1 00:00:01,042 --> 00:00:03,670 [BACKGROUND MUSIC AND CHATTER] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:03,670 --> 00:00:05,630 BECCA! STRIKE A POSE. 4 00:00:05,630 --> 00:00:06,589 [SHUTTER CLICKING] 5 00:00:06,589 --> 00:00:08,091 [LAUGHING] 6 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 7 00:00:08,091 --> 00:00:09,801 HOW MANY LEFT? 8 00:00:09,801 --> 00:00:11,094 PLENTY! 9 00:00:11,094 --> 00:00:13,304 LET'S GET ONE TOGETHER! 10 00:00:14,472 --> 00:00:17,016 [♪♪] 11 00:00:17,016 --> 00:00:19,561 HEY! LOVE THIS SONG! 12 00:00:20,812 --> 00:00:22,981 [♪♪] 13 00:00:28,111 --> 00:00:29,821 ♪ SEEING IS BELIEVING ♪ 14 00:00:33,324 --> 00:00:35,535 ♪ MY LIFE WAS COMPLICATED ♪ 15 00:00:35,535 --> 00:00:36,619 [RACHEL]: EXCUSE ME. 16 00:00:36,619 --> 00:00:38,121 HAVE YOU SEEN A LITTLE BOY? HE'S SEVEN. 17 00:00:38,121 --> 00:00:39,664 HE HAS A BACKPACK. 18 00:00:39,664 --> 00:00:41,124 SORRY. KID-FREE ZONE TONIGHT. 19 00:00:41,124 --> 00:00:45,044 ♪ SIX SIDES OF SEPARATION ♪ 20 00:00:45,044 --> 00:00:47,088 ♪ PUT BACK TOGETHER BY YOU ♪ 21 00:00:48,715 --> 00:00:50,717 ♪ 'CAUSE YOU CAME ♪ 22 00:00:50,717 --> 00:00:54,220 ♪ ON A MISSION THROUGH THE CLOUDS ♪ 23 00:00:54,220 --> 00:00:56,639 WHAT DID I SAY ABOUT RUNNING OFF? 24 00:00:56,639 --> 00:00:58,892 ♪ BROKE MY CHAINS... ♪ 25 00:01:01,102 --> 00:01:03,730 [♪♪] 26 00:01:03,730 --> 00:01:05,315 [BOY]: I WANT BERTIE! 27 00:01:05,315 --> 00:01:06,816 MY DADDY GAVE HIM TO ME. 28 00:01:06,816 --> 00:01:08,526 I WANT MY DADDY. 29 00:01:08,526 --> 00:01:10,737 [♪♪] 30 00:01:16,201 --> 00:01:17,160 [CAMERA SHUTTER CLICKS] 31 00:01:19,579 --> 00:01:21,915 [♪♪] 32 00:01:28,087 --> 00:01:30,173 [RACHEL]: NOW, YOU RUN OFF ONE MORE TIME, 33 00:01:30,173 --> 00:01:33,259 AND YOU AND I ARE GOING TO HAVE A PROBLEM. 34 00:01:35,595 --> 00:01:37,680 [DOOR CREAKS] 35 00:01:40,433 --> 00:01:42,227 SIT RIGHT HERE AND WAIT FOR ME. 36 00:01:42,227 --> 00:01:43,228 DO NOT MOVE. 37 00:01:45,271 --> 00:01:47,982 [♪♪] 38 00:01:53,029 --> 00:01:55,156 I WAS TOLD YOU MIGHT HAVE A ROOM AVAILABLE. 39 00:01:55,156 --> 00:01:56,157 OKAY. 40 00:01:59,244 --> 00:02:01,162 [CREAKING] 41 00:02:09,420 --> 00:02:11,548 [♪♪] 42 00:02:28,648 --> 00:02:30,024 [CLICK] 43 00:02:36,614 --> 00:02:39,200 ♪ SEND ME LOVE EVERY DAY ♪ 44 00:02:39,200 --> 00:02:41,995 ♪ SEND ME LOVE EVERY DAY ♪ 45 00:02:41,995 --> 00:02:44,330 ♪ SEND ME ON MY WAY ♪ 46 00:02:44,330 --> 00:02:47,292 ♪ SEND ME ON MY WAY ♪ 47 00:02:47,292 --> 00:02:48,501 ♪ DELIVER ME ♪ 48 00:02:48,501 --> 00:02:50,670 ♪ JUST DELIVER ME ♪ 49 00:02:50,670 --> 00:02:52,922 [♪♪] 50 00:02:52,922 --> 00:02:54,007 ♪ DELIVER ME ♪ 51 00:02:54,007 --> 00:02:56,467 ♪ JUST DELIVER ME ♪ 52 00:02:56,467 --> 00:02:58,052 [♪♪] 53 00:02:58,052 --> 00:03:00,680 ♪ SEND ME LOVE EVERY DAY ♪ 54 00:03:00,680 --> 00:03:03,266 ♪ SEND ME ON MY WAY ♪ 55 00:03:03,266 --> 00:03:04,684 ♪ DELIVER ME ♪ 56 00:03:04,684 --> 00:03:07,937 ♪ JUST DELIVER ME ♪ 57 00:03:14,360 --> 00:03:18,197 PERHAPS A LITTLE MORE SODIUM METABISULFITE? 58 00:03:18,197 --> 00:03:20,867 WE NEED SOMETHING TO SUSTAIN THE REACTION INDEFINITELY. 59 00:03:21,951 --> 00:03:23,578 OH! UH, POTASSIUM IODATE? 60 00:03:23,578 --> 00:03:25,538 I TRIED THAT. 61 00:03:25,538 --> 00:03:27,874 OH! WAIT. 62 00:03:27,874 --> 00:03:29,792 [CHUCKLES AND GRUNTS] 63 00:03:32,879 --> 00:03:34,839 MM-HMM. 64 00:03:35,882 --> 00:03:37,175 AHH... 65 00:03:37,175 --> 00:03:38,718 HAZEL SAYS THAT, UH, TERMINAL ANNEX 66 00:03:38,718 --> 00:03:40,386 JUST DROPPED OFF A NEW SHIPMENT OF-- 67 00:03:40,386 --> 00:03:41,471 [NORMAN]: FIRE IN THE HOLE! 68 00:03:41,471 --> 00:03:42,805 [MUFFLED EXPLOSION] 69 00:03:43,848 --> 00:03:44,891 [SIGHS] 70 00:03:44,891 --> 00:03:46,809 [NORMAN]: WE'RE FINE! EVERYTHING'S OKAY. 71 00:03:46,809 --> 00:03:48,394 AGAIN. 72 00:03:48,394 --> 00:03:50,146 GOOD TO KNOW! 73 00:03:50,146 --> 00:03:51,397 AGAIN. 74 00:03:51,397 --> 00:03:52,649 [BOTH CHUCKLING QUIETLY] 75 00:03:52,649 --> 00:03:54,901 YOU KNOW, MAYBE THIS IS A GOOD TIME TO GO-- 76 00:03:54,901 --> 00:03:56,027 [TOGETHER]: ...SEE HAZEL. 77 00:03:56,027 --> 00:03:57,528 YEAH. 78 00:03:57,528 --> 00:03:59,113 [♪♪] 79 00:03:59,113 --> 00:04:01,574 EWW! 80 00:04:01,574 --> 00:04:03,576 THIS ONE HAS A HOLE IT IN! 81 00:04:03,576 --> 00:04:05,244 A MILLION POSTCARDS IN HAWAII, 82 00:04:05,244 --> 00:04:06,412 AND PEOPLE MAIL THOSE. 83 00:04:06,412 --> 00:04:07,413 OH! HOLD ON. 84 00:04:07,413 --> 00:04:08,623 [HAZEL]: OH, THAT REMINDS ME, 85 00:04:08,623 --> 00:04:10,875 WHERE ARE YOU AND NORMAN GOING ON YOUR HONEYMOON? 86 00:04:10,875 --> 00:04:12,543 [RITA]: OH, WELL, MY PARENTS GAVE US 87 00:04:12,543 --> 00:04:14,337 THEIR STARCRUISER, SO WE'LL PROBABLY TAKE THAT 88 00:04:14,337 --> 00:04:15,672 SOMEWHERE FUN, 89 00:04:15,672 --> 00:04:17,048 BUT THERE'S JUST SO MUCH MORE TO DO FIRST. 90 00:04:17,048 --> 00:04:18,591 [HAZEL]: WHAT'S A STARCRUISER? 91 00:04:18,591 --> 00:04:20,510 [RITA]: IT'S SORTA LIKE A WINNEBAGO. 92 00:04:20,510 --> 00:04:21,636 [HAZEL]: HOW FAR HAVE YOU GOTTEN ON THE LIST? 93 00:04:21,636 --> 00:04:23,221 "THE LIST"? 94 00:04:24,722 --> 00:04:26,432 WHAT LIST? 95 00:04:32,939 --> 00:04:34,607 THERE'S A HUNDRED THINGS TO DO? 96 00:04:34,607 --> 00:04:35,608 OF COURSE NOT. 97 00:04:35,608 --> 00:04:36,734 THERE ARE THOUSANDS. 98 00:04:36,734 --> 00:04:38,611 THOSE ARE JUST THE FIRST HUNDRED. 99 00:04:40,446 --> 00:04:42,532 THANK YOU, HAZEL. 100 00:04:42,532 --> 00:04:43,533 [CHUCKLES] 101 00:04:43,533 --> 00:04:44,826 AS USUAL, 102 00:04:44,826 --> 00:04:46,536 YOU'VE BEEN NOTHING BUT HELPFUL. 103 00:04:46,536 --> 00:04:47,870 HAVE A GREAT DAY! RITA? 104 00:04:47,870 --> 00:04:48,871 [RITA WHIMPERS] 105 00:04:48,871 --> 00:04:49,872 IT'S OKAY. THIS WAY. 106 00:04:49,872 --> 00:04:52,291 THIS WAY. 107 00:04:52,291 --> 00:04:54,419 I CAN'T BELIEVE THIS! 108 00:04:54,419 --> 00:04:56,462 THERE'S EVEN A LIST OF WEDDING LISTS. 109 00:04:56,462 --> 00:04:57,463 AND ACCORDING TO THIS, 110 00:04:57,463 --> 00:04:58,923 I'M ALREADY FIVE WEEKS BEHIND. 111 00:04:58,923 --> 00:05:01,300 YOU JUST GOT ENGAGED FOUR WEEKS AGO. 112 00:05:02,135 --> 00:05:03,136 GOOD MORNING, LADIES. 113 00:05:03,136 --> 00:05:04,095 [RITA]: MORNING. 114 00:05:06,097 --> 00:05:07,974 WHAT HAPPENED NOW? 115 00:05:07,974 --> 00:05:10,768 UH, WELL, WE EXPERIENCED A MINOR CHEMICAL MISFORTUNE. 116 00:05:10,768 --> 00:05:12,061 A LITTLE TOO MUCH POTASSIUM CHLORATE 117 00:05:12,061 --> 00:05:14,731 IN NORMAN'S "RAPID RECOVERY" MIXTURE. 118 00:05:14,731 --> 00:05:15,690 WHAT'S THAT? 119 00:05:15,690 --> 00:05:17,734 A NEW AND IMPROVED "REVELATION SOLUTION 120 00:05:17,734 --> 00:05:21,320 FOR THE PARTICULARLY ILLEGIBLE AND INDECIPHERABLE." 121 00:05:21,320 --> 00:05:24,157 I SEE WE'VE BEGUN OUR WEDDING PLANS ALREADY, HMM? 122 00:05:24,157 --> 00:05:25,408 [CHANGING TOPICS]: OLIVER! UH-- 123 00:05:25,408 --> 00:05:29,704 WHY DON'T YOU TAKE A LOOK AT THIS OLD CAMERA? 124 00:05:30,830 --> 00:05:33,499 [OLIVER CHUCKLES]: WELL. 125 00:05:33,499 --> 00:05:35,626 IS THAT... 126 00:05:35,626 --> 00:05:37,086 [SNIFFING] 127 00:05:37,086 --> 00:05:38,546 COCONUT? 128 00:05:38,546 --> 00:05:39,964 IGNORE THAT. 129 00:05:39,964 --> 00:05:42,133 UH, WELL, THE HOUSING IS CARDBOARD 130 00:05:42,133 --> 00:05:44,469 AND NOT PLASTIC, SUGGESTING AN EARLIER MODEL. 131 00:05:44,469 --> 00:05:45,928 UH... 132 00:05:45,928 --> 00:05:48,014 THE COCONUT DAMAGE HAS ERASED THE EXPIRATION DATE, 133 00:05:48,014 --> 00:05:50,016 BUT THERE IS A PARTIAL ADDRESS. 134 00:05:50,016 --> 00:05:51,976 UH, J-A... 135 00:05:51,976 --> 00:05:53,311 "M"-SOMETHING... 136 00:05:53,311 --> 00:05:54,937 "K"-- NEXT WORD IS ILLEGIBLE. 137 00:05:54,937 --> 00:05:57,148 WHAT ARE YOU DOING BACK THERE? 138 00:05:57,148 --> 00:05:58,608 NOTHING. 139 00:05:59,942 --> 00:06:02,862 LAST WORD ENDING IN "...I-T-Y." 140 00:06:02,862 --> 00:06:03,863 UH..."CITY"? 141 00:06:03,863 --> 00:06:05,823 OH, THERE ARE SEVEN TOWNS IN COLORADO 142 00:06:05,823 --> 00:06:07,366 WITH THE WORD "CITY" IN IT. 143 00:06:07,366 --> 00:06:08,534 UNFORTUNATELY, 144 00:06:08,534 --> 00:06:11,370 THE REMAINING INFORMATION HAS BEEN WASHED OFF 145 00:06:11,370 --> 00:06:13,206 BY THE, UH, COCONUT MILK. 146 00:06:13,206 --> 00:06:15,166 HMM. 147 00:06:16,250 --> 00:06:17,543 WHAT IS AN OLD CAMERA 148 00:06:17,543 --> 00:06:20,046 DOING IN LAST WEEK'S "UNATTACHED ITEMS" BOX? 149 00:06:20,046 --> 00:06:21,714 [INTERCOM BEEPS] NORMAN? IT'S TIME TO COME IN NOW. 150 00:06:21,714 --> 00:06:22,965 [NORMAN]: ROGER THAT! 151 00:06:22,965 --> 00:06:24,217 PERHAPS I CAN LIFT 152 00:06:24,217 --> 00:06:26,469 A REMNANT OF INK WITH OUR NEW SOLUTION. 153 00:06:26,469 --> 00:06:29,347 I HAD NO IDEA YOU WERE SUCH A CHEMISTRY BUFF. 154 00:06:29,347 --> 00:06:30,223 OH, YES! 155 00:06:30,223 --> 00:06:31,682 IN FACT, WHEN I WAS 10, 156 00:06:31,682 --> 00:06:33,392 I BEGGED MY FATHER FOR A CHEMISTRY SET 157 00:06:33,392 --> 00:06:34,727 BUT HE FELT 158 00:06:34,727 --> 00:06:37,230 I WAS SPENDING TOO MUCH TIME ON INDOOR PURSUITS ALREADY, 159 00:06:37,230 --> 00:06:39,649 SO HE SIGNED ME UP FOR LITTLE LEAGUE INSTEAD. 160 00:06:39,649 --> 00:06:41,234 [LAUGHS] HOW LONG DID THAT LAST? 161 00:06:41,234 --> 00:06:42,735 THREE DAYS. 162 00:06:42,735 --> 00:06:43,736 TOO MUCH DIRT? 163 00:06:43,736 --> 00:06:44,737 [SHANE LAUGHS] 164 00:06:44,737 --> 00:06:46,489 HERE I AM! 165 00:06:47,573 --> 00:06:48,491 WHAT DO YA GOT FOR ME? 166 00:06:48,491 --> 00:06:49,867 WHOA... 167 00:06:49,867 --> 00:06:51,202 I HAVEN'T SEEN A CAMERA LIKE THIS 168 00:06:51,202 --> 00:06:53,079 SINCE MY COUSIN BARTHOLOMEW'S BAR MITZVAH, 169 00:06:53,079 --> 00:06:54,205 WHEN I WAS 12. 170 00:06:54,205 --> 00:06:55,373 YOU KNOW, RITA, 171 00:06:55,373 --> 00:06:56,874 PROVIDING THESE CAMERAS TO YOUR WEDDING GUESTS 172 00:06:56,874 --> 00:06:59,710 MIGHT BE A WONDERFUL WAY FOR YOU TO CAPTURE MOMENTS 173 00:06:59,710 --> 00:07:01,087 YOU MIGHT NOT OTHERWISE GET TO SEE. 174 00:07:01,087 --> 00:07:04,257 I GUESS, BUT EVERYBODY HAS CELL PHONES NOWADAYS. 175 00:07:04,257 --> 00:07:06,843 WELL... NOT EVERYBODY. 176 00:07:06,843 --> 00:07:08,594 AHEM. MS. MCINERNEY, 177 00:07:08,594 --> 00:07:10,263 IN OUR WORLD OF INSTANT GRATIFICATION 178 00:07:10,263 --> 00:07:11,389 AND COUNTLESS RE-DOS, 179 00:07:11,389 --> 00:07:13,766 THERE IS SOMETHING TRULY SATISFYING 180 00:07:13,766 --> 00:07:16,185 ABOUT NOT BEING ABLE TO HIT "DELETE" 181 00:07:16,185 --> 00:07:17,562 IN FAVOR OF ANOTHER PHOTO 182 00:07:17,562 --> 00:07:21,023 WITH BETTER LIGHTING OR A MORE PERFECT SMILE. 183 00:07:21,023 --> 00:07:23,234 AND SOMETIMES... 184 00:07:23,234 --> 00:07:28,197 IT'S THE IMPERFECTIONS IN LIFE THAT MAKE SOMETHING... PERFECT. 185 00:07:28,197 --> 00:07:29,240 HMM. 186 00:07:29,240 --> 00:07:30,116 WELL... 187 00:07:30,116 --> 00:07:31,534 YOU 188 00:07:31,534 --> 00:07:33,786 STILL HAVE SOMETHING ON YOUR FACE. 189 00:07:33,786 --> 00:07:37,748 NOW, SHALL I WIPE IT OFF, 190 00:07:37,748 --> 00:07:40,418 OR SHALL I JUST LEAVE YOU "PERFECT"? 191 00:07:41,836 --> 00:07:44,005 TRUST ME. 192 00:07:45,798 --> 00:07:48,467 LOOKS LIKE A SOLUBLE FELT TIP BLUE MARKER. 193 00:07:50,261 --> 00:07:52,722 HANDWRITING IS SHAKY... 194 00:07:52,722 --> 00:07:56,392 INDICATING POSSIBLE HAND TREMORS. 195 00:07:58,269 --> 00:08:00,062 THE PENMANSHIP SUGGESTS WE'RE LOOKING AT SOMEONE 196 00:08:00,062 --> 00:08:01,522 EITHER REALLY OLD OR REALLY YOUNG. 197 00:08:01,522 --> 00:08:02,565 WELL, MAYBE THEY WERE 198 00:08:02,565 --> 00:08:03,608 REALLY YOUNG WHEN THEY TOOK IT, 199 00:08:03,608 --> 00:08:04,734 BUT NOW THEY'RE REALLY OLD? 200 00:08:04,734 --> 00:08:06,319 WHOEVER IT WAS USED THE WHOLE ROLL. 201 00:08:06,319 --> 00:08:07,778 CAN FILM THAT OLD STILL BE DEVELOPED? 202 00:08:07,778 --> 00:08:08,821 THE PICTURE QUALITY WON'T BE VERY GOOD, 203 00:08:08,821 --> 00:08:10,489 BUT THERE'S A CHANCE WE'LL GET SOMETHING. 204 00:08:10,489 --> 00:08:12,158 THEN YOU MUST AT LEAST TRY, NORMAN. 205 00:08:12,158 --> 00:08:13,492 MS. MCINERNEY, 206 00:08:13,492 --> 00:08:14,994 YOU AND RITA TRY AND TRACK DOWN 207 00:08:14,994 --> 00:08:16,537 THE MAKE AND MODEL OF THE CAMERA. 208 00:08:16,537 --> 00:08:19,248 LET'S FIND OUT HOW OLD THESE PHOTOGRAPHS REALLY ARE. 209 00:08:24,670 --> 00:08:26,964 SO, THE ROLL WAS SERIOUSLY COCONUT-IZED, 210 00:08:26,964 --> 00:08:29,175 AND THE FIRST 15 OR SO ARE FRIED, 211 00:08:29,175 --> 00:08:31,219 BUT I'VE GOT THIS ONE. 212 00:08:33,346 --> 00:08:34,305 OH, YES! 213 00:08:34,305 --> 00:08:36,599 THE 35-MILLIMETER "FUNSHOOT". 214 00:08:36,599 --> 00:08:38,309 FROM THE SLING? REALLY? 215 00:08:38,309 --> 00:08:40,311 YES! THANK YOU. THAT'S VERY HELPFUL. 216 00:08:40,311 --> 00:08:42,688 SO THE DISPOSABLE "SLING" WAS CHANGED TO THE "FUNSHOOT" 217 00:08:42,688 --> 00:08:44,315 IN 1989. 218 00:08:44,315 --> 00:08:45,608 MM! WELL, ACCORDING TO THIS, 219 00:08:45,608 --> 00:08:47,318 THEY STOPPED USING CARDBOARD HOUSING 220 00:08:47,318 --> 00:08:49,779 ON DISPOSABLE CAMERAS AROUND 2003, 221 00:08:49,779 --> 00:08:52,156 WHICH MAKES THIS AT LEAST... 222 00:08:52,156 --> 00:08:53,366 WHAT HAVE YOU GOT? 223 00:08:53,366 --> 00:08:54,909 UH, BIG HAIR... 224 00:08:54,909 --> 00:08:56,535 AND BIG HAIR. 225 00:08:56,535 --> 00:08:58,704 I'LL SAY! [LAUGHS] 226 00:08:58,704 --> 00:08:59,956 [OLIVER]: PLEASE, TAKE A LOOK. 227 00:08:59,956 --> 00:09:01,207 MAYBE YOU'LL BE ABLE TO FIND SOMETHING 228 00:09:01,207 --> 00:09:02,875 OTHER THAN HAIR. 229 00:09:02,875 --> 00:09:04,335 AND TAKE YOUR TIME. 230 00:09:04,335 --> 00:09:06,837 NORMAN IS GOING TO BE A WHILE. 231 00:09:06,837 --> 00:09:09,215 OKAY. 232 00:09:10,508 --> 00:09:11,717 [HUSHED]: UH, IN THAT CASE, 233 00:09:11,717 --> 00:09:13,803 IS IT OKAY IF I TAKE RITA FOR COFFEE? 234 00:09:13,803 --> 00:09:16,555 SHE'S PRETTY STRESSED OUT ABOUT THE WEDDING PLANS. 235 00:09:16,555 --> 00:09:18,224 DIDN'T THEY JUST CHOOSE A DATE? 236 00:09:18,224 --> 00:09:20,726 YES, AND NOW SHE'S WAY BEHIND. 237 00:09:20,726 --> 00:09:23,437 [♪♪] 238 00:09:30,736 --> 00:09:33,030 ANYTHING NEW TO GO ON, NORMAN? 239 00:09:33,030 --> 00:09:35,032 OH. UH, WELL... 240 00:09:36,075 --> 00:09:38,119 I TRIED DEVELOPING THESE A FEW TIMES, 241 00:09:38,119 --> 00:09:39,537 BUT THAT'S THE BEST I COULD DO. 242 00:09:39,537 --> 00:09:41,580 THE FIRST ONE LOOKS LIKE IT WAS TAKEN FROM A MOVING CAR, 243 00:09:41,580 --> 00:09:42,665 AND THE NEXT ONE DOES, TOO. 244 00:09:42,665 --> 00:09:44,667 WELL, THAT'S A... A ROAD SIGN. 245 00:09:44,667 --> 00:09:46,085 BUT WHAT IS THIS? 246 00:09:46,085 --> 00:09:48,254 UH, IT LOOKS LIKE, UM... 247 00:09:48,254 --> 00:09:49,922 MELONS? 248 00:09:49,922 --> 00:09:51,090 IN THE SKY? 249 00:09:51,090 --> 00:09:52,425 WELL, SOMETIMES, AN IMAGE CAN GET 250 00:09:52,425 --> 00:09:53,426 SUPERIMPOSED ON ANOTHER 251 00:09:53,426 --> 00:09:55,094 IF THE CAMERA ISN'T WOUND PROPERLY. 252 00:09:55,094 --> 00:09:56,887 AHH. HUH! 253 00:09:57,930 --> 00:09:59,015 DO YOU SEE WHAT I MEAN? 254 00:09:59,015 --> 00:10:00,182 "ORDER THE FLOWERS." 255 00:10:00,182 --> 00:10:01,183 I CAN DO THAT. 256 00:10:01,183 --> 00:10:02,226 "HIRE THE MINISTER." 257 00:10:02,226 --> 00:10:03,894 WHAT ABOUT NORMAN'S GRANDMOTHER? 258 00:10:03,894 --> 00:10:05,104 SHE'S VERY SPIRITUAL. 259 00:10:05,104 --> 00:10:07,606 "ORDER THE INVITATIONS AND HIRE A CALLIGRAPHER"? 260 00:10:07,606 --> 00:10:10,568 HAVE YOU SEEN OLIVER'S PENMANSHIP? 261 00:10:10,568 --> 00:10:13,571 "SECURE A VENUE." I DON'T HAVE A VENUE! 262 00:10:14,613 --> 00:10:15,823 I HAVE YOUR VENUE! 263 00:10:15,823 --> 00:10:16,907 WHAT? 264 00:10:16,907 --> 00:10:18,534 RAMON'S NEW RESTAURANT. 265 00:10:18,534 --> 00:10:19,493 THINK ABOUT IT! 266 00:10:19,493 --> 00:10:21,245 UH, THE CAKE, THE CATERING, 267 00:10:21,245 --> 00:10:23,289 THE BAND-- HE CAN TAKE CARE OF ALL OF THAT. 268 00:10:23,289 --> 00:10:24,373 -IT'S PERFECT! -HUH. 269 00:10:24,373 --> 00:10:26,917 NOW ALL YOU NEED IS THE PERFECT MAN, 270 00:10:26,917 --> 00:10:28,961 WHICH OF COURSE, YOU ALREADY HAVE. 271 00:10:28,961 --> 00:10:30,963 [LAUGHS] 272 00:10:32,256 --> 00:10:34,133 WELL, IT SEEMS AS IF OUR PHOTOGRAPHER 273 00:10:34,133 --> 00:10:36,594 WENT FROM TAKING PORTRAITS TO LANDSCAPES TO... 274 00:10:36,594 --> 00:10:38,596 FOOD. 275 00:10:38,596 --> 00:10:40,139 YEAH, BUT NOTHING TO IDENTIFY 276 00:10:40,139 --> 00:10:43,476 A SPECIFIC LOCATION OR PERSON, 277 00:10:43,476 --> 00:10:44,894 EXCEPT FOR THIS WOMAN. 278 00:10:44,894 --> 00:10:46,812 THE LOWER ANGLE 279 00:10:46,812 --> 00:10:48,147 IS CONSISTENT WITH THE OTHER IMAGES. 280 00:10:48,147 --> 00:10:51,108 TAKEN BY SOMEONE SHORTER? 281 00:10:51,108 --> 00:10:52,485 A CHILD, PERHAPS? 282 00:10:52,485 --> 00:10:55,154 EXCEPT THAT THE FIRST ONES, OF ALL THE HAIR, 283 00:10:55,154 --> 00:10:57,406 WERE TAKEN BY A TALL PERSON. 284 00:10:57,406 --> 00:11:00,284 THEN WE HAVE AT LEAST TWO PHOTOGRAPHERS. 285 00:11:00,284 --> 00:11:03,245 AN ADULT, AND THEN, LATER, MAYBE... 286 00:11:03,245 --> 00:11:04,538 OLIVER. 287 00:11:04,538 --> 00:11:05,456 MM? 288 00:11:05,456 --> 00:11:06,415 LOOK. 289 00:11:07,625 --> 00:11:10,127 [♪♪] 290 00:11:22,681 --> 00:11:25,810 [LAUGHS] I JUST CAN'T GET OVER THAT HAIR. 291 00:11:25,810 --> 00:11:27,812 AND THOSE CLOTHES! 292 00:11:27,812 --> 00:11:29,313 OH! OLIVER! 293 00:11:29,313 --> 00:11:31,982 WE THINK WE KNOW WHERE THESE WERE TAKEN. 294 00:11:31,982 --> 00:11:33,526 THERE'S A BANNER THAT READS-- 295 00:11:33,526 --> 00:11:34,860 SOMETHING "...THE '80S." 296 00:11:34,860 --> 00:11:36,821 WE'RE THINKING "END OF THE '80S" 297 00:11:36,821 --> 00:11:38,030 OR "FAREWELL TO THE '80S." 298 00:11:38,030 --> 00:11:39,156 AND PROBABLY AT A HOTEL, 299 00:11:39,156 --> 00:11:42,159 BECAUSE THERE'S A PODIUM WAY IN THE BACK 300 00:11:42,159 --> 00:11:43,661 AND YOU CAN JUST MAKE OUT THE LETTERS 301 00:11:43,661 --> 00:11:45,371 "...U-E-B-L-O." 302 00:11:45,371 --> 00:11:46,288 "PUEBLO." 303 00:11:46,288 --> 00:11:47,373 SO WE THINK IT'S A NEW YEAR'S PARTY 304 00:11:47,373 --> 00:11:50,084 IN PUEBLO, COLORADO IN 1989. 305 00:11:53,212 --> 00:11:54,296 "FIND ME, DADDY. 306 00:11:54,296 --> 00:11:57,466 "WE'RE IN GRAY CAR. I WANT TO GO... 307 00:11:57,466 --> 00:11:58,717 HOME." 308 00:11:58,717 --> 00:11:59,844 OH... 309 00:11:59,844 --> 00:12:02,680 [♪♪] 310 00:12:02,680 --> 00:12:04,974 "I WANT TO GO HOME." 311 00:12:04,974 --> 00:12:06,559 THIS IS SO SAD! 312 00:12:06,559 --> 00:12:08,310 LOOK AT THAT LITTLE BACKPACK. 313 00:12:08,310 --> 00:12:11,355 LOOKS LIKE HE'S PROPPED HIS LITTLE NOTEBOOK 314 00:12:11,355 --> 00:12:13,441 UP AGAINST SOMETHING BLUE. 315 00:12:13,441 --> 00:12:16,193 POST OFFICE BLUE! LIKE MY WEDDING COLORS. 316 00:12:16,193 --> 00:12:17,528 OR LIKE A MAILBOX! 317 00:12:17,528 --> 00:12:21,198 COULD BE, AND THAT LOOKS LIKE SOME KIND OF LOG? 318 00:12:21,198 --> 00:12:22,491 THIS FEELS SO URGENT, 319 00:12:22,491 --> 00:12:24,577 EVEN THOUGH IT HAPPENED 30 YEARS AGO. 320 00:12:24,577 --> 00:12:26,328 WELL, THERE IS NO EXPIRATION DATE 321 00:12:26,328 --> 00:12:27,496 ON THE TRUTH. 322 00:12:27,496 --> 00:12:29,582 SOMEONE MIGHT STILL BE LOOKING FOR THEIR FATHER, 323 00:12:29,582 --> 00:12:31,834 OR A FATHER FOR HIS SON. 324 00:12:31,834 --> 00:12:33,919 I'M GONNA FILTER FOR PARENTAL ABDUCTIONS 325 00:12:33,919 --> 00:12:35,087 USING "J-A-". 326 00:12:35,087 --> 00:12:37,173 JACK OR JAMES "M"? 327 00:12:37,173 --> 00:12:40,759 OH, RITA, WHAT WERE THE NAMES OF THE TOWNS ENDING IN "CITY"? 328 00:12:40,759 --> 00:12:42,428 CANON, CENTRAL, COMMERCE, GARDEN, LAKE, 329 00:12:42,428 --> 00:12:43,846 ORCHARD, AND SUGAR CITY. 330 00:12:43,846 --> 00:12:44,889 [OLIVER]: NORMAN, RITA, 331 00:12:44,889 --> 00:12:46,390 WILL YOU CHECK FOR PLACES IN PUEBLO 332 00:12:46,390 --> 00:12:48,559 THAT HAVE BANQUET ROOMS? 333 00:12:48,559 --> 00:12:49,727 AND IF SO, HOW MANY OF THEM 334 00:12:49,727 --> 00:12:51,437 HAVE RECORDS DATING BACK TO THE '80S, HMM? 335 00:12:51,437 --> 00:12:53,189 I'M GONNA CALL DALE 336 00:12:53,189 --> 00:12:55,774 AT THE STATE DIVISION OF INVESTIGATIONS. 337 00:12:55,774 --> 00:12:58,777 PERHAPS THE OLD CHILD ABDUCTION RESOURCES 338 00:12:58,777 --> 00:13:00,946 ARE BETTER AT THE STATE LEVEL. 339 00:13:00,946 --> 00:13:03,741 YES? UH, THANK YOU. 340 00:13:03,741 --> 00:13:05,201 YEAH. 341 00:13:05,201 --> 00:13:06,285 [HANGS PHONE UP] 342 00:13:06,285 --> 00:13:08,621 WITHOUT SUFFICIENT DESCRIPTIVE INFORMATION 343 00:13:08,621 --> 00:13:09,788 OF THE CHILD OR CAPTOR, 344 00:13:09,788 --> 00:13:12,625 AND CONFIRMATION OF WHEN AN ABDUCTION TOOK PLACE, 345 00:13:12,625 --> 00:13:14,210 THEIR HANDS ARE TIED. 346 00:13:14,210 --> 00:13:16,962 AMBER ALERTS DIDN'T BEGIN UNTIL 1996, 347 00:13:16,962 --> 00:13:19,256 SO I'M TRYING TO ACCESS EARLIER RECORDS 348 00:13:19,256 --> 00:13:20,549 FROM THE NATIONAL CENTER 349 00:13:20,549 --> 00:13:22,468 FOR MISSING AND EXPLOITED CHILDREN. 350 00:13:22,468 --> 00:13:24,053 [NORMAN]: OH, SO JUST SMALL CONFERENCE ROOMS, 351 00:13:24,053 --> 00:13:25,429 AND NO BALLROOM. 352 00:13:25,429 --> 00:13:27,139 WELL, THANK YOU FOR YOUR TIME. 353 00:13:27,139 --> 00:13:28,807 [RITA]: OH, HI, SYLVIA. 354 00:13:28,807 --> 00:13:31,310 WE'RE TRYING TO LOCATE THE ORGANIZERS OF A PARTY 355 00:13:31,310 --> 00:13:33,771 THAT MAY HAVE HAPPENED AT YOUR HOTEL BACK IN THE '80S. 356 00:13:33,771 --> 00:13:35,981 WE'RE WONDERING HOW FAR BACK YOUR RECORDS GO? 357 00:13:35,981 --> 00:13:39,151 NO, IT WAS A PARTY IN THE '80S, NOT AN... 358 00:13:39,151 --> 00:13:41,654 [REALIZING]: ...'80S PARTY. 359 00:13:41,654 --> 00:13:45,324 WAIT! WHEN DID YOU SAY THAT WAS? 360 00:13:45,324 --> 00:13:46,575 AND WAS EVERYBODY DRESSED UP, 361 00:13:46,575 --> 00:13:49,328 LIKE, LIKE, MADONNA AND "FLASHDANCE"? 362 00:13:49,328 --> 00:13:51,247 OH, YES. ALL THE BIG HAIR. 363 00:13:51,247 --> 00:13:52,748 YES! AND WAS THERE '80S STUFF EVERYWHERE? 364 00:13:52,748 --> 00:13:56,168 LIKE, UH, RUBIK'S CUBES AND, WELL, DISPOSABLE CAMERAS? 365 00:13:56,168 --> 00:13:57,503 OH, YES. LEG WARMERS... 366 00:13:57,503 --> 00:14:00,422 WAS THERE A SIGN THAT READ... 367 00:14:00,422 --> 00:14:01,924 "MEMORIES OF THE '80S"? 368 00:14:01,924 --> 00:14:03,175 "MEMORIES OF THE '80S"? 369 00:14:03,175 --> 00:14:04,176 GREAT! THANK YOU, SYLVIA! 370 00:14:04,176 --> 00:14:05,177 YOU'RE WELCOME. 371 00:14:05,177 --> 00:14:07,680 YOU GUYS... 372 00:14:07,680 --> 00:14:09,765 I THINK OUR CHILD WENT MISSING 373 00:14:09,765 --> 00:14:11,642 THREE WEEKS AGO. 374 00:14:15,479 --> 00:14:16,981 THREE WEEKS AGO? 375 00:14:16,981 --> 00:14:21,235 YEAH, SO, THE BANQUET ROOM AT THE HOTEL MESA PUEBLO 376 00:14:21,235 --> 00:14:22,528 WAS BOOKED A MONTH AGO 377 00:14:22,528 --> 00:14:26,115 BY THE PUEBLO NORTH HIGH SCHOOL CLASS REUNION, 1988. 378 00:14:26,115 --> 00:14:27,491 THAT EXPLAINS THE VINTAGE CAMERA. 379 00:14:27,491 --> 00:14:30,536 SO OUR CHILD IS STILL A CHILD. 380 00:14:30,536 --> 00:14:32,871 AND THIS CAMERA IS NOW OUR TOP PRIORITY. 381 00:14:32,871 --> 00:14:35,040 I'M GONNA CHANGE THE SEARCH PARAMETERS 382 00:14:35,040 --> 00:14:36,709 FOR A RECENT ABDUCTION. 383 00:14:36,709 --> 00:14:39,378 WE NEED TO IDENTIFY THESE WOMEN. 384 00:14:39,378 --> 00:14:41,463 RITA, TAKE A PHOTO OF THE PHOTO, 385 00:14:41,463 --> 00:14:42,673 EMAIL IT TO SYLVIA. 386 00:14:42,673 --> 00:14:44,508 MAYBE SHE'LL RECOGNIZE ONE OF THEM. 387 00:14:44,508 --> 00:14:46,552 OKAY. 388 00:14:48,053 --> 00:14:49,054 [SHUTTER CLICKS] 389 00:14:50,180 --> 00:14:52,474 ALL I SEE IS HAIR AND MORE BIG HAIR. 390 00:14:52,474 --> 00:14:54,727 [OLIVER]: THIS IS ABOUT 391 00:14:54,727 --> 00:14:56,353 MORE THAN ONE PHOTOGRAPH, 392 00:14:56,353 --> 00:14:58,939 AND IT'S CERTAINLY ABOUT MORE THAN JUST... 393 00:14:58,939 --> 00:15:00,482 HAIR. 394 00:15:00,482 --> 00:15:02,651 WE... 395 00:15:02,651 --> 00:15:04,653 ARE GOING TO PUEBLO. 396 00:15:04,653 --> 00:15:06,405 AND... 397 00:15:06,405 --> 00:15:08,574 WE'LL NEED SOME SORT OF A... UH... 398 00:15:08,574 --> 00:15:10,326 MOBILE COMMAND UNIT, HMM? 399 00:15:10,326 --> 00:15:11,827 UH, NORMAN, RITA! 400 00:15:11,827 --> 00:15:13,912 MAY WE ENGAGE YOUR RECREATIONAL VEHICLE? 401 00:15:13,912 --> 00:15:15,122 HMM? 402 00:15:15,122 --> 00:15:16,498 WELL, UH... 403 00:15:16,498 --> 00:15:17,708 WE HAVEN'T EXACTLY-- 404 00:15:17,708 --> 00:15:18,834 [RITA]: WHAT A GREAT IDEA! 405 00:15:18,834 --> 00:15:20,669 IT'LL BE LIKE A PRACTICE HONEYMOON, 406 00:15:20,669 --> 00:15:23,881 ONLY BETTER, BECAUSE WE'LL ALL BE TOGETHER. 407 00:15:23,881 --> 00:15:25,090 [SHANE]: OH, RITA... 408 00:15:25,090 --> 00:15:26,300 I DO LOVE YOU. 409 00:15:26,300 --> 00:15:27,551 AWW! 410 00:15:28,594 --> 00:15:29,595 NORMAN? 411 00:15:29,595 --> 00:15:32,222 YOU ARE MARRYING A WONDERFUL WOMAN. 412 00:15:32,222 --> 00:15:34,391 THANK YOU. 413 00:15:34,391 --> 00:15:35,392 [DOOR OPENS AND SHUTS] 414 00:15:35,392 --> 00:15:36,435 HAVE I MENTIONED 415 00:15:36,435 --> 00:15:38,228 THAT I DON'T KNOW HOW TO DRIVE THAT THING? 416 00:15:38,228 --> 00:15:41,065 [OLIVER]: IT'S QUITE STRIKING. EXTRAORDINARY, REALLY. 417 00:15:41,065 --> 00:15:43,442 AND BIG. 418 00:15:43,442 --> 00:15:45,069 JUST THINK OF ALL THE PLACES 419 00:15:45,069 --> 00:15:46,779 THIS VENERABLE VEHICLE HAS TRAVELED. 420 00:15:46,779 --> 00:15:47,946 DO I HAVE TO? 421 00:15:47,946 --> 00:15:51,825 MY PARENTS PUT 200,000 MILES ON IT! 422 00:15:51,825 --> 00:15:53,619 WELL, THEN, LET'S MAKE SURE 423 00:15:53,619 --> 00:15:56,080 THE NEXT 200 MILES COUNT, SHALL WE? 424 00:15:56,080 --> 00:15:58,248 MM-HMM! 425 00:15:59,625 --> 00:16:00,751 WELL... 426 00:16:00,751 --> 00:16:02,378 DESPITE THE GRAVITY OF OUR MISSION, 427 00:16:02,378 --> 00:16:03,545 IT WILL BE FUN TO GET HER 428 00:16:03,545 --> 00:16:04,922 OUT ON THE OPEN ROAD 429 00:16:04,922 --> 00:16:07,299 AND SEE WHAT SHE CAN DO. 430 00:16:07,299 --> 00:16:08,801 OOH, WELL, HEY, WHY DON'T YOU GO FIRST? 431 00:16:08,801 --> 00:16:10,135 MY TREAT. 432 00:16:10,135 --> 00:16:11,136 AH. 433 00:16:11,136 --> 00:16:13,722 [♪♪] 434 00:16:13,722 --> 00:16:16,975 ♪ ALL I'VE GOT IS DUST IN MY POCKET ♪ 435 00:16:16,975 --> 00:16:20,896 ♪ ALL I TELL YOU WON'T CHANGE YOUR MIND ♪ 436 00:16:20,896 --> 00:16:23,273 ♪ ALL I'VE GOT IS DUST IN MY POCKET ♪ 437 00:16:23,273 --> 00:16:24,983 ♪ I'VE GOTTA MOVE ON... ♪ 438 00:16:24,983 --> 00:16:25,984 YOU SEE, NORMAN, 439 00:16:25,984 --> 00:16:27,319 IT'S REALLY NOT THAT DIFFICULT. 440 00:16:27,319 --> 00:16:29,154 YOU JUST HAVE TO MAKE FRIENDS 441 00:16:29,154 --> 00:16:30,656 WITH EVERY LITTLE NOISE AND RATTLE IN THE CHASSIS, 442 00:16:30,656 --> 00:16:33,450 IF YOU WANT TO LEARN WHAT SHE LIKES AND WHAT SHE DOESN'T. 443 00:16:33,450 --> 00:16:34,868 OKAY. 444 00:16:34,868 --> 00:16:37,996 [OLIVER]: THE THING TO REMEMBER IS ALWAYS PAY ATTENTION... 445 00:16:37,996 --> 00:16:38,997 HOW'S IT COMING? 446 00:16:38,997 --> 00:16:42,167 OH! WELL, FOR THE CAKE, 447 00:16:42,167 --> 00:16:44,503 WE BOTH LIKE CHOCOLATE, SO THAT SHOULD BE EASY, 448 00:16:44,503 --> 00:16:46,588 AND RAMON CAN PICK THE MUSIC. 449 00:16:46,588 --> 00:16:47,756 WHAT ABOUT THE INVITATIONS? 450 00:16:47,756 --> 00:16:48,966 WELL, IT SAYS HERE, 451 00:16:48,966 --> 00:16:50,509 "ALWAYS LEAVE ROOM 452 00:16:50,509 --> 00:16:52,720 FOR A BIT OF WHIMSY IN YOUR WEDDING." 453 00:16:52,720 --> 00:16:55,973 SO I'M THINKING INVITATIONS IN THE SHAPE OF OWLS 454 00:16:55,973 --> 00:16:58,684 THAT SAY "GUESS WHO'S GETTING MARRIED"? 455 00:16:58,684 --> 00:17:00,519 VERY WHIMSICAL, VERY YOU. 456 00:17:00,519 --> 00:17:02,980 AND THEN, FOR OUR COLORS, WE'LL JUST STAY POSTAL. 457 00:17:02,980 --> 00:17:04,189 RED, WHITE, BLUE? 458 00:17:04,189 --> 00:17:05,190 RIGHT! 459 00:17:05,190 --> 00:17:06,442 OKAY. 460 00:17:06,442 --> 00:17:09,111 JUST HAVE TO KEEP A GOOD BALANCE 461 00:17:09,111 --> 00:17:12,197 BETWEEN LOOKING BEHIND AND LOOKING FORWARD. 462 00:17:12,197 --> 00:17:13,449 GOT IT. 463 00:17:13,449 --> 00:17:15,325 AND MOST IMPORTANTLY, 464 00:17:15,325 --> 00:17:17,411 YOU HAVE TO TREAT HER WITH RESPECT-- 465 00:17:17,411 --> 00:17:18,495 DON'T PUSH HER TOO HARD, 466 00:17:18,495 --> 00:17:21,206 OR SHE MIGHT, UH, SHE MIGHT BREAK DOWN. 467 00:17:21,206 --> 00:17:22,416 WELL, WE DON'T WANT THAT. 468 00:17:22,416 --> 00:17:25,377 NO. BEFORE TOO LONG, WITH PATIENCE AND DETERMINATION, 469 00:17:25,377 --> 00:17:27,963 YOU START... YOU START TO BECOME ONE. 470 00:17:27,963 --> 00:17:30,382 [SHANE]: EXCUSE ME. 471 00:17:30,382 --> 00:17:33,552 WE HAVE BEEN TALKING ABOUT THE STARCRUISER, RIGHT? 472 00:17:34,678 --> 00:17:36,388 I JUST THOUGHT YOU'D LIKE TO KNOW, 473 00:17:36,388 --> 00:17:37,681 THAT ONCE WE GET TO PUEBLO, 474 00:17:37,681 --> 00:17:39,892 THE HOTEL EXIT IS 43. 475 00:17:39,892 --> 00:17:42,686 THEN YOU TURN RIGHT, GO 4.2 MILES, 476 00:17:42,686 --> 00:17:44,396 AND, WELL, THAT SHOULD BE COMING UP 477 00:17:44,396 --> 00:17:45,856 IN ABOUT 10 MINUTES. 478 00:17:45,856 --> 00:17:48,067 OH, THANK YOU, MS. MCINERNEY. 479 00:17:48,067 --> 00:17:50,402 MM. MY PLEASURE, MR. O'TOOLE. 480 00:17:50,402 --> 00:17:51,361 [CHUCKLES] 481 00:17:54,031 --> 00:17:56,241 [WHISPERS]: I KNOW YOU LIKE TO KEEP THINGS 482 00:17:56,241 --> 00:17:57,868 PROFESSIONAL, 483 00:17:57,868 --> 00:18:01,079 BUT WE'RE OUT OF THE OFFICE NOW, 484 00:18:01,079 --> 00:18:03,373 SO IT'S OKAY TO CALL ME SHANE. 485 00:18:05,042 --> 00:18:06,960 UH, WE ARE OUT OF THE OFFICE, 486 00:18:06,960 --> 00:18:10,339 BUT WE ARE IN THE MOBILE UNIT. 487 00:18:10,339 --> 00:18:13,175 A, UH... FINE DISTINCTION, PERHAPS, 488 00:18:13,175 --> 00:18:14,635 BUT... 489 00:18:14,635 --> 00:18:16,553 I KNEW YOU'D SAY THAT. 490 00:18:17,888 --> 00:18:19,389 OH. 491 00:18:19,389 --> 00:18:20,933 YOU DID? 492 00:18:20,933 --> 00:18:21,975 UH-HUH. 493 00:18:21,975 --> 00:18:25,145 I JUST LIKE HEARING YOU SAY IT, 494 00:18:25,145 --> 00:18:27,856 BECAUSE I KNOW YOU, MR. O'TOOLE. 495 00:18:27,856 --> 00:18:30,067 [NORMAN]: OH, LOOK! EXIT 41. 496 00:18:30,067 --> 00:18:31,944 SO CLOSE. 497 00:18:31,944 --> 00:18:33,445 [CELL CHIMES] 498 00:18:33,445 --> 00:18:35,405 OH. 499 00:18:36,490 --> 00:18:38,450 [♪♪] 500 00:18:38,450 --> 00:18:40,452 OH. 501 00:18:40,452 --> 00:18:42,996 [♪♪] 502 00:18:47,125 --> 00:18:48,710 [AWKWARD CHUCKLE] 503 00:18:49,753 --> 00:18:50,712 OH, YOUR PHONE DINGED. 504 00:18:50,712 --> 00:18:52,673 OH. THANK YOU. 505 00:18:57,511 --> 00:19:00,138 WHO'S ALEX BRIGHTON? 506 00:19:00,138 --> 00:19:02,015 OH, I'M SORRY, I DIDN'T MEAN TO READ IT. 507 00:19:02,015 --> 00:19:03,225 I JUST LOOKED DOWN AND-- 508 00:19:03,225 --> 00:19:04,935 IT'S OKAY. IT'S NOT IMPORTANT. 509 00:19:04,935 --> 00:19:07,813 IT SEEMS LIKE HE REALLY WANTS TO TALK TO YOU. 510 00:19:07,813 --> 00:19:10,816 I'VE BEEN GETTING A LOT OF WRONG NUMBERS RECENTLY. 511 00:19:10,816 --> 00:19:12,109 OH. 512 00:19:13,694 --> 00:19:16,488 [♪♪] 513 00:19:16,488 --> 00:19:19,157 [OLIVER]: WELL, EVERYONE, WELCOME TO MESA PUEBLO. 514 00:19:25,956 --> 00:19:28,458 [♪♪] 515 00:19:31,086 --> 00:19:33,172 GOOD AFTERNOON. 516 00:19:33,172 --> 00:19:35,173 HI. CHECKING IN? DO YOU HAVE A RESERVATION? 517 00:19:35,173 --> 00:19:37,175 UH, NO. AND NO. 518 00:19:37,175 --> 00:19:38,176 [SNEEZES] 519 00:19:38,176 --> 00:19:39,177 BLESS YOU. 520 00:19:39,177 --> 00:19:40,637 THANKS. 521 00:19:40,637 --> 00:19:43,140 WE'RE ALL SOLD OUT TONIGHT, UNFORTUNATELY. 522 00:19:43,140 --> 00:19:45,183 WILDFLOWER CONVENTION, HAPPENS EVERY YEAR. 523 00:19:45,183 --> 00:19:47,185 OH, I UNDERSTAND. WE JUST HAVE A QUESTION. 524 00:19:47,185 --> 00:19:48,186 [SNEEZES] 525 00:19:48,186 --> 00:19:49,479 BLESS YOU. 526 00:19:49,479 --> 00:19:51,189 WE'RE HERE FROM THE UNITED STATES POSTAL SERVICE. 527 00:19:51,189 --> 00:19:52,774 WE'RE HERE TO SEE SYLVIA PELLSON. 528 00:19:52,774 --> 00:19:53,775 SHE'S IN CATERING, 529 00:19:53,775 --> 00:19:55,360 AND SHE'S EXPECTING US. 530 00:19:55,360 --> 00:19:57,321 [DIALS PHONE] 531 00:19:58,530 --> 00:20:00,282 HEY, SYLVIA? HI. I HAVE A BUNCH OF PEOPLE HERE 532 00:20:00,282 --> 00:20:03,118 SAYING THEY'RE FROM THE POST OFFICE? 533 00:20:03,118 --> 00:20:05,037 SAYS YOU'RE EXPECTING THEM? 534 00:20:05,037 --> 00:20:07,539 SURE. OKAY. 535 00:20:07,539 --> 00:20:09,041 SHE'LL BE RIGHT WITH YOU. 536 00:20:09,041 --> 00:20:10,792 THANK YOU. 537 00:20:10,792 --> 00:20:11,835 [SNEEZES] 538 00:20:11,835 --> 00:20:12,961 BLESS YOU. 539 00:20:12,961 --> 00:20:14,046 FLOWER ALLERGY? 540 00:20:14,046 --> 00:20:15,547 [SNIFFLES] 541 00:20:15,547 --> 00:20:17,674 HANG IN THERE. 542 00:20:19,676 --> 00:20:23,221 RITA? WHAT ABOUT SOME OF THESE FLOWERS FOR YOUR WEDDING? 543 00:20:23,221 --> 00:20:25,682 OOH, THOSE ARE BEAUTIFUL! 544 00:20:27,225 --> 00:20:28,810 OH! AND PRICKLY! 545 00:20:28,810 --> 00:20:29,895 MM. 546 00:20:29,895 --> 00:20:32,064 ARE YOU THE FOLKS FROM THE POST OFFICE? 547 00:20:32,064 --> 00:20:33,398 YES, WE ARE. 548 00:20:33,398 --> 00:20:35,859 HI. I'M SYLVIA. HOW CAN I HELP YOU? 549 00:20:35,859 --> 00:20:37,069 UH, WE WERE HOPING 550 00:20:37,069 --> 00:20:40,280 THAT YOU MIGHT RECOGNIZE THE WOMEN IN THESE PHOTOS. 551 00:20:40,280 --> 00:20:42,491 [LAUGHS] OH, HO! WOW. 552 00:20:42,491 --> 00:20:45,410 JOANNE AND BECCA ARE GONNA LOVE THESE! 553 00:20:45,410 --> 00:20:46,411 THEY SURE WENT ALL OUT. 554 00:20:46,411 --> 00:20:47,371 YOU KNOW THEM? 555 00:20:47,371 --> 00:20:48,538 SURE DO. 556 00:20:48,538 --> 00:20:49,831 THEY'RE OUR ACCOUNTANTS DOWN ON FOURTH STREET. 557 00:20:49,831 --> 00:20:51,041 THEY DO OUR AUDITS. 558 00:20:51,041 --> 00:20:52,668 DO EITHER OF THEM HAVE A CHILD? 559 00:20:52,668 --> 00:20:54,211 HOW OLD? 560 00:20:54,211 --> 00:20:55,754 UH, WE'RE ESTIMATING ANYWHERE BETWEEN 561 00:20:55,754 --> 00:20:57,422 5 AND 10 YEARS OLD. 562 00:20:57,422 --> 00:21:00,467 WELL, THEY HAVE KIDS, BUT THEY'RE ALL IN HIGH SCHOOL. 563 00:21:00,467 --> 00:21:02,511 WELL, IF JOANNE AND BECCA TOOK PICTURES 564 00:21:02,511 --> 00:21:04,388 WITH THE SAME CAMERA AS OUR CHILD, 565 00:21:04,388 --> 00:21:06,765 THEN THEY MUST'VE CROSSED PATHS SOMEHOW, RIGHT? 566 00:21:06,765 --> 00:21:07,766 HOW MIGHT WE FIND THEM? 567 00:21:07,766 --> 00:21:10,143 [♪♪] 568 00:21:11,228 --> 00:21:12,479 THERE WEREN'T ANY CHILDREN THERE. 569 00:21:12,479 --> 00:21:13,730 NOT THAT I SAW, ANYWAY. 570 00:21:13,730 --> 00:21:15,232 I DIDN'T SEE ANY. 571 00:21:15,232 --> 00:21:16,900 WOW, MY HAIR WAS BIG. 572 00:21:16,900 --> 00:21:20,028 WERE THERE A LOT OF DISPOSABLE CAMERAS OR JUST THE ONE? 573 00:21:20,028 --> 00:21:22,197 JUST ONE. IT WAS PART OF 574 00:21:22,197 --> 00:21:24,282 A DISPLAY OF A BUNCH OF '80S STUFF. 575 00:21:24,282 --> 00:21:26,910 I MEAN, WE JUST STARTED PLAYING WITH IT. 576 00:21:26,910 --> 00:21:28,370 THOSE THINGS ARE FUN TO CLICK. 577 00:21:28,370 --> 00:21:29,997 I MISS CLICKING. 578 00:21:29,997 --> 00:21:31,039 I SEE. 579 00:21:31,039 --> 00:21:32,207 I MEAN, NOWADAYS, YOU'VE GOT TO PRESS, 580 00:21:32,207 --> 00:21:33,458 AND SLIDE AND PRESS, 581 00:21:33,458 --> 00:21:35,293 AND IF YOU WANT VIDEO... 582 00:21:35,293 --> 00:21:36,628 WAIT A MINUTE. 583 00:21:36,628 --> 00:21:38,797 MY HUSBAND WAS RECORDING THAT NIGHT! 584 00:21:38,797 --> 00:21:41,049 JEREMY! 585 00:21:41,049 --> 00:21:42,634 I HAVEN'T WATCHED THIS YET, 586 00:21:42,634 --> 00:21:44,136 SO I'M NOT REALLY SURE WHAT'S ON IT. 587 00:21:44,136 --> 00:21:46,304 HOPEFULLY NOTHING TOO EMBARRASSING. 588 00:21:46,304 --> 00:21:47,806 YEAH. IT WAS QUITE A NIGHT. 589 00:21:47,806 --> 00:21:49,975 [♪♪] 590 00:21:49,975 --> 00:21:51,935 [JEREMY, ON VIDEO]: YO! CLASS OF '88! 591 00:21:51,935 --> 00:21:54,771 [ALL CHEERING AND HOOTING] 592 00:21:54,771 --> 00:21:55,814 [LAUGHTER] 593 00:21:55,814 --> 00:21:59,234 '88! '88! EIGHTY-EIGHTY-EIGHTY-EIGHT! 594 00:22:00,652 --> 00:22:02,320 I'LL JUST FAST-FORWARD A BIT. 595 00:22:04,614 --> 00:22:07,159 [CLASSMATE]: JEREMY CARR! LOOK AT YOU, MY MAN. 596 00:22:07,159 --> 00:22:09,578 [JEREMY]: OH, MAN, I SEE YOU'RE ROCKIN' THE ZEBRA PRINT! 597 00:22:09,578 --> 00:22:11,288 [CLASSMATE]: CLASSICS NEVER GO OUT OF STYLE, AM I RIGHT? 598 00:22:11,288 --> 00:22:12,330 AND... 599 00:22:12,330 --> 00:22:14,249 CAN YOU BACK THAT UP, PLEASE? 600 00:22:14,249 --> 00:22:16,501 SURE, BUT IT'S JUST ME AND ERIC BEING STUPID. 601 00:22:19,004 --> 00:22:21,173 [JEREMY]: ALL RIGHT! LET'S GET THIS PARTY STARTED! 602 00:22:21,173 --> 00:22:24,342 YO, ERIC! HEY, MAN! 603 00:22:24,342 --> 00:22:25,677 JEREMY CARR! 604 00:22:25,677 --> 00:22:26,678 STOP! 605 00:22:26,678 --> 00:22:27,679 OLIVER... 606 00:22:27,679 --> 00:22:29,347 THE BACKPACK. 607 00:22:29,347 --> 00:22:32,809 THAT LOOKS LIKE THE ONE WITH THE LETTER IN THE LAST PHOTO. 608 00:22:32,809 --> 00:22:34,936 WELL, THAT'S HIM! THAT'S GOTTA BE HIM! 609 00:22:41,651 --> 00:22:42,611 WHY CAN'T WE GO TO THE POLICE? 610 00:22:42,611 --> 00:22:43,862 WE HAVE A VIDEO. 611 00:22:43,862 --> 00:22:46,490 OF A WOMAN AND A LITTLE BOY, BUT NO FACES, NO NAMES. 612 00:22:46,490 --> 00:22:49,367 NOTHING TO REPRESENT ANY ILLEGAL ACTIVITY. 613 00:22:49,367 --> 00:22:50,577 [RITA]: BUT WE CAN CONNECT 614 00:22:50,577 --> 00:22:53,330 THE DINOSAUR BACKPACK IN THE PHOTOGRAPH 615 00:22:53,330 --> 00:22:54,706 TO THE ONE IN THE VIDEO. 616 00:22:54,706 --> 00:22:55,999 [SHANE]: WELL, AND IF THEY STAYED HERE, 617 00:22:55,999 --> 00:22:58,043 THEY PROBABLY HAVE A RECORD OF HER CREDIT CARD. 618 00:22:58,043 --> 00:22:59,711 [RITA]: BUT IT LOOKS LIKE SHE WAS PAYING CASH 619 00:22:59,711 --> 00:23:01,755 WHEN SHE WAS TALKING TO DOUG. 620 00:23:04,883 --> 00:23:06,051 [SNEEZES] 621 00:23:06,051 --> 00:23:08,386 OH! DOUG! 622 00:23:08,386 --> 00:23:09,721 I THOUGHT YOU COULD USE THESE. 623 00:23:09,721 --> 00:23:12,641 THEY'RE THE EXTRA-SOFT ONES WITH LOTION. 624 00:23:12,641 --> 00:23:14,226 THANKS. 625 00:23:14,226 --> 00:23:16,603 I THINK SYLVIA JUST WENT ON HER BREAK. 626 00:23:16,603 --> 00:23:18,396 ACTUALLY, WE'RE HERE TO SEE YOU. 627 00:23:18,396 --> 00:23:20,023 WE NEED YOUR HELP. 628 00:23:20,023 --> 00:23:21,233 UH, DO YOU RECOGNIZE THIS WOMAN? 629 00:23:21,233 --> 00:23:22,234 SHE MAY HAVE CHECKED IN HERE 630 00:23:22,234 --> 00:23:23,568 ABOUT THREE WEEKS AGO? 631 00:23:24,736 --> 00:23:27,531 [RITA]: IT WAS THE NIGHT OF THE '80S REUNION PARTY. 632 00:23:27,531 --> 00:23:28,657 WHO COULD FORGET? 633 00:23:28,657 --> 00:23:29,991 I'M SORRY, GUYS. 634 00:23:29,991 --> 00:23:32,410 I CAN'T GIVE OUT GUESTS' PERSONAL INFORMATION. 635 00:23:32,410 --> 00:23:34,663 OH, WELL, DO YOU KNOW WHO WE ARE? 636 00:23:34,663 --> 00:23:36,248 THE MAIL PEOPLE. 637 00:23:36,248 --> 00:23:37,707 WE'RE SPECIAL AGENTS 638 00:23:37,707 --> 00:23:39,584 FROM THE D.L.O. TASK FORCE ON A TOP-PRIORITY MISSION. 639 00:23:39,584 --> 00:23:41,503 IT'S LIKE THE F.B.I., ONLY POSTAL. 640 00:23:41,503 --> 00:23:44,589 I BELIEVE WHAT MY COLLEAGUE IS TRYING TO SAY IS THAT, 641 00:23:44,589 --> 00:23:45,757 UH, LIKE YOU, 642 00:23:45,757 --> 00:23:49,761 WE ARE UNABLE TO DIVULGE CERTAIN DETAILS. 643 00:23:49,761 --> 00:23:51,513 HOWEVER, UH... 644 00:23:51,513 --> 00:23:53,348 I CAN TELL YOU 645 00:23:53,348 --> 00:23:55,016 THAT THERE IS A LITTLE BOY 646 00:23:55,016 --> 00:23:56,101 WHO MAY BE MISSING, 647 00:23:56,101 --> 00:23:58,353 AND WE'RE DOING EVERYTHING IN OUR POWER 648 00:23:58,353 --> 00:23:59,729 TO FIND HIM. 649 00:24:02,440 --> 00:24:03,567 LET ME SEE THAT. 650 00:24:06,778 --> 00:24:08,363 OKAY. YEAH! THE-- 651 00:24:08,363 --> 00:24:10,198 THE KID WITH THE DINOSAUR! AND THE LADY. 652 00:24:10,198 --> 00:24:11,533 SHE WAS A BIT FREAKED OUT, THOUGH. 653 00:24:11,533 --> 00:24:14,202 HER CREDIT CARD DIDN'T WORK AND THEN THE KID RAN OFF. 654 00:24:14,202 --> 00:24:16,788 I'M SORRY, BUT THIS CARD DECLINED. 655 00:24:16,788 --> 00:24:18,748 THERE MUST BE A MISTAKE. 656 00:24:18,748 --> 00:24:20,375 DO YOU HAVE ANOTHER CARD YOU WANT ME TO TRY? 657 00:24:20,375 --> 00:24:21,835 [QUIETLY]: NO. 658 00:24:21,835 --> 00:24:22,878 NO. 659 00:24:23,962 --> 00:24:25,213 THAT'S OKAY. 660 00:24:25,213 --> 00:24:27,090 HOW MUCH DID YOU SAY THE ROOM WAY? 661 00:24:27,090 --> 00:24:30,635 WITH TAX, IT'LL BE $115.85. 662 00:24:32,846 --> 00:24:35,599 [♪♪] 663 00:24:35,599 --> 00:24:37,934 LET ME GET YOUR CHANGE. 664 00:24:37,934 --> 00:24:40,478 [♪♪] 665 00:24:40,478 --> 00:24:42,689 DID YOU SEE A LITTLE BOY? 666 00:24:46,610 --> 00:24:48,904 ARE YOU SURE IT WAS HER CHILD? 667 00:24:48,904 --> 00:24:50,572 I JUST ASSUMED. 668 00:24:50,572 --> 00:24:53,617 OH! AND THE FIRST NAME ON THE CREDIT CARD WAS RACHEL. 669 00:24:53,617 --> 00:24:54,826 I REMEMBER THAT 670 00:24:54,826 --> 00:24:58,121 BECAUSE THAT WAS MY EX-GIRLFRIEND'S NAME. 671 00:24:58,121 --> 00:25:00,665 DID SHE FILL OUT A REGISTRATION CARD, BY ANY CHANCE? 672 00:25:00,665 --> 00:25:02,834 OH, IT WAS SUCH A CRAZY NIGHT, 673 00:25:02,834 --> 00:25:05,170 WITH ALL THESE WEIRD '80S PEOPLE RUNNING AROUND. 674 00:25:05,170 --> 00:25:08,089 I FORGOT TO ASK HER TO FILL ONE OUT. 675 00:25:08,089 --> 00:25:09,216 I BLEW IT, DIDN'T I? 676 00:25:10,175 --> 00:25:11,426 [SNEEZES] 677 00:25:11,426 --> 00:25:13,178 -BLESS YOU! -THANK YOU. 678 00:25:13,178 --> 00:25:15,430 ARE YOU SURE YOU CAN'T REMEMBER ANYTHING ELSE ABOUT HER? 679 00:25:15,430 --> 00:25:16,765 ANYTHING AT ALL? 680 00:25:16,765 --> 00:25:18,850 WELL... 681 00:25:18,850 --> 00:25:20,852 WHEN SHE CHECKED OUT THE NEXT MORNING, 682 00:25:20,852 --> 00:25:23,104 SHE SEEMED A BIT CONFUSED. 683 00:25:23,104 --> 00:25:25,023 I ASKED HER IF SHE NEEDED DIRECTIONS SOMEWHERE, 684 00:25:25,023 --> 00:25:26,024 BUT SHE SAID-- 685 00:25:26,024 --> 00:25:27,025 -I'M OKAY. -YOU SURE? 686 00:25:27,025 --> 00:25:28,985 OKAY. BYE. 687 00:25:28,985 --> 00:25:31,613 [♪♪] 688 00:25:34,532 --> 00:25:36,034 BUT THE WEIRD THING IS, 689 00:25:36,034 --> 00:25:38,161 A COUPLE MINUTES LATER, SHE WAS STILL STANDING OUTSIDE. 690 00:25:38,161 --> 00:25:39,621 HER KID WAS PULLING ON HER, 691 00:25:39,621 --> 00:25:42,540 AND IT WAS AS IF SHE WAS STUCK IN SOME OTHER WORLD. 692 00:25:42,540 --> 00:25:45,669 SHE WAS LOOKING DOWN THE ROAD AS IF... 693 00:25:45,669 --> 00:25:48,630 SHE COULDN'T MAKE UP HER MIND WHICH WAY TO GO. 694 00:25:49,798 --> 00:25:51,800 AND NEXT TIME I LOOKED UP, SHE WAS GONE. 695 00:25:51,800 --> 00:25:54,386 I'M SORRY, THAT'S ALL I CAN TELL YOU GUYS. 696 00:25:54,386 --> 00:25:55,553 WELL, IF YOU REMEMBER ANYTHING ELSE, 697 00:25:55,553 --> 00:25:56,638 THIS IS MY CELL NUMBER. 698 00:25:56,638 --> 00:25:58,556 I HOPE HE'S OKAY. 699 00:25:58,556 --> 00:26:02,185 HE WAS A CUTE KID, WITH THAT BACKPACK AND THAT... 700 00:26:02,185 --> 00:26:03,687 WAIT! 701 00:26:03,687 --> 00:26:06,439 [♪♪] 702 00:26:08,608 --> 00:26:10,568 SOMEONE IN CATERING 703 00:26:10,568 --> 00:26:12,195 FOUND THIS IN THE BALLROOM A WHILE AGO. 704 00:26:12,195 --> 00:26:14,823 NOW, I BELIEVE IT BELONGS TO THE KID. 705 00:26:14,823 --> 00:26:16,241 NORMALLY, WE'RE SUPPOSED TO DISPOSE OF THESE 706 00:26:16,241 --> 00:26:17,867 AFTER THREE WEEKS IF NO ONE CLAIMS IT, 707 00:26:17,867 --> 00:26:20,328 SO I DON'T SEE WHY YOU CAN'T TAKE IT. 708 00:26:21,413 --> 00:26:23,707 UH, IN OUR LINE OF WORK, 709 00:26:23,707 --> 00:26:27,085 THIS IS WHAT WE REFER TO AS AN "UNATTACHED ITEM"... 710 00:26:27,085 --> 00:26:29,421 AND WE NEVER GIVE UP. 711 00:26:29,421 --> 00:26:31,756 I HOPE YOU DON'T. 712 00:26:33,842 --> 00:26:36,261 WELL, WE KNOW THAT HER NAME IS RACHEL, 713 00:26:36,261 --> 00:26:38,805 AND THAT THE LITTLE BOY LIKES DINOSAURS, 714 00:26:38,805 --> 00:26:40,557 WHICH GETS US FURTHER DOWN THE ROAD-- 715 00:26:40,557 --> 00:26:41,599 FIGURATIVELY, OF COURSE. 716 00:26:41,599 --> 00:26:42,934 WHAT ABOUT THE "...I-T-Y" 717 00:26:42,934 --> 00:26:44,185 WRITTEN ON THE BACK OF THE CAMERA? 718 00:26:44,185 --> 00:26:45,603 I MEAN WE THINK IT STANDS FOR "CITY," RIGHT? 719 00:26:45,603 --> 00:26:47,230 WELL, THERE ARE ONLY TWO TOWNS NEARBY 720 00:26:47,230 --> 00:26:48,356 THAT END WITH "CITY". 721 00:26:48,356 --> 00:26:50,358 THERE'S SUGAR CITY, WHICH IS 60 MILES EAST, 722 00:26:50,358 --> 00:26:51,526 AND THEN THERE'S CANON CITY, 723 00:26:51,526 --> 00:26:54,571 WHICH IS 39 MILES WEST OF THE U.S. 50. 724 00:26:54,571 --> 00:26:56,114 WAIT. 725 00:26:56,114 --> 00:26:58,074 WHAT PHOTO COMES NEXT, NORMAN? 726 00:26:58,074 --> 00:27:00,994 THE ONE THAT'S AFTER THE '80S PARTY? 727 00:27:00,994 --> 00:27:02,579 UH, WELL, THERE'S THE ONE THAT LOOKS LIKE 728 00:27:02,579 --> 00:27:04,122 IT WAS TAKEN FROM A MOVING CAR, 729 00:27:04,122 --> 00:27:05,915 AND THEN THE ONE AFTER THAT DOES, TOO, 730 00:27:05,915 --> 00:27:07,250 EXCEPT THAT ONE'S DOUBLE-EXPOSED 731 00:27:07,250 --> 00:27:08,752 WITH SOME CANTALOUPES AND... 732 00:27:08,752 --> 00:27:09,753 WAIT! 733 00:27:09,753 --> 00:27:11,546 A SIGN THAT READ "U.S. 50 WEST"! 734 00:27:11,546 --> 00:27:12,589 [SHANE]: MM-HMM! 735 00:27:12,589 --> 00:27:13,923 ON TO CANON CITY! 736 00:27:13,923 --> 00:27:15,133 [♪♪] 737 00:27:15,133 --> 00:27:19,763 ♪ I'M FEELIN' LIKE I'M ON THAT OPEN ROAD AGAIN ♪ 738 00:27:19,763 --> 00:27:21,514 ♪ I CAN FEEL THE WHEELS ♪ 739 00:27:21,514 --> 00:27:22,974 ♪ AND THEY'RE STARTING TO SPIN... ♪ 740 00:27:22,974 --> 00:27:24,434 POOR LITTLE GUY. 741 00:27:24,434 --> 00:27:26,227 IT MUST'VE BROKEN HIS HEART TO LOSE THAT. 742 00:27:29,147 --> 00:27:31,316 WHAT ARE YOU THINKING ABOUT, OLIVER? 743 00:27:31,316 --> 00:27:33,735 HMM? WHAT'S BOTHERING YOU? 744 00:27:33,735 --> 00:27:35,445 OH, UM... 745 00:27:35,445 --> 00:27:37,238 WELL... [SIGHS] 746 00:27:37,238 --> 00:27:39,491 DOUG AT THE HOTEL ASSUMED 747 00:27:39,491 --> 00:27:40,742 THE WOMAN AT THE COUNTER 748 00:27:40,742 --> 00:27:43,912 WAS OUR LITTLE DINOSAUR BOY'S MOTHER, BUT... 749 00:27:43,912 --> 00:27:46,790 ...IN THE WORDS OF THE GREAT OLIVER O'TOOLE-- 750 00:27:46,790 --> 00:27:47,832 NORMAN? 751 00:27:47,832 --> 00:27:50,085 "ANY MISTAKE CAN BE TRACED TO AN ASSUMPTION." 752 00:27:50,085 --> 00:27:52,921 HE SEEMED LIKE A SENSITIVE FELLOW, THOUGH. 753 00:27:52,921 --> 00:27:54,672 PERHAPS I'M... 754 00:27:54,672 --> 00:27:55,757 OH, LOOK. THE LAST EXIT. 755 00:27:55,757 --> 00:27:57,842 WE'RE ALMOST PAST CANON CITY. 756 00:27:57,842 --> 00:28:00,387 NO! WE-- WE HAVEN'T PASSED A ROADSIDE STAND YET. 757 00:28:00,387 --> 00:28:03,681 NO FOOD SHACKS, NO CANTALOUPE STANDS, 758 00:28:03,681 --> 00:28:05,016 NO BEEF JERKY. 759 00:28:05,016 --> 00:28:06,351 MM. YOU'RE MAKING ME HUNGRY. 760 00:28:06,351 --> 00:28:07,644 ME TOO! 761 00:28:07,644 --> 00:28:11,147 WHY DON'T WE STOP AND PLAN OUR NEXT MOVE? 762 00:28:11,147 --> 00:28:13,483 [♪♪] 763 00:28:13,483 --> 00:28:18,613 ♪ AND I CAN FEEL THE WIND BLOWIN' THROUGH OUR SAILS... ♪ 764 00:28:18,613 --> 00:28:20,615 ♪ HEY, BROTHA, FOR SURE... ♪ 765 00:28:20,615 --> 00:28:22,700 [RITA]: OH! AHH. 766 00:28:22,700 --> 00:28:24,327 SO... 767 00:28:24,327 --> 00:28:26,663 TWO HAM AND CHEESE, ONE TURKEY, 768 00:28:26,663 --> 00:28:27,789 AND YOUR USUAL? 769 00:28:27,789 --> 00:28:30,333 UH, I TRY NOT TO EAT TUNA 770 00:28:30,333 --> 00:28:32,710 FROM THE SAME PLACE I BUY MOTOR OIL. 771 00:28:32,710 --> 00:28:35,547 OOH. YEAH, MAYBE WE SHOULD JUST BUY SANDWICH STUFF 772 00:28:35,547 --> 00:28:36,714 AND MAKE OUR OWN. 773 00:28:36,714 --> 00:28:38,341 GREAT! AS LONG AS THEY HAVE RYE BREAD. 774 00:28:38,341 --> 00:28:40,969 OH, AND DILL PICKLES FOR NORMAN. 775 00:28:40,969 --> 00:28:42,387 SHOOT. 776 00:28:42,387 --> 00:28:43,721 I FORGOT TO ASK RITA TO GET PICKLES. 777 00:28:43,721 --> 00:28:45,723 RITA KNOWS YOU LOVE PICKLES. 778 00:28:45,723 --> 00:28:47,725 DID YOU REMEMBER TO TELL SHANE THAT YOU LIKE 779 00:28:47,725 --> 00:28:48,893 YOUR HAM AND CHEESE ON RYE? 780 00:28:48,893 --> 00:28:50,353 OH, I LIKE TO THINK 781 00:28:50,353 --> 00:28:52,647 WE KNOW EACH OTHER WELL ENOUGH BY NOW TO-- 782 00:28:52,647 --> 00:28:53,648 [TEXT CHIMES] 783 00:28:56,651 --> 00:28:59,070 OH, LOOKS LIKE SHE FORGOT TO TAKE HER... 784 00:28:59,070 --> 00:29:01,698 [♪♪] 785 00:29:03,074 --> 00:29:04,701 AHEM. 786 00:29:10,874 --> 00:29:12,917 [SHANE]: OKAY, ONE MORE TIME-- BIG HAIR, 787 00:29:12,917 --> 00:29:14,419 THEN MADONNA, 788 00:29:14,419 --> 00:29:16,754 THEN BLURRY SPEEDING CAR PICTURE, 789 00:29:16,754 --> 00:29:18,256 THEN U.S. 50, 790 00:29:18,256 --> 00:29:19,674 AND IF SHE WAS COMING HERE TO CANON CITY, 791 00:29:19,674 --> 00:29:22,760 WE SHOULD'VE SEEN THIS ROADSIDE STAND BY NOW. 792 00:29:22,760 --> 00:29:25,096 DO YOU THINK WE SHOULD GO BACK, OLIVER? 793 00:29:26,181 --> 00:29:27,182 OLIVER? 794 00:29:27,182 --> 00:29:28,933 I'M SORRY, HMM? 795 00:29:28,933 --> 00:29:30,018 OH. 796 00:29:30,018 --> 00:29:31,394 YOU'RE TIRED. 797 00:29:31,394 --> 00:29:33,104 YOU DID A LOT OF DRIVING TODAY. 798 00:29:33,104 --> 00:29:35,064 WELL, SO HAVE YOU. 799 00:29:35,064 --> 00:29:37,484 I DIDN'T REALIZE YOU WERE SUCH AN EXCELLENT DRIVER. 800 00:29:39,569 --> 00:29:41,779 WELL, STICK WITH ME, KID. 801 00:29:41,779 --> 00:29:43,239 I'M FULL OF SURPRISES. 802 00:29:43,239 --> 00:29:45,200 YES, YOU ARE. 803 00:29:48,703 --> 00:29:49,954 YOU KNOW, A YEAR AGO, 804 00:29:49,954 --> 00:29:53,041 I WOULD'VE SAID THAT WE WERE ON A WILD-GOOSE CHASE. 805 00:29:53,041 --> 00:29:55,376 I WOULD LOOK AT THESE PICTURES 806 00:29:55,376 --> 00:29:58,087 AND THAT STUFFED DINOSAUR AND THE VIDEO, 807 00:29:58,087 --> 00:30:00,089 AND I WOULD KNOW THAT NONE OF THIS 808 00:30:00,089 --> 00:30:01,257 IS GONNA GET US ANY CLOSER 809 00:30:01,257 --> 00:30:02,884 TO FINDING THAT LITTLE BOY. 810 00:30:02,884 --> 00:30:04,093 MM. 811 00:30:04,093 --> 00:30:06,095 BUT... 812 00:30:06,095 --> 00:30:08,056 I BELIEVE 813 00:30:08,056 --> 00:30:11,059 WHAT YOU'VE TAUGHT ME, OLIVER... 814 00:30:12,393 --> 00:30:15,939 THAT THAT CHILD DIDN'T JUST DROP A CAMERA INTO A MAILBOX, 815 00:30:15,939 --> 00:30:18,483 HE MAILED A PIECE OF HOPE, 816 00:30:18,483 --> 00:30:20,652 AND SOMEHOW IT FOUND ITS WAY TO US, 817 00:30:20,652 --> 00:30:22,070 AND HERE WE ARE, 818 00:30:22,070 --> 00:30:23,321 IN A STARCRUISER. 819 00:30:23,321 --> 00:30:25,657 WE HAVE NO IDEA WHERE WE'RE GOING, 820 00:30:25,657 --> 00:30:29,536 BUT I KNOW THAT-- THAT WE'RE ON OUR WAY, 821 00:30:29,536 --> 00:30:32,372 AND I'M TRUSTING THAT WE'LL GET THERE. 822 00:30:33,498 --> 00:30:37,502 UH... DO YOU BELIEVE THAT? 823 00:30:37,502 --> 00:30:40,004 YES. 824 00:30:40,004 --> 00:30:41,965 "TRUST THE TIMING." 825 00:30:41,965 --> 00:30:43,299 RIGHT? 826 00:30:50,473 --> 00:30:52,183 [HAWK SCREECHES] 827 00:30:52,183 --> 00:30:53,309 WOW-- OH, WOW! 828 00:30:53,309 --> 00:30:54,519 WHAT? 829 00:30:54,519 --> 00:30:56,104 OH, WELL, DID YOU KNOW THE COLORADO RED-TAILED HAWK 830 00:30:56,104 --> 00:30:58,856 CAN FLY AT SPEEDS OF UP TO 120 MILES PER HOUR? 831 00:30:58,856 --> 00:30:59,691 NO. 832 00:30:59,691 --> 00:31:01,359 NEITHER DID THAT MOUSE. 833 00:31:01,359 --> 00:31:03,778 NORMAN, I NEED YOU TO PAY ATTENTION FOR A SECOND. 834 00:31:03,778 --> 00:31:05,530 -RUN! RUN! -NORMAN. 835 00:31:05,530 --> 00:31:06,948 WHAT? I'M SORRY. 836 00:31:06,948 --> 00:31:08,366 WE NEED TO TAKE THIS TEST-- 837 00:31:08,366 --> 00:31:10,827 "SEVEN QUESTIONS TO ASK BEFORE GETTING ENGAGED." 838 00:31:10,827 --> 00:31:12,537 BUT WE'RE ALREADY ENGAGED. 839 00:31:12,537 --> 00:31:15,582 I KNOW, BUT I NEED TO CATCH UP. 840 00:31:15,582 --> 00:31:18,209 WELL, CAN OLIVER HELP? 841 00:31:18,209 --> 00:31:19,460 [SHANE]: QUESTION NUMBER FOUR-- 842 00:31:19,460 --> 00:31:21,713 HOW IMPORTANT IS RELIGION TO YOU? 843 00:31:21,713 --> 00:31:23,381 VERY. 844 00:31:23,381 --> 00:31:24,340 VERY. 845 00:31:24,340 --> 00:31:25,341 RELIGION OR FAITH? 846 00:31:25,341 --> 00:31:26,759 BECAUSE FAITH AND RELIGION ARE TWO VERY-- 847 00:31:26,759 --> 00:31:28,845 QUESTION NUMBER FIVE-- 848 00:31:28,845 --> 00:31:32,307 OH! HOW DO YOU PLAN TO HANDLE YOUR FINANCES? 849 00:31:33,474 --> 00:31:34,559 WHAT FINANCES? 850 00:31:34,559 --> 00:31:36,144 WE WORK FOR THE POST OFFICE. 851 00:31:36,144 --> 00:31:38,563 [LAUGHS] WE'LL FIGURE IT OUT LATER. 852 00:31:38,563 --> 00:31:39,897 NEXT QUESTION. 853 00:31:39,897 --> 00:31:40,982 QUESTION NUMBER SIX-- 854 00:31:40,982 --> 00:31:43,651 DO YOU PLAN TO HAVE A FAMILY, AND, IF SO, 855 00:31:43,651 --> 00:31:46,154 HOW MANY CHILDREN WILL YOU HAVE? 856 00:31:46,154 --> 00:31:49,741 OH. WELL, I MEAN, I THINK THAT WE'LL PROBABLY JUST-- 857 00:31:49,741 --> 00:31:50,867 OH, WOW, HEY! 858 00:31:50,867 --> 00:31:53,077 DID YOU SEE THAT? THAT BABY MUST'VE BEEN GOING, 859 00:31:53,077 --> 00:31:56,039 WHY, AT 120, 125 MILES PER HOUR! 860 00:31:56,039 --> 00:31:57,540 HUH! HAWKS! WOW, HUH? 861 00:31:58,625 --> 00:32:00,752 [♪♪] 862 00:32:09,636 --> 00:32:11,596 HO. 863 00:32:11,596 --> 00:32:12,805 EXCUSE ME. 864 00:32:17,727 --> 00:32:19,395 [TEXT ALERT CHIMES] 865 00:32:19,395 --> 00:32:21,939 I BELIEVE THAT'S YOUR PHONE. 866 00:32:21,939 --> 00:32:24,859 YOU, UH, LEFT IT WHEN YOU WENT TO GET LUNCH. 867 00:32:24,859 --> 00:32:26,444 IT'S BEEN, UM... 868 00:32:26,444 --> 00:32:29,447 DINGING... A LOT. 869 00:32:29,447 --> 00:32:31,115 YOU KNOW, SOMETIMES, I ENVY YOU. 870 00:32:31,115 --> 00:32:32,575 YOU DON'T HAVE A CELLPHONE. 871 00:32:32,575 --> 00:32:36,579 NO ANNOYING BUZZING OR DINGING... 872 00:32:36,579 --> 00:32:41,376 NO GPS TO TELL YOU EXACTLY HOW TO GET SOMEWHERE 873 00:32:41,376 --> 00:32:43,127 AND HOW LONG IT SHOULD TAKE. 874 00:32:43,127 --> 00:32:45,546 THERE IS SOMETHING TO BE SAID 875 00:32:45,546 --> 00:32:48,966 ABOUT BEING OUT ON THE OPEN ROAD WITHOUT A-- 876 00:32:51,386 --> 00:32:52,595 OLIVER. 877 00:32:52,595 --> 00:32:53,805 WHAT? 878 00:32:53,805 --> 00:32:56,265 THE GUY AT THE HOTEL-- 879 00:32:56,265 --> 00:32:58,393 HE SAID THAT RACHEL WAS HEADED SOMEWHERE, 880 00:32:58,393 --> 00:32:59,394 BUT SHE SEEMED-- 881 00:32:59,394 --> 00:33:00,520 ...RELUCTANT, 882 00:33:00,520 --> 00:33:03,940 AS IF SHE WERE NOT SURE WHERE SHE SHOULD GO. 883 00:33:03,940 --> 00:33:07,276 [SHANE]: WE KNOW SHE HEADED WEST ON U.S. 50, 884 00:33:07,276 --> 00:33:10,738 AND SHE WAS GOING TO CANON CITY, BUT... 885 00:33:10,738 --> 00:33:12,699 WHAT IF SHE GOT THERE, 886 00:33:12,699 --> 00:33:15,243 AND SHE DECIDED TO JUST KEEP GOING? 887 00:33:15,243 --> 00:33:18,413 WE'VE BEEN THINKING THAT ALL THE PHOTOS THAT WERE-- 888 00:33:18,413 --> 00:33:20,832 THEY WERE ALL TAKEN BEFORE CANON CITY, BUT WHAT IF-- 889 00:33:20,832 --> 00:33:23,000 ...ALL THE PLACES IN THE PHOTOS 890 00:33:23,000 --> 00:33:25,211 AREN'T BEHIND US, THEY'RE AHEAD OF US. 891 00:33:25,211 --> 00:33:26,504 YES! 892 00:33:26,504 --> 00:33:27,588 OH, MY GOODNESS. 893 00:33:30,299 --> 00:33:32,176 [♪♪] 894 00:33:32,176 --> 00:33:34,512 ♪ ALL I'VE GOT IS DUST IN MY POCKET ♪ 895 00:33:34,512 --> 00:33:39,308 ♪ ALL I TELL YOU WON'T CHANGE YOUR MIND ♪ 896 00:33:39,308 --> 00:33:41,352 [ENGINE SPUTTERING] 897 00:33:45,440 --> 00:33:48,151 [STARTER SPUTTERING AND STALLING] 898 00:33:51,279 --> 00:33:52,697 OH, FOR HEAVEN'S SAKE. 899 00:33:52,697 --> 00:33:54,198 IF YOU PUMP IT TOO MUCH, YOU'LL FLOOD IT. 900 00:33:54,198 --> 00:33:55,450 I AM FAMILIAR 901 00:33:55,450 --> 00:33:58,035 WITH THE CONCEPT OF FUEL INJECTION, MS. MCINERNEY, 902 00:33:58,035 --> 00:33:59,537 BUT THANK YOU FOR YOUR CONCERN. 903 00:33:59,537 --> 00:34:01,205 SORRY, IT'S JUST THAT I-- 904 00:34:01,205 --> 00:34:03,124 [STARTER SPUTTERING AND FAILING TO CATCH] 905 00:34:03,124 --> 00:34:05,960 [SHANE CLEARS HER THROAT] 906 00:34:05,960 --> 00:34:08,129 [STARTER FAILING TO IGNITE] 907 00:34:08,129 --> 00:34:10,047 [ENGINE SPUTTERING] 908 00:34:10,047 --> 00:34:11,674 IS THERE ANYTHING ELSE YOU WOULD LIKE TO TELL ME 909 00:34:11,674 --> 00:34:13,301 BEFORE WE PROCEED? 910 00:34:13,301 --> 00:34:15,470 I DON'T KNOW. 911 00:34:15,470 --> 00:34:18,014 IT'S JUST I'VE BEEN THROUGH SOMETHING LIKE THIS BEFORE. 912 00:34:18,014 --> 00:34:19,015 A BREAKDOWN? 913 00:34:19,015 --> 00:34:22,143 A TEMPORARY FAILURE TO RESTART. 914 00:34:22,143 --> 00:34:23,394 IT JUST TAKES SOME PATIENCE. 915 00:34:23,394 --> 00:34:24,812 -"PATIENCE." -MM-HMM. 916 00:34:24,812 --> 00:34:28,232 HUH. SO I SHOULDN'T CHECK FOR CRACKS IN THE MANIFOLD 917 00:34:28,232 --> 00:34:29,484 OR THE WATER LEVELS. 918 00:34:29,484 --> 00:34:30,651 I DON'T KNOW WHAT I WAS THINKING. 919 00:34:30,651 --> 00:34:31,944 ALL I NEED IS PATIENCE. 920 00:34:31,944 --> 00:34:33,571 I'M SURE THAT'S IN THE OWNER'S MANUAL SOMEWHERE. 921 00:34:33,571 --> 00:34:35,156 I'M SORRY. WHO ARE YOU? 922 00:34:35,156 --> 00:34:37,366 AND WHAT HAVE YOU DONE WITH OLIVER? 923 00:34:38,618 --> 00:34:40,828 EXCUSE ME. 924 00:34:45,708 --> 00:34:49,003 DID NORMAN JUST COMPLETELY AVOID THE TOPIC OF CHILDREN? 925 00:34:49,003 --> 00:34:51,923 DID OLIVER JUST OVERHEAT? 926 00:34:51,923 --> 00:34:53,925 I GUESS YOU NEVER REALLY KNOW SOMEBODY 927 00:34:53,925 --> 00:34:56,761 UNTIL YOU PUT DOWN SOME SERIOUS MILES. 928 00:34:56,761 --> 00:34:58,763 I'LL SAY. 929 00:34:58,763 --> 00:35:01,057 [SIGHS] 930 00:35:06,270 --> 00:35:07,396 [SIGHING HEAVILY] 931 00:35:07,396 --> 00:35:10,233 I SHOULD'VE KNOWN I COULDN'T PUSH HER LIKE THAT. 932 00:35:10,233 --> 00:35:12,193 AH, SHE JUST NEEDS TO COOL DOWN A BIT. 933 00:35:13,277 --> 00:35:15,780 YOU SEEM TO BE GETTING THE HANG OF THINGS. 934 00:35:15,780 --> 00:35:17,740 THINK YOU MIGHT BE READY 935 00:35:17,740 --> 00:35:19,200 TO TAKE THE NEXT LEG OF THE DRIVE? 936 00:35:19,200 --> 00:35:21,577 YEAH, I DON'T KNOW ABOUT THAT. 937 00:35:22,620 --> 00:35:24,413 REMEMBER WHEN I SAID I CAN'T DRIVE? 938 00:35:24,413 --> 00:35:27,333 OH, WELL, YOU WERE NERVOUS 939 00:35:27,333 --> 00:35:29,460 TO OPERATE SUCH A LARGE MOTOR VEHICLE. 940 00:35:29,460 --> 00:35:31,629 VERY UNDERSTANDABLE CONCERN. 941 00:35:31,629 --> 00:35:33,673 NO. 942 00:35:35,258 --> 00:35:38,094 I MEAN, I REALLY CAN'T DRIVE. 943 00:35:38,094 --> 00:35:40,471 [♪♪] 944 00:35:40,471 --> 00:35:42,390 WHEN NORMAN ASKED ME TO MARRY HIM, 945 00:35:42,390 --> 00:35:44,976 HE SPECIFICALLY SAID HE WANTED A FAMILY. 946 00:35:44,976 --> 00:35:47,144 AND NOW-- NOW HE'S MORE INTERESTED 947 00:35:47,144 --> 00:35:50,147 IN THE AVERAGE AIRSPEED OF A RED-TAIL HAWK? 948 00:35:51,232 --> 00:35:53,109 NORMAN LOVES YOU, RITA. 949 00:35:53,109 --> 00:35:55,653 MAYBE HE JUST FELT A LITTLE WEIRD 950 00:35:55,653 --> 00:35:56,779 ABOUT TAKING A TEST 951 00:35:56,779 --> 00:35:57,864 TO SEE IF HE'S COMPATIBLE 952 00:35:57,864 --> 00:35:59,532 WITH A WOMAN THAT HE'S ALREADY ENGAGED TO. 953 00:35:59,532 --> 00:36:01,742 MAYBE HE REALIZED HE WASN'T? 954 00:36:01,742 --> 00:36:05,329 [OLIVER]: AND YOU NEVER... TALKED ABOUT THIS WITH RITA? 955 00:36:05,329 --> 00:36:07,832 [NORMAN]: I WAS... 956 00:36:07,832 --> 00:36:10,334 AFRAID SHE WOULDN'T WANT TO MARRY ME. 957 00:36:10,334 --> 00:36:12,503 [OLIVER]: OH. WELL... 958 00:36:12,503 --> 00:36:15,464 MY FRIEND, TAKE IT FROM SOMEONE WHO KNOWS. 959 00:36:15,464 --> 00:36:18,509 YOU CAN'T START A MARRIAGE 960 00:36:18,509 --> 00:36:20,678 HOLDING BACK A PIECE OF YOUR HEART. 961 00:36:20,678 --> 00:36:24,265 YOU'RE BETTER OFF GIVING HER ALL OF IT FROM THE BEGINNING. 962 00:36:24,265 --> 00:36:27,018 THEN YOU JUST PRAY SHE WANTS TO KEEP IT. 963 00:36:28,227 --> 00:36:30,521 [♪♪] 964 00:36:31,522 --> 00:36:34,692 RITA, I DON'T KNOW TWO MORE COMPATIBLE PEOPLE. 965 00:36:34,692 --> 00:36:36,736 AS FAR AS YOU KNOW. 966 00:36:36,736 --> 00:36:38,029 MAYBE YOU DON'T KNOW NORMAN 967 00:36:38,029 --> 00:36:39,989 AS WELL AS YOU THOUGHT YOU DID. 968 00:36:39,989 --> 00:36:41,324 I MEAN... [SIGHS] 969 00:36:41,324 --> 00:36:43,201 MAYBE I DON'T, EITHER. 970 00:36:43,201 --> 00:36:45,161 YOU NEVER REALLY KNOW SOMEONE 971 00:36:45,161 --> 00:36:46,621 AS WELL AS YOU THINK YOU DO. 972 00:36:46,621 --> 00:36:49,373 DO YOU EVEN KNOW HOW MANY COUSINS HE ACTUALLY HAS? 973 00:36:50,499 --> 00:36:52,668 WELL, I DON'T EVEN THINK HE KNOWS. 974 00:36:52,668 --> 00:36:54,629 [BOTH LAUGHING] 975 00:36:55,880 --> 00:36:57,214 LADIES? 976 00:36:57,214 --> 00:37:00,301 UH, NORMAN BELIEVES WE MAY BE READY TO RESUME OUR JOURNEY. 977 00:37:00,301 --> 00:37:02,178 WE'LL BE RIGHT THERE. 978 00:37:03,262 --> 00:37:05,681 [♪♪] 979 00:37:06,849 --> 00:37:08,851 YOU READY? 980 00:37:17,485 --> 00:37:18,819 HEY, I'M A LITTLE TIRED. 981 00:37:18,819 --> 00:37:22,114 UM, OLIVER, WOULD YOU MIND TAKING THE WHEEL AGAIN? 982 00:37:22,114 --> 00:37:24,617 OH. UH, YES. HAPPY TO. 983 00:37:25,701 --> 00:37:27,495 UH, MS. MCINERNEY, 984 00:37:27,495 --> 00:37:29,789 WOULD YOU CARE TO BE MY CO-PILOT? 985 00:37:36,420 --> 00:37:38,798 I NEED TO TALK TO YOU ABOUT SOMETHING, 986 00:37:38,798 --> 00:37:41,217 AND I DON'T KNOW HOW. 987 00:37:41,217 --> 00:37:42,927 OR WHEN. 988 00:37:42,927 --> 00:37:45,012 DEFINITELY NOT IN THE STARCRUISER. 989 00:37:45,012 --> 00:37:46,722 MAYBE TONIGHT. 990 00:37:46,722 --> 00:37:48,391 OR NOT. 991 00:37:48,391 --> 00:37:49,725 SOON. 992 00:37:49,725 --> 00:37:52,520 MAYBE. 993 00:37:52,520 --> 00:37:55,481 NORMAN, ARE WE OKAY? 994 00:37:57,525 --> 00:37:59,402 ALL I KNOW 995 00:37:59,402 --> 00:38:01,737 IS THAT I LOVE YOU. 996 00:38:03,239 --> 00:38:04,782 [DEEP BREATH] 997 00:38:04,782 --> 00:38:06,784 THEN THAT SHOULD BE ENOUGH. 998 00:38:34,478 --> 00:38:36,981 [PAGES RUSTLING] 999 00:38:38,149 --> 00:38:39,317 HUH. 1000 00:38:39,317 --> 00:38:40,735 NO. 1001 00:38:40,735 --> 00:38:42,153 NOTHING IN HERE 1002 00:38:42,153 --> 00:38:45,406 ABOUT PATIENCE IN CASE OF A BREAKDOWN. 1003 00:38:45,406 --> 00:38:47,116 GUESS I WAS, UH, 1004 00:38:47,116 --> 00:38:49,493 COMPLETELY WRONG ABOUT THAT. 1005 00:38:50,494 --> 00:38:53,497 I'M VERY SORRY. 1006 00:38:53,497 --> 00:38:55,958 I WAS OUT OF LINE. 1007 00:38:57,001 --> 00:38:58,753 THE RV OVERHEATED 1008 00:38:58,753 --> 00:39:01,547 AND SO DID I. 1009 00:39:03,466 --> 00:39:05,134 I FORGIVE YOU. 1010 00:39:05,134 --> 00:39:06,218 BUT WHY? 1011 00:39:10,014 --> 00:39:11,098 WELL... 1012 00:39:12,183 --> 00:39:13,309 OH, MY GOSH. 1013 00:39:13,309 --> 00:39:14,602 IT CAN'T BE! 1014 00:39:14,602 --> 00:39:17,188 THE ROADSIDE STORE! 1015 00:39:17,188 --> 00:39:18,481 THAT WAS IT. THAT WAS IT! 1016 00:39:19,732 --> 00:39:22,276 [♪♪] 1017 00:39:31,452 --> 00:39:34,330 MELVIN'S MELONS. HUH! 1018 00:39:34,330 --> 00:39:36,540 YES, WELL, BEING FROM THE EAST COAST, 1019 00:39:36,540 --> 00:39:37,375 I'M NOT SURE IF YOU'RE AWARE 1020 00:39:37,375 --> 00:39:39,043 THAT COLORADO IS FAMOUS 1021 00:39:39,043 --> 00:39:41,420 FOR ITS CANTALOUPE AND HONEYDEW. 1022 00:39:41,420 --> 00:39:43,798 YEP. SOMEHOW, I MISSED THAT. 1023 00:39:43,798 --> 00:39:45,091 [PHONE CHIMES] 1024 00:39:49,303 --> 00:39:52,556 UH, I GUESS NORMAN IS ON TO SOMETHING. 1025 00:39:52,556 --> 00:39:54,517 [NORMAN]: RIGHT, UH... HERE. 1026 00:39:55,726 --> 00:39:57,311 YEAH, THEY WERE PROBABLY PARKED RIGHT HERE 1027 00:39:57,311 --> 00:39:58,521 WHEN THE PICTURE WAS TAKEN. 1028 00:39:58,521 --> 00:40:01,232 [♪♪] 1029 00:40:03,067 --> 00:40:04,402 DO YOU WANT SOMETHING TO EAT? 1030 00:40:04,402 --> 00:40:07,613 I'M NOT HUNGRY. I WANT DADDY. 1031 00:40:10,241 --> 00:40:12,034 STAY IN THE CAR. 1032 00:40:17,540 --> 00:40:19,792 [♪♪] 1033 00:40:27,925 --> 00:40:29,844 [SNAP] 1034 00:40:35,933 --> 00:40:37,893 -HI THERE. -HI. 1035 00:40:38,894 --> 00:40:40,271 THAT GONNA BE ALL FOR YA? 1036 00:40:40,271 --> 00:40:42,606 THAT'LL DO IT. 1037 00:40:42,606 --> 00:40:45,109 [REGISTER BEEPING] 1038 00:40:45,109 --> 00:40:47,486 THAT'S $15.75. 1039 00:40:48,571 --> 00:40:49,947 YOU KNOW WHAT? 1040 00:40:49,947 --> 00:40:53,117 I'M, UH... NOT GONNA GET THESE. 1041 00:40:53,117 --> 00:40:54,285 OKAY. 1042 00:40:54,285 --> 00:40:55,703 [REGISTER BEEPING] 1043 00:40:55,703 --> 00:40:57,496 $10.25. 1044 00:40:58,622 --> 00:41:03,294 I HAVE A QUARTER HERE, SOMEWHERE. 1045 00:41:03,294 --> 00:41:04,628 [HONKING REPEATEDLY] 1046 00:41:05,796 --> 00:41:08,757 MOMMY! LET'S GO! 1047 00:41:08,757 --> 00:41:09,800 LOOKS LIKE YOU GOT 1048 00:41:09,800 --> 00:41:11,093 A TIRED LITTLE BOY OVER THERE. 1049 00:41:11,093 --> 00:41:13,846 YEP. LONG TRIP. 1050 00:41:13,846 --> 00:41:15,055 WELL... TELL YOU WHAT. 1051 00:41:15,055 --> 00:41:16,765 [CASH DRAWER RUMBLES SHUT] 1052 00:41:16,765 --> 00:41:19,852 SOMETIMES GUMMIES MAKE THE RIDE GO FASTER. 1053 00:41:21,020 --> 00:41:22,813 YOU'RE VERY KIND. THANK YOU. 1054 00:41:22,813 --> 00:41:24,481 WHERE'RE YOU HEADED? 1055 00:41:24,481 --> 00:41:26,150 YOU KNOW... [SIGHS] 1056 00:41:26,150 --> 00:41:28,152 I'M NOT REALLY SURE ANYMORE. 1057 00:41:28,152 --> 00:41:29,320 THANK YOU. 1058 00:41:36,994 --> 00:41:39,079 YEAH, THAT LOOKS LIKE IT COULD BE HER. 1059 00:41:39,079 --> 00:41:41,624 DID YOU NOTICE ANYTHING ABOUT HER? 1060 00:41:41,624 --> 00:41:44,001 UH, SHE HAD A LITTLE BOY WHO WAS TIRED 1061 00:41:44,001 --> 00:41:45,169 OF BEING IN THE CAR 1062 00:41:45,169 --> 00:41:47,338 AND HE WAS GIVING HIS MOM A PRETTY HARD TIME. 1063 00:41:47,338 --> 00:41:49,006 DID SHE TELL YOU THAT HE WAS HER SON? 1064 00:41:49,006 --> 00:41:51,091 NO, BUT HE CALLED HER "MOMMY." 1065 00:41:52,676 --> 00:41:54,845 DID SHE MENTION WHERE SHE WAS GOING? 1066 00:41:54,845 --> 00:41:56,305 NO, BUT IT SEEMED LIKE 1067 00:41:56,305 --> 00:41:58,807 THEY'D BEEN TRAVELING FOR A WHILE, AND, UH... 1068 00:41:58,807 --> 00:41:59,850 YOU KNOW, IT'S JUST A GUESS, 1069 00:41:59,850 --> 00:42:02,311 BUT I THINK SHE WAS RUNNING LOW ON CASH. 1070 00:42:03,354 --> 00:42:04,939 DO YOU RECOGNIZE THIS PLACE? 1071 00:42:04,939 --> 00:42:07,775 [LAUGHS] I SURE DO. THAT'S MINNIE'S CAFE. 1072 00:42:07,775 --> 00:42:10,027 I STOP THERE EVERY FRIDAY TO GO TO THE BANK IN MONTROSE. 1073 00:42:10,027 --> 00:42:10,861 MINNIE'S, YOU SAID? 1074 00:42:10,861 --> 00:42:14,448 OH. MY CELL PHONE DIED. 1075 00:42:14,448 --> 00:42:16,492 I THINK I LEFT MY CHARGER IN THE D.L.O. 1076 00:42:16,492 --> 00:42:17,952 I DON'T UNDERSTAND WHY PEOPLE USE THOSE THINGS. 1077 00:42:17,952 --> 00:42:20,204 I LIKE MY WORDS ON PAPER. 1078 00:42:20,204 --> 00:42:21,455 PRECISELY MY SENTIMENT. 1079 00:42:21,455 --> 00:42:22,790 EXCUSE ME, SIR? 1080 00:42:22,790 --> 00:42:25,167 UH, COULD YOU TELL US WHERE WE MIGHT BE ABLE 1081 00:42:25,167 --> 00:42:27,211 TO FIND MINNIE'S, PLEASE? 1082 00:42:27,211 --> 00:42:29,463 SURE CAN. YEAH. YOU STAY WEST ON U.S. 50. 1083 00:42:29,463 --> 00:42:31,715 IT'S ABOUT 15 MILES PAST PONCHA SPRINGS. 1084 00:42:31,715 --> 00:42:34,510 MAKE SURE YOU TRY MINNIE'S APPLE PAN PIE. 1085 00:42:34,510 --> 00:42:35,719 BEST IN THE STATE. 1086 00:42:35,719 --> 00:42:37,137 NORMAN LOVES PIE! 1087 00:42:37,137 --> 00:42:38,138 YES. I DO. 1088 00:42:38,138 --> 00:42:39,223 [RITA LAUGHS] 1089 00:42:39,223 --> 00:42:40,808 PLEASURE MEETING A MAN AFTER MY OWN HEART. 1090 00:42:40,808 --> 00:42:42,893 THANK YOU SO MUCH FOR YOUR TIME. 1091 00:42:44,645 --> 00:42:47,898 WELL, AT LEAST WE KNOW SHE'S HIS MOTHER. 1092 00:42:47,898 --> 00:42:49,358 AND YET WE CAN'T BE SURE 1093 00:42:49,358 --> 00:42:51,026 THAT MAKES HIM SAFE. 1094 00:42:51,026 --> 00:42:52,069 WHAT DO YOU MEAN? 1095 00:42:52,069 --> 00:42:53,404 WELL, WE'RE ASSUMING 1096 00:42:53,404 --> 00:42:55,489 THAT THE BOY HAS BEEN TAKEN, 1097 00:42:55,489 --> 00:42:57,366 BUT WHAT IF HE'S BEEN RESCUED? 1098 00:42:57,366 --> 00:42:59,576 OH, SO WE KNOW RACHEL IS HIS MOM, 1099 00:42:59,576 --> 00:43:00,577 BUT MAYBE SHE'S... 1100 00:43:00,577 --> 00:43:01,829 RUNNING AWAY FROM A BAD SITUATION. 1101 00:43:01,829 --> 00:43:02,871 YEAH. 1102 00:43:02,871 --> 00:43:04,206 SORRY! 1103 00:43:04,206 --> 00:43:06,417 I JUST HAD TO BUY SOMETHING. 1104 00:43:06,417 --> 00:43:07,585 A MAP. 1105 00:43:07,585 --> 00:43:08,919 SHOCKING, I KNOW. 1106 00:43:08,919 --> 00:43:10,004 YOU HAVE YOUR LAPTOP. 1107 00:43:10,004 --> 00:43:11,922 WELL, I LOST MY HOTSPOT. 1108 00:43:11,922 --> 00:43:13,674 EXCUSE ME? 1109 00:43:13,674 --> 00:43:15,884 NO MOBILE INTERNET, 1110 00:43:15,884 --> 00:43:17,344 SO NO LAPTOP CONNECTION, 1111 00:43:17,344 --> 00:43:18,887 SO NO GPS. 1112 00:43:18,887 --> 00:43:20,306 HENCE, THE MAP. 1113 00:43:20,306 --> 00:43:21,932 WHO ARE YOU? 1114 00:43:21,932 --> 00:43:24,435 AND WHAT HAVE YOU DONE WITH SHANE MCINERNEY? 1115 00:43:24,435 --> 00:43:28,147 OH, DON'T WORRY. SHE'S NOT GOING ANYWHERE. 1116 00:43:36,030 --> 00:43:38,657 HAVE YOU SPOKEN WITH RITA YET? 1117 00:43:41,201 --> 00:43:44,246 I BELIEVE YOU NEED A DISTRACTION. 1118 00:43:44,246 --> 00:43:47,458 YOU SAID YOU HAVE A LEARNER'S PERMIT, YES? 1119 00:43:47,458 --> 00:43:50,044 UH, YEAH. I RENEW IT EVERY YEAR. 1120 00:43:50,044 --> 00:43:52,880 I JUST DON'T USE IT, BUT... 1121 00:43:52,880 --> 00:43:54,840 HMM. 1122 00:43:58,260 --> 00:44:00,262 [GASP OF REALIZATION] 1123 00:44:00,262 --> 00:44:02,973 [♪♪] 1124 00:44:02,973 --> 00:44:04,600 YOU'VE GOT THIS, NORMAN. 1125 00:44:04,600 --> 00:44:06,769 JUST TAKE YOUR TIME. 1126 00:44:10,731 --> 00:44:12,691 NICE AND EASY. 1127 00:44:13,776 --> 00:44:16,111 ♪ GET YOUR MOTOR RUNNING ♪ 1128 00:44:16,111 --> 00:44:17,154 [EXHALES HEAVILY] 1129 00:44:17,154 --> 00:44:18,989 ♪ HEAD OUT ON THE HIGHWAY ♪ 1130 00:44:19,990 --> 00:44:23,118 ♪ LOOKIN' FOR ADVENTURE ♪ 1131 00:44:23,118 --> 00:44:26,080 ♪ AND WHATEVER COMES OUR WAY ♪ 1132 00:44:27,164 --> 00:44:30,000 ♪ YEAH, DARLIN' GO MAKE IT HAPPEN ♪ 1133 00:44:30,000 --> 00:44:32,086 -[CRASH] -[RITA YELPS] 1134 00:44:32,086 --> 00:44:34,129 [CHUCKLES] 1135 00:44:34,129 --> 00:44:36,507 YOU'RE OKAY! 1136 00:44:36,507 --> 00:44:40,219 ♪ AND EXPLODE INTO SPACE ♪ 1137 00:44:40,219 --> 00:44:43,263 ♪ LIKE A TRUE NATURE'S CHILD ♪ 1138 00:44:43,263 --> 00:44:46,683 ♪ WE WERE BORN... BORN TO BE WILD ♪ 1139 00:44:46,683 --> 00:44:49,019 ♪ WE CAN CLIMB SO HIGH ♪ 1140 00:44:49,019 --> 00:44:53,440 ♪ I NEVER WANNA DIE ♪ 1141 00:44:53,440 --> 00:45:00,823 ♪ BORN TO BE WILD... ♪ 1142 00:45:00,823 --> 00:45:04,284 ♪ BORN TO BE WILD ♪ 1143 00:45:07,579 --> 00:45:10,666 [♪♪] 1144 00:45:12,876 --> 00:45:13,877 WE'RE HERE! 1145 00:45:13,877 --> 00:45:15,003 [OLIVER LAUGHS] 1146 00:45:15,003 --> 00:45:16,547 I'VE ALWAYS WANTED TO SAY THAT. 1147 00:45:16,547 --> 00:45:18,507 [STILL LAUGHING] 1148 00:45:19,716 --> 00:45:23,554 OH, GOOD! I AM SO HUNGRY. AGAIN! 1149 00:45:23,554 --> 00:45:24,555 [RITA LAUGHS] 1150 00:45:24,555 --> 00:45:26,390 [SHANE]: ME TOO. 1151 00:45:27,516 --> 00:45:32,229 WELL, EXCEPT FOR THAT MINOR HICCUP WITH THE SIGN, 1152 00:45:32,229 --> 00:45:34,148 AND THE MATTRESS IN THE ROAD, WHICH NO ONE COULD'VE PREDICTED, 1153 00:45:34,148 --> 00:45:37,317 I THINK YOU DID AN EXCELLENT JOB, NORMAN. 1154 00:45:37,317 --> 00:45:39,403 WELL, THANK YOU. 1155 00:45:39,403 --> 00:45:41,029 IT FELT PRETTY GOOD. 1156 00:45:41,029 --> 00:45:42,656 SCARY... 1157 00:45:42,656 --> 00:45:44,199 BUT GOOD. 1158 00:45:44,199 --> 00:45:46,827 WELL, AS YOUR WISE GRANDMOTHER ONCE TOLD ME-- 1159 00:45:46,827 --> 00:45:49,246 "YOU HAVE TO FACE THE SCARY." 1160 00:45:52,416 --> 00:45:53,959 LIKE WITH RITA. 1161 00:45:56,837 --> 00:45:59,173 LIKE WITH RITA. 1162 00:46:04,636 --> 00:46:07,014 [♪♪] 1163 00:46:14,688 --> 00:46:16,940 THIS IS DEFINITELY THE PLACE. 1164 00:46:16,940 --> 00:46:19,276 WE SHOULD FIND THE EXACT TABLE. 1165 00:46:19,276 --> 00:46:21,320 MM-HMM. 1166 00:46:25,574 --> 00:46:27,910 [♪♪] 1167 00:46:42,257 --> 00:46:44,760 [♪♪] 1168 00:46:52,643 --> 00:46:54,811 THIRD TABLE'S A CHARM. 1169 00:47:04,321 --> 00:47:07,783 THAT'S GONNA BE $4.38. 1170 00:47:12,829 --> 00:47:13,997 I'M SORRY. 1171 00:47:13,997 --> 00:47:17,042 I CAN'T SEEM TO FIND MY WALLET. 1172 00:47:17,042 --> 00:47:19,545 I'M IN NO RUSH, HONEY. TAKE YOUR TIME. 1173 00:47:19,545 --> 00:47:22,130 I HAD IT WITH ME ON THE ROAD... 1174 00:47:25,342 --> 00:47:28,220 I THINK IT FELL OUT OF MY BAG. 1175 00:47:33,141 --> 00:47:34,810 [VOICE WAVERING]: I DON'T HAVE ANY MONEY. 1176 00:47:34,810 --> 00:47:36,937 HONEST. MY-MY WALLET... 1177 00:47:38,522 --> 00:47:40,774 [SOBBING]: EVERYTHING'S GONE. I'VE LOST EVERYTHING, 1178 00:47:42,359 --> 00:47:45,070 HAVE YOU BEEN DRIVIN' FOR A LONG WHILE NOW? 1179 00:47:47,030 --> 00:47:49,741 ABOUT 10 MILES UP THE ROAD, 1180 00:47:49,741 --> 00:47:52,369 THERE IS A LITTLE LODGE. 1181 00:47:52,369 --> 00:47:54,162 SUMMITS POINT. 1182 00:47:54,162 --> 00:47:55,622 THEY HAVE NICE, CLEAN ROOMS. 1183 00:47:55,622 --> 00:47:57,207 [SIGHING] BUT I DON'T HAVE ANY MONEY. 1184 00:47:57,207 --> 00:47:58,625 WHEN YOU GET THERE, 1185 00:47:58,625 --> 00:48:01,336 YOU TELL CARL THAT MINNIE SENT YOU. 1186 00:48:01,336 --> 00:48:03,672 HE'LL TAKE GOOD CARE OF YOU. 1187 00:48:03,672 --> 00:48:04,715 I CAN'T. 1188 00:48:04,715 --> 00:48:06,675 YOU WILL. 1189 00:48:07,718 --> 00:48:09,511 I DON'T KNOW HOW TO THANK YOU. 1190 00:48:09,511 --> 00:48:11,179 YOU JUST STAY STRONG 1191 00:48:11,179 --> 00:48:13,515 FOR THAT LITTLE MAN OF YOURS. 1192 00:48:20,063 --> 00:48:21,023 THERE. 1193 00:48:22,899 --> 00:48:24,735 FOR TONIGHT. 1194 00:48:26,737 --> 00:48:29,531 WON'T SOLVE ANY OF YOUR TROUBLES, 1195 00:48:29,531 --> 00:48:30,907 BUT... 1196 00:48:30,907 --> 00:48:33,285 MAYBE, FOR A MOMENT, YOU CAN SET THEM ASIDE. 1197 00:48:34,828 --> 00:48:37,414 AND SOMETIMES A MOMENT IS ALL THAT WE NEED 1198 00:48:37,414 --> 00:48:40,208 TO KNOW WHERE WE NEED TO GO TO NEXT. 1199 00:48:40,208 --> 00:48:42,419 [♪♪] 1200 00:48:50,135 --> 00:48:51,928 WELL, THE WAITRESS DOESN'T RECOGNIZE ANYTHING, 1201 00:48:51,928 --> 00:48:54,431 BUT SHE'S NEW. 1202 00:48:54,431 --> 00:48:57,434 OHH. HERE YOU GO, FOLKS. 1203 00:48:58,435 --> 00:48:59,895 [RITA]: THANK YOU. 1204 00:48:59,895 --> 00:49:00,854 UH, WE WERE HOPING 1205 00:49:00,854 --> 00:49:02,272 YOU MIGHT BE ABLE TO HELP US OUT. 1206 00:49:02,272 --> 00:49:05,484 WE'RE LOOKING FOR A WOMAN AND HER SON. 1207 00:49:05,484 --> 00:49:07,944 I KNOW IT'S NOT MUCH TO GO ON... 1208 00:49:09,613 --> 00:49:10,781 AND WE THINK HE'S 5 TO 10 YEARS OLD-- 1209 00:49:10,781 --> 00:49:12,699 AND THEY SAT IN THIS VERY BOOTH 1210 00:49:12,699 --> 00:49:13,909 THREE WEEKS AGO. 1211 00:49:13,909 --> 00:49:15,369 WE WERE HOPING YOU MIGHT REMEMBER THEM. 1212 00:49:16,453 --> 00:49:18,455 WE GET A LOT OF FAMILIES STOPPIN' BY. 1213 00:49:18,455 --> 00:49:21,124 WE'RE THE ONLY RESTAURANT IN A HUNDRED MILES, SO. 1214 00:49:21,124 --> 00:49:23,627 HE WAS WEARING A DINOSAUR BACKPACK. 1215 00:49:23,627 --> 00:49:25,045 OH, AND THEY WERE DRIVING A GRAY CAR. 1216 00:49:25,045 --> 00:49:26,963 DO YOU KNOW WHAT THEY LOOKED LIKE? 1217 00:49:26,963 --> 00:49:29,966 [SIGHING] THAT'S ALL WE HAVE, I'M AFRAID. 1218 00:49:29,966 --> 00:49:32,344 ARE THEY IN SOME KIND OF TROUBLE? 1219 00:49:32,344 --> 00:49:34,262 SORRY. IT'S GOVERNMENT BUSINESS. 1220 00:49:34,262 --> 00:49:35,430 WE'RE NOT AT LIBERTY 1221 00:49:35,430 --> 00:49:37,974 TO DIVULGE ANY FURTHER DETAILS, 1222 00:49:37,974 --> 00:49:39,309 BUT I CAN TELL YOU-- 1223 00:49:39,309 --> 00:49:41,395 YES, I KNOW. I REMEMBER THEM. 1224 00:49:41,395 --> 00:49:42,396 REALLY? 1225 00:49:42,396 --> 00:49:44,564 MM-HMM, MM-HMM. NICE LADY. 1226 00:49:44,564 --> 00:49:47,317 LITTLE BOY. LOVED DINOSAURS. 1227 00:49:47,317 --> 00:49:48,777 DID THEY MENTION WHERE THEY WERE GOING? 1228 00:49:48,777 --> 00:49:49,945 UH, YES. 1229 00:49:49,945 --> 00:49:51,154 UM... 1230 00:49:51,154 --> 00:49:55,075 DINOSAUR NATIONAL MONUMENT IN, UH, IN GRAND JUNCTION. 1231 00:49:55,075 --> 00:49:57,994 I-I EVEN GAVE 'EM ONE OF THOSE BROCHURES BY THE DOOR. 1232 00:49:57,994 --> 00:49:59,121 OH, MY GOODNESS. 1233 00:49:59,121 --> 00:50:01,081 CAN YOU REMEMBER ANYTHING ELSE AT ALL? 1234 00:50:01,081 --> 00:50:03,625 UH, NO, NOT REALLY. 1235 00:50:03,625 --> 00:50:06,795 JUST THAT THEY WERE VERY HAPPY AND HUNGRY. 1236 00:50:06,795 --> 00:50:09,005 LIKE YOU FOLKS, RIGHT? 1237 00:50:09,005 --> 00:50:10,257 [ALL LAUGHING] 1238 00:50:10,257 --> 00:50:11,299 WHAT CAN I GET YA? 1239 00:50:11,299 --> 00:50:13,885 [♪♪] 1240 00:50:15,137 --> 00:50:16,346 [OLIVER]: WELL, IT MAKES SENSE. 1241 00:50:16,346 --> 00:50:18,098 RACHEL'S LITTLE BOY LOVES DINOSAURS, 1242 00:50:18,098 --> 00:50:19,808 AND THE DINOSAUR NATIONAL MONUMENT 1243 00:50:19,808 --> 00:50:21,685 IS ESSENTIALLY ONE RIGHT TURN 1244 00:50:21,685 --> 00:50:23,520 AT THE END OF U.S. 50, 1245 00:50:23,520 --> 00:50:25,772 BUT IT'S AT LEAST FOUR HOURS AWAY. 1246 00:50:28,734 --> 00:50:30,944 [♪♪] 1247 00:50:30,944 --> 00:50:33,447 NORMAN... THAT'S YOUR THIRD PIECE OF PIE. 1248 00:50:33,447 --> 00:50:35,365 HOW CAN YOU STILL BE HUNGRY? 1249 00:50:35,365 --> 00:50:37,325 [RITA]: NORMAN LOVES PIE! 1250 00:50:37,325 --> 00:50:39,327 ALL THAT DRIVING REALLY TOOK IT OUT OF ME. 1251 00:50:39,327 --> 00:50:40,704 YOU DROVE 13 MILES. 1252 00:50:43,165 --> 00:50:45,000 I THINK WE'RE ALL TIRED. 1253 00:50:45,000 --> 00:50:47,961 WHY DON'T WE FIND A MOTEL AND GET SOME REST? 1254 00:50:47,961 --> 00:50:50,172 WE'LL DRIVE BACK TO DENVER IN THE MORNING 1255 00:50:50,172 --> 00:50:51,465 AND DECIDE WHERE TO GO FROM THERE. 1256 00:50:51,465 --> 00:50:53,800 WAIT. WE'RE NOT GONNA GO SEE THE DINOSAURS? 1257 00:50:53,800 --> 00:50:54,718 WELL, LET'S BE HONEST. 1258 00:50:54,718 --> 00:50:56,052 RACHEL AND HER BOY CAME THROUGH 1259 00:50:56,052 --> 00:50:57,220 THREE WEEKS AGO, 1260 00:50:57,220 --> 00:50:58,638 AND THEY COULD BE ANYWHERE BY NOW. 1261 00:50:58,638 --> 00:51:00,682 ALL WE HAVE IS A PHOTOGRAPH OF THE LETTER, 1262 00:51:00,682 --> 00:51:01,975 I DON'T KNOW WHAT ELSE TO DO 1263 00:51:01,975 --> 00:51:04,060 WITHOUT A SOLID LEAD AS TO THEIR NEXT STOP. 1264 00:51:04,060 --> 00:51:06,730 THEN WE'LL JUST HAVE TO PRAY FOR ONE. 1265 00:51:08,356 --> 00:51:09,900 [♪♪] 1266 00:51:09,900 --> 00:51:11,234 [RITA]: WHAT'S IN THE BAG? 1267 00:51:11,234 --> 00:51:12,569 [NORMAN]: THE LAST PIECE OF PIE. 1268 00:51:12,569 --> 00:51:14,404 [SHANE]: YOU ACTUALLY LEFT ONE? 1269 00:51:14,404 --> 00:51:16,156 I SAVED IT FOR RITA. 1270 00:51:16,156 --> 00:51:17,407 [SHANE]: THAT'S SWEET. 1271 00:51:17,407 --> 00:51:19,242 WE WERE FORTUNATE. 1272 00:51:19,242 --> 00:51:21,369 THERE WAS STILL ONE ROOM AVAILABLE. 1273 00:51:21,369 --> 00:51:23,455 YOU AND RITA MAY TAKE THE ROOM. 1274 00:51:23,455 --> 00:51:25,332 NORMAN AND I WILL, UH, 1275 00:51:25,332 --> 00:51:27,876 SLEEP IN THE RECREATIONAL VEHICLE. 1276 00:51:27,876 --> 00:51:28,877 [CHUCKLING] 1277 00:51:28,877 --> 00:51:31,755 OLIVER O'TOOLE, MAN OF COURAGE. 1278 00:51:31,755 --> 00:51:34,925 OH, COURAGE TAKES MANY FORMS, MS. MCINERNEY. 1279 00:51:34,925 --> 00:51:36,426 [LAUGHS] 1280 00:51:38,762 --> 00:51:40,764 WANNA TAKE A WALK? 1281 00:51:40,764 --> 00:51:42,766 YES. OKAY. 1282 00:51:44,935 --> 00:51:46,436 [SHANE SIGHS] 1283 00:51:46,436 --> 00:51:48,647 HOW DO THEY DO IT? 1284 00:51:50,941 --> 00:51:52,234 WHAT DO YOU MEAN? 1285 00:51:52,234 --> 00:51:55,445 WELL, SOMETHING'S GOING ON BETWEEN THOSE TWO 1286 00:51:55,445 --> 00:51:58,281 THAT THEY HAVEN'T WORKED OUT YET, BUT... 1287 00:51:58,281 --> 00:52:01,409 THEY STILL HOLD HANDS AND... 1288 00:52:01,409 --> 00:52:04,996 THEY DON'T LET WHATEVER IT IS PULL THEM APART. 1289 00:52:06,122 --> 00:52:07,290 DO YOU KNOW WHAT IT IS? 1290 00:52:07,290 --> 00:52:09,251 NO. DO YOU? 1291 00:52:09,251 --> 00:52:11,253 YES. 1292 00:52:12,295 --> 00:52:13,463 SO? 1293 00:52:13,463 --> 00:52:14,881 OH, I'M NOT TELLING. 1294 00:52:14,881 --> 00:52:16,925 [LAUGHING] 1295 00:52:16,925 --> 00:52:18,760 GOOD. 1296 00:52:18,760 --> 00:52:21,555 I'D BE DISAPPOINTED IN YOU IF YOU DID. 1297 00:52:22,973 --> 00:52:24,474 WAS THAT A TEST, MS. MCINERNEY? 1298 00:52:24,474 --> 00:52:27,310 [LAUGHS] NO. I HATE TESTS. 1299 00:52:27,310 --> 00:52:31,022 YOU KNOW, THAT'S HOW A LOT OF RELATIONSHIPS END. 1300 00:52:31,022 --> 00:52:32,816 YOU FAIL SOMEONE ELSE'S TEST 1301 00:52:32,816 --> 00:52:35,569 THAT YOU DIDN'T EVEN KNOW YOU WERE TAKING. 1302 00:52:36,653 --> 00:52:38,738 WE ARE IN A RELATIONSHIP, 1303 00:52:38,738 --> 00:52:40,156 AREN'T WE? 1304 00:52:40,156 --> 00:52:43,743 UH, I'M GONNA GO WITH... 1305 00:52:43,743 --> 00:52:46,246 "YES". 1306 00:52:46,246 --> 00:52:48,790 THEN I NEED TO ASK A QUESTION. 1307 00:52:48,790 --> 00:52:50,834 OKAY. 1308 00:52:50,834 --> 00:52:53,003 WHO IS ALEX BRIGHTON? 1309 00:52:57,674 --> 00:52:59,384 YOU SAW MY PHONE. 1310 00:52:59,384 --> 00:53:01,344 YES. 1311 00:53:04,431 --> 00:53:06,641 IF I... 1312 00:53:06,641 --> 00:53:11,021 TELL YOU THAT I'M NOT READY TO TALK ABOUT IT YET... 1313 00:53:11,021 --> 00:53:13,648 WILL YOU TRUST ME? 1314 00:53:15,108 --> 00:53:16,735 [SIGHS] 1315 00:53:16,735 --> 00:53:18,612 YES. 1316 00:53:18,612 --> 00:53:21,448 [QUIETLY GASPS AND SIGHS] 1317 00:53:21,448 --> 00:53:25,368 CAN WE STILL HOLD HANDS WHILE I'M WORKING THINGS OUT? 1318 00:53:27,704 --> 00:53:29,998 SHANE... 1319 00:53:32,042 --> 00:53:34,502 I'M NOT LETTING GO. 1320 00:53:36,212 --> 00:53:38,965 [♪♪] 1321 00:53:51,561 --> 00:53:53,229 [OVERLAPPING]: YOU WANNA TALK--? 1322 00:53:53,229 --> 00:53:54,230 [RITA]: NO, I-- YOU GO FIRST. 1323 00:53:54,230 --> 00:53:55,523 [NORMAN]: NO. YOU. 1324 00:53:55,523 --> 00:53:57,192 DO YOU NOT WANT TO MARRY ME ANYMORE? 1325 00:53:57,192 --> 00:53:58,568 OF COURSE, I WANT TO MARRY YOU. 1326 00:53:58,568 --> 00:53:59,986 BUT YOU DON'T WANT A FAMILY NOW? 1327 00:53:59,986 --> 00:54:01,404 YOU DON'T WANT CHILDREN? 1328 00:54:01,404 --> 00:54:03,239 I DO. MORE THAN ANYTHING. 1329 00:54:03,239 --> 00:54:07,160 I JUST THINK THAT THEY SHOULDN'T BE, UM... 1330 00:54:07,160 --> 00:54:08,328 MY CHILDREN. 1331 00:54:08,328 --> 00:54:11,081 [LAUGHS] WHAT? BUT WHOSE ELSE WOULD THEY BE? 1332 00:54:11,081 --> 00:54:12,374 I NEVER KNEW MY FATHER, 1333 00:54:12,374 --> 00:54:14,250 AND I BARELY KNEW MY MOTHER, 1334 00:54:14,250 --> 00:54:15,585 AND THE ONLY LIVING RELATIVE THAT I KNOW OF 1335 00:54:15,585 --> 00:54:16,670 IS MY GRANDMOTHER, 1336 00:54:16,670 --> 00:54:18,713 AND SHE'S REALLY SMART. 1337 00:54:18,713 --> 00:54:19,673 LIKE YOU. 1338 00:54:19,673 --> 00:54:20,674 AND FUNNY. 1339 00:54:20,674 --> 00:54:21,675 LIKE YOU. 1340 00:54:21,675 --> 00:54:22,842 AND KINDA WEIRD. 1341 00:54:22,842 --> 00:54:25,095 OH. SHE JUST SEES THE WORLD 1342 00:54:25,095 --> 00:54:28,098 FROM A DIFFERENT PERSPECTIVE. 1343 00:54:28,098 --> 00:54:30,266 USUALLY ON THE TOP OF MACHU PICCHU, 1344 00:54:30,266 --> 00:54:31,559 WEARING AN ALUMINUM CROWN 1345 00:54:31,559 --> 00:54:33,436 THAT TRANSLATES THE RAYS OF THE SUN 1346 00:54:33,436 --> 00:54:35,563 INTO HAIKU BRAINWAVES. 1347 00:54:35,563 --> 00:54:37,816 [LAUGHS] SHE REALLY IS ONE OF A KIND. 1348 00:54:37,816 --> 00:54:39,734 YEAH, BUT WHAT IF SHE ISN'T? 1349 00:54:39,734 --> 00:54:42,195 YOU KNOW, WHAT IF I'M LIKE HER, TOO? 1350 00:54:42,195 --> 00:54:46,032 SHE TOLD ME THAT MY MOM DID SOME PRETTY ODD STUFF. 1351 00:54:46,032 --> 00:54:47,200 AND ALL THROUGH SCHOOL, 1352 00:54:47,200 --> 00:54:49,411 THE KIDS MADE FUN OF ME FOR BEING ODD. 1353 00:54:49,411 --> 00:54:51,621 YEAH, BUT THOSE WERE BULLIES, NORMAN. 1354 00:54:51,621 --> 00:54:53,123 THEY COULD ONLY SEE THE DIFFERENT, 1355 00:54:53,123 --> 00:54:55,792 THEY COULDN'T SEE THE AMAZING. 1356 00:54:55,792 --> 00:54:58,128 I'M NOT AMAZING. 1357 00:54:58,128 --> 00:55:00,255 I'M NOT EVEN NORMAL. 1358 00:55:00,255 --> 00:55:03,591 IT'S LIKE SOMETHING'S MISSING. 1359 00:55:03,591 --> 00:55:05,969 LIKE, I CAN TELL YOU ALL ABOUT CARS, 1360 00:55:05,969 --> 00:55:07,220 I CAN EVEN FIX CARS, 1361 00:55:07,220 --> 00:55:09,097 BUT ACTUALLY DRIVING THROWS ME, 1362 00:55:09,097 --> 00:55:11,599 AND I CAN'T PASS THE DRIVER'S EXAM. 1363 00:55:11,599 --> 00:55:12,976 THERE'S ALL THOSE LANES, 1364 00:55:12,976 --> 00:55:14,602 AND I NEVER KNOW WHICH ONE TO CHOOSE, 1365 00:55:14,602 --> 00:55:17,647 AND THEN THERE'S MERGING AND YIELDING. 1366 00:55:17,647 --> 00:55:19,149 WHAT DOES IT SAY ABOUT A MAN 1367 00:55:19,149 --> 00:55:20,650 IF HE CAN'T PARALLEL PARK? 1368 00:55:20,650 --> 00:55:22,652 NORMAN, I DON'T CARE ABOUT THAT. 1369 00:55:22,652 --> 00:55:24,154 YOU CAN INVENT MAIL RECOVERY PROTOCOLS 1370 00:55:24,154 --> 00:55:26,031 THAT NOBODY HAS EVEN IMAGINED. 1371 00:55:26,031 --> 00:55:27,824 YOU CAN DEVELOP OLD CAMERA FILM, 1372 00:55:27,824 --> 00:55:31,661 AND YOU CAN INVENT NEW CHEMICAL SOLUTIONS. 1373 00:55:31,661 --> 00:55:33,705 YOU CAN ANALYZE THE HANDWRITING 1374 00:55:33,705 --> 00:55:35,665 ON A HOPELESSLY RIPPED AND MANGLED ENVELOPE 1375 00:55:35,665 --> 00:55:37,876 WITH YOUR EYES CLOSED. 1376 00:55:37,876 --> 00:55:40,086 YOU HAVE SPECIAL GIFTS. 1377 00:55:40,086 --> 00:55:41,629 AND NOT EVERYONE WILL SEE THAT, 1378 00:55:41,629 --> 00:55:43,006 BUT OLIVER SURE DID. 1379 00:55:43,006 --> 00:55:46,134 THAT'S WHY HE ASKED YOU TO BE A PART OF HIS TEAM. 1380 00:55:46,134 --> 00:55:49,679 THAT'S WHY I LOVE YOU, BECAUSE YOU'RE SPECIAL. 1381 00:55:49,679 --> 00:55:51,681 I'M DIFFERENT. 1382 00:55:51,681 --> 00:55:53,266 AND I'VE PAID A PRICE FOR THAT, 1383 00:55:53,266 --> 00:55:55,643 AND I DON'T WANT OUR CHILDREN TO HAVE TO. 1384 00:55:55,643 --> 00:55:58,354 SO... 1385 00:55:58,354 --> 00:56:01,524 I THINK WE SHOULD ADOPT. 1386 00:56:03,610 --> 00:56:06,279 OH. 1387 00:56:06,279 --> 00:56:08,198 [QUIET CHUCKLE] 1388 00:56:09,324 --> 00:56:11,868 NORMAN... 1389 00:56:11,868 --> 00:56:14,788 I HAVE ALWAYS THOUGHT THAT WE WERE GOING TO ADOPT. 1390 00:56:14,788 --> 00:56:16,498 I PLAN ON HAVING 1391 00:56:16,498 --> 00:56:18,458 A WHOLE RAINBOW OF BABIES WITH YOU, 1392 00:56:18,458 --> 00:56:22,128 AND I DON'T CARE HOW THEY COME TO US. 1393 00:56:22,128 --> 00:56:25,965 BUT WHETHER YOU LIKE IT OR NOT, THEY WILL BE LIKE YOU... 1394 00:56:25,965 --> 00:56:27,509 BECAUSE THE MOST IMPORTANT THING 1395 00:56:27,509 --> 00:56:30,220 THAT THEY WILL INHERIT FROM YOU WILL COME FROM YOUR HEART, 1396 00:56:30,220 --> 00:56:32,430 NOT YOUR D.N.A. 1397 00:56:33,848 --> 00:56:35,975 YOU ARE THE SWEETEST, 1398 00:56:35,975 --> 00:56:36,976 KINDEST, 1399 00:56:36,976 --> 00:56:40,271 MOST LOYAL PERSON I HAVE EVER MET. 1400 00:56:41,523 --> 00:56:45,068 AND THAT'S THE MAN THAT I WANT FOR THE FATHER OF MY CHILDREN. 1401 00:56:46,194 --> 00:56:51,199 THE MAN WHO SAVES THE LAST PIECE OF THE BEST PIE 1402 00:56:51,199 --> 00:56:53,576 FOR SOMEONE ELSE. 1403 00:56:53,576 --> 00:56:58,248 AND THE ONE WHOSE HEART CAN BREAK FOR A LITTLE LOST BOY, 1404 00:56:58,248 --> 00:57:02,293 AND HE WON'T GIVE UP UNTIL HE KNOWS HE'S SAFE. 1405 00:57:03,586 --> 00:57:05,547 THANK YOU. 1406 00:57:07,090 --> 00:57:09,384 AND WE'RE GOING TO FIND OUR DINOSAUR BOY. 1407 00:57:09,384 --> 00:57:10,510 I KNOW. 1408 00:57:10,510 --> 00:57:13,304 BUT I WAS ALSO TALKING ABOUT YOU. 1409 00:57:16,432 --> 00:57:18,726 YOU'RE SAFE NOW, NORMAN. 1410 00:57:18,726 --> 00:57:21,521 YOU'RE NOT THAT BOY YOU WERE IN HIGH SCHOOL. 1411 00:57:21,521 --> 00:57:24,190 I MEAN, YOU NEVER REALLY WERE. 1412 00:57:24,190 --> 00:57:27,819 IT JUST TOOK A LITTLE BIT LONGER FOR YOU TO BE APPRECIATED. 1413 00:57:28,862 --> 00:57:30,155 YOU... 1414 00:57:30,155 --> 00:57:33,116 WERE BORN THE BOY WHO WOULD GROW UP AND MARRY ME. 1415 00:57:34,617 --> 00:57:37,036 THE NORMAN THAT I WAS MEANT TO LOVE, 1416 00:57:37,036 --> 00:57:38,079 AND THE MAN 1417 00:57:38,079 --> 00:57:40,790 THAT ALL SORTS OF CHILDREN WILL LOVE 1418 00:57:40,790 --> 00:57:43,751 AND CALL THEIR DADDY, 1419 00:57:43,751 --> 00:57:47,088 THE SMARTEST MAN THEY WILL EVER KNOW. 1420 00:57:49,299 --> 00:57:51,467 [♪♪] 1421 00:58:17,493 --> 00:58:20,288 WE'VE GOT A PLACE TO STAY, SWEETHEART. 1422 00:58:20,288 --> 00:58:22,790 I THOUGHT WE LOST OUR MONEY. 1423 00:58:22,790 --> 00:58:25,418 WE DID. 1424 00:58:25,418 --> 00:58:26,628 BUT THERE ARE SOME VERY... 1425 00:58:26,628 --> 00:58:30,924 [VOICE CRACKS]: ...NICE PEOPLE IN THIS WORLD. 1426 00:58:30,924 --> 00:58:33,468 LIKE THE MAN WHO GAVE YOU THE GUMMIES, 1427 00:58:33,468 --> 00:58:37,096 AND THE LADY WITH THE PIE. 1428 00:58:37,096 --> 00:58:39,015 AND THE MAN AT THIS MOTEL. 1429 00:58:39,015 --> 00:58:40,183 [SOBS SOFTLY] 1430 00:58:40,183 --> 00:58:42,685 WE'VE GOT A PLACE TO STAY, BABY. 1431 00:58:42,685 --> 00:58:45,647 [CRIES]: AT LEAST WE'RE OKAY FOR TONIGHT. 1432 00:58:45,647 --> 00:58:47,774 DON'T CRY, MOMMY. 1433 00:58:47,774 --> 00:58:50,944 I'M SO SORRY, DANNY. 1434 00:58:50,944 --> 00:58:52,278 I KNOW HOW TIRED YOU ARE, 1435 00:58:52,278 --> 00:58:54,489 AND I KNOW HOW MUCH YOU MISS DADDY. 1436 00:58:54,489 --> 00:58:57,158 I WISH I KNEW HOW TO FIX EVERYTHING, 1437 00:58:57,158 --> 00:58:58,201 BUT I DON'T KNOW HOW. 1438 00:58:58,201 --> 00:58:59,202 I'M SORRY. 1439 00:58:59,202 --> 00:59:00,703 I WON'T ASK ABOUT DADDY ANYMORE. 1440 00:59:00,703 --> 00:59:01,788 I PROMISE. 1441 00:59:01,788 --> 00:59:03,414 NO. NO, IT'S NOT YOUR FAULT, HONEY. 1442 00:59:03,414 --> 00:59:06,000 AND I PROMISE, AS SOON AS I CAN, 1443 00:59:06,000 --> 00:59:07,335 WE'RE GONNA DO SOMETHING SPECIAL. 1444 00:59:07,335 --> 00:59:09,045 I'M GONNA TAKE YOU TO SEE THE DINOSAURS. 1445 00:59:09,045 --> 00:59:10,630 WOULD YOU LIKE THAT? 1446 00:59:10,630 --> 00:59:13,341 I KNOW IT'S NOT AS GOOD AS DADDY, 1447 00:59:13,341 --> 00:59:16,010 BUT WE'RE GONNA HAVE TO WAIT A LITTLE BIT FOR THAT, OKAY? 1448 00:59:16,010 --> 00:59:18,179 OKAY. 1449 00:59:18,179 --> 00:59:20,223 I LOVE YOU, DANNY. 1450 00:59:20,223 --> 00:59:22,475 I LOVE YOU TOO, MOMMY. 1451 00:59:22,475 --> 00:59:24,519 [RACHEL SNIFFLES] 1452 00:59:24,519 --> 00:59:26,854 [♪♪] 1453 00:59:34,487 --> 00:59:37,407 WHO DO YOU BELONG TO? 1454 00:59:37,407 --> 00:59:39,284 HMM? 1455 00:59:39,284 --> 00:59:40,994 [TAKES A DEEP BREATH] 1456 00:59:40,994 --> 00:59:42,787 [SIGHS] 1457 00:59:45,748 --> 00:59:47,333 SO I'LL TAKE THE FIRST LEG BACK TO DENVER, 1458 00:59:47,333 --> 00:59:48,876 AND THEN, NORMAN, DO YOU WANT TO DRIVE? 1459 00:59:48,876 --> 00:59:50,878 OH, CAN WE STOP AT MINNIE'S FOR PIE? 1460 00:59:50,878 --> 00:59:52,880 I NEED ONE FOR THE ROAD. 1461 00:59:52,880 --> 00:59:54,590 AND I MEAN I NEED ONE PIE. 1462 00:59:54,590 --> 00:59:55,758 ONE WHOLE PIE. 1463 00:59:55,758 --> 00:59:57,010 [RITA LAUGHS] 1464 00:59:57,010 --> 00:59:58,094 WELL... 1465 00:59:58,094 --> 01:00:00,722 WE DIDN'T END UP ACCOMPLISHING 1466 01:00:00,722 --> 01:00:02,682 WHAT WE WANTED TO ON THIS TRIP, 1467 01:00:02,682 --> 01:00:03,725 BUT IT WAS WORTH IT 1468 01:00:03,725 --> 01:00:05,268 JUST TO SEE THOSE TWO HAPPY. 1469 01:00:05,268 --> 01:00:06,436 [RV FIRES UP] 1470 01:00:06,436 --> 01:00:07,562 IT WAS WORTH IT 1471 01:00:07,562 --> 01:00:09,105 JUST TO SEE YOU SURVIVE 12 HOURS 1472 01:00:09,105 --> 01:00:11,024 WITHOUT INTERNET ACCESS. 1473 01:00:11,024 --> 01:00:12,775 [LAUGHS] VERY FUNNY. 1474 01:00:16,446 --> 01:00:17,447 OLIVER? 1475 01:00:17,447 --> 01:00:18,781 HMM? 1476 01:00:18,781 --> 01:00:19,824 LOOK. 1477 01:00:22,076 --> 01:00:25,079 OH, MY GOODNESS. 1478 01:00:27,582 --> 01:00:30,126 [♪♪] 1479 01:00:40,970 --> 01:00:42,638 SEE? IT'S THE SAME LOG. 1480 01:00:42,638 --> 01:00:43,639 [SHANE]: THEY WERE HERE! 1481 01:00:43,639 --> 01:00:44,891 [OLIVER]: IT WOULD SEEM SO. 1482 01:00:44,891 --> 01:00:45,892 MAYBE THIS TIME 1483 01:00:45,892 --> 01:00:47,101 SHE FILLED OUT A REGISTRATION CARD. 1484 01:00:55,109 --> 01:00:56,903 -CHECKING OUT? -YES. 1485 01:00:56,903 --> 01:00:58,446 AND WE HAVE A QUESTION. 1486 01:00:58,446 --> 01:00:59,530 [CLERK]: SHOOT. 1487 01:00:59,530 --> 01:01:01,657 ABOUT THREE WEEKS AGO, A LADY NAMED RACHEL 1488 01:01:01,657 --> 01:01:04,494 AND HER LITTLE BOY STAYED HERE, WE THINK. 1489 01:01:04,494 --> 01:01:06,996 THEY HAD A GRAY CAR. 1490 01:01:06,996 --> 01:01:08,664 HUH. NOBODY LIKE THAT. 1491 01:01:08,664 --> 01:01:10,124 ARE YOU SURE? 1492 01:01:10,124 --> 01:01:12,502 BECAUSE WE HAVE A PHOTO THAT PROVES THEY WERE HERE. 1493 01:01:12,502 --> 01:01:14,504 OH, YES, UH... 1494 01:01:14,504 --> 01:01:16,506 I DO REMEMBER. UH... 1495 01:01:16,506 --> 01:01:19,509 PRETTY LADY, ABOUT 35, MAYBE? GRAY CAR. 1496 01:01:19,509 --> 01:01:21,010 -OH. -LET ME SEE. 1497 01:01:21,010 --> 01:01:23,346 SHE SAID SHE WAS GOING TO MESA VERDE. 1498 01:01:23,346 --> 01:01:25,264 YEP, DOWN TO DURANGO, BECAUSE THE LITTLE BOY 1499 01:01:25,264 --> 01:01:26,974 WANTED TO SEE THE NATIVE AMERICAN RUINS. 1500 01:01:26,974 --> 01:01:27,850 DURANGO? 1501 01:01:27,850 --> 01:01:29,352 MM-HMM. YEP. 1502 01:01:29,352 --> 01:01:30,770 YOU TAKE THE 50 WEST 1503 01:01:30,770 --> 01:01:33,398 AND THE 550 SOUTH. 1504 01:01:33,398 --> 01:01:36,025 BUT THAT WAS THREE WEEKS AGO, AT LEAST. 1505 01:01:36,025 --> 01:01:37,527 THEY'RE PROBABLY-- 1506 01:01:37,527 --> 01:01:39,278 ...LONG GONE BY NOW? 1507 01:01:40,780 --> 01:01:42,156 THANK YOU. 1508 01:01:42,156 --> 01:01:44,117 THANKS. 1509 01:01:57,296 --> 01:01:58,673 DURANGO? 1510 01:02:00,049 --> 01:02:02,218 THERE'S NO DINOSAURS IN DURANGO. 1511 01:02:02,218 --> 01:02:04,679 AND IT'S COMPLETELY IN THE OPPOSITE DIRECTION. 1512 01:02:04,679 --> 01:02:07,140 BUT HE SEEMED SO SURE. 1513 01:02:07,140 --> 01:02:09,016 BUT SO WAS MINNIE AT THE DINER. 1514 01:02:09,016 --> 01:02:11,561 EVERYONE SEEMS AWFULLY "SURE". 1515 01:02:11,561 --> 01:02:12,728 CAN WE TAKE A LOOK 1516 01:02:12,728 --> 01:02:15,731 AT THAT PICTURE FROM THE DINER AGAIN? 1517 01:02:15,731 --> 01:02:18,025 RACHEL, PRESUMABLY PAYING FOR HER BILL, 1518 01:02:18,025 --> 01:02:19,902 [SIGHS] MENU BOARD... 1519 01:02:19,902 --> 01:02:21,654 "HELP WANTED," SOME PLAQUE-- 1520 01:02:21,654 --> 01:02:22,697 WHAT DOES THAT SAY? 1521 01:02:22,697 --> 01:02:24,615 OH, HERE. UH... 1522 01:02:26,325 --> 01:02:27,994 OH. 1523 01:02:29,036 --> 01:02:31,581 "LOVE THY NEIGHBOR AS THYSELF." 1524 01:02:31,581 --> 01:02:34,333 MM. WORDS TO LIVE BY. 1525 01:02:35,376 --> 01:02:37,503 "HELP WANTED..." 1526 01:02:37,503 --> 01:02:39,088 HMM. 1527 01:02:39,088 --> 01:02:40,590 [NORMAN]: WHAT? 1528 01:02:40,590 --> 01:02:42,091 WELL, THE MAN AT THE ROAD STAND 1529 01:02:42,091 --> 01:02:44,510 SAID THAT RACHEL SEEMED AS IF SHE WERE RUNNING OUT OF CASH. 1530 01:02:44,510 --> 01:02:45,678 IF THAT WERE TRUE, 1531 01:02:45,678 --> 01:02:47,513 SHE COULDN'T AFFORD A CABIN HERE AT THE LODGE. 1532 01:02:47,513 --> 01:02:50,433 LET ALONE A TRIP TO GO SEE THE DINOSAURS, 1533 01:02:50,433 --> 01:02:52,101 OR TO GO TO DURANGO. 1534 01:02:52,101 --> 01:02:53,644 WAIT. SO, IF SHE COULDN'T AFFORD TO LEAVE, 1535 01:02:53,644 --> 01:02:54,645 AND SHE COULDN'T AFFORD TO STAY, 1536 01:02:54,645 --> 01:02:55,771 THEN SHE WOULD HAVE-- 1537 01:02:55,771 --> 01:02:57,440 ARE WE BACK IN THE RACHEL BUSINESS? 1538 01:02:57,440 --> 01:02:58,941 IT WOULD SEEM SO. 1539 01:03:00,109 --> 01:03:01,777 DOES THIS MEAN MORE PIE? 1540 01:03:02,904 --> 01:03:05,448 [♪♪] 1541 01:03:13,414 --> 01:03:15,291 WELL, LOOK WHO'S BACK. 1542 01:03:15,291 --> 01:03:17,793 FIND YOUR LADY YET? 1543 01:03:17,793 --> 01:03:19,045 NO. BUT WE COULDN'T LEAVE 1544 01:03:19,045 --> 01:03:20,421 WITHOUT ANOTHER SLICE OF YOUR APPLE PAN PIE. 1545 01:03:20,421 --> 01:03:24,592 OH, THAT PIE BRINGS EVERYBODY BACK, SOONER OR LATER. 1546 01:03:24,592 --> 01:03:26,636 SIT WHEREVER YOU LIKE. 1547 01:03:26,636 --> 01:03:28,095 THANK YOU. 1548 01:03:34,477 --> 01:03:36,437 THANK YOU. 1549 01:03:37,647 --> 01:03:41,108 SO, UH... OH, PIE? COFFEE? 1550 01:03:41,108 --> 01:03:42,235 ICE CREAM? 1551 01:03:42,235 --> 01:03:43,486 ALL OF THE ABOVE. 1552 01:03:43,486 --> 01:03:44,654 COMING RIGHT UP. 1553 01:03:44,654 --> 01:03:46,322 WEREN'T THERE, 1554 01:03:46,322 --> 01:03:48,115 UH, FOUR OF YOU LAST TIME? 1555 01:03:48,115 --> 01:03:48,991 GOOD MEMORY! 1556 01:03:48,991 --> 01:03:50,159 SHE'LL BE RIGHT IN. 1557 01:03:50,159 --> 01:03:51,911 YOU GOT IT. 1558 01:03:51,911 --> 01:03:52,954 ALL RIGHT. PHOTO, PLEASE. 1559 01:03:53,955 --> 01:03:56,832 DID WE REMEMBER OUR LITTLE FRIEND? 1560 01:03:56,832 --> 01:03:59,001 SAFELY TUCKED IN HERE. 1561 01:04:00,169 --> 01:04:01,546 OLIVER, YOU WERE RIGHT. 1562 01:04:01,546 --> 01:04:04,507 THERE'S A GRAY CAR PARKED IN THE BACK. 1563 01:04:06,425 --> 01:04:09,178 "LOVE THY NEIGHBOR AS THYSELF." 1564 01:04:09,178 --> 01:04:11,097 NOW, I BELIEVE 1565 01:04:11,097 --> 01:04:13,641 THAT MINNIE'S PROBABLY A VERY GOOD SAMARITAN. 1566 01:04:13,641 --> 01:04:15,101 HER MOTTO'S STILL UP ON THE WALL, 1567 01:04:15,101 --> 01:04:17,311 BUT THE "HELP WANTED" SIGN IS NOT. 1568 01:04:17,311 --> 01:04:20,231 I'M GUESSING RACHEL RAN OUT OF MONEY, 1569 01:04:20,231 --> 01:04:22,024 SHE COULDN'T KEEP STAYING AT THE LODGE, 1570 01:04:22,024 --> 01:04:23,025 SO MINNIE DECIDED-- 1571 01:04:23,025 --> 01:04:24,652 THE PIE IS COMING RIGHT UP... 1572 01:04:24,652 --> 01:04:29,031 AND WE ARE PUTTING EXTRA ICE CREAM ON. 1573 01:04:29,031 --> 01:04:32,451 THAT'LL HOLD YOU UNTIL YOU GET TO MESA VERDE. 1574 01:04:32,451 --> 01:04:36,622 UH, DON'T YOU MEAN DINOSAUR NATIONAL MONUMENT? 1575 01:04:36,622 --> 01:04:39,041 YES. THAT'S WHAT I MEANT. 1576 01:04:39,041 --> 01:04:40,710 PROBABLY CONFUSED, 1577 01:04:40,710 --> 01:04:42,169 BECAUSE CARL FROM THE SUMMITS POINT LODGE 1578 01:04:42,169 --> 01:04:43,379 CALLED TO TELL YOU 1579 01:04:43,379 --> 01:04:45,506 HE SENT US IN THE OPPOSITE DIRECTION. 1580 01:04:45,506 --> 01:04:47,508 ISN'T THAT RIGHT? 1581 01:04:47,508 --> 01:04:49,218 [FORCED CHUCKLE] I'M SORRY. 1582 01:04:49,218 --> 01:04:51,679 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1583 01:04:51,679 --> 01:04:54,181 I THINK YOU DO. 1584 01:04:54,181 --> 01:04:57,351 AND SO DOES... RACHEL. 1585 01:04:57,351 --> 01:04:58,811 DON'T YOU, RACHEL? 1586 01:04:58,811 --> 01:05:00,479 WE'RE NOT HERE TO UPSET YOU, RACHEL. 1587 01:05:00,479 --> 01:05:02,064 WE... [RUMMAGES IN BAG] 1588 01:05:02,064 --> 01:05:03,149 WE JUST WANTED 1589 01:05:03,149 --> 01:05:05,818 TO RETURN THIS TO YOUR LITTLE BOY 1590 01:05:05,818 --> 01:05:07,778 AND MAKE SURE THAT HE'S OKAY. 1591 01:05:09,071 --> 01:05:10,156 BERTIE! 1592 01:05:11,073 --> 01:05:13,659 MOMMY! YOU FOUND HIM! 1593 01:05:14,910 --> 01:05:16,579 BERTIE! 1594 01:05:22,209 --> 01:05:24,587 SO, YOUR MOM SEEMS PRETTY COOL, HUH? 1595 01:05:24,587 --> 01:05:27,381 YEAH. SHE'S GONNA TAKE ME TO SEE DINOSAURS! 1596 01:05:27,381 --> 01:05:29,634 BUT JUST THEIR BONES, THEY'RE NOT ALIVE OR ANYTHING. 1597 01:05:29,634 --> 01:05:30,676 OH. 1598 01:05:30,676 --> 01:05:32,762 SHE SOUNDS REAL SUPER-COOL. 1599 01:05:32,762 --> 01:05:34,889 YEAH. MY MOMMY LOVES ME. 1600 01:05:34,889 --> 01:05:36,724 MY DADDY DOES, TOO. 1601 01:05:36,724 --> 01:05:39,727 [RACHEL]: EVERYBODY'S GOOD FOLKS AROUND HERE. 1602 01:05:39,727 --> 01:05:41,896 THEY LOOK OUT FOR EACH OTHER. 1603 01:05:41,896 --> 01:05:45,524 CARL DIDN'T REALIZE YOU WERE JUST FROM THE POST OFFICE. 1604 01:05:48,235 --> 01:05:50,571 I DIDN'T MEAN "JUST". 1605 01:05:50,571 --> 01:05:52,865 THAT'S ALL RIGHT. 1606 01:05:54,283 --> 01:05:56,118 I CAN'T BELIEVE YOU ALL WENT TO SO MUCH TROUBLE 1607 01:05:56,118 --> 01:05:57,745 JUST TO RETURN A TOY. 1608 01:05:57,745 --> 01:05:59,205 UH, WELL, ACTUALLY, 1609 01:05:59,205 --> 01:06:03,209 WE WERE ATTEMPTING TO DELIVER A LOST CAMERA. 1610 01:06:03,209 --> 01:06:05,294 WHEN WE DEVELOPED THE FILM INSIDE, 1611 01:06:05,294 --> 01:06:08,005 WE FOUND, UH, THIS... 1612 01:06:13,094 --> 01:06:15,096 [QUIETLY]: OH, DANNY. 1613 01:06:17,640 --> 01:06:19,433 I WAS TRYING TO DO THE RIGHT THING. 1614 01:06:19,433 --> 01:06:22,561 I WAS JUST TRYING TO PROTECT HIM. 1615 01:06:22,561 --> 01:06:25,064 PROTECT HIM... FROM YOUR HUSBAND? 1616 01:06:26,649 --> 01:06:29,110 FROM THE TRUTH ABOUT MY HUSBAND. 1617 01:06:41,580 --> 01:06:44,959 WHAT IS THE TRUTH ABOUT YOUR HUSBAND? 1618 01:06:44,959 --> 01:06:48,337 WELL, FIRST OF ALL, JACK WOULD NEVER HURT US. 1619 01:06:48,337 --> 01:06:51,215 HE WOULDN'T MEAN TO. 1620 01:06:51,215 --> 01:06:54,343 HE DIDN'T MEAN TO... 1621 01:06:55,678 --> 01:06:58,431 HE WAS A WONDERFUL FATHER. 1622 01:07:00,349 --> 01:07:03,728 "IT'S BRIGHT BLUE AND YOU PLAY WITH IT, TOO." 1623 01:07:04,812 --> 01:07:06,897 [♪♪] 1624 01:07:12,319 --> 01:07:15,573 "SOLVE THE CASE IN YOUR HAPPY PLACE." 1625 01:07:18,701 --> 01:07:21,370 [♪♪] 1626 01:07:25,166 --> 01:07:27,209 I FOUND YOU, DADDY! 1627 01:07:27,209 --> 01:07:28,878 [LAUGHS] YOU SURE DID, KIDDO! 1628 01:07:28,878 --> 01:07:30,379 YOU SURE DID. 1629 01:07:30,379 --> 01:07:31,964 HEY. DO YOU LIKE IT? 1630 01:07:31,964 --> 01:07:33,174 AND GUESS WHAT? 1631 01:07:33,174 --> 01:07:34,717 ONE OF THESE DAYS, MOMMY AND I ARE GONNA TAKE YOU 1632 01:07:34,717 --> 01:07:36,051 TO SEE WHERE SOME OF THEM USED TO LIVE. 1633 01:07:36,051 --> 01:07:37,511 PROMISE? 1634 01:07:37,511 --> 01:07:38,637 PROMISE. 1635 01:07:38,637 --> 01:07:40,556 HOW 'BOUT A SMILE FROM MY BOYS? 1636 01:07:42,057 --> 01:07:43,684 SAY, "I LOVE YOU, MOMMY." 1637 01:07:43,684 --> 01:07:45,686 [FELLAS, TOGETHER]: I LOVE YOU, MOMMY! 1638 01:07:45,686 --> 01:07:47,188 [SNAP] 1639 01:07:48,898 --> 01:07:49,982 "JACK." 1640 01:07:49,982 --> 01:07:52,902 [CHUCKLES] WE HAD A "J" AND AN "A," 1641 01:07:52,902 --> 01:07:55,821 AND AN "M" AND A "K". 1642 01:07:55,821 --> 01:07:58,240 MY HUSBAND 1643 01:07:58,240 --> 01:08:00,493 IS JACK MARASHAK. 1644 01:08:00,493 --> 01:08:02,870 I SEE. 1645 01:08:03,913 --> 01:08:05,080 THAT'S WHY MINNIE LIED TO YOU 1646 01:08:05,080 --> 01:08:06,582 WHEN YOU CAME IN LAST NIGHT. 1647 01:08:06,582 --> 01:08:08,000 YOU SAID YOU WERE FROM THE GOVERNMENT, 1648 01:08:08,000 --> 01:08:10,211 AND SHE JUST KNEW I COULDN'T HANDLE ANY MORE. 1649 01:08:11,420 --> 01:08:16,675 UH, MR. MARASHAK WAS MAYOR OF A TOWN IN NORTHERN COLORADO 1650 01:08:16,675 --> 01:08:20,179 UP UNTIL ABOUT SIX MONTHS AGO OR SO. 1651 01:08:20,179 --> 01:08:22,431 NOW HE'S IN CANON CITY, 1652 01:08:22,431 --> 01:08:24,600 AT THE CORRECTIONAL FACILITY. 1653 01:08:24,600 --> 01:08:26,268 JACK... [SIGHING] 1654 01:08:26,268 --> 01:08:29,313 ...GOT CAUGHT UP IN SOME SKETCHY PLAN 1655 01:08:29,313 --> 01:08:31,816 TO INVEST THE CITY EMPLOYMENT PENSION FUND 1656 01:08:31,816 --> 01:08:32,942 WITH A FINANCIAL GROUP 1657 01:08:32,942 --> 01:08:35,277 THAT TURNED OUT TO BE A SCAM. 1658 01:08:35,277 --> 01:08:38,113 THE GUYS HE TRUSTED TOOK OFF WITH THE MONEY 1659 01:08:38,113 --> 01:08:41,116 AND JACK WAS LEFT HOLDING THE BAG. 1660 01:08:41,116 --> 01:08:45,371 HE DIDN'T STEAL ANYTHING, BUT HE LOST EVERYTHING. 1661 01:08:47,122 --> 01:08:49,416 HE SHOULD HAVE KNOWN BETTER. 1662 01:08:49,416 --> 01:08:50,543 IT WAS TOO GOOD TO BE TRUE 1663 01:08:50,543 --> 01:08:53,212 AND HE DIDN'T WANT TO LOOK CLOSER THAN THAT. 1664 01:08:53,212 --> 01:08:56,799 HE DID THE WRONG THING FOR THE RIGHT REASONS, 1665 01:08:56,799 --> 01:08:59,468 AND HE PAID FOR IT. 1666 01:08:59,468 --> 01:09:01,262 [SHANE]: AND SO DID YOU. 1667 01:09:01,262 --> 01:09:03,430 SO DID EVERYBODY ELSE. 1668 01:09:05,474 --> 01:09:07,518 IT'S A SMALL TOWN. 1669 01:09:08,644 --> 01:09:10,145 THERE ISN'T ANY PLACE TO GO 1670 01:09:10,145 --> 01:09:12,982 TO AVOID THE STARES AND THE WHISPERS. 1671 01:09:12,982 --> 01:09:14,400 AND SCHOOL IS STARTING SOON 1672 01:09:14,400 --> 01:09:16,152 AND I COULDN'T SEND DANNY BACK TO THAT. 1673 01:09:16,152 --> 01:09:17,403 YOU KNOW KIDS. 1674 01:09:17,403 --> 01:09:19,154 [SHE TAKES A DEEP, SHAKY BREATH] 1675 01:09:19,154 --> 01:09:21,782 SO, I... I PACKED UP MY CAR, 1676 01:09:21,782 --> 01:09:23,117 I TOOK WHAT WAS LEFT IN THE BANK, 1677 01:09:23,117 --> 01:09:26,245 AND I TOLD DANNY WE WERE GOING TO A NEW HOME. 1678 01:09:26,245 --> 01:09:29,915 I THOUGHT I'D FIND SOMETHING NEAR THE PRISON, BUT... 1679 01:09:31,000 --> 01:09:34,420 ...THE CLOSER I GOT, THE HARDER IT GOT. 1680 01:09:35,921 --> 01:09:39,174 HOW DO YOU TAKE YOUR LITTLE BOY WHO WORSHIPS HIS FATHER 1681 01:09:39,174 --> 01:09:41,468 TO SEE HIM LIKE THAT? 1682 01:09:42,803 --> 01:09:45,806 I KEPT GOING BACK AND FORTH, 1683 01:09:45,806 --> 01:09:47,016 TRYING TO MAKE UP MY MIND, 1684 01:09:47,016 --> 01:09:49,977 AND WHEN I FINALLY GOT TO CANON CITY, I... 1685 01:09:49,977 --> 01:09:51,353 JUST KEPT DRIVING. 1686 01:09:51,353 --> 01:09:53,856 I THOUGHT I'D TAKE HIM TO THE DINOSAUR MONUMENT, 1687 01:09:53,856 --> 01:09:55,357 BUT I LOST MY WALLET. 1688 01:09:55,357 --> 01:09:57,151 [SHAKY BREATH] 1689 01:09:57,151 --> 01:09:59,111 [SOBS]: AND IF IT HADN'T BEEN FOR MINNIE 1690 01:09:59,111 --> 01:10:02,072 TAKING US IN AND GIVING ME A JOB, AND... 1691 01:10:03,157 --> 01:10:05,993 AND DANNY DOESN'T KNOW ABOUT HIS FATHER? 1692 01:10:05,993 --> 01:10:07,912 I STILL HAVEN'T BEEN ABLE 1693 01:10:07,912 --> 01:10:08,954 TO TELL HIM THE TRUTH. 1694 01:10:08,954 --> 01:10:10,164 HE... [SNIFFLES] 1695 01:10:10,164 --> 01:10:12,333 ...THINKS DADDY IS AWAY SOMEWHERE AT A NEW JOB. 1696 01:10:13,417 --> 01:10:15,461 BASED UPON THE CLUES DANNY LEFT BEHIND 1697 01:10:15,461 --> 01:10:18,213 WITH HIS CAMERA, 1698 01:10:18,213 --> 01:10:19,673 ...HE'S, UM, INCREDIBLY BRIGHT. 1699 01:10:22,051 --> 01:10:24,511 HE'LL FIGURE IT OUT, SOONER OR LATER, 1700 01:10:24,511 --> 01:10:26,555 I'M AFRAID. 1701 01:10:27,723 --> 01:10:30,726 I KNOW. 1702 01:10:30,726 --> 01:10:33,854 I'M JUST PUTTING IT OFF AS LONG AS I CAN 1703 01:10:33,854 --> 01:10:35,481 JUST TO PROTECT HIM. 1704 01:10:35,481 --> 01:10:36,899 AND YOURSELF. 1705 01:10:39,902 --> 01:10:42,237 MAYBE. 1706 01:10:42,237 --> 01:10:44,406 GOOD PEOPLE DO STUPID THINGS. 1707 01:10:44,406 --> 01:10:46,408 I KNOW THAT. 1708 01:10:47,493 --> 01:10:49,578 BUT... 1709 01:10:49,578 --> 01:10:51,580 YOU LOST YOUR HOME 1710 01:10:51,580 --> 01:10:54,416 AND ALL YOUR FRIENDS AND YOUR REPUTATION 1711 01:10:54,416 --> 01:10:56,001 BECAUSE OF WHAT JACK DID. 1712 01:10:57,086 --> 01:10:58,253 YOU KNOW, MAYBE YOU'LL FORGIVE HIM, 1713 01:10:58,253 --> 01:11:02,007 MAYBE YOU WON'T, BUT, UH... 1714 01:11:03,425 --> 01:11:06,679 UNTIL YOU CAN FACE HIM, 1715 01:11:06,679 --> 01:11:08,264 RACHEL... 1716 01:11:08,264 --> 01:11:10,182 BELIEVE ME, 1717 01:11:10,182 --> 01:11:11,934 IT... [DEEP BREATH] 1718 01:11:11,934 --> 01:11:15,104 YOU'LL ALWAYS BE SORT OF IN PRISON YOURSELF. 1719 01:11:16,939 --> 01:11:19,191 I KNOW, BECAUSE... 1720 01:11:21,610 --> 01:11:22,611 [DEEP, SHAKY BREATH] 1721 01:11:22,611 --> 01:11:24,738 [RAGGED SIGH] 1722 01:11:24,738 --> 01:11:28,075 MY SISTER HAS A GAMBLING PROBLEM. 1723 01:11:28,075 --> 01:11:30,452 A-- A... BIG ONE. 1724 01:11:30,452 --> 01:11:35,124 LIKE, SHE GAMBLED HER WHOLE LIFE AWAY, 1725 01:11:35,124 --> 01:11:36,500 AND, UH... 1726 01:11:36,500 --> 01:11:39,128 TORE APART OUR FAMILY IN THE PROCESS. 1727 01:11:41,088 --> 01:11:43,841 [♪♪] 1728 01:11:50,305 --> 01:11:52,266 WE HAVEN'T, UM... 1729 01:11:52,266 --> 01:11:53,642 WE HAVEN'T TALKED 1730 01:11:53,642 --> 01:11:56,645 FOR A LONG TIME, SO... 1731 01:11:56,645 --> 01:12:00,232 I KNOW A LITTLE BIT ABOUT HOW YOU FEEL. 1732 01:12:00,232 --> 01:12:02,985 AND WE CAN TELL OURSELVES THAT WE'RE MOVING ON, 1733 01:12:02,985 --> 01:12:05,154 BUT, UH... 1734 01:12:05,154 --> 01:12:06,697 WE DON'T REALLY GET VERY FAR 1735 01:12:06,697 --> 01:12:09,199 WHEN WE'RE DRAGGING SO MUCH BEHIND US. 1736 01:12:11,994 --> 01:12:14,038 SO... 1737 01:12:17,332 --> 01:12:19,543 MAYBE... 1738 01:12:21,253 --> 01:12:23,839 MAYBE... 1739 01:12:23,839 --> 01:12:25,591 THERE'S A REASON 1740 01:12:25,591 --> 01:12:28,302 THAT WE FOUND OURSELVES TOGETHER ON THIS ROAD TODAY. 1741 01:12:29,928 --> 01:12:31,638 TO HELP EACH OTHER AND... 1742 01:12:31,638 --> 01:12:33,474 DANNY. 1743 01:12:34,516 --> 01:12:36,560 [♪♪] 1744 01:12:39,188 --> 01:12:41,231 SO, I WILL MAKE YOU A DEAL. 1745 01:12:44,985 --> 01:12:46,695 [SHANE SNIFFLES] 1746 01:12:46,695 --> 01:12:48,363 IF YOU REACH OUT TO YOUR HUSBAND, 1747 01:12:48,363 --> 01:12:50,699 I WILL... 1748 01:12:50,699 --> 01:12:52,326 I WILL REACH OUT TO MY SISTER. 1749 01:13:03,337 --> 01:13:05,756 [♪♪] 1750 01:13:14,056 --> 01:13:16,225 YOU'VE... 1751 01:13:16,225 --> 01:13:19,311 YOU'VE NEVER MENTIONED YOUR SISTER BEFORE. 1752 01:13:19,311 --> 01:13:21,480 HURT TOO MUCH. 1753 01:13:22,731 --> 01:13:25,317 STILL DOES. 1754 01:13:27,486 --> 01:13:29,947 BUT NOW YOU KNOW. 1755 01:13:31,657 --> 01:13:33,242 THOUGHT YOU KNEW ME, RIGHT? 1756 01:13:34,535 --> 01:13:36,662 UH, I STILL DO. 1757 01:13:36,662 --> 01:13:39,581 I JUST DON'T KNOW YOUR SISTER. 1758 01:13:39,581 --> 01:13:41,750 YOU'RE TWO DIFFERENT PEOPLE. 1759 01:13:41,750 --> 01:13:44,586 YOU'RE SHANE MCINERNEY 1760 01:13:44,586 --> 01:13:47,589 AND SHE'S, UH... 1761 01:13:47,589 --> 01:13:48,757 SHE'S-- 1762 01:13:48,757 --> 01:13:49,758 ALEX. 1763 01:13:49,758 --> 01:13:52,261 ALEX BRIGHTON. 1764 01:13:53,595 --> 01:13:55,264 ALL THOSE TEXTS ON MY PHONE, 1765 01:13:55,264 --> 01:13:56,807 THOSE ARE HERS. 1766 01:13:56,807 --> 01:13:59,351 SHE'S BEEN IN RECOVERY SINCE LAST YEAR, 1767 01:13:59,351 --> 01:14:00,602 AND EVERY ONCE IN AWHILE, 1768 01:14:00,602 --> 01:14:03,397 SHE CALLS AND TRIES TO RECONNECT. 1769 01:14:03,397 --> 01:14:06,567 BUT YOU NEVER CALL BACK. 1770 01:14:07,901 --> 01:14:11,280 NOT AFTER WHAT SHE DID TO OUR MOTHER. 1771 01:14:11,280 --> 01:14:15,033 ALL THE SLEEPLESS NIGHTS, THE RUINED HOLIDAYS. 1772 01:14:15,033 --> 01:14:18,245 MY MOM EVEN SOLD OUR HOUSE 1773 01:14:18,245 --> 01:14:19,621 TO PAY FOR THE DEBT 1774 01:14:19,621 --> 01:14:22,499 AND TO-- AND TO PUT HER THROUGH REHAB. 1775 01:14:24,626 --> 01:14:26,670 [TEARFULLY]: MAYBE... 1776 01:14:27,880 --> 01:14:31,300 MAYBE MY SISTER HAS GOT HER ACT TOGETHER NOW. 1777 01:14:31,300 --> 01:14:34,303 I'M JUST SO... 1778 01:14:34,303 --> 01:14:35,929 [FUMING SIGH] I'M STILL SO-- 1779 01:14:35,929 --> 01:14:36,930 ANGRY? 1780 01:14:36,930 --> 01:14:39,099 SO ANGRY! 1781 01:14:39,099 --> 01:14:41,768 I-- I AM SO ANGRY 1782 01:14:41,768 --> 01:14:44,646 THAT I AM-- I'M AFRAID 1783 01:14:44,646 --> 01:14:45,731 TO RETURN HER CALLS, 1784 01:14:45,731 --> 01:14:47,733 'CAUSE I DON'T KNOW WHAT I'M GONNA SAY. 1785 01:14:47,733 --> 01:14:50,027 SO I JUST DON'T. 1786 01:14:53,280 --> 01:14:55,574 BUT NOW I HAVE TO. 1787 01:14:55,574 --> 01:14:57,242 [BITTER CHUCKLE] 1788 01:14:57,242 --> 01:15:00,162 WHAT WAS I THINKING, MAKING THAT DEAL WITH RACHEL? 1789 01:15:00,162 --> 01:15:02,456 IT SEEMED LIKE A GOOD IDEA AT THE TIME, 1790 01:15:02,456 --> 01:15:03,999 BUT NOW I ACTUALLY HAVE TO DO IT. 1791 01:15:12,674 --> 01:15:15,052 YES. 1792 01:15:16,678 --> 01:15:18,430 BUT... 1793 01:15:18,430 --> 01:15:21,141 YOU WON'T HAVE TO DO IT ALONE, SHANE. 1794 01:15:22,226 --> 01:15:24,561 [♪♪] 1795 01:15:27,147 --> 01:15:30,317 [CRIES]: I THOUGHT THE SUN ROSE AND SET WITH HER. 1796 01:15:33,028 --> 01:15:37,616 THERE IS ONLY ONE PERSON I KNOW WHO'S IN CHARGE OF THAT. 1797 01:15:37,616 --> 01:15:42,496 EVERYONE ELSE WE JUST HAVE TO FORGIVE FOR BEING HUMAN. 1798 01:15:43,538 --> 01:15:46,124 [SOBS] 1799 01:15:59,346 --> 01:16:01,640 [♪♪] 1800 01:16:06,395 --> 01:16:08,063 [LOCK BUZZING] 1801 01:16:08,063 --> 01:16:09,940 OKAY, HERE WE GO. 1802 01:16:15,112 --> 01:16:17,197 [♪♪] 1803 01:16:19,074 --> 01:16:20,075 YOU CAN GO SEE HIM. 1804 01:16:29,001 --> 01:16:31,003 I FOUND YOU, DADDY. 1805 01:16:33,672 --> 01:16:35,757 YOU SURE DID, KIDDO. 1806 01:16:35,757 --> 01:16:37,592 YOU SURE DID. 1807 01:16:42,180 --> 01:16:43,515 THANK YOU. 1808 01:16:44,891 --> 01:16:46,977 HE MISSED YOU. 1809 01:16:48,228 --> 01:16:50,355 HOW ABOUT YOU? 1810 01:16:51,606 --> 01:16:53,942 I DON'T KNOW. 1811 01:16:53,942 --> 01:16:55,902 IT'S GONNA TAKE SOME TIME, JACK. 1812 01:16:59,740 --> 01:17:02,034 BUT I GOT THIS FAR... 1813 01:17:02,034 --> 01:17:04,369 AND I ALREADY KNOW ONE THING-- 1814 01:17:07,331 --> 01:17:09,666 I LOVE YOU. 1815 01:17:13,628 --> 01:17:15,797 [♪♪] 1816 01:17:23,472 --> 01:17:26,058 READY? 1817 01:17:35,984 --> 01:17:37,611 [DIALING PHONE] 1818 01:17:39,988 --> 01:17:42,824 [EXHALES SHAKILY] 1819 01:17:42,824 --> 01:17:45,160 AHEM. 1820 01:17:51,166 --> 01:17:53,627 ALEX? 1821 01:17:53,627 --> 01:17:55,629 IT'S ME. 1822 01:17:56,838 --> 01:17:59,674 [QUIET GASP, VOICE BREAKS]: HI. 1823 01:18:01,176 --> 01:18:02,177 [LAUGHS] 1824 01:18:02,177 --> 01:18:03,178 REALLY? 1825 01:18:03,178 --> 01:18:06,348 WELL, THAT'S, UM... THAT'S GOOD, RIGHT? 1826 01:18:07,474 --> 01:18:10,727 UH, HAVE YOU SEEN MOM? 1827 01:18:13,313 --> 01:18:15,565 OH. 1828 01:18:16,692 --> 01:18:19,194 [TEARFULLY]: YEAH, MAYBE AT CHRISTMAS. 1829 01:18:19,194 --> 01:18:20,529 STILL IN, UM, DENVER. 1830 01:18:24,199 --> 01:18:28,328 NO, I, UH... I LOVE IT, ACTUALLY. 1831 01:18:32,207 --> 01:18:33,917 [WHISPERS]: TELL HER... 1832 01:18:33,917 --> 01:18:35,710 YOU HAVE A BOYFRIEND. 1833 01:18:35,710 --> 01:18:37,003 [QUIET CHUCKLE] 1834 01:18:37,003 --> 01:18:39,798 [STIFLES A SOB] 1835 01:18:39,798 --> 01:18:41,550 I, UH... [LAUGHS] 1836 01:18:41,550 --> 01:18:43,844 I HAVE A BOYFRIEND. 1837 01:18:45,220 --> 01:18:46,555 [SNIFFS] 1838 01:18:46,555 --> 01:18:48,432 YEAH, UH... 1839 01:18:48,432 --> 01:18:49,641 HE'S, UH... 1840 01:18:51,059 --> 01:18:53,311 ...EVERYTHING I NEVER KNEW I WANTED. 1841 01:18:55,147 --> 01:18:56,148 "OLIVER." 1842 01:18:56,148 --> 01:18:57,691 [LAUGHS] I KNOW. 1843 01:18:57,691 --> 01:19:00,277 [♪♪] 1844 01:19:02,612 --> 01:19:06,908 SO, THIS IS THE TRADITIONAL WHITE WEDDING CAKE 1845 01:19:06,908 --> 01:19:09,161 WITH A GANACHE GLAZE. 1846 01:19:09,161 --> 01:19:12,205 THIS ONE HAS A DELIGHTFUL LEMON CURD. 1847 01:19:12,205 --> 01:19:13,874 OLIVER LOVES LEMON. 1848 01:19:13,874 --> 01:19:16,751 AND THAT'S THE CHOCOLATE ONE WITH A CARAMEL FILLING. 1849 01:19:16,751 --> 01:19:19,254 MM. NOPE. CAN'T HAVE ANY CARAMEL. 1850 01:19:19,254 --> 01:19:20,255 I DIDN'T KNOW 1851 01:19:20,255 --> 01:19:21,381 YOU WERE ALLERGIC TO CARAMEL. 1852 01:19:21,381 --> 01:19:22,549 I'M NOT. I JUST DON'T LIKE CARAMEL. 1853 01:19:22,549 --> 01:19:25,260 UH, BUT WHAT ABOUT THIS? 1854 01:19:25,260 --> 01:19:26,553 DOES ANYBODY HAVE A PROBLEM 1855 01:19:26,553 --> 01:19:28,555 WITH AN APPLE PAN WEDDING PIE FROM MINNIE'S? 1856 01:19:28,555 --> 01:19:29,931 OOH! 1857 01:19:29,931 --> 01:19:30,932 MAY I? 1858 01:19:30,932 --> 01:19:31,850 PLEASE, BE OUR GUEST. 1859 01:19:31,850 --> 01:19:34,227 MM. 1860 01:19:34,227 --> 01:19:38,106 UH, SO, WHAT WAS SO IMPORTANT? 1861 01:19:38,106 --> 01:19:40,275 WELL, UH, WE STILL HAVE 76 THINGS TO DO 1862 01:19:40,275 --> 01:19:42,402 ON OUR "100 THINGS TO DO BEFORE OUR WEDDING LIST," 1863 01:19:42,402 --> 01:19:43,403 AND WE NEED YOUR HELP. 1864 01:19:43,403 --> 01:19:45,405 WELL, WE WILL DO WHAT WE CAN. 1865 01:19:47,782 --> 01:19:48,950 NUMBER 43-- 1866 01:19:48,950 --> 01:19:50,368 "CHOOSE YOUR BEST MAN." 1867 01:19:50,368 --> 01:19:53,288 NUMBER 44-- "CHOOSE YOUR MAID OF HONOR." 1868 01:19:53,288 --> 01:19:54,372 YOU'RE THE FIRST FRIEND I EVER HAD 1869 01:19:54,372 --> 01:19:55,916 THAT TRULY BELIEVED IN ME. 1870 01:19:55,916 --> 01:19:58,919 YOU TAUGHT ME HOW TO STAMP 1871 01:19:58,919 --> 01:20:01,213 AND SORT AND FORWARD 1872 01:20:01,213 --> 01:20:04,549 AND DELIVER ALL SORTS OF IMPOSSIBLE THINGS. 1873 01:20:05,634 --> 01:20:06,801 YOU MADE ME 1874 01:20:06,801 --> 01:20:07,969 BELIEVE 1875 01:20:07,969 --> 01:20:10,931 THAT BEING LOVED BY SOMEBODY INCREDIBLE, 1876 01:20:10,931 --> 01:20:12,724 LIKE RITA, 1877 01:20:12,724 --> 01:20:14,809 WAS NOT AN IMPOSSIBLE THING. 1878 01:20:14,809 --> 01:20:17,270 YOU'RE THE BEST MAN THAT I KNOW, OLIVER, 1879 01:20:17,270 --> 01:20:18,813 AND I'D LIKE YOU TO BE MY BEST MAN. 1880 01:20:20,023 --> 01:20:22,651 I CAN THINK OF NO PLACE I'D RATHER BE 1881 01:20:22,651 --> 01:20:23,985 THAN BY YOUR SIDE 1882 01:20:23,985 --> 01:20:25,654 WHEN YOU MARRY RITA. 1883 01:20:29,658 --> 01:20:31,284 AND YOU... 1884 01:20:31,284 --> 01:20:33,912 [CHOKING UP]: WELL, YOU KNOW... 1885 01:20:33,912 --> 01:20:36,081 YOU'RE LIKE A SISTER TO ME, 1886 01:20:36,081 --> 01:20:38,959 LIKE THE SISTER I NEVER HAD. 1887 01:20:38,959 --> 01:20:40,335 BUT EVEN IF I HAD A SISTER, 1888 01:20:40,335 --> 01:20:42,671 I WOULD STILL WANT YOU TO BE MY MAID OF HONOR. 1889 01:20:42,671 --> 01:20:45,924 NOT THAT I HAVE ANYTHING AGAINST MY REAL SISTER, 1890 01:20:45,924 --> 01:20:47,133 THAT I DON'T EVEN HAVE... 1891 01:20:47,133 --> 01:20:49,594 I JUST-- 1892 01:20:49,594 --> 01:20:53,139 I CAN'T IMAGINE GETTING MARRIED, 1893 01:20:53,139 --> 01:20:55,350 OR-OR BEING MARRIED, 1894 01:20:55,350 --> 01:20:57,477 OR RAISING CHILDREN... 1895 01:20:57,477 --> 01:21:01,398 I CAN'T IMAGINE ANY OF THAT WITHOUT YOU. 1896 01:21:03,775 --> 01:21:05,151 AND NORMAN, OF COURSE! 1897 01:21:05,151 --> 01:21:07,821 OF COURSE! OF COURSE, NORMAN! 1898 01:21:07,821 --> 01:21:11,157 OF COURSE! NORMAN! [LAUGHING] 1899 01:21:11,157 --> 01:21:13,368 [♪♪] 1900 01:21:13,368 --> 01:21:15,829 SO, UH, WHAT IS QUESTION 45? 1901 01:21:15,829 --> 01:21:17,163 UM, "DECIDE WHETHER OR NOT 1902 01:21:17,163 --> 01:21:18,832 "YOU'RE GOING TO FLY, TAKE A TRAIN, 1903 01:21:18,832 --> 01:21:20,208 OR DRIVE ON YOUR HONEYMOON." 1904 01:21:20,208 --> 01:21:21,126 OH! LET'S GO TO FIJI! 1905 01:21:21,126 --> 01:21:22,460 OOH! YES! 1906 01:21:22,460 --> 01:21:24,212 DO NOT MAIL ME A COCONUT. 1907 01:21:24,212 --> 01:21:25,463 WHAT? I LOVE SENDING COCONUTS IN THE MAIL! 1908 01:21:25,463 --> 01:21:26,464 NO COCONUTS. 1909 01:21:26,464 --> 01:21:27,799 ARE YOU SERIOUS? BUT THAT'S, LIKE-- 1910 01:21:27,799 --> 01:21:28,884 RAMON? WHAT DO YOU THINK? 1911 01:21:28,884 --> 01:21:30,260 I LOVE ANYTHING TROPICAL. 1912 01:21:31,886 --> 01:21:35,849 [♪♪]