1 00:00:15,808 --> 00:00:17,643 [narrator] Every day around the world, 2 00:00:17,727 --> 00:00:20,396 millions struggle with the same question: 3 00:00:20,480 --> 00:00:24,859 to exclamation point or not to exclamation point? 4 00:00:26,861 --> 00:00:28,529 Exclamation points are friendly. 5 00:00:29,155 --> 00:00:31,240 But they can also be too friendly. 6 00:00:32,450 --> 00:00:33,993 They show you're excited, 7 00:00:34,077 --> 00:00:36,621 but can also make it seem like you're shouting. 8 00:00:38,372 --> 00:00:40,625 In a work email, they lighten the tone, 9 00:00:40,708 --> 00:00:43,127 but you can also look less serious. 10 00:00:44,587 --> 00:00:46,798 And if you don't use exclamation points, 11 00:00:47,340 --> 00:00:49,217 sometimes you risk seeming mean. 12 00:00:49,300 --> 00:00:52,970 You wrote, "Myra had the baby," but you didn't use an exclamation point. 13 00:00:53,054 --> 00:00:55,223 [Narrator] Elaine once got dumped over it. 14 00:00:55,306 --> 00:00:58,434 I would put exclamation points at the ends of all of these sentences! 15 00:00:58,518 --> 00:01:00,478 On this one and on that one! 16 00:01:00,561 --> 00:01:04,357 You can put one on this one: I'm leaving! 17 00:01:04,440 --> 00:01:06,776 [Narrator] The way they're perceived in a professional setting 18 00:01:06,859 --> 00:01:09,445 can vary widely depending on gender. 19 00:01:09,529 --> 00:01:11,781 When sent by a female co-worker, 20 00:01:11,864 --> 00:01:13,908 nearly half of male respondents found 21 00:01:13,991 --> 00:01:17,870 the use of exclamation points in this email to be very professional. 22 00:01:17,954 --> 00:01:21,666 But when that same email was sent by a man, 23 00:01:21,749 --> 00:01:23,835 that number dropped significantly. 24 00:01:24,627 --> 00:01:27,713 Humans are communicators and innovators. 25 00:01:28,297 --> 00:01:30,133 We sent a man to the moon. 26 00:01:30,216 --> 00:01:33,761 But we only have three ways to end a sentence. 27 00:01:34,470 --> 00:01:37,682 Exclamation points are everywhere in popular culture, 28 00:01:37,765 --> 00:01:41,060 even though it's not totally clear what they mean. 29 00:01:41,477 --> 00:01:44,438 Why is the exclamation point so confusing? 30 00:01:45,773 --> 00:01:47,275 And is there something better? 31 00:01:53,573 --> 00:01:55,158 [man 1] It's a bird! It's a plane!! 32 00:01:55,241 --> 00:01:57,535 -Don't do it for me. Do it for the paper. -Scram, Svengali! 33 00:01:57,618 --> 00:01:58,744 Where are the people? 34 00:01:59,954 --> 00:02:01,539 I am the greatest! 35 00:02:05,001 --> 00:02:07,420 [Alex Trebek] This is Jeopardy! 36 00:02:07,503 --> 00:02:11,924 Keep America great, exclamation point! 37 00:02:12,008 --> 00:02:13,301 And they text to each other. 38 00:02:13,384 --> 00:02:15,469 They don't need to know spelling. Don't need grammar. 39 00:02:15,553 --> 00:02:18,264 Only you can prevent forest fires! 40 00:02:18,347 --> 00:02:20,349 It's an exclamation point! 41 00:02:20,433 --> 00:02:22,602 It's a line with a dot under it. 42 00:02:25,771 --> 00:02:29,066 [Narrator] Who better to help us understand how to use an exclamation point 43 00:02:29,150 --> 00:02:33,905 than the high priests of punctuation: copy editors? 44 00:02:33,988 --> 00:02:36,949 And what better way to get the unvarnished truth 45 00:02:37,033 --> 00:02:40,411 than at a copy editor conference cocktail hour? 46 00:02:40,494 --> 00:02:42,788 Hey! Your team won the game. That's fantastic! 47 00:02:42,872 --> 00:02:44,123 Egads! 48 00:02:44,207 --> 00:02:45,291 Holy shit! 49 00:02:45,374 --> 00:02:49,295 Or I'm pregnant! Or I got divorced! 50 00:02:49,378 --> 00:02:51,214 I'm not any of these things. Wow. 51 00:02:51,297 --> 00:02:55,259 You get one exclamation mark in your career. Use it wisely. 52 00:02:55,343 --> 00:02:58,554 In editing school, they told me to use them minimally. 53 00:02:59,555 --> 00:03:00,890 And I didn't listen... 54 00:03:00,973 --> 00:03:02,433 because I think they're dope. 55 00:03:02,516 --> 00:03:05,019 If you use multiple exclamation marks, 56 00:03:05,102 --> 00:03:07,563 you sound like an overexcited 14-year-old. 57 00:03:07,647 --> 00:03:11,025 Professional correspondence, I wouldn't use it more than two times. 58 00:03:11,108 --> 00:03:15,738 I use the exclamation mark personally... all the time. 59 00:03:16,656 --> 00:03:20,034 Like, it's really egregious and I really need to get help for it. 60 00:03:20,117 --> 00:03:23,955 [Narrator] But the question of how to use an exclamation point used to be simple. 61 00:03:24,872 --> 00:03:26,624 You put exclamation points 62 00:03:27,333 --> 00:03:29,001 after exclamations. 63 00:03:29,585 --> 00:03:33,673 Words like "lo," "hark," "behold" 64 00:03:33,756 --> 00:03:35,883 that are meant to grab the reader's attention. 65 00:03:35,967 --> 00:03:41,389 The Italian poet Iacopo Alpoleio da Urbisaglia claimed to have invented it. 66 00:03:41,472 --> 00:03:45,059 In the Renaissance, there was the sense of the contemporary culture 67 00:03:45,142 --> 00:03:48,062 being broken or decayed, 68 00:03:48,145 --> 00:03:51,357 and needing to go back and find a better foundation 69 00:03:51,440 --> 00:03:54,235 for the arts and culture and society. 70 00:03:54,735 --> 00:03:58,739 [narrator] And they turned to antiquity, to ancient Athens and Rome, 71 00:03:58,823 --> 00:04:00,574 and to orators like Cicero. 72 00:04:01,784 --> 00:04:04,495 Da Urgisaglia decided to mark his exclamations 73 00:04:04,578 --> 00:04:07,832 to indicate the livelier way they should be read aloud. 74 00:04:07,915 --> 00:04:11,127 He called his creation the punctus admirativus, 75 00:04:11,210 --> 00:04:13,671 or the punctus exclamativus. 76 00:04:13,754 --> 00:04:16,299 [Weiskott] "I began noting the ends of such clauses 77 00:04:16,382 --> 00:04:20,720 with a plain punctus and a comma placed lengthwise above it." 78 00:04:20,803 --> 00:04:25,224 [Narrator] The new punctus took off and was used this way for centuries. 79 00:04:26,058 --> 00:04:30,313 By the 1700s, the Spanish had standardized turning it upside down 80 00:04:30,396 --> 00:04:32,606 and also placing it out in front. 81 00:04:33,482 --> 00:04:36,027 Missionaries and European colonial powers 82 00:04:36,110 --> 00:04:39,822 spread its use across the globe and on to dozens of languages. 83 00:04:42,158 --> 00:04:43,909 But applying exclamation points 84 00:04:43,993 --> 00:04:47,496 to written traditions that didn't originally have them could be tricky. 85 00:04:48,164 --> 00:04:51,876 When one of the great masterpieces of Old English, Beowulf, 86 00:04:51,959 --> 00:04:54,545 was rediscovered in the early 1800s, 87 00:04:54,628 --> 00:04:58,215 many editors debated whether or not to apply an exclamation point 88 00:04:58,299 --> 00:04:59,925 to the poem's first word. 89 00:05:01,677 --> 00:05:02,511 [Narrator] What? 90 00:05:02,595 --> 00:05:04,889 [Weiskott] "Hwæt!" which means listen up, 91 00:05:04,972 --> 00:05:07,600 or, in rap music, it's kind of like "yo!" or "heyo!" 92 00:05:13,689 --> 00:05:18,319 [Narrator] Beowulf is a pretty different story depending on how you punctuate it. 93 00:05:18,402 --> 00:05:20,613 Listen! We have heard about the glory of the Spear-Danes, 94 00:05:20,696 --> 00:05:24,825 the kings of tribes, in days of yore, how the noblemen performed brave deeds! 95 00:05:26,911 --> 00:05:28,579 If that exclamation point is there, 96 00:05:28,662 --> 00:05:30,748 the narrator is pretty jazzed about this past. 97 00:05:31,332 --> 00:05:36,962 [Narrator] No other punctuation has the same power as the exclamation point 98 00:05:37,046 --> 00:05:39,173 to signal a feeling. 99 00:05:39,757 --> 00:05:41,967 [Weiskott] By the time you get to the 18th century, 100 00:05:42,051 --> 00:05:44,303 people started using it not just for grammar, 101 00:05:44,387 --> 00:05:45,679 but also for tone. 102 00:05:45,763 --> 00:05:48,682 "My friend! This conduct amazes me!" 103 00:05:48,766 --> 00:05:51,769 [Narrator] Great American authors, like Herman Melville, 104 00:05:51,852 --> 00:05:55,314 embrace the exclamation point to convey passion. 105 00:05:55,981 --> 00:06:00,986 His classic, Moby Dick, had 1,683. 106 00:06:01,070 --> 00:06:03,197 [man] "I can see that figure now-- 107 00:06:03,280 --> 00:06:07,993 pallidly neat, pitiably respectable, incurably forlorn!" 108 00:06:08,077 --> 00:06:13,207 [Narrator] But then, after 1920, the exclamation point became uncool. 109 00:06:13,290 --> 00:06:16,001 Writers are starting to associate the exclamation mark 110 00:06:16,085 --> 00:06:20,256 on the one hand, with the sensational headlines of the yellow press, 111 00:06:20,339 --> 00:06:25,177 and on the other, with the sentimental novels written by women. 112 00:06:25,261 --> 00:06:26,887 [narrator] Like Mrs. Southworth. 113 00:06:26,971 --> 00:06:30,349 [Nunberg] In either case, the exclamation mark is unmanly. 114 00:06:30,433 --> 00:06:31,767 It's disdained. 115 00:06:31,851 --> 00:06:34,562 [narrator] And one of the most influential writers around this time 116 00:06:34,645 --> 00:06:38,232 was also one of the manliest, Ernest Hemingway. 117 00:06:38,315 --> 00:06:41,694 The Old Man and the Sea had one. 118 00:06:43,821 --> 00:06:46,991 Hemingway's contemporary F. Scott Fitzgerald 119 00:06:47,074 --> 00:06:50,286 appears to have succumbed to the pressure. 120 00:06:50,369 --> 00:06:52,037 In her memoir of their affair, 121 00:06:52,121 --> 00:06:55,040 Sheila Graham claimed Fitzgerald once told her, 122 00:06:55,124 --> 00:06:57,293 "Cut out all these exclamation points. 123 00:06:57,376 --> 00:07:00,880 An exclamation point is like laughing at your own joke." 124 00:07:01,755 --> 00:07:05,301 It's an attitude that persists among writers even today. 125 00:07:05,384 --> 00:07:07,595 [man] I think the exclamation point is a little useless. 126 00:07:07,678 --> 00:07:11,307 It adds a sort of unnecessary weight to the end of a sentence. 127 00:07:11,390 --> 00:07:12,766 And so I've steered away from them 128 00:07:12,850 --> 00:07:15,060 in my personal writing and my professional writing. 129 00:07:16,061 --> 00:07:18,230 [Narrator] Writers may have shunned the exclamation point, 130 00:07:18,314 --> 00:07:19,607 but not everybody did. 131 00:07:20,483 --> 00:07:24,278 Advertising took the exclamation point and ran with it, 132 00:07:24,361 --> 00:07:27,448 in order to get your attention to sell ya stuff. 133 00:07:28,574 --> 00:07:32,077 From the 1930s to the 1940s and '50s, 134 00:07:32,161 --> 00:07:36,290 the number of print ads with exclamation points in them doubled. 135 00:07:36,373 --> 00:07:40,836 And while advertising was having this love affair with the exclamation point, 136 00:07:40,920 --> 00:07:44,965 one of the most successful punctuation innovations was born: 137 00:07:45,049 --> 00:07:47,510 the interrobang. 138 00:07:49,470 --> 00:07:55,226 [woman] There has never been a symbol that used both of them as one symbol. 139 00:07:55,809 --> 00:07:58,145 It was always two or three pieces of type, 140 00:07:58,229 --> 00:08:00,147 which is pretty inelegant. 141 00:08:00,231 --> 00:08:02,858 [Narrator] Penny and her late husband, Martin Speckter, 142 00:08:02,942 --> 00:08:07,488 ran a successful ad agency during the Mad Men era of advertising. 143 00:08:07,571 --> 00:08:10,074 We met in September, got married in December. 144 00:08:10,157 --> 00:08:13,035 I used to go dancing and drinking, 145 00:08:13,118 --> 00:08:16,497 and he didn't drink and he didn't dance. 146 00:08:17,498 --> 00:08:20,042 So I had to find other interests. 147 00:08:20,709 --> 00:08:21,794 One of those interests 148 00:08:21,877 --> 00:08:25,673 was working on a small typography magazine called Type Talks. 149 00:08:25,756 --> 00:08:29,260 We were at dinner one night, and he was lacking four pages. 150 00:08:29,343 --> 00:08:33,055 And all of a sudden, he thought of the interrobang. 151 00:08:33,722 --> 00:08:36,392 So he called the art studio that we used, 152 00:08:36,475 --> 00:08:40,396 and he said, "Is anybody there around who can draw?" 153 00:08:40,479 --> 00:08:41,814 And we went over. 154 00:08:41,897 --> 00:08:43,941 We were there till about three o'clock in the morning. 155 00:08:44,024 --> 00:08:47,486 And he came up with a number of versions of the interrobang. 156 00:08:47,987 --> 00:08:50,990 The name combined "interro" for interrogate 157 00:08:51,073 --> 00:08:53,576 and "bang" for exclamation point, 158 00:08:53,659 --> 00:08:57,371 a slang term that's said to have emerged from comic books. 159 00:08:58,455 --> 00:09:01,875 [Narrator] Martin Speckter's interrobang got off to a promising start. 160 00:09:02,459 --> 00:09:05,212 It was included in the popular font Americana 161 00:09:05,296 --> 00:09:08,465 and as an option on multiple typewriters. 162 00:09:09,133 --> 00:09:13,137 It was even the title of a 1969 Italian erotic thriller. 163 00:09:13,220 --> 00:09:15,723 Would you like to make love to him? What is this never-ending interrogation? 164 00:09:18,392 --> 00:09:22,104 Redesigning the exclamation point seemed like it might hold the solution. 165 00:09:22,187 --> 00:09:23,063 "LET'S PLUCK THE BIRD" 166 00:09:23,147 --> 00:09:26,859 The French writer Hervé Bazin introduced the acclamation point, 167 00:09:26,942 --> 00:09:29,403 a demonstration of goodwill or welcome; 168 00:09:29,486 --> 00:09:30,946 the conviction point, 169 00:09:31,030 --> 00:09:33,741 if you need to say something with unwavering certainty; 170 00:09:33,824 --> 00:09:38,621 and the authority point, to share your sentence with a note of expertise. 171 00:09:39,622 --> 00:09:44,460 But none of these, nor the interrobang, caught on, because they came too late. 172 00:09:45,377 --> 00:09:48,631 A different design trend had already taken hold. 173 00:09:49,256 --> 00:09:52,384 [Nunberg] The famous Doyle Dane ads for Volkswagen 174 00:09:52,468 --> 00:09:55,679 that popularized the Bug in the early 1960s 175 00:09:55,763 --> 00:09:58,599 went in absolutely the other direction. 176 00:09:58,682 --> 00:10:02,603 [Narrator] VW ushered in the simplicity of Helvetica and a period, 177 00:10:02,686 --> 00:10:06,231 in direct opposition to competitors like Chevrolet. 178 00:10:07,066 --> 00:10:09,943 In print ads, their usage plummeted, 179 00:10:10,611 --> 00:10:15,032 yet in TV shows based on comic books, they became iconic. 180 00:10:15,115 --> 00:10:17,826 [Nunberg] You look at the original Batman show on television, 181 00:10:17,910 --> 00:10:20,788 where they're saying, "Wham," and little balloons are going up. 182 00:10:20,871 --> 00:10:23,791 So we can appreciate these things always with you understanding 183 00:10:23,874 --> 00:10:25,793 that we really don't take them too seriously. 184 00:10:25,876 --> 00:10:27,503 And that's what allows people to use it, 185 00:10:27,586 --> 00:10:32,132 but always with a sense of, "I don't really mean this." 186 00:10:32,216 --> 00:10:36,220 Exclamation points appeared in the pop art of Roy Lichtenstein, 187 00:10:36,303 --> 00:10:40,432 popular musical titles, and for the first time, campaign slogans, 188 00:10:40,516 --> 00:10:44,186 until finally the bubble burst with satire. 189 00:10:45,229 --> 00:10:51,026 Popular culture in that period becomes almost an obsession of American culture, 190 00:10:51,110 --> 00:10:54,154 but always with one or another form of detachment. 191 00:10:54,238 --> 00:10:56,281 It's ironic. It's campy. 192 00:10:57,074 --> 00:10:59,952 And this culture shift coincided with another: 193 00:11:00,411 --> 00:11:02,663 women's advancement in the workplace. 194 00:11:03,247 --> 00:11:06,792 In a position of authority, a woman has two requirements to fulfill. 195 00:11:08,794 --> 00:11:11,505 If she fulfills the expectations to be a good woman, 196 00:11:11,588 --> 00:11:14,883 she will be liked, but she will be underestimated. 197 00:11:14,967 --> 00:11:20,264 If she fulfills the requirements of a manager or leader, she'll be respected, 198 00:11:20,347 --> 00:11:24,435 but she will probably be called that word that starts with "b." 199 00:11:25,018 --> 00:11:27,646 [Narrator] Periods were direct and could seem stern. 200 00:11:27,730 --> 00:11:31,150 Exclamation points became code for nice. 201 00:11:31,233 --> 00:11:33,569 I ask you, for example, "Do you want to go out tonight?" 202 00:11:33,652 --> 00:11:35,112 and you say, "Yeah." 203 00:11:36,196 --> 00:11:37,906 I don't think you really want to. 204 00:11:37,990 --> 00:11:39,032 Yeah! 205 00:11:39,116 --> 00:11:43,162 You need to be enthusiastic to really mean it in writing. 206 00:11:43,245 --> 00:11:46,790 If you don't have an exclamation point, it's like you don't mean it. 207 00:11:46,874 --> 00:11:49,376 And for many women, in fact, you need multiple ones. 208 00:11:50,127 --> 00:11:53,881 [Narrator] In a 2006 study, the only study ever done on this, 209 00:11:53,964 --> 00:11:58,177 nearly three-quarters of all exclamation points in online correspondence 210 00:11:58,260 --> 00:11:59,803 were used by women. 211 00:12:00,387 --> 00:12:02,431 But that didn't mean the exclamation point 212 00:12:02,514 --> 00:12:05,184 didn't stop indicating passion or irony either... 213 00:12:05,768 --> 00:12:09,605 or volume, commands, action, warning, surprise, 214 00:12:09,688 --> 00:12:11,732 and of course, exclamations, like the tweets of Donald Trump. 215 00:12:13,942 --> 00:12:15,861 [Trump] During the day, if I'm in the office, 216 00:12:15,944 --> 00:12:18,447 I have a number of people that I'll just call out a tweet to. 217 00:12:18,530 --> 00:12:20,783 -You call out, "Exclamation point!" -I do. 218 00:12:21,366 --> 00:12:24,244 [Narrator] The exclamation point hasn't so much evolved over time 219 00:12:24,328 --> 00:12:26,872 so much as it's accumulated meaning. 220 00:12:26,955 --> 00:12:29,625 [Parham] There's so many meanings that we've put onto it, right? 221 00:12:29,708 --> 00:12:31,126 And so it can kind of be anything, 222 00:12:31,210 --> 00:12:33,253 and in that sense, it's become kind of nothing. 223 00:12:34,463 --> 00:12:38,884 [Narrator] Writing each other constantly over email, text, and social media, 224 00:12:38,967 --> 00:12:40,886 it's changed how we communicate. 225 00:12:40,969 --> 00:12:43,013 and in a lot of ways, the exclamation point 226 00:12:43,096 --> 00:12:45,307 is having a heyday on the internet. 227 00:12:45,974 --> 00:12:49,436 [Parham] "Report: Kanye West is forced to move in with Kris Jenner... 228 00:12:49,520 --> 00:12:51,271 by Kim Kardashian!" 229 00:12:51,814 --> 00:12:53,482 It's so ridiculous. 230 00:12:54,441 --> 00:12:57,694 You'll see something like a Bossip or a Media Takeout headline 231 00:12:57,778 --> 00:12:59,613 that is totally exaggerated, 232 00:12:59,696 --> 00:13:03,659 which is also adopting this type of internet language and internet speak 233 00:13:03,742 --> 00:13:05,369 in a very unique and interesting way. 234 00:13:05,452 --> 00:13:08,497 But online, it's just fun. Let's just have some fun with it. 235 00:13:08,956 --> 00:13:12,000 On Twitter, I'll put five exclamation points in a tweet 236 00:13:12,084 --> 00:13:14,503 just because it's, like-- it's kind of silly. 237 00:13:14,586 --> 00:13:17,756 That's kind of the point too. You're kind of trying to play up the emotion. 238 00:13:19,758 --> 00:13:24,638 [Narrator] But online and on our phone, we now have lots of ways to convey tone. 239 00:13:25,097 --> 00:13:28,934 [Tannen] Emoticons, emojis, memes, gifs. 240 00:13:29,017 --> 00:13:31,144 All these ways of saying, 241 00:13:31,228 --> 00:13:35,983 "Don't take what I just said literally and don't think it's in any way negative." 242 00:13:36,066 --> 00:13:38,110 A lot of it is just showing goodwill, 243 00:13:38,193 --> 00:13:41,572 but now that there is so much conversation going on online 244 00:13:41,655 --> 00:13:46,368 that especially older people worry, and that's always been the case, 245 00:13:46,451 --> 00:13:49,079 they feel like this is license-plate language. 246 00:13:49,162 --> 00:13:53,667 LOL, for example, or LMAO, laughing my... butt off. 247 00:13:53,750 --> 00:13:55,544 IDK for I don't know. 248 00:13:55,627 --> 00:13:58,505 And many of us linguists point out we've always had that. 249 00:13:58,589 --> 00:14:01,091 For example, FYI, ASAP. 250 00:14:01,174 --> 00:14:06,805 But I think it's just the same process of language changing and adapting 251 00:14:06,889 --> 00:14:08,140 to the current needs. 252 00:14:08,223 --> 00:14:10,309 Language and writing are supposed to be fluid, 253 00:14:10,392 --> 00:14:13,520 and it's supposed to be tenuous. You're supposed to be able to stretch it. 254 00:14:13,604 --> 00:14:16,565 But, in a lot of ways, the internet is still very new and young