1
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[MUSIC PLAYING]

2
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[MUSIC CONTINUES]

3
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[LEONARDO SIGHING]

4
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Open it to
the page I marked.

5
00:01:13,224 --> 00:01:14,182
Tell me
what you see.

6
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It's a list
of ingredients.

7
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To make composition
of death.

8
00:01:30,372 --> 00:01:32,591
The poison from which
you saved Ludovico.

9
00:01:32,635 --> 00:01:36,117
The same poison
used to murder
Caterina da Cremona.

10
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[SCOFFS SOFTLY]

11
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Oh, you think
this is funny?

12
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I think it's absurd.

13
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You deny
poisoning her?

14
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Mmm, I do.

15
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Why then didn't you
give her the same antidote
you gave Il Moro?

16
00:01:48,433 --> 00:01:50,087
I lacked
the necessary ingredients.

17
00:01:50,131 --> 00:01:52,045
Tell me what they are,
and we'll search
your studio.

18
00:01:52,089 --> 00:01:53,917
If it's true
you didn't
have them,

19
00:01:53,960 --> 00:01:55,832
it will add
credibility
to your story.

20
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I don't recall the names.

21
00:01:57,616 --> 00:02:01,359
Leonardo, every witness
I've spoken to
believes you're guilty,

22
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do you wish to hang?

23
00:02:13,937 --> 00:02:17,723
You told me how much
Caterina da Cremona
meant to you.

24
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I told you
she was love.

25
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Yet you're accused
of killing her

26
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simply because she burnt
some of your work.

27
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That is the most
credible part
of the accusation.

28
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That you killed
love... itself

29
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for destroying
mere ink on paper?

30
00:02:32,608 --> 00:02:34,784
Some daubs of paint
on wood?

31
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You doubt I would
spill blood for my art.

32
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But I already have.

33
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MAN: And now, gentlemen,
our next speaker
on the topic this evening,

34
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Leonardo da Vinci.

35
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What is the most
noble endeavor

36
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mankind can pursue?

37
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[SHUDDERED BREATHS]

38
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[STRAINING]

39
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Others have made
the case for
the study of plants,

40
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the design and engineering of man-made structures,

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the understanding of complex machines,

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the kind of which the world has never seen before.

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[BEATRICE GRUNTS IN PAIN]

44
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Very good, Madonna.
Another push, please.

45
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I'm with you,
my darling.
I'm here now.

46
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Don't leave me.
Don't leave me.

47
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But only one endeavor
combines these disciplines

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to make something

49
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magical.

50
00:03:44,506 --> 00:03:47,160
Only art

51
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can take the pain
and suffering
of our lives

52
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and turn it
into beauty.

53
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[SHOUTING FROM PAIN]

54
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Something is wrong?

55
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Do something,
damn you!

56
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LEONARDO: Beauty.

57
00:04:06,179 --> 00:04:12,142
Great beauty is a truth
that echoes through the
centuries defying time.

58
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Giving the artist
and his patron
a kind of immortality.

59
00:04:18,844 --> 00:04:20,933
And that, gentlemen,

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is why art
is the noblest endeavor.

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Maestro.

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Come, quickly.What is it?

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Just come.

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Your Grace.

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Yes. Uh...
Come. Come.

66
00:05:07,240 --> 00:05:08,285
The...

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The child is gone.

68
00:05:15,205 --> 00:05:16,511
But my wife...

69
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You must
bring her back.

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Like you did me.

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Your Excellency,

72
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the poison only briefly
stopped your heart.

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There is no potion,

74
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no medicine,

75
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that can restore life,
once life has been
taken away.

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No.

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[STAMMERS]
That cannot be.

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[SOBBING]

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Do something.

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I assure, your Excellency,
if there was anything
I could do,

81
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anything at all...

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I...

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[CRYING]

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[DOOR OPENING]

85
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It's about time.

86
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Leonardo.

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What's wrong?

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[KNOCKING ON DOOR]

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TOMMASO: Leonardo?

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[KNOCKING CONTINUES]

91
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Leonardo.What?

92
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It's the bronze.What about it?

93
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They're taking it all.
All the bronze
for the horse.

94
00:07:37,434 --> 00:07:39,262
They're taking it?Yes.

95
00:07:44,528 --> 00:07:45,660
LEONARDO:
What is the meaning
of this?

96
00:07:45,703 --> 00:07:47,009
He says
it's all been
confiscated.

97
00:07:47,052 --> 00:07:48,967
On whose authority?The Duke's.

98
00:07:50,926 --> 00:07:53,276
That bronze is
for the statue
he commissioned.

99
00:07:53,319 --> 00:07:56,888
Not anymore, it's not.
I'm sorry, Leonardo.

100
00:07:56,932 --> 00:07:59,064
The French are
threatening towns
nearby.

101
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We have to cast cannons
to defend ourselves.

102
00:08:01,327 --> 00:08:03,591
No, no, please.
Tell them to stop.

103
00:08:03,634 --> 00:08:06,158
At least until
I've spoken to Il Moro.

104
00:08:06,202 --> 00:08:08,117
It'll mean all the work
that we've done
has been wasted!

105
00:08:08,160 --> 00:08:11,163
Perhaps you should
have used the bronze
when you got it.

106
00:08:11,207 --> 00:08:12,513
Instead of dawdling.

107
00:08:12,556 --> 00:08:14,036
Where is the Duke?

108
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Il Moro is grieving.

109
00:08:15,646 --> 00:08:17,866
But I advise you
not to disturb him.

110
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Where is he?

111
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Leonardo.

112
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He's been here
all night.

113
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Your Excellency?

114
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Sorry to disturb you.

115
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Sanseverino,
he's taking
all the bronze.

116
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Yes, I know.

117
00:08:55,947 --> 00:08:57,079
But he can't do this.

118
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He can't?

119
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He works for me.

120
00:09:06,915 --> 00:09:08,133
Do you mean to say...

121
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I can't?

122
00:09:14,662 --> 00:09:16,838
This statue is
to honor your family.

123
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I've been
working on it
for a long time.

124
00:09:20,581 --> 00:09:23,627
And do you think
I don't know that?

125
00:09:26,587 --> 00:09:29,198
[SHOUTING]
You trespass
on my grief!

126
00:09:35,508 --> 00:09:37,032
Look into my eyes,
Leonardo.

127
00:09:40,122 --> 00:09:41,297
What do you see?

128
00:09:42,690 --> 00:09:43,734
I see pain.

129
00:09:52,264 --> 00:09:55,920
I will never again hear
my sweet wife's voice.

130
00:09:59,358 --> 00:10:02,013
I will never
feel the softness
of her touch.

131
00:10:06,670 --> 00:10:08,106
Have you ever borne
such a loss?

132
00:10:10,282 --> 00:10:13,677
Do you know what it is
to live with such a wound?

133
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I will honor my family.

134
00:10:23,644 --> 00:10:25,123
But in a different way.

135
00:10:25,950 --> 00:10:26,908
Come.

136
00:10:42,445 --> 00:10:46,623
The entire convent
is to become a mausoleum
for my beloved Beatrice.

137
00:10:46,667 --> 00:10:50,453
Bramante will redesign
the dome and the crossing,

138
00:10:50,496 --> 00:10:51,541
and you...

139
00:10:54,239 --> 00:10:55,197
You will paint this.

140
00:10:56,154 --> 00:10:57,155
What?

141
00:10:59,114 --> 00:11:00,115
A fresco.

142
00:11:02,204 --> 00:11:04,423
Our Lord's final night
with the apostles,

143
00:11:04,467 --> 00:11:06,251
before death came.

144
00:11:06,295 --> 00:11:07,731
Your Excellency, um...

145
00:11:09,820 --> 00:11:11,692
I don't know
how to work
in fresco.

146
00:11:14,259 --> 00:11:15,260
Then you will learn.

147
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[BREATHING HEAVILY]

148
00:12:01,480 --> 00:12:02,612
[CRYING]

149
00:12:02,655 --> 00:12:04,005
[KNOCKING ON DOOR]

150
00:12:09,662 --> 00:12:10,838
Thank you
for coming, Father.

151
00:12:10,881 --> 00:12:12,317
He's in his room
upstairs.

152
00:12:12,361 --> 00:12:15,538
He hasn't eaten
or spoken to anyone
in days.

153
00:12:15,581 --> 00:12:18,497
I understand
his disappointment,

154
00:12:18,541 --> 00:12:21,152
but the fresco could be
an even more important
commission.

155
00:12:21,196 --> 00:12:23,633
Well,
he's refusing
to accept it.

156
00:12:23,676 --> 00:12:25,156
If he doesn't take
this commission,

157
00:12:25,200 --> 00:12:27,506
it's not just
the statue
he's lost.

158
00:12:27,550 --> 00:12:28,856
It's his place
in this city.

159
00:12:30,248 --> 00:12:31,249
And ours.

160
00:12:37,995 --> 00:12:39,170
[SIGHS]

161
00:12:41,564 --> 00:12:43,261
It's not just
about him,
you know?

162
00:12:44,915 --> 00:12:45,873
[KNOCKING ON DOOR]

163
00:12:47,135 --> 00:12:48,179
Come in.

164
00:12:51,574 --> 00:12:53,054
[DOOR CLOSING]

165
00:12:53,097 --> 00:12:56,709
Maestro,
I'm Friar Luca Pacioli,
from the court.

166
00:12:56,753 --> 00:12:58,537
I know who you are,
Father Luca.

167
00:12:58,581 --> 00:13:02,541
I read your books
on mathematics.
They're inspired.

168
00:13:02,585 --> 00:13:06,067
Your friends think
you are in need
of spiritual guidance.

169
00:13:06,110 --> 00:13:07,720
I am beyond consolation.

170
00:13:07,764 --> 00:13:10,332
No one is beyond
the love of Christ.

171
00:13:10,375 --> 00:13:13,770
I've devoted myself
to a folly.

172
00:13:13,814 --> 00:13:16,294
And now I am commanded
to begin another. I...

173
00:13:16,338 --> 00:13:18,296
I am a toy

174
00:13:18,340 --> 00:13:19,820
for His Excellency's pleasure.

175
00:13:24,215 --> 00:13:25,521
It's a kind of living hell.

176
00:13:27,871 --> 00:13:29,830
You cannot find
beauty or truth

177
00:13:29,873 --> 00:13:31,353
in the story
of the last supper?

178
00:13:33,659 --> 00:13:34,878
You heard my address.

179
00:13:34,922 --> 00:13:37,098
I was quite persuaded
by it.

180
00:13:37,141 --> 00:13:39,535
I have no desire
to search for truth
in this subject.

181
00:13:39,578 --> 00:13:41,493
Then you must find it
in yourself.

182
00:13:46,847 --> 00:13:48,761
What is your truth,
Leonardo?

183
00:13:51,286 --> 00:13:52,374
My truth?

184
00:13:52,417 --> 00:13:54,463
As a man, not as an artist.

185
00:13:55,681 --> 00:13:57,596
What is the thread

186
00:13:57,640 --> 00:14:00,034
that runs through
the tapestry of your life?

187
00:14:03,428 --> 00:14:04,429
Betrayal.

188
00:14:07,041 --> 00:14:08,216
Betrayal by whom?

189
00:14:11,567 --> 00:14:13,699
My mother, my father,
as a child.

190
00:14:13,743 --> 00:14:14,744
[HORSE NEIGHING]

191
00:14:18,443 --> 00:14:21,446
[IN ITALIAN]
Papa! Papa!

192
00:14:21,490 --> 00:14:25,146
LEONARDO: By a man I trusted when I came to Milan.

193
00:14:27,539 --> 00:14:28,801
LEONARDO: And now Il Moro.

194
00:14:34,677 --> 00:14:38,724
And do you not think
Jesus suffered
betrayal also?

195
00:14:49,518 --> 00:14:50,519
He'll see you now.

196
00:14:51,215 --> 00:14:52,216
Thank you.

197
00:14:59,136 --> 00:15:01,356
Tell Giulio
to order wood
for the scaffolding.

198
00:15:01,399 --> 00:15:02,792
And I want Marco
to get pigments

199
00:15:02,835 --> 00:15:04,185
from the convent
at San Giusto
alle Mura.

200
00:15:04,228 --> 00:15:05,403
Then we're
getting to work?

201
00:15:05,447 --> 00:15:06,709
We've wasted enough time,
don't you think?

202
00:15:06,752 --> 00:15:08,319
Where are you going?Research.

203
00:15:08,363 --> 00:15:10,669
TOMMASO: Where?The market.

204
00:15:10,713 --> 00:15:12,149
The apostles
will need faces,
won't they?

205
00:15:13,281 --> 00:15:15,022
LEONARDO:
"Dearest Caterina,

206
00:15:15,065 --> 00:15:18,677
"I send this letter
to Florence not knowing
if it'll reach you,

207
00:15:18,721 --> 00:15:20,331
"or whether you'll read it
if it does.

208
00:15:21,593 --> 00:15:23,813
"I am desperate
to know how you are,

209
00:15:23,856 --> 00:15:26,947
"and I never should have
let you leave in anger.

210
00:15:26,990 --> 00:15:30,298
"Your absence has
torn a hole in my heart
that cannot be mended.

211
00:15:31,734 --> 00:15:34,389
"So I seek consolation
in my work.

212
00:15:34,432 --> 00:15:36,913
"I spend day after day
in the market,

213
00:15:36,957 --> 00:15:40,612
"seeking to find truth
in the faces I see there.

214
00:15:40,656 --> 00:15:43,180
"I have been given
one last chance to
create a masterpiece."

215
00:15:43,224 --> 00:15:44,790
[SPEAKING INDISTINCTLY]

216
00:15:44,834 --> 00:15:46,792
"After all I've lost,
I must seize it."

217
00:15:51,145 --> 00:15:52,146
[INAUDIBLE]

218
00:16:00,719 --> 00:16:02,373
"I don't expect you
to understand

219
00:16:02,417 --> 00:16:05,550
"but I hope, in time,
you will forgive.

220
00:16:05,594 --> 00:16:07,335
"Yours, Leonardo."

221
00:16:17,345 --> 00:16:18,824
[SIGHS]

222
00:16:18,868 --> 00:16:20,739
TOMMASO: This is not
how a fresco is painted.

223
00:16:20,783 --> 00:16:23,786
How do you know?
Verrocchio never
taught us the technique.

224
00:16:23,829 --> 00:16:25,657
Precisely.

225
00:16:25,701 --> 00:16:28,660
I am not suited
for fast work
like you are.

226
00:16:28,704 --> 00:16:31,011
But that is the only way
a fresco can be painted.

227
00:16:31,054 --> 00:16:33,404
It was, until now.

228
00:16:33,448 --> 00:16:36,799
On a fresco,
the plaster is damp.

229
00:16:36,842 --> 00:16:39,584
Which means we can
only paint a small
section each day

230
00:16:39,628 --> 00:16:42,022
before the work
has to be completed
and the plaster dries.

231
00:16:42,065 --> 00:16:44,981
Just so.Well, this is a new
type of fresco!

232
00:16:45,025 --> 00:16:46,983
One that will
allow us more time.

233
00:16:48,680 --> 00:16:49,681
Leonardo...

234
00:16:52,206 --> 00:16:55,470
People have painted
frescos the same way
for hundreds of years.

235
00:16:55,513 --> 00:16:56,558
This is impossible.

236
00:16:56,601 --> 00:16:58,734
Oh, just stop saying
it's impossible!

237
00:17:01,084 --> 00:17:02,042
All right.

238
00:17:03,608 --> 00:17:05,393
Listen, I'm sorry.

239
00:17:05,436 --> 00:17:09,745
This method
not only allows us
to work more carefully,

240
00:17:09,788 --> 00:17:14,054
but it ensures that
the fresco retains
its true colors for longer.

241
00:17:14,097 --> 00:17:15,359
It sounds
excellent.

242
00:17:15,403 --> 00:17:16,795
Inspired.LEONARDO: It is.

243
00:17:16,839 --> 00:17:18,406
And what is
this method?

244
00:17:18,449 --> 00:17:22,671
So, we... we apply
our special kind of
tempera onto a dry wall

245
00:17:22,714 --> 00:17:25,848
and after it dries,
we're able to paint
another layer.

246
00:17:25,891 --> 00:17:28,677
And another, and another.
We can do this
maybe five or six times.

247
00:17:28,720 --> 00:17:31,245
This is something
we couldn't do with
a traditional fresco.

248
00:17:32,507 --> 00:17:34,857
All right, then.
If you say so.

249
00:17:34,900 --> 00:17:38,817
But it's not
if I say so,
is it?

250
00:17:38,861 --> 00:17:42,386
I need you all
to use your minds
to ensure this works.

251
00:17:44,388 --> 00:17:45,346
[GROANS SOFTLY]

252
00:17:46,564 --> 00:17:47,565
[SIGHS]

253
00:17:57,706 --> 00:17:59,360
You know,

254
00:17:59,403 --> 00:18:01,927
loyalty doesn't just mean
agreeing with him.

255
00:18:01,971 --> 00:18:05,322
Sometimes it means
telling him the truth
when no one else will.

256
00:18:06,758 --> 00:18:08,151
Awfully gloomy,
aren't you?

257
00:18:10,197 --> 00:18:12,416
So you just
smile and nod?

258
00:18:12,460 --> 00:18:14,462
Like everything
will be fine?

259
00:18:14,505 --> 00:18:16,203
Better than piling
your fears

260
00:18:16,246 --> 00:18:18,509
on top the weight
that's already
on his shoulders.

261
00:18:48,278 --> 00:18:49,671
[SPEAKING ITALIAN]
Girls, listen.

262
00:18:51,325 --> 00:18:55,633
Make another 20 in green
and a dozen in yellow.

263
00:18:57,026 --> 00:18:58,027
Good, go on.

264
00:19:01,204 --> 00:19:03,815
[IN ENGLISH]
I beg you sir,
I need a job.

265
00:19:03,859 --> 00:19:06,514
There isn't one.
We've got all
the women we need.

266
00:19:07,776 --> 00:19:10,909
But surely you could
use one more?No.

267
00:19:10,953 --> 00:19:12,520
You're wasting
my time.

268
00:19:12,563 --> 00:19:13,608
Please.

269
00:19:14,522 --> 00:19:15,523
Please...

270
00:19:17,612 --> 00:19:19,179
I'll work
at half wages.

271
00:19:20,354 --> 00:19:21,616
Please, sir.

272
00:19:37,632 --> 00:19:40,112
Marco says
the pigments
have been delivered

273
00:19:40,156 --> 00:19:41,766
to the convent
at San Giusto
alle Mura.

274
00:19:42,376 --> 00:19:43,333
Thank you.

275
00:19:48,512 --> 00:19:49,948
TOMMASO: Still
sketching faces?

276
00:19:49,992 --> 00:19:53,604
Mmm. Just as one
selects actors
for a play,

277
00:19:55,258 --> 00:19:58,261
one must select
the right faces

278
00:19:58,305 --> 00:20:01,264
to express the temperament
of each of the apostles.

279
00:20:03,092 --> 00:20:04,702
Are you sure
you're not doing
too much?

280
00:20:07,531 --> 00:20:09,533
What do you mean?

281
00:20:09,577 --> 00:20:12,144
Well, you told me
the Adoration
of the Magifailed

282
00:20:12,188 --> 00:20:16,192
because you tried
to cram it full
of too many ideas.

283
00:20:16,236 --> 00:20:19,804
Are you sure
you're not repeating
the same mistake here?

284
00:20:22,503 --> 00:20:23,460
No.

285
00:20:25,375 --> 00:20:26,637
No, I'm not sure.

286
00:20:29,292 --> 00:20:31,686
You tell everyone
we'll start work at
the convent tomorrow.

287
00:20:32,469 --> 00:20:33,427
Of course.

288
00:20:47,223 --> 00:20:48,224
[MEN SPEAKING INDISTINCTLY]

289
00:20:57,886 --> 00:20:58,887
My coins!

290
00:21:00,105 --> 00:21:01,890
They have disappeared
from my bag.

291
00:21:03,935 --> 00:21:04,936
Salai?

292
00:21:07,939 --> 00:21:09,506
Were those
your coins?

293
00:21:11,769 --> 00:21:13,423
I found them
on the floor

294
00:21:13,467 --> 00:21:16,426
and put them
in my pocket
for safekeeping.

295
00:21:16,470 --> 00:21:18,210
You really must be
more careful, boy.

296
00:21:18,820 --> 00:21:20,561
Let's see.

297
00:21:20,604 --> 00:21:23,390
One, two, three.
Anything left? No.

298
00:21:26,393 --> 00:21:27,350
Salai, a word.

299
00:21:29,831 --> 00:21:30,832
You have talent.

300
00:21:31,702 --> 00:21:33,791
You could be
a great artist.

301
00:21:33,835 --> 00:21:35,837
But if I catch you
stealing again,

302
00:21:35,880 --> 00:21:38,535
I'll kick you out on
the street where you
came from. Am I clear?

303
00:21:43,497 --> 00:21:46,761
It's like asking
a fish not to swim.Mmm.

304
00:21:46,804 --> 00:21:48,806
Will you find
another place for
these friars to eat?

305
00:21:48,850 --> 00:21:49,851
Of course.

306
00:21:50,895 --> 00:21:51,940
Friars, please.

307
00:21:58,903 --> 00:21:59,861
[BREATHING HEAVILY]

308
00:22:17,966 --> 00:22:19,359
Are you with child?

309
00:22:22,013 --> 00:22:23,058
Mind your own business.

310
00:22:42,294 --> 00:22:43,383
This is
the vanishing point,

311
00:22:44,427 --> 00:22:45,689
the farthest place
in the room

312
00:22:45,733 --> 00:22:48,344
in which Jesus
and the apostles
are seated.

313
00:22:48,388 --> 00:22:49,911
The walls
in that room

314
00:22:50,912 --> 00:22:53,828
extend out from it.

315
00:22:55,569 --> 00:22:57,571
Some people enter
and look up...

316
00:22:57,614 --> 00:23:01,401
It will seem as if
this room continues
into that one.

317
00:23:02,750 --> 00:23:04,839
That they are,
in fact, one.

318
00:23:04,882 --> 00:23:07,711
It will feel as if
we are in the room
with Jesus

319
00:23:07,755 --> 00:23:10,235
as he ate his final meal
before the crucifixion.

320
00:23:12,368 --> 00:23:14,152
That will make disciples
of us all.

321
00:23:24,162 --> 00:23:25,207
Higher.

322
00:23:33,128 --> 00:23:34,129
Straighten.

323
00:24:08,250 --> 00:24:11,253
What will people think
about the way
they are sat?

324
00:24:11,296 --> 00:24:15,300
Well, the placement
of the apostles suggests

325
00:24:15,344 --> 00:24:16,998
their relationship
to Christ.

326
00:24:17,041 --> 00:24:21,089
While their
facial expressions
convey their emotions.

327
00:24:21,132 --> 00:24:22,830
What emotions?

328
00:24:22,873 --> 00:24:26,007
He's talking about
the bread becoming
his body, so...

329
00:24:26,050 --> 00:24:29,010
No, no,
this is a different moment,
from the gospel of John.

330
00:24:29,053 --> 00:24:31,012
So, if you see
this triad here,

331
00:24:31,055 --> 00:24:34,668
we see John is leaning
away from Jesus
towards Peter

332
00:24:34,711 --> 00:24:36,408
who's whispering
in his ear,

333
00:24:36,452 --> 00:24:38,585
while Judas here
recoils.

334
00:24:38,628 --> 00:24:40,978
"Amen, amen,
I say to you,

335
00:24:41,022 --> 00:24:42,066
"one of you
shall betray me."

336
00:24:44,721 --> 00:24:46,027
I've been to church.

337
00:24:46,070 --> 00:24:47,202
Occasionally.

338
00:24:48,464 --> 00:24:50,118
I hope
they locked up
the silverware.

339
00:24:50,161 --> 00:24:51,598
[SNICKERING]

340
00:24:51,641 --> 00:24:54,601
The moment
Jesus reveals he will
be betrayed. Exactly.

341
00:24:54,644 --> 00:24:59,040
Betrayal? Surely Il Moro
means this work to
celebrate our Lord.

342
00:25:00,607 --> 00:25:03,261
If the Duke wishes
to celebrate our Lord,

343
00:25:05,220 --> 00:25:08,049
let him do so
by remembering
Jesus was also a man.

344
00:25:09,224 --> 00:25:10,660
With passions
and feelings.

345
00:25:12,314 --> 00:25:13,750
As were the apostles
who loved him.

346
00:25:14,925 --> 00:25:16,100
MARCO: Leonardo? Come.

347
00:25:17,014 --> 00:25:18,059
What is it?

348
00:25:18,102 --> 00:25:19,539
You'll see. Come.

349
00:25:24,935 --> 00:25:28,025
I'm not sure
this is what
the Duke expected.

350
00:25:28,069 --> 00:25:32,682
I think the Duke expected
that Leonardo would
exceed his expectations.

351
00:25:43,388 --> 00:25:45,521
How many of the pigments
have they mixed?All of them.

352
00:25:50,613 --> 00:25:51,571
LEONARDO: Beautiful.

353
00:25:53,834 --> 00:25:56,271
Do you remember
how we used to stare
at the alchemist's closet

354
00:25:56,314 --> 00:25:58,099
at the back of
Verrocchio's workshop?

355
00:25:59,448 --> 00:26:01,450
It all seemed
so unreachable then.

356
00:26:01,493 --> 00:26:02,538
LEONARDO:
Not anymore.

357
00:26:04,235 --> 00:26:05,933
Now we have the key
to everything.

358
00:26:07,456 --> 00:26:09,501
LEONARDO:
"Dearest Caterina,

359
00:26:09,545 --> 00:26:12,243
"we were not
the only ones
celebrating.

360
00:26:12,287 --> 00:26:15,812
"Il Moro triumphed
in battle
against the French.

361
00:26:15,856 --> 00:26:19,207
"It seems he put to good use
those cannons he cast
from our bronze.

362
00:26:20,904 --> 00:26:23,907
"But yesterday,
while walking
in the market,

363
00:26:23,951 --> 00:26:26,388
"I witnessed an event
that made my blood
run cold."

364
00:26:26,431 --> 00:26:27,476
[HORSES NEIGHING]

365
00:26:28,346 --> 00:26:30,610
"Despite his victory,

366
00:26:30,653 --> 00:26:33,395
"Ludovico's grip on power is not as secure as it seems."

367
00:26:37,094 --> 00:26:39,749
ANNOUNCER: Open the gates!
Ludovico Sforza wants to exit.

368
00:26:40,445 --> 00:26:41,446
Let's go!

369
00:26:42,534 --> 00:26:43,797
Death to
the tyrant!

370
00:26:49,846 --> 00:26:51,326
LEONARDO:
"Two supporters
of the French

371
00:26:51,369 --> 00:26:53,415
"made a daring attempt
on his life
in broad daylight."

372
00:26:53,458 --> 00:26:55,939
After him! "One of the men
escaped.

373
00:26:55,983 --> 00:26:57,724
"He looked
right into my eyes."

374
00:27:05,993 --> 00:27:07,037
Would you
like some wine?

375
00:27:07,559 --> 00:27:09,344
No.

376
00:27:09,387 --> 00:27:10,650
I'd rather
get some sleep.

377
00:27:10,693 --> 00:27:11,868
So should you.

378
00:27:55,520 --> 00:27:56,913
Where are
the pigments?

379
00:27:56,957 --> 00:27:58,175
They were right
here yesterday.

380
00:27:58,219 --> 00:27:59,568
It's a church.
We thought
they'd be safe.

381
00:28:05,966 --> 00:28:07,837
Where have they gone?

382
00:28:07,881 --> 00:28:09,230
You don't think
I took them.

383
00:28:09,273 --> 00:28:11,754
Who else?
Everyone knows
you're a thief.

384
00:28:11,798 --> 00:28:13,538
Leonardo, you know
I would never do
such a thing.

385
00:28:13,582 --> 00:28:14,844
We're ruined.

386
00:28:14,888 --> 00:28:17,281
We have to
replace them.With what?

387
00:28:17,325 --> 00:28:19,153
Do you have
any idea what
those pigments cost?

388
00:28:19,196 --> 00:28:20,589
TOMMASO:
No, that will
take weeks.

389
00:28:21,633 --> 00:28:22,634
If not months.

390
00:28:23,548 --> 00:28:24,680
[SIGHS]

391
00:28:24,724 --> 00:28:26,638
Leonardo,
what do you
want to do?

392
00:28:27,770 --> 00:28:30,512
All the men
must be laid off.

393
00:28:30,555 --> 00:28:33,341
The work is stopped
until we can replace
what we've lost.

394
00:28:58,409 --> 00:29:00,020
[PEOPLE SPEAKING INDISTINCTLY]

395
00:29:17,559 --> 00:29:20,040
Well, if it isn't
the pretty boy.

396
00:29:20,083 --> 00:29:23,173
I was getting to think
we'd never see you
again, Giacomo.

397
00:29:23,217 --> 00:29:25,393
I certainly hoped
I'd never see you again.

398
00:29:25,959 --> 00:29:27,090
That's not kind.

399
00:29:28,135 --> 00:29:29,614
After all the money
I made you.

400
00:29:29,658 --> 00:29:31,791
You mean all the money
I made you, Filippo.

401
00:29:33,575 --> 00:29:35,664
Some pigments
went missing
last night

402
00:29:35,707 --> 00:29:37,884
from Santa Maria
delle Grazie.

403
00:29:37,927 --> 00:29:39,581
I might have
heard about it.

404
00:29:39,624 --> 00:29:42,845
Whoever took them,
I figured they might
end up in your hands.

405
00:29:44,064 --> 00:29:46,631
[CHUCKLES]How much do you
want for them?

406
00:29:46,675 --> 00:29:48,068
How much are you
willing to pay?

407
00:29:49,069 --> 00:29:50,331
Name your price.

408
00:29:50,374 --> 00:29:54,422
My! You're eager,
aren't you?

409
00:29:54,465 --> 00:29:57,686
I might be willing
to recover those
paints for you.

410
00:29:57,729 --> 00:29:59,209
But you'll have to
work them off
in trade.

411
00:29:59,949 --> 00:30:01,472
I don't do that anymore.

412
00:30:01,516 --> 00:30:02,517
You don't?

413
00:30:03,387 --> 00:30:04,475
I'm an artist now.

414
00:30:04,519 --> 00:30:05,694
[LAUGHS]

415
00:30:07,348 --> 00:30:08,566
An artist.

416
00:30:10,177 --> 00:30:11,178
Is that what you think?

417
00:30:14,311 --> 00:30:16,487
If you want
those paints back,

418
00:30:16,531 --> 00:30:18,011
you'll do exactly
what I say.

419
00:30:18,750 --> 00:30:19,751
Huh?

420
00:30:46,256 --> 00:30:47,344
Sleeping on the job?

421
00:30:51,479 --> 00:30:52,480
Oh...

422
00:30:53,829 --> 00:30:55,875
Yes, I must have
drifted off.

423
00:30:59,095 --> 00:31:00,618
I was in
the chapel praying.

424
00:31:06,363 --> 00:31:08,583
I understand
your pigments
have gone missing.

425
00:31:10,977 --> 00:31:12,108
A temporary setback.

426
00:31:17,070 --> 00:31:18,027
[TAPPING BENCH]

427
00:31:21,813 --> 00:31:26,035
Rumors are circulating
at court that you're in
over your head.

428
00:31:28,908 --> 00:31:30,126
Some are
taking bets.

429
00:31:30,997 --> 00:31:31,998
What kind of bets?

430
00:31:34,826 --> 00:31:36,306
That you'll never
finish it.

431
00:31:41,616 --> 00:31:42,617
Did I frighten you?

432
00:31:45,837 --> 00:31:47,578
Well.

433
00:31:47,622 --> 00:31:49,580
A little fear is
good for an artist.

434
00:31:52,975 --> 00:31:55,108
I have invested
much in you,
Leonardo.

435
00:31:57,153 --> 00:31:58,502
And you have
given me

436
00:31:59,721 --> 00:32:01,636
very little
in return.

437
00:32:03,681 --> 00:32:05,988
I saved your life.

438
00:32:06,032 --> 00:32:08,164
There are times I wonder
if you don't regret that.

439
00:32:09,383 --> 00:32:11,863
Why do you
say that?

440
00:32:11,907 --> 00:32:16,172
You had the bronze
to cast that statue
for months.

441
00:32:16,216 --> 00:32:19,219
Well, no one has
ever cast a statue
of that size.

442
00:32:19,262 --> 00:32:21,743
I've been trying to
solve the technical
challenge of it.

443
00:32:23,440 --> 00:32:24,441
Possibly.

444
00:32:26,052 --> 00:32:28,315
Or possibly you were
no longer eager
to honor me,

445
00:32:28,358 --> 00:32:30,099
after the death
of my nephew,

446
00:32:30,143 --> 00:32:32,667
and the abrupt departure
of your friend,

447
00:32:33,581 --> 00:32:34,974
the lovely Caterina.

448
00:32:36,410 --> 00:32:38,978
I remain fully committed,
Your Excellency.

449
00:32:41,154 --> 00:32:42,111
Then prove it.

450
00:32:49,249 --> 00:32:50,206
[SIGHS DEEPLY]

451
00:33:08,224 --> 00:33:10,226
[WHISPERS] Leonardo.
Come. Quickly.Mmm?

452
00:33:11,053 --> 00:33:12,098
Come on.What?

453
00:33:22,804 --> 00:33:23,848
How did you get these?

454
00:33:25,415 --> 00:33:26,938
You just need to know
who to ask.

455
00:33:30,899 --> 00:33:31,900
Everything's here!

456
00:33:33,119 --> 00:33:35,164
Yes.

457
00:33:35,208 --> 00:33:37,210
Tell the men
we return to work
tomorrow morning.

458
00:33:37,253 --> 00:33:38,211
Will do.

459
00:33:40,082 --> 00:33:41,040
[BOTH CHUCKLING]

460
00:33:57,795 --> 00:33:59,319
LEONARDO: "Dearest Caterina,

461
00:33:59,362 --> 00:34:01,408
"I feel like
I'm drowning without you.

462
00:34:02,626 --> 00:34:04,454
"I am driven
to complete the fresco,

463
00:34:04,498 --> 00:34:08,023
"and have been unable
to sleep for weeks.

464
00:34:08,067 --> 00:34:10,765
"The slightest error
has been enough to
send me into a rage."

465
00:34:10,808 --> 00:34:12,506
Oh, no, no, no!
Giulio, no!

466
00:34:12,549 --> 00:34:16,640
No, don't start
on the hands!
Start on the shirt!

467
00:34:16,684 --> 00:34:19,556
"I felt as if all my life
hanged in the balance.

468
00:34:27,042 --> 00:34:29,871
"I have been consumed
by a terrible foreboding."

469
00:34:44,015 --> 00:34:45,016
Good boy.

470
00:34:49,195 --> 00:34:51,936
LEONARDO: "I sense
that I have made
some fatal mistake.

471
00:34:56,550 --> 00:34:59,988
"And today,
I realized I had."

472
00:35:00,031 --> 00:35:02,077
Stop. Everyone stop.

473
00:35:03,470 --> 00:35:04,427
It's wrong.

474
00:35:05,341 --> 00:35:06,734
What's wrong?

475
00:35:06,777 --> 00:35:07,996
The ceiling
is too low.

476
00:35:08,039 --> 00:35:09,911
But it's the ceiling
you drew.

477
00:35:09,954 --> 00:35:13,001
I... I know I drew it,
but I drew it wrong.

478
00:35:13,044 --> 00:35:15,743
It's too low.
If the apostles were to stand,
they'd bump their heads.

479
00:35:15,786 --> 00:35:19,312
Leonardo, the ceiling
may be too low,
but it's a painting.

480
00:35:19,355 --> 00:35:21,357
None of them
will stand. It's...

481
00:35:21,401 --> 00:35:22,402
It looks fine.

482
00:35:24,273 --> 00:35:26,362
Is that what you think
we're here to do?

483
00:35:26,406 --> 00:35:28,582
Make things look fine?
Make them look adequate?

484
00:35:30,105 --> 00:35:31,193
No one
will notice.

485
00:35:31,237 --> 00:35:33,630
[SHOUTING]
I will notice!

486
00:35:33,674 --> 00:35:35,632
It will torture me
every time
I look at it!

487
00:35:35,676 --> 00:35:37,286
Now that I've seen it,
I can't un-see it!

488
00:35:40,115 --> 00:35:41,203
Did none of you notice?

489
00:35:45,338 --> 00:35:46,991
No? Nobody?

490
00:35:50,691 --> 00:35:51,909
None of you care?

491
00:36:04,705 --> 00:36:07,534
"I say to you,
one of you
shall betray me."

492
00:36:09,188 --> 00:36:11,451
LEONARDO:
"Dearest Caterina,

493
00:36:11,494 --> 00:36:13,975
"I can no longer
face the others.

494
00:36:14,018 --> 00:36:16,369
"I felt as if I'd fallen
into a black hole.

495
00:36:17,587 --> 00:36:19,546
"My worst fears realized.

496
00:36:21,635 --> 00:36:25,334
"The fresco,
like the horse,
was yet another folly.

497
00:36:27,684 --> 00:36:30,644
"I wanted to be erased,
to disappear."

498
00:36:35,170 --> 00:36:36,650
[SPEAKING INDISTINCTLY]

499
00:36:36,693 --> 00:36:37,651
GIACOMO: Well?

500
00:36:39,174 --> 00:36:40,828
We've looked everywhere.
No one's seen him.

501
00:36:40,871 --> 00:36:42,438
He can't have
just vanished.

502
00:36:42,482 --> 00:36:45,789
What are we going
to do tomorrow?
The men are asking.

503
00:37:15,645 --> 00:37:16,603
[HORSE WHINNYING]

504
00:37:20,171 --> 00:37:21,260
[HORSES GALLOPING]

505
00:37:36,536 --> 00:37:37,711
How did you find me?

506
00:37:39,843 --> 00:37:41,367
There are no secrets
in Milan.

507
00:37:43,151 --> 00:37:45,501
At least,
not from me.

508
00:37:45,545 --> 00:37:48,374
I'm sorry, Your Lordship,
I haven't completed
the fresco yet.

509
00:37:50,376 --> 00:37:51,333
You're afraid.

510
00:37:53,161 --> 00:37:54,380
You said fear was
good for artists.

511
00:37:54,423 --> 00:37:55,946
I said
a little fear.

512
00:37:57,600 --> 00:37:58,601
I made an error.

513
00:38:01,474 --> 00:38:02,866
If I'm to fix it,
it could take weeks.

514
00:38:02,910 --> 00:38:03,911
[LAUGHING]

515
00:38:06,217 --> 00:38:07,784
Is that all?

516
00:38:07,828 --> 00:38:10,700
Do you know how many
times great men fail
before they succeed?

517
00:38:15,749 --> 00:38:17,533
I heard about
your speech.

518
00:38:18,926 --> 00:38:21,189
How art
invests the artist

519
00:38:22,233 --> 00:38:24,627
and his patron,
with immortality.

520
00:38:25,454 --> 00:38:26,716
Great art, yes.

521
00:38:27,848 --> 00:38:29,240
I demand nothing less.

522
00:38:32,461 --> 00:38:33,593
For my beloved wife.

523
00:38:35,899 --> 00:38:36,900
And for me.

524
00:38:41,470 --> 00:38:42,689
You don't have
much time.

525
00:38:45,692 --> 00:38:46,736
What are you
talking about?

526
00:38:46,780 --> 00:38:48,738
My grasp on power is

527
00:38:50,131 --> 00:38:51,872
[SCOFFS] tenuous.

528
00:38:54,962 --> 00:38:57,051
But the celebration, you...

529
00:38:57,094 --> 00:38:58,226
You defeated
the French.

530
00:38:58,269 --> 00:38:59,967
The taxes that paid
for that victory

531
00:39:00,010 --> 00:39:02,578
have turned
the people
against me.

532
00:39:02,622 --> 00:39:05,146
Meanwhile, the French
have formed an alliance
with the Venetians.

533
00:39:05,929 --> 00:39:07,148
It's only
a matter of time

534
00:39:07,191 --> 00:39:08,367
before they
strike again.

535
00:39:24,948 --> 00:39:26,428
Where is everyone?

536
00:39:26,472 --> 00:39:28,212
Leonardo.
They're gone.

537
00:39:28,256 --> 00:39:29,823
We need to send
a messenger,
get them back now.

538
00:39:29,866 --> 00:39:30,911
Right away.

539
00:39:33,435 --> 00:39:34,393
[BREATHES DEEPLY]

540
00:40:00,114 --> 00:40:01,115
We begin again.

541
00:41:31,031 --> 00:41:32,032
[WINCES]

542
00:41:34,295 --> 00:41:35,296
Oh, my God.

543
00:41:36,253 --> 00:41:37,341
Oh, my God!

544
00:41:40,693 --> 00:41:42,521
MARCO: Giulio!
Come and help me
with this.

545
00:41:47,003 --> 00:41:48,222
You can't be in here.

546
00:41:56,883 --> 00:41:57,840
[BREATHES DEEPLY]

547
00:41:59,407 --> 00:42:00,539
What do you think?

548
00:42:11,898 --> 00:42:15,162
GIULIO: [SHOUTING]
Leonardo! Leonardo!

549
00:42:27,653 --> 00:42:28,784
His throat
has been cut.

550
00:42:29,698 --> 00:42:32,701
Who did this?French colors.

551
00:42:32,745 --> 00:42:35,878
It's a message,
designed to frighten
Sforza loyalists.

552
00:42:35,922 --> 00:42:37,619
They dare not
kill Leonardo,

553
00:42:37,663 --> 00:42:39,490
but this is a message
for the rest of you.

554
00:42:41,275 --> 00:42:42,624
We're not safe here.

555
00:42:43,146 --> 00:42:44,800
We'll be safe.

556
00:42:44,844 --> 00:42:46,672
How can you say that?

557
00:42:46,715 --> 00:42:50,023
Salai, inform Sanseverino
we need guards posted
outside the convent.

558
00:42:50,066 --> 00:42:51,241
Right away.

559
00:42:52,373 --> 00:42:56,072
Leonardo, we must...The work continues.

560
00:42:56,116 --> 00:42:58,553
No one leaves here.
You understand?

561
00:43:06,692 --> 00:43:07,823
The work continues.

562
00:43:49,212 --> 00:43:51,258
[PEOPLE SCREAMING]

563
00:44:08,536 --> 00:44:09,711
He's not here.

564
00:44:09,755 --> 00:44:11,234
Then he's at the convent.

565
00:44:36,085 --> 00:44:37,217
Leonardo da Vinci?

566
00:44:37,521 --> 00:44:38,566
Yes.

567
00:44:38,609 --> 00:44:40,568
The tyrant Ludovico
has fled

568
00:44:40,611 --> 00:44:44,050
and Milan is now
under the control
of Louis XII.

569
00:44:44,093 --> 00:44:46,966
He orders me
to cut this fresco
from the wall

570
00:44:47,009 --> 00:44:48,794
and bring it to him
in France.

571
00:44:48,837 --> 00:44:51,666
You do that,
and you will
destroy it.

572
00:44:51,710 --> 00:44:53,668
I said
he gave me orders,

573
00:44:53,712 --> 00:44:55,714
not that I intend
to follow them.

574
00:44:55,757 --> 00:44:57,716
You will remain here
with your men, Ramiro.

575
00:44:58,629 --> 00:45:00,849
Make sure
Maestro Leonardo

576
00:45:00,893 --> 00:45:03,460
is free to complete
his work undisturbed.

577
00:45:07,116 --> 00:45:08,074
Why are you
doing this?

578
00:45:09,466 --> 00:45:11,425
Because I want you to know
to whom you're indebted.

579
00:45:12,905 --> 00:45:14,558
I am Cesare Borgia.

580
00:45:21,174 --> 00:45:22,784
TOMMASO:
So, Leonardo,

581
00:45:22,828 --> 00:45:24,743
the painting
is safe at last.

582
00:45:26,745 --> 00:45:27,876
So it seems.

583
00:45:27,920 --> 00:45:29,138
And that means
I can go now.

584
00:45:29,922 --> 00:45:31,097
Tommaso?

585
00:45:31,140 --> 00:45:32,446
Caterina knew better.

586
00:45:32,489 --> 00:45:33,708
Leaving you
when she did.

587
00:45:33,752 --> 00:45:34,796
What are you
talking about?

588
00:45:34,840 --> 00:45:36,537
You put our lives
in danger.

589
00:45:36,580 --> 00:45:38,452
And for what?
For what?

590
00:45:38,495 --> 00:45:39,975
For some paint
on a wall?

591
00:45:41,368 --> 00:45:43,718
Marco's dead
because of you.

592
00:45:45,589 --> 00:45:47,243
Tommaso,
that's not fair.

593
00:45:47,287 --> 00:45:48,636
Of course
you defend him.

594
00:45:49,376 --> 00:45:51,334
His friend.

595
00:45:51,378 --> 00:45:53,902
The great artist.
He said so.

596
00:45:55,338 --> 00:45:57,253
And it's way more
than he's ever said
to me.

597
00:45:57,297 --> 00:46:00,474
You said you wanted
to create a masterpiece,
and look.

598
00:46:00,517 --> 00:46:01,867
[SCOFFS] A masterpiece?

599
00:46:02,911 --> 00:46:04,913
I have news
for you, Leonardo.

600
00:46:04,957 --> 00:46:06,828
This paint will decay.

601
00:46:07,873 --> 00:46:10,092
Your masterpiece
will not survive.

602
00:46:11,877 --> 00:46:13,313
So much
for immortality.

603
00:46:13,356 --> 00:46:16,185
Tommaso, I understand
you're upset.
But listen to me...

604
00:46:16,229 --> 00:46:18,448
You speak of betrayal.

605
00:46:18,492 --> 00:46:20,363
When it's you
who's the betrayer.

606
00:46:22,713 --> 00:46:23,845
You're the Judas.

607
00:46:29,111 --> 00:46:30,199
Are you coming?

608
00:46:39,948 --> 00:46:40,906
Let's go.

609
00:46:59,794 --> 00:47:01,361
STEFANO:
Tommaso's words
cut you.

610
00:47:02,710 --> 00:47:03,972
Because they were true.

611
00:47:06,148 --> 00:47:07,933
You would have killed
for your art.

612
00:47:10,326 --> 00:47:11,980
But I did not kill Caterina.

613
00:47:21,598 --> 00:47:23,557
Do you regret painting
The Last Supper?

614
00:47:29,868 --> 00:47:31,870
I regret the sacrifices
I demanded.

615
00:47:34,046 --> 00:47:35,351
The pain I inflicted.

616
00:47:36,787 --> 00:47:39,268
But not the fresco itself?

617
00:47:39,312 --> 00:47:41,140
It's only a short walk
from here.

618
00:47:43,882 --> 00:47:45,840
You tell me
how I should answer
the question.

619
00:48:04,511 --> 00:48:05,512
[DOOR CLOSING]

620
00:48:22,007 --> 00:48:22,964
[BREATH TREMBLING]