1
00:00:02,040 --> 00:00:04,240
AINE: [laughs]
Look at their T‐shirts.

2
00:00:04,240 --> 00:00:06,720
"Slag party."

3
00:00:06,720 --> 00:00:09,920
I wish you'd let me organize
you a slag party, Shona.

4
00:00:09,920 --> 00:00:12,040
‐ Every day is a slag party
to you.

5
00:00:12,040 --> 00:00:14,720
‐ [laughs]
Hey, ooh, good joke.

6
00:00:14,720 --> 00:00:16,600
Oh, come here.
Did you get something
for Vish's dad for us?

7
00:00:16,600 --> 00:00:18,680
‐ Did you see me get anything?
AINE: No.

8
00:00:18,680 --> 00:00:19,880
‐ Well, then.
‐ Right. Fine, we'll get him
something in the shop.

9
00:00:19,880 --> 00:00:21,400
‐ Course I got him something.

10
00:00:21,400 --> 00:00:23,880
And I got a card,
and I signed it from everyone.

11
00:00:23,880 --> 00:00:25,680
God, I'm all nervy.

12
00:00:25,680 --> 00:00:27,560
‐ Why? You said you didn't care
if Mam met them or not.

13
00:00:27,560 --> 00:00:29,080
‐ Not about Mammy
meeting Vish's family,

14
00:00:29,080 --> 00:00:30,680
about you and Ma.

15
00:00:30,680 --> 00:00:32,320
You haven't talked to her
in months.

16
00:00:32,320 --> 00:00:33,800
You haven't‐‐
‐ Oh, Shona, don't.

17
00:00:33,800 --> 00:00:35,120
‐ No.
Come on, she's old.

18
00:00:35,120 --> 00:00:37,120
You have to forgive her,
and move on.

19
00:00:37,120 --> 00:00:38,680
‐ She's only old
when she wants to be.

20
00:00:38,680 --> 00:00:40,080
‐ What if she died
and you hadn't forgiven her?

21
00:00:40,080 --> 00:00:42,240
‐ Mammy won't die.
She's too stubborn.

22
00:00:42,240 --> 00:00:44,400
‐ I can't believe I even
said that about Mammy dying.
Jesus Christ.

23
00:00:44,400 --> 00:00:45,640
‐ The problem is,
we're just too different,

24
00:00:45,640 --> 00:00:47,200
and we'll probably never
get along.

25
00:00:47,200 --> 00:00:49,680
‐ You'll never get along?
You always got along.

26
00:00:49,680 --> 00:00:51,840
‐ Look, Shona, they've gone.
Free slag mags.

27
00:00:51,840 --> 00:00:54,200
SHONA: [stammers, sighs]
Grab me one.

28
00:00:54,200 --> 00:00:55,680
No, I'll tell you what
the problem is, the problem is

29
00:00:55,680 --> 00:00:57,480
that I'm stuck in the middle
of this bullshit,

30
00:00:57,480 --> 00:00:59,240
and it's not fair.

31
00:00:59,240 --> 00:01:01,080
‐ Hey, Sho.
Sho, look at this.

32
00:01:01,080 --> 00:01:03,640
[English accent]
We will fight them
on the beaches.

33
00:01:03,640 --> 00:01:06,640
[mumbles] We will fight 'em
on the grass

34
00:01:06,640 --> 00:01:08,520
and then we'll come back
to the‐‐

35
00:01:08,520 --> 00:01:10,720
to the beaches
for more beach fighting...

36
00:01:10,720 --> 00:01:13,400
[laughs]

37
00:01:13,400 --> 00:01:15,640
‐ My babies.
‐ What happened to your leg?

38
00:01:15,640 --> 00:01:17,160
‐ Oh, my God,
what happened to you?

39
00:01:17,160 --> 00:01:19,520
‐ Don't point it out,
or people will notice.

40
00:01:19,520 --> 00:01:21,080
It's grand.
AINE: Why do you have a cane?

41
00:01:21,080 --> 00:01:23,240
You look mad.
‐ No, it's not a cane.

42
00:01:23,240 --> 00:01:26,120
I only have it in case
my sports injury
starts playing up.

43
00:01:26,120 --> 00:01:27,640
‐ Thank God.

44
00:01:28,920 --> 00:01:31,440
EILEEN: [chuckles]
God, your hair's got so long.

45
00:01:31,440 --> 00:01:34,320
You look like your father
in the '70s.

46
00:01:34,320 --> 00:01:36,120
‐ Right, so I look like
a dead man? Thanks.

47
00:01:36,120 --> 00:01:39,560
‐ Hey, who's this?

48
00:01:39,560 --> 00:01:40,760
[laughs]

49
00:01:40,760 --> 00:01:43,440
It's Uncle Terry.
‐ [laughs]

50
00:01:43,440 --> 00:01:46,160
‐ Mammy, stop now.
There's no time for silliness.

51
00:01:46,160 --> 00:01:47,640
It's a big day for Shona.

52
00:01:47,640 --> 00:01:49,600
‐ Oh, Mam.
‐ We'll be late for our train.

53
00:01:49,600 --> 00:01:51,040
Oh, come on.
‐ Right.

54
00:01:52,320 --> 00:01:55,120
<i>[upbeat music]</i>

55
00:01:55,120 --> 00:01:56,720
AINE: What's in this, Mammy?
Jesus.

56
00:01:56,720 --> 00:01:58,200
EILEEN: Just a few bricks,

57
00:01:58,200 --> 00:02:00,520
a little bit of gold bullion,
and me knickers.

58
00:02:00,520 --> 00:02:02,560
SHONA: Do you know what,
it's a bit of a way off still.

59
00:02:02,560 --> 00:02:04,400
Shall we get a taxi?
AINE: Yes, please.

60
00:02:04,400 --> 00:02:07,280
‐ Shona, don't be gentle
with me, like I'm an auld one.

61
00:02:07,280 --> 00:02:08,960
It's just my hamstring.
I'm fine.

62
00:02:08,960 --> 00:02:10,160
‐ We can put you
in a wheelchair, Mammy,

63
00:02:10,160 --> 00:02:12,000
and just roll you
down the hill.

64
00:02:12,000 --> 00:02:13,920
Do you know who you're like?
[laughs]

65
00:02:13,920 --> 00:02:15,880
You're like Willy Wonka
at the start of‐‐
‐ I'm Willy Wonka.

66
00:02:15,880 --> 00:02:17,560
‐ No, Mammy,
let me finish my sentence.

67
00:02:17,560 --> 00:02:19,440
<i>And the Chocolate Factory.</i>
‐ I wasn't interrupting.

68
00:02:19,440 --> 00:02:21,160
That's how conversations work.
‐ It's rude.

69
00:02:21,160 --> 00:02:24,040
‐ And anyway, the film
is called <i>Willy Wonka,</i>

70
00:02:24,040 --> 00:02:27,200
but the book is called <i>Charlie</i>
<i>and the Chocolate Factory.</i>

71
00:02:27,200 --> 00:02:28,880
‐ You used to read me that.
You remember?
‐ What?

72
00:02:28,880 --> 00:02:29,920
No, it's not called that.
It's the opposite way around.

73
00:02:29,920 --> 00:02:31,360
‐ Now!
‐ What?

74
00:02:31,360 --> 00:02:32,680
‐ How come you're allowed
to interrupt Shona

75
00:02:32,680 --> 00:02:34,000
but I'm not allowed
to interrupt you?

76
00:02:34,000 --> 00:02:35,280
‐ Oh, because, Mammy,
that's different

77
00:02:35,280 --> 00:02:37,480
than interrupting a joke,
obviously.

78
00:02:37,480 --> 00:02:38,800
You let someone get
to the end of their‐‐
‐ Oh. Oh, I beg your pardon.

79
00:02:38,800 --> 00:02:40,760
That was a joke, was it?
‐ Yes, it was.

80
00:02:40,760 --> 00:02:42,080
And it would have made Shona
laugh if you'd given me
a chance.

81
00:02:42,080 --> 00:02:43,960
SHONA:
Come on, the pair of youse.

82
00:02:43,960 --> 00:02:45,400
‐ Oh, God.

83
00:02:46,440 --> 00:02:47,800
Oh, wait.

84
00:02:47,800 --> 00:02:50,520
Richard, the French boy's
dad'll love this.

85
00:02:50,520 --> 00:02:52,240
‐ What are you doing?

86
00:02:52,240 --> 00:02:54,320
‐ Oh, I'm just taking a picture
of these coffee pods.

87
00:02:54,320 --> 00:02:56,080
It'll be funny.
[camera clicks]

88
00:02:56,080 --> 00:02:57,240
He says that people
are recycling them,

89
00:02:57,240 --> 00:02:58,400
but no one ever does.

90
00:02:58,400 --> 00:03:00,240
‐ Who's Richard?

91
00:03:00,240 --> 00:03:03,000
You never told me
there was a man on the go.
‐ Oh, Mammy.

92
00:03:03,000 --> 00:03:06,960
‐ Well, Mammy, Richard
is Aine's elderly lover.

93
00:03:06,960 --> 00:03:08,600
‐ Oh, stop. Shona‐‐
‐ Elderly lover?

94
00:03:08,600 --> 00:03:10,640
‐ He's the same age as Shona.

95
00:03:10,640 --> 00:03:13,640
‐ Hey, do you think he might
want a go on the mother too?
‐ Ugh!

96
00:03:13,640 --> 00:03:15,840
‐ I mean‐‐well,
when I put my cane down,

97
00:03:15,840 --> 00:03:17,040
I could give it a good go.

98
00:03:17,040 --> 00:03:19,080
‐ Blech! That's disgusting.

99
00:03:20,840 --> 00:03:22,040
‐ Hey, girls.

100
00:03:23,440 --> 00:03:24,920
‐ What are you doing?
‐ Hold on, Mammy.

101
00:03:24,920 --> 00:03:27,760
‐ Get off. Get off.
It was a joke.

102
00:03:27,760 --> 00:03:29,080
I was being Willy Wonka.

103
00:03:29,080 --> 00:03:30,600
SHONA: Well, you know,
it's a joke

104
00:03:30,600 --> 00:03:32,320
if you actually know how to do
the forward flip.

105
00:03:32,320 --> 00:03:33,600
EILEEN: Yeah, well,
you've no sense of humor.

106
00:03:33,600 --> 00:03:35,160
SHONA: [sighs]
It's dangerous.

107
00:03:35,160 --> 00:03:36,680
‐ I would have laughed so hard
if it backfired

108
00:03:36,680 --> 00:03:37,800
and you fell
right on your face.

109
00:03:37,800 --> 00:03:39,000
EILEEN: Yeah.

110
00:03:39,720 --> 00:03:41,880
‐ And anyways, Mammy,
that's not how you do a fall.

111
00:03:41,880 --> 00:03:43,480
It's all in the feet.
This is how you do a fall.

112
00:03:43,480 --> 00:03:46,320
Like...
[groans]

113
00:03:46,320 --> 00:03:47,960
Like that.
EILEEN: That was really fake.

114
00:03:47,960 --> 00:03:49,200
‐ Wasn't.
‐ I knew you were going to
do that.

115
00:03:49,200 --> 00:03:51,200
‐ Yeah, you knew
I was gonna do it,

116
00:03:51,200 --> 00:03:52,680
because I told you in advance
I was gonna do it.
‐ Oh, yeah.

117
00:03:52,680 --> 00:03:54,000
‐ That's how you knew.
‐ Answer for everything.

118
00:03:54,000 --> 00:03:56,120
All right,
show me a backflip now.

119
00:03:56,120 --> 00:03:57,480
AINE: Well, I watched
a YouTube clip on it,
so don't be sarcastic.

120
00:03:57,480 --> 00:03:58,960
EILEEN:
Do you do any trapeze work?

121
00:03:58,960 --> 00:04:00,520
AINE: Oh, for God's sake.
SHONA: Let's get a taxi.

122
00:04:00,520 --> 00:04:01,760
Seriously, let's just‐‐
let's just get a taxi.

123
00:04:01,760 --> 00:04:03,080
AINE: No, honestly...

124
00:04:03,080 --> 00:04:05,000
SHONA:
And don't talk about curry,

125
00:04:05,000 --> 00:04:06,480
or Bollywood.

126
00:04:06,480 --> 00:04:08,040
EILEEN: I could have worked
in Bollywood.

127
00:04:08,040 --> 00:04:11,000
I went for a casting
for a music video

128
00:04:11,000 --> 00:04:12,240
they made in Dublin once.

129
00:04:12,240 --> 00:04:13,320
‐ Oh.
‐ Who are "they"?

130
00:04:13,320 --> 00:04:14,560
All the Bollywoods?

131
00:04:14,560 --> 00:04:16,600
Paul Bollywood and his friends?

132
00:04:16,600 --> 00:04:18,560
‐ And there was
an Indian gentleman

133
00:04:18,560 --> 00:04:21,200
we interviewed one time
for <i>Nationwide Country.</i>

134
00:04:21,200 --> 00:04:23,400
SHONA: Mam.
EILEEN: Lovely man.
Lived in Meath.

135
00:04:23,400 --> 00:04:26,000
‐ Er, don't mention that.

136
00:04:26,000 --> 00:04:28,480
I‐I don't know why, just‐‐
just don't.

137
00:04:28,480 --> 00:04:29,800
[sighs]

138
00:04:29,800 --> 00:04:31,520
And don't talk about marriage,
or‐‐

139
00:04:31,520 --> 00:04:33,560
‐ Yeah, Mam.
‐ I was talking to you.

140
00:04:33,560 --> 00:04:35,600
‐ What?
‐ Ha!

141
00:04:35,600 --> 00:04:36,840
[door opens]

142
00:04:36,840 --> 00:04:38,800
‐ Hello!
‐ Hello!

143
00:04:38,800 --> 00:04:41,040
‐ Go in, go in.

144
00:04:41,040 --> 00:04:43,200
[overlapping chatter]

145
00:04:43,200 --> 00:04:44,880
EILEEN: Hello!

146
00:04:44,880 --> 00:04:47,120
‐ Hello!

147
00:04:47,120 --> 00:04:49,560
AINE: Happy birthday, Hari.
‐ Hello. How are you?

148
00:04:49,560 --> 00:04:51,360
‐ That's for you
from all of us.
‐ Thank you.

149
00:04:51,360 --> 00:04:53,160
Today's not about me.
I don't want to make a fuss.

150
00:04:53,160 --> 00:04:54,240
KAVITA: Yes, come this way.
Come this way.

151
00:04:54,240 --> 00:04:55,360
HARI: Oh, there she is.

152
00:04:55,360 --> 00:04:56,760
KAVITA: Would you like a drink?

153
00:04:56,760 --> 00:04:58,240
‐ I just wanted to meet
the big star.

154
00:04:58,240 --> 00:04:59,600
‐ Oh, no.
[chuckles]

155
00:04:59,600 --> 00:05:02,280
No, just treat me
like a normal person.

156
00:05:02,280 --> 00:05:03,640
KAVITA:
Anil, go get the canapés.

157
00:05:03,640 --> 00:05:05,040
‐ Yes, I'm going. I'm going.

158
00:05:05,040 --> 00:05:07,640
EILEEN: Thank you.
Lovely house you've got.

159
00:05:07,640 --> 00:05:09,200
ANIL: Hi, Eileen.

160
00:05:09,200 --> 00:05:10,760
I am the slave boy today,
and I don't get to eat,

161
00:05:10,760 --> 00:05:12,840
never mind that
I'm on a zero hours contract.

162
00:05:12,840 --> 00:05:15,800
Thank you, Mother.
But, er, would you like
one of these canapés?

163
00:05:15,800 --> 00:05:17,400
‐ Just tell me,
what's in this one?

164
00:05:17,400 --> 00:05:18,600
SHONA: Mam!

165
00:05:18,600 --> 00:05:20,360
They're grand.
You'll like them.

166
00:05:20,360 --> 00:05:21,720
‐ I was only asking.

167
00:05:21,720 --> 00:05:23,440
SEEMA:
Nothing is too spicy, Eileen.

168
00:05:23,440 --> 00:05:26,200
We learned our lesson from
the last time Aine was here.

169
00:05:26,200 --> 00:05:29,040
‐ Oh, no. Now, can I just say,
it wasn't too spicy for me.

170
00:05:29,040 --> 00:05:30,480
Something just got stuck
in my neck.

171
00:05:30,480 --> 00:05:32,480
‐ Spice.
EILEEN: She is very sensitive.

172
00:05:32,480 --> 00:05:33,760
‐ No, darling,
don't drop the plate.

173
00:05:33,760 --> 00:05:34,800
BUB:
Can I have something to eat?

174
00:05:38,600 --> 00:05:40,680
AINE:
I mean, I can handle the spice.

175
00:05:40,680 --> 00:05:43,160
‐ This is demeaning
on literally so many levels.

176
00:05:43,160 --> 00:05:45,040
‐ Anil,
if you got a proper job,

177
00:05:45,040 --> 00:05:47,840
then you could have a spot
at the big boys' table.

178
00:05:47,840 --> 00:05:49,680
‐ I have a proper job
at BuzzFeed.

179
00:05:49,680 --> 00:05:51,640
‐ Oh. Bubs, you know what,

180
00:05:51,640 --> 00:05:53,400
if you go to school
and study hard,

181
00:05:53,400 --> 00:05:55,360
you could have a job
at BuzzFeed.

182
00:05:55,360 --> 00:05:56,960
‐ Or, Bubs, you can do
what Uncle Vish did

183
00:05:56,960 --> 00:05:58,400
and move to New York
for two minutes

184
00:05:58,400 --> 00:06:00,400
and come back and sound like
a shit radio DJ.

185
00:06:00,400 --> 00:06:02,960
‐ Whoa, whoa, whoa, whoa,
radio DJ?

186
00:06:02,960 --> 00:06:04,080
Wait, it was 12 years.

187
00:06:04,080 --> 00:06:05,400
It wasn't two minutes.

188
00:06:05,400 --> 00:06:07,000
SEEMA: Happy birthday to you,
Dad.

189
00:06:07,000 --> 00:06:08,280
To Hari.

190
00:06:08,280 --> 00:06:10,120
‐ Happy birthday.
ALL: To Hari!

191
00:06:10,120 --> 00:06:12,200
‐ Please, don't make a fuss,
eh?

192
00:06:12,200 --> 00:06:14,440
SEEMA: Ah, you'll make him cry.

193
00:06:14,440 --> 00:06:16,040
‐ All right, everyone,
listen up.

194
00:06:16,040 --> 00:06:17,520
‐ Shh.

195
00:06:17,520 --> 00:06:19,320
‐ I just want to say
how wonderful it is

196
00:06:19,320 --> 00:06:20,720
to have you here with us today.

197
00:06:20,720 --> 00:06:22,280
And to celebrate,

198
00:06:22,280 --> 00:06:25,400
we have prepared
a special dish for Aine.

199
00:06:25,400 --> 00:06:27,000
‐ Oh, what?

200
00:06:27,000 --> 00:06:28,560
Oh, that's so nice.
SHONA: That's so sweet.

201
00:06:28,560 --> 00:06:29,680
KAVITA: Ta‐da!

202
00:06:29,680 --> 00:06:31,000
[laughter]

203
00:06:31,000 --> 00:06:32,880
SHONA: Burn, burn, burn.
AINE: Very funny.

204
00:06:32,880 --> 00:06:34,240
Oh, my God, thank you so much.

205
00:06:34,240 --> 00:06:35,480
Is this all the way
from Kerala?

206
00:06:35,480 --> 00:06:37,000
[camera clicking]

207
00:06:37,000 --> 00:06:38,960
No, it's too spicy.
I can't.

208
00:06:38,960 --> 00:06:40,880
‐ Would you like some yogurt
with that, then?

209
00:06:40,880 --> 00:06:42,280
‐ Yeah, can I get some yogurt,
please?

210
00:06:42,280 --> 00:06:43,920
Thank you.

211
00:06:43,920 --> 00:06:45,600
‐ What are you up to
right now, Sho?

212
00:06:45,600 --> 00:06:47,400
‐ Oh, I haven't told you
about Sho's new thing?

213
00:06:47,400 --> 00:06:48,760
Oh, you're gonna love this,
as a woman.

214
00:06:48,760 --> 00:06:50,840
‐ As a woman
who also has a job.

215
00:06:50,840 --> 00:06:53,560
SHONA: Yes!
Listen up, working woman.

216
00:06:53,560 --> 00:06:55,840
‐ Yeah, I know, right?
VISH: No, it is very good.

217
00:06:55,840 --> 00:06:58,200
Sho is doing this, er,
networking thing

218
00:06:58,200 --> 00:06:59,560
for women in finance.

219
00:06:59,560 --> 00:07:01,640
‐ Oh, wow. That's amazing.
‐ Are you?

220
00:07:01,640 --> 00:07:02,960
‐ Yes, it is very exciting.

221
00:07:02,960 --> 00:07:04,520
No, it's a big old project,
actually.

222
00:07:04,520 --> 00:07:06,160
I'm‐‐I'm setting it up
with this amazing woman

223
00:07:06,160 --> 00:07:07,800
who's‐‐yeah, she's kind of
doing most of the work.

224
00:07:07,800 --> 00:07:09,360
[camera clicking]
‐ She's more amazing than her.

225
00:07:09,360 --> 00:07:12,280
‐ Oh, well done.
That's amazing.

226
00:07:12,280 --> 00:07:14,880
‐ Is it a big job, Shona?
‐ Mm, yeah.

227
00:07:14,880 --> 00:07:16,360
I mean, it's small right now,
but hopefully,

228
00:07:16,360 --> 00:07:18,200
over the next couple of years,
yeah, yeah.

229
00:07:18,200 --> 00:07:20,640
‐ That'll be hard, then, with
the children, then, won't it?

230
00:07:20,640 --> 00:07:22,320
SEEMA: Mum.
KAVITA: Oh, what?

231
00:07:22,320 --> 00:07:25,520
Time must be a pressure
at this stage.

232
00:07:25,520 --> 00:07:28,080
‐ Oh, yes, none of us
getting any younger, Kavita.

233
00:07:28,080 --> 00:07:31,200
‐ Well, Shona doesn't have time
for kids 'cause she's got me.

234
00:07:31,200 --> 00:07:32,760
VISH: Ain't that the truth.

235
00:07:32,760 --> 00:07:34,440
EILEEN: Yeah, well,
you definitely have become

236
00:07:34,440 --> 00:07:37,000
a full‐time job this last year.

237
00:07:37,000 --> 00:07:38,600
SEEMA: What was last year?

238
00:07:39,880 --> 00:07:41,480
‐ Er, she broke her leg.

239
00:07:41,480 --> 00:07:42,960
SEEMA: Oh, no.
How'd you do that?
‐ Yeah.

240
00:07:42,960 --> 00:07:45,760
EILEEN: No, no, it's all
fixed now. She's fine.

241
00:07:45,760 --> 00:07:47,800
SEEMA: That's bad luck
that you both have bad legs.

242
00:07:47,800 --> 00:07:50,520
‐ Yeah, well, that's where
the similarity ends, eh, Mam?

243
00:07:50,520 --> 00:07:54,960
‐ Actually, I once auditioned
for the film <i>My Left Foot.</i>

244
00:07:54,960 --> 00:07:56,600
‐ Wow, no way! Really?
[camera clicking]

245
00:07:56,600 --> 00:07:58,240
‐ What did you audition for,
the right foot?

246
00:07:58,240 --> 00:08:00,040
‐ No.

247
00:08:00,040 --> 00:08:02,200
For a neighbor who comes in.

248
00:08:02,200 --> 00:08:03,440
‐ Ah. Oh, the neighbor.

249
00:08:03,440 --> 00:08:04,520
I think I saw that bit.
‐ Wow.

250
00:08:04,520 --> 00:08:06,120
That's really cool, actually.

251
00:08:06,120 --> 00:08:07,760
‐ Wait, she didn't get
the part, lads. Chill out.

252
00:08:07,760 --> 00:08:09,240
‐ I actually don't want kids.

253
00:08:11,720 --> 00:08:13,080
[laughs]

254
00:08:14,720 --> 00:08:17,080
‐ Ah, well, you always think
you don't want kids,

255
00:08:17,080 --> 00:08:18,120
and then you change your mind.

256
00:08:18,120 --> 00:08:19,560
I mean...
‐ Yes.

257
00:08:19,560 --> 00:08:21,840
‐ I still sometimes think
I don't want Aine.

258
00:08:21,840 --> 00:08:24,640
[soft laughter]

259
00:08:24,640 --> 00:08:25,800
‐ Yeah, but I genuinely‐‐

260
00:08:25,800 --> 00:08:27,280
I genuinely don't.

261
00:08:27,280 --> 00:08:29,280
You know, it's not a big deal.
Just never have.

262
00:08:34,240 --> 00:08:35,920
‐ Do you know what, lads?

263
00:08:35,920 --> 00:08:37,760
I'm going to throw caution
to the wind

264
00:08:37,760 --> 00:08:39,560
and eat with my hand.

265
00:08:39,560 --> 00:08:41,560
‐ Go for it.
‐ Well, all right.

266
00:08:41,560 --> 00:08:44,520
‐ Yeah. So, fork‐off forks.

267
00:08:44,520 --> 00:08:46,160
Now, um...

268
00:08:46,160 --> 00:08:47,960
‐ What about you and children,
Vish?

269
00:08:47,960 --> 00:08:49,640
‐ Oh, um...

270
00:08:49,640 --> 00:08:52,280
I want what Shona wants.
‐ Oh, okay.

271
00:08:52,280 --> 00:08:54,120
‐ What are you going to do
when you're our age, then, huh?

272
00:08:54,120 --> 00:08:55,760
Who's going to look after you
in the care home?

273
00:08:55,760 --> 00:08:57,440
‐ Thought you wanted kids,
Vish?

274
00:08:57,440 --> 00:08:59,320
‐ No.

275
00:08:59,320 --> 00:09:02,920
I, er‐‐I have Bubs right here,
and she is all I need.

276
00:09:02,920 --> 00:09:05,440
And then give her back to you
when I'm done, so...

277
00:09:05,440 --> 00:09:07,520
‐ Oh, you never know real love
until you have children.

278
00:09:07,520 --> 00:09:08,720
KAVITA: True.
‐ Mam.

279
00:09:08,720 --> 00:09:10,520
‐ Even if Anil murdered
someone,

280
00:09:10,520 --> 00:09:12,160
I'd still love him
unconditionally.
You know, I mean...

281
00:09:12,160 --> 00:09:14,280
‐ And get a spade to help
dig a grave and cover it up.

282
00:09:14,280 --> 00:09:16,160
KAVITA: Yeah.
‐ Why am I a murderer?

283
00:09:16,160 --> 00:09:17,880
‐ Er, Vish would never
be stupid enough
to murder someone.

284
00:09:17,880 --> 00:09:19,800
‐ Yeah, I would hire a guy.
BUB: [laughing]

285
00:09:19,800 --> 00:09:21,920
‐ Let me take her back.
VISH: No, she's fine.
I got her.

286
00:09:21,920 --> 00:09:23,760
‐ I don't think you need
to be a mother, though...

287
00:09:23,760 --> 00:09:26,120
you know, to‐‐to know
unconditional love.

288
00:09:26,120 --> 00:09:28,840
‐ Right.
‐ Don't think that's‐‐
that's a thing.

289
00:09:28,840 --> 00:09:30,800
Also, I have enough money
to hire someone

290
00:09:30,800 --> 00:09:32,880
to come visit me if I ever
end up in a care home, so...

291
00:09:32,880 --> 00:09:35,400
[soft laughter]

292
00:09:36,360 --> 00:09:38,640
‐ True, that.

293
00:09:38,640 --> 00:09:40,480
HARI: Can I get
the mango chutney, please?

294
00:09:40,480 --> 00:09:41,880
‐ Do you know what? I'm just
gonna make that call now.

295
00:09:41,880 --> 00:09:43,400
VISH: Yeah, yeah.
‐ Yeah. I'm just‐‐

296
00:09:43,400 --> 00:09:44,920
I'll be back in a second.
I'm just gonna quickly...

297
00:09:44,920 --> 00:09:46,160
[clears throat]

298
00:09:50,200 --> 00:09:53,360
<i>[line trilling]</i>

299
00:09:55,760 --> 00:09:57,840
<i>[phone chimes]</i>
<i>CHARLOTTE: This is new.</i>

300
00:09:57,840 --> 00:09:59,280
‐ Huh? Oh, shit.

301
00:09:59,280 --> 00:10:00,720
I didn't mean to FaceTime you.

302
00:10:00,720 --> 00:10:02,200
Shall I call you back
normally, or‐‐

303
00:10:02,200 --> 00:10:03,840
<i>‐ It's okay.</i>
<i>It's nice.</i>

304
00:10:03,840 --> 00:10:05,440
<i>It's nice to see your face.</i>
<i>Are you okay?</i>

305
00:10:05,440 --> 00:10:07,720
‐ Yeah, I‐‐I just literally
saw a picture

306
00:10:07,720 --> 00:10:09,560
of Vish and his ex‐wife in a‐‐

307
00:10:09,560 --> 00:10:11,200
in a frame
in his parents' kitchen.

308
00:10:11,200 --> 00:10:13,520
<i>‐ Oh, God.</i>
<i>Why do they still have that?</i>

309
00:10:13,520 --> 00:10:15,000
‐ No idea.
<i>‐ Can I see it?</i>

310
00:10:17,080 --> 00:10:19,320
<i>Oh. She's an angry little elf.</i>

311
00:10:20,560 --> 00:10:21,560
‐ Yeah.

312
00:10:21,560 --> 00:10:23,440
Er, it's thrown me a bit.

313
00:10:23,440 --> 00:10:26,080
[chuckles]
Sorry. Long day.

314
00:10:26,080 --> 00:10:28,200
Um, listen, I don't‐‐

315
00:10:28,200 --> 00:10:30,560
I don't know
if this is a good time,
but I was thinking‐‐

316
00:10:30,560 --> 00:10:32,400
‐ Sorry, Shona.
‐ It's okay.

317
00:10:32,400 --> 00:10:33,720
<i>CHARLOTTE:</i>
<i>I'll‐‐I'll let you go.</i>

318
00:10:33,720 --> 00:10:35,360
<i>We can‐‐we can talk later.</i>

319
00:10:35,360 --> 00:10:36,720
‐ Yeah, okay.

320
00:10:36,720 --> 00:10:38,080
Um...all right,
I'll call you back.

321
00:10:38,080 --> 00:10:39,520
<i>‐ See you later.</i>

322
00:10:39,520 --> 00:10:41,760
‐ Um, Shona, you‐‐
you know we don't care

323
00:10:41,760 --> 00:10:43,080
if you have children?

324
00:10:43,080 --> 00:10:45,480
‐ Oh, no, no, it's‐‐
it's not that.

325
00:10:45,480 --> 00:10:46,640
It's, um‐‐it...

326
00:10:46,640 --> 00:10:48,560
‐ Oh, that's embarrassing.

327
00:10:48,560 --> 00:10:51,720
‐ [chuckles] No, it's fine.
I get it.

328
00:10:51,720 --> 00:10:53,440
I mean, it was
his first marriage.
It's‐‐it's‐‐

329
00:10:53,440 --> 00:10:55,400
‐ Shona, honestly,
we just like the frame.

330
00:10:55,400 --> 00:10:57,520
That is why we still have it.

331
00:10:57,520 --> 00:10:59,080
‐ Really?
‐ Yeah, genuinely.

332
00:10:59,080 --> 00:11:00,760
And that woman was
a complete idiot, you know.

333
00:11:00,760 --> 00:11:02,920
She thought France
was the capital of France.

334
00:11:02,920 --> 00:11:05,120
‐ [chuckles]
Did she?

335
00:11:06,440 --> 00:11:09,360
‐ I've taken some really nice
pictures of you today,

336
00:11:09,360 --> 00:11:10,920
and I'm going to put you
in it instead.

337
00:11:10,920 --> 00:11:13,320
‐ Oh, no, you don't need
to put me in a frame.

338
00:11:13,320 --> 00:11:14,760
I mean,
it is a really nice frame.

339
00:11:14,760 --> 00:11:16,400
‐ No. I want you to help me
choose,

340
00:11:16,400 --> 00:11:17,520
um, because I always
get this wrong.

341
00:11:17,520 --> 00:11:18,800
‐ Okay.

342
00:11:18,800 --> 00:11:20,240
‐ The women always
get so annoyed

343
00:11:20,240 --> 00:11:22,040
when I put their pictures up
on Instagram

344
00:11:22,040 --> 00:11:23,120
without editing.

345
00:11:24,400 --> 00:11:27,360
All they want
is a Valencia filter

346
00:11:27,360 --> 00:11:29,040
and no smiling.

347
00:11:29,040 --> 00:11:30,120
‐ [laughs]

348
00:11:30,120 --> 00:11:31,520
Women are the worst.

349
00:11:34,200 --> 00:11:36,000
Sorry, no...

350
00:11:36,000 --> 00:11:37,280
they're awful.

351
00:11:41,640 --> 00:11:44,440
‐ Oh, so the sun is actually
boiling up the worm?

352
00:11:44,440 --> 00:11:45,880
That's disgusting.

353
00:11:45,880 --> 00:11:48,240
Poor little wormy
needs to get inside.

354
00:11:48,240 --> 00:11:50,200
‐ He's got no way because...

355
00:11:50,200 --> 00:11:52,040
‐ Any reply from the old boy?

356
00:11:52,040 --> 00:11:54,320
‐ I'm not waiting for a reply
from an old boy, Mammy.

357
00:11:54,320 --> 00:11:56,240
What was that about the worm?

358
00:11:56,240 --> 00:12:00,240
‐ The‐‐the worm
can't get back down...

359
00:12:00,240 --> 00:12:03,240
[indistinct chatter]

360
00:12:05,600 --> 00:12:06,960
‐ Isn't that nice?

361
00:12:09,200 --> 00:12:11,400
‐ He's a real softie, isn't he?

362
00:12:11,400 --> 00:12:13,680
‐ Our Shona always loved
being round her dad.

363
00:12:13,680 --> 00:12:15,160
‐ Mm.

364
00:12:15,160 --> 00:12:16,360
VISH: What's he doing?
Is he flirting with you?

365
00:12:16,360 --> 00:12:17,760
‐ Mm. Yeah.

366
00:12:17,760 --> 00:12:19,680
I said he could
'cause it's his birthday.

367
00:12:19,680 --> 00:12:21,160
VISH:
It is. [laughs]

368
00:12:21,160 --> 00:12:22,560
We have this agreement...

369
00:12:22,560 --> 00:12:24,760
‐ On any man's birthday...
VISH: Right.

370
00:12:24,760 --> 00:12:27,080
[laughter]

371
00:12:27,080 --> 00:12:29,640
VISH: Would you like some tea?
‐ I would love it.

372
00:12:29,640 --> 00:12:31,240
I thought you'd never ask.

373
00:12:32,360 --> 00:12:33,920
‐ I'm sorry.

374
00:12:33,920 --> 00:12:36,240
I just want both of you
to be happy, you know.

375
00:12:36,240 --> 00:12:38,120
SHONA: Ah, don't be silly.
Don't worry.

376
00:12:38,120 --> 00:12:40,800
‐ And honestly, we really do
just love that frame.

377
00:12:40,800 --> 00:12:43,320
Er, Hari told me.

378
00:12:43,320 --> 00:12:45,160
‐ Well, I mean, it's a‐‐
it's a beautiful frame.

379
00:12:45,160 --> 00:12:46,680
‐ [laughs]

380
00:12:46,680 --> 00:12:50,560
SEEMA:
♪ Happy birthday to you ♪

381
00:12:50,560 --> 00:12:51,800
‐ Oh, no.

382
00:12:51,800 --> 00:12:56,120
ALL: ♪ Happy birthday to you ♪

383
00:12:56,120 --> 00:12:57,560
‐ Oh, don't make a fuss.

384
00:12:57,560 --> 00:13:00,640
ALL:
♪ Happy birthday, dear Hari ♪

385
00:13:00,640 --> 00:13:03,160
‐ Oh, he's cry‐‐oh, Dad‐‐
whoa, no crying.

386
00:13:03,160 --> 00:13:04,680
Oh!

387
00:13:04,680 --> 00:13:06,160
Come here.

388
00:13:06,160 --> 00:13:08,320
Oh, now, why are you crying?

389
00:13:08,320 --> 00:13:09,440
It's your birthday.

390
00:13:09,440 --> 00:13:12,640
[overlapping voices]

391
00:13:12,640 --> 00:13:14,760
‐ It's only cake, darling.

392
00:13:14,760 --> 00:13:17,280
‐ Happy birthday, Granddad.

393
00:13:17,280 --> 00:13:19,760
‐ Oh, Sho, could‐‐could you‐‐
could you take a picture?

394
00:13:19,760 --> 00:13:22,280
‐ Yes.

395
00:13:22,280 --> 00:13:23,640
With Hari's phone?

396
00:13:23,640 --> 00:13:24,960
‐ All right, come on.
Stand up, Dad.

397
00:13:24,960 --> 00:13:26,640
SHONA: Okay.

398
00:13:26,640 --> 00:13:27,720
Smize!

399
00:13:27,720 --> 00:13:28,800
‐ Smize!

400
00:13:28,800 --> 00:13:30,800
SHONA:
That's it. Aww.

401
00:13:30,800 --> 00:13:33,040
EILEEN: Now, could somebody
blow the candles out

402
00:13:33,040 --> 00:13:34,440
before the house burns down?

403
00:13:34,440 --> 00:13:37,640
‐ Birthday boy.
‐ Ready? One, two, three.

404
00:13:37,640 --> 00:13:39,240
VISH: Go, go!

405
00:13:39,240 --> 00:13:40,800
All right, keep blowing,
keep blowing, keep blowing.

406
00:13:40,800 --> 00:13:41,960
Two more!

407
00:13:41,960 --> 00:13:44,120
‐ Two more!
‐ Go, go, go, go.

408
00:13:44,120 --> 00:13:47,680
[all cheering]

409
00:13:47,680 --> 00:13:49,560
‐ Right, a song.

410
00:13:49,560 --> 00:13:51,280
Now, my two daughters...

411
00:13:51,280 --> 00:13:52,520
‐ Oh, Mammy, we're not singing.
Stop.

412
00:13:52,520 --> 00:13:53,800
‐ Yes.
‐ No, I don't think so.

413
00:13:53,800 --> 00:13:56,880
‐ They have the voices
of angels.

414
00:13:56,880 --> 00:13:58,440
No, you are going to sing.
SHONA: No. No.

415
00:13:58,440 --> 00:13:59,680
‐ Listen, you can sing
for your supper for once.

416
00:13:59,680 --> 00:14:00,800
‐ No, no, no.

417
00:14:00,800 --> 00:14:02,400
‐ I can sing!

418
00:14:02,400 --> 00:14:05,400
[all cheering]

419
00:14:06,600 --> 00:14:10,400
BUB:
♪ Up above the world so high ♪

420
00:14:10,400 --> 00:14:13,640
♪ Like a diamond in the sky ♪

421
00:14:13,640 --> 00:14:16,680
♪ Twinkle, twinkle,
little star ♪

422
00:14:16,680 --> 00:14:19,520
♪ How I wonder what you are ♪

423
00:14:19,520 --> 00:14:21,000
[all cheering]

424
00:14:21,000 --> 00:14:23,160
‐ Amazing.

425
00:14:23,160 --> 00:14:25,680
‐ Hey, go on.
Sing the song.

426
00:14:25,680 --> 00:14:27,480
‐ Oh, no, Mammy,
we're not singing.
‐ No. No.

427
00:14:27,480 --> 00:14:29,040
‐ The one about the ghosts.

428
00:14:29,040 --> 00:14:30,360
‐ Oh, it's not about ghosts,
Mammy.

429
00:14:30,360 --> 00:14:31,520
‐ It's not‐‐it's not
about ghosts.

430
00:14:31,520 --> 00:14:33,920
EILEEN: Sing it!
BOTH: No.

431
00:14:33,920 --> 00:14:36,320
♪ But you see it's not me ♪

432
00:14:36,320 --> 00:14:38,840
♪ It's not my family ♪

433
00:14:38,840 --> 00:14:41,480
♪ In your head, in your head ♪

434
00:14:41,480 --> 00:14:43,880
♪ They are fighting ♪

435
00:14:43,880 --> 00:14:46,720
♪ With their tanks
and their bombs ♪

436
00:14:46,720 --> 00:14:49,240
♪ And their bombs
and their guns ♪

437
00:14:49,240 --> 00:14:52,000
♪ In your head, in your head ♪

438
00:14:52,000 --> 00:14:54,800
♪ They are crying ♪

439
00:14:54,800 --> 00:14:59,480
♪ In your head, in your head ♪

440
00:14:59,480 --> 00:15:04,240
♪ Zombie, zombie, zombie ♪

441
00:15:04,240 --> 00:15:07,240
[vocalizing]

442
00:15:09,520 --> 00:15:13,520
[discordant vocalizing]

443
00:15:16,400 --> 00:15:19,400
‐ [speaking foreign language]

444
00:15:30,560 --> 00:15:33,560
[tentative piano melody]

445
00:15:33,560 --> 00:15:40,560
♪ ♪

446
00:15:40,560 --> 00:15:42,440
‐ I feel like
an absolute prick.

447
00:15:42,440 --> 00:15:43,960
I'm not, um...

448
00:15:43,960 --> 00:15:45,280
‐ No, you're doing good.
‐ No, it's really good.

449
00:15:45,280 --> 00:15:47,040
‐ It's haunting.
It's very haunting.

450
00:15:47,040 --> 00:15:48,080
ANIL: Is it?

451
00:15:48,080 --> 00:15:51,080
[resumes playing]

452
00:15:51,080 --> 00:15:55,000
♪ ♪

453
00:15:55,000 --> 00:15:58,680
[all cheering]

454
00:15:58,680 --> 00:16:03,560
VISH: That was very good,
Synthesizer Patel.

455
00:16:03,560 --> 00:16:06,120
‐ I don't have a, um, piano
at home, so when I get to‐‐

456
00:16:06,120 --> 00:16:07,240
SHONA: Well, you'd never know.

457
00:16:07,240 --> 00:16:08,680
AINE: You'd never know, no.

458
00:16:08,680 --> 00:16:10,720
It's always a skill to have,
isn't it, piano?

459
00:16:10,720 --> 00:16:12,800
[soft laughter]

460
00:16:12,800 --> 00:16:15,040
‐ So, will the movie star
be singing?

461
00:16:15,040 --> 00:16:16,320
‐ Oh, no, no.

462
00:16:16,320 --> 00:16:18,720
I shun the limelight.
I do.

463
00:16:18,720 --> 00:16:20,280
‐ Aine and Mam do a song.
‐ No, we don't.

464
00:16:20,280 --> 00:16:21,440
We do not any more.
‐ They‐‐yes, well, you do.

465
00:16:21,440 --> 00:16:22,760
‐ We don't, Shona.
‐ What?

466
00:16:22,760 --> 00:16:24,640
‐ You used to love performing
with me.

467
00:16:24,640 --> 00:16:25,840
‐ No, I didn't.
I hated it.

468
00:16:25,840 --> 00:16:27,360
‐ She loved it.
‐ I didn't.

469
00:16:27,360 --> 00:16:29,200
‐ Actually, she used to come
on set with me,

470
00:16:29,200 --> 00:16:33,080
and she would walk up and down,
modeling children's hats...

471
00:16:33,080 --> 00:16:34,600
[chuckles]
Well, because, you see,

472
00:16:34,600 --> 00:16:36,840
I used to wear a different hat
every day

473
00:16:36,840 --> 00:16:38,400
when I was doing the weather.

474
00:16:38,400 --> 00:16:40,920
‐ Oh.
‐ We were a very popular item.

475
00:16:40,920 --> 00:16:42,960
‐ We heard.
So amazing.

476
00:16:42,960 --> 00:16:44,040
‐ [clears throat]

477
00:16:44,040 --> 00:16:45,320
<i>[music playing over phone]</i>

478
00:16:45,320 --> 00:16:47,080
AINE: Shona.
SHONA: What? It slipped.

479
00:16:47,080 --> 00:16:48,720
My finger slipped.
‐ Fucking kill you, seriously.

480
00:16:48,720 --> 00:16:50,160
‐ Don't‐‐don't kick me,
'cause that actually hurt.

481
00:16:50,160 --> 00:16:51,160
‐ Honestly.

482
00:16:51,160 --> 00:16:52,360
‐ You know...

483
00:16:52,360 --> 00:16:53,480
AINE: Ow!
SHONA: Don't do that.

484
00:16:53,480 --> 00:16:55,080
‐ Every now and then...

485
00:16:55,080 --> 00:16:56,160
SHONA: Just do it.

486
00:16:56,160 --> 00:16:57,480
EILEEN: I think you might like

487
00:16:57,480 --> 00:16:59,160
to hear something from us

488
00:16:59,160 --> 00:17:00,880
nice and easy.

489
00:17:00,880 --> 00:17:02,760
SHONA: Do the duet.
‐ Don't pull me. My hair!

490
00:17:02,760 --> 00:17:05,520
EILEEN: But there's just
one thing...

491
00:17:05,520 --> 00:17:07,800
We never, ever do nothing
nice and easy.

492
00:17:07,800 --> 00:17:10,000
SHONA:
Just go over and do the song.
Get up. Do it.

493
00:17:10,000 --> 00:17:12,960
EILEEN: Only do it
nice and rough.

494
00:17:12,960 --> 00:17:14,680
So...
‐ [groans]

495
00:17:14,680 --> 00:17:16,280
‐ We're gonna take the
beginning of this song easy...

496
00:17:16,280 --> 00:17:17,720
‐ Do it!

497
00:17:17,720 --> 00:17:20,120
EILEEN: And then we're gonna
finish it rough.

498
00:17:20,120 --> 00:17:23,800
This is the way we do
"Proud Mary."

499
00:17:23,800 --> 00:17:25,600
Rolling...
‐ ♪ 'Cause we're rolling ♪

500
00:17:25,600 --> 00:17:27,080
‐ Yes! Here we go.

501
00:17:27,080 --> 00:17:29,400
‐ ♪ Rolling ♪
‐ Listen to the song.

502
00:17:29,400 --> 00:17:33,040
‐ ♪ Rolling on the river ♪

503
00:17:33,040 --> 00:17:35,520
♪ Left a good job in the city ♪

504
00:17:35,520 --> 00:17:39,000
♪ 'Cause I was working for
the man every night and day ♪
‐ Night and day!

505
00:17:39,000 --> 00:17:41,240
‐ ♪ And I didn't miss
a minute of sleeping ♪

506
00:17:41,240 --> 00:17:44,000
♪ 'Cause I was worrying
about the way things
might have been ♪

507
00:17:44,000 --> 00:17:47,480
♪ You know, the big wheels
keep on turning ♪

508
00:17:47,480 --> 00:17:50,040
♪ Proud Mary keeps on burning ♪

509
00:17:50,040 --> 00:17:51,800
♪ 'Cause we're rolling ♪

510
00:17:51,800 --> 00:17:55,640
♪ Rolling,
rolling on the river ♪

511
00:17:55,640 --> 00:17:57,640
ALL: ♪ Rolling ♪

512
00:17:57,640 --> 00:17:59,080
♪ Rolling ♪

513
00:17:59,080 --> 00:18:04,840
♪ Rolling on the river ♪

514
00:18:04,840 --> 00:18:06,040
SHONA: Whoo!

515
00:18:09,840 --> 00:18:11,960
SEEMA: Really good
to see you, darling.

516
00:18:11,960 --> 00:18:13,240
‐ You'll never get rid of us.
‐ Oh, thank you so much
for coming.

517
00:18:13,240 --> 00:18:15,560
‐ Thank you.
Food was delicious.

518
00:18:15,560 --> 00:18:17,440
SHONA: Um...
‐ Where's your coat?

519
00:18:17,440 --> 00:18:18,800
‐ Er, I'm gonna stay here
for a bit,

520
00:18:18,800 --> 00:18:20,640
so you two head back together,
yeah?

521
00:18:20,640 --> 00:18:22,000
BOTH: What?
‐ Yeah, I'll bring your bag.

522
00:18:22,000 --> 00:18:23,680
Aine has my keys.
She'll let you in.

523
00:18:23,680 --> 00:18:27,680
‐ [stammers] But how
will we find the train station?

524
00:18:27,680 --> 00:18:29,720
‐ We'll be grand,
if you draw us a map.

525
00:18:29,720 --> 00:18:32,680
‐ No, you'll be grand
because you have phones,

526
00:18:32,680 --> 00:18:34,240
and you're not five years old.

527
00:18:34,240 --> 00:18:36,080
‐ Right.
SHONA: Right.

528
00:18:36,080 --> 00:18:37,400
‐ Bye. See you
back at your place later.

529
00:18:37,400 --> 00:18:38,640
‐ Bye.
‐ Love you.

530
00:18:38,640 --> 00:18:41,200
‐ Love you too.
‐ I really do.

531
00:18:42,680 --> 00:18:44,360
‐ [whispering]
Are you pissed off with me?

532
00:18:44,360 --> 00:18:46,240
‐ [whispering] No, I'm not
pissed off with you. What?

533
00:18:46,240 --> 00:18:47,520
EILEEN: No tears, hmm?

534
00:18:47,520 --> 00:18:49,000
‐ Bye!

535
00:18:49,000 --> 00:18:50,520
[overlapping voices]

536
00:18:50,520 --> 00:18:52,520
EILEEN: I know it was hard.
ANIL: Safe trip.

537
00:18:52,520 --> 00:18:54,840
EILEEN:
All right, bye. Bye.

538
00:19:03,080 --> 00:19:04,960
Your singing was really good.
I‐‐

539
00:19:04,960 --> 00:19:08,200
‐ Shouldn't have said to Shona
about having kids, by the way.

540
00:19:08,200 --> 00:19:09,840
‐ You shouldn't have been
so narky

541
00:19:09,840 --> 00:19:11,720
just 'cause some auld fella
never texted you back.

542
00:19:11,720 --> 00:19:13,800
‐ Don't, Mam,
he's not an auld fella.
I work for him.

543
00:19:13,800 --> 00:19:16,240
So just try and hurry up.
We're gonna miss this train.

544
00:19:18,520 --> 00:19:21,520
‐ Oh!
‐ Oh, God. Excuse me,
that's my mother!

545
00:19:21,520 --> 00:19:25,560
‐ Sorry.
‐ She's disabled. Jesus.

546
00:19:25,560 --> 00:19:28,240
‐ Sorry.
‐ Christ.

547
00:19:28,240 --> 00:19:29,680
‐ Thanks.
‐ No, Mammy, stop.

548
00:19:29,680 --> 00:19:31,240
You all right?

549
00:19:35,800 --> 00:19:36,920
[sighs]

550
00:19:38,120 --> 00:19:40,880
‐ And you did love
coming to set with me.

551
00:19:40,880 --> 00:19:43,000
You know,
all those things I did,

552
00:19:43,000 --> 00:19:45,760
like wearing
those stupid hats,

553
00:19:45,760 --> 00:19:48,200
I mean, that's what paid
for your drama classes

554
00:19:48,200 --> 00:19:49,960
and Shona's riding lessons

555
00:19:49,960 --> 00:19:52,040
and all those "Adidaz shoezy."

556
00:19:52,040 --> 00:19:53,800
‐ Adidas.

557
00:19:53,800 --> 00:19:56,760
‐ Adidas shoes.

558
00:19:56,760 --> 00:19:58,160
[sighs]
Yeah.

559
00:19:58,160 --> 00:20:00,320
Well, I was just trying
to do my best.

560
00:20:00,320 --> 00:20:01,520
‐ Yeah, well, your best
didn't work, did it?

561
00:20:01,520 --> 00:20:02,960
'Cause look at me.

562
00:20:02,960 --> 00:20:04,600
‐ And why are you so angry
all the time?

563
00:20:04,600 --> 00:20:06,160
I mean, what have I done?
I didn't do anything.

564
00:20:06,160 --> 00:20:07,920
‐ Oh, what have you done?
Exactly, Mammy!

565
00:20:07,920 --> 00:20:09,560
Exactly!
You didn't do anything.

566
00:20:09,560 --> 00:20:11,240
‐ What are you on about now?
‐ You didn't do anything.

567
00:20:11,240 --> 00:20:12,400
You didn't come and get me.

568
00:20:12,400 --> 00:20:14,200
‐ Come and get you?
‐ Yes!

569
00:20:14,200 --> 00:20:16,440
‐ What?

570
00:20:16,440 --> 00:20:18,880
‐ I wanted you
to come and get me, Mammy.

571
00:20:18,880 --> 00:20:21,120
I wanted you to come down
to that place

572
00:20:21,120 --> 00:20:23,080
and take me out of there,
and take me home

573
00:20:23,080 --> 00:20:24,480
and make me better.

574
00:20:24,480 --> 00:20:26,760
‐ Aine, those people in there,

575
00:20:26,760 --> 00:20:27,840
they knew what they were doing.

576
00:20:27,840 --> 00:20:29,160
What help would I have been?

577
00:20:29,160 --> 00:20:31,960
‐ You're my Mammy, that's why!

578
00:20:34,280 --> 00:20:36,320
I just wanted you to try.

579
00:20:36,320 --> 00:20:39,280
Instead of all this‐‐
all this pretence.

580
00:20:39,280 --> 00:20:41,280
Like I'm fine.
Like everything's fine.

581
00:20:41,280 --> 00:20:42,800
Like it's grand, like...

582
00:20:42,800 --> 00:20:44,920
"And she broke her leg."
I hate it.

583
00:20:44,920 --> 00:20:46,400
‐ Well, that's what you told me
to say.

584
00:20:46,400 --> 00:20:49,400
‐ Only to family
if they asked me where I was.

585
00:20:49,400 --> 00:20:50,680
I was so low, Mammy.

586
00:20:50,680 --> 00:20:52,080
You've no idea
what it was like.

587
00:20:52,080 --> 00:20:54,200
‐ Oh, I have an idea,
believe you me.

588
00:20:54,200 --> 00:20:55,960
‐ Oh, really?
‐ I know.

589
00:20:55,960 --> 00:20:58,320
‐ Oh, yeah, what, was bingo
difficult one night? Christ.

590
00:20:58,320 --> 00:21:00,520
‐ I bloody know!

591
00:21:00,520 --> 00:21:02,480
I left Shona.

592
00:21:02,480 --> 00:21:05,440
When she was born, I left her.

593
00:21:05,440 --> 00:21:07,240
For three months,
I left her,

594
00:21:07,240 --> 00:21:10,080
because I didn't want her.

595
00:21:17,160 --> 00:21:18,720
‐ Mam.

596
00:21:18,720 --> 00:21:20,160
EILEEN: [sniffles]

597
00:21:24,400 --> 00:21:27,360
I just‐‐I just couldn't.

598
00:21:36,080 --> 00:21:38,760
‐ I'm sorry, Mama.

599
00:21:38,760 --> 00:21:40,360
‐ But you are brilliant.

600
00:21:40,360 --> 00:21:42,120
‐ Oh...
‐ You are.

601
00:21:42,120 --> 00:21:44,120
And why wouldn't you
be brilliant?

602
00:21:44,120 --> 00:21:46,840
You're my daughter.

603
00:21:46,840 --> 00:21:49,120
And I just want you
to find someone

604
00:21:49,120 --> 00:21:51,160
who will make you see that.

605
00:21:51,160 --> 00:21:53,640
AINE: Mammy, a man
isn't gonna fix me.

606
00:21:53,640 --> 00:21:54,840
EILEEN: I know.

607
00:21:58,560 --> 00:22:01,960
Bit of sex would be nice.
‐ Oh, God, yuck. Don't.

608
00:22:03,840 --> 00:22:07,600
‐ Oh, and if you tell Shona
I left her, I'll kill you.

609
00:22:07,600 --> 00:22:09,160
And...

610
00:22:09,160 --> 00:22:11,720
well, could you just
ring me sometimes?

611
00:22:11,720 --> 00:22:14,000
‐ Mammy, you have to work out
how to use FaceTime properly.

612
00:22:14,000 --> 00:22:17,480
The top of your head‐‐
‐ It's very lonely, Aine.

613
00:22:17,480 --> 00:22:19,920
You know, most of my friends,
half of them are dead.

614
00:22:23,280 --> 00:22:26,240
‐ Did you kill them?

615
00:22:26,240 --> 00:22:27,880
‐ Only Louise Gallagher,

616
00:22:27,880 --> 00:22:30,560
because she was
so fucking annoying.

617
00:22:30,560 --> 00:22:31,560
‐ [laughs]

618
00:22:31,560 --> 00:22:32,560
[phone buzzes]

619
00:22:32,560 --> 00:22:35,160
[gasps]

620
00:22:35,160 --> 00:22:36,200
Oh, my God, Mammy,
he texted back.

621
00:22:36,200 --> 00:22:38,360
‐ Go on.
What did he say?

622
00:22:38,360 --> 00:22:39,560
[mumbles]

623
00:22:41,120 --> 00:22:43,360
"Ha ha."

624
00:22:43,360 --> 00:22:45,480
God, that's a bit
of an anticlimax.

625
00:22:45,480 --> 00:22:46,680
Jesus.

626
00:22:46,680 --> 00:22:48,600
You have to be careful
with men.

627
00:22:48,600 --> 00:22:50,360
They don't always get jokes.

628
00:22:50,360 --> 00:22:52,080
‐ No.

629
00:22:52,080 --> 00:22:54,560
Also annoyingly, Shona didn't
get us return tickets.

630
00:22:54,560 --> 00:22:55,600
‐ What?
‐ Yeah.

631
00:22:55,600 --> 00:22:56,960
Don't worry, I'll get them.

632
00:22:56,960 --> 00:22:58,120
EILEEN:
No, I'm getting the tickets.

633
00:22:58,120 --> 00:22:59,560
AINE: No, Mammy,
I'm getting them.

634
00:22:59,560 --> 00:23:01,000
You're disabled,
so they will be half price.

635
00:23:01,000 --> 00:23:02,600
EILEEN: I am not disabled.
AINE: You are.

636
00:23:02,600 --> 00:23:04,000
EILEEN: I am getting
both tickets,

637
00:23:04,000 --> 00:23:05,800
and they will both be
full fare.

638
00:23:07,000 --> 00:23:09,760
SINGER: ♪ Listen to your mama,
she won't lead you astray ♪

639
00:23:09,760 --> 00:23:11,760
SINGERS:
♪ Listen to your mama ♪

640
00:23:11,760 --> 00:23:14,120
SINGER: ♪ I'm sure mama knows
what life's all about ♪

641
00:23:14,120 --> 00:23:16,680
♪ A little bit more
than you do ♪

642
00:23:16,680 --> 00:23:18,720
♪ I'm in trouble,
so listen to your mama ♪

643
00:23:18,720 --> 00:23:21,560
♪ Or you'll be in trouble too ♪

644
00:23:23,160 --> 00:23:27,920
♪ I was born in a city on a
little row house street, yeah ♪

645
00:23:27,920 --> 00:23:29,320
♪ Around the corner
from the store ♪

646
00:23:29,320 --> 00:23:32,560
♪ Where the crowd
used to meet ♪

647
00:23:32,560 --> 00:23:35,560
♪ Mama told me I better
stay away from that crowd ♪