 01:01:39,195 --> 01:01:44,867 "Well, we would not keep the Ford grant if we did not diversify the students. 1183 01:01:44,951 --> 01:01:47,161 I needed to find a Black student." 1184 01:01:49,080 --> 01:01:52,083 And I sat there, and it kind of took me aback 1185 01:01:53,376 --> 01:01:54,544 because I was like… 1186 01:01:56,129 --> 01:01:58,589 I thought I was chosen because I was really good, 1187 01:01:59,215 --> 01:02:00,591 not because I was Black. 1188 01:02:02,844 --> 01:02:05,346 But then I thought about it, and I said, 1189 01:02:06,222 --> 01:02:07,265 "I was good." 1190 01:02:10,643 --> 01:02:14,689 [Karen] We have two and a half days in the theater 1191 01:02:14,772 --> 01:02:16,649 to get ready for opening night. 1192 01:02:16,733 --> 01:02:18,651 [Cathie] Are you on the line? Are you on the line? 1193 01:02:18,735 --> 01:02:22,321 Load-in has to happen first, then everybody's trying to get-- wonder, 1194 01:02:22,405 --> 01:02:24,198 "When are we getting on stage for tech?" 1195 01:02:24,282 --> 01:02:27,410 So Miss Allen brings in the people who fly first, 1196 01:02:27,493 --> 01:02:29,078 and then maybe the mice, 1197 01:02:29,162 --> 01:02:32,749 and then the smaller groups get to do what they need to do, 1198 01:02:32,832 --> 01:02:33,875 and then the masses happen. 1199 01:02:35,668 --> 01:02:37,962 Uh, no, no, no, no. Where are you going? No. 1200 01:02:38,045 --> 01:02:39,505 Straight line. No, no, no. 1201 01:02:39,589 --> 01:02:43,009 -[You can't hear it upstairs-- -[Debbie] We need to figure that out. 1202 01:02:43,092 --> 01:02:44,260 [chattering] 1203 01:02:47,305 --> 01:02:49,015 -[Debbie] Unify us. -[cast] Unify us. 1204 01:02:49,098 --> 01:02:50,683 -Don't divide us. -Don't divide us. 1205 01:02:50,767 --> 01:02:52,268 -Unify us. -Unify us. 1206 01:02:52,351 --> 01:02:53,686 -Don't divide us. -Don't divide us. 1207 01:02:53,770 --> 01:02:55,772 -Unify us. -Unify us. 1208 01:02:55,855 --> 01:02:57,565 -Don't divide us. -Don't divide us. 1209 01:02:57,648 --> 01:02:59,233 -May this ring. -May this ring. 1210 01:02:59,317 --> 01:03:00,735 -Of our power. -Of our power. 1211 01:03:00,818 --> 01:03:02,153 -Of our passion. -Of our passion. 1212 01:03:02,236 --> 01:03:03,946 -Of our joy. -Of our joy. 1213 01:03:04,030 --> 01:03:06,199 -Of our joy. -Of our joy. 1214 01:03:06,282 --> 01:03:07,909 -Remain. -Remain. 1215 01:03:07,992 --> 01:03:09,577 -Complete. -Complete. 1216 01:03:09,660 --> 01:03:11,621 -Forever. -Forever. 1217 01:03:11,704 --> 01:03:13,623 -With Hot Chocolate. -Hot Chocolate. 1218 01:03:13,706 --> 01:03:15,208 -Hot Chocolate. -Hot Chocolate. 1219 01:03:15,291 --> 01:03:17,919 -Hot Chocolate Nutcracker! -Hot Chocolate Nutcracker! 1220 01:03:18,002 --> 01:03:23,549 -Hot Chocolate Nutcracker! -Hot Chocolate Nutcracker! 1221 01:03:23,633 --> 01:03:26,427 All right, so April is our Fairy Queen today. 1222 01:03:26,511 --> 01:03:27,553 Good luck, April! 1223 01:03:27,637 --> 01:03:28,513 [cast cheering] 1224 01:03:31,224 --> 01:03:35,228 And we're welcoming back Prince-- Kris Nobles as our Prince. 1225 01:03:35,311 --> 01:03:36,229 [cast whooping] 1226 01:03:37,814 --> 01:03:40,399 All right, sign up for your theater tickets 1227 01:03:41,609 --> 01:03:44,362 and get ready for the show. I'll see you on the stage. 1228 01:03:51,452 --> 01:03:55,039 [Karen] We start what we call the children's performances. 1229 01:03:55,122 --> 01:03:56,582 Whatever theater we're in, 1230 01:03:56,666 --> 01:04:00,920 children are invited from everywhere around Los Angeles 1231 01:04:01,003 --> 01:04:03,464 to come in and see the Hot Chocolate Nutcracker, 1232 01:04:03,548 --> 01:04:07,593 so children get to see the very first performance every year. 1233 01:04:07,677 --> 01:04:08,970 [uplifting music playing] 1234 01:04:24,861 --> 01:04:28,406 [Debbie] Welcome, you all, to the Hot Chocolate Nutcracker. 1235 01:04:28,489 --> 01:04:30,324 [audience cheering, applauding] 1236 01:04:33,411 --> 01:04:36,080 My name is Debbie Allen, and I'm here to… 1237 01:04:36,163 --> 01:04:37,415 [audience cheering] 1238 01:04:39,333 --> 01:04:40,293 [Debbie] Thank you. 1239 01:04:40,835 --> 01:04:43,921 When you watch the show today, I want you to think about, 1240 01:04:44,005 --> 01:04:45,089 what do you wanna be? 1241 01:04:45,172 --> 01:04:47,216 Do you wanna be one of the dancers up here? 1242 01:04:47,300 --> 01:04:49,260 Do you wanna be one of the singers? 1243 01:04:49,343 --> 01:04:51,804 Do you wanna design the costumes? 1244 01:04:51,888 --> 01:04:53,806 Do you wanna do the makeup? 1245 01:04:53,890 --> 01:04:55,558 Do you wanna do the lighting? 1246 01:04:55,641 --> 01:04:57,643 There are many opportunities. 1247 01:04:57,727 --> 01:04:59,520 -Okay? -[audience applauding] 1248 01:04:59,604 --> 01:05:04,025 All right, so, I gotta go and get into character. 1249 01:05:04,108 --> 01:05:06,152 [in a mousy voice] I gotta go! I gotta go! I gotta go! 1250 01:05:06,235 --> 01:05:08,738 I gotta go get-- get my character together. 1251 01:05:08,821 --> 01:05:10,948 I'm running. I'll see you later! 1252 01:05:11,032 --> 01:05:12,950 [audience cheering, applauding] 1253 01:05:15,828 --> 01:05:17,830 [audience applauding, whooping] 1254 01:05:28,507 --> 01:05:31,177 ♪ Hang on the mistletoe ♪ 1255 01:05:31,260 --> 01:05:35,222 ♪ I'm gonna get to know you better ♪ 1256 01:05:36,557 --> 01:05:38,476 -[adult male singer and kids] ♪ This Christmas ♪ 1257 01:05:38,559 --> 01:05:41,562 [Nicholas] It's Christmas, and everybody's having the big, fun party, 1258 01:05:41,646 --> 01:05:44,065 but then Frankie, Kara's brother, 1259 01:05:44,148 --> 01:05:47,318 he gets jealous that Kara gets the Nutcracker instead of him. 1260 01:05:47,401 --> 01:05:50,529 So him and his friends try to steal the Nutcracker from her, 1261 01:05:50,613 --> 01:05:52,907 but then the Nutcracker breaks. 1262 01:05:52,990 --> 01:05:56,077 So then, she gets sad, then magic happens, 1263 01:05:56,160 --> 01:05:58,496 and she's going to all these different places. 1264 01:05:58,579 --> 01:06:00,122 [solemn music playing] 1265 01:06:02,208 --> 01:06:04,585 [Jalyn] I was just really nervous before I went on, 1266 01:06:04,669 --> 01:06:07,588 and my mom was backstage, helping me get ready. 1267 01:06:08,089 --> 01:06:11,384 And she was just telling me, "Whatever happens, you can't change it, 1268 01:06:11,467 --> 01:06:14,553 but, as long as you do your best, you know it's gonna be okay." 1269 01:06:14,637 --> 01:06:16,847 And that's what helped me get through the show. 1270 01:06:22,019 --> 01:06:26,107 What makes me happiest about this place is to watch their faces. 1271 01:06:26,190 --> 01:06:28,859 Some of them that have never been in theater before 1272 01:06:28,943 --> 01:06:30,569 get standing ovations, 1273 01:06:31,278 --> 01:06:33,155 and to watch their faces, it's like… 1274 01:06:33,948 --> 01:06:34,865 it's unbelievable. 1275 01:06:34,949 --> 01:06:36,325 [epic music playing] 1276 01:06:39,745 --> 01:06:41,747 [Eartha] You wanna keep growing. 1277 01:06:41,831 --> 01:06:44,500 You never feel that you have arrived, or you've made it, 1278 01:06:44,583 --> 01:06:46,210 or there's nothing else left. 1279 01:06:46,836 --> 01:06:50,756 Always keep growing. Open yourself up to greater possibilities. 1280 01:06:50,840 --> 01:06:52,842 This is what they take away with them. 1281 01:06:53,843 --> 01:06:54,844 [music stops] 1282 01:06:54,927 --> 01:06:56,554 [audience applauding, whooping] 1283 01:06:58,139 --> 01:06:59,140 [applause fades] 1284 01:06:59,807 --> 01:07:01,809 [cicadas singing] 1285 01:07:01,892 --> 01:07:03,894 [mysterious music playing] 1286 01:07:11,152 --> 01:07:15,197 [Karen] The process, from September to December, 1287 01:07:15,281 --> 01:07:16,741 it's pretty intense 1288 01:07:16,824 --> 01:07:19,410 Those students who participate, 1289 01:07:19,910 --> 01:07:23,622 I would say, grow tenfold, 1290 01:07:24,290 --> 01:07:25,958 in learning their craft, 1291 01:07:26,042 --> 01:07:28,294 in becoming a family, 1292 01:07:28,377 --> 01:07:32,798 being on stage in front of 1,800 people, 1293 01:07:32,882 --> 01:07:34,508 bearing their soul. 1294 01:07:34,592 --> 01:07:37,928 Children are not the same once they do the Hot Chocolate Nutcracker. 1295 01:07:38,012 --> 01:07:39,847 They're brand-new. 1296 01:07:41,515 --> 01:07:44,977 [Chantel] Some of these kids had no idea that they even want to dance, 1297 01:07:45,061 --> 01:07:48,939 but when they're introduced to it and fall in love, it's something special. 1298 01:07:49,023 --> 01:07:53,903 And then some of them are off on Broadway, doing things they never thought they could 1299 01:07:53,986 --> 01:07:56,822 and I think that's what the arts does for people. 1300 01:07:56,906 --> 01:07:59,950 It can take you wherever you want to be in the world. 1301 01:08:00,034 --> 01:08:01,285 [Bollywood music playing] 1302 01:08:07,416 --> 01:08:12,254 [Vivian] As a dancer, it takes discipline and determination 1303 01:08:12,338 --> 01:08:16,342 and the willingness to continue, 1304 01:08:16,425 --> 01:08:19,386 no matter how many times you fall down. 1305 01:08:20,346 --> 01:08:21,847 [music stops] 1306 01:08:21,931 --> 01:08:25,476 Because success is one step beyond failure. 1307 01:08:25,559 --> 01:08:26,977 [percussive music playing] 1308 01:08:39,949 --> 01:08:43,119 [Savoy] My dream, dream, dream school is USC. 1309 01:08:43,202 --> 01:08:46,413 My audition is in, like, a couple weeks, 1310 01:08:46,497 --> 01:08:48,624 so I'm freaking out a little bit, but, like, 1311 01:08:48,707 --> 01:08:52,253 it's cool-- I got a new leotard for it. My mom bought me a new leotard. [laughs] 1312 01:09:04,473 --> 01:09:06,642 -[music stops] -[audience applauds, whoops] 1313 01:09:06,725 --> 01:09:08,227 [rhythmic jazz music playing] 1314 01:09:13,899 --> 01:09:15,901 [JoAnn] One day, I had a long talk with my friend, 1315 01:09:15,985 --> 01:09:18,154 and she told me, like, "You need to teach." 1316 01:09:18,237 --> 01:09:21,574 I'm like, "Really? I didn't know." She's like, "Yeah, that's your thing." 1317 01:09:21,657 --> 01:09:23,492 I taught my first class, and it was like, 1318 01:09:23,576 --> 01:09:27,663 "Wow, like, I do like to teach. Maybe I should continue doing this." 1319 01:09:35,671 --> 01:09:38,007 [Chantel] The kids forget sometimes when we're teaching them… 1320 01:09:38,090 --> 01:09:42,887 They think that, "Oh, they must be old," and, "Oh, they don't do this anymore." 1321 01:09:42,970 --> 01:09:46,765 They don't get to see the-- the-- the professional side of what we still do. 1322 01:09:46,849 --> 01:09:49,393 So here I am, the teacher one day, 1323 01:09:49,476 --> 01:09:52,479 but in that audition, with some of these major artists, 1324 01:09:52,563 --> 01:09:53,689 on tours, 1325 01:09:53,772 --> 01:09:57,526 I'm right there in the same playing field as some of my students. 1326 01:09:58,360 --> 01:10:00,196 It's good. It's healthy competition. 1327 01:10:04,658 --> 01:10:08,370 [Giana] Some surprises happen during the teaching years. 1328 01:10:08,454 --> 01:10:11,582 Some student that doesn't look very promising, 1329 01:10:11,665 --> 01:10:15,044 through the hard work and open mind, 1330 01:10:15,127 --> 01:10:16,837 will jump up. 1331 01:10:18,380 --> 01:10:20,716 [percussive music playing] 1332 01:10:32,144 --> 01:10:33,687 [hip-hop music playing] 1333 01:10:55,542 --> 01:10:58,462 If I ever make my own dance studio, I want it to be, like, 1334 01:10:58,545 --> 01:11:02,716 a dance studio where you can come and pay how much you're able to pay. 1335 01:11:02,800 --> 01:11:06,553 There's a lot of good dancers out there, and they just-- they're not in dance class 1336 01:11:06,637 --> 01:11:08,180 'cause they don't have enough money. 1337 01:11:08,264 --> 01:11:10,182 [scatting and percussion playing] 1338 01:11:23,112 --> 01:11:27,032 [Savion] They can take this information and go on and be better dancers. 1339 01:11:27,116 --> 01:11:31,662 They can take this information and go on to be better humans, humanitarians. 1340 01:11:31,745 --> 01:11:34,790 It's the learning. It's the teaching. It's how they receive it. 1341 01:11:34,873 --> 01:11:37,835 I want them to just walk out different. 1342 01:11:37,918 --> 01:11:39,336 [classical music playing] 1343 01:11:43,257 --> 01:11:44,591 [Lauren] I love the way… 1344 01:11:46,176 --> 01:11:48,012 it felt to become music. 1345 01:11:48,846 --> 01:11:52,057 If you could physically think of what it feels like to be music, 1346 01:11:52,725 --> 01:11:54,727 to physically become music, 1347 01:11:55,436 --> 01:11:56,937 that's what it's like dancing. 1348 01:11:57,604 --> 01:12:01,942 Like… to become the note or the instrument or the beat. 1349 01:12:05,321 --> 01:12:08,198 -That's what it's like to dance. -[applauding in distance] 1350 01:12:11,994 --> 01:12:13,746 [Kylie] By the end of my recovery period, 1351 01:12:13,829 --> 01:12:18,125 Miss Allen called to ask if I wanted to do the Fairy Queen part. 1352 01:12:18,709 --> 01:12:24,590 And I was scared. I was so scared because I knew that Miss Allen called, 1353 01:12:24,673 --> 01:12:30,179 that means I am gonna have to get back to the real work. 1354 01:12:43,734 --> 01:12:48,113 It was hard, but doing Fairy Queen made me wanna dance again. 1355 01:12:48,197 --> 01:12:50,407 Like, I got that… like, that fight back. 1356 01:12:51,241 --> 01:12:53,827 I don't know how. I don´t, like, know what made it, 1357 01:12:53,911 --> 01:12:55,913 but maybe because I had to overcome myself. 1358 01:13:02,461 --> 01:13:04,713 [April] I think the biggest sacrifice is… 1359 01:13:04,797 --> 01:13:05,964 time. 1360 01:13:06,048 --> 01:13:09,635 You spend so much time training and training and training. 1361 01:13:10,302 --> 01:13:12,179 You sometimes just have to sacrifice 1362 01:13:12,262 --> 01:13:15,557 the regular middle-school, high-school life 1363 01:13:15,641 --> 01:13:17,768 so when you're 20-something, 1364 01:13:18,352 --> 01:13:19,770 you're phenomenal. 1365 01:13:23,649 --> 01:13:26,402 [Karen] There's something about dance… 1366 01:13:26,485 --> 01:13:29,905 When you know you're leaving your first dancing school, 1367 01:13:29,988 --> 01:13:32,658 and you're getting ready to go out into the world, 1368 01:13:33,325 --> 01:13:37,246 with that wealth of information that you've been receiving 1369 01:13:37,329 --> 01:13:41,375 since you were five years old or seven years old or eight years old 1370 01:13:41,458 --> 01:13:45,754 is no longer just in your head, but it is in your body. 1371 01:13:45,838 --> 01:13:48,674 It's in the way you talk. It's in the way you walk. 1372 01:13:50,175 --> 01:13:52,136 That's when you become a dancer. 1373 01:13:52,219 --> 01:13:56,807 When the essence of what it is and the essence of who you are 1374 01:13:56,890 --> 01:13:58,934 come together as one, 1375 01:13:59,726 --> 01:14:02,354 that's when you become an artist. 1376 01:14:12,448 --> 01:14:14,408 [audience laughs softly] 1377 01:14:16,410 --> 01:14:18,579 [applauding gradually intensifies] 1378 01:14:19,997 --> 01:14:22,583 This is a lifelong proposition. 1379 01:14:24,334 --> 01:14:25,669 It's a marriage. 1380 01:14:26,253 --> 01:14:29,798 It is, and it's one that I want to see… 1381 01:14:31,175 --> 01:14:33,469 have a continuation. 1382 01:14:34,470 --> 01:14:39,099 So that even past my prime or ability to do what I do, 1383 01:14:39,183 --> 01:14:40,809 it will keep going. 1384 01:14:42,019 --> 01:14:44,229 'Cause I'm always gonna be one of those kids. 1385 01:14:44,771 --> 01:14:45,981 I don't care if I'm 90. 1386 01:14:46,064 --> 01:14:48,525 I'm always, in my heart, one of those kids 1387 01:14:48,609 --> 01:14:50,360 looking for that opportunity, 1388 01:14:50,444 --> 01:14:52,446 looking for who's gonna train me, 1389 01:14:52,529 --> 01:14:55,657 how am I gonna get to be who I really know I could be? 1390 01:14:55,741 --> 01:14:57,242 Where's my opportunity? 1391 01:14:57,951 --> 01:15:00,871 I'm always gonna be one of those kids in my heart. 1392 01:15:02,164 --> 01:15:04,583 ["All I Want For Christmas Is You" intro playing] 1393 01:15:08,670 --> 01:15:12,007 So listen to me. Front line, you're the first ones out. 1394 01:15:12,090 --> 01:15:14,676 If you're not perfect, everything else is a disaster. 1395 01:15:15,177 --> 01:15:18,138 You have to be what? Perfect. 1396 01:15:18,222 --> 01:15:22,059 [female singer] ♪ Underneath the Christmas tree ♪ 1397 01:15:22,142 --> 01:15:25,145 [male singer] ♪ I just want you for my own ♪ 1398 01:15:25,938 --> 01:15:30,400 [female singer] ♪ More than you can ever know ♪ 1399 01:15:30,484 --> 01:15:36,782 ♪ Make my wish come true ♪ 1400 01:15:36,865 --> 01:15:42,621 ♪ All I want for Christmas… ♪ 1401 01:15:42,704 --> 01:15:45,123 -[female singer holding note] -[audience applauding] 1402 01:15:47,543 --> 01:15:50,546 -♪ Is you ♪ -[song continues] 1403 01:15:51,755 --> 01:15:54,508 [Debbie] Five, six, five, six, go, 1404 01:15:54,591 --> 01:15:58,053 and one, two, three, four, five, six, seven, eight. 1405 01:15:58,136 --> 01:16:00,847 Two, two, three, four, five, six, seven, 1406 01:16:00,931 --> 01:16:01,765 and one. 1407 01:16:02,933 --> 01:16:03,976 Five, good! 1408 01:16:04,059 --> 01:16:07,646 And one, two, three, four, five, six, seven, eight. 1409 01:16:07,729 --> 01:16:08,689 Two, two, three… 1410 01:16:08,772 --> 01:16:11,817 [Jalyn] In ten years, I wanna be at the Royal Ballet. 1411 01:16:11,900 --> 01:16:15,571 It's my dream to go there and be able to dance on their stage, so… 1412 01:16:15,654 --> 01:16:17,155 [Debbie] Five, six, seven, eight. 1413 01:16:17,239 --> 01:16:19,283 One, two, three, four, five! 1414 01:16:20,284 --> 01:16:21,159 Go! 1415 01:16:23,370 --> 01:16:26,039 I wanna go to Stanford and double major in kinesiology and dance. 1416 01:16:26,123 --> 01:16:27,165 Ooh, look at you! [laughs] 1417 01:16:27,249 --> 01:16:29,668 [Debbie] Two, three, four, five, go. 1418 01:16:29,751 --> 01:16:32,838 [Cathie] One, two, three, four, five, six, seven, eight. 1419 01:16:32,921 --> 01:16:34,840 [female student 1] Hopefully, I'll become somebody 1420 01:16:34,923 --> 01:16:38,510 that changes the world, honestly, 'cause I-- I wanna see that happen. 1421 01:16:39,261 --> 01:16:42,931 [Cathie] One, two, three, four, five, six, seven and one. 1422 01:16:43,640 --> 01:16:45,434 And five, six, seven… 1423 01:16:45,517 --> 01:16:47,144 I wanna be, like, a well-known dancer. 1424 01:16:47,227 --> 01:16:49,646 Maybe a choreographer, but I love to dance. 1425 01:16:49,730 --> 01:16:51,773 Like, it's my passion. 1426 01:16:51,857 --> 01:16:55,193 [Cathie] One… drop, and here we go. 1427 01:16:55,277 --> 01:16:58,447 Probably be a lawyer, or-- and a dancer. 1428 01:16:59,072 --> 01:17:01,533 I'll probably have to do both of them at the same time. 1429 01:17:02,909 --> 01:17:06,747 [Cathie] Five, six, next, and one, two, three, four, five, six… 1430 01:17:06,830 --> 01:17:08,749 [female student 2] In five years, I just wanna be 1431 01:17:08,832 --> 01:17:11,376 in the college of my choice, dancing. 1432 01:17:11,460 --> 01:17:13,920 I just really wanna be… [clicks tongue] 1433 01:17:14,004 --> 01:17:15,422 …stable. 1434 01:17:18,383 --> 01:17:20,969 I wanna have a permanent role on a TV show 1435 01:17:21,053 --> 01:17:22,929 or in a movie or something. 1436 01:17:23,013 --> 01:17:26,475 [Cathie] One, two, three, four, five, six, seven, eight. 1437 01:17:27,100 --> 01:17:29,770 In five years, I want to travel, 1438 01:17:29,853 --> 01:17:32,522 either on Broadway or with a dance company. 1439 01:17:32,606 --> 01:17:35,942 [chorus] ♪ All I want for Christmas is you, baby ♪ 1440 01:17:36,026 --> 01:17:40,656 I wanna be a lot of things. I wanna be an author, an engineer, a dancer… 1441 01:17:41,615 --> 01:17:44,910 the president of the United States. [chuckles] 1442 01:17:49,164 --> 01:17:51,667 [audience applauding, whooping] 1443 01:17:54,336 --> 01:17:56,213 [male actor] Merry Christmas, everybody! 1444 01:17:56,296 --> 01:17:57,964 [electronic dance music playing] 1445 01:18:18,360 --> 01:18:20,028 I'm doing Kara for the first show, 1446 01:18:20,112 --> 01:18:22,781 and then I'm doing "Bollywood" for the second show. [chuckles] 1447 01:18:44,261 --> 01:18:46,263 [Wayne] I got accepted to be on Broadway 1448 01:18:46,346 --> 01:18:47,472 at 20 years old 1449 01:18:47,556 --> 01:18:49,266 for the production of The Prom. 1450 01:18:49,349 --> 01:18:51,727 I was talking to my mom, She was like, "We're not surprised." 1451 01:18:51,810 --> 01:18:54,771 I was like, "What? Wh-- Why?" She was like, "We all saw it." 1452 01:18:55,689 --> 01:18:58,442 Recently, I started acting. I'm on a show called Young Sheldon, 1453 01:18:58,525 --> 01:19:00,694 and I play, like, a recurring character called Tam. 1454 01:19:00,777 --> 01:19:03,029 This job is killing me. You wouldn't understand. 1455 01:19:03,113 --> 01:19:04,364 You realize I have a job? 1456 01:19:16,877 --> 01:19:18,503 [laughs]