1
00:00:01,960 --> 00:00:03,250
[kids chatting indistinctly]
2
00:00:03,253 --> 00:00:04,423
KID: Hey, get out of the way!
3
00:00:04,421 --> 00:00:05,961
KID: Oh, my God, wait.
KID: Ow!
4
00:00:05,964 --> 00:00:07,974
You're stepping on my toe.
Jesus.
5
00:00:07,966 --> 00:00:09,796
Let me see!
ANNA: Yeah, I mean, you don't
really know‐‐
6
00:00:09,801 --> 00:00:11,221
‐ [shrieking]
Oh, my God!
7
00:00:11,220 --> 00:00:13,010
Oh, my God, oh, my God.
I got it, I got it, I got it.
8
00:00:13,013 --> 00:00:14,513
‐ Congratulations!
That's amazing.
9
00:00:14,514 --> 00:00:15,684
MAYA: I think you go it.
JESSICA: Oh, my God! Yes!
10
00:00:15,682 --> 00:00:16,982
MAYA: I think you got it.
ANNA: You do?
11
00:00:16,975 --> 00:00:18,435
MAYA: I do, I do, I do.
ANNA: Sorry, you guys.
12
00:00:18,435 --> 00:00:19,765
Excuse me. Sorry.
13
00:00:23,941 --> 00:00:25,111
MAYA: Wait.
14
00:00:25,108 --> 00:00:26,358
Oh, my God.
15
00:00:26,360 --> 00:00:27,900
ANNA: [gasps]
16
00:00:27,903 --> 00:00:30,113
Oh, my God.
‐ That is not real.
17
00:00:30,113 --> 00:00:31,573
That's not real.
That's not real.
18
00:00:31,573 --> 00:00:33,243
‐ That's the lead.
19
00:00:33,242 --> 00:00:34,792
‐ Oh, my God!
ANNA: [laughs]
20
00:00:34,785 --> 00:00:36,495
‐ Wait.
‐ That is incredible.
21
00:00:36,495 --> 00:00:37,745
MAYA: Wait.
22
00:00:37,746 --> 00:00:39,576
‐ Is there another list,
though?
23
00:00:44,169 --> 00:00:46,169
Okay.
‐ Oh, my God, no, I'm sorry.
24
00:00:46,171 --> 00:00:47,301
‐ No, it's fine.
MAYA: No, no.
25
00:00:47,297 --> 00:00:48,547
It's so fucked up
you didn't get
26
00:00:48,549 --> 00:00:49,759
a role and I did.
27
00:00:49,758 --> 00:00:51,508
‐ No, it's fine.
‐ No, it doesn't make sense.
28
00:00:51,510 --> 00:00:53,470
You're literally
the best actress in our school.
29
00:00:53,470 --> 00:00:55,430
Like, you're so much better
than me.
30
00:00:55,430 --> 00:00:56,560
I don't want to do it
without you.
31
00:00:56,556 --> 00:00:58,176
BOTH: Oh, my God, Maya!
32
00:00:58,183 --> 00:00:59,813
‐ Hi.
Oh, my God.
33
00:00:59,810 --> 00:01:01,650
Thank you.
‐ I know! It's amazing.
34
00:01:01,645 --> 00:01:03,355
JESSICA: You're gonna be
so good.
35
00:01:03,355 --> 00:01:05,355
‐ Oh, my God.
You're gonna be so good!
‐ Hi. No, no.
36
00:01:05,357 --> 00:01:07,147
No, you guys.
You don't even know.
37
00:01:07,150 --> 00:01:08,860
I've, like, never
done this before.
38
00:01:08,860 --> 00:01:10,280
I've never acted.
JESSICA: You're gonna be
so good.
39
00:01:10,279 --> 00:01:11,859
MAYA: Stop saying that!
40
00:01:11,863 --> 00:01:14,373
SINGER: ♪ I ♪
41
00:01:14,366 --> 00:01:18,036
♪ I am hiding ♪
42
00:01:18,036 --> 00:01:20,956
♪ The you I show to you ♪
43
00:01:20,956 --> 00:01:24,666
♪ Is just a lie ♪
44
00:01:24,668 --> 00:01:26,548
♪ You take what you want ♪
45
00:01:26,545 --> 00:01:28,125
♪ You get what you take ♪
46
00:01:28,130 --> 00:01:30,880
♪ Lie ♪
SINGER: ♪ So high, high, high ♪
47
00:01:30,882 --> 00:01:31,972
‐ I'm not going in.
‐ You're incredible.
48
00:01:31,967 --> 00:01:33,427
‐ No, I'm not. I'm not.
I suck.
49
00:01:33,427 --> 00:01:34,597
‐ You have to go in, Maya.
‐ I quit. I'm not going in.
50
00:01:34,595 --> 00:01:35,885
No, please.
I want you to go in.
51
00:01:35,887 --> 00:01:37,307
You're better than me.
JESSICA: First rehearsal!
52
00:01:37,306 --> 00:01:39,266
‐ [squeals]
I know! I'm so excited.
53
00:01:39,266 --> 00:01:40,556
No, I can't do it.
Please.
54
00:01:40,559 --> 00:01:41,729
Just come in for a little.
55
00:01:41,727 --> 00:01:42,807
‐ I don't know.
‐ Please, please, please!
56
00:01:42,811 --> 00:01:44,021
‐ No, it's embarrassing.
57
00:01:44,021 --> 00:01:45,361
Maya.
‐ No, I can't go in. Please.
58
00:01:45,355 --> 00:01:46,475
Please. Please.
‐ Maya. Maya.
59
00:01:46,481 --> 00:01:48,071
Okay. Okay. Okay.
60
00:01:48,066 --> 00:01:49,226
You want some milk?
‐ Yeah.
61
00:01:49,234 --> 00:01:50,244
‐ All right.
62
00:01:50,235 --> 00:01:51,355
Shh.
MAYA: [whines]
63
00:01:51,361 --> 00:01:52,361
ANNA: Latch.
64
00:01:52,362 --> 00:01:53,452
Maya, latch, latch.
65
00:01:53,447 --> 00:01:54,907
‐ [cooing]
ANNA: That's better.
66
00:01:54,906 --> 00:01:56,326
‐ [groaning]
‐ Maya, no.
67
00:01:56,325 --> 00:01:58,235
No.
Ma‐‐ow! Maya!
68
00:01:58,243 --> 00:01:59,453
Ow!
‐ Maya?
69
00:01:59,453 --> 00:02:01,243
MAYA: Yeah.
‐ Are you coming in now?
70
00:02:01,237 --> 00:02:02,237
We're about to start.
71
00:02:02,238 --> 00:02:03,318
‐ Yeah.
‐ Hello.
72
00:02:03,323 --> 00:02:05,413
I'm sorry, who are you?
73
00:02:05,408 --> 00:02:07,698
‐ Anna.
ANNA: I just wanted to say that
74
00:02:07,702 --> 00:02:09,662
I know that you "cast"
your play already...
GREG: Uh‐huh.
75
00:02:09,662 --> 00:02:12,122
ANNA: But if you have
an understudy role, I'm free.
76
00:02:12,123 --> 00:02:13,793
‐ She's actually, like,
a really good singer
77
00:02:13,791 --> 00:02:14,961
and actor and stuff.
78
00:02:14,959 --> 00:02:16,879
She had this "Ave Maria" solo
79
00:02:16,878 --> 00:02:18,378
a while back
that was really good.
80
00:02:18,379 --> 00:02:23,129
Here, sing it.
‐ ♪ Ave ♪
81
00:02:23,134 --> 00:02:27,764
♪ Maria ♪
82
00:02:29,682 --> 00:02:31,022
It's whatever.
83
00:02:31,017 --> 00:02:32,017
‐ Wow.
84
00:02:32,018 --> 00:02:35,648
You have a really great range.
85
00:02:35,647 --> 00:02:37,567
But we're about to have
our first rehearsal now, Maya,
86
00:02:37,565 --> 00:02:39,315
so we're ready
whenever you are.
87
00:02:39,317 --> 00:02:40,737
Great to meet you.
Keep‐‐keep going.
88
00:02:40,735 --> 00:02:41,985
You're really some‐‐great.
‐ Sure thing.
89
00:02:41,986 --> 00:02:43,396
Thank you.
90
00:02:43,404 --> 00:02:44,744
‐ Okay.
So it's just you.
91
00:02:44,739 --> 00:02:45,949
‐ Okay.
[sighs]
92
00:02:45,948 --> 00:02:47,368
I'm sorry.
93
00:02:47,367 --> 00:02:48,907
ANNA: No. Have an amazing time.
94
00:02:48,910 --> 00:02:50,700
You got it.
‐ No, I don't want
to go without you.
95
00:02:50,703 --> 00:02:51,703
[groans]
ANNA: You've got it.
96
00:02:51,704 --> 00:02:52,874
‐ I love you.
‐ I love you.
97
00:02:56,709 --> 00:02:58,919
‐ So, here we are.
Congratulations.
98
00:02:58,920 --> 00:03:00,840
I'll give you
a little backstory.
99
00:03:00,838 --> 00:03:03,378
The play is an original piece,
100
00:03:03,383 --> 00:03:05,263
which means I wrote it.
101
00:03:05,259 --> 00:03:08,889
And for you guys as the actors,
102
00:03:08,888 --> 00:03:11,178
my whole thing, my mantra,
it's gonna be real and honest.
103
00:03:11,182 --> 00:03:12,982
If you're not real and honest
with me,
104
00:03:12,975 --> 00:03:14,885
if you're not real and honest
with yourselves,
105
00:03:14,894 --> 00:03:17,314
and if you're not real
and honest with each other,
106
00:03:17,313 --> 00:03:20,323
then this whole thing
is bullshit.
107
00:03:20,316 --> 00:03:23,066
Now, there are four of you
in this ensemble
108
00:03:23,069 --> 00:03:24,399
and by the end
of this rehearsal,
109
00:03:24,404 --> 00:03:25,824
there will be three.
110
00:03:28,199 --> 00:03:29,779
So who here doesn't belong?
111
00:03:32,370 --> 00:03:34,000
Come on.
112
00:03:33,996 --> 00:03:37,246
Ian, who doesn't belong?
113
00:03:37,250 --> 00:03:38,750
[snapping]
‐ Um, I'm, um‐‐
114
00:03:38,751 --> 00:03:41,051
GREG: Come on.
‐ Sorry, it's just hard.
115
00:03:41,045 --> 00:03:42,045
GREG: Real and honest.
116
00:03:42,046 --> 00:03:45,046
‐ Um, I think I would pick...
117
00:03:45,049 --> 00:03:46,679
[sighs]
118
00:03:48,678 --> 00:03:50,848
Maya.
119
00:03:50,847 --> 00:03:54,597
It's just, in every drama class
since third grade,
120
00:03:54,600 --> 00:03:58,770
you haven't, um, showed
anything that I've noticed.
121
00:03:58,771 --> 00:04:03,321
I don't think you have,
like, "it" charisma.
122
00:04:03,317 --> 00:04:05,357
You're just kind of wild
123
00:04:05,361 --> 00:04:08,071
and out of control.
124
00:04:08,072 --> 00:04:09,872
GREG: Thank you, Ian.
125
00:04:11,492 --> 00:04:12,702
Well...
126
00:04:15,538 --> 00:04:17,038
That was just an exercise.
127
00:04:17,039 --> 00:04:18,289
[laughs]
128
00:04:18,291 --> 00:04:20,631
Relax.
You guys all belong.
129
00:04:20,626 --> 00:04:22,296
Relax.
[laughs]
130
00:04:22,295 --> 00:04:24,165
You're here.
You're in.
131
00:04:24,172 --> 00:04:25,472
‐ [laughs]
‐ Good.
132
00:04:25,465 --> 00:04:27,295
Very real, very honest.
133
00:04:27,300 --> 00:04:28,630
Now we can start.
134
00:04:28,634 --> 00:04:30,644
Good job, guys.
Really good job.
135
00:04:30,636 --> 00:04:32,096
Relax.
Take a deep breath.
136
00:04:32,096 --> 00:04:33,096
[all exhale]
137
00:04:33,097 --> 00:04:34,177
How'd you guys feel?
138
00:04:34,182 --> 00:04:37,352
[melancholy music]
139
00:04:37,351 --> 00:04:44,361
♪ ♪
140
00:04:51,073 --> 00:04:55,123
[applause]
141
00:04:55,119 --> 00:04:56,909
TEACHER:
Trailview Middle School's
142
00:04:56,913 --> 00:04:58,463
performing arts showcase.
143
00:04:58,456 --> 00:05:02,036
[applause]
["Ave Maria" piano melody]
144
00:05:02,043 --> 00:05:04,383
ANNA: ♪ Ave ♪
145
00:05:04,378 --> 00:05:09,298
♪ Ave dominus ♪
146
00:05:09,300 --> 00:05:14,010
♪ Dominus tecum ♪
147
00:05:14,013 --> 00:05:17,683
CHOIR: ♪ Benedicta tu ♪
148
00:05:17,683 --> 00:05:22,023
♪ In mulieribus ♪
149
00:05:22,021 --> 00:05:26,031
♪ Et benedi‐‐ ♪
150
00:05:28,027 --> 00:05:29,447
Oh, my God.
151
00:05:31,948 --> 00:05:33,068
[exhales]
152
00:05:35,326 --> 00:05:36,446
BRENDAN: Hey, Anna.
‐ Hey.
153
00:05:36,452 --> 00:05:37,502
[duct tape ripping]
154
00:05:37,495 --> 00:05:39,995
‐ Want some duct tape?
155
00:05:39,997 --> 00:05:40,997
‐ What?
156
00:05:40,998 --> 00:05:42,578
‐ We're making wallets.
157
00:05:42,583 --> 00:05:43,883
‐ Oh.
BRENDAN: Here.
158
00:05:43,876 --> 00:05:45,286
‐ Oh.
Ow.
159
00:05:49,048 --> 00:05:50,418
What are you guys doing here?
160
00:05:50,424 --> 00:05:52,304
BRENDAN: We're techies.
I'm the lighting designer.
161
00:05:52,301 --> 00:05:54,011
Marissa's props.
162
00:05:54,011 --> 00:05:56,971
‐ [clears throat]
‐ Sorry, babe.
163
00:05:56,973 --> 00:05:58,313
Master of props.
164
00:05:58,307 --> 00:06:00,097
We handle all the technical
elements of the play
165
00:06:00,101 --> 00:06:02,441
and build sets.
166
00:06:02,436 --> 00:06:04,056
‐ Wow.
Talented couple.
167
00:06:06,440 --> 00:06:07,980
Do you have, like, a teacher
or anything?
168
00:06:07,984 --> 00:06:09,404
Supervisors?
BRENDAN: Kind of.
169
00:06:09,402 --> 00:06:10,492
Steve's a freshman
170
00:06:10,486 --> 00:06:11,856
and he's supposed
to supervise us,
171
00:06:11,863 --> 00:06:14,203
but lets us do whatever
till tech week.
172
00:06:14,198 --> 00:06:15,868
STEVE: You mean Hell Week,
peasants.
173
00:06:15,867 --> 00:06:17,077
MARISSA: 'Sup, Steve?
174
00:06:17,076 --> 00:06:18,366
‐ [sighs]
175
00:06:18,369 --> 00:06:20,119
You two watch
Final Destination yet?
176
00:06:20,121 --> 00:06:21,461
BRENDAN: It's on my list.
177
00:06:21,455 --> 00:06:24,165
Horror's an easy genre
to fuck up.
178
00:06:24,166 --> 00:06:25,836
Watch it, Kone?
179
00:06:25,835 --> 00:06:27,545
STEVE: Is it James Wong's
sonata?
180
00:06:27,545 --> 00:06:29,875
Obliviously not,
but you should watch it
181
00:06:29,881 --> 00:06:31,591
if you think
films are worth watching.
182
00:06:33,384 --> 00:06:36,144
‐ Okay, people.
Very exciting moment.
183
00:06:36,137 --> 00:06:38,807
Getting our official
show scripts.
184
00:06:38,806 --> 00:06:41,596
You only get one of these,
so take very good care of it.
185
00:06:41,601 --> 00:06:42,731
Go ahead.
186
00:06:42,727 --> 00:06:44,347
Highlight
your character's parts
187
00:06:44,353 --> 00:06:45,613
and your dialogue.
188
00:06:45,605 --> 00:06:47,605
There are four highlighters
there.
189
00:06:49,901 --> 00:06:52,191
‐ Wow, Maya.
You get to highlight a lot.
190
00:06:53,988 --> 00:06:56,618
‐ Whoa.
Maya and Gabe kiss.
191
00:06:56,616 --> 00:06:58,196
‐ Okay, Jessica.
[scoffs]
192
00:06:58,200 --> 00:06:59,330
‐ No, Jessica's right.
193
00:06:59,327 --> 00:07:01,367
There is a kiss
in the first scene.
194
00:07:01,370 --> 00:07:04,750
Which we are gonna have to make
as real and honest as possible.
195
00:07:04,749 --> 00:07:07,749
[soft dramatic music]
196
00:07:07,752 --> 00:07:09,802
♪ ♪
197
00:07:09,795 --> 00:07:11,295
Anybody have any questions yet?
198
00:07:13,341 --> 00:07:14,341
[computer dings]
199
00:07:14,342 --> 00:07:17,682
SINGER: ♪ Does this train go ♪
200
00:07:17,678 --> 00:07:19,678
♪ To paradise? ♪
201
00:07:19,680 --> 00:07:21,680
[keys clacking]
202
00:07:21,682 --> 00:07:23,892
[soft pop music playing
over stereo]
203
00:07:23,893 --> 00:07:28,483
[computer dings]
204
00:07:28,481 --> 00:07:29,771
[loud thud]
CURTIS: Do you want to
give it a rest?
205
00:07:29,774 --> 00:07:30,824
I'm trying to read.
206
00:07:30,816 --> 00:07:32,396
KATHY: I'm just prepping
207
00:07:32,401 --> 00:07:34,741
in case the judge decides
that I don't get the house.
208
00:07:34,737 --> 00:07:36,527
Okay?
209
00:07:36,530 --> 00:07:38,320
[computer dings]
Anna, look.
210
00:07:38,324 --> 00:07:41,334
I found your old Nintendo.
211
00:07:41,327 --> 00:07:43,827
‐ That's a broken Game Boy.
212
00:07:43,829 --> 00:07:45,459
We're trying to read.
213
00:07:45,456 --> 00:07:47,376
[keys clacking]
214
00:07:47,375 --> 00:07:52,455
[computer dings]
215
00:07:52,463 --> 00:07:54,263
CURTIS: I'm the one that should
be worried, all right?
216
00:07:54,256 --> 00:07:57,426
It's not like that female judge
is gonna rule in my favor.
217
00:07:57,426 --> 00:07:58,796
KATHY: All the more reason
to help me.
218
00:07:58,803 --> 00:08:00,143
Anna, look!
219
00:08:00,137 --> 00:08:02,767
Your "most improved" trophy.
220
00:08:02,765 --> 00:08:04,845
Keep it?
‐ No.
221
00:08:04,850 --> 00:08:06,270
I don't know
why I'd need that, so‐‐
222
00:08:06,268 --> 00:08:08,098
KATHY: How 'bout your glitter?
Keep that?
223
00:08:08,104 --> 00:08:10,444
You still love crafts,
don't you?
‐ Mom!
224
00:08:10,439 --> 00:08:12,229
I don't want any of that stuff.
225
00:08:12,233 --> 00:08:14,113
Like, I don't do that anymore.
226
00:08:14,110 --> 00:08:15,440
CURTIS:
Glitter's for kids, Kat.
227
00:08:15,444 --> 00:08:17,784
ANNA: You keep talking to us
while we're reading.
228
00:08:17,781 --> 00:08:19,241
Like, stop.
229
00:08:19,240 --> 00:08:26,040
♪ ♪
230
00:08:27,582 --> 00:08:29,002
[computer dings]
231
00:08:29,000 --> 00:08:33,170
SINGER: ♪ Does this train go? ♪
232
00:08:33,171 --> 00:08:36,341
[computer dings]
233
00:08:36,341 --> 00:08:38,761
♪ This train go? ♪
234
00:08:38,760 --> 00:08:40,470
[computer dings]
235
00:08:42,931 --> 00:08:45,931
[keys clacking]
236
00:08:45,934 --> 00:08:52,444
♪ ♪
237
00:08:52,440 --> 00:08:58,700
[computer dings]
238
00:08:58,697 --> 00:09:01,947
[soft music]
239
00:09:01,950 --> 00:09:03,830
[keys clacking]
240
00:09:03,827 --> 00:09:05,497
[computer dings]
241
00:09:05,495 --> 00:09:08,825
♪ ♪
242
00:09:08,832 --> 00:09:11,582
‐ [groans]
243
00:09:11,584 --> 00:09:15,174
[murmuring]
Sheila was backing away
from you.
244
00:09:15,171 --> 00:09:18,931
Sheila was backing away
from you.
245
00:09:18,925 --> 00:09:21,005
Don't you dare
make another drink.
246
00:09:21,011 --> 00:09:22,471
Don't you dare!
247
00:09:22,470 --> 00:09:24,510
I'm warning you, don't do it.
248
00:09:24,514 --> 00:09:27,314
[with accent]
Were you doing your business
with Sheila?
249
00:09:27,308 --> 00:09:29,188
[with different accent]
Were you doing your business?
250
00:09:29,185 --> 00:09:30,595
[with different accent]
Were you‐‐were‐‐
251
00:09:30,603 --> 00:09:32,063
[stammering]
[sighs]
252
00:09:32,063 --> 00:09:34,483
[with New York accent]
Were you doing your business
253
00:09:34,482 --> 00:09:37,532
with Sheila, you rat bastard?
254
00:09:37,527 --> 00:09:38,897
You rat bastard!
255
00:09:38,903 --> 00:09:41,363
Were you doing it with Sheila,
you rat bastard?
256
00:09:41,364 --> 00:09:42,574
Get away from me!
257
00:09:42,574 --> 00:09:44,414
Yeah.
258
00:09:44,409 --> 00:09:46,869
You get your hands off me,
you pig.
259
00:09:46,870 --> 00:09:49,330
[lights clicking]
[dramatic music]
260
00:09:49,330 --> 00:09:51,040
[horns honking,
people chatting]
261
00:09:51,041 --> 00:09:53,381
You know,
262
00:09:53,376 --> 00:09:54,746
I could call you Mommy
263
00:09:54,753 --> 00:09:56,593
and you wouldn't know
the difference.
264
00:09:56,588 --> 00:09:59,668
♪ ♪
265
00:09:59,674 --> 00:10:04,724
Mommy.
266
00:10:04,721 --> 00:10:07,181
Mommy, get me water.
Get me turnips.
267
00:10:07,182 --> 00:10:10,942
♪ ♪
268
00:10:10,935 --> 00:10:14,105
Yeah.
269
00:10:14,105 --> 00:10:16,605
You're not a man.
270
00:10:16,608 --> 00:10:19,068
You know, a real man,
271
00:10:19,069 --> 00:10:20,319
he grabs a woman,
272
00:10:20,320 --> 00:10:21,490
he takes her by the neck,
and says,
273
00:10:21,488 --> 00:10:23,988
"Everything's gonna be
all right."
274
00:10:23,990 --> 00:10:25,830
Oh, what?
275
00:10:25,825 --> 00:10:27,905
What, you gonna hit me?
276
00:10:27,911 --> 00:10:29,911
Yeah, that's what I thought.
277
00:10:32,624 --> 00:10:33,794
You don't even know
what it takes
278
00:10:33,792 --> 00:10:36,752
to put your flesh
against someone else's.
279
00:10:36,753 --> 00:10:39,463
You just sit.
That's all you do.
280
00:10:39,464 --> 00:10:41,474
You sit, you sit, and you sit,
281
00:10:41,466 --> 00:10:42,716
and you wait for someone
to come by
282
00:10:42,717 --> 00:10:44,337
and tell you what to do.
283
00:10:44,344 --> 00:10:46,014
Well, you know what?
I ain't gonna do it no more.
284
00:10:46,012 --> 00:10:47,182
I'm not gonna sit.
285
00:10:47,180 --> 00:10:48,680
I'm not gonna wait around
for anything.
286
00:10:48,681 --> 00:10:50,731
I'm gonna swim!
I'm gonna fly!
287
00:10:50,725 --> 00:10:52,345
I'm gonna be
the best goddamn person
288
00:10:52,352 --> 00:10:54,852
that ever fucking existed!
289
00:10:54,854 --> 00:10:56,694
You hear me?
290
00:10:56,689 --> 00:10:58,859
I'm it, baby.
291
00:10:58,858 --> 00:11:00,858
I am it!
292
00:11:00,860 --> 00:11:02,780
[sniffs]
293
00:11:02,779 --> 00:11:04,569
♪ ♪
294
00:11:11,871 --> 00:11:15,041
‐ A real man grabs a woman...
295
00:11:15,041 --> 00:11:17,501
grabs a woman by the neck
296
00:11:17,502 --> 00:11:19,802
and‐‐ya hear‐‐
297
00:11:19,796 --> 00:11:23,086
it takes flesh...
298
00:11:23,091 --> 00:11:25,051
takes flesh to g‐‐
‐ [loudly chewing]
299
00:11:25,051 --> 00:11:27,141
MAYA: Against someone's.
300
00:11:27,137 --> 00:11:28,387
Sorry.
301
00:11:28,388 --> 00:11:29,508
Can I start again?
302
00:11:29,514 --> 00:11:30,564
‐ Mm‐hmm.
303
00:11:30,557 --> 00:11:32,557
GABE: [loudly chewing]
304
00:11:32,559 --> 00:11:35,059
‐ Um...
305
00:11:35,061 --> 00:11:37,901
it's the flesh that takes
against someone else's‐‐
306
00:11:37,897 --> 00:11:40,897
what it feels
against someone else's.
307
00:11:40,900 --> 00:11:43,820
[dramatic music]
‐ [loudly chewing]
308
00:11:43,820 --> 00:11:46,820
‐ If it‐‐
‐ [loudly chewing]
309
00:11:49,033 --> 00:11:50,663
‐ When you feel the flesh
against‐‐
310
00:11:50,660 --> 00:11:52,120
GABE: [loudly chewing]
‐ Sorry.
311
00:11:52,120 --> 00:11:54,830
Gabe, can you, like, stop
eating your sandwich right now?
312
00:11:54,831 --> 00:11:56,211
'Cause you're taking me out
of the scene.
313
00:11:56,207 --> 00:11:57,627
I'm, like, trying to‐‐
GREG: This is good.
314
00:11:57,625 --> 00:12:00,165
See, if you were really in
the scene,
315
00:12:00,170 --> 00:12:03,050
then you wouldn't have been
distracted by Gabe's eating.
316
00:12:03,047 --> 00:12:05,507
You see that?
‐ Yeah, I agree.
317
00:12:05,508 --> 00:12:08,298
I feel like I was in the scene
and I was, like, really‐‐
318
00:12:08,303 --> 00:12:10,853
‐ Imagine you're in a theater
of 300 people, okay?
319
00:12:10,847 --> 00:12:12,267
‐ Uh‐huh?
GREG: Do you think they're all
320
00:12:12,265 --> 00:12:14,475
just gonna sit quietly
and watch?
321
00:12:14,475 --> 00:12:16,765
People are gonna get up
to go to the bathroom,
322
00:12:16,769 --> 00:12:18,309
they're gonna be whispering
to each other,
323
00:12:18,313 --> 00:12:20,653
they're gonna be coughing,
there's‐‐
324
00:12:20,648 --> 00:12:22,568
papers are gonna be crinkling
all over the place,
325
00:12:22,567 --> 00:12:23,567
but you can't stop.
326
00:12:23,568 --> 00:12:24,778
You gotta keep going.
327
00:12:24,777 --> 00:12:26,237
‐ I promise you,
like, I did this last night.
328
00:12:26,237 --> 00:12:27,657
I was really good.
329
00:12:27,655 --> 00:12:29,525
‐ If you're in the moment,
then you're not distracted
330
00:12:29,532 --> 00:12:30,952
with what's going on
around you.
331
00:12:30,950 --> 00:12:32,200
‐ I was in the moment
332
00:12:32,202 --> 00:12:34,042
'cause that's happening
in the moment.
333
00:12:34,037 --> 00:12:35,367
GREG: Right, where you were
in that moment.
334
00:12:35,371 --> 00:12:36,791
‐ Yeah.
GREG: Not that one.
335
00:12:36,789 --> 00:12:37,829
‐ Right.
336
00:12:37,832 --> 00:12:40,002
GREG: So...
337
00:12:40,001 --> 00:12:41,131
‐ Okay.
338
00:12:41,127 --> 00:12:43,047
JESSIE: I'm telling you,
one screw, man.
339
00:12:43,046 --> 00:12:44,586
BRENDAN: Two.
MARISSA: Babe, listen to her.
340
00:12:44,589 --> 00:12:46,799
She's a carpenter.
341
00:12:46,799 --> 00:12:49,179
‐ Freaking hot.
Is the air on?
342
00:12:49,177 --> 00:12:50,797
JESSIE: No, they only put it on
during Hell Week
343
00:12:50,803 --> 00:12:51,803
for the actors.
344
00:12:51,804 --> 00:12:53,224
BRENDAN: [groans]
345
00:12:53,223 --> 00:12:55,603
‐ You guys know I can
make myself cold on demand?
346
00:12:55,600 --> 00:12:57,140
It's 85 degrees in here
347
00:12:57,143 --> 00:12:59,273
and I'm fucking freezing.
348
00:12:59,270 --> 00:13:01,020
BRENDAN: Steve, you've gotta
show me how you do that.
349
00:13:01,022 --> 00:13:02,482
JESSIE: Yeah, but like
I was saying, one screw‐‐
350
00:13:02,482 --> 00:13:04,362
STEVE: Here.
You'll need this.
351
00:13:04,359 --> 00:13:06,569
BRENDAN: Two.
JESSIE: What's two gonna do?
352
00:13:06,569 --> 00:13:09,199
‐ Oh, I'm not really sure
I'm gonna stay
353
00:13:09,197 --> 00:13:10,407
'cause I don't know
if I'm really, like, built
354
00:13:10,406 --> 00:13:11,656
for this kind of thing.
355
00:13:11,658 --> 00:13:13,698
‐ "Adapt what is useful,
356
00:13:13,701 --> 00:13:16,961
"reject what is useless,
357
00:13:16,955 --> 00:13:19,415
and add what is specifically
your own."
358
00:13:19,415 --> 00:13:20,785
Bruce Lee.
359
00:13:20,792 --> 00:13:22,752
‐ Hmm.
Okay.
360
00:13:22,752 --> 00:13:26,462
‐ Build yourself
to build a set.
361
00:13:26,464 --> 00:13:28,634
‐ Cool.
362
00:13:31,636 --> 00:13:35,136
‐ You don't know what it takes.
363
00:13:35,139 --> 00:13:37,059
I don't even know.
364
00:13:37,058 --> 00:13:39,598
Ya hear‐‐
365
00:13:39,602 --> 00:13:41,852
[sighs]
366
00:13:41,854 --> 00:13:43,484
‐ Okay.
MAYA: Sorry.
367
00:13:43,481 --> 00:13:44,611
‐ It's all right.
368
00:13:44,607 --> 00:13:46,357
We're gonna try
something different.
369
00:13:46,359 --> 00:13:48,239
Put the script down.
Script down.
370
00:13:50,196 --> 00:13:51,856
Plant your feet.
371
00:13:51,864 --> 00:13:53,074
Bend your knees.
372
00:13:53,074 --> 00:13:56,084
Slight bend so you can have
a little bounce.
373
00:13:56,077 --> 00:13:58,407
Now shake it out.
Ha, ha, ha.
374
00:13:58,413 --> 00:13:59,413
‐ That's stupid.
375
00:13:59,414 --> 00:14:00,714
‐ Shake it.
Be stupid.
376
00:14:00,707 --> 00:14:02,537
[grunting loosely]
377
00:14:02,542 --> 00:14:04,962
[both grunting loosely]
378
00:14:04,961 --> 00:14:06,591
Let those hands go.
379
00:14:06,587 --> 00:14:08,047
[both grunting loosely]
380
00:14:08,047 --> 00:14:09,797
Ha, ha, ha, ha, ha!
381
00:14:09,799 --> 00:14:11,089
Good.
382
00:14:11,092 --> 00:14:12,342
Now what are you scared about?
383
00:14:12,343 --> 00:14:13,853
‐ [laughing]
What?
384
00:14:13,845 --> 00:14:15,885
‐ What are you scared about?
385
00:14:15,888 --> 00:14:22,768
‐ Nothing.
‐ What are you scared about?
386
00:14:22,770 --> 00:14:24,400
‐ Dying.
‐ What are you scared about?
387
00:14:24,397 --> 00:14:25,517
‐ My dad!
388
00:14:25,523 --> 00:14:27,403
‐ Good. Gabe, now.
‐ [sobs]
389
00:14:27,400 --> 00:14:28,530
GREG: Take it from the end
of that scene.
390
00:14:28,526 --> 00:14:30,276
Don't worry about the lines.
391
00:14:30,278 --> 00:14:31,278
You gonna hit me?
392
00:14:31,279 --> 00:14:32,569
‐ You gonna hit me?
‐ Yeah.
393
00:14:32,572 --> 00:14:33,612
‐ All right, come and hit me.
394
00:14:33,614 --> 00:14:35,664
Hit me real good,
right in the jaw.
395
00:14:35,658 --> 00:14:38,238
‐ You shut your goddamn face
or I'll give you a real shiner!
396
00:14:38,244 --> 00:14:39,834
‐ Yeah, you think you're tough?
397
00:14:39,829 --> 00:14:41,619
Come at me, baby!
I'm ready.
398
00:14:41,622 --> 00:14:42,832
I'm ready to feel something.
399
00:14:42,832 --> 00:14:45,292
I haven't felt something
in years.
400
00:14:45,293 --> 00:14:46,923
‐ You say one more word,
I swear‐‐
401
00:14:46,919 --> 00:14:47,999
‐ Yeah, you swear what?
402
00:14:48,004 --> 00:14:49,634
You gonna cry home
to your mommy?
403
00:14:49,630 --> 00:14:51,880
Mommy, Mommy, Mommy, Mommy!
404
00:14:51,883 --> 00:14:53,723
‐ You shut your mouth.
‐ Yeah, or what?
405
00:14:53,718 --> 00:14:55,048
[dramatic music]
406
00:14:55,053 --> 00:14:56,053
[spits]
407
00:14:56,054 --> 00:14:59,314
♪ ♪
408
00:15:01,350 --> 00:15:03,100
[clapping]
409
00:15:03,102 --> 00:15:05,652
‐ No clapping during rehearsal.
410
00:15:05,646 --> 00:15:08,856
Maya, Gabe...
411
00:15:08,858 --> 00:15:10,898
there it is.
412
00:15:10,902 --> 00:15:13,152
That was it!
There it is!
413
00:15:13,154 --> 00:15:14,824
‐ Wow, Maya, I was wrong.
414
00:15:14,822 --> 00:15:16,162
You have "it."
415
00:15:16,157 --> 00:15:17,157
‐ [laughs]
416
00:15:17,158 --> 00:15:19,868
I don't even know
what happened.
417
00:15:19,869 --> 00:15:22,289
I was, like‐‐
I, like, blacked out.
418
00:15:22,288 --> 00:15:23,578
That was so weird.
419
00:15:23,581 --> 00:15:25,291
I felt‐‐like, I spit on you.
I'm sorry.
420
00:15:25,291 --> 00:15:27,091
‐ Oh, no.
I loved that.
421
00:15:27,085 --> 00:15:29,545
Like, I didn't even feel it.
It made me so angry, like‐‐
422
00:15:29,545 --> 00:15:31,295
‐ [laughs]
‐ Like, in the scene, yeah.
423
00:15:31,297 --> 00:15:33,127
‐ I know.
I'm, like‐‐look.
424
00:15:33,132 --> 00:15:34,432
I'm literally shaking
right now.
425
00:15:34,425 --> 00:15:35,885
‐ Oh, my God, me too.
Look.
426
00:15:35,885 --> 00:15:38,885
[romantic music]
427
00:15:38,888 --> 00:15:45,518
♪ ♪
428
00:15:45,520 --> 00:15:47,020
GREG: Let's take ten.
429
00:15:47,021 --> 00:15:48,611
After the break, we're gonna
get into the kissing scene
430
00:15:48,606 --> 00:15:50,226
because I think we're ready.
431
00:15:50,233 --> 00:15:53,443
Just be honest
and honesty will follow.
432
00:15:53,444 --> 00:15:54,654
BOTH: Ooh!
433
00:15:54,654 --> 00:15:55,784
GABE: Shut up, dude.
434
00:15:55,780 --> 00:15:57,620
‐ Yeah, stop.
435
00:16:00,201 --> 00:16:03,081
‐ Spielberg used two screws
in every beam in Jaws.
436
00:16:03,079 --> 00:16:04,909
Look it up.
‐ No, one screw.
437
00:16:04,914 --> 00:16:07,504
You put in two screws
and you risk splintering it.
438
00:16:07,500 --> 00:16:10,920
‐ Two screws ensure
it doesn't break.
439
00:16:10,920 --> 00:16:13,090
‐ Sorry.
Oh, no, keep going.
440
00:16:13,089 --> 00:16:14,509
Be right back.
Whoopsie‐daisy.
441
00:16:14,507 --> 00:16:16,047
‐ If we put two screws
and we break it,
442
00:16:16,050 --> 00:16:17,470
it's all gonna be your fault.
443
00:16:17,468 --> 00:16:18,678
BRENDAN: It won't break.
JESSIE: Yes, it will.
444
00:16:18,678 --> 00:16:19,888
BRENDAN: No, it won't!
445
00:16:19,887 --> 00:16:21,347
‐ Hey, sorry.
446
00:16:21,347 --> 00:16:23,717
Um, I was just thinking that,
447
00:16:23,724 --> 00:16:26,394
like, maybe they could just
stop arguing.
448
00:16:26,394 --> 00:16:27,734
It would be
a little bit more efficient
449
00:16:27,728 --> 00:16:30,688
if they just tried,
like, the two screws
450
00:16:30,690 --> 00:16:32,400
'cause I already finished,
like, six beams
451
00:16:32,400 --> 00:16:34,940
and we can't really move on
till that one's done.
452
00:16:34,944 --> 00:16:38,074
So maybe you could
just say something or...
453
00:16:38,072 --> 00:16:40,412
‐ Why don't you say it to them?
454
00:16:40,408 --> 00:16:41,988
‐ Okay, sorry.
455
00:16:41,993 --> 00:16:43,163
[indistinct arguing]
456
00:16:43,161 --> 00:16:44,661
JESSIE: We're not gonna get
in trouble
457
00:16:44,662 --> 00:16:46,252
if we just do it my way,
and you know what?
‐ Yeah. [laughs]
458
00:16:46,247 --> 00:16:48,167
JESSIE: If it doesn't work,
we can just put in two screws.
459
00:16:48,166 --> 00:16:49,826
Fine, but I already know
it's going to work
with one screw.
460
00:16:49,834 --> 00:16:51,594
‐ [softly] Hey, so‐‐
BRENDAN: It won't work.
461
00:16:51,586 --> 00:16:53,666
‐ [louder]
Sorry for interrupting.
462
00:16:53,671 --> 00:16:56,341
Not to be bossy,
but I was just gonna say,
463
00:16:56,340 --> 00:16:58,720
like, what's the point
of all the talking?
464
00:16:58,718 --> 00:17:01,428
‐ We're trying to build
this beam correctly.
465
00:17:01,429 --> 00:17:03,059
‐ Right.
466
00:17:03,055 --> 00:17:05,095
But I'm just saying, like,
Hell Week's coming up,
467
00:17:05,099 --> 00:17:06,679
and, um‐‐
468
00:17:06,684 --> 00:17:08,814
‐ Look, why won't you guys
just listen to me?
469
00:17:08,811 --> 00:17:11,111
‐ Trust me, okay?
‐ There's a bunch of...
470
00:17:11,105 --> 00:17:12,355
stuff that has to get done.
471
00:17:12,356 --> 00:17:14,066
We have to do it quickly
472
00:17:14,066 --> 00:17:16,566
and, like, I think
you should just make a decision
473
00:17:16,569 --> 00:17:18,819
and if you make a decision,
then we can just get it done
474
00:17:18,821 --> 00:17:20,111
and move on, and if you don't,
475
00:17:20,114 --> 00:17:21,954
then you're just wasting
your own time.
476
00:17:24,577 --> 00:17:26,697
I'm sorry.
[laughs nervously]
477
00:17:26,704 --> 00:17:27,914
It's just a thought
I was having
478
00:17:27,914 --> 00:17:29,214
and I just wanted to share it,
479
00:17:29,207 --> 00:17:31,327
but it's probably stupid.
480
00:17:31,334 --> 00:17:34,754
‐ Guys, I think she's right.
481
00:17:34,754 --> 00:17:35,884
‐ [sighs] I know.
I just wanted to‐‐
482
00:17:35,880 --> 00:17:37,880
STEVE: "Knowing is not enough.
483
00:17:37,882 --> 00:17:39,052
"We must apply.
484
00:17:39,050 --> 00:17:41,220
"Willing is not enough.
485
00:17:41,219 --> 00:17:44,349
We must do."
486
00:17:44,347 --> 00:17:46,887
Bruce.
487
00:17:46,891 --> 00:17:48,771
Okay, Obi‐Wan Kone‐obi.
488
00:17:48,768 --> 00:17:50,268
What do we do next?
489
00:17:50,269 --> 00:17:53,269
[upbeat music]
490
00:17:53,272 --> 00:17:55,232
♪ ♪
491
00:17:55,233 --> 00:17:57,693
IAN: Your scene work with Maya
was really inspiring.
492
00:17:59,320 --> 00:18:00,660
‐ Oh, uh, thanks.
493
00:18:00,655 --> 00:18:01,815
SAM: Yo, Gabe!
494
00:18:01,822 --> 00:18:04,032
‐ Heard you guys had
a crazy sleepover.
495
00:18:04,033 --> 00:18:05,163
SAM: What a ridic‐‐
496
00:18:05,159 --> 00:18:06,449
like you weren't doing
the same thing?
497
00:18:06,452 --> 00:18:07,792
Come on.
498
00:18:07,787 --> 00:18:09,287
‐ At least I wasn't tag‐teaming
like you homos.
499
00:18:09,288 --> 00:18:10,538
SAM: Okay.
500
00:18:10,540 --> 00:18:12,830
‐ Yeah, well,
this homo gets to kiss Maya,
501
00:18:12,833 --> 00:18:15,553
so who's the homo now, faggots?
502
00:18:15,545 --> 00:18:17,665
‐ Well, yeah, you know
it's not a real kiss, though.
503
00:18:17,672 --> 00:18:18,712
'Cause it's in a play.
504
00:18:18,714 --> 00:18:19,884
‐ Yeah, well, she's hot,
505
00:18:19,882 --> 00:18:22,932
so I don't care
if it's real or not.
506
00:18:22,927 --> 00:18:23,967
‐ Okay.
507
00:18:23,970 --> 00:18:24,970
GABE: Okay.
508
00:18:27,306 --> 00:18:29,056
‐ Later.
‐ [softly] Later.
509
00:18:36,649 --> 00:18:37,779
[staple gun fires]
‐ Half beam, go.
510
00:18:37,775 --> 00:18:39,235
Faster.
Go.
511
00:18:39,235 --> 00:18:40,605
Yes. Move.
512
00:18:40,611 --> 00:18:42,111
Sorry to say that.
[laughs]
513
00:18:42,113 --> 00:18:43,493
Bring it in.
Faster. Yes.
514
00:18:43,489 --> 00:18:45,159
Yes, you guys.
Yes. Support.
515
00:18:45,157 --> 00:18:47,537
Support is my middle name.
516
00:18:47,535 --> 00:18:48,825
Oh, my God.
517
00:18:48,828 --> 00:18:50,998
We're good.
518
00:18:50,997 --> 00:18:52,367
GREG: All right, gang.
Welcome back.
519
00:18:52,373 --> 00:18:54,673
So let's take it from the end
520
00:18:54,667 --> 00:18:57,547
of the first scene
521
00:18:57,545 --> 00:19:00,375
at the line, "Get away."
522
00:19:01,841 --> 00:19:04,261
‐ Get away from me.
523
00:19:04,260 --> 00:19:07,140
‐ Isn't this what you want?
524
00:19:07,138 --> 00:19:08,258
‐ You don't know
the first thing
525
00:19:08,264 --> 00:19:09,314
about what I want.
526
00:19:09,307 --> 00:19:11,637
You get your hands off me,
you pig!
527
00:19:11,642 --> 00:19:14,812
GABE: Oh!
528
00:19:14,812 --> 00:19:16,442
Or what?
529
00:19:16,439 --> 00:19:23,449
♪ ♪
530
00:19:27,074 --> 00:19:30,124
Uh, sorry, uh...hold.
531
00:19:30,119 --> 00:19:33,209
Um, Greg, uh, can I have
a little aside with Maya?
532
00:19:33,205 --> 00:19:34,205
‐ Whatever you need.
533
00:19:34,206 --> 00:19:36,576
GABE: Okay.
534
00:19:36,584 --> 00:19:38,254
I'm sorry.
‐ No, it's okay.
535
00:19:40,421 --> 00:19:41,631
Was it my breath?
536
00:19:41,631 --> 00:19:45,261
‐ Oh, uh, no.
It's just, um...
537
00:19:45,259 --> 00:19:48,429
like, I just wanted
to make this official,
538
00:19:48,429 --> 00:19:51,519
you know, before we...uh...
539
00:19:51,515 --> 00:19:54,015
do it, so, like...
540
00:19:54,018 --> 00:19:55,438
um...
541
00:19:59,357 --> 00:20:00,977
Do you want to be
my girlfriend?
542
00:20:04,070 --> 00:20:06,070
You don't have to answer now.
‐ Yes.
543
00:20:08,199 --> 00:20:10,409
‐ Okay.
‐ Okay.
544
00:20:10,409 --> 00:20:13,199
‐ Sick.
‐ Oh, my God.
545
00:20:13,204 --> 00:20:15,414
‐ So, like, in rehearsal‐‐
‐ Yeah.
546
00:20:15,414 --> 00:20:17,964
‐ Whenever we kiss, um‐‐
547
00:20:17,958 --> 00:20:20,998
in rehearsal, whenever we kiss,
548
00:20:21,003 --> 00:20:23,383
it's gonna be,
like, Joe and Debra, you know?
549
00:20:23,381 --> 00:20:24,511
‐ Yeah.
550
00:20:24,507 --> 00:20:27,887
‐ And I want to kiss
as Gabe and Maya.
551
00:20:29,303 --> 00:20:31,013
‐ [laughs]
552
00:20:31,013 --> 00:20:33,313
That's literally
the most romantic thing
553
00:20:33,307 --> 00:20:36,187
I've ever heard.
554
00:20:36,185 --> 00:20:39,395
‐ Okay.
[both laugh]
555
00:20:39,397 --> 00:20:41,857
So let's save it then.
Let's save our first kiss.
556
00:20:41,857 --> 00:20:43,897
‐ Okay.
So when?
557
00:20:43,901 --> 00:20:47,201
‐ For, uh, let's‐‐
first date.
558
00:20:47,196 --> 00:20:49,026
We'll do it on our first date.
559
00:20:49,031 --> 00:20:50,741
‐ So when?
560
00:20:50,741 --> 00:20:52,371
‐ The last night of Hell Week.
561
00:20:52,368 --> 00:20:54,788
‐ Okay.
‐ Okay.
562
00:20:54,787 --> 00:20:56,287
‐ Wait, what's Hell Week?
563
00:20:56,288 --> 00:20:58,418
JESSICA: Oh, you'll see.
564
00:20:58,416 --> 00:21:00,246
‐ [whispering]
Oh, my God, they heard us.
565
00:21:00,251 --> 00:21:02,251
‐ They heard us.
566
00:21:02,253 --> 00:21:03,673
GREG: [clears throat]
Guys, are we ready yet?
567
00:21:03,671 --> 00:21:05,591
MAYA: Sorry, yeah. Yeah.
GABE: Yeah, yeah, yeah, yeah.
568
00:21:05,589 --> 00:21:07,169
♪ ♪
569
00:21:07,174 --> 00:21:09,434
ANNA: Like, just, like,
the shading here
570
00:21:09,427 --> 00:21:12,757
and then it kind of has,
like, a vibe with it.
571
00:21:12,763 --> 00:21:15,023
The kind of feel of the night.
[laughs]
572
00:21:15,015 --> 00:21:21,395
♪ ♪
573
00:21:21,397 --> 00:21:23,477
‐ Going into Hell Week, gang.
574
00:21:23,482 --> 00:21:25,232
It's gonna be intense.
575
00:21:25,234 --> 00:21:27,194
Sure, a play needs actors
576
00:21:27,194 --> 00:21:29,114
and writing, blah, blah.
577
00:21:29,113 --> 00:21:30,493
BRENDAN: Actors suck!
578
00:21:30,489 --> 00:21:32,409
STEVE: But it really is about
the behind the scenes
579
00:21:32,408 --> 00:21:34,158
that makes it all happen.
580
00:21:34,160 --> 00:21:37,500
And Kone,
you fucking led us there.
581
00:21:37,496 --> 00:21:39,916
I'm making you stage manager.
582
00:21:39,915 --> 00:21:41,955
♪ ♪
583
00:21:41,959 --> 00:21:43,589
‐ Oh, my God.
584
00:21:43,586 --> 00:21:45,166
♪ ♪
585
00:21:51,802 --> 00:21:54,852
[ West Side Story "Prologue"]
586
00:21:54,847 --> 00:21:57,927
[tense musical theater music]
587
00:21:57,933 --> 00:22:04,613
♪ ♪
588
00:22:18,496 --> 00:22:20,076
‐ Hey.
‐ Hey.
589
00:22:20,080 --> 00:22:21,540
‐ Hmm.
590
00:22:21,540 --> 00:22:22,540
‐ [laughs]
591
00:22:22,541 --> 00:22:23,831
‐ Oh.
592
00:22:23,834 --> 00:22:25,804
You looking for these?
593
00:22:25,795 --> 00:22:28,545
♪ ♪
594
00:22:28,547 --> 00:22:30,507
It's 4:00.
Actors are called at 4:10.
595
00:22:30,508 --> 00:22:33,468
♪ ♪
596
00:22:33,469 --> 00:22:34,719
Oh.
[laughs]
597
00:22:34,720 --> 00:22:35,720
Let's go.
598
00:22:35,721 --> 00:22:39,351
♪ ♪
599
00:22:42,853 --> 00:22:45,823
‐ Yeah, that's on me, guys.
I got the time all messed up.
600
00:22:45,815 --> 00:22:47,725
STEVE: You're in
the driver's seat, Kone.
601
00:22:47,733 --> 00:22:49,863
Here's what's gonna happen.
‐ Okay.
602
00:22:49,860 --> 00:22:51,860
‐ The actors are gonna be
so fucking excited
603
00:22:51,862 --> 00:22:53,032
to step onto stage,
604
00:22:53,030 --> 00:22:54,740
they're gonna walk around
barefoot,
605
00:22:54,740 --> 00:22:56,740
but there are nails,
there is sawdust,
606
00:22:56,742 --> 00:22:58,372
this is not a playground.
607
00:22:58,369 --> 00:23:00,329
You own the space.
608
00:23:00,329 --> 00:23:03,209
Don't let them‐‐
MAYA: Oh, my God, you guys!
609
00:23:03,207 --> 00:23:05,127
[gasps]
IAN: This is so big!
610
00:23:05,125 --> 00:23:07,705
MAYA: This is crazy!
611
00:23:07,711 --> 00:23:10,211
This is, like, so big.
612
00:23:10,214 --> 00:23:11,514
♪ Oh, my God ♪
613
00:23:11,507 --> 00:23:12,757
♪ Gonna be awesome ♪
614
00:23:12,758 --> 00:23:14,008
♪ Gonna sell out ♪
615
00:23:14,009 --> 00:23:15,719
[indistinct singing]
616
00:23:15,719 --> 00:23:17,599
Hey! Ha! Ha!
617
00:23:17,596 --> 00:23:20,926
Ha! Ha!
[vocalizing]
618
00:23:20,933 --> 00:23:22,313
ANNA: Okay.
619
00:23:22,309 --> 00:23:23,519
Places for the‐‐
620
00:23:23,519 --> 00:23:25,899
it's not‐‐it's not, uh‐‐
621
00:23:25,896 --> 00:23:27,186
‐ ♪ In the spotlight ♪
622
00:23:27,189 --> 00:23:28,319
♪ Everybody sees me ♪
‐ Turn it up.
623
00:23:28,315 --> 00:23:29,605
‐ ♪ Everybody say hey ♪
624
00:23:29,608 --> 00:23:32,188
‐ [over speakers]
Places for the top of act one.
625
00:23:33,571 --> 00:23:34,861
Please?
626
00:23:34,864 --> 00:23:37,784
‐ Hey, Anna.
‐ Hey, Maya.
627
00:23:37,783 --> 00:23:39,493
Please, can you do that?
And put your shoes on.
628
00:23:39,493 --> 00:23:41,453
‐ We usually rehearse
without shoes, but‐‐
629
00:23:41,453 --> 00:23:44,003
‐ And then we'll do places
for the top of act one.
630
00:23:43,998 --> 00:23:45,618
‐ Okay.
631
00:23:45,624 --> 00:23:46,714
[scoffs]
632
00:23:46,709 --> 00:23:48,749
[laughs]
633
00:23:48,752 --> 00:23:50,922
‐ Guys.
‐ Shoes are over there.
634
00:23:50,921 --> 00:23:53,761
♪ Our shoes are over there ♪
‐ Oh, God.
635
00:23:53,757 --> 00:23:55,337
‐ We have our shoes over here.
636
00:23:58,679 --> 00:24:01,469
I‐‐they're not back here.
‐ Oh, my God.
637
00:24:01,473 --> 00:24:04,693
Tech week, people.
Take it from the top.
638
00:24:04,685 --> 00:24:06,095
‐ I saw you!
639
00:24:06,103 --> 00:24:08,363
I saw you with my own two eyes!
640
00:24:08,355 --> 00:24:09,935
ANNA: Hold.
641
00:24:09,940 --> 00:24:11,320
Yeah, stay right there.
Hold.
642
00:24:11,317 --> 00:24:13,067
‐ I didn't even finish my line.
643
00:24:13,068 --> 00:24:15,488
‐ Kay, it's more important
that we mark this cue.
644
00:24:15,487 --> 00:24:17,777
It's a lighting thing.
You wouldn't understand.
645
00:24:17,781 --> 00:24:19,371
Okay, we got it.
Act.
646
00:24:19,366 --> 00:24:20,696
BOTH: You‐‐
647
00:24:20,701 --> 00:24:21,991
‐ Oh, is it your line?
‐ Yeah.
648
00:24:21,994 --> 00:24:23,374
I saw you with my own‐‐
649
00:24:23,370 --> 00:24:25,370
ANNA: Hold.
‐ Oh, my God.
650
00:24:25,372 --> 00:24:26,712
‐ Why do you keep going
like this?
651
00:24:26,707 --> 00:24:28,577
If you're not gonna do that
on the day,
652
00:24:28,584 --> 00:24:29,964
don't do that, okay?
653
00:24:29,960 --> 00:24:31,670
‐ Seriously?
‐ Did you get it?
654
00:24:31,670 --> 00:24:33,340
‐ Yeah.
‐ Okay, we got it. Act.
655
00:24:33,339 --> 00:24:35,339
‐ For ten years,
you've told me‐‐
656
00:24:35,341 --> 00:24:36,591
ANNA: Hold.
657
00:24:36,592 --> 00:24:38,682
You're not in your light.
658
00:24:38,677 --> 00:24:40,047
Still not in your light.
659
00:24:40,054 --> 00:24:42,564
‐ I'd rather go to jail‐‐
660
00:24:42,556 --> 00:24:43,766
ANNA: Mai, that's you.
‐ Line.
661
00:24:43,766 --> 00:24:45,176
‐ "I'd rather go to jail
662
00:24:45,184 --> 00:24:46,894
than spend one more minute
with you."
663
00:24:46,894 --> 00:24:48,234
‐ I have it.
Thank you.
664
00:24:48,228 --> 00:24:50,898
‐ To your left.
Your left.
665
00:24:50,898 --> 00:24:53,148
The other left.
‐ Anna, let me finish the line.
666
00:24:53,150 --> 00:24:54,690
ANNA: Hold.
Go 132.
667
00:24:54,693 --> 00:24:56,243
Hold.
Hold, I said.
668
00:24:56,236 --> 00:24:57,696
Hold.
Hold!
669
00:24:57,696 --> 00:24:58,906
Hold.
670
00:24:58,906 --> 00:25:00,236
‐ We're just getting up.
ANNA: Hold.
671
00:25:00,240 --> 00:25:02,740
Walk it through slowly
so we can get the marks.
672
00:25:02,743 --> 00:25:06,503
‐ [in slow motion]
Saw you with my own two eyes.
673
00:25:06,497 --> 00:25:07,667
‐ Slower physical.
674
00:25:07,665 --> 00:25:09,115
‐ [slower]
Rat bastard.
675
00:25:09,124 --> 00:25:10,714
‐ Faster vocal.
676
00:25:10,709 --> 00:25:12,669
‐ I saw you backing away
from Sheila.
677
00:25:12,670 --> 00:25:14,340
Sheila was a rat bastard.
I saw you backing away
from Sheila.
678
00:25:14,338 --> 00:25:16,128
‐ What are you gonna do, Debra?
679
00:25:16,131 --> 00:25:17,591
You gonna divorce me?
680
00:25:17,591 --> 00:25:19,391
‐ I don't even know
what we're doing anymore.
681
00:25:19,385 --> 00:25:21,425
I'm really confused.
‐ Can you do it full‐out?
682
00:25:21,428 --> 00:25:23,178
‐ I don't wanna do it
full‐out right now.
683
00:25:23,180 --> 00:25:24,600
I don't want to go at 100.
I'm gonna go at‐‐
684
00:25:24,598 --> 00:25:25,928
‐ If you are doing
something different
685
00:25:25,933 --> 00:25:27,063
than what you're doing
on the day,
686
00:25:27,059 --> 00:25:28,389
we're not gonna know our cue.
687
00:25:28,394 --> 00:25:29,484
‐ Oh, my God.
688
00:25:29,478 --> 00:25:30,558
ANNA: Please let us do
our work.
689
00:25:30,562 --> 00:25:32,402
‐ Uh, can you say it again?
690
00:25:32,398 --> 00:25:33,728
‐ You keep forgetting
your lines.
691
00:25:33,732 --> 00:25:35,072
‐ Okay, sorry!
692
00:25:35,067 --> 00:25:36,567
ANNA: Find your light.
‐ Is that it?
693
00:25:36,568 --> 00:25:37,898
ANNA: Colder.
‐ Is that it?
694
00:25:37,903 --> 00:25:39,153
‐ Colder.
‐ Is that it?
695
00:25:39,154 --> 00:25:40,364
ANNA: Ice cold.
‐ Is that it?
696
00:25:40,364 --> 00:25:42,744
‐ Oh, my God.
‐ Is that fucking it?
697
00:25:42,741 --> 00:25:44,371
Line?
‐ Damn it, Maya!
698
00:25:44,368 --> 00:25:45,618
‐ I cannot act
699
00:25:45,619 --> 00:25:47,329
when you're yelling
technical cues.
700
00:25:47,329 --> 00:25:48,659
I cannot do it.
701
00:25:48,664 --> 00:25:50,334
I don't know
where the light is!
702
00:25:50,332 --> 00:25:52,382
‐ Whose fucking beeper is that?
703
00:25:52,376 --> 00:25:53,536
‐ [sobbing]
Did I find it?
704
00:25:53,544 --> 00:25:55,674
‐ This is our time
in the tech world
705
00:25:55,671 --> 00:25:57,671
to make sure that you guys
don't mess it up.
706
00:25:57,673 --> 00:25:59,513
No offense.
‐ I can't feel it.
707
00:25:59,508 --> 00:26:01,138
‐ Feel the warmth!
‐ Give us space‐‐
708
00:26:01,135 --> 00:26:03,965
‐ Take a‐‐take a‐‐
‐ To breathe and say our lines!
709
00:26:03,971 --> 00:26:06,681
If I can't say the lines,
then I can't act!
710
00:26:06,682 --> 00:26:08,392
‐ I‐I can't‐‐
711
00:26:08,392 --> 00:26:09,692
we're fucked.
712
00:26:11,186 --> 00:26:13,856
So it's really simple.
713
00:26:13,856 --> 00:26:17,186
I'm in my light.
714
00:26:17,192 --> 00:26:18,862
Not in my light.
715
00:26:18,861 --> 00:26:21,611
I'm in my light.
716
00:26:21,613 --> 00:26:22,613
Not in my light.
717
00:26:22,614 --> 00:26:23,914
‐ Can I just interject?
718
00:26:23,907 --> 00:26:25,827
‐ Yeah.
‐ It's called warmth.
719
00:26:25,826 --> 00:26:27,656
You feel the warmth
when you're in the light.
720
00:26:27,661 --> 00:26:29,501
‐ Can I interject
on his interjection?
721
00:26:29,496 --> 00:26:31,246
I'm not feeling warmth.
722
00:26:31,248 --> 00:26:32,418
Like, when I stand
in the lights,
723
00:26:32,416 --> 00:26:33,576
I don't know about you guys,
724
00:26:33,584 --> 00:26:35,004
I don't feel it on my skin
or anything.
725
00:26:35,002 --> 00:26:36,302
‐ These are grade A lights.
726
00:26:36,295 --> 00:26:37,415
‐ Okay, we don't have
a lot of time,
727
00:26:37,421 --> 00:26:39,171
so props.
728
00:26:39,173 --> 00:26:43,433
You guys need to put your props
back down on the props table.
729
00:26:43,427 --> 00:26:45,097
I cannot emphasize it enough.
730
00:26:45,095 --> 00:26:47,385
‐ Sorry, but every time
Marissa places my prop
731
00:26:47,389 --> 00:26:48,769
on stage left,
732
00:26:48,766 --> 00:26:50,426
it's actually meant to be
on stage right where I exit.
733
00:26:50,434 --> 00:26:52,144
‐ Actually, you're using
the bottle
734
00:26:52,144 --> 00:26:53,194
at the top of act two
735
00:26:53,187 --> 00:26:54,607
when you should be using
the broom.
736
00:26:54,605 --> 00:26:56,105
‐ Okay, you guys, we don't have
time to talk about this.
737
00:26:56,106 --> 00:26:57,436
So basically, the thing is,
738
00:26:57,441 --> 00:26:59,571
is you just put your prop back
on the prop table.
739
00:26:59,568 --> 00:27:01,358
Maya, got a note for you.
740
00:27:01,361 --> 00:27:02,951
You gotta remember your lines.
741
00:27:02,946 --> 00:27:04,656
That's the only way
that we know our cues
742
00:27:04,656 --> 00:27:05,776
and you need to memorize them.
743
00:27:05,783 --> 00:27:07,163
‐ I did memorize them.
744
00:27:07,159 --> 00:27:09,239
If we had enough time
to go over them, I'd be able‐‐
745
00:27:09,244 --> 00:27:10,544
‐ Maya, we can't do the work
for you.
746
00:27:10,537 --> 00:27:12,077
‐ I'm not asking you
to do the work for me.
747
00:27:12,081 --> 00:27:13,171
I was doing the work.
748
00:27:13,165 --> 00:27:14,955
'Cause you guys are doing tech
749
00:27:14,958 --> 00:27:16,838
and we're, like,
doing art, so‐‐
750
00:27:16,835 --> 00:27:18,085
ANNA: Kay, tech is art, so‐‐
751
00:27:18,087 --> 00:27:19,337
‐ Fuck the semantics.
752
00:27:19,338 --> 00:27:21,088
Just fucking remember
your lines!
753
00:27:21,090 --> 00:27:22,720
‐ All right, all right, okay.
754
00:27:22,716 --> 00:27:24,676
Very good.
‐ [coughs]
755
00:27:24,676 --> 00:27:27,006
[intense music]
756
00:27:27,012 --> 00:27:28,812
‐ Was that a cough, Gabe?
757
00:27:28,806 --> 00:27:31,516
‐ Oh. Yeah, it's‐‐
I'm fine, though.
758
00:27:31,517 --> 00:27:33,057
‐ All right.
Everybody freeze.
759
00:27:33,060 --> 00:27:34,350
We're done.
760
00:27:34,353 --> 00:27:37,613
I am not gonna have my actors
get sick, okay?
761
00:27:37,606 --> 00:27:39,976
Gabe, I'm not messing around,
okay?
762
00:27:39,983 --> 00:27:41,693
Go home, steam your sinuses,
763
00:27:41,693 --> 00:27:43,783
and you gargle three times
with salt water, okay?
764
00:27:43,779 --> 00:27:45,859
Everybody else,
techies included,
765
00:27:45,864 --> 00:27:48,744
go home, get some sleep,
at least eight hours,
766
00:27:48,742 --> 00:27:52,082
and please,
please wash your hands!
767
00:27:52,079 --> 00:27:53,499
Thank you.
‐ I'm still‐‐
768
00:27:53,497 --> 00:27:54,747
GREG: We're done.
‐ Okay. Memorize‐‐
769
00:27:54,748 --> 00:27:57,668
‐ Good night.
‐ And memorize your lines.
770
00:27:57,668 --> 00:27:59,038
GREG: Thank you, Anna.
771
00:27:59,044 --> 00:28:00,594
ANNA: I'm sorry I'm yelling.
772
00:28:00,587 --> 00:28:03,377
‐ Are we still on
for our date tonight or no?
773
00:28:03,382 --> 00:28:06,262
‐ I mean, I might be sick.
774
00:28:06,260 --> 00:28:10,430
‐ Okay, well,
I can take care of you.
775
00:28:10,430 --> 00:28:13,140
Sick boy.
[laughs]
776
00:28:13,141 --> 00:28:15,441
[chuckles]
777
00:28:15,435 --> 00:28:18,435
See you tonight, boyfriend.
778
00:28:20,023 --> 00:28:21,653
‐ Yeah. That's me.
779
00:28:21,650 --> 00:28:23,030
[sniffles]
780
00:28:28,529 --> 00:28:30,029
‐ Actually, that's the cue 32.
781
00:28:30,032 --> 00:28:32,742
Like, I'm just so‐‐
fucking hell.
782
00:28:34,328 --> 00:28:36,158
I can't handle these actors.
783
00:28:36,163 --> 00:28:37,663
Like, I can't.
784
00:28:37,664 --> 00:28:39,504
We didn't even have
a dress rehearsal
785
00:28:39,499 --> 00:28:41,629
'cause they're so
fucking incompetent!
786
00:28:41,627 --> 00:28:44,087
‐ Shh.
787
00:28:44,087 --> 00:28:45,087
‐ Sorry.
788
00:28:49,009 --> 00:28:50,589
[sighs]
789
00:28:50,594 --> 00:28:52,934
‐ I was sweating bullets
2.6 seconds ago.
790
00:28:52,929 --> 00:28:54,559
Look at me now.
791
00:28:54,556 --> 00:28:57,476
‐ Mm‐hmm.
792
00:28:57,476 --> 00:28:59,936
‐ This play's a pile
of dog shit.
793
00:28:59,936 --> 00:29:01,936
But you can change it
with your mind.
794
00:29:04,066 --> 00:29:05,686
You get me?
795
00:29:05,692 --> 00:29:06,902
‐ Okay.
796
00:29:09,529 --> 00:29:12,819
SINGER:
♪ My one and only ♪
797
00:29:12,824 --> 00:29:15,294
[soft music playing
over boombox]
798
00:29:15,285 --> 00:29:19,665
‐ Gabe, you girlfriend's here.
799
00:29:19,665 --> 00:29:21,625
And she's so cute,
800
00:29:21,625 --> 00:29:23,495
I won't even leave
the door open.
801
00:29:23,502 --> 00:29:25,132
‐ [laughs]
‐ [mouths words]
802
00:29:25,128 --> 00:29:26,338
‐ [quietly] Mom.
803
00:29:26,338 --> 00:29:30,218
♪ ♪
804
00:29:30,217 --> 00:29:31,547
‐ Hi, boyfriend.
805
00:29:31,551 --> 00:29:32,841
‐ Hi.
806
00:29:32,844 --> 00:29:36,564
‐ I brought masks and soup.
807
00:29:36,556 --> 00:29:38,766
‐ I don't think I'm sick.
808
00:29:38,767 --> 00:29:41,437
‐ Well, just in case.
809
00:29:41,436 --> 00:29:48,436
♪ ♪
810
00:29:49,611 --> 00:29:52,531
[both laugh softly]
811
00:29:52,531 --> 00:29:55,701
‐ I love this song.
812
00:29:55,701 --> 00:29:58,751
‐ It's my favorite.
813
00:29:58,745 --> 00:30:00,535
‐ Me too.
814
00:30:00,539 --> 00:30:02,999
♪ ♪
815
00:30:02,999 --> 00:30:04,169
‐ Oh, my God.
816
00:30:04,167 --> 00:30:07,167
Rehearsal was,
like, complete shitake.
817
00:30:07,170 --> 00:30:08,670
Literally.
818
00:30:08,672 --> 00:30:10,472
‐ Literally?
819
00:30:10,465 --> 00:30:12,425
So it was a mushroom?
820
00:30:12,426 --> 00:30:14,046
[both laugh]
821
00:30:14,052 --> 00:30:17,102
♪ ♪
822
00:30:17,097 --> 00:30:18,217
‐ Yeah.
823
00:30:18,223 --> 00:30:24,653
♪ ♪
824
00:30:24,646 --> 00:30:25,936
‐ What?
825
00:30:25,939 --> 00:30:29,529
‐ Do you want me
to feed you the soup?
826
00:30:29,526 --> 00:30:32,066
‐ Nah, I'm good.
827
00:30:32,070 --> 00:30:33,780
‐ Okay.
828
00:30:33,780 --> 00:30:39,540
♪ ♪
829
00:30:39,536 --> 00:30:44,286
‐ [singing gibberish]
830
00:30:44,291 --> 00:30:47,631
[laughs]
831
00:30:47,627 --> 00:30:51,417
SINGER: ♪ It's only
a tiny space ♪
832
00:30:51,423 --> 00:30:54,933
♪ That keeps us apart ♪
833
00:30:54,926 --> 00:30:57,256
♪ ♪
834
00:30:57,262 --> 00:31:00,022
‐ Whoa, whoa, whoa.
835
00:31:00,015 --> 00:31:02,385
SINGER: ♪ But never lonely ♪
836
00:31:02,392 --> 00:31:04,902
‐ Hold on.
‐ Sorry.
837
00:31:04,895 --> 00:31:06,475
‐ [clears throat]
I just, uh...
838
00:31:06,480 --> 00:31:09,270
SINGER: ♪ You are always here ♪
839
00:31:09,274 --> 00:31:11,284
‐ [whispering]
Sorry.
840
00:31:11,276 --> 00:31:14,856
‐ I just, uh, didn't want you
to get sick, you know?
841
00:31:14,863 --> 00:31:17,783
[both laugh]
842
00:31:17,783 --> 00:31:18,993
Here we go.
‐ Kay.
843
00:31:18,992 --> 00:31:21,452
‐ Get a good hold on it.
844
00:31:21,453 --> 00:31:27,503
♪ ♪
845
00:31:27,501 --> 00:31:29,091
Good?
‐ Yeah.
846
00:31:33,089 --> 00:31:35,589
MAYA: I don't want you
to get sick either.
847
00:31:39,721 --> 00:31:42,721
[Tony Bennett's
"The Way You Look Tonight"]
848
00:31:42,724 --> 00:31:49,734
♪ ♪
849
00:31:52,275 --> 00:31:54,185
BENNETT: ♪ Someday ♪
850
00:31:54,194 --> 00:31:55,704
GABE: Care to dance?
851
00:31:55,695 --> 00:31:56,945
MAYA: [laughs]
852
00:31:56,947 --> 00:32:01,697
BENNETT:
♪ When I'm awfully low ♪
853
00:32:01,701 --> 00:32:04,701
♪ When the world is cold ♪
854
00:32:04,704 --> 00:32:06,924
♪ ♪
855
00:32:06,915 --> 00:32:09,785
♪ I will feel a glow ♪
856
00:32:09,793 --> 00:32:13,803
♪ Just thinking of you ♪
857
00:32:13,797 --> 00:32:16,967
♪ ♪
858
00:32:16,967 --> 00:32:21,717
♪ And the way you look
tonight ♪
859
00:32:21,721 --> 00:32:27,731
♪ ♪
860
00:32:29,563 --> 00:32:32,403
♪ Oh, but you're lovely ♪
861
00:32:32,399 --> 00:32:37,029
♪ ♪
862
00:32:37,028 --> 00:32:40,988
♪ With your smile so warm ♪
863
00:32:40,991 --> 00:32:42,531
♪ ♪
864
00:32:42,534 --> 00:32:46,204
♪ And your cheek so soft ♪
865
00:32:46,204 --> 00:32:47,874
♪ ♪
866
00:32:47,873 --> 00:32:50,383
♪ There is nothing for me ♪
867
00:32:50,375 --> 00:32:53,375
♪ But to love you ♪
868
00:32:53,378 --> 00:32:57,918
♪ ♪
869
00:32:57,924 --> 00:33:01,434
♪ Just the way you look ♪
870
00:33:01,428 --> 00:33:04,008
♪ Tonight ♪
871
00:33:04,014 --> 00:33:11,024
♪ ♪
872
00:33:13,523 --> 00:33:15,783
♪ With each word ♪
873
00:33:15,775 --> 00:33:17,815
♪ ♪
874
00:33:17,819 --> 00:33:21,569
♪ Your tenderness grows ♪
875
00:33:21,573 --> 00:33:23,623
♪ ♪
876
00:33:23,617 --> 00:33:29,497
♪ Tearing my fear apart ♪
877
00:33:29,497 --> 00:33:34,087
♪ ♪
878
00:33:34,085 --> 00:33:37,205
♪ And that laugh ♪
879
00:33:37,213 --> 00:33:38,383
[twinkling]
880
00:33:38,381 --> 00:33:40,881
MAYA: It feels like...
881
00:33:40,884 --> 00:33:44,354
there's a bunch of butterflies
fluttering around in my chest.
882
00:33:44,346 --> 00:33:46,596
BENNETT: ♪ Touches ♪
883
00:33:46,598 --> 00:33:50,228
[music distorts]
♪ My foolish heart ♪
884
00:33:50,226 --> 00:33:52,646
‐ Yeah.
885
00:33:52,646 --> 00:33:56,016
‐ Can we do a real kiss now,
without the masks on?
886
00:33:56,024 --> 00:33:59,364
‐ Um...l‐let's wait
until opening night
887
00:33:59,361 --> 00:34:01,611
to do our first kiss.
[chuckles]
888
00:34:01,613 --> 00:34:04,163
‐ But I thought you said
not to do the kiss
889
00:34:04,157 --> 00:34:06,907
as our characters,
but as Gabe and Maya?
890
00:34:06,910 --> 00:34:09,290
‐ Well, it's too late,
you know?
891
00:34:09,287 --> 00:34:12,207
We‐‐we already are
our characters.
892
00:34:12,207 --> 00:34:15,837
We are Joe and Debra, Maya,
893
00:34:15,835 --> 00:34:17,585
so...
894
00:34:17,587 --> 00:34:20,587
when we kiss,
it'll still be us.
895
00:34:20,590 --> 00:34:24,340
BENNETT: ♪ Just the way
you look ♪
896
00:34:24,344 --> 00:34:25,434
♪ Tonight ♪
897
00:34:25,428 --> 00:34:29,428
‐ That's romantic.
898
00:34:29,432 --> 00:34:31,522
Okay.
899
00:34:31,518 --> 00:34:33,138
So tomorrow?
900
00:34:33,144 --> 00:34:36,064
Opening night.
901
00:34:36,064 --> 00:34:40,694
BENNETT: ♪ Just the way
you look ♪
902
00:34:40,694 --> 00:34:42,574
♪ ♪
903
00:34:42,570 --> 00:34:43,740
‐ [sighs]
904
00:34:43,738 --> 00:34:45,158
BENNETT: ♪ Toni‐‐ ♪
905
00:34:53,957 --> 00:34:55,577
ANNA: [sighs]
906
00:35:05,051 --> 00:35:06,761
[door squeaks]
907
00:35:06,761 --> 00:35:09,431
[keys jingle]
908
00:35:09,431 --> 00:35:11,061
[lock clicks]