1
00:00:07,000 --> 00:00:08,440
BRADLEY:
Oh, God.

2
00:00:08,440 --> 00:00:09,320
SHONA: [over phone]
Do you know what I mean?

3
00:00:09,320 --> 00:00:10,600
[Bradley grunting]

4
00:00:10,600 --> 00:00:12,720
[hob beeping]
And no puppet‐making classes, okay?

5
00:00:12,720 --> 00:00:13,520
Or any of that shit.

6
00:00:13,520 --> 00:00:14,760
I don't want to learn a new skill.

7
00:00:14,760 --> 00:00:17,000
Just something, like,
really laid back, you know?

8
00:00:17,000 --> 00:00:17,920
But that doesn't mean I don't want fun.

9
00:00:17,920 --> 00:00:20,360
‐ All right, what if I did, like,
a nice meal or something?

10
00:00:20,360 --> 00:00:21,600
‐ Squats. Squats now.
SHONA: A nice meal?

11
00:00:21,600 --> 00:00:24,240
My friends aren't gonna fly
all the way from Ireland for a nice meal.

12
00:00:24,240 --> 00:00:27,160
‐ I'm not your bloody travel agent, Shona.
You said you were laid back.

13
00:00:27,160 --> 00:00:28,360
SHONA:
Yeah! I am laid back.

14
00:00:28,360 --> 00:00:29,920
But it's my hen. Just‐‐

15
00:00:29,920 --> 00:00:31,800
God! Surprise me.

16
00:00:31,800 --> 00:00:33,040
What are you up to now?

17
00:00:33,560 --> 00:00:34,760
‐ Squats?
‐ Yeah.

18
00:00:34,760 --> 00:00:35,520
‐ Yeah, squats.

19
00:00:35,520 --> 00:00:37,200
‐ I need to do squats.

20
00:00:37,200 --> 00:00:38,240
I've lost my arse.

21
00:00:38,240 --> 00:00:40,840
Oh, and while I'm at it,
no naked butlers‐‐

22
00:00:40,840 --> 00:00:41,720
‐ I'll put you on speaker.

23
00:00:41,720 --> 00:00:43,080
‐ You know, I hate all that.

24
00:00:43,080 --> 00:00:44,600
Like a handsome chef is...

25
00:00:45,360 --> 00:00:46,760
Something classy.
‐ Yeah, yeah, yeah.

26
00:00:46,760 --> 00:00:47,720
‐ Cheeky, you know?

27
00:00:48,400 --> 00:00:49,480
Don't mind if it's cheeky.

28
00:00:49,960 --> 00:00:51,200
So, uh...

29
00:00:51,200 --> 00:00:53,640
Oh, did you manage to get Richard
over the finish line yet?

30
00:00:53,640 --> 00:00:54,600
‐ Shona!

31
00:00:54,600 --> 00:00:55,520
You're on speaker phone.

32
00:00:55,520 --> 00:00:56,360
[Bradley laughing]

33
00:00:56,360 --> 00:00:58,520
‐ This is about sex with Richard, Shona?

34
00:00:58,520 --> 00:00:59,680
‐ He didn't ejaculate.

35
00:00:59,680 --> 00:01:01,280
‐ Oh, Jesus, Shona!

36
00:01:01,280 --> 00:01:02,560
No need to be so medical.

37
00:01:02,560 --> 00:01:04,520
‐ Even with those great tittybojangles?

38
00:01:04,520 --> 00:01:05,960
‐ Bradley! Thank you.

39
00:01:05,960 --> 00:01:07,040
‐ Have you tried everything though?

40
00:01:07,040 --> 00:01:10,480
You know, mouth, hands,
on top, behind, all that?

41
00:01:10,480 --> 00:01:12,560
‐ Well, yeah, it was full service really.

42
00:01:12,560 --> 00:01:15,480
At one point, I was working away at it
like it was a potter's wheel
but no cigar.

43
00:01:15,480 --> 00:01:17,840
Shona reckons it's normal
'cause Vish couldn't get a boner

44
00:01:17,840 --> 00:01:19,440
after his granny died.

45
00:01:19,440 --> 00:01:21,080
‐ Aine!
[Bradley laughing]

46
00:01:21,080 --> 00:01:22,720
I told you that in confidence.

47
00:01:22,720 --> 00:01:24,760
AINE:
Ah, sorry, Shona.

48
00:01:24,760 --> 00:01:26,880
Vish's granny may or may not be dead.

49
00:01:26,880 --> 00:01:29,200
‐ Yeah, his penis might be grieving.
‐ What?

50
00:01:29,200 --> 00:01:30,720
‐ Might be sad
from all the death in his house.

51
00:01:30,720 --> 00:01:31,960
‐ Yeah, 'cause his wife died.

52
00:01:31,960 --> 00:01:33,440
AINE:
Oh, my God! She wasn't his wife.

53
00:01:33,440 --> 00:01:34,760
‐ Well‐‐
‐ Can we just stop talking about this now?

54
00:01:34,760 --> 00:01:36,080
Just go back to your stupid hen.

55
00:01:36,080 --> 00:01:37,320
‐ Aine!

56
00:01:37,320 --> 00:01:39,720
‐ Aine, men keep their sadness
in their penis.

57
00:01:39,720 --> 00:01:41,400
Like, they keep
all the panic and the pressure in there

58
00:01:41,400 --> 00:01:43,640
so they don't have to talk about it. Ever.

59
00:01:44,480 --> 00:01:46,280
Sheesh. [breathing heavily]

60
00:01:46,280 --> 00:01:48,640
‐ Oh, fuck this. Look, um...

61
00:01:48,640 --> 00:01:51,320
Don't forget to type up those notes
for the meeting tomorrow. Okay?

62
00:01:51,320 --> 00:01:54,280
‐ Yeah, yeah, yeah.
James, uh, is doing loads of it

63
00:01:54,280 --> 00:01:56,120
and then I'll work on my bit this evening.

64
00:01:56,120 --> 00:01:57,320
I've done loads of notes though.

65
00:01:57,320 --> 00:01:58,520
‐ Good. Well, notes are good.

66
00:01:58,520 --> 00:01:59,440
Type them up.

67
00:02:00,280 --> 00:02:01,800
Oh, and don't half arse my hen.

68
00:02:01,800 --> 00:02:03,320
‐ Yeah, yeah. Okay.
SHONA: Okay.

69
00:02:03,320 --> 00:02:04,320
I'm gonna go. I love you.

70
00:02:04,320 --> 00:02:05,040
AINE:
I love you.

71
00:02:05,040 --> 00:02:06,560
‐ Hey, go lower, please.

72
00:02:06,560 --> 00:02:08,920
‐ Oh, only ca‐‐ I honestly‐‐ That's‐‐

73
00:02:08,920 --> 00:02:10,960
Oh, no. I have to sit again.

74
00:02:10,960 --> 00:02:12,680
Sorry.
‐ You look like your womb fell out.

75
00:02:12,680 --> 00:02:13,800
[Aine cackles]

76
00:02:13,800 --> 00:02:15,840
♪

77
00:02:17,440 --> 00:02:19,800
‐ You know,
I actually think men use vaginas

78
00:02:19,800 --> 00:02:21,560
as a place to store their unhappiness.

79
00:02:22,760 --> 00:02:24,800
Like a warm, wet garage for their issues.

80
00:02:24,800 --> 00:02:26,920
BRADLEY: Oh, my God, Aine!

81
00:02:26,920 --> 00:02:28,920
‐ No, I'm just‐‐ I didn't want
to get lettuce crumbs everywhere.

82
00:02:28,920 --> 00:02:30,880
‐ Why don't you ever eat anything
off a plate, you numpty?

83
00:02:30,880 --> 00:02:33,360
‐ Well, lettuce
is in itself nature's plate.

84
00:02:33,360 --> 00:02:35,520
‐ See? It literally takes seconds.
‐ Oh!

85
00:02:35,520 --> 00:02:37,280
Well, now I have to bloody wash a plate.

86
00:02:37,280 --> 00:02:38,840
‐ Sitting down and eating off a plate

87
00:02:38,840 --> 00:02:40,120
tells your soul you care about it.

88
00:02:40,120 --> 00:02:41,840
‐ I don't have a soul.

89
00:02:41,840 --> 00:02:43,840
‐ [sighs] You look
like a depressed person from a film.

90
00:02:43,840 --> 00:02:45,480
It genuinely stresses me out.

91
00:02:45,480 --> 00:02:48,560
‐ Yeah, but my whole life
does not revolve around
how I look, Bradley.

92
00:02:48,560 --> 00:02:50,920
‐ What, and mine does
because I eat off a plate like an adult?

93
00:02:50,920 --> 00:02:53,000
‐ Oh, I literally did not say that.
You took that wrong.

94
00:02:53,000 --> 00:02:54,280
‐ You took what I said wrong.

95
00:02:56,440 --> 00:02:57,600
Here, have some bread.

96
00:03:14,000 --> 00:03:15,160
Apology accepted.

97
00:03:15,160 --> 00:03:16,760
‐ Oh, I was not apologizing.

98
00:03:16,760 --> 00:03:17,800
Believe you me.

99
00:03:17,800 --> 00:03:19,800
[phone buzzing]
Oh! Mmm.

100
00:03:19,800 --> 00:03:22,280
[gasps] I got a text!
‐ Oh, she's got a text!

101
00:03:22,280 --> 00:03:23,480
‐ Mm, I got a text!

102
00:03:23,480 --> 00:03:24,680
‐ What'd he say?

103
00:03:24,680 --> 00:03:25,560
‐ Oh, my God!

104
00:03:26,360 --> 00:03:29,040
[gasps]
Oh, yay, he wants to see me this evening.

105
00:03:29,040 --> 00:03:30,760
‐ Okay, right.
You know what you need to do?

106
00:03:30,760 --> 00:03:31,440
‐ What?

107
00:03:31,440 --> 00:03:33,480
‐ Distract the sadness out of his penis.

108
00:03:33,480 --> 00:03:35,840
‐ Pfft.
‐ Like, up the horny.

109
00:03:35,840 --> 00:03:39,040
Like put on, like, some sexy clothes.
Do a little dance.

110
00:03:39,040 --> 00:03:39,880
‐ What, really?

111
00:03:39,880 --> 00:03:41,480
‐ Yeah, Emma's done it for me
a couple of times.

112
00:03:41,480 --> 00:03:44,080
And, honestly, boner for days.

113
00:03:44,080 --> 00:03:45,240
‐ Seriously?

114
00:03:46,040 --> 00:03:46,800
‐ Days.

115
00:03:46,800 --> 00:03:48,760
♪

116
00:03:48,760 --> 00:03:49,840
[knocking on door]

117
00:03:52,080 --> 00:03:53,120
‐ Hello, Mr. Kirby.

118
00:03:54,280 --> 00:03:55,120
[giggles]

119
00:03:56,520 --> 00:03:57,240
‐ Hey.

120
00:03:57,240 --> 00:03:59,160
‐ Do you have a speaker
that connects to Bluetooth?

121
00:04:00,040 --> 00:04:01,240
‐ [hesitantly] Yeah.
‐ Great.

122
00:04:02,600 --> 00:04:05,360
‐ Uh‐oh. I got a feeling
this is gonna cost me.

123
00:04:05,360 --> 00:04:07,600
‐ Oh, yeah, it's gonna be
a very expensive dance.

124
00:04:07,600 --> 00:04:08,360
‐ Dance?

125
00:04:08,360 --> 00:04:10,040
What, like Britain's Got Talent?

126
00:04:10,040 --> 00:04:11,520
‐ No. Don't make me laugh.

127
00:04:11,520 --> 00:04:12,560
This is serious.

128
00:04:12,560 --> 00:04:13,800
‐ Sorry. I apologize.

129
00:04:13,800 --> 00:04:18,000
‐ But, also, well done
for knowing that cultural reference.

130
00:04:18,000 --> 00:04:20,800
♪ "Fuck the Pain Away" by Peaches
playing ♪

131
00:04:20,800 --> 00:04:21,640
Oops.

132
00:04:24,560 --> 00:04:26,520
No. I told you before, sir.

133
00:04:26,520 --> 00:04:27,640
Thank you.

134
00:04:27,640 --> 00:04:30,320
‐ ♪ Sucking on my titties
like you wanted me ♪

135
00:04:30,320 --> 00:04:32,400
♪ Calling me all the time like Blondie ♪

136
00:04:32,400 --> 00:04:34,080
♪ Check out my Chrissy behind ♪

137
00:04:34,080 --> 00:04:35,480
♪ It's fine all of the time ♪

138
00:04:35,480 --> 00:04:36,600
‐ Can I just...

139
00:04:36,600 --> 00:04:37,360
‐ Ah, yeah.

140
00:04:37,360 --> 00:04:40,560
‐ ♪ What else is in the teaches
of Peaches ♪

141
00:04:40,560 --> 00:04:42,520
♪ Huh, what? ♪
RICHARD: Okay, well...

142
00:04:42,960 --> 00:04:43,680
‐ Hello.

143
00:04:44,760 --> 00:04:47,800
♪

144
00:04:47,800 --> 00:04:49,800
‐ Right, okay, I don't care
what it's costing me.

145
00:04:49,800 --> 00:04:51,280
‐ Ooh.
‐ I'm doing this.

146
00:04:51,280 --> 00:04:52,920
‐ ♪ Fuck the pain away ♪

147
00:04:52,920 --> 00:04:55,160
‐ You're going to incur a very big fine.

148
00:04:55,160 --> 00:04:56,520
‐ Oh, really?
‐ Mm‐hmm.

149
00:04:56,520 --> 00:04:57,920
‐ From the council.

150
00:04:57,920 --> 00:05:02,560
‐ ♪ Fuck the pain away
Fuck the pain away ♪

151
00:05:02,560 --> 00:05:04,040
♪ Fuck the pain away ♪

152
00:05:06,640 --> 00:05:08,920
‐ Yeah, I'm definitely
giving this establishment

153
00:05:08,920 --> 00:05:11,600
five stars on Tripadvisor.

154
00:05:11,600 --> 00:05:13,960
Uh, I will visit again and I‐‐

155
00:05:13,960 --> 00:05:15,560
Yeah, I will bring friends.

156
00:05:21,360 --> 00:05:22,840
Hey, lovely as that was...

157
00:05:22,840 --> 00:05:25,280
‐ Mm‐hmm. Lo‐‐ Wait, now, lovely?

158
00:05:25,280 --> 00:05:26,840
What, like a nice bun at a tea party?

159
00:05:26,840 --> 00:05:29,400
‐ No. Hot and raunchy
and sexy as that was,

160
00:05:29,400 --> 00:05:31,120
I don't‐‐ I don't need you to do all that.

161
00:05:32,640 --> 00:05:33,520
‐ Uh, what?

162
00:05:37,000 --> 00:05:38,960
‐ Oh!
‐ What?

163
00:05:38,960 --> 00:05:40,240
‐ Well, now I feel silly.

164
00:05:40,760 --> 00:05:41,440
‐ Why?

165
00:05:42,200 --> 00:05:43,520
‐ What, did you think it was silly?

166
00:05:43,520 --> 00:05:47,240
‐ I‐‐ I think you can very well tell that
I didn't think it was silly. Come here.

167
00:05:47,240 --> 00:05:48,240
‐ No.
‐ Come here.

168
00:05:49,120 --> 00:05:50,280
‐ No.
‐ Please.

169
00:05:50,280 --> 00:05:51,920
‐ No.
‐ Come here.

170
00:05:51,920 --> 00:05:53,000
‐ No.

171
00:05:53,000 --> 00:05:56,320
‐ No, I mean, I just maybe
just started feeling
a bit of pressure

172
00:05:56,320 --> 00:05:58,960
each time we're together
to, you know, perform.

173
00:06:00,000 --> 00:06:01,040
Ironically.

174
00:06:02,160 --> 00:06:03,360
‐ Oh, my God. I didn't...

175
00:06:04,480 --> 00:06:06,000
Uh! I...

176
00:06:06,960 --> 00:06:08,000
I was not...

177
00:06:08,000 --> 00:06:10,800
I was not trying to put you
under any pressure at all.

178
00:06:10,800 --> 00:06:13,000
I thought I might just get you
out of your head.

179
00:06:13,000 --> 00:06:14,880
‐ Yeah‐‐
‐ Like I‐‐ 'Cause like‐‐

180
00:06:16,120 --> 00:06:17,520
I‐‐ I was‐‐ I was‐‐

181
00:06:17,520 --> 00:06:20,440
I was feeling like I wasn't,
you know, performing for you‐‐

182
00:06:20,440 --> 00:06:22,520
‐ That's what I'm saying.
I don't need you to perform.

183
00:06:22,520 --> 00:06:27,360
You're gorgeous and amazing and fun,
and I just...

184
00:06:28,160 --> 00:06:30,160
I just feel this sometimes almost...

185
00:06:32,040 --> 00:06:33,600
sort of, panic and...

186
00:06:33,600 --> 00:06:35,800
‐ What abo‐‐ about‐‐ about‐‐

187
00:06:35,800 --> 00:06:37,880
About me? About us?
‐ No, not at all.

188
00:06:37,880 --> 00:06:40,640
‐ About‐‐ about anything in particular?
‐ No, it's, uh...

189
00:06:40,640 --> 00:06:41,760
getting older...

190
00:06:43,520 --> 00:06:46,680
My body and Etienne and feeling stuck,

191
00:06:46,680 --> 00:06:48,760
and I feel terrible saying all that.

192
00:06:48,760 --> 00:06:51,680
But, you know,
I'm suddenly responsible for him

193
00:06:51,680 --> 00:06:53,440
and not necessarily wanting to be and‐‐

194
00:06:54,120 --> 00:06:56,360
Yeah, I don't know.
It's just sometimes I...

195
00:06:59,640 --> 00:07:00,520
Sorry.

196
00:07:00,520 --> 00:07:01,400
‐ No.

197
00:07:06,920 --> 00:07:08,960
Then that all gets

198
00:07:08,960 --> 00:07:10,480
compressed into your penis.

199
00:07:10,480 --> 00:07:12,920
[both laughing]

200
00:07:18,280 --> 00:07:21,000
[laughing]
Sorry. No. I'm sorry.

201
00:07:22,360 --> 00:07:24,360
‐ Compacted into my penis?

202
00:07:24,360 --> 00:07:25,720
[laughing]
‐ And compressed.

203
00:07:30,240 --> 00:07:31,320
‐ You lift me up.

204
00:07:32,960 --> 00:07:34,120
You're always so up.

205
00:07:39,400 --> 00:07:42,320
‐ That's all part of the service here
at Coco's Sexy Lounge.

206
00:07:45,920 --> 00:07:48,040
♪

207
00:07:54,640 --> 00:07:55,680
SHONA:
Morning, Julie.

208
00:07:56,800 --> 00:07:58,280
Oh! Ha.

209
00:07:59,680 --> 00:08:00,960
‐ Yeah.

210
00:08:00,960 --> 00:08:02,040
SHONA:
Are they from your...

211
00:08:02,720 --> 00:08:03,560
The new...

212
00:08:03,560 --> 00:08:04,600
CHARLOTTE:
Wh‐‐ I mean...

213
00:08:05,160 --> 00:08:08,360
I don't know if we're there yet,
but, uh, yeah.

214
00:08:08,360 --> 00:08:11,640
‐ Well, nothing says, you know,
like, um...

215
00:08:12,560 --> 00:08:13,720
flowers sent to your desk.

216
00:08:13,720 --> 00:08:15,960
‐ Well, you can have some
for your desk if you want.

217
00:08:15,960 --> 00:08:18,200
‐ No, it's okay. I like plants.

218
00:08:18,200 --> 00:08:19,840
I mean, flowers are nice but they're...

219
00:08:20,600 --> 00:08:22,320
you know, dead.

220
00:08:22,320 --> 00:08:26,000
‐ Well, they're still in water
so they're‐‐ they're alive.

221
00:08:26,000 --> 00:08:28,160
Anyway, um, Aine is waving at you.

222
00:08:28,160 --> 00:08:28,920
AINE:
Shona.

223
00:08:28,920 --> 00:08:30,640
‐ Oh. Yeah. Thanks.

224
00:08:33,120 --> 00:08:34,960
AINE: [in a New York accent]
There she is. Sassy as you like.

225
00:08:36,160 --> 00:08:37,200
Shona!

226
00:08:37,200 --> 00:08:40,240
Nice to see you but, unfortunately,
get the fuck out of my office.

227
00:08:40,240 --> 00:08:41,960
You're fired.
[all laughing]

228
00:08:41,960 --> 00:08:43,440
From business.

229
00:08:43,440 --> 00:08:45,760
And James here is taking your job.

230
00:08:45,760 --> 00:08:48,400
‐ Who me, boss?
I'm gonna run, uh, the...

231
00:08:48,400 --> 00:08:49,520
[in New York accent]:
the‐‐ the district?

232
00:08:49,520 --> 00:08:51,360
‐ Yeah, sure, the district.

233
00:08:52,200 --> 00:08:54,120
‐ Nice to meet you, James.
Aine, get out of my chair.

234
00:08:54,120 --> 00:08:56,080
‐ Sure thing, business lady.

235
00:08:57,520 --> 00:09:00,160
‐ Uh, those notes you sent me
weren't typed up properly.

236
00:09:00,960 --> 00:09:03,880
Yeah, Julie, so I need
a few more plants for the office.

237
00:09:03,880 --> 00:09:07,120
Just like five succulents
or, you know, whatever.

238
00:09:07,120 --> 00:09:09,360
‐ I was sort of in the middle
of a lunch break.

239
00:09:09,360 --> 00:09:10,160
‐ Okay, I'll do it.

240
00:09:10,160 --> 00:09:12,400
‐ No, no. I'll do it. Fine.

241
00:09:13,080 --> 00:09:14,160
Uh, coffee okay?

242
00:09:14,160 --> 00:09:17,120
‐ [normal voice]:
Oh, my God. Yeah, it was mwah, mwah.

243
00:09:17,120 --> 00:09:18,560
Woke me right up.

244
00:09:18,560 --> 00:09:20,760
‐ I'll give your compliments
on to the machine.

245
00:09:20,760 --> 00:09:22,160
[all laughing]

246
00:09:22,160 --> 00:09:23,240
SHONA: You not sleeping again?

247
00:09:23,240 --> 00:09:24,000
‐ Oh, I'm grand.

248
00:09:24,000 --> 00:09:27,480
Hey, you know what her, um, sign name is?

249
00:09:27,480 --> 00:09:30,200
It's actually, uh, Shona.

250
00:09:30,200 --> 00:09:31,560
So just Shona with a...

251
00:09:31,560 --> 00:09:32,840
[blowing raspberries]
...at the end.

252
00:09:33,840 --> 00:09:36,160
Traditional Irish name.

253
00:09:36,160 --> 00:09:37,000
‐ Can I use that?

254
00:09:37,000 --> 00:09:37,800
‐ No.

255
00:09:40,120 --> 00:09:43,120
‐ Uh, um... I'll get on to some plants.

256
00:09:43,120 --> 00:09:44,240
ASAP.

257
00:09:44,240 --> 00:09:45,960
‐ Thank you.

258
00:09:45,960 --> 00:09:48,480
Julie is, uh...
She's overqualified for the job,

259
00:09:48,480 --> 00:09:51,400
but, you know, she still needs
to do all that stuff.

260
00:09:51,400 --> 00:09:52,560
We all did.

261
00:09:56,880 --> 00:09:59,880
JAMES: And we're already trialing
the online platform.

262
00:09:59,880 --> 00:10:02,240
Aine's got a student away in France.

263
00:10:02,240 --> 00:10:04,360
‐ Etienne, yeah, yeah. She mentioned him.

264
00:10:04,360 --> 00:10:05,280
‐ That's what I love about Aine.

265
00:10:05,280 --> 00:10:08,360
She always pays such an interest
in the well‐being of her students.

266
00:10:08,360 --> 00:10:10,200
‐ Aw, James.

267
00:10:10,200 --> 00:10:14,200
‐ Take Etienne's dad.
He was a bit tricky in the beginning.

268
00:10:14,200 --> 00:10:15,640
‐ In what way was he tricky?
AINE: Ah, no, he wasn't.

269
00:10:15,640 --> 00:10:17,480
‐ But he came around in the end, actually.

270
00:10:17,480 --> 00:10:20,720
‐ Yeah, no. I feel I definitely,
um, eh, got him there in the end.

271
00:10:20,720 --> 00:10:21,920
‐ Yeah. [chuckles]

272
00:10:21,920 --> 00:10:23,720
I'm sure
he'll write her a great review now.

273
00:10:23,720 --> 00:10:24,920
‐ Yeah, you'd think.
JAMES: Yeah.

274
00:10:24,920 --> 00:10:28,320
Word of mouth and reputation
are so important in business.

275
00:10:29,200 --> 00:10:31,320
Our students always, always come first.

276
00:10:31,320 --> 00:10:34,960
‐ And then, you know, obviously,
you leave room to allow for life

277
00:10:34,960 --> 00:10:37,360
and the fact that we're just human beings.

278
00:10:38,560 --> 00:10:40,760
‐ Yeah. I suppose
I'm just wondering what sets this apart

279
00:10:40,760 --> 00:10:42,480
from other businesses out there.

280
00:10:42,480 --> 00:10:44,080
‐ Oh, well, one thing‐‐

281
00:10:44,080 --> 00:10:46,240
'Cause I didn't put in the notes‐‐
'cause I didn't type‐‐

282
00:10:46,240 --> 00:10:48,600
But I would love to do something‐‐

283
00:10:48,600 --> 00:10:53,400
We could help kids
maybe make friends or socializing,

284
00:10:53,400 --> 00:10:56,400
and I just think a lot of children
actually have a tough time with that.

285
00:10:56,400 --> 00:10:58,720
‐ Yeah, I love that idea.
‐ Yeah.

286
00:10:58,720 --> 00:11:02,680
‐ I suppose I'm just worried that
Aine isn't gonna have the capital
to invest, that you need.

287
00:11:02,680 --> 00:11:03,760
‐ Mammy is giving me the money.

288
00:11:03,760 --> 00:11:05,120
‐ What do you mean,
Mam is giving you the money?

289
00:11:05,120 --> 00:11:06,760
‐ Did I not put that in the notes?
‐ No, you didn't put it‐‐

290
00:11:06,760 --> 00:11:08,080
What do you mean
Mammy's giving you the money?

291
00:11:08,080 --> 00:11:09,680
‐ Because she said
she'd rather give me the money now

292
00:11:09,680 --> 00:11:11,520
than when she's dead
and she can't see what I'm doing with it.

293
00:11:11,520 --> 00:11:13,800
‐ Don't talk about Mammy being dead, Aine.

294
00:11:14,360 --> 00:11:16,840
‐ Mammy bought you the fridge
when you moved into your house, Shona.

295
00:11:16,840 --> 00:11:18,080
‐ Bullshit.

296
00:11:19,160 --> 00:11:19,960
[James clears throat]

297
00:11:21,720 --> 00:11:25,600
‐ Um, also, uh,
in terms of setting us apart,

298
00:11:25,600 --> 00:11:28,640
we were thinking about a program
dedicated to entrance exams

299
00:11:28,640 --> 00:11:31,360
to private schools
like Harrow, Eton, and...

300
00:11:31,360 --> 00:11:34,280
‐ Mm‐hmm, yeah, and that would be
a real money‐spinner going into the‐‐

301
00:11:34,280 --> 00:11:40,320
‐ Not being negative, but why would
wealthy international parents decide

302
00:11:40,320 --> 00:11:43,120
that you two are the ones
to get their kid into Eton?

303
00:11:43,520 --> 00:11:46,600
‐ Well, uh, I went to Eton, so...

304
00:11:48,800 --> 00:11:50,960
‐ Yeah.
AINE: It's there in his CV.

305
00:11:54,440 --> 00:11:56,680
‐ So I’ve got the inside scoop.

306
00:11:56,680 --> 00:11:59,680
‐ Yeah. Yeah, yeah, of course.
It's just, um...

307
00:12:00,600 --> 00:12:03,520
Just would've been handy
to have seen that on the notes, Aine.

308
00:12:03,520 --> 00:12:06,040
♪

309
00:12:08,040 --> 00:12:10,680
‐ Oh, guys,
I think it's absolutely amazing!

310
00:12:10,680 --> 00:12:12,240
AINE: Oh, well, unless I fuck it up.

311
00:12:12,240 --> 00:12:13,920
‐ Oh, no, no, you won't fuck it up.
Don't be silly.

312
00:12:13,920 --> 00:12:15,120
AINE: Oh, you, of course, won't let me.

313
00:12:15,120 --> 00:12:16,720
‐ He's great. I mean,
they‐‐ they're both great.

314
00:12:16,720 --> 00:12:18,720
And, James, you just need to get Aine

315
00:12:18,720 --> 00:12:21,120
to type up that extra element that‐‐

316
00:12:21,120 --> 00:12:22,480
Which is a great idea, Aine.

317
00:12:22,480 --> 00:12:24,320
‐ And then I'll get it
into the bank Monday, maybe?

318
00:12:24,320 --> 00:12:25,480
‐ Yeah, yeah, yeah, Monday.

319
00:12:25,480 --> 00:12:27,360
Well, I'll do it this weekend then,
and your hen, don't worry.

320
00:12:27,360 --> 00:12:29,440
Uh, by the way, Charlotte, um,

321
00:12:29,440 --> 00:12:31,160
I'll give you a date
for the hen on Monday.

322
00:12:31,160 --> 00:12:33,560
‐ Oh, I'm not sure I'm free, sadly.

323
00:12:34,040 --> 00:12:35,240
‐ Oh, but you don't know the date yet.

324
00:12:36,520 --> 00:12:41,240
‐ James, I, um... I'm getting married,
um, to my fiancé, uh, Vish.

325
00:12:42,000 --> 00:12:43,040
Vish is Indian.

326
00:12:44,880 --> 00:12:46,880
‐ Oh, uh, that's good to know.

327
00:12:46,880 --> 00:12:49,360
Um, I might just go to the loo.

328
00:12:49,360 --> 00:12:50,640
CHARLOTTE:
Oh, it's just by there.

329
00:12:50,640 --> 00:12:53,640
‐ Oh, no, yeah, Julie said earlier
it's actually the ladies.

330
00:12:53,640 --> 00:12:55,120
Uh, where is the gents?

331
00:12:55,520 --> 00:12:57,040
CHARLOTTE: Oh, uh...
SHONA: Uh...

332
00:12:57,040 --> 00:12:59,760
‐ I think it might be
one floor down, maybe?

333
00:12:59,760 --> 00:13:02,000
Listen, guys, congrats
on starting the business.

334
00:13:02,560 --> 00:13:03,920
It's a big deal
to start something together.

335
00:13:05,440 --> 00:13:07,480
JAMES: Thanks so much for that, Shona.
SHONA: Yeah.

336
00:13:07,480 --> 00:13:08,880
‐ It's really great
to get an external eye.

337
00:13:08,880 --> 00:13:11,600
‐ Yeah. We need to head on.
Um, and James needs his wee.

338
00:13:11,600 --> 00:13:13,360
Back to work and stuff.
‐ Yeah. It's brilliant.

339
00:13:13,360 --> 00:13:15,440
But, um, what are you up to this weekend?
Any plans?

340
00:13:15,440 --> 00:13:16,840
‐ Yeah, plans. You, yeah?

341
00:13:16,840 --> 00:13:19,560
‐ Yeah, plans. [chuckles]
I'm up to here with wedding admin and‐‐

342
00:13:19,560 --> 00:13:21,600
But maybe I could, uh‐‐
‐ We need to kick on.

343
00:13:21,600 --> 00:13:23,560
As I say, James needs his wee, so...

344
00:13:23,560 --> 00:13:26,680
Um, but, yeah, typing and weeing.
So, have a good day though.

345
00:13:29,000 --> 00:13:32,280
♪

346
00:13:32,280 --> 00:13:37,520
‐ Okay, so this one...
What? And I'm doing it with my face.

347
00:13:37,520 --> 00:13:39,360
ALL:
Happy.

348
00:13:39,360 --> 00:13:41,400
‐ So what does my face look like?

349
00:13:42,320 --> 00:13:44,840
‐ Crazy?
‐ Very funny, Mo. No, not crazy.

350
00:13:44,840 --> 00:13:47,400
‐ Joke, joke. Eh, no, is easy. Is happy.

351
00:13:47,400 --> 00:13:49,680
‐ Is it? Well, it's not easy.
It's not easy for everyone.

352
00:13:49,680 --> 00:13:50,880
Right, full sentence?

353
00:13:50,880 --> 00:13:52,320
‐ I felt happy.

354
00:13:52,320 --> 00:13:55,440
‐ Yes, but hand‐up, please Alina.
Put your hand up.

355
00:13:55,440 --> 00:13:58,560
"Felt happy." So that one is past tense.

356
00:13:58,560 --> 00:14:00,560
Then in the present tense, "I felt happy?"

357
00:14:00,960 --> 00:14:03,160
‐ I feel sad.

358
00:14:03,640 --> 00:14:07,200
‐ "Feel sad"? No, no, no.
No, "I feel happy."

359
00:14:07,200 --> 00:14:11,120
‐ No, if you felt happy,
and that is in the past,

360
00:14:11,120 --> 00:14:14,680
then this is the present,
and you should feel sad,

361
00:14:14,680 --> 00:14:16,520
because you felt happy in the past.

362
00:14:17,600 --> 00:14:19,720
‐ Oh! Yeah.

363
00:14:20,400 --> 00:14:22,000
Yeah, I mean, that's‐‐ Yeah, that's‐‐

364
00:14:22,000 --> 00:14:25,760
I mean, that's‐‐
That's so... advanced, Chien.

365
00:14:25,760 --> 00:14:28,400
Sometimes, I really think that
you should be in level two with David.

366
00:14:28,400 --> 00:14:30,240
‐ No, he's too low energy.

367
00:14:30,240 --> 00:14:31,760
‐ Yeah, that's totally fair, to be fair.

368
00:14:31,760 --> 00:14:33,160
Right, okay. The next one.

369
00:14:33,160 --> 00:14:35,880
What do we feel‐‐ Ooh, this is yuck.

370
00:14:36,600 --> 00:14:38,200
Uh, say it with me.

371
00:14:38,200 --> 00:14:39,680
ALL:
Lonely.

372
00:14:39,680 --> 00:14:43,480
‐ You can feel lonely if you‐‐
Ah, if you miss‐‐

373
00:14:44,120 --> 00:14:48,080
If you miss someone you can feel lonely.

374
00:14:48,080 --> 00:14:51,160
I might miss someone or something.

375
00:14:51,160 --> 00:14:53,320
You know, or anything,
you can miss anything.

376
00:14:53,960 --> 00:14:55,440
Uh, sometimes you don't even...

377
00:14:56,800 --> 00:14:58,080
know what it is.

378
00:14:59,120 --> 00:15:01,640
‐ I miss my girlfriend in Bulgaria.

379
00:15:01,640 --> 00:15:03,640
‐ Jesus, Victor,
you've risen from the dead there.

380
00:15:03,640 --> 00:15:05,480
That's‐‐ Yeah. Brilliant. Brilliant!

381
00:15:05,480 --> 00:15:07,120
I mean, not brilliant.

382
00:15:07,120 --> 00:15:09,760
‐ I never felt this. I am very happy.

383
00:15:10,400 --> 00:15:11,320
‐ Great for you.

384
00:15:11,320 --> 00:15:13,560
Um, okay. Oh, but this next one.

385
00:15:13,560 --> 00:15:16,520
Mo, this is a good one.
This is the one you can use.

386
00:15:16,520 --> 00:15:18,680
Because this next one is...

387
00:15:18,680 --> 00:15:20,320
ALL:
Angry.

388
00:15:20,320 --> 00:15:21,760
‐ What does anger look like?

389
00:15:22,280 --> 00:15:23,280
‐ I hate this!

390
00:15:23,280 --> 00:15:26,200
‐ My God, Victor! Please, sit down.
What's wrong with you?

391
00:15:26,200 --> 00:15:28,960
‐ No, I just doing angry, as you said.

392
00:15:28,960 --> 00:15:30,560
‐ That was very funny, Victor.

393
00:15:30,560 --> 00:15:33,680
‐ He's back in the game today.
Jesus, my heart!

394
00:15:33,680 --> 00:15:35,400
[chuckles] Keeps me young.

395
00:15:35,400 --> 00:15:39,240
Em, uh, yes, angry. God, phew.

396
00:15:39,240 --> 00:15:40,200
Do you what, guys?

397
00:15:41,360 --> 00:15:43,360
We're all just out here trying, aren't we?

398
00:15:43,360 --> 00:15:47,680
And really, communication, it's‐‐ it's‐‐
it's more than just all of this.

399
00:15:47,680 --> 00:15:50,600
Communication is...
ALL: Connection.

400
00:15:50,600 --> 00:15:52,840
‐ It's connection. Exactly.

401
00:15:52,840 --> 00:15:57,200
And, God‐‐ God love you all,
trying to learn all of these words.

402
00:15:57,200 --> 00:15:59,200
Because it's hard. English.

403
00:15:59,200 --> 00:16:01,200
And sometimes you‐‐ Actu‐‐ Actually...

404
00:16:02,200 --> 00:16:05,720
Actually, what you wanna do is scream.

405
00:16:16,600 --> 00:16:18,160
"Eat off fucking plates please," huh?

406
00:16:20,440 --> 00:16:21,480
[sighs]

407
00:16:28,880 --> 00:16:33,480
Hi, Richard, uh,
it's Aine here from Coco's Sexy Lounge.

408
00:16:33,480 --> 00:16:37,040
And, um, I know
we don't have that many weekends left.

409
00:16:37,040 --> 00:16:39,320
Actually, you're busy
this weekend anyways.

410
00:16:39,320 --> 00:16:42,920
But, I was just, eh, wondering

411
00:16:42,920 --> 00:16:45,640
if you would mind
if we did, like, a weekday instead?

412
00:16:45,640 --> 00:16:48,760
It's just 'cause I just realized
I've just, like, so much work
I got to do at the business.

413
00:16:48,760 --> 00:16:51,000
And then I have to help my sister
with wedding plans,

414
00:16:51,000 --> 00:16:52,360
and then there's, like,
her whole hen to plan,

415
00:16:52,360 --> 00:16:54,000
and then just, like, other teaching stuff.

416
00:16:54,000 --> 00:16:58,960
Um, and also, you know,
I have to make up new dances

417
00:16:58,960 --> 00:17:02,240
for the, um, the Sexy Lounge, obviously.

418
00:17:02,240 --> 00:17:07,000
Well, have a good weekend.
Uh, and, uh, bye.

419
00:17:10,000 --> 00:17:11,320
[sighs]

420
00:17:14,360 --> 00:17:16,520
‐ And then he came at her with a knife.

421
00:17:16,520 --> 00:17:17,920
‐ God, poor woman.

422
00:17:17,920 --> 00:17:19,880
MAMMY:
She lost her baby from the stress.

423
00:17:19,880 --> 00:17:21,760
‐ Oh, Jesus, good Lord.

424
00:17:21,760 --> 00:17:25,360
‐ Well, the baby wasn't his of course.
It was the brother's, but still.

425
00:17:25,360 --> 00:17:28,600
He sliced her straight across the neck.
Buried her in the back of the pub.

426
00:17:28,600 --> 00:17:29,640
‐ God!

427
00:17:30,920 --> 00:17:33,080
EastEnders has gotten so violent.

428
00:17:33,080 --> 00:17:34,560
MAMMY:
Keeps me entertained.

429
00:17:36,400 --> 00:17:38,720
Have you asked Shona
to help you with the work?

430
00:17:38,720 --> 00:17:41,360
‐ No, I'm doing it myself. I'm grand.

431
00:17:41,360 --> 00:17:42,760
God, you know,
sometimes Shona treats me

432
00:17:42,760 --> 00:17:46,000
like I'm some badly written
female character in a shit American movie.

433
00:17:46,000 --> 00:17:48,360
‐ Oh, you're perfect like me.
‐ Mammy, don't interrupt me.

434
00:17:48,360 --> 00:17:50,080
‐ Oh, I can't do anything right.

435
00:17:50,080 --> 00:17:53,000
‐ Like, I'm a good teacher, and I'm kind.

436
00:17:53,000 --> 00:17:54,440
And I might not have that much money,

437
00:17:54,440 --> 00:17:55,920
and sometimes, you know,
I get the blues or whatever,

438
00:17:55,920 --> 00:18:00,760
but, like, some people are the lads who,
uh, buy the pesticides that kill bees,

439
00:18:00,760 --> 00:18:04,000
or are rapists
or run dodgy big pharma companies‐‐

440
00:18:04,000 --> 00:18:05,200
‐ Yeah‐‐
‐ Mammy, don't interrupt.

441
00:18:05,200 --> 00:18:07,640
Or are the people who set up
those high‐cost loan companies

442
00:18:07,640 --> 00:18:09,000
that exploit vulnerable people.

443
00:18:09,000 --> 00:18:10,560
It's, like, why are they not the messes.

444
00:18:11,560 --> 00:18:15,240
‐ Yeah, well, I need to wee,
takes a while these days,

445
00:18:15,240 --> 00:18:17,800
so I'll say good night. Love you.

446
00:18:17,800 --> 00:18:19,960
‐ Mmm. Love you, bye.

447
00:18:20,800 --> 00:18:22,080
[sighs]

448
00:18:25,280 --> 00:18:26,560
[grunts]

449
00:18:27,480 --> 00:18:28,600
[sighs]

450
00:18:29,760 --> 00:18:30,400
All right.

451
00:18:31,160 --> 00:18:32,400
I'm okay, come on.

452
00:18:32,400 --> 00:18:36,000
All right. Come on, Aine. Here we go.

453
00:18:37,000 --> 00:18:37,920
[laptop chimes]
No.

454
00:18:39,880 --> 00:18:44,360
♪

455
00:18:52,040 --> 00:18:55,920
♪

456
00:19:06,400 --> 00:19:08,840
♪

457
00:19:18,600 --> 00:19:21,520
♪

458
00:19:29,160 --> 00:19:31,600
♪

459
00:19:36,840 --> 00:19:40,440
SHONA: [on voicemail] Hey, honey.
Uh, not heard from you all weekend.

460
00:19:40,440 --> 00:19:44,840
But, um, just wanted to say,
you've got some brilliant i‐‐ ideas,

461
00:19:44,840 --> 00:19:48,760
and, you know, I'm not sure
that came across in the meeting.

462
00:19:48,760 --> 00:19:52,520
But, um, you wanna email me over
some of your thoughts?

463
00:19:52,520 --> 00:19:54,520
Like, I can help you sort through them.

464
00:19:54,520 --> 00:19:56,160
Anyway, love you.

465
00:20:02,000 --> 00:20:04,600
‐ [sighs] God.

466
00:20:06,200 --> 00:20:07,080
[sighs]

467
00:20:14,880 --> 00:20:15,680
Ugh.

468
00:20:19,080 --> 00:20:21,920
Go fuck yourself, red light.

469
00:20:22,960 --> 00:20:24,760
[car horn blaring]
[brakes squealing]

470
00:20:27,640 --> 00:20:29,640
[car door slams]
MAN: Shit, shit!

471
00:20:31,000 --> 00:20:32,240
Are you okay?

472
00:20:32,240 --> 00:20:34,840
‐ I'm good, yes.

473
00:20:37,320 --> 00:20:38,600
Yeah, the bike. Bike.

474
00:20:38,600 --> 00:20:40,800
‐ Jesus, what are you doing,
running a red light?
I could've killed you.

475
00:20:40,800 --> 00:20:42,560
‐ It's not my bike.
‐ Do you need an ambulance?

476
00:20:42,560 --> 00:20:44,720
‐ No, no, no.
I'm fine. I'm fine. I'm fine.

477
00:20:44,720 --> 00:20:46,720
[indistinct muttering] Yeah. Sorry.
‐ You all right?

478
00:20:46,720 --> 00:20:48,400
‐ Yeah, absolutely. Thank you very much.

479
00:20:48,400 --> 00:20:50,480
‐ Thank God, you have your helmet.
You're lucky to be alive.

480
00:20:50,480 --> 00:20:53,560
‐ It's not my bike.
This is‐‐ It's‐‐ Sorry, I just‐‐

481
00:20:53,560 --> 00:20:56,000
‐ It's fine. It's fine. It's‐‐
The bike's fine. You sure you're okay?

482
00:20:56,000 --> 00:20:57,320
‐ Yeah, yeah, I'm grand, yeah.

483
00:21:33,120 --> 00:21:36,520
Hi, Shona. Uh, thanks a million
for your voice note.

484
00:21:36,520 --> 00:21:40,360
I, um, uh, would love your help, actually.

485
00:21:40,360 --> 00:21:43,520
Uh, I think maybe
if you could, like, do a structure

486
00:21:43,520 --> 00:21:45,480
for how you think it should look.

487
00:21:45,480 --> 00:21:49,080
And then, uh, and also thanks a million
for the meeting the other day.

488
00:21:49,080 --> 00:21:51,000
Um, I know you're really busy...

489
00:21:52,200 --> 00:21:54,000
with your sex work.

490
00:21:54,000 --> 00:21:59,040
So, um, yeah, I really appreciated that.
Not sure if I said that on the day.

491
00:21:59,640 --> 00:22:03,240
But, um, okay, uh, love you.

492
00:22:03,240 --> 00:22:04,240
And, um...

493
00:22:05,480 --> 00:22:07,760
Don't work too hard at your sex work.

494
00:22:08,640 --> 00:22:09,600
LOL.

495
00:22:37,520 --> 00:22:38,120
Mm.

496
00:22:39,200 --> 00:22:39,800
Mm.

497
00:22:47,240 --> 00:22:47,920
Oh.

498
00:22:51,240 --> 00:22:52,000
Eh.

499
00:22:53,840 --> 00:22:55,000
♪ "I'm Alive" by TTRRUUCES playing ♪

500
00:22:55,000 --> 00:22:58,360
‐ ♪ I'm alive, I'm alive ♪

501
00:22:58,360 --> 00:23:00,120
‐ Ooh.

502
00:23:00,120 --> 00:23:04,400
‐♪ To see your face,
it always makes it worthwhile to survive ♪

503
00:23:04,400 --> 00:23:09,360
♪ I'm alive, I'm alive ♪

504
00:23:09,360 --> 00:23:14,760
♪ To see your face,
it always makes it worthwhile to survive ♪

505
00:23:14,760 --> 00:23:16,760
♪

506
00:23:22,480 --> 00:23:23,880
♪ Are you high right now? ♪

507
00:23:23,880 --> 00:23:26,520
♪ Outside with the guys
and bare‐flesh honeys ♪

508
00:23:26,520 --> 00:23:29,280
♪ Tank tops, ice pops
Margarita... ♪