1 00:00:06,798 --> 00:00:09,175 [narrator] On December 2nd, 2018, 2 00:00:09,259 --> 00:00:11,469 an unknown musician tweeted 3 00:00:11,553 --> 00:00:14,055 "Country music is evolving." 4 00:00:14,139 --> 00:00:15,932 With a goofy video, 5 00:00:16,015 --> 00:00:18,643 it was a tease for a new song 6 00:00:18,727 --> 00:00:21,604 that he dropped on SoundCloud the next day. 7 00:00:21,688 --> 00:00:23,690 And people loved it. 8 00:00:23,773 --> 00:00:25,859 -["Old Town Road" playing] -Whoo! 9 00:00:25,942 --> 00:00:29,154 ♪ Hat is matte black Got the boots that's black to match ♪ 10 00:00:29,237 --> 00:00:31,114 [narrator] Really loved it. 11 00:00:31,197 --> 00:00:32,866 ♪ You can whip your Porsche ♪ 12 00:00:32,949 --> 00:00:36,828 SoundCloud featured it in their "Top 50 Country" playlist, 13 00:00:36,911 --> 00:00:41,666 and then a TikTok user posted a video of himself dancing to it, 14 00:00:41,750 --> 00:00:45,170 transforming into more of a cowboy getup when the beat dropped, 15 00:00:45,253 --> 00:00:47,797 inspiring millions of copycats. 16 00:00:48,465 --> 00:00:53,178 Soon after, the song debuted on Billboard's "Hot Country Songs" chart, 17 00:00:53,261 --> 00:00:56,264 but then Billboard removed it. 18 00:00:57,265 --> 00:01:00,143 Why would the industry be so quick to pull it from the charts 19 00:01:00,226 --> 00:01:01,728 when it was such a clear moneymaker? 20 00:01:02,437 --> 00:01:03,605 [narrator] Here's a clue. 21 00:01:03,688 --> 00:01:07,525 When country artist Cody Johnson started playing the song at a show, 22 00:01:07,609 --> 00:01:08,777 this happened. 23 00:01:08,860 --> 00:01:11,321 ♪ Gonna take my horse Down to the old town road ♪ 24 00:01:11,404 --> 00:01:13,406 [crowd booing] 25 00:01:16,367 --> 00:01:18,411 [narrator] In a statement to Rolling Stone, 26 00:01:18,495 --> 00:01:21,164 Billboard explained that "Old Town Road" 27 00:01:21,247 --> 00:01:26,002 simply didn't embrace enough elements of today's country music, 28 00:01:26,086 --> 00:01:30,465 sparking some confusion about what today's country music is. 29 00:01:30,548 --> 00:01:33,593 Confusion that predates "Old Town Road." 30 00:01:33,676 --> 00:01:35,553 You used to be able to turn on the radio, 31 00:01:35,637 --> 00:01:38,223 and you knew instantly it was a country station just by listening. 32 00:01:38,306 --> 00:01:41,518 Now you've got to leave it there for a second to figure it out. 33 00:01:41,601 --> 00:01:43,311 Country music is gone. 34 00:01:43,394 --> 00:01:47,232 [laughs] I don't know who's making it, but there might be like four people. 35 00:01:47,816 --> 00:01:52,237 [narrator] In fact, insiders have been declaring country music dead for decades. 36 00:01:52,821 --> 00:01:57,116 And yet country music seems to be stronger than ever. 37 00:01:57,200 --> 00:02:01,162 In the US, it has the biggest radio audience of any music genre. 38 00:02:01,663 --> 00:02:04,457 And the fastest-growing streaming audience too. 39 00:02:05,333 --> 00:02:08,253 So why are so many people up in arms 40 00:02:08,336 --> 00:02:10,797 about what constitutes country music? 41 00:02:11,506 --> 00:02:13,675 Who gets to be a country star? 42 00:02:13,758 --> 00:02:16,803 [crowd cheering] 43 00:02:16,886 --> 00:02:20,515 [man 1] It's easier to understand a nation by listening to its music. 44 00:02:21,099 --> 00:02:24,310 [man 2] The country music of our pioneer ancestors. 45 00:02:24,394 --> 00:02:26,688 It is the music of the heart of America, 46 00:02:26,771 --> 00:02:29,440 and the base of American musical tradition. 47 00:02:29,524 --> 00:02:32,652 It talks about family. It talks about religion. 48 00:02:33,403 --> 00:02:35,864 Country music is popular internationally. 49 00:02:35,947 --> 00:02:38,158 Japan, for instance, has artists 50 00:02:38,241 --> 00:02:40,660 who will even appear in a cowboy uniform. 51 00:02:42,078 --> 00:02:47,667 [man 3] The people in the larger cities are being invaded today by country music. 52 00:02:54,424 --> 00:02:57,343 [Britton] Country music today can be a lot of things, 53 00:02:57,427 --> 00:02:59,012 but experts agree… 54 00:02:59,095 --> 00:03:01,431 Country singers are storytellers. 55 00:03:01,514 --> 00:03:04,100 Country music is really about storytelling. 56 00:03:04,184 --> 00:03:07,061 I'd have to say that mostly I'm drawn to the stories. 57 00:03:07,145 --> 00:03:08,313 [Britton] For decades, 58 00:03:08,396 --> 00:03:11,357 a show filmed at Nashville's Grand Ole Opry 59 00:03:11,441 --> 00:03:14,777 [announcer] The Grand Ole Opry. Live, just as it happens. 60 00:03:14,861 --> 00:03:18,281 [Britton] …beamed these stories into America's living rooms. 61 00:03:18,364 --> 00:03:19,657 [inaudible] 62 00:03:19,741 --> 00:03:22,035 Stories about pride and where you're from. 63 00:03:22,118 --> 00:03:24,454 ♪ I'm proud to be a ♪ 64 00:03:24,537 --> 00:03:27,248 ♪ Coal miner's daughter ♪ 65 00:03:27,832 --> 00:03:29,584 [Britton] And the importance of family. 66 00:03:29,667 --> 00:03:32,253 ♪ My coat of many colors ♪ 67 00:03:32,337 --> 00:03:34,589 ♪ Momma made for me ♪ 68 00:03:34,672 --> 00:03:36,007 [Britton] And hard times. 69 00:03:36,090 --> 00:03:40,470 ♪ He stopped loving her today ♪ 70 00:03:42,639 --> 00:03:46,601 That's what I love about country music. It's down in the ditch, 71 00:03:47,393 --> 00:03:48,853 you know, of human emotion. 72 00:03:49,437 --> 00:03:53,733 There's a strong sense of history running through country music. 73 00:03:53,816 --> 00:03:56,778 Of paying attention to what has come before. 74 00:03:57,487 --> 00:03:59,614 [Britton] And that tradition goes way back, 75 00:04:00,198 --> 00:04:04,202 to the European immigrants who settled in the foothills of Appalachia 76 00:04:04,285 --> 00:04:06,079 and brought ballads with them. 77 00:04:06,162 --> 00:04:07,872 ♪ Are you and I? ♪ 78 00:04:07,956 --> 00:04:09,207 [Britton] Religious ballads. 79 00:04:09,290 --> 00:04:11,000 [all singing] 80 00:04:11,084 --> 00:04:12,251 [Britton] Murder ballads. 81 00:04:12,335 --> 00:04:15,964 ♪ For mercy she did cry ♪ 82 00:04:16,047 --> 00:04:18,216 [Britton] And they also brought the fiddle. 83 00:04:18,299 --> 00:04:19,801 [playing "Oh! Susanna"] 84 00:04:20,593 --> 00:04:24,681 Country music was shaped by the folk music of a lot of other countries too. 85 00:04:24,764 --> 00:04:27,016 German immigrants brought the waltz. 86 00:04:27,100 --> 00:04:29,102 ["The Blue Danube" playing] 87 00:04:29,894 --> 00:04:31,521 And the French, cotillion. 88 00:04:31,604 --> 00:04:33,314 [upbeat music playing] 89 00:04:33,398 --> 00:04:35,233 Which became square dancing. 90 00:04:35,817 --> 00:04:38,653 Mexican vaqueros, the original cowboys, 91 00:04:38,736 --> 00:04:41,823 introduced their American counterparts to mariachi. 92 00:04:42,699 --> 00:04:45,785 Alpine singing groups spread the art of the yodel. 93 00:04:46,786 --> 00:04:49,706 And Black musicians brought the blues. 94 00:04:49,789 --> 00:04:52,041 [man singing] 95 00:04:55,044 --> 00:04:59,257 [Britton] Back in the early days, musicians twanged on fiddles and banjos, 96 00:04:59,340 --> 00:05:03,803 and carried this blend of sounds around the South in traveling minstrel shows. 97 00:05:03,886 --> 00:05:07,765 [man] White performers would put on blackface makeup 98 00:05:07,849 --> 00:05:10,977 and adopt an incredibly caricatured presentation, 99 00:05:11,060 --> 00:05:14,814 in which they were mimicking and trying to approximate 100 00:05:14,897 --> 00:05:17,984 some version of what Blackness was supposed to be. 101 00:05:18,067 --> 00:05:19,402 [Britton] You can hear that 102 00:05:19,485 --> 00:05:22,405 in Emmett Miller's rendition of "Lovesick Blues." 103 00:05:22,488 --> 00:05:25,158 He starts by parodying Black speech. 104 00:05:25,241 --> 00:05:29,287 [Miller] ♪ I got the blues That's what's the matter with me ♪ 105 00:05:29,412 --> 00:05:31,831 [Britton] And mixes his take on the blues… 106 00:05:31,914 --> 00:05:36,044 ♪ I got a feeling called the blue-hoos ♪ 107 00:05:36,711 --> 00:05:38,671 [Britton] …with a kind of Alpine yodel. 108 00:05:40,089 --> 00:05:43,384 These different sounds had been melding for a long time 109 00:05:43,468 --> 00:05:46,846 when the commercial music industry took off in the 1920s, 110 00:05:46,929 --> 00:05:49,849 and music needed to be branded to sell it. 111 00:05:49,932 --> 00:05:52,143 [Hughes] Two kinds of music emerge. 112 00:05:52,226 --> 00:05:54,979 Country music, or what was then known as hillbilly music. 113 00:05:55,063 --> 00:05:58,816 [Britton] Hillbilly, as in from those Appalachian foothills, 114 00:05:58,900 --> 00:06:01,736 which was later broadened to country and western. 115 00:06:01,819 --> 00:06:05,323 [Hughes] And race music or race records. 116 00:06:05,406 --> 00:06:08,451 [Britton] As in anything by a Black musician, 117 00:06:08,534 --> 00:06:11,621 which was later rebranded as rhythm & blues. 118 00:06:11,704 --> 00:06:13,331 [Hughes] These were designed to be marketed 119 00:06:13,414 --> 00:06:15,833 towards racially-specific audiences. 120 00:06:16,376 --> 00:06:20,088 [Britton] And over time, the sounds became more distinct too. 121 00:06:20,171 --> 00:06:23,508 Black musicians started experimenting with more drums 122 00:06:23,591 --> 00:06:25,051 and rocking beats. 123 00:06:25,134 --> 00:06:28,596 And country split into its own subgenres. 124 00:06:28,679 --> 00:06:33,059 Bluegrass, which took its name from Bill Monroe and the Bluegrass Boys, 125 00:06:33,142 --> 00:06:35,686 sounded a lot like those old string bands. 126 00:06:35,770 --> 00:06:40,858 ♪ Blue moon of Kentucky, keep on shining ♪ 127 00:06:40,942 --> 00:06:43,361 [Britton] Then came honky-tonk, which had a stronger rhythm. 128 00:06:43,444 --> 00:06:45,029 You might recognize this cover. 129 00:06:45,113 --> 00:06:48,658 ♪ I got a feeling called the blues ♪ 130 00:06:50,076 --> 00:06:53,663 ♪ Lord, I don't know what I'll do ♪ 131 00:06:54,247 --> 00:06:57,208 [Britton] Hank Williams was called "The Hillbilly Shakespeare." 132 00:06:57,291 --> 00:07:00,086 He brought a more modern style to the Grand Ole Opry, 133 00:07:00,169 --> 00:07:02,463 singing lyrics with a sexy edge. 134 00:07:03,339 --> 00:07:06,175 ♪ Hey, good lookin' ♪ 135 00:07:06,259 --> 00:07:08,177 ♪ What you got cookin'? ♪ 136 00:07:08,761 --> 00:07:11,347 [Britton] But you couldn't push  the boundaries too far. 137 00:07:11,431 --> 00:07:14,725 The image the Opry projected of country in the '50s 138 00:07:14,809 --> 00:07:16,144 was wholesome. 139 00:07:16,769 --> 00:07:17,770 Nostalgic. 140 00:07:17,854 --> 00:07:20,148 [man] It is the music of the heart of America. 141 00:07:20,731 --> 00:07:22,733 [Britton] Drums were even banned. 142 00:07:22,817 --> 00:07:24,360 But then, 143 00:07:24,443 --> 00:07:26,028 country started to rock. 144 00:07:26,571 --> 00:07:29,198 ♪ I said, blue moon of Kentucky ♪ 145 00:07:29,282 --> 00:07:30,658 ♪ Keep on shining ♪ 146 00:07:31,576 --> 00:07:33,244 ♪ Shine on the one that's gone ♪ 147 00:07:33,327 --> 00:07:35,329 ♪ And left me blue ♪ 148 00:07:36,205 --> 00:07:38,291 [Britton] Elvis sang country songs, 149 00:07:38,374 --> 00:07:41,794 but with a beat borrowed from rhythm & blues. 150 00:07:41,878 --> 00:07:44,630 The style was later dubbed rockabilly, 151 00:07:44,714 --> 00:07:47,258 as in rock meets hillbilly, 152 00:07:47,341 --> 00:07:50,052 and with influences from lots of other artists, 153 00:07:50,136 --> 00:07:52,680 this eventually became rock and roll. 154 00:07:52,763 --> 00:07:55,224 The country industry tried to resist, 155 00:07:55,308 --> 00:07:57,685 forming the Country Music Association 156 00:07:57,768 --> 00:07:59,812 to save the imperiled genre. 157 00:08:00,438 --> 00:08:03,232 And creating the more modern Nashville sound, 158 00:08:03,316 --> 00:08:05,109 with artists like Patsy Cline, 159 00:08:05,193 --> 00:08:08,237 whose voice helped define a new kind of country singing. 160 00:08:08,321 --> 00:08:10,740 ♪ I ♪ 161 00:08:10,823 --> 00:08:13,242 ♪ Fall to ♪ 162 00:08:13,326 --> 00:08:17,079 ♪ Pieces ♪ 163 00:08:17,955 --> 00:08:23,377 [Britton] But then, a musician in Memphis paid a visit to Elvis's producer. 164 00:08:23,461 --> 00:08:26,589 ♪ I shot a man in Reno ♪ 165 00:08:26,672 --> 00:08:29,508 ♪ Just to watch him die ♪ 166 00:08:30,968 --> 00:08:33,221 [Britton] Johnny Cash's  "Folsom Prison Blues" 167 00:08:33,304 --> 00:08:35,389 hearkened back to old murder ballads, 168 00:08:35,473 --> 00:08:37,934 but with the rhythm of a freight train. 169 00:08:38,017 --> 00:08:39,560 Johnny Cash was a folk hero, 170 00:08:40,102 --> 00:08:43,731 and country music was the music of the folks, of the people. 171 00:08:43,814 --> 00:08:46,984 And Johnny Cash was a man of the people, 172 00:08:47,068 --> 00:08:50,321 with a poetic vision and with a trillion-dollar voice. 173 00:08:50,404 --> 00:08:52,782 [Britton] And he paved the way for other musicians 174 00:08:52,865 --> 00:08:54,992 who wanted to make country their own way. 175 00:08:55,826 --> 00:08:58,371 And some of them recorded an album together. 176 00:08:58,454 --> 00:09:02,250 And then somebody stumbled onto, "Let's call them The Outlaws." 177 00:09:02,333 --> 00:09:04,335 You know, ladies love outlaws. 178 00:09:04,418 --> 00:09:06,504 And, you know, bam! 179 00:09:06,587 --> 00:09:09,840 The first platinum country record ever made. 180 00:09:10,424 --> 00:09:13,344 [Britton] But you could say the marriage of rock and country 181 00:09:13,427 --> 00:09:16,264 was consummated by Garth Brooks. 182 00:09:16,347 --> 00:09:19,350 He summed up his stadium rock style in one word 183 00:09:19,433 --> 00:09:20,768 in a TV interview. 184 00:09:20,851 --> 00:09:22,311 It's sex. 185 00:09:22,395 --> 00:09:25,439 [Britton] But the ways country had evolved over the decades, 186 00:09:25,523 --> 00:09:28,150 becoming more rock and also more pop, 187 00:09:28,234 --> 00:09:29,652 came with a backlash. 188 00:09:30,736 --> 00:09:35,074 Like when Shania Twain made country pop for the MTV age, 189 00:09:35,157 --> 00:09:37,577 combining twang and sex appeal. 190 00:09:40,705 --> 00:09:42,665 [Britton] Traditionalists hated it, 191 00:09:42,748 --> 00:09:45,084 but it brought new fans to the genre. 192 00:09:45,167 --> 00:09:48,254 And in the '90s, and the '80s, and the '70s, 193 00:09:48,337 --> 00:09:49,964 and even before that, 194 00:09:50,047 --> 00:09:54,593 people would complain about too much pop in country music. 195 00:09:54,677 --> 00:09:57,972 It's not a bug. It's a feature. 196 00:09:58,055 --> 00:10:00,141 [Britton] Some traditionalists also bristled 197 00:10:00,224 --> 00:10:02,268 when pop star Olivia Newton-John 198 00:10:02,351 --> 00:10:04,437 took home country's top award. 199 00:10:04,979 --> 00:10:08,232 And the following year, the presenter literally set fire 200 00:10:08,316 --> 00:10:10,610 to the name of the winner, John Denver, 201 00:10:10,693 --> 00:10:12,862 who was more of a folk musician. 202 00:10:12,945 --> 00:10:17,116 Folk, rock, and R&B were the soundtrack of the protests 203 00:10:17,199 --> 00:10:19,869 against the Vietnam War and for civil rights, 204 00:10:19,952 --> 00:10:23,122 while country was making more anti-protest music. 205 00:10:23,205 --> 00:10:27,627 Our willingness to not only wear the flag, but to stand up for the flag. 206 00:10:27,710 --> 00:10:29,170 And country music does that. 207 00:10:29,253 --> 00:10:30,379 [applause] 208 00:10:30,463 --> 00:10:33,758 [Britton] Like "Okie from Muskogee" by country artist Merle Haggard. 209 00:10:33,841 --> 00:10:38,179 ♪ We don't smoke marijuana in Muskogee ♪ 210 00:10:40,556 --> 00:10:44,518 [Britton] So John Denver didn't exactly align with country's politics. 211 00:10:45,227 --> 00:10:48,397 But on his fifth studio album, side two, track one, 212 00:10:48,481 --> 00:10:51,525 came something more expected from a country singer. 213 00:10:51,609 --> 00:10:54,695 ♪ Country roads ♪ 214 00:10:54,779 --> 00:10:57,615 ♪ Take me home ♪ 215 00:10:57,698 --> 00:11:00,618 ♪ To the place ♪ 216 00:11:00,701 --> 00:11:03,996 ♪ I belong ♪ 217 00:11:04,080 --> 00:11:06,457 In the '70s, it was a real struggle 218 00:11:06,540 --> 00:11:10,628 for some people in Nashville to accept John Denver. 219 00:11:10,711 --> 00:11:12,797 But, boy, the audience loved those songs. 220 00:11:13,589 --> 00:11:16,592 [Britton] But when a new subgenre sprung up in the '80s, 221 00:11:16,675 --> 00:11:18,594 a blend of country and R&B 222 00:11:18,678 --> 00:11:21,472 with music videos of artists in cowboy getups 223 00:11:21,555 --> 00:11:23,349 and rapping country themes… 224 00:11:23,432 --> 00:11:24,433 ♪ Wild, wild West ♪ 225 00:11:25,476 --> 00:11:28,896 [Britton] …the country industry drew a line. 226 00:11:28,979 --> 00:11:31,690 But still the genre continued to thrive. 227 00:11:32,191 --> 00:11:35,236 ♪ I figure that's enough time for me To get the whole rundown ♪ 228 00:11:35,319 --> 00:11:38,447 ♪ Awnaw! Hell naw, man Y'all done up and done it ♪ 229 00:11:38,531 --> 00:11:40,741 ♪ You never hear my lyrics Over a bass guitar ♪ 230 00:11:40,825 --> 00:11:42,451 ♪ My horse is a car ♪ 231 00:11:43,369 --> 00:11:45,996 [Britton] And in 2005, the artist Cowboy Troy 232 00:11:46,080 --> 00:11:50,251 released a video featuring screaming cowboy hat-wearing fans, 233 00:11:50,334 --> 00:11:54,171 and addressed the industry's resistance to outsiders head on. 234 00:11:54,255 --> 00:11:55,172 ♪ Too radical ♪ 235 00:11:55,256 --> 00:11:57,091 ♪ But I already been on the CMAs ♪ 236 00:11:57,174 --> 00:11:59,260 ♪ Hell, Tim McGraw Said he liked the change ♪ 237 00:11:59,844 --> 00:12:02,054 [Britton] But a lot of country stations didn't. 238 00:12:02,138 --> 00:12:03,889 As one program director put it, 239 00:12:03,973 --> 00:12:07,727 "We don't think it fits our format. We don't consider it country." 240 00:12:08,227 --> 00:12:09,854 When we talk about country music, 241 00:12:09,937 --> 00:12:12,398 I think it's important to make certain distinctions. 242 00:12:12,481 --> 00:12:14,525 There's country music, the genre, 243 00:12:14,608 --> 00:12:17,111 and then there's also country music, the format on radio. 244 00:12:17,194 --> 00:12:18,738 To get on the radio, 245 00:12:18,821 --> 00:12:21,323 it's a pretty narrow pipeline. 246 00:12:21,407 --> 00:12:27,037 And that's almost always going to involve getting signed 247 00:12:27,121 --> 00:12:29,957 to a large record label, almost always in Nashville. 248 00:12:30,499 --> 00:12:32,710 [Britton] Probably after playing bars in town, 249 00:12:32,793 --> 00:12:35,087 or songwriting for other artists. 250 00:12:35,171 --> 00:12:37,923 And once you finally cut an album of your own, 251 00:12:38,007 --> 00:12:41,343 you need the label to promote it to country radio stations. 252 00:12:42,219 --> 00:12:45,097 There are more than 2,000 of them around the US. 253 00:12:45,181 --> 00:12:47,016 [man 1] Country 102.5. 254 00:12:48,058 --> 00:12:49,268 [man 2] Echo Country 105. 255 00:12:49,351 --> 00:12:51,771 ♪ Coffee, Country, and Cody ♪ 256 00:12:52,354 --> 00:12:54,565 [Britton] If these DJs are into your record, 257 00:12:54,648 --> 00:12:57,526 it'll rise on Billboard's "Country Airplay" chart. 258 00:12:57,610 --> 00:12:59,153 And thanks to the promotion, 259 00:12:59,236 --> 00:13:02,948 your album might sell enough to rise to the Billboard album chart too. 260 00:13:03,449 --> 00:13:05,618 If you wanna have a superstar career, 261 00:13:05,701 --> 00:13:09,538 if you want to have a long-lasting career, 262 00:13:09,622 --> 00:13:13,292 you go through radio at least a little bit. 263 00:13:14,168 --> 00:13:17,671 [Britton] And that's put female artists at a major disadvantage. 264 00:13:17,755 --> 00:13:22,426 In 2000, they got just 33% of radio airplay. 265 00:13:22,510 --> 00:13:25,596 And then that number actually started going down. 266 00:13:26,847 --> 00:13:30,059 In 2015, a radio consultant, Keith Hill, 267 00:13:30,142 --> 00:13:31,810 told a trade publication, 268 00:13:31,894 --> 00:13:36,232 "If you want to make ratings in country radio, take females out." 269 00:13:36,315 --> 00:13:38,484 "They're just not the lettuce in our salad." 270 00:13:38,567 --> 00:13:41,862 "The tomatoes of our salad are the females." 271 00:13:41,946 --> 00:13:44,657 Which, of course, proved incredibly offensive 272 00:13:44,740 --> 00:13:46,283 to many female artists. 273 00:13:46,367 --> 00:13:48,619 [Britton] It sparked an uproar in the industry, 274 00:13:48,702 --> 00:13:50,663 dubbed "tomatogate." 275 00:13:50,746 --> 00:13:53,833 But the numbers since then haven't really budged. 276 00:13:54,416 --> 00:13:58,379 In 2019, a group of female musicians formed a country supergroup, 277 00:13:58,462 --> 00:14:02,258 "The Highwomen," in the hopes of trying to break the logjam. 278 00:14:02,341 --> 00:14:04,718 And the next year, they won top group, 279 00:14:04,802 --> 00:14:06,136 top album, 280 00:14:06,220 --> 00:14:09,098 and "Crowded Table," a call for togetherness, 281 00:14:09,181 --> 00:14:10,683 also won top song. 282 00:14:11,225 --> 00:14:14,478 ♪ I want a house ♪ 283 00:14:14,562 --> 00:14:18,440 ♪ With a crowded table ♪ 284 00:14:18,524 --> 00:14:21,026 [Britton] Not at  the Country Music Awards, though. 285 00:14:21,110 --> 00:14:23,612 At the Americana Awards. 286 00:14:23,696 --> 00:14:25,781 Americana is a newish genre. 287 00:14:25,865 --> 00:14:28,492 Billboard added it to their charts in 2016, 288 00:14:28,576 --> 00:14:31,120 featuring more acoustic  singer-songwriters, 289 00:14:31,203 --> 00:14:34,331 who you're more likely to hear on alt-country radio. 290 00:14:34,415 --> 00:14:37,793 Even though, in many ways, they sound closer to country's roots 291 00:14:37,877 --> 00:14:40,754 than what you hear today on mainstream country stations. 292 00:14:40,838 --> 00:14:43,007 Because in the last decade, 293 00:14:43,090 --> 00:14:46,135 the sound on country radio has changed again. 294 00:14:46,218 --> 00:14:48,429 In 2011, Jason Aldean 295 00:14:48,512 --> 00:14:51,473 put out a video for his song "Dirt Road Anthem." 296 00:14:51,557 --> 00:14:55,060 It looks and sounds pretty classic country. 297 00:14:55,144 --> 00:14:56,937 Dirt road, pickup truck. 298 00:14:57,021 --> 00:15:01,066 But then he leans against that truck and basically starts rapping. 299 00:15:01,150 --> 00:15:03,527 ♪ You better mind your business, man Watch your mouth ♪ 300 00:15:03,611 --> 00:15:06,030 ♪ Before I have to knock That loud mouth out ♪ 301 00:15:06,113 --> 00:15:08,908 [Britton] And it topped the country radio charts. 302 00:15:08,991 --> 00:15:11,619 And the videos for other country hits since then 303 00:15:11,702 --> 00:15:15,080 look a lot like R&B and hip-hop videos from the '90s. 304 00:15:15,164 --> 00:15:16,999 Low-angle camera shots, 305 00:15:17,082 --> 00:15:18,584 cruising in cars, 306 00:15:18,667 --> 00:15:20,753 girls in not much clothing. 307 00:15:20,836 --> 00:15:23,297 And some of the sounds are similar too. 308 00:15:23,380 --> 00:15:26,175 808 kick drum beats and snap tracks. 309 00:15:28,510 --> 00:15:31,096 ♪ Lay on back and relax ♪ 310 00:15:31,180 --> 00:15:34,141 ♪ Kick your pretty feet up on my dash ♪ 311 00:15:34,975 --> 00:15:36,727 [Britton] The streaming service Pandora 312 00:15:36,810 --> 00:15:39,146 did an analysis of how much other genres 313 00:15:39,229 --> 00:15:41,857 were influencing the top country songs, 314 00:15:41,940 --> 00:15:44,610 and found the influence of rock on country 315 00:15:44,693 --> 00:15:48,072 had gone down from 2010 to 2018, 316 00:15:48,155 --> 00:15:51,283 while the influence of hip-hop had gone way up. 317 00:15:52,076 --> 00:15:56,121 Over the course of its history, country music has been very, very good 318 00:15:56,205 --> 00:15:58,040 at incorporating Black music, 319 00:15:58,123 --> 00:16:00,459 but has not been very good at all 320 00:16:00,542 --> 00:16:02,628 at incorporating Black people. 321 00:16:02,711 --> 00:16:04,797 [Britton] In the commercial country industry, 322 00:16:04,880 --> 00:16:10,969 artists of color make up less than 4% of songs played on radio, 323 00:16:11,053 --> 00:16:13,514 and of artists signed to major labels. 324 00:16:14,056 --> 00:16:17,184 That was the world Lil Nas X landed in. 325 00:16:18,978 --> 00:16:22,106 "Old Town Road" starts with a twangy banjo. 326 00:16:22,189 --> 00:16:25,234 [banjo strumming] 327 00:16:25,317 --> 00:16:27,736 And his lyrics hit on country themes. 328 00:16:27,820 --> 00:16:31,407 ♪ Hat is matte black Got the boots that's black to match ♪ 329 00:16:31,490 --> 00:16:32,950 ♪ Ridin' on a horse ♪ 330 00:16:33,033 --> 00:16:35,703 [Britton] But it has a trap beat, 808s for the bass, 331 00:16:35,786 --> 00:16:37,538 and hi-hat flourishes. 332 00:16:37,621 --> 00:16:40,874 ♪ Can't nobody tell me nothing ♪ 333 00:16:40,958 --> 00:16:44,002 [Britton] Which was pretty new for country, but not that new. 334 00:16:44,628 --> 00:16:49,174 So Billboard's decision to remove the song started a conversation 335 00:16:49,258 --> 00:16:52,386 about race and discrimination in country music. 336 00:16:52,469 --> 00:16:54,555 Some called it a reckoning. 337 00:16:55,139 --> 00:16:57,516 "Old Town Road" was a perfect example 338 00:16:57,599 --> 00:17:01,186 of the way that policing the borders of country music 339 00:17:01,270 --> 00:17:03,230 is a stand-in 340 00:17:03,313 --> 00:17:06,650 for policing the borders around a certain kind of American identity. 341 00:17:06,734 --> 00:17:09,695 [Britton] But on top of being a queer Black musician, 342 00:17:09,778 --> 00:17:12,448 Lil Nas X also didn't play the game. 343 00:17:12,531 --> 00:17:15,951 In some ways, it sounded very much like a country record, 344 00:17:16,034 --> 00:17:19,747 but it neither came from nor really courted 345 00:17:19,830 --> 00:17:23,709 the historic, traditional country music audience. 346 00:17:23,792 --> 00:17:27,880 And I think the mainstream country music community 347 00:17:27,963 --> 00:17:30,591 recognized that pretty quickly. 348 00:17:30,674 --> 00:17:34,261 [Britton] But Lil Nas X didn't even need the country chart. 349 00:17:34,344 --> 00:17:36,722 Thanks to Twitter, and TikTok, and streaming, 350 00:17:36,805 --> 00:17:39,683 "Old Town Road" was the number one song in America 351 00:17:39,767 --> 00:17:42,102 for a record-breaking 19 weeks. 352 00:17:42,728 --> 00:17:46,148 Streaming is a new way for any artist to break into music, period. 353 00:17:46,231 --> 00:17:48,609 You just pick up your phone and voilà. 354 00:17:48,692 --> 00:17:50,986 Here's what's great. Here's what's trending. 355 00:17:51,070 --> 00:17:53,697 The world makes that decision. 356 00:17:54,656 --> 00:17:57,576 [Britton] Blanco Brown has a similar story to Lil Nas X. 357 00:17:57,659 --> 00:17:59,745 They both grew up in Atlanta, Georgia. 358 00:17:59,828 --> 00:18:02,706 I have several musical influences, 359 00:18:02,790 --> 00:18:05,751 from Aretha Franklin to George Strait, 360 00:18:05,834 --> 00:18:07,086 Outkast. 361 00:18:07,169 --> 00:18:08,879 The list goes on. 362 00:18:08,962 --> 00:18:11,965 [Britton] Fusing them into a sound that he gave his own name. 363 00:18:12,466 --> 00:18:16,136 "TrailerTrap." It's trailer park music meets trap music. 364 00:18:16,220 --> 00:18:19,056 I just bridged the gap and I called it "TrailerTrap." 365 00:18:19,139 --> 00:18:21,850 It's country music with 808s, a little flair. 366 00:18:21,934 --> 00:18:22,810 Prah! 367 00:18:22,893 --> 00:18:26,271 [Britton] Like his song "The Git Up," which was a line dance. 368 00:18:26,355 --> 00:18:27,898 In May 2019, 369 00:18:27,981 --> 00:18:30,609 two half brothers posted a video on TikTok 370 00:18:30,692 --> 00:18:34,029 of themselves doing a dance of pure joy to that song. 371 00:18:34,613 --> 00:18:37,449 And it spread. By summer, it had gone viral, 372 00:18:37,533 --> 00:18:40,452 just like "Old Town Road" had a few months before. 373 00:18:41,245 --> 00:18:45,624 I mean, from two to 92, everybody and their grandma did the dance. 374 00:18:45,707 --> 00:18:48,043 I've seen people go viral, but I never felt it. 375 00:18:48,127 --> 00:18:51,964 [Britton] In his video, he wore Nikes decked out with spurs, 376 00:18:52,047 --> 00:18:55,926 played a drum machine, but also a lap steel guitar, 377 00:18:56,009 --> 00:18:58,554 and lead a diverse group in a line dance, 378 00:18:58,637 --> 00:19:02,349 with cameos from the TikTokers who'd helped make his song a hit. 379 00:19:02,850 --> 00:19:05,769 ♪ Go on and do the two-step Then cowboy boogie ♪ 380 00:19:05,853 --> 00:19:08,313 ♪ Grab your sweetheart And spin out with 'em ♪ 381 00:19:08,397 --> 00:19:10,274 Blanco was very much interested 382 00:19:10,357 --> 00:19:14,111 in being part of the country music community, 383 00:19:14,194 --> 00:19:18,448 in a way that I'm not sure Lil Nas X ever wanted to be. 384 00:19:19,074 --> 00:19:21,827 [Britton] And in the end, the song got enough radio play 385 00:19:21,910 --> 00:19:23,954 to crack the "Country Airplay" chart, 386 00:19:24,037 --> 00:19:25,539 although not that much. 387 00:19:26,373 --> 00:19:29,042 But the following year in 2020, 388 00:19:29,126 --> 00:19:31,920 this song hit number one on that chart. 389 00:19:32,504 --> 00:19:35,841 It starts with an old sample, which is common for hip-hop songs, 390 00:19:35,924 --> 00:19:38,510 although this was an old honky-tonk classic. 391 00:19:40,554 --> 00:19:42,181 And then it starts to warp. 392 00:19:42,973 --> 00:19:44,224 And the beat drops. 393 00:19:44,308 --> 00:19:46,310 ♪ There stands the glass ♪ 394 00:19:46,393 --> 00:19:47,394 [Britton] 808s. 395 00:19:47,477 --> 00:19:49,646 ♪ That will ease all my pain ♪ 396 00:19:50,355 --> 00:19:53,734 [Britton] Sam Hunt has been called "The Drake of country," 397 00:19:53,817 --> 00:19:56,195 and the guy who brought hip-hop to the industry. 398 00:19:56,737 --> 00:19:59,448 Country and hip-hop, they too close. 399 00:19:59,531 --> 00:20:01,533 Like, it's telling stories. 400 00:20:01,617 --> 00:20:05,871 Some may be true, some may be false. But it's getting the message across. 401 00:20:05,954 --> 00:20:08,165 That's the bigger take on it for me. 402 00:20:09,291 --> 00:20:12,461 [Britton] Rap and country do share a lot of the same themes. 403 00:20:12,961 --> 00:20:15,088 Like pride in where you come from. 404 00:20:15,172 --> 00:20:17,049 -♪ Where you from ♪ -♪ Straight outta Compton ♪ 405 00:20:17,132 --> 00:20:20,052 ♪ We on the grind in Georgia All the time ♪ 406 00:20:20,135 --> 00:20:23,096 ♪ Tell by my attitude That I'm most definitely from ♪ 407 00:20:23,180 --> 00:20:25,599 ♪ New York ♪ 408 00:20:25,682 --> 00:20:27,100 [Britton] Family values. 409 00:20:27,184 --> 00:20:29,061 ♪ For my brothers with daughters 410 00:20:29,144 --> 00:20:32,147 ♪ Ain't a woman alive  That can take my mama's place ♪ 411 00:20:32,231 --> 00:20:35,275 ♪ What I wouldn't give for One more hug from Grandma ♪ 412 00:20:35,359 --> 00:20:36,568 [Britton] And hard times. 413 00:20:36,652 --> 00:20:38,820 ♪ I'm tired of being poor And even worse, I'm Black ♪ 414 00:20:38,904 --> 00:20:41,698 ♪ Was on my grind 'cause times was harder Than the cellar floor ♪ 415 00:20:41,782 --> 00:20:44,076 ♪ The only thing on my mind ♪ 416 00:20:44,159 --> 00:20:45,744 ♪ I'm trying to keep on the lights ♪ 417 00:20:45,827 --> 00:20:47,704 Country and R&B 418 00:20:47,788 --> 00:20:50,123 are really closely related, right? 419 00:20:50,207 --> 00:20:52,334 They're very closely related musically. 420 00:20:52,417 --> 00:20:55,379 [Britton] Rap was born out of the poverty of northern cities… 421 00:20:55,462 --> 00:20:58,090 -[rapping] -[beatboxing] 422 00:20:58,757 --> 00:21:02,219 [Britton] …building on decades of their ancestors' rhythm and blues, 423 00:21:02,302 --> 00:21:04,680 which was first plucked on banjos, 424 00:21:04,763 --> 00:21:09,059 an instrument that had come to America on slave ships from West Africa. 425 00:21:09,142 --> 00:21:11,103 And before emancipation, 426 00:21:11,186 --> 00:21:13,480 sung as spirituals and work songs 427 00:21:13,563 --> 00:21:16,233 on plantations across the American South. 428 00:21:16,817 --> 00:21:20,237 Those rural laments evolved into the blues. 429 00:21:20,862 --> 00:21:24,866 And these sounds mixed with the ballads of those Appalachian fiddlers, 430 00:21:24,950 --> 00:21:28,787 forming the roots of what would later be segmented and sold 431 00:21:28,870 --> 00:21:31,665 as hillbilly music and race records. 432 00:21:32,624 --> 00:21:35,419 And they become these sort of symbolic opposites. 433 00:21:35,502 --> 00:21:37,838 [Britton] Springing off and tangling together 434 00:21:37,921 --> 00:21:41,341 to form almost all American popular music. 435 00:21:41,925 --> 00:21:44,636 So rap and country aren't opposites at all. 436 00:21:44,720 --> 00:21:47,097 They're really long-lost cousins. 437 00:21:48,515 --> 00:21:52,811 One artist who refused to stay inside the lines was Ray Charles. 438 00:21:52,894 --> 00:21:55,188 Back in 1962, 439 00:21:55,272 --> 00:21:59,443 he released Modern Sounds in Country and Western Music, Volumes 1 and 2, 440 00:21:59,526 --> 00:22:01,987 with an entirely new bluesier take 441 00:22:02,070 --> 00:22:04,990 on popular country songs, like "You Are My Sunshine." 442 00:22:05,073 --> 00:22:07,909 ♪ Girl you make me happy sometimes ♪ 443 00:22:07,993 --> 00:22:10,037 ♪ When my skies are gray ♪ 444 00:22:10,120 --> 00:22:14,207 Once Ray Charles gets ahold of it, and he makes it start to swing, 445 00:22:14,291 --> 00:22:16,752 it makes it kind of bluesy, soulful. 446 00:22:16,835 --> 00:22:18,837 Modern Sounds in Country and Western Music 447 00:22:18,920 --> 00:22:20,881 was kind of the "Old Town Road" of its day. 448 00:22:20,964 --> 00:22:22,466 [Britton] The country industry 449 00:22:22,549 --> 00:22:25,093 didn't accept Ray Charles as a country musician. 450 00:22:25,177 --> 00:22:30,015 But those records may have changed country music 451 00:22:30,098 --> 00:22:33,143 as much as any album. 452 00:22:33,226 --> 00:22:36,104 Ray Charles was a great country singer. 453 00:22:36,188 --> 00:22:37,814 One of the best of all time. 454 00:22:37,898 --> 00:22:40,484 [Britton] And you can hear his echoes today, 455 00:22:40,567 --> 00:22:43,111 like when Chris Stapleton performed for the first time 456 00:22:43,195 --> 00:22:46,281 at the Country Music Awards and brought the blues. 457 00:22:47,032 --> 00:22:50,660 ♪ Used to spend my nights out In a barroom ♪ 458 00:22:50,744 --> 00:22:52,746 [crowd cheering] 459 00:22:55,332 --> 00:22:58,543 ♪ Liquor was the only love I've known 460 00:22:59,252 --> 00:23:02,589 [Britton] Or when Mickey Guyton performed at the Grammys in 2021 461 00:23:02,672 --> 00:23:03,840 and told a story. 462 00:23:04,424 --> 00:23:07,719 ♪ If you think we live ♪ 463 00:23:07,803 --> 00:23:09,971 ♪ In the land of the free ♪ 464 00:23:10,055 --> 00:23:13,266 ♪ You should try to be ♪ 465 00:23:13,350 --> 00:23:15,018 ♪ Black like me ♪ 466 00:23:15,102 --> 00:23:18,188 "Black Like Me" is such an incredible song to me 467 00:23:18,271 --> 00:23:20,273 because she's singing her truth. 468 00:23:20,899 --> 00:23:23,860 Like anything in this world, we all must evolve. 469 00:23:23,944 --> 00:23:27,989 So, if we're evolving, then the music will evolve eventually. 470 00:23:28,073 --> 00:23:30,951 I'm hoping that young artists will grow up 471 00:23:31,034 --> 00:23:33,620 and tell the truth like it's never been told. 472 00:23:33,703 --> 00:23:37,457 Bring it home in a way where you go, "Whoa!" 473 00:23:38,375 --> 00:23:39,918 "There it is." 474 00:23:40,001 --> 00:23:44,381 Country music, it feels like an open road with no dead end, 475 00:23:44,464 --> 00:23:47,342 and I feel like that's what music is supposed to do. 476 00:23:47,426 --> 00:23:48,885 Speak to your heart. 477 00:23:51,972 --> 00:23:55,725 [closing theme music playing]