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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[CLICK ON]

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♪ ♪

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>> Cord: GOOD MORNING.

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GOOD AFTERNOON -- WHATEVER TIME

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IT IS IN YOUR WORLD...

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WE INVITE YOU TO THE WEDDING OF

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THE CENTURY.

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THE MAJESTY!

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THE POMP!

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THE PAGEANTRY!

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THE GLORY AND THE LUXURY.

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A FAIRY TALE FOR ALL TIME.

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TWO COUNTRIES COME TOGETHER IN

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THIS HISTORIC CELEBRATION OF

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LOVE TO WITNESS THE UNION

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OF THE AMERICAN, MEGHAN MARKLE

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AND PRINCE HARRY OF ENGLAND.

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AMERICA.

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ENGLAND.

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TWO BITTER ENEMIES WILL PUT DOWN

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THEIR SWORDS, IF JUST FOR A DAY,

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IN FAVOR OF LOVE.

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FOR LOVE IS THE WEAPON AND OUR

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HEARTS ARE THE BATTLEFIELD.

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MEGHAN.

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HARRY.

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A LOVE STORY FOR THE AGES.

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MAY 19TH.

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2018.

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>> Announcer: FROM LONDON,

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ENGLAND, AND THE CITY OF

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WINDSOR, A VERY SPECIAL

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PRESENTATION OF...

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THE ROYAL WEDDING LIVE!

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WITH YOUR HOSTS, CORD HOSENBECK

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AND TISH CATTIGAN!

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HERE'S CORD AND TISH...

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>> Cord: HELLO, EVERYONE.

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I'M CORD HOSENSBECK AND

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ALONGSIDE ME AS ALWAYS, MY GOOD,

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GOOD FRIEND.

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TISH CATTIGAN.

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TISH, IS THIS SPECIAL OR WHAT?

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>> Tish: CORD, I HAVEN'T STOPPED

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CRYING SINCE WE GOT OFF THE

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PLANE.

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>> Cord: IT'S TRUE, FOLKS.

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THIS WOMAN HAS BEEN A WRECK!

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>> Tish: WEDDINGS MAKE ME CRY.

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I GET SO EMOTIONAL.

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>> Cord: WELL, TRY TO HOLD IT

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IN!

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PLEASE!

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WE'VE DONE SO MANY IMPORTANT

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EVENTS OVER THE YEARS.

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THE ROSE PARADE IN PASADENA.

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THE SANTA BARBARA KENNEL SHOW.

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THE WOMEN'S GYMNASTIC REGIONALS

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IN PHOENIX.

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THE DEMOLITION DERBY.

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I COULD GO ON AND ON.

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>> Tish: SO MANY IMPORTANT

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EVENTS.

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>> Cord: IS THERE ANYTHING

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BIGGER THAN THIS?

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>> Tish: IT MIGHT BE TOO BIG,

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CORD!

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HERE WE ARE LIVE FROM LONDON,

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ENGLAND, JUST A STONES THROW

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AWAY FROM WINDSOR.

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AND YOU CAN JUST FEEL THE

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EXCITEMENT IN THE AIR.

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CAN'T YOU, CORD?

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>> Cord: IT IS PALPABLE.

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I'M GOING TO SAY IT, THIS EVENT

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IS WAY TOO BIG FOR US.

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HBO HAS MADE A HUGE MISTAKE.

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THEY HAVE BILL MAUL!

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THEY HAVE BRYANT GUMBEL!

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IT'S A BIG GAMBLE GOING WITH

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US...

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BUT HERE WE ARE, AND WE ARE

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GOING TO MAKE THE BEST OF IT!

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>> Tish: THANK YOU FOR THE

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OPPORTUNITY, HBO.

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AND CORD, TAKE A LOOK AT WHAT'S

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BEHIND US.

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>> Cord: THAT'S THE TOWER BRIDGE

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RIGHT BEHIND US, FOLKS!

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THAT'S A BOATLOAD OF HISTORY!

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A HUGE, OLD CRUISE SHIP FULL OF

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HISTORY.

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BUT THROW THE HISTORY BOOKS OUT.

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ALL OF ENGLAND, MAYBE ALL OF THE

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WORLD, HAS STOPPED WHATEVER

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THEY'RE DOING FOR THIS VERY

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IMPORTANT DAY.

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THE WEDDING OF PRINCE HARRY AND

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THE AMERICAN MEGHAN MARKLE.

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AND AS TISH SAID, WE ARE WAITING

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IN GREAT ANTICIPATION FOR WHEN

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THE TWO NEWLYWEDS STEP

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OUT OF THE CHAPEL OVER IN

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WINDSOR...

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AND HOPEFULLY, GIVE US A SPECIAL

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KISS.

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I'M HOPING!

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>> Tish: OKAY, YOU ARE LOOKING

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AT A LIVE SHOT OF ST. GEORGE'S

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CHAPEL, WHERE THE CEREMONY IS

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BEING PERFORMED.

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AS WE UNDERSTAND, THE WEDDING

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PARTY WILL STEP OUT OF ST.

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GEORGE'S CHAPEL AFTER THE

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CEREMONY, SHARE A FEW MOMENTS

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WITH THE CROWD -- PERHAPS HAVE

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SOME PICTURES TAKEN, AND

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THEN THEY WILL CLIMB ABOARD A

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BEAUTIFUL CARRIAGE AND PARADE

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THROUGH THE STREETS OF WINDSOR.

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>> Cord: A HORSE DRAWN CARRIAGE?

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>> Tish: YES, CORD.

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IT'S GOING TO BE MAGNIFICENT!

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>> Cord: OKAY.

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AS YOU KNOW...

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NOT A BIG FAN OF HORSES.

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THEY JUST SCARE ME.

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BUT HERE'S WHERE YOU PUT THE

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JOURNALISM CAP ON AND TRY TO BE

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A PRO.

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>> Tish: OH, CORD, IT'S GOING TO

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BE FINE!

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THE CARRIAGE WILL PARADE THROUGH

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THE STREETS, THEN IT'S BACK TO

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WINDSOR CASTLE WHERE THERE WILL

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BE A RECEPTION.

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>> Cord: JUST WISH SOMEONE WOULD

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HAVE TOLD ME IN ADVANCE ABOUT

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THE HORSES.

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ANYWAY, IT LOOKS LIKE MAYBE A

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MILLION, MAYBE A HUNDRED MILLION

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PEOPLE, HAVE GATHERED OUTSIDE

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JUST TO GET A GLIMPSE OF THESE

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TWO SPECIAL PEOPLE.

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TISH, YOUR IMPRESSIONS LEADING

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UP TO THIS GREAT DAY?

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>> Tish: WELL, CORD, AS YOU

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KNOW, PRINCE HARRY IS A VIRGO

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AND MEGHAN IS A LEO.

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THAT'S USUALLY A CHALLENGING

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RELATIONSHIP BECAUSE THE FIERY,

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PASSIONATE LEO CAN OVERWHELM THE

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STABLE, PRACTICAL VIRGO.

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NOT TO MENTION THAT HARRY'S

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NATAL MOON IS OPPOSITE FROM

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MEGHAN'S NATAL URANUS.

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BUT THESE TWO HAVE PROVEN THAT

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OPPOSITES REALLY DO ATTRACT!

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>> Cord: TISH, I'M GONNA BE A

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STRAIGHT SHOOTER WITH YOU HERE.

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I'VE SAID IT IN THE PAST, WHEN

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YOU GET GOING ON THIS KIND OF

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STUFF, I TUNE OUT.

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>> Tish: VIRGOS AND LEOS MAKE

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STRANGE LOVERS.

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THAT'S JUST A KNOWN ASTROLOGICAL

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FACT.

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BUT I AM ROOTING FOR THEM.

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I AM!

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>> Cord: IF YOU'RE NOT ROOTING

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FOR THESE TWO BEAUTIFUL YOUNG

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LOVERS, THEN YOU ARE EITHER A

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REAL HATER OR YOU ARE DEAD!

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>> Tish: THERE ARE NO HATERS ON

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THE STREETS OF WINDSOR TODAY!

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>> Cord: SPEAKING OF THE STREETS

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OF WINDSOR, TISH.

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YOU KNOW WHO IS DOWN THERE NOW?

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>> Tish: WHO IS DOWN THERE?

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>> Cord: IT'S OUR GOOD FRIEND

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AND LONGTIME PARTNER, MR. TIM

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MEADOWS.

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[LAUGHTER]

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>> Tim: HEY, GUYS.

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I'M STANDING HERE ON WHAT IS

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KNOWN AS THE LONG WALK, WHERE

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HARRY AND MEGHAN WILL ROLL PAST

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IN THEIR FAIRY BOOK CHARIOT, AS

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THEY HEAD BACK INTO

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WINDSOR CASTLE TO START THEIR

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NEW LIVES AS HUSBAND AND WIFE.

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THROUGHOUT THE BROADCAST, I'LL

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BE REPORTING FROM HERE IN

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WINDSOR, WHERE PEOPLE HAVE

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BEEN GATHERING SINCE LATE LAST

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NIGHT JUST TO GET A GLIMPSE OF

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HISTORY IN THE MAKING.

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>> Cord: OKAY, TIM, WE'LL LOOK

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FORWARD TO THAT.

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DOES HE LOOK A LITTLE HEAVIER

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THAN WHEN WE LAST SAW HIM?

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>> Tish: HE DOES.

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I'M SURE HE DOESN'T WANT TO TALK

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ABOUT IT, THOUGH.

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PEOPLE GAIN WEIGHT FOR ALL KINDS

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OF REASONS.

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>> Cord: OF COURSE.

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I'LL LEAVE IT ALONE...

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BUT IT'S NOTICEABLE.

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>> Tim: GUYS, I CAN HEAR YOU.

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>> Cord: A FEW MONTHS AGO HE

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WAS SLIM AND FIT.

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NOW HE LOOKS LIKE HE HASN'T

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STOPPED EATING.

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>> Tim: I CAN STILL HEAR YOU.

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MY KIDS ARE WATCHING THIS.

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>> Cord: OH, OKAY, HIS MIKE IS

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STILL ON.

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THANK YOU, THANK YOU, MY FRIEND.

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WE WILL CHECK BACK WITH YOU

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LATER.

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ANYWAY, WE WILL BE CHECKING WITH

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TIM.

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HE MIXES IT UP ALONG THE LONG

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WALK.

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SO MUCH FUN AND IT IS JUST

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STARTING.

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>> Tish: HE'S RIGHT THERE IN

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THE MIDDLE OF ALL THE HUBBUB.

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>> Cord: I HOPE PEOPLE HAVE

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ALREADY FINISHED WITH THEIR

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PICNIC LUNCHES BECAUSE HE WILL

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PROBABLY EAT WHATEVER IS LEFT.

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HE'S EATING IT ALL UP,

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LITERALLY.

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HE'S EATING THE TOWN OF WINDSOR

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UP.

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TISH, IT'S SO EARLY BACK HOME IN

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THE U.S.

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FOR THOSE PEOPLE WHO ARE JUST

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WAKING UP AND HAVE MISSED ALL

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THE GREAT STUFF THAT HAS ALREADY

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HAPPENED TODAY, CAN YOU JUST

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CATCH EVERYONE UP TO SPEED?

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>> Tish: I WOULD BE HAPPY TO.

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WHAT A DAY IT HAS BEEN.

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EARLY IN THE MORNING, THE CROWDS

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STARTED COMING INTO WINDSOR...

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THE STREETS ALL ALONG THE

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PROCESSION ROUTE, WE SAW THE

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FIRST ARRIVAL OF THE GUE GUE.

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DIGNITARIES AND MILITARY MEN AND

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FRIENDS OF BOTH PARTIES.

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WOMEN DECKED OUT IN THEIR BEST

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FINERY AND OF COURSE THE HATS,

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THE BEAUTIFUL HATS -- THE

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FASCINATORS AS THEY ARE KNOWN --

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AFTER THE FIRST GROUP OF

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00:08:13,567 --> 00:08:14,533
ARRIVALS, IT WAS TIME FOR THE

262
00:08:14,600 --> 00:08:15,166
ROYAL FAMILY AND, OF COURSE, THE

263
00:08:15,233 --> 00:08:15,867
QUEEN.

264
00:08:15,934 --> 00:08:17,567
BUT ON THIS SPECIAL DAY, SHE

265
00:08:17,633 --> 00:08:18,734
WILLINGLY TAKES A BACK SEAT TO

266
00:08:18,800 --> 00:08:21,500
THE BRIDE.

267
00:08:21,567 --> 00:08:25,667
MEGHAN MARKLE.

268
00:08:25,734 --> 00:08:26,467
HER CAR MAKES ITS WAY THROUGH

269
00:08:26,533 --> 00:08:29,100
THE STREETS.

270
00:08:29,166 --> 00:08:31,133
ALL EYES ARE ON MEGHAN THIS

271
00:08:31,200 --> 00:08:35,233
MORNING.

272
00:08:35,300 --> 00:08:36,300
>> Cord: AND THAT IS WHERE WE

273
00:08:36,367 --> 00:08:36,467
ARE.

274
00:08:36,533 --> 00:08:38,600
WE ANXIOUSLY AWAIT THE NEWLYWEDS

275
00:08:38,667 --> 00:08:42,400
AS THEY LEAVE THE CHURCH,

276
00:08:42,467 --> 00:08:47,533
HUSBAND AND WIFE.

277
00:08:47,600 --> 00:08:51,867
HOLD ON, HOLD ON, THEY ARE

278
00:08:51,934 --> 00:08:52,633
COMING OUT OF THE CHURCH.

279
00:08:52,700 --> 00:08:53,166
CAN WE CUT TO THE CHURCH?

280
00:08:53,233 --> 00:08:54,000
HERE THEY COME!

281
00:08:54,066 --> 00:08:54,700
♪ HERE COMES THE BRIDE! ♪

282
00:08:54,767 --> 00:08:59,000
♪ HERE COMES THE BRIDE! ♪

283
00:08:59,066 --> 00:09:01,100
YES!

284
00:09:01,166 --> 00:09:02,200
YES!

285
00:09:02,266 --> 00:09:02,934
>> Tish: CORD.

286
00:09:03,000 --> 00:09:03,600
NOTHING'S HAPPENING.

287
00:09:03,667 --> 00:09:04,667
IT'S NOT TIME.

288
00:09:04,734 --> 00:09:05,500
DON'T POUR CHAMPAGNE, IT'S NOT

289
00:09:05,567 --> 00:09:06,233
TIME.

290
00:09:06,300 --> 00:09:06,967
>> Cord: I JUST GOT TOO DARN

291
00:09:07,033 --> 00:09:11,834
EXCITED.

292
00:09:11,900 --> 00:09:12,900
>> Tish: YOU NEED TO CLEAN

293
00:09:12,967 --> 00:09:15,633
YOURSELF UP.

294
00:09:15,700 --> 00:09:21,400
CALM DOWN, CORD, YOU ARE GETTING

295
00:09:21,467 --> 00:09:22,467
AHEAD OF YOURSELF.

296
00:09:22,533 --> 00:09:23,433
THEY ARE STILL IN THE CHURCH.

297
00:09:23,500 --> 00:09:24,166
>> Cord: I HAVE TO BREATHE,

298
00:09:24,233 --> 00:09:25,033
I'M SO EXCITED.

299
00:09:25,100 --> 00:09:26,200
>> Tish: [LAUGHS]

300
00:09:26,266 --> 00:09:27,734
>> Cord: FIRST MISTAKE OF THE

301
00:09:27,800 --> 00:09:28,900
DAY RIGHT THERE.

302
00:09:28,967 --> 00:09:30,734
>> Tish: GO WITH THE FLOW.

303
00:09:30,800 --> 00:09:31,300
>> Cord: WHAT'S GOING ON IN

304
00:09:31,367 --> 00:09:31,667
THE CHURCH?

305
00:09:31,734 --> 00:09:32,700
DO WE KNOW?

306
00:09:32,767 --> 00:09:33,834
>> Tish: WELL, THE SERVICE

307
00:09:33,900 --> 00:09:38,700
ITSELF IS BEING PERFORMED BY THE

308
00:09:38,767 --> 00:09:39,967
HEAD OF ST. GEORGE'S CHAPEL...

309
00:09:40,033 --> 00:09:40,800
AND THE ARCHIBISHOP OF

310
00:09:40,867 --> 00:09:42,400
CANTERBURY, JUSTIN WELBY IS

311
00:09:42,467 --> 00:09:43,400
PRESIDING OVER THE VOWS.

312
00:09:43,467 --> 00:09:44,100
>> Cord: HE'S ONE OF MY FAVORITE

313
00:09:44,166 --> 00:09:45,133
ARCHBISHOPS!

314
00:09:45,200 --> 00:09:46,834
>> Tish: EVEN THOUGH HE'S THE

315
00:09:46,900 --> 00:09:47,633
SPIRITUAL LEADER OF 85 MILLION

316
00:09:47,700 --> 00:09:49,133
MEMBERS OF THE ANGLICAN

317
00:09:49,200 --> 00:09:50,300
CHURCH, HE ACTUALLY ADMITTED

318
00:09:50,367 --> 00:09:52,300
THAT HE FEELS NERVOUS AND IS

319
00:09:52,367 --> 00:09:52,734
WORRIED THAT HE'LL

320
00:09:52,800 --> 00:09:53,834
ACCIDENTALLY DROP THE WEDDING

321
00:09:53,900 --> 00:09:57,300
RINGS.

322
00:09:57,367 --> 00:10:00,300
ISN'T THAT INTERESTING?

323
00:10:00,367 --> 00:10:01,166
>> Cord: I WOULD DROP THOSE

324
00:10:01,233 --> 00:10:01,967
RINGS!

325
00:10:02,033 --> 00:10:03,533
I AM ALL THUMBS WHEN IT COMES TO

326
00:10:03,600 --> 00:10:04,533
STUFF LIKE THAT.

327
00:10:04,600 --> 00:10:05,433
AND I WOULD DROP THOSE RINGS!

328
00:10:05,500 --> 00:10:06,633
I'D DROP THEM AND THEY'D ROLL

329
00:10:06,700 --> 00:10:07,734
OUT OF THE CHURCH AND DOWN A

330
00:10:07,800 --> 00:10:12,100
STORM DRAIN.

331
00:10:12,166 --> 00:10:13,700
I'D BE TRYING TO FISH THEM OUT

332
00:10:13,767 --> 00:10:18,567
WITH SOME STRING AND A MAGNET.

333
00:10:18,633 --> 00:10:22,000
FIGHTING A RAT FOR THEM.

334
00:10:22,066 --> 00:10:25,066
A STINKY SEWER RAT.

335
00:10:25,133 --> 00:10:25,800
FOR THE RINGS.

336
00:10:25,867 --> 00:10:28,700
WHO ELSE IS IN THERE?

337
00:10:28,767 --> 00:10:29,667
>> Tish: THERE ARE OVER 600

338
00:10:29,734 --> 00:10:30,300
INVITED GUESTS IN THE CHAPEL TO

339
00:10:30,367 --> 00:10:31,600
WITNESS THIS VERY SPECIAL EVENT.

340
00:10:31,667 --> 00:10:32,200
HARRY'S GRANDFATHER,

341
00:10:32,266 --> 00:10:34,633
PRINCE PHILIP, THE DUKE OF

342
00:10:34,700 --> 00:10:37,367
EDINBURGH, HARRY'S FATHER, OF

343
00:10:37,433 --> 00:10:42,000
COURSE, THE PRINCE OF WALES.

344
00:10:42,066 --> 00:10:43,100
CHARLES.

345
00:10:43,166 --> 00:10:44,533
AND HIS WIFE, CAMILLA, DUCHESS

346
00:10:44,600 --> 00:10:45,200
OF CORNWALL...

347
00:10:45,266 --> 00:10:46,000
HARRY'S BROTHER, WILLIAM, OF

348
00:10:46,066 --> 00:10:46,734
COURSE.

349
00:10:46,800 --> 00:10:53,033
AND KATE MIDDLETON, WHO JUST

350
00:10:53,100 --> 00:10:54,934
GAVE BIRTH TO HER PRECIOUS SON,

351
00:10:55,000 --> 00:10:55,533
PRINCE LOUIS, THREE AND A HALF

352
00:10:55,600 --> 00:10:58,400
WEEKS AGO.

353
00:10:58,467 --> 00:10:58,934
LOUIS IS NOT COMING TO THE

354
00:10:59,000 --> 00:10:59,200
WEDDING.

355
00:10:59,266 --> 00:10:59,834
HE WILL BE STAYING AT HOME WITH

356
00:10:59,900 --> 00:11:00,333
A BABYSITTER.

357
00:11:00,400 --> 00:11:01,266
>> Cord: THAT'S GREAT.

358
00:11:01,333 --> 00:11:01,900
I'M GLAD THEY WERE ABLE TO GET A

359
00:11:01,967 --> 00:11:04,967
BABYSITTER.

360
00:11:05,033 --> 00:11:07,500
THAT'S TOUGH ON A BUSY HOLIDAY.

361
00:11:07,567 --> 00:11:12,266
>> Tish: I'M SURE SHE'S

362
00:11:12,333 --> 00:11:14,567
FEELS LIKE SHE'S PART OF THE

363
00:11:14,633 --> 00:11:15,800
CEREMONY.

364
00:11:15,867 --> 00:11:16,433
MEGHAN MARKLE'S MOTHER, DORIA

365
00:11:16,500 --> 00:11:17,667
RAGLAND, IS IN THERE.

366
00:11:17,734 --> 00:11:18,300
SHE'S A YOGA INSTRUCTOR AND A

367
00:11:18,367 --> 00:11:18,734
VERY SPIRITUAL LADY.

368
00:11:18,800 --> 00:11:19,300
SHE WORKS WITH THE GERIATRIC

369
00:11:19,367 --> 00:11:19,567
COMMUNITY.

370
00:11:19,633 --> 00:11:20,433
HARRY'S BEST FRIEND FROM ETON,

371
00:11:20,500 --> 00:11:21,934
TOM INSKIP, IS IN THERE ALONG

372
00:11:22,000 --> 00:11:23,333
WITH A BUNCH OF HIS FRIENDS

373
00:11:23,400 --> 00:11:24,633
FROM SCHOOL AND FROM HIS TIME IN

374
00:11:24,700 --> 00:11:26,033
THE MILITARY.

375
00:11:26,100 --> 00:11:26,967
>> Cord: THEY MUST HAVE SUCH

376
00:11:27,033 --> 00:11:30,834
CAMARADERIE.

377
00:11:30,900 --> 00:11:31,967
>> Tish: SINGER JOSS STONE, A

378
00:11:32,033 --> 00:11:32,567
LONGTIME FRIEND OF THE ROYALS,

379
00:11:32,633 --> 00:11:35,200
IS IN THERE.

380
00:11:35,266 --> 00:11:37,066
LATE NIGHT TALK SHOW HOST JAMES

381
00:11:37,133 --> 00:11:42,700
CORDEN AND TENNIS STAR SERENA

382
00:11:42,767 --> 00:11:46,700
WILLIAMS ARE INSIDE AS WELL.

383
00:11:46,767 --> 00:11:48,734
LOOK HOW ELEGANT SERENA LOOKS.

384
00:11:48,800 --> 00:11:51,266
MEGHAN, AS YOU KNOW, HAS ALSO

385
00:11:51,333 --> 00:11:54,900
INVITED CAST MEMBERS FROM HER

386
00:11:54,967 --> 00:11:55,800
HIT SHOW "SUITS" TO THE

387
00:11:55,867 --> 00:11:57,233
WEDDING.

388
00:11:57,300 --> 00:11:58,133
>> Cord: "SUITS!"

389
00:11:58,200 --> 00:11:58,934
I JUST LOVE IT!

390
00:11:59,000 --> 00:12:02,467
>> Tish: YOU DO?

391
00:12:02,533 --> 00:12:05,433
>> Cord: YES!

392
00:12:05,500 --> 00:12:11,300
I LOVE ALL THOSE SHOWS.

393
00:12:11,367 --> 00:12:13,934
"ROYAL PAINS," USA NETWORK.

394
00:12:14,000 --> 00:12:17,166
ALL THE WAY.

395
00:12:17,233 --> 00:12:17,767
PRACTICALLY MY FAVORITE, AFTER

396
00:12:17,834 --> 00:12:21,367
"QUANTICO."

397
00:12:21,433 --> 00:12:23,900
>> Tish: OH, "QUANTICO," I

398
00:12:23,967 --> 00:12:26,633
KNOW THAT.

399
00:12:26,700 --> 00:12:29,000
>> Cord: FOR THOSE OF YOU NOT

400
00:12:29,066 --> 00:12:32,166
FAMILIAR WITH "SUITS," LOOK AT

401
00:12:32,233 --> 00:12:33,200
THIS.

402
00:12:33,266 --> 00:12:33,867
"SUITS" IS A SHOW THAT GOES

403
00:12:33,934 --> 00:12:34,500
BEHIND THE SCENES OF HIGH-STAKES

404
00:12:34,567 --> 00:12:35,400
WORLD OF QUALITY MENSWEAR,

405
00:12:35,467 --> 00:12:36,133
WHERE EGOS ARE HIGH AND THREAD

406
00:12:36,200 --> 00:12:37,533
COUNTS ARE HIGHER.

407
00:12:37,600 --> 00:12:40,000
IT'S A WORLD OF INTRIGUE AND

408
00:12:40,066 --> 00:12:40,900
HIGH FASHION, EVERYONE WEARS A

409
00:12:40,967 --> 00:12:43,100
SUIT.

410
00:12:43,166 --> 00:12:44,367
NOW IN ITS 15TH SEASON, THE

411
00:12:44,433 --> 00:12:46,000
CRITICALLY-ACCLAIMED SERIES HAS

412
00:12:46,066 --> 00:12:50,700
WON COUNTLESS AWARDS.

413
00:12:50,767 --> 00:12:53,533
AND A GROWING AUDIENCE.

414
00:12:53,600 --> 00:12:54,200
AS THE NEW SEASON BEGINS, FOLLOW

415
00:12:54,266 --> 00:12:58,700
THE SCANDAL AND INTRIGUE AT SUIT

416
00:12:58,767 --> 00:13:05,000
BROTHERS AS THEY FEND

417
00:13:05,066 --> 00:13:06,867
OFF A DEVASTATING TAKEOVER FROM

418
00:13:06,934 --> 00:13:10,700
SUIT BARN.

419
00:13:10,767 --> 00:13:11,400
THE FUTURE OF ELEGANT MENSWEAR

420
00:13:11,467 --> 00:13:14,166
HANGS IN THE BALANCE.

421
00:13:14,233 --> 00:13:14,734
BEHIND EVERY GREAT SUIT IS A

422
00:13:14,800 --> 00:13:15,367
STORY.

423
00:13:15,433 --> 00:13:17,900
MONDAYS AT 8:00 A.M. ON PBS.

424
00:13:17,967 --> 00:13:18,567
>> Tish: THAT WAS TERRIBLE,

425
00:13:18,633 --> 00:13:19,467
CORD.

426
00:13:19,533 --> 00:13:20,767
>> Cord: I KNOW.

427
00:13:20,834 --> 00:13:23,367
I THOUGHT I'D TAKE A STAB AT IT.

428
00:13:23,433 --> 00:13:25,200
I MADE THAT.

429
00:13:25,266 --> 00:13:27,100
I'VE NEVER SEEN AN EPISODE OF

430
00:13:27,166 --> 00:13:27,834
"SUITS" BUT I JUST KNOW IT'S A

431
00:13:27,900 --> 00:13:29,400
GREAT SHOW!

432
00:13:29,467 --> 00:13:30,200
I JUST FEEL IT IN MY BONES.

433
00:13:30,266 --> 00:13:33,900
WITH A TITLE LIKE "SUITS,"

434
00:13:33,967 --> 00:13:37,266
HOW CAN IT NOT BE GOOD?

435
00:13:37,333 --> 00:13:39,467
LET'S GET DOWN TO BUSINESS.

436
00:13:39,533 --> 00:13:41,000
WHAT ABOUT SNUBS?

437
00:13:41,066 --> 00:13:44,200
BESIDES US, OF COURSE!

438
00:13:44,266 --> 00:13:45,333
WHO WAS NOT INVITED TO THIS

439
00:13:45,400 --> 00:13:49,000
SHINDIG?

440
00:13:49,066 --> 00:13:50,000
>> Tish: WELL, NO POLITICAL

441
00:13:50,066 --> 00:13:51,367
FIGURES WERE INVITED TO THE

442
00:13:51,433 --> 00:13:53,400
WEDDING BECAUSE OF THE ROYAL

443
00:13:53,467 --> 00:13:54,233
FAMILY'S WISH TO BE SEEN AS

444
00:13:54,300 --> 00:13:57,166
APOLITICAL.

445
00:13:57,233 --> 00:13:58,200
IN FACT, NOW THAT MEGHAN IS

446
00:13:58,266 --> 00:13:59,700
OFFICIALLY A MEMBER OF THE ROYAL

447
00:13:59,767 --> 00:14:01,367
FAMILY, SHE'LL HAVE TO GET

448
00:14:01,433 --> 00:14:04,333
RID OF ALL SOCIAL MEDIA AND

449
00:14:04,400 --> 00:14:04,900
REFRAIN FROM EXPRESSING HER

450
00:14:04,967 --> 00:14:10,400
POLITICAL VIEWS.

451
00:14:10,467 --> 00:14:11,533
THAT'S BECAUSE AN ROYALS -- IT

452
00:14:11,600 --> 00:14:16,166
IS TOUGH.

453
00:14:16,233 --> 00:14:16,734
>> Cord: SOCIAL MEDIA, GET

454
00:14:16,800 --> 00:14:17,367
OFF.

455
00:14:17,433 --> 00:14:18,133
WE ARE ALL ADDICTED.

456
00:14:18,200 --> 00:14:18,700
>> Tish: ROYALS ARE EXPECTED

457
00:14:18,767 --> 00:14:19,367
TO BE POLITICALLY NEUTRAL IN

458
00:14:19,433 --> 00:14:20,033
PUBLIC.

459
00:14:20,100 --> 00:14:20,800
SO THAT MEANS NO U.S. PRESIDENT

460
00:14:20,867 --> 00:14:21,734
DONALD TRUMP.

461
00:14:21,800 --> 00:14:22,066
>> Cord: OUCH!

462
00:14:22,133 --> 00:14:22,734
NO TRUMPY!

463
00:14:22,800 --> 00:14:23,734
THAT'S GOTTA HURT.

464
00:14:23,800 --> 00:14:25,033
>> Tish: BUT ALSO NO BARACK AND

465
00:14:25,100 --> 00:14:25,934
MICHELLE OBAMA.

466
00:14:26,000 --> 00:14:26,767
>> Cord: DOUBLE OUCH!

467
00:14:26,834 --> 00:14:28,000
CAN'T PICK SIDES, THOUGH!

468
00:14:28,066 --> 00:14:28,934
THESE ROYALS GOTTA PLAY IT RIGHT

469
00:14:29,000 --> 00:14:29,900
DOWN THE MIDDLE.

470
00:14:29,967 --> 00:14:32,333
JUST LIKE US, TISH!

471
00:14:32,400 --> 00:14:36,200
IF YOU'RE JUST JOINING US, WE

472
00:14:36,266 --> 00:14:41,133
ARE LOOKING AT A LIVE SHOT OF

473
00:14:41,200 --> 00:14:44,467
ST. GEORGE'S CHAPEL.

474
00:14:44,533 --> 00:14:48,000
INSIDE, AMERICAN MEGHAN MARKLE

475
00:14:48,066 --> 00:14:48,834
IS MARRYING INTO THE MOST

476
00:14:48,900 --> 00:14:49,700
PRESTIGIOUS, LUXURIOUS FAMILY

477
00:14:49,767 --> 00:14:51,300
IN THE WORLD.

478
00:14:51,367 --> 00:14:52,100
>> Tish: WE WOULD SHOW YOU

479
00:14:52,166 --> 00:14:52,767
WHAT'S GOING ON INSIDE BUT WE

480
00:14:52,834 --> 00:14:53,500
JUST DON'T HAVE ACCESS TO THE

481
00:14:53,567 --> 00:14:54,266
FOOTAGE!

482
00:14:54,333 --> 00:14:55,600
>> Cord: WE DON'T!

483
00:14:55,667 --> 00:14:58,233
WE JUST DON'T!

484
00:14:58,300 --> 00:15:00,066
SO, TISH, HOW STRICT IS IT IN

485
00:15:00,133 --> 00:15:02,633
THERE?

486
00:15:02,700 --> 00:15:03,934
>> Tish: I TELL YOU WHAT, CORD.

487
00:15:04,000 --> 00:15:05,633
IT'S NOT LIKE WEDDINGS BACK IN

488
00:15:05,700 --> 00:15:07,133
THE U.S.

489
00:15:07,200 --> 00:15:08,567
WHEN THE INVITATIONS WENT OUT,

490
00:15:08,633 --> 00:15:10,834
THEY CAME WITH A SMALL BOOK OF

491
00:15:10,900 --> 00:15:11,967
RULES PEOPLE HAD TO FOLLOW JUST

492
00:15:12,033 --> 00:15:14,734
TO SIT IN THE CHURCH.

493
00:15:14,800 --> 00:15:19,633
FOR INSTANCE, ON THE OFFICIAL

494
00:15:19,700 --> 00:15:21,033
INVITATION, IT SAYS THE DRESS

495
00:15:21,100 --> 00:15:21,834
CODE FOR MEN IS MILITARY

496
00:15:21,900 --> 00:15:22,567
UNIFORM, MORNING COAT OR LOUNGE

497
00:15:22,633 --> 00:15:23,533
SUIT.

498
00:15:23,600 --> 00:15:25,400
>> Cord: LOUNGE SUITS?

499
00:15:25,467 --> 00:15:26,500
IS THAT LIKE A TRACKSUIT?

500
00:15:26,567 --> 00:15:27,400
THAT DOESN'T SOUND SO BAD.

501
00:15:27,467 --> 00:15:29,900
I'VE BEEN TO WEDDINGS IN A

502
00:15:29,967 --> 00:15:31,867
TRACKSUIT.

503
00:15:31,934 --> 00:15:33,367
>> Tish: I THINK A LOUNGE SUIT

504
00:15:33,433 --> 00:15:34,567
IS JUST WHAT THEY CALL A REGULAR

505
00:15:34,633 --> 00:15:35,233
BUSINESS SUIT OVER HERE.

506
00:15:35,300 --> 00:15:36,467
>> Cord: GOT IT.

507
00:15:36,533 --> 00:15:37,233
MAKES SENSE.

508
00:15:37,300 --> 00:15:38,333
WHAT WAS I THINKING?

509
00:15:38,400 --> 00:15:42,767
THIS IS A CLASS ACT.

510
00:15:42,834 --> 00:15:44,200
>> Tish: NOW AS FOR WOMEN, THEY

511
00:15:44,266 --> 00:15:45,300
ARE EXPECTED TO WEAR A DAY DRESS

512
00:15:45,367 --> 00:15:49,066
THAT COVERS THE SHOULDERS, A HAT

513
00:15:49,133 --> 00:15:52,166
AND CLOSED-TOED SHOES.

514
00:15:52,233 --> 00:15:52,633
PLUS, ALL PUMPS ARE

515
00:15:52,700 --> 00:15:54,834
MEDIUM-HEIGHT BECAUSE HIGH HEELS

516
00:15:54,900 --> 00:15:59,800
ARE INAPPROPRIATE.

517
00:15:59,867 --> 00:16:01,367
>> Cord: NO FLIP-FLOPS, RIGHT?

518
00:16:01,433 --> 00:16:04,300
>> Tish: NO FLIP-FLOPS.

519
00:16:04,367 --> 00:16:05,000
>> Cord: I'LL TELL YOU, TISH,

520
00:16:05,066 --> 00:16:05,700
THESE RULES WOULDN'T FLY AT A

521
00:16:05,767 --> 00:16:06,400
HOSENBECK WEDDING.

522
00:16:06,467 --> 00:16:07,100
I'VE GOT RELATIVES THAT SHOW UP

523
00:16:07,166 --> 00:16:07,900
TO WEDDINGS IN TANK TOPS AND

524
00:16:08,000 --> 00:16:09,367
DAISY DUKES AND IF YOU JUST

525
00:16:09,433 --> 00:16:10,633
LOOK AT 'EM FUNNY THEY WILL

526
00:16:10,700 --> 00:16:12,033
THROW DOWN.

527
00:16:12,100 --> 00:16:13,834
IN FACT, I'VE NEVER BEEN TO A

528
00:16:13,900 --> 00:16:18,066
WEDDING IN MY FAMILY THAT HASN'T

529
00:16:18,133 --> 00:16:18,600
BROKEN OUT INTO A COMPLEX,

530
00:16:18,667 --> 00:16:21,000
VIOLENT FIGHT.

531
00:16:21,066 --> 00:16:37,033
WHAT DO YOU THINK THE CHANCE IS

532
00:16:38,533 --> 00:16:39,066
THAT THIS WEDDING TURNS INTO A

533
00:16:39,133 --> 00:16:39,633
GOOD OLD-FASHIONED BRAWL?

534
00:16:39,700 --> 00:16:40,734
A DONNYBROOK?

535
00:16:40,800 --> 00:16:41,333
>> Tish: I DON'T THINK THERE'S

536
00:16:41,400 --> 00:16:42,000
ANY CHANCE OF THAT HAPPENING AT

537
00:16:42,066 --> 00:16:42,433
ALL.

538
00:16:42,500 --> 00:16:42,934
NOT AT ALL.

539
00:16:43,000 --> 00:16:43,567
>> Cord: AND, THAT'S WHAT I'M

540
00:16:43,633 --> 00:16:44,467
TALKING ABOUT.

541
00:16:44,533 --> 00:16:45,166
THE DIGNITY.

542
00:16:45,233 --> 00:16:45,734
>> Tish: THIS IS DIFFERENT.

543
00:16:45,800 --> 00:16:46,367
>> Cord: THESE PEOPLE KNOW HOW

544
00:16:46,433 --> 00:16:47,133
TO KEEP THEIR COOL.

545
00:16:47,200 --> 00:16:48,400
EVERYTHING'S SMOOTH.

546
00:16:48,467 --> 00:16:49,200
I LIKE THAT.

547
00:16:49,266 --> 00:16:50,166
GIVE ME SOME MORE RULES.

548
00:16:50,233 --> 00:16:51,066
>> Tish: MORE RULES FOR CORD.

549
00:16:51,133 --> 00:16:52,100
WE ALSO HAVE, OH, YES, THIS IS A

550
00:16:52,166 --> 00:16:54,000
GOOD ONE.

551
00:16:54,066 --> 00:16:55,867
YOU ARE NOT ALLOWED TO TOUCH THE

552
00:16:55,934 --> 00:16:56,333
QUEEN.

553
00:16:56,400 --> 00:16:58,400
YOU CAN'T EVEN SHAKE THE QUEEN'S

554
00:16:58,467 --> 00:16:58,834
HAND.

555
00:16:58,900 --> 00:17:02,700
YOU CANNOT SPEAK TO THE QUEEN

556
00:17:02,767 --> 00:17:04,433
UNLESS THE QUEEN SPEAKS TO YOU

557
00:17:04,500 --> 00:17:07,033
FIRST.

558
00:17:07,100 --> 00:17:09,033
>> Cord: I'LL TELL YOU WHAT, I

559
00:17:09,100 --> 00:17:09,633
GET NERVOUS AROUND PEOPLE WHO

560
00:17:09,700 --> 00:17:10,934
DON'T TALK.

561
00:17:11,000 --> 00:17:11,533
YOU KNOW I AM A NERVOUS TALKER

562
00:17:11,600 --> 00:17:13,066
AT TIMES.

563
00:17:13,133 --> 00:17:15,633
YOU DON'T WANT TO GET STUCK NEXT

564
00:17:15,700 --> 00:17:16,200
TO CORD HOSENBECK ON A LONG

565
00:17:16,266 --> 00:17:18,033
FLIGHT.

566
00:17:18,100 --> 00:17:20,166
IF THE QUEEN DIDN'T TALK TO ME,

567
00:17:20,233 --> 00:17:22,200
I JUST HAVE TO SAY SOMETHING.

568
00:17:22,266 --> 00:17:22,834
I'D PLAY IT COOL UP UNTIL THAT

569
00:17:22,900 --> 00:17:24,567
POINT BUT I'D HAVE TO SAY

570
00:17:24,633 --> 00:17:26,033
SOMETHING LIKE "THOSE ARE

571
00:17:26,100 --> 00:17:27,467
SOME LUXURIOUS JEWELS YOU ARE

572
00:17:27,533 --> 00:17:32,934
WEARING."

573
00:17:33,000 --> 00:17:35,300
I WOULD JUST SPILL OUT OF MY

574
00:17:35,367 --> 00:17:35,867
MOUTH.

575
00:17:35,934 --> 00:17:36,500
>> Tish: YOU CAN'T DO THAT.

576
00:17:36,567 --> 00:17:37,133
YOU ABSOLUTELY CANNOT DO THAT.

577
00:17:37,200 --> 00:17:37,767
YOU'D HAVE TO TRY AND CONTAIN

578
00:17:37,834 --> 00:17:38,367
YOURSELF.

579
00:17:38,433 --> 00:17:38,900
>> Cord: LET'S JUST HOPE I

580
00:17:38,967 --> 00:17:39,400
NEVER MEET THE QUEEN.

581
00:17:39,467 --> 00:17:40,633
I WOULD BLOW THAT FOR SURE.

582
00:17:40,700 --> 00:17:41,834
I'D HAVE TO ASK HER ABOUT THOSE

583
00:17:41,900 --> 00:17:46,967
DARN CROWN JEWELS!

584
00:17:47,033 --> 00:17:49,400
I AM JUST FASCINATED BY THE

585
00:17:49,467 --> 00:17:50,400
CROWN JEWELS...

586
00:17:50,467 --> 00:17:51,800
TISH, IF YOU'LL INDULGE ME A

587
00:17:51,867 --> 00:17:52,867
MINUTE, I'VE PUT TOGETHER A

588
00:17:52,934 --> 00:17:53,600
LITTLE DOCUMENTARY ABOUT THE

589
00:17:53,667 --> 00:17:57,100
CROWN JEWELS.

590
00:17:57,166 --> 00:17:58,200
LET'S TAKE SOME TIME TO LEARN

591
00:17:58,266 --> 00:18:04,700
MORE ABOUT THE CROWN JEWELS.

592
00:18:04,767 --> 00:18:06,633
THE CROWN JEWELS.

593
00:18:06,700 --> 00:18:07,800
THE MOST LUXURIOUS JEWELS IN THE

594
00:18:07,867 --> 00:18:09,333
WORLD.

595
00:18:09,400 --> 00:18:11,333
THEIR SPLENDOR IS LEGENDARY.

596
00:18:11,400 --> 00:18:12,533
WHAT ARE THEY?

597
00:18:12,600 --> 00:18:14,633
WHERE DO THEY COME FROM?

598
00:18:14,700 --> 00:18:15,667
WILL THEIR MYSTERY EVER BE

599
00:18:15,734 --> 00:18:18,934
SOLVED?

600
00:18:19,000 --> 00:18:20,200
KEPT IN A SECRET BOX, BEHIND A

601
00:18:20,266 --> 00:18:21,300
SECRET DOOR IN A HIGHLY SECRET

602
00:18:21,367 --> 00:18:22,734
ROOM, THE JEWELS ARE

603
00:18:22,800 --> 00:18:25,033
ENGLAND'S MOST GUARDED SECRET!

604
00:18:25,100 --> 00:18:26,567
THOSE WHO HOLD THE SECRET CAN

605
00:18:26,633 --> 00:18:28,233
NEVER TELL THE SECRET.

606
00:18:28,300 --> 00:18:31,633
THE CROWN JEWELS.

607
00:18:31,700 --> 00:18:32,800
WORN ON FESTIVE OCCASIONS AND

608
00:18:32,867 --> 00:18:34,000
SOMETIMES JUST TO SHOW OFF, THEY

609
00:18:34,066 --> 00:18:35,467
BEDAZZLE, THEY SHIMMER,

610
00:18:35,533 --> 00:18:37,567
AND THEY SHINE.

611
00:18:37,633 --> 00:18:39,767
THEY SAY "I LOVE YOU" IN SO MANY

612
00:18:39,834 --> 00:18:40,834
WAYS.

613
00:18:40,900 --> 00:18:43,934
THEY ARE THE CROWN JEWELS AND

614
00:18:44,000 --> 00:18:44,600
THEY ARE LUXURIOUSLY

615
00:18:44,667 --> 00:18:48,734
MAGNIFICENT.

616
00:18:48,800 --> 00:18:51,000
>> Tish: CORD, YOU MADE THAT?

617
00:18:51,066 --> 00:18:52,166
>> Cord: YEAH, I THOUGHT IT WAS

618
00:18:52,233 --> 00:18:53,400
PRETTY GOOD.

619
00:18:53,467 --> 00:18:55,000
I MADE THAT ON MY COMPUTER.

620
00:18:55,066 --> 00:18:55,867
>> Tish: CORD!

621
00:18:55,934 --> 00:18:57,100
REALLY...

622
00:18:57,166 --> 00:19:03,867
IT WAS A LITTLE BIT SILLY.

623
00:19:03,934 --> 00:19:04,567
IT WASN'T VERY INFORMATIVE.

624
00:19:04,633 --> 00:19:05,367
>> Cord: I THOUGHT IT WAS

625
00:19:05,433 --> 00:19:05,700
PRETTY COOL.

626
00:19:05,767 --> 00:19:06,700
I HAD EFFECTS AND EVERYTHING.

627
00:19:06,767 --> 00:19:09,867
>> Tish: IT WAS GOOD EFFORT.

628
00:19:09,934 --> 00:19:10,667
I HAVE A CONFESSION TO MAKE.

629
00:19:10,734 --> 00:19:12,767
I KNOW WE WERE TALKING ABOUT HOW

630
00:19:12,834 --> 00:19:14,233
THE CROWN JEWELS ARE PROTECTED.

631
00:19:14,300 --> 00:19:15,967
THE SILLIEST THOUGHT JUST POPPED

632
00:19:16,033 --> 00:19:17,133
INTO MY HEAD.

633
00:19:17,200 --> 00:19:19,367
>> Cord: WHAT IS THAT?

634
00:19:19,433 --> 00:19:21,700
HOLD ON, I'VE GOT TO KNOW.

635
00:19:21,767 --> 00:19:22,333
>> Tish: [LAUGHS]

636
00:19:22,400 --> 00:19:25,300
I FEEL EMBARRASSED TO TELL YOU.

637
00:19:25,367 --> 00:19:26,133
>> Cord: OH, MY GOD, YOU'VE

638
00:19:26,200 --> 00:19:27,567
GOT A CASE OF THE GIGGLES.

639
00:19:27,633 --> 00:19:34,400
WHAT IS RUNNING THROUGH THAT

640
00:19:34,467 --> 00:19:36,467
MIND OF YOURS, TISH CATTIGAN?

641
00:19:36,533 --> 00:19:37,066
>> Tish: I THINK I WOULD BE

642
00:19:37,133 --> 00:19:38,166
VERY GOOD AT ORCHESTRATING A

643
00:19:38,233 --> 00:19:39,633
JEWEL HEIST.

644
00:19:39,700 --> 00:19:40,700
>> Cord: [LAUGHS]

645
00:19:40,767 --> 00:19:41,500
WHAT?

646
00:19:41,567 --> 00:19:45,000
YOU CAN'T DO THAT!

647
00:19:45,066 --> 00:19:46,600
>> Tish: I WOULD NEVER

648
00:19:46,667 --> 00:19:47,000
ACTUALLY DO IT.

649
00:19:47,066 --> 00:19:47,567
ESPECIALLY DURING THE ROYAL

650
00:19:47,633 --> 00:19:47,934
WEDDING.

651
00:19:48,000 --> 00:19:49,734
NO.

652
00:19:49,800 --> 00:19:50,300
>> Cord: YOU ARE SOMETHING

653
00:19:50,367 --> 00:19:51,700
ELSE RIGHT NOW.

654
00:19:51,767 --> 00:19:54,400
>> Tish: I THINK IN GENERAL, I

655
00:19:54,467 --> 00:19:55,767
HAVE WHAT IT TAKES TO MAKE A

656
00:19:55,834 --> 00:19:58,333
GOOD JEWEL THIEF.

657
00:19:58,400 --> 00:19:59,667
>> Cord: I KNOW WE ARE

658
00:19:59,734 --> 00:20:01,467
LAUGHING ABOUT THIS AND HAVING

659
00:20:01,533 --> 00:20:02,667
FUN BUT I DON'T DISAGREE.

660
00:20:02,734 --> 00:20:04,533
>> Tish: THANK YOU.

661
00:20:04,600 --> 00:20:05,166
I'M GOOD AT EXECUTIVE

662
00:20:05,233 --> 00:20:06,834
DECISION-MAKING.

663
00:20:06,900 --> 00:20:08,834
I'M VERY WELL-RESEARCHED, BUT

664
00:20:08,900 --> 00:20:11,467
READY TO CHANGE THINGS UP ON THE

665
00:20:11,533 --> 00:20:13,800
FLY IF I NEED TO.

666
00:20:13,867 --> 00:20:14,400
>> Cord: ABSOLUTELY, YOU ARE A

667
00:20:14,467 --> 00:20:14,867
BROADCASTER.

668
00:20:14,934 --> 00:20:17,033
I'M SEEING THE CORRELATION.

669
00:20:17,100 --> 00:20:18,500
>> Tish: I DELEGATE

670
00:20:18,567 --> 00:20:19,233
RESPONSIBILITY, I WORK WELL WITH

671
00:20:19,300 --> 00:20:20,433
THE CREW.

672
00:20:20,500 --> 00:20:22,600
I'M IN GOOD SHAPE, THANK YOU

673
00:20:22,667 --> 00:20:24,967
VERY MUCH, PILATES.

674
00:20:25,033 --> 00:20:26,433
I DON'T THINK ANYONE WOULD

675
00:20:26,500 --> 00:20:27,867
SUSPECT ME BECAUSE I DON'T SEEM

676
00:20:27,934 --> 00:20:30,467
THE TYPE TO BE A JEWEL THIEF.

677
00:20:30,533 --> 00:20:31,133
>> Cord: I CAN'T BELIEVE I'M

678
00:20:31,200 --> 00:20:32,333
SAYING THIS RIGHT NOW, I REALLY

679
00:20:32,400 --> 00:20:34,066
PICTURE IT.

680
00:20:34,133 --> 00:20:35,500
I PICTURE IT.

681
00:20:35,567 --> 00:20:36,967
YOU AS THE MASTERMIND OF AN

682
00:20:37,033 --> 00:20:46,667
ORGANIZED TEAM OF JEWEL THIEVES,

683
00:20:46,734 --> 00:20:48,233
WEARING LITTLE CAT BURGLAR

684
00:20:48,300 --> 00:20:50,133
MASKS.

685
00:20:50,200 --> 00:20:51,133
>> Tish: EXACTLY.

686
00:20:51,200 --> 00:20:59,166
WITH THE RIGHT TEAM, I REALLY

687
00:20:59,233 --> 00:21:00,900
THINK I CAN PULL IT OFF, CORD.

688
00:21:00,967 --> 00:21:01,600
FRONT-PAGE NEWS, THE ULTIMATE

689
00:21:01,667 --> 00:21:01,867
HEIST.

690
00:21:01,934 --> 00:21:03,700
>> Cord: THERE'S NOTHING MY

691
00:21:03,767 --> 00:21:04,433
FRIEND TISH CATTIGAN CAN'T DO.

692
00:21:04,500 --> 00:21:05,000
>> Tish: THANK YOU.

693
00:21:05,066 --> 00:21:06,333
THE ONLY PART I DON'T LIKE IS

694
00:21:06,400 --> 00:21:07,066
THE STEALING.

695
00:21:07,133 --> 00:21:07,734
I DON'T WANT TO STEAL.

696
00:21:07,800 --> 00:21:08,400
JUST BECAUSE IT'S WRONG TO

697
00:21:08,467 --> 00:21:09,233
STEAL.

698
00:21:09,300 --> 00:21:10,133
I DON'T WANT TO BREAK THE LAW.

699
00:21:10,200 --> 00:21:11,266
AND PEOPLE'S FEELINGS WOULD GET

700
00:21:11,333 --> 00:21:11,500
HURT.

701
00:21:11,567 --> 00:21:12,667
>> Cord: NO, OF COURSE.

702
00:21:12,734 --> 00:21:13,867
YOU WOULD NEVER WANT TO HURT

703
00:21:13,934 --> 00:21:21,033
ANYONE'S FEELINGS.

704
00:21:21,100 --> 00:21:23,100
AND STEAL THEIR ROYAL CROWN

705
00:21:23,166 --> 00:21:24,200
JEWELS.

706
00:21:24,266 --> 00:21:25,233
>> Tish: SOMETIMES PEOPLE ASK

707
00:21:25,300 --> 00:21:26,200
ME, "TISH, WHAT WOULD YOU DO

708
00:21:26,266 --> 00:21:26,834
IF YOU WEREN'T A BROADCASTER?"

709
00:21:26,900 --> 00:21:27,433
>> Cord: AND NOW YOU CAN TELL

710
00:21:27,500 --> 00:21:27,900
THEM.

711
00:21:27,967 --> 00:21:28,767
YOU CAN START AT THE TOWER OF

712
00:21:28,834 --> 00:21:29,500
LONDON, WHERE THEY KEEP THE

713
00:21:29,567 --> 00:21:30,333
CROWN JEWELS.

714
00:21:30,400 --> 00:21:36,233
>> Tish: RIGHT BEHIND US.

715
00:21:36,300 --> 00:21:39,433
>> Cord: IT'S RIGHT BEHIND ME.

716
00:21:39,500 --> 00:21:42,734
>> Tish: IF I WAS A JEWEL

717
00:21:42,800 --> 00:21:43,567
THIEF, I CAN'T GET TO SIT NEXT

718
00:21:43,633 --> 00:21:44,200
TO YOU, AND I WOULDN'T LIKE THAT

719
00:21:44,266 --> 00:21:44,867
VERY MUCH.

720
00:21:44,934 --> 00:21:46,000
>> Cord: DITTO, PARTNER.

721
00:21:46,066 --> 00:21:46,533
>> Tish: THAT I CANNOT

722
00:21:46,600 --> 00:21:48,834
PICTURE.

723
00:21:48,900 --> 00:21:51,500
>> Cord: TISH, YOU JUST STOLE

724
00:21:51,567 --> 00:21:52,700
MY HEART.

725
00:21:52,767 --> 00:21:55,166
GIVE IT BACK.

726
00:21:55,233 --> 00:21:57,900
LET'S GO BACK OUT TO TIM

727
00:21:57,967 --> 00:22:00,834
MEADOWS, OUR DEAR, DEAR FRIEND.

728
00:22:00,900 --> 00:22:01,834
TIMMY MEADOWS, WHO HAS FOUND

729
00:22:01,900 --> 00:22:02,467
SOME WELL-WISHERS DOWN ON THE

730
00:22:02,533 --> 00:22:03,133
LAWN AT WINDSOR.

731
00:22:03,200 --> 00:22:06,433
TIMMY.

732
00:22:06,500 --> 00:22:08,100
>> Tim: I'M STANDING ALONG

733
00:22:08,166 --> 00:22:09,066
WHAT IS KNOWN AS THE LONG WALK,

734
00:22:09,133 --> 00:22:10,934
OUTSIDE WINDSOR CASTLE, WHICH IS

735
00:22:11,000 --> 00:22:12,166
THE OLDEST AND BIGGEST INHABITED

736
00:22:12,233 --> 00:22:14,200
CASTLE IN THE WORLD.

737
00:22:14,266 --> 00:22:16,000
BRITISH KINGS AND QUEENS HAVE

738
00:22:16,066 --> 00:22:17,800
LIVED HERE FOR OVER 1,000 YEARS.

739
00:22:17,867 --> 00:22:19,834
IN ADDITION TO BEING AN OFFICIAL

740
00:22:19,900 --> 00:22:21,166
RESIDENCE OF QUEEN ELIZABETH, IT

741
00:22:21,233 --> 00:22:23,200
IS ALSO USED FOR CEREMONIAL AND

742
00:22:23,266 --> 00:22:24,934
STATE FUNCTIONS LIKE RECEIVING

743
00:22:25,000 --> 00:22:28,133
FOREIGN MONARCHS AND PRESIDENTS.

744
00:22:28,200 --> 00:22:29,400
WE HAVE A COUPLE OF HOMEGROWN

745
00:22:29,467 --> 00:22:32,333
PEOPLE.

746
00:22:32,400 --> 00:22:33,100
HOW ARE YOU?

747
00:22:33,166 --> 00:22:33,800
>> GOOD, THANKS.

748
00:22:33,867 --> 00:22:34,400
>> Tim: WHAT'S YOUR NAME?

749
00:22:34,467 --> 00:22:41,133
>> ANNA.

750
00:22:41,200 --> 00:22:42,367
>> Tim: I'M NEW AT THIS STUFF.

751
00:22:42,433 --> 00:22:43,633
WHERE YOU FROM?

752
00:22:43,700 --> 00:22:44,934
>> CHICAGO.

753
00:22:45,000 --> 00:22:45,467
>> Tim: I THOUGHT YOU WERE

754
00:22:45,533 --> 00:22:46,233
FROM ENGLAND.

755
00:22:46,300 --> 00:22:48,767
>> NO, BUT I LIVE HERE.

756
00:22:48,834 --> 00:22:49,700
>> Tim: WHAT'S YOUR FAVORITE

757
00:22:49,767 --> 00:22:52,600
RESTAURANT?

758
00:22:52,667 --> 00:22:53,367
>> IT'S ACTUALLY AN AMERICAN

759
00:22:53,433 --> 00:22:54,467
RESTAURANT IN LONDON CALLED BIG

760
00:22:54,533 --> 00:23:00,233
EASY.

761
00:23:00,300 --> 00:23:06,767
>> Tim: LIKE A ST. LOUIS

762
00:23:06,834 --> 00:23:10,767
CAJUN?

763
00:23:10,834 --> 00:23:11,600
>> BARBECUE.

764
00:23:11,667 --> 00:23:12,166
>> Tim: I COULD EAT SO MUCH

765
00:23:12,233 --> 00:23:12,567
BARBECUE.

766
00:23:12,633 --> 00:23:13,200
WHAT'S YOUR FAVORITE RESTAURANT?

767
00:23:13,266 --> 00:23:13,900
>> IT'S IN LONDON, A COUPLE OF

768
00:23:13,967 --> 00:23:14,367
STEAK PLACES.

769
00:23:14,433 --> 00:23:15,266
>> Tim: NO NAMES?

770
00:23:15,333 --> 00:23:18,166
SHE'S KEEPING IT A SECRET.

771
00:23:18,233 --> 00:23:19,400
IT WAS REALLY NICE MEETING YOU

772
00:23:19,467 --> 00:23:20,300
GUYS.

773
00:23:20,367 --> 00:23:21,900
I HOPE YOU ENJOY THE WEDDING AND

774
00:23:22,000 --> 00:23:24,333
EVERYTHING ELSE GOING ON, OKAY?

775
00:23:24,400 --> 00:23:28,000
>> THANK YOU SO MUCH.

776
00:23:28,066 --> 00:23:28,700
>> Tim: TISH AND CORD, WE'VE

777
00:23:28,767 --> 00:23:30,000
BEEN TALKING ABOUT THE MOST

778
00:23:30,066 --> 00:23:36,000
EXCITED VISITOR.

779
00:23:36,066 --> 00:23:37,533
WE THINK IT MIGHT BE THIS

780
00:23:37,600 --> 00:23:38,200
GENTLEMAN.

781
00:23:38,266 --> 00:23:40,400
HE HAS BEEN VOTED "MOST

782
00:23:40,467 --> 00:23:40,900
EXCITED VISITOR AT THE

783
00:23:40,967 --> 00:23:43,600
WEDDING."

784
00:23:43,667 --> 00:23:44,100
SHE'S SECOND.

785
00:23:44,166 --> 00:23:47,300
HI, HOW ARE YOU?

786
00:23:47,367 --> 00:23:49,200
WE ARE HAVING A BLAST OUT HERE.

787
00:23:49,266 --> 00:23:49,767
ONLY ONE PERSON HAS FALLEN

788
00:23:49,834 --> 00:23:51,133
ASLEEP.

789
00:23:51,200 --> 00:23:53,233
WE WILL THROW IT BACK TO YOU.

790
00:23:53,300 --> 00:23:54,200
>> Cord: ALL RIGHT, TIM.

791
00:23:54,266 --> 00:23:55,834
HOW ABOUT THAT?

792
00:23:55,900 --> 00:23:59,400
LOOKS LIKE EVERYONE'S HAVING A

793
00:23:59,467 --> 00:24:00,367
GREAT TIME OUT THERE.

794
00:24:00,433 --> 00:24:01,200
I AM CONCERNED ABOUT TIM,

795
00:24:01,266 --> 00:24:03,567
THOUGH.

796
00:24:03,633 --> 00:24:04,600
HE'S JUST ASKING THEM ABOUT

797
00:24:04,667 --> 00:24:06,233
RESTAURANTS THE WHOLE TIME.

798
00:24:06,300 --> 00:24:07,834
DO YOU THINK HE JUST STARTS

799
00:24:07,900 --> 00:24:08,767
EATING AS SOON AS HE'S OFF

800
00:24:08,834 --> 00:24:11,367
CAMERA?

801
00:24:11,433 --> 00:24:13,500
>> Tim: CORD, I CAN HEAR YOU.

802
00:24:13,567 --> 00:24:16,800
>> Tish: I DON'T THINK YOU

803
00:24:16,867 --> 00:24:19,533
SHOULD LISTEN TO HIM.

804
00:24:19,600 --> 00:24:21,834
I THINK YOU LOOK VERY HANDSOME

805
00:24:21,900 --> 00:24:23,166
TODAY.

806
00:24:23,233 --> 00:24:23,834
>> Tim: I CAN HEAR YOU.

807
00:24:23,900 --> 00:24:24,600
THANK YOU, TISH.

808
00:24:24,667 --> 00:24:25,834
>> Cord: IF YOU GET A TRAIN

809
00:24:25,900 --> 00:24:27,200
TICKET TO BEEF WELLINGTON, IT'S

810
00:24:27,266 --> 00:24:34,066
NOT A TOWN.

811
00:24:34,133 --> 00:24:34,633
>> Tim: YOU ARE SO FUNNY,

812
00:24:34,700 --> 00:24:35,233
CORD.

813
00:24:35,300 --> 00:24:43,100
>> Cord: LOOKS LIKE HE'S

814
00:24:43,166 --> 00:24:44,600
WRAPPED IN FILO-DOUGH.

815
00:24:44,667 --> 00:24:45,300
LET'S GO TO THE LIVE SHOT.

816
00:24:45,367 --> 00:24:46,367
NO MOVEMENT, STILL.

817
00:24:46,433 --> 00:24:47,100
GOD, THEY'VE BEEN IN THAT CHURCH

818
00:24:47,166 --> 00:24:48,066
A LONG TIME.

819
00:24:48,133 --> 00:24:48,800
HOW LONG DOES THIS STUFF USUALLY

820
00:24:48,867 --> 00:24:51,767
TAKE?

821
00:24:51,834 --> 00:24:52,433
I HATE WAITING LIKE THIS.

822
00:24:52,500 --> 00:24:54,066
IT'S LIKE WHEN I'M AT A THEME

823
00:24:54,133 --> 00:24:55,133
PARK, I HATE THE LINES.

824
00:24:55,200 --> 00:24:56,800
I JUST WANT TO BE ON THE RIDE

825
00:24:56,867 --> 00:24:59,500
ALREADY.

826
00:24:59,567 --> 00:25:04,467
>> Tish: THE SERVICE IS ONLY

827
00:25:04,533 --> 00:25:05,533
SCHEDULED FOR AN HOUR.

828
00:25:05,600 --> 00:25:06,133
>> Cord: DO YOU THINK WILLIAM

829
00:25:06,200 --> 00:25:07,000
FORGOT THE RING?

830
00:25:07,066 --> 00:25:08,533
MAYBE HE HAD TO GO BACK HOME AND

831
00:25:08,600 --> 00:25:10,033
GET THE RING AND EVERYONE IS

832
00:25:10,100 --> 00:25:11,533
JUST WAITING INSIDE AND CHECKING

833
00:25:11,600 --> 00:25:16,834
THEIR PHONES.

834
00:25:16,900 --> 00:25:22,567
>> Tish: CAN YOU IMAGINE?

835
00:25:22,633 --> 00:25:26,333
>> Cord: WE ARE ANXIOUSLY, AND

836
00:25:26,400 --> 00:25:30,367
I MEAN ANXIOUSLY WAITING FOR

837
00:25:30,433 --> 00:25:31,467
MEGHAN AND HARRY TO APPEAR

838
00:25:31,533 --> 00:25:34,567
OUTSIDE ST. GEORGE'S CHAPEL.

839
00:25:34,633 --> 00:25:35,266
STAY TUNED, WE ARE NOT GOING TO

840
00:25:35,333 --> 00:25:35,967
MISS THAT.

841
00:25:36,033 --> 00:25:37,500
THERE ARE SOME NEW PEOPLE

842
00:25:37,567 --> 00:25:38,233
WAITING FOR THEM TO GET OUT OF

843
00:25:38,300 --> 00:25:39,133
THAT CHURCH.

844
00:25:39,200 --> 00:25:41,000
>> Tish: CORD, DID YOU KNOW

845
00:25:41,066 --> 00:25:42,700
KING HENRY VIII IS ACTUALLY

846
00:25:42,767 --> 00:25:43,667
BURIED IN ST. GEORGE'S CHAPEL

847
00:25:43,734 --> 00:25:44,767
ALONGSIDE HIS THIRD AND FAVORITE

848
00:25:44,834 --> 00:25:46,467
WIFE, JANE SEYMOUR?

849
00:25:46,533 --> 00:25:49,800
>> Cord: [LAUGHS]

850
00:25:49,867 --> 00:25:52,967
JANE SEYMOUR?

851
00:25:53,033 --> 00:25:54,500
DR. QUINN MEDICINE WOMAN?

852
00:25:54,567 --> 00:25:57,900
I DON'T THINK SO, TISH.

853
00:25:57,967 --> 00:25:59,166
SHE'S DEFINITELY STILL ALIVE.

854
00:25:59,233 --> 00:25:59,967
SHE'S DEFINITELY NOT OLD ENOUGH

855
00:26:00,033 --> 00:26:05,400
TO HAVE BEEN MARRIED TO

856
00:26:05,467 --> 00:26:06,367
HENRY VIII.

857
00:26:06,433 --> 00:26:07,367
NOT A CHANCE.

858
00:26:07,433 --> 00:26:07,967
WHERE ARE YOU GETTING THESE

859
00:26:08,033 --> 00:26:08,300
FACTS?

860
00:26:08,367 --> 00:26:08,900
SOMEONE IS DEFINITELY MESSING

861
00:26:09,000 --> 00:26:09,867
WITH YOU...

862
00:26:09,934 --> 00:26:11,266
WE HAVE A BRITISH CREW OVER HERE

863
00:26:11,333 --> 00:26:11,934
AND THEY'VE BEEN DIFFICULT, TO

864
00:26:12,000 --> 00:26:13,233
SAY THE LEAST.

865
00:26:13,300 --> 00:26:16,900
VERY DIFFICULT.

866
00:26:16,967 --> 00:26:23,867
I MEAN THAT WITH UTMOST RESPECT.

867
00:26:23,934 --> 00:26:26,600
JANE SEYMOUR IS A SPOKESPERSON

868
00:26:26,667 --> 00:26:28,133
FOR KAY JEWELERS.

869
00:26:28,200 --> 00:26:30,333
DID YOU KNOW THAT?

870
00:26:30,400 --> 00:26:32,200
>> Tish: SHE'S A WOMAN WHO'S

871
00:26:32,266 --> 00:26:33,767
AN ACTRESS AND ALSO A BUSINESS

872
00:26:33,834 --> 00:26:36,233
LADY.

873
00:26:36,300 --> 00:26:37,133
SHE'S AN ACTRESS AND A BUSINESS

874
00:26:37,200 --> 00:26:39,734
WOMAN.

875
00:26:39,800 --> 00:26:41,800
ELEGANT.

876
00:26:41,867 --> 00:26:43,934
AND STILL LOOKS BEAUTIFUL.

877
00:26:44,000 --> 00:26:44,567
>> Cord: SHE IS A FORMER BOND

878
00:26:44,633 --> 00:26:47,700
GIRL.

879
00:26:47,767 --> 00:26:52,333
SHE KNOWS FASHION.

880
00:26:52,400 --> 00:26:53,867
I PUT HER IN MY "SHARP COOKIE"

881
00:26:53,934 --> 00:26:55,467
DEPARTMENT.

882
00:26:55,533 --> 00:26:56,667
>> Tish: A FRIEND OF MINE IN

883
00:26:56,734 --> 00:26:57,834
LOS ANGELES WAS HER NANNY AND

884
00:26:57,900 --> 00:26:58,700
SPEAKS VERY HIGHLY OF HER.

885
00:26:58,767 --> 00:26:59,166
>> Cord: WHAT'S YOUR

886
00:26:59,233 --> 00:27:02,667
FAVORITE BOND FILM?

887
00:27:02,734 --> 00:27:11,500
>> Tish: "007."

888
00:27:11,567 --> 00:27:12,467
>> Cord: MINE IS "TO SERVE WITH

889
00:27:12,533 --> 00:27:13,934
LOVE."

890
00:27:14,000 --> 00:27:14,800
>> Tish: THAT'S A GOODY.

891
00:27:14,867 --> 00:27:15,800
>> Cord: ONCE AGAIN, FOLKS, WE

892
00:27:15,867 --> 00:27:16,900
HAVE NO ACCESS TO ANY OF THE

893
00:27:16,967 --> 00:27:18,100
FOOTAGE INSIDE.

894
00:27:18,166 --> 00:27:21,100
WE ASKED REPEATEDLY, WE GOT

895
00:27:21,166 --> 00:27:23,667
PERMITS, AND WE WROTE LETTERS.

896
00:27:23,734 --> 00:27:24,200
THIS WAS SIX MONTHS IN THE

897
00:27:24,266 --> 00:27:25,500
MAKING.

898
00:27:25,567 --> 00:27:29,633
NO, NO, NO.

899
00:27:29,700 --> 00:27:32,967
DOUBLE NO.

900
00:27:33,033 --> 00:27:34,500
WHAT CAN YOU DO?

901
00:27:34,567 --> 00:27:35,900
LET ME ASK YOU THIS, DO YOU

902
00:27:35,967 --> 00:27:37,066
THINK AT ANY MOMENT, SOMEONE

903
00:27:37,133 --> 00:27:49,567
STOOD UP IN THE CHAPEL WHEN THEY

904
00:27:49,633 --> 00:27:50,266
SAID "AT THIS POINT, DOES ANYONE

905
00:27:50,333 --> 00:27:51,667
OBJECT TO THIS UNION BETWEEN TWO

906
00:27:51,734 --> 00:27:53,166
PEOPLE?"

907
00:27:53,233 --> 00:27:54,033
AND SOMEONE WENT "I DO!"

908
00:27:54,100 --> 00:27:55,333
>> Tish: CAN YOU IMAGINE?

909
00:27:55,400 --> 00:27:56,567
>> Cord: I AM SIR DEREK, I

910
00:27:56,633 --> 00:27:58,200
PROTEST.

911
00:27:58,266 --> 00:27:59,066
IF THAT HAPPENS, TALK ABOUT A

912
00:27:59,133 --> 00:28:00,300
KERFUFFLE.

913
00:28:00,367 --> 00:28:01,233
>> Tish: THAT WOULD BE A MAJOR

914
00:28:01,300 --> 00:28:02,333
KERFUFFLE.

915
00:28:02,400 --> 00:28:03,100
THAT'S PROBABLY WHY THEY DON'T

916
00:28:03,166 --> 00:28:04,567
ALLOW CAMERAS IN THERE, IN THE

917
00:28:04,633 --> 00:28:05,433
EVENT THAT SOMETHING LIKE THAT

918
00:28:05,500 --> 00:28:06,467
WOULD HAPPEN, TO KEEP IT

919
00:28:06,533 --> 00:28:08,400
PRIVATE.

920
00:28:08,467 --> 00:28:09,100
I WAS AT A WEDDING WHERE THAT

921
00:28:09,166 --> 00:28:09,767
HAPPENED.

922
00:28:09,834 --> 00:28:10,967
>> Cord: YOU WERE.

923
00:28:11,033 --> 00:28:12,667
>> Tish: IT WAS VERY AWKWARD.

924
00:28:12,734 --> 00:28:13,500
>> Cord: DID THEY CONTINUE THE

925
00:28:13,567 --> 00:28:14,967
WEDDING?

926
00:28:15,033 --> 00:28:16,500
THEY STOPPED RIGHT THERE?

927
00:28:16,567 --> 00:28:18,333
>> Tish: THEY DID.

928
00:28:18,400 --> 00:28:20,467
IT GOT VERY DARK.

929
00:28:20,533 --> 00:28:21,734
>> Cord: WAS IT A FORMER LOVER

930
00:28:21,800 --> 00:28:27,734
OF THE BRIDE OR GROOM?

931
00:28:27,800 --> 00:28:30,633
WAS IT A STRANGER?

932
00:28:30,700 --> 00:28:31,166
>> Tish: SOMEBODY WHO KNEW

933
00:28:31,233 --> 00:28:31,600
THEM.

934
00:28:31,667 --> 00:28:32,667
A FRIEND.

935
00:28:32,734 --> 00:28:33,300
PEOPLE DID NOT KNOW WHAT WAS

936
00:28:33,367 --> 00:28:33,900
GOING ON.

937
00:28:33,967 --> 00:28:34,667
IT HAPPENS.

938
00:28:34,734 --> 00:28:36,000
>> Cord: DID EVERYONE AGREE

939
00:28:36,066 --> 00:28:36,734
AND GO "DO YOU KNOW WHAT?

940
00:28:36,800 --> 00:28:37,667
YOU ARE RIGHT, THESE PEOPLE

941
00:28:37,734 --> 00:28:39,333
SHOULD NOT BE TOGETHER."

942
00:28:39,400 --> 00:28:40,734
>> Tish: IT WAS AWKWARD FOR

943
00:28:40,800 --> 00:28:41,500
THE BRIDE, FOR HER SPECIAL

944
00:28:41,567 --> 00:28:44,100
MOMENT.

945
00:28:44,166 --> 00:28:46,133
BUT IT DOES HAPPEN.

946
00:28:46,200 --> 00:28:47,667
THEY DID CONTINUE BUT IT WAS

947
00:28:47,734 --> 00:28:48,867
VERY AWKWARD.

948
00:28:48,934 --> 00:28:50,367
>> Cord: WHAT ARE THE CHANCES

949
00:28:50,433 --> 00:28:51,066
THAT IS WHAT'S HAPPENING RIGHT

950
00:28:51,133 --> 00:28:52,100
NOW?

951
00:28:52,166 --> 00:28:56,834
PHONE IN, GIVE US YOUR THOUGHTS.

952
00:28:56,900 --> 00:28:59,967
CAN WE GO TO THE FULL SCREEN

953
00:29:00,033 --> 00:29:01,333
HERE?

954
00:29:01,400 --> 00:29:07,233
LOOK AT THAT.

955
00:29:07,300 --> 00:29:08,567
MAJESTIC.

956
00:29:08,633 --> 00:29:09,433
>> Tish: OH, LOOK AT HOW

957
00:29:09,500 --> 00:29:09,867
GORGEOUS!

958
00:29:09,934 --> 00:29:10,433
>> Cord: NOT A CLOUD IN THE

959
00:29:10,500 --> 00:29:11,100
SKY.

960
00:29:11,166 --> 00:29:14,734
>> Tish: YOU COULD NOT DREAM

961
00:29:14,800 --> 00:29:15,667
UP A BETTER DAY.

962
00:29:15,734 --> 00:29:23,467
>> Cord: THEY ARE GOING TO BE

963
00:29:23,533 --> 00:29:24,033
COMING OUT OF THAT DOOR WITH

964
00:29:24,100 --> 00:29:24,500
THAT BEAUTIFUL WREATH.

965
00:29:24,567 --> 00:29:25,233
>> Tish: I WOKE UP THIS

966
00:29:25,300 --> 00:29:27,033
MORNING FEELING LIKE IT WAS MY

967
00:29:27,100 --> 00:29:27,900
WEDDING DAY.

968
00:29:27,967 --> 00:29:29,166
MY QUESTION WAS, I WONDER IF

969
00:29:29,233 --> 00:29:29,867
MEGHAN MARKLE HAD A GOOD SLEEP.

970
00:29:29,934 --> 00:29:30,700
>> Cord: ABSOLUTELY.

971
00:29:30,767 --> 00:29:31,367
>> Tish: THAT'S WHAT'S ON MY

972
00:29:31,433 --> 00:29:32,233
MIND.

973
00:29:32,300 --> 00:29:33,100
AND I DON'T THINK SHE SLEPT.

974
00:29:33,166 --> 00:29:34,066
I THINK SHE LOOKS SO BEAUTIFUL

975
00:29:34,133 --> 00:29:34,900
BUT I HAVE A FEELING NOT A WINK

976
00:29:34,967 --> 00:29:36,133
OF SLEEP.

977
00:29:36,200 --> 00:29:38,200
>> Cord: I DON'T DOUBT IT.

978
00:29:38,266 --> 00:29:39,233
DO YOU KNOW WHAT WOULD BE REALLY

979
00:29:39,300 --> 00:29:40,800
COOL?

980
00:29:40,867 --> 00:29:44,266
THEATRICALLY -- IF SHE CAME OUT

981
00:29:44,333 --> 00:29:46,767
OF THE CHURCH ON A WIRE.

982
00:29:46,834 --> 00:29:47,700
LIKE WHAT YOU SEE ON A STAGE

983
00:29:47,767 --> 00:29:49,467
PRODUCTION OF "PETER PAN"

984
00:29:49,533 --> 00:29:54,000
AND SHE FLEW ABOVE THE CROWD.

985
00:29:54,066 --> 00:29:55,867
AND WITH A WAND, AS IF SHE WAS

986
00:29:55,934 --> 00:30:00,767
ADORNING THE CROWD.

987
00:30:00,834 --> 00:30:04,166
WITH PIXIE DUST.

988
00:30:04,233 --> 00:30:04,767
>> Tish: YOU SHOULD BE A

989
00:30:04,834 --> 00:30:05,400
WEDDING PLANNER.

990
00:30:05,467 --> 00:30:06,066
>> Cord: PYROTECHNICS, SOME

991
00:30:06,133 --> 00:30:06,900
FIREWORKS.

992
00:30:06,967 --> 00:30:08,133
AND THEN SHE COMES TO A GENTLE

993
00:30:08,200 --> 00:30:09,967
LANDING IN HIS ARMS.

994
00:30:10,033 --> 00:30:11,166
>> Tish: WONDERFUL.

995
00:30:11,233 --> 00:30:13,133
>> Cord: GO TO CREDITS!

996
00:30:13,200 --> 00:30:14,900
>> Tish: CALL IT A DAY.

997
00:30:14,967 --> 00:30:16,767
>> Cord: WE WOULD DO THAT IN

998
00:30:16,834 --> 00:30:19,667
AMERICA.

999
00:30:19,734 --> 00:30:22,467
ONE OF THE THINGS I WAS

1000
00:30:22,533 --> 00:30:27,633
SPECULATING ON, I HEARD THIS,

1001
00:30:27,700 --> 00:30:31,700
APPARENTLY THE AROMA INSIDE THE

1002
00:30:31,767 --> 00:30:32,967
CATHEDRAL IS WONDERFUL BECAUSE

1003
00:30:33,033 --> 00:30:35,266
OF ALL THE FRESH-CUT FLOWERS.

1004
00:30:35,333 --> 00:30:37,734
ALL THE ROSES.

1005
00:30:37,800 --> 00:30:38,800
>> Tish: AND THE GARDENIAS AND

1006
00:30:38,867 --> 00:30:39,734
FRANKINCENSE, PROBABLY.

1007
00:30:39,800 --> 00:30:41,600
>> Cord: AND PROBABLY SOME

1008
00:30:41,667 --> 00:30:49,467
MYRRH.

1009
00:30:49,533 --> 00:30:51,033
>> Tish: DORIA RAGLAND, HER

1010
00:30:51,100 --> 00:30:52,100
MOTHER'S NICKNAME FOR MEGHAN, IS

1011
00:30:52,166 --> 00:31:00,533
"FLOWER."

1012
00:31:00,600 --> 00:31:02,500
ISN'T THAT ADORABLE?

1013
00:31:02,567 --> 00:31:07,867
SHE CALLS HER "FLOWER."

1014
00:31:07,934 --> 00:31:10,367
>> Cord: PRINCE CHARLES'

1015
00:31:10,433 --> 00:31:11,800
NICKNAME FOR HIS SON HARRY --

1016
00:31:11,867 --> 00:31:12,767
>> Tish: IS...

1017
00:31:12,834 --> 00:31:13,834
>> Cord: CHACHI.

1018
00:31:13,900 --> 00:31:18,133
FROM "HAPPY DAYS."

1019
00:31:18,200 --> 00:31:20,967
>> Tish: ALL, ISN'T THAT

1020
00:31:21,033 --> 00:31:21,166
SWEET?

1021
00:31:21,233 --> 00:31:25,100
I LIKE KNOWING NICKNAMES.

1022
00:31:25,166 --> 00:31:26,433
I HEARD KATE MIDDLETON CALLS

1023
00:31:26,500 --> 00:31:27,200
WILLIAM "BABE."

1024
00:31:27,266 --> 00:31:27,967
>> Cord: WELL, HE IS A BABE.

1025
00:31:28,033 --> 00:31:28,633
>> Tish: HEY, BABE.

1026
00:31:28,700 --> 00:31:35,333
>> Cord: HEY, BABE.

1027
00:31:35,400 --> 00:31:36,066
DO THEY HAVE TO BE OUT OF THERE

1028
00:31:36,133 --> 00:31:40,967
ON A CERTAIN TIME?

1029
00:31:41,033 --> 00:31:44,400
BECAUSE OF THE CHURCH TURNOVER?

1030
00:31:44,467 --> 00:31:45,500
THIS IS A SATURDAY.

1031
00:31:45,567 --> 00:31:46,133
DO THEY HAVE TWO OR THREE OTHER

1032
00:31:46,200 --> 00:31:47,133
WEDDINGS BOOKED?

1033
00:31:47,200 --> 00:31:48,100
THEY HAVE TO CLEAR THE HOUSE,

1034
00:31:48,166 --> 00:31:48,633
CLEAR ALL THE TRASH OUT OF

1035
00:31:48,700 --> 00:31:52,700
THERE.

1036
00:31:52,767 --> 00:31:53,900
ALL THE GUM WRAPPERS, SNACKING

1037
00:31:53,967 --> 00:31:55,133
ON CANDY BARS.

1038
00:31:55,200 --> 00:31:55,900
>> Tish: LOLLIPOPS.

1039
00:31:55,967 --> 00:31:58,100
>> Cord: THEY'VE GOT TO HOSE

1040
00:31:58,166 --> 00:32:05,400
IT ALL DOWN, BRING A NEW

1041
00:32:05,467 --> 00:32:09,900
FRESH-CUT FLOWERS, AND GET THE

1042
00:32:09,967 --> 00:32:13,100
NEXT WEDDING PARTY IN THERE?

1043
00:32:13,166 --> 00:32:13,700
>> Tish: THAT'S A GOOD POINT.

1044
00:32:13,767 --> 00:32:14,367
THAT'S WHY THEY KEEP IT TO AN

1045
00:32:14,433 --> 00:32:15,266
HOUR.

1046
00:32:15,333 --> 00:32:16,133
>> Cord: THEY HAVE 3-4

1047
00:32:16,200 --> 00:32:16,900
WEDDINGS TODAY.

1048
00:32:16,967 --> 00:32:17,633
THIS IS JUST THE FIRST ONE.

1049
00:32:17,700 --> 00:32:18,433
APPARENTLY, THEY HAD TWO

1050
00:32:18,500 --> 00:32:19,166
WEDDINGS PRIOR TO THIS ONE.

1051
00:32:19,233 --> 00:32:20,433
>> Tish: IT'S A BUSY CHURCH.

1052
00:32:20,500 --> 00:32:21,533
THAT WAS THE CHURCH WHERE LITTLE

1053
00:32:21,600 --> 00:32:22,734
HARRY WAS BAPTIZED.

1054
00:32:22,800 --> 00:32:24,467
>> Cord: NO.

1055
00:32:24,533 --> 00:32:25,567
>> Tish: ON SEPTEMBER 15TH,

1056
00:32:25,633 --> 00:32:28,867
1984, LITTLE HARRY WAS BAPTIZED

1057
00:32:28,934 --> 00:32:31,400
IN THAT SAME CHURCH.

1058
00:32:31,467 --> 00:32:33,166
THAT'S WHY HE'S ALLOWED TO MARRY

1059
00:32:33,233 --> 00:32:33,934
IN THAT CHURCH.

1060
00:32:34,000 --> 00:32:34,800
>> Cord: THAT'S WONDERFUL.

1061
00:32:34,867 --> 00:32:43,433
FULL CIRCLE.

1062
00:32:43,500 --> 00:32:45,133
>> Tish: ISN'T THAT FULL

1063
00:32:45,200 --> 00:32:45,367
CIRCLE?

1064
00:32:45,433 --> 00:32:46,200
>> Cord: THAT'S A FULL CIRCLE

1065
00:32:46,266 --> 00:32:47,000
MOMENT AND WE ARE STILL WAITING

1066
00:32:47,066 --> 00:32:49,934
FOR THEM TO APPEAR.

1067
00:32:50,000 --> 00:32:50,400
>> Tish: I LIKE THE

1068
00:32:50,467 --> 00:32:51,166
EXCITEMENT.

1069
00:32:51,233 --> 00:32:51,600
ANTICIPATION.

1070
00:32:51,667 --> 00:32:54,133
I WAS WAKING UP THIS MORNING,

1071
00:32:54,200 --> 00:32:55,166
THINKING ABOUT THE QUEEN AND HOW

1072
00:32:55,233 --> 00:32:58,867
SHE'S PRACTICAL AND HOW SHE

1073
00:32:58,934 --> 00:33:01,700
LOVES PIGEONS.

1074
00:33:01,767 --> 00:33:04,700
THAT WAS ON MY MIND.

1075
00:33:04,767 --> 00:33:05,333
SHE LOVES PIGEONS AND SHE LIKES

1076
00:33:05,400 --> 00:33:06,333
PIGEON RACES.

1077
00:33:06,400 --> 00:33:07,967
DID YOU KNOW SHE KNOWS --

1078
00:33:08,033 --> 00:33:09,066
>> Cord: THE QUEEN OF ENGLAND

1079
00:33:09,133 --> 00:33:11,934
LOVES PIGEON RACING.

1080
00:33:12,000 --> 00:33:14,500
HAS SHE ALWAYS?

1081
00:33:14,567 --> 00:33:15,266
>> Tish: SHE IDENTIFIES THEM

1082
00:33:15,333 --> 00:33:15,867
WITH A LITTLE NUMBER ON THEIR

1083
00:33:15,934 --> 00:33:23,200
CLAW.

1084
00:33:23,266 --> 00:33:26,333
SHE LOVES IT.

1085
00:33:26,400 --> 00:33:27,033
>> Cord: I GO TO THE PIGEON

1086
00:33:27,100 --> 00:33:27,967
RACES OUT IN CALABASAS, IT'S ONE

1087
00:33:28,033 --> 00:33:30,133
OF THE BEST WEEKENDS.

1088
00:33:30,200 --> 00:33:31,567
IT'S IN EARLY JUNE.

1089
00:33:31,633 --> 00:33:32,567
YOU'VE GOT TO BOOK A MOTEL ROOM

1090
00:33:32,633 --> 00:33:34,300
EARLY.

1091
00:33:34,367 --> 00:33:35,100
IT WILL GET ALL BOOKED UP.

1092
00:33:35,166 --> 00:33:37,700
THEY HAVE THREE WONDERFUL DAYS

1093
00:33:37,767 --> 00:33:39,300
OF PIGEON RACES.

1094
00:33:39,367 --> 00:33:39,900
THERE ARE SOME AMATEUR PIGEON

1095
00:33:39,967 --> 00:33:42,333
TEAMS.

1096
00:33:42,400 --> 00:33:44,433
A LOT OF THEM DON'T COME BACK.

1097
00:33:44,500 --> 00:33:45,000
THERE ARE SOME BIG HAWKS OUT

1098
00:33:45,066 --> 00:33:48,834
THERE.

1099
00:33:48,900 --> 00:33:53,800
SOME BIG BIRDS OF PREY.

1100
00:33:53,867 --> 00:34:00,133
THEY WILL SNAP OFF THE HEADS OF

1101
00:34:00,200 --> 00:34:02,834
THOSE LITTLE PIGEONS.

1102
00:34:02,900 --> 00:34:03,300
>> Tish: OH, GOODNESS.

1103
00:34:03,367 --> 00:34:04,000
>> Cord: GET A LITTLE LUNCH.

1104
00:34:04,066 --> 00:34:04,667
>> Tish: IT SOUNDS VIOLENT.

1105
00:34:04,734 --> 00:34:05,400
I DON'T THINK I WOULD LIKE THAT.

1106
00:34:05,467 --> 00:34:06,400
YOU WILL NOT FIND TISH CATTIGAN

1107
00:34:06,467 --> 00:34:07,100
AT A CALABASAS PIGEON RACE.

1108
00:34:07,166 --> 00:34:09,000
>> Cord: DELICIOUS, FLYING

1109
00:34:09,066 --> 00:34:11,567
BACK.

1110
00:34:11,633 --> 00:34:14,367
I LOVE THE SQUALL PIGEONS.

1111
00:34:14,433 --> 00:34:17,433
DON'T YOU?

1112
00:34:17,500 --> 00:34:18,200
>> Tish: I HAVE TO SAY I

1113
00:34:18,266 --> 00:34:21,467
DON'T.

1114
00:34:21,533 --> 00:34:22,100
HOT DOGS, I COULD GO FOR.

1115
00:34:22,166 --> 00:34:23,133
>> Cord: WE ARE GETTING SOME

1116
00:34:23,200 --> 00:34:24,100
NEWS THAT THEY ARE POSSIBLY

1117
00:34:24,166 --> 00:34:27,633
COMING OUT OF THE CATHEDRAL.

1118
00:34:27,700 --> 00:34:32,533
THE MOMENT IS IMMINENT.

1119
00:34:32,600 --> 00:34:32,967
>> Tish: OH, THIS IS

1120
00:34:33,033 --> 00:34:34,500
WONDERFUL.

1121
00:34:34,567 --> 00:34:36,500
>> Cord: THIS IS LIKE WAITING

1122
00:34:36,567 --> 00:34:38,266
FOR A UNISEX BATHROOM IN A

1123
00:34:38,333 --> 00:34:43,433
RESTAURANT.

1124
00:34:43,500 --> 00:34:44,300
>> Tish: IT REALLY IS.

1125
00:34:44,367 --> 00:34:44,934
>> Cord: I'VE GOT TO SAY,

1126
00:34:45,000 --> 00:34:47,600
THESE PATIENT PEOPLE, WE ARE

1127
00:34:47,667 --> 00:34:50,300
EXPECTING 100,000 TO 200,000, TO

1128
00:34:50,367 --> 00:34:53,633
200 MILLION, I'M NOT GONNA DO

1129
00:34:53,700 --> 00:34:55,600
NUMBERS BUT THERE'S SO MANY

1130
00:34:55,667 --> 00:34:57,166
PEOPLE WAITING IN WINDSOR.

1131
00:34:57,233 --> 00:34:57,834
SOME PEOPLE HAVE BEEN WAITING

1132
00:34:57,900 --> 00:34:59,467
FOR HOURS.

1133
00:34:59,533 --> 00:35:00,967
SOME PEOPLE HAVE BEEN WAITING

1134
00:35:01,033 --> 00:35:02,900
FOR DAYS.

1135
00:35:03,000 --> 00:35:06,400
SOME PEOPLE HAVE BEEN WAITING

1136
00:35:06,467 --> 00:35:11,700
FOR A LIFETIME.

1137
00:35:11,767 --> 00:35:13,033
>> Tish: DO YOU KNOW WHAT A

1138
00:35:13,100 --> 00:35:17,033
FRIEND SAID TO ME ONCE?

1139
00:35:17,100 --> 00:35:18,500
I WAS THINKING OF MEGHAN MARKLE

1140
00:35:18,567 --> 00:35:20,133
AND HOW SHE MET HARRY.

1141
00:35:20,200 --> 00:35:23,367
>> Cord: WHAT YOU THINK SHE

1142
00:35:23,433 --> 00:35:24,200
HAD FOR BREAKFAST?

1143
00:35:24,266 --> 00:35:27,066
>> Tish: GOOD QUESTION.

1144
00:35:27,133 --> 00:35:27,700
WELL, SHE'S BEEN REALLY WORKING

1145
00:35:27,767 --> 00:35:28,266
OUT.

1146
00:35:28,333 --> 00:35:32,900
SHE'S VERY MUCH INTO YOGA.

1147
00:35:32,967 --> 00:35:34,266
SHE COOKS CHICKEN, I THINK SHE

1148
00:35:34,333 --> 00:35:37,567
HAD A LIGHT BREAKFAST.

1149
00:35:37,633 --> 00:35:38,300
SHE'S VERY HEALTHY.

1150
00:35:38,367 --> 00:35:41,200
SHE LOVES FISH TACOS.

1151
00:35:41,266 --> 00:35:41,800
>> Cord: HERE THEY COME, THERE

1152
00:35:41,867 --> 00:35:42,467
THEY ARE!

1153
00:35:42,533 --> 00:35:43,100
THEY ARE OUT!

1154
00:35:43,166 --> 00:35:44,700
THEY ARE OUT OF THE CHURCH!

1155
00:35:44,767 --> 00:35:46,767
THIS IS REAL, FOLKS!

1156
00:35:46,834 --> 00:35:47,734
THERE IS THE KISS!

1157
00:35:47,800 --> 00:35:50,767
THEY JUST KISSED!

1158
00:35:50,834 --> 00:35:52,367
>> Tish: OH, CORD!

1159
00:35:52,433 --> 00:35:55,367
>> Cord: THAT WAS LOVELY.

1160
00:35:55,433 --> 00:35:56,734
A REAL MOMENT.

1161
00:35:56,800 --> 00:35:59,834
LOOK AT THE ELEGANCE.

1162
00:35:59,900 --> 00:36:00,567
WONDERFUL STUFF.

1163
00:36:00,633 --> 00:36:05,900
STUNNING.

1164
00:36:05,967 --> 00:36:08,433
>> Tish: AND LOOK AT HARRY.

1165
00:36:08,500 --> 00:36:11,266
>> Cord: THE DRESS IS GORGEOUS

1166
00:36:11,333 --> 00:36:13,000
GORGEOUS.

1167
00:36:13,066 --> 00:36:14,066
>> Tish: MADLY IN LOVE.

1168
00:36:14,133 --> 00:36:15,367
>> Cord: WE SAW THE KIDS AT

1169
00:36:15,433 --> 00:36:17,400
THE TOP OF THE STAIRS.

1170
00:36:17,467 --> 00:36:22,000
WE SAW THE KISS AT THE TOP OF

1171
00:36:22,066 --> 00:36:22,300
THE STAIRS.

1172
00:36:22,367 --> 00:36:25,000
IT WAS RIGHT THERE.

1173
00:36:25,066 --> 00:36:25,467
>> Tish: OH, LOOK.

1174
00:36:25,533 --> 00:36:26,900
LOOK AT THAT TRAIN.

1175
00:36:26,967 --> 00:36:27,467
>> Cord: MAY BE A 1,000-FOOT

1176
00:36:27,533 --> 00:36:28,900
TRAIN.

1177
00:36:28,967 --> 00:36:30,133
ONCE AGAIN, THAT'S THE MOMENT,

1178
00:36:30,200 --> 00:36:31,166
ONE SMALL KISS FOR MAN.

1179
00:36:31,233 --> 00:36:32,834
ONE GIANT KISS FOR MANKIND.

1180
00:36:32,900 --> 00:36:34,233
DO YOU BELIEVE IN MIRACLES?

1181
00:36:34,300 --> 00:36:35,367
>> Tish: I DO.

1182
00:36:35,433 --> 00:36:36,100
LOOK AT THE WAY THEY LOOK AT ONE

1183
00:36:36,166 --> 00:36:36,834
ANOTHER, CORD.

1184
00:36:36,900 --> 00:36:38,467
>> Cord: THIS IS WHAT THE

1185
00:36:38,533 --> 00:36:44,367
CROWD HAS COME TO SEE.

1186
00:36:44,433 --> 00:36:45,133
>> Tish: LOOK AT HARRY AND

1187
00:36:45,200 --> 00:36:46,767
MEGHAN!

1188
00:36:46,834 --> 00:36:47,834
>> Cord: THEY ARE LOVING IT.

1189
00:36:47,900 --> 00:36:48,400
>> Tish: CORD, HOW MUCH DID

1190
00:36:48,467 --> 00:36:49,300
YOU LOVE THAT KISS?

1191
00:36:49,367 --> 00:36:50,533
>> Cord: THAT WAS A

1192
00:36:50,600 --> 00:36:53,233
KAY JEWELERS KISS.

1193
00:36:53,300 --> 00:36:55,133
♪ EVERY KISS BEGINS WITH KAY ♪

1194
00:36:55,200 --> 00:36:58,800
♪ EVERY KISS BEGINS WITH KAY! ♪

1195
00:36:58,867 --> 00:37:01,900
♪ EVERY KISS BEGINS WITH KAY ♪

1196
00:37:01,967 --> 00:37:02,800
>> Cord: LET'S TRY TO HOLD

1197
00:37:02,867 --> 00:37:05,400
THAT LAST ONE AS LONG AS WE CAN.

1198
00:37:05,467 --> 00:37:08,166
♪ EVERY KISS BEGINS WITH

1199
00:37:08,233 --> 00:37:15,367
KAAAAAAAAAAAAAAAYYYYY ♪

1200
00:37:15,433 --> 00:37:19,000
>> Tish: [LAUGHS]

1201
00:37:19,066 --> 00:37:19,567
WHAT A SPECIAL MOMENT FOR A

1202
00:37:19,633 --> 00:37:21,233
SPECIAL DAY.

1203
00:37:21,300 --> 00:37:22,533
I REALLY WISH I COULD WRAP THAT

1204
00:37:22,600 --> 00:37:23,200
KISS UP AND PUT IT IN MY POCKET

1205
00:37:23,266 --> 00:37:25,166
AND CARRY IT AROUND WITH ME FOR

1206
00:37:25,233 --> 00:37:26,700
THE REST OF MY LIFE FOR GOOD

1207
00:37:26,767 --> 00:37:28,834
LUCK.

1208
00:37:28,900 --> 00:37:38,033
>> Cord: I REALLY DO.

1209
00:37:38,100 --> 00:37:40,934
SHE ARRIVED TO THE CHURCH A

1210
00:37:41,000 --> 00:37:43,367
GIRLFRIEND AND NOW SHE IS A

1211
00:37:43,433 --> 00:37:45,066
WIFE.

1212
00:37:45,133 --> 00:37:46,100
>> Tish: PRINCE HARRY PUT A

1213
00:37:46,166 --> 00:37:47,567
RING ON IT!

1214
00:37:47,633 --> 00:37:48,767
>> Cord: SOMETHING I'VE NEVER

1215
00:37:48,834 --> 00:37:54,900
BEEN ABLE TO DO, NOT EVEN CLOSE.

1216
00:37:54,967 --> 00:37:55,533
YOU HAVE TO BE VERY CONFIDENT

1217
00:37:55,600 --> 00:37:58,834
THAT SHE'S THE ONE.

1218
00:37:58,900 --> 00:37:59,867
>> Tish: SHE'S THE ONE FOR

1219
00:37:59,934 --> 00:38:00,533
HARRY AND SHE'S A DUCHESS.

1220
00:38:00,600 --> 00:38:01,734
>> Cord: THE DUCHESS WITH THE

1221
00:38:01,800 --> 00:38:11,000
MOST-EST.

1222
00:38:11,066 --> 00:38:11,233
>> Tish:

1223
00:38:11,300 --> 00:38:13,033
>> Tish: RIGHT NOW, MEGHAN AND

1224
00:38:13,100 --> 00:38:14,166
HARRY ARE GOING TO TAKE SOME

1225
00:38:14,233 --> 00:38:17,767
TIME TO GREET...

1226
00:38:17,834 --> 00:38:19,934
OH, THEY ARE LOADING INTO THE

1227
00:38:20,000 --> 00:38:20,633
CARRIAGE BEFORE THEY MEET THE

1228
00:38:20,700 --> 00:38:24,433
CHARITY WORKERS.

1229
00:38:24,500 --> 00:38:24,900
>> Cord: 100 LOCAL

1230
00:38:24,967 --> 00:38:25,834
SCHOOLCHILDREN WAITING OUTSIDE

1231
00:38:25,900 --> 00:38:26,433
THE CHAPEL.

1232
00:38:26,500 --> 00:38:30,333
START WATCHING THE PROCESSION.

1233
00:38:30,400 --> 00:38:31,133
>> Tish: LOOK AT THE BEAUTIFUL

1234
00:38:31,200 --> 00:38:37,533
WHITE HORSES.

1235
00:38:37,600 --> 00:38:39,000
>> Cord: OH, GORGEOUS.

1236
00:38:39,066 --> 00:38:42,200
WELL...

1237
00:38:42,266 --> 00:38:46,133
>> Tish: AND LOOK AT MEGHAN,

1238
00:38:46,200 --> 00:38:49,266
SO CHIC AND MODERN AND ELEGANT.

1239
00:38:49,333 --> 00:38:49,934
>> Cord: MOST FAMILY MEMBERS

1240
00:38:50,000 --> 00:38:50,600
WILL GATHER ON THE WEST STEPS,

1241
00:38:50,667 --> 00:38:51,700
THERE THEY GO.

1242
00:38:51,767 --> 00:38:52,700
THAT LITTLE GIRL.

1243
00:38:52,767 --> 00:38:53,433
>> Tish: THAT BEAUTY.

1244
00:38:53,500 --> 00:38:54,066
>> Cord: THAT'S HIS...

1245
00:38:54,133 --> 00:38:58,967
>> Tish: THAT'S HIS NIECE.

1246
00:38:59,033 --> 00:38:59,734
>> Cord: SHE'S WAVING HER

1247
00:38:59,800 --> 00:39:02,367
LITTLE ARM UP.

1248
00:39:02,433 --> 00:39:03,367
>> Tish: THE WHITE HORSES,

1249
00:39:03,433 --> 00:39:06,333
GALLOPING PROUDLY.

1250
00:39:06,400 --> 00:39:06,934
>> Cord: I WOULD HATE TO BE

1251
00:39:07,000 --> 00:39:07,433
THE GUY TAKING PICTURES.

1252
00:39:07,500 --> 00:39:08,266
A LOT OF PRESSURE.

1253
00:39:08,333 --> 00:39:08,767
>> Tish: ONE OF THE MOST

1254
00:39:08,834 --> 00:39:13,200
IMPORTANT ASPECTS OF ANYTHING,

1255
00:39:13,266 --> 00:39:17,600
ANY WEDDING, ROYAL OR JUST ONE

1256
00:39:17,667 --> 00:39:22,734
NORMAL ONE BETWEEN TWO P

1257
00:39:22,800 --> 00:39:25,500
SELECTING THE RIGHT PHOTOGRAPHER

1258
00:39:25,567 --> 00:39:26,266
PHOTOGRAPHER.

1259
00:39:26,333 --> 00:39:27,133
>> Cord: A PICTURE IS WORTH A

1260
00:39:27,200 --> 00:39:27,734
THOUSAND WORDS.

1261
00:39:27,800 --> 00:39:28,333
A SAYING WE HEAR ALL THE TIME

1262
00:39:28,400 --> 00:39:28,800
BECAUSE IT'S TRUE.

1263
00:39:28,867 --> 00:39:30,600
>> Tish: DID YOU KNOW THE

1264
00:39:30,667 --> 00:39:31,200
FASHION PHOTOGRAPHER IS A MAN

1265
00:39:31,266 --> 00:39:32,467
NAMED ALEXI LUBOMIRSKI?

1266
00:39:32,533 --> 00:39:32,834
>> Cord: I DID!

1267
00:39:32,900 --> 00:39:33,433
HE'S FANTASTIC.

1268
00:39:33,500 --> 00:39:35,233
MAJOR FASHION PHOTOGRAPHER.

1269
00:39:35,300 --> 00:39:37,700
THAT IS A REAL SCORE.

1270
00:39:37,767 --> 00:39:39,100
>> Tish: THE WELL-KNOWN PORTRAIT

1271
00:39:39,166 --> 00:39:39,934
PHOTOGRAPHER TOOK PRINCE HARRY

1272
00:39:40,000 --> 00:39:41,066
AND MEGHAN MARKLE'S

1273
00:39:41,133 --> 00:39:43,266
ENGAGEMENT PICTURES AT FROGMORE

1274
00:39:43,333 --> 00:39:45,867
HOUSE IN NOVEMBER.

1275
00:39:45,934 --> 00:39:53,467
>> Cord: THE QUEEN IS WEARING

1276
00:39:53,533 --> 00:39:58,600
AN ELECTRIC GREEN, LIME OUTFIT.

1277
00:39:58,667 --> 00:40:00,467
WONDERFUL.

1278
00:40:00,533 --> 00:40:01,600
>> Tish: AND LOOKS SO HAPPY.

1279
00:40:01,667 --> 00:40:02,166
>> Cord: YOU WANT TO GO WITH

1280
00:40:02,233 --> 00:40:02,467
THE BEST.

1281
00:40:02,533 --> 00:40:03,633
>> Tish: YOU REALLY DO.

1282
00:40:03,700 --> 00:40:04,967
IF I COULD STRESS ONE THING TO

1283
00:40:05,033 --> 00:40:06,166
PEOPLE OUT THERE PLANNING A

1284
00:40:06,233 --> 00:40:08,834
WEDDING, MAKE SURE YOU HIRE A

1285
00:40:08,900 --> 00:40:09,266
PROFESSIONAL WEDDING

1286
00:40:09,333 --> 00:40:10,533
PHOTOGRAPHER.

1287
00:40:10,600 --> 00:40:11,100
MY HUSBAND, BRENT, GOD BLESS

1288
00:40:11,166 --> 00:40:12,367
HIM.

1289
00:40:12,433 --> 00:40:15,867
I LOVE HIM WITH ALL MY HEART...

1290
00:40:15,934 --> 00:40:17,834
HE THOUGHT WE COULD SAVE SOME

1291
00:40:17,900 --> 00:40:18,367
MONEY BY HAVING HIS COUSIN

1292
00:40:18,433 --> 00:40:19,033
REGGIE TAKE OUR WEDDING

1293
00:40:19,100 --> 00:40:19,800
PHOTOS.

1294
00:40:19,867 --> 00:40:21,166
>> Cord: AND LET'S JUST SAY

1295
00:40:21,233 --> 00:40:22,767
TISH'S COUSIN REGGIE IS NO ALEXI

1296
00:40:22,834 --> 00:40:25,266
LUBOMIRSKI.

1297
00:40:25,333 --> 00:40:27,033
>> Tish: NO, HE IS NOT.

1298
00:40:27,100 --> 00:40:28,867
UNFLATTERING LOW ANGLES.

1299
00:40:28,934 --> 00:40:31,200
OVER LIT PHOTOS.

1300
00:40:31,266 --> 00:40:32,633
HE WASTED SIX ROLLS OF FILM JUST

1301
00:40:32,700 --> 00:40:34,567
TAKING PICTURES OF OUR WEDDING

1302
00:40:34,633 --> 00:40:37,633
DJ.

1303
00:40:37,700 --> 00:40:38,200
>> Cord: YOU WERE ABSOLUTELY

1304
00:40:38,266 --> 00:40:38,767
FURIOUS.

1305
00:40:38,834 --> 00:40:41,767
JUSTIFIABLY SO.

1306
00:40:41,834 --> 00:40:42,400
>> Tish: WANT TO SEE A PHOTO OF

1307
00:40:42,467 --> 00:40:43,000
ME THROWING THE BOUQUET AT MY

1308
00:40:43,066 --> 00:40:44,400
WEDDING?

1309
00:40:44,467 --> 00:40:45,500
WELL, YOU CAN'T, BECAUSE REGGIE

1310
00:40:45,567 --> 00:40:46,734
THOUGHT THAT WOULD BE A GOOD

1311
00:40:46,800 --> 00:40:48,033
TIME TO USE THE RESTROOM.

1312
00:40:48,100 --> 00:40:50,600
>> Cord: HE JUST BLEW IT.

1313
00:40:50,667 --> 00:40:52,433
ON EVERY LEVEL.

1314
00:40:52,500 --> 00:40:53,100
ON THE DAY, I SAW IT HAPPEN.

1315
00:40:53,166 --> 00:40:53,767
I DIDN'T WANT TO SAY ANYTHING

1316
00:40:53,834 --> 00:40:54,834
FOR FEAR OF RUINING YOUR BIG

1317
00:40:54,900 --> 00:40:57,400
DAY.

1318
00:40:57,467 --> 00:40:58,100
NEEDLESS TO SAY, IT WOULD NEVER

1319
00:40:58,166 --> 00:40:59,400
HAPPEN HERE AT THE ROYAL

1320
00:40:59,467 --> 00:41:10,567
WEDDING.

1321
00:41:10,633 --> 00:41:11,266
>> Tish: I DON'T LIKE TO HANG ON

1322
00:41:11,333 --> 00:41:11,734
TO RESENTMENT.

1323
00:41:11,800 --> 00:41:14,033
I SAY, "LET GO, LET GOD."

1324
00:41:14,100 --> 00:41:14,734
>> Cord: THERE IS THE QUEEN.

1325
00:41:14,800 --> 00:41:16,033
>> Tish: LOOK HOW BEAUTIFUL.

1326
00:41:16,100 --> 00:41:16,433
WITH HER PURPLE...

1327
00:41:16,500 --> 00:41:17,266
>> Cord: SHE'S MUCH TALLER

1328
00:41:17,333 --> 00:41:18,133
THAN I THOUGHT.

1329
00:41:18,200 --> 00:41:18,734
>> Tish: SHE HAS A COMMANDING

1330
00:41:18,800 --> 00:41:25,000
PRESENCE.

1331
00:41:25,066 --> 00:41:27,233
>> Cord: SHE'S GETTING INTO A

1332
00:41:27,300 --> 00:41:28,500
SEDAN.

1333
00:41:28,567 --> 00:41:29,033
PROBABLY A SEDAN.

1334
00:41:29,100 --> 00:41:34,333
PROBABLY A JAGUAR.

1335
00:41:34,400 --> 00:41:37,667
SHE'S ALSO AN ACTOR ON THE HIT

1336
00:41:37,734 --> 00:41:40,700
SHOW "THE CROWN."

1337
00:41:40,767 --> 00:41:41,700
TAKING A MOMENT.

1338
00:41:41,767 --> 00:41:42,333
>> Tish: SHE REALLY KNOWS HOW

1339
00:41:42,400 --> 00:41:44,500
TO WEAR A HAT.

1340
00:41:44,567 --> 00:41:45,100
>> Cord: I WONDER IF THAT'S A

1341
00:41:45,166 --> 00:41:48,834
HYUNDAI?

1342
00:41:48,900 --> 00:41:51,200
IT LOOKS LIKE A HYUNDAI.

1343
00:41:51,266 --> 00:41:57,066
A BEAUTIFUL, LUXURIOUS HYUNDAI.

1344
00:41:57,133 --> 00:41:58,800
>> Tish: ISN'T THIS WONDERFUL?

1345
00:41:58,867 --> 00:42:02,667
>> Cord: THERE THEY GO.

1346
00:42:02,734 --> 00:42:05,300
TRAVELING -- I WOULD PROBABLY

1347
00:42:05,367 --> 00:42:08,100
GUESS -- 80 KILOMETERS.

1348
00:42:08,166 --> 00:42:08,900
REALLY BLITZING THROUGH THAT

1349
00:42:08,967 --> 00:42:10,667
CROWD.

1350
00:42:10,734 --> 00:42:11,767
>> Tish: YOU SEE HER WAVE, SO

1351
00:42:11,834 --> 00:42:12,834
GENTLE.

1352
00:42:12,900 --> 00:42:14,867
NOT OVERDOING IT.

1353
00:42:14,934 --> 00:42:20,200
CONFIDENT.

1354
00:42:20,266 --> 00:42:21,033
>> Cord: IN ENGLAND, THE

1355
00:42:21,100 --> 00:42:21,900
STEERING WHEEL IS IN THE

1356
00:42:21,967 --> 00:42:22,600
BACKSEAT, RIGHT?

1357
00:42:22,667 --> 00:42:24,266
IS SHE DRIVING?

1358
00:42:24,333 --> 00:42:25,700
>> Tish: SHE DRIVES.

1359
00:42:25,767 --> 00:42:26,800
>> Cord: SHE DRIVES FROM THE

1360
00:42:26,867 --> 00:42:27,500
BACK SEAT BECAUSE SHE'S THE

1361
00:42:27,567 --> 00:42:28,900
QUEEN.

1362
00:42:28,967 --> 00:42:30,333
HEY, SHE'S A BACKSEAT DRIVER AND

1363
00:42:30,400 --> 00:42:31,900
I DON'T CARE.

1364
00:42:31,967 --> 00:42:32,533
>> Tish: A LITERAL BACKSEAT

1365
00:42:32,600 --> 00:42:35,133
DRIVER.

1366
00:42:35,200 --> 00:42:36,467
>> Cord: THE POMP AND

1367
00:42:36,533 --> 00:42:40,934
CIRCUMSTANCE, BEAUTIFUL MUSIC.

1368
00:42:41,000 --> 00:42:43,367
HERE COMES THE PROCESSION.

1369
00:42:43,433 --> 00:42:47,200
>> Tish: PRINCE HARRY.

1370
00:42:47,266 --> 00:42:48,166
WHAT'S GOING ON NOW, WE SEE

1371
00:42:48,233 --> 00:42:50,400
PRINCE HARRY AND MEGHAN HAVE

1372
00:42:50,467 --> 00:42:51,633
CHOSEN TO RIDE IN IN ASCOT

1373
00:42:51,700 --> 00:42:55,200
LANDAU CARRIAGE.

1374
00:42:55,266 --> 00:43:01,600
THE SAME KIND THAT HARRY ROAD

1375
00:43:01,667 --> 00:43:04,667
PRINCE WILLIAM'S WEDDING.

1376
00:43:04,734 --> 00:43:05,667
THE QUEEN HAS 5 ASCOT LANDAUS IN

1377
00:43:05,734 --> 00:43:06,734
HER COLLECTION.

1378
00:43:06,800 --> 00:43:07,467
>> Cord: ASCOT LANDAUS HAVE BEEN

1379
00:43:07,533 --> 00:43:08,500
USED FOR THE QUEEN'S CORONATION

1380
00:43:08,567 --> 00:43:09,400
VISIT TO EDINBURGH, THE

1381
00:43:09,467 --> 00:43:11,166
THE QUEEN'S SILVER JUBILEE

1382
00:43:11,233 --> 00:43:16,500
VISITS AND ON MANY STATE VISITS.

1383
00:43:16,567 --> 00:43:17,166
>> Tish: TWO OF THE ASCOT

1384
00:43:17,233 --> 00:43:20,133
LANDAUS WERE FEATURED IN THE

1385
00:43:20,200 --> 00:43:22,900
CARRIAGE PROCESSION FOR PRINCE

1386
00:43:23,000 --> 00:43:23,567
WILLIAM AND KATE'S WEDDING IN

1387
00:43:23,633 --> 00:43:24,834
2011, CARRYING PRINCE HARRY AS

1388
00:43:24,900 --> 00:43:27,233
THE BEST MAN, MAID OF

1389
00:43:27,300 --> 00:43:28,266
HONOUR AND BRIDESMAIDS, AND PAGE

1390
00:43:28,333 --> 00:43:29,400
BOYS FROM WESTMINSTER ABBEY TO

1391
00:43:29,467 --> 00:43:33,000
BUCKINGHAM PALACE.

1392
00:43:33,066 --> 00:43:34,233
>> Cord: IN 1967, MERCURY CAME

1393
00:43:34,300 --> 00:43:35,767
OUT WITH THEIR VERY OWN ASCOT

1394
00:43:35,834 --> 00:43:37,667
LANDAU.

1395
00:43:37,734 --> 00:43:38,367
IT FEATURED A DEEP BLOCK 390

1396
00:43:38,433 --> 00:43:42,033
4-BARREL V-8 WITH 10.5 TO 1

1397
00:43:42,100 --> 00:43:43,367
COMPRESSION RATIO, A POWER

1398
00:43:43,433 --> 00:43:45,400
BOOSTER FAN, DUAL EXHAUST SYSTEM

1399
00:43:45,467 --> 00:43:46,533
WITH A CONSOLE MOUNTED STICK

1400
00:43:46,600 --> 00:43:48,367
SHIFT AND MOLDED FOAM

1401
00:43:48,433 --> 00:43:49,000
BUCKET SEATS AS WELL AS AN

1402
00:43:49,066 --> 00:43:51,066
OXFORD VINYL ROOF AND MUCH, MUCH

1403
00:43:51,133 --> 00:43:55,700
MORE.

1404
00:43:55,767 --> 00:43:56,934
NOTHING RUNS LIKE A MERCURY!

1405
00:43:57,000 --> 00:43:58,767
IF IT AIN'T MERCURY, IT AIN'T

1406
00:43:58,834 --> 00:44:00,500
WORTH DRIVING.

1407
00:44:00,567 --> 00:44:01,100
THERE'S NOTHING HOTTER THAN

1408
00:44:01,166 --> 00:44:03,300
MERCURY...

1409
00:44:03,367 --> 00:44:05,900
SEE YOUR DEALER TODAY.

1410
00:44:05,967 --> 00:44:06,667
>> Tish: WHAT WAS THAT?

1411
00:44:06,734 --> 00:44:07,700
>> Cord: CHA-CHING.

1412
00:44:07,767 --> 00:44:09,033
[LAUGHS]

1413
00:44:09,100 --> 00:44:09,600
THAT'S WHAT IT WAS, A LITTLE

1414
00:44:09,667 --> 00:44:12,967
SCRATCH.

1415
00:44:13,033 --> 00:44:14,367
CARRIAGES ARE SO LUXURIOUS!

1416
00:44:14,433 --> 00:44:15,500
I ALWAYS WANTED TO HAVE MY VERY

1417
00:44:15,567 --> 00:44:16,066
OWN CARRIAGE.

1418
00:44:16,133 --> 00:44:18,133
I ACTUALLY INSTALLED FOUR

1419
00:44:18,200 --> 00:44:18,900
LANTERNS ON THE SIDE OF MY HONDA

1420
00:44:18,967 --> 00:44:22,367
ELEMENT SO IT WOULD LOOK LIKE A

1421
00:44:22,433 --> 00:44:25,967
REAL HORSELESS CARRIAGE.

1422
00:44:26,033 --> 00:44:27,600
AND IT WAS PRETTY COOL BUT WHEN

1423
00:44:27,667 --> 00:44:28,667
I GOT THAT BABY OUT ON THE

1424
00:44:28,734 --> 00:44:30,266
HIGHWAY, LOOK OUT!

1425
00:44:30,333 --> 00:44:32,834
THOSE LANTERNS WENT EVERYWHERE.

1426
00:44:32,900 --> 00:44:36,767
HOT OIL ALL OVER THE ROAD.

1427
00:44:36,834 --> 00:44:38,133
>> Tish: WELL, THE CARRIAGE THAT

1428
00:44:38,200 --> 00:44:39,333
MEGHAN AND HARRY ARE RIDING IN

1429
00:44:39,400 --> 00:44:40,633
TODAY WILL DEFINITELY NOT

1430
00:44:40,700 --> 00:44:42,000
BE GOING ON THE HIGHWAY...

1431
00:44:42,066 --> 00:44:43,600
IT'S JUST A PLEASANT CIRCLE

1432
00:44:43,667 --> 00:44:46,533
THROUGH THE PICTURESQUE TOWN OF

1433
00:44:46,600 --> 00:44:47,867
WINDSOR AND THEN BACK INTO

1434
00:44:47,934 --> 00:44:49,200
WINDSOR CASTLE AROUND 3 TO 5

1435
00:44:49,266 --> 00:44:52,367
MILES AN HOUR.

1436
00:44:52,433 --> 00:44:53,333
>> Cord: IF THESE GUYS ARE

1437
00:44:53,400 --> 00:44:54,367
PLANNING ON DRIVING THIS

1438
00:44:54,433 --> 00:44:55,633
CARRIAGE AROUND MEGHAN'S

1439
00:44:55,700 --> 00:44:57,233
HOMETOWN OF LOS ANGELES, SOMEONE

1440
00:44:57,300 --> 00:44:59,433
SHOULD WARN THEM THEY WILL GET

1441
00:44:59,500 --> 00:45:00,800
REAR-ENDED.

1442
00:45:00,867 --> 00:45:01,500
YOU CANNOT DRIVE THAT SLOW IN

1443
00:45:01,567 --> 00:45:02,500
LA.

1444
00:45:02,567 --> 00:45:05,734
I'M SORRY, YOU CAN'T.

1445
00:45:05,800 --> 00:45:06,800
>> Tish: CORD, IF YOU'RE

1446
00:45:06,867 --> 00:45:08,934
NOTICING A LOT OF SOLDIERS AND

1447
00:45:09,000 --> 00:45:12,367
UNIFORMS TODAY, IT'S BECAUSE THE

1448
00:45:12,433 --> 00:45:15,200
STREETS OF WINDSOR ARE LINED BY

1449
00:45:15,266 --> 00:45:16,467
MEMBERS OF A NUMBER OF REGIMENTS

1450
00:45:16,533 --> 00:45:17,600
INCLUDING THE MARINES AND THE

1451
00:45:17,667 --> 00:45:18,700
QUEEN'S GUARD -- ASSIGNED TO

1452
00:45:18,767 --> 00:45:23,333
PROTECT HER AT ALL TIMES.

1453
00:45:23,400 --> 00:45:24,800
EACH MEMBER OF THE QUEEN'S GUARD

1454
00:45:24,867 --> 00:45:26,300
WEARS A REAL BEARSKIN HAT, WHICH

1455
00:45:26,367 --> 00:45:27,300
IS A CEREMONIAL MILITARY CAP

1456
00:45:27,367 --> 00:45:31,700
DATING BACK TO THE 17TH CENTURY.

1457
00:45:31,767 --> 00:45:32,333
>> Cord: WE ACTUALLY HAVE ONE

1458
00:45:32,400 --> 00:45:35,700
HERE.

1459
00:45:35,767 --> 00:45:36,333
THEY ARE MADE FROM THE FUR OF

1460
00:45:36,400 --> 00:45:37,867
REAL, GENUINE CANADIAN BLACK

1461
00:45:37,934 --> 00:45:39,734
BEARS.

1462
00:45:39,800 --> 00:45:40,533
EVERY YEAR, CANADA HAS TO KILL

1463
00:45:40,600 --> 00:45:42,233
ABOUT 20,000 BLACK BEARS A YEAR

1464
00:45:42,300 --> 00:45:45,333
TO MAINTAIN HEALTHY POPULATIONS.

1465
00:45:45,400 --> 00:45:47,867
AND WHEN THEY ARE DONE, THE

1466
00:45:47,934 --> 00:45:49,133
BRITISH ARMY TAKES 100 SKINS FOR

1467
00:45:49,200 --> 00:45:50,233
ITSELF JUST FOR THESE HATS!

1468
00:45:50,300 --> 00:45:50,867
>> Tish: THAT'S A LOT OF BEARS,

1469
00:45:50,934 --> 00:45:51,834
CORD.

1470
00:45:51,900 --> 00:45:53,467
>> Cord: IT IS, TISH, BUT THINK

1471
00:45:53,533 --> 00:45:54,834
OF HOW PROUD THOSE BEARS MUST

1472
00:45:54,900 --> 00:45:56,667
BE!

1473
00:45:56,734 --> 00:45:57,834
I BET EVERY BEAR IN THE

1474
00:45:57,900 --> 00:45:59,033
COMMONWEALTH DREAMS OF BEING

1475
00:45:59,100 --> 00:46:00,133
MADE INTO A HAT AND GUARDING THE

1476
00:46:00,200 --> 00:46:02,567
QUEEN.

1477
00:46:02,633 --> 00:46:06,100
>> Tish: IF I WERE A BEAR, THAT

1478
00:46:06,166 --> 00:46:06,867
WOULD BE MY DREAM.

1479
00:46:06,934 --> 00:46:08,200
I WONDER IF PADDINGTON HAS EVER

1480
00:46:08,266 --> 00:46:09,567
DREAMED OF BEING A HAT?

1481
00:46:09,633 --> 00:46:11,400
>> Cord: YOU MEAN THAT CUTE

1482
00:46:11,467 --> 00:46:12,633
LITTLE BEAR FROM THE MOVIES?

1483
00:46:12,700 --> 00:46:13,934
I WOULD LOVE TO SEE PADDINGTON

1484
00:46:14,000 --> 00:46:14,533
SITTING ON TOP OF ONE OF THOSE

1485
00:46:14,600 --> 00:46:15,800
GUARDS.

1486
00:46:15,867 --> 00:46:17,934
HE'S SUCH A LOYAL AND POLITE

1487
00:46:18,000 --> 00:46:18,133
BEAR!

1488
00:46:18,200 --> 00:46:20,033
>> Tish: HE IS.

1489
00:46:20,100 --> 00:46:21,700
>> Cord: IF YOU BEEN WONDERING

1490
00:46:21,767 --> 00:46:23,367
ABOUT ALL THE GUYS RIDING ON

1491
00:46:23,433 --> 00:46:26,233
HORSES NEXT TO THE CARRIAGE,

1492
00:46:26,300 --> 00:46:27,467
THOSE ARE MEMBERS OF THE

1493
00:46:27,533 --> 00:46:28,300
HOUSEHOLD CAVALRY MOUNTED

1494
00:46:28,367 --> 00:46:31,033
REGIMENT.

1495
00:46:31,100 --> 00:46:31,734
WITH THEIR DISTINCTIVE TUNICS

1496
00:46:31,800 --> 00:46:36,367
AND PLUMES.

1497
00:46:36,433 --> 00:46:36,934
>> Tish: IN A WAY, IT'S LIKE

1498
00:46:37,000 --> 00:46:39,934
LOOKING INTO THE PAST.

1499
00:46:40,000 --> 00:46:41,467
THE HOUSEHOLD CAVALRY WE ARE

1500
00:46:41,533 --> 00:46:42,400
SEEING HAS BEEN INVOLVED IN

1501
00:46:42,467 --> 00:46:44,900
ROYAL WEDDINGS SINCE THE 1600S.

1502
00:46:44,967 --> 00:46:46,000
>> Cord: THAT'S WHY SO MANY

1503
00:46:46,066 --> 00:46:48,233
PEOPLE HAVE COME TO THE TOWN OF

1504
00:46:48,300 --> 00:46:50,633
WINDSOR, TO BE A PART OF THE

1505
00:46:50,700 --> 00:46:58,800
SCENE.

1506
00:46:58,867 --> 00:46:59,400
IN THE ASCOT LANDAU, IT SPEAKS

1507
00:46:59,467 --> 00:47:02,700
OF LUXURY, ELEGANCE, DIGNITY.

1508
00:47:02,767 --> 00:47:03,834
>> Tish: MEGHAN HAS GOTTEN SO

1509
00:47:03,900 --> 00:47:07,667
GOOD AT WAVING.

1510
00:47:07,734 --> 00:47:09,400
ONE THING WE HAVEN'T TALKED

1511
00:47:09,467 --> 00:47:10,734
ABOUT IS THE BEAUTIFUL HORSES

1512
00:47:10,800 --> 00:47:13,066
RIDING ALONGSIDE AND PULLING THE

1513
00:47:13,133 --> 00:47:15,900
ASCOT LANDAU CARRIAGE.

1514
00:47:15,967 --> 00:47:16,834
>> Cord: I'M NOT INTERESTED.

1515
00:47:16,900 --> 00:47:17,767
WE DON'T HAVE TO TALK ABOUT IT.

1516
00:47:17,834 --> 00:47:19,633
>> Tish: THE HORSES USED ARE

1517
00:47:19,700 --> 00:47:21,166
WINDSOR GREYS.

1518
00:47:21,233 --> 00:47:28,133
THEIR NAMES ARE PLYMOUTH,

1519
00:47:28,200 --> 00:47:28,800
LONDONDERRY-MILFORD-HAVEN, SIR

1520
00:47:28,867 --> 00:47:31,033
BASIL, TYRONE, AND STORM.

1521
00:47:31,100 --> 00:47:31,800
TYRONE AND STORM ARE FATHER AND

1522
00:47:31,867 --> 00:47:35,367
SON HORSES.

1523
00:47:35,433 --> 00:47:36,300
ALL THE HORSES ARE NAMED BY THE

1524
00:47:36,367 --> 00:47:44,667
QUEEN.

1525
00:47:44,734 --> 00:47:45,233
>> Cord: AS YOU KNOW.

1526
00:47:45,300 --> 00:47:45,967
I'M NO FAN OF HORSES, TISH.

1527
00:47:46,033 --> 00:47:47,633
THEY SCARE ME TO DEATH.

1528
00:47:47,700 --> 00:47:48,700
>> Tish: WELL, THEN YOU WILL

1529
00:47:48,767 --> 00:47:49,700
DEFINITELY NOT WANT A REPEAT OF

1530
00:47:49,767 --> 00:47:51,433
AN INCIDENT AT THE LAST ROYAL

1531
00:47:51,500 --> 00:47:52,033
WEDDING IN 2011, WHEN A HORSE

1532
00:47:52,100 --> 00:47:59,667
GOT SPOOKED BY THE CROWD, AND

1533
00:47:59,734 --> 00:48:00,333
AND THREW ITS RIDER, SLAMMED

1534
00:48:00,400 --> 00:48:01,533
DOWN ONTO THE GROUND.

1535
00:48:01,600 --> 00:48:02,133
>> Cord: NOT WHAT I WANTED TO

1536
00:48:02,200 --> 00:48:02,567
HEAR.

1537
00:48:02,633 --> 00:48:03,266
>> Tish: THE RIDER COULDN'T HOLD

1538
00:48:03,333 --> 00:48:04,667
ON TO THE HORSE AND IT BROKE

1539
00:48:04,734 --> 00:48:05,867
FREE AND RAN WILD TOWARDS

1540
00:48:05,934 --> 00:48:07,166
THE CROWD, UNTIL SOME SOLDIERS

1541
00:48:07,233 --> 00:48:08,800
FINALLY TOOK CONTROL AND CALMED

1542
00:48:08,867 --> 00:48:09,734
IT DOWN.

1543
00:48:09,800 --> 00:48:11,066
THANK GOD IT DIDN'T GO OFF INTO

1544
00:48:11,133 --> 00:48:11,667
THE CROWD AND HURT A BUNCH OF

1545
00:48:11,734 --> 00:48:11,934
PEOPLE.

1546
00:48:12,000 --> 00:48:13,367
>> Cord: LET'S STOP TALKING

1547
00:48:13,433 --> 00:48:26,333
ABOUT HORSES, TISH.

1548
00:48:26,400 --> 00:48:27,066
>> Tish: CORD, ARE YOU OKAY?

1549
00:48:27,133 --> 00:48:27,900
>> Cord: EVERYTHING ABOUT THEM

1550
00:48:27,967 --> 00:48:28,600
JUST MAKES ME NERVOUS.

1551
00:48:28,667 --> 00:48:29,333
THE ROUND FEET, THEIR WET NOSES,

1552
00:48:29,400 --> 00:48:30,300
THEIR BIGNESS.

1553
00:48:30,367 --> 00:48:31,100
I DON'T LIKE HOW CLOSE THEY ARE

1554
00:48:31,166 --> 00:48:32,166
TO US.

1555
00:48:32,233 --> 00:48:32,767
>> Tish: THEY ARE IN WINDSOR,

1556
00:48:32,834 --> 00:48:36,200
WHICH IS 30 MILES AWAY.

1557
00:48:36,266 --> 00:48:37,200
WE'RE IN LONDON.

1558
00:48:37,266 --> 00:48:38,667
>> Cord: OKAY, OKAY, BUT WHAT

1559
00:48:38,734 --> 00:48:39,300
IF THEY BUST LOOSE AND RUN THIS

1560
00:48:39,367 --> 00:48:40,233
WAY?

1561
00:48:40,300 --> 00:48:41,000
>> Tish: YOU KNOW, I WAS WORRIED

1562
00:48:41,066 --> 00:48:42,433
THIS MIGHT HAPPEN.

1563
00:48:42,500 --> 00:48:44,367
SO I ACTUALLY BROUGHT SOMETHING

1564
00:48:44,433 --> 00:48:45,200
THAT COULD HELP.

1565
00:48:45,266 --> 00:48:47,467
HAVE YOU EVER TRIED EXPOSURE

1566
00:48:47,533 --> 00:48:48,300
THERAPY?

1567
00:48:48,367 --> 00:48:49,300
>> Cord: NO, I HAVEN'T!

1568
00:48:49,367 --> 00:48:51,000
WHAT IS THAT?

1569
00:48:51,066 --> 00:48:51,700
>> Tish: I DID IT A LONG TIME

1570
00:48:51,767 --> 00:48:53,667
AGO TO GET OVER MY FEAR OF

1571
00:48:53,734 --> 00:48:56,567
TICKS.

1572
00:48:56,633 --> 00:48:58,767
IT CURES ANXIETY BY EXPOSING YOU

1573
00:48:58,834 --> 00:49:00,934
TO SCARY THINGS A LITTLE BIT AT

1574
00:49:01,000 --> 00:49:02,633
A TIME.

1575
00:49:02,700 --> 00:49:04,600
SO FOR MY RECOVERY, I WOULD

1576
00:49:04,667 --> 00:49:06,367
START OUT LOOKING AT PHOTOS OF

1577
00:49:06,433 --> 00:49:07,734
SOME TEENY, TINY TICKS AND THEN

1578
00:49:07,800 --> 00:49:10,667
TRY TO CONTROL MY REACTION.

1579
00:49:10,734 --> 00:49:12,667
AND MOVE ON TO LOOKING AT BIGGER

1580
00:49:12,734 --> 00:49:15,133
AND BIGGER TICKS.

1581
00:49:15,200 --> 00:49:18,066
THEN THE ANXIETY GRADUALLY GOES

1582
00:49:18,133 --> 00:49:19,867
AWAY.

1583
00:49:19,934 --> 00:49:21,166
>> Cord: AND THIS WORKED?

1584
00:49:21,233 --> 00:49:22,633
>> Tish: IT REALLY DID, AND I

1585
00:49:22,700 --> 00:49:23,767
THINK IT COULD WORK FOR YOU,

1586
00:49:23,834 --> 00:49:32,600
TOO.

1587
00:49:32,667 --> 00:49:33,734
I KNEW YOUR FEAR MIGHT COME UP.

1588
00:49:33,800 --> 00:49:34,333
I BROUGHT SOME DIFFERENT SIZED

1589
00:49:34,400 --> 00:49:37,700
TOY HORSES.

1590
00:49:37,767 --> 00:49:38,467
SO WHAT I WANT YOU TO DO IS

1591
00:49:38,533 --> 00:49:41,066
CLOSE YOUR EYES.

1592
00:49:41,133 --> 00:49:44,266
I'M GOING TO SHOW YOU A HORSE

1593
00:49:44,333 --> 00:49:46,400
AND YOU'RE GOING TO TRY AND SEE

1594
00:49:46,467 --> 00:49:48,533
IF YOU CAN CONTROL YOUR FEAR.

1595
00:49:48,600 --> 00:49:49,066
KEEP YOUR EYES CLOSED.

1596
00:49:49,133 --> 00:49:50,333
ARE YOU READY?

1597
00:49:50,400 --> 00:49:57,900
>> Cord: I'M READY.

1598
00:49:57,967 --> 00:49:59,700
PUT IT THE FUCK AWAY!

1599
00:49:59,767 --> 00:50:01,600
I AM SERIOUS, TISH!

1600
00:50:01,667 --> 00:50:02,667
PUT THAT TINY HORSE BACK IN THE

1601
00:50:02,734 --> 00:50:03,300
BOX RIGHT NOW OR I'M GOING TO

1602
00:50:03,367 --> 00:50:04,700
LOSE MY SHIT.

1603
00:50:04,767 --> 00:50:09,400
I AM NOT KIDDING AROUND!

1604
00:50:09,467 --> 00:50:10,900
THROW THAT BOX OFF THE SET.

1605
00:50:10,967 --> 00:50:14,400
>> Tish: OKAY, SORRY, CORD.

1606
00:50:14,467 --> 00:50:15,033
>> Cord: HORSES ARE NOT TICKS,

1607
00:50:15,100 --> 00:50:16,433
TISH!

1608
00:50:16,500 --> 00:50:17,300
THEY'RE BIG LIVING CREATURES WHO

1609
00:50:17,367 --> 00:50:18,166
COULD STOMP YOU TO DEATH WITH

1610
00:50:18,233 --> 00:50:20,300
ONE HOOF IF THEY WANTED.

1611
00:50:20,367 --> 00:50:27,767
THROW IT IN THE RIVER.

1612
00:50:27,834 --> 00:50:31,767
>> Tish: I'M SORRY, CORD.

1613
00:50:31,834 --> 00:50:36,667
>> Cord: I WANT YOU TO SEE --

1614
00:50:36,734 --> 00:50:38,767
I WANT YOU TO THROW IT IN THE

1615
00:50:38,834 --> 00:50:40,433
RIVER.

1616
00:50:40,500 --> 00:50:41,000
I DON'T WANT TO SEE THAT BOX

1617
00:50:41,066 --> 00:50:41,700
ANYWHERE NEAR ME.

1618
00:50:41,767 --> 00:50:43,967
OH, MY GOD.

1619
00:50:44,033 --> 00:50:45,266
>> Tish: LET'S GET BACK TO THE

1620
00:50:45,333 --> 00:50:49,567
PROCESSION.

1621
00:50:49,633 --> 00:50:50,333
WE'LL FORGET ABOUT HORSES.

1622
00:50:50,400 --> 00:50:51,000
WE ARE GOING TO LOOK AT ALL

1623
00:50:51,066 --> 00:50:51,667
THESE WONDERFUL PEOPLE FROM ALL

1624
00:50:51,734 --> 00:50:52,533
OVER THE WORLD.

1625
00:50:52,600 --> 00:50:53,700
EVERY ONCE IN A WHILE, THE

1626
00:50:53,767 --> 00:50:57,433
COUPLE...

1627
00:50:57,500 --> 00:51:02,800
LOOK AT THE SKY.

1628
00:51:02,867 --> 00:51:08,100
YOU COULD NOT PICK A BETTER DAY.

1629
00:51:08,166 --> 00:51:08,767
>> Cord: YOU REALLY COULDN'T.

1630
00:51:08,834 --> 00:51:09,700
NOT ONE PIECE OF LITTER ON THE

1631
00:51:09,767 --> 00:51:10,066
GROUND.

1632
00:51:10,133 --> 00:51:10,767
WHAT WERE YOU GOING TO SAY?

1633
00:51:10,834 --> 00:51:12,433
>> Tish: I WAS GOING TO SAY

1634
00:51:12,500 --> 00:51:13,533
EVERY ONCE IN A WHILE, THE

1635
00:51:13,600 --> 00:51:14,400
COUPLE WILL SHARE WORDS TO ONE

1636
00:51:14,467 --> 00:51:15,367
ANOTHER BUT MOSTLY, THIS

1637
00:51:15,433 --> 00:51:17,100
PROCESSION IS ABOUT SMILING AND

1638
00:51:17,166 --> 00:51:23,200
JUST WAVING TO THE CROWD.

1639
00:51:23,266 --> 00:51:23,900
WE SAW MEGHAN WAVING.

1640
00:51:23,967 --> 00:51:24,900
>> Cord: ROYAL EXPERTS WERE

1641
00:51:24,967 --> 00:51:31,734
VERY CRITICAL OF MEGHAN WITH HER

1642
00:51:31,800 --> 00:51:33,300
FIRST PUBLIC APPEARANCE WITH

1643
00:51:33,367 --> 00:51:34,433
HARRY IN DECEMBER.

1644
00:51:34,500 --> 00:51:36,767
THEY ACCUSED HER OF BEING TOO

1645
00:51:36,834 --> 00:51:39,233
AGGRESSIVE, WHEREAS THE ROYALS

1646
00:51:39,300 --> 00:51:43,033
ARE EXPECTED TO BE LIGHTER AND

1647
00:51:43,100 --> 00:51:46,834
DAINTIER.

1648
00:51:46,900 --> 00:51:47,633
OBVIOUSLY SHE'S BEEN WORKING ON

1649
00:51:47,700 --> 00:51:48,367
IT, BECAUSE IT LOOKS PERFECT

1650
00:51:48,433 --> 00:51:49,233
NOW.

1651
00:51:49,300 --> 00:51:49,800
EXCUSE ME, THE HORSE THING.

1652
00:51:49,867 --> 00:51:57,233
YIKES!

1653
00:51:57,300 --> 00:51:59,367
TISH, YOU WERE A FORMER

1654
00:51:59,433 --> 00:52:00,867
MISS ARIZONA.

1655
00:52:00,934 --> 00:52:02,700
I BET YOU HAD TO DO A LOT OF

1656
00:52:02,767 --> 00:52:03,233
WAVING.

1657
00:52:03,300 --> 00:52:04,500
WHAT'S THE TRICK TO THE TRADE?

1658
00:52:04,567 --> 00:52:05,400
>> Tish: WELL, THE KEY TO WAVING

1659
00:52:05,467 --> 00:52:06,000
IS CONFIDENCE, ELEGANCE, AND

1660
00:52:06,066 --> 00:52:08,033
CONTROL.

1661
00:52:08,100 --> 00:52:10,166
WHAT YOU WANT IS A VERTICAL HAND

1662
00:52:10,233 --> 00:52:13,467
WITH A SLIGHT TWIST AT THE

1663
00:52:13,533 --> 00:52:14,700
WRIST, NOT TOO SUBTLE BUT

1664
00:52:14,767 --> 00:52:16,367
NOT OVERLY ENTHUSIASTIC.

1665
00:52:16,433 --> 00:52:16,934
>> Cord: SO, SOMETHING LIKE

1666
00:52:17,033 --> 00:52:17,734
THIS.

1667
00:52:17,800 --> 00:52:19,600
>> Tish: NO, THAT'S FEELS TOO

1668
00:52:19,667 --> 00:52:21,467
PROGRAMMED.

1669
00:52:21,533 --> 00:52:22,233
IT REALLY HAS TO SEEM A LITTLE

1670
00:52:22,300 --> 00:52:23,800
MORE ENERGETIC AND INSPIRED.

1671
00:52:23,867 --> 00:52:26,967
CORD, IT'S TOO JERKY!

1672
00:52:27,033 --> 00:52:29,300
YOU NEED TO LOOSEN UP A LITTLE

1673
00:52:29,367 --> 00:52:30,233
BIT OR ELSE YOU'LL LOOK LIKE A

1674
00:52:30,300 --> 00:52:31,734
ROBOT.

1675
00:52:31,800 --> 00:52:32,333
>> Cord: OKAY, I THINK I HAVE

1676
00:52:32,400 --> 00:52:33,166
IT.

1677
00:52:33,233 --> 00:52:35,667
>> Tish: TOO LOOSE, CORD!

1678
00:52:35,734 --> 00:52:36,500
>> Cord: DAMN IT, TISH, THIS IS

1679
00:52:36,567 --> 00:52:39,200
HARD!

1680
00:52:39,266 --> 00:52:39,800
>> Tish: WE NEED TO SPLIT THE

1681
00:52:39,867 --> 00:52:40,567
DIFFERENCE BETWEEN THE FIRST

1682
00:52:40,633 --> 00:52:41,934
TWO.

1683
00:52:42,000 --> 00:52:43,900
PUT YOUR HAND BACK IN THE

1684
00:52:43,967 --> 00:52:44,867
VERTICAL POSITION BUT THEN DO

1685
00:52:44,934 --> 00:52:47,000
THE MORE FREE-FLOWING MOTION.

1686
00:52:47,066 --> 00:52:48,900
>> Cord: OKAY, NOW I GOT IT.

1687
00:52:48,967 --> 00:52:50,100
I THINK I'M DOING IT!

1688
00:52:50,166 --> 00:52:52,333
THE ROYAL WAVE.

1689
00:52:52,400 --> 00:52:54,834
I'VE GOT IT.

1690
00:52:54,900 --> 00:52:57,800
"HELLO, I'M KING CORD.

1691
00:52:57,867 --> 00:53:00,033
THANK YOU FOR COMING OUT.

1692
00:53:00,100 --> 00:53:03,200
YOU GET A WAVE, AND YOU GET A

1693
00:53:03,266 --> 00:53:08,500
WAVE, AND YOU GET A WAVE!"

1694
00:53:08,567 --> 00:53:13,567
>> Tish: THE CARRIAGE IS JUST

1695
00:53:13,633 --> 00:53:16,100
-- OKAY, CORD, WHEN THE CARRIAGE

1696
00:53:16,166 --> 00:53:17,867
MAKES ITS WAY TO THE GEORGE IV

1697
00:53:17,934 --> 00:53:20,600
GATEWAY, WHICH MEANS WE ARE

1698
00:53:20,667 --> 00:53:22,033
ABOUT TO ENTER THE LAST LEG OF

1699
00:53:22,100 --> 00:53:23,533
THE JOURNEY, THE LONG WALK,

1700
00:53:23,600 --> 00:53:26,533
WHICH IS A 3-MILE LONG SIDEWALK

1701
00:53:26,600 --> 00:53:29,800
LEADING UP TO THE CASTLE.

1702
00:53:29,867 --> 00:53:31,133
>> Cord: CREATED BY KING CHARLES

1703
00:53:31,200 --> 00:53:34,100
II, THE LONG WALK WAS INTRODUCED

1704
00:53:34,166 --> 00:53:36,367
IN 1680 -- ALTHOUGH IT

1705
00:53:36,433 --> 00:53:38,333
WAS NOT UNTIL 1683 THAT THE

1706
00:53:38,400 --> 00:53:39,633
AVENUE WAS EXTENDED TO ITS

1707
00:53:39,700 --> 00:53:42,934
CURRENT LENGTH OF 3 MILES.

1708
00:53:43,000 --> 00:53:44,333
>> Tish: WINDSOR GREAT PARK AND

1709
00:53:44,400 --> 00:53:45,967
FOREST IS HOME TO ONE OF THE

1710
00:53:46,033 --> 00:53:48,166
LARGEST POPULATIONS OF

1711
00:53:48,233 --> 00:53:48,767
ANCIENT OAK TREES IN NORTHERN

1712
00:53:48,834 --> 00:53:49,934
EUROPE.

1713
00:53:50,000 --> 00:53:51,700
IN FACT, THERE ARE TREES STILL

1714
00:53:51,767 --> 00:53:53,233
STANDING TODAY THAT SAW WILLIAM

1715
00:53:53,300 --> 00:53:53,834
OF NORMANDY RIDE PAST ON

1716
00:53:53,900 --> 00:54:02,133
ROYAL HUNTS.

1717
00:54:02,200 --> 00:54:06,400
MANY OF THE OLDER OAK TREES ARE

1718
00:54:06,467 --> 00:54:07,567
BETWEEN 500 AND 1,000 YEARS OLD.

1719
00:54:07,633 --> 00:54:08,133
>> Cord: IF THOSE OLD TREES

1720
00:54:08,200 --> 00:54:09,166
COULD TALK!

1721
00:54:09,233 --> 00:54:09,767
THINK OF THE LORDS AND LADIES

1722
00:54:09,834 --> 00:54:11,133
AND ROBIN HOOD AND SIR

1723
00:54:11,200 --> 00:54:11,867
LANCELOT...

1724
00:54:11,934 --> 00:54:12,867
OH, BOY!

1725
00:54:12,934 --> 00:54:14,734
I JUST LOVE HISTORY.

1726
00:54:14,800 --> 00:54:15,633
I'M SUCH A HUGE HISTORY BUFF!

1727
00:54:15,700 --> 00:54:17,734
FROM KING ARTHUR ALL THE WAY UP

1728
00:54:17,800 --> 00:54:19,700
TO BENEDICT CUMBERBATCH, THIS

1729
00:54:19,767 --> 00:54:20,300
PLACE IS LIKE A LIVING HISTORY

1730
00:54:20,367 --> 00:54:21,367
BOOK.

1731
00:54:21,433 --> 00:54:23,567
AND MEGHAN MARKLE IS NOW WRITTEN

1732
00:54:23,633 --> 00:54:27,333
INTO THAT BOOK FOREVER.

1733
00:54:27,400 --> 00:54:27,967
>> Tish: TENS OF THOUSANDS OF

1734
00:54:28,033 --> 00:54:29,500
PEOPLE HAVE GATHERED ALONG THE

1735
00:54:29,567 --> 00:54:31,533
LONG WALK AND THE TOWN

1736
00:54:31,600 --> 00:54:32,800
HAS BROUGHT IN CONCESSION

1737
00:54:32,867 --> 00:54:34,867
STANDS, FOOD WAGONS, AND CARTS,

1738
00:54:34,934 --> 00:54:36,033
WHERE YOU CAN BUY TREATS

1739
00:54:36,100 --> 00:54:37,333
LIKE CAKES AND MACAROONS.

1740
00:54:37,400 --> 00:54:37,800
>> Cord: I SIMPLY LOVE

1741
00:54:37,867 --> 00:54:39,900
MACAROONS.

1742
00:54:39,967 --> 00:54:41,400
THEY ARE SO FLAVORLESS, BUT SO

1743
00:54:41,467 --> 00:54:46,734
PRETTY!

1744
00:54:46,800 --> 00:54:48,266
>> Tish: OH, I HAD SOME OF THOSE

1745
00:54:48,333 --> 00:54:48,900
FOR BREXIT THIS MORNING.

1746
00:54:48,967 --> 00:54:50,100
>> Cord: I HAD A FULL ENGLISH

1747
00:54:50,166 --> 00:54:53,767
BREXIT OF EGGS, CHEESE, TEA, AND

1748
00:54:53,834 --> 00:54:54,633
SCONES.

1749
00:54:54,700 --> 00:54:55,467
OF COURSE, IN AMERICA WE CALL IT

1750
00:54:55,533 --> 00:54:57,633
BREAKFAST, BUT HERE IT'S BREXIT.

1751
00:54:57,700 --> 00:54:59,734
>> Tish: AS IN, "TIM MEADOWS

1752
00:54:59,800 --> 00:55:00,867
LOOKS LIKE HE EATS THREE BREXITS

1753
00:55:00,934 --> 00:55:03,133
EVERY MORNING."

1754
00:55:03,200 --> 00:55:08,033
>> Cord: TISH, YOU ARE HORRIBLE!

1755
00:55:08,100 --> 00:55:11,600
>> Tish: I CAN'T HELP IT, HE

1756
00:55:11,667 --> 00:55:13,500
REALLY BALLOONED OUT!

1757
00:55:13,567 --> 00:55:16,200
>> Cord: TIM, IF YOU'RE OUT

1758
00:55:16,266 --> 00:55:18,200
THERE, SKIP BREXIT AND MAYBE

1759
00:55:18,266 --> 00:55:19,333
JUST DO TWO MEALS!

1760
00:55:19,400 --> 00:55:27,133
AND NOT EIGHT.

1761
00:55:27,200 --> 00:55:32,033
HOW'S THAT FEELING DOWN THERE?

1762
00:55:32,100 --> 00:55:37,433
>> Tish: I'VE GOT TO TELL YOU,

1763
00:55:37,500 --> 00:55:38,433
CORD, THE ENERGY, THE CROWD IS

1764
00:55:38,500 --> 00:55:42,166
GOING NUTS.

1765
00:55:42,233 --> 00:55:42,834
THE ENERGY DOWN HERE IS NOT LIKE

1766
00:55:42,900 --> 00:55:43,467
ANYTHING I'VE EXPERIENCED.

1767
00:55:43,533 --> 00:55:44,033
>> Tish: PEOPLE ARE REALLY

1768
00:55:44,100 --> 00:55:44,433
FEELING THE LOVE.

1769
00:55:44,500 --> 00:55:45,000
>> Tim: TISH, IT GOES BEYOND

1770
00:55:45,066 --> 00:55:45,567
THAT.

1771
00:55:45,633 --> 00:55:46,433
PEOPLE ARE LOSING THEIR MINDS.

1772
00:55:46,500 --> 00:55:46,967
THERE ARE TEENAGE GIRLS

1773
00:55:47,033 --> 00:55:47,900
SCREAMING AND CRYING.

1774
00:55:47,967 --> 00:55:48,800
TEENAGE BOYS, TOO.

1775
00:55:48,867 --> 00:55:49,633
STANDING OUTSIDE THE ROYAL

1776
00:55:49,700 --> 00:55:50,700
WEDDING IS LIKE -- IT'S HARD TO

1777
00:55:50,767 --> 00:55:51,333
FIND THE WORDS.

1778
00:55:51,400 --> 00:55:52,700
IMAGINE BEING SHOT THROUGH THE

1779
00:55:52,767 --> 00:55:53,767
COSMOS ON A ROCKETSHIP AND

1780
00:55:53,834 --> 00:55:54,333
MAKING FIRST CONTACT WITH

1781
00:55:54,400 --> 00:55:55,600
AN UNKNOWN LIFE FORM.

1782
00:55:55,667 --> 00:55:57,567
THAT'S WHAT IT FEELS LIKE FOR

1783
00:55:57,633 --> 00:55:59,367
PEOPLE DOWN ON THE GROUND.

1784
00:55:59,433 --> 00:56:00,367
>> Cord: WOW, YOU'RE REALLY

1785
00:56:00,433 --> 00:56:02,033
GETTING ALL THAT FROM THE CROWD?

1786
00:56:02,100 --> 00:56:05,300
>> Tim: THEY'RE LOSING THEIR

1787
00:56:05,367 --> 00:56:06,400
MINDS, CORD.

1788
00:56:06,467 --> 00:56:07,367
ON TELEVISION IT MAY SEEM LIKE

1789
00:56:07,433 --> 00:56:08,600
THIS CROWD IS JUST STARING AT A

1790
00:56:08,667 --> 00:56:09,834
VERY EXPENSIVE ROLLING TEA

1791
00:56:09,900 --> 00:56:12,333
SET, BUT THE REACTION TO IT --

1792
00:56:12,400 --> 00:56:14,066
IT'S AS IF WE'RE WATCHING A

1793
00:56:14,133 --> 00:56:15,000
NEWLY RESURRECTED MICHAEL

1794
00:56:15,066 --> 00:56:16,266
JACKSON DOING A 3-MILE-LONG

1795
00:56:16,333 --> 00:56:17,834
MOONWALK, SURROUNDED BY ANGELS

1796
00:56:17,900 --> 00:56:21,633
AND RAINBOWS.

1797
00:56:21,700 --> 00:56:22,333
>> Tish: IT'S REALLY SOMETHING,

1798
00:56:22,400 --> 00:56:24,233
HUH?

1799
00:56:24,300 --> 00:56:25,734
>> Tim: TISH, I HAVE BEEN A PART

1800
00:56:25,800 --> 00:56:26,367
OF SO MANY EXCITING THINGS IN MY

1801
00:56:26,433 --> 00:56:33,433
LIFE.

1802
00:56:33,500 --> 00:56:35,533
I'VE BEEN ON

1803
00:56:35,600 --> 00:56:36,033
"SATURDAY NIGHT LIVE"

1804
00:56:36,100 --> 00:56:37,533
," I'VE BN

1805
00:56:37,600 --> 00:56:40,200
ON "FULL OF HONOR" AT THE

1806
00:56:40,266 --> 00:56:42,700
RENAISSANCE PARADE.

1807
00:56:42,767 --> 00:56:44,867
BEING IN THE VERY PRESENCE OF

1808
00:56:44,934 --> 00:56:48,734
THESE ROYALS, IT ALMOST FEELS

1809
00:56:48,800 --> 00:56:49,333
METAPHYSICAL, THE PAGEANTRY OF

1810
00:56:49,400 --> 00:56:53,100
IT ALL.

1811
00:56:53,166 --> 00:56:53,800
>> Cord: TIM, ARE YOU OKAY?

1812
00:56:53,867 --> 00:56:55,266
>> Tim: IF YOU'RE WONDERING IF

1813
00:56:55,333 --> 00:56:57,100
I'M EMOTIONAL RIGHT NOW, WELL, I

1814
00:56:57,166 --> 00:56:58,533
AM.

1815
00:56:58,600 --> 00:56:59,233
>> Tish: TIM, I HAVE NEVER SEEN

1816
00:56:59,300 --> 00:57:00,367
YOU LIKE THIS.

1817
00:57:00,433 --> 00:57:02,533
>> Tim: WELL, A FEW WEEKS AGO, I

1818
00:57:02,600 --> 00:57:05,033
TOOK AN AYAHUASCA TRIP.

1819
00:57:05,100 --> 00:57:05,667
>> Cord: I'M SORRY, WHAT IS

1820
00:57:05,734 --> 00:57:06,400
THAT?

1821
00:57:06,467 --> 00:57:07,100
>> Tim: AYAHUASCA.

1822
00:57:07,166 --> 00:57:15,300
IT'S A HALLUCINOGENIC BREW YOU

1823
00:57:15,367 --> 00:57:15,867
DRINK AND YOU'RE GUIDED BY A

1824
00:57:15,934 --> 00:57:16,133
SHAMAN.

1825
00:57:16,200 --> 00:57:17,100
AT FIRST, THERE IS INTENSE

1826
00:57:17,166 --> 00:57:17,934
VOMITING AND DIARRHEA, BUT AS

1827
00:57:18,000 --> 00:57:18,533
THAT PASSES, YOU GO ON A

1828
00:57:18,600 --> 00:57:19,100
SPIRITUAL JOURNEY WITHIN

1829
00:57:19,166 --> 00:57:19,834
YOURSELF.

1830
00:57:19,900 --> 00:57:21,266
I FEEL LIKE THAT'S WHAT PEOPLE

1831
00:57:21,333 --> 00:57:21,900
HERE TODAY ARE FEELING.

1832
00:57:21,967 --> 00:57:22,667
>> Cord: TIM, YOU'RE SAYING

1833
00:57:22,734 --> 00:57:25,467
PEOPLE ARE SO EXCITED BY THE

1834
00:57:25,533 --> 00:57:28,033
PAGEANTRY THEY'VE LOST CONTROL

1835
00:57:28,100 --> 00:57:28,633
OF THEIR BODILY FUNCTIONS AND

1836
00:57:28,700 --> 00:57:32,166
ARE HALLUCINATING?

1837
00:57:32,233 --> 00:57:32,967
>> Tim: YES.

1838
00:57:33,033 --> 00:57:34,166
THAT IS EXACTLY WHAT I'M SAYING,

1839
00:57:34,233 --> 00:57:34,800
CORD.

1840
00:57:34,867 --> 00:57:36,233
WE ARE EXPERIENCING SOMETHING

1841
00:57:36,300 --> 00:57:38,700
TOGETHER.

1842
00:57:38,767 --> 00:57:39,467
>> Tish: WE CERTAINLY ARE, THANK

1843
00:57:39,533 --> 00:57:41,467
YOU, TIM --

1844
00:57:41,533 --> 00:57:45,333
>> Tim: I'M NOT DONE.

1845
00:57:45,400 --> 00:57:48,467
HOLD ON A SECOND.

1846
00:57:48,533 --> 00:57:49,133
ON MY AYAHUASCA JOURNEY, I WENT

1847
00:57:49,200 --> 00:57:49,734
TO ANOTHER PLACE FOR 8 HOURS.

1848
00:57:49,800 --> 00:57:50,900
I SAW MYSELF AS A CHILD.

1849
00:57:51,000 --> 00:58:00,100
I FORGAVE THAT CHILD AND THAT

1850
00:58:00,166 --> 00:58:00,700
CHILD STILL LIVES INSIDE OF

1851
00:58:00,767 --> 00:58:01,100
ME.

1852
00:58:01,166 --> 00:58:02,033
IT WAS LIFE-CHANGING.

1853
00:58:02,100 --> 00:58:03,100
BUT IF I WERE TO COMPARE THAT

1854
00:58:03,166 --> 00:58:03,700
EXPERIENCE TO BEING DOWN HERE

1855
00:58:03,767 --> 00:58:05,066
TODAY, AS WE WAVE TO PRINCE

1856
00:58:05,133 --> 00:58:10,633
HARRY AND FORMER AMERICAN

1857
00:58:10,700 --> 00:58:11,600
ACTRESS MEGHAN MARKLE, IT MAKES

1858
00:58:11,667 --> 00:58:12,433
MY EXPERIENCE WITH AYAHUASCA

1859
00:58:12,500 --> 00:58:14,000
SEEM LIKE COMPLETE BULLSHIT.

1860
00:58:14,066 --> 00:58:14,767
>> Tish: OKAY, TIM.

1861
00:58:14,834 --> 00:58:16,000
WE LOVE YOU...

1862
00:58:16,066 --> 00:58:17,233
>> Cord: WE LOVE YOU, TIM...

1863
00:58:17,300 --> 00:58:18,066
WE DO...

1864
00:58:18,133 --> 00:58:19,000
IT LOOKS LIKE THE CARRIAGE IS

1865
00:58:19,066 --> 00:58:21,066
HEADING BACK TOWARD THE CASTLE

1866
00:58:21,133 --> 00:58:31,166
NOW.

1867
00:58:31,233 --> 00:58:35,467
WHAT A BEAUTIFUL PROCESSION.

1868
00:58:35,533 --> 00:58:36,500
LOOK AT THE CROWDS.

1869
00:58:36,567 --> 00:58:37,734
EVERYONE DESPERATELY TRYING TO

1870
00:58:37,800 --> 00:58:39,133
MAKE EYE CONTACT WITH THE PRINCE

1871
00:58:39,200 --> 00:58:40,800
AND HIS WIFE.

1872
00:58:40,867 --> 00:58:46,667
MOST PEOPLE COMING UP EMPTY.

1873
00:58:46,734 --> 00:58:47,967
THEY CAN ONLY WAVE AND LOOK AT

1874
00:58:48,033 --> 00:58:52,767
SO MANY PEOPLE AT ONE TIME.

1875
00:58:52,834 --> 00:58:54,567
A FEW MORE MINUTES HERE, AS THEY

1876
00:58:54,633 --> 00:58:58,166
HEAD OFF.

1877
00:58:58,233 --> 00:58:59,667
IT'S A LIVING HISTORY.

1878
00:58:59,734 --> 00:59:01,700
I CAN'T SAY IT ENOUGH.

1879
00:59:01,767 --> 00:59:04,133
>> Tish: IMAGINE, EVERYBODY

1880
00:59:04,200 --> 00:59:06,033
HAS THEIR CAMERAS OUT, WANTING

1881
00:59:06,100 --> 00:59:08,300
TO GET A QUICK SNAP.

1882
00:59:08,367 --> 00:59:10,800
>> Cord: TISH, THIS IS THE

1883
00:59:10,867 --> 00:59:11,834
SECOND MARRIAGE BETWEEN AN

1884
00:59:11,900 --> 00:59:13,600
AMERICAN WOMAN AND AN

1885
00:59:13,667 --> 00:59:16,667
ENGLISHMAN.

1886
00:59:16,734 --> 00:59:19,100
THE FIRST BEING GWYNETH PALTROW

1887
00:59:19,166 --> 00:59:24,333
AND CHRIS MARTIN FROM COLD CUTS.

1888
00:59:24,400 --> 00:59:26,967
>> Tish: COLDPLAY.

1889
00:59:27,033 --> 00:59:29,734
BUT COLD CATS IS --

1890
00:59:29,800 --> 00:59:30,333
>> Cord: I THOUGHT IT WAS COLD

1891
00:59:30,400 --> 00:59:34,300
CUTS.

1892
00:59:34,367 --> 00:59:36,667
IF THERE ISN'T A BAND OUT THERE

1893
00:59:36,734 --> 00:59:38,100
BY THE NAME COLD CUTS, I HAVE

1894
00:59:38,166 --> 00:59:40,200
DIBS.

1895
00:59:40,266 --> 00:59:40,700
>> Tish: GET THAT NAME

1896
00:59:40,767 --> 00:59:42,633
RESERVED.

1897
00:59:42,700 --> 00:59:45,633
>> Cord: ONE MORE LOOK BEFORE

1898
00:59:45,700 --> 00:59:46,600
THEY ROLL INTO THE CASTLE.

1899
00:59:46,667 --> 00:59:50,700
THE GROUNDS OF THE CASTLE.

1900
00:59:50,767 --> 00:59:53,000
A LOT OF BRITISH FLAGS.

1901
00:59:53,066 --> 00:59:53,667
MUCH MORE THAN I THOUGHT THERE

1902
00:59:53,734 --> 00:59:54,600
WOULD BE.

1903
00:59:54,667 --> 00:59:55,333
>> Tish: YOU CAN SEE THEM

1904
00:59:55,400 --> 00:59:57,000
WORKING AS A TEAM ALREADY.

1905
00:59:57,066 --> 01:00:02,300
TOGETHER.

1906
01:00:02,367 --> 01:00:03,600
>> Cord: WE HAVE SOME TIME TO

1907
01:00:03,667 --> 01:00:05,300
FILL.

1908
01:00:05,367 --> 01:00:06,734
WILL YOU JOIN ME ON SINGING THE

1909
01:00:06,800 --> 01:00:13,533
THEME?

1910
01:00:13,600 --> 01:00:19,333
[HUMMING]

1911
01:00:19,400 --> 01:00:26,500
SANFORD, IT'S NO "SUITS"

1912
01:00:26,567 --> 01:00:27,266
WONDERFUL WAVE.

1913
01:00:27,333 --> 01:00:27,900
AS THEY START TO PULL BACK INTO

1914
01:00:27,967 --> 01:00:29,066
THE CASTLE NOW, LET THE

1915
01:00:29,133 --> 01:00:31,133
FESTIVITIES BEGIN!

1916
01:00:31,200 --> 01:00:31,767
OFF TO THE RECEPTION THEY WILL

1917
01:00:31,834 --> 01:00:34,834
GO NOW.

1918
01:00:34,900 --> 01:00:36,400
>> Tish: PARADING IN.

1919
01:00:36,467 --> 01:00:37,000
>> Cord: THE WEDDING OF THE

1920
01:00:37,066 --> 01:00:40,200
CENTURY.

1921
01:00:40,266 --> 01:00:40,967
THE PROCESSION IS JUST FINISHING

1922
01:00:41,033 --> 01:00:45,133
UP.

1923
01:00:45,200 --> 01:00:46,467
THE CROWDS WILL SOON BE HEADING

1924
01:00:46,533 --> 01:00:54,100
OFF TO THE PUB FOR A CELEBRATORY

1925
01:00:54,166 --> 01:00:59,467
PINT OF ALE.

1926
01:00:59,533 --> 01:01:00,100
BUT WHERE ARE ALL THESE ROYALS

1927
01:01:00,166 --> 01:01:00,800
GOING NOW?

1928
01:01:00,867 --> 01:01:01,300
WHERE'S THE PARTY?

1929
01:01:01,367 --> 01:01:02,033
>> Tish: AS WE SPEAK, ALL 600

1930
01:01:02,100 --> 01:01:04,400
WEDDING GUESTS ARE GATHERING

1931
01:01:04,467 --> 01:01:05,233
-- LOOK, THERE IS MEGHAN

1932
01:01:05,300 --> 01:01:07,600
GIGGLING!

1933
01:01:07,667 --> 01:01:08,700
>> Cord: ADORABLE.

1934
01:01:08,767 --> 01:01:10,400
>> Tish: INSIDE ST. GEORGE'S

1935
01:01:10,467 --> 01:01:12,166
HALL, INSIDE WINDSOR CASTLE,

1936
01:01:12,233 --> 01:01:12,734
THEY'LL HAVE A LUNCHTIME

1937
01:01:12,800 --> 01:01:15,166
RECEPTION.

1938
01:01:15,233 --> 01:01:17,567
MEGHAN AND HARRY DECIDED ON A

1939
01:01:17,633 --> 01:01:19,600
STANDING RECEPTION SO THAT THEY

1940
01:01:19,667 --> 01:01:20,667
COULD MIX AND MINGLE WITH AS

1941
01:01:20,734 --> 01:01:22,133
MANY GUESTS AS POSSIBLE.

1942
01:01:22,200 --> 01:01:22,767
>> Cord: WHAT'S ON THE MENU

1943
01:01:22,834 --> 01:01:23,734
THERE?

1944
01:01:23,800 --> 01:01:28,734
>> Tish: THE MENU WAS SELECTED

1945
01:01:28,800 --> 01:01:30,834
BY THE QUEEN AND APPROVED BY

1946
01:01:30,900 --> 01:01:32,567
MEGHAN AND HARRY.

1947
01:01:32,633 --> 01:01:34,133
SINCE IT'S A STANDING RECEPTION,

1948
01:01:34,200 --> 01:01:34,967
THEY'LL HAVE BOWLS OF

1949
01:01:35,033 --> 01:01:37,467
TRADITIONAL FOOD LIKE MINIATURE

1950
01:01:37,533 --> 01:01:39,266
SHEPHERDS PIE AND FISH AND CHIPS

1951
01:01:39,333 --> 01:01:40,166
THAT YOU CAN EAT STANDING UP.

1952
01:01:40,233 --> 01:01:40,800
>> Cord: THAT WOULD MAKE ME FEEL

1953
01:01:40,867 --> 01:01:43,333
VERY COMFORTABLE.

1954
01:01:43,400 --> 01:01:44,734
BACK AT HOME, I EAT A LOT OF MY

1955
01:01:44,800 --> 01:01:47,934
MEALS ALONE IN MY KITCHEN, JUST

1956
01:01:48,000 --> 01:01:49,834
STANDING OVER THE SINK.

1957
01:01:49,900 --> 01:01:51,000
>> Tish: THESE CLASSIC DISHES

1958
01:01:51,066 --> 01:01:51,600
ARE MADE FROM SEASONAL BRITISH

1959
01:01:51,667 --> 01:01:53,467
PRODUCE LIKE ASPARAGUS, PEAS,

1960
01:01:53,533 --> 01:01:55,700
AND TOMATOES, GROWN FROM THE

1961
01:01:55,767 --> 01:01:57,867
QUEEN'S OWN GARDENS.

1962
01:01:57,934 --> 01:01:59,166
AS FOR DESSERT, THEY'LL HAVE

1963
01:01:59,233 --> 01:02:00,767
CHOCOLATE TRUFFLES, CREME

1964
01:02:00,834 --> 01:02:02,633
BRULEE, BISCUITS WITH MANGO

1965
01:02:02,700 --> 01:02:05,100
PANNA-COTTA TOPPING, AND YELLOW

1966
01:02:05,166 --> 01:02:07,100
MACAROONS.

1967
01:02:07,166 --> 01:02:07,667
>> Cord: DELICIOUS.

1968
01:02:07,734 --> 01:02:08,800
I'M GETTING HUNGRY...

1969
01:02:08,867 --> 01:02:10,800
WHAT ABOUT TEA?

1970
01:02:10,867 --> 01:02:16,166
THE BRITS HAVE TO HAVE THEIR

1971
01:02:16,233 --> 01:02:17,033
TEA, RIGHT?

1972
01:02:17,100 --> 01:02:17,734
>> Tish: I DON'T KNOW...

1973
01:02:17,800 --> 01:02:18,433
THEY DIDN'T SAY ANYTHING ABOUT

1974
01:02:18,500 --> 01:02:19,000
TEA...

1975
01:02:19,066 --> 01:02:19,533
BUT I SUSPECT TEA WILL BE

1976
01:02:19,600 --> 01:02:20,266
SERVED.

1977
01:02:20,333 --> 01:02:21,367
>> Cord: OH, YOU CAN BET ON IT.

1978
01:02:21,433 --> 01:02:23,100
THEY ARE NUTS FOR TEA OVER HERE.

1979
01:02:23,166 --> 01:02:25,000
FOR THOSE OF YOU WHO DON'T KNOW

1980
01:02:25,066 --> 01:02:26,166
ANYTHING ABOUT THIS RICH ENGLISH

1981
01:02:26,233 --> 01:02:28,066
TRADITION, HERE'S A LITTLE

1982
01:02:28,133 --> 01:02:29,467
INFORMATIVE VIDEO I MADE ABOUT

1983
01:02:29,533 --> 01:02:33,100
HIGH TEA.

1984
01:02:33,166 --> 01:02:34,600
>> Tish: NO, CORD, THESE ARE

1985
01:02:34,667 --> 01:02:35,133
SO SILLY.

1986
01:02:35,200 --> 01:02:37,767
>> Cord: ROLL IT!

1987
01:02:37,834 --> 01:02:39,233
MOST OF US KNOW TEA AS A DRINK

1988
01:02:39,300 --> 01:02:40,667
MADE FROM HOT WATER AND LEAVES.

1989
01:02:40,734 --> 01:02:43,033
BUT WHEN YOU COMBINE IT WITH

1990
01:02:43,100 --> 01:02:45,367
CHEESE AND SCONES, IT BECOMES A

1991
01:02:45,433 --> 01:02:45,867
RICH BRITISH TRADITION

1992
01:02:45,934 --> 01:02:48,367
KNOWN AS "HIGH TEA."

1993
01:02:48,433 --> 01:02:49,600
STARTING AT 3:00 OR 4:00 IN THE

1994
01:02:49,667 --> 01:02:51,367
AFTERNOON, BRITS ALL OVER THE

1995
01:02:51,433 --> 01:02:52,633
KINGDOM STOP WHATEVER

1996
01:02:52,700 --> 01:02:55,100
THEY'RE DOING AND HAVE TEA WITH

1997
01:02:55,166 --> 01:02:56,633
THEIR FRIENDS OR COWORKERS TO

1998
01:02:56,700 --> 01:02:57,667
DISCUSS THE QUEEN, PARLIAMENT,

1999
01:02:57,734 --> 01:03:00,266
FOX HUNTING, AND MORE.

2000
01:03:00,333 --> 01:03:01,533
OFTEN, SMALL PASTRIES AND TINY

2001
01:03:01,600 --> 01:03:02,367
SANDWICHES ARE PART OF THE

2002
01:03:02,433 --> 01:03:04,233
PACKAGE, TOO!

2003
01:03:04,300 --> 01:03:05,400
NO WONDER THE TRADITION HAS

2004
01:03:05,467 --> 01:03:06,834
SPREAD TO FANCY HOTELS ALL OVER

2005
01:03:06,900 --> 01:03:09,734
THE WORLD.

2006
01:03:09,800 --> 01:03:11,533
I PERSONALLY DON'T LIKE TEA BUT

2007
01:03:11,600 --> 01:03:13,066
I'M SO THIRSTY FROM THIS HISTORY

2008
01:03:13,133 --> 01:03:14,567
LESSON, I'M GONNA DRINK

2009
01:03:14,633 --> 01:03:15,900
SOME HIGH TEA RIGHT NOW, EVEN

2010
01:03:15,967 --> 01:03:17,667
THOUGH I DON'T LIKE IT THAT

2011
01:03:17,734 --> 01:03:19,066
MUCH.

2012
01:03:19,133 --> 01:03:25,467
HIGH TEA IS A LOTTA FUN.

2013
01:03:25,533 --> 01:03:28,500
ANYWAY, WE ARE GOING TO GO BACK

2014
01:03:28,567 --> 01:03:29,500
TO WINDSOR CASTLE, WE ARE

2015
01:03:29,567 --> 01:03:34,033
CUTTING BACK.

2016
01:03:34,100 --> 01:03:36,300
NOPE.

2017
01:03:36,367 --> 01:03:37,734
OH, I WOULD LIKE TO HIT A NINE

2018
01:03:37,800 --> 01:03:39,800
IRON ON THAT PITCH RIGHT THERE.

2019
01:03:39,867 --> 01:03:43,166
I WONDER IF ANYONE BROUGHT A

2020
01:03:43,233 --> 01:03:47,967
PITCHING WEDGE.

2021
01:03:48,033 --> 01:03:49,900
>> Tish: CORD, AFTER THE FIRST

2022
01:03:49,967 --> 01:03:52,467
RECEPTION WHERE THERE MAY OR MAY

2023
01:03:52,533 --> 01:03:53,700
NOT BE TEA, WE HAVE ABOUT 200

2024
01:03:53,767 --> 01:03:56,000
GUESTS THAT HAVE BEEN INVITED TO

2025
01:03:56,066 --> 01:03:57,934
A SMALLER PARTY, WORD ON THE

2026
01:03:58,033 --> 01:03:58,967
STREET IS THE COUPLE WILL BE

2027
01:03:59,033 --> 01:04:02,533
GOING AMERICAN-STYLE AND SERVING

2028
01:04:02,600 --> 01:04:03,900
GUESTS GRILLED CHEESE

2029
01:04:03,967 --> 01:04:07,000
SANDWICHES, TACOS, AND ICE CREAM

2030
01:04:07,066 --> 01:04:08,934
FROM FOOD TRUCKS.

2031
01:04:09,000 --> 01:04:11,367
>> Cord: THAT SOUNDS LIKE THE

2032
01:04:11,433 --> 01:04:12,166
ONE TO BE AT.

2033
01:04:12,233 --> 01:04:13,467
THAT'S THE ONE AT FROGMORE

2034
01:04:13,533 --> 01:04:13,800
HOUSE, RIGHT?

2035
01:04:13,867 --> 01:04:15,500
>> Tish: THAT'S RIGHT.

2036
01:04:15,567 --> 01:04:16,500
THE RECEPTION AT FROGMORE HOUSE

2037
01:04:16,567 --> 01:04:17,367
WILL BE A LOT MORE INTIMATE,

2038
01:04:17,433 --> 01:04:18,767
WITH ONLY 200 CLOSE FRIENDS

2039
01:04:18,834 --> 01:04:20,500
AND FAMILY.

2040
01:04:20,567 --> 01:04:22,934
THE ENTERTAINMENT FOR THE NIGHT

2041
01:04:23,000 --> 01:04:25,133
REMAINS TOP SECRET, THOUGH THE

2042
01:04:25,200 --> 01:04:26,567
RUMOR MILL IS IN OVERDRIVE.

2043
01:04:26,633 --> 01:04:27,667
ELTON JOHN, A FRIEND OF PRINCESS

2044
01:04:27,734 --> 01:04:29,767
DIANA, CANCELED TWO SCHEDULED

2045
01:04:29,834 --> 01:04:31,567
CONCERTS IN LAS VEGAS FOR

2046
01:04:31,633 --> 01:04:33,734
THE WEEKEND OF THE ROYAL WEDDING

2047
01:04:33,800 --> 01:04:38,400
DUE TO A "SCHEDULING CONFLICT,"

2048
01:04:38,467 --> 01:04:39,967
SO THERE'S A PRETTY GOOD CHANCE

2049
01:04:40,033 --> 01:04:41,834
HE'LL BE MAKING AN APPEARANCE.

2050
01:04:41,900 --> 01:04:48,633
ANOTHER BIG RUMOR WE'VE BEEN

2051
01:04:48,700 --> 01:04:50,100
HEARING IS THAT THE SPICE GIRLS

2052
01:04:50,166 --> 01:04:53,266
MIGHT REUNITE FOR A PERFORMANCE.

2053
01:04:53,333 --> 01:04:55,633
AT THE PARTY TONIGHT.

2054
01:04:55,700 --> 01:04:56,367
>> Cord: WHAT?

2055
01:04:56,433 --> 01:04:56,967
>> Tish: I LISTEN TO THEM WHEN

2056
01:04:57,033 --> 01:04:57,533
I RUN.

2057
01:04:57,600 --> 01:04:58,100
>> Cord: WELL, THAT WOULD BE

2058
01:04:58,166 --> 01:04:58,700
SIMPLY EPIC!

2059
01:04:58,767 --> 01:04:59,233
CAN YOU NAME ALL THE SPICE

2060
01:04:59,300 --> 01:04:59,467
GIRLS?

2061
01:04:59,533 --> 01:04:59,934
>> Tish: SPORTY.

2062
01:05:00,000 --> 01:05:01,934
>> Cord: SCARY.

2063
01:05:02,000 --> 01:05:06,333
THERE'S 17.

2064
01:05:06,400 --> 01:05:10,200
SAUCY SPICE.

2065
01:05:10,266 --> 01:05:15,633
CINNAMON TOAST SPICE, THERE'S

2066
01:05:15,700 --> 01:05:18,300
ONE GIRL WHO IS JUST CALLED

2067
01:05:18,367 --> 01:05:20,934
MUSTARD.

2068
01:05:21,000 --> 01:05:21,533
>> Tish: I DON'T KNOW ALL THE

2069
01:05:21,600 --> 01:05:21,867
NAMES.

2070
01:05:21,934 --> 01:05:22,967
>> Cord: GHOSTLY SPICE.

2071
01:05:23,033 --> 01:05:25,367
SILLY SPACE.

2072
01:05:25,433 --> 01:05:29,834
ANGRY SPICE, GRUMPY SPICE.

2073
01:05:29,900 --> 01:05:33,000
>> Tish: POUTY SPICE.

2074
01:05:33,066 --> 01:05:36,934
>> Cord: JEALOUS SPICE.

2075
01:05:37,000 --> 01:05:37,533
>> Tish: SUSPICIOUS SPICE.

2076
01:05:37,600 --> 01:05:40,467
>> Cord: SEAN SPICER.

2077
01:05:40,533 --> 01:05:44,166
WE'LL PROBABLY BE THERE.

2078
01:05:44,233 --> 01:05:44,767
WHEREVER THE SPICE GIRLS ARE,

2079
01:05:44,834 --> 01:05:47,633
SEAN SPICER IS.

2080
01:05:47,700 --> 01:05:48,166
CAN YOU IMAGINE ONSTAGE,

2081
01:05:48,233 --> 01:05:51,266
ELTON JOHN?

2082
01:05:51,333 --> 01:05:52,734
NOT ONLY SIR ELTON JOHN BANGING

2083
01:05:52,800 --> 01:05:58,667
AWAY AT HIS PIANO BUT THE SPICE

2084
01:05:58,734 --> 01:06:02,500
GIRLS JOIN IN, IN A

2085
01:06:02,567 --> 01:06:03,033
BOOTY-SHAKING RENDITION OF

2086
01:06:03,100 --> 01:06:03,633
"ALLIGATOR ROCK."

2087
01:06:03,700 --> 01:06:04,500
>> Tish: "CROCODILE ROCK?"

2088
01:06:04,567 --> 01:06:05,400
>> Cord: THAT'S THE ONE!

2089
01:06:05,467 --> 01:06:06,333
"CROCODILE ROCK!"

2090
01:06:06,400 --> 01:06:07,900
CAN YOU IMAGINE ALL THOSE STUFFY

2091
01:06:07,967 --> 01:06:08,500
BRITISH PEOPLE WITH ALL THEIR

2092
01:06:08,567 --> 01:06:09,467
STIFF BODIES JUST LETTING

2093
01:06:09,533 --> 01:06:10,066
THEMSELVES GO TO "CROCODILE

2094
01:06:10,133 --> 01:06:12,033
ROCK?"

2095
01:06:12,100 --> 01:06:14,500
MY, MY.

2096
01:06:14,567 --> 01:06:19,200
I DO SAY, I BELIEVE I'M ENJOYING

2097
01:06:19,266 --> 01:06:20,834
THIS "CROCODILE ROCK."

2098
01:06:20,900 --> 01:06:21,333
>> Tish: YES, INDEED!

2099
01:06:21,400 --> 01:06:23,333
I DO LIKE SHAKING MY BOOTY FROM

2100
01:06:23,400 --> 01:06:26,900
TIME TO TIME...

2101
01:06:26,967 --> 01:06:28,567
TOOK CROCODILE ROCK.

2102
01:06:28,633 --> 01:06:33,066
OH, WHAT A PLEASURE!

2103
01:06:33,133 --> 01:06:38,834
I DO LIKE SHAKING MY RUMP

2104
01:06:38,900 --> 01:06:39,467
THIS PARTY, WHERE'S THE QUEEN

2105
01:06:39,533 --> 01:06:41,934
?

2106
01:06:42,000 --> 01:06:42,734
>> Cord: YOU'RE STARTING TO

2107
01:06:42,800 --> 01:06:44,734
SOUND A LITTLE BIT IRISH.

2108
01:06:44,800 --> 01:06:45,533
[LAUGHTER]

2109
01:06:45,600 --> 01:06:46,967
WE COULD TALK ABOUT MUSIC ALL WE

2110
01:06:47,033 --> 01:06:47,500
WANT BUT IT WOULDN'T BE A

2111
01:06:47,567 --> 01:06:48,233
RECEPTION WITHOUT THE CAKE.

2112
01:06:48,300 --> 01:06:49,066
WHAT THE HECK DO WE KNOW ABOUT

2113
01:06:49,133 --> 01:06:49,767
THE CAKE?

2114
01:06:49,834 --> 01:06:54,667
>> Tish: FOR HARRY AND MEGHAN,

2115
01:06:54,734 --> 01:06:55,633
THEY ENLISTED PASTRY CHEF,

2116
01:06:55,700 --> 01:06:56,233
CLAIRE PTAK OF VIOLET CAKES IN

2117
01:06:56,300 --> 01:07:01,567
LONDON.

2118
01:07:01,633 --> 01:07:04,767
>> Cord: HE'S IN MY TOP FIVE.

2119
01:07:04,834 --> 01:07:05,633
>> Tish: YOU KNOW YOUR

2120
01:07:05,700 --> 01:07:08,400
DESSERTS, MY DEAR.

2121
01:07:08,467 --> 01:07:08,934
THE CAKE WILL BE A LEMON

2122
01:07:09,000 --> 01:07:09,600
ELDERFLOWER CREATION COVERED

2123
01:07:09,667 --> 01:07:10,200
WITH BUTTERCREAM, AND ADORNED

2124
01:07:10,266 --> 01:07:11,100
WITH FRESH FLOWERS DESIGNED TO

2125
01:07:11,166 --> 01:07:11,767
"INCORPORATE THE BRIGHT FLAVORS

2126
01:07:11,834 --> 01:07:12,333
OF SPRING."

2127
01:07:12,400 --> 01:07:12,934
MMM.

2128
01:07:13,000 --> 01:07:16,934
DOESN'T THAT SOUND DELICIOUS?

2129
01:07:17,000 --> 01:07:17,600
>> Cord: THAT SOUNDS SO YUMMY.

2130
01:07:17,667 --> 01:07:19,767
EVERYTHING BUT THE ELDERBERRIES.

2131
01:07:19,834 --> 01:07:20,367
>> Tish: THEY GIVE EVERYONE A

2132
01:07:20,433 --> 01:07:21,867
PIECE TO TAKE HOME.

2133
01:07:21,934 --> 01:07:25,033
>> Cord: A LITTLE DOGGY BAG.

2134
01:07:25,100 --> 01:07:25,900
THE BRITISH DO KNOW HOW TO MAKE

2135
01:07:25,967 --> 01:07:27,500
CAKES.

2136
01:07:27,567 --> 01:07:29,600
I'VE BEEN EATING NOTHING BUT

2137
01:07:29,667 --> 01:07:31,133
CAKES SINCE I GOT HERE.

2138
01:07:31,200 --> 01:07:33,767
CAKE FOR BREXIT.

2139
01:07:33,834 --> 01:07:34,834
CAKE FOR LUNCH AND CAKE FOR

2140
01:07:34,900 --> 01:07:36,734
DINNER.

2141
01:07:36,800 --> 01:07:37,934
IF I DON'T WATCH IT, I'LL BE AS

2142
01:07:38,000 --> 01:07:38,700
HUGE AS OUR FRIEND TIM MEADOWS

2143
01:07:38,767 --> 01:07:40,000
OUT THERE.

2144
01:07:40,066 --> 01:07:43,066
[LAUGHS]

2145
01:07:43,133 --> 01:07:46,767
>> Tim: I CAN HEAR YOU.

2146
01:07:46,834 --> 01:07:47,867
I HEARD THAT, GUYS.

2147
01:07:47,934 --> 01:07:49,033
>> Tish: WHAT'S INTERESTING,

2148
01:07:49,100 --> 01:07:49,867
CORD, IS HARRY AND MEGHAN ARE

2149
01:07:49,934 --> 01:07:50,834
FOREGOING THE TRADITIONAL

2150
01:07:50,900 --> 01:07:51,900
ROYAL WEDDING CAKE, WHICH IS THE

2151
01:07:51,967 --> 01:07:53,233
FRUITCAKE.

2152
01:07:53,300 --> 01:07:54,000
>> Cord: FRUITCAKE!

2153
01:07:54,066 --> 01:07:55,934
YUCK!

2154
01:07:56,000 --> 01:07:57,400
WHO LIKES FRUITCAKE?

2155
01:07:57,467 --> 01:07:58,266
>> Tish: SOME PEOPLE DO.

2156
01:07:58,333 --> 01:07:59,200
>> Cord: GOOD FOR THEM, THEY

2157
01:07:59,266 --> 01:08:00,533
ARE YOUNG.

2158
01:08:00,600 --> 01:08:01,400
THEY ARE MODERN AND THEY ARE

2159
01:08:01,467 --> 01:08:02,934
BREAKING THE RULES!

2160
01:08:03,000 --> 01:08:04,433
I TELL YOU WHAT THOUGH, I BET

2161
01:08:04,500 --> 01:08:05,567
AMERICAN MEGHAN MARKLE WOULD DIE

2162
01:08:05,633 --> 01:08:06,500
TO HAVE A DELICIOUS ICE

2163
01:08:06,567 --> 01:08:08,500
CREAM CAKE AT THE RECEPTION.

2164
01:08:08,567 --> 01:08:09,400
CARVEL DOES A GREAT ICE CREAM

2165
01:08:09,467 --> 01:08:10,700
CAKE.

2166
01:08:10,767 --> 01:08:12,934
DO YOU KNOW COOKIE PUSS?

2167
01:08:13,000 --> 01:08:14,000
DO THEY HAVE COOKIE PUSS IN

2168
01:08:14,066 --> 01:08:20,433
ENGLAND?

2169
01:08:20,500 --> 01:08:23,500
DOES ANYBODY KNOW?

2170
01:08:23,567 --> 01:08:24,133
OUR CREW IS SHAKING THEIR HEAD.

2171
01:08:24,200 --> 01:08:24,767
THEY DON'T KNOW.

2172
01:08:24,834 --> 01:08:26,033
>> Tish: I DON'T THINK SO.

2173
01:08:26,100 --> 01:08:26,633
>> Cord: COOKIE PUSS IS AN ICE

2174
01:08:26,700 --> 01:08:27,500
CREAM CAKE CHARACTER CREATED BY

2175
01:08:27,567 --> 01:08:29,033
CARVEL IN THE 1970S AS AN

2176
01:08:29,100 --> 01:08:31,767
EXPANSION OF ITS LINE OF

2177
01:08:31,834 --> 01:08:34,066
FRESHLY-MADE EXCLUSIVE PRODUCTS,

2178
01:08:34,133 --> 01:08:35,200
ALONG WITH HUG-ME BEAR AND

2179
01:08:35,266 --> 01:08:37,834
FUDGIE THE WHALE.

2180
01:08:37,900 --> 01:08:40,133
ACCORDING TO CARVEL'S BACKSTORY

2181
01:08:40,200 --> 01:08:41,533
FOR THE CHARACTER, COOKIE PUSS

2182
01:08:41,600 --> 01:08:43,300
IS A SPACE ALIEN WHO WAS

2183
01:08:43,367 --> 01:08:45,333
BORN ON PLANET BIRTHDAY.

2184
01:08:45,400 --> 01:08:46,900
IN HIS TELEVISION COMMERCIALS,

2185
01:08:46,967 --> 01:08:48,166
COOKIE PUSS HAS THE ABILITY TO

2186
01:08:48,233 --> 01:08:50,333
FLY, THOUGH HE REQUIRES A

2187
01:08:50,400 --> 01:08:51,734
SAUCER-SHAPED SPACECRAFT FOR

2188
01:08:51,800 --> 01:08:53,734
INTERPLANETARY TRAVEL.

2189
01:08:53,800 --> 01:08:57,333
THANK YOU, WIKIPEDIA.

2190
01:08:57,400 --> 01:08:58,767
WHO SAYS I DIDN'T DO ANY

2191
01:08:58,834 --> 01:09:01,200
RESEARCH FOR THIS WEDDING?

2192
01:09:01,266 --> 01:09:02,300
>> Tish: IF YOU'RE JUST JOINING

2193
01:09:02,367 --> 01:09:03,533
US, YOU'VE JUST MISSED THE

2194
01:09:03,600 --> 01:09:05,033
WEDDING OF THE CENTURY.

2195
01:09:05,100 --> 01:09:05,567
>> Cord: YOU MISSED IT,

2196
01:09:05,633 --> 01:09:10,633
BOO-HOO.

2197
01:09:10,700 --> 01:09:11,433
>> Tish: FOR THOSE JUST WAKING

2198
01:09:11,500 --> 01:09:14,900
UP ON THE WEST COAST...

2199
01:09:14,967 --> 01:09:18,100
>> Cord: OH, IT IS OVER.

2200
01:09:18,166 --> 01:09:18,934
YOU ARE LOOKING AT A LIVE CAMERA

2201
01:09:19,000 --> 01:09:25,567
FROM THE GROUNDS OF WINDSOR

2202
01:09:25,633 --> 01:09:26,166
>> Tish: WHERE THE MARRIAGE OF

2203
01:09:26,233 --> 01:09:32,066
MEGHAN MARKLE AND PRINCE HARRY

2204
01:09:32,133 --> 01:09:35,066
PRINCE OF WALES JUST TOOK PLACE.

2205
01:09:35,133 --> 01:09:35,667
THE CROWDS ARE STARTING TO

2206
01:09:35,734 --> 01:09:36,467
DISPERSE.

2207
01:09:36,533 --> 01:09:37,367
WE CAN ALL RETURN TO OUR NORMAL

2208
01:09:37,433 --> 01:09:38,533
LIVES AWAY FROM THIS BEAUTIFUL

2209
01:09:38,600 --> 01:09:39,567
FAIRYTALE --

2210
01:09:39,633 --> 01:09:40,667
>> Cord: WELL, LOOK WHO STOPPED

2211
01:09:40,734 --> 01:09:41,333
BY TO PAY US A VISIT!

2212
01:09:41,400 --> 01:09:42,066
>> Tish: WHO IS THIS HANDSOME

2213
01:09:42,133 --> 01:09:43,033
GUY?

2214
01:09:43,100 --> 01:09:44,967
>> Cord: LOOK WHO CAME BY!

2215
01:09:45,033 --> 01:09:45,533
>> Tish: WHO IS THIS ELEGANT

2216
01:09:45,600 --> 01:09:47,266
GUY?

2217
01:09:47,333 --> 01:09:54,100
>> Cord: IT'S OLD MANFRED!

2218
01:09:54,166 --> 01:09:57,033
YOU FOUND HIM.

2219
01:09:57,100 --> 01:09:57,734
ONE OF MY BELOVED 18 BASSET

2220
01:09:57,800 --> 01:09:58,100
HOUNDS!

2221
01:09:58,166 --> 01:10:01,033
LOOK AT THIS GUY!

2222
01:10:01,100 --> 01:10:02,533
>> Tish: HOW DID HE GET HERE?

2223
01:10:02,600 --> 01:10:04,166
>> Cord: I PUT HIM ON A PLANE IN

2224
01:10:04,233 --> 01:10:06,633
CALIFORNIA A MONTH AGO SO HE

2225
01:10:06,700 --> 01:10:07,233
COULD SIT IN QUARANTINE FOR

2226
01:10:07,300 --> 01:10:09,200
30 DAYS...

2227
01:10:09,266 --> 01:10:11,500
IN ALL THE EXCITEMENT, I MUST

2228
01:10:11,567 --> 01:10:12,133
HAVE FORGOT ALL ABOUT HIM AND HE

2229
01:10:12,200 --> 01:10:13,367
MUST HAVE BUSTED LOOSE.

2230
01:10:13,433 --> 01:10:15,033
WHERE ON EARTH DID YOU GET THESE

2231
01:10:15,100 --> 01:10:18,667
CLOTHES, MANFRED?

2232
01:10:18,734 --> 01:10:19,800
>> Tish: MANFRED, WHERE HAVE YOU

2233
01:10:19,867 --> 01:10:21,700
BEEN?

2234
01:10:21,767 --> 01:10:22,700
>> Cord: I BET HE WAS UP IN

2235
01:10:22,767 --> 01:10:23,433
WINDSOR TRYING TO CRASH THAT

2236
01:10:23,500 --> 01:10:24,934
WEDDING.

2237
01:10:25,000 --> 01:10:25,600
HE DOESN'T NORMALLY DRESS THIS

2238
01:10:25,667 --> 01:10:27,200
WAY.

2239
01:10:27,266 --> 01:10:28,633
>> Tish: IT LOOKS TO ME LIKE

2240
01:10:28,700 --> 01:10:32,333
HE'S BEEN SHOPPING ON SAVILE

2241
01:10:32,400 --> 01:10:33,967
ROW.

2242
01:10:34,033 --> 01:10:34,600
>> Cord: WHO KNOWS WHERE HE'S

2243
01:10:34,667 --> 01:10:35,533
BEEN.

2244
01:10:35,600 --> 01:10:39,166
BACK HOME IN CALIFORNIA, HE'S

2245
01:10:39,233 --> 01:10:39,867
ALWAYS RUNNING OFF TO THE L.L.

2246
01:10:39,934 --> 01:10:41,567
BEAN OUTLET STORE OUT NEAR

2247
01:10:41,633 --> 01:10:42,800
BARSTOW.

2248
01:10:42,867 --> 01:10:43,700
I'LL GET A CALL FROM THE MANAGER

2249
01:10:43,767 --> 01:10:44,400
OUT THERE MAYBE ONCE A WEEK TO

2250
01:10:44,467 --> 01:10:45,400
COME PICK HIM UP.

2251
01:10:45,467 --> 01:10:46,867
ISN'T THAT RIGHT, MANFRED?

2252
01:10:46,934 --> 01:10:48,734
HE'S IGNORING ME.

2253
01:10:48,800 --> 01:10:53,033
>> Tish: HE'S PLAYING ALOOF.

2254
01:10:53,100 --> 01:10:55,266
HE CERTAINLY LOOKS VERY SMART IN

2255
01:10:55,333 --> 01:10:57,867
THAT OUTFIT.

2256
01:10:57,934 --> 01:10:58,567
>> Cord: IF I KNOW MANFRED, HE

2257
01:10:58,633 --> 01:11:03,000
STOLE IT.

2258
01:11:03,066 --> 01:11:06,133
HE DID.

2259
01:11:06,200 --> 01:11:06,767
OKAY, RUN ALONG.

2260
01:11:06,834 --> 01:11:08,033
YET, GET HIM OUT OF HERE.

2261
01:11:08,100 --> 01:11:09,100
I WILL SEE YOU BACK IN

2262
01:11:09,166 --> 01:11:09,934
CALIFORNIA.

2263
01:11:10,000 --> 01:11:10,567
FASCINATING, THEY ARE VERY SMART

2264
01:11:10,633 --> 01:11:11,467
ANIMALS.

2265
01:11:11,533 --> 01:11:12,133
HE'LL FIND HIS WAY BACK, I KNOW

2266
01:11:12,200 --> 01:11:17,200
HE WILL.

2267
01:11:17,266 --> 01:11:20,633
>> Tish: HE'S JUST ADORABLE.

2268
01:11:20,700 --> 01:11:21,200
>> Cord: HE REALLY IS.

2269
01:11:21,266 --> 01:11:21,700
VERY SMART.

2270
01:11:21,767 --> 01:11:22,300
>> Tish: AND VERY SERIOUS.

2271
01:11:22,367 --> 01:11:22,900
>> Cord: TISH, YOU WITNESSED

2272
01:11:22,967 --> 01:11:24,033
THE DAY.

2273
01:11:24,100 --> 01:11:24,834
YOU SAW THESE TWO YOUNG PEOPLE

2274
01:11:24,900 --> 01:11:33,700
WITH YOUR VERY OWN EYES.

2275
01:11:33,767 --> 01:11:34,333
YOU WATCHED THEM FROM AFAR...

2276
01:11:34,400 --> 01:11:35,100
WHAT DO YOU THINK THEIR CHANCES

2277
01:11:35,166 --> 01:11:35,567
ARE?

2278
01:11:35,633 --> 01:11:36,333
IS THIS THING OVER IN A YEAR?

2279
01:11:36,400 --> 01:11:36,834
THREE YEARS?

2280
01:11:36,900 --> 01:11:37,867
TEN?

2281
01:11:37,934 --> 01:11:38,633
>> Tish: IT'S SO HARD TODAY,

2282
01:11:38,700 --> 01:11:39,066
CORD.

2283
01:11:39,133 --> 01:11:40,133
KEEPING A MARRIAGE TOGETHER --

2284
01:11:40,200 --> 01:11:42,066
IT TAKES A LOT OF WORK.

2285
01:11:42,133 --> 01:11:42,734
BUT I HAVE TO SAY, I REALLY LIKE

2286
01:11:42,800 --> 01:11:45,100
THEIR CHANCES.

2287
01:11:45,166 --> 01:11:46,500
>> Cord: WELL, THIS IS COMING

2288
01:11:46,567 --> 01:11:47,900
FROM A LADY WHO HAS BEEN MARRIED

2289
01:11:47,967 --> 01:11:52,200
FOR OVER 30 YEARS!

2290
01:11:52,266 --> 01:11:54,900
WHAT IS THE SECRET?

2291
01:11:54,967 --> 01:11:56,834
BECAUSE I WOULDN'T KNOW.

2292
01:11:56,900 --> 01:11:59,233
THE LONGEST RELATIONSHIP I'VE

2293
01:11:59,300 --> 01:12:06,967
EVER BEEN IN WAS 24 DAYS.

2294
01:12:07,033 --> 01:12:07,667
>> Tish: I HAVE 3 SIMPLE RULES I

2295
01:12:07,734 --> 01:12:11,233
FOLLOW.

2296
01:12:11,300 --> 01:12:12,533
IF HARRY AND MEGHAN CAN STICK TO

2297
01:12:12,600 --> 01:12:13,166
THESE RULES, I PREDICT A LASTING

2298
01:12:13,233 --> 01:12:13,433
MARRIAGE.

2299
01:12:13,500 --> 01:12:14,166
>> Cord: OKAY.

2300
01:12:14,233 --> 01:12:14,967
TISH CATTIGAN'S 3 RULES FOR

2301
01:12:15,033 --> 01:12:15,767
KEEPING A MARRIAGE TOGETHER.

2302
01:12:15,834 --> 01:12:16,800
>> Tish: RULE NUMBER 1, NEVER GO

2303
01:12:16,867 --> 01:12:19,233
TO BED ANGRY.

2304
01:12:19,300 --> 01:12:21,667
IN OTHER WORDS, IF THERE'S

2305
01:12:21,734 --> 01:12:31,367
DOUBT, TALK IT OUT!

2306
01:12:31,433 --> 01:12:33,233
>> Cord: IF THERE IS A DOUBT,

2307
01:12:33,300 --> 01:12:41,333
TALK IT OUT!

2308
01:12:41,400 --> 01:12:42,233
>> Tish: I LIKE THAT.

2309
01:12:42,300 --> 01:12:45,133
I WILL KEEP IT IN MY HEAD.

2310
01:12:45,200 --> 01:12:48,433
>> Cord: I TRY TO BE FUNKY.

2311
01:12:48,500 --> 01:12:49,100
I'M NOT VERY FUNKY.

2312
01:12:49,166 --> 01:12:49,800
NEXT RULE.

2313
01:12:49,867 --> 01:12:50,867
>> Tish: RULE NUMBER 2.

2314
01:12:50,934 --> 01:12:51,467
THIS IS ONE IS SO IMPORTANT.

2315
01:12:51,533 --> 01:12:52,367
ALWAYS USE "I" STATEMENTS

2316
01:12:52,433 --> 01:12:53,600
INSTEAD OF "YOU" STATEMENTS.

2317
01:12:53,667 --> 01:12:54,500
THIS IS SO YOU CAN EXPRESS

2318
01:12:54,567 --> 01:12:55,934
YOURSELF WITHOUT PLACING BLAME

2319
01:12:56,000 --> 01:12:57,600
OR MAKING ASSUMPTIONS ABOUT

2320
01:12:57,667 --> 01:13:00,233
YOUR PARTNER'S INTENTIONS.

2321
01:13:00,300 --> 01:13:01,266
>> Cord: SO FOR EXAMPLE, "I NEED

2322
01:13:01,333 --> 01:13:04,667
TO GO TO THE BATHROOM" INSTEAD

2323
01:13:04,734 --> 01:13:05,567
OF "YOU NEED TO GO THE

2324
01:13:05,633 --> 01:13:08,734
BATHROOM," BECAUSE THEN YOU'D BE

2325
01:13:08,800 --> 01:13:10,567
JUMPING TO CONCLUSIONS INSTEAD

2326
01:13:10,633 --> 01:13:11,767
OF LETTING THEM TELL

2327
01:13:11,834 --> 01:13:14,133
YOU IN THEIR OWN WORDS.

2328
01:13:14,200 --> 01:13:16,200
>> Tish: I WOULD SAY IT'S MORE

2329
01:13:16,266 --> 01:13:17,133
ABOUT EMOTIONAL NEEDS THAN

2330
01:13:17,200 --> 01:13:18,200
LITERAL NEEDS.

2331
01:13:18,266 --> 01:13:19,934
BUT YOU HAVE THE GENERAL IDEA.

2332
01:13:20,000 --> 01:13:21,233
>> Cord: I'M NOT SURE I DO.

2333
01:13:21,300 --> 01:13:23,767
WHAT'S THE THIRD ONE?

2334
01:13:23,834 --> 01:13:24,734
>> Tish: RULE NUMBER 3, KEEP IT

2335
01:13:24,800 --> 01:13:27,033
SIMPLE.

2336
01:13:27,100 --> 01:13:28,233
TALKING FOR A LONG TIME

2337
01:13:28,300 --> 01:13:29,500
UNINTERRUPTED CAN CONFUSE AND

2338
01:13:29,567 --> 01:13:32,166
OVERWHELM YOUR PARTNER.

2339
01:13:32,233 --> 01:13:37,033
IF YOU HAVE SOMETHING TO SAY,

2340
01:13:37,100 --> 01:13:39,133
A BEEF OR SOMETHING YOU ARE

2341
01:13:39,200 --> 01:13:42,133
FRUSTRATED ABOUT, SAY IT IN

2342
01:13:42,200 --> 01:13:45,900
THREE SENTENCES OR LESS.

2343
01:13:45,967 --> 01:13:46,567
I'LL ADMIT, THAT'S A HARD ONE

2344
01:13:46,633 --> 01:13:46,900
FOR ME!

2345
01:13:46,967 --> 01:13:47,834
I CAN BLAB.

2346
01:13:47,900 --> 01:13:48,734
>> Cord: IT'S TRUE, FOLKS, SHE

2347
01:13:48,800 --> 01:13:51,133
CAN JUST GO ON AND ON AND ON,

2348
01:13:51,200 --> 01:13:55,333
LIKE A LITTLE ENERGIZER BUNNY.

2349
01:13:55,400 --> 01:13:58,500
LIKE A TREE FULL OF CROWS.

2350
01:13:58,567 --> 01:13:59,567
I CAN TUNE IT OUT, BUT NOT

2351
01:13:59,633 --> 01:14:01,200
EVERYONE CAN.

2352
01:14:01,266 --> 01:14:02,000
I LOVE YOU.

2353
01:14:02,066 --> 01:14:03,867
YOU KNOW THAT.

2354
01:14:03,934 --> 01:14:05,800
>> Tish: THANK YOU, EVERYBODY

2355
01:14:05,867 --> 01:14:06,834
HAS THINGS THEY HAVE TO WORK ON

2356
01:14:06,900 --> 01:14:12,166
AND THAT'S MY LITTLE ONE.

2357
01:14:12,233 --> 01:14:12,667
>> Cord: HONEST TO GOD'S

2358
01:14:12,734 --> 01:14:13,834
TRUTH, YOU GIVE GREAT ADVICE,

2359
01:14:13,900 --> 01:14:14,867
TISH CATTIGAN.

2360
01:14:14,934 --> 01:14:17,333
>> Tish: THANK YOU, CORD.

2361
01:14:17,400 --> 01:14:24,367
>> Cord: SLIGHTLY VERBOSE AT

2362
01:14:24,433 --> 01:14:28,066
TIMES, BUT YOU HAVE REAL PEARLS

2363
01:14:28,133 --> 01:14:29,200
OF WISDOM.

2364
01:14:29,266 --> 01:14:30,000
>> Tish: THANK YOU, CORD.

2365
01:14:30,066 --> 01:14:30,900
IF YOU WANT MY OPINION, I THINK

2366
01:14:30,967 --> 01:14:31,500
HARRY AND MEGHAN ARE GOING TO

2367
01:14:31,567 --> 01:14:32,133
MAKE IT.

2368
01:14:32,200 --> 01:14:32,934
MY GUT FEELING.

2369
01:14:33,000 --> 01:14:34,533
THE WORLD MAY BE AGAINST HIM BUT

2370
01:14:34,600 --> 01:14:35,100
I BELIEVE IN LOVE.

2371
01:14:35,166 --> 01:14:35,967
>> Cord: IF YOU CAN SURVIVE

2372
01:14:36,033 --> 01:14:36,834
THE ENVIRONMENT, THE

2373
01:14:36,900 --> 01:14:37,600
HIGH-PRESSURE ENVIRONMENT OF

2374
01:14:37,667 --> 01:14:38,700
"SUITS," YOU CAN DO ANYTHING.

2375
01:14:38,767 --> 01:14:42,133
DO YOU KNOW?

2376
01:14:42,200 --> 01:14:42,734
>> Tish: I COULDN'T AGREE

2377
01:14:42,800 --> 01:14:43,967
MORE.

2378
01:14:44,033 --> 01:14:50,700
>> Cord: GET READY FOR THIS.

2379
01:14:50,767 --> 01:14:53,000
JUST GET READY.

2380
01:14:53,066 --> 01:14:53,867
HE HAS WORKED AT "THE DAILY

2381
01:14:53,934 --> 01:15:03,767
MAIL," "THE SUN," AND

2382
01:15:03,834 --> 01:15:04,667
"THE STAR," A LEGEND

2383
01:15:04,734 --> 01:15:05,500
OF THE PRESS WORLD AND AUTHOR OF

2384
01:15:05,567 --> 01:15:07,934
THE UNAUTHORIZED HISTORY OF THE

2385
01:15:08,000 --> 01:15:09,066
ROYALS, "BUCKINGHAM KNIGHTS

2386
01:15:09,133 --> 01:15:12,066
AND BUCKINGHAM NIGHTS."

2387
01:15:12,133 --> 01:15:16,033
SIR ALBERT LANGAN KINGSLEY.

2388
01:15:16,100 --> 01:15:16,700
>> Sir Albert: A PLEASURE TO

2389
01:15:16,767 --> 01:15:17,767
BE HERE.

2390
01:15:17,834 --> 01:15:20,300
ESPECIALLY WITH YOU, TISH

2391
01:15:20,367 --> 01:15:22,133
CATTIGAN.

2392
01:15:22,200 --> 01:15:27,133
YOU!

2393
01:15:27,200 --> 01:15:32,734
YOU ARE A VISION, AREN'T YOU?

2394
01:15:32,800 --> 01:15:36,133
>> Tish: THANK YOU, SIR ALBERT

2395
01:15:36,200 --> 01:15:36,934
ALBERT.

2396
01:15:37,000 --> 01:15:37,600
>> Cord: SO NICE TO MEET YOU,

2397
01:15:37,667 --> 01:15:39,867
SIR ALBERT.

2398
01:15:39,934 --> 01:15:40,467
>> Sir Albert: A VISION IN

2399
01:15:40,533 --> 01:15:41,133
YELLOW.

2400
01:15:41,200 --> 01:15:42,000
YOU'RE MAKING ME WANT TO EAT A

2401
01:15:42,066 --> 01:15:43,367
BIG BOWL OF CORN.

2402
01:15:43,433 --> 01:15:46,400
HOT BOILED CORN.

2403
01:15:46,467 --> 01:15:48,266
>> Tish: THANK YOU.

2404
01:15:48,333 --> 01:15:51,934
>> Cord: SIR ALBERT, WE

2405
01:15:52,000 --> 01:15:53,333
UNDERSTAND YOU WERE VERY TUNED

2406
01:15:53,400 --> 01:15:54,767
IN TO WHAT'S HAPPENING BEHIND

2407
01:15:54,834 --> 01:15:55,867
THE SCENES WITH THE ROYAL

2408
01:15:55,934 --> 01:15:56,433
FAMILY.

2409
01:15:56,500 --> 01:15:57,266
>> Sir Albert: INDEED.

2410
01:15:57,333 --> 01:15:59,700
I HAVE MANY INSIDE SOURCES,

2411
01:15:59,767 --> 01:16:06,934
LITTLE BIRDIES EVERYWHERE AND

2412
01:16:07,000 --> 01:16:07,667
THEY WHISPER TO ME THEIR

2413
01:16:07,734 --> 01:16:09,200
LITTLE SECRETS.

2414
01:16:09,266 --> 01:16:09,767
>> Tish: SIR ALBERT, DO YOU

2415
01:16:09,834 --> 01:16:10,367
HAPPEN TO KNOW WHAT MEGHAN AND

2416
01:16:10,433 --> 01:16:10,967
HARRY'S PLANS ARE AFTER THE

2417
01:16:11,033 --> 01:16:14,734
WEDDING?

2418
01:16:14,800 --> 01:16:17,934
THAT'S WHAT I'M CURIOUS ABOUT.

2419
01:16:18,000 --> 01:16:18,500
>> Cord: THAT'S HIGH ON OUR

2420
01:16:18,567 --> 01:16:19,100
LIST.

2421
01:16:19,166 --> 01:16:20,367
>> Sir Albert: I THINK THE

2422
01:16:20,433 --> 01:16:24,667
TWO OF YOU KNOW WHAT'S GOING TO

2423
01:16:24,734 --> 01:16:25,633
BE UP TO TONIGHT, DON'T YOU?

2424
01:16:25,700 --> 01:16:26,200
IT'S THEIR WEDDING NIGHT...

2425
01:16:26,266 --> 01:16:27,934
[LAUGHS]

2426
01:16:28,000 --> 01:16:28,734
THEY ARE YOUNG, THEIR HOT LITTLE

2427
01:16:28,800 --> 01:16:30,333
BODIES, WE ALL KNOW WHAT'S GOING

2428
01:16:30,400 --> 01:16:34,166
DOWN TONIGHT, RIGHT?

2429
01:16:34,233 --> 01:16:35,734
DURING THE TEMPERATURE UP, I

2430
01:16:35,800 --> 01:16:36,834
SAY.

2431
01:16:36,900 --> 01:16:37,934
>> Cord: OKAY, SIR ALBERT.

2432
01:16:38,000 --> 01:16:39,200
VERY PARTICULAR GENTLEMAN.

2433
01:16:39,266 --> 01:16:41,900
LET'S TRY TO BE PROFESSIONAL,

2434
01:16:41,967 --> 01:16:44,867
PLEASE.

2435
01:16:44,934 --> 01:16:45,467
>> Tish: IT'S OKAY, CORD.

2436
01:16:45,533 --> 01:16:54,333
I THINK IT'S THE EUROPEAN-STYLE.

2437
01:16:54,400 --> 01:16:56,533
WELL, SO, WE WERE WONDERING, WHO

2438
01:16:56,600 --> 01:16:58,300
IS IN THE COUPLE'S INNER CIRCLE?

2439
01:16:58,367 --> 01:17:03,266
THAT'S WHAT I WANT TO KNOW.

2440
01:17:03,333 --> 01:17:04,266
>> Sir Albert: WELL, TISH,

2441
01:17:04,333 --> 01:17:05,266
MY INSIDE SOURCES SAY

2442
01:17:05,333 --> 01:17:06,333
PRINCE HARRY AND MEGHAN ARE VERY

2443
01:17:06,400 --> 01:17:11,633
GOOD FRIENDS -- AMERICAN ACTOR

2444
01:17:11,700 --> 01:17:18,033
RAY LEOTA.

2445
01:17:18,100 --> 01:17:20,066
YES, A CLASSIC.

2446
01:17:20,133 --> 01:17:22,767
HE'LL BE THERE.

2447
01:17:22,834 --> 01:17:23,333
>> Cord: WE DID NOT SEE HIM

2448
01:17:23,400 --> 01:17:24,033
THERE.

2449
01:17:24,100 --> 01:17:29,500
>> Sir Albert: SOMEONE ELSE,

2450
01:17:29,567 --> 01:17:31,000
JOINING TODAY...

2451
01:17:31,066 --> 01:17:32,166
CAPTAIN SULLY.

2452
01:17:32,233 --> 01:17:32,834
>> Tish: THAT'S INTERESTING.

2453
01:17:32,900 --> 01:17:33,900
>> Cord: HEROIC PILOT.

2454
01:17:33,967 --> 01:17:34,767
>> Sir Albert: DON IMUS.

2455
01:17:34,834 --> 01:17:36,900
>> Cord: SHOCK JOCK.

2456
01:17:36,967 --> 01:17:37,500
>> Sir Albert: ALSO YOUNG

2457
01:17:37,567 --> 01:17:41,266
SHELDON.

2458
01:17:41,333 --> 01:17:42,467
>> Cord: THE ACTOR FROM THE

2459
01:17:42,533 --> 01:17:45,200
CBS SHOW, "YOUNG SHELDON?"

2460
01:17:45,266 --> 01:17:46,900
>> Sir Albert: THEY

2461
01:17:46,967 --> 01:17:48,266
APPARENTLY LOVE "YOUNG

2462
01:17:48,333 --> 01:17:52,533
SHELDON," SECOND TO "SUITS."

2463
01:17:52,600 --> 01:17:53,066
>> Cord: DO THEY GET "BIG

2464
01:17:53,133 --> 01:17:54,467
BANG THEORY" HERE?

2465
01:17:54,533 --> 01:17:55,100
>> Sir Albert: NO, JUST "YOUNG

2466
01:17:55,166 --> 01:18:01,200
SHELDON."

2467
01:18:01,266 --> 01:18:04,133
IT IS A HIT.

2468
01:18:04,200 --> 01:18:04,834
HE WILL BE ARRIVING WITH HIS

2469
01:18:04,900 --> 01:18:05,467
CLOSE FRIEND AND DIRECTOR, DAVID

2470
01:18:05,533 --> 01:18:08,033
LYNCH.

2471
01:18:08,100 --> 01:18:13,500
>> Cord: ALL THESE PEOPLE?

2472
01:18:13,567 --> 01:18:15,467
>> Sir Albert: NO WEDDING IS

2473
01:18:15,533 --> 01:18:16,400
COMPLETE WITHOUT DAVID SIMON,

2474
01:18:16,467 --> 01:18:19,166
THE CREATOR OF "THE WIRE."

2475
01:18:19,233 --> 01:18:23,100
>> Cord: WAIT, "THE WIRE?"

2476
01:18:23,166 --> 01:18:23,667
ABOUT THE MEAN STREETS OF

2477
01:18:23,734 --> 01:18:28,834
PHILADELPHIA?

2478
01:18:28,900 --> 01:18:30,734
>> Sir Albert: CLOSE FRIEND

2479
01:18:30,800 --> 01:18:31,700
OF MEGHAN.

2480
01:18:31,767 --> 01:18:33,000
THE LITTLE BOY THAT WAS A STAR,

2481
01:18:33,066 --> 01:18:36,467
IN AMERICAN TELEVISION SERIES

2482
01:18:36,533 --> 01:18:37,233
"MALCOLM IN THE MIDDLE," WHAT

2483
01:18:37,300 --> 01:18:39,800
IS THE NAME OF THAT CHILD?

2484
01:18:39,867 --> 01:18:40,567
>> Cord: DID YOU MEAN FRANKIE

2485
01:18:40,633 --> 01:18:43,033
MUNIZ?

2486
01:18:43,100 --> 01:18:46,834
>> Sir Albert: YES, HE'S ALL

2487
01:18:46,900 --> 01:18:53,266
GROWN UP AND VERY GOOD

2488
01:18:53,333 --> 01:18:54,233
MATES WITH PRINCE HARRY.

2489
01:18:54,300 --> 01:18:54,800
>> Cord: THEY MIGHT DRIVE

2490
01:18:54,867 --> 01:18:57,533
RACE CARS TOGETHER.

2491
01:18:57,600 --> 01:19:08,000
>> Tish: ANY WORD ON A BABY?

2492
01:19:08,066 --> 01:19:08,767
>> Sir Albert: YES, THOSE

2493
01:19:08,834 --> 01:19:09,567
WHISPERS ARE TRUE.

2494
01:19:09,633 --> 01:19:15,667
I HAVE HEARD THEY'VE ALREADY

2495
01:19:15,734 --> 01:19:19,633
STARTED ON THAT PATH.

2496
01:19:19,700 --> 01:19:20,233
>> Cord: ARE YOU SAYING MEGHAN

2497
01:19:20,300 --> 01:19:21,500
MARKLE IS ALREADY PREGNANT?

2498
01:19:21,567 --> 01:19:24,467
>> Sir Albert: NO, THEY

2499
01:19:24,533 --> 01:19:26,400
ALREADY HAVE TWO FULLY GROWN

2500
01:19:26,467 --> 01:19:28,433
CHILDREN.

2501
01:19:28,500 --> 01:19:32,533
ONE IS 28 AND ONE IS 34.

2502
01:19:32,600 --> 01:19:33,800
THEY ARE BOTH NAMED GENE AND

2503
01:19:33,867 --> 01:19:37,433
THEY LIVE IN SEATTLE.

2504
01:19:37,500 --> 01:19:39,133
>> Cord: WAIT, BOTH?

2505
01:19:39,200 --> 01:19:41,367
>> Sir Albert: YES, THE BOY

2506
01:19:41,433 --> 01:19:42,433
IS NAMED GENE AND THE GIRL IS

2507
01:19:42,500 --> 01:19:54,100
NAMED JEAN.

2508
01:19:54,166 --> 01:19:55,433
THIS IS WHAT I'VE HEARD FROM MY

2509
01:19:55,500 --> 01:19:58,567
INSIDE SOURCES.

2510
01:19:58,633 --> 01:19:59,533
>> Cord: OKAY, THIS GUY, FULLY

2511
01:19:59,600 --> 01:20:04,533
GROWN CHILDREN.

2512
01:20:04,600 --> 01:20:05,734
>> Sir Albert: IT'S TRUE, MY

2513
01:20:05,800 --> 01:20:08,500
SOURCES NEVER LIE.

2514
01:20:08,567 --> 01:20:11,400
I AM A SUCCESSFUL COLUMNIST.

2515
01:20:11,467 --> 01:20:13,867
AT ANOTHER TIME, I WILL

2516
01:20:13,934 --> 01:20:17,000
CHALLENGE YOU TO A DUEL.

2517
01:20:17,066 --> 01:20:17,600
>> Cord: NO, I'M NOT HAVING A

2518
01:20:17,667 --> 01:20:18,467
DUEL WITH YOU.

2519
01:20:18,533 --> 01:20:18,967
>> Sir Albert: I SAID AT

2520
01:20:19,033 --> 01:20:19,567
ANOTHER TIME.

2521
01:20:19,633 --> 01:20:20,166
>> Cord: I FIND YOU THOROUGHLY

2522
01:20:20,233 --> 01:20:20,667
ENTERTAINING.

2523
01:20:20,734 --> 01:20:21,367
JUST A LITTLE OUTLANDISH.

2524
01:20:21,433 --> 01:20:22,000
YOUR INSIDE SOURCES SOUND LIKE

2525
01:20:22,066 --> 01:20:22,667
OUTSIDE SOURCES.

2526
01:20:22,734 --> 01:20:24,133
>> Sir Albert: I GUARANTEE,

2527
01:20:24,200 --> 01:20:24,734
THEY ARE AS INSIDE AS YOU CAN

2528
01:20:24,800 --> 01:20:27,200
GET.

2529
01:20:27,266 --> 01:20:31,767
>> Tish: SIR ALBERT.

2530
01:20:31,834 --> 01:20:32,333
>> Sir Albert: WHO GAVE YOU

2531
01:20:32,400 --> 01:20:33,166
THAT PIN?

2532
01:20:33,233 --> 01:20:34,734
DON'T TELL ME A MAN GAVE YOU

2533
01:20:34,800 --> 01:20:39,433
THAT PIN, I'D BE JEALOUS.

2534
01:20:39,500 --> 01:20:40,867
>> Tish: ANY WORD ON WHERE

2535
01:20:40,934 --> 01:20:41,567
MEGHAN AND HARRY ARE LIVING

2536
01:20:41,633 --> 01:20:43,367
TOGETHER?

2537
01:20:43,433 --> 01:20:45,467
>> Sir Albert: MY INSIDE

2538
01:20:45,533 --> 01:20:48,600
SOURCES SAY...

2539
01:20:48,667 --> 01:20:51,333
>> Cord: HERE WE GO AGAIN.

2540
01:20:51,400 --> 01:20:52,400
>> Sir Albert: MAYBE I

2541
01:20:52,467 --> 01:20:54,467
SHOULD JUST TELL YOU PRIVATELY

2542
01:20:54,533 --> 01:20:57,934
OVER A GLASS OF SHERRY AND FISH.

2543
01:20:58,000 --> 01:20:59,300
>> Cord: NO, NO.

2544
01:20:59,367 --> 01:21:00,633
YOU ARE NOT HAVING SHERRY AND

2545
01:21:00,700 --> 01:21:10,066
FISH IN A PRIVATE SETTING.

2546
01:21:10,133 --> 01:21:10,700
IT'D BE BEST IF YOU TOLD US HERE

2547
01:21:10,767 --> 01:21:11,100
ON THE BROADCAST.

2548
01:21:11,166 --> 01:21:11,667
>> Sir Albert: ACCORDING TO

2549
01:21:11,734 --> 01:21:12,433
MY INSIDE SOURCES, PRINCE HARRY

2550
01:21:12,500 --> 01:21:14,200
AND MEGHAN ARE MOVING TO

2551
01:21:14,266 --> 01:21:15,033
PITTSBURGH.

2552
01:21:15,100 --> 01:21:16,767
PENNSYLVANIA.

2553
01:21:16,834 --> 01:21:17,867
>> Cord: PIT -- THEY ARE GOING

2554
01:21:17,934 --> 01:21:18,734
TO LIVE IN PITTSBURGH,

2555
01:21:18,800 --> 01:21:24,767
PENNSYLVANIA?

2556
01:21:24,834 --> 01:21:25,633
>> Sir Albert: YES, YES.

2557
01:21:25,700 --> 01:21:26,200
>> Cord: I THOUGHT THEY WERE

2558
01:21:26,266 --> 01:21:30,200
GOING TO LIVE IN WINDSOR...

2559
01:21:30,266 --> 01:21:31,667
>> Sir Albert: NO.

2560
01:21:31,734 --> 01:21:32,300
>> Cord: DO YOU HAVE A SATCHEL

2561
01:21:32,367 --> 01:21:33,834
YOU CARRY YOUR PIPES IN?

2562
01:21:33,900 --> 01:21:34,367
>> Sir Albert: I LAY THEM

2563
01:21:34,433 --> 01:21:34,867
OUT ON THIS LITTLE TABLE

2564
01:21:34,934 --> 01:21:37,533
WHEREVER I GO.

2565
01:21:37,600 --> 01:21:40,533
THERE IS 40 OF THEM.

2566
01:21:40,600 --> 01:21:41,533
>> Cord: OH, MY GOD, YOU HAVE

2567
01:21:41,600 --> 01:21:45,433
A LOT OF PIPES.

2568
01:21:45,500 --> 01:21:49,900
A VERY PUNGENT TOBACCO.

2569
01:21:49,967 --> 01:21:50,467
>> Sir Albert: THEY ARE ALL

2570
01:21:50,533 --> 01:21:51,233
OLD.

2571
01:21:51,300 --> 01:21:51,934
IT'S VERY OLD.

2572
01:21:52,000 --> 01:21:52,433
>> Cord: IS THAT APPLE

2573
01:21:52,500 --> 01:21:52,834
FLAVORED?

2574
01:21:52,900 --> 01:21:53,500
>> Sir Albert: APPLE, CINNAMON,

2575
01:21:53,567 --> 01:21:54,100
SOME DIRT.

2576
01:21:54,166 --> 01:21:54,700
INSIDE SOURCES SAY THAT'S THE

2577
01:21:54,767 --> 01:21:56,300
BEST WAY TO DO IT.

2578
01:21:56,367 --> 01:21:57,100
>> Cord: THE SEGMENT WASN'T

2579
01:21:57,166 --> 01:21:59,066
SUPPOSED TO BE THIS WAY.

2580
01:21:59,133 --> 01:22:00,900
I'M SORRY, FOLKS.

2581
01:22:00,967 --> 01:22:02,467
IT'S BEEN ENJOYABLE BUT I MESSED

2582
01:22:02,533 --> 01:22:04,600
UP A LITTLE.

2583
01:22:04,667 --> 01:22:05,734
THANK YOU SO MUCH FOR COMING BY,

2584
01:22:05,800 --> 01:22:12,166
SIR ALBERT.

2585
01:22:12,233 --> 01:22:15,367
>> Tish: THANK YOU.

2586
01:22:15,433 --> 01:22:15,934
>> Sir Albert: THANK YOU FOR

2587
01:22:16,000 --> 01:22:20,367
HAVING ME.

2588
01:22:20,433 --> 01:22:23,767
>> Tish: WE'LL SEE YOU LATER.

2589
01:22:23,834 --> 01:22:26,400
>> Cord: SEE YOU LATER, BUDDY.

2590
01:22:26,467 --> 01:22:29,300
SOMEONE WILL PAY YOU.

2591
01:22:29,367 --> 01:22:30,033
TINY LITTLE WEIRDO.

2592
01:22:30,100 --> 01:22:32,000
LIKE A LITTLE BENJAMIN BUTTONS.

2593
01:22:32,066 --> 01:22:32,567
>> Tish: HE HAD A LOT OF

2594
01:22:32,633 --> 01:22:33,900
INTERESTING INFORMATION.

2595
01:22:33,967 --> 01:22:34,633
>> Cord: IT WAS SOME GOOD,

2596
01:22:34,700 --> 01:22:40,400
JUICY STUFF.

2597
01:22:40,467 --> 01:22:41,266
>> Tish: CORD, LET'S

2598
01:22:41,333 --> 01:22:42,967
GET OUT TO OUR ASSOCIATE AND

2599
01:22:43,033 --> 01:22:43,567
GOOD FRIEND, TIM MEADOWS, ONE

2600
01:22:43,633 --> 01:22:44,400
LAST TIME FOR A CHECK-IN.

2601
01:22:44,467 --> 01:22:50,300
TIM, ANY FINAL THOUGHTS?

2602
01:22:50,367 --> 01:22:51,266
>> Tim: TISH, CORD, THE ROYAL

2603
01:22:51,333 --> 01:22:52,033
WEDDING HAS NOT ONLY BROUGHT

2604
01:22:52,100 --> 01:22:56,500
TOGETHER PRINCE HARRY AND HIS

2605
01:22:56,567 --> 01:23:00,900
NEW DUCHESS, BUT IT HAS BROUGHT

2606
01:23:00,967 --> 01:23:06,266
US ALL TOGETHER.

2607
01:23:06,333 --> 01:23:08,100
WE'VE ESCAPED THE HIDEOUSNESS

2608
01:23:08,166 --> 01:23:11,567
AND MONOTONY OF OUR OWN LIVES.

2609
01:23:11,633 --> 01:23:12,767
THE SPECTACLE ALLOWED ALL OF US

2610
01:23:12,834 --> 01:23:15,100
TO FORGET THE BOREDOM AND THE

2611
01:23:15,166 --> 01:23:17,300
PAIN MOST OF US MUST ENDURE

2612
01:23:17,367 --> 01:23:18,500
EVERY DAY JUST TO EAT FOOD AND

2613
01:23:18,567 --> 01:23:23,533
SLEEP IN A BED.

2614
01:23:23,600 --> 01:23:24,800
BEAUTIFUL PEOPLE COME TOGETHER,

2615
01:23:24,867 --> 01:23:27,100
SHINING A LIGHT ON THE REST OF

2616
01:23:27,166 --> 01:23:30,100
US, AND THAT LIGHT IS UGLY.

2617
01:23:30,166 --> 01:23:30,734
WE DON'T DESERVE TO LIVE IN THAT

2618
01:23:30,800 --> 01:23:31,033
LIGHT.

2619
01:23:31,100 --> 01:23:31,533
I'LL NEVER BE A ROYAL.

2620
01:23:31,600 --> 01:23:32,266
NONE OF US WILL EVER BE ROYALS.

2621
01:23:32,333 --> 01:23:33,500
>> Tish: TIM, ARE YOU OKAY?

2622
01:23:33,567 --> 01:23:34,300
>> Tim: NO, I AM NOT, GUYS.

2623
01:23:34,367 --> 01:23:34,967
THE CONTRAST BETWEEN MY LIFE AND

2624
01:23:35,033 --> 01:23:35,600
THEIRS HAS BEEN MADE ABUNDANTLY

2625
01:23:35,667 --> 01:23:35,900
CLEAR.

2626
01:23:35,967 --> 01:23:36,567
I'M JUST KIND OF SITTING IN THAT

2627
01:23:36,633 --> 01:23:37,233
REALITY RIGHT NOW.

2628
01:23:37,300 --> 01:23:38,533
>> Cord: TIM MEADOWS, EVERYONE.

2629
01:23:38,600 --> 01:23:40,033
WE'LL SEE HIM IN PASADENA NEXT

2630
01:23:40,100 --> 01:23:41,367
YEAR FOR THE ROSE PARADE.

2631
01:23:41,433 --> 01:23:44,033
WHAT A HOOT!

2632
01:23:44,100 --> 01:23:48,767
BYE, TIM.

2633
01:23:48,834 --> 01:23:50,667
STRANGE.

2634
01:23:50,734 --> 01:23:54,867
VERY STRANGE.

2635
01:23:54,934 --> 01:23:57,700
WHAT CAN YOU DO?

2636
01:23:57,767 --> 01:23:58,500
TISH, ANY LAST THOUGHTS?

2637
01:23:58,567 --> 01:23:59,700
>> Tish: CAN I JUST SAY WHAT'S

2638
01:23:59,767 --> 01:24:01,600
BEEN SO SPECIAL ABOUT TODAY IS

2639
01:24:01,667 --> 01:24:02,934
THAT WE NOT ONLY GOT TO BE A

2640
01:24:03,000 --> 01:24:04,633
PART OF A ROYAL WEDDING, BUT IT

2641
01:24:04,700 --> 01:24:06,100
OPENS A DOOR FOR US TO TALK

2642
01:24:06,166 --> 01:24:07,934
ABOUT THE LOVE AND COMMITMENT IT

2643
01:24:08,000 --> 01:24:08,900
TAKES TO MAKE A SUCCESSFUL

2644
01:24:08,967 --> 01:24:10,200
MARRIAGE.

2645
01:24:10,266 --> 01:24:12,433
AS YOU KNOW, CORD, WE HAVE A

2646
01:24:12,500 --> 01:24:14,000
SPECIAL BOND.

2647
01:24:14,066 --> 01:24:17,500
>> Cord: 100%, TISH.

2648
01:24:17,567 --> 01:24:20,467
THIS IS A SPECIAL UNION.

2649
01:24:20,533 --> 01:24:21,867
>> Tish: AS I LOOK AT MEGHAN AND

2650
01:24:21,934 --> 01:24:23,200
HARRY TODAY, MY ONE WISH FOR

2651
01:24:23,266 --> 01:24:25,433
THEM IS THAT THEY SHARE A

2652
01:24:25,500 --> 01:24:26,834
BOND THAT IS AS STRONG AS THE

2653
01:24:26,900 --> 01:24:27,967
ONE THAT YOU AND I HAVE FOR EACH

2654
01:24:28,033 --> 01:24:32,100
OTHER.

2655
01:24:32,166 --> 01:24:33,400
OR THE ONE THAT MY HUSBAND BRENT

2656
01:24:33,467 --> 01:24:34,533
AND I HAVE BUILT TOGETHER.

2657
01:24:34,600 --> 01:24:35,266
SO OFTEN WE CHOOSE TO BE CYNICAL

2658
01:24:35,333 --> 01:24:37,133
ABOUT MARRIAGE.

2659
01:24:37,200 --> 01:24:37,967
IT IS AN INSTITUTION MANY HAVE

2660
01:24:38,033 --> 01:24:39,100
LOST FAITH IN.

2661
01:24:39,166 --> 01:24:40,800
AND TO THOSE PEOPLE I SAY --

2662
01:24:40,867 --> 01:24:43,166
DON'T BE CYNICAL.

2663
01:24:43,233 --> 01:24:44,867
FOLLOW YOUR HEART.

2664
01:24:44,934 --> 01:24:46,233
BE A GUIDING LIGHT FOR YOUR

2665
01:24:46,300 --> 01:24:48,100
PARTNER.

2666
01:24:48,166 --> 01:24:50,166
AND NEVER, EVER GO TO BED ANGRY.

2667
01:24:50,233 --> 01:24:51,900
EACH DAY IS A NEW DAY TO START

2668
01:24:51,967 --> 01:24:52,700
FRESH IN YOUR COMMITMENT TO EACH

2669
01:24:52,767 --> 01:24:54,166
OTHER.

2670
01:24:54,233 --> 01:24:55,934
LOVE WILL FIND A WAY, CORD.

2671
01:24:56,000 --> 01:24:56,500
>> Cord: THAT IS REALLY

2672
01:24:56,567 --> 01:24:58,834
BEAUTIFUL.

2673
01:24:58,900 --> 01:25:00,767
>> Tish: BEING HERE IN ENGLAND

2674
01:25:00,834 --> 01:25:02,233
AT THE ROYAL WEDDING, I'VE JUST

2675
01:25:02,300 --> 01:25:02,767
FALLEN IN LOVE WITH MY

2676
01:25:02,834 --> 01:25:09,767
HUSBAND BRENT ALL OVER AGAIN.

2677
01:25:09,834 --> 01:25:11,133
THESE TWO YOUNG PEOPLE, HARRY

2678
01:25:11,200 --> 01:25:13,967
AND MEGHAN, THE LOVE THEY HAD

2679
01:25:14,033 --> 01:25:15,100
FOR EACH OTHER HAS RADIATED OUT

2680
01:25:15,166 --> 01:25:17,500
FOR ALL OF US, ALL OVER THE

2681
01:25:17,567 --> 01:25:18,533
WORLD.

2682
01:25:18,600 --> 01:25:19,133
HOW ABOUT YOU, CORD, ANY FINAL

2683
01:25:19,200 --> 01:25:19,433
THOUGHTS?

2684
01:25:19,500 --> 01:25:20,700
>> Cord: I SUPPOSE MY BIG

2685
01:25:20,767 --> 01:25:21,800
TAKEAWAY, TISH, IS THAT I LOVE

2686
01:25:21,867 --> 01:25:23,033
ENGLAND BUT I CAN'T WAIT TO GO

2687
01:25:23,100 --> 01:25:24,000
HOME AND I DON'T PLAN ON COMING

2688
01:25:24,066 --> 01:25:26,467
BACK ANYTIME SOON.

2689
01:25:26,533 --> 01:25:27,433
FOR THE MOST PART, I WAS

2690
01:25:27,500 --> 01:25:28,900
CONFUSED EVERY DAY.

2691
01:25:28,967 --> 01:25:29,533
THEY DRIVE ON THE WRONG SIDE OF

2692
01:25:29,600 --> 01:25:30,867
THE ROAD.

2693
01:25:30,934 --> 01:25:31,467
THEY HAVE DIFFERENT MONEY THAN

2694
01:25:31,533 --> 01:25:32,700
WE DO.

2695
01:25:32,767 --> 01:25:34,633
THEY EAT DIFFERENT FOOD.

2696
01:25:34,700 --> 01:25:35,800
I ALSO DON'T KNOW WHY THEY CAN'T

2697
01:25:35,867 --> 01:25:37,734
USE THE SAME TYPE OF ELECTRICAL

2698
01:25:37,800 --> 01:25:40,000
OUTLETS AS THE REST OF US...

2699
01:25:40,066 --> 01:25:45,500
MY HOTEL HAS TWO TOILETS AND ONE

2700
01:25:45,567 --> 01:25:46,867
OF THEM DOESN'T EVEN FLUSH.

2701
01:25:46,934 --> 01:25:47,533
BUT HECK, I'LL GIVE THEM THIS...

2702
01:25:47,600 --> 01:25:48,500
THEY KNOW HOW TO THROW ONE HECK

2703
01:25:48,567 --> 01:25:49,266
OF A PARTY.

2704
01:25:49,333 --> 01:25:50,934
HEY, TISH, HOW ABOUT JOINING ME

2705
01:25:51,000 --> 01:25:52,233
IN A SONG I WROTE?

2706
01:25:52,300 --> 01:25:52,934
>> Tish: YOU WROTE A SONG?

2707
01:25:53,000 --> 01:25:53,667
I WOULD LOVE TO.

2708
01:25:53,734 --> 01:25:57,166
>> Cord: YOU KNOW I DID.

2709
01:25:57,233 --> 01:26:00,367
HERE YOU GO.

2710
01:26:00,433 --> 01:26:06,934
JUST FAKE IT...

2711
01:26:07,000 --> 01:26:07,867
>> Tish: I'LL FAKE IT.

2712
01:26:07,934 --> 01:26:08,834
>> Cord: I THINK YOU'LL ENJOY

2713
01:26:08,900 --> 01:26:09,567
IT.

2714
01:26:09,633 --> 01:26:12,700
♪ ♪

2715
01:26:12,800 --> 01:26:15,100
♪ THIS HAS BEEN A WONDROUS DAY ♪

2716
01:26:15,166 --> 01:26:24,467
♪ THE BELLS WILL RING AND RING ♪

2717
01:26:24,533 --> 01:26:25,166
A TRULY WONDROUS FUN-DROUS DAY ♪

2718
01:26:25,233 --> 01:26:26,233
♪ LET OUR GLAD HEARTS SING! ♪

2719
01:26:26,300 --> 01:26:27,333
♪ THIS HAS BEEN A JOYFUL DAY ♪

2720
01:26:27,400 --> 01:26:28,533
♪ LOVE HAS CONQUERED ALL ♪

2721
01:26:28,600 --> 01:26:29,800
♪ A PRINCE! ♪

2722
01:26:29,867 --> 01:26:41,567
♪ A STAR! ♪

2723
01:26:41,633 --> 01:26:41,734
♪

2724
01:26:41,800 --> 01:26:47,400
♪ A ROMANCE FOR USLL ♪

2725
01:26:47,467 --> 01:26:48,200
♪

2726
01:26:48,266 --> 01:26:49,066
♪ THIS HAS BEEN A HAPPY DAY,

2727
01:26:49,133 --> 01:26:49,700
OUR HEARTS ARE GAY AND LIGHT ♪

2728
01:26:49,767 --> 01:26:50,333
♪ HALLELUJAH TO THE HEAVENS ♪

2729
01:26:50,400 --> 01:26:51,033
♪ REJOICE UNTO THE NIGHT ♪

2730
01:26:51,100 --> 01:26:52,700
♪ THIS HAS BEEN A SPECIAL DAY ♪

2731
01:26:52,767 --> 01:26:53,600
♪ DREAMS ♪

2732
01:26:53,667 --> 01:26:54,967
♪ THEY DO COME TRUE ♪

2733
01:26:55,033 --> 01:26:56,867
♪ HAVE YOURSELF A SPECIAL DAY ♪

2734
01:26:56,934 --> 01:27:02,467
♪ LIKE THE ROYALS DO ♪

2735
01:27:02,533 --> 01:27:18,233
♪ LIKE THE ROYALS DO ♪

2736
01:27:18,300 --> 01:27:20,333
>> Cord: BYE, EVERYONE.

2737
01:27:20,400 --> 01:27:22,700
THANK YOU, EVERYONE.

2738
01:27:22,767 --> 01:27:23,500
HAVE A GREAT REST OF YOUR DAY,

2739
01:27:23,567 --> 01:27:25,233
WHEREVER YOU ARE.

2740
01:27:25,300 --> 01:27:26,734
>> Tish: THANK YOU TO OUR

2741
01:27:26,800 --> 01:27:32,433
CREW.

2742
01:27:32,500 --> 01:27:36,600
[SIGHS]

2743
01:27:36,667 --> 01:27:42,667
I AM GLAD THAT'S OVER.

2744
01:27:42,734 --> 01:27:43,567
>> Cord: DON'T BROADCAST

2745
01:27:43,633 --> 01:27:47,934
ANYWHERE IN ENGLAND EVER AGAIN.

2746
01:27:48,000 --> 01:27:52,033
THIS CREW IS DOG YOU KNOW WHAT,

2747
01:27:52,100 --> 01:27:57,734
DOG DOODY.

2748
01:27:57,800 --> 01:27:59,400
>> Tish: I FEEL LIKE IF YOU

2749
01:27:59,467 --> 01:28:00,467
ASK FOR THE TINIEST THING, THEY

2750
01:28:00,533 --> 01:28:03,567
GET SO PUT OUT.

2751
01:28:03,633 --> 01:28:04,133
THEY NEED TO KEEP IT CLOSE.

2752
01:28:04,200 --> 01:28:05,233
>> Cord: I DON'T EVEN KNOW IF

2753
01:28:05,300 --> 01:28:05,734
THEY PAY THEM HERE.

2754
01:28:05,800 --> 01:28:08,433
THESE PEOPLE LOOK LIKE ZOMBIES.

2755
01:28:08,500 --> 01:28:08,967
>> Tish: WELL, WE WON'T DO

2756
01:28:09,033 --> 01:28:10,400
THAT AGAIN.

2757
01:28:10,467 --> 01:28:11,433
>> Cord: WE WILL FIRE THEM

2758
01:28:11,500 --> 01:28:12,266
AFTER THE PARTY.

2759
01:28:12,333 --> 01:28:14,200
>> Tish: DO YOU WANT ME TO DO

2760
01:28:14,266 --> 01:28:15,567
THAT OR DO YOU WANT TO DO IT?

2761
01:28:15,633 --> 01:28:16,900
>> Cord: EITHER OR.

2762
01:28:16,967 --> 01:28:17,934
I KIND OF WANT TO DO IT BECAUSE

2763
01:28:18,000 --> 01:28:18,533
IF I DON'T, I WON'T SLEEP

2764
01:28:18,600 --> 01:28:23,333
TONIGHT.

2765
01:28:23,400 --> 01:28:24,433
CHEERS, EVERYONE.

2766
01:28:24,500 --> 01:28:25,500
GREAT JOB.

2767
01:28:25,567 --> 01:28:26,800
THANK YOU.

2768
01:28:26,867 --> 01:28:29,867
WONDERFUL JOB.

2769
01:28:29,934 --> 01:28:30,467
>> Tish: HAPPY WEDDING DAY.

2770
01:28:30,533 --> 01:28:32,467
>> Cord: HAPPY WEDDING DAY.

2771
01:28:32,533 --> 01:28:33,000
>> Tish: A DAY OF LOVE AND

2772
01:28:33,066 --> 01:28:37,233
JOY.

2773
01:28:37,300 --> 01:28:38,233
>> Cord: TO ALL.

2774
01:28:38,300 --> 01:28:39,400
WHAT A BUNCH OF STIFFS.

2775
01:28:39,467 --> 01:28:44,000
I WILL START WITH THAT

2776
01:28:44,066 --> 01:28:45,266
PROMPTER LADY.

2777
01:28:45,333 --> 01:28:50,400
>> Tish: THAT LADY...

2778
01:28:50,467 --> 01:28:54,066
>> Cord: SHE ADDED A U TO

2779
01:28:54,133 --> 01:28:58,166
EVERY WORD.

2780
01:28:58,233 --> 01:29:01,867
SHE WANTED H-U-M-O-U-R.

2781
01:29:01,934 --> 01:29:04,600
>> Tish: IS AT THE ENGLISH WAY

2782
01:29:04,667 --> 01:29:05,734
WAY?

2783
01:29:05,800 --> 01:29:07,567
IT'S LIKE OLD ENGLISH...

2784
01:29:07,633 --> 01:29:08,633
JUST WRITE IN