1 00:00:28,485 --> 00:00:30,480 IT'S ALL THERE 2 00:00:30,721 --> 00:00:33,891 TELL ME WHERE I CAN FIND THE JACK NAPIER PAINTING. 3 00:00:33,933 --> 00:00:35,852 YOUR PAINTING IS BEING HELD BY THE COLLECTIVE, 4 00:00:35,893 --> 00:00:37,395 PRIVATE CLUB OF CONNOISSEURS 5 00:00:37,437 --> 00:00:39,689 OF OUTLAWED ARTWORK AND ANTIQUITIES. 6 00:00:39,730 --> 00:00:41,941 YOU WANT TO TIE THE ROOM TOGETHER 7 00:00:41,983 --> 00:00:44,610 WITH A VINTAGE CANVAS THAT TAKES YOU 8 00:00:44,652 --> 00:00:47,613 INSIDE THE MIND OF PSYCHOTIC CRIMINALITY? 9 00:00:47,655 --> 00:00:49,240 THESE ARE THE PEOPLE YOU NEED TO KNOW. 10 00:00:49,282 --> 00:00:50,575 I WANT AN INTRODUCTION. 11 00:00:50,616 --> 00:00:52,285 OH. THE TOP CROW? 12 00:00:52,326 --> 00:00:54,370 YOUR BIGGEST CLIENTS ARE IN THE COLLECTIVE. 13 00:00:54,412 --> 00:00:55,746 THEY PAY YOUR BILLS. 14 00:00:55,788 --> 00:00:57,665 YOU WALK UP TO THEIR DOORSTEP 15 00:00:57,707 --> 00:00:59,292 TRYING TO GRAB THAT NAPIER, 16 00:00:59,333 --> 00:01:01,335 THEY'RE GONNA ASK YOU FOR A REFUND. UNH! 17 00:01:15,850 --> 00:01:18,519 YOU'RE FROM CORYANA. 18 00:01:18,561 --> 00:01:21,606 YOU'RE GONNA TELL SAFIYAH TO GIVE MY DAUGHTER BACK. 19 00:01:21,647 --> 00:01:22,815 UNH! 20 00:01:26,110 --> 00:01:27,612 AAH! 21 00:01:33,576 --> 00:01:35,912 I GOT A REPORT OF A GUY LURKING AROUND EAST END 22 00:01:35,953 --> 00:01:37,413 WITH A SPIKY POLE. 23 00:01:37,455 --> 00:01:39,665 IT DOESN'T CONCERN YOU, BATWOMAN. 24 00:01:39,707 --> 00:01:41,959 THAT SO? BECAUSE HE'S HANGING OFF MY LINE, 25 00:01:42,001 --> 00:01:44,212 SO WHY DON'T YOU TELL ME WHAT KIND OF FISH I CAUGHT? 26 00:01:44,253 --> 00:01:46,881 THERE'S AN ITEM I'M LOOKING FOR. 27 00:01:46,923 --> 00:01:49,342 IT'S GONNA HELP ME FIND MY DAUGHTER. 28 00:01:49,383 --> 00:01:52,261 THE WOMAN HOLDING HER CAPTIVE DOESN'T WANT ME TO FIND IT. 29 00:01:52,303 --> 00:01:54,764 SAFIYAH? SHE SENT THIS GUY? 30 00:01:54,805 --> 00:01:57,683 WEAPON FITS THE M.O. OF HER ASSASSINS, 31 00:01:57,725 --> 00:02:00,811 BUT I'LL CONFIRM AFTER YOU HAND HIM OVER NOW. 32 00:02:00,853 --> 00:02:03,189 I DON'T TAKE ORDERS FROM CROWS, 33 00:02:03,231 --> 00:02:06,734 AND I GOT A BETTER SHOT AT FINDING KATE KANE BEFORE YOU DO. 34 00:02:09,987 --> 00:02:12,240 "ALL CROWS ARE BASTARDS." 35 00:02:24,377 --> 00:02:26,379 [VESPER] MORNING, GOTHAM. GUESS THE EARLY BIRD 36 00:02:26,420 --> 00:02:28,214 GIVES US THE BIRD. 37 00:02:28,256 --> 00:02:30,424 ACROBATIC ART PRANKSTER WOLF SPIDER WAS AT IT AGAIN, 38 00:02:30,466 --> 00:02:32,468 ROLLING HIS EYES AT THE ENTIRE CITY 39 00:02:32,510 --> 00:02:35,054 FROM THE TOP OF THE GOTHAM CENTURY SKYSCRAPER 40 00:02:35,096 --> 00:02:37,056 WITH AN IRIDESCENT EMOJI, 41 00:02:37,098 --> 00:02:39,100 MILLENNIAL HACKTIVISM AT ITS FINEST 42 00:02:39,141 --> 00:02:42,645 AND ALMOST ENOUGH TO DISTRACT US FROM AN EVEN JUICIER BAT STORY. 43 00:02:42,687 --> 00:02:45,356 ANOTHER SIGHTING OF BATWOMAN 2.0 44 00:02:45,398 --> 00:02:47,692 AND TOP CROW JACOB KANE TOGETHER, 45 00:02:47,733 --> 00:02:49,777 THIS TIME WORKING IN THE EAST END CRIME SCENE. 46 00:02:49,819 --> 00:02:52,613 ARE WE LOOKING AT GOTHAM'S NEWEST POWER COUPLE? 47 00:02:52,655 --> 00:02:55,157 NO. JEEZ. 48 00:02:55,199 --> 00:02:56,951 I THOUGHT BATWOMAN WAS COOL. 49 00:02:56,993 --> 00:02:59,870 HEY. WE DON'T KNOW WHAT THEY WERE DOING. 50 00:02:59,912 --> 00:03:02,415 MAYBE BATWOMAN WAS SAVING HIS ASS. 51 00:03:02,456 --> 00:03:03,791 THOUGHT YOU MIGHT BE HUNGRY 52 00:03:03,833 --> 00:03:06,502 AFTER LAST NIGHT'S RECONNECTING. 53 00:03:06,544 --> 00:03:08,170 STILL SLEEPY. 54 00:03:08,212 --> 00:03:11,132 I WISH YOU COULD DO SOMETHING ABOUT THAT. 55 00:03:11,173 --> 00:03:14,385 YOU CAN TAKE THE DAY OFF. 56 00:03:14,427 --> 00:03:16,387 MMM. I CAN'T. 57 00:03:16,429 --> 00:03:21,183 AS CUTE AS I LOOK IN YOUR RIDICULOUS ROBE, 58 00:03:21,225 --> 00:03:23,686 I SHOULD GET HOME AND CHANGE FIRST. 59 00:03:23,728 --> 00:03:25,813 YOU WALK OF SHAMING FOR ME? 60 00:03:25,855 --> 00:03:29,692 LIKE THE OLD DAYS. 61 00:03:29,734 --> 00:03:33,362 SPEAKING OF THE OLD DAYS, 62 00:03:33,404 --> 00:03:36,616 IT'S TIME YOU GOT THAT APOLOGY I OWE YOU. 63 00:03:39,577 --> 00:03:41,495 MY PARTYING WAS OUT OF CONTROL, 64 00:03:41,537 --> 00:03:43,914 AND YOU TOOK MY STASH THINKING IT WOULD HELP ME, 65 00:03:43,956 --> 00:03:47,710 AND INSTEAD, IT GOT YOUR ASS THROWN IN JAIL, 66 00:03:47,752 --> 00:03:49,795 AND I GET WHY YOU DIDN'T WANT ME TO VISIT YOU. 67 00:03:49,837 --> 00:03:52,715 YOU SERVED 18 MONTHS FOR ME, RY, 68 00:03:52,757 --> 00:03:54,800 AND IT'S TIME I START PAYING YOU BACK. 69 00:03:59,764 --> 00:04:02,433 ONE FOR YOU, ONE FOR ME? 70 00:04:05,102 --> 00:04:07,104 I LOVE IT, 71 00:04:07,146 --> 00:04:08,731 BUT WE'RE GOOD. 72 00:04:08,773 --> 00:04:10,316 YOU GOT YOUR LIFE TOGETHER. 73 00:04:10,358 --> 00:04:11,984 THAT'S ALL I WANTED. 74 00:04:14,362 --> 00:04:16,781 OHH! HEY. WHAT IS THIS? 75 00:04:16,822 --> 00:04:18,240 IT'S.. A WORK INJURY. 76 00:04:18,282 --> 00:04:20,951 YOU FALL ON A CORKSCREW? 77 00:04:20,993 --> 00:04:22,745 RYAN, YOU NEED TO GET THAT LOOKED AT. 78 00:04:22,787 --> 00:04:24,497 YEAH. I JUST GOT THIS JOB. 79 00:04:24,538 --> 00:04:26,957 I DON'T NEED MY BOSS THINKING I CAN'T HACK IT. 80 00:04:26,999 --> 00:04:30,002 YOU TEND BAR. SHE'LL UNDERSTAND. 81 00:04:30,044 --> 00:04:32,922 ALL THESE YEARS LATER STILL WORRYING ABOUT ME. 82 00:04:32,963 --> 00:04:34,799 IT'S KIND OF CUTE. 83 00:04:34,840 --> 00:04:36,384 YOU KNOW WHAT'S KIND OF CUTE? HMM? 84 00:04:36,425 --> 00:04:38,803 YOU... 85 00:04:38,844 --> 00:04:42,515 WITHOUT THAT NASTINESS ON YOUR SHOULDER. 86 00:04:42,556 --> 00:04:45,017 YOU TAKE CARE OF EVERYONE ELSE. 87 00:04:45,059 --> 00:04:47,478 TAKE CARE OF YOURSELF FOR ONCE. 88 00:04:51,107 --> 00:04:52,817 [MARY] GIVING YOU AN ANTIBIOTIC. 89 00:04:52,858 --> 00:04:55,194 SO...IT'S JUST AN INFECTION? 90 00:04:55,236 --> 00:04:56,904 WELL, IT MIGHT HAVE TURNED NECROTIC 91 00:04:56,946 --> 00:05:01,075 IF YOU HAD WAITED ANY LONGER. 92 00:05:01,117 --> 00:05:03,911 ARE YOU SURE YOU'RE NOT HAVING ANY OTHER SYMPTOMS 93 00:05:03,953 --> 00:05:06,122 THAT YOU'RE NOT TELLING ME ABOUT? 94 00:05:06,163 --> 00:05:07,665 NO. I... 95 00:05:07,707 --> 00:05:10,876 MAYBE A LITTLE MORE TIRED THAN NORMAL. 96 00:05:10,918 --> 00:05:12,503 OK. OK. 97 00:05:16,173 --> 00:05:17,842 KATE WOULD POP TWO OF THESE, 98 00:05:17,883 --> 00:05:19,385 AND SHE'D BE BACK IN FIGHTING SHAPE. 99 00:05:19,427 --> 00:05:21,595 OK. COOL. BUT IF YOU'RE HURT, 100 00:05:21,637 --> 00:05:23,556 YOU SHOULD SIT OUT A FEW DAYS. 101 00:05:23,597 --> 00:05:25,057 RIGHT. DID KATE EVER SIT OUT? 102 00:05:25,099 --> 00:05:26,851 KATE WAS NEVER SHOT WITH ANYTHING 103 00:05:26,892 --> 00:05:29,395 THAT PIERCED THROUGH THE BATSUIT, 104 00:05:29,437 --> 00:05:32,231 AND YOU SHOULDN'T COMPARE YOURSELF TO HER. 105 00:05:32,273 --> 00:05:35,651 WHAT'S MY CHOICE, HUH? EVERYBODY ELSE IS. 106 00:05:35,693 --> 00:05:37,778 I KNOW YOU DON'T HAVE A TWITTER, 107 00:05:37,820 --> 00:05:40,823 SO I ASSUME YOU MEAN LUKE. 108 00:05:40,865 --> 00:05:43,826 JUST DON'T TELL HIM ABOUT THIS, OK? 109 00:05:43,868 --> 00:05:45,870 I DON'T NEED ANOTHER REASON FOR HIM NOT TO TRUST ME. 110 00:05:45,911 --> 00:05:48,456 HE'S BEEN QUESTIONING EVERY DECISION I MAKE. 111 00:05:48,497 --> 00:05:50,124 NOT TO BACKSEAT DRIVE, BUT AREN'T YOU 112 00:05:50,166 --> 00:05:52,209 PROFICIENT IN 6 DIFFERENT FORMS OF MARTIAL ARTS? 113 00:05:52,251 --> 00:05:53,794 WHAT'S THE POINT OF JUST LEAVING HIM HERE? 114 00:05:53,836 --> 00:05:56,046 I TOLD HIM WE WANTED THE LOCATION OF CORYANA. 115 00:05:56,088 --> 00:05:57,631 HE'LL GIVE IT UP. TAKE IT FROM A FOSTER KID. 116 00:05:57,673 --> 00:05:59,592 IT IS AMAZING HOW WELL YOU BEHAVE 117 00:05:59,633 --> 00:06:01,051 WHEN YOU ARE LITERALLY STARVING. 118 00:06:01,093 --> 00:06:02,720 WE DON'T HAVE TIME TO WAIT HIM OUT. 119 00:06:02,762 --> 00:06:05,139 IF ALICE FINDS OCEAN BEFORE WE FIND CORYANA, 120 00:06:05,181 --> 00:06:06,557 SAFIYAH'S GONNA GIVE KATE TO HER, 121 00:06:06,599 --> 00:06:07,933 AND ALICE IS GOING TO KILL HER. 122 00:06:07,975 --> 00:06:09,602 OK. SO DO YOUR HACKER THING 123 00:06:09,643 --> 00:06:11,187 AND GET SOME INFO ON THE SPIKY POLE GUY 124 00:06:11,228 --> 00:06:12,730 TO SPEED THIS UP. 125 00:06:15,065 --> 00:06:16,859 I ALREADY TRIED. 126 00:06:16,901 --> 00:06:18,360 I TRACKED HIS MOVEMENTS AND CONFIRMED 127 00:06:18,402 --> 00:06:20,196 THAT HE WASN'T AFTER JACOB KANE. 128 00:06:20,237 --> 00:06:21,781 HE WAS STALKING THE GUY THAT HE KILLED IN THE ALLEY, 129 00:06:21,822 --> 00:06:23,616 BUT THE VICTIM WAS AN INVESTMENT ANALYST 130 00:06:23,657 --> 00:06:25,117 AT GOTHAM CAPITAL WITH NO RECORD. 131 00:06:25,159 --> 00:06:27,578 WHAT'S HE GOT TO DO WITH CORYANA? 132 00:06:27,620 --> 00:06:29,246 SIR, I'M NOT DEFENDING HER ACTIONS, 133 00:06:29,288 --> 00:06:31,916 BUT MY GUESS IS SHE'S AFTER WHAT WE'RE AFTER-- 134 00:06:31,957 --> 00:06:33,417 KATE'S LOCATION. 135 00:06:33,459 --> 00:06:35,336 LET HER KEEP SAFIYAH'S THUG. 136 00:06:35,377 --> 00:06:37,463 WE GOT A NEW LEAD ON THE NAPIER-- 137 00:06:37,505 --> 00:06:39,673 EVAN BLAKE, OLD FRIEND OF KATE'S 138 00:06:39,715 --> 00:06:41,175 AND A FIXTURE ON THE GOTHAM ART SCENE. 139 00:06:41,217 --> 00:06:43,135 JUST FLEW BACK FROM A TRIP TO BERLIN. 140 00:06:43,177 --> 00:06:45,137 HE WAS CAUGHT A COUPLE OF YEARS AGO 141 00:06:45,179 --> 00:06:48,015 WITH PLUNDERED ARTIFACT AND FORCED TO PAY RESTITUTION. 142 00:06:48,057 --> 00:06:51,101 IN OTHER WORDS, A LIKELY MEMBER OF THE COLLECTIVE 143 00:06:51,143 --> 00:06:53,062 WHO MIGHT COOPERATE. 144 00:06:53,103 --> 00:06:55,815 [EVAN] COMMANDER, YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY. 145 00:06:55,856 --> 00:06:57,775 KATIE KANE SAVED MY LIFE. 146 00:06:57,817 --> 00:06:59,902 REALLY? GOTHAM PREP. 147 00:06:59,944 --> 00:07:01,529 IT'S EIGHTH GRADE, AND THE WINTER FORMAL 148 00:07:01,570 --> 00:07:03,405 IS A MULTIVERSE SHATTERING CRISIS 149 00:07:03,447 --> 00:07:05,449 BECAUSE I'M "STRAIGHT." 150 00:07:05,491 --> 00:07:06,951 KATE WAS WAY OUT BY THEN, 151 00:07:06,992 --> 00:07:08,619 I HAD THIS TRAGIC CRUSH, 152 00:07:08,661 --> 00:07:10,454 AND I ASKED HER TO THE DANCE. 153 00:07:10,496 --> 00:07:12,456 I'M SURE SHE WANTED TO ROLL HER EYES SO HARD, 154 00:07:12,498 --> 00:07:14,834 BUT WITH THE GRACE OF A SAINT, 155 00:07:14,875 --> 00:07:16,460 SHE SAID YES. 156 00:07:16,502 --> 00:07:17,962 THE ONLY TIME YOU'LL EVER HEAR TEENAGE KATE 157 00:07:18,003 --> 00:07:19,463 DESCRIBED AS A SAINT. 158 00:07:19,505 --> 00:07:21,006 MY PARENTS TAKE ME TO PICK HER UP, 159 00:07:21,048 --> 00:07:22,508 AND KATE IS JAW-DROPPING 160 00:07:22,550 --> 00:07:25,344 IN THIS TAILORED VELVET SUIT, 161 00:07:25,386 --> 00:07:27,388 JUST RADIATING QUEER CONFIDENCE. 162 00:07:27,429 --> 00:07:29,932 I ON THE OTHER HAND DISSOLVE INTO A MONSOON OF TEARS. 163 00:07:29,974 --> 00:07:31,767 KATE RACES ME UP TO HER BEDROOM, 164 00:07:31,809 --> 00:07:33,227 AND WE GO THROUGH THE WHOLE THING. 165 00:07:33,269 --> 00:07:35,271 "I'M GAY." "I KNOW." 166 00:07:35,312 --> 00:07:36,981 WE MAKE IT TO THE DANCE, 167 00:07:37,022 --> 00:07:39,275 AND I CAME OUT BY DEFAULT 168 00:07:39,316 --> 00:07:41,485 BECAUSE I WORE KATE'S ALEXANDER McQUEEN 169 00:07:41,527 --> 00:07:43,237 OFF-THE-SHOULDER MINI, 170 00:07:43,279 --> 00:07:45,573 WHICH BEGGED A LOT OF QUESTIONS, 171 00:07:45,614 --> 00:07:48,450 BUT I WASN'T AFRAID ANYMORE. 172 00:07:48,492 --> 00:07:51,120 I WAS GLOWING, 173 00:07:51,161 --> 00:07:55,082 AND THEN KATE DITCHED ME TO MAKE OUT WITH MAGGIE WATSON. 174 00:07:55,124 --> 00:07:57,334 SOUNDS LIKE OUR GIRL. 175 00:07:57,376 --> 00:08:00,838 SO YOU NEED MY HELP WITH KATE'S DISAPPEARANCE. 176 00:08:00,880 --> 00:08:02,381 I'M HERE FOR YOU. 177 00:08:02,423 --> 00:08:04,300 KATE WAS LOOKING FOR A PIECE OF ARTWORK, 178 00:08:04,341 --> 00:08:06,135 SOMETHING THAT MAY HAVE GOTTEN HER 179 00:08:06,176 --> 00:08:07,845 ON THE WRONG SIDE OF SOMEONE VERY DANGEROUS. 180 00:08:07,887 --> 00:08:09,722 OUR THEORY IS IF WE FIND THE ITEM 181 00:08:09,763 --> 00:08:11,307 IT WILL LEAD US TO HER CAPTOR. 182 00:08:11,348 --> 00:08:13,559 WELL, YOU'VE COME TO THE RIGHT ART SNOB. 183 00:08:13,601 --> 00:08:16,312 I WAS SENIOR EDITOR AT THE GOTHAM MUSEUM OF ANTIQUITIES, 184 00:08:16,353 --> 00:08:18,397 I CURATE MY OWN PRIVATE COLLECTIONS, 185 00:08:18,439 --> 00:08:21,108 I'VE GOT MY HANDS IN A BIT OF EVERYTHING. 186 00:08:21,150 --> 00:08:24,236 YEAH. WE KNOW. AGENT MOORE. 187 00:08:24,278 --> 00:08:26,989 KATE WAS LOOKING FOR A CANVAS PAINTED BY JACK NAPIER, 188 00:08:27,031 --> 00:08:28,490 ALIAS THE JOKER. 189 00:08:28,532 --> 00:08:29,992 YOU'RE AWARE OF IT, YES? 190 00:08:30,034 --> 00:08:31,952 I KNOW THE LEGEND. 191 00:08:31,994 --> 00:08:33,996 PSYCHOTIC EVILDOER BREAKS INTO HOME, 192 00:08:34,038 --> 00:08:36,373 SPLASHES HOMEOWNER'S GUTS ALL OVER SOME OLD PAINTING 193 00:08:36,415 --> 00:08:39,293 IN THE FOYER AND CALLS IT MODERN ART. 194 00:08:39,335 --> 00:08:40,920 IT'S A BIT ON THE NOSE IF YOU ASK ME. 195 00:08:40,961 --> 00:08:43,297 NOT TO MENTION ILLEGAL TO BUY, SELL, OR POSSESS 196 00:08:43,339 --> 00:08:46,091 SINCE IT WAS STOLEN FROM AN ACTIVE CRIME SCENE. 197 00:08:46,133 --> 00:08:47,843 I'M SORRY. SHOULD THERE BE A HARSH LIGHT 198 00:08:47,885 --> 00:08:50,304 SHINING IN MY EYES RIGHT NOW? 199 00:08:50,346 --> 00:08:53,807 BECAUSE THE KATE I KNEW NEVER GAVE A CRAP ABOUT ART, 200 00:08:53,849 --> 00:08:55,726 AND I HAVEN'T SPOKEN WITH HER IN YEARS. 201 00:08:55,768 --> 00:08:57,978 WE HAVE REASON TO BELIEVE THAT YOU'RE AFFILIATED 202 00:08:58,020 --> 00:09:00,439 WITH THE COLLECTIVE. 203 00:09:00,481 --> 00:09:01,815 HEH. 204 00:09:01,857 --> 00:09:03,192 WE'LL WORK TO GET YOU FULL IMMUNITY 205 00:09:03,233 --> 00:09:04,818 IF YOU HELP US MAKE CONTACT. 206 00:09:04,860 --> 00:09:07,488 IMMUNITY FROM WHAT, MS. MOORE? 207 00:09:07,529 --> 00:09:09,031 I'M A PERFECT ANGEL. 208 00:09:09,073 --> 00:09:11,075 I THOUGHT YOU WERE HERE FRIEND. 209 00:09:11,116 --> 00:09:14,662 I LOVE KATIE, BUT THIS FEELS LIKE ENTRAPMENT. 210 00:09:14,703 --> 00:09:16,789 IF YOU NEED TO CONTACT ME AGAIN, 211 00:09:16,830 --> 00:09:18,874 I'LL REFER YOU TO MY LAWYERS. 212 00:09:25,130 --> 00:09:28,008 I WANT ALL OUR TECH INSIDE EVERY DEVICE EVAN OWNS, 213 00:09:28,050 --> 00:09:31,011 ROUND-THE-CLOCK REVOLVING TAILS. 214 00:09:31,053 --> 00:09:33,013 YES, SIR, BUT THERE COULD BE 215 00:09:33,055 --> 00:09:35,224 AN EASIER WAY TO LOCATE CORYANA-- 216 00:09:35,265 --> 00:09:37,267 WITH BATWOMAN'S HELP. 217 00:09:37,309 --> 00:09:39,603 LET ME ASK HER FOR ACCESS TO HER PRISONER. 218 00:09:39,645 --> 00:09:41,563 BATWOMAN OR WHOEVER IT IS 219 00:09:41,605 --> 00:09:43,232 WHO STEPPED IN FOR MY DAUGHTER, 220 00:09:43,273 --> 00:09:45,734 I AM NOT GONNA GROVEL AT HER FEET. 221 00:09:45,776 --> 00:09:47,111 THEN LET ME DO IT 222 00:09:47,152 --> 00:09:49,196 OR AT LEAST ASK NICELY 223 00:09:49,238 --> 00:09:51,365 BECAUSE ALICE WILL DO A LOT WORSE THAN GROVEL 224 00:09:51,407 --> 00:09:53,325 TO FIND KATE BEFORE WE DO. 225 00:10:05,254 --> 00:10:07,965 [SIGHS] 226 00:10:12,720 --> 00:10:16,515 [MEN GRUNTING] 227 00:10:16,557 --> 00:10:18,225 [SAFIYAH] OCEAN. 228 00:10:21,311 --> 00:10:23,063 HI. 229 00:10:23,105 --> 00:10:24,440 HI. 230 00:10:28,485 --> 00:10:30,696 [SIGHS] 231 00:10:32,781 --> 00:10:35,034 WHAT DO YOU CALL IT WHEN YOU'RE SURE 232 00:10:35,075 --> 00:10:37,244 YOU'VE MET SOMEONE... 233 00:10:38,912 --> 00:10:41,290 YOU'RE SURE YOU'VE NEVER MET? 234 00:10:46,295 --> 00:10:48,255 A STAY OF EXECUTION. 235 00:10:48,297 --> 00:10:50,174 [INDISTINCT CHATTER] 236 00:10:50,215 --> 00:10:53,177 [MAN] ♪ THERE'S A FULL MOON, I'M HOWLIN' TONIGHT ♪ 237 00:10:53,218 --> 00:10:55,929 ♪ AND THERE'S A-BLOOD ON THE THORN OF A ROSE ♪ 238 00:10:55,971 --> 00:10:57,973 VODKA ON THE ROCKS. 239 00:10:58,015 --> 00:10:59,975 [MAN] ♪ THINK YOU'RE GONNA LOVE TONIGHT ♪ 240 00:11:00,017 --> 00:11:03,520 ♪ LISTEN, GIRL, WELL, I THINK YOU SHOULD KNOW ♪ 241 00:11:03,562 --> 00:11:06,106 VISITING FROM GOTHAM? 242 00:11:06,148 --> 00:11:10,319 WHY? DO I LOOK DEPRESSED? 243 00:11:10,360 --> 00:11:13,197 YOU'VE GOT THE SOPHISTICATION OF A CITY MOUSE. 244 00:11:13,238 --> 00:11:19,828 HEH. MOUSE. AHEM. TOUCHY SUBJECT. 245 00:11:19,870 --> 00:11:22,122 DON'T YOU THINK MICE ARE CUTE? 246 00:11:24,124 --> 00:11:27,503 I HAD A MOUSE IN MY LIFE. 247 00:11:27,544 --> 00:11:29,630 I LOVED HIM LIKE A BROTHER, 248 00:11:29,671 --> 00:11:31,173 AND WHEN HE STARTED HOLDING ME BACK 249 00:11:31,215 --> 00:11:34,093 FROM MY DREAMS, I KILLED HIM. 250 00:11:34,134 --> 00:11:35,677 HEH. 251 00:11:39,098 --> 00:11:41,266 SHOOT. UM... 252 00:11:41,308 --> 00:11:42,601 [COUGHS] 253 00:11:42,643 --> 00:11:45,395 I THINK IT'S MY TURN TO, UH... 254 00:11:45,437 --> 00:11:47,106 [MAN] ♪ YOU BETTER WAIT ♪ 255 00:11:47,147 --> 00:11:49,441 ♪ BEFORE YOUR HEART IS TURNED TO SLATE ♪ 256 00:11:49,483 --> 00:11:53,695 [SLOW CLAP] 257 00:11:53,737 --> 00:11:57,658 THAT IS THE FASTEST I'VE EVER SEEN HIM TAKE THE HINT. 258 00:11:57,699 --> 00:11:59,535 CAN I JOIN YOU 259 00:11:59,576 --> 00:12:02,621 IN CASE HE DECIDES TO TRY IT AGAIN? 260 00:12:02,663 --> 00:12:04,665 PRETTY SURE HE'S IN THE NEXT COUNTY BY NOW, 261 00:12:04,706 --> 00:12:07,084 BUT BY ALL MEANS. 262 00:12:20,889 --> 00:12:22,683 [GRAPPLING LINE UNSPOOLING] 263 00:12:27,437 --> 00:12:29,815 LAST TIME I CAME HERE TO MEET A BATWOMAN, 264 00:12:29,857 --> 00:12:33,443 THE VIBES... WERE DIFFERENT. 265 00:12:33,485 --> 00:12:36,196 PLEASE SAY THIS ISN'T A BOOTY CALL. 266 00:12:36,238 --> 00:12:38,991 LOOK. I DON'T KNOW WHERE YOU GOT THIS IDEA 267 00:12:39,032 --> 00:12:40,868 THAT ALL CROWS ARE BASTARDS, 268 00:12:40,909 --> 00:12:42,536 BUT SOME OF US ARE TRYING TO MAKE A DIFFERENCE. 269 00:12:42,578 --> 00:12:44,580 WELL, IN MY EXPERIENCE, WHEN THE CROWS FLY TOGETHER, 270 00:12:44,621 --> 00:12:46,748 THEY CALL IT A MURDER FOR A REASON. 271 00:12:46,790 --> 00:12:48,750 I WANT TO OFFER YOU A DEAL. 272 00:12:48,792 --> 00:12:50,919 YOU GET EVERYTHING WE KNOW ABOUT SAFIYAH AND CORYANA, 273 00:12:50,961 --> 00:12:52,963 AND WE GET ACCESS TO YOUR PRISONER. 274 00:12:53,005 --> 00:12:54,923 SO YOU CAN BEAT HIM WITHIN AN INCH OF HIS LIFE. 275 00:12:54,965 --> 00:12:57,509 HE'S A MURDERER WHO KNOWS WHERE KATE'S BEING HELD. 276 00:12:57,551 --> 00:12:59,553 I'LL THINK ABOUT IT. YOU SHOULD BE DOING 277 00:12:59,595 --> 00:13:01,346 EVERYTHING IN YOUR POWER TO HELP KATE. 278 00:13:01,388 --> 00:13:04,349 I DON'T NEED A CROW TELLING ME HOW TO DO MY JOB. 279 00:13:04,391 --> 00:13:07,811 I'M NOT SPEAKING TO YOU AS A CROW. 280 00:13:07,853 --> 00:13:10,397 KATE'S THE LOVE OF MY LIFE, 281 00:13:10,439 --> 00:13:12,900 AND I NEED YOUR HELP TO GET HER BACK. 282 00:13:26,246 --> 00:13:27,664 HELL TO THE NO. NO. 283 00:13:27,706 --> 00:13:29,208 WORKING WITH THE CROWS MAKES MY SKIN CRAWL. 284 00:13:29,249 --> 00:13:31,084 SCREW THAT. NO. 285 00:13:31,126 --> 00:13:32,920 IT'S NOT LIKE WE'RE HOSTING THEM A FUNDRAISER. 286 00:13:32,961 --> 00:13:35,339 TRUST ME. WE MAKE A DEAL THAT SOUNDS GOOD, 287 00:13:35,380 --> 00:13:36,632 THEY'LL BREAK IT. 288 00:13:36,673 --> 00:13:38,217 NOT IF WE'RE DEALING WITH SOPHIE. 289 00:13:38,258 --> 00:13:40,010 SOPHIE HAS HAULED MY ASS IN FOR QUESTIONING 290 00:13:40,052 --> 00:13:44,223 SO MANY TIMES SHE KNOWS MY DAMN COFFEE ORDER. NO! 291 00:13:44,264 --> 00:13:47,059 WILL YOU TALK SOME SENSE INTO HER, PLEASE? 292 00:13:47,100 --> 00:13:49,728 WE'RE AT A DEAD END, RYAN. LOOK. I'M SORRY, 293 00:13:49,770 --> 00:13:52,105 BUT YOU'RE OUTVOTED. 294 00:13:52,147 --> 00:13:54,816 I GET IT. YOU WANT KATE BACK, 295 00:13:54,858 --> 00:13:58,445 BUT THE CROWS HAVE TRIED TO RUIN MY LIFE FOR FUN. 296 00:13:58,487 --> 00:14:00,197 I'M NOT HELPING THEM! 297 00:14:18,548 --> 00:14:21,969 [LUKE] OK. SO. 298 00:14:22,010 --> 00:14:24,304 CROWS HORROR STORIES. 299 00:14:24,346 --> 00:14:26,181 YOU WANT ME TO GO, OR... 300 00:14:26,223 --> 00:14:28,642 DO YOU WANT TO DO YOUR FIRST? 301 00:14:28,684 --> 00:14:33,939 MY GIRL ANGELIQUE HAD A DRUG HABIT, 302 00:14:33,981 --> 00:14:37,776 AND ON A VERY UGLY NIGHT, 303 00:14:37,818 --> 00:14:41,905 SHE WAS GONE, LIKE A DIFFERENT PERSON, 304 00:14:41,947 --> 00:14:44,074 SO I FOUND HER STASH, AND I TOOK IT, 305 00:14:44,116 --> 00:14:47,577 THINKING I COULD SOMEHOW STRAIGHTEN HER OUT, 306 00:14:47,619 --> 00:14:51,540 BRING HER BACK. 307 00:14:51,581 --> 00:14:54,668 I'M ON THE STREET, CRYING, 308 00:14:54,710 --> 00:14:56,461 NO QUESTION WHAT KIND OF NIGHT I'M HAVING, 309 00:14:56,503 --> 00:14:58,964 AND I PASS THESE TWO CROWS, 310 00:14:59,006 --> 00:15:01,550 AND ONE OF THEM YELLS OUT, 311 00:15:01,591 --> 00:15:05,304 "YOU'D BE CUTER WITH A SMILE ON YOUR FACE." 312 00:15:05,345 --> 00:15:07,639 AND MY MAMA TOLD ME WHAT TO DO ABOUT IT. 313 00:15:07,681 --> 00:15:10,559 I PAY THEM NO MIND AND KEEP MOVING, 314 00:15:10,600 --> 00:15:13,437 BUT THEY--THEY WOULDN'T LET ME GO, 315 00:15:13,478 --> 00:15:16,398 SO MY HAND WENT OUT, MY FINGER WENT UP, AND BOOM, 316 00:15:16,440 --> 00:15:18,108 THOSE CROWS HAD WHAT THEY WANTED. 317 00:15:18,150 --> 00:15:22,446 THEY FOUND THE DRUGS AND THOUGHT THEY WERE YOURS. 318 00:15:22,487 --> 00:15:24,823 SORRY THAT HAPPENED TO YOU. 319 00:15:24,865 --> 00:15:27,534 WHAT WAS YOURS? 320 00:15:27,576 --> 00:15:30,871 UM...THE CROWS... 321 00:15:34,166 --> 00:15:37,419 KILLED MY FATHER. 322 00:15:37,461 --> 00:15:40,130 WAIT. WHAT? 323 00:15:40,172 --> 00:15:42,007 REALLY? 324 00:15:42,049 --> 00:15:43,675 REALLY. 325 00:15:45,886 --> 00:15:47,679 IT'S, UH, NOT A STORY FOR TODAY, 326 00:15:47,721 --> 00:15:51,308 BUT, UM... 327 00:15:51,350 --> 00:15:53,810 IT'S THE WORST THING THAT EVER HAPPENED TO ME. 328 00:16:05,572 --> 00:16:07,783 I SHOULD HAVE LET YOU GO FIRST. 329 00:16:12,788 --> 00:16:16,166 LOOK. I WILL NEVER FORGIVE THEM, 330 00:16:16,208 --> 00:16:20,087 AND I DON'T WANT TO HELP THE CROWS EITHER, 331 00:16:20,128 --> 00:16:23,799 BUT WE NEED THEM TO HELP US. 332 00:16:33,558 --> 00:16:35,352 REMEMBER, THIS ISN'T PUNISHMENT 333 00:16:35,394 --> 00:16:36,895 JUST FOR THE SAKE OF IT. 334 00:16:36,937 --> 00:16:39,523 GIVEN THIS MURDERER EVERY OPPORTUNITY TO TALK, 335 00:16:39,564 --> 00:16:42,359 SO UNLESS YOU HAVE ANY OTHER IDEAS, 336 00:16:42,401 --> 00:16:45,737 IT'S TIME TO TAKE THIS TO THE NEXT LEVEL. 337 00:16:45,779 --> 00:16:47,697 [SOPHIE] YOU'VE GOT SOME CHOICES. 338 00:16:47,739 --> 00:16:50,700 YOU CAN GIVE US THE LOCATION OF CORYANA... 339 00:16:50,742 --> 00:16:52,369 UNH! 340 00:16:52,411 --> 00:16:53,995 [SOPHIE] YOU CAN GET US IN TOUCH WITH SAFIYAH 341 00:16:54,037 --> 00:16:57,207 OR THE MAN KNOWN AS OCEAN. 342 00:16:57,249 --> 00:17:00,210 HELP US FIND THE NAPIER PAINTING. 343 00:17:00,252 --> 00:17:02,170 [GROANS] 344 00:17:02,212 --> 00:17:04,131 LISTEN TO ME. IT IS NOT WORTH 345 00:17:04,172 --> 00:17:05,590 WHAT THEY'RE GONNA DO TO YOU. 346 00:17:05,632 --> 00:17:07,134 THE MANY ARMS WILL KILL WHOEVER 347 00:17:07,175 --> 00:17:09,177 LAYS HANDS ON THAT PAINTING. 348 00:17:09,219 --> 00:17:12,139 YOU'LL NEVER FIND CORYANA. 349 00:17:12,180 --> 00:17:14,349 I NEVER SAID THE TWO WERE RELATED. 350 00:17:16,518 --> 00:17:19,521 THE PAINTING GETS US TO CORYANA? IS IT A MAP? 351 00:17:22,774 --> 00:17:24,484 [GRUNTS] 352 00:17:24,526 --> 00:17:26,987 [GROANING] 353 00:17:27,028 --> 00:17:28,864 CYANIDE CAPSULE! LET'S GET HIM DOWN! 354 00:17:28,905 --> 00:17:31,158 IT'S TOO LATE. IT'S TOO LATE. 355 00:17:36,371 --> 00:17:37,664 RYAN: KANE PUSHED HIM TOO HARD, 356 00:17:37,706 --> 00:17:39,166 AND NOW WE'RE AT A DEAD END. 357 00:17:39,207 --> 00:17:41,251 [SOPHIE] MAYBE NOT. 358 00:17:41,293 --> 00:17:43,420 WE'VE BEEN SURVEILLING A SUSPECT WE LINKED TO THE NAPIER, 359 00:17:43,462 --> 00:17:45,839 AND WE JUST GOT A HIT ON ITS LOCATION. 360 00:17:45,881 --> 00:17:47,591 A GROUP CALLED THE COLLECTIVE 361 00:17:47,632 --> 00:17:49,509 IS HAVING A SPECIAL EXHIBITION TOMORROW NIGHT 362 00:17:49,551 --> 00:17:51,428 TO AUCTION THE PAINTING OFF. 363 00:17:51,470 --> 00:17:53,388 WHY NOW? 364 00:17:53,430 --> 00:17:54,931 WORD MUST HAVE GOTTEN BACK TO THE OWNER 365 00:17:54,973 --> 00:17:56,516 ABOUT THE BODY THAT DROPPED THE OTHER NIGHT. 366 00:17:56,558 --> 00:17:59,227 TOO MUCH HEAT. 367 00:17:59,269 --> 00:18:00,729 YOU DOING ANYTHING TOMORROW NIGHT? 368 00:18:00,770 --> 00:18:02,606 YOU LOOKING FOR A DATE TO THIS THING? 369 00:18:02,647 --> 00:18:04,608 WE DON'T HAVE AN INSIDER, 370 00:18:04,649 --> 00:18:06,693 BUT WE NEED SOMEONE WITH NO CONNECTION TO THE CROWS 371 00:18:06,735 --> 00:18:08,570 WHO CAN INFILTRATE THE EVENT 372 00:18:08,612 --> 00:18:12,991 AND GRAB THE NAPIER WITHOUT GETTING CAUGHT. 373 00:18:13,033 --> 00:18:14,868 I GO ALONE. 374 00:18:14,910 --> 00:18:16,661 NO CROWS AT THE LOCATION, 375 00:18:16,703 --> 00:18:18,079 NO SURVEILLANCE, 376 00:18:18,121 --> 00:18:19,623 AND I WANT YOU DIRECTLY IN CHARGE 377 00:18:19,664 --> 00:18:21,791 OF ANY CROWS ASSIGNED TO THIS MISSION. 378 00:18:24,794 --> 00:18:27,964 THIS IS A ONE-OFF. WE'RE NOT PARTNERS. 379 00:18:35,013 --> 00:18:40,060 SO...OCEAN... WHAT DO YOU DO? 380 00:18:40,101 --> 00:18:42,854 I...BORE PEOPLE TO DEATH BY TELLING THEM 381 00:18:42,896 --> 00:18:45,106 I'M A SOIL TECHNICIAN. 382 00:18:45,148 --> 00:18:48,568 OOH. THAT SOUNDS LIKE A FANCY NAME 383 00:18:48,610 --> 00:18:51,363 FOR DIRT NERD, 384 00:18:51,404 --> 00:18:52,989 BUT YOU SMILED WHEN YOU SAID IT, 385 00:18:53,031 --> 00:18:55,450 SO...YOU MUST LIKE YOUR WORK. 386 00:18:55,492 --> 00:18:58,245 I GREW UP IN NATURE. 387 00:18:58,286 --> 00:19:00,247 MY FAMILY CULTIVATED EVERYTHING WE EVER NEEDED 388 00:19:00,288 --> 00:19:02,707 FROM THE LAND. 389 00:19:02,749 --> 00:19:07,921 IN A PLACE LIKE GOTHAM, WHERE EVERYTHING IS CONCRETE, 390 00:19:07,963 --> 00:19:11,258 ISN'T THAT INCREDIBLE? 391 00:19:11,299 --> 00:19:13,093 SO TELL ME, 392 00:19:13,134 --> 00:19:18,265 WHERE IS THIS MAGICAL PLACE YOU HAIL FROM? 393 00:19:18,306 --> 00:19:21,476 [MAN] ♪ AND I CHASE MY WHISKEY WITH THE BLUES ♪ 394 00:19:21,518 --> 00:19:23,103 I'M MEETING AN ASSOCIATE. 395 00:19:23,144 --> 00:19:25,355 SHOULD SPLASH SOME WATER ON MY FACE. 396 00:19:25,397 --> 00:19:30,026 5 SHOTS...NO REGRETS. 397 00:19:33,154 --> 00:19:35,448 HEY. CAN I ASK YOU SOMETHING? 398 00:19:35,490 --> 00:19:38,410 HAVE WE MET SOMEWHERE BEFORE? 399 00:19:38,451 --> 00:19:40,120 THINK I'D REMEMBER YOU. 400 00:19:40,161 --> 00:19:42,664 [MAN] ♪ CHASE MY WHISKEY WITH THE BLUES ♪ 401 00:19:42,706 --> 00:19:45,375 PROBABLY JUST THINKING ABOUT SOMEBODY ELSE. 402 00:19:50,922 --> 00:19:52,591 OH, WELL. 403 00:20:08,148 --> 00:20:09,316 [FOOTSTEPS] 404 00:20:21,661 --> 00:20:23,747 DO YOU MIND... 405 00:20:23,788 --> 00:20:25,832 SHUTTING THE SHADE? 406 00:20:31,087 --> 00:20:34,466 YOU SLEPT THROUGH HALF THE DAY. 407 00:20:34,507 --> 00:20:38,303 5 SHOTS, NO REGRETS. 408 00:20:41,765 --> 00:20:43,933 SHALL I EXPLAIN? 409 00:20:43,975 --> 00:20:45,894 I DO WISH YOU WOULD. 410 00:20:45,935 --> 00:20:47,729 SOME LUNATIC ON A FAR-AWAY ISLAND 411 00:20:47,771 --> 00:20:49,230 IS HOLDING MY SISTER HOSTAGE, 412 00:20:49,272 --> 00:20:50,774 AND SHE WON'T HAND HER OVER UNTIL I GUT YOU 413 00:20:50,815 --> 00:20:53,026 AND AIR MAIL THE EVIDENCE. 414 00:20:53,068 --> 00:20:55,445 THIS WOMAN GOT A NAME? 415 00:20:55,487 --> 00:20:58,448 ENOUGH WOMEN WANT YOU DEAD I NEED TO BE SPECIFIC? 416 00:20:58,490 --> 00:21:00,367 JUST ANSWER THE DAMN QUESTION. 417 00:21:00,408 --> 00:21:02,327 SAFIYAH. 418 00:21:02,369 --> 00:21:06,998 ALTHOUGH HER OBEDIENT ISLAND FOLLOWERS CALL HER QUEEN. 419 00:21:08,249 --> 00:21:09,834 [SIGHS] 420 00:21:09,876 --> 00:21:12,545 NOT ME. 421 00:21:12,587 --> 00:21:14,631 I CALLED HER SISTER. 422 00:21:20,804 --> 00:21:24,265 [MARY] I HAVE 3 WORDS. 423 00:21:24,307 --> 00:21:27,435 WHO...IS SHE? 424 00:21:27,477 --> 00:21:30,939 OHH! MM-WHA! LOOK! 425 00:21:30,980 --> 00:21:32,732 [MAN] ♪ WE'RE MAKING SNOW MELT ♪ 426 00:21:32,774 --> 00:21:35,652 WAIT. ARE YOU SURE ART COLLECTORS 427 00:21:35,694 --> 00:21:38,947 ARE SUPPOSED TO HAVE THIS MUCH SWAG? 428 00:21:38,988 --> 00:21:41,032 WELL, FIRST OF ALL, THEY'RE NOT ART COLLECTORS. 429 00:21:41,074 --> 00:21:44,744 THEY'RE OUTLAWS, AND IF EVAN BLAKE IS THE STYLE GUIDE, 430 00:21:44,786 --> 00:21:47,038 THIS PARTY'S ABOUT TO LOOK LIKE "THE HUNGER GAMES." 431 00:21:47,080 --> 00:21:49,791 WHAT'S EVAN BLAKE'S DEAL? 432 00:21:49,833 --> 00:21:52,794 OHH. 433 00:21:52,836 --> 00:21:56,965 HE AND I WERE ALWAYS ANGLING FOR KATE'S AFFECTION. 434 00:21:57,006 --> 00:22:00,635 NOPE. HE WAS WAY MORE COMPETITIVE 435 00:22:00,677 --> 00:22:07,016 AND HAD--HEH-- A LOT MORE FLAIR THAN ME. 436 00:22:07,058 --> 00:22:09,769 NOW HE'S OVEREDUCATED, AND APPARENTLY, 437 00:22:09,811 --> 00:22:11,896 HE'S ADDICTED TO MISCHIEF. 438 00:22:11,938 --> 00:22:15,483 THE CROWS SAY THAT HE RUNS THE DOOR FOR THE COLLECTIVE. 439 00:22:15,525 --> 00:22:17,026 OH. NO. 440 00:22:19,988 --> 00:22:22,115 YEAH. OK. 441 00:22:22,157 --> 00:22:25,160 WELL, I THINK I CAN MAKE THIS WORK. 442 00:22:25,201 --> 00:22:28,163 [MARY] I'D SAY SO. 443 00:22:28,204 --> 00:22:31,750 H-HEY. I--I BROUGHT THE PLAN-- 444 00:22:31,791 --> 00:22:34,377 I--I BROUGHT THE GAME PLAN. 445 00:22:34,419 --> 00:22:37,338 [BOTH LAUGHING] 446 00:22:37,380 --> 00:22:38,882 THE EVENT IS INSIDE A PRIVATE HANGAR 447 00:22:38,923 --> 00:22:40,550 AT GOTHAM INTERNATIONAL. 448 00:22:40,592 --> 00:22:42,385 IT'S ACTUALLY A PRETTY CLEVER WAY OF DOING THIS. 449 00:22:42,427 --> 00:22:44,763 SO THE COLLECTIVE FLIES IN, THEY UNLOAD THEIR PIECES, 450 00:22:44,804 --> 00:22:46,723 THEY BUY, SELL, PARTY, 451 00:22:46,765 --> 00:22:48,892 THEN THEY LOAD BACK UP, FLY AWAY. 452 00:22:48,933 --> 00:22:51,936 NO CUSTOMS, NO TSA, MAXIMUM SECURITY. 453 00:22:51,978 --> 00:22:54,314 HOW ARE WE SNEAKING THE BATSUIT THROUGH THAT SECURITY? 454 00:22:54,355 --> 00:22:56,065 SEE, WE JUST HAPPEN TO HAVE VIP ACCESS 455 00:22:56,107 --> 00:22:58,902 TO EVERY SQUARE INCH OF THAT TERMINAL. 456 00:22:58,943 --> 00:23:02,322 YEAH. BETWEEN WAYNE ENTERPRISES AND HAMILTON DYNAMICS, 457 00:23:02,363 --> 00:23:04,824 WE BURN MORE PRIVATE JET FUEL 458 00:23:04,866 --> 00:23:06,534 THAN THE HADIDS, KARDASHIANS, 459 00:23:06,576 --> 00:23:08,536 AND THE AIR FORCE COMBINED. 460 00:23:08,578 --> 00:23:10,079 YEAH. SO WITH OUR RESOURCES, 461 00:23:10,121 --> 00:23:11,873 CROWS' INTELLIGENCE, AND A SECRET AGENT 462 00:23:11,915 --> 00:23:15,835 THAT NO ONE'S GOING TO SUSPECT--RYAN WILDER. 463 00:23:15,877 --> 00:23:18,963 WAIT. I'M JUST SUPPOSED TO TALK MY WAY INSIDE? 464 00:23:19,005 --> 00:23:21,132 OH, NO. 465 00:23:21,174 --> 00:23:23,301 DID YOU THINK MARY HAD ALL THE ACCESSORIES? 466 00:23:23,343 --> 00:23:25,303 [INDISTINCT CHATTER] 467 00:23:25,345 --> 00:23:28,097 [ELECTRONIC MUSIC PLAYING] 468 00:23:28,139 --> 00:23:30,141 LOOK AT THIS PRECISION METALWORK. 469 00:23:30,183 --> 00:23:33,394 THE WEIGHT IS PERFECTLY BALANCED. 470 00:23:33,436 --> 00:23:35,438 WHAT'S THE PROVENANCE? 471 00:23:35,480 --> 00:23:37,023 WHICH BAT DID IT BELONG TO? 472 00:23:37,065 --> 00:23:39,025 WOMAN. 473 00:23:39,067 --> 00:23:41,444 1.0 OR-- CURRENT MODEL. 474 00:23:43,738 --> 00:23:46,616 THE BATARANG IS A STUNNING PIECE. 475 00:23:46,658 --> 00:23:48,576 WE'LL MAKE AN EXCEPTION 476 00:23:48,618 --> 00:23:52,747 AND ALLOW IT INTO THE EXHIBITION. 477 00:23:52,789 --> 00:23:55,750 OK. I'M REALLY LOVING THAT DRESS. 478 00:23:55,792 --> 00:23:57,168 DIDN'T IT DEBUT IN LONDON? 479 00:23:57,210 --> 00:23:58,670 NAILED IT. HUH. 480 00:23:58,711 --> 00:24:02,215 ACTUALLY, IT WAS NEW YORK, WINTER '18. 481 00:24:02,257 --> 00:24:03,883 WELL, I HEARD THERE WAS A DRESS CODE, 482 00:24:03,925 --> 00:24:06,010 SO I BORROWED IT FROM A FRIEND. 483 00:24:06,052 --> 00:24:08,054 HEARD FROM WHO EXACTLY? 484 00:24:08,096 --> 00:24:10,139 OF COURSE, I'M A BIG BELIEVER IN THE FIRST AMENDMENT 485 00:24:10,181 --> 00:24:12,183 EXCEPT WHEN IT COMES TO THE SHENANIGANS THAT GO ON 486 00:24:12,225 --> 00:24:14,269 BEHIND THE COLLECTIVE'S CLOSED DOORS. 487 00:24:14,310 --> 00:24:16,521 HA HA! EVAN BABY, 488 00:24:16,563 --> 00:24:20,108 WHAT ARE YOU DOING TO MY GIRL HERE? 489 00:24:20,149 --> 00:24:21,818 [RYAN] YOU BEAT ME HERE. 490 00:24:21,860 --> 00:24:25,572 ANG, BIG NIGHT. PATRONS NEED THEIR PARTY FAVORS. 491 00:24:25,613 --> 00:24:27,657 AHH. 492 00:24:27,699 --> 00:24:29,784 AND THIS ONE'S YOURS? 493 00:24:29,826 --> 00:24:33,204 YEAH. I TOTALLY SPACED ON THE HEADS UP. 494 00:24:33,246 --> 00:24:35,540 IT'S FINE. YOU'RE FORGIVEN. 495 00:24:35,582 --> 00:24:36,749 ANY QUESTIONS? 496 00:24:36,791 --> 00:24:39,586 PRONOUNS? 497 00:24:39,627 --> 00:24:41,713 HE/HIM, THEY/THEM. 498 00:24:41,754 --> 00:24:44,048 I GO WITH THE FLOW. 499 00:24:44,090 --> 00:24:48,052 NOW, YOU TWO, GO FORTH AND DO CRIMES. 500 00:24:48,094 --> 00:24:50,430 ANG, WHAT ARE YOU DOING HERE? 501 00:24:50,471 --> 00:24:52,640 SAVING YOUR ASS AT THE DOOR. 502 00:24:52,682 --> 00:24:54,392 YOU CAN'T JUST SLIDE INTO THE DMs. 503 00:24:54,434 --> 00:24:55,977 YOU NEED A REFERRAL. 504 00:24:56,019 --> 00:24:59,480 WHAT PARTY FAVORS WAS HE TALKING ABOUT? 505 00:24:59,522 --> 00:25:01,316 ANG, NO. 506 00:25:01,357 --> 00:25:02,859 WHAT DO YOU WANT ME TO SAY? 507 00:25:02,901 --> 00:25:04,694 THAT YOU WEREN'T LYING THROUGH YOUR TEETH 508 00:25:04,736 --> 00:25:06,154 WHEN YOU TOLD ME YOU'D PULED YOUR LIFE TOGETHER. 509 00:25:06,195 --> 00:25:08,114 FOR YOUR INFORMATION, I'M CLEAN. 510 00:25:08,156 --> 00:25:10,366 4 MONTHS, BUT DO YOU KNOW WHAT PEOPLE NEED 511 00:25:10,408 --> 00:25:13,828 TO PULL THEIR LIVES TOGETHER? MONEY. 512 00:25:13,870 --> 00:25:17,582 IF YOU GET CAUGHT, DISTRIBUTION IS 8-10 AT BLACKGATE. 513 00:25:17,624 --> 00:25:21,085 SAYS THE GIRL TURNING BATWOMAN'S MISSING HARDWARE 514 00:25:21,127 --> 00:25:23,296 INTO AN ETSY SHOP. 515 00:25:23,338 --> 00:25:25,089 WE KNOW WHAT I'M DOING HERE. 516 00:25:25,131 --> 00:25:27,300 WHAT ARE YOU DOING HERE? 517 00:25:29,302 --> 00:25:31,095 SAVE IT. 518 00:25:31,137 --> 00:25:34,432 YOU ARE THE ONLY ONE HERE WHO'S JUDGING. 519 00:25:38,519 --> 00:25:40,647 IS THIS THING ON? LOUD AND CLEAR. 520 00:25:40,688 --> 00:25:42,398 WANT TO TRY CHANNEL TWO? 521 00:25:42,440 --> 00:25:44,400 NO, NOT REALLY. 522 00:25:46,402 --> 00:25:47,779 BATWOMAN TO MOORE. 523 00:25:47,820 --> 00:25:49,948 [SOPHIE] COPY. YOU'RE LATE. 524 00:25:49,989 --> 00:25:51,741 THOUGHT MAYBE YOU GOT COLD FEET. 525 00:25:51,783 --> 00:25:55,328 RYAN: BELIEVE IT OR NOT, I RAN INTO AN EX. 526 00:25:55,370 --> 00:25:59,207 OH. OK. WELL, I HOPE HE'S NOT GONNA BE DRAMA. 527 00:25:59,248 --> 00:26:01,918 SHE, AND ALWAYS. 528 00:26:01,960 --> 00:26:03,503 LET YOU KNOW WHEN I FIND THE PAINTING. 529 00:26:03,544 --> 00:26:05,046 STAND BY. 530 00:26:11,719 --> 00:26:14,472 LUKE...GOT THE TARGET. 531 00:26:14,514 --> 00:26:16,432 OK. GREAT. 532 00:26:16,474 --> 00:26:18,393 GIVE ME A GOOD LOOK. 533 00:26:28,945 --> 00:26:31,489 OK. MOVING ON TO THE NEXT PHASE. 534 00:26:56,597 --> 00:26:58,141 [BEEP] 535 00:27:02,645 --> 00:27:05,023 A LOT OF INTEREST IN THIS ONE. 536 00:27:05,064 --> 00:27:08,651 YEAH. IT'S KIND OF GIMMICKY, ISN'T IT? 537 00:27:08,693 --> 00:27:10,570 OH, IT'S DREADFUL, ZERO TECHNIQUE, 538 00:27:10,611 --> 00:27:13,406 BUT, YOU KNOW, CELEBRITY ARTISTS. 539 00:27:13,448 --> 00:27:15,575 HMM. HELP ME TO UNDERSTAND THE APPEAL 540 00:27:15,616 --> 00:27:18,202 IN OWNING SOMETHING LIKE THIS. 541 00:27:18,244 --> 00:27:20,663 SOME OF THE PEOPLE HERE--TOTAL SICKOS. 542 00:27:20,705 --> 00:27:22,373 AND YOU? I DON'T LIKE BEING TOLD 543 00:27:22,415 --> 00:27:24,459 WHAT I CAN AND CAN'T DO IN LIFE. 544 00:27:24,500 --> 00:27:26,294 WHETHER IT'S THE ART I COLLECT 545 00:27:26,335 --> 00:27:27,879 OR THE CLOTHES I WEAR, 546 00:27:27,920 --> 00:27:29,964 I'M NOT DESPERATE FOR ANYONE'S APPROVAL. 547 00:27:30,006 --> 00:27:32,300 STILL THROWING SHADE AT MY BORROWED COUTURE. 548 00:27:32,341 --> 00:27:35,511 HEH. WHAT CAN I SAY? 549 00:27:35,553 --> 00:27:38,556 I JUST PREFER TO SEE EVERYONE'S TRUE COLORS. 550 00:27:44,062 --> 00:27:45,730 [COMPUTER BEEPS] 551 00:27:45,772 --> 00:27:47,190 SO I RAN A SPECTRAL ANALYSIS 552 00:27:47,231 --> 00:27:48,733 TO ISOLATE THE ORIGINAL CANVAS 553 00:27:48,775 --> 00:27:50,735 UNDERNEATH THE GORE. 554 00:27:50,777 --> 00:27:52,487 I THINK IT'S A PAINTING OF OCEAN CURRENTS. 555 00:27:52,528 --> 00:27:53,946 YOU WERE RIGHT. 556 00:27:53,988 --> 00:27:55,448 THE JOKER SPLATTERED SOME POOR GUY 557 00:27:55,490 --> 00:27:57,366 ALL OVER A MAP TO CORYANA? 558 00:27:57,408 --> 00:27:59,786 BUT WE'LL NEED TO RESTORE THE CANVAS 559 00:27:59,827 --> 00:28:01,245 TO LOCATE THE ISLAND. 560 00:28:01,287 --> 00:28:02,497 BUT THAT MEANS... 561 00:28:02,538 --> 00:28:03,998 YOU'RE GONNA NEED TO STEAL IT. 562 00:28:12,673 --> 00:28:15,218 I DIDN'T KNOW SAFIYAH HAD FAMILY. 563 00:28:15,259 --> 00:28:16,969 WE WEREN'T BLOOD. 564 00:28:17,011 --> 00:28:19,931 APPARENTLY, WE WEREN'T ANYTHING. 565 00:28:21,599 --> 00:28:22,892 WHY DOES SHE WANT ME DEAD? 566 00:28:22,934 --> 00:28:24,477 OH, NO OFFENSE, BUT I HAVE 567 00:28:24,519 --> 00:28:26,312 WAY TOO MUCH DRAMA IN MY LIFE TO CARE. 568 00:28:26,354 --> 00:28:30,233 SHE'S OBVIOUSLY LOSING HER TOUCH IF SHE SENT YOU. 569 00:28:30,274 --> 00:28:32,443 I'M SORRY. DID YOU JUST CALL ME A BAD ASSASSIN? 570 00:28:32,485 --> 00:28:34,112 NOT TO MONDAY MORNING QUARTERBACK, 571 00:28:34,153 --> 00:28:36,864 BUT YOU HAD AMPLE OPPORTUNITY TO KILL ME. 572 00:28:36,906 --> 00:28:38,533 YOU KNEW I WAS STAYING HERE, 573 00:28:38,574 --> 00:28:40,701 WHICH MEANS YOU COULD HAVE KILLED ME IN MY SLEEP, 574 00:28:40,743 --> 00:28:43,287 BUT MAYBE YOU DON'T KNOW HOW TO PICK A LOCK. 575 00:28:43,329 --> 00:28:45,039 FINE. SURPRISE ATTACK IN THE BAR BATHROOM-- 576 00:28:45,081 --> 00:28:47,959 EASY, PRIVATE. 577 00:28:48,000 --> 00:28:51,379 AT THE VERY LEAST, YOU CAN AMBUSH ME IN MY TRUCK. 578 00:28:51,420 --> 00:28:53,840 I HAVE A BACKSEAT, AND I DON'T LOCK MY DOORS, 579 00:28:53,881 --> 00:28:58,928 BUT INSTEAD, YOU, WHAT, MAKE A SCENE AT THE BAR, 580 00:28:58,970 --> 00:29:00,388 GET MY ATTENTION, 581 00:29:00,429 --> 00:29:03,307 INDULGE IN SMALLTALK, GET DRUNK. 582 00:29:03,349 --> 00:29:08,813 HEH. SAFIYAH MUST BE DESPERATE IF SHE SENT YOU. 583 00:29:08,855 --> 00:29:14,152 I NEEDED MORE ANSWERS BEFORE I COULD KILL YOU. 584 00:29:14,193 --> 00:29:15,987 I'VE NEVER SEEN YOU BEFORE IN MY LIFE. 585 00:29:16,028 --> 00:29:18,781 NOR I YOU, WHICH IS WHY I NEEDED TO KNOW MORE 586 00:29:18,823 --> 00:29:21,117 BEFORE I MADE OCEAN BLEED THE RED SEA. 587 00:29:25,621 --> 00:29:28,374 HOW DO YOU EVEN KNOW WHAT CORYANA LOOKS LIKE? 588 00:29:28,416 --> 00:29:31,752 BECAUSE I WAS THERE 5 YEARS AGO. 589 00:29:31,794 --> 00:29:33,504 THAT'S IMPOSSIBLE. 590 00:29:33,546 --> 00:29:35,464 I WAS THERE 5 YEARS AGO. 591 00:29:37,216 --> 00:29:39,218 HOW PECULIAR. HMM. 592 00:29:41,095 --> 00:29:44,098 WELL, I SUPPOSE YOU COULD KILL ME 593 00:29:44,140 --> 00:29:45,725 AND THEN SPEND THE REST OF YOUR LIFE ON THE RUN, 594 00:29:45,766 --> 00:29:47,643 SEEING AS NONE OF THIS CHANGES THE FACT 595 00:29:47,685 --> 00:29:49,979 THE ISLAND QUEEN STILL WANTS YOU DEAD, 596 00:29:50,021 --> 00:29:53,065 OR WE COULD GIVE HER A JINGLE. 597 00:29:53,107 --> 00:29:55,109 I'M GOOD WITH OPTION "A." 598 00:29:57,612 --> 00:29:59,739 SAFIYAH, WE BOTH KNOW THIS ISN'T ABOUT A STUPID FLOWER. 599 00:29:59,780 --> 00:30:01,574 AND WHAT DO YOU THINK IT'S ABOUT? 600 00:30:01,616 --> 00:30:03,618 ME HAVING THE ONE THING YOU CAN'T. 601 00:30:09,248 --> 00:30:10,583 WHAT THE HELL WAS THAT? 602 00:30:10,625 --> 00:30:12,210 EXACTLY. 603 00:30:12,251 --> 00:30:14,503 OPTION "B" IT IS. 604 00:30:14,545 --> 00:30:17,048 AHEM. 605 00:30:17,089 --> 00:30:18,174 [SIGHS] 606 00:30:20,259 --> 00:30:22,053 THERE SHOULD BE A DISPENSER NEXT TO THE SINK 607 00:30:22,094 --> 00:30:26,349 WITH...UH, YOU KNOW, PRODUCTS. 608 00:30:26,390 --> 00:30:27,600 I SEE IT. 609 00:30:27,642 --> 00:30:28,976 A LOT OF FIREPOWER IN THAT ROOM, 610 00:30:29,018 --> 00:30:30,561 SO YOU'RE GONNA HAVE TO MOVE FAST. 611 00:30:30,603 --> 00:30:32,605 BATWOMAN, STATUS CHECK. YOU FIND IT? 612 00:30:34,398 --> 00:30:36,025 TARGET IDENTIFIED. I JUST NEED TO TAKE IT 613 00:30:36,067 --> 00:30:38,736 FOR FURTHER ANALYSIS. 614 00:30:38,778 --> 00:30:40,446 WE'LL MONITOR FROM HERE. 615 00:30:47,411 --> 00:30:48,871 [GROANS] 616 00:30:52,500 --> 00:30:55,211 [ALARM BLARING] 617 00:30:55,253 --> 00:30:57,630 UH...BATWOMAN? 618 00:30:57,672 --> 00:30:59,757 [BLARING CONTINUES] 619 00:31:01,008 --> 00:31:03,386 [EXCITED CHATTER] 620 00:31:06,305 --> 00:31:08,849 I THINK WE HAVE COMPETITION. 621 00:31:08,891 --> 00:31:10,226 [LUKE] WHO? 622 00:31:10,268 --> 00:31:11,727 YOU EVER HEARD OF WOLF SPIDER? 623 00:31:17,483 --> 00:31:19,485 SHOOT HIM BEFORE HE GETS TOO HIGH! 624 00:31:19,527 --> 00:31:20,778 MISS--MISS, THIS WAY, PLEASE. 625 00:31:20,820 --> 00:31:22,738 NO. RYAN! 626 00:31:22,780 --> 00:31:26,117 [GUNFIRE] 627 00:31:26,158 --> 00:31:27,827 HAND IT OVER. 628 00:31:44,802 --> 00:31:46,345 HYAH! UNH! 629 00:31:47,513 --> 00:31:48,973 UGH! 630 00:31:57,106 --> 00:31:58,649 DAMN. 631 00:32:06,157 --> 00:32:07,992 UNH! 632 00:32:08,034 --> 00:32:10,786 UGH! OHH. 633 00:32:10,828 --> 00:32:12,830 [MOANING] 634 00:32:12,872 --> 00:32:14,707 PAINTING'S ON THE MOVE. 635 00:32:14,749 --> 00:32:16,250 DO YOU NEED MEDICAL? 636 00:32:16,292 --> 00:32:18,044 UGH. JUST SLOW HIM DOWN. I'LL BE THERE. 637 00:32:18,085 --> 00:32:19,587 WE'RE ON IT. 638 00:32:22,465 --> 00:32:25,092 [SIRENS] 639 00:32:34,560 --> 00:32:37,229 [TIRES SQUEALING] 640 00:32:41,400 --> 00:32:42,777 NIMBLE LITTLE BASTARD. 641 00:32:42,818 --> 00:32:44,737 LITTLE TASER ACTION WILL SLOW HIM DOWN. 642 00:32:53,496 --> 00:32:54,914 DAMN IT! GET ME CLOSER. 643 00:32:54,955 --> 00:32:56,582 I'M ON IT. 644 00:33:01,629 --> 00:33:04,507 AW. FRICKING CARTRIDGE IS JAMMED! 645 00:33:04,548 --> 00:33:06,592 [TIRES SQUEAL] 646 00:33:10,221 --> 00:33:11,764 DUDE, WHAT DID YOU DO? 647 00:33:11,806 --> 00:33:13,641 HE JUMPED IN FRONT OF ME. 648 00:33:19,146 --> 00:33:22,316 GET SOME TIES ON HIM. 649 00:33:22,358 --> 00:33:25,778 THIS ISN'T GOOD. CALL FOR MEDICAL. 650 00:33:25,820 --> 00:33:28,322 [SOPHIE] STATUS CHECK. 651 00:33:28,364 --> 00:33:30,908 TARGET ACQUIRED. WE GOT THE PAINTING. 652 00:33:30,950 --> 00:33:32,618 LET'S GO. WHAT? WHAT ARE YOU DOING? 653 00:33:32,660 --> 00:33:35,204 WE CAN'T LEAVE HIM HERE. 654 00:33:35,246 --> 00:33:36,705 MOORE WANTS THE PAINTING, 655 00:33:36,747 --> 00:33:39,250 NOT AN EXCESSIVE FORCE HEADLINE. 656 00:33:39,291 --> 00:33:41,293 LET'S GO. 657 00:33:41,335 --> 00:33:43,003 SOMEONE ELSE WILL CLEAN HIM UP. 658 00:33:43,045 --> 00:33:45,172 [CAR APPROACHING] 659 00:33:54,557 --> 00:33:56,225 [TIRES SQUEAL] 660 00:34:12,741 --> 00:34:14,034 EVAN? 661 00:34:14,076 --> 00:34:17,079 EVAN! EVAN,CAN YOU HEAR ME? 662 00:34:27,548 --> 00:34:29,300 [MARY] WE'RE GONNA NEED A BLOOD DRIVE AFTER THIS. 663 00:34:29,341 --> 00:34:30,759 HE'S GONNA RECOVER, RIGHT? WELL, CONSIDERING HE WAS 664 00:34:30,801 --> 00:34:32,303 HIP CHECKED BY A 4,800-POUND HUNK 665 00:34:32,344 --> 00:34:34,180 OF TOXIC MASCULINITY, 666 00:34:34,221 --> 00:34:36,765 HE'S DOING GREAT. 667 00:34:36,807 --> 00:34:38,851 DISTAL FEMUR FRACTURE, DISLOCATED ELBOW, 668 00:34:38,893 --> 00:34:41,187 MINOR CONCUSSION, 669 00:34:41,228 --> 00:34:43,439 BUT WHEN THE BONE SHATTERED, 670 00:34:43,481 --> 00:34:45,441 IT NICKED HIS FEMORAL ARTERY, 671 00:34:45,483 --> 00:34:46,901 SO IF YOU HADN'T BEEN THERE TO BRING HIM IN IN TIME, 672 00:34:46,942 --> 00:34:48,652 HE WOULD HAVE BLED OUT. 673 00:34:48,694 --> 00:34:50,362 OK. WHAT--WHAT HAPPENED BACK THERE? 674 00:34:50,404 --> 00:34:52,656 YOU WANT TO KNOW WHAT HAPPENED? 675 00:34:52,698 --> 00:34:55,409 I LISTENED TO YOU OVER MY GUT, AND NOW LOOK. 676 00:34:55,451 --> 00:34:57,203 I MEANT WHAT HAPPENED TO YOU? 677 00:34:57,244 --> 00:34:58,537 YOU SOUNDED LIKE YOU WERE IN ROUGH SHAPE. 678 00:34:58,579 --> 00:34:59,788 YOU CALLED FOR BACKUP. 679 00:34:59,830 --> 00:35:01,040 THIS ISN'T ABOUT ME. 680 00:35:01,081 --> 00:35:02,666 THIS IS ABOUT US, 681 00:35:02,708 --> 00:35:05,002 THIS TEAM AND HOW I CAN'T KEEP WORKING 682 00:35:05,044 --> 00:35:06,712 FOR YOUR APPROVAL. 683 00:35:06,754 --> 00:35:08,214 I WANTED TO SUIT UP AND NOT THINK 684 00:35:08,255 --> 00:35:10,966 ABOUT YOU COMPARING ME TO KATE KANE FOR ONCE, 685 00:35:11,008 --> 00:35:13,010 SO I AGREED TO PARTNER WITH THE CROWS, 686 00:35:13,052 --> 00:35:15,095 AND FOR WHAT? 687 00:35:15,137 --> 00:35:17,932 YOU SIDED WITH THE GUYS WHO KILLED YOUR OLD MAN. 688 00:35:17,973 --> 00:35:21,018 YOUR TASTE SUCKS, 689 00:35:21,060 --> 00:35:23,145 BUT YOU KNOW WHAT? 690 00:35:23,187 --> 00:35:25,856 I WEAR THE SUIT, I TAKE THE BULLETS, 691 00:35:25,898 --> 00:35:28,692 SO WHEN I SAY I HAVE A BAD FEELING ABOUT SOMETHING, 692 00:35:28,734 --> 00:35:30,402 YOU TWO, LISTEN! 693 00:35:36,492 --> 00:35:40,246 DID HER MAJESTY SAY WHEN SHE'D GRACE US WITH A CALLBACK? 694 00:35:40,287 --> 00:35:42,456 WOULD YOU JUST SIT THERE 695 00:35:42,498 --> 00:35:44,333 WITHOUT TALKING? 696 00:35:44,375 --> 00:35:46,043 I HAVE SPENT MORE YEARS OF MY LIFE 697 00:35:46,085 --> 00:35:49,713 IN CAPTIVITY THAN ANY ELEPHANT IN THE GOTHAM ZOO. 698 00:35:49,755 --> 00:35:54,385 THE KEY TO SURVIVING-- KEEP YOURSELF ENTERTAINED. 699 00:35:54,426 --> 00:35:55,928 ROUGH CHILDHOOD? 700 00:35:55,970 --> 00:35:57,346 YOU COULD SAY I COME BY MY ABANDONMENT ISSUES 701 00:35:57,388 --> 00:35:59,598 HONESTLY, YEAH. 702 00:35:59,640 --> 00:36:02,476 HOW DO YOU KNOW SAFIYAH? 703 00:36:02,518 --> 00:36:06,397 I WAS SQUATTING ON A YACHT IN GOTHAM HARBOR. 704 00:36:06,438 --> 00:36:08,816 SAFIYAH'S MINIONS WERE PIRATING IT WHILE I WAS ON BOARD, 705 00:36:08,857 --> 00:36:12,361 AND APPARENTLY,SHE WAS IMPRESSED 706 00:36:12,403 --> 00:36:13,946 BY THE FIGHT I PUT UP. 707 00:36:13,988 --> 00:36:15,531 AND SHE LET YOU STAY? 708 00:36:15,573 --> 00:36:17,616 YEAH. NO WAY. 709 00:36:17,658 --> 00:36:20,578 THE ISLAND'S CARDINAL RULE IS NO OUTSIDERS. 710 00:36:20,619 --> 00:36:23,038 HMM. 711 00:36:23,080 --> 00:36:24,748 WHY DON'T I REMEMBER ANY OF THIS? 712 00:36:24,790 --> 00:36:26,458 THAT'S THE THING. 713 00:36:26,500 --> 00:36:29,336 YOU SHOULD, AND I SHOULD REMEMBER YOU. 714 00:36:29,378 --> 00:36:31,338 THE FACT THAT WE BOTH HAVE THE SAME MEMORIES 715 00:36:31,380 --> 00:36:33,591 MAKES ME THINK THAT SAFIYAH DID SOMETHING 716 00:36:33,632 --> 00:36:36,302 TO GET US TO FORGET. 717 00:36:36,343 --> 00:36:38,429 YOU THINK SAFIYAH ERASED OUR MEMORY? 718 00:36:39,847 --> 00:36:41,265 SOME OF THEM. 719 00:36:43,392 --> 00:36:47,021 THE THING IS WE MIGHT NEVER KNOW. 720 00:36:47,062 --> 00:36:48,731 TELL ME YOU ORDERED DELIVERY 721 00:36:48,772 --> 00:36:50,024 AND THOSE AREN'T 722 00:36:50,065 --> 00:36:54,153 1, 2...3 ASSASSINS APPROACHING. 723 00:36:54,194 --> 00:36:56,030 HMM. 724 00:36:56,071 --> 00:36:58,824 THE MANY ARMS OF DEATH. 725 00:36:58,866 --> 00:37:01,660 OH. MORE RELATIVES OF YOURS, I PRESUME. 726 00:37:01,702 --> 00:37:04,872 YEAH. CAN YOU, UH, CUT ME LOOSE? 727 00:37:04,913 --> 00:37:06,790 I CAN'T TRUST YOU. 728 00:37:06,832 --> 00:37:08,917 YOU DON'T TRUST ME TO DEFEND MYSELF 729 00:37:08,959 --> 00:37:10,586 FROM MURDER? 730 00:37:15,507 --> 00:37:19,053 [VOICE MUFFLED] 731 00:37:27,561 --> 00:37:28,854 WHERE'S OCEAN? 732 00:37:28,896 --> 00:37:30,022 OCEAN: HEY. 733 00:37:30,064 --> 00:37:31,357 SURPRISE. 734 00:37:33,108 --> 00:37:34,401 AAH! 735 00:37:34,443 --> 00:37:36,779 [ALL GRUNTING] 736 00:37:40,240 --> 00:37:42,159 HEY. DO YOU HAVE ANY CASH? 737 00:37:42,201 --> 00:37:43,952 WE SHOULD PROBABLY LEAVE THE MAID A TIP. 738 00:37:43,994 --> 00:37:45,245 YOU'RE DARK. 739 00:37:45,287 --> 00:37:46,664 [ALICE] SHOULDN'THAVE DOUBTED ME. 740 00:37:46,705 --> 00:37:48,374 LET'S GO. YOU'RE DRIVING. 741 00:37:57,299 --> 00:37:59,093 BADGES OF THE CROWS WHO DID THIS. 742 00:37:59,134 --> 00:38:00,969 THAT'S NOT ENOUGH, 743 00:38:01,011 --> 00:38:03,681 BURN IT ALL DOWN, GIRL, THE WHOLE THING. 744 00:38:03,722 --> 00:38:05,724 I CAN'T DO THAT. 745 00:38:05,766 --> 00:38:07,393 I BELIEVE IN THE MISSION OF THE CROWS. 746 00:38:07,434 --> 00:38:09,645 AN ORGANIZATION THAT DECIDES WHAT JUSTICE IS 747 00:38:09,687 --> 00:38:11,814 BASED ON WHO CAN PAY THE MOST MONEY, 748 00:38:11,855 --> 00:38:14,400 THAT BEATS INFORMATION OUT OF ITS SUSPECTS, 749 00:38:14,441 --> 00:38:16,735 THAT RUNS SOMEONE OVER FOR STEALING A PAINTING? 750 00:38:16,777 --> 00:38:18,696 THAT'S WHAT YOU BELIEVE IN? 751 00:38:18,737 --> 00:38:21,115 YOU THINK TWO MEN LOSING THEIR JOBS ISN'T ENOUGH? 752 00:38:21,156 --> 00:38:24,535 YOU'RE RIGHT, BUT I'M FIGHTING TO CHANGE THE CULTURE. 753 00:38:24,576 --> 00:38:26,537 YEAH? WELL, GOOD LUCK WITH THAT, 754 00:38:26,578 --> 00:38:28,163 BUT IF YOU WANT TO PARTY WITH ME, 755 00:38:28,205 --> 00:38:30,332 ADD YOUR BADGE TO THAT LITTLE PILE OVER THERE. 756 00:38:30,374 --> 00:38:33,836 UNTIL THEN, THIS PARTNERSHIP IS OVER. 757 00:38:33,877 --> 00:38:36,255 WHAT ABOUT THE PAINTING? 758 00:38:36,296 --> 00:38:38,382 OUR FORENSICS TEAM IS STILL WORKING ON IT. 759 00:38:38,424 --> 00:38:40,426 DON'T YOU WANT TO KNOW WHERE CORYANA IS? 760 00:38:40,467 --> 00:38:42,594 WE'LL SEE WHO GETS THERE FIRST. 761 00:39:00,154 --> 00:39:04,950 MARY HAMILTON. HEH HEH. AWKWARD. 762 00:39:04,992 --> 00:39:06,994 BECAUSE I KNOW YOU'RE WOLF SPIDER? 763 00:39:07,035 --> 00:39:08,871 BECAUSE I'M PRETTY SURE I'M NAKED. 764 00:39:08,912 --> 00:39:12,124 OH, VERY MUCH SO. 765 00:39:12,166 --> 00:39:15,127 EVAN, YOU NEED TO FIND A BETTER SUIT. 766 00:39:15,169 --> 00:39:18,464 SPANDEX IS NO MATCH FOR AN ONCOMING SUV. 767 00:39:18,505 --> 00:39:20,841 MMM. BUT IT'S SO COMFORTABLE. 768 00:39:20,883 --> 00:39:24,762 THEN MAYBE FIND A SAFER EXCUSE TO PLAY DRESS-UP. 769 00:39:24,803 --> 00:39:28,056 GOTHAM'S ELITE TAKE THEMSELVES TOO SERIOUSLY. 770 00:39:28,098 --> 00:39:29,892 WHO ELSE IS GONNA EYE-ROLL THEM 771 00:39:29,933 --> 00:39:32,561 WITH AS MUCH STYLE AS ME? 772 00:39:34,605 --> 00:39:36,857 THE CROWS GOT THE PAINTING. 773 00:39:39,359 --> 00:39:41,195 I WAS STEALING IT FOR KATE. 774 00:39:43,739 --> 00:39:45,365 THOUGHT I HAD A BETTER CHANCE AT GRABBING IT 775 00:39:45,407 --> 00:39:47,034 THAN THE CROWS. 776 00:39:47,075 --> 00:39:48,952 HEY. DON'T BEAT YOURSELF UP ABOUT IT 777 00:39:48,994 --> 00:39:51,663 BECAUSE IT TURNS OUT NOBODY ACTUALLY GOT THE NAPIER PAINTING. 778 00:39:51,705 --> 00:39:53,373 IT WAS A FORGERY. 779 00:39:53,415 --> 00:39:55,083 THAT'S IMPOSSIBLE. NO. 780 00:39:55,125 --> 00:39:57,002 BATWOMAN TOOK A SAMPLE OF THE ORGANIC COMPOUND 781 00:39:57,044 --> 00:39:58,921 THAT WAS PAINTED OVER THE ORIGINAL CANVAS, 782 00:39:58,962 --> 00:40:00,923 AND IT WAS PIG'S BLOOD. 783 00:40:02,966 --> 00:40:05,135 NAPIER WOULD'VE NEVER USED PIG'S BLOOD. 784 00:40:05,177 --> 00:40:07,846 RIGHT. SO THE CROWS ENDED UP 785 00:40:07,888 --> 00:40:10,307 WITH A DECOY COPY, AND THE ORIGINAL 786 00:40:10,349 --> 00:40:13,310 IS STILL OUT THERE SOMEWHERE, 787 00:40:13,352 --> 00:40:15,229 AND SO IS KATE. 788 00:40:26,323 --> 00:40:29,576 [WOMAN] ♪ I SEE EVIL EYES ♪ 789 00:40:29,618 --> 00:40:32,996 ♪ LOOKING ROUND ♪ 790 00:40:33,038 --> 00:40:36,291 ♪ SPIRITS IN DISGUISE ♪ 791 00:40:36,333 --> 00:40:38,752 ♪ WALKING AROUND ♪ 792 00:40:38,794 --> 00:40:40,170 [MOANS] 793 00:40:40,212 --> 00:40:42,881 ♪ OOH, OOH, OOH, OOH ♪ 794 00:40:42,923 --> 00:40:46,260 ♪ LOOK, DON'T TOUCH ♪ 795 00:40:46,301 --> 00:40:48,512 ♪ OOH, OOH, OOH, OOH ♪ 796 00:40:48,554 --> 00:40:53,016 ♪ IT'S DANGEROUS ♪ 797 00:40:53,058 --> 00:40:54,434 ♪ SOMETHING WICKED THIS WAY COMES ♪ 798 00:40:54,476 --> 00:40:56,395 OH, MY GOD. 799 00:40:56,436 --> 00:40:59,773 ♪ SOMETHING WICKED THIS WAY COMES ♪ 800 00:40:59,815 --> 00:41:02,359 ♪ SOMETHING WICKED THIS WAY COMES ♪ 801 00:41:02,401 --> 00:41:04,528 [ALICE AND OCEAN LAUGHING] 802 00:41:04,570 --> 00:41:06,446 ONCE WE GET SOME DISTANCE FROM THE MANY ARMS, 803 00:41:06,488 --> 00:41:08,657 WE CAN TRY TO FIGURE OUT WHAT SAFIYAH DID TO US 804 00:41:08,699 --> 00:41:10,492 AND WHY. 805 00:41:10,534 --> 00:41:13,412 LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK, BUDDY BOY. 806 00:41:13,453 --> 00:41:15,330 THEY GOT YOU PRETTY BAD BACK THERE. 807 00:41:21,628 --> 00:41:23,505 [GASPS] 808 00:41:23,547 --> 00:41:26,174 HEY. YOU ALL RIGHT? 809 00:41:26,216 --> 00:41:29,428 UH...YEAH. EYES ON THE ROAD. 810 00:41:30,971 --> 00:41:32,931 WHAT'S WITH YOU? 811 00:41:32,973 --> 00:41:35,893 NOTHING. 812 00:41:35,934 --> 00:41:37,352 CAN YOU CHECK IN THE BACK REAL QUICK? 813 00:41:37,394 --> 00:41:39,646 IS THERE A WHITE TUBE BACK THERE? 814 00:41:39,688 --> 00:41:41,273 YEAH. 815 00:41:44,860 --> 00:41:47,654 WHAT IS THIS? 816 00:41:47,696 --> 00:41:49,907 YOU EVER HEAR OF A GUY CALLED JACK NAPIER? 817 00:42:19,144 --> 00:42:21,104 [MAN] GREG, MOVE YOUR HEAD!