1 00:00:02,567 --> 00:00:05,701 [MAN SINGING INDISTINCTLY] 2 00:00:07,311 --> 00:00:10,140 YO, MAN, IT'S BEEN A FEW DAYS, AND I STILL AIN'T HEARD FROM THE COPS. 3 00:00:10,184 --> 00:00:11,750 PREACH: OK. COOP: OK? 4 00:00:11,794 --> 00:00:13,752 MAN, MS. BAKER SAID THEY FOUND NEW EVIDENCE LINKED 5 00:00:13,796 --> 00:00:16,625 TO MO'S MURDER, EVIDENCE THAT COULD BE TRACED BACK TO ME. 6 00:00:16,668 --> 00:00:19,454 SPENCER: OR YOU, PREACH. Y'ALL NEED TO GET IN FRONT OF THIS. 7 00:00:19,497 --> 00:00:21,064 AIN'T NOTHING TO GET IN FRONT OF. 8 00:00:21,108 --> 00:00:22,457 LOOK, THE COPS ARE BLUFFING. 9 00:00:22,500 --> 00:00:24,024 THAT'S JUST THEIR WAY OF KEEPING US SHOOK. 10 00:00:24,067 --> 00:00:25,677 WHY WOULD MRS. BAKER TELL COOP TO COME HOME 11 00:00:25,721 --> 00:00:28,028 IF THAT WAS TRUE? PREACH: 'CAUSE THEY PLAYIN' HER. 12 00:00:28,071 --> 00:00:31,031 LAURA BAKER WILL ALWAYS BE KNOWN AS THE D.A. WHO HAD 13 00:00:31,074 --> 00:00:33,685 THE COPS THAT KILLED TAMIKA PRATT INDICTED. 14 00:00:33,729 --> 00:00:36,688 AND NOW THOSE SAME COPS HANDING HER NEW INFORMATION? 15 00:00:36,732 --> 00:00:38,821 COME ON, Y'ALL. SPENCER: NO, 16 00:00:38,864 --> 00:00:40,866 YOU CANNOT BRUSH THIS OFF, MAN. THERE NEEDS TO BE A PLAN. 17 00:00:40,910 --> 00:00:42,868 COOP: YEAH. I'M WITH SPENCE. I COULD BE LOOKING AT 18 00:00:42,912 --> 00:00:44,870 SOME MAJOR TIME, MAN. PATIENCE: YEAH, SOMETHING 19 00:00:44,914 --> 00:00:47,351 THAT COULD HAVE BEEN AVOIDED HAD YOU AND PREACH 20 00:00:47,395 --> 00:00:49,919 JUST BEEN HONEST FROM THE JUMP. 21 00:00:51,921 --> 00:00:54,880 YOU RIGHT, BUT WE PAST THAT. 22 00:00:54,924 --> 00:00:56,708 LOOK, IF THEY HAD SOMETHING ON COOP, 23 00:00:56,752 --> 00:00:59,189 THEY WOULD HAVE ALREADY SCOOPED HER UP, BUT THEY DON'T 24 00:00:59,233 --> 00:01:02,105 'CAUSE I GOT RID OF ALL THE EVIDENCE FROM THAT NIGHT. 25 00:01:02,149 --> 00:01:04,281 TRUST ME. IF COOP STAYS TRUE 26 00:01:04,325 --> 00:01:07,458 TO HER STATEMENT, WE GOOD. 27 00:01:17,468 --> 00:01:20,428 SPENCER: MORNING, BEAUTIFUL. 28 00:01:20,471 --> 00:01:23,431 NOW THAT I GOT YOUR ATTENTION, 29 00:01:23,474 --> 00:01:26,434 THE FLOOR IS ALL YOURS, 30 00:01:26,477 --> 00:01:29,437 SO GET ON ALL FOURS, 31 00:01:29,480 --> 00:01:32,440 HIPS UP, TOES DOWN. 32 00:01:37,184 --> 00:01:39,882 [EXHALES SLOWLY] 33 00:01:39,925 --> 00:01:42,232 [SIGHS] 34 00:01:42,276 --> 00:01:44,060 HEY, WHAT'S UP, BABY? 35 00:01:44,104 --> 00:01:45,844 WHY ARE YOU TALKING TO YOURSELF? 36 00:01:45,888 --> 00:01:48,543 I'M NOT TALKING TO MYSELF. I'M LISTENING TO JJ's 37 00:01:48,586 --> 00:01:50,719 "NIMBLE AS A RUBBER THIMBLE" PODCAST. 38 00:01:50,762 --> 00:01:52,764 - OH. - TODAY, I'M LEARNING 39 00:01:52,808 --> 00:01:55,245 HOW TO USE MY OUTSIDE VOICE FOR INNER CHI. 40 00:01:55,289 --> 00:01:57,769 - BY TALKING TO YOURSELF? - BY TALKING TO MYSELF, YEAH. 41 00:01:57,813 --> 00:01:59,771 HEH! SAY WHAT YOU WANT ABOUT JJ. 42 00:01:59,815 --> 00:02:01,947 HE IS AN AMAZING ZENTOR, 43 00:02:01,991 --> 00:02:04,472 AND THAT CAT COW POSE WAS ON POINT, 44 00:02:04,515 --> 00:02:07,388 ESPECIALLY AFTER THESE PAST FEW DAYS. 45 00:02:07,431 --> 00:02:09,041 YOU WORRIED ABOUT COOP? 46 00:02:09,085 --> 00:02:11,174 NOT KNOWING WHAT'S NEXT FOR HER IS STRESSFUL AS HELL. 47 00:02:11,218 --> 00:02:14,525 I'M SURE, BUT, I MEAN, WE'RE ALL WORRIED ABOUT HER, 48 00:02:14,569 --> 00:02:17,746 YOU KNOW, BUT UNTIL THE ALLEGED EVIDENCE DROPS, 49 00:02:17,789 --> 00:02:20,531 THERE'S NOTHING WE CAN DO. SPENCER: YEAH. 50 00:02:20,575 --> 00:02:22,707 THERE IS SOMETHING YOU AND I CAN DO. 51 00:02:22,751 --> 00:02:24,927 - WHAT YOU THINKING? - WHY DON'T WE GO FOR A HIKE, 52 00:02:24,970 --> 00:02:27,234 YOU KNOW, JUST UNPLUG FROM OUR STRESSFUL LIVES 53 00:02:27,277 --> 00:02:30,193 FOR, LIKE, A COUPLE OF HOURS? SPENCER: OK, I'M DOWN. 54 00:02:30,237 --> 00:02:32,195 ONE PROBLEM, THOUGH. I AIN'T GOT NO HIKING SHOES. 55 00:02:32,239 --> 00:02:34,415 IT'S A HIKE. YOU CAN LITERALLY WEAR ANYTHING. 56 00:02:34,458 --> 00:02:36,199 YEAH, ANYTHING NOT NAMED YEEZY, 57 00:02:36,243 --> 00:02:38,419 OR AIR FORCE ONE OR CORTEZ. OLIVIA: OK, FINE. 58 00:02:38,462 --> 00:02:40,638 WE WILL STOP BY YOUR MOM'S HOUSE, AND WE WILL GET YOU 59 00:02:40,682 --> 00:02:42,466 AN OLD PAIR OF SHOES. SPENCER: OK. 60 00:02:42,510 --> 00:02:44,381 BUT FIRST, THIS, UM... 61 00:02:44,425 --> 00:02:46,296 CAT COW POSE. 62 00:02:46,340 --> 00:02:48,298 WELL, WHAT'S UP? YOU NEED A ZENTOR? 63 00:02:48,342 --> 00:02:50,648 DEPENDS. YOU GONNA HAVE ME TALKING TO MYSELF? 64 00:02:50,692 --> 00:02:53,956 - IF I DO MY JOB RIGHT. - [GIGGLES] 65 00:02:58,787 --> 00:03:01,616 AMINA: HI, MS. GRACE. GRACE: HI. UH, 66 00:03:01,659 --> 00:03:04,445 PREACH, AMINA, HEY. 67 00:03:04,488 --> 00:03:06,664 TO WHAT DO I OWE THIS EARLY-MORNING VISIT? 68 00:03:06,708 --> 00:03:09,580 I THOUGHT YOU SAID SHE WAS COOL WITH THIS. 69 00:03:09,624 --> 00:03:11,669 UM... 70 00:03:11,713 --> 00:03:14,150 MR. PREACH HAD A EARLY-MORNING MEETING, 71 00:03:14,194 --> 00:03:16,326 AND AMINA NEEDED A RIDE TO SCHOOL, 72 00:03:16,370 --> 00:03:18,198 SO I, JUST, UM, 73 00:03:18,241 --> 00:03:21,026 TOLD HER SHE COULD RIDE WITH US. 74 00:03:22,506 --> 00:03:25,205 MY BAD. THAT'S THE PROBLEM WITH KIDS HAVING 75 00:03:25,248 --> 00:03:27,685 THEIR OWN CELL PHONES NOW. I'LL TAKE HER. COACH BAKER 76 00:03:27,729 --> 00:03:31,254 WON'T MIND IF I'M A LITTLE LATE. GRACE: OH, NO. DON'T BE SILLY. IT'S FINE. 77 00:03:31,298 --> 00:03:33,996 BILLY SURE LOVE HIS EARLY STAFF MEETINGS, HUH? 78 00:03:34,039 --> 00:03:35,693 [CHUCKLES] LOOK, I DON'T MIND. 79 00:03:35,737 --> 00:03:37,391 I'M JUST HAPPY TO BE WORKING. 80 00:03:37,434 --> 00:03:39,871 THIS TUTORING GIG HAS CHANGED THE GAME 81 00:03:39,915 --> 00:03:42,396 FOR ME, WHICH REMINDS ME. 82 00:03:42,439 --> 00:03:44,746 I'M, UH, ORGANIZING A ART INSTALLATION 83 00:03:44,789 --> 00:03:46,922 TO RAISE MONEY FOR OUR TUTORING PROGRAM. 84 00:03:46,965 --> 00:03:48,924 LITTLE FUNCTION TO BRING THE COMMUNITY TOGETHER. 85 00:03:48,967 --> 00:03:51,709 YEAH? THAT SOUNDS FUN. 86 00:03:51,753 --> 00:03:54,059 HEY, D., UH, AMINA WAS TELLING ME 87 00:03:54,103 --> 00:03:57,062 ABOUT YOUR COMIC BOOK, "KING CRENSHAW." 88 00:03:57,106 --> 00:03:59,064 UH, MAN, I WOULD LOVE TO USE SOME POSTER ART 89 00:03:59,108 --> 00:04:00,849 FOR THE EXHIBIT, IF THAT'S COOL. 90 00:04:00,892 --> 00:04:02,503 YEAH, THAT WOULD BE DOPE! 91 00:04:02,546 --> 00:04:04,635 MOM, CAN I? GRACE: UH, 92 00:04:04,679 --> 00:04:06,768 O-OK, SURE, 93 00:04:06,811 --> 00:04:09,423 BUT RIGHT NOW, WE NEED TO FINISH GETTING READY. 94 00:04:09,466 --> 00:04:11,816 DILLON AND GRACE: OK. PREACH: OK. I GOT TO HEAD OUT, 'MINA BEAN. 95 00:04:11,860 --> 00:04:14,819 DADDY, WAIT. I MADE THIS FOR YOU. 96 00:04:17,909 --> 00:04:20,434 [CHUCKLES] OH, I LOVE IT, BABY GIRL. 97 00:04:20,477 --> 00:04:22,610 WHAT'S UP WITH THE PENGUINS? AMINA: I JUST WROTE A REPORT 98 00:04:22,653 --> 00:04:24,481 ABOUT EMPEROR PENGUINS. PREACH: OH. 99 00:04:24,525 --> 00:04:27,484 AFTER THE MOMMY PENGUIN LAYS AN EGG, SHE LEAVES FOR TWO MONTHS. 100 00:04:27,528 --> 00:04:30,487 WHILE SHE'S GONE, THE DADDY PENGUIN HAS TO PROTECT THE EGG, 101 00:04:30,531 --> 00:04:34,012 KEEP IT WARM, AND STARVE HIMSELF UNTIL THE MOMMY GETS BACK. 102 00:04:34,056 --> 00:04:36,014 FATHERS ARE RIDE-OR-DIE, 103 00:04:36,058 --> 00:04:37,973 ALWAYS THERE FOR HIS BABY. 104 00:04:38,016 --> 00:04:40,018 YEP, JUST LIKE YOU. HAVE A GOOD DAY. 105 00:04:40,062 --> 00:04:42,020 - [CHUCKLES] - I LOVE YOU. 106 00:04:42,064 --> 00:04:44,284 I LOVE YOU, TOO, 'MINA BEAN. 107 00:04:47,156 --> 00:04:50,246 MAN: ♪ WE ARE JUST PEOPLE THAT CONTROL A PURPOSE ♪ 108 00:04:50,290 --> 00:04:52,553 ♪ WE GOT A SAYING UNDERNEATH THE SURFACE ♪ 109 00:04:52,596 --> 00:04:56,034 ♪ IMPORTANT TO THE... [SINGING CONTINUES INDISTINCTLY] 110 00:04:57,471 --> 00:04:59,168 [TURNS OFF MUSIC] 111 00:04:59,211 --> 00:05:01,126 LAYLA: YEAH, HE'S AMAZING. JP: RIGHT? 112 00:05:01,170 --> 00:05:03,477 - WHAT'S HIS NAME AGAIN? - THAT IS, UH, TONY WILDER. 113 00:05:03,520 --> 00:05:05,566 HE'S, LIKE, NEXT GREATEST THING COMING OUT OF DETROIT. 114 00:05:05,609 --> 00:05:07,568 HE'S BEEN KILLING IT ON THE INDIE CIRCUIT FOR A WHILE NOW. 115 00:05:07,611 --> 00:05:09,309 - MM-HMM. - YOU SHOULD DEFINITELY MEET WITH HIM. 116 00:05:09,352 --> 00:05:11,572 - UH, YOU SURE? - YEAH, AND LISTEN, 117 00:05:11,615 --> 00:05:13,269 TONY'S NOT THE ONLY ONE. HERE. 118 00:05:13,313 --> 00:05:16,968 HERE IS A LIST OF, UM, AT LEAST 5 OTHERS 119 00:05:17,012 --> 00:05:19,188 THAT WOULD BE PERFECT FOR YOUR LABEL, TOO. 120 00:05:19,231 --> 00:05:21,451 ALL RIGHT, WHAT--WHAT'S, UH, WHAT'S UP? 121 00:05:21,495 --> 00:05:23,061 NOTHING. WHY? 122 00:05:23,105 --> 00:05:25,063 EXACTLY HOW MANY TIMES DID YOU LET ME WIN 123 00:05:25,107 --> 00:05:27,152 AT MONOPOLY WHEN I WAS A KID? JP: OH, A BUNCH OF TIMES. 124 00:05:27,196 --> 00:05:29,372 [CHUCKLING] ALL RIGHT, TWICE, OK? 125 00:05:29,416 --> 00:05:32,375 MM-HMM. YOU'RE THE MOST COMPETITIVE PERSON I KNOW, DAD. 126 00:05:32,419 --> 00:05:34,595 - YEAH. - YOU DON'T JUST HAND THINGS OVER, DEFINITELY 127 00:05:34,638 --> 00:05:37,728 NOT A LIST OF MUSICIANS. WHAT'S GOING ON? 128 00:05:37,772 --> 00:05:40,514 LISTEN, I AM, UH, 129 00:05:40,557 --> 00:05:44,039 I'M GONNA BE STEPPING AWAY FROM SOME OF MY DUTIES AT THE LABEL. 130 00:05:44,082 --> 00:05:46,607 - BUT YOU'RE RETIRING? - NOT RETIRING, 131 00:05:46,650 --> 00:05:49,261 JUST, UH, REDUCING MY ROLE. 132 00:05:49,305 --> 00:05:51,786 LOOK, I HAVE BEEN DOING THIS FOR 30 YEARS, LAYLA. 133 00:05:51,829 --> 00:05:53,788 BETWEEN THE TOURS, THE COUNTLESS HOURS 134 00:05:53,831 --> 00:05:55,790 IN THE STUDIOS, IT'S A LOT. 135 00:05:55,833 --> 00:05:58,314 IT'S A LOTTA TREAD ON MY TIRES, 136 00:05:58,358 --> 00:06:01,839 SO IT'S TIME FOR ME TO TAKE A BEAT FROM THE GRIND 137 00:06:01,883 --> 00:06:04,059 AND, UM, POUR INTO MYSELF, 138 00:06:04,102 --> 00:06:06,322 LIKE YOU'VE BEEN TELLING ME TO DO FOR YEARS NOW. 139 00:06:06,366 --> 00:06:10,065 THERE'S NO OTHER REASON FOR THIS SUDDEN CHANGE OF HEART? 140 00:06:10,108 --> 00:06:12,197 JP: WELL... [CELLPHONE VIBRATES] 141 00:06:12,241 --> 00:06:14,025 OH, SHOOT. I'M SORRY, SWEETIE. 142 00:06:14,069 --> 00:06:15,505 I'M GONNA HAVE TO TAKE THIS. UM, 143 00:06:15,549 --> 00:06:17,377 LOOK OVER THAT LIST. LET ME KNOW WHAT YOU THINK. 144 00:06:17,420 --> 00:06:20,858 NO RUSH, ALL RIGHT? LOVE YOU. HEY, THIS IS JP. 145 00:06:24,340 --> 00:06:26,386 [SCHOOL BELL RINGS] 146 00:06:27,735 --> 00:06:29,693 BILLY: HEY. GRACE: HEY. 147 00:06:29,737 --> 00:06:31,695 GRACE AND MRS. LAWSON. 148 00:06:31,739 --> 00:06:33,871 JUST THE PERSON I WAS LOOKING FOR. 149 00:06:33,915 --> 00:06:35,873 AFTER ALL, A PRINCIPAL IS ONLY AS GOOD 150 00:06:35,917 --> 00:06:37,527 AS THEIR LEAD COUNSELOR. AM I RIGHT? 151 00:06:37,571 --> 00:06:40,225 - ACTUALLY, BILLY-- - ONE SECOND. UM, MS. LAWSON, 152 00:06:40,269 --> 00:06:42,010 I FORGOT TO MENTION THIS AT THE STAFF MEETING. 153 00:06:42,053 --> 00:06:43,925 DO YOU KNOW OF ANY STUDENTS THAT MAY HAVE SOME ART WORK 154 00:06:43,968 --> 00:06:45,883 THAT THEY CAN SUBMIT FOR PREACH'S FUNDRAISER? 155 00:06:45,927 --> 00:06:47,581 - I MIGHT KNOW A FEW. - OBVIOUSLY, WE NEED 156 00:06:47,624 --> 00:06:49,147 FOR THE STUDENTS TO BE TALENTED. 157 00:06:49,191 --> 00:06:51,498 [CHUCKLING] NOBODY FROM MRS. WOODS' CLASS 158 00:06:51,541 --> 00:06:54,065 BECAUSE HAVE YOU SEEN THE PICTURES THAT SHE'S GOT ON HER DOOR? 159 00:06:54,109 --> 00:06:55,676 WE DON'T NEED STICK FIGURES AND RAINBOW-- 160 00:06:55,719 --> 00:06:57,678 SO REGINA IS THE SEARCH COMMITTEE'S CHOICE 161 00:06:57,721 --> 00:07:00,898 AS YOUR PERMANENT REPLACEMENT AS PRINCIPAL. 162 00:07:00,942 --> 00:07:03,901 BILLY: OH...WELL, YOU COULDA LED WITH THAT. 163 00:07:03,945 --> 00:07:06,077 - I TRIED. YEAH. - OK. 164 00:07:06,121 --> 00:07:07,688 MRS. LAWSON: I'VE BEEN WORKING WITH THESE KIDS 165 00:07:07,731 --> 00:07:09,385 FOR OVER TWO DECADES, MR. BAKER. 166 00:07:09,429 --> 00:07:12,910 I HAVE EXPERIENCE AS A COUNSELOR AND ASSISTANT PRINCIPAL, 167 00:07:12,954 --> 00:07:14,912 PLUS I GREW UP A FEW BLOCKS FROM HERE. 168 00:07:14,956 --> 00:07:17,567 OH. ME, TOO. FUNNY STORY, ACTUALLY. 169 00:07:17,611 --> 00:07:20,788 ME AND THE WIFE, WE JUST MOVED INTO THE HOUSE THAT I GREW UP IN, SO-- 170 00:07:20,831 --> 00:07:23,312 GRACE: SERIOUSLY? BILLY: YEAH, SERIOUSLY. 171 00:07:23,355 --> 00:07:25,488 I SAID I'M HERE FOR THE LONG HAUL. 172 00:07:25,532 --> 00:07:29,187 BY LONG HAUL, YOU MEAN ONE, MAYBE TWO WEEKS? 173 00:07:29,231 --> 00:07:32,234 BECAUSE WE BOTH KNOW I'M COMING FOR THOSE PRINCIPAL KEYS. 174 00:07:32,277 --> 00:07:33,627 HA HA HA HA! 175 00:07:33,670 --> 00:07:35,890 I LIKE HER. I LIKE YOU. 176 00:07:35,933 --> 00:07:37,457 I LIKE YOU. 177 00:07:37,500 --> 00:07:40,155 YOU ARE GONNA MAKE A GREAT ASSISTANT PRINCIPAL, 178 00:07:40,198 --> 00:07:42,331 SO LET ME KNOW IF YOU'RE INTERESTED. 179 00:07:42,374 --> 00:07:45,813 OK, SHUT THE DOOR WHEN YOU LEAVE. 180 00:07:47,205 --> 00:07:50,774 JABARI: HEY, YO, COACH. HOLD UP. BILLY: HEY, THERE THEY GO. WHAT'S HAPPENING? 181 00:07:50,818 --> 00:07:52,080 - HEY, COACH... - YEAH. 182 00:07:52,123 --> 00:07:53,560 BEFORE WE FORGET, WE HAD A FEW IDEAS 183 00:07:53,603 --> 00:07:55,300 ABOUT THE ART INSTALLATION. PREACH: YEAH. 184 00:07:55,344 --> 00:07:57,041 BILLY: OK, WALK WITH ME. PREACH: YEAH. 185 00:07:57,085 --> 00:07:59,304 [LOCKER DOOR CLOSES] 186 00:08:02,830 --> 00:08:05,789 WHAT'S GOING ON HERE? 187 00:08:05,833 --> 00:08:07,312 CAN WE HELP YOU, DETECTIVE? 188 00:08:07,356 --> 00:08:10,011 POWORSKI: I'LL MAKE THIS QUICK. 189 00:08:11,055 --> 00:08:13,101 CARDELL SIMMS, YOU'RE UNDER ARREST 190 00:08:13,144 --> 00:08:15,103 FOR THE MURDER OF MONIQUE MOORE. 191 00:08:15,146 --> 00:08:16,887 PREACH: WHAT? BILLY: NO, NO, THERE MUST BE-- 192 00:08:16,931 --> 00:08:20,500 THERE MUST BE SOME MISUNDERSTANDING HERE. HOLD UP. 193 00:08:22,589 --> 00:08:24,895 I'M SORRY, COACH BAKER. 194 00:08:26,636 --> 00:08:28,595 AMINA. 195 00:08:28,638 --> 00:08:31,032 I'LL PICK HER UP FROM SCHOOL. 196 00:08:46,743 --> 00:08:49,485 OLIVIA: HEY, WHAT ABOUT THESE? 197 00:08:49,529 --> 00:08:51,487 OH, THAT IS PERFECT, 198 00:08:51,531 --> 00:08:52,967 AND I AM ALMOST DONE. 199 00:08:53,010 --> 00:08:55,012 OLIVIA: OK. [DOOR OPENS] 200 00:08:55,056 --> 00:08:57,537 HEY, LIV IS MY WITNESS, MA. 201 00:08:57,580 --> 00:09:00,278 I BROUGHT MY OWN DETERGENT THIS TIME. GRACE: DID YOU GET MY VOICEMAIL? 202 00:09:00,322 --> 00:09:02,193 - NO, MY PHONE'S CHARGING. WHAT'S UP? - PREACH GOT ARRESTED 203 00:09:02,237 --> 00:09:04,152 AT SCHOOL TODAY FOR MURDERING MO. 204 00:09:04,195 --> 00:09:06,720 - OH, MY GOD! - WAIT, HOLD UP. PREACH WAS ARRESTED? 205 00:09:06,763 --> 00:09:08,939 THIS IS EXACTLY WHY I WARNED BILLY 206 00:09:08,983 --> 00:09:11,115 NOT TO BRING PREACH INTO THE SCHOOL. 207 00:09:11,159 --> 00:09:13,161 LOOK, IT WAS STILL SELF-DEFENSE, MA. 208 00:09:13,204 --> 00:09:15,032 PREACH WAS TRYING TO SAVE COOP'S LIFE. 209 00:09:15,076 --> 00:09:18,949 I AM NOT JUDGING HIM FOR HIS PAST, OR FOR EVEN TRYING TO PROTECT COOP, 210 00:09:18,993 --> 00:09:21,473 BUT BILLY'S ACTIONS MEANT THAT PREACH 211 00:09:21,517 --> 00:09:24,564 WAS ON SCHOOL PROPERTY WHEN HE GOT ARRESTED! 212 00:09:24,607 --> 00:09:27,567 JABARI WAS TRAUMATIZED, GOD KNOWS WHO ELSE! 213 00:09:27,610 --> 00:09:30,221 OLIVIA: NO DISRESPECT, MS. GRACE, BUT I--I MEAN, THERE'S NO WAY 214 00:09:30,265 --> 00:09:32,223 THAT MY DAD COULD HAVE KNOWN THAT THIS WAS GONNA HAPPEN. 215 00:09:32,267 --> 00:09:34,661 THIS IS JUST PREACH'S PAST CATCHING UP WITH HIM. 216 00:09:34,704 --> 00:09:37,664 THIS IS THE LAST THING THESE KIDS NEEDED TO SEE, 217 00:09:37,707 --> 00:09:41,581 WAS ANOTHER BLACK MAN BEING DRAGGED OFF TO JAIL BY THE COPS. 218 00:09:45,846 --> 00:09:49,327 EXCUSE ME, WHILE I GO TELL AMINA 219 00:09:49,371 --> 00:09:53,114 WHY HER FATHER ISN'T COMING HOME TONIGHT. 220 00:09:56,204 --> 00:09:59,990 SPENCER: YO, WHAT HAPPENED? DID A WITNESS COME FORWARD? COOP: AFTER ALL THESE MONTHS? 221 00:10:00,034 --> 00:10:02,210 I MEAN, THAT'S HOW IT WORKS SOMETIMES IN CASES LIKE THIS. 222 00:10:02,253 --> 00:10:04,516 MAN, WITNESS OR NO WITNESS, IT WAS SELF-DEFENSE. 223 00:10:04,560 --> 00:10:06,388 UNLESS THE WITNESS SAW IT DIFFERENT. 224 00:10:06,431 --> 00:10:08,390 YO, WHOSE SIDE ARE YOU ON? 225 00:10:08,433 --> 00:10:10,871 SERIOUSLY? ARE YOU-- 226 00:10:10,914 --> 00:10:13,264 ARE YOU REALLY ASKING ME THAT RIGHT NOW? 227 00:10:13,308 --> 00:10:15,397 I AM ON YOUR SIDE, COOP. 228 00:10:15,440 --> 00:10:18,400 I HAVE ALWAYS BEEN HERE, AND THE FACTS ARE 229 00:10:18,443 --> 00:10:20,402 YOUR LIE HAS BEEN EXPOSED, 230 00:10:20,445 --> 00:10:22,839 SO WE JUST HAVE TO FIGURE OUT WHAT'S NEXT. 231 00:10:22,883 --> 00:10:25,363 LOOK, I JUST WANT TO MAKE SURE 232 00:10:25,407 --> 00:10:27,931 AMINA'S STRAIGHT, ALL RIGHT? SHE DIDN'T ASK FOR ANY OF THIS. 233 00:10:27,975 --> 00:10:30,760 - SHE'S WITH MY MOM RIGHT NOW. - DOES PREACH HAVE ANY FAMILY? 234 00:10:30,804 --> 00:10:32,762 COOP: I AM PREACH'S FAMILY. PATIENCE: MMM. YEAH, WELL, 235 00:10:32,806 --> 00:10:35,330 THERE'S NO WAY THAT YOU'LL BE ABLE TO RAISE AMINA 236 00:10:35,373 --> 00:10:37,375 IF PREACH GOES DOWN FOR THIS. SPENCER: ALL RIGHT, LOOK, 237 00:10:37,419 --> 00:10:39,290 HE NEEDS A DAMN GOOD LAWYER. 238 00:10:39,334 --> 00:10:41,728 THE SOONER PREACH GETS OUT, THE SOONER AMINA'S GONNA BE OK. 239 00:10:41,771 --> 00:10:45,296 DO YOU--DO YOU THINK YOUR-- YOUR MOM WOULD DEFEND HIM? 240 00:10:45,340 --> 00:10:47,647 I--I DON'T KNOW, BUT, I MEAN, SHE'S FAMILIAR 241 00:10:47,690 --> 00:10:50,650 WITH THE CASE, SO... SPENCER: IT CAN'T HURT TO TRY. 242 00:10:56,786 --> 00:10:59,571 [DOOR OPENS] 243 00:11:06,187 --> 00:11:08,668 [DOOR CLANGS SHUT] 244 00:11:08,711 --> 00:11:11,366 [SCOFFS] LET ME GUESS. COOP HIT YOU WITH 245 00:11:11,409 --> 00:11:13,847 THE SAD-ASS PUPPY-DOG EYES, AND HERE YOU ARE-- 246 00:11:13,890 --> 00:11:16,110 THE MOUTHPIECE THAT'S GONNA GET THESE SHACKLES OFF ME. 247 00:11:16,153 --> 00:11:18,503 "THANK YOU" WOULD BE A GOOD PLACE TO START. 248 00:11:18,547 --> 00:11:20,680 COME ON, MAN. YOU KNOW THAT SHOOTING WAS SELF-DEFENSE. 249 00:11:20,723 --> 00:11:23,552 I SHOULD BE OUTTA HERE BY DINNER. LAURA: NOT SO FAST. 250 00:11:23,595 --> 00:11:26,250 AT BEST, IT WAS JUSTIFIABLE HOMICIDE. 251 00:11:26,294 --> 00:11:28,513 AT WORST, YOU'RE LOOKING AT 25 TO LIFE. 252 00:11:28,557 --> 00:11:30,820 - HOW? - BECAUSE A WITNESS CAME FORWARD, 253 00:11:30,864 --> 00:11:33,693 RECORDED YOU SHOOTING MO. PREACH: HE'S JUST NOW SAYING SOMETHING? 254 00:11:33,736 --> 00:11:36,565 HE JUST GOT ARRESTED FOR POSSESSION OF NARCOTICS. 255 00:11:36,608 --> 00:11:38,045 SO HE MAKES A DEAL, 256 00:11:38,088 --> 00:11:40,177 SNITCHES ON ME IN EXCHANGE FOR HIS FREEDOM? 257 00:11:40,221 --> 00:11:42,702 I'M STILL WAITING FOR THE EVIDENCE TO BE RELEASED TO ME, 258 00:11:42,745 --> 00:11:44,704 BUT BASED ON WHAT I'M HEARING, THE PHOTO IS 259 00:11:44,747 --> 00:11:46,836 JUST OF YOU POINTING THE GUN AT MO, 260 00:11:46,880 --> 00:11:49,665 AND THE VIDEO ONLY PICKED UP ONE GUNSHOT. 261 00:11:49,709 --> 00:11:53,190 - YOU MEAN GUNSHOTS. - ONE. SINGULAR. 262 00:11:53,234 --> 00:11:56,585 THE VIDEO ONLY SHOWS YOU SHOOTING MO FROM THE ALLEY. 263 00:11:59,370 --> 00:12:02,025 THERE'S NO EVIDENCE SHE SHOT COOP FIRST. 264 00:12:02,069 --> 00:12:04,636 EXACTLY, AND THAT IS ENOUGH 265 00:12:04,680 --> 00:12:07,074 FOR THE PROSECUTION TO PUSH FOR MURDER. 266 00:12:07,117 --> 00:12:09,380 OF COURSE IT IS. 267 00:12:09,424 --> 00:12:12,862 I'M THE WRONG COMPLEXION FOR THE RIGHT PROTECTION, 268 00:12:12,906 --> 00:12:16,561 PLUS I GOT TWO STRIKES. LAURA: WELL, THAT'S WHERE I COME IN. 269 00:12:16,605 --> 00:12:19,477 I'M GONNA DO MY BEST TO GET YOU CLEARED. 270 00:12:20,870 --> 00:12:22,829 NO. 271 00:12:22,872 --> 00:12:25,614 THIS IS ON ME. 272 00:12:27,050 --> 00:12:29,531 MY WHOLE LIFE, I PRIDED MYSELF 273 00:12:29,574 --> 00:12:32,229 ON PROTECTING BLACK WOMEN. 274 00:12:32,273 --> 00:12:35,189 [SCOFFS] AND WHAT'D I DO? 275 00:12:36,451 --> 00:12:40,760 HELL, A MAN IS ONLY AS GOOD AS HIS CODE. 276 00:12:40,803 --> 00:12:44,415 WHERE I'M FROM, YOU'RE EITHER A ASSET OR A LIABILITY. 277 00:12:44,459 --> 00:12:47,418 I BEEN A LIABILITY WAY TOO LONG. 278 00:12:47,462 --> 00:12:51,118 I MEAN, IF IT'S MY TIME TO DO ALL THEM YEARS, 279 00:12:51,161 --> 00:12:55,122 THEN I GUESS IT'S...MY TIME. 280 00:12:57,124 --> 00:12:59,474 BUT I NEED A FAVOR. 281 00:12:59,517 --> 00:13:01,737 AMINA. 282 00:13:02,912 --> 00:13:06,742 I NEED TO FINALLY TELL HER THE TRUTH, NO MATTER THE COST. 283 00:13:09,005 --> 00:13:12,052 CAN YOU BRING HER HERE? 284 00:13:20,756 --> 00:13:23,715 [DOOR OPENS] 285 00:13:23,759 --> 00:13:26,196 [HUMMING A TUNE] 286 00:13:26,240 --> 00:13:29,460 CRAP. UH, YOU CAUGHT ME. 287 00:13:29,504 --> 00:13:31,462 - YOU DO YOUR LAUNDRY HERE? - [SIGHS] YEAH. 288 00:13:31,506 --> 00:13:33,464 YOUR DRYER SHEETS ARE AWESOME. 289 00:13:33,508 --> 00:13:35,466 THEY MAKE MY SHIRTS FEEL SO SOFT, THEY'RE LIKE-- 290 00:13:35,510 --> 00:13:37,468 THEY'RE LIKE PILLOWS FOR MY PECS. LAYLA: OOH, 291 00:13:37,512 --> 00:13:39,470 PLEASE TELL ME YOU DIDN'T JUST SAY THAT. 292 00:13:39,514 --> 00:13:41,821 OH, I DID, AND I OWN IT. [OPENS REFRIGERATOR] 293 00:13:41,864 --> 00:13:45,215 SO, UM, WHAT'S UP WITH YOU? NEW MUSICIAN? 294 00:13:45,259 --> 00:13:47,348 UH, MORE LIKE RETIRED PRODUCER. 295 00:13:47,391 --> 00:13:49,350 MY DAD IS TAKING A STEP BACK FROM 296 00:13:49,393 --> 00:13:51,395 HIS DAILY DUTIES AT THE LABEL. 297 00:13:51,439 --> 00:13:53,658 GOOD FOR MR. KEATING. 298 00:13:53,702 --> 00:13:56,705 I--I MEAN, BAD FOR MR. KEATING? LAYLA: SOMETHING'S UP, OK? 299 00:13:56,748 --> 00:13:59,708 FIRST--FIRST HE HANDS ME ALL THE MASTERS TO MY MOM'S SONGS, 300 00:13:59,751 --> 00:14:02,406 WHICH WAS AWESOME, OK, BUT THEN HE HANDS ME THIS LIST 301 00:14:02,450 --> 00:14:04,931 OF NEW ARTISTS THAT HE THINKS I SHOULD SIGN TO MY LABEL. 302 00:14:04,974 --> 00:14:07,324 AND YOU SHOULD HEAR SOME OF THESE ARTISTS, JORDAN. THEY'RE AMAZING. 303 00:14:07,368 --> 00:14:10,501 THAT--THAT'S INCREDIBLE, LAYLA. WHAT... 304 00:14:10,545 --> 00:14:13,156 I MEAN, THAT'S NOT INCREDIBLE? LAYLA: JP KEATING HAS 305 00:14:13,200 --> 00:14:16,681 NEVER BEEN ONE TO JUST HAND OVER AN ARTIST... 306 00:14:17,944 --> 00:14:20,903 SO HE'S CLEARLY DYING. JORDAN: WHOA, WHOA, WHOA, WAIT, WAIT, WAIT, WAIT. 307 00:14:20,947 --> 00:14:23,601 HOLD ON A SECOND. LET'S REWIND, OK, 308 00:14:23,645 --> 00:14:25,821 BECAUSE THAT JUST TOOK A TURN. 309 00:14:25,865 --> 00:14:27,823 - [SIGHS] - HEY. 310 00:14:27,867 --> 00:14:30,130 DID HE TELL YOU THAT HE'S DYING? 311 00:14:30,173 --> 00:14:32,654 NO, YOU KNOW, NOT YET, OK? 312 00:14:32,697 --> 00:14:35,657 IT COULD BE HIS HEART OR, LIKE, A--A RARE BLOOD CONDITION 313 00:14:35,700 --> 00:14:38,399 OR WORSE, HYPERTENSION, WHICH THEY CALL THE SILENT KILLER-- 314 00:14:38,442 --> 00:14:40,531 OK, YEAH, OR--OR--OR... 315 00:14:40,575 --> 00:14:43,143 OR MAYBE HE'S PERFECTLY HEALTHY, RIGHT? 316 00:14:43,186 --> 00:14:45,885 YOUR DAD IS OLDER, LAYLA. HE'S MAKING LIFE CHANGES. 317 00:14:45,928 --> 00:14:50,019 PEOPLE DO THAT, YOU KNOW. IT DOESN'T MEAN THAT HE'S DYING. 318 00:14:50,063 --> 00:14:52,979 - YOU'RE RIGHT. OK. - RIGHT. 319 00:14:53,022 --> 00:14:56,199 [SIGHS] IT'S JUST HE LOVES BEING A PRODUCER, 320 00:14:56,243 --> 00:14:58,985 AND...YOU DON'T GIVE UP SOMETHING 321 00:14:59,028 --> 00:15:01,465 YOU LOVE THAT MUCH WITHOUT SOMETHING MAJOR GOING ON. 322 00:15:01,509 --> 00:15:03,467 SO TALK TO YOUR DAD. 323 00:15:03,511 --> 00:15:05,295 ASK HIM FOR THE TRUTH. 324 00:15:05,339 --> 00:15:08,516 I MEAN, IT COULD-- IT COULD BE ANYTHING. LAYLA: YEAH... 325 00:15:08,559 --> 00:15:10,997 LIKE DYING? JORDAN: OK, YOU KNOW WHAT? 326 00:15:11,040 --> 00:15:12,999 I DON'T KNOW ABOUT YOU, BUT I COULD REALLY USE A MEAL 327 00:15:13,042 --> 00:15:15,784 NOT COOKED BY A MICROWAVE, SO WHAT DO YOU SAY 328 00:15:15,827 --> 00:15:18,047 ME, YOU, AND YOUR DAD GO TO DINNER TONIGHT? 329 00:15:18,091 --> 00:15:20,789 LOOK, I'LL JUST BE THERE FOR MORAL SUPPORT, ALL RIGHT? 330 00:15:20,832 --> 00:15:23,487 YOU CAN ASK HIM THE QUESTIONS THAT YOU'RE SCARED TO ASK, 331 00:15:23,531 --> 00:15:26,360 AND WHATEVER THE ANSWER IS, WE'LL 332 00:15:26,403 --> 00:15:29,145 DEAL WITH IT TOGETHER, OK? 333 00:15:29,189 --> 00:15:32,757 [INHALES DEEPLY] OK. YEAH. DEAL. 334 00:15:32,801 --> 00:15:34,890 - KEEP THAT CLOSED. - JUST-- 335 00:15:34,934 --> 00:15:37,458 - LET ME JUST-- - NO, NO, WE'RE GOOD. 336 00:15:40,461 --> 00:15:42,463 SOME DAY. 337 00:15:42,506 --> 00:15:46,554 WHO YOU TELLING? BEEN TRYING TO GET UP OUT OF HERE FOR THE PAST HOUR. 338 00:15:46,597 --> 00:15:49,949 I JUST DROPPED AMINA OFF WITH LAURA. 339 00:15:51,472 --> 00:15:54,127 HOW'S, UH, HOW'S SHE HOLDING UP? 340 00:15:54,170 --> 00:15:56,303 A LOT BETTER THAN I EXPECTED. 341 00:15:56,346 --> 00:15:59,001 NO TEARS... [SIGHS] 342 00:15:59,045 --> 00:16:01,830 NO OUTBURST... 343 00:16:03,223 --> 00:16:06,182 JUST SILENT. 344 00:16:06,226 --> 00:16:08,228 THERE'S A CHANCE SHE MIGHT LOSE BOTH 345 00:16:08,271 --> 00:16:10,795 OF HER PARENTS IN LESS THAN A YEAR. 346 00:16:10,839 --> 00:16:13,842 THERE'S NOTHING GOOD ABOUT THAT. 347 00:16:13,885 --> 00:16:15,844 NO. 348 00:16:15,887 --> 00:16:17,324 I GOTTA GO. 349 00:16:17,367 --> 00:16:18,890 UH--[SIGHS]-- I'M ACTUALLY HERE 350 00:16:18,934 --> 00:16:20,980 FOR EMERGENCY MEETING WITH THE SEARCH COMMITTEE. 351 00:16:21,023 --> 00:16:24,026 RIGHT. I HAD, UH, I HAD HEARD THAT THROUGH THE GRAPEVINE. 352 00:16:24,070 --> 00:16:26,028 WE'RE MAKING OUR FINAL VOTE FOR PRINCIPAL 353 00:16:26,072 --> 00:16:28,857 IN A FEW WEEKS, THEN WE'RE TURNING EVERYTHING OVER 354 00:16:28,900 --> 00:16:32,034 TO THE SCHOOL BOARD FOR THEIR APPROVAL. BILLY: I HEARD THAT, TOO. 355 00:16:32,078 --> 00:16:34,558 FROM ONE FRIEND TO ANOTHER, 356 00:16:34,602 --> 00:16:36,778 IT'S NOT LOOKING GOOD FOR YOU, BILLY. 357 00:16:36,821 --> 00:16:39,259 I MEAN, FROM YOUR LACK OF EXPERIENCE, 358 00:16:39,302 --> 00:16:42,218 FROM PREACH'S ARREST-- BILLY: WHICH I HAD NOTHING TO DO WITH, 359 00:16:42,262 --> 00:16:45,439 AND WHATEVER HAPPENED TO INNOCENT UNTIL PROVEN GUILTY? 360 00:16:45,482 --> 00:16:48,224 - IT'S ALL ABOUT THE OPTICS. - OH. I FEEL YOU. 361 00:16:48,268 --> 00:16:51,793 KNOW THE OPTICS DON'T LOOK THAT GOOD, BUT-- AHEM--IF THERE EVER WERE 362 00:16:51,836 --> 00:16:54,448 A TIME WHEN THE KIDS NEEDED ME, THAT TIME WOULD BE NOW. 363 00:16:54,491 --> 00:16:58,321 AND I'M THE BEST PERSON FOR THE JOB, SO I'M JUST LETTING YOU KNOW 364 00:16:58,365 --> 00:17:02,543 I'MMA DO WHATEVER I NEED TO DO TO REMAIN PRINCIPAL, SO... 365 00:17:14,511 --> 00:17:16,731 [SIGHS] 366 00:17:21,823 --> 00:17:24,521 [DOOR CLOSES] SPENCER: HEY, I GOT DINNER. 367 00:17:24,565 --> 00:17:27,785 HEY. UH, THANK YOU, BABY. 368 00:17:29,004 --> 00:17:31,659 HOW'D THE MEETING WITH THE SEARCH COMMITTEE GO? 369 00:17:31,702 --> 00:17:34,357 TOUGH, BUT NECESSARY. 370 00:17:34,401 --> 00:17:37,056 SO IT'S A DONE DEAL? 371 00:17:37,099 --> 00:17:39,754 WE'LL KNOW IN A FEW WEEKS. 372 00:17:39,797 --> 00:17:42,931 MY TWO CENTS, MOM-- YOU'RE MAKING A MISTAKE. 373 00:17:42,974 --> 00:17:45,760 COACH BAKER'S THE BEST THING FOR SOUTH CRENSHAW RIGHT NOW. 374 00:17:45,803 --> 00:17:49,111 YOU DO KNOW I HAD TO TRICK HIM INTO TAKING THIS JOB, RIGHT? 375 00:17:49,155 --> 00:17:51,461 WRONG, WRONG. 376 00:17:51,505 --> 00:17:53,811 I MEAN, YEAH, I HAD MY DOUBTS AT FIRST, 377 00:17:53,855 --> 00:17:56,814 AND MAYBE SHE HAD TO TWIST MY ARM A LITTLE, 378 00:17:56,858 --> 00:18:00,514 BUT ONCE I LANDED IN THAT HALLWAY, IT WAS LIKE SOMETHING CLICKED. 379 00:18:00,557 --> 00:18:03,865 OK. SO WHAT--WHAT-- WHAT CLICKED? 380 00:18:03,908 --> 00:18:06,737 - I DON'T KNOW. IT DON'T MATTER. - WHAT? OF COURSE IT MATTERS. 381 00:18:06,781 --> 00:18:08,826 NO, NOT REALLY. THE SCHOOL BOARD'S 382 00:18:08,870 --> 00:18:11,177 GONNA WANT SOMEBODY LIKE REGINA LAWSON. 383 00:18:11,220 --> 00:18:14,049 THEY'RE GONNA WANT ONE OF THEIR OWN, SOMEBODY WITH MORE EXPERIENCE, SOMEBODY... 384 00:18:14,093 --> 00:18:16,965 GRACE: WHO IS NOT HIM. SPENCER: WHY? 385 00:18:17,008 --> 00:18:19,489 WHY AIN'T COACH RIGHT FOR THE JOB? GRACE: DEPENDABILITY. 386 00:18:19,533 --> 00:18:21,491 DO YOU THINK BEING A PRINCIPAL MEANS MORE 387 00:18:21,535 --> 00:18:23,580 TO HIM THAN COACHING COLLEGE FOOTBALL? 388 00:18:23,624 --> 00:18:26,409 OR EVEN THE NFL? BILLY: I THINK THAT IT IS. 389 00:18:26,453 --> 00:18:28,237 - REALLY? - YEAH. 390 00:18:28,281 --> 00:18:31,414 SO BEING PRINCIPAL IS-- IS ENDGAME FOR YOU? 391 00:18:31,458 --> 00:18:34,113 I FINALLY FEEL HEARD, LIV. 392 00:18:34,156 --> 00:18:37,246 LIKE, ALL MY LIFE, I'VE BEEN AN ATHLETE AND A COACH, 393 00:18:37,290 --> 00:18:39,248 BUT NOW I GET TO BE 394 00:18:39,292 --> 00:18:41,772 AN EDUCATOR, TOO, AND... 395 00:18:41,816 --> 00:18:44,340 IT'S LIKE A DIFFERENT MUSCLE TO FLEX. IT'S-- 396 00:18:44,384 --> 00:18:46,777 IT'S A MUSCLE I NEVER EVEN KNEW I HAD. 397 00:18:46,821 --> 00:18:49,606 TO BE HONEST, A PART OF ME KIND OF FEELS LIKE-- 398 00:18:49,650 --> 00:18:52,131 LIKE MY MOM'S HAD SOMETHING TO DO WITH THIS. 399 00:18:52,174 --> 00:18:55,264 HIS MOTHER WAS AN EDUCATOR. COACH MIGHT SURPRISE YOU. 400 00:18:55,308 --> 00:18:56,961 WE CAN'T RISK A SURPRISE! 401 00:18:57,005 --> 00:18:59,268 THESE KIDS NEED SOMEONE THAT'S COMMITTED TO THEM! 402 00:18:59,312 --> 00:19:01,140 WHICH HE IS. IF HE WASN'T, 403 00:19:01,183 --> 00:19:03,359 HE WOULDN'T HAVE STARTED A FINANCIAL LITERACY COURSE, 404 00:19:03,403 --> 00:19:05,361 OR BE THINKING OUTSIDE THE BOX AND FINDING A TUTOR 405 00:19:05,405 --> 00:19:08,451 TO CONNECT WITH THESE KIDS! YOU KNOW THIS. 406 00:19:08,495 --> 00:19:11,454 WHAT'S THE REAL ISSUE HERE, MA? 407 00:19:13,239 --> 00:19:16,024 I NEED TO EAT MY FOOD. 408 00:19:19,810 --> 00:19:22,465 BILLY: MAYBE IT'S NOT SUPPOSED TO HAPPEN AT SOUTH CRENSHAW. 409 00:19:22,509 --> 00:19:24,989 THERE'S JUST SO MUCH STACKED UP AGAINST ME. 410 00:19:25,033 --> 00:19:27,992 I SHOULD PROBABLY STEP AWAY. YEAH. 411 00:19:28,036 --> 00:19:30,647 I'LL FINISH PREACH'S ART SHOW, 412 00:19:30,691 --> 00:19:33,215 AND THEN I WILL STEP DOWN AS INTERIM PRINCIPAL. 413 00:19:33,259 --> 00:19:34,695 NOPE. NOPE. 414 00:19:34,738 --> 00:19:38,177 NOW IS NOT THE TIME FOR SELF-SABOTAGE, 415 00:19:38,220 --> 00:19:39,656 OK? [BILLY CHUCKLES] 416 00:19:39,700 --> 00:19:41,397 ME AND SPENCER, WE WILL HANDLE 417 00:19:41,441 --> 00:19:42,920 THE ART SHOW WITH JABARI, 418 00:19:42,964 --> 00:19:46,185 AND YOU NEED TO FOCUS ON KEEPING YOUR JOB. 419 00:19:46,228 --> 00:19:48,187 I MEAN, THAT'S THE WHOLE REASON WHY YOU AND MOM MOVED 420 00:19:48,230 --> 00:19:50,493 BACK HERE IN THE FIRST PLACE. 421 00:19:50,537 --> 00:19:52,626 PLEASE DON'T LOSE FAITH, DAD. 422 00:19:52,669 --> 00:19:54,976 AND YOU AND I BOTH KNOW 423 00:19:55,019 --> 00:19:57,935 THAT GRANDMA MARY WOULD NOT GO FOR THAT. [BILLY CHUCKLES] 424 00:20:03,419 --> 00:20:06,117 PREACH: UM... 425 00:20:06,161 --> 00:20:08,816 LISTEN, 'MINA BEAN, 426 00:20:10,034 --> 00:20:12,211 CAN YOU GIVE US, UH, SOME PRIVACY? 427 00:20:12,254 --> 00:20:15,866 NO, PLEASE STAY. I DON'T WANT TO BE ALONE WITH HIM. 428 00:20:18,347 --> 00:20:20,654 [WHISPERS] OK. 429 00:20:20,697 --> 00:20:22,656 UM... 430 00:20:22,699 --> 00:20:24,919 UH... 431 00:20:26,703 --> 00:20:31,230 LOOK, I WAS--I WAS, UM, I WAS WRONG. 432 00:20:31,273 --> 00:20:33,580 I SHOULD HAVE TOLD YOU THE TRUTH 433 00:20:33,623 --> 00:20:36,757 ABOUT WHAT HAPPENED TO YOUR, UH... 434 00:20:38,193 --> 00:20:39,934 [SIGHS] 435 00:20:42,458 --> 00:20:45,722 YOUR MOM DID A BAD THING... 436 00:20:50,466 --> 00:20:52,947 AND I HAD TO DO A BAD THING 437 00:20:52,990 --> 00:20:55,906 TO SAVE YOUR AUNT COOP'S LIFE. 438 00:20:55,950 --> 00:20:58,387 [VOICE BREAKING] I'M SORRY, AMINA. 439 00:20:58,431 --> 00:21:02,783 I KNOW THAT I CAN NEVER MAKE THIS UP TO YOU, 440 00:21:02,826 --> 00:21:05,699 BUT I PROMISE-- AMINA: CAN WE GO NOW? 441 00:21:05,742 --> 00:21:09,050 LAURA: UM... OF COURSE, YEAH. 442 00:21:10,660 --> 00:21:12,967 [DOOR OPENS] 443 00:21:17,798 --> 00:21:20,409 [PREACH SOBBING] 444 00:21:20,453 --> 00:21:22,716 [DOOR CLOSES] 445 00:21:30,245 --> 00:21:32,203 COOP: LOOK, MS. BAKER, I APPRECIATE YOU 446 00:21:32,247 --> 00:21:34,205 CALLING, BUT LAST TIME I SEEN AMINA, SHE 447 00:21:34,249 --> 00:21:36,338 MADE IT VERY CLEAR SHE NEVER WANTED TO SEE ME AGAIN. 448 00:21:36,382 --> 00:21:39,341 LAURA: HER WHOLE WORLD IS FALLING APART, COOP. 449 00:21:39,385 --> 00:21:42,344 SHE JUST NEEDS SOMEONE THAT ISN'T A STRANGER, 450 00:21:42,388 --> 00:21:45,086 EVEN IF THAT'S SOMEBODY THAT SHE'S MAD AT. 451 00:21:45,129 --> 00:21:47,088 THIS IS ALL ON ME. I'M THE ONE 452 00:21:47,131 --> 00:21:49,786 THAT CONVINCED PREACH TO KEEP THE LIE GOING. 453 00:21:49,830 --> 00:21:53,224 AND HOW IS THE CASE LOOKING? LAURA: NOT GREAT. 454 00:21:53,268 --> 00:21:56,358 THE VIDEO CLEARLY SHOWS PREACH SHOOTING MO. 455 00:21:56,402 --> 00:21:59,318 WAIT, NO. THAT--THAT'S NOT ALL THAT HAPPENED. 456 00:21:59,361 --> 00:22:02,669 YES, I KNOW, BUT THAT'S THE FOOTAGE THAT WE HAVE. 457 00:22:02,712 --> 00:22:06,673 MO LITERALLY SHOT ME TWO SECONDS BEFORE PREACH LET OFF HIS SHOT. 458 00:22:06,716 --> 00:22:08,762 WELL--ARE YOU SURE 459 00:22:08,805 --> 00:22:11,068 THAT THE GUNSHOTS OCCURRED THAT CLOSE TOGETHER? 460 00:22:11,112 --> 00:22:13,201 1,000%. 461 00:22:13,244 --> 00:22:15,899 OK, CAN YOU WATCH AMINA FOR A BIT? 462 00:22:15,943 --> 00:22:18,075 I NEED TO GO HANDLE SOMETHING. COOP: HEY, TRUST, 463 00:22:18,119 --> 00:22:20,164 SHE'S NOT GONNA WANT TO STAY WITH ME. 464 00:22:20,208 --> 00:22:24,168 AMINA? SWEETIE, CAN--CAN YOU COME HERE FOR A SECOND? 465 00:22:24,212 --> 00:22:26,823 I'M SORRY. I HAVE TO STEP OUT REALLY QUICK FOR A BIT. 466 00:22:26,867 --> 00:22:29,696 UM, I CAN DROP YOU OFF AT MS. GRACE'S OR-- 467 00:22:29,739 --> 00:22:33,221 AMINA: I'LL STAY WITH COOP. LAURA: YEAH? OK. 468 00:22:35,528 --> 00:22:37,834 YOU LIED TO ME ABOUT THE SHOOTING. 469 00:22:37,878 --> 00:22:40,533 LOOK, CAN WE GO SOMEWHERE A LITTLE MORE PRIVATE AND TALK ABOUT THIS? 470 00:22:40,576 --> 00:22:42,535 EITHER YOU TELL ME RIGHT NOW 471 00:22:42,578 --> 00:22:44,841 OR I'M GONNA SCREAM. 472 00:22:47,453 --> 00:22:49,411 [SLOW MUSIC PLAYING] 473 00:22:49,455 --> 00:22:51,848 YUMMY SPROUTS. 474 00:22:51,892 --> 00:22:54,198 WOW, UM, THAT'S GOOD, THAT'S GOOD. 475 00:22:54,242 --> 00:22:55,591 YEAH? OH. 476 00:22:55,635 --> 00:22:58,028 THIS IS QUITE THE SPREAD. 477 00:22:58,072 --> 00:23:01,205 YEAH, YOU KNOW, UM, I'VE JUST BEEN ON A HEALTH KICK 478 00:23:01,249 --> 00:23:04,121 SINCE I GOT BACK FROM THE VEGAS TOUR WITH PATIENCE, SO... 479 00:23:04,165 --> 00:23:06,863 OH, OK, OR YOU THINK I'M DYING. 480 00:23:06,907 --> 00:23:08,691 - DID YOU TELL HIM? - NO, 481 00:23:08,735 --> 00:23:11,390 BUT THE FOOD MIGHT HAVE--AHEM. JP: I MEAN, THE FOOD, 482 00:23:11,433 --> 00:23:13,870 THE QUESTIONS FROM TODAY, ALL THE CHECKING-IN TEXTS. 483 00:23:13,914 --> 00:23:16,569 I HAD A FEELING THAT MIND OF YOURS WAS GONNA GO THERE. 484 00:23:16,612 --> 00:23:19,572 CAN YOU BLAME ME, DAD? YOU PUT SO MUCH INTO THE LABEL. 485 00:23:19,615 --> 00:23:22,836 THIS ISN'T SOME KNEE-JERK DECISION, SWEETIE. IT'S, UM... 486 00:23:23,924 --> 00:23:26,535 I MET SOMEONE. LAYLA: AND YOU'RE ALWAYS MEETING SOMEONE. 487 00:23:26,579 --> 00:23:28,711 JP: WELL, THIS ONE IS DIFFERENT, AND SHE'S 488 00:23:28,755 --> 00:23:30,713 KINDA SPECIAL. HER NAME IS ERIN, 489 00:23:30,757 --> 00:23:33,455 AND, UH, WE'VE BEEN TOGETHER FOR ABOUT A MONTH NOW. 490 00:23:33,499 --> 00:23:34,935 AND SHE IS SMART, 491 00:23:34,978 --> 00:23:36,980 SHE IS FUNNY, AND, UH, 492 00:23:37,024 --> 00:23:39,026 CHECK IT OUT--WE'RE THE SAME AGE. WELL, 493 00:23:39,069 --> 00:23:41,463 SHE'S 5 YEARS YOUNGER, BUT AT LEAST THE SAME DECADE, RIGHT? 494 00:23:41,507 --> 00:23:43,857 I MEAN, IT'S AN IMPROVEMENT. [CHUCKLES] 495 00:23:43,900 --> 00:23:45,641 WELL, THAT--THAT'S AWESOME, MR. KEATING. 496 00:23:45,685 --> 00:23:47,861 - OH, THANKS. THANKS A LOT, JORDAN. - MM-HMM. 497 00:23:47,904 --> 00:23:50,559 UH, I AGREE. YOU, UH, 498 00:23:50,603 --> 00:23:52,866 YOU SEEM HAPPY. JP: I AM. 499 00:23:52,909 --> 00:23:55,216 - GOOD FOR YOU, DAD. - AHEM. 500 00:23:55,259 --> 00:24:00,090 LAYLA: UM, DO YOU HAVE ANY-- ANY PICS OF--OF ERIN? 501 00:24:00,134 --> 00:24:02,441 - YEAH, YEAH. - OK. 502 00:24:04,007 --> 00:24:05,966 - CHECK. - OK. 503 00:24:06,009 --> 00:24:08,447 SHE'S PRETTY. 504 00:24:08,490 --> 00:24:10,274 [HIP-HOP MUSIC PLAYING] 505 00:24:10,318 --> 00:24:13,277 ME AND YOUR DAD WERE JUST TRYING TO PROTECT YOU, 506 00:24:13,321 --> 00:24:17,456 AND INSTEAD, WE HURT YOU, AND I'M SORRY. 507 00:24:17,499 --> 00:24:20,459 WAS MY MOM THAT BAD? 508 00:24:20,502 --> 00:24:22,678 YOUR MOM WAS... 509 00:24:22,722 --> 00:24:25,420 SHE WAS COMPLICATED. AMINA: WHAT DOES THAT MEAN? 510 00:24:25,464 --> 00:24:28,423 WELL, SHE HAD DIFFERENT SIDES TO HER. 511 00:24:28,467 --> 00:24:31,295 BUT SHE WAS A GREAT MOTHER TO YOU, RIGHT? 512 00:24:31,339 --> 00:24:32,645 THE BEST. 513 00:24:32,688 --> 00:24:35,648 BUT SHE WAS ALSO A GRIEVING SISTER, 514 00:24:35,691 --> 00:24:37,650 WHO COULD NOT DEAL WITH THE PAIN THAT 515 00:24:37,693 --> 00:24:39,695 SHE FELT FROM LOSING YOUR UNCLE TYRONE. 516 00:24:39,739 --> 00:24:41,654 SHE SAID THEY WERE BEST FRIENDS. 517 00:24:41,697 --> 00:24:44,178 YEAH, AND SHE FELT BAD 518 00:24:44,221 --> 00:24:46,876 LEAVING HIM BEHIND WHEN SHE WENT TO PHILLY. 519 00:24:46,920 --> 00:24:49,575 SHE THOUGHT THAT IF SHE WOULD HAVE STAYED, 520 00:24:49,618 --> 00:24:51,577 HIS LIFE WOULD BE DIFFERENT. 521 00:24:51,620 --> 00:24:53,274 HE'D BE ALIVE. 522 00:24:53,317 --> 00:24:56,495 AND THEN WHO DID SHE BLAME FOR HIS DEATH? 523 00:24:56,538 --> 00:24:58,105 ME. 524 00:24:58,148 --> 00:25:00,977 BUT YOU DIDN'T SHOOT HIM. THAT OLD WOMAN DID. 525 00:25:01,021 --> 00:25:02,979 IT DIDN'T MATTER. 526 00:25:03,023 --> 00:25:05,155 SHE BLAMED ME, 527 00:25:05,199 --> 00:25:06,983 AND... 528 00:25:07,027 --> 00:25:09,203 THAT'S HONESTLY WHY SHE SHOT ME. 529 00:25:09,246 --> 00:25:13,337 WHICH IS WHY MY DAD SHOT HER, TO SAVE YOU. 530 00:25:13,381 --> 00:25:15,818 A DECISION THAT... 531 00:25:15,862 --> 00:25:18,821 THAT HAS CHANGED HIS LIFE FOREVER, 532 00:25:18,865 --> 00:25:23,347 A--A DECISION I KNOW PREACH AIN'T PROUD OF, 533 00:25:23,391 --> 00:25:26,829 BUT HE DID THAT OUT OF LOVE FOR ME. 534 00:25:26,873 --> 00:25:29,745 AND TRUTHFULLY SPEAKING, IT COULD HAVE BEEN ANYONE STANDING THERE, 535 00:25:29,789 --> 00:25:31,791 AND HE WOULD HAVE SAVED THEIR LIFE. 536 00:25:31,834 --> 00:25:34,533 THAT'S THE DIFFERENCE BETWEEN YOUR POP 537 00:25:34,576 --> 00:25:37,013 AND MOST PEOPLE. 538 00:25:37,057 --> 00:25:39,668 I WAS SO MEAN TO HIM TODAY. 539 00:25:39,712 --> 00:25:42,192 WHAT IF HE NEVER COMES BACK? 540 00:25:42,236 --> 00:25:46,022 WE GOT TO FIND A WAY TO BE STRONG FOR HIM 541 00:25:46,066 --> 00:25:48,547 AND KEEP THE FAITH. 542 00:25:48,590 --> 00:25:52,855 YOU KNOW--HEH!--MY POP USED TO ALWAYS SAY, 543 00:25:52,899 --> 00:25:54,857 "KEEP YOUR CHIN UP 544 00:25:54,901 --> 00:25:57,860 SO YOUR CROWN DON'T FALL." 545 00:25:57,904 --> 00:26:01,124 YOU THINK YOU COULD DO THAT FOR ME? 546 00:26:03,866 --> 00:26:06,347 MAN, HANDS DOWN, 547 00:26:06,390 --> 00:26:09,219 MR. PREACH WAS THE DOPEST TUTOR I EVER HAD. 548 00:26:09,263 --> 00:26:10,873 HEY, THE FIGHT ISN'T OVER. 549 00:26:10,917 --> 00:26:12,919 THINK THAT'S ALL OF 'EM. 550 00:26:12,962 --> 00:26:16,618 HEY, ME PERSONALLY, I THINK WE SHOULD POSTPONE THE ART INSTALLATION. 551 00:26:16,662 --> 00:26:19,621 IT JUST DOESN'T FEEL RIGHT DOING IT WITHOUT MR. PREACH. 552 00:26:19,665 --> 00:26:23,016 YEAH, YOU COULD, OR, IN HONOR OF PREACH, WE CAN MAKE IT ABOUT HIM. 553 00:26:23,059 --> 00:26:25,192 I DON'T KNOW IF HE WOULD GO FOR THAT. 554 00:26:25,235 --> 00:26:28,195 THE FUNDRAISER IS ABOUT THE SCHOOL AND THE COMMUNITY, 555 00:26:28,238 --> 00:26:30,371 THE FOLK WHO MAKE IT GO. OLIVIA: EXACTLY, 556 00:26:30,414 --> 00:26:32,895 AND FOLKS LIKE PREACH. SPENCER: LOOK, MAN, 557 00:26:32,939 --> 00:26:34,897 IT DON'T MATTER IF HE'S IN JAIL OR NOT. 558 00:26:34,941 --> 00:26:39,380 YOU SAID IT YOURSELF. PREACH IS THE DOPEST TUTOR YOU EVER HAD, 559 00:26:39,423 --> 00:26:41,600 SO GIVE THAT MAN HIS FLOWERS. 560 00:26:41,643 --> 00:26:43,689 HEH! YEAH. 561 00:26:43,732 --> 00:26:45,778 YEAH, YOU'RE RIGHT. 562 00:26:45,821 --> 00:26:47,780 RIGHT? 563 00:26:47,823 --> 00:26:51,131 CAN Y'ALL HELP ME MAKE SOME CALLS? 564 00:26:53,916 --> 00:26:55,875 WALK AWAY, MRS. BAKER. 565 00:26:55,918 --> 00:26:58,965 WE BOTH KNOW I'M NOT BEATING THESE CHARGES. 566 00:27:00,923 --> 00:27:02,664 WHAT'S THAT? 567 00:27:02,708 --> 00:27:06,102 THESE ARE PHOTOS FROM THE WITNESS' PHONE. 568 00:27:06,146 --> 00:27:08,714 TALKING TO COOP SPARKED SOMETHING. 569 00:27:08,757 --> 00:27:11,064 POWORSKI ONLY HEARD ONE GUNSHOT 570 00:27:11,107 --> 00:27:13,457 IN THE VIDEO, BUT THE WITNESS TOOK 571 00:27:13,501 --> 00:27:15,851 A PHOTO RIGHT BEFORE YOU SHOT MO. 572 00:27:15,895 --> 00:27:17,853 SO I HIT THE LIVE BUTTON 573 00:27:17,897 --> 00:27:20,769 ON THE PHOTO, WHICH, AS YOU KNOW... 574 00:27:20,813 --> 00:27:24,033 TURNS IT INTO 3-SECOND VIDEOS. 575 00:27:27,297 --> 00:27:29,604 I HAD THE FORENSICS ANALYSTS CONFIRM 576 00:27:29,648 --> 00:27:33,521 THAT THE FIRST GUNSHOT WAS NOT FROM YOU, IT WAS FROM MO, 577 00:27:33,564 --> 00:27:36,524 WHICH PROVES, ONCE AND FOR ALL, 578 00:27:36,567 --> 00:27:39,962 THAT THIS WAS A JUSTIFIABLE HOMICIDE. 579 00:27:40,006 --> 00:27:42,486 NOW, POSSESSION OF A FIREARM IS 580 00:27:42,530 --> 00:27:44,488 A VIOLATION OF YOUR PAROLE, SO I HAVE TO MAKE A DEAL 581 00:27:44,532 --> 00:27:47,404 AND HAVE ONE MORE YEAR ADDED ONTO YOUR PROBATION, 582 00:27:47,448 --> 00:27:50,016 BUT OTHER THAN THAT, YOU'RE GOOD. 583 00:27:50,059 --> 00:27:52,018 WHAT YOU MEAN, I'M GOOD? 584 00:27:52,061 --> 00:27:54,411 CARDELL SIMMS, YOU ARE 585 00:27:54,455 --> 00:27:57,240 OFFICIALLY A FREE MAN. 586 00:28:07,598 --> 00:28:09,644 [SNIFFLES] 587 00:28:15,737 --> 00:28:17,696 [KNOCKS ON WINDOW] 588 00:28:17,739 --> 00:28:19,654 THERE HE IS. 589 00:28:19,698 --> 00:28:21,351 HOW YOU HOLDING UP? 590 00:28:21,395 --> 00:28:24,180 GOOD. THANK YOU FOR EVERYTHING, COACH. 591 00:28:24,224 --> 00:28:27,401 AND A SPECIAL SHOUT-OUT TO MRS. BAKER. I'M NOT HERE WITHOUT HER. 592 00:28:27,444 --> 00:28:29,577 I JUST STOPPED BY TO GET MY STUFF. 593 00:28:29,620 --> 00:28:33,668 YOU, UH, GOT A GOOD GROUP OF KIDS HERE, MAN. 594 00:28:33,712 --> 00:28:36,366 THEY'D BE A WHOLE LOT BETTER WITH SOMEBODY LIKE YOU. 595 00:28:36,410 --> 00:28:39,239 I'M--I'M TRYING TO SAY, 596 00:28:39,282 --> 00:28:41,676 UH, THIS DOESN'T HAVE TO END NOW. 597 00:28:41,720 --> 00:28:44,897 JOB IS STILL YOURS IF YOU WANT IT. PREACH: I CAN'T. 598 00:28:44,940 --> 00:28:48,117 IT'S BAD ENOUGH I GOT ARRESTED IN FRONT OF MY STUDENTS, 599 00:28:48,161 --> 00:28:49,902 AND LAST THING I WANT TO DO IS BE A DISTRACTION. 600 00:28:49,945 --> 00:28:52,295 YOU'RE NOT A DISTRACTION. THE KIDS LOVE YOU. 601 00:28:52,339 --> 00:28:53,993 I APPRECIATE YOU, COACH. 602 00:28:54,036 --> 00:28:56,038 LOOK, YOU BEEN SOLID FROM THE RIP, 603 00:28:56,082 --> 00:28:58,040 BUT I CAN'T COME BACK, 604 00:28:58,084 --> 00:28:59,999 NOT RIGHT NOW. 605 00:29:00,042 --> 00:29:03,132 OK. HOW'S AMINA? 606 00:29:04,612 --> 00:29:06,745 UH, OK. 607 00:29:06,788 --> 00:29:09,312 APPARENTLY, SHE, UH, STAYED WITH COOP LAST NIGHT. 608 00:29:09,356 --> 00:29:12,315 I'D LOVE TO SEE HER... BILLY: MM-HMM. 609 00:29:12,359 --> 00:29:14,578 BUT I KNOW SHE'S GONNA NEED A FEW MORE DAYS. 610 00:29:14,622 --> 00:29:16,580 I'MMA BE PATIENT. BILLY: YEAH. 611 00:29:16,624 --> 00:29:19,583 I'M SURE THINGS WILL WORK OUT. PREACH: YEAH. 612 00:29:19,627 --> 00:29:23,500 UH, ONE LAST THING. YOUR ART INSTALLATION IS STILL GOING ON TODAY, 613 00:29:23,544 --> 00:29:26,460 SO I KNOW A LOT OF STUDENTS ARE GONNA COME, SO YOU MIGHT WANT 614 00:29:26,503 --> 00:29:30,769 TO CONSIDER COMING THROUGH, YOU KNOW, JUST TO SAY YOUR LAST GOOD-BYES. 615 00:29:30,812 --> 00:29:33,554 [QUIETLY] YEAH. 616 00:29:35,121 --> 00:29:37,819 MALE SINGER: ♪ LOVE IS PATIENT AND PASSIONATE PURSUIT ♪ 617 00:29:37,863 --> 00:29:40,691 ♪ SAY HELLO TO THE NEWEST AMBASSADOR FOR TRUTH ♪ 618 00:29:40,735 --> 00:29:42,519 ♪ NOBODY COULD DO THIS ALL ALONE ♪ 619 00:29:42,563 --> 00:29:45,087 ♪ SO AS I GO OUT AND SECURE ANOTHER RECRUIT ♪ 620 00:29:45,131 --> 00:29:48,090 ♪ DANNY GLOVER WAS A WEAPON, I'M LEGAL AS EVER ♪ 621 00:29:48,134 --> 00:29:49,831 THERE HE IS. GOOD TO SEE YOU, MAN. 622 00:29:49,875 --> 00:29:51,093 THANKS FOR COMING. 623 00:29:51,137 --> 00:29:53,095 HERO, THIS IS SO GOOD, YOUNG MAN. 624 00:29:53,139 --> 00:29:56,795 I'M VERY PROUD OF YOU. KEEP UP THE GOOD WORK. YOU HEAR ME, RIGHT? 625 00:30:01,974 --> 00:30:03,453 WAIT. WHAT? 626 00:30:03,497 --> 00:30:05,629 YO, I FOUND THIS DOPE LOCAL ARTIST, 627 00:30:05,673 --> 00:30:07,631 MAN, WHO USED ONE OF OUR OLD PICS TO PAINT THIS. 628 00:30:07,675 --> 00:30:10,460 OH, MY GOD, YEAH. I REMEMBER THIS PIC. 629 00:30:10,504 --> 00:30:12,332 WOW! COOP: YEAH, IT'S ONE OF MY FAVORITES-- 630 00:30:12,375 --> 00:30:14,856 I MEAN, JUST TWO GIRLS AT CHOIR REHEARSAL, CLOWNING, 631 00:30:14,900 --> 00:30:17,293 - MM-HMM. - MAKING OUR OWN RATCHET GOSPEL TRAP MUSIC. 632 00:30:17,337 --> 00:30:19,295 HA HA HA HA! PATIENCE: OH, MY GOD, YES! 633 00:30:19,339 --> 00:30:21,820 - HA HA! YEAH, WE WERE A MESS. - YEAH. 634 00:30:21,863 --> 00:30:24,474 - HA HA! - HEY, LOOK, I KNOW THINGS HAVE BEEN CRAZY BETWEEN US 635 00:30:24,518 --> 00:30:26,955 SINCE THE SHOOTING, ALL RIGHT? BUT NOW THAT PREACH IS OUT 636 00:30:26,999 --> 00:30:29,610 AND ALL THAT IS BEHIND US, I'MMA MAKE IT UP TO YOU. 637 00:30:29,653 --> 00:30:33,005 - NO, NO, COOP, IT'S-- - NO, NO, I'M SERIOUS, OK? 638 00:30:33,048 --> 00:30:34,528 - MM-HMM. - TALKING FRESH START, 639 00:30:34,571 --> 00:30:36,878 CLEAN SLATE, ME AND YOU. 640 00:30:36,922 --> 00:30:39,315 THE WORLD IS OURS. 641 00:30:41,230 --> 00:30:43,711 [MAN SINGING INDISTINCTLY] 642 00:30:43,754 --> 00:30:46,888 WOW! I MEAN, THIS EXHIBIT IS AWESOME. 643 00:30:46,932 --> 00:30:49,021 YOU KNOW, JUST WHEN I THOUGHT I HAD PREACH ALL FIGURED OUT, 644 00:30:49,064 --> 00:30:52,415 HE SURPRISES ME. JORDAN: KINDA LIKE YOUR DAD DID LAST NIGHT? 645 00:30:52,459 --> 00:30:54,591 WAS IT THAT OBVIOUS? 646 00:30:54,635 --> 00:30:56,767 [CHUCKLES] WELL, I MEAN, MAYBE NOT TO MOST, 647 00:30:56,811 --> 00:30:59,466 BUT MY LAY-DAR IS PRETTY ACCURATE. 648 00:30:59,509 --> 00:31:02,164 - YOUR LAYDAR? - JUST--JUST ROLL WITH IT. 649 00:31:02,208 --> 00:31:04,166 OK. HEH! UM, NO, 650 00:31:04,210 --> 00:31:05,951 I'M--I'M GENUINELY HAPPY FOR MY DAD. 651 00:31:05,994 --> 00:31:08,475 I'M JUST A LITTLE SURPRISED HE HASN'T INTRODUCED ME TO ERIN. 652 00:31:08,518 --> 00:31:10,477 THEY'VE BEEN DATING FOR OVER A MONTH, AND HE'S HAD 653 00:31:10,520 --> 00:31:12,827 NO TROUBLE INTRODUCING ME TO GIRLFRIENDS BEFORE, SO-- 654 00:31:12,871 --> 00:31:15,003 YEAH, WELL, THOSE GIRLFRIENDS WERE SEASONAL. 655 00:31:15,047 --> 00:31:18,006 BY SEASONAL, YOU MEAN... 656 00:31:18,050 --> 00:31:20,182 OK. UM, 657 00:31:20,226 --> 00:31:22,184 LAYLA, WHEN IT COMES TO DATING, 658 00:31:22,228 --> 00:31:24,186 THERE ARE 4 SEASONS. LAYLA: OH. OK. 659 00:31:24,230 --> 00:31:26,362 OK, THERE IS--THERE'S TEASING SEASON, 660 00:31:26,406 --> 00:31:28,364 OK, THERE'S PLEASING SEASON, 661 00:31:28,408 --> 00:31:30,889 AND THEN THERE'S CHEESIN' SEASON, AND LAST 662 00:31:30,932 --> 00:31:33,456 BUT NOT LEAST, WE HAVE SQUEEZING SEASON. 663 00:31:33,500 --> 00:31:36,242 OK, REMIND ME TO UNPACK THOSE LATER, 664 00:31:36,285 --> 00:31:39,767 BUT I SEE WHERE YOU'RE GOING WITH THIS. YOU THINK IT'S SERIOUS. 665 00:31:39,810 --> 00:31:41,377 - I DO, YEAH. - I MEAN, IT MUST BE. 666 00:31:41,421 --> 00:31:44,076 HE'S PRIORITIZING HER OVER THE LABEL, 667 00:31:44,119 --> 00:31:46,208 AND, UM...HE HASN'T-- 668 00:31:46,252 --> 00:31:48,602 HE HASN'T BEEN SERIOUS WITH ANYONE SINCE MY MOM. 669 00:31:48,645 --> 00:31:51,300 WHICH IS WHY YOU HAVEN'T MET HER. 670 00:31:51,344 --> 00:31:53,085 HE'S WAITING FOR YOUR PERMISSION. 671 00:31:53,128 --> 00:31:55,565 TO DATE HER? HEH! IT'S A LITTLE LATE FOR THAT. 672 00:31:55,609 --> 00:31:57,741 NO, NO, NO, YOUR PERMISSION TO MEET HER. 673 00:31:57,785 --> 00:32:00,744 LOOK, NO MATTER HOW MUCH YOUR DAD MIGHT BE INTO ERIN, 674 00:32:00,788 --> 00:32:03,573 YOU'RE STILL THE MOST IMPORTANT WOMAN IN HIS LIFE, LAYLA. 675 00:32:03,617 --> 00:32:06,968 HE'S NOT GONNA INTRODUCE THE TWO OF YOU UNTIL HE KNOWS YOU'RE OK WITH THIS. 676 00:32:07,012 --> 00:32:08,970 RIGHT. 677 00:32:09,014 --> 00:32:10,929 [WHISPERS] Right. 678 00:32:15,237 --> 00:32:18,327 BILLY: OK, OK, CAN I GET EVERYBODY'S ATTENTION, PLEASE? 679 00:32:18,371 --> 00:32:20,590 I GOT, UH, I GOT SOME GOOD NEWS. 680 00:32:20,634 --> 00:32:22,592 THANKS TO Y'ALL, THE BEAUTIFUL PEOPLE 681 00:32:22,636 --> 00:32:24,594 OF THE CRENSHAW DISTRICT, 682 00:32:24,638 --> 00:32:26,945 WE HAVE RAISED OVER $8,000 683 00:32:26,988 --> 00:32:28,859 IN DONATIONS AND SALES. 684 00:32:28,903 --> 00:32:31,645 ALL RIGHT, YES, YES. LOOK, I'M JUST THE MESSENGER. 685 00:32:31,688 --> 00:32:34,343 JUST LET ME SAY RIGHT QUICK THIS BEAUTIFUL FUNDRAISER 686 00:32:34,387 --> 00:32:36,432 COULD NOT HAVE HAPPENED WERE IT NOT 687 00:32:36,476 --> 00:32:40,610 FOR OUR AMAZING NEW TUTOR, MR. PREACH. 688 00:32:40,654 --> 00:32:43,265 PREACH AND I, WE HAVEN'T WORKED TOGETHER THAT LONG, 689 00:32:43,309 --> 00:32:45,572 BUT I CAN SAY THAT HE HAS MADE 690 00:32:45,615 --> 00:32:47,574 JUST AS MUCH OF AN IMPACT 691 00:32:47,617 --> 00:32:51,621 ON MY LIFE PERSONALLY AS HE HAS HIS STUDENTS'. 692 00:32:51,665 --> 00:32:54,320 OH, THERE YOU GO, RIGHT THERE. 693 00:32:54,363 --> 00:32:56,452 MY MOTHER WAS A TEACHER, 694 00:32:56,496 --> 00:32:59,455 SO I CAN APPRECIATE THE IMPORTANCE, 695 00:32:59,499 --> 00:33:01,631 AND I CAN TELL YOU FIRSTHAND 696 00:33:01,675 --> 00:33:04,156 THAT PREACH SHARES HER HEART, 697 00:33:04,199 --> 00:33:06,419 HER PATIENCE, AND HER ABILITY 698 00:33:06,462 --> 00:33:08,595 TO CONNECT WITH STUDENTS IN A WAY 699 00:33:08,638 --> 00:33:10,640 THAT NOT MANY PEOPLE CAN, 700 00:33:10,684 --> 00:33:13,426 SO--SO THANK YOU, PREACH. MAN: YEAH! 701 00:33:16,690 --> 00:33:18,648 JABARI: MR. PREACH IS THE MAN. 702 00:33:18,692 --> 00:33:21,608 HE STAYED PUSHING ME, BUT I LOVE IT. 703 00:33:21,651 --> 00:33:25,133 YOU SEE, WE CUT FROM THE SAME CLOTH. 704 00:33:25,177 --> 00:33:28,310 HE SHOWED ME THAT I DON'T HAVE TO BE DEFINED BY MY MISTAKES. 705 00:33:28,354 --> 00:33:30,660 JUST 'CAUSE I SPENT TIME IN THE SYSTEM 706 00:33:30,704 --> 00:33:32,662 DOESN'T MEAN THAT THE SYSTEM IS MY FUTURE. 707 00:33:32,706 --> 00:33:36,971 HE ALSO SHOWED ME THE POSSIBILITY OF WHAT MY FUTURE COULD LOOK LIKE, 708 00:33:37,015 --> 00:33:39,452 DESPITE MY PAST, 709 00:33:39,495 --> 00:33:42,324 AND I'MMA CARRY THAT FOREVER, THANKS TO HIM. 710 00:33:42,368 --> 00:33:44,674 MAN: YEAH. ALL RIGHT. [APPLAUSE] 711 00:33:49,940 --> 00:33:51,290 COME ON. 712 00:33:51,333 --> 00:33:53,596 WHENEVER YOU'RE READY, SWEETIE. 713 00:33:59,776 --> 00:34:03,258 MY NAME IS AMINA, AND MR. PREACH IS MY DADDY. 714 00:34:03,302 --> 00:34:05,782 MY DAD IS A LOT LIKE AN EMPEROR PENGUIN. 715 00:34:05,826 --> 00:34:09,047 HE'S SMART, HE'S PROTECTIVE, AND HE'S LOYAL. 716 00:34:09,090 --> 00:34:13,442 HE'LL ALWAYS PUT THOSE HE LOVES BEFORE HIM, NO MATTER HOW CRAZY IT GETS. 717 00:34:13,486 --> 00:34:15,705 THAT'S WHAT MAKES HIM THE KING OF ALL DADDIES, 718 00:34:15,749 --> 00:34:17,925 AND I'M SO PROUD TO BE HIS DAUGHTER. 719 00:34:17,968 --> 00:34:20,754 SO TO MY DAD, I SAY STAND STRONG 720 00:34:20,797 --> 00:34:24,192 AND KEEP YOUR CHIN UP. THAT WAY, YOUR CROWN DOESN'T FALL. 721 00:34:24,236 --> 00:34:26,629 [APPLAUSE] 722 00:34:38,467 --> 00:34:40,121 THIS CAME TOGETHER. 723 00:34:40,165 --> 00:34:41,644 - IT DID. - YEAH. 724 00:34:41,688 --> 00:34:43,646 SUCKS THAT WE DIDN'T GET TO GO ON OUR HIKE. 725 00:34:43,690 --> 00:34:45,822 I KNOW, BUT IT WAS GOOD TO BE HOME 726 00:34:45,866 --> 00:34:48,086 FOR A FEW DAYS. OLIVIA: YEAH. [KISS] 727 00:34:48,129 --> 00:34:50,523 BILLY: HEY, HEY, HEY. GRACE: HEY. WHERE'S DILLON? 728 00:34:50,566 --> 00:34:52,177 SPENCER: HE'S WITH COOP AND PATIENCE. 729 00:34:52,220 --> 00:34:54,744 HE SAID HE WAS GONNA TEXT YOU. GRACE: OH. 730 00:34:54,788 --> 00:34:57,225 BILLY: WHAT'S UP? PREACH: SO I WAS THINKING... 731 00:34:57,269 --> 00:34:59,227 YES, YOU CAN HAVE YOUR JOB BACK. 732 00:34:59,271 --> 00:35:01,099 - HA HA HA! MY GUY. - AW. 733 00:35:01,142 --> 00:35:03,231 MAN, I APPRECIATE YOU, PRINCIPAL BAKER. 734 00:35:03,275 --> 00:35:05,581 - OH, WELL, I APPRECIATE YOU. - YES, SIR. 735 00:35:05,625 --> 00:35:07,757 - READY TO GO HOME, 'MINA BEAN? - YEP. 736 00:35:07,801 --> 00:35:09,759 - LET'S GO. - UP. 737 00:35:09,803 --> 00:35:11,761 THERE WE GO. PREACH: HEH HEH HEH! 738 00:35:11,805 --> 00:35:14,764 SPENCER: GREAT NIGHT TONIGHT. BILLY: YEAH. 739 00:35:14,808 --> 00:35:16,984 FAR EXCEEDED MY EXPECTATIONS. 740 00:35:17,027 --> 00:35:18,768 MINE'S, TOO. 741 00:35:18,812 --> 00:35:20,814 LISTEN, I WAS WRONG; 742 00:35:20,857 --> 00:35:22,990 YOU'VE CLEARLY DONE A GREAT JOB. 743 00:35:23,033 --> 00:35:25,427 THESE KIDS HAVE REALLY RESPONDED TO YOU 744 00:35:25,471 --> 00:35:27,603 AND EVERYTHING YOU STAND FOR. 745 00:35:27,647 --> 00:35:28,996 - THANK YOU, GRACIE. - MM-HMM. 746 00:35:29,039 --> 00:35:31,041 DO I GOT YOUR VOTE NOW, FINALLY? 747 00:35:31,085 --> 00:35:33,131 [BILLY CHUCKLES] 748 00:35:33,174 --> 00:35:35,394 I'M SORRY. I... 749 00:35:35,437 --> 00:35:38,571 I STILL DON'T THINK YOU'RE THE RIGHT PERSON TO BE PRINCIPAL. 750 00:35:41,704 --> 00:35:44,011 [FOOTSTEPS RETREAT] 751 00:35:52,889 --> 00:35:54,587 AND YOU'RE TOTALLY COOL WITH ME 752 00:35:54,630 --> 00:35:56,371 PURSUING THESE ARTISTS? JP: YEAH, OF COURSE. 753 00:35:56,415 --> 00:36:00,027 OK, GREAT, 'CAUSE I'M A LITTLE OBSESSED WITH TONY WILDER'S ALBUM. 754 00:36:00,070 --> 00:36:02,421 YEAH. HEH. 755 00:36:02,464 --> 00:36:05,424 LOOK, UM... 756 00:36:05,467 --> 00:36:07,600 IT'S--IT'S CLEAR 757 00:36:07,643 --> 00:36:10,124 THAT ERIN BRINGS OUT THE BEST IN YOU, 758 00:36:10,168 --> 00:36:11,821 SO WHENEVER YOU'RE READY, 759 00:36:11,865 --> 00:36:13,780 I WOULD, UH, I WOULD LOVE TO MEET HER. 760 00:36:13,823 --> 00:36:15,477 - YEAH? - MM-HMM. 761 00:36:15,521 --> 00:36:16,913 I MEAN, THAT WOULD BE AMAZING. 762 00:36:16,957 --> 00:36:18,698 YOU KNOW, I'M PRETTY SURE THAT 763 00:36:18,741 --> 00:36:20,395 YOU TWO ARE GONNA VIBE ANYWAYS, YOU KNOW? 764 00:36:20,439 --> 00:36:23,006 OK, WOW. THIS IS HAPPENIN'. 765 00:36:23,050 --> 00:36:24,747 [BOTH CHUCKLE] 766 00:36:24,791 --> 00:36:26,227 IT'S JUST BEEN A LONG TIME 767 00:36:26,271 --> 00:36:27,968 SINCE I FELT LIKE THIS. LAYLA: I CAN TELL. 768 00:36:28,011 --> 00:36:29,622 I'VE BEEN BLESSED TO FEEL THIS WAY 769 00:36:29,665 --> 00:36:31,406 TWICE IN MY LIFE, AND I 770 00:36:31,450 --> 00:36:34,104 ALMOST DIDN'T GET THIS SECOND CHANCE BECAUSE, UM, 771 00:36:34,148 --> 00:36:36,281 I CLOSED MY HEART OFF FOR SO LONG 772 00:36:36,324 --> 00:36:37,891 AFTER YOUR MOM PASSED. 773 00:36:37,934 --> 00:36:40,198 I WANT BETTER FOR YOU, LAYLA. 774 00:36:40,241 --> 00:36:42,504 ME? HOW'D WE GET ON ME? 775 00:36:42,548 --> 00:36:44,854 WE KEATINGS HAVE A WAY OF PROTECTING OUR HEARTS 776 00:36:44,898 --> 00:36:47,727 BY HIDING IN OUR WORK, SO JUST SAYING 777 00:36:47,770 --> 00:36:50,251 DON'T BE LIKE ME, YOU KNOW, SO CAUGHT UP 778 00:36:50,295 --> 00:36:53,341 IN BEING A MOGUL THAT YOU PUT YOUR LIFE ON HOLD. 779 00:36:53,385 --> 00:36:56,475 IT'S OK TO PUT YOURSELF OUT THERE AGAIN, 780 00:36:56,518 --> 00:36:59,217 TAKE A CHANCE. 781 00:37:09,401 --> 00:37:11,664 [SIGHING] 782 00:37:16,103 --> 00:37:18,714 - LOOK, MA-- - SPENCER, PLEASE. 783 00:37:18,758 --> 00:37:21,543 IF THIS IS ABOUT BILLY, I-- SPENCER: YOU KNOW IT IS. 784 00:37:21,587 --> 00:37:25,286 SOMETHING ELSE IS GOING ON WITH YOU, AND HONESTLY, I'M A LITTLE CONCERNED. 785 00:37:25,330 --> 00:37:27,375 SPENCER, IT'S SIMPLE. 786 00:37:27,419 --> 00:37:29,551 I'M THINKING LIKE A PARENT. 787 00:37:29,595 --> 00:37:31,771 YES, YOU NO LONGER GO TO SOUTH CRENSHAW, 788 00:37:31,814 --> 00:37:34,034 BUT DILLON WILL BE STARTING THERE SOON. 789 00:37:34,077 --> 00:37:36,036 LET'S SAY BILLY IS THE PRINCIPAL 790 00:37:36,079 --> 00:37:38,212 AND THE SCHOOL IS DOING WELL 791 00:37:38,256 --> 00:37:40,910 AND DILLON IS PROSPERING, AND THEN, 792 00:37:40,954 --> 00:37:43,086 ALL OF A SUDDEN, OUT OF NOWHERE, SOME COLLEGE 793 00:37:43,130 --> 00:37:45,567 OR PRO TEAM MAKES AN OFFER TO BILLY THAT HE CAN'T REFUSE, 794 00:37:45,611 --> 00:37:47,961 AND THEN POOF! HE'S GONE, 795 00:37:48,004 --> 00:37:49,963 AND THEN THE SCHOOL'S BACK IN SHAMBLES AGAIN. 796 00:37:50,006 --> 00:37:52,139 YOU EXPECT ME TO BELIEVE YOU FIGHTING THIS HARD 797 00:37:52,182 --> 00:37:54,141 OVER SOMETHING THAT AIN'T EVEN HAPPENED YET, 798 00:37:54,184 --> 00:37:57,405 AT A SCHOOL THAT DILLON DON'T EVEN GO TO YET? 799 00:37:57,449 --> 00:38:00,452 MA, I DON'T THINK THIS HAS ANYTHING TO DO WITH COACH. 800 00:38:00,495 --> 00:38:03,585 THIS IS ABOUT ALL THE CHANGES HAPPENING IN YOUR LIFE. 801 00:38:03,629 --> 00:38:05,587 - WAIT A MINUTE-- - JUST HEAR ME OUT. 802 00:38:05,631 --> 00:38:07,589 HEAR ME OUT. 803 00:38:07,633 --> 00:38:10,592 I FINALLY LEFT HOME FOR COLLEGE. 804 00:38:10,636 --> 00:38:13,073 DILLON IS OLDER NOW, 805 00:38:13,116 --> 00:38:15,510 AND HE'S DOING HIS OWN THING WITH HIS FRIENDS MORE. 806 00:38:15,554 --> 00:38:18,513 PRINCIPAL CARTER IS PURSUING HIS POLITICAL DREAMS, 807 00:38:18,557 --> 00:38:21,429 WHICH IS CUTTING INTO Y'ALL'S TIME TOGETHER, RIGHT? 808 00:38:21,473 --> 00:38:25,303 LIFE'S CHANGING FASTER THAN MAYBE YOU READY FOR, 809 00:38:25,346 --> 00:38:28,654 SO YOU TRYING TO CONTROL ANY LITTLE THING, 810 00:38:28,697 --> 00:38:31,004 AND UNFORTUNATELY FOR COACH, 811 00:38:31,047 --> 00:38:33,659 IT HAPPENS TO BE THIS, AND I'M SURE THE FACT 812 00:38:33,702 --> 00:38:37,010 THAT HE'S ANOTHER MAN WHO IS IMPORTANT IN YOUR LIFE 813 00:38:37,053 --> 00:38:39,534 COMPLICATES IT A LITTLE MORE. 814 00:38:39,578 --> 00:38:42,276 I HEAR YOU, BABY, BUT... [CHUCKLES] 815 00:38:42,320 --> 00:38:44,757 UH, I THINK I WOULD KNOW 816 00:38:44,800 --> 00:38:47,760 IF I'M HAVING SOME CRAZY REACTION 817 00:38:47,803 --> 00:38:50,589 BECAUSE I'M BECOMING A... 818 00:38:50,632 --> 00:38:52,895 EMPTY-NESTER. SPENCER: WOULD YOU? 819 00:38:52,939 --> 00:38:55,811 SOMETIMES WE DON'T KNOW WHAT'S GOING ON UNTIL WE TALK TO SOMEBODY. 820 00:38:55,855 --> 00:38:58,553 SO WHAT YOU SAYING, I NEED TO TALK TO DR. SPEARS? 821 00:38:58,597 --> 00:39:02,035 IF HE'S THE ONE THAT CAN HELP YOU PROCESS ALL THIS, THEN WHY NOT? 822 00:39:13,220 --> 00:39:15,222 [DOOR OPENS] 823 00:39:42,249 --> 00:39:43,990 [VIBRATING] 824 00:39:44,033 --> 00:39:46,732 [JORDAN GRUNTS] 825 00:39:49,038 --> 00:39:51,519 [SIGHS] UH, LAYLA? 826 00:39:51,563 --> 00:39:53,695 HI. UH, I JUST WANTED TO--TO CALL 827 00:39:53,739 --> 00:39:57,046 TO SAY THANK YOU FOR, UM, FOR EVERYTHING. 828 00:39:57,090 --> 00:39:59,745 YOU KNOW, YOUR TIME, YOUR FRIENDSHIP, 829 00:39:59,788 --> 00:40:02,574 UM, THE ADVICE, NO MATTER HOW 830 00:40:02,617 --> 00:40:05,185 UNIQUE AND OFF-BASE IT SOUNDED. 831 00:40:05,228 --> 00:40:07,883 [CHUCKLES] UM, THANKS, I--I THINK. 832 00:40:07,927 --> 00:40:10,059 LAYLA: AND THE OTHER REASON I'M CALLING-- 833 00:40:10,103 --> 00:40:14,412 JORDAN: OOH, THE 4 SEASONS OF DATING, RIGHT? OK. OK, LISTEN. 834 00:40:14,455 --> 00:40:16,936 THERE'S TEASING SEASON, RIGHT? NOW, TEASING SEASON 835 00:40:16,979 --> 00:40:19,199 IS WHENEVER YOU MEET SOMEONE AND YOU VIBE WITH 'EM, 836 00:40:19,242 --> 00:40:23,203 BUT IT'S ALMOST SUMMERTIME AND, YOU KNOW, YOU WANT TO STAY SINGLE. 837 00:40:23,246 --> 00:40:27,381 SO, YOU TEASE EACH OTHER AND YOU KEEP IT CASUAL UP UNTIL-- 838 00:40:27,425 --> 00:40:30,515 LAYLA: PLEASING SEASON, WHEN, YOU, UM, 839 00:40:30,558 --> 00:40:34,432 YOU REALIZE WHAT YOU HAD WAS JUST A FUN HOOKUP, NO STRINGS ATTACHED. 840 00:40:34,475 --> 00:40:36,956 [CHUCKLING] EXACTLY. WOW, YOU'RE GOOD. 841 00:40:36,999 --> 00:40:39,088 NEXT, WE HAVE CHEESING SEASON, RIGHT? 842 00:40:39,132 --> 00:40:43,092 NOW, CHEESING SEASON'S WHENEVER YOU'RE SO IN LOVE THAT YOU JUST CAN'T STOP SMILING. 843 00:40:43,136 --> 00:40:45,486 UH, KINDA LIKE, UH, YOU AND SIMONE. 844 00:40:45,530 --> 00:40:49,359 [CHUCKLING] FACTS, YEAH. THAT'S-- THAT'S US TO A TEE. 845 00:40:49,403 --> 00:40:51,144 NOW, SQUEEZING SEASON. 846 00:40:51,187 --> 00:40:53,146 SQUEEZING SEASON IS SIMPLY THE BEST ONE 847 00:40:53,189 --> 00:40:56,497 BECAUSE, I MEAN, YOU'RE PAST ALL THE SEASONS NOW. 848 00:40:56,541 --> 00:41:00,762 COOP: YO, YOU REALLY DID NOT SAVE ME A "KING CRENSHAW" POSTER? 849 00:41:00,806 --> 00:41:03,939 DILLON: HEY, THANKS TO THE POST ON THE 'GRAM, WE SOLD OUT WITHIN AN HOUR. 850 00:41:03,983 --> 00:41:05,637 BUT I'LL SEE WHAT I CAN DO. 851 00:41:05,680 --> 00:41:07,116 MAYBE MY PEOPLE CAN GET YOU ONE. 852 00:41:07,160 --> 00:41:09,554 YO, DID THIS DUDE REALLY JUST "PEOPLE" US? 853 00:41:09,597 --> 00:41:11,556 [CHUCKLING] YUP, HE DEFINITELY JUST "PEOPLED" US. 854 00:41:11,599 --> 00:41:14,297 POWORSKI: I HATE TO INTERRUPT. COOP: THEN DON'T. 855 00:41:14,341 --> 00:41:17,300 I MEAN, HAVEN'T YOU TRIED TO DO ENOUGH DAMAGE FOR THE YEAR? 856 00:41:17,344 --> 00:41:19,607 YO, LET'S GET UP OUTTA HERE, YO. 857 00:41:19,651 --> 00:41:22,523 YEAH, NOT SO FAST, TAMIA. I'M ACTUALLY HERE FOR YOU. 858 00:41:22,567 --> 00:41:24,743 PATIENCE: THE CASE IS CLOSED, DETECTIVE. LIKE-- 859 00:41:24,786 --> 00:41:27,267 FOR THE MURDER OF MONIQUE MOORE, YES. 860 00:41:27,310 --> 00:41:30,313 REMEMBER OUR CONVERSATION AT THE HOSPITAL? 861 00:41:30,357 --> 00:41:32,490 YOU CONFESSED TO A CRIME YOU DIDN'T COMMIT. 862 00:41:32,533 --> 00:41:34,970 THAT'S A WHOLE OTHER CASE, SO, TAMIA COOPER, 863 00:41:35,014 --> 00:41:37,538 YOU'RE UNDER ARREST FOR OBSTRUCTION OF JUSTICE. 864 00:41:37,582 --> 00:41:39,627 - WAIT. WHAT? NO, NO, NO. - THEY CAN DO THAT? 865 00:41:39,671 --> 00:41:41,629 - HEY, NO. WHAT ARE YOU DOING? - PATIENCE, CHILL. PATIENCE... 866 00:41:41,673 --> 00:41:43,979 - NO, THAT'S NOT FAIR. STOP. I'M GOOD. I'M FINE. NO! 867 00:41:44,023 --> 00:41:48,027 CALL MS. BAKER, OK? I'M--I'M SORRY, BABE. 868 00:42:21,016 --> 00:42:22,540 GREG, MOVE YOUR HEAD!