1 00:00:03,253 --> 00:00:04,421 KID: Hey, get out of the way! 2 00:00:04,421 --> 00:00:05,964 KID: Oh, my God, wait. KID: Ow! 3 00:00:05,964 --> 00:00:07,966 You're stepping on my toe. Jesus. 4 00:00:07,966 --> 00:00:09,801 Let me see! ANNA: Yeah, I mean, you don't really know‐‐ 5 00:00:09,801 --> 00:00:11,220 ‐ Oh, my God! 6 00:00:11,220 --> 00:00:13,013 Oh, my God, oh, my God. I got it, I got it, I got it. 7 00:00:13,013 --> 00:00:14,514 ‐ Congratulations! That's amazing. 8 00:00:14,514 --> 00:00:15,682 MAYA: I think you go it. JESSICA: Oh, my God! Yes! 9 00:00:15,682 --> 00:00:16,975 MAYA: I think you got it. ANNA: You do? 10 00:00:16,975 --> 00:00:18,435 MAYA: I do, I do, I do. ANNA: Sorry, you guys. 11 00:00:18,435 --> 00:00:19,770 Excuse me. Sorry. 12 00:00:23,941 --> 00:00:25,108 MAYA: Wait. 13 00:00:25,108 --> 00:00:26,360 Oh, my God. 14 00:00:26,360 --> 00:00:27,903 ANNA: 15 00:00:27,903 --> 00:00:30,113 Oh, my God. ‐ That is not real. 16 00:00:30,113 --> 00:00:31,573 That's not real. That's not real. 17 00:00:31,573 --> 00:00:33,242 ‐ That's the lead. 18 00:00:33,242 --> 00:00:34,785 ‐ Oh, my God! ANNA: 19 00:00:34,785 --> 00:00:36,495 ‐ Wait. ‐ That is incredible. 20 00:00:36,495 --> 00:00:37,746 MAYA: Wait. 21 00:00:37,746 --> 00:00:39,581 ‐ Is there another list, though? 22 00:00:44,169 --> 00:00:46,171 Okay. ‐ Oh, my God, no, I'm sorry. 23 00:00:46,171 --> 00:00:47,297 ‐ No, it's fine. MAYA: No, no. 24 00:00:47,297 --> 00:00:48,549 It's so fucked up you didn't get 25 00:00:48,549 --> 00:00:49,758 a role and I did. 26 00:00:49,758 --> 00:00:51,510 ‐ No, it's fine. ‐ No, it doesn't make sense. 27 00:00:51,510 --> 00:00:53,470 You're literally the best actress in our school. 28 00:00:53,470 --> 00:00:55,430 Like, you're so much better than me. 29 00:00:55,430 --> 00:00:56,556 I don't want to do it without you. 30 00:00:56,556 --> 00:00:58,183 BOTH: Oh, my God, Maya! 31 00:00:58,183 --> 00:00:59,810 ‐ Hi. Oh, my God. 32 00:00:59,810 --> 00:01:01,645 Thank you. ‐ I know! It's amazing. 33 00:01:01,645 --> 00:01:03,355 JESSICA: You're gonna be so good. 34 00:01:03,355 --> 00:01:05,357 ‐ Oh, my God. You're gonna be so good! ‐ Hi. No, no. 35 00:01:05,357 --> 00:01:07,150 No, you guys. You don't even know. 36 00:01:07,150 --> 00:01:08,860 I've, like, never done this before. 37 00:01:08,860 --> 00:01:10,279 I've never acted. JESSICA: You're gonna be so good. 38 00:01:10,279 --> 00:01:11,863 MAYA: Stop saying that! 39 00:01:11,863 --> 00:01:14,366 SINGER: ♪ I ♪ 40 00:01:14,366 --> 00:01:18,036 ♪ I am hiding ♪ 41 00:01:18,036 --> 00:01:20,956 ♪ The you I show to you ♪ 42 00:01:20,956 --> 00:01:24,668 ♪ Is just a lie ♪ 43 00:01:24,668 --> 00:01:26,545 ♪ You take what you want ♪ 44 00:01:26,545 --> 00:01:28,130 ♪ You get what you take ♪ 45 00:01:28,130 --> 00:01:30,882 ♪ Lie ♪ SINGER: ♪ So high, high, high ♪ 46 00:01:30,882 --> 00:01:31,967 ‐ I'm not going in. ‐ You're incredible. 47 00:01:31,967 --> 00:01:33,427 ‐ No, I'm not. I'm not. I suck. 48 00:01:33,427 --> 00:01:34,595 ‐ You have to go in, Maya. ‐ I quit. I'm not going in. 49 00:01:34,595 --> 00:01:35,887 No, please. I want you to go in. 50 00:01:35,887 --> 00:01:37,306 You're better than me. JESSICA: First rehearsal! 51 00:01:37,306 --> 00:01:39,266 ‐ I know! I'm so excited. 52 00:01:39,266 --> 00:01:40,559 No, I can't do it. Please. 53 00:01:40,559 --> 00:01:41,727 Just come in for a little. 54 00:01:41,727 --> 00:01:42,811 ‐ I don't know. ‐ Please, please, please! 55 00:01:42,811 --> 00:01:44,021 ‐ No, it's embarrassing. 56 00:01:44,021 --> 00:01:45,355 Maya. ‐ No, I can't go in. Please. 57 00:01:45,355 --> 00:01:46,481 Please. Please. ‐ Maya. Maya. 58 00:01:46,481 --> 00:01:48,066 Okay. Okay. Okay. 59 00:01:48,066 --> 00:01:49,234 You want some milk? ‐ Yeah. 60 00:01:49,234 --> 00:01:50,235 ‐ All right. 61 00:01:50,235 --> 00:01:51,361 Shh. MAYA: 62 00:01:51,361 --> 00:01:52,362 ANNA: Latch. 63 00:01:52,362 --> 00:01:53,447 Maya, latch, latch. 64 00:01:53,447 --> 00:01:54,906 ‐ ANNA: That's better. 65 00:01:54,906 --> 00:01:56,325 ‐ ‐ Maya, no. 66 00:01:56,325 --> 00:01:58,243 No. Ma‐‐ow! Maya! 67 00:01:58,243 --> 00:01:59,453 Ow! ‐ Maya? 68 00:01:59,453 --> 00:02:01,237 MAYA: Yeah. ‐ Are you coming in now? 69 00:02:01,237 --> 00:02:02,238 We're about to start. 70 00:02:02,238 --> 00:02:03,323 ‐ Yeah. ‐ Hello. 71 00:02:03,323 --> 00:02:05,408 I'm sorry, who are you? 72 00:02:05,408 --> 00:02:07,702 ‐ Anna. ANNA: I just wanted to say that 73 00:02:07,702 --> 00:02:09,662 I know that you "cast" your play already... GREG: Uh‐huh. 74 00:02:09,662 --> 00:02:12,123 ANNA: But if you have an understudy role, I'm free. 75 00:02:12,123 --> 00:02:13,791 ‐ She's actually, like, a really good singer 76 00:02:13,791 --> 00:02:14,959 and actor and stuff. 77 00:02:14,959 --> 00:02:16,878 She had this "Ave Maria" solo 78 00:02:16,878 --> 00:02:18,379 a while back that was really good. 79 00:02:18,379 --> 00:02:23,134 Here, sing it. ‐ ♪ Ave ♪ 80 00:02:23,134 --> 00:02:27,764 ♪ Maria ♪ 81 00:02:29,682 --> 00:02:31,017 It's whatever. 82 00:02:31,017 --> 00:02:32,018 ‐ Wow. 83 00:02:32,018 --> 00:02:35,647 You have a really great range. 84 00:02:35,647 --> 00:02:37,565 But we're about to have our first rehearsal now, Maya, 85 00:02:37,565 --> 00:02:39,317 so we're ready whenever you are. 86 00:02:39,317 --> 00:02:40,735 Great to meet you. Keep‐‐keep going. 87 00:02:40,735 --> 00:02:41,986 You're really some‐‐great. ‐ Sure thing. 88 00:02:41,986 --> 00:02:43,404 Thank you. 89 00:02:43,404 --> 00:02:44,739 ‐ Okay. So it's just you. 90 00:02:44,739 --> 00:02:45,948 ‐ Okay. 91 00:02:45,948 --> 00:02:47,367 I'm sorry. 92 00:02:47,367 --> 00:02:48,910 ANNA: No. Have an amazing time. 93 00:02:48,910 --> 00:02:50,703 You got it. ‐ No, I don't want to go without you. 94 00:02:50,703 --> 00:02:51,704 ANNA: You've got it. 95 00:02:51,704 --> 00:02:52,872 ‐ I love you. ‐ I love you. 96 00:02:56,709 --> 00:02:58,920 ‐ So, here we are. Congratulations. 97 00:02:58,920 --> 00:03:00,838 I'll give you a little backstory. 98 00:03:00,838 --> 00:03:03,383 The play is an original piece, 99 00:03:03,383 --> 00:03:05,259 which means I wrote it. 100 00:03:05,259 --> 00:03:08,888 And for you guys as the actors, 101 00:03:08,888 --> 00:03:11,182 my whole thing, my mantra, it's gonna be real and honest. 102 00:03:11,182 --> 00:03:12,975 If you're not real and honest with me, 103 00:03:12,975 --> 00:03:14,894 if you're not real and honest with yourselves, 104 00:03:14,894 --> 00:03:17,313 and if you're not real and honest with each other, 105 00:03:17,313 --> 00:03:20,316 then this whole thing is bullshit. 106 00:03:20,316 --> 00:03:23,069 Now, there are four of you in this ensemble 107 00:03:23,069 --> 00:03:24,404 and by the end of this rehearsal, 108 00:03:24,404 --> 00:03:25,822 there will be three. 109 00:03:28,199 --> 00:03:29,784 So who here doesn't belong? 110 00:03:32,370 --> 00:03:33,996 Come on. 111 00:03:33,996 --> 00:03:37,250 Ian, who doesn't belong? 112 00:03:37,250 --> 00:03:38,751 ‐ Um, I'm, um‐‐ 113 00:03:38,751 --> 00:03:41,045 GREG: Come on. ‐ Sorry, it's just hard. 114 00:03:41,045 --> 00:03:42,046 GREG: Real and honest. 115 00:03:42,046 --> 00:03:45,049 ‐ Um, I think I would pick... 116 00:03:48,678 --> 00:03:50,847 Maya. 117 00:03:50,847 --> 00:03:54,600 It's just, in every drama class since third grade, 118 00:03:54,600 --> 00:03:58,771 you haven't, um, showed anything that I've noticed. 119 00:03:58,771 --> 00:04:03,317 I don't think you have, like, "it" charisma. 120 00:04:03,317 --> 00:04:05,361 You're just kind of wild 121 00:04:05,361 --> 00:04:08,072 and out of control. 122 00:04:08,072 --> 00:04:09,866 GREG: Thank you, Ian. 123 00:04:11,492 --> 00:04:12,702 Well... 124 00:04:15,538 --> 00:04:17,039 That was just an exercise. 125 00:04:18,291 --> 00:04:20,626 Relax. You guys all belong. 126 00:04:20,626 --> 00:04:22,295 Relax. 127 00:04:22,295 --> 00:04:24,172 You're here. You're in. 128 00:04:24,172 --> 00:04:25,465 ‐ ‐ Good. 129 00:04:25,465 --> 00:04:27,300 Very real, very honest. 130 00:04:27,300 --> 00:04:28,634 Now we can start. 131 00:04:28,634 --> 00:04:30,636 Good job, guys. Really good job. 132 00:04:30,636 --> 00:04:32,096 Relax. Take a deep breath. 133 00:04:33,097 --> 00:04:34,182 How'd you guys feel? 134 00:04:37,351 --> 00:04:44,358 ♪ ♪ 135 00:04:55,119 --> 00:04:56,913 TEACHER: Trailview Middle School's 136 00:04:56,913 --> 00:04:58,456 performing arts showcase. 137 00:05:02,043 --> 00:05:04,378 ANNA: ♪ Ave ♪ 138 00:05:04,378 --> 00:05:09,300 ♪ Ave dominus ♪ 139 00:05:09,300 --> 00:05:14,013 ♪ Dominus tecum ♪ 140 00:05:14,013 --> 00:05:17,683 CHOIR: ♪ Benedicta tu ♪ 141 00:05:17,683 --> 00:05:22,021 ♪ In mulieribus ♪ 142 00:05:22,021 --> 00:05:26,025 ♪ Et benedi‐‐ ♪ 143 00:05:28,027 --> 00:05:29,445 Oh, my God. 144 00:05:35,326 --> 00:05:36,452 BRENDAN: Hey, Anna. ‐ Hey. 145 00:05:37,495 --> 00:05:39,997 ‐ Want some duct tape? 146 00:05:39,997 --> 00:05:40,998 ‐ What? 147 00:05:40,998 --> 00:05:42,583 ‐ We're making wallets. 148 00:05:42,583 --> 00:05:43,876 ‐ Oh. BRENDAN: Here. 149 00:05:43,876 --> 00:05:45,294 ‐ Oh. Ow. 150 00:05:49,048 --> 00:05:50,424 What are you guys doing here? 151 00:05:50,424 --> 00:05:52,301 BRENDAN: We're techies. I'm the lighting designer. 152 00:05:52,301 --> 00:05:54,011 Marissa's props. 153 00:05:54,011 --> 00:05:56,973 ‐ ‐ Sorry, babe. 154 00:05:56,973 --> 00:05:58,307 Master of props. 155 00:05:58,307 --> 00:06:00,101 We handle all the technical elements of the play 156 00:06:00,101 --> 00:06:02,436 and build sets. 157 00:06:02,436 --> 00:06:04,063 ‐ Wow. Talented couple. 158 00:06:06,440 --> 00:06:07,984 Do you have, like, a teacher or anything? 159 00:06:07,984 --> 00:06:09,402 Supervisors? BRENDAN: Kind of. 160 00:06:09,402 --> 00:06:10,486 Steve's a freshman 161 00:06:10,486 --> 00:06:11,863 and he's supposed to supervise us, 162 00:06:11,863 --> 00:06:14,198 but lets us do whatever till tech week. 163 00:06:14,198 --> 00:06:15,867 STEVE: You mean Hell Week, peasants. 164 00:06:15,867 --> 00:06:17,076 MARISSA: 'Sup, Steve? 165 00:06:17,076 --> 00:06:18,369 ‐ 166 00:06:18,369 --> 00:06:20,121 You two watch Final Destination yet? 167 00:06:20,121 --> 00:06:21,455 BRENDAN: It's on my list. 168 00:06:21,455 --> 00:06:24,166 Horror's an easy genre to fuck up. 169 00:06:24,166 --> 00:06:25,835 Watch it, Kone? 170 00:06:25,835 --> 00:06:27,545 STEVE: Is it James Wong's sonata? 171 00:06:27,545 --> 00:06:29,881 Obliviously not, but you should watch it 172 00:06:29,881 --> 00:06:31,591 if you think films are worth watching. 173 00:06:33,384 --> 00:06:36,137 ‐ Okay, people. Very exciting moment. 174 00:06:36,137 --> 00:06:38,806 Getting our official show scripts. 175 00:06:38,806 --> 00:06:41,601 You only get one of these, so take very good care of it. 176 00:06:41,601 --> 00:06:42,727 Go ahead. 177 00:06:42,727 --> 00:06:44,353 Highlight your character's parts 178 00:06:44,353 --> 00:06:45,605 and your dialogue. 179 00:06:45,605 --> 00:06:47,607 There are four highlighters there. 180 00:06:49,901 --> 00:06:52,194 ‐ Wow, Maya. You get to highlight a lot. 181 00:06:53,988 --> 00:06:56,616 ‐ Whoa. Maya and Gabe kiss. 182 00:06:56,616 --> 00:06:58,200 ‐ Okay, Jessica. 183 00:06:58,200 --> 00:06:59,327 ‐ No, Jessica's right. 184 00:06:59,327 --> 00:07:01,370 There is a kiss in the first scene. 185 00:07:01,370 --> 00:07:04,749 Which we are gonna have to make as real and honest as possible. 186 00:07:07,752 --> 00:07:09,795 ♪ ♪ 187 00:07:09,795 --> 00:07:11,297 Anybody have any questions yet? 188 00:07:14,342 --> 00:07:17,678 SINGER: ♪ Does this train go ♪ 189 00:07:17,678 --> 00:07:19,680 ♪ To paradise? ♪ 190 00:07:28,481 --> 00:07:29,774 CURTIS: Do you want to give it a rest? 191 00:07:29,774 --> 00:07:30,816 I'm trying to read. 192 00:07:30,816 --> 00:07:32,401 KATHY: I'm just prepping 193 00:07:32,401 --> 00:07:34,737 in case the judge decides that I don't get the house. 194 00:07:34,737 --> 00:07:36,530 Okay? 195 00:07:36,530 --> 00:07:38,324 Anna, look. 196 00:07:38,324 --> 00:07:41,327 I found your old Nintendo. 197 00:07:41,327 --> 00:07:43,829 ‐ That's a broken Game Boy. 198 00:07:43,829 --> 00:07:45,456 We're trying to read. 199 00:07:52,463 --> 00:07:54,256 CURTIS: I'm the one that should be worried, all right? 200 00:07:54,256 --> 00:07:57,426 It's not like that female judge is gonna rule in my favor. 201 00:07:57,426 --> 00:07:58,803 KATHY: All the more reason to help me. 202 00:07:58,803 --> 00:08:00,137 Anna, look! 203 00:08:00,137 --> 00:08:02,765 Your "most improved" trophy. 204 00:08:02,765 --> 00:08:04,850 Keep it? ‐ No. 205 00:08:04,850 --> 00:08:06,268 I don't know why I'd need that, so‐‐ 206 00:08:06,268 --> 00:08:08,104 KATHY: How 'bout your glitter? Keep that? 207 00:08:08,104 --> 00:08:10,439 You still love crafts, don't you? ‐ Mom! 208 00:08:10,439 --> 00:08:12,233 I don't want any of that stuff. 209 00:08:12,233 --> 00:08:14,110 Like, I don't do that anymore. 210 00:08:14,110 --> 00:08:15,444 CURTIS: Glitter's for kids, Kat. 211 00:08:15,444 --> 00:08:17,781 ANNA: You keep talking to us while we're reading. 212 00:08:17,781 --> 00:08:19,240 Like, stop. 213 00:08:19,240 --> 00:08:26,039 ♪ ♪ 214 00:08:29,000 --> 00:08:33,171 SINGER: ♪ Does this train go? ♪ 215 00:08:36,341 --> 00:08:38,760 ♪ This train go? ♪ 216 00:08:45,934 --> 00:08:52,440 ♪ ♪ 217 00:09:05,495 --> 00:09:08,832 ♪ ♪ 218 00:09:08,832 --> 00:09:11,584 ‐ 219 00:09:11,584 --> 00:09:15,171 Sheila was backing away from you. 220 00:09:15,171 --> 00:09:18,925 Sheila was backing away from you. 221 00:09:18,925 --> 00:09:21,011 Don't you dare make another drink. 222 00:09:21,011 --> 00:09:22,470 Don't you dare! 223 00:09:22,470 --> 00:09:24,514 I'm warning you, don't do it. 224 00:09:24,514 --> 00:09:27,308 Were you doing your business with Sheila? 225 00:09:27,308 --> 00:09:29,185 Were you doing your business? 226 00:09:29,185 --> 00:09:30,603 Were you‐‐were‐‐ 227 00:09:32,063 --> 00:09:34,482 Were you doing your business 228 00:09:34,482 --> 00:09:37,527 with Sheila, you rat bastard? 229 00:09:37,527 --> 00:09:38,903 You rat bastard! 230 00:09:38,903 --> 00:09:41,364 Were you doing it with Sheila, you rat bastard? 231 00:09:41,364 --> 00:09:42,574 Get away from me! 232 00:09:42,574 --> 00:09:44,409 Yeah. 233 00:09:44,409 --> 00:09:46,870 You get your hands off me, you pig. 234 00:09:51,041 --> 00:09:53,376 You know, 235 00:09:53,376 --> 00:09:54,753 I could call you Mommy 236 00:09:54,753 --> 00:09:56,588 and you wouldn't know the difference. 237 00:09:56,588 --> 00:09:59,674 ♪ ♪ 238 00:09:59,674 --> 00:10:04,721 Mommy. 239 00:10:04,721 --> 00:10:07,182 Mommy, get me water. Get me turnips. 240 00:10:07,182 --> 00:10:10,935 ♪ ♪ 241 00:10:10,935 --> 00:10:14,105 Yeah. 242 00:10:14,105 --> 00:10:16,608 You're not a man. 243 00:10:16,608 --> 00:10:19,069 You know, a real man, 244 00:10:19,069 --> 00:10:20,320 he grabs a woman, 245 00:10:20,320 --> 00:10:21,488 he takes her by the neck, and says, 246 00:10:21,488 --> 00:10:23,990 "Everything's gonna be all right." 247 00:10:23,990 --> 00:10:25,825 Oh, what? 248 00:10:25,825 --> 00:10:27,911 What, you gonna hit me? 249 00:10:27,911 --> 00:10:29,913 Yeah, that's what I thought. 250 00:10:32,624 --> 00:10:33,792 You don't even know what it takes 251 00:10:33,792 --> 00:10:36,753 to put your flesh against someone else's. 252 00:10:36,753 --> 00:10:39,464 You just sit. That's all you do. 253 00:10:39,464 --> 00:10:41,466 You sit, you sit, and you sit, 254 00:10:41,466 --> 00:10:42,717 and you wait for someone to come by 255 00:10:42,717 --> 00:10:44,344 and tell you what to do. 256 00:10:44,344 --> 00:10:46,012 Well, you know what? I ain't gonna do it no more. 257 00:10:46,012 --> 00:10:47,180 I'm not gonna sit. 258 00:10:47,180 --> 00:10:48,681 I'm not gonna wait around for anything. 259 00:10:48,681 --> 00:10:50,725 I'm gonna swim! I'm gonna fly! 260 00:10:50,725 --> 00:10:52,352 I'm gonna be the best goddamn person 261 00:10:52,352 --> 00:10:54,854 that ever fucking existed! 262 00:10:54,854 --> 00:10:56,689 You hear me? 263 00:10:56,689 --> 00:10:58,858 I'm it, baby. 264 00:10:58,858 --> 00:11:00,860 I am it! 265 00:11:02,779 --> 00:11:04,572 ♪ ♪ 266 00:11:11,871 --> 00:11:15,041 ‐ A real man grabs a woman... 267 00:11:15,041 --> 00:11:17,502 grabs a woman by the neck 268 00:11:17,502 --> 00:11:19,796 and‐‐ya hear‐‐ 269 00:11:19,796 --> 00:11:23,091 it takes flesh... 270 00:11:23,091 --> 00:11:25,051 takes flesh to g‐‐ ‐ 271 00:11:25,051 --> 00:11:27,137 MAYA: Against someone's. 272 00:11:27,137 --> 00:11:28,388 Sorry. 273 00:11:28,388 --> 00:11:29,514 Can I start again? 274 00:11:29,514 --> 00:11:30,557 ‐ Mm‐hmm. 275 00:11:30,557 --> 00:11:32,559 GABE: 276 00:11:32,559 --> 00:11:35,061 ‐ Um... 277 00:11:35,061 --> 00:11:37,897 it's the flesh that takes against someone else's‐‐ 278 00:11:37,897 --> 00:11:40,900 what it feels against someone else's. 279 00:11:40,900 --> 00:11:43,820 ‐ 280 00:11:43,820 --> 00:11:46,823 ‐ If it‐‐ ‐ 281 00:11:49,033 --> 00:11:50,660 ‐ When you feel the flesh against‐‐ 282 00:11:50,660 --> 00:11:52,120 GABE: ‐ Sorry. 283 00:11:52,120 --> 00:11:54,831 Gabe, can you, like, stop eating your sandwich right now? 284 00:11:54,831 --> 00:11:56,207 'Cause you're taking me out of the scene. 285 00:11:56,207 --> 00:11:57,625 I'm, like, trying to‐‐ GREG: This is good. 286 00:11:57,625 --> 00:12:00,170 See, if you were really in the scene, 287 00:12:00,170 --> 00:12:03,047 then you wouldn't have been distracted by Gabe's eating. 288 00:12:03,047 --> 00:12:05,508 You see that? ‐ Yeah, I agree. 289 00:12:05,508 --> 00:12:08,303 I feel like I was in the scene and I was, like, really‐‐ 290 00:12:08,303 --> 00:12:10,847 ‐ Imagine you're in a theater of 300 people, okay? 291 00:12:10,847 --> 00:12:12,265 ‐ Uh‐huh? GREG: Do you think they're all 292 00:12:12,265 --> 00:12:14,475 just gonna sit quietly and watch? 293 00:12:14,475 --> 00:12:16,769 People are gonna get up to go to the bathroom, 294 00:12:16,769 --> 00:12:18,313 they're gonna be whispering to each other, 295 00:12:18,313 --> 00:12:20,648 they're gonna be coughing, there's‐‐ 296 00:12:20,648 --> 00:12:22,567 papers are gonna be crinkling all over the place, 297 00:12:22,567 --> 00:12:23,568 but you can't stop. 298 00:12:23,568 --> 00:12:24,777 You gotta keep going. 299 00:12:24,777 --> 00:12:26,237 ‐ I promise you, like, I did this last night. 300 00:12:26,237 --> 00:12:27,655 I was really good. 301 00:12:27,655 --> 00:12:29,532 ‐ If you're in the moment, then you're not distracted 302 00:12:29,532 --> 00:12:30,950 with what's going on around you. 303 00:12:30,950 --> 00:12:32,202 ‐ I was in the moment 304 00:12:32,202 --> 00:12:34,037 'cause that's happening in the moment. 305 00:12:34,037 --> 00:12:35,371 GREG: Right, where you were in that moment. 306 00:12:35,371 --> 00:12:36,789 ‐ Yeah. GREG: Not that one. 307 00:12:36,789 --> 00:12:37,832 ‐ Right. 308 00:12:37,832 --> 00:12:40,001 GREG: So... 309 00:12:40,001 --> 00:12:41,127 ‐ Okay. 310 00:12:41,127 --> 00:12:43,046 JESSIE: I'm telling you, one screw, man. 311 00:12:43,046 --> 00:12:44,589 BRENDAN: Two. MARISSA: Babe, listen to her. 312 00:12:44,589 --> 00:12:46,799 She's a carpenter. 313 00:12:46,799 --> 00:12:49,177 ‐ Freaking hot. Is the air on? 314 00:12:49,177 --> 00:12:50,803 JESSIE: No, they only put it on during Hell Week 315 00:12:50,803 --> 00:12:51,804 for the actors. 316 00:12:51,804 --> 00:12:53,223 BRENDAN: 317 00:12:53,223 --> 00:12:55,600 ‐ You guys know I can make myself cold on demand? 318 00:12:55,600 --> 00:12:57,143 It's 85 degrees in here 319 00:12:57,143 --> 00:12:59,270 and I'm fucking freezing. 320 00:12:59,270 --> 00:13:01,022 BRENDAN: Steve, you've gotta show me how you do that. 321 00:13:01,022 --> 00:13:02,482 JESSIE: Yeah, but like I was saying, one screw‐‐ 322 00:13:02,482 --> 00:13:04,359 STEVE: Here. You'll need this. 323 00:13:04,359 --> 00:13:06,569 BRENDAN: Two. JESSIE: What's two gonna do? 324 00:13:06,569 --> 00:13:09,197 ‐ Oh, I'm not really sure I'm gonna stay 325 00:13:09,197 --> 00:13:10,406 'cause I don't know if I'm really, like, built 326 00:13:10,406 --> 00:13:11,658 for this kind of thing. 327 00:13:11,658 --> 00:13:13,701 ‐ "Adapt what is useful, 328 00:13:13,701 --> 00:13:16,955 "reject what is useless, 329 00:13:16,955 --> 00:13:19,415 and add what is specifically your own." 330 00:13:19,415 --> 00:13:20,792 Bruce Lee. 331 00:13:20,792 --> 00:13:22,752 ‐ Hmm. Okay. 332 00:13:22,752 --> 00:13:26,464 ‐ Build yourself to build a set. 333 00:13:26,464 --> 00:13:28,633 ‐ Cool. 334 00:13:31,636 --> 00:13:35,139 ‐ You don't know what it takes. 335 00:13:35,139 --> 00:13:37,058 I don't even know. 336 00:13:37,058 --> 00:13:39,602 Ya hear‐‐ 337 00:13:41,854 --> 00:13:43,481 ‐ Okay. MAYA: Sorry. 338 00:13:43,481 --> 00:13:44,607 ‐ It's all right. 339 00:13:44,607 --> 00:13:46,359 We're gonna try something different. 340 00:13:46,359 --> 00:13:48,236 Put the script down. Script down. 341 00:13:50,196 --> 00:13:51,864 Plant your feet. 342 00:13:51,864 --> 00:13:53,074 Bend your knees. 343 00:13:53,074 --> 00:13:56,077 Slight bend so you can have a little bounce. 344 00:13:56,077 --> 00:13:58,413 Now shake it out. Ha, ha, ha. 345 00:13:58,413 --> 00:13:59,414 ‐ That's stupid. 346 00:13:59,414 --> 00:14:00,707 ‐ Shake it. Be stupid. 347 00:14:04,961 --> 00:14:06,587 Let those hands go. 348 00:14:08,047 --> 00:14:09,799 Ha, ha, ha, ha, ha! 349 00:14:09,799 --> 00:14:11,092 Good. 350 00:14:11,092 --> 00:14:12,343 Now what are you scared about? 351 00:14:12,343 --> 00:14:13,845 ‐ What? 352 00:14:13,845 --> 00:14:15,888 ‐ What are you scared about? 353 00:14:15,888 --> 00:14:22,770 ‐ Nothing. ‐ What are you scared about? 354 00:14:22,770 --> 00:14:24,397 ‐ Dying. ‐ What are you scared about? 355 00:14:24,397 --> 00:14:25,523 ‐ My dad! 356 00:14:25,523 --> 00:14:27,400 ‐ Good. Gabe, now. ‐ 357 00:14:27,400 --> 00:14:28,526 GREG: Take it from the end of that scene. 358 00:14:28,526 --> 00:14:30,278 Don't worry about the lines. 359 00:14:30,278 --> 00:14:31,279 You gonna hit me? 360 00:14:31,279 --> 00:14:32,572 ‐ You gonna hit me? ‐ Yeah. 361 00:14:32,572 --> 00:14:33,614 ‐ All right, come and hit me. 362 00:14:33,614 --> 00:14:35,658 Hit me real good, right in the jaw. 363 00:14:35,658 --> 00:14:38,244 ‐ You shut your goddamn face or I'll give you a real shiner! 364 00:14:38,244 --> 00:14:39,829 ‐ Yeah, you think you're tough? 365 00:14:39,829 --> 00:14:41,622 Come at me, baby! I'm ready. 366 00:14:41,622 --> 00:14:42,832 I'm ready to feel something. 367 00:14:42,832 --> 00:14:45,293 I haven't felt something in years. 368 00:14:45,293 --> 00:14:46,919 ‐ You say one more word, I swear‐‐ 369 00:14:46,919 --> 00:14:48,004 ‐ Yeah, you swear what? 370 00:14:48,004 --> 00:14:49,630 You gonna cry home to your mommy? 371 00:14:49,630 --> 00:14:51,883 Mommy, Mommy, Mommy, Mommy! 372 00:14:51,883 --> 00:14:53,718 ‐ You shut your mouth. ‐ Yeah, or what? 373 00:14:56,054 --> 00:14:59,307 ♪ ♪ 374 00:15:03,102 --> 00:15:05,646 ‐ No clapping during rehearsal. 375 00:15:05,646 --> 00:15:08,858 Maya, Gabe... 376 00:15:08,858 --> 00:15:10,902 there it is. 377 00:15:10,902 --> 00:15:13,154 That was it! There it is! 378 00:15:13,154 --> 00:15:14,822 ‐ Wow, Maya, I was wrong. 379 00:15:14,822 --> 00:15:16,157 You have "it." 380 00:15:16,157 --> 00:15:17,158 ‐ 381 00:15:17,158 --> 00:15:19,869 I don't even know what happened. 382 00:15:19,869 --> 00:15:22,288 I was, like‐‐ I, like, blacked out. 383 00:15:22,288 --> 00:15:23,581 That was so weird. 384 00:15:23,581 --> 00:15:25,291 I felt‐‐like, I spit on you. I'm sorry. 385 00:15:25,291 --> 00:15:27,085 ‐ Oh, no. I loved that. 386 00:15:27,085 --> 00:15:29,545 Like, I didn't even feel it. It made me so angry, like‐‐ 387 00:15:29,545 --> 00:15:31,297 ‐ ‐ Like, in the scene, yeah. 388 00:15:31,297 --> 00:15:33,132 ‐ I know. I'm, like‐‐look. 389 00:15:33,132 --> 00:15:34,425 I'm literally shaking right now. 390 00:15:34,425 --> 00:15:35,885 ‐ Oh, my God, me too. Look. 391 00:15:38,888 --> 00:15:45,520 ♪ ♪ 392 00:15:45,520 --> 00:15:47,021 GREG: Let's take ten. 393 00:15:47,021 --> 00:15:48,606 After the break, we're gonna get into the kissing scene 394 00:15:48,606 --> 00:15:50,233 because I think we're ready. 395 00:15:50,233 --> 00:15:53,444 Just be honest and honesty will follow. 396 00:15:53,444 --> 00:15:54,654 BOTH: Ooh! 397 00:15:54,654 --> 00:15:55,780 GABE: Shut up, dude. 398 00:15:55,780 --> 00:15:57,615 ‐ Yeah, stop. 399 00:16:00,201 --> 00:16:03,079 ‐ Spielberg used two screws in every beam in Jaws. 400 00:16:03,079 --> 00:16:04,914 Look it up. ‐ No, one screw. 401 00:16:04,914 --> 00:16:07,500 You put in two screws and you risk splintering it. 402 00:16:07,500 --> 00:16:10,920 ‐ Two screws ensure it doesn't break. 403 00:16:10,920 --> 00:16:13,089 ‐ Sorry. Oh, no, keep going. 404 00:16:13,089 --> 00:16:14,507 Be right back. Whoopsie‐daisy. 405 00:16:14,507 --> 00:16:16,050 ‐ If we put two screws and we break it, 406 00:16:16,050 --> 00:16:17,468 it's all gonna be your fault. 407 00:16:17,468 --> 00:16:18,678 BRENDAN: It won't break. JESSIE: Yes, it will. 408 00:16:18,678 --> 00:16:19,887 BRENDAN: No, it won't! 409 00:16:19,887 --> 00:16:21,347 ‐ Hey, sorry. 410 00:16:21,347 --> 00:16:23,724 Um, I was just thinking that, 411 00:16:23,724 --> 00:16:26,394 like, maybe they could just stop arguing. 412 00:16:26,394 --> 00:16:27,728 It would be a little bit more efficient 413 00:16:27,728 --> 00:16:30,690 if they just tried, like, the two screws 414 00:16:30,690 --> 00:16:32,400 'cause I already finished, like, six beams 415 00:16:32,400 --> 00:16:34,944 and we can't really move on till that one's done. 416 00:16:34,944 --> 00:16:38,072 So maybe you could just say something or... 417 00:16:38,072 --> 00:16:40,408 ‐ Why don't you say it to them? 418 00:16:40,408 --> 00:16:41,993 ‐ Okay, sorry. 419 00:16:43,161 --> 00:16:44,662 JESSIE: We're not gonna get in trouble 420 00:16:44,662 --> 00:16:46,247 if we just do it my way, and you know what? ‐ Yeah. 421 00:16:46,247 --> 00:16:48,166 JESSIE: If it doesn't work, we can just put in two screws. 422 00:16:48,166 --> 00:16:49,834 Fine, but I already know it's going to work with one screw. 423 00:16:49,834 --> 00:16:51,586 ‐ Hey, so‐‐ BRENDAN: It won't work. 424 00:16:51,586 --> 00:16:53,671 ‐ Sorry for interrupting. 425 00:16:53,671 --> 00:16:56,340 Not to be bossy, but I was just gonna say, 426 00:16:56,340 --> 00:16:58,718 like, what's the point of all the talking? 427 00:16:58,718 --> 00:17:01,429 ‐ We're trying to build this beam correctly. 428 00:17:01,429 --> 00:17:03,055 ‐ Right. 429 00:17:03,055 --> 00:17:05,099 But I'm just saying, like, Hell Week's coming up, 430 00:17:05,099 --> 00:17:06,684 and, um‐‐ 431 00:17:06,684 --> 00:17:08,811 ‐ Look, why won't you guys just listen to me? 432 00:17:08,811 --> 00:17:11,105 ‐ Trust me, okay? ‐ There's a bunch of... 433 00:17:11,105 --> 00:17:12,356 stuff that has to get done. 434 00:17:12,356 --> 00:17:14,066 We have to do it quickly 435 00:17:14,066 --> 00:17:16,569 and, like, I think you should just make a decision 436 00:17:16,569 --> 00:17:18,821 and if you make a decision, then we can just get it done 437 00:17:18,821 --> 00:17:20,114 and move on, and if you don't, 438 00:17:20,114 --> 00:17:21,949 then you're just wasting your own time. 439 00:17:24,577 --> 00:17:26,704 I'm sorry. 440 00:17:26,704 --> 00:17:27,914 It's just a thought I was having 441 00:17:27,914 --> 00:17:29,207 and I just wanted to share it, 442 00:17:29,207 --> 00:17:31,334 but it's probably stupid. 443 00:17:31,334 --> 00:17:34,754 ‐ Guys, I think she's right. 444 00:17:34,754 --> 00:17:35,880 ‐ I know. I just wanted to‐‐ 445 00:17:35,880 --> 00:17:37,882 STEVE: "Knowing is not enough. 446 00:17:37,882 --> 00:17:39,050 "We must apply. 447 00:17:39,050 --> 00:17:41,219 "Willing is not enough. 448 00:17:41,219 --> 00:17:44,347 We must do." 449 00:17:44,347 --> 00:17:46,891 Bruce. 450 00:17:46,891 --> 00:17:48,768 Okay, Obi‐Wan Kone‐obi. 451 00:17:48,768 --> 00:17:50,269 What do we do next? 452 00:17:53,272 --> 00:17:55,233 ♪ ♪ 453 00:17:55,233 --> 00:17:57,693 IAN: Your scene work with Maya was really inspiring. 454 00:17:59,320 --> 00:18:00,655 ‐ Oh, uh, thanks. 455 00:18:00,655 --> 00:18:01,822 SAM: Yo, Gabe! 456 00:18:01,822 --> 00:18:04,033 ‐ Heard you guys had a crazy sleepover. 457 00:18:04,033 --> 00:18:05,159 SAM: What a ridic‐‐ 458 00:18:05,159 --> 00:18:06,452 like you weren't doing the same thing? 459 00:18:06,452 --> 00:18:07,787 Come on. 460 00:18:07,787 --> 00:18:09,288 ‐ At least I wasn't tag‐teaming like you homos. 461 00:18:09,288 --> 00:18:10,540 SAM: Okay. 462 00:18:10,540 --> 00:18:12,833 ‐ Yeah, well, this homo gets to kiss Maya, 463 00:18:12,833 --> 00:18:15,545 so who's the homo now, faggots? 464 00:18:15,545 --> 00:18:17,672 ‐ Well, yeah, you know it's not a real kiss, though. 465 00:18:17,672 --> 00:18:18,714 'Cause it's in a play. 466 00:18:18,714 --> 00:18:19,882 ‐ Yeah, well, she's hot, 467 00:18:19,882 --> 00:18:22,927 so I don't care if it's real or not. 468 00:18:22,927 --> 00:18:23,970 ‐ Okay. 469 00:18:23,970 --> 00:18:24,971 GABE: Okay. 470 00:18:27,306 --> 00:18:29,058 ‐ Later. ‐ Later. 471 00:18:36,649 --> 00:18:37,775 ‐ Half beam, go. 472 00:18:37,775 --> 00:18:39,235 Faster. Go. 473 00:18:39,235 --> 00:18:40,611 Yes. Move. 474 00:18:40,611 --> 00:18:42,113 Sorry to say that. 475 00:18:42,113 --> 00:18:43,489 Bring it in. Faster. Yes. 476 00:18:43,489 --> 00:18:45,157 Yes, you guys. Yes. Support. 477 00:18:45,157 --> 00:18:47,535 Support is my middle name. 478 00:18:47,535 --> 00:18:48,828 Oh, my God. 479 00:18:48,828 --> 00:18:50,997 We're good. 480 00:18:50,997 --> 00:18:52,373 GREG: All right, gang. Welcome back. 481 00:18:52,373 --> 00:18:54,667 So let's take it from the end 482 00:18:54,667 --> 00:18:57,545 of the first scene 483 00:18:57,545 --> 00:19:00,381 at the line, "Get away." 484 00:19:01,841 --> 00:19:04,260 ‐ Get away from me. 485 00:19:04,260 --> 00:19:07,138 ‐ Isn't this what you want? 486 00:19:07,138 --> 00:19:08,264 ‐ You don't know the first thing 487 00:19:08,264 --> 00:19:09,307 about what I want. 488 00:19:09,307 --> 00:19:11,642 You get your hands off me, you pig! 489 00:19:11,642 --> 00:19:14,812 GABE: Oh! 490 00:19:14,812 --> 00:19:16,439 Or what? 491 00:19:16,439 --> 00:19:23,446 ♪ ♪ 492 00:19:27,074 --> 00:19:30,119 Uh, sorry, uh...hold. 493 00:19:30,119 --> 00:19:33,205 Um, Greg, uh, can I have a little aside with Maya? 494 00:19:33,205 --> 00:19:34,206 ‐ Whatever you need. 495 00:19:34,206 --> 00:19:36,584 GABE: Okay. 496 00:19:36,584 --> 00:19:38,252 I'm sorry. ‐ No, it's okay. 497 00:19:40,421 --> 00:19:41,631 Was it my breath? 498 00:19:41,631 --> 00:19:45,259 ‐ Oh, uh, no. It's just, um... 499 00:19:45,259 --> 00:19:48,429 like, I just wanted to make this official, 500 00:19:48,429 --> 00:19:51,515 you know, before we...uh... 501 00:19:51,515 --> 00:19:54,018 do it, so, like... 502 00:19:54,018 --> 00:19:55,436 um... 503 00:19:59,357 --> 00:20:00,983 Do you want to be my girlfriend? 504 00:20:04,070 --> 00:20:06,072 You don't have to answer now. ‐ Yes. 505 00:20:08,199 --> 00:20:10,409 ‐ Okay. ‐ Okay. 506 00:20:10,409 --> 00:20:13,204 ‐ Sick. ‐ Oh, my God. 507 00:20:13,204 --> 00:20:15,414 ‐ So, like, in rehearsal‐‐ ‐ Yeah. 508 00:20:15,414 --> 00:20:17,958 ‐ Whenever we kiss, um‐‐ 509 00:20:17,958 --> 00:20:21,003 in rehearsal, whenever we kiss, 510 00:20:21,003 --> 00:20:23,381 it's gonna be, like, Joe and Debra, you know? 511 00:20:23,381 --> 00:20:24,507 ‐ Yeah. 512 00:20:24,507 --> 00:20:27,885 ‐ And I want to kiss as Gabe and Maya. 513 00:20:29,303 --> 00:20:31,013 ‐ 514 00:20:31,013 --> 00:20:33,307 That's literally the most romantic thing 515 00:20:33,307 --> 00:20:36,185 I've ever heard. 516 00:20:36,185 --> 00:20:39,397 ‐ Okay. 517 00:20:39,397 --> 00:20:41,857 So let's save it then. Let's save our first kiss. 518 00:20:41,857 --> 00:20:43,901 ‐ Okay. So when? 519 00:20:43,901 --> 00:20:47,196 ‐ For, uh, let's‐‐ first date. 520 00:20:47,196 --> 00:20:49,031 We'll do it on our first date. 521 00:20:49,031 --> 00:20:50,741 ‐ So when? 522 00:20:50,741 --> 00:20:52,368 ‐ The last night of Hell Week. 523 00:20:52,368 --> 00:20:54,787 ‐ Okay. ‐ Okay. 524 00:20:54,787 --> 00:20:56,288 ‐ Wait, what's Hell Week? 525 00:20:56,288 --> 00:20:58,416 JESSICA: Oh, you'll see. 526 00:20:58,416 --> 00:21:00,251 ‐ Oh, my God, they heard us. 527 00:21:00,251 --> 00:21:02,253 ‐ They heard us. 528 00:21:02,253 --> 00:21:03,671 GREG: Guys, are we ready yet? 529 00:21:03,671 --> 00:21:05,589 MAYA: Sorry, yeah. Yeah. GABE: Yeah, yeah, yeah, yeah. 530 00:21:05,589 --> 00:21:07,174 ♪ ♪ 531 00:21:07,174 --> 00:21:09,427 ANNA: Like, just, like, the shading here 532 00:21:09,427 --> 00:21:12,763 and then it kind of has, like, a vibe with it. 533 00:21:12,763 --> 00:21:15,015 The kind of feel of the night. 534 00:21:15,015 --> 00:21:21,397 ♪ ♪ 535 00:21:21,397 --> 00:21:23,482 ‐ Going into Hell Week, gang. 536 00:21:23,482 --> 00:21:25,234 It's gonna be intense. 537 00:21:25,234 --> 00:21:27,194 Sure, a play needs actors 538 00:21:27,194 --> 00:21:29,113 and writing, blah, blah. 539 00:21:29,113 --> 00:21:30,489 BRENDAN: Actors suck! 540 00:21:30,489 --> 00:21:32,408 STEVE: But it really is about the behind the scenes 541 00:21:32,408 --> 00:21:34,160 that makes it all happen. 542 00:21:34,160 --> 00:21:37,496 And Kone, you fucking led us there. 543 00:21:37,496 --> 00:21:39,915 I'm making you stage manager. 544 00:21:39,915 --> 00:21:41,959 ♪ ♪ 545 00:21:41,959 --> 00:21:43,586 ‐ Oh, my God. 546 00:21:43,586 --> 00:21:45,171 ♪ ♪ 547 00:21:57,933 --> 00:22:04,607 ♪ ♪ 548 00:22:18,496 --> 00:22:20,080 ‐ Hey. ‐ Hey. 549 00:22:20,080 --> 00:22:21,540 ‐ Hmm. 550 00:22:21,540 --> 00:22:22,541 ‐ 551 00:22:22,541 --> 00:22:23,834 ‐ Oh. 552 00:22:23,834 --> 00:22:25,795 You looking for these? 553 00:22:25,795 --> 00:22:28,547 ♪ ♪ 554 00:22:28,547 --> 00:22:30,508 It's 4:00. Actors are called at 4:10. 555 00:22:30,508 --> 00:22:33,469 ♪ ♪ 556 00:22:33,469 --> 00:22:34,720 Oh. 557 00:22:34,720 --> 00:22:35,721 Let's go. 558 00:22:35,721 --> 00:22:39,350 ♪ ♪ 559 00:22:42,853 --> 00:22:45,815 ‐ Yeah, that's on me, guys. I got the time all messed up. 560 00:22:45,815 --> 00:22:47,733 STEVE: You're in the driver's seat, Kone. 561 00:22:47,733 --> 00:22:49,860 Here's what's gonna happen. ‐ Okay. 562 00:22:49,860 --> 00:22:51,862 ‐ The actors are gonna be so fucking excited 563 00:22:51,862 --> 00:22:53,030 to step onto stage, 564 00:22:53,030 --> 00:22:54,740 they're gonna walk around barefoot, 565 00:22:54,740 --> 00:22:56,742 but there are nails, there is sawdust, 566 00:22:56,742 --> 00:22:58,369 this is not a playground. 567 00:22:58,369 --> 00:23:00,329 You own the space. 568 00:23:00,329 --> 00:23:03,207 Don't let them‐‐ MAYA: Oh, my God, you guys! 569 00:23:03,207 --> 00:23:05,125 IAN: This is so big! 570 00:23:05,125 --> 00:23:07,711 MAYA: This is crazy! 571 00:23:07,711 --> 00:23:10,214 This is, like, so big. 572 00:23:10,214 --> 00:23:11,507 ♪ Oh, my God ♪ 573 00:23:11,507 --> 00:23:12,758 ♪ Gonna be awesome ♪ 574 00:23:12,758 --> 00:23:14,009 ♪ Gonna sell out ♪ 575 00:23:15,719 --> 00:23:17,596 Hey! Ha! Ha! 576 00:23:17,596 --> 00:23:20,933 Ha! Ha! 577 00:23:20,933 --> 00:23:22,309 ANNA: Okay. 578 00:23:22,309 --> 00:23:23,519 Places for the‐‐ 579 00:23:23,519 --> 00:23:25,896 it's not‐‐it's not, uh‐‐ 580 00:23:25,896 --> 00:23:27,189 ‐ ♪ In the spotlight ♪ 581 00:23:27,189 --> 00:23:28,315 ♪ Everybody sees me ♪ ‐ Turn it up. 582 00:23:28,315 --> 00:23:29,608 ‐ ♪ Everybody say hey ♪ 583 00:23:29,608 --> 00:23:32,194 ‐ Places for the top of act one. 584 00:23:33,571 --> 00:23:34,864 Please? 585 00:23:34,864 --> 00:23:37,783 ‐ Hey, Anna. ‐ Hey, Maya. 586 00:23:37,783 --> 00:23:39,493 Please, can you do that? And put your shoes on. 587 00:23:39,493 --> 00:23:41,453 ‐ We usually rehearse without shoes, but‐‐ 588 00:23:41,453 --> 00:23:43,998 ‐ And then we'll do places for the top of act one. 589 00:23:43,998 --> 00:23:45,624 ‐ Okay. 590 00:23:48,752 --> 00:23:50,921 ‐ Guys. ‐ Shoes are over there. 591 00:23:50,921 --> 00:23:53,757 ♪ Our shoes are over there ♪ ‐ Oh, God. 592 00:23:53,757 --> 00:23:55,342 ‐ We have our shoes over here. 593 00:23:58,679 --> 00:24:01,473 I‐‐they're not back here. ‐ Oh, my God. 594 00:24:01,473 --> 00:24:04,685 Tech week, people. Take it from the top. 595 00:24:04,685 --> 00:24:06,103 ‐ I saw you! 596 00:24:06,103 --> 00:24:08,355 I saw you with my own two eyes! 597 00:24:08,355 --> 00:24:09,940 ANNA: Hold. 598 00:24:09,940 --> 00:24:11,317 Yeah, stay right there. Hold. 599 00:24:11,317 --> 00:24:13,068 ‐ I didn't even finish my line. 600 00:24:13,068 --> 00:24:15,487 ‐ Kay, it's more important that we mark this cue. 601 00:24:15,487 --> 00:24:17,781 It's a lighting thing. You wouldn't understand. 602 00:24:17,781 --> 00:24:19,366 Okay, we got it. Act. 603 00:24:19,366 --> 00:24:20,701 BOTH: You‐‐ 604 00:24:20,701 --> 00:24:21,994 ‐ Oh, is it your line? ‐ Yeah. 605 00:24:21,994 --> 00:24:23,370 I saw you with my own‐‐ 606 00:24:23,370 --> 00:24:25,372 ANNA: Hold. ‐ Oh, my God. 607 00:24:25,372 --> 00:24:26,707 ‐ Why do you keep going like this? 608 00:24:26,707 --> 00:24:28,584 If you're not gonna do that on the day, 609 00:24:28,584 --> 00:24:29,960 don't do that, okay? 610 00:24:29,960 --> 00:24:31,670 ‐ Seriously? ‐ Did you get it? 611 00:24:31,670 --> 00:24:33,339 ‐ Yeah. ‐ Okay, we got it. Act. 612 00:24:33,339 --> 00:24:35,341 ‐ For ten years, you've told me‐‐ 613 00:24:35,341 --> 00:24:36,592 ANNA: Hold. 614 00:24:36,592 --> 00:24:38,677 You're not in your light. 615 00:24:38,677 --> 00:24:40,054 Still not in your light. 616 00:24:40,054 --> 00:24:42,556 ‐ I'd rather go to jail‐‐ 617 00:24:42,556 --> 00:24:43,766 ANNA: Mai, that's you. ‐ Line. 618 00:24:43,766 --> 00:24:45,184 ‐ "I'd rather go to jail 619 00:24:45,184 --> 00:24:46,894 than spend one more minute with you." 620 00:24:46,894 --> 00:24:48,228 ‐ I have it. Thank you. 621 00:24:48,228 --> 00:24:50,898 ‐ To your left. Your left. 622 00:24:50,898 --> 00:24:53,150 The other left. ‐ Anna, let me finish the line. 623 00:24:53,150 --> 00:24:54,693 ANNA: Hold. Go 132. 624 00:24:54,693 --> 00:24:56,236 Hold. Hold, I said. 625 00:24:56,236 --> 00:24:57,696 Hold. Hold! 626 00:24:57,696 --> 00:24:58,906 Hold. 627 00:24:58,906 --> 00:25:00,240 ‐ We're just getting up. ANNA: Hold. 628 00:25:00,240 --> 00:25:02,743 Walk it through slowly so we can get the marks. 629 00:25:02,743 --> 00:25:06,497 ‐ Saw you with my own two eyes. 630 00:25:06,497 --> 00:25:07,665 ‐ Slower physical. 631 00:25:07,665 --> 00:25:09,124 ‐ Rat bastard. 632 00:25:09,124 --> 00:25:10,709 ‐ Faster vocal. 633 00:25:10,709 --> 00:25:12,670 ‐ I saw you backing away from Sheila. 634 00:25:12,670 --> 00:25:14,338 Sheila was a rat bastard. I saw you backing away from Sheila. 635 00:25:14,338 --> 00:25:16,131 ‐ What are you gonna do, Debra? 636 00:25:16,131 --> 00:25:17,591 You gonna divorce me? 637 00:25:17,591 --> 00:25:19,385 ‐ I don't even know what we're doing anymore. 638 00:25:19,385 --> 00:25:21,428 I'm really confused. ‐ Can you do it full‐out? 639 00:25:21,428 --> 00:25:23,180 ‐ I don't wanna do it full‐out right now. 640 00:25:23,180 --> 00:25:24,598 I don't want to go at 100. I'm gonna go at‐‐ 641 00:25:24,598 --> 00:25:25,933 ‐ If you are doing something different 642 00:25:25,933 --> 00:25:27,059 than what you're doing on the day, 643 00:25:27,059 --> 00:25:28,394 we're not gonna know our cue. 644 00:25:28,394 --> 00:25:29,478 ‐ Oh, my God. 645 00:25:29,478 --> 00:25:30,562 ANNA: Please let us do our work. 646 00:25:30,562 --> 00:25:32,398 ‐ Uh, can you say it again? 647 00:25:32,398 --> 00:25:33,732 ‐ You keep forgetting your lines. 648 00:25:33,732 --> 00:25:35,067 ‐ Okay, sorry! 649 00:25:35,067 --> 00:25:36,568 ANNA: Find your light. ‐ Is that it? 650 00:25:36,568 --> 00:25:37,903 ANNA: Colder. ‐ Is that it? 651 00:25:37,903 --> 00:25:39,154 ‐ Colder. ‐ Is that it? 652 00:25:39,154 --> 00:25:40,364 ANNA: Ice cold. ‐ Is that it? 653 00:25:40,364 --> 00:25:42,741 ‐ Oh, my God. ‐ Is that fucking it? 654 00:25:42,741 --> 00:25:44,368 Line? ‐ Damn it, Maya! 655 00:25:44,368 --> 00:25:45,619 ‐ I cannot act 656 00:25:45,619 --> 00:25:47,329 when you're yelling technical cues. 657 00:25:47,329 --> 00:25:48,664 I cannot do it. 658 00:25:48,664 --> 00:25:50,332 I don't know where the light is! 659 00:25:50,332 --> 00:25:52,376 ‐ Whose fucking beeper is that? 660 00:25:52,376 --> 00:25:53,544 ‐ Did I find it? 661 00:25:53,544 --> 00:25:55,671 ‐ This is our time in the tech world 662 00:25:55,671 --> 00:25:57,673 to make sure that you guys don't mess it up. 663 00:25:57,673 --> 00:25:59,508 No offense. ‐ I can't feel it. 664 00:25:59,508 --> 00:26:01,135 ‐ Feel the warmth! ‐ Give us space‐‐ 665 00:26:01,135 --> 00:26:03,971 ‐ Take a‐‐take a‐‐ ‐ To breathe and say our lines! 666 00:26:03,971 --> 00:26:06,682 If I can't say the lines, then I can't act! 667 00:26:06,682 --> 00:26:08,392 ‐ I‐I can't‐‐ 668 00:26:08,392 --> 00:26:09,685 we're fucked. 669 00:26:11,186 --> 00:26:13,856 So it's really simple. 670 00:26:13,856 --> 00:26:17,192 I'm in my light. 671 00:26:17,192 --> 00:26:18,861 Not in my light. 672 00:26:18,861 --> 00:26:21,613 I'm in my light. 673 00:26:21,613 --> 00:26:22,614 Not in my light. 674 00:26:22,614 --> 00:26:23,907 ‐ Can I just interject? 675 00:26:23,907 --> 00:26:25,826 ‐ Yeah. ‐ It's called warmth. 676 00:26:25,826 --> 00:26:27,661 You feel the warmth when you're in the light. 677 00:26:27,661 --> 00:26:29,496 ‐ Can I interject on his interjection? 678 00:26:29,496 --> 00:26:31,248 I'm not feeling warmth. 679 00:26:31,248 --> 00:26:32,416 Like, when I stand in the lights, 680 00:26:32,416 --> 00:26:33,584 I don't know about you guys, 681 00:26:33,584 --> 00:26:35,002 I don't feel it on my skin or anything. 682 00:26:35,002 --> 00:26:36,295 ‐ These are grade A lights. 683 00:26:36,295 --> 00:26:37,421 ‐ Okay, we don't have a lot of time, 684 00:26:37,421 --> 00:26:39,173 so props. 685 00:26:39,173 --> 00:26:43,427 You guys need to put your props back down on the props table. 686 00:26:43,427 --> 00:26:45,095 I cannot emphasize it enough. 687 00:26:45,095 --> 00:26:47,389 ‐ Sorry, but every time Marissa places my prop 688 00:26:47,389 --> 00:26:48,766 on stage left, 689 00:26:48,766 --> 00:26:50,434 it's actually meant to be on stage right where I exit. 690 00:26:50,434 --> 00:26:52,144 ‐ Actually, you're using the bottle 691 00:26:52,144 --> 00:26:53,187 at the top of act two 692 00:26:53,187 --> 00:26:54,605 when you should be using the broom. 693 00:26:54,605 --> 00:26:56,106 ‐ Okay, you guys, we don't have time to talk about this. 694 00:26:56,106 --> 00:26:57,441 So basically, the thing is, 695 00:26:57,441 --> 00:26:59,568 is you just put your prop back on the prop table. 696 00:26:59,568 --> 00:27:01,361 Maya, got a note for you. 697 00:27:01,361 --> 00:27:02,946 You gotta remember your lines. 698 00:27:02,946 --> 00:27:04,656 That's the only way that we know our cues 699 00:27:04,656 --> 00:27:05,783 and you need to memorize them. 700 00:27:05,783 --> 00:27:07,159 ‐ I did memorize them. 701 00:27:07,159 --> 00:27:09,244 If we had enough time to go over them, I'd be able‐‐ 702 00:27:09,244 --> 00:27:10,537 ‐ Maya, we can't do the work for you. 703 00:27:10,537 --> 00:27:12,081 ‐ I'm not asking you to do the work for me. 704 00:27:12,081 --> 00:27:13,165 I was doing the work. 705 00:27:13,165 --> 00:27:14,958 'Cause you guys are doing tech 706 00:27:14,958 --> 00:27:16,835 and we're, like, doing art, so‐‐ 707 00:27:16,835 --> 00:27:18,087 ANNA: Kay, tech is art, so‐‐ 708 00:27:18,087 --> 00:27:19,338 ‐ Fuck the semantics. 709 00:27:19,338 --> 00:27:21,090 Just fucking remember your lines! 710 00:27:21,090 --> 00:27:22,716 ‐ All right, all right, okay. 711 00:27:22,716 --> 00:27:24,676 Very good. ‐ 712 00:27:27,012 --> 00:27:28,806 ‐ Was that a cough, Gabe? 713 00:27:28,806 --> 00:27:31,517 ‐ Oh. Yeah, it's‐‐ I'm fine, though. 714 00:27:31,517 --> 00:27:33,060 ‐ All right. Everybody freeze. 715 00:27:33,060 --> 00:27:34,353 We're done. 716 00:27:34,353 --> 00:27:37,606 I am not gonna have my actors get sick, okay? 717 00:27:37,606 --> 00:27:39,983 Gabe, I'm not messing around, okay? 718 00:27:39,983 --> 00:27:41,693 Go home, steam your sinuses, 719 00:27:41,693 --> 00:27:43,779 and you gargle three times with salt water, okay? 720 00:27:43,779 --> 00:27:45,864 Everybody else, techies included, 721 00:27:45,864 --> 00:27:48,742 go home, get some sleep, at least eight hours, 722 00:27:48,742 --> 00:27:52,079 and please, please wash your hands! 723 00:27:52,079 --> 00:27:53,497 Thank you. ‐ I'm still‐‐ 724 00:27:53,497 --> 00:27:54,748 GREG: We're done. ‐ Okay. Memorize‐‐ 725 00:27:54,748 --> 00:27:57,668 ‐ Good night. ‐ And memorize your lines. 726 00:27:57,668 --> 00:27:59,044 GREG: Thank you, Anna. 727 00:27:59,044 --> 00:28:00,587 ANNA: I'm sorry I'm yelling. 728 00:28:00,587 --> 00:28:03,382 ‐ Are we still on for our date tonight or no? 729 00:28:03,382 --> 00:28:06,260 ‐ I mean, I might be sick. 730 00:28:06,260 --> 00:28:10,430 ‐ Okay, well, I can take care of you. 731 00:28:10,430 --> 00:28:13,141 Sick boy. 732 00:28:15,435 --> 00:28:18,438 See you tonight, boyfriend. 733 00:28:20,023 --> 00:28:21,650 ‐ Yeah. That's me. 734 00:28:28,529 --> 00:28:30,032 ‐ Actually, that's the cue 32. 735 00:28:30,032 --> 00:28:32,743 Like, I'm just so‐‐ fucking hell. 736 00:28:34,328 --> 00:28:36,163 I can't handle these actors. 737 00:28:36,163 --> 00:28:37,664 Like, I can't. 738 00:28:37,664 --> 00:28:39,499 We didn't even have a dress rehearsal 739 00:28:39,499 --> 00:28:41,627 'cause they're so fucking incompetent! 740 00:28:41,627 --> 00:28:44,087 ‐ Shh. 741 00:28:44,087 --> 00:28:45,088 ‐ Sorry. 742 00:28:50,594 --> 00:28:52,929 ‐ I was sweating bullets 2.6 seconds ago. 743 00:28:52,929 --> 00:28:54,556 Look at me now. 744 00:28:54,556 --> 00:28:57,476 ‐ Mm‐hmm. 745 00:28:57,476 --> 00:28:59,936 ‐ This play's a pile of dog shit. 746 00:28:59,936 --> 00:29:01,938 But you can change it with your mind. 747 00:29:04,066 --> 00:29:05,692 You get me? 748 00:29:05,692 --> 00:29:06,902 ‐ Okay. 749 00:29:09,529 --> 00:29:12,824 SINGER: ♪ My one and only ♪ 750 00:29:15,285 --> 00:29:19,665 ‐ Gabe, you girlfriend's here. 751 00:29:19,665 --> 00:29:21,625 And she's so cute, 752 00:29:21,625 --> 00:29:23,502 I won't even leave the door open. 753 00:29:23,502 --> 00:29:25,128 ‐ ‐ 754 00:29:25,128 --> 00:29:26,338 ‐ Mom. 755 00:29:26,338 --> 00:29:30,217 ♪ ♪ 756 00:29:30,217 --> 00:29:31,551 ‐ Hi, boyfriend. 757 00:29:31,551 --> 00:29:32,844 ‐ Hi. 758 00:29:32,844 --> 00:29:36,556 ‐ I brought masks and soup. 759 00:29:36,556 --> 00:29:38,767 ‐ I don't think I'm sick. 760 00:29:38,767 --> 00:29:41,436 ‐ Well, just in case. 761 00:29:41,436 --> 00:29:48,443 ♪ ♪ 762 00:29:52,531 --> 00:29:55,701 ‐ I love this song. 763 00:29:55,701 --> 00:29:58,745 ‐ It's my favorite. 764 00:29:58,745 --> 00:30:00,539 ‐ Me too. 765 00:30:00,539 --> 00:30:02,999 ♪ ♪ 766 00:30:02,999 --> 00:30:04,167 ‐ Oh, my God. 767 00:30:04,167 --> 00:30:07,170 Rehearsal was, like, complete shitake. 768 00:30:07,170 --> 00:30:08,672 Literally. 769 00:30:08,672 --> 00:30:10,465 ‐ Literally? 770 00:30:10,465 --> 00:30:12,426 So it was a mushroom? 771 00:30:14,052 --> 00:30:17,097 ♪ ♪ 772 00:30:17,097 --> 00:30:18,223 ‐ Yeah. 773 00:30:18,223 --> 00:30:24,646 ♪ ♪ 774 00:30:24,646 --> 00:30:25,939 ‐ What? 775 00:30:25,939 --> 00:30:29,526 ‐ Do you want me to feed you the soup? 776 00:30:29,526 --> 00:30:32,070 ‐ Nah, I'm good. 777 00:30:32,070 --> 00:30:33,780 ‐ Okay. 778 00:30:33,780 --> 00:30:39,536 ♪ ♪ 779 00:30:39,536 --> 00:30:44,291 ‐ 780 00:30:47,627 --> 00:30:51,423 SINGER: ♪ It's only a tiny space ♪ 781 00:30:51,423 --> 00:30:54,926 ♪ That keeps us apart ♪ 782 00:30:54,926 --> 00:30:57,262 ♪ ♪ 783 00:30:57,262 --> 00:31:00,015 ‐ Whoa, whoa, whoa. 784 00:31:00,015 --> 00:31:02,392 SINGER: ♪ But never lonely ♪ 785 00:31:02,392 --> 00:31:04,895 ‐ Hold on. ‐ Sorry. 786 00:31:04,895 --> 00:31:06,480 ‐ I just, uh... 787 00:31:06,480 --> 00:31:09,274 SINGER: ♪ You are always here ♪ 788 00:31:09,274 --> 00:31:11,276 ‐ Sorry. 789 00:31:11,276 --> 00:31:14,863 ‐ I just, uh, didn't want you to get sick, you know? 790 00:31:17,783 --> 00:31:18,992 Here we go. ‐ Kay. 791 00:31:18,992 --> 00:31:21,453 ‐ Get a good hold on it. 792 00:31:21,453 --> 00:31:27,501 ♪ ♪ 793 00:31:27,501 --> 00:31:29,085 Good? ‐ Yeah. 794 00:31:33,089 --> 00:31:35,592 MAYA: I don't want you to get sick either. 795 00:31:42,724 --> 00:31:49,731 ♪ ♪ 796 00:31:52,275 --> 00:31:54,194 BENNETT: ♪ Someday ♪ 797 00:31:54,194 --> 00:31:55,695 GABE: Care to dance? 798 00:31:55,695 --> 00:31:56,947 MAYA: 799 00:31:56,947 --> 00:32:01,701 BENNETT: ♪ When I'm awfully low ♪ 800 00:32:01,701 --> 00:32:04,704 ♪ When the world is cold ♪ 801 00:32:04,704 --> 00:32:06,915 ♪ ♪ 802 00:32:06,915 --> 00:32:09,793 ♪ I will feel a glow ♪ 803 00:32:09,793 --> 00:32:13,797 ♪ Just thinking of you ♪ 804 00:32:13,797 --> 00:32:16,967 ♪ ♪ 805 00:32:16,967 --> 00:32:21,721 ♪ And the way you look tonight ♪ 806 00:32:21,721 --> 00:32:27,727 ♪ ♪ 807 00:32:29,563 --> 00:32:32,399 ♪ Oh, but you're lovely ♪ 808 00:32:32,399 --> 00:32:37,028 ♪ ♪ 809 00:32:37,028 --> 00:32:40,991 ♪ With your smile so warm ♪ 810 00:32:40,991 --> 00:32:42,534 ♪ ♪ 811 00:32:42,534 --> 00:32:46,204 ♪ And your cheek so soft ♪ 812 00:32:46,204 --> 00:32:47,873 ♪ ♪ 813 00:32:47,873 --> 00:32:50,375 ♪ There is nothing for me ♪ 814 00:32:50,375 --> 00:32:53,378 ♪ But to love you ♪ 815 00:32:53,378 --> 00:32:57,924 ♪ ♪ 816 00:32:57,924 --> 00:33:01,428 ♪ Just the way you look ♪ 817 00:33:01,428 --> 00:33:04,014 ♪ Tonight ♪ 818 00:33:04,014 --> 00:33:11,021 ♪ ♪ 819 00:33:13,523 --> 00:33:15,775 ♪ With each word ♪ 820 00:33:15,775 --> 00:33:17,819 ♪ ♪ 821 00:33:17,819 --> 00:33:21,573 ♪ Your tenderness grows ♪ 822 00:33:21,573 --> 00:33:23,617 ♪ ♪ 823 00:33:23,617 --> 00:33:29,497 ♪ Tearing my fear apart ♪ 824 00:33:29,497 --> 00:33:34,085 ♪ ♪ 825 00:33:34,085 --> 00:33:37,213 ♪ And that laugh ♪ 826 00:33:38,381 --> 00:33:40,884 MAYA: It feels like... 827 00:33:40,884 --> 00:33:44,346 there's a bunch of butterflies fluttering around in my chest. 828 00:33:44,346 --> 00:33:46,598 BENNETT: ♪ Touches ♪ 829 00:33:46,598 --> 00:33:50,226 ♪ My foolish heart ♪ 830 00:33:50,226 --> 00:33:52,646 ‐ Yeah. 831 00:33:52,646 --> 00:33:56,024 ‐ Can we do a real kiss now, without the masks on? 832 00:33:56,024 --> 00:33:59,361 ‐ Um...l‐let's wait until opening night 833 00:33:59,361 --> 00:34:01,613 to do our first kiss. 834 00:34:01,613 --> 00:34:04,157 ‐ But I thought you said not to do the kiss 835 00:34:04,157 --> 00:34:06,910 as our characters, but as Gabe and Maya? 836 00:34:06,910 --> 00:34:09,287 ‐ Well, it's too late, you know? 837 00:34:09,287 --> 00:34:12,207 We‐‐we already are our characters. 838 00:34:12,207 --> 00:34:15,835 We are Joe and Debra, Maya, 839 00:34:15,835 --> 00:34:17,587 so... 840 00:34:17,587 --> 00:34:20,590 when we kiss, it'll still be us. 841 00:34:20,590 --> 00:34:24,344 BENNETT: ♪ Just the way you look ♪ 842 00:34:24,344 --> 00:34:25,428 ♪ Tonight ♪ 843 00:34:25,428 --> 00:34:29,432 ‐ That's romantic. 844 00:34:29,432 --> 00:34:31,518 Okay. 845 00:34:31,518 --> 00:34:33,144 So tomorrow? 846 00:34:33,144 --> 00:34:36,064 Opening night. 847 00:34:36,064 --> 00:34:40,694 BENNETT: ♪ Just the way you look ♪ 848 00:34:40,694 --> 00:34:42,570 ♪ ♪ 849 00:34:42,570 --> 00:34:43,738 ‐ 850 00:34:43,738 --> 00:34:45,156 BENNETT: ♪ Toni‐‐ ♪ 851 00:34:53,957 --> 00:34:55,583 ANNA: