1 00:00:03,003 --> 00:00:06,528 [SIREN] 2 00:00:06,571 --> 00:00:08,617 [TIRES SQUEALING] 3 00:00:29,159 --> 00:00:30,769 SHE'S NOT HERE. 4 00:00:30,813 --> 00:00:32,684 YOU STAY SHARP, MONTOYA. 5 00:00:38,081 --> 00:00:40,649 PAMELA ISLEY... 6 00:00:40,692 --> 00:00:41,998 SHOW YOURSELF! 7 00:00:42,042 --> 00:00:42,868 [LEAVES RUSTLING] 8 00:00:44,522 --> 00:00:46,089 SURRENDER, OR WE WILL USE FORCE! 9 00:00:49,527 --> 00:00:51,181 I'M RIGHT HERE. 10 00:00:51,225 --> 00:00:54,402 STOP! PLEASE. 11 00:00:54,445 --> 00:00:56,534 PLEASE DON'T MAKE ME DO THIS. 12 00:01:01,974 --> 00:01:04,803 OFFICER: TAKE THE SHOT, MONTOYA. 13 00:01:12,681 --> 00:01:14,900 RENEE: NO! 14 00:01:14,944 --> 00:01:19,644 NO, NO, NO, NO, NO! NO! 15 00:01:19,688 --> 00:01:23,387 WHY ARE YOU DOING THIS? 16 00:01:23,431 --> 00:01:26,129 BECAUSE SOMEONE HAS TO CARE. 17 00:01:26,173 --> 00:01:27,870 [GAGGING] 18 00:01:48,804 --> 00:01:51,111 FLORA & FAWNA: ♪ BABY, TAKE IT SLOW 19 00:01:54,331 --> 00:01:56,681 ♪ TURN THE LIGHTS DOWN LOW 20 00:01:56,725 --> 00:01:59,554 ♪ TAKE IT SLOW, TAKE IT SLOW, SLOW ♪ 21 00:01:59,597 --> 00:02:04,385 VERY FEW PEOPLE CAN PULL OFF GREEN WITH ANY SWAGGER, 22 00:02:04,428 --> 00:02:05,168 BUT I ACTUALLY DON'T HATE THIS FOR YOU. 23 00:02:08,302 --> 00:02:11,087 AHH. YEAH. IT'S INTERESTING. 24 00:02:11,131 --> 00:02:13,655 I, UM--I'M SORRY. 25 00:02:13,698 --> 00:02:16,179 I'VE NEVER BEEN IN A POSITION BEFORE 26 00:02:16,223 --> 00:02:18,616 WHERE I COULDN'T BE HONEST BECAUSE I WAS 27 00:02:18,660 --> 00:02:19,835 WORRIED ABOUT HURTING SOMEONE'S FEELINGS, SO I'M STALLING. 28 00:02:19,878 --> 00:02:23,360 AW! I THINK THAT'S THE SWEETEST THING 29 00:02:23,404 --> 00:02:24,318 YOU'VE EVER SAID TO ME. 30 00:02:24,361 --> 00:02:26,015 [LATCH TURNING] 31 00:02:26,058 --> 00:02:28,191 -DID YOU ORDER MORE FOOD? -NO. 32 00:02:30,411 --> 00:02:33,327 -DID YOU ORDER MORE STRIPPERS? -UM... 33 00:02:33,370 --> 00:02:36,112 MS. HAMILTON, IT'S TIME TO ASK YOU 34 00:02:36,156 --> 00:02:38,027 TO PACK YOUR THINGS AND PART WAYS WITH US. 35 00:02:38,070 --> 00:02:40,464 UM, RUDE. 36 00:02:40,508 --> 00:02:42,292 YOU'VE RACKED UP AN $8,000 BILL 37 00:02:42,336 --> 00:02:46,383 WITHOUT SHOWING ANY ABILITY TO PAY FOR IT. 38 00:02:46,427 --> 00:02:48,037 OH! I TOLD THE LADY AT THE DESK 10 TIMES 39 00:02:48,080 --> 00:02:51,606 TRY ALL MY OTHER CARDS. 40 00:02:51,649 --> 00:02:53,869 THEY'VE ALL BEEN DECLINED, MS. HAMILTON. 41 00:02:53,912 --> 00:02:56,045 OH, ACTUALLY, IT'S DR. HAMILTON. 42 00:02:56,088 --> 00:02:57,525 IT'S NOT MS. 43 00:02:57,568 --> 00:03:02,269 I'M AFRAID I NEED TO ASK YOU TO LEAVE, 44 00:03:02,312 --> 00:03:04,793 OR THE METROPOLIS PD WILL BE ESCORTING YOU OUT. 45 00:03:12,496 --> 00:03:14,803 THIS IS ALL A MISUNDERSTANDING. 46 00:03:14,846 --> 00:03:18,459 GIVE ME SOME TIME TO FIGURE IT OUT. 47 00:03:18,502 --> 00:03:21,505 PLEASE TAKE ALL THE TIME YOU NEED. 48 00:03:21,549 --> 00:03:23,594 WE'LL ACCEPT YOUR APOLOGY 49 00:03:23,638 --> 00:03:26,206 AND A COMPLIMENTARY BOTTLE OF DOM 50 00:03:26,249 --> 00:03:26,945 FOR THE INCONVENIENCE. 51 00:03:26,989 --> 00:03:29,252 YOU'RE VERY KIND, MA'AM. 52 00:03:29,296 --> 00:03:31,341 HA! I KNOW. 53 00:03:35,040 --> 00:03:36,825 [DOOR SHUTS] 54 00:03:36,868 --> 00:03:39,654 DID THE BAT BITCHES CUT ME OFF? 55 00:03:39,697 --> 00:03:42,265 ALL YOUR FANCY DEGREES, AND YOU DIDN'T SEE THAT COMING? 56 00:03:42,309 --> 00:03:44,267 I THOUGHT WE WERE PAST THIS. 57 00:03:44,311 --> 00:03:46,051 I MEAN, ONE WOULD THINK THAT NEARLY VINE-SQUEEZING 58 00:03:46,095 --> 00:03:50,317 THE LIFE OUT OF YOUR BESTIE AND THEN CRUSHING 59 00:03:50,360 --> 00:03:52,144 THE ONLY CURE FOR YOU IN EXISTENCE 60 00:03:52,188 --> 00:03:53,581 WAS A PRETTY GOOD INDICATOR 61 00:03:53,624 --> 00:03:56,801 THAT IT WAS TIME TO MOVE ON FROM THE FRIENDSHIP. 62 00:03:56,845 --> 00:03:58,890 ANYONE ELSE FIND IT IRONIC THAT WHEN I BEG 63 00:03:58,934 --> 00:04:01,415 RYAN AND LUKE FOR THEIR ATTENTION 64 00:04:01,458 --> 00:04:03,199 THEY'RE TOO BUSY WITH THEIR OWN DRAMA, 65 00:04:03,243 --> 00:04:04,069 BUT THEN WHEN I FINALLY STEP AWAY 66 00:04:04,113 --> 00:04:06,463 FOR SOME MUCH-NEEDED ME TIME, 67 00:04:06,507 --> 00:04:09,771 MARY HAMILTON IS THE COVETED BATMISSION OF THE WEEK? 68 00:04:09,814 --> 00:04:13,253 IF THIS IS A LECTURE ON BEING BATWOMAN'S MOST WANTED, 69 00:04:13,296 --> 00:04:15,255 TRUST ME, I ALREADY TOOK THE EXAM. 70 00:04:15,298 --> 00:04:18,649 WELL, WHAT DO I DO? 71 00:04:18,693 --> 00:04:19,215 UH, YOU KILL THEM IMMEDIATELY. 72 00:04:19,259 --> 00:04:20,129 ALICE. 73 00:04:22,871 --> 00:04:27,441 FINE. AS SOMEONE WHO HAD A SO-CALLED FAMILY MEMBER OBSESSED 74 00:04:27,484 --> 00:04:29,269 WITH THE IDEA THAT I COULD CHANGE, 75 00:04:29,312 --> 00:04:32,315 HERE'S WHAT YOU DO. 76 00:04:32,359 --> 00:04:35,579 YOU MAKE YOUR FRIENDS HATE YOU SO MUCH 77 00:04:35,623 --> 00:04:35,971 THAT THEY WANT TO GIVE UP ON YOU. 78 00:05:15,402 --> 00:05:16,185 RENEE: FLOWERS AREN'T A FIX-ALL, PAM. 79 00:05:16,228 --> 00:05:19,841 MY PARTNER LOST A KIDNEY. 80 00:05:19,884 --> 00:05:21,408 BUT THEY'RE WHITE TULIPS. 81 00:05:21,451 --> 00:05:24,106 TECHNICALLY FROM THE LILIACEAE FAMILY. 82 00:05:24,149 --> 00:05:28,632 THEY SYMBOLIZE FORGIVENESS. 83 00:05:28,676 --> 00:05:29,851 WOULD YOU RATHER IT BE A KIDNEY? 84 00:05:29,894 --> 00:05:33,158 HA! 85 00:05:33,202 --> 00:05:33,811 I'M TRYING HERE, RENEE. 86 00:05:33,855 --> 00:05:35,944 HE COULD HAVE DIED. 87 00:05:35,987 --> 00:05:36,597 HE WAS GOING TO SHOOT ME. 88 00:05:36,640 --> 00:05:38,425 BECAUSE I COULDN'T. 89 00:05:38,468 --> 00:05:40,775 I'M SUPPOSED TO HAVE HIS BACK. 90 00:05:40,818 --> 00:05:41,863 NO. YOU'RE SUPPOSED TO HAVE MY BACK. 91 00:05:41,906 --> 00:05:45,867 OHH. DON'T YOU SEE HOW UNFAIR THAT IS? 92 00:05:45,910 --> 00:05:47,390 I TOOK AN OATH TO UPHOLD THE LAW, 93 00:05:47,434 --> 00:05:48,826 AND YOU'RE OUT THERE BREAKING IT CONSTANTLY 94 00:05:48,870 --> 00:05:51,263 FOR THE SAKE OF WHAT-- MOTHER NATURE? 95 00:05:54,615 --> 00:05:58,967 I KNOW GLOBAL WARMING, WATER SHORTAGE, 96 00:05:59,010 --> 00:06:00,272 EXTINCTION OF SPECIES IS AN INCONVENIENT THOUGHT FOR YOU, 97 00:06:00,316 --> 00:06:04,799 BUT UNFORTUNATELY, THIS REUSABLE COFFEE MUG 98 00:06:04,842 --> 00:06:05,277 ISN'T THE SOLUTION. 99 00:06:08,411 --> 00:06:10,631 WHAT IS THE SOLUTION THEN? 100 00:06:10,674 --> 00:06:13,590 QUITTING YOUR JOB, OSTRACIZING OUR FRIENDS, 101 00:06:13,634 --> 00:06:15,418 BECOMING SO OBSESSED TO THE POINT 102 00:06:15,462 --> 00:06:17,464 WHERE I DON'T EVEN RECOGNIZE YOU? 103 00:06:18,508 --> 00:06:19,814 ARE YOU COMING WITH ME OR NOT? 104 00:06:24,906 --> 00:06:26,603 NOT IF YOU GO WHERE I CAN'T FOLLOW YOU. 105 00:06:26,647 --> 00:06:30,128 STAY HERE. STAY THE... 106 00:06:30,172 --> 00:06:32,783 QUIRKY, BRILLIANT SCIENTIST WHO LOVES READING AND BASEBALL 107 00:06:32,827 --> 00:06:34,176 THAT I FELL IN LOVE WITH A DECADE AGO. 108 00:06:34,219 --> 00:06:38,006 SHE'S GONE. 109 00:06:38,049 --> 00:06:40,269 SHE'S BLOSSOMED INTO SOMEONE WHO CAN STAND UP FOR HERSELF 110 00:06:40,312 --> 00:06:43,751 AND, MORE IMPORTANTLY, FOR THOSE THINGS THAT CAN'T. 111 00:06:59,854 --> 00:07:01,812 LUKE: I FROZE MARY'S BANK ACCOUNTS. I THINK. 112 00:07:01,856 --> 00:07:05,599 INTERNET'S CUT OUT 10 TIMES. 113 00:07:05,642 --> 00:07:06,208 AND NOW I HAVE THE SPINNING WHEEL OF DEATH. 114 00:07:06,251 --> 00:07:09,385 THAT'S...AWESOME. 115 00:07:09,429 --> 00:07:11,648 SOPHIE: DOES ASBESTOS HAVE A SMELL? 116 00:07:11,692 --> 00:07:12,606 ANYONE SMELL THAT? 117 00:07:12,649 --> 00:07:14,477 RYAN: DEAD RAT IN THE WALL. 118 00:07:14,521 --> 00:07:15,347 GIVE IT 3 DAYS. IT'LL PASS. 119 00:07:15,391 --> 00:07:16,871 RENEE: WE DON'T HAVE 3 DAYS. 120 00:07:16,914 --> 00:07:19,177 YOU SAW HER CLINIC. 121 00:07:19,221 --> 00:07:21,484 IT'S COMPLETELY OVERRUN BY PLANT LIFE. 122 00:07:21,528 --> 00:07:23,181 YOU DON'T FIND THAT SYMBOLIC? 123 00:07:23,225 --> 00:07:24,052 WE WON'T LET HER FORGET WHO SHE IS. 124 00:07:24,095 --> 00:07:25,967 OH, HOPE. THAT'S SWEET. 125 00:07:26,010 --> 00:07:29,405 HOW'S THAT WORKING OUT FOR YOU? 126 00:07:29,449 --> 00:07:32,408 I'M SORRY. I LEFT MY SARCASM METER 127 00:07:32,452 --> 00:07:34,497 IN THE BATCAVE I NO LONGER HAVE ACCESS TO. 128 00:07:34,541 --> 00:07:36,368 IS THERE SOMETHING YOU WOULD LIKE TO SAY TO ME? 129 00:07:36,412 --> 00:07:38,153 TAKE OFF THE KID GLOVES, RYAN. 130 00:07:38,196 --> 00:07:40,242 -KID GLOVES? -YOU WOULDN'T HAVE MARQUIS 131 00:07:40,285 --> 00:07:42,026 ARRESTED BECAUSE HE'S FAMILY. 132 00:07:42,070 --> 00:07:43,724 YOU UNDERESTIMATED MARY BECAUSE SHE'S YOUR FRIEND, 133 00:07:43,767 --> 00:07:45,856 AND NOW YOU'RE LOCKED OUT OF YOUR BATCAVE 134 00:07:45,900 --> 00:07:47,379 AND YOUR BESTIE'S ON THE LAM 135 00:07:47,423 --> 00:07:49,512 WITH A SERIAL KILLER. 136 00:07:49,556 --> 00:07:50,644 JUMP IN IF I'M MISSING ANYTHING. 137 00:07:50,687 --> 00:07:51,471 OK. WHAT THE HELL WAS I SUPPOSED TO DO, 138 00:07:51,514 --> 00:07:53,908 PUMMEL MARY WITH BATARANGS, 139 00:07:53,951 --> 00:07:55,300 LET THEM THROW MARQUIS IN ARKHAM FOR A BRAIN INJURY 140 00:07:55,344 --> 00:07:57,607 THAT ISN'T HIS FAULT? 141 00:07:57,651 --> 00:07:59,783 IT'S CALLED MAKING HARD CHOICES. 142 00:07:59,827 --> 00:08:00,697 WHY ARE WE EVEN HERE? THERE WASN'T A TOXIC SEWER 143 00:08:00,741 --> 00:08:02,960 WITH WI-FI ACCESS? 144 00:08:03,004 --> 00:08:05,920 RENEE'S NOT WRONG, RYAN. 145 00:08:05,963 --> 00:08:07,922 WE NEED A HARDER STANCE. 146 00:08:07,965 --> 00:08:08,662 BY AGREEING WITH THE WOMAN 147 00:08:08,705 --> 00:08:10,925 WHO'S BLACKMAILING ME 148 00:08:10,968 --> 00:08:12,796 BECAUSE YOU'RE SLEEPING WITH HER? 149 00:08:12,840 --> 00:08:15,059 LUKE: AHEM. WOW. UM, I THINK I SMELL THAT ASBESTOS. 150 00:08:15,103 --> 00:08:16,321 MAYBE WE SHOULD GO GET SOME AIR. 151 00:08:16,365 --> 00:08:19,150 RENEE: LOOK. I GET IT. MARY'S YOUR FRIEND. 152 00:08:19,194 --> 00:08:20,325 I THOUGHT I COULD PLEAD AND HOPE 153 00:08:20,369 --> 00:08:21,675 AND RATIONALIZE WITH PAM, TOO. 154 00:08:21,718 --> 00:08:24,460 IT DIDN'T WORK. EVENTUALLY, IT GOT TO THE POINT 155 00:08:24,504 --> 00:08:25,548 WHERE SHE MADE ME CHOOSE-- 156 00:08:25,592 --> 00:08:26,854 MY OBLIGATION TO THE CITY OR HER. 157 00:08:26,897 --> 00:08:29,117 SO WHAT DID YOU DO? 158 00:08:30,553 --> 00:08:34,383 SOMETHING PAM WILL NEVER FORGIVE ME FOR. 159 00:08:34,426 --> 00:08:35,732 I SOLD MY SOUL TO BATMAN. 160 00:08:35,776 --> 00:08:37,952 HE KNEW HE COULDN'T TRUST ARKHAM TO CONTAIN HER, 161 00:08:37,995 --> 00:08:39,562 SO HE DEVELOPED A DESICCATION SERUM 162 00:08:39,606 --> 00:08:41,738 THAT MIMICKED THE PROCESS A PLANT GOES THROUGH 163 00:08:41,782 --> 00:08:43,479 WHEN IT'S DENIED WATER OR SUNLIGHT. 164 00:08:43,523 --> 00:08:45,699 THE DEVICE USED TO INJECT IT 165 00:08:45,742 --> 00:08:46,830 IS CODED TO THE SERUM, MEANING IT'S ALSO 166 00:08:46,874 --> 00:08:48,353 THE ONLY WAY TO EXTRACT IT FROM HER. 167 00:08:48,397 --> 00:08:50,791 LUKE: SO IF WE GOT MORE OF THE SERUM, 168 00:08:50,834 --> 00:08:51,443 WE COULD USE IT ON MARY? 169 00:08:51,487 --> 00:08:53,402 I HAVE THE DEVICE, 170 00:08:53,445 --> 00:08:55,622 BUT HE ONLY MADE ONE DOSE OF SERUM. 171 00:08:55,665 --> 00:08:56,361 IT'S CURRENTLY PUMPING THROUGH 172 00:08:56,405 --> 00:08:58,015 PAMELA'S BLOODSTREAM. 173 00:08:58,059 --> 00:08:59,321 -SO WHERE IS SHE? -NO ONE KNOWS. 174 00:08:59,364 --> 00:09:00,888 LUKE: OK, BUT IF WE FIND HER, 175 00:09:00,931 --> 00:09:02,019 THEN PRESUMABLY WE COULD SIPHON THE SERUM 176 00:09:02,063 --> 00:09:05,240 AND USE IT TO STOP MARY, RIGHT? 177 00:09:05,283 --> 00:09:07,068 WRONG! FIRST OF ALL, ACCIDENTALLY UNLEASHING 178 00:09:07,111 --> 00:09:10,854 AN ECOTERRORIST WOULD NOT BE A GOOD LOOK FOR US. 179 00:09:10,898 --> 00:09:12,377 SECOND, DO YOU KNOW WHAT DESICCATION MEANS? 180 00:09:12,421 --> 00:09:15,076 WE WOULD BE DEHYDRATING MARY TO THE BRINK OF DEATH. 181 00:09:15,119 --> 00:09:17,078 RENEE: NO. THE SERUM WAS JUST TO PUT PAM DOWN, 182 00:09:17,121 --> 00:09:19,646 AND THAT WAS 10 YEARS AGO. 183 00:09:19,689 --> 00:09:21,865 IF WE REMOVE IT, MY GUESS IS SHE STAYS DORMANT 184 00:09:21,909 --> 00:09:23,258 UNLESS SHE COMES INTO CONTACT WITH SUNLIGHT OR WATER. 185 00:09:23,301 --> 00:09:27,218 AS FOR POINT NUMBER TWO, KID GLOVES, RYAN. 186 00:09:27,262 --> 00:09:29,525 DID YOU HEAR WHAT RENEE JUST SAID? 187 00:09:29,569 --> 00:09:31,179 PAM WILL NEVER FORGIVE HER FOR WHAT SHE DID TO HER. 188 00:09:31,222 --> 00:09:33,050 WE ARE NOT PUTTING MARY THROUGH THAT SAME TORTURE 189 00:09:33,094 --> 00:09:34,704 SO SHE CAN HATE US, TOO. 190 00:09:34,748 --> 00:09:36,663 SOPHIE: THIS COULD BE OUR ONLY CHANCE TO SAVE MARY. 191 00:09:40,667 --> 00:09:43,539 THE TRUE MARY WOULD WANT US TO STOP HER 192 00:09:43,583 --> 00:09:45,106 BEFORE SHE CAN DO SOMETHING THAT SHE CAN'T TAKE BACK. 193 00:09:45,149 --> 00:09:46,281 WE CANNOT HELP HER UNLESS WE STOP HER. 194 00:09:53,288 --> 00:09:54,724 FINE. 195 00:09:58,728 --> 00:09:59,947 IF I WERE BATMAN, 196 00:09:59,990 --> 00:10:03,820 WHERE WOULD I STASH POISON IVY? 197 00:10:03,864 --> 00:10:05,387 OUR BEST BET IS THAT BRUCE WROTE ABOUT PAM ISLEY 198 00:10:05,430 --> 00:10:07,432 IN HIS JOURNALS, WHICH ARE IN THE BATCAVE HERE, 199 00:10:07,476 --> 00:10:09,652 BUT MARQUIS' STATE-OF-THE-ART INTERIOR 200 00:10:09,696 --> 00:10:10,697 AND EXTERIOR CAMERAS MEANS 201 00:10:10,740 --> 00:10:13,090 NO ROOF, BALCONY, OR GARAGE ACCESS. 202 00:10:13,134 --> 00:10:14,004 CAN YOU HACK INTO THE FEED AND BUY ME SOME TIME? 203 00:10:14,048 --> 00:10:16,441 -NOT WITH DIALUP. -MANPOWER? 204 00:10:16,485 --> 00:10:18,008 THERE'S 5 SECURITY GUARDS PER FLOOR. 205 00:10:18,052 --> 00:10:19,619 -DIGITAL UPGRADES? -ACCORDING TO OUR FORMER STAFF, 206 00:10:19,662 --> 00:10:22,534 EVERY EXECUTIVE ELEVATOR REQUIRES A THUMB SCAN, 207 00:10:22,578 --> 00:10:24,101 AND HIS OFFICE IS LOCKED WITH A RETINAL SCAN. 208 00:10:24,145 --> 00:10:25,276 SOPHIE: GUYS, WE'RE NOT GETTING INTO THIS BUILDING. 209 00:10:25,320 --> 00:10:28,018 [CELL PHONE RINGING] 210 00:10:28,062 --> 00:10:30,281 WHY IS MARQUIS CALLING ME? AM I SUPPOSED TO TAKE THIS? 211 00:10:30,325 --> 00:10:32,066 WHAT THE HELL DOES HE WANT? 212 00:10:32,109 --> 00:10:35,243 GUESS I'M ABOUT TO FIND OUT. 213 00:10:35,286 --> 00:10:38,594 I'M SORRY. I WAS A DETECTIVE FOR 8 YEARS, 214 00:10:38,638 --> 00:10:40,727 AND I'M JUST LEARNING NOW THAT... 215 00:10:40,770 --> 00:10:44,556 BRUCE WAYNE WAS...BATMAN? 216 00:10:44,600 --> 00:10:47,081 MARQUIS: WHAT UP, SIS? QUICK QUESTION FOR YOU. 217 00:10:47,124 --> 00:10:48,909 IS THIS THING LEGIT? 218 00:10:48,952 --> 00:10:49,866 WHAT DO YOU THINK I CAN HAWK IT FOR, 219 00:10:49,910 --> 00:10:52,042 A BUCK 50, TWO? 220 00:10:52,086 --> 00:10:54,131 WHAT ARE YOU DOING, MARQUIS? 221 00:10:54,175 --> 00:10:56,873 I'M REDECORATING MY OFFICE. 222 00:10:56,917 --> 00:10:58,309 YOU DO KNOW YOU HAD A CHESS SET, RIGHT? 223 00:10:58,353 --> 00:11:00,355 YOU SHOULD BE IN JAIL. 224 00:11:00,398 --> 00:11:01,878 OH! SAMESIES, SIS. 225 00:11:01,922 --> 00:11:03,488 REMEMBER WHEN YOU HAD ME KIDNAPPED? 226 00:11:03,532 --> 00:11:05,708 THAT'S ILLEGAL! TSK, TSK, TSK. 227 00:11:05,752 --> 00:11:07,928 YOU WANT TO CALL IT SIXES AND MOVE ON? 228 00:11:07,971 --> 00:11:09,712 YOU NEED HELP. YOU NEED A DOCTOR. 229 00:11:09,756 --> 00:11:11,453 IT'S NOT TOO LATE. 230 00:11:11,496 --> 00:11:13,716 -HOLD THAT THOUGHT. -SIR. 231 00:11:13,760 --> 00:11:14,891 THE PLANNER'S UPSTAIRS READY TO TAKE YOU 232 00:11:14,935 --> 00:11:16,284 THROUGH THE STAGING FOR THE PARTY TONIGHT, 233 00:11:16,327 --> 00:11:17,459 AND YOUR MASK IS HERE FOR A FITTING. 234 00:11:17,502 --> 00:11:19,417 YEAH. TWO SECONDS. 235 00:11:19,461 --> 00:11:20,027 SORRY ABOUT THAT. YOU WERE CALLING ME 236 00:11:20,070 --> 00:11:22,290 A MENTAL CASE. 237 00:11:22,333 --> 00:11:24,292 YOU WOULDN'T HAVE CALLED ME 238 00:11:24,335 --> 00:11:25,336 IF A TINY PART OF YOU WASN'T REACHING OUT FOR HELP. 239 00:11:25,380 --> 00:11:27,599 JUST LIKE THERE'S A TINY PART OF YOU 240 00:11:27,643 --> 00:11:28,339 THAT LOVES ME, RIGHT, OR ELSE YOU WOULD HAVE HAD 241 00:11:28,383 --> 00:11:29,079 MY ASS THROWN IN ARKHAM, 242 00:11:29,123 --> 00:11:30,907 AND BECAUSE YOU LOVE ME, 243 00:11:30,951 --> 00:11:33,344 YOU TRIED TO TURN ME INTO AN ICE CUBE. 244 00:11:33,388 --> 00:11:35,738 ANYWAY, I JUST WANTED TO SAY THANK YOU. 245 00:11:35,782 --> 00:11:39,394 THE COLD, THE NEAR DEATH OF IT ALL, 246 00:11:39,437 --> 00:11:41,004 GOT TO SAY, IT AWOKE SOMETHING IN ME 247 00:11:41,048 --> 00:11:44,181 BECAUSE I'VE NEVER FELT THIS ALIVE. 248 00:11:44,225 --> 00:11:47,010 MARQUIS JET IS COMING FOR YOU, GOTHAM! 249 00:11:50,187 --> 00:11:50,840 YOU'LL BE HEARING FROM ME SOON. 250 00:12:00,023 --> 00:12:03,113 WANT TO TALK ABOUT IT? 251 00:12:03,157 --> 00:12:05,725 I THINK MARQUIS IS THROWING A PARTY AT WAYNE TONIGHT, 252 00:12:05,768 --> 00:12:06,856 AND WE'RE GONNA CRASH IT. 253 00:12:12,383 --> 00:12:14,559 [DANCE MUSIC PLAYING] 254 00:12:43,501 --> 00:12:45,460 SO WE SHOULD RUN OUR IDENTITIES. GO. 255 00:12:45,503 --> 00:12:47,679 AHEM. HELLO. I'M SPENCER GLAD, 256 00:12:47,723 --> 00:12:50,291 FORMER OLYMPIC ATHLETE, RUMORED TO BE 257 00:12:50,334 --> 00:12:52,467 THE NEXT OWNER OF THE GOTHAM KNIGHTS. 258 00:12:52,510 --> 00:12:55,296 I'LL HIT YOU UP FOR FLOOR SEATS, SPENCE. 259 00:12:55,339 --> 00:12:56,601 THE NAME'S CECELIA LANGLEY, 260 00:12:56,645 --> 00:12:59,517 HEIRESS TO A WHISKEY FORTUNE AND WORLD TRAVELER. 261 00:13:02,956 --> 00:13:04,827 PENELOPE DEVEREAUX, WHO FOR SOME REASON 262 00:13:04,871 --> 00:13:07,482 RUNS A BOARD GAME EMPIRE? 263 00:13:07,525 --> 00:13:08,439 -HONESTLY, DREAM JOB. -JUST GONNA SAY IT. 264 00:13:08,483 --> 00:13:10,137 MY GIRL SOUNDS HOT. 265 00:13:10,180 --> 00:13:12,443 ALSO, HOW ARE WE NOT GONNA RUN INTO THESE PEOPLE TONIGHT? 266 00:13:12,487 --> 00:13:14,837 YEAH. I SENT SOME E-MAILS. THEY THINK THEY'RE UNINVITED, 267 00:13:14,881 --> 00:13:17,492 AND, YES, SHE IS. 268 00:13:17,535 --> 00:13:19,146 I FITTED YOUR MASK WITH OCULAR MESH SCANNERS 269 00:13:19,189 --> 00:13:20,800 FROM THE BATSUIT. 270 00:13:20,843 --> 00:13:22,323 BE CAREFUL. SOPHIE, YOURS IS 271 00:13:22,366 --> 00:13:23,498 FROM THE DOLLAR STORE. 272 00:13:23,541 --> 00:13:25,630 LUKE: GO NUTS. RYAN: OK. SO WE GET IN, 273 00:13:25,674 --> 00:13:26,806 GET PAST SECURITY, GET TO THE BATCAVE, 274 00:13:26,849 --> 00:13:29,591 FIND BRUCE'S JOURNALS, AND FIND PAM. 275 00:13:29,634 --> 00:13:31,985 [DANCE MUSIC PLAYING] 276 00:13:32,028 --> 00:13:34,901 OH, AND, PENELOPE, YOU'RE FRENCH. 277 00:13:34,944 --> 00:13:35,684 WAIT. WHAT? 278 00:13:35,727 --> 00:13:37,860 [MUSIC CONTINUES] 279 00:13:42,169 --> 00:13:43,213 [CELL PHONE BEEPS] 280 00:13:51,047 --> 00:13:55,008 8 OF CLUBS? WHAT'S THIS ABOUT? 281 00:13:55,051 --> 00:13:56,966 HOPEFULLY WE'LL BE LONG GONE BEFORE IT MATTERS. 282 00:13:57,010 --> 00:13:58,272 MARQUIS, ON P.A.: WHO WANTS TO PLAY A GAME? 283 00:14:06,019 --> 00:14:10,284 THERE'S NOTHING WORSE IN LIFE THAN A FAKE SMILE. 284 00:14:18,379 --> 00:14:20,424 A COUPLE DAYS AGO, I SAT DOWN 285 00:14:20,468 --> 00:14:22,687 AT THE TABLE OF MY BRAND-NEW BOARD ROOM, 286 00:14:22,731 --> 00:14:25,299 SURROUNDED BY MEN AND WOMEN WHO WERE SUPPOSED TO BE 287 00:14:25,342 --> 00:14:26,604 MY SOLDIERS, 288 00:14:26,648 --> 00:14:30,260 AND THEY TOLD ME THAT I WASN'T THE RIGHT MAN 289 00:14:30,304 --> 00:14:31,740 TO LEAD WAYNE ENTERPRISES. 290 00:14:31,783 --> 00:14:33,350 ON YOUR RIGHT. 291 00:14:33,394 --> 00:14:34,874 OH, OH, MAN. OH. I'M SO SORRY. 292 00:14:34,917 --> 00:14:37,354 HI. I'LL TAKE THIS FOR YOU. 293 00:14:37,398 --> 00:14:38,399 MARQUIS: BUT IT WAS THE WAY THAT THEY SAID IT. 294 00:14:38,442 --> 00:14:39,922 NO CRACK OR ANYTHING. THAT'S CRAZY. 295 00:14:39,966 --> 00:14:44,057 MARQUIS: SO CONDESCENDING, LIKE THEY WERE MAD ABOUT IT, 296 00:14:44,100 --> 00:14:45,188 LIKE THIS. 297 00:14:48,061 --> 00:14:49,584 SO I FIRED THEIR ASSES! 298 00:14:49,627 --> 00:14:52,587 [CHEERING] 299 00:14:52,630 --> 00:14:56,591 EACH OF YOU HAS PROVEN TO BE OF SAVAGE MIND. 300 00:14:56,634 --> 00:14:59,942 THAT'S WHO I WANT AT MY WAYNE ENTERPRISES. 301 00:15:08,211 --> 00:15:10,083 JACK OF HEARTS. 302 00:15:10,126 --> 00:15:11,214 DID WE JUST CRASH A DERANGED GROUP JOB INTERVIEW? 303 00:15:11,258 --> 00:15:12,955 SOPHIE: I'M AFRAID SO. 304 00:15:18,047 --> 00:15:20,049 HANDS ON THE TABLE, JACK OF HEARTS. 305 00:15:22,747 --> 00:15:23,661 TRUE OR FALSE-- 306 00:15:23,705 --> 00:15:26,273 WHEN WE CLIMB TO THE TOP, 307 00:15:26,316 --> 00:15:28,014 WE GOT TO BE WILLING TO GET A LITTLE CRAZY. 308 00:15:28,057 --> 00:15:29,972 TRUE. 309 00:15:30,016 --> 00:15:32,018 [MARQUIS CLAPS ONCE] 310 00:15:32,061 --> 00:15:33,933 RYAN: HOW'S THIS? CLOSE ENOUGH? 311 00:15:33,976 --> 00:15:35,717 LUKE: NO. WE NEED A FULL RETINAL MAP TO FOOL THE SCANNERS. 312 00:15:35,760 --> 00:15:37,414 YOU NEED TO BE A LOT CLOSER. 313 00:15:37,458 --> 00:15:38,502 HOW AM I SUPPOSED TO DO THAT 314 00:15:38,546 --> 00:15:40,635 WHILE HE'S PLAYING GAME SHOW HOST? 315 00:15:40,678 --> 00:15:41,766 LOOK. ALL I KNOW IS I SWITCHED THE SIM CARD 316 00:15:41,810 --> 00:15:43,420 ON HIS ASSISTANT'S TABLET, AND NOW I HAVE 317 00:15:43,464 --> 00:15:44,465 FULL ACCESS TO TOWER SECURITY CAMS. 318 00:15:44,508 --> 00:15:47,337 OK. AHEM. IT'S NOT A COMPETITION. 319 00:15:50,645 --> 00:15:52,603 YEAH. SURE THING, BUT, UH, SOPHIE JUST GOT 320 00:15:52,647 --> 00:15:55,041 MARQUIS' THUMBPRINT, SO KIND OF JUST WAITING ON YOU HERE. 321 00:15:55,084 --> 00:15:57,782 [SIGHS] 322 00:15:57,826 --> 00:15:58,740 COMPLETE THIS SENTENCE. 323 00:15:58,783 --> 00:16:01,569 THE SICK AMONG US DESERVE OUR... 324 00:16:02,700 --> 00:16:04,702 PITY? 325 00:16:04,746 --> 00:16:07,314 [GRUNTING] 326 00:16:07,357 --> 00:16:07,879 HA HA HA! 327 00:16:07,923 --> 00:16:09,794 [PEOPLE GASPING] 328 00:16:09,838 --> 00:16:15,235 HA HA HA! HA HA HA! 329 00:16:15,278 --> 00:16:18,064 THE ANSWER WE WERE LOOKING FOR WAS FEAR. 330 00:16:18,107 --> 00:16:20,980 TOUGH LUCK. 331 00:16:21,023 --> 00:16:21,676 WHO'S NEXT? 332 00:16:25,027 --> 00:16:27,116 COME ON. DON'T BE SHY. 333 00:16:27,160 --> 00:16:29,553 LOOK. I PROMISE THIS IS THE OPPORTUNITY OF A LIFETIME. 334 00:16:31,860 --> 00:16:32,992 3 OF DIAMONDS. 335 00:16:44,220 --> 00:16:45,961 OUI. C'EST MOI. 336 00:16:46,005 --> 00:16:49,095 MARQUIS: OH. MISS PENELOPE DEVEREAUX 337 00:16:49,138 --> 00:16:51,749 I PRESUME. 338 00:16:51,793 --> 00:16:52,968 OK. HERE WE GO. 339 00:16:53,012 --> 00:16:54,970 MARQUIS: THE ONLY PARISIAN ON MY GUEST LIST. 340 00:16:55,014 --> 00:16:57,494 YOU CREATED THE GAME 3 MURDERS AT THE BOWERY. 341 00:16:57,538 --> 00:17:02,064 MAY I SAY YOUR WORK IS MOST... 342 00:17:02,108 --> 00:17:02,586 THOUGHTFULLY DERANGED. 343 00:17:02,630 --> 00:17:04,632 MERCI. 344 00:17:04,675 --> 00:17:08,157 LUKE: JUST--JUST A FEW MORE SECONDS. 345 00:17:08,201 --> 00:17:09,115 TRUE OR FALSE-- 346 00:17:09,158 --> 00:17:11,639 AN ARTIST ALWAYS PUTS HERSELF, 347 00:17:11,682 --> 00:17:15,077 NO MATTER HOW DARK, INTO HER WORK. 348 00:17:15,121 --> 00:17:16,339 OUI. 349 00:17:18,428 --> 00:17:22,084 WHENEVER WE REVEAL OUR DARKNESS INTO THE LIGHT. 350 00:17:22,128 --> 00:17:22,650 WE ARE NO LONGER SCARED. 351 00:17:22,693 --> 00:17:24,086 NON. 352 00:17:24,130 --> 00:17:26,262 HEH. 353 00:17:26,306 --> 00:17:29,135 FINISH THIS SENTENCE. 354 00:17:29,178 --> 00:17:31,311 A MOTHER'S LOVE IS... 355 00:17:31,354 --> 00:17:32,573 SCAN COMPLETE. GOOD TO GO. 356 00:17:34,749 --> 00:17:37,404 EH, NOT MY PROBLEM. 357 00:17:38,622 --> 00:17:41,408 [PEOPLE MURMURING] 358 00:17:44,585 --> 00:17:45,368 [BEEP] 359 00:17:53,637 --> 00:17:55,248 YOU KNOW, IF MY THERAPIST WERE HERE, 360 00:17:55,291 --> 00:17:57,424 SHE'D SAY IT'S NEVER A GOOD IDEA 361 00:17:57,467 --> 00:17:59,643 TO HUNT A DESICCATED BODY WHILE ANGRY. 362 00:17:59,687 --> 00:18:01,167 JUST TELL ME WHY SHE WANTS TO BE HERE ALL OF A SUDDEN. 363 00:18:01,210 --> 00:18:03,343 IT'S NOT ALL OF A SUDDEN. 364 00:18:03,386 --> 00:18:04,474 WE WERE PLANNING TO SPEND OUR ENTIRE LIVES TOGETHER. 365 00:18:04,518 --> 00:18:06,998 BRUCE MENTIONED ANYTHING ABOUT PAM, 366 00:18:07,042 --> 00:18:10,089 THERE'S A GOOD CHANCE I'LL UNDERSTAND IT. 367 00:18:10,132 --> 00:18:12,178 JUST BECAUSE YOU WANT TO KISS AND MAKE UP WITH HER 368 00:18:12,221 --> 00:18:13,048 DOESN'T MEAN WE'RE GOOD. 369 00:18:13,092 --> 00:18:14,571 I GET WHY YOU'RE PISSED, 370 00:18:14,615 --> 00:18:16,617 BUT REMEMBER SOMETHING. 371 00:18:16,660 --> 00:18:19,228 POISON IVY COST ME THE LOVE OF MY LIFE. 372 00:18:19,272 --> 00:18:20,099 TRYING TO HELP. 373 00:18:22,971 --> 00:18:24,712 I'LL TAKE YOUR HELP. 374 00:18:24,755 --> 00:18:26,931 THEN I WANT MY NAME-- 375 00:18:26,975 --> 00:18:29,325 BATWOMAN'S NAME-- OUT OF YOUR MOUTH. 376 00:18:29,369 --> 00:18:31,545 WE'VE PRETTY MUCH CLEANED UP EVERYTHING ON YOUR LIST. 377 00:18:31,588 --> 00:18:33,677 THAT'S A FUN WAY OF SAYING THE JOKER'S JOY BUZZER'S 378 00:18:33,721 --> 00:18:34,591 STILL UNACCOUNTED FOR. 379 00:18:34,635 --> 00:18:36,332 OK. WE NEED ALICE TO FIND IT. 380 00:18:36,376 --> 00:18:39,118 WAIT. ALICE WAS YOUR JOB, RIGHT? 381 00:18:39,161 --> 00:18:40,467 AND YOU WERE HOOKING UP WITH HER AT HER PLACE, 382 00:18:40,510 --> 00:18:42,991 WHICH--PHEW--I HOPE IT'S NICER THAN HER OFFICE. 383 00:18:43,034 --> 00:18:43,731 MY PLACE IS RENT CONTROLLED. 384 00:18:43,774 --> 00:18:46,821 WHO CARES IF IT'S NICE? 385 00:18:46,864 --> 00:18:47,952 REALLY THOUGHT WAYNE TOWER WAS TALL ENOUGH 386 00:18:47,996 --> 00:18:49,084 FOR US TO GET TO HANDSHAKES, LADIES. 387 00:18:49,128 --> 00:18:51,565 [DING] 388 00:18:51,608 --> 00:18:53,132 [INDISTINCT CHATTER ON TV] 389 00:18:58,398 --> 00:18:58,572 [BEEP] 390 00:19:08,451 --> 00:19:10,758 HI. HEY. I THOUGHT I TOLD YOU TO LOCK THE DOOR. 391 00:19:13,543 --> 00:19:13,587 EHH. 392 00:19:18,592 --> 00:19:19,636 UHH! 393 00:19:26,556 --> 00:19:27,557 WE'RE THE CLEANING LADIES. 394 00:19:33,041 --> 00:19:35,130 MAN: LET'S GO. 395 00:19:35,174 --> 00:19:36,697 WOMAN: ♪ AIN'T NO POLITE WAY 396 00:19:36,740 --> 00:19:39,569 ♪ RUNNING AIN'T SO EASY 397 00:19:39,613 --> 00:19:41,092 ♪ CROSS THE COUNTRY, THAT'S ME ♪ 398 00:19:41,136 --> 00:19:42,659 ♪ THAT'S YOU, THAT'S ME, THAT'S WE, THAT'S ME ♪ 399 00:19:42,703 --> 00:19:43,617 ♪ AIN'T NO POLITE WAY 400 00:19:43,660 --> 00:19:46,794 ♪ RUNNING AIN'T SO EASY 401 00:19:46,837 --> 00:19:48,230 ♪ CROSS THE COUNTRY, THAT'S ME ♪ 402 00:19:48,274 --> 00:19:49,318 ♪ THAT'S YOU, THAT'S ME, THAT'S WE, THAT'S ME ♪ 403 00:19:57,457 --> 00:19:58,109 SORRY ABOUT THE MESS. 404 00:20:07,423 --> 00:20:08,772 CAN YOU FACE THE OTHER WAY? 405 00:20:08,816 --> 00:20:11,340 WE KIND OF GOT A HIDDEN ENTRY SITUATION GOING HERE. 406 00:20:31,055 --> 00:20:32,492 WOMAN: ♪ DON'T YOU UNDERESTIMATE ME ♪ 407 00:20:34,842 --> 00:20:35,016 ♪ DON'T YOU 408 00:20:40,500 --> 00:20:42,893 ♪ DON'T YOU UNDERESTIMATE ME 409 00:20:42,937 --> 00:20:45,461 ♪ SIZE YOU UP, I BRING ON THE HEAT ♪ 410 00:20:45,505 --> 00:20:47,158 LET'S HAVE SOME FUN. 411 00:20:53,861 --> 00:20:55,645 GUYS, PLEASE TELL ME YOU FIGURED OUT 412 00:20:55,689 --> 00:20:57,125 WHERE POISON IVY'S BURIED. 413 00:20:57,168 --> 00:20:58,082 -WE JUST GOT TO THE JOURNALS. -BE QUICK ABOUT IT 414 00:20:58,126 --> 00:20:59,780 BECAUSE MARY JUST GOT HERE. 415 00:20:59,823 --> 00:21:02,565 ARE YOU SERIOUS? 416 00:21:02,609 --> 00:21:04,306 MARY CAME HOME. IS SHE LOOKING FOR US? 417 00:21:04,350 --> 00:21:05,612 UH, JUST JUDGING A BOOK BY ITS COVER HERE, 418 00:21:05,655 --> 00:21:06,787 BUT I THINK IT'S MORE LIKELY THAT SHE'S LOOKING 419 00:21:06,830 --> 00:21:07,788 FOR FREAK FERTILIZER. 420 00:21:07,831 --> 00:21:10,356 SOPHIE: ANY SIGN OF ALICE WITH HER? 421 00:21:10,399 --> 00:21:11,357 NO, NOT YET, BUT I'LL KEEP MY EYE ON THE SECURITY CAMS. 422 00:21:11,400 --> 00:21:13,750 DON'T LET HER LEAVE THIS BUILDING. 423 00:21:13,794 --> 00:21:14,490 GREAT. I MEAN, SHE'S BEEN SO COOPERATIVE LATELY, 424 00:21:14,534 --> 00:21:16,275 I SEE NO PROBLEMS THERE. 425 00:21:16,318 --> 00:21:18,364 OK. CALL IF YOU NEED BACKUP. 426 00:21:18,407 --> 00:21:19,539 IF MARY'S HERE, IT'S FOR A REASON, 427 00:21:19,582 --> 00:21:22,933 AND I CAN ASSURE YOU IT'S NOT TO DANCE. 428 00:21:22,977 --> 00:21:24,108 LET'S JUST GET TO THESE. 429 00:21:27,198 --> 00:21:29,331 WOMAN: ♪ OOH, BABY 430 00:21:29,375 --> 00:21:31,290 ♪ YOU GOT A RHYTHM LIKE... 431 00:21:31,333 --> 00:21:34,858 OK. I PROMISE I JUST WANT TO TALK. 432 00:21:34,902 --> 00:21:37,165 OK. I'LL JUST GRAB A NUMBER AND STAY RIGHT HERE. 433 00:21:37,208 --> 00:21:39,863 ♪ SO IN A HURRY... 434 00:21:39,907 --> 00:21:42,692 MARY HAMILTON. 435 00:21:42,736 --> 00:21:44,694 WELL, WELL. I SHOULD PROBABLY 436 00:21:44,738 --> 00:21:47,741 FIRE MY PUBLICIST, MARY HAMILTON, 437 00:21:47,784 --> 00:21:51,397 BECAUSE YOU SHOULD KNOW YOUR FRIENDS NO LONGER LIVE HERE. 438 00:21:51,440 --> 00:21:54,095 WELL, I'M NO PR REP, BUT IF SHE'S THE ONE 439 00:21:54,138 --> 00:21:56,445 WHO CAME UP WITH YOUR DECK OF CARDS THEME, 440 00:21:56,489 --> 00:21:58,273 IT'S DEFINITELY SOMETHING YOU SHOULD CONSIDER. 441 00:21:58,317 --> 00:22:01,929 HEH. I'M NOT FEELING THE VIBES YOU'RE PUTTING OUT, 442 00:22:01,972 --> 00:22:05,411 AND THAT'S A SHAME BECAUSE YOU... 443 00:22:05,454 --> 00:22:08,370 YOU LOOK LIKE YOU'D BE A LOT OF FUN. 444 00:22:08,414 --> 00:22:12,331 DON'T GIVE UP ON ME SO FAST, MR. C-E-BRO. 445 00:22:12,374 --> 00:22:15,551 YOU HAVEN'T EVEN HEARD THE REASON I CAME ALL THIS WAY TO FIND YOU. 446 00:22:15,595 --> 00:22:18,206 DANCE? 447 00:22:22,558 --> 00:22:24,647 [SIGH] 448 00:22:24,691 --> 00:22:27,824 OK. OK. OK, OK, OK, OK, OK, OK. 449 00:22:27,868 --> 00:22:30,000 WE DON'T HAVE TIME FOR THIS. 450 00:22:31,959 --> 00:22:34,570 NEW PLAN. BRUCE ARCHIVED THESE CHRONOLOGICALLY, 451 00:22:34,614 --> 00:22:38,095 SO LET'S START THERE. 452 00:22:38,139 --> 00:22:38,879 WHEN WAS THE FIRST TIME YOU CONTACTED BATMAN FOR HELP? 453 00:22:38,922 --> 00:22:39,488 IT WAS EARLY JUNE 2011. 454 00:22:39,532 --> 00:22:41,229 OK. 455 00:22:46,408 --> 00:22:48,932 DOES ANY OF THIS LOOK FAMILIAR? 456 00:22:48,976 --> 00:22:52,980 THIS. THIS IS THE GOTHAM CITY DAM. 457 00:22:53,023 --> 00:22:54,590 BRUCE WOULDN'T HAVE DESICCATED PAM AROUND THAT MUCH WATER. 458 00:22:54,634 --> 00:22:57,811 HE DIDN'T. HE NEEDED TO STOP HER FROM DESTROYING IT. 459 00:22:57,854 --> 00:22:59,116 THE DAM WAS HER NEXT TARGET. 460 00:22:59,160 --> 00:23:01,902 OK, OK. I'M--I'M SORRY. 461 00:23:01,945 --> 00:23:04,339 WHY DID YOU LOVE THIS WOMAN? 462 00:23:04,383 --> 00:23:07,211 BECAUSE THROUGH IT ALL I KNEW IT REALLY WASN'T HER. 463 00:23:07,255 --> 00:23:11,302 WHAT'S HAPPENING TO MARY, WHAT HAPPENED TO PAM 464 00:23:11,346 --> 00:23:12,347 WASN'T A FAIR FIGHT. 465 00:23:26,274 --> 00:23:28,407 I APPRECIATE THE SYMBOLISM, 466 00:23:28,450 --> 00:23:31,279 BUT TECHNICALLY, YOU JUST KILLED A TULIP. 467 00:23:31,322 --> 00:23:32,236 YOU GOING SOMEWHERE? 468 00:23:32,280 --> 00:23:34,978 YES, I AM. 469 00:23:35,022 --> 00:23:37,416 THE QUESTION IS DO I PACK 470 00:23:37,459 --> 00:23:41,594 ONE TOOTHBRUSH OR TWO? 471 00:23:41,637 --> 00:23:42,812 GUYS AT THE PRECINCT MENTIONED SOMETHING 472 00:23:42,856 --> 00:23:46,816 ABOUT A BREAK-IN AT GOTHAM DAM LAST NIGHT. 473 00:23:46,860 --> 00:23:48,383 YOU WOULDN'T KNOW ANYTHING ABOUT THAT, WOULD YOU? 474 00:23:51,038 --> 00:23:52,561 I HAVEN'T BEEN STUDYING MY ASS OFF 475 00:23:52,605 --> 00:23:56,043 FOR MY DETECTIVE'S EXAM FOR NOTHING. 476 00:23:56,086 --> 00:23:56,609 WHAT ARE YOU PLANNING TO DO THERE? 477 00:24:01,570 --> 00:24:02,963 YOU WANT THE TRUTH SO YOU HAVE TO BREAK UP WITH ME 478 00:24:03,006 --> 00:24:04,486 OR A LIE SO WE CAN STAY TOGETHER? 479 00:24:04,530 --> 00:24:06,923 DON'T DO THAT. DON'T PUT THIS ON ME. 480 00:24:06,967 --> 00:24:09,709 WHY NOT? YOU ALREADY KNOW WHAT I WANT. 481 00:24:09,752 --> 00:24:12,668 I WANT TO SAVE GOTHAM FROM BECOMING 482 00:24:12,712 --> 00:24:14,235 A TOXIC WASTE DUMP, AND I'D LIKE YOU TO SUPPORT ME 483 00:24:14,278 --> 00:24:15,410 WHILE I DO IT, 484 00:24:15,454 --> 00:24:16,977 SO... 485 00:24:17,020 --> 00:24:20,894 WHAT DO YOU WANT? 486 00:24:20,937 --> 00:24:23,418 FLETCHER: ♪ JUST STARING AT THE CEILING FAN ♪ 487 00:24:23,462 --> 00:24:26,856 FOR YOU TO CHOOSE ONE-- 488 00:24:26,900 --> 00:24:28,554 YOUR CAUSE, FLOODING THE CITY, 489 00:24:28,597 --> 00:24:32,688 WIPING FULL NEIGHBORHOODS OFF THE MAP, OR ME. 490 00:24:32,732 --> 00:24:36,518 FLETCHER: ♪ SO I'LL DRINK THIS WINE ♪ 491 00:24:36,562 --> 00:24:39,216 ♪ LIKE IT'S MEDICINE FOR THE MIND ♪ 492 00:24:39,260 --> 00:24:43,699 ABOVE ALL ELSE, I WANT YOU. 493 00:24:43,743 --> 00:24:45,788 ♪ BECAUSE I STILL TASTE YOUR LOVE ♪ 494 00:24:45,832 --> 00:24:48,835 BUT I NEED YOU TO TRUST THAT I KNOW WHAT I'M DOING HERE. 495 00:24:48,878 --> 00:24:52,055 ♪ HEAD TO MY TOES 496 00:24:52,099 --> 00:24:55,537 ♪ DOING TIME, TRYING TO HEAL ♪ 497 00:24:55,581 --> 00:24:57,713 ♪ DO ANYTHING SO I DON'T 498 00:24:57,757 --> 00:25:07,331 ♪ FEEL YOU 499 00:25:07,375 --> 00:25:09,246 ♪ FEEL YOU, FEEL YOU 500 00:25:09,290 --> 00:25:11,640 WHAT IS THIS FOR? 501 00:25:11,684 --> 00:25:13,163 FORGIVENESS. 502 00:25:13,207 --> 00:25:14,861 [GASPS] 503 00:25:19,169 --> 00:25:19,605 OHH! 504 00:25:21,694 --> 00:25:24,174 [GASPING] 505 00:25:42,628 --> 00:25:43,411 RYAN: YOU THINK OF SOMETHING? 506 00:25:47,154 --> 00:25:48,503 YOU GOOD? 507 00:25:52,899 --> 00:25:54,465 SOPHIE: HEY. GOT SOMETHING. 508 00:25:54,509 --> 00:25:56,642 BRUCE WROTE THAT POISON IVY WOULD HAVE TO BE KEPT 509 00:25:56,685 --> 00:25:57,947 WHERE NO ONE WOULD LOOK FOR HER 510 00:25:57,991 --> 00:25:59,601 BUT SOMEWHERE HE COULD GET TO HER IF HE NEEDED. 511 00:25:59,645 --> 00:26:02,038 SO CLOSE. HE WOULDN'T HAVE BURIED HER ANYWHERE 512 00:26:02,082 --> 00:26:03,431 NEAR THEIR USUAL HOT SPOTS-- 513 00:26:03,474 --> 00:26:06,303 DOCKS, SHIPYARDS, BACK ALLEYS. 514 00:26:06,347 --> 00:26:07,435 NO. IT'D HAVE TO BE DARK AND DRY, 515 00:26:07,478 --> 00:26:08,610 NO WATER, NO LIGHT, NO OTHER PLANT LIFE. 516 00:26:08,654 --> 00:26:10,438 WATER WAS HIS BIGGEST CONCERN. 517 00:26:10,481 --> 00:26:13,093 A SINGLE DROP COULD BE ENOUGH TO REANIMATE HER. 518 00:26:13,136 --> 00:26:14,703 GOTHAM CITY IS A DAMN ISLAND, 519 00:26:14,747 --> 00:26:17,924 WHERE IT RAINS 300 DAYS A YEAR. 520 00:26:17,967 --> 00:26:19,273 ARE YOU SURE HE DIDN'T MAKE A DEAL WITH GCPD 521 00:26:19,316 --> 00:26:20,927 FOR SOME KIND OF SPECIAL PROTECTIVE CUSTODY? 522 00:26:20,970 --> 00:26:23,625 WELL, SHE'S NOT AT BLACKGATE, 523 00:26:23,669 --> 00:26:24,844 AND I CHECKED THE OFF-BOOKS WING AT ARKHAM, TOO. 524 00:26:24,887 --> 00:26:26,193 THERE HAS TO BE AN ANSWER WE'RE NOT SEEING. 525 00:26:31,938 --> 00:26:34,462 OH, MY GOD. 526 00:26:49,520 --> 00:26:50,434 WHAT IF SHE'S HERE? 527 00:27:03,186 --> 00:27:05,580 YOU SPEND YOUR WHOLE LIFE IN SERVICE 528 00:27:05,624 --> 00:27:07,974 TO LOGIC AND FORENSIC EVIDENCE, 529 00:27:08,017 --> 00:27:10,672 AND THEN YOU KNOW WHAT LOVE DOES. 530 00:27:10,716 --> 00:27:13,370 IT MAKES YOU WANT TO SAY THINGS LIKE, 531 00:27:13,414 --> 00:27:15,677 "I KNOW SHE'S DOWN HERE. 532 00:27:15,721 --> 00:27:16,852 I CAN FEEL HER." 533 00:27:22,597 --> 00:27:23,467 IF SHE'S IN THERE, ARE YOU SURE 534 00:27:23,511 --> 00:27:26,427 YOU WANT TO SEE HER LIKE THIS? 535 00:27:26,470 --> 00:27:29,691 RYAN AND I CAN HANDLE IT. 536 00:27:29,735 --> 00:27:33,216 THANKS, BUT I OWE IT TO HER NOT TO RUN AWAY AND HIDE. 537 00:27:33,260 --> 00:27:35,218 RYAN: THIS HAS THE SCHEMATICS FOR THE TUNNEL SYSTEM 538 00:27:35,262 --> 00:27:37,220 BELOW THE BATCAVE. 539 00:27:37,264 --> 00:27:38,787 I HAVE NO IDEA WHERE WE'RE GONNA END UP, 540 00:27:38,831 --> 00:27:41,529 SO MAKE SURE WE FIND OUR WAY BACK. 541 00:27:41,572 --> 00:27:45,054 HOW FAR DOWN DOES THIS GO? 542 00:27:45,098 --> 00:27:46,316 EVEN CLOSER TO HELL THAN YOUR OFFICE. 543 00:27:46,360 --> 00:27:47,230 OK. I NEED TOTAL QUIET. 544 00:27:55,325 --> 00:27:56,979 [CELL PHONE BUZZING] 545 00:27:57,023 --> 00:27:58,807 SORRY, GUYS. DAMN FRAUD ALERT ON MY CREDIT CARD. 546 00:27:58,851 --> 00:28:01,331 Y--SILENCING. 547 00:28:04,030 --> 00:28:06,032 [WHITE NOISE] 548 00:28:12,560 --> 00:28:16,999 [COMPUTER HUMMING AND BEEPING] 549 00:28:17,043 --> 00:28:19,001 [THUMPING] 550 00:28:19,045 --> 00:28:22,831 I THINK I GOT SOMETHING. 551 00:28:22,875 --> 00:28:24,006 TRYING TO ISOLATE IT. 552 00:28:28,228 --> 00:28:30,230 [SLOW HEARTBEAT] 553 00:28:30,273 --> 00:28:34,060 OK. I'M LOCKED IN. 554 00:28:34,103 --> 00:28:37,019 I CAN HEAR IT CLEAR ENOUGH TO TRACK THE SOURCE. 555 00:28:37,063 --> 00:28:38,804 HEAR WHAT? 556 00:28:38,847 --> 00:28:42,024 -PAM'S HEARTBEAT. -OH, MY GOD. 557 00:28:42,068 --> 00:28:43,243 -YOU HAVE THE DEVICE? -YEAH. 558 00:28:43,286 --> 00:28:45,549 THEN WE NEED TO MOVE. WHATEVER MARY'S UP TO, 559 00:28:45,593 --> 00:28:47,508 SHE DOESN'T STAY IN ONE PLACE FOR LONG. 560 00:28:47,551 --> 00:28:48,901 LUKE, WE THINK PAM'S SOMEWHERE 561 00:28:48,944 --> 00:28:51,164 IN THE LOWER TUNNELS. 562 00:28:51,207 --> 00:28:53,557 LUKE: AH. THAT IS ACTUALLY BRILLIANT. 563 00:28:53,601 --> 00:28:54,341 A LOT OF SOLID ROCK DOWN THERE, 564 00:28:54,384 --> 00:28:55,516 SO WE MIGHT LOSE CONTACT. 565 00:28:55,559 --> 00:28:57,605 KEEP MARY THERE. HELP IS ON THE WAY. 566 00:28:57,648 --> 00:28:58,345 LET'S GO. 567 00:29:04,351 --> 00:29:07,354 [WOMAN SINGING INDISTINCTLY] 568 00:29:07,397 --> 00:29:10,096 SO I KEEP WONDERING TWO THINGS. 569 00:29:10,139 --> 00:29:13,795 WHY ARE YOU HERE, AND WHERE'S WILDER? 570 00:29:13,839 --> 00:29:16,929 YOU'RE SERIOUSLY THINKING ABOUT YOUR SISTER RIGHT NOW? 571 00:29:16,972 --> 00:29:21,281 SO YOU EXPECT ME TO THINK THAT I COULD STEAL HER COMPANY... 572 00:29:21,324 --> 00:29:23,500 AND SHE'S JUST COOL WITH IT? 573 00:29:23,544 --> 00:29:25,415 HMM. IT'S HONESTLY KIND OF ANNOYING 574 00:29:25,459 --> 00:29:28,679 HOW MUCH CLINGINESS RUNS IN YOUR FAMILY. 575 00:29:28,723 --> 00:29:31,334 YOU WANT TO KNOW WHY RYAN ISN'T PAYING ATTENTION TO YOU? 576 00:29:31,378 --> 00:29:33,989 IT'S BECAUSE SHE'S TOO OBSESSED WITH FIXING ME. 577 00:29:37,645 --> 00:29:39,560 YOU DON'T LOOK BROKEN TO ME. 578 00:29:39,603 --> 00:29:41,083 LOOK. 579 00:29:41,127 --> 00:29:43,172 LONG STORY SHORT, 580 00:29:43,216 --> 00:29:45,653 I JUST WANT TO MOVE ON WITH MY LIFE 581 00:29:45,696 --> 00:29:46,785 WITH THE ONE PERSON LEFT WHO UNDERSTANDS ME. 582 00:29:46,828 --> 00:29:49,091 UNH. 583 00:29:49,135 --> 00:29:51,702 BUT THEN I THOUGHT TO MYSELF 584 00:29:51,746 --> 00:29:55,837 THIS MARQUIS GUY HAS A LOT OF WEIRD BAGGAGE. 585 00:29:55,881 --> 00:29:59,449 MAYBE HE WANTS TO TAKE REVENGE ON RYAN ON MY BEHALF. 586 00:29:59,493 --> 00:30:00,581 WHAT DO YOU HAVE IN MIND? 587 00:30:15,161 --> 00:30:18,294 OOP. WELL, LOOK WHO STOPPED TALKING. 588 00:30:18,338 --> 00:30:22,429 UM, A LITTLE BONUS FOR YOU. 589 00:30:22,472 --> 00:30:27,651 IT MIGHT HELP OPEN UP SOME DOORS FOR YOU IN THE FUTURE. 590 00:30:27,695 --> 00:30:28,827 HEH HEH HEH. 591 00:30:38,837 --> 00:30:40,229 RYAN, ARE WE HOT OR COLD? 592 00:30:40,273 --> 00:30:42,841 TELL ME WE'RE SCALDING 593 00:30:42,884 --> 00:30:44,886 BECAUSE WE'RE ALMOST AT THE END OF THE MAP. 594 00:30:44,930 --> 00:30:46,235 WELL, IT'S GETTING LOUDER. I JUST DON'T KNOW HOW MUCH FURTHER. 595 00:30:46,279 --> 00:30:47,976 [HIGH-PITCHED BEEP] 596 00:30:48,020 --> 00:30:48,890 RYAN: AGH! LUKE: BATWOMAN... 597 00:30:48,934 --> 00:30:50,370 -MARY AND MARQUIS... -LUKE? 598 00:30:50,413 --> 00:30:53,503 LUKE, YOU COPY? DAMN. 599 00:30:53,547 --> 00:30:54,896 OK. THERE'S SOMETHING GOING ON WITH MARY UPSTAIRS. 600 00:30:54,940 --> 00:30:55,636 WE'RE ALMOST OUT OF TIME. 601 00:30:55,679 --> 00:30:56,115 GUYS! 602 00:31:27,755 --> 00:31:29,626 TELL ME SHE HAD A CHARMING PERSONALITY. 603 00:31:29,670 --> 00:31:30,758 RENEE: THAT'S THE DESICCATION. 604 00:31:30,801 --> 00:31:32,194 THE SERUM LEECHES WATER FROM THE CELLS. 605 00:31:32,238 --> 00:31:32,934 INCLUDES SKIN AND TISSUE. 606 00:31:35,981 --> 00:31:38,766 YOU WANT TO DO THIS TO MARY? 607 00:31:38,809 --> 00:31:40,202 I'M TRYING TO PREVENT A POISON IVY OUTBREAK 608 00:31:40,246 --> 00:31:42,030 FROM WIPING OUT GOTHAM'S BEST AND BRIGHTEST UPSTAIRS. 609 00:31:42,074 --> 00:31:45,947 LOOK, RYAN. I WAS YOU ONCE. 610 00:31:45,991 --> 00:31:48,341 I WANTED TO BELIEVE THAT THERE WAS SOME MAGICAL SOLUTION 611 00:31:48,384 --> 00:31:49,255 WHERE I SAVED THE LOVE OF MY LIFE 612 00:31:49,298 --> 00:31:51,344 WITHOUT HER HATING ME FOREVER. 613 00:31:51,387 --> 00:31:53,041 THERE ISN'T. MARY IS AT THE PARTY. 614 00:31:53,085 --> 00:31:55,391 THE SERUM IS HERE. 615 00:31:56,305 --> 00:31:57,089 IT'S TIME TO STEP UP. 616 00:32:16,760 --> 00:32:19,720 ALL RIGHT. GOT IT. 617 00:32:19,763 --> 00:32:21,243 HEY, LUKE. IF YOU CAN HEAR ME, I'M HEADED UP. 618 00:32:21,287 --> 00:32:22,418 -WE'RE COMING WITH YOU. -STAY AND MAKE SURE 619 00:32:22,462 --> 00:32:24,464 PAM DOESN'T WAKE UP. 620 00:32:24,507 --> 00:32:25,291 I'LL CHECK IN ONCE MARY'S DOWN. 621 00:32:25,334 --> 00:32:28,511 REMEMBER, NO WATER BREAKS, 622 00:32:28,555 --> 00:32:29,121 AND IF YOU SO MUCH AS HAVE TO SNEEZE, DON'T. 623 00:32:35,127 --> 00:32:37,129 JUST IN CASE. 624 00:32:44,005 --> 00:32:45,224 HEY. BATWOMAN, IF YOU COPY, I LOST EYES ON MARY. 625 00:32:45,267 --> 00:32:48,531 WHERE ARE YOU? 626 00:32:48,575 --> 00:32:50,403 -DIDN'T KNOW YOU WERE COMING. -GET THE HELL OFF ME, MAN. 627 00:32:50,446 --> 00:32:52,057 OH, I DON'T THINK YOU SHOULD BE TALKING LIKE THAT. 628 00:32:52,100 --> 00:32:53,232 YOU'RE NOT WEARING THE RIGHT COSTUME. 629 00:32:53,275 --> 00:32:55,495 WHAT ARE YOU TALKING ABOUT? 630 00:32:55,538 --> 00:32:56,452 SEE, I JUST WONDER WHERE YOU KEEP IT. 631 00:32:56,496 --> 00:32:58,367 PLUG IT IN LIKE A TESLA CHARGER? 632 00:32:58,411 --> 00:33:00,413 I DON'T HAVE TIME FOR THIS. 633 00:33:00,456 --> 00:33:09,683 BUT I THINK YOU DO, BATWING. 634 00:33:09,726 --> 00:33:12,729 SHE'D FORGIVE YOU. 635 00:33:12,773 --> 00:33:15,906 YOU HAVE NO CLUE HOW MUCH OF A FIGHTER SHE WAS. 636 00:33:15,950 --> 00:33:19,171 I'M TALKING ABOUT PAM, 637 00:33:19,214 --> 00:33:19,910 THE WOMAN YOU FELL IN LOVE WITH, 638 00:33:19,954 --> 00:33:22,304 NOT POISON IVY. 639 00:33:29,137 --> 00:33:31,270 FOR THE RECORD, I TAKE HALF THE BLAME 640 00:33:31,313 --> 00:33:34,099 FOR ALICE GOING FREE. 641 00:33:34,142 --> 00:33:35,926 NOT THE WISEST MOVE ON MY PART. 642 00:33:35,970 --> 00:33:38,320 WE'LL FIND HER. SHE'LL SCREW UP EVENTUALLY, 643 00:33:38,364 --> 00:33:40,061 PING A TRAFFIC CAM, ROB A BANK. 644 00:33:40,105 --> 00:33:43,673 ALICE? MORE LIKE HOLD UP A DOUGHNUT SHOP. 645 00:33:46,850 --> 00:33:50,376 OH, MY GOD. THE FRAUD ALERT. 646 00:33:52,378 --> 00:33:53,379 WHOEVER STOLE MY CARD, THEY PURCHASED 647 00:33:53,422 --> 00:33:55,859 A 3-TIER STRAWBERRY CHEESECAKE 648 00:33:55,903 --> 00:33:56,904 AND A GRAPE SODA, THEN HAD IT SENT 649 00:33:56,947 --> 00:33:58,949 TO HER HOTEL ROOM. 650 00:33:58,993 --> 00:34:00,168 AND YOU THINK IT WAS ALICE? 651 00:34:00,212 --> 00:34:02,692 KNOWING HER, SHE WON'T BE THERE MUCH LONGER. 652 00:34:02,736 --> 00:34:04,781 I NEED TO GET HER BACK. ARE YOU GOOD HERE? 653 00:34:04,825 --> 00:34:06,261 DOESN'T LOOK LIKE SHE'S REANIMATING. I'LL BE FINE. 654 00:34:09,525 --> 00:34:10,178 BE CAREFUL. 655 00:34:19,579 --> 00:34:21,885 SORRY, MA'AM. ELEVATORS ARE TEMPORARILY DOWN. 656 00:34:21,929 --> 00:34:23,974 ALL OF THEM? WHY? 657 00:34:24,018 --> 00:34:27,195 JUST SOME HICCUP WITH THE BUILDING COMPUTER SYSTEM. 658 00:34:27,239 --> 00:34:28,936 WE'LL GET YOU ON YOUR WAY SHORTLY. 659 00:34:28,979 --> 00:34:32,113 OH, RYAN, WHEN WILL YOU GIVE UP? 660 00:34:32,157 --> 00:34:33,201 THE STAIRS ARE BETTER FOR MY CALVES ANYWAY. 661 00:34:42,732 --> 00:34:43,429 TOOK YOU LONG ENOUGH. 662 00:34:43,472 --> 00:34:45,474 CAKE? 663 00:34:45,518 --> 00:34:48,042 I BELIEVE YOU GET 5% CASH BACK. 664 00:34:48,086 --> 00:34:49,435 -YOU LURED ME HERE? -LURED YOU? 665 00:34:49,478 --> 00:34:51,828 LET'S NOT GET KINKY. 666 00:34:51,872 --> 00:34:52,960 ALICE, WHAT THE HELL IS THIS? 667 00:34:53,003 --> 00:34:55,267 [SIGHS] 668 00:34:55,310 --> 00:34:58,531 I MADE A JUICY DISCOVERY, 669 00:34:58,574 --> 00:34:59,749 AND I'VE BEEN DYING TO TELL YOU, 670 00:34:59,793 --> 00:35:01,273 BUT YOU'VE BEEN SO HARD TO GET ALONE LATELY. 671 00:35:01,316 --> 00:35:02,317 HONESTLY, I DON'T KNOW WHAT'S HAPPENED TO OUR FRIENDSHIP. 672 00:35:02,361 --> 00:35:05,146 WE DON'T HAVE ONE, FOR STARTERS. 673 00:35:05,190 --> 00:35:09,368 BESIDES THE POINT. YOU HAVE BEEN SO KIND 674 00:35:09,411 --> 00:35:12,153 TO HOUSE ME ON THAT PRISON COT YOU CALL A PULL-OUT COUCH. 675 00:35:12,197 --> 00:35:14,547 I JUST WANTED TO RETURN THE FAVOR. 676 00:35:14,590 --> 00:35:17,767 YOUR LITTLE LOVER HAS BEEN PLAYING US. 677 00:35:17,811 --> 00:35:18,942 -RENEE? -SURE, 678 00:35:18,986 --> 00:35:20,205 OR WHATEVER YOU CALL HER UNDER THE SHEETS. 679 00:35:20,248 --> 00:35:24,383 SINCE WHEN DO YOU DO ME FAVORS? 680 00:35:24,426 --> 00:35:26,689 BECAUSE RE-NAY-NAY IS A LIAR, 681 00:35:26,733 --> 00:35:29,388 AND SHE NEEDS TO PAY FOR BEING A BAD ONE. 682 00:35:29,431 --> 00:35:30,432 SAYS THE WORLD'S BIGGEST LIAR. 683 00:35:30,476 --> 00:35:33,566 YOU KNOW, RENEE'S HUGE MISTAKE 684 00:35:33,609 --> 00:35:35,045 WAS LEAVING ME ALONE IN HER OFFICE. 685 00:35:35,089 --> 00:35:38,136 DID SHE NOT THINK I WOULD SNOOP EVERY NOOK AND CRANNY? 686 00:35:38,179 --> 00:35:40,312 LEFT CABINET, SECOND DRAWER DOWN. 687 00:35:40,355 --> 00:35:41,356 SEE FOR YOURSELF. 688 00:35:54,587 --> 00:35:55,675 I DON'T WANT TO HURT YOU, MARY. 689 00:35:59,418 --> 00:36:02,464 THERE'S ANOTHER PROMISE BROKEN. 690 00:36:02,508 --> 00:36:07,252 OH! WHAT IS THAT? DO YOU EVEN KNOW? 691 00:36:07,295 --> 00:36:08,644 BATMAN MADE IT TO STOP POISON IVY. 692 00:36:08,688 --> 00:36:11,517 WHEN, A DECADE AGO? DO YOU EVEN KNOW THE HALF-LIFE 693 00:36:11,560 --> 00:36:13,301 OF ITS CHEMICAL COMPOUND? 694 00:36:13,345 --> 00:36:15,912 YOU DON'T EVEN KNOW WHAT THAT'LL DO TO ME, DO YOU? 695 00:36:15,956 --> 00:36:18,132 YOU GAVE ME NO CHOICE. 696 00:36:18,176 --> 00:36:20,743 MARQUIS: HEY, BATWOMAN. HOLD UP. 697 00:36:20,787 --> 00:36:22,919 YOU READY FOR ME TO BLOW YOUR MIND? 698 00:36:22,963 --> 00:36:26,488 HOW ABOUT WE KILL YOUR TWO LITTLE SIDEKICKS 699 00:36:26,532 --> 00:36:27,707 AT THE SAME TIME, HMM? 700 00:36:27,750 --> 00:36:29,099 A LITTLE BROTHER-SISTER BONDING ACTION? 701 00:36:29,143 --> 00:36:29,839 COME ON! 702 00:36:34,366 --> 00:36:38,631 MARY: IT WAS ME. I TOLD HIM 703 00:36:38,674 --> 00:36:39,980 SO YOU DON'T HAVE TO PUT US ALL THROUGH THAT 704 00:36:40,023 --> 00:36:41,547 "I DON'T KNOW WHAT YOU'RE TALKING ABOUT" PHASE. 705 00:36:41,590 --> 00:36:44,550 MARY...HOW COULD YOU? 706 00:36:44,593 --> 00:36:47,379 YOU GAVE ME NO CHOICE. 707 00:36:47,422 --> 00:36:49,119 MARQUIS: I ALWAYS WONDERED WHY I WAS THE KID 708 00:36:49,163 --> 00:36:51,296 THAT GOT CHOSE ON THAT BUS THAT DAY. 709 00:36:51,339 --> 00:36:55,952 A COUPLE DOZEN KIDS, SO WHY WAS I THE ONE THAT GOT BUZZED? 710 00:36:55,996 --> 00:36:58,955 EVERYONE SAYS THE WORLD'S GONE MAD, 711 00:36:58,999 --> 00:37:00,566 BUT I GET IT. 712 00:37:00,609 --> 00:37:04,134 BATMAN HAD THE JOKER, 713 00:37:04,178 --> 00:37:08,443 AND, BATWOMAN, YOU GOT ME. 714 00:37:08,487 --> 00:37:09,401 TRUE OR FALSE, SIS-- 715 00:37:09,444 --> 00:37:12,447 YOU GOTTA TRUST DESTINY. 716 00:37:12,491 --> 00:37:15,755 FALSE. WE MAKE OUR OWN DESTINIES. 717 00:37:15,798 --> 00:37:17,147 YOU WISH. 718 00:37:17,191 --> 00:37:18,845 UNH! 719 00:37:39,039 --> 00:37:40,910 ALICE: I'VE BEEN IN THE BEDROOM TRYING 720 00:37:40,954 --> 00:37:43,130 TO FINAGLE MY WAY OUT OF SOPHIE'S HANDCUFFS, 721 00:37:43,173 --> 00:37:45,175 AND YOU'VE BEEN IN HERE DRINKING ALL THE DOM? 722 00:37:49,702 --> 00:37:52,705 RYAN HAD ME BEAT. 723 00:37:52,748 --> 00:37:54,315 SHE WAS ABOUT TO INJECT ME WITH SOMETHING, 724 00:37:54,359 --> 00:37:56,099 AND THEN SHE HESITATED. 725 00:37:56,143 --> 00:37:59,451 WHATEVER SHE WAS ABOUT TO DO TO ME SCARED HER. 726 00:37:59,494 --> 00:38:02,454 DON'T TELL YOU'RE GETTING THE CONSCIENCE TINGLES. 727 00:38:02,497 --> 00:38:05,413 BEFORE I EVEN KNEW WHAT WAS HAPPENING, 728 00:38:05,457 --> 00:38:08,373 SHE USED THE SYRINGE ON MARQUIS. 729 00:38:08,416 --> 00:38:11,419 I DON'T KNOW IF IT WAS TO SAVE LUKE 730 00:38:11,463 --> 00:38:13,595 OR PROTECT HER SECRET. 731 00:38:15,380 --> 00:38:22,387 BUT ALL I KNOW IS IN THAT MOMENT, 732 00:38:22,430 --> 00:38:25,999 I WAS THE LEAST OF HER PROBLEMS. 733 00:38:26,042 --> 00:38:27,827 SHE STILL UNDERESTIMATES YOU. 734 00:38:29,872 --> 00:38:33,789 I KNOW IT'S SILLY, BUT A PART OF ME 735 00:38:33,833 --> 00:38:36,836 JUST WANTED HER TO SEE ME AS POWERFUL. 736 00:38:40,622 --> 00:38:43,364 DO YOU KNOW ALL THOSE LOONEY TUNE DELUSIONS I'VE BEEN HAVING, 737 00:38:43,408 --> 00:38:46,498 POSTCARDS FROM DAD, IMAGINARY FRIENDS, 738 00:38:46,541 --> 00:38:48,369 WALKING IN ON SOPHIE IN THE SHOWER? 739 00:38:48,413 --> 00:38:51,851 THAT LAST ONE HAPPENED. 740 00:38:51,894 --> 00:38:53,809 OH. 741 00:38:53,853 --> 00:38:58,074 ANYWAY, SINCE YOUR WHOLE POISON MARY METAMORPHOSIS, 742 00:38:58,118 --> 00:39:01,121 I HAVE YET TO HAVE A SINGLE DELUSIONAL THOUGHT, 743 00:39:01,164 --> 00:39:03,166 WHICH MEANS BABY-SITTING YOU, MY DEAR, 744 00:39:03,210 --> 00:39:06,039 HAS MADE ME LESS OF A CRAZY PERSON, 745 00:39:06,082 --> 00:39:08,998 AND IF THAT'S NOT POWERFUL, 746 00:39:09,042 --> 00:39:11,131 I DON'T KNOW WHAT IS. 747 00:39:11,174 --> 00:39:12,524 [GLEESON'S "EMPTY PAGES" PLAYING] 748 00:39:21,228 --> 00:39:25,014 I KNOW YOU CAN'T HEAR ME. 749 00:39:25,058 --> 00:39:25,101 I KNOW YOU HATE ME... 750 00:39:29,192 --> 00:39:32,761 BUT I AM SORRY. 751 00:39:32,805 --> 00:39:33,936 I'VE BEEN SORRY EVERY DAY I WAKE UP 752 00:39:33,980 --> 00:39:35,198 TO A BADGE AND NOT TO YOU. 753 00:39:42,292 --> 00:39:44,382 [GLEESON VOCALIZING] 754 00:39:47,994 --> 00:39:50,475 OH, MY GOD. 755 00:39:57,046 --> 00:40:02,269 PAM. 756 00:40:02,312 --> 00:40:05,577 PAM, CAN YOU HEAR ME? 757 00:40:05,620 --> 00:40:10,451 PAM? 758 00:40:10,495 --> 00:40:12,627 GLEESON: ♪ OOH, OOH, OOH, OOH 759 00:40:12,671 --> 00:40:14,412 [VOCALIZING] 760 00:40:49,142 --> 00:40:49,664 OH, MY GOD. 761 00:40:52,580 --> 00:40:54,756 DESICCATION IS NOT PRETTY. 762 00:40:54,800 --> 00:40:57,498 RYAN: DO YOU THINK WE SHOULD HOOK HIM UP TO FLUIDS? 763 00:40:57,542 --> 00:40:59,457 NOT UNLESS YOU WANT HIM TO WAKE UP. 764 00:40:59,500 --> 00:41:01,502 HE KNOWS WHO WE ARE. THE SECOND HE WAKES UP, 765 00:41:01,546 --> 00:41:02,547 THE WHOLE WORLD WILL, TOO. 766 00:41:02,590 --> 00:41:03,461 THAT'S A BIG, FAT IF HE WAKES UP. 767 00:41:13,340 --> 00:41:15,211 [VOICE MODULATED] JADA JET, THIS IS BATWOMAN. 768 00:41:15,255 --> 00:41:16,909 I HAVE YOUR SON. IF YOU'RE LOOKING FOR A WAY 769 00:41:16,952 --> 00:41:19,259 TO FIX HIS BRAIN, I SUGGEST YOU FIND IT QUICK. 770 00:41:19,302 --> 00:41:22,131 [CELL PHONE VIBRATING] 771 00:41:22,175 --> 00:41:25,918 SOPHIE, HOW DO YOU HAVE RECEPTION IN THE TUNNELS? 772 00:41:25,961 --> 00:41:27,615 I'M NOT IN THE TUNNELS, BUT YOU NEED TO GET THERE ASAP. 773 00:41:27,659 --> 00:41:30,183 SOPHIE, WHERE'S RENEE? 774 00:41:30,226 --> 00:41:31,358 YOU KNOW WHY YOU AND ALICE HAVEN'T BEEN ABLE 775 00:41:31,401 --> 00:41:33,665 TO CROSS THE JOY BUZZER OFF HER LIST? 776 00:41:33,708 --> 00:41:36,537 RENEE HAS HAD IT THIS ENTIRE TIME. 777 00:41:36,581 --> 00:41:37,843 WHAT DO YOU MEAN SHE HAD IT? 778 00:41:37,886 --> 00:41:41,107 I MEAN, SHE WAS NEVER GONNA LET ALICE FREE. 779 00:41:41,150 --> 00:41:46,112 SHE LIED, RYAN, TO ALICE, TO YOU, TO ME. 780 00:41:46,155 --> 00:41:47,374 SHE WAS HOLDING IT OVER YOUR HEADS 781 00:41:47,417 --> 00:41:49,419 TILL ONE OF YOU FOUND WHAT SHE WANTED-- 782 00:41:49,463 --> 00:41:52,901 HER SOUL MATE PAMELA ISLEY. 783 00:42:20,189 --> 00:42:22,017 MAN: GREG, MOVE YOUR HEAD.