1
00:00:07,180 --> 00:00:08,940
RAMY YOUSSEF: I don't
believe in my feelings.

2
00:00:08,964 --> 00:00:10,304
My feelings make no sense.

3
00:00:11,060 --> 00:00:12,500
You ever have that cousin growing up

4
00:00:12,560 --> 00:00:14,140
that you kinda have a vibe with?

5
00:00:14,220 --> 00:00:15,430
(AUDIENCE LAUGHS)

6
00:00:15,520 --> 00:00:16,746
You know what I mean? You're like,

7
00:00:16,770 --> 00:00:18,650
"Ah, man, she looks good".
But then you grow up,

8
00:00:18,730 --> 00:00:20,650
and you're like, "Ah, I'm
over it", or whatever.

9
00:00:20,730 --> 00:00:21,730
But...

10
00:00:22,270 --> 00:00:24,560
- you ever not over it?
- (AUDIENCE LAUGHS)

11
00:00:24,850 --> 00:00:27,020
It's only weird if you
don't have a hot cousin.

12
00:00:27,430 --> 00:00:29,790
Like, if you think it's weird,
you just have an ugly family.

13
00:00:29,814 --> 00:00:31,604
- I'm sorry.
- (AUDIENCE LAUGHS)

14
00:00:42,390 --> 00:00:43,810
TICO: (IN SPANISH)

15
00:00:49,850 --> 00:00:50,890
- (TRAY CLANKING)
- (GASPS)

16
00:00:51,180 --> 00:00:53,640
♪ ("ELLOS QUIEREN SANGRE"
BY VARSOVIA PLAYS) ♪

17
00:01:02,470 --> 00:01:03,850
(RETCHES)

18
00:01:03,930 --> 00:01:05,890
TATI:

19
00:01:05,980 --> 00:01:07,180
(NERVOUS CHUCKLE)

20
00:01:09,980 --> 00:01:11,310
(PHONE RINGS)

21
00:01:11,980 --> 00:01:14,350
WOMAN:

22
00:01:16,470 --> 00:01:17,470
RENALDO: (ON PHONE)

23
00:01:27,770 --> 00:01:29,450
ALEXANDRA: (IN ENGLISH)
Ambassador Gibbons,

24
00:01:29,474 --> 00:01:30,560
Bath and Body Works says

25
00:01:30,640 --> 00:01:32,270
they don't do international shipping,

26
00:01:32,350 --> 00:01:33,890
but this came for you.

27
00:01:33,980 --> 00:01:37,470
What is it? Is it an invitation?
Did I miss it? Give me that!

28
00:01:40,310 --> 00:01:42,350
It's in some sort of... code.

29
00:01:42,430 --> 00:01:43,640
It's in Spanish.

30
00:01:43,730 --> 00:01:47,270
Um, "Dear American
Ambassador Melanie Gibbons,

31
00:01:47,350 --> 00:01:51,180
- Ignacio Ferracuti has died.
- Iggy, no...

32
00:01:51,270 --> 00:01:54,020
- He died leaving no heirs...
- Okay, twist.

33
00:01:54,100 --> 00:01:56,980
...but left a sum of 18.9 billion pesos

34
00:01:57,060 --> 00:01:59,310
to whoever can survive
a night in his mansion,

35
00:01:59,390 --> 00:02:02,180
- and you've been selected...
- To be one of five strangers

36
00:02:02,270 --> 00:02:04,980
put to the test to see who
can inherit his fortune!"

37
00:02:05,060 --> 00:02:06,770
Iggy, yes!

38
00:02:06,850 --> 00:02:08,430
These are the best!

39
00:02:08,520 --> 00:02:09,850
All of us arrive and have dinner,

40
00:02:09,930 --> 00:02:11,140
and then we go to our rooms

41
00:02:11,220 --> 00:02:12,700
and we see who can survive the night.

42
00:02:12,730 --> 00:02:14,640
Whoever lasts the
longest gets the money!

43
00:02:14,730 --> 00:02:17,600
(LAUGHS GLEEFULLY) I'm so excited!

44
00:02:17,680 --> 00:02:21,140
Oh my God, should I get bangs?

45
00:02:21,220 --> 00:02:26,730
♪ ("ELLOS QUIEREN SANGRE"
BY VARSOVIA PLAYS) ♪

46
00:02:26,810 --> 00:02:29,680
(SCREAMING)

47
00:02:35,060 --> 00:02:36,770
(IN SPANISH)

48
00:02:38,850 --> 00:02:41,560
(SCREAMING CONTINUES)

49
00:02:43,270 --> 00:02:45,350
- (SCOFFS)
- (DOG BARKS)

50
00:02:50,430 --> 00:02:53,640
- (FRUTSI BARKS)
- (SCREAMING CONTINUES)

51
00:02:54,390 --> 00:02:56,220
BEATRIZ:

52
00:02:56,310 --> 00:02:57,600
(FRUTSI BARKS)

53
00:03:34,350 --> 00:03:35,640
(SCOFFS)

54
00:03:45,810 --> 00:03:48,470
- RENALDO: Come.
- ♪ (ELECTRONIC MUSIC PLAYS) ♪

55
00:04:09,980 --> 00:04:11,390
(TYPING)

56
00:04:22,810 --> 00:04:26,470
ÚRSULA:

57
00:05:25,930 --> 00:05:29,270
- (BRAKES SCREECHING)
- (HORN HONKING)

58
00:05:32,220 --> 00:05:33,890
(IN ENGLISH) Tico, where you going?

59
00:05:34,020 --> 00:05:35,350
I have to go to this panel.

60
00:05:35,430 --> 00:05:37,600
This thing of people
thinking I'm this artist,

61
00:05:37,680 --> 00:05:39,100
it's really snowballed.

62
00:05:39,180 --> 00:05:41,850
Snowball? How... How do you mean?

63
00:05:41,930 --> 00:05:44,180
Snowball, you know, like
when how you take snow,

64
00:05:44,270 --> 00:05:46,600
and you put it in your hands
like this and you compact it,

65
00:05:46,640 --> 00:05:48,000
and it becomes like a little ball.

66
00:05:48,024 --> 00:05:49,350
I've only seen that in movies.

67
00:05:49,430 --> 00:05:51,270
Yes, but this is like you
put it on the ground,

68
00:05:51,294 --> 00:05:53,680
and then you roll it along,
and it collects more snow,

69
00:05:53,770 --> 00:05:56,180
- and then, it gets bigger.
- That's fun.

70
00:05:56,270 --> 00:05:58,020
It's not really fun because sometimes,

71
00:05:58,100 --> 00:06:00,980
this snowball, it becomes too big.

72
00:06:01,060 --> 00:06:04,140
Oh. I hope to see snow someday.

73
00:06:04,220 --> 00:06:05,600
- Manny, someday...
- Yeah.

74
00:06:05,680 --> 00:06:06,680
I'm gonna take you.

75
00:06:06,770 --> 00:06:08,390
(IN SPANISH)

76
00:06:12,390 --> 00:06:13,750
(IN ENGLISH) Can you cover for me?

77
00:06:13,774 --> 00:06:15,474
- Yeah, go. Beep beep!
- Beep beep!

78
00:06:17,220 --> 00:06:19,640
ÚRSULA: (IN SPANISH)

79
00:06:23,140 --> 00:06:25,520
♪ (LOUNGE MUSIC PLAYS) ♪

80
00:06:27,640 --> 00:06:29,980
DR. RICKY:

81
00:06:37,890 --> 00:06:39,310
(OFFICE PHONE RINGING)

82
00:07:08,680 --> 00:07:10,180
DR. RICKY: Uh-huh.

83
00:07:13,140 --> 00:07:16,140
JUAN CARLOS:

84
00:07:21,810 --> 00:07:24,020
ANDRÉS VALDEZ:

85
00:07:34,390 --> 00:07:36,100
♪ (SOMBER MUSIC PLAYS) ♪

86
00:07:36,180 --> 00:07:37,850
(GLASS CRACKLES)

87
00:08:30,600 --> 00:08:34,140
JUAN CARLOS:

88
00:08:45,390 --> 00:08:46,430
(SIGHS)

89
00:08:52,770 --> 00:08:54,130
HOST: (IN ENGLISH) Mr. Ulbrecht...

90
00:08:54,154 --> 00:08:55,154
Yes.

91
00:08:55,220 --> 00:08:57,390
Your work focuses on found objects

92
00:08:57,470 --> 00:09:00,180
that question the notions
of time and existence.

93
00:09:00,270 --> 00:09:01,600
Yes.

94
00:09:01,680 --> 00:09:04,310
Do you think something
digital can be found?

95
00:09:05,640 --> 00:09:06,850
Yes.

96
00:09:06,930 --> 00:09:09,890
And is the reframing of
ideas around creation

97
00:09:09,980 --> 00:09:12,470
- integral to this?
- Yes.

98
00:09:12,560 --> 00:09:13,890
HOST: Mmm. Mmm.

99
00:09:13,980 --> 00:09:15,520
- (AUDIENCE CLAMORS)
- Yes.

100
00:09:22,180 --> 00:09:24,930
- ♪ (EERIE MUSIC PLAYS) ♪
- (IN SPANISH)

101
00:09:25,430 --> 00:09:26,470
RENALDO:

102
00:09:27,390 --> 00:09:29,140
♪ (MUSIC ENDS ABRUPTLY) ♪

103
00:10:06,560 --> 00:10:08,980
ÚRSULA:

104
00:10:10,520 --> 00:10:11,680
TATI:

105
00:10:41,890 --> 00:10:44,930
- (CHUCKLES)
- ANDRÉS:

106
00:10:50,180 --> 00:10:51,270
Uh-huh.

107
00:10:54,640 --> 00:10:55,770
(CLEARS THROAT)

108
00:11:07,220 --> 00:11:08,430
(SIGHS)

109
00:11:10,140 --> 00:11:11,270
(SIGHS)

110
00:11:19,100 --> 00:11:20,810
(IN ENGLISH) What did she just say?

111
00:11:20,890 --> 00:11:22,930
I didn't get a word of that.

112
00:11:23,020 --> 00:11:25,770
(IN SPANISH)

113
00:11:41,060 --> 00:11:42,730
(IN ENGLISH) Who the hell is that?

114
00:11:45,350 --> 00:11:46,810
IGNACIO JR: (IN SPANISH)

115
00:12:02,470 --> 00:12:06,310
♪ (DRAMATIC MUSIC PLAYS) ♪

116
00:12:06,390 --> 00:12:07,810
Welcome, come in.

117
00:12:09,180 --> 00:12:10,350
ANDRÉS:

118
00:12:42,680 --> 00:12:43,680
RENALDO:

119
00:12:51,890 --> 00:12:54,350
♪ (CREEPY ORGAN MUSIC PLAYS) ♪

120
00:13:24,430 --> 00:13:26,430
(LAUGHING EERILY)

121
00:13:26,520 --> 00:13:27,730
(SIGHS)

122
00:13:33,730 --> 00:13:36,180
TATI:

123
00:14:06,430 --> 00:14:08,560
♪ (LOUNGE MUSIC PLAYS) ♪

124
00:14:23,890 --> 00:14:27,390
SISTER RAQUEL:

125
00:14:36,310 --> 00:14:37,470
Um...

126
00:14:48,180 --> 00:14:49,310
Yes?

127
00:15:11,640 --> 00:15:12,810
(CLEARS THROAT)

128
00:15:25,140 --> 00:15:26,640
(KEYS CLANGING)

129
00:15:28,310 --> 00:15:30,180
(GASPS)

130
00:15:54,180 --> 00:15:55,350
Ah.

131
00:15:57,560 --> 00:15:59,180
♪ (SOMBER MUSIC PLAYS) ♪

132
00:16:01,520 --> 00:16:05,220
- (KNOCKING)
- (BABY CRIES)

133
00:16:13,020 --> 00:16:14,850
ANDRÉS:

134
00:16:14,930 --> 00:16:17,730
SISTER RAQUEL:

135
00:16:46,060 --> 00:16:47,220
(CLICKS TONGUE)

136
00:16:55,930 --> 00:16:57,060
Mm-hm.

137
00:16:57,770 --> 00:17:00,640
(WALLS RATTLE)

138
00:17:00,730 --> 00:17:03,270
(ELECTRICITY BUZZES)

139
00:17:03,980 --> 00:17:06,730
MYSTERIOUS WOMAN:

140
00:17:26,890 --> 00:17:29,730
(ELECTRICITY CONTINUES BUZZING)

141
00:17:29,810 --> 00:17:33,270
TATI:

142
00:17:43,100 --> 00:17:44,180
(SIGHS)

143
00:17:52,140 --> 00:17:53,560
ANDRÉS:

144
00:17:53,640 --> 00:17:54,980
ÚRSULA:

145
00:17:55,980 --> 00:17:57,140
ANDRÉS:

146
00:18:19,310 --> 00:18:21,730
- (CHIMES TINKLE)
- ♪ (SPOOKY MUSIC PLAYS) ♪

147
00:18:27,520 --> 00:18:28,680
♪ (CHIMES AND MUSIC END) ♪

148
00:19:05,140 --> 00:19:08,390
♪ (OMINOUS MUSIC PLAYS) ♪

149
00:19:10,770 --> 00:19:12,100
(FLOORBOARD CREAKS)

150
00:19:26,180 --> 00:19:27,220
(SCREAMS)

151
00:19:28,770 --> 00:19:30,930
RENALDO:

152
00:19:33,100 --> 00:19:34,850
♪ (SPOOKY MUSIC PLAYS) ♪

153
00:19:34,930 --> 00:19:38,520
(IN ENGLISH) God, I
fucking hate these bangs.

154
00:19:38,600 --> 00:19:40,270
I'm gonna kill Jessica.

155
00:19:43,270 --> 00:19:45,140
- (PHONE PINGS)
- ♪ (MUSIC INTENSIFIES) ♪

156
00:19:50,430 --> 00:19:51,600
(PHONE PINGS)

157
00:19:55,100 --> 00:19:58,310
What? They're getting after work drinks?

158
00:19:58,390 --> 00:20:00,270
I can't believe I'm not there.

159
00:20:00,350 --> 00:20:02,560
♪ (POP MUSIC PLAYING) ♪

160
00:20:03,430 --> 00:20:05,180
RENALDO:

161
00:20:05,270 --> 00:20:08,060
♪ (POP MUSIC CONTINUES) ♪

162
00:20:08,140 --> 00:20:10,770
Is that a group of
friends grabbing beers

163
00:20:10,850 --> 00:20:12,180
for the first time in a while?

164
00:20:12,270 --> 00:20:14,850
That's technically a party.

165
00:20:14,930 --> 00:20:16,770
What if they take pictures?

166
00:20:16,850 --> 00:20:18,730
And what if people
see them and they say,

167
00:20:18,810 --> 00:20:20,450
"Oh, it looks like
Melanie wasn't invited.

168
00:20:20,474 --> 00:20:22,730
I guess she doesn't
actually know everyone".

169
00:20:22,810 --> 00:20:25,220
No. That's okay.

170
00:20:25,310 --> 00:20:27,520
You could stay in here,

171
00:20:27,600 --> 00:20:30,100
and maybe... inherit.

172
00:20:30,180 --> 00:20:32,680
- Or you could definitely go...
- RENALDO: (IN SPANISH)

173
00:20:32,770 --> 00:20:34,640
to the party. (LAUGHS)

174
00:20:36,850 --> 00:20:38,270
- (DOOR OPENS)
- (KNOCKING)

175
00:20:48,980 --> 00:20:50,310
MYSTERIOUS WOMAN: Uh-huh.

176
00:21:19,310 --> 00:21:22,270
(IN ENGLISH) Okay, but
like, let's get into it.

177
00:21:22,350 --> 00:21:24,600
I'm having a really bad day today.

178
00:21:24,680 --> 00:21:28,350
I was at Metro PCS and this
woman was talking to me

179
00:21:28,430 --> 00:21:30,060
like I'm a bitch.

180
00:21:30,140 --> 00:21:33,270
You know... Dad, do not move!

181
00:21:33,350 --> 00:21:36,270
I think we ought to... let's eat dinner.

182
00:21:36,350 --> 00:21:40,520
Oh, I see. Even my own father's
gonna treat me like a bitch.

183
00:21:40,600 --> 00:21:43,140
No... sweetie, I'm sorry.

184
00:21:43,220 --> 00:21:46,810
Don't "sweetie" me. Like I'm
one of your side bitches.

185
00:21:46,890 --> 00:21:48,140
My what?

186
00:21:48,220 --> 00:21:51,270
Sonia, sweetie, nobody
is calling you a bitch,

187
00:21:51,350 --> 00:21:55,810
and if it feels this way, well,
that is not my intention.

188
00:21:55,890 --> 00:21:57,310
I apologize.

189
00:21:57,390 --> 00:21:59,310
Look what you did to my poor mother.

190
00:21:59,390 --> 00:22:01,890
She has to run away from
her disgusting husband

191
00:22:01,980 --> 00:22:03,470
because she's embarrassed.

192
00:22:03,560 --> 00:22:06,430
No, I think it's because you're
screaming and shouting so much.

193
00:22:06,520 --> 00:22:07,640
No, I'm not.

194
00:22:07,730 --> 00:22:09,210
- You are a little bit.
- No, I'm not.

195
00:22:09,234 --> 00:22:11,310
- I think there's...
- I swear to God!

196
00:22:11,390 --> 00:22:15,310
(IN SPANISH)

197
00:23:26,020 --> 00:23:27,180
(GASPS)

198
00:23:46,140 --> 00:23:47,180
RENALDO:

199
00:23:53,020 --> 00:23:54,180
(THUDS)

200
00:24:13,770 --> 00:24:14,890
ANDRÉS:

201
00:24:14,980 --> 00:24:16,270
RENALDO:

202
00:24:16,350 --> 00:24:19,020
♪ (ELECTRONIC ROCK MUSIC PLAYS) ♪

203
00:24:25,020 --> 00:24:26,600
ANDRÉS:

204
00:24:33,890 --> 00:24:34,930
(GASPS)

205
00:24:37,270 --> 00:24:39,600
RENALDO:

206
00:24:57,060 --> 00:24:58,430
(LAUGHS)

207
00:25:08,520 --> 00:25:10,100
(CLAPPING)

208
00:25:25,930 --> 00:25:27,220
ESPERANZA:

209
00:25:41,390 --> 00:25:43,430
(SOBBING)

210
00:26:15,470 --> 00:26:16,520
RENALDO: Yes.

211
00:26:16,600 --> 00:26:18,310
(CHUCKLES NERVOUSLY)

212
00:26:33,980 --> 00:26:36,350
RENALDO:

213
00:26:42,100 --> 00:26:44,390
(CHIMES TINKLE)

214
00:26:45,810 --> 00:26:46,980
(TINKLING STOPS)

215
00:26:53,890 --> 00:26:56,140
RENALDO:

216
00:26:56,220 --> 00:26:58,180
♪ ("NÁUFRAGO" BY GRADO 33 PLAYING) ♪

217
00:26:59,730 --> 00:27:01,390
ÚRSULA:

218
00:27:01,930 --> 00:27:03,730
ANDRÉS:

219
00:27:13,770 --> 00:27:15,890
♪ (EERIE ELECTRONIC MUSIC PLAYS) ♪

220
00:27:15,966 --> 00:27:17,446
(IN ENGLISH) What are you doing here?

221
00:27:17,470 --> 00:27:20,270
Let's just say a little bird
heard from a certain...

222
00:27:20,350 --> 00:27:24,020
mysterious woman that you were
behind the inheritance scare.

223
00:27:24,100 --> 00:27:26,730
Do you have a card? I might
be needing you one day.

224
00:27:33,560 --> 00:27:36,020
- Espuckys?
- Spookys.

225
00:27:36,100 --> 00:27:38,430
Oh, honey, if you want an
international audience,

226
00:27:38,520 --> 00:27:39,730
it's gotta be two o's.

227
00:27:39,810 --> 00:27:42,390
Wait, how did you get in here?

228
00:27:42,470 --> 00:27:44,180
That's classified.

229
00:27:44,270 --> 00:27:46,100
(HELICOPTER BLADES WHIR)

230
00:27:46,180 --> 00:27:49,390
Ugh, the green cards! Just leave them,

231
00:27:49,470 --> 00:27:52,100
they've touched the ground.
Now they've gone bad.

232
00:27:52,180 --> 00:27:55,770
- Until next time, Renaldo.
- (HELICOPTER RUMBLES)

233
00:27:55,850 --> 00:28:01,100
♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

234
00:28:04,100 --> 00:28:05,390
(BRAKES SCREECH)

235
00:28:05,470 --> 00:28:07,190
- ♪ (MUSIC ENDS ABRUPTLY) ♪
- ULBRECHT: Hey!

236
00:28:08,020 --> 00:28:10,270
(KNOCKING) What's up, man?

237
00:28:10,350 --> 00:28:12,520
Yeah, I came to your
job to find you, man.

238
00:28:12,600 --> 00:28:15,060
Are you going around
town impersonating me?

239
00:28:15,140 --> 00:28:16,600
I knew this day would come,

240
00:28:16,680 --> 00:28:18,310
and I know what you're gonna say...

241
00:28:18,390 --> 00:28:19,906
You're gonna say, "I'm tired
of being rich and famous,

242
00:28:19,930 --> 00:28:22,020
and I want to escape for a little while

243
00:28:22,100 --> 00:28:24,680
and trade lives with you and
see how the other half lives",

244
00:28:24,770 --> 00:28:28,730
but I have to tell you
I'm not interested.

245
00:28:28,810 --> 00:28:30,350
I like my life as a valet driver.

246
00:28:30,430 --> 00:28:32,100
I don't want to trade with anyone.

247
00:28:32,180 --> 00:28:33,390
No, I was gonna say,

248
00:28:33,470 --> 00:28:35,980
"You have to stop, or
I'm gonna sue you".

249
00:28:36,060 --> 00:28:38,390
Okay, yeah, sure. Yes.

250
00:28:38,470 --> 00:28:41,930
♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

251
00:29:48,020 --> 00:29:49,220
♪ (SOFT MUSIC PLAYS) ♪

252
00:29:49,730 --> 00:29:51,890
- ÚRSULA: Tati!
- (SLURPING)

253
00:29:53,810 --> 00:29:55,140
- (CUP RATTLING)
- (SNAP)

254
00:29:55,220 --> 00:29:56,350
ETHEREAL VOICE:

255
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♪ ("EL SATÉLITE DEL EJÉRCITO
NEGRO" BY EQUINOXIOUS PLAYS) ♪

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(IN SPANISH)

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♪ (MUSIC CONTINUES) ♪

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PEPITO:

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♪ (MUSIC STOPS) ♪

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♪ (MUSIC CONTINUES) ♪