1 00:00:05,875 --> 00:00:07,249 ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 2 00:00:14,708 --> 00:00:16,375 (SCREAMING) 3 00:00:17,333 --> 00:00:20,041 From now on, we have to assume that whatever Claude sees 4 00:00:20,124 --> 00:00:21,750 and hears, it sees and hears. 5 00:00:23,416 --> 00:00:25,667 You asked me where my people are buried around here. 6 00:00:25,750 --> 00:00:29,958 The old Bear Cave. It's been sealed since 1947. 7 00:00:30,583 --> 00:00:31,541 (MEN SHOUTING) 8 00:00:32,375 --> 00:00:34,583 HOLLY GIBNEY: He's in there. We found him. 9 00:00:35,083 --> 00:00:36,917 RALPH ANDERSON: We're gonna be back in a couple of hours. 10 00:00:37,416 --> 00:00:40,249 It's not right. Not telling them that that thing's out there. 11 00:00:40,708 --> 00:00:42,958 What if it doesn't cotton to being contained? 12 00:00:43,041 --> 00:00:45,124 Then we kill it before it can kill us. 13 00:00:45,333 --> 00:00:46,792 What if it can't be killed? 14 00:00:48,750 --> 00:00:50,708 CLAUDE BOLTON: Do you know what you just did? 15 00:00:51,083 --> 00:00:51,999 I know what I just did. 16 00:00:52,083 --> 00:00:53,541 I gave you the heads up of your life. 17 00:00:53,875 --> 00:00:55,500 CLAUDE: He's in my head, Seale. 18 00:00:55,583 --> 00:00:56,833 So, you just told that thing 19 00:00:56,917 --> 00:00:58,750 that all of those people are coming for it. 20 00:00:58,833 --> 00:00:59,833 ♪ (MUSIC INTENSIFIES) ♪ 21 00:01:00,833 --> 00:01:01,708 (GUNSHOT) 22 00:01:01,792 --> 00:01:04,583 (EAR-SPLITTING RINGING) 23 00:01:04,667 --> 00:01:05,917 ♪ (MUSIC CONCLUDES) ♪ 24 00:01:30,583 --> 00:01:32,625 - (GUNSHOTS) - (JACK GROANS) 25 00:01:35,500 --> 00:01:36,917 There you go! 26 00:01:36,999 --> 00:01:39,375 (SHOTS CONTINUE) 27 00:01:41,999 --> 00:01:43,375 (BULLETS RICOCHET) 28 00:01:43,458 --> 00:01:45,500 - (YELPS) - (GUNSHOT) 29 00:01:45,583 --> 00:01:47,333 - Jesus Christ! - YUNIS SABLO: Fuck! 30 00:01:47,416 --> 00:01:48,500 (DISTORTED SNARLING) 31 00:01:50,833 --> 00:01:52,041 (SCREECHES) 32 00:01:56,333 --> 00:01:57,875 - (JACK GROANS) - We gotta get outta here. 33 00:01:57,958 --> 00:02:00,833 - SABLO: And go where? - I don't know. Just to get the fuck outta here. 34 00:02:04,124 --> 00:02:05,541 ANDY KATCAVAGE: Who's the shooter? 35 00:02:10,375 --> 00:02:11,917 (GUNSHOT) 36 00:02:11,999 --> 00:02:14,833 (YELLS) Jack! We can talk about this! 37 00:02:15,625 --> 00:02:16,917 Motherf-- ! 38 00:02:16,999 --> 00:02:18,875 ANDY: No, no, no. Come on, come on! 39 00:02:18,958 --> 00:02:21,166 (GUNSHOTS CONTINUE) 40 00:02:24,875 --> 00:02:27,166 (JACK GROANS) 41 00:02:28,041 --> 00:02:30,291 - Ah! Goddammit! - Take this! Take this! 42 00:02:30,375 --> 00:02:33,416 (GROANS) Motherfucker! 43 00:02:36,500 --> 00:02:38,500 (HUMMING) 44 00:02:40,875 --> 00:02:42,249 SABLO: Is that fucking Howie? 45 00:02:46,750 --> 00:02:48,333 Uh-oh! 46 00:02:48,416 --> 00:02:50,667 JACK HOSKINS: Oh, yeah, get in there. 47 00:02:50,750 --> 00:02:52,875 - Jesus Christ! - SABLO: Keep going! Keep going! 48 00:02:52,958 --> 00:02:54,291 - Is that Pelley? - Go! Go! Just go! 49 00:02:54,375 --> 00:02:56,375 - RALPH ANDERSON: Go! - Get the fuck out! 50 00:02:56,458 --> 00:02:57,917 - Move! - Jesus Christ! 51 00:02:57,999 --> 00:03:00,041 - (GUNSHOTS) - HOWARD SALOMAN: Oh, my god! 52 00:03:01,249 --> 00:03:03,249 (GUNSHOTS CONTINUE) 53 00:03:05,958 --> 00:03:08,124 Hey, Seale, what the hell you doin', man? 54 00:03:08,958 --> 00:03:10,249 (JACK GROANS) 55 00:03:13,500 --> 00:03:15,249 Motherfucker! 56 00:03:15,333 --> 00:03:17,375 (SNAKE TAIL RATTLES) 57 00:03:17,458 --> 00:03:19,083 Oh, no! Get off! 58 00:03:23,291 --> 00:03:24,875 - Go! Go, go! - ANDY: Go now! Go now! 59 00:03:24,958 --> 00:03:27,208 CLAUDE BOLTON: Seale! Seale, whatcha doin', man? 60 00:03:27,291 --> 00:03:28,458 RALPH: Get back here! 61 00:03:31,166 --> 00:03:32,541 (YELLS) 62 00:03:32,625 --> 00:03:34,208 CLAUDE: Hey Seale, get back here! 63 00:03:34,291 --> 00:03:35,291 JACK: I got you. 64 00:03:35,792 --> 00:03:36,792 (GRUNTS) 65 00:03:38,750 --> 00:03:39,792 (INAUDIBLE) 66 00:03:42,166 --> 00:03:45,792 (LAUGHING MANIACALLY) 67 00:03:46,291 --> 00:03:47,291 Yeah! 68 00:03:59,208 --> 00:04:00,917 - Shit! - (DRUNKENLY SINGING) 69 00:04:00,999 --> 00:04:03,375 Fucker! (PANTING) 70 00:04:03,458 --> 00:04:04,583 (GUNSHOT) 71 00:04:05,541 --> 00:04:08,708 - (GUNSHOT) - I see you! 72 00:04:08,792 --> 00:04:11,416 - (SABLO YELLS, GROANS) - RALPH: Oh shit! 73 00:04:11,500 --> 00:04:14,583 Fucker! Get up! Get up! Up, up-- 74 00:04:14,667 --> 00:04:17,500 Get up, up, up, up. We don't have-- Go! Go! 75 00:04:17,583 --> 00:04:18,833 Oh, shit. 76 00:04:21,708 --> 00:04:23,083 HOWARD: Fuck! 77 00:04:23,166 --> 00:04:24,667 Let's get the fuck outta here! 78 00:04:27,583 --> 00:04:30,333 - (GRUNTS) - Oh shit! Seale! 79 00:04:30,416 --> 00:04:33,041 RALPH: Claude! Don't go out! Damn it! Don't! 80 00:04:34,041 --> 00:04:35,166 CLAUDE: Seale! 81 00:04:36,416 --> 00:04:37,958 Fuck! 82 00:04:38,041 --> 00:04:40,958 (DRUNKENLY GROANS) Motherfucker! 83 00:04:41,041 --> 00:04:42,541 CLAUDE: Oh, God, man. 84 00:04:44,500 --> 00:04:47,792 They got him good, man. Oh shit! 85 00:04:47,875 --> 00:04:50,708 Fuck! Oh! Oh shit! 86 00:04:50,792 --> 00:04:51,999 Oh, man. 87 00:04:53,083 --> 00:04:56,249 Fucking hurts to be shot, man. Fucking hurts. 88 00:04:56,333 --> 00:04:59,124 RALPH: Yeah. With the slugs he's using, 89 00:04:59,208 --> 00:05:01,124 you're lucky you didn't get your arm taken off. 90 00:05:01,208 --> 00:05:03,208 - SABLO: Hurts to get shot. - RALPH: You know what... 91 00:05:03,291 --> 00:05:05,541 ANDY: If we could just get some fucking bars! 92 00:05:06,541 --> 00:05:08,041 Don't even think about it. 93 00:05:09,208 --> 00:05:11,208 Hey, when the GIs were getting chewed up 94 00:05:11,291 --> 00:05:13,249 on the beaches on D-Day, you know what they're told? 95 00:05:13,333 --> 00:05:16,124 Um... Uh-- Ad-- Advance or die. 96 00:05:16,208 --> 00:05:17,875 - Or something like that. - That's fucking right. 97 00:05:17,958 --> 00:05:19,500 (GUNSHOT) 98 00:05:19,583 --> 00:05:20,625 RALPH: Can you fire lefty? 99 00:05:20,708 --> 00:05:22,124 SABLO: Yeah, that's about all I can do. 100 00:05:22,208 --> 00:05:23,917 - Take this! Take this! - No! No! No, no, no! 101 00:05:24,667 --> 00:05:25,708 HOLLY GIBNEY: Andy! 102 00:05:26,833 --> 00:05:28,249 What the hell is he doing? 103 00:05:28,333 --> 00:05:30,708 RALPH: I don't fucking kn-- I think he's going to get reception. 104 00:05:32,541 --> 00:05:35,958 Ah, Jesus, man. Why couldn't you stay where you are? 105 00:05:36,583 --> 00:05:37,625 Son of a... 106 00:05:41,416 --> 00:05:42,999 - (GUNSHOT) - Jesus! 107 00:05:43,083 --> 00:05:44,625 - (GUNSHOT) - Fuck! 108 00:05:47,750 --> 00:05:49,833 - HOWARD: Go, Andy! Go! - (ENGINE STARTS) 109 00:05:49,917 --> 00:05:55,500 - One... two... boom! - (ANDY GRUNTS) Fuck! 110 00:05:55,583 --> 00:05:56,625 SABLO: Just go! 111 00:05:56,958 --> 00:05:57,958 Shit! 112 00:06:00,333 --> 00:06:01,375 RALPH: Go! 113 00:06:03,416 --> 00:06:05,083 Go! Go, Andy! 114 00:06:08,541 --> 00:06:09,583 HOWARD: Go, go, go! 115 00:06:11,917 --> 00:06:13,375 (PANTING) 116 00:06:28,875 --> 00:06:30,124 (GUNSHOT) 117 00:06:30,958 --> 00:06:32,083 - (GUNSHOT) - (GRUNTS) 118 00:06:49,500 --> 00:06:50,583 What happened? 119 00:07:02,999 --> 00:07:04,667 Andy! No! 120 00:07:04,999 --> 00:07:06,166 No, no! 121 00:07:07,875 --> 00:07:11,041 HOWARD: No! No, no, no! Holly, no! No, go back! 122 00:07:11,124 --> 00:07:13,124 - I'll get him. I'll get him. Go! - No! 123 00:07:13,792 --> 00:07:14,833 Go back! 124 00:07:46,999 --> 00:07:48,875 (SCREAMING) Yeah! 125 00:07:48,958 --> 00:07:53,041 Mother nature! (LAUGHING MANIACALLY) 126 00:07:53,917 --> 00:07:54,917 Ah! 127 00:08:11,333 --> 00:08:12,541 RALPH: (ECHOING SHOUT) Holly! 128 00:08:14,708 --> 00:08:15,708 Holly! 129 00:08:25,833 --> 00:08:29,291 Holly! Holly, get back here! 130 00:08:31,875 --> 00:08:32,875 Fuck! 131 00:08:32,958 --> 00:08:34,416 What the fuck is she doing? 132 00:08:34,500 --> 00:08:36,249 RALPH: Holly, get back here! 133 00:08:37,541 --> 00:08:38,583 Holly! 134 00:08:39,083 --> 00:08:40,583 Get back here! 135 00:08:54,708 --> 00:08:56,792 (YELLING, ECHOING) Damn you to hell! 136 00:09:10,583 --> 00:09:12,416 (PANTING) 137 00:09:13,458 --> 00:09:15,541 Oh, he definitely will. 138 00:09:15,625 --> 00:09:17,750 - (SNARLS) - (WINCES) Ow! 139 00:09:19,375 --> 00:09:20,416 Fuck! 140 00:09:22,708 --> 00:09:24,875 - Fuck you! - (SNARLS) 141 00:09:24,958 --> 00:09:26,124 (JACK CRIES) 142 00:09:26,750 --> 00:09:29,416 - No more. - (ROARS) 143 00:09:30,792 --> 00:09:32,208 (SNARLING, GROWLING) 144 00:09:32,291 --> 00:09:35,416 (SNAKE'S TAIL RATTLES) 145 00:09:35,958 --> 00:09:37,958 (PANTING) 146 00:09:43,625 --> 00:09:46,291 (CHUCKLES) Come at me, motherfucker. 147 00:09:46,375 --> 00:09:47,416 - (SNAKE SNAPS) - (SCREAMS) 148 00:09:47,500 --> 00:09:49,333 - (ROARS) - (JACK'S SCREAMS ECHO) 149 00:09:52,166 --> 00:09:54,375 (JACK GROANS) 150 00:09:59,500 --> 00:10:00,708 RALPH: Holly! 151 00:10:01,625 --> 00:10:03,541 - (GUNSHOT) - Fuck. 152 00:10:10,833 --> 00:10:12,375 Come on, come on. 153 00:10:13,917 --> 00:10:15,875 - Jack's done. - (GUNSHOT) 154 00:10:15,958 --> 00:10:17,249 Tell Sablo to save his ammunition, 155 00:10:17,333 --> 00:10:19,375 and tell him to stop shooting. It's... 156 00:10:19,458 --> 00:10:20,999 It's splitting my head in two. 157 00:10:22,166 --> 00:10:23,333 It's time. 158 00:10:54,041 --> 00:10:55,041 (ROARS) 159 00:10:57,166 --> 00:10:58,208 (SNARLS) 160 00:11:06,541 --> 00:11:08,416 (GROWLS SOFTLY) 161 00:11:10,041 --> 00:11:13,750 ♪ (OMINOUS MUSIC PLAYS) ♪ 162 00:11:43,458 --> 00:11:45,416 You're gonna be all right out here by yourself? 163 00:11:45,500 --> 00:11:46,917 I'll be fine. You be careful. 164 00:11:49,124 --> 00:11:51,958 ♪ (MUSIC INTENSIFIES) ♪ 165 00:12:01,541 --> 00:12:05,124 (WHEEZING, GASPING) 166 00:12:14,833 --> 00:12:16,041 Ralph! 167 00:12:16,124 --> 00:12:19,083 (WHEEZING CONTINUES) 168 00:12:22,041 --> 00:12:23,416 SABLO: Put it down, Jack. 169 00:12:26,667 --> 00:12:28,792 Jack, just put it down, man. 170 00:12:28,875 --> 00:12:31,166 (JACK CONTINUES WHEEZING) 171 00:12:34,500 --> 00:12:35,708 JACK: It's in there. 172 00:12:38,416 --> 00:12:39,458 Kill it. 173 00:12:44,333 --> 00:12:45,375 No! 174 00:13:56,999 --> 00:13:58,124 (GATE CREAKS) 175 00:14:03,999 --> 00:14:05,917 - RALPH: Watch out. - (HOLLY GASPS) 176 00:14:19,958 --> 00:14:21,750 - (WOOD CRACKS) - (RALPH GRUNTS) 177 00:14:23,667 --> 00:14:25,041 HOLLY: You okay? 178 00:14:25,124 --> 00:14:27,875 Yeah... Yeah, yes. 179 00:14:29,583 --> 00:14:31,041 Uh, better be careful. 180 00:14:39,124 --> 00:14:41,416 (RALPH BREATHES DEEPLY) 181 00:14:50,750 --> 00:14:51,917 HOLLY: Look. 182 00:14:52,917 --> 00:14:55,041 He can be killed. 183 00:14:55,124 --> 00:14:58,083 - RALPH: How's that? - HOLLY: He's scared of falling. 184 00:14:59,249 --> 00:15:00,458 Like us. 185 00:15:01,166 --> 00:15:02,500 (LEVER SQUEAKS) 186 00:15:15,124 --> 00:15:16,500 HOLLY: He's feeding. 187 00:15:18,458 --> 00:15:20,124 RALPH: Breadcrumbs from hell. 188 00:15:39,708 --> 00:15:40,958 (RALPH GRUNTS) 189 00:16:00,792 --> 00:16:02,041 (WATER SPLASHES) 190 00:16:27,999 --> 00:16:30,041 (ROCKS SHATTER, FALL) 191 00:16:41,541 --> 00:16:42,708 HOLLY: Stop. 192 00:16:57,625 --> 00:16:58,750 (HOLLY GRUNTS) 193 00:17:04,999 --> 00:17:06,416 HOLLY: He was in a frenzy. 194 00:17:12,416 --> 00:17:14,208 - RALPH: Holly. - Hmm? 195 00:17:16,792 --> 00:17:17,917 RALPH: Look. 196 00:17:20,625 --> 00:17:22,124 This is where it happened. 197 00:17:28,875 --> 00:17:30,667 HOLLY: They're all in there. 198 00:17:30,750 --> 00:17:32,792 Must have been going crazy trying to get to them. 199 00:17:32,875 --> 00:17:35,291 ♪ (OMINOUS MUSIC PLAYS) ♪ 200 00:17:41,750 --> 00:17:43,124 - (WHISPERS) Holly. - Hmm? 201 00:17:49,833 --> 00:17:50,917 RALPH: See it? 202 00:17:52,625 --> 00:17:53,667 The light? 203 00:18:45,667 --> 00:18:47,958 EL CUCO: (AS CLAUDE BOLTON) Watch your step coming in. 204 00:18:48,041 --> 00:18:49,375 It's very slippery. 205 00:18:50,708 --> 00:18:54,083 Stay close to the walls in case you need to grab onto something. 206 00:18:56,583 --> 00:18:59,541 You haven't come all this way just to turn back now, have you? 207 00:19:24,041 --> 00:19:25,541 Well, howdy there, sheriff. 208 00:19:27,083 --> 00:19:29,541 And you must be the lovely Miss Holly. 209 00:19:32,041 --> 00:19:33,999 Claude doesn't know your last name, 210 00:19:34,083 --> 00:19:36,708 but he thinks about you all the time. 211 00:19:39,083 --> 00:19:40,124 It's Gibney. 212 00:19:44,917 --> 00:19:46,083 Holly Gibney. 213 00:19:48,291 --> 00:19:49,583 EL CUCO: It's you I have to thank 214 00:19:49,667 --> 00:19:52,541 for this situation I find myself in, ain't it? 215 00:19:55,917 --> 00:19:58,291 I wanna know what made it so easy for you 216 00:19:58,375 --> 00:19:59,750 to believe in me, 217 00:19:59,833 --> 00:20:02,041 and how on earth did she manage 218 00:20:02,124 --> 00:20:05,041 to convince a cowpoke like you, sheriff. 219 00:20:08,583 --> 00:20:09,750 What are you? 220 00:20:10,875 --> 00:20:12,083 (EL CUCO SCOFFS) 221 00:20:13,875 --> 00:20:17,249 - What is your name? - EL CUCO: Oh... you know. 222 00:20:18,124 --> 00:20:19,875 Where did you come from? 223 00:20:19,958 --> 00:20:22,041 - I don't remember. - What is your nature? 224 00:20:22,124 --> 00:20:25,083 We're not very good answering each other's questions, are we? 225 00:20:25,166 --> 00:20:27,375 - Are there more of you? - Why? 226 00:20:27,458 --> 00:20:29,458 Have you seen someone like me before? 227 00:20:30,416 --> 00:20:31,500 Are there others? 228 00:20:33,625 --> 00:20:36,166 'Cause there have been times when I... 229 00:20:36,249 --> 00:20:38,583 - sense there could be more-- - Shut up. 230 00:20:43,041 --> 00:20:45,333 You really gon' pull that trigger, sheriff? 231 00:20:48,458 --> 00:20:51,333 (BED CREAKS) 232 00:20:58,083 --> 00:20:59,708 Well, you go ahead and do it... 233 00:21:00,999 --> 00:21:02,500 if you don't mind dying. 234 00:21:05,875 --> 00:21:09,500 (YELLING) Will the real Claude Bolton please stand up? 235 00:21:09,583 --> 00:21:12,833 - (ECHOING) - (CAVE TREMORS, CRACKLES) 236 00:21:12,917 --> 00:21:14,833 (ROCKS SHATTERING, FALLING) 237 00:21:28,958 --> 00:21:31,583 - EL CUCO: You see? - (RALPH GASPS) Step back! 238 00:21:31,667 --> 00:21:33,750 - (ECHOING) - Stop yelling. 239 00:21:34,458 --> 00:21:36,208 (DEBRIS SCATTERING) 240 00:21:36,291 --> 00:21:40,166 EL CUCO: They're here, you know. The dead. 241 00:21:40,249 --> 00:21:44,291 The rescuers that couldn't even rescue themselves. 242 00:21:44,375 --> 00:21:46,875 But... you couldn't get to them, could you? 243 00:21:48,416 --> 00:21:53,041 Well, it don't matter. I still feel their presence. 244 00:21:53,124 --> 00:21:57,208 Especially the four Boltons. They give off such a glow. 245 00:21:59,124 --> 00:22:00,208 Glow? 246 00:22:02,041 --> 00:22:05,041 They're the blood that I'm becoming. 247 00:22:06,249 --> 00:22:07,541 It feels like... 248 00:22:09,375 --> 00:22:10,917 like I'm being entered. 249 00:22:11,792 --> 00:22:14,166 And what enters me, fills me. 250 00:22:15,625 --> 00:22:19,999 You have no idea what it feels like to have 251 00:22:20,083 --> 00:22:22,333 all of that emotion inside of me. 252 00:22:22,416 --> 00:22:23,333 Why children? 253 00:22:23,416 --> 00:22:25,792 (WHISPERS) Stop asking him questions! 254 00:22:27,166 --> 00:22:29,750 I eat to survive, just like you. 255 00:22:29,833 --> 00:22:32,458 - Shut up. - Why children? 256 00:22:36,375 --> 00:22:37,875 'Cause they taste the sweetest. 257 00:22:37,958 --> 00:22:39,583 - Motherfucker! - HOLLY: Stop! 258 00:22:41,625 --> 00:22:42,708 He's poison. 259 00:22:51,166 --> 00:22:52,708 EL CUCO: I can't let you leave. 260 00:22:54,124 --> 00:22:55,291 You know that, right? 261 00:22:58,583 --> 00:22:59,625 HOLLY: No. 262 00:23:02,083 --> 00:23:03,667 We're the ones who can't let you leave. 263 00:23:03,750 --> 00:23:05,041 (SCOFFS) 264 00:23:05,124 --> 00:23:06,583 RALPH: Jack left one of us out there. 265 00:23:06,667 --> 00:23:09,041 He knows we're in here and he knows what you are. 266 00:23:09,124 --> 00:23:10,166 He'll send more. 267 00:23:11,208 --> 00:23:12,291 I see. 268 00:23:14,875 --> 00:23:15,999 But I need to eat. 269 00:23:17,792 --> 00:23:18,833 (GUN COCKS) 270 00:23:25,792 --> 00:23:26,833 Claude. 271 00:23:27,500 --> 00:23:28,750 Put the gun down. 272 00:23:30,750 --> 00:23:31,917 HOLLY: Don't shoot. 273 00:23:34,708 --> 00:23:38,291 Don't shoot. If you shoot, the whole chamber will fall on our heads. 274 00:23:39,333 --> 00:23:40,708 RALPH: Hey, Claude. 275 00:23:41,792 --> 00:23:44,166 Just take your finger off the trigger, okay? 276 00:23:50,124 --> 00:23:51,208 HOLLY: Claude, just... 277 00:23:52,583 --> 00:23:53,792 Just look at us. 278 00:23:56,083 --> 00:23:57,166 Just look at us. 279 00:23:58,416 --> 00:23:59,458 That's it. 280 00:24:00,958 --> 00:24:02,667 Now-- Now put the gun down. 281 00:24:07,917 --> 00:24:09,166 (DEEPLY INHALES) 282 00:24:19,500 --> 00:24:22,625 (GUNSHOT ECHOES) 283 00:24:22,708 --> 00:24:25,416 (ROCKS CRACKLES) 284 00:24:28,083 --> 00:24:29,375 HOLLY: Oh, my God. 285 00:24:30,708 --> 00:24:31,875 It's collapsing. 286 00:24:34,208 --> 00:24:36,708 RALPH: Move! Now! Now! Holly! 287 00:24:36,792 --> 00:24:38,124 HOLLY: Claude! 288 00:24:38,208 --> 00:24:39,375 RALPH: Holly! 289 00:24:42,333 --> 00:24:44,500 Cover your head! Tuck your head! 290 00:24:45,416 --> 00:24:46,875 (ROCKS CRASHING) 291 00:24:49,041 --> 00:24:51,500 (CAVE RUMBLING) 292 00:25:00,541 --> 00:25:03,750 (SPLASHING) 293 00:25:16,458 --> 00:25:17,583 CLAUDE: Hey. 294 00:25:19,667 --> 00:25:20,792 Over here. 295 00:25:24,750 --> 00:25:25,792 (RALPH SIGHS) 296 00:25:28,958 --> 00:25:31,291 (CLAUDE GROANS) Sh... 297 00:25:31,375 --> 00:25:34,833 - I can't move. - RALPH: Hold on-- Oh, shit. 298 00:25:34,917 --> 00:25:37,375 Okay. Um... 299 00:25:39,249 --> 00:25:40,291 Ready? 300 00:25:40,375 --> 00:25:43,625 - Three, two, one. Yeah. - (HOLLY GRUNTS) Okay. 301 00:25:44,875 --> 00:25:47,083 - You got it? - (PANTING) 302 00:25:47,375 --> 00:25:48,875 Oh, man. 303 00:25:48,958 --> 00:25:50,667 - You okay? - Yeah, I'll live. 304 00:25:51,291 --> 00:25:53,291 (BREATHING HEAVILY) 305 00:25:54,333 --> 00:25:56,458 - Told you not to shoot. - (HOLLY CHUCKLES) 306 00:26:03,500 --> 00:26:07,166 Okay. We'll be back in a moment, okay? Hold tight. 307 00:26:07,249 --> 00:26:08,416 All right. 308 00:26:09,625 --> 00:26:11,083 Ah, fuck. 309 00:26:30,667 --> 00:26:31,708 RALPH: Hmm. 310 00:26:34,124 --> 00:26:35,667 HOLLY: Do you have some kind of knife? 311 00:26:43,124 --> 00:26:44,208 Good. 312 00:26:52,500 --> 00:26:55,833 - (HOLLY GRUNTS) - Yeah, Holly. Leave it. Leave it. Leave it. 313 00:26:55,917 --> 00:26:58,083 If we were ever to claim that this thing 314 00:26:58,166 --> 00:27:00,833 killed Frankie Peterson, they'll write us off as loons. 315 00:27:00,917 --> 00:27:02,541 Terry's name will never be cleared. 316 00:27:05,208 --> 00:27:06,333 Who's Terry? 317 00:27:12,875 --> 00:27:14,208 (GROANS) 318 00:27:18,249 --> 00:27:19,375 Did I kill him? 319 00:27:20,917 --> 00:27:23,249 HOLLY: Yeah. Yeah. 320 00:27:23,333 --> 00:27:25,208 RALPH: Okay, buddy. 321 00:27:25,291 --> 00:27:27,124 - We do this on three, yeah? - HOLLY: Mm-hmm. 322 00:27:27,208 --> 00:27:30,333 - Okay. Three, two, one. - HOLLY: Two, one. 323 00:27:30,416 --> 00:27:31,500 (CLAUDE GROANS) 324 00:27:34,333 --> 00:27:36,375 - HOLLY: Ooh-ooh-ooh. - CLAUDE: Ah, shit. 325 00:27:39,875 --> 00:27:41,792 - RALPH: Watch your head. - HOLLY: All right. 326 00:27:41,875 --> 00:27:43,833 - Yep. - (CLAUDE GROANS) 327 00:27:45,833 --> 00:27:46,875 Ah, man. 328 00:27:54,999 --> 00:27:58,708 ♪ (SINISTER MUSIC PLAYS) ♪ 329 00:28:10,917 --> 00:28:12,083 HOLLY: What's wrong? 330 00:28:14,667 --> 00:28:16,792 - Nothing, I'll catch up. - HOLLY: Okay. 331 00:28:27,249 --> 00:28:28,291 (RALPH GRUNTS) 332 00:28:31,041 --> 00:28:32,083 (SIGHS) 333 00:28:32,958 --> 00:28:34,958 Now look at you playing possum. 334 00:28:36,958 --> 00:28:38,083 How I know? 335 00:28:40,249 --> 00:28:42,249 What's left of your heart. 336 00:28:42,333 --> 00:28:45,124 Whatever it's called, it's still pumpin'. 337 00:28:46,124 --> 00:28:48,291 Otherwise, you got nothin' comin' out. 338 00:28:50,166 --> 00:28:51,166 Sawdust. 339 00:28:54,625 --> 00:28:56,917 I didn't know whether or not you could be killed. 340 00:28:56,999 --> 00:28:59,792 I thought you could be like anyone else, but... 341 00:29:01,625 --> 00:29:03,124 I'm not so sure anymore. 342 00:29:05,041 --> 00:29:08,333 I know that, uh, this knife's certainly... 343 00:29:08,416 --> 00:29:12,875 isn't doing the trick. Here's how I see it. 344 00:29:12,958 --> 00:29:14,999 You're weak. You're getting weaker. 345 00:29:15,583 --> 00:29:16,833 You can't run. 346 00:29:17,541 --> 00:29:18,833 You can't hide. 347 00:29:20,208 --> 00:29:21,500 You can't hunt, 348 00:29:21,583 --> 00:29:25,583 which means you can't feed and fill yourself. 349 00:29:25,667 --> 00:29:28,708 There's nothing stopping me from just walking outta here right now, 350 00:29:28,792 --> 00:29:31,583 come back with a bus load of tourists and just watch them 351 00:29:31,667 --> 00:29:33,750 fucking push each other out of the way, 352 00:29:33,833 --> 00:29:35,708 desperate, trying to get the best angle 353 00:29:35,792 --> 00:29:38,083 of what's left of your fucking face. 354 00:29:38,166 --> 00:29:40,999 - (GRUNTS) - (EL CUCO GROWLS) 355 00:29:50,541 --> 00:29:54,208 And then comes the ever curious scientific community. 356 00:29:55,166 --> 00:29:57,333 They're gonna be real interested in you. 357 00:29:58,375 --> 00:30:02,124 Poking, probing, injecting, extracting. 358 00:30:02,208 --> 00:30:04,416 They'll cut little pieces of you off, 359 00:30:04,500 --> 00:30:06,667 take it back to the lab, 360 00:30:06,750 --> 00:30:10,999 Just keep fucking carving you and carving you and carving you 361 00:30:11,083 --> 00:30:13,708 - until... - (EL CUCO GROWLS SOFTLY) 362 00:30:13,792 --> 00:30:16,708 Yeah, you wouldn't want that, would ya? 363 00:30:17,208 --> 00:30:18,249 (RALPH GRUNTS) 364 00:30:19,208 --> 00:30:21,333 ♪ (SUSPENSEFUL MUSIC PLAYS) ♪ 365 00:30:23,249 --> 00:30:28,833 And it would serve our purposes much better... 366 00:30:30,583 --> 00:30:34,667 if no one ever knew that you ever existed. 367 00:30:36,792 --> 00:30:37,875 So... 368 00:30:40,083 --> 00:30:41,249 you gotta go. 369 00:30:43,792 --> 00:30:45,083 (EL CUCO SNARLS) 370 00:30:48,375 --> 00:30:50,416 (SKIN AND BONES CRACKLE) 371 00:30:51,083 --> 00:30:53,041 (BLOOD SQUELCHES) 372 00:31:06,124 --> 00:31:08,249 ♪ (MUSIC INTENSIFIES) ♪ 373 00:31:18,625 --> 00:31:19,833 ♪ (MUSIC STOPS) ♪ 374 00:31:52,208 --> 00:31:56,083 ♪ (OMINOUS MUSIC PLAYS) ♪ 375 00:33:28,833 --> 00:33:29,917 (SIGHS) 376 00:33:33,500 --> 00:33:34,625 He, uh... 377 00:33:36,708 --> 00:33:38,291 He came here to be with me. 378 00:33:41,625 --> 00:33:43,041 That was the only reason. 379 00:33:50,625 --> 00:33:53,083 Holly, the locals could appear at any stage. 380 00:33:53,166 --> 00:33:55,458 We need to talk pretty fast. 381 00:33:56,750 --> 00:33:58,249 Get our story straight. 382 00:34:12,708 --> 00:34:14,500 (CAR ENGINE STARTS) 383 00:35:11,375 --> 00:35:14,500 (SIRENS WAIL IN DISTANCE) 384 00:35:21,416 --> 00:35:25,458 (SIRENS GROW LOUDER) 385 00:35:36,750 --> 00:35:43,667 (PHONE RINGS) 386 00:35:49,208 --> 00:35:50,917 Lieutenant Sablo from GBI. 387 00:35:59,208 --> 00:36:02,667 - Hayes. - SABLO: Hayes, it's Sablo. 388 00:36:02,750 --> 00:36:05,041 We're down here in Cecil, Tennessee. 389 00:36:05,124 --> 00:36:07,416 There was a shootout in the parking lot. 390 00:36:07,500 --> 00:36:10,166 The gift shop, Alec Pelley's dead. 391 00:36:10,249 --> 00:36:13,792 Howie Saloman is dead. Jack Hoskins is dead. 392 00:36:15,583 --> 00:36:16,583 They're dead? 393 00:36:18,083 --> 00:36:21,083 SABLO: The shooter was a cop. One of your own. 394 00:36:23,333 --> 00:36:24,500 But he didn't act alone. 395 00:36:24,583 --> 00:36:27,458 In fact, he was compelled to kill by someone else. 396 00:36:28,208 --> 00:36:30,083 Like... he had an accomplice? 397 00:36:30,166 --> 00:36:32,166 SABLO: No, I'm saying Hoskins was the accomplice. 398 00:36:32,249 --> 00:36:34,958 The alpha who I believe killed Frankie Peterson 399 00:36:35,041 --> 00:36:37,875 is still out there. He attempted to grab another boy 400 00:36:37,958 --> 00:36:41,291 down here two nights ago. He got away, 401 00:36:41,375 --> 00:36:44,958 but we got him on video, so I'm gonna send you the link. 402 00:36:45,041 --> 00:36:46,375 Wait, wait, wait. Hold on, just, uh... 403 00:36:46,458 --> 00:36:48,667 SABLO: It's nobody's fault, okay? 404 00:36:48,750 --> 00:36:51,375 But I believe certain decisions coming out of your office 405 00:36:51,458 --> 00:36:53,500 need to be revisited. Wouldn't you agree? 406 00:36:56,958 --> 00:36:59,416 RALPH: So, Seale Bolton receives a phone call 407 00:36:59,500 --> 00:37:02,583 from an unknown individual who says he works with me. 408 00:37:02,667 --> 00:37:06,667 This individual claims to have knowledge of the whereabouts 409 00:37:06,750 --> 00:37:10,333 of a more likely suspect in the Frankie Peterson murder. 410 00:37:12,416 --> 00:37:13,875 SABLO: You wanna tell me what happened, Claude? 411 00:37:13,958 --> 00:37:16,083 - CLAUDE: I already told you. - Well, I'd like to hear it again. 412 00:37:16,166 --> 00:37:19,625 (CLAUDE SIGHS) Detective Sablo and Anderson, 413 00:37:19,708 --> 00:37:22,833 they came to interview me when the Cherokee County DA 414 00:37:22,917 --> 00:37:26,041 was considering reopening the Frank Peterson homicide. 415 00:37:26,124 --> 00:37:27,249 SABLO: Why you? 416 00:37:27,333 --> 00:37:29,541 Because I identified the man they arrested for it, 417 00:37:29,625 --> 00:37:32,667 Terry Maitland, when he walked into the Peach Crease, covered in blood. 418 00:37:32,750 --> 00:37:34,083 But the more you thought about it... 419 00:37:34,166 --> 00:37:35,416 CLAUDE: Well, the more I thought about it, 420 00:37:35,500 --> 00:37:38,750 the more I-- I realized I made a mistake. It wasn't him. 421 00:37:38,833 --> 00:37:41,291 It was just someone who looked a little like him. That's all. 422 00:37:42,792 --> 00:37:44,792 HAYES: Witnesses from the Peterson homicide. 423 00:37:44,875 --> 00:37:46,625 I need the transcripts from the interviews. 424 00:37:57,667 --> 00:38:00,750 DETECTIVE: This caller, did he specifically tell you where to find him? 425 00:38:00,833 --> 00:38:03,833 Yeah, the abandoned souvenir shop on the side 426 00:38:03,917 --> 00:38:05,708 of that hill, so we went to investigate. 427 00:38:05,792 --> 00:38:07,917 - DETECTIVE: You went there? - Yeah. My assumption is that 428 00:38:07,999 --> 00:38:09,833 he's there to take out Claude Bolton, 429 00:38:09,917 --> 00:38:11,375 who he perceives as a threat. 430 00:38:11,458 --> 00:38:13,083 Him being Jack Hoskins. 431 00:38:13,166 --> 00:38:16,041 The detective from your squad who's been in the wind 432 00:38:16,124 --> 00:38:18,458 for kidnapping, attempted murder. 433 00:38:18,541 --> 00:38:19,708 The same. 434 00:38:21,166 --> 00:38:24,500 Yeah, so, I, uh... interpreted the phone call 435 00:38:24,583 --> 00:38:26,833 as being made to set up an ambush. 436 00:38:26,917 --> 00:38:28,249 Frankly, I thought the whole thing 437 00:38:28,333 --> 00:38:29,917 was gonna turn out to be bullshit. 438 00:38:31,458 --> 00:38:32,583 Was wrong. 439 00:38:38,041 --> 00:38:38,999 (PANTING) 440 00:38:39,083 --> 00:38:41,583 How long they gonna keep my brother's body for? 441 00:38:41,667 --> 00:38:43,375 Hopefully not for too long. 442 00:38:43,458 --> 00:38:45,291 CLAUDE: Well, how long is not too long? 443 00:38:45,375 --> 00:38:47,375 Claude, tell me about the phone call. 444 00:38:53,541 --> 00:38:55,249 March 3rd through the 7th, 445 00:38:55,333 --> 00:38:58,249 Maitland's last visit to see his father, um... 446 00:38:59,458 --> 00:39:04,083 On my investigation, I encountered Mr. Katcavage, 447 00:39:04,166 --> 00:39:08,500 uh... former Dayton PD detective who had worked dozens 448 00:39:08,583 --> 00:39:11,958 of homicides over the years. I found him... 449 00:39:15,124 --> 00:39:17,667 I found him, uh, highly competent, 450 00:39:17,750 --> 00:39:20,124 so I recommended that my employer... 451 00:39:20,208 --> 00:39:22,166 hire him as part of the team. 452 00:39:22,249 --> 00:39:25,083 ♪ (SOMBER MUSIC PLAYS) ♪ 453 00:39:46,375 --> 00:39:49,166 ♪ If you stop ♪ 454 00:39:49,249 --> 00:39:54,458 ♪ To catch your breath ♪ 455 00:39:58,333 --> 00:39:59,792 Hey, darlin', it's me. 456 00:40:00,708 --> 00:40:02,333 So if we're gonna pull this off, Jeannie, 457 00:40:02,416 --> 00:40:04,375 there's something I need you to do. 458 00:40:04,458 --> 00:40:07,249 ♪...At your heels ♪ 459 00:40:12,124 --> 00:40:19,124 ♪ You may find That loneliness ♪ 460 00:40:24,583 --> 00:40:27,917 ♪ Is indeed ♪ 461 00:40:27,999 --> 00:40:33,333 ♪ Your oldest friend ♪ 462 00:40:44,999 --> 00:40:47,166 (INDISTINCT CHATTER) 463 00:40:48,041 --> 00:40:49,708 Thank you. Thank you. 464 00:41:04,041 --> 00:41:07,208 JEANNIE ANDERSON: Whether you accept or reject the reality of that thing, 465 00:41:07,291 --> 00:41:10,416 it's not important right now. What is important... 466 00:41:11,583 --> 00:41:13,208 is that when they ask you, 467 00:41:13,958 --> 00:41:15,416 and they will definitely ask you 468 00:41:15,500 --> 00:41:17,708 about that meeting with Holly Gibney, 469 00:41:18,917 --> 00:41:21,750 please don't mention anything about shape shifters 470 00:41:21,833 --> 00:41:27,917 or El Cucos or anything that might sound supernatural. 471 00:41:28,500 --> 00:41:29,541 Okay? 472 00:41:30,708 --> 00:41:31,750 Otherwise... 473 00:41:33,208 --> 00:41:34,375 I can do that. 474 00:41:35,375 --> 00:41:39,333 ♪ (MUSIC INTENSIFIES) ♪ 475 00:41:42,708 --> 00:41:47,583 ♪ You may awake ♪ 476 00:41:47,667 --> 00:41:51,541 ♪ In the night ♪ 477 00:41:54,792 --> 00:42:01,249 ♪ And wonder who you are ♪ 478 00:42:07,541 --> 00:42:14,625 ♪ If you don't turn on The light ♪ 479 00:42:33,124 --> 00:42:40,124 ♪ You may remain a lost star ♪ 480 00:42:47,458 --> 00:42:51,500 ♪ (MUSIC CONCLUDES) ♪ 481 00:43:01,291 --> 00:43:03,625 What I've come to tell you today, Mrs. Maitland... 482 00:43:07,249 --> 00:43:09,041 is that there have been certain developments 483 00:43:09,124 --> 00:43:12,166 in the Frankie Peterson homicide case. 484 00:43:13,999 --> 00:43:17,999 Some new avenues of inquiry have opened. 485 00:43:25,166 --> 00:43:26,541 We're reopening the case. 486 00:43:31,667 --> 00:43:33,667 What about your slam dunk forensics? 487 00:43:35,750 --> 00:43:37,917 Well, we reexamined the perp DNA 488 00:43:37,999 --> 00:43:40,416 we got from the crime scene and discovered that 489 00:43:40,500 --> 00:43:43,583 what we actually had was a mixture of samples, 490 00:43:43,667 --> 00:43:44,875 perp and the victim, 491 00:43:44,958 --> 00:43:46,124 which makes it unreliable in court. 492 00:43:46,208 --> 00:43:49,249 Girls, I need you to go upstairs, please. 493 00:43:59,625 --> 00:44:02,291 On Monday, I'm holding a press conference 494 00:44:02,375 --> 00:44:04,875 to announce the reopening of the investigation... 495 00:44:06,541 --> 00:44:12,041 and to officially go on record regarding the dropping 496 00:44:12,124 --> 00:44:13,875 of charges against Terry Maitland. 497 00:44:17,999 --> 00:44:19,541 Your family has suffered enough, 498 00:44:19,625 --> 00:44:22,208 and I just want to do whatever I... 499 00:44:29,208 --> 00:44:33,792 Because of your pending lawsuits against me and my office... 500 00:44:35,750 --> 00:44:38,083 I have to refrain from telling you 501 00:44:38,708 --> 00:44:40,083 what is in my heart. 502 00:44:42,750 --> 00:44:44,083 I completely understand. 503 00:44:54,041 --> 00:44:55,083 (SIGHS) 504 00:45:00,999 --> 00:45:02,416 MAYA MAITLAND: Was he mean to you? 505 00:45:05,625 --> 00:45:07,249 No, my love, he wasn't mean to me. 506 00:45:38,541 --> 00:45:39,667 Flying or driving? 507 00:45:40,625 --> 00:45:41,625 HOLLY: Driving. 508 00:45:44,291 --> 00:45:46,541 About ten hours, right? Chicago? 509 00:45:46,625 --> 00:45:47,750 - Yeah. - Ten hours? 510 00:45:47,833 --> 00:45:51,958 I have a couple of stops I have to make along the way. 511 00:45:53,999 --> 00:45:56,166 RALPH: You know, I wouldn't mind teaming up again, 512 00:45:56,249 --> 00:45:58,416 the opportunity ever arose. 513 00:45:58,500 --> 00:46:00,166 I mean, preferably on something simple 514 00:46:00,249 --> 00:46:02,999 like a gangland triple homicide. Something like that. 515 00:46:05,041 --> 00:46:06,999 When I was in the caves, 516 00:46:07,083 --> 00:46:10,375 El Cuco asked me, uh, why I was so open 517 00:46:10,458 --> 00:46:12,375 to believing in its existence. 518 00:46:14,875 --> 00:46:17,875 My father was ex-military and when I was little, 519 00:46:17,958 --> 00:46:20,999 he would say, "A man knows a man." 520 00:46:22,999 --> 00:46:26,625 Well, if I had the time to think in that cave 521 00:46:26,708 --> 00:46:29,375 and the inclination to answer that thing, 522 00:46:29,458 --> 00:46:30,792 I would have said... 523 00:46:32,166 --> 00:46:34,667 "An outsider knows an outsider." 524 00:46:38,583 --> 00:46:40,041 (DEEPLY INHALES) 525 00:46:58,500 --> 00:47:01,541 Holly. What else is out there? 526 00:47:20,375 --> 00:47:21,416 (SIGHS) 527 00:48:19,750 --> 00:48:23,750 RALPH: I never told you but... I saw Derek. 528 00:48:25,625 --> 00:48:27,958 He... spoke to me. 529 00:48:29,458 --> 00:48:31,375 - JEANNIE: What did he say? - RALPH: Well, it-- 530 00:48:31,458 --> 00:48:33,875 it wasn't Derek, so... 531 00:48:33,958 --> 00:48:36,625 Ralph-- Tell me what he said. Just humor me. 532 00:48:39,083 --> 00:48:41,333 He said that I need to let him go. 533 00:48:44,041 --> 00:48:45,124 Let him go? 534 00:48:47,708 --> 00:48:50,833 - Well, fat chance of that. - (CHUCKLES) 535 00:49:00,166 --> 00:49:01,667 I don't know. 536 00:49:01,750 --> 00:49:04,333 I like to think the way this whole experience... 537 00:49:06,833 --> 00:49:08,124 cracked the world open. 538 00:49:09,833 --> 00:49:11,541 Maybe the next time he appears, 539 00:49:12,458 --> 00:49:14,375 maybe it's gonna be the real Derek. 540 00:49:16,166 --> 00:49:18,833 Or maybe after a few years pass, 541 00:49:19,667 --> 00:49:20,792 many more years, 542 00:49:21,541 --> 00:49:22,875 we'll just go visit him. 543 00:49:25,750 --> 00:49:27,875 ♪ (SOMBER MUSIC PLAYS) ♪ 544 00:51:01,708 --> 00:51:07,249 ♪ (SINISTER MUSIC PLAYS) ♪ 545 00:51:07,333 --> 00:51:08,583 (HOLLY GASPS) 546 00:51:14,500 --> 00:51:16,625 ♪ (MUSIC CONCLUDES) ♪ 547 00:51:26,416 --> 00:51:30,041 ♪ (DISTORTED MUSIC PLAYS) ♪ 548 00:51:30,124 --> 00:51:31,833 (KEYBOARD CLACKING) 549 00:51:49,041 --> 00:51:51,083 FEMALE DJ: "Get Out and Get It". That's Devon Gilfillian. 550 00:51:51,166 --> 00:51:53,875 Before that, Janis Joplin with "Get It While You Can", 551 00:51:53,958 --> 00:51:56,416 and a song of the same name by Robert Finley 552 00:51:56,500 --> 00:51:57,958 right before that on the show. 553 00:51:58,041 --> 00:51:59,708 Now, here's an obscure little gem 554 00:51:59,792 --> 00:52:01,708 for all your audiophiles out there. 555 00:52:01,792 --> 00:52:03,708 This is a Dixieland revival romp, 556 00:52:03,792 --> 00:52:07,458 peaking at number two on the Billboard Hot 100, 1963, 557 00:52:07,541 --> 00:52:09,625 and it's one of my personal favorites. 558 00:52:09,708 --> 00:52:10,917 Here it is. 559 00:52:10,999 --> 00:52:13,667 ♪ ("WASHINGTON SQUARE" BY THE VILLAGE STOMPERS PLAYING) ♪