1 00:00:01,827 --> 00:00:05,222 [THUNDER ON TV] 2 00:00:11,924 --> 00:00:14,405 WOMAN ON TV: OH, NO! 3 00:00:14,449 --> 00:00:15,624 STOP! 4 00:00:15,667 --> 00:00:17,060 THIS IS TERRIFYING. 5 00:00:17,104 --> 00:00:19,149 THEY RELEASED THIS TO THE PUBLIC? 6 00:00:19,193 --> 00:00:20,542 KEEP YOUR NASTY FEET ON YOUR SIDE 7 00:00:20,585 --> 00:00:22,370 OF THE COUCH. 8 00:00:22,413 --> 00:00:24,459 FINE. JEEZ. 9 00:00:24,502 --> 00:00:25,851 CALL YOURSELF A ROOMMATE. 10 00:00:25,895 --> 00:00:27,244 NO, I DON'T. 11 00:00:27,288 --> 00:00:29,333 I'M A MILITARY-TRAINED BABYSITTER 12 00:00:29,377 --> 00:00:31,553 WHO MAKES SURE YOU'RE RECEIVING YOUR PROPER MEDS. 13 00:00:31,596 --> 00:00:33,033 [THUD] 14 00:00:35,731 --> 00:00:37,472 DID YOU HEAR THAT? 15 00:00:37,515 --> 00:00:39,256 [RATTLING] 16 00:00:39,300 --> 00:00:41,171 SOMEONE'S ON THE BALCONY. 17 00:00:47,482 --> 00:00:50,963 YOU DRANK MY PINOT? I WAS SAVING THAT. 18 00:00:51,007 --> 00:00:53,792 I'M SORRY. IT DIDN'T HAVE YOUR NAME ON IT. 19 00:00:53,836 --> 00:00:56,056 IT'S MY DAMN HOUSE. ASSUME EVERYTHING 20 00:00:56,099 --> 00:00:57,840 -HAS MY NAME ON IT. -SHH! 21 00:00:57,883 --> 00:00:59,363 [SOFTLY] DO YOU WANT THE PSYCHOTIC SLASHER 22 00:00:59,407 --> 00:01:00,669 OUT THERE TO HEAR US? 23 00:01:00,712 --> 00:01:02,236 GO. 24 00:01:04,455 --> 00:01:06,153 ON 3. 25 00:01:06,196 --> 00:01:09,025 1...2, 3. 26 00:01:09,069 --> 00:01:10,722 ALICE: UGH. SOPHIE: AHH. 27 00:01:14,639 --> 00:01:16,076 THE DOOR WAS LOCKED. 28 00:01:16,119 --> 00:01:17,599 WHAT'S GOING ON? 29 00:01:17,642 --> 00:01:20,080 I'M HERE FOR HER. GET DRESSED. 30 00:01:20,123 --> 00:01:24,606 OH. ACTUALLY, I'M SUPERCOMFY HERE 31 00:01:24,649 --> 00:01:26,303 IN SOPHIE'S EX-HUSBAND'S 32 00:01:26,347 --> 00:01:28,610 REALLY COOL SPORTS TEE. 33 00:01:28,653 --> 00:01:30,264 RENEE INTERCEPTED SOME 911 CALL 34 00:01:30,307 --> 00:01:32,570 WITH A LEAD ON A POSSIBLE ROGUE WEAPON. 35 00:01:32,614 --> 00:01:34,964 GET YOUR ASS DRESSED. 36 00:01:35,007 --> 00:01:36,444 [SIGHS] 37 00:01:38,837 --> 00:01:42,319 ALICE: WELL, THIS CERTAINLY MAKES SNUGGLING WITH SOPHIE SEEM TAME. 38 00:01:42,363 --> 00:01:43,799 CAN YOU HAVE A LITTLE RESPECT 39 00:01:43,842 --> 00:01:45,583 AND HELP ME GET HIM DOWN? 40 00:01:45,627 --> 00:01:48,717 WHY ARE WE RUSHING? I'M PRETTY SURE HE'S DEAD ALREADY. 41 00:01:48,760 --> 00:01:51,154 YEAH. WELL, IT'S ONLY A MATTER OF TIME 42 00:01:51,198 --> 00:01:54,897 BEFORE GCPD SHOWS UP AND TAKES OUR EVIDENCE. 43 00:01:54,940 --> 00:01:57,726 OH. PLEASE TELL ME WE DON'T HAVE TO RECOVER HIS UNDIES. 44 00:01:57,769 --> 00:01:59,989 JUST THE BINDINGS. 45 00:02:00,032 --> 00:02:04,124 RENEE THINKS THE CULPRIT USED CATWOMAN'S BULLWHIP. 46 00:02:04,167 --> 00:02:07,039 AS IN ONE OF THE BAT TROPHIES? 47 00:02:07,083 --> 00:02:10,173 WELL, THIS WAS EASY. FOUND IT. 48 00:02:10,217 --> 00:02:12,349 CAN I PLEASE GO BACK TO MY MOVIE NIGHT NOW? 49 00:02:12,393 --> 00:02:15,265 I DON'T THINK THIS IS CATWOMAN'S WHIP. 50 00:02:15,309 --> 00:02:18,877 I DON'T CARE IF IT BELONGED TO INDIANA JONES. 51 00:02:18,921 --> 00:02:21,315 IF RENEE THINKS IT IS, LET HER, 52 00:02:21,358 --> 00:02:23,186 SO SHE CAN CROSS ANOTHER WEAPON OFF HER LIST 53 00:02:23,230 --> 00:02:26,450 AND I CAN BE ONE STEP CLOSER TO EARNING MY FREEDOM. 54 00:02:31,238 --> 00:02:32,630 ACCORDING TO LUKE, 55 00:02:32,674 --> 00:02:35,024 CATWOMAN AND BATMAN HAD A THING. 56 00:02:35,067 --> 00:02:38,419 A THING? SO MUCH LEATHER. HOW DID THAT WORK? 57 00:02:38,462 --> 00:02:40,377 WELL FOR HER. SHE APPARENTLY STOLE 58 00:02:40,421 --> 00:02:42,379 SOME OF BATMAN'S NANOTECH AND WOVE IT INTO HER WHIP, 59 00:02:42,423 --> 00:02:43,989 MAKING IT INDESTRUCTIBLE. 60 00:02:44,033 --> 00:02:46,383 THIS LOOKS LIKE IT WAS CUT WITH A POCKET KNIFE. 61 00:02:46,427 --> 00:02:48,472 I'LL HAVE SOMEONE FROM MARY'S CLINIC PICK UP THE BODY 62 00:02:48,516 --> 00:02:50,344 SO SHE CAN DO A THOROUGH EXAM. 63 00:02:50,387 --> 00:02:52,824 YOU NEED TO FIGURE OUT WHO KILLED THIS GUY. 64 00:02:52,868 --> 00:02:55,000 AND YOU...PARTNER? 65 00:02:55,044 --> 00:02:56,872 I HAVE DINNER PLANS. 66 00:02:56,915 --> 00:02:59,614 RENEE LITERALLY HAS THESE MISSIONS HANGING OVER OUR HEADS. 67 00:02:59,657 --> 00:03:01,964 WHO COULD POSSIBLY BE MORE IMPORTANT? 68 00:03:02,007 --> 00:03:04,445 SOMEONE WHO HAS MUCH MORE HANGING OVER MINE. 69 00:03:06,447 --> 00:03:07,839 MY MOTHER. 70 00:03:19,895 --> 00:03:23,594 RYAN: NO, MRS. BAXTER. I DID NOT USE YOUR INVESTMENTS 71 00:03:23,638 --> 00:03:25,640 TO FUND A LUXURY MUSIC FESTIVAL. 72 00:03:25,683 --> 00:03:27,207 WAYNE STOCK IS DOWN 53%, 73 00:03:27,250 --> 00:03:29,034 AND OUR CRISIS MANAGEMENT TEAM JUST QUIT. 74 00:03:29,078 --> 00:03:33,648 AS CEO, I URGE YOU PLEASE IGNORE THE TABLOIDS. 75 00:03:33,691 --> 00:03:35,432 I TOLD YOU I WILL FIX THIS. 76 00:03:35,476 --> 00:03:37,042 YEAH. OK. WHEN? 77 00:03:37,086 --> 00:03:38,609 THE COMPANY'S IN THE RED FOR THE FIRST TIME EVER, 78 00:03:38,653 --> 00:03:40,089 AND YOU'VE BEEN ON NONSTOP DAMAGE CONTROL 79 00:03:40,132 --> 00:03:41,482 FOR THE LAST 3 DAYS. 80 00:03:41,525 --> 00:03:43,266 MARY: WHAT IS THIS? 81 00:03:43,310 --> 00:03:45,573 UH, ROOMIE, WHEN YOU TOOK OUT THE TRASH THIS MORNING, 82 00:03:45,616 --> 00:03:49,794 YOU CLEARLY FORGOT TO DUMP OUT JADA'S DINNER PARTY INVITATION. 83 00:03:49,838 --> 00:03:52,275 IT CAME BY COURIER YESTERDAY. 84 00:03:52,319 --> 00:03:54,408 UGH. OF COURSE SHE TURNS AN EASY E-MAIL 85 00:03:54,451 --> 00:03:56,323 INTO A MASSIVE CARBON FOOTPRINT. 86 00:03:56,366 --> 00:03:58,194 SHE JUST TANKED WAYNE. WHY WOULD SHE EVER THINK 87 00:03:58,238 --> 00:04:00,196 THAT YOU'D WANT TO GO? 88 00:04:00,240 --> 00:04:03,199 GUESS WE'LL FIND OUT, WON'T WE? 89 00:04:03,243 --> 00:04:04,940 YOU'RE GOING. 90 00:04:04,983 --> 00:04:07,899 ALICE FOUND EVIDENCE LINKING JETURIAN TO BLACK GLOVE. 91 00:04:07,943 --> 00:04:13,122 ALICE, WHO IS LITERALLY HALLUCINATING SO BADLY 92 00:04:13,165 --> 00:04:15,516 THAT WE HAD TO PULL HER OUT OF AN INSANE ASYLUM. 93 00:04:15,559 --> 00:04:17,474 RYAN: OK. LOOK. WE NEED TO FIND SOMETHING 94 00:04:17,518 --> 00:04:19,955 TO HANG OVER JADA'S HEAD LIKE SHE HAS OVER MINE. 95 00:04:19,998 --> 00:04:22,827 UNTIL THEN, SHE WILL ALWAYS HAVE US AT HER MERCY. 96 00:04:22,871 --> 00:04:25,656 WE NEED A SMOKING GUN, SO WE BUG HER OFFICE 97 00:04:25,700 --> 00:04:27,267 AND SEE WHAT WE FIND OUT. 98 00:04:27,310 --> 00:04:28,616 SHE'S NOT INVITING YOU OVER TOP SHOW YOU 99 00:04:28,659 --> 00:04:30,182 HER SILK LINENS, RYAN. 100 00:04:30,226 --> 00:04:31,532 SHE HAS AN AGENDA, 101 00:04:31,575 --> 00:04:33,098 AND IF SHE WAS ABLE TO UNCOVER 102 00:04:33,142 --> 00:04:35,144 WAYNE'S HIDDEN ACCOUNTS... 103 00:04:48,810 --> 00:04:51,726 SORRY. WHAT WAS I SAYING? 104 00:04:51,769 --> 00:04:54,250 "IF SHE WAS ABLE TO UNCOVER WAYNE'S HIDDEN ACCOUNTS"... 105 00:04:54,294 --> 00:04:56,905 EXACTLY. THEN WHO'S TO SAY SHE CAN'T 106 00:04:56,948 --> 00:04:58,689 UNCOVER YOUR HIDDEN IDENTITY, TOO? 107 00:04:58,733 --> 00:05:02,171 YOU'RE RIGHT. I NEED TO BE CAREFUL, 108 00:05:02,214 --> 00:05:04,391 WHICH IS WHY I'M BRINGING BACKUP. 109 00:05:04,434 --> 00:05:06,131 ALICE: SO YOU'RE RYAN'S DATE? 110 00:05:06,175 --> 00:05:09,134 SO SAW THAT COMING. 111 00:05:09,178 --> 00:05:11,833 IT'S NOT A DATE. IT'S RECON. 112 00:05:11,876 --> 00:05:13,443 BUT YOU'RE WEARING A PUSH-UP BRA, 113 00:05:13,487 --> 00:05:15,358 SO IT'S A DATE. 114 00:05:15,402 --> 00:05:17,099 YOU KNOW THIS IS YOUR FAULT, RIGHT? 115 00:05:17,142 --> 00:05:19,493 UGH. DON'T BLAME ME FOR THIS REPULSIVE LOVE AFFAIR. 116 00:05:19,536 --> 00:05:21,364 IF YOU'D NEVER TOLD RYAN THAT 117 00:05:21,408 --> 00:05:23,235 HER BIOLOGICAL MOTHER WAS STILL ALIVE, 118 00:05:23,279 --> 00:05:24,889 WE WOULDN'T BE IN THIS MESS. 119 00:05:24,933 --> 00:05:27,544 SOPH, THE GUILT I THINK I'M SUPPOSED TO BE FEELING 120 00:05:27,588 --> 00:05:31,026 IS SERIOUSLY KILLING MY HALLUCINATION-FREE VIBES. 121 00:05:31,069 --> 00:05:34,290 SERIOUSLY, FOR THE LAST...3 DAYS, 122 00:05:34,334 --> 00:05:37,859 IT'S JUST BEEN ME, MYSELF, AND I. 123 00:05:37,902 --> 00:05:39,295 THE MEDS ARE WORKING. 124 00:05:39,339 --> 00:05:41,558 CRAZY ALICE IS CRAZY NO MORE. 125 00:05:41,602 --> 00:05:42,864 DON'T POKE THE BEAR. 126 00:05:42,907 --> 00:05:45,780 [CELL PHONE VIBRATING] 127 00:05:45,823 --> 00:05:47,434 TELL ME THAT YOU HEAR THAT. 128 00:05:47,477 --> 00:05:51,351 IT'S YOUR PHONE. IT'S MONTOYA. 129 00:05:51,394 --> 00:05:54,658 UGH. SERIOUSLY, PEOPLE. I AM ON VACATION. 130 00:05:54,702 --> 00:05:57,487 OH, NO. YOU'RE A CRIMINAL WHO'S ON WORK RELEASE, 131 00:05:57,531 --> 00:06:01,709 AND SHE SAID TO GET YOUR ASS TO HER OFFICE NOW. 132 00:06:01,752 --> 00:06:04,059 [GROANS] 133 00:06:04,102 --> 00:06:06,931 [PIANO PLAYING CLASSICAL MUSIC] 134 00:06:09,934 --> 00:06:11,936 MAY I OFFER YOU A BEVERAGE WHILE YOU WAIT? 135 00:06:11,980 --> 00:06:14,852 THE MADAM RECOMMENDS A 1994 COTE DES BLANCS. 136 00:06:14,896 --> 00:06:17,507 -WE'RE GOOD. -VERY WELL. 137 00:06:17,551 --> 00:06:20,858 MADAM JET WILL BE DOWN SHORTLY. 138 00:06:20,902 --> 00:06:22,817 "MADAM JET WILL BE DOWN SHORTLY." 139 00:06:22,860 --> 00:06:24,819 IS SHE FOR REAL? 140 00:06:24,862 --> 00:06:27,648 AS REAL AS THE BLING IN HER CHANDELIER. 141 00:06:27,691 --> 00:06:29,432 I FEEL LIKE THE FOSTER KID 142 00:06:29,476 --> 00:06:31,303 WHO ISN'T ALLOWED TO SIT ON ANYTHING. 143 00:06:31,347 --> 00:06:32,740 THAT'S THE POINT. 144 00:06:32,783 --> 00:06:34,045 THIS IS AN INTIMIDATION MOVE 145 00:06:34,089 --> 00:06:35,612 TO GET IN YOUR HEAD, MAKE YOU THINK 146 00:06:35,656 --> 00:06:37,353 YOU HAVE NOTHING AND SHE'S GOT EVERYTHING. 147 00:06:37,397 --> 00:06:38,789 THAT SHOULDN'T BE TOO HARD CONSIDERING 148 00:06:38,833 --> 00:06:41,183 MY LAST ADDRESS WAS MY LICENSE PLATE. 149 00:06:44,621 --> 00:06:47,624 RYAN, I'M GLAD YOU COULD COME. 150 00:06:47,668 --> 00:06:49,583 AHH. I SEE YOU BROUGHT A FRIEND. 151 00:06:50,932 --> 00:06:54,022 GIRLFRIEND ACTUALLY. 152 00:06:54,065 --> 00:06:57,199 -SOPHIE. NICE TO MEET YOU. -YOU, AS WELL. 153 00:06:57,242 --> 00:06:59,375 SORRY TO INTERRUPT, MADAM. 154 00:06:59,419 --> 00:07:01,769 THE CHEF ASSURES ME HE HAS THINGS COVERED HERE. 155 00:07:01,812 --> 00:07:03,553 GREAT. GOOD NIGHT, DAMIEN. 156 00:07:03,597 --> 00:07:05,468 ON YOUR WAY OUT, WOULD YOU PLEASE INFORM HIM 157 00:07:05,512 --> 00:07:06,991 THAT WE'LL BE HAVING ANOTHER? 158 00:07:07,035 --> 00:07:08,297 DAMIEN: YES, MADAM. 159 00:07:19,003 --> 00:07:20,483 DAMIEN: CHEF. CHEF: HMM? 160 00:07:20,527 --> 00:07:22,137 THE MADAM HAS REQUESTED PREPARATIONS 161 00:07:22,180 --> 00:07:23,617 FOR ANOTHER GUEST. 162 00:07:23,660 --> 00:07:25,532 OH. THE MORE THE MERRIER. 163 00:07:35,716 --> 00:07:38,283 THERE, THERE, LITTLE PIG. 164 00:07:42,549 --> 00:07:43,985 UNH! 165 00:07:45,813 --> 00:07:48,468 TIME FOR THE PROFESSOR TO TEACH THE CLASS 166 00:07:48,511 --> 00:07:50,295 HOW TO SQUEAL. 167 00:07:50,339 --> 00:07:53,951 HA HA HA! HA HA HA! 168 00:07:58,521 --> 00:08:00,218 SO HOW DID YOU TWO MEET? 169 00:08:00,262 --> 00:08:02,525 RYAN AND SOPHIE: THROUGH FRIENDS. 170 00:08:02,569 --> 00:08:04,353 WAS IT A TUESDAY? 171 00:08:04,396 --> 00:08:07,661 DEFINITELY BECAUSE IT WAS, UH... 172 00:08:07,704 --> 00:08:09,706 TACO NIGHT. 173 00:08:09,750 --> 00:08:13,841 AND...YOU OFFERED TO BUY ME A DRINK 174 00:08:13,884 --> 00:08:15,843 TO WASH DOWN THE CHIPS. 175 00:08:15,886 --> 00:08:17,758 THE CHIPS. HEH. 176 00:08:17,801 --> 00:08:19,455 UH, YOU KNOW-- YOU KNOW, WHEN THE CORNER 177 00:08:19,499 --> 00:08:21,065 OF THE CHIP GETS STUCK IN THE BACK OF YOUR THROAT. 178 00:08:21,109 --> 00:08:23,546 YEAH. JUST THE COUGHING, CHOKING, WATERY EYES. 179 00:08:23,590 --> 00:08:25,635 I MEAN, I THINK THERE WAS SWEAT INVOLVED. 180 00:08:25,679 --> 00:08:28,116 JADA: SOUNDS ROMANTIC. RYAN: IT WASN'T CUTE, 181 00:08:28,159 --> 00:08:29,596 BUT THAT'S THE POINT. 182 00:08:29,639 --> 00:08:32,990 I MEAN...SOMEONE SEES YOU AT YOUR NOT CUTEST 183 00:08:33,034 --> 00:08:34,905 AND STILL ASKS YOU OUT? 184 00:08:34,949 --> 00:08:36,298 I MEAN, AT THE END OF THE DAY, 185 00:08:36,341 --> 00:08:38,561 WE JUST WANT SOMEONE WHO'S LOYAL. 186 00:08:38,605 --> 00:08:40,998 I KNOW THAT IF I WERE DYING 187 00:08:41,042 --> 00:08:42,739 SOPHIE WOULD SIT BESIDE ME, 188 00:08:42,783 --> 00:08:44,175 PUT HER ARMS AROUND ME, AND TELL ME 189 00:08:44,219 --> 00:08:45,916 EVERYTHING WOULD BE OK. 190 00:08:49,877 --> 00:08:52,009 EXCUSE ME. BATHROOM? 191 00:08:52,053 --> 00:08:53,663 LAST ROOM DOWN THE HALL. 192 00:08:58,146 --> 00:09:00,104 WE SHOULD ALL BE SO LUCKY. 193 00:09:00,148 --> 00:09:01,758 THAT WAS BEAUTIFUL. 194 00:09:01,802 --> 00:09:03,368 HMM. YEAH. 195 00:09:07,677 --> 00:09:11,333 NOW LET'S GET UGLY. WHY AM I HERE? 196 00:09:11,376 --> 00:09:13,465 IF THIS IS YOUR OLIVE BRANCH 197 00:09:13,509 --> 00:09:15,337 FOR DESTROYING MY COMPANY, YOU'RE GONNA NEED 198 00:09:15,380 --> 00:09:17,600 A DAMN ORCHARD. 199 00:09:17,644 --> 00:09:19,471 I COULDN'T HAVE BEEN MORE CLEAR 200 00:09:19,515 --> 00:09:21,430 WHEN I TOLD YOU TO STAY AWAY FROM MY FAMILY. 201 00:09:21,473 --> 00:09:23,780 AND NOW I'M IN YOUR LIVING ROOM, 202 00:09:23,824 --> 00:09:25,608 SO WHAT THE HELL IS GOING ON? 203 00:09:25,652 --> 00:09:28,306 WHATEVER'S GOING ON BETWEEN YOU AND MARQUIS 204 00:09:28,350 --> 00:09:29,873 NEEDS TO STOP. 205 00:09:29,917 --> 00:09:31,179 WHO SAYS SOMETHING'S GOING ON? 206 00:09:31,222 --> 00:09:33,834 A MOTHER ALWAYS KNOWS. 207 00:09:33,877 --> 00:09:35,749 NOW I NEED YOU TO ASK YOUR GIRL TO LEAVE 208 00:09:35,792 --> 00:09:37,838 SO I CAN GET REAL WITH YOU. 209 00:09:37,881 --> 00:09:40,928 GET REAL? RICH COMING FROM THE WOMAN 210 00:09:40,971 --> 00:09:42,494 WHO CONVINCED ME SHE WAS DEAD. 211 00:09:42,538 --> 00:09:45,846 HMM. DYING WILL BE THE EASY PART, RYAN, 212 00:09:45,889 --> 00:09:47,848 FOR YOU AND A LOT OF FOLKS 213 00:09:47,891 --> 00:09:50,546 IF YOU DON'T DO EXACTLY WHAT I SAY. 214 00:09:50,590 --> 00:09:53,854 MARQUIS: YO! NOBODY AT THE DOOR? 215 00:09:53,897 --> 00:09:55,812 WHERE'S MY MAN DAMIEN? 216 00:09:55,856 --> 00:09:57,553 YOU NEVER KNOW WHAT KIND OF PSYCHO 217 00:09:57,597 --> 00:09:59,773 MIGHT COME WALTZING INTO THIS PLACE. 218 00:09:59,816 --> 00:10:03,254 MARQUIS, WHAT ARE YOU DOING HERE? 219 00:10:03,298 --> 00:10:05,822 HEARD THERE WAS A FAMILY DINNER. 220 00:10:11,698 --> 00:10:12,829 SOPHIE, WHISPERING: BATCAVE. 221 00:10:12,873 --> 00:10:14,091 LUKE: COPY. ARE YOU IN? 222 00:10:15,832 --> 00:10:18,269 10 BEDROOMS AND 15 BATHROOMS LATER, 223 00:10:18,313 --> 00:10:19,967 I FOUND HER STUDY. 224 00:10:20,010 --> 00:10:21,316 OK. GOOD. FIND SOMEWHERE CENTRAL 225 00:10:21,359 --> 00:10:23,100 AWAY FROM A.C. VENTS, SHREDDERS, 226 00:10:23,144 --> 00:10:25,973 ANYTHING THAT CREATES NOISE. 227 00:10:26,016 --> 00:10:27,931 ALL RIGHT. I'M AT HER DESK. FIRE IT UP. 228 00:10:31,239 --> 00:10:33,981 TESTING 1, 2, 3. 229 00:10:34,024 --> 00:10:37,245 ALL RIGHT. WE ARE UP. NOW GET OUT OF THERE. 230 00:10:37,288 --> 00:10:39,813 I WILL IN TWO SECONDS. 231 00:10:39,856 --> 00:10:43,120 SOPHIE, I STRONGLY SUGGEST THAT YOU GET OUT OF THERE. 232 00:10:57,047 --> 00:10:58,614 LOOKS LIKE RYAN WASN'T THE ONLY ONE 233 00:10:58,658 --> 00:11:01,748 CUT OUT OF THE FAMILY. 234 00:11:01,791 --> 00:11:04,315 I'M GONNA SEND YOU A FACE TO RUN THROUGH REC. 235 00:11:04,359 --> 00:11:06,491 AH. GO FOR IT. STANDING BY. 236 00:11:06,535 --> 00:11:08,798 [ALERT CHIMING] 237 00:11:08,842 --> 00:11:10,974 SOPHIE? 238 00:11:11,018 --> 00:11:12,584 LUKE, DO YOU COPY? 239 00:11:12,628 --> 00:11:14,282 HEY. HEY, SOPHIE. 240 00:11:17,024 --> 00:11:19,374 LUKE, DO YOU COPY? 241 00:11:24,074 --> 00:11:26,816 THE POWDER ROOM'S ON THE FIRST FLOOR, HONEY. 242 00:11:26,860 --> 00:11:30,690 BIG HOUSE. GOT LOST. 243 00:11:30,733 --> 00:11:32,387 DINNER'S READY. 244 00:11:42,005 --> 00:11:44,094 WE'RE SUPPOSED TO HAVE A SECRET PARTNERSHIP, 245 00:11:44,138 --> 00:11:45,574 AND YOU'RE SITTING THERE HAVING SECRET DINNERS WITH HER? 246 00:11:45,617 --> 00:11:46,793 WHOSE SIDE ARE YOU ON? 247 00:11:46,836 --> 00:11:48,708 I HATE TO BREAK IT TO YOU. 248 00:11:48,751 --> 00:11:50,361 SHE ALREADY KNOWS ABOUT THE PARTNERSHIP. 249 00:11:50,405 --> 00:11:51,711 HOW? 250 00:11:56,803 --> 00:11:59,588 CAN WE PLEASE EAT BEFORE ANY MORE GUESTS ARRIVE? 251 00:12:12,079 --> 00:12:14,168 SO SHE DOESN'T THINK IT'S A TROPHY. 252 00:12:14,211 --> 00:12:17,780 OH, SOMETHING ABOUT BATMAN AND CATWOMAN BETWEEN THE SHEETS. 253 00:12:17,824 --> 00:12:20,740 PERSONALLY, I DIDN'T THINK HEROES DID THAT SORT OF THING, 254 00:12:20,783 --> 00:12:23,090 BUT, UH, WHAT DO I KNOW? 255 00:12:23,133 --> 00:12:25,483 I'M A VILLAIN. 256 00:12:25,527 --> 00:12:28,748 THEN PROVE ME WRONG. 257 00:12:28,791 --> 00:12:30,271 OHH. THIS IS A RECORD OF EVERY ROGUE 258 00:12:30,314 --> 00:12:32,099 THAT'S TORMENTED GOTHAM. 259 00:12:32,142 --> 00:12:33,840 IF IT'S NOT A CATWOMAN WANNABE, 260 00:12:33,883 --> 00:12:36,320 THEN USE THAT BEAUTIFULLY DEMENTED MIND 261 00:12:36,364 --> 00:12:38,409 AND TELL ME WHO WOULD STRING UP 262 00:12:38,453 --> 00:12:41,238 A NAKED MAN IN AN AUTO SHOP WITH A BULLWHIP. 263 00:12:51,118 --> 00:12:56,253 MAGPIE--NOT POSSIBLE. TOO MANY SHINY PIERCINGS LEFT ON THE VICTIM. 264 00:12:56,297 --> 00:12:59,343 SHELLY GAYNOR... AKA THE WHIP. 265 00:12:59,387 --> 00:13:00,910 SOUNDS PROMISING. 266 00:13:00,954 --> 00:13:03,739 MMM...NO. ANIMAL ADVOCATE. 267 00:13:03,783 --> 00:13:06,655 HER WHIP WAS FAUX LEATHER. 268 00:13:06,698 --> 00:13:08,178 HMM. 269 00:13:08,222 --> 00:13:11,225 WELL, THIS ONE IS KINKIER THAN A GARDEN HOSE, 270 00:13:11,268 --> 00:13:15,142 BUT, UM, TALIA AL GHUL IS FAR TOO IMPATIENT 271 00:13:15,185 --> 00:13:17,144 FOR PERFORMATIVE VICTIM STAGING. 272 00:13:23,977 --> 00:13:26,066 I THINK WE FOUND OUR GIRL-- 273 00:13:26,109 --> 00:13:29,809 MANIPULATIVE, OBSESSIVE, BACKSTABBING. 274 00:13:29,852 --> 00:13:31,288 WHO IS SHE? 275 00:13:33,900 --> 00:13:35,249 YOU. 276 00:13:37,033 --> 00:13:40,036 WHAT'S WITH YOUR CREEPY OBSESSION WITH POISON IVY? 277 00:13:40,080 --> 00:13:42,169 WHAT ARE YOU TALKING ABOUT? 278 00:13:42,212 --> 00:13:46,869 MMM. HEH. YOUR CASE FILES ON EVERYONE ELSE ARE...ANEMIC, 279 00:13:46,913 --> 00:13:48,828 BUT THIS ONE ON PAM ISLEY READS 280 00:13:48,871 --> 00:13:51,787 LIKE YOU'RE, UH, PLANNING ON WRITING A BIOPIC-- 281 00:13:51,831 --> 00:13:55,225 JUICY INTERVIEWS, DETAILED FACT SHEETS. 282 00:13:55,269 --> 00:13:59,751 OHH! A CONFIDENTIAL PSYCHOLOGICAL EVALUATION. 283 00:13:59,795 --> 00:14:01,101 TSK, TSK, TSK, TSK. 284 00:14:01,144 --> 00:14:04,495 NOW YOU NEED TO PROVE ME WRONG. 285 00:14:04,539 --> 00:14:08,499 ARE BATWOMAN AND I LOOKING FOR THESE WEAPONS OF MASS DESTRUCTION 286 00:14:08,543 --> 00:14:10,240 TO STOP CRIMINALS? 287 00:14:10,284 --> 00:14:13,678 BECAUSE I THINK THAT YOU BROUGHT US TOGETHER 288 00:14:13,722 --> 00:14:17,378 TO FIND ONE VINY VIXEN IN PARTICULAR. 289 00:14:31,087 --> 00:14:33,568 ANYBODY ELSE FEEL A LITTLE SORRY FOR THAT THING? 290 00:14:33,611 --> 00:14:37,485 ROASTED SUCKLING IS CONSIDERED A DELICACY IN MOST OF THE WORLD. 291 00:14:37,528 --> 00:14:39,791 RYAN: I'M VEGAN, SO IT DOESN'T MATTER 292 00:14:39,835 --> 00:14:41,576 WHAT CONTINENT MY ASS IS ON. 293 00:14:41,619 --> 00:14:43,447 I'M NOT TOUCHING THAT. 294 00:14:43,491 --> 00:14:46,146 CHEF: PERHAPS MORE WINE WILL ENHANCE THE EXPERIENCE. 295 00:14:46,189 --> 00:14:48,496 OUR ESTEEMED CHEF FLEW FROM METROPOLIS 296 00:14:48,539 --> 00:14:49,889 TO COOK FOR US. 297 00:14:49,932 --> 00:14:51,281 HE COMES HIGHLY RECOMMENDED. 298 00:14:52,717 --> 00:14:54,676 SO IF I MAY, 299 00:14:54,719 --> 00:14:56,156 YOU'RE THE ESTRANGED DAUGHTER 300 00:14:56,199 --> 00:14:57,984 WHO JUST RECENTLY BONDED WITH YOUR BROTHER, 301 00:14:58,027 --> 00:15:00,029 BUT THAT'S BAD BECAUSE HE HAS A CODEPENDENT RELATIONSHIP 302 00:15:00,073 --> 00:15:02,510 WITH HIS MOTHER, WHO NOW SEES YOU AS A THREAT 303 00:15:02,553 --> 00:15:04,686 TO HER RELATIONSHIP WITH HER SON. 304 00:15:04,729 --> 00:15:07,732 MARQUIS: ZOEY'S DISSERTATION IS ON MODERN FAMILY DYNAMICS. 305 00:15:07,776 --> 00:15:09,909 PARTICULARLY TRIANGULATION AS IT RELATES 306 00:15:09,952 --> 00:15:11,606 TO BOWEN'S FAMILY THEORY PARADIGM-- 307 00:15:11,649 --> 00:15:14,043 RESCUER, VICTIM, PERSECUTOR. 308 00:15:14,087 --> 00:15:16,872 THAT'S INTERESTING. DOES BOWEN HAVE A TERM 309 00:15:16,916 --> 00:15:19,179 FOR BACKSTABBING SISTERS? 310 00:15:21,877 --> 00:15:24,401 UH, I NEED THE LADIES'. TANNINS GO RIGHT THROUGH ME. 311 00:15:24,445 --> 00:15:26,795 -BACKSTABBING SISTERS? -MM-HMM. 312 00:15:26,838 --> 00:15:29,232 I WASN'T THE ONE WHO ORCHESTRATED THIS WHOLE DINNER. 313 00:15:29,276 --> 00:15:31,278 JADA DID. 314 00:15:31,321 --> 00:15:33,019 WAS THAT WHAT YOU WANTED? 315 00:15:33,062 --> 00:15:35,673 MARQUIS FINDS OUT I'M HAVING DINNER WITH HIS MOM, 316 00:15:35,717 --> 00:15:37,501 SO HE STOPS TRUSTING ME. 317 00:15:37,545 --> 00:15:39,460 JADA: IF WE'RE GOING TO HAVE A CONVERSATION ABOUT TRUST, 318 00:15:39,503 --> 00:15:41,375 LET'S TALK ABOUT WHAT YOUR GIRLFRIEND THOUGHT 319 00:15:41,418 --> 00:15:43,377 SHE WAS GOING TO FIND IN MY STUDY. 320 00:15:45,205 --> 00:15:48,556 EXACTLY. SO DON'T TALK TO ME ABOUT HAVING AN AGENDA. 321 00:15:51,559 --> 00:15:55,258 YOU'RE RIGHT, JADA. I DID COME HERE WITH AN AGENDA. 322 00:15:55,302 --> 00:15:58,218 I CAME TO SAY THANK YOU. 323 00:15:58,261 --> 00:16:00,524 THANK YOU FOR GIVING ME UP. 324 00:16:00,568 --> 00:16:02,309 THANK YOU FOR WALKING AWAY 325 00:16:02,352 --> 00:16:03,919 AND LETTING ME BE SOMEBODY ELSE'S PROBLEM 326 00:16:03,963 --> 00:16:06,530 BECAUSE I DIDN'T GET THE BUTLERS 327 00:16:06,574 --> 00:16:10,273 OR THE 5-COURSE MEAL OR THE MANSION. 328 00:16:10,317 --> 00:16:14,190 I GOT A HOME. I GOT LOVE. 329 00:16:14,234 --> 00:16:16,149 I GOT A REAL MOTHER. 330 00:16:27,073 --> 00:16:28,857 SHOULD HAVE KNOWN, ZOEY. 331 00:16:28,900 --> 00:16:31,251 WINE AND FAMILY DRAMA DO NOT MIX. 332 00:16:36,212 --> 00:16:38,040 [BREATHING HEAVILY] 333 00:16:38,084 --> 00:16:39,868 WHY CAN'T I FEEL ANYTHING? 334 00:16:50,139 --> 00:16:51,793 TURN THE FAUCET, ZOEY. 335 00:16:59,714 --> 00:17:01,107 AAH! 336 00:17:01,150 --> 00:17:03,370 [GRUNTING] 337 00:17:06,808 --> 00:17:07,983 MARQUIS: GOT TO SAY I'M NOT ABOUT TO LET 338 00:17:08,027 --> 00:17:11,465 MY BABY SISTER WIN BEST SPEECH OF THE NIGHT. 339 00:17:11,508 --> 00:17:13,597 MARQUIS, HAVEN'T WE HAD ENOUGH THEATRICS FOR ONE EVENING? 340 00:17:13,641 --> 00:17:15,077 DON'T WORRY. 341 00:17:15,121 --> 00:17:17,645 I'LL KEEP IT SIMPLE. 342 00:17:17,688 --> 00:17:21,127 TO FAMILY AND LOYALTY. 343 00:17:29,004 --> 00:17:31,615 -YOU OK? -WHAT? 344 00:17:31,659 --> 00:17:33,139 I CAN'T MOVE MY ARMS. 345 00:17:36,011 --> 00:17:37,491 CHEF: RELAX. 346 00:17:43,192 --> 00:17:45,455 JUST A LITTLE PARALYTIC. 347 00:17:45,499 --> 00:17:46,978 YOU MON-- 348 00:17:47,022 --> 00:17:49,024 CHEF: OK. MAYBE A LOT OF PARALYTIC. 349 00:17:50,765 --> 00:17:52,245 JADA: GET AWAY FROM US. 350 00:17:52,288 --> 00:17:55,117 YOU'RE NOT AN EASY WOMAN TO GET ALONE. 351 00:17:55,161 --> 00:17:56,684 PRACTICALLY HAD TO CONVINCE YOU 352 00:17:56,727 --> 00:17:59,774 I WAS ROYALTY TO GET THE KEYS TO THE KINGDOM. 353 00:18:03,256 --> 00:18:06,476 YOU DON'T REMEMBER ME, MRS. JET? 354 00:18:06,520 --> 00:18:08,043 I HAVE NO IDEA WHO YOU ARE. 355 00:18:08,087 --> 00:18:09,740 DO YOU REALLY FIRE SO MANY PEOPLE 356 00:18:09,784 --> 00:18:11,481 THEY'RE ALL A BLUR? 357 00:18:11,525 --> 00:18:14,223 LAZLO VALENTIN. I WAS A CHEF 358 00:18:14,267 --> 00:18:16,225 IN THE DINING HALL AT YOUR OFFICE 359 00:18:16,269 --> 00:18:18,271 UNTIL YOU FIRED ME. 360 00:18:18,314 --> 00:18:21,752 VALENTIN. OK. I REMEMBER THE NAME. 361 00:18:21,796 --> 00:18:24,103 GOOD FOR YOU. YOU KNOW WHAT I REMEMBER? 362 00:18:24,146 --> 00:18:26,105 TELLING MY FAMILY, 363 00:18:26,148 --> 00:18:28,933 "HEY, GUYS. NO MORE MONEY'S COMING IN FOR A WHILE. 364 00:18:28,977 --> 00:18:30,674 "BOSS LADY HATES DADDY'S COOKING, 365 00:18:30,718 --> 00:18:33,329 SO NOW NOBODY WANTS TO HIRE HIM ANYMORE." 366 00:18:33,373 --> 00:18:35,331 YEAH, AND I REMEMBER THE DIVORCE PAPERS, 367 00:18:35,375 --> 00:18:37,551 THE DEBT COLLECTORS, THE REPO MAN. 368 00:18:37,594 --> 00:18:39,292 MARQUIS: DO YOU REALLY THINK SHE REMEMBERS 369 00:18:39,335 --> 00:18:41,120 THE DAMN COOK FROM THE BUILDING CAF? 370 00:18:41,163 --> 00:18:42,730 -MARQUIS. -NAW. YOU PROBABLY SAID 371 00:18:42,773 --> 00:18:46,125 THE FOOD SUCKED, YOUR STAFF REPLACED HIS ASS. 372 00:18:46,168 --> 00:18:48,083 IT'S JUST BUSINESS, BRO. 373 00:18:48,127 --> 00:18:49,606 JUST BUSINESS?! 374 00:18:49,650 --> 00:18:51,956 I LOST MY FAMILY BECAUSE OF HER, 375 00:18:52,000 --> 00:18:55,046 SO NOW YOU'LL LOSE YOURS. 376 00:18:55,090 --> 00:18:57,179 YOU TOLD MARQUIS ABOUT THIS DINNER. 377 00:18:57,223 --> 00:19:01,270 HOW ELSE COULD YOU WATCH ME CHOP HIM INTO BACON BITS? 378 00:19:02,489 --> 00:19:05,883 BUT THE UNEXPECTED DAUGHTER--HA HA HA! 379 00:19:05,927 --> 00:19:07,929 TALK ABOUT AN AMUSE-BOUCHE. 380 00:19:07,972 --> 00:19:10,236 RYAN: HUH! VALENTIN: AGH! 381 00:19:10,279 --> 00:19:11,846 AAH! UGH! 382 00:19:14,675 --> 00:19:17,373 MARQUIS, COME ON. 383 00:19:17,417 --> 00:19:20,246 I CAN'T--I CAN'T MOVE. 384 00:19:20,289 --> 00:19:22,770 ZOEY--SHE'S STILL UPSTAIRS. 385 00:19:22,813 --> 00:19:25,076 SOPHIE: I GOT HIM. GO. 386 00:19:25,120 --> 00:19:27,253 RYAN: I'LL FIND ZOEY. 387 00:19:27,296 --> 00:19:29,646 GET OUTSIDE. CALL FOR HELP. 388 00:19:29,690 --> 00:19:31,387 I GOT YOU. COME ON. 389 00:19:31,431 --> 00:19:33,389 [GROANING] 390 00:19:51,625 --> 00:19:53,888 ZOEY. ZOEY, WE GOT TO GO. 391 00:19:59,372 --> 00:20:01,678 [GROANING] 392 00:20:01,722 --> 00:20:02,984 AAH! 393 00:20:05,813 --> 00:20:08,076 IT WON'T OPEN. WHY WON'T IT OPEN? 394 00:20:08,119 --> 00:20:10,209 HE MUST HAVE LOCKED US IN FROM THE OUTSIDE. 395 00:20:13,777 --> 00:20:15,475 [BEEPING] 396 00:20:15,518 --> 00:20:17,912 MY PHONE HAS NO SERVICE. 397 00:20:17,955 --> 00:20:19,870 MINE EITHER. 398 00:20:19,914 --> 00:20:22,264 VALENTIN: WHICH LITTLE PIGGY WENT TO MARKET? 399 00:20:22,308 --> 00:20:25,572 WHICH LITTLE PIGGY SHOULD HAVE STAYED HOME? 400 00:20:25,615 --> 00:20:27,835 UPSTAIRS. FOLLOW ME. 401 00:20:30,229 --> 00:20:32,796 MARQUIS: GO. GO WITHOUT ME. 402 00:20:32,840 --> 00:20:35,582 NO, MARQUIS. COME ON. YOU CAN DO THIS. LET'S GO. 403 00:20:35,625 --> 00:20:38,149 MARQUIS: AHH! UNH! 404 00:20:45,418 --> 00:20:46,723 AAH! UNH! 405 00:20:46,767 --> 00:20:48,899 [GRUNTING] 406 00:20:48,943 --> 00:20:50,640 A LESSON FROM PROFESSOR PYG! 407 00:20:50,684 --> 00:20:53,600 NOBODY LIKES AN UNINVITED GUEST! 408 00:20:53,643 --> 00:20:55,428 HYAH! UNH! 409 00:20:55,471 --> 00:20:56,777 UNH! OHH! 410 00:20:58,953 --> 00:21:00,781 COME ON. COME ON! 411 00:21:07,788 --> 00:21:09,659 [BREATHING HEAVILY] 412 00:21:29,070 --> 00:21:30,332 ERRR! 413 00:21:30,376 --> 00:21:31,942 HUH! 414 00:21:31,986 --> 00:21:33,814 ERR! HA HA HA! 415 00:21:37,252 --> 00:21:39,602 I'LL HUFF, AND I'LL PUFF 416 00:21:39,646 --> 00:21:43,389 AND BURN YOUR HOUSE DOWN! 417 00:21:44,955 --> 00:21:48,045 HE'S GONE...FOR NOW. 418 00:21:49,612 --> 00:21:52,876 ZOEY'S DEAD. 419 00:21:52,920 --> 00:21:55,096 OH, MY GOD. 420 00:21:55,139 --> 00:21:56,489 AND HE'S NOT LEAVING THIS HOUSE 421 00:21:56,532 --> 00:21:58,969 UNTIL WE ARE, TOO. 422 00:21:59,013 --> 00:22:02,364 [SOPHIE RETCHING] 423 00:22:02,408 --> 00:22:04,366 WHAT IS THIS PLACE? 424 00:22:04,410 --> 00:22:06,325 IT'S A PANIC ROOM. I CONVERTED ONE 425 00:22:06,368 --> 00:22:08,762 OF MY CLOSETS A FEW YEARS BACK. 426 00:22:08,805 --> 00:22:11,808 YOU MUST HAVE A LOT OF ENEMIES. 427 00:22:11,852 --> 00:22:14,724 SECRET CLOSET SPACE AND ALL. 428 00:22:14,768 --> 00:22:16,247 SIGNAL'S DEAD. 429 00:22:16,291 --> 00:22:18,075 SOPHIE: I HAD A CALL DROP EARLIER. 430 00:22:18,119 --> 00:22:20,295 HE MUST HAVE ACTIVATED SOME SORT OF... 431 00:22:20,339 --> 00:22:23,385 SIGNAL BLOCKER. 432 00:22:23,429 --> 00:22:25,996 TELL ME YOU HAVE A GUN IN HERE. 433 00:22:26,040 --> 00:22:29,565 UH-UH. I DON'T BELIEVE IN GUNS. 434 00:22:29,609 --> 00:22:32,612 WHAT'S WRONG? NOT TORTUROUS ENOUGH? 435 00:22:32,655 --> 00:22:34,091 WHAT'S THAT SUPPOSED TO MEAN? 436 00:22:34,135 --> 00:22:37,138 RYAN: EVERYBODY, JUST CHILL, OK? 437 00:22:37,181 --> 00:22:38,966 SOMEONE WILL EVENTUALLY REALIZE WE'RE MISSING 438 00:22:39,009 --> 00:22:40,402 AND COME LOOKING FOR US. 439 00:22:40,446 --> 00:22:42,622 WE JUST NEED TO HANG UNTIL THEN. 440 00:22:42,665 --> 00:22:45,407 [MARQUIS WHEEZING] 441 00:22:45,451 --> 00:22:46,713 MARQUIS? 442 00:22:46,756 --> 00:22:50,847 [GASPING] 443 00:22:50,891 --> 00:22:55,199 MARQUIS! MARQUIS! MARQUIS! MARQUIS! 444 00:22:58,638 --> 00:23:00,727 RENEE: PAMELA AND I MET AT GOTHAM U. 445 00:23:00,770 --> 00:23:02,250 I WAS STUDYING CRIMINAL LAW. 446 00:23:02,293 --> 00:23:04,557 SHE WAS INTO BOTANY, COMPLETE OPPOSITES, 447 00:23:04,600 --> 00:23:08,517 BUT COULDN'T SEE A FUTURE WITHOUT THE OTHER. 448 00:23:08,561 --> 00:23:10,519 -LOVE THAT. -AT THE SAME TIME, 449 00:23:10,563 --> 00:23:12,260 ONE OF HER CLASSMATES WAS CONDUCTING 450 00:23:12,303 --> 00:23:15,306 THESE OBSESSIVE EXPERIMENTS FOR HIS Ph.D. 451 00:23:15,350 --> 00:23:18,266 HE AND PAM WERE COMPETITIVE, 452 00:23:18,309 --> 00:23:20,442 BOTH SUPERSMART, KIND OF NERDY. 453 00:23:20,486 --> 00:23:22,009 SHE THOUGHT IT WAS HARMLESS UNTIL ONE NIGHT 454 00:23:22,052 --> 00:23:25,316 HE ABDUCTED PAM AND USED HER AS HIS GUINEA PIG. 455 00:23:25,360 --> 00:23:28,015 LET ME GUESS-- THAT'D BE MARC LeGRAND. 456 00:23:28,058 --> 00:23:30,234 WHATEVER HE INJECTED HER WITH WAS POISON, 457 00:23:30,278 --> 00:23:33,063 SOME AWFUL COMBINATION OF THINGS AROUND HIS LAB-- 458 00:23:33,107 --> 00:23:36,415 OLEANDER, NIGHTSHADE, WATER HEMLOCK. 459 00:23:36,458 --> 00:23:38,373 CHANGED HER ENTIRE PHYSIOLOGY. 460 00:23:38,417 --> 00:23:40,506 TURNED HER INTO A GREEN-THUMBED PSYCHO. 461 00:23:40,549 --> 00:23:41,942 SHE DIDN'T SEE IT THAT WAY. 462 00:23:41,985 --> 00:23:43,509 SHE WANTED TO SAVE THE PLANET, 463 00:23:43,552 --> 00:23:46,381 AND THAT MEANT PUNISHING ANYONE DESTROYING IT. 464 00:23:46,425 --> 00:23:48,122 EXCEPT AN UP-AND-COMING COP 465 00:23:48,165 --> 00:23:50,472 SHACKING UP WITH A SERIAL KILLER 466 00:23:50,516 --> 00:23:54,824 KIND OF PUTS A CRAMP IN THE OLD CAREER TRAJECTORY. 467 00:23:54,868 --> 00:23:56,696 SHE WENT FROM COMPASSIONATE AND LOVING 468 00:23:56,739 --> 00:23:58,872 TO RECKLESS AND IRRATIONAL OVERNIGHT. 469 00:23:58,915 --> 00:24:00,482 TOTAL PERSONALITY CHANGE. 470 00:24:00,526 --> 00:24:02,397 IT EVENTUALLY JUST TORE US APART. 471 00:24:02,441 --> 00:24:04,530 SUBTEXT--YOU CHOSE YOUR CAREER OVER YOUR GIRL. 472 00:24:04,573 --> 00:24:07,402 SHE WAS LOST...OK? 473 00:24:07,446 --> 00:24:11,362 GONE. EMOTIONALLY, MENTALLY A SHELL OF THE PERSON I KNEW, 474 00:24:11,406 --> 00:24:12,886 AND I--I WAS YOUNG. 475 00:24:12,929 --> 00:24:14,322 I HAD NO IDEA HOW TO SAVE HER. 476 00:24:14,365 --> 00:24:16,759 OH, RELAX. I'M NOT ACTUALLY INVESTED 477 00:24:16,803 --> 00:24:18,369 IN YOUR LOVE STORY. 478 00:24:18,413 --> 00:24:20,807 SO WHERE'S POISON PAM? 479 00:24:20,850 --> 00:24:22,722 THAT'S A QUESTION FOR BATMAN. 480 00:24:22,765 --> 00:24:26,465 WELL, SHE'S NOT IN ARKHAM--I WOULD KNOW-- 481 00:24:26,508 --> 00:24:29,511 AND BORING BATMAN DIDN'T ACTUALLY KILL ANYONE, 482 00:24:29,555 --> 00:24:34,037 SO UNLESS SHE SLITHERED UP JACK'S BEANSTALK... 483 00:24:34,081 --> 00:24:36,475 MY THEORY IS HE HID HER UNDER THE CITY SOMEWHERE 484 00:24:36,518 --> 00:24:37,954 AWAY FROM WATER AND SUNLIGHT 485 00:24:37,998 --> 00:24:39,739 AND ANYONE SHE COULD HURT. 486 00:24:39,782 --> 00:24:42,568 WHY WOULD BATMAN BURY YOUR GIRLFRIEND ALIVE? 487 00:24:44,265 --> 00:24:46,006 BECAUSE I TOLD HIM TO. 488 00:24:52,621 --> 00:24:54,623 THIS SHOULDN'T BE HAPPENING. 489 00:24:57,191 --> 00:24:58,671 WHAT SHOULDN'T HAPPEN? 490 00:25:00,760 --> 00:25:03,937 THIS LONG, SAPPY TANGENT, 491 00:25:03,980 --> 00:25:07,984 ESPECIALLY WHEN THERE'S A POTENTIAL SADIST ON THE LOOSE. 492 00:25:08,028 --> 00:25:11,422 I'M GOING TO GO SEE OUR MEDICAL EXPERT 493 00:25:11,466 --> 00:25:13,816 AND SEE IF SHE FOUND ANYTHING ON THE VIC'S BODY. 494 00:25:20,823 --> 00:25:23,304 DRINK THE WATER, MARQUIS. 495 00:25:23,347 --> 00:25:26,220 WE'RE GONNA MAKE SURE SHE'S OK. 496 00:25:26,263 --> 00:25:28,962 HE DRANK THE MOST, SO IT'S HITTING HIM FIRST, 497 00:25:29,005 --> 00:25:33,532 BUT IT'S ONLY A MATTER OF TIME BEFORE IT'S ALL OF US. 498 00:25:33,575 --> 00:25:35,969 OK, OK. 499 00:25:36,012 --> 00:25:37,579 65 OVER 30. 500 00:25:37,623 --> 00:25:39,146 SOPHIE: THAT'S BAD. 501 00:25:39,189 --> 00:25:40,800 IF IT KEEPS DROPPING, HE'S GONNA DIE. 502 00:25:40,843 --> 00:25:43,063 -HE NEEDS ADRENALINE. -I KNOW. 503 00:25:43,106 --> 00:25:44,847 THERE'S NONE IN HERE. 504 00:25:44,891 --> 00:25:46,327 THERE ARE EPIPENS. 505 00:25:46,370 --> 00:25:47,763 MY HUSBAND CARRIED THEM FOR HIS ALLERGIES. 506 00:25:47,807 --> 00:25:50,113 -WHERE? -WITH OUR CAMPING GEAR. 507 00:25:50,157 --> 00:25:51,593 IN THE BASEMENT. 508 00:25:56,076 --> 00:25:58,600 TELL ME THERE'S ANOTHER WAY TO GET INTO THE BASEMENT. 509 00:25:58,644 --> 00:26:00,428 WHAT THE HELL IS HE DOING? 510 00:26:00,471 --> 00:26:01,821 BUILDING A BOMB. 511 00:26:01,864 --> 00:26:05,738 [WATCH BEEPING] 512 00:26:05,781 --> 00:26:07,391 I'M GONNA NEED YOUR HELP. 513 00:26:12,266 --> 00:26:14,485 OHH. 514 00:26:14,529 --> 00:26:15,878 COME ON. 515 00:26:24,234 --> 00:26:28,456 JADA: LAZLO. LAZLO, WHERE ARE YOU? 516 00:26:28,499 --> 00:26:30,589 LAZLO, I WANT A TRUCE. 517 00:26:30,632 --> 00:26:32,286 YOU NEED MONEY? HOW MUCH? 518 00:26:32,329 --> 00:26:33,722 I'LL GIVE YOU ANYTHING YOU WANT. 519 00:26:33,766 --> 00:26:35,158 LET'S TALK. 520 00:26:39,554 --> 00:26:42,339 LAZLO, I'M SORRY. 521 00:26:42,383 --> 00:26:43,993 I REALLY AM. 522 00:26:48,781 --> 00:26:50,783 [GRUNTS] 523 00:27:10,672 --> 00:27:12,413 RAH! OHH! 524 00:27:12,456 --> 00:27:14,067 UNH! 525 00:27:16,635 --> 00:27:17,679 [CLANG] 526 00:27:17,723 --> 00:27:18,985 AGH! 527 00:27:19,028 --> 00:27:21,944 [GROANING] 528 00:27:21,988 --> 00:27:23,467 [GRUNTING] 529 00:27:44,401 --> 00:27:47,013 SOPHIE: IT WASN'T PRETTY, BUT SHE MADE IT. 530 00:27:48,928 --> 00:27:50,625 SO ARE YOU REALLY RYAN'S GIRLFRIEND, 531 00:27:50,669 --> 00:27:53,062 OR WAS THAT A LIE, TOO? 532 00:27:53,106 --> 00:27:55,195 WANT TO KNOW WHO I REALLY AM? 533 00:27:57,806 --> 00:28:01,680 I'M JORDAN MOORE'S SISTER. 534 00:28:01,723 --> 00:28:03,203 I'M SORRY. I'M LIGHTHEADED. 535 00:28:03,246 --> 00:28:06,162 AM I SUPPOSED TO KNOW WHO THAT IS? 536 00:28:06,206 --> 00:28:08,991 YOUR MEN ABDUCTED HER 537 00:28:09,035 --> 00:28:12,778 AND INJECTED HER WITH FREEZE SERUM, 538 00:28:12,821 --> 00:28:14,910 KILLED 3 OF HER FRIENDS, 539 00:28:14,954 --> 00:28:16,477 NEARLY KILLED HER. 540 00:28:16,520 --> 00:28:18,305 WHAT--WHAT ARE YOU TALKING ABOUT? 541 00:28:18,348 --> 00:28:20,742 STOP! 542 00:28:20,786 --> 00:28:22,309 DON'T TELL ME YOU DIDN'T KNOW 543 00:28:22,352 --> 00:28:24,833 ABOUT HUMAN EXPERIMENTS BEING CONDUCTED 544 00:28:24,877 --> 00:28:27,270 BY YOUR OWN EMPLOYEES. 545 00:28:29,098 --> 00:28:32,798 SO IS THAT WHAT YOU WERE DOING IN MY STUDY, 546 00:28:32,841 --> 00:28:34,974 LOOKING FOR EVIDENCE? 547 00:28:35,017 --> 00:28:36,802 WHAT'D YOU FIND, SOPHIE, 548 00:28:36,845 --> 00:28:39,630 "THE ANARCHIST COOKBOOK"? 549 00:28:39,674 --> 00:28:43,286 LOOK. I AM SORRY ABOUT WHAT HAPPENED TO YOUR SISTER, 550 00:28:43,330 --> 00:28:46,942 BUT I HAD NOTHING TO DO WITH THAT. 551 00:28:46,986 --> 00:28:49,902 I'M NOT THE MONSTER YOU'VE MADE ME OUT TO BE. 552 00:28:52,426 --> 00:28:54,733 [WATCH BEEPING] 553 00:28:57,257 --> 00:29:01,130 STAY WITH ME, SON. MAMA'S HERE. 554 00:29:12,751 --> 00:29:14,361 OHH. 555 00:29:14,404 --> 00:29:16,058 OF COURSE. 556 00:29:16,102 --> 00:29:18,495 [GRUNTS] 557 00:29:18,539 --> 00:29:19,932 PROFESSOR PYG: COME ON! 558 00:29:24,110 --> 00:29:27,766 [BANGING ON DOOR] 559 00:29:33,902 --> 00:29:35,991 [GRUNTING] 560 00:29:55,271 --> 00:29:57,491 [RYAN GROANING] 561 00:30:00,842 --> 00:30:02,713 OK. OK. 562 00:30:02,757 --> 00:30:05,107 COME ON, RYAN. MOVE YOUR ARM. 563 00:30:05,151 --> 00:30:07,283 MOVE YOUR DAMN...ARM! 564 00:30:07,327 --> 00:30:08,676 UNH! 565 00:30:10,634 --> 00:30:11,853 COME ON, COME ON. 566 00:30:11,897 --> 00:30:13,855 [GRUNTING] 567 00:30:13,899 --> 00:30:16,118 COME...ON. 568 00:30:21,602 --> 00:30:23,822 [BREATHING HEAVILY] 569 00:30:34,484 --> 00:30:35,311 MARY: VIC HAD MOTORCYCLE GREASE 570 00:30:35,355 --> 00:30:36,747 UNDERNEATH HIS FINGERNAILS. 571 00:30:36,791 --> 00:30:39,576 I FOUND A SIMILAR BUT NOT EXACT VISCOUS SYNTHETIC 572 00:30:39,620 --> 00:30:42,623 ON THE BULLWHIP. 573 00:30:42,666 --> 00:30:44,973 FASCINATING. 574 00:30:45,017 --> 00:30:47,410 WHAT'S WITH THE BOTANICAL GARDEN? 575 00:30:47,454 --> 00:30:50,239 OH, DID THE MEDICAL BOARD TAKE AWAY YOUR LICENSE 576 00:30:50,283 --> 00:30:54,591 AND LEAVE YOU TO THE WHIMS OF HERBAL MEDICINE. 577 00:30:54,635 --> 00:30:57,246 DO YOU KNOW HOW I SAVED JORDAN MOORE'S LIFE? 578 00:30:57,290 --> 00:30:59,074 -NO. -I MIMICKED THE ANTIFREEZE 579 00:30:59,118 --> 00:31:01,076 SYNTHESIS DONE BY PLANTS TO SURVIVE 580 00:31:01,120 --> 00:31:02,773 SUBZERO TEMPERATURES. 581 00:31:02,817 --> 00:31:04,253 YOU WANT TO KNOW WHY? 582 00:31:04,297 --> 00:31:06,255 BECAUSE PLANTS ARE SMARTER THAN HUMANS. 583 00:31:06,299 --> 00:31:08,779 THEY'RE RESILIENT, THEY'RE INTUITIVE, 584 00:31:08,823 --> 00:31:10,738 THEY GIVE BACK MORE THAN THEY TAKE. 585 00:31:10,781 --> 00:31:15,308 GOT IT. JEEZ. SORRY I ASKED. 586 00:31:15,351 --> 00:31:17,658 ANYWAY, DO YOU REMEMBER WHEN YOU WERE BEING 587 00:31:17,701 --> 00:31:20,574 ALL HERO COMPLEXY AND TOLD ME BECAUSE 588 00:31:20,617 --> 00:31:23,446 YOU'RE A OFFICIAL DOCTOR NOW IT IS YOUR DUTY 589 00:31:23,490 --> 00:31:25,709 TO HELP ME WHEN THE TIME COMES? 590 00:31:25,753 --> 00:31:29,365 WELL...THAT TIME IS UPON US. 591 00:31:32,978 --> 00:31:34,849 THE DELUSIONS ARE BACK. 592 00:31:36,895 --> 00:31:40,724 BETWEEN THE...INMATES IN ARKHAM, 593 00:31:40,768 --> 00:31:44,119 THE EXPERIMENTAL MEDS, THE GENERAL MISE EN SCEÈNE OF CAPTIVITY, 594 00:31:44,163 --> 00:31:48,123 I ASSUMED IT WAS THE ASYLUM THAT WAS MAKING ME CRAZY. 595 00:31:52,649 --> 00:31:54,434 DON'T GET ME WRONG. I HAVE ENJOYED 596 00:31:54,477 --> 00:31:57,654 MY FAIR SHARE OF DISASSOCIATION. 597 00:31:57,698 --> 00:31:59,656 YOU'RE TALKING TO THE GIRL WHO CONVINCED HERSELF 598 00:31:59,700 --> 00:32:02,268 THAT 12 YEARS OF SEWING SKIN MASKS 599 00:32:02,311 --> 00:32:03,965 WAS A FANCY TEA PARTY. 600 00:32:05,967 --> 00:32:07,882 BUT I WAS IN CONTROL THEN. 601 00:32:07,926 --> 00:32:10,406 THIS IS DIFFERENT. 602 00:32:10,450 --> 00:32:14,106 I'M NOT IN CONTROL ANYMORE. 603 00:32:14,149 --> 00:32:18,849 AS IF WHAT'S HAPPENING ISN'T OBVIOUS? 604 00:32:18,893 --> 00:32:21,200 YOU REAP WHAT YOU SOW, ALICE. 605 00:32:21,243 --> 00:32:24,377 ALL OF THE MURDERS, THE PAIN, THE MISERY 606 00:32:24,420 --> 00:32:27,771 THAT YOU'VE INFLICTED, THEY WERE THE SEEDS THAT YOU PLANTED 607 00:32:27,815 --> 00:32:29,904 FOR THE GARDEN YOU'LL BE BURIED IN. 608 00:32:35,562 --> 00:32:36,780 GOT IT. 609 00:32:47,443 --> 00:32:49,837 SPEAKING OF GARDENS, 610 00:32:49,880 --> 00:32:51,926 WHERE HAVE YOU BEEN FROLICKING? 611 00:32:51,970 --> 00:32:53,536 GOTHAM PARK. 612 00:32:53,580 --> 00:32:57,149 I THINK I EXPOSED MYSELF TO WHATEVER THAT THING IS. 613 00:32:57,192 --> 00:32:59,629 OHH. I TOOK A SAMPLE OF THE VINE, 614 00:32:59,673 --> 00:33:03,068 BUT I CAN'T FIGURE OUT IF IT'S POISON OAK, 615 00:33:03,111 --> 00:33:05,287 POISON SUMAC, POISON HEMLOCK. 616 00:33:05,331 --> 00:33:06,506 POISON IVY. 617 00:33:08,029 --> 00:33:09,813 LET ME IN! 618 00:33:09,857 --> 00:33:11,685 OH, MY GOD. 619 00:33:11,728 --> 00:33:13,034 HE'S GOT RYAN. 620 00:33:13,078 --> 00:33:16,168 OPEN THIS DOOR RIGHT NOW! 621 00:33:16,211 --> 00:33:19,301 BUT HE WANTS YOU. 622 00:33:19,345 --> 00:33:24,002 IF I OPEN THIS DOOR, I'M AS GOOD AS DEAD. 623 00:33:24,045 --> 00:33:25,742 UGH. 624 00:33:37,580 --> 00:33:39,234 YOUR LESSON IS 625 00:33:39,278 --> 00:33:42,063 THAT WHEN SOMEONE SHOWS YOU WHO THEY ARE BELIEVE THEM 626 00:33:42,107 --> 00:33:43,891 BECAUSE IF I'M HOW SHE TREATS THE PEOPLE 627 00:33:43,934 --> 00:33:45,849 SPENDING THEIR DAYS TRYING TO IMPRESS HER, 628 00:33:45,893 --> 00:33:49,070 GUESS HOW SHE'LL TREAT SOMEONE SHE SEES AS A THREAT. 629 00:33:49,114 --> 00:33:50,941 JADA: GET AWAY FROM MY DAUGHTER! 630 00:33:58,601 --> 00:34:01,474 TAKE ME INSTEAD. SHE DID NOTHING TO YOU. 631 00:34:01,517 --> 00:34:04,216 WELL, WELL, MADAM SWINE. 632 00:34:04,259 --> 00:34:07,262 YOU KNOW WHAT YOUR LESSON IS? 633 00:34:07,306 --> 00:34:10,396 PERFECTION COMES AT A PRICE. 634 00:34:25,976 --> 00:34:27,413 ERR! 635 00:34:27,456 --> 00:34:29,284 [GASPS] 636 00:34:29,328 --> 00:34:31,765 RRR! 637 00:34:31,808 --> 00:34:33,506 RAAH! 638 00:34:37,292 --> 00:34:38,772 -RAH! -LOOK OUT! 639 00:34:42,080 --> 00:34:44,386 RYAN: INCOMING! 640 00:34:44,430 --> 00:34:46,127 AAGH! 641 00:34:53,874 --> 00:34:55,049 UNH! 642 00:34:57,530 --> 00:34:59,880 AHH! AHH! AHH! 643 00:34:59,923 --> 00:35:01,490 AAH! 644 00:35:11,239 --> 00:35:15,504 ALICE: AHH. FLAMINGO. 645 00:35:15,548 --> 00:35:16,897 EXCUSE ME? 646 00:35:16,940 --> 00:35:18,768 THE BULLWHIP KILLER. 647 00:35:18,812 --> 00:35:25,514 IT'S THE FLAMBOYANT, PINK HARLEY-STRADDLING PSYCHO FLAMINGO. 648 00:35:25,558 --> 00:35:27,299 VICTIM WAS IN A RIVAL GANG, 649 00:35:27,342 --> 00:35:33,392 DNA EVIDENCE, BLAH, BLAH, BLAH...SCIENCE, 650 00:35:33,435 --> 00:35:37,526 BUT THE POINT IS IF THE BIKER BOOT FITS... 651 00:35:40,486 --> 00:35:42,662 I'LL ALERT THE VICTIM'S FAMILY AND PUT OUT 652 00:35:42,705 --> 00:35:45,055 A WARRANT FOR THIS FLAMINGO, 653 00:35:45,099 --> 00:35:48,624 AND I GUESS THAT MEANS CATWOMAN'S WHIP IS STILL OUT THERE. 654 00:35:48,668 --> 00:35:52,541 OHH, AND I CAN'T WAIT TO GET TO THAT 655 00:35:52,585 --> 00:35:54,326 WHEN I'M BACK FROM TAHITI 656 00:35:54,369 --> 00:35:58,373 BECAUSE I BELIEVE THAT, UM... 657 00:35:58,417 --> 00:36:01,463 THIS BUYS ME A WEEK'S VACATION. 658 00:36:01,507 --> 00:36:04,031 AND WHAT IS THIS? 659 00:36:04,074 --> 00:36:06,164 YOUR GIRLFRIEND, 660 00:36:06,207 --> 00:36:10,385 ALTHOUGH SHE IS LOOKING A LITTLE FRAIL. 661 00:36:10,429 --> 00:36:12,822 THIS IS A DEAD CUTTING FROM HER VINE. 662 00:36:12,866 --> 00:36:15,129 -WHERE DID YOU GET THIS? -DOES IT MATTER? 663 00:36:15,173 --> 00:36:17,653 I REUNITED YOU WITH YOUR LONG, LOST LOVE. 664 00:36:17,697 --> 00:36:20,656 TO THINK I WAS CONFUSED ABOUT BATMAN AND CATWOMAN. 665 00:36:20,700 --> 00:36:26,184 IT MATTERS BECAUSE THESE VINES DON'T DIE UNLESS... 666 00:36:26,227 --> 00:36:28,708 UNLESS WHAT? 667 00:36:28,751 --> 00:36:30,884 UNLESS SHE'S INFECTED SOMEONE ELSE. 668 00:36:44,985 --> 00:36:46,769 SOPHIE: WHAT YOU THINKING ABOUT? 669 00:36:46,813 --> 00:36:49,250 -WHAT WAS FOR DESSERT. -HEH. 670 00:36:51,165 --> 00:36:53,167 JADA'S HIDING SOMETHING. 671 00:36:53,211 --> 00:36:57,389 I DON'T KNOW WHAT, BUT I TRUST MY GUT ON THIS. 672 00:36:57,432 --> 00:36:58,955 SHE'S LYING. 673 00:37:02,045 --> 00:37:04,613 THEN IT'S TIME FOR HER TO TELL ME EVERYTHING. 674 00:37:07,355 --> 00:37:10,358 CALL YOU TOMORROW, TELL YOU WHAT I LEARNED? 675 00:37:14,536 --> 00:37:15,798 GOOD LUCK. 676 00:37:18,148 --> 00:37:19,976 GREAT FIRST DATE, HUH? 677 00:37:21,848 --> 00:37:23,980 DEFINITELY MEMORABLE. 678 00:37:43,739 --> 00:37:45,828 AND PEOPLE WONDER WHY I DON'T THROW DINNER PARTIES. 679 00:37:45,872 --> 00:37:47,395 YOU OK? 680 00:37:50,398 --> 00:37:53,271 YOUR GIRLFRIEND LEFT THIS. 681 00:37:53,314 --> 00:37:55,490 ONCE A CROW ALWAYS A CROW, HUH? 682 00:37:58,624 --> 00:38:01,366 I DIDN'T KNOW ABOUT JORDAN MOORE. 683 00:38:01,409 --> 00:38:03,846 YOUR WORD IS NOT GOOD ENOUGH, JADA. 684 00:38:03,890 --> 00:38:05,587 WELL, IT HAS TO BE. 685 00:38:05,631 --> 00:38:08,416 I DIDN'T KNOW ABOUT JORDAN 686 00:38:08,460 --> 00:38:11,506 OR THE EXPERIMENTS OR THE DEATHS. 687 00:38:11,550 --> 00:38:15,380 HOW COULD I? I'M A MOTHER. 688 00:38:15,423 --> 00:38:18,165 THE WHOLE POINT OF ALL THIS WAS THAT NO ONE ELSE GET HURT. 689 00:38:18,208 --> 00:38:20,254 THE WHOLE POINT OF WHAT? 690 00:38:22,648 --> 00:38:25,215 I'M GONNA TELL YOU SOMETHING, 691 00:38:25,259 --> 00:38:28,175 AND FOR YOUR SAKE, FOR EVERYONE YOU LOVE'S SAKE, 692 00:38:28,218 --> 00:38:29,655 YOU NEED TO KEEP IT TO YOURSELF. 693 00:38:29,698 --> 00:38:31,874 -YOU NEED TO PROMISE ME THAT. -I CAN'T, 694 00:38:31,918 --> 00:38:34,050 NOT UNTIL I KNOW WHAT IT IS. 695 00:38:36,662 --> 00:38:38,272 MARQUIS IS SICK. 696 00:38:50,066 --> 00:38:51,459 JADA: WHAT'S GOING ON, MARQUIS? 697 00:38:51,503 --> 00:38:53,026 WHAT'D YOU GET FOR YOUR BIRTHDAY? 698 00:38:53,069 --> 00:38:54,723 MARQUIS: A BUG COLLECTOR KIT. 699 00:38:54,767 --> 00:38:56,421 HA! THAT'S COOL. 700 00:38:56,464 --> 00:38:58,640 WHAT ARE YOU DOING WITH THAT MAGNIFYING GLASS? 701 00:38:58,684 --> 00:39:02,470 MELTING ANTS. SEE? 702 00:39:02,514 --> 00:39:05,473 THEY BURN UP IN THE SUN. 703 00:39:05,517 --> 00:39:07,606 JADA: THERE WAS AN INCIDENT 704 00:39:07,649 --> 00:39:09,303 DURING A SCHOOL FIELD TRIP. 705 00:39:09,347 --> 00:39:11,784 MARQUIS WAS ON THE BUS. 706 00:39:11,827 --> 00:39:13,960 IT PULLED UP TO A STOPLIGHT. 707 00:39:14,003 --> 00:39:18,268 GOLIATH: ♪ THE SUSTAINED HEART, PAIN, AND A DARK FEVER ♪ 708 00:39:18,312 --> 00:39:21,924 JADA: AND SUDDENLY, A MAN DRESSED LIKE A CLOWN-- 709 00:39:21,968 --> 00:39:26,581 GREEN HAIR, PURPLE SUIT, BIG, UGLY SMILE-- 710 00:39:26,625 --> 00:39:28,453 HE JUMPED ON BOARD, TOOK OVER THE BUS. 711 00:39:28,496 --> 00:39:29,976 THE JOKER? 712 00:39:32,413 --> 00:39:34,459 THERE WAS AN ENCOUNTER WITH MY SON. 713 00:39:34,502 --> 00:39:37,549 THE JOKER HAD THIS ZAPPER ON HIS HAND. 714 00:39:37,592 --> 00:39:39,725 -THE JOY BUZZER. -WHATEVER IT'S CALLED. 715 00:39:39,768 --> 00:39:41,683 HE PRESSED IT AGAINST MY SON'S FOREHEAD, 716 00:39:41,727 --> 00:39:44,512 AND AN ELECTRICAL CHARGE WENT THROUGH HIS BRAIN. 717 00:39:44,556 --> 00:39:47,559 AFTER THAT DAY, HE WAS DIFFERENT, DARK, 718 00:39:47,602 --> 00:39:49,517 HORRIFYING. 719 00:39:49,561 --> 00:39:54,348 MARQUIS? NO. MARQUIS HAS BEEN NOTHING BUT NICE TO ME. 720 00:39:54,392 --> 00:39:58,657 SOCIOPATHS ARE CHARMING 95% OF THE TIME, RYAN. 721 00:39:58,700 --> 00:40:00,659 MARQUIS: MOM, DON'T BE SO LAME. 722 00:40:00,702 --> 00:40:02,487 JADA: IT'S NOT LAME TO TELL YOUR DAD HAPPY BIRTHDAY. 723 00:40:02,530 --> 00:40:04,097 I WROTE HIM A CARD! 724 00:40:04,140 --> 00:40:05,664 SWEETHEART, YOUR FATHER'S OVERSEAS, 725 00:40:05,707 --> 00:40:07,448 AND IT WOULD MEAN SO MUCH TO HIM 726 00:40:07,492 --> 00:40:10,582 -IF HE HEARD IT FROM YOUR-- -I SAID NO! 727 00:40:10,625 --> 00:40:13,019 JADA: SPECIALISTS, NEUROLOGISTS, PSYCHOLOGISTS. 728 00:40:13,062 --> 00:40:17,023 I HAVE SPENT MILLIONS TRYING TO FIX HIM BEHIND HIS BACK 729 00:40:17,066 --> 00:40:19,721 SO I COULD HAVE MY SWEET BOY AGAIN, 730 00:40:19,765 --> 00:40:22,420 BUT NO ONE'S BEEN ABLE TO HELP ME, 731 00:40:22,463 --> 00:40:25,118 AND THEN I LEARNED OF CRYOSTASIS. 732 00:40:25,161 --> 00:40:27,033 SO YOU WERE BEHIND THE FREEZE SERUM. 733 00:40:27,076 --> 00:40:28,817 I HAD NO IDEA MY RESEARCH TEAM 734 00:40:28,861 --> 00:40:30,906 WAS CONDUCTING HUMAN EXPERIMENTS. 735 00:40:30,950 --> 00:40:34,693 I JUST THOUGHT IF I COULD SIDELINE MARQUIS FOR A WHILE 736 00:40:34,736 --> 00:40:37,565 IT WOULD BUY ME SOME TIME TO FIND A SOLUTION. 737 00:40:42,875 --> 00:40:44,703 MARQUIS: HE'S GOING IN FOR ANOTHER BITE. 738 00:40:44,746 --> 00:40:46,574 HOW'S THE BURGER, DAD? 739 00:40:46,618 --> 00:40:49,272 DELICIOUS. 740 00:40:49,316 --> 00:40:52,754 [COUGHING] 741 00:40:52,798 --> 00:40:54,495 WHAT THE HELL? 742 00:40:54,539 --> 00:40:56,149 UH-OH. HE'S ON TO ME. 743 00:40:56,192 --> 00:40:58,456 -IS THAT PEANUT BUTTER? -HA HA HA! 744 00:40:58,499 --> 00:41:01,371 [COUGHING] 745 00:41:01,415 --> 00:41:02,634 JADA: WHAT'S WRONG? 746 00:41:02,677 --> 00:41:05,114 PEANUTS. BURGER. 747 00:41:05,158 --> 00:41:08,770 FRANKLIN, WHERE'S YOUR PEN? WHERE'S YOUR PEN? 748 00:41:08,814 --> 00:41:10,337 GOLIATH: ♪ BACKFIRES 749 00:41:12,774 --> 00:41:15,516 ♪ NOW YOU'RE DANCING THROUGH THE SMOKE ♪ 750 00:41:15,560 --> 00:41:19,215 ♪ LIKE NOTHING ELSE MATTERS 751 00:41:19,259 --> 00:41:22,088 ♪ WHERE ARE YOU GOING, BOY? 752 00:41:22,131 --> 00:41:24,046 WHY ARE YOU TELLING ME THIS? 753 00:41:24,090 --> 00:41:27,049 BECAUSE EVERYTHING I HAVE DONE 754 00:41:27,093 --> 00:41:29,225 SINCE THE DAY WE MET 755 00:41:29,269 --> 00:41:31,706 HAS BEEN TO PROTECT YOU, RYAN. 756 00:41:35,057 --> 00:41:38,887 AND BECAUSE I NEED YOUR HELP. 757 00:41:38,931 --> 00:41:41,107 ALL I WANT IS TO STOP MARQUIS 758 00:41:41,150 --> 00:41:42,935 BEFORE ANYONE ELSE GETS HURT. 759 00:42:12,617 --> 00:42:14,575 MAN: GREG, MOVE YOUR HEAD!